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Speaker 1: How many stocks do I have to expect?

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Speaker 2: How individual body?

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Speaker 3: That's time you really cross the banging lie.

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Speaker 1: I don't wanna be out of doun side. There's a

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rice to have your good.

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Speaker 4: Lad, that's a lot to have you my way?

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Speaker 1: So lade druckum boys, so lad shouting? How many times

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do I have to get the bad.

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Speaker 5: I don't mean your senseless page.

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Speaker 1: It ain't no picture.

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Speaker 6: Roger spies, one stranture stamp th slies.

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Speaker 1: That's all right.

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Speaker 6: Time you could die, that's all out.

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Speaker 3: Jack in my way, souls doctor solis, doctor do.

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Speaker 4: Yees.

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Speaker 7: That is WTF. We'll call it sick dude. Hell yeah

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is the band. We're going to talk to these guys

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in just a moment. Welcome everybody. If you are listening

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live on Saturday. It is Saturday, March eight, twenty twenty five,

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and we are live from the studios of wm NH

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ninety five point three FM, Inglorious, Manchester, New Hampshire. Jenny

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is here as well, of course at the news table. Yes,

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and let's go ahead and get those mics up here.

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Really looking forward to talking to these guys. Gentlemen.

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Speaker 8: Welcome, hey, thanks for having us.

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Speaker 7: Absolutely please please each introduce yourselves and tell us who

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you are what you do in the band.

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Speaker 5: I'm Dylan McKenna.

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Speaker 9: I do bass and vocals, all right, welcome, And I'm

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Somebody's Crackers and I play the drums and do some

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backup vocals.

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Speaker 7: All right, very good. Somebody's Crackers. Am I saying that right?

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Speaker 8: It's not an as, it's an e RS, it's an eers.

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Speaker 7: Somebody's crackers. Okay, very good. You know these uh these

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these names, Yeah, I want I try to make sure

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I pronounce everyone's name correctly. Jenny witnessed me, uh, just

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almost panicking over well, he ended up not joining us

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on the show. I guess we had booked earlier and

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uh phy Zach early or something, and it's like, I

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don't know how to say this name, so I probably

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would have butchered it anyway, telemarketer. Yeah, yeah, yeah, no kidding,

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no kidding. Uh So, welcome guys. First question, of course, uh,

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where does the name come from? Because that that's obvious.

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You know it's sick dude. Hell yeah, it's not a

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not a a conventional name for a band, shall we say?

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Speaker 5: Yeah? Sure, no, it's actually it's kind of a funny

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story and it's actually it's it's it's pretty simple. We

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were jamming one day and we had like an idea

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we wanted to do some type of band together, and Uh,

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I forgot about a cable. I had to split my

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bass into two signals. Yeah, oigured, let's let's give that

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a shot. Did that and our first jam session, like

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after it, I was like sick dude, and Nate hell.

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Speaker 9: Yeah, yeah. We just kind of It's been the mantra

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since day one. It's just like every time we finish

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like making some kind of new addition to a song

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or like come up with like the first sick riff

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for like yeah whatever, it's just one of us will

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stay sick dude and the other one will say, hell yeah,

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it doesn't It hasn't been decided who's who yet, but

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you know.

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Speaker 7: Right, that's awesome now, so it makes sense. It makes sense.

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The name is is appropriate. Dylan, tell me about the

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splitting of the Uh oh sorry, Uh, I don't have

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the video on me. I have it on you guys,

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so people can't see I'm fidgeting with my microphone. Uh

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tell me about the splitting of the signal. I'm curious

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about this and when you mentioned that too. Do you

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guys probably know Able Blood, right or did you guys

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know the band Able Blood?

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Speaker 8: I don't think so now.

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Speaker 7: Because there's a lot of okay, because there's a lot

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of splitting of signals with with their whole setup. So

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I'm curious about this, So tell me about anima bass player.

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So selfishly, I'm also very careious. Yeah, exactly.

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Speaker 5: So originally it started with just a split a quarter

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inch cable that come off my bass and basically one

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signal just goes straight into my bass amp and I

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just cranked the gain on that, and then the other

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signal goes through a pitchfork and so I just have

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to pitch shifted up in octave and then into a

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fuzz pedal and into my guitar.

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Speaker 7: Okay, so that gives you a really just a heavy yeah,

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like like there's it's it's great. I love the way

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it sounds.

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Speaker 5: Yeah cool, Yeah, no, thank you and yeah. So I

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mean I guess the goal was to try to just

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like mimic a guitar but have bass as well. Yeah,

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because where we we're from, it's it's pretty tough to

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find other musicians to jam with.

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Speaker 7: Yeah, where are you guys from Wolfborough, New Hampshire, wolf

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Burro up.

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Speaker 9: So there's plenty of musicians out there, it's just not

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ones who want to make like super you know, in

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your face kind of stuff like this testosterone fueled caveman jam.

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Speaker 7: Yeah yeah right, uh yeah, able Blood does something kind

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of like what you described. I forget how they but

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because because they also have that a lot of bottom

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end and you know, it's it's really their setup is

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really interesting because there you know, it's three of them,

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but they sound, They've got this huge sound. You should

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check them out. But who else is in the band?

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Speaker 8: It's not just that it literally is just the two

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of you.

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Speaker 7: Yeah, that's amazing, that's that's awesome. Okay do you do

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you have plans to add members or or is this

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working so well with just the two of you? And

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and I mean it's not like it hasn't been done.

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I suppose, right, but there's not but to be able

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to pull it off like like you do, it's pretty cool.

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Like I think of the White Stripes when I think

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of you know.

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Speaker 9: Most legendary duo of all time, yea from maybe Tenacious D.

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But yeah, yeah, no, I I think that like we're

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not necessarily closed off to it. It's just uh, for one,

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it's a matter of ease.

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Speaker 7: Yeah.

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Speaker 9: For two, it's a matter of you know, having people

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like you ask us questions like that, and that feels

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really good to kind of stand out in a way,

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you know. But nothing's completely off the table. Like if

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if some other riff lord wanted to saddle up and

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could do something uh that made us say either sick Dude,

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hell yeah, or both, then welcome aboard, frankly. But but

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we're not like, we're not like, uh, there's no like

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now hiring, sign up or anything. Ye're perfectly content to

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just move forward as a duo. There's a soft spot,

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excuse me, a soft spot in my heart.

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Speaker 8: For musical duos like just yeap and across the board.

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Speaker 7: So and if it's working, it's working. Yeah, so far,

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why I mess with it? Yeah? How long is Sick

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Dude hell yeah existed?

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Speaker 5: Oh hm, I think maybe almost five months?

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Speaker 7: Yeah, this really new?

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Speaker 5: Yeah it was.

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Speaker 9: We met in a different band and then uh, I

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guess I'll just say, creative differences kind of drove us apart,

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but then drove Dylan and I together, and okay, we

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just kind of picked up in the same practice space

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where they left off, and we're just like, let's just start, uh,

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let's just start riffing around. And we had two songs

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by the end of our first practice and we're just

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like sick, dude, hell you.

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Speaker 7: So you guys were in that other band together?

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Speaker 1: Yeah?

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Speaker 7: Oh, what do you want to say? What band? Redacted? Redacted? Okay, yeah,

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not somebody I know? Or are you saying you're redact?

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Speaker 8: I'm saying I'm reacting the reacting.

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Speaker 7: Okay, will you tell me off their?

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Speaker 5: Sure?

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Speaker 7: I won't repeat it, I promise, Yeah, don't don't. I

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don't repeat anything, right, Jenny, there you go.

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Speaker 8: Do you have a little reverb on your mic over there?

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Speaker 7: I don't know what's going on over there? All right,

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sound very strange. I'm sorry. Yeah, she's she's booking guests

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for the show.

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Speaker 6: No.

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Speaker 7: But uh so that's so you guys had already worked

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had you worked together for a long time in that band?

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Speaker 5: About a year?

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Speaker 8: About a year?

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Speaker 7: Yeah? Yeah, So where do you record because obviously the

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sound is, you know, it's a really raw you know,

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which I love personally, I like that, but it's it's

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it's got that sort of raw sort of demo vibe.

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But I think but I think it's really cool, Like,

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how do you guys record? What's your process?

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Speaker 5: So we actually our practice space is adjacent to a

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small studio that's a friend of mine, nice, and so

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we just we recorded with him. Yeah, and the way

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we did it, I know, we used a few different amps, yeah,

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and had some amps and different rooms, but we were

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definitely going for the overall like demo kind of rougher

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sound because we thought it would fit fit our vibe

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a lot better.

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Speaker 7: Yeah, yeah, no, that's cool.

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Speaker 9: Yeah, we just we just did the instruments in one

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take and then vocals in another take. Yeah, and just

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kind of like went into pro tools and just polished

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up and everything so that it wouldn't be so that

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it had a little bit of polished. But we didn't

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want to go in and like overproduce it either. We

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were more concerned with getting it out and just kind

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of having people listen to it. We can, we can

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polish something up later if we feel like it.

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Speaker 5: But you know, it's yeah, and I think that my void.

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We didn't just in vocals and instruments all on one

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take that one.

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Speaker 7: Yeah, Oh that's cool. The the radio edit that we heard,

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like you did that yourself, the editing on that, the

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putting in. I'm curious.

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Speaker 5: So I gave my buddy a call, who initially recorded us,

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and I let him know what was going on. He's like,

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come on down, Yeah, well we'll put something together. And

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he's a goofy character as well, like me. So I mean,

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we're just hanging out and initially we're just gonna do beeps,

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and I was I wish the thought just popped in

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my head, like why am I just gonna do bleeps?

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Why don't I have some fun with it?

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Speaker 7: Yeah, yeah, that's really cool. I love how it came out.

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Speaker 9: And in one of the songs on the EP, you

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can hear the producer making some barnyard noises just in

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the background, Like, yeah, that wasn't either of us.

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Speaker 8: I might have leaned up to the snare drum mic

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and joined him, but.

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Speaker 7: Yeah, that's very cool. Are you guys playing out a

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lot or what's what's that like?

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Speaker 5: So it's been kind of a slow start, which has

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been fine. We did we did one show at actually

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a wicked cool local indoor skate park in Rochester called

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Red Alert. Okay, and that was a blast. And then

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as far as shows that are books that we have,

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we only have one coming up in Plattsburgh, New York

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on April nineteenth over at Peabody The Occasion. It's so

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it's a four to twenty fast Yeah, okay, my buddy's

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in Lungbuster. They put it on.

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Speaker 7: Okay, but it's the nineteenth, so it's uh said, yeah,

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it's premature, proactive. Yeah that's good. That's good.

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Speaker 8: That's for the real go getters of the four twenty crowd.

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Speaker 5: There you go.

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Speaker 7: So that's it. Now, how did how did you get

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involved in that? Get in on that bill?

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Speaker 1: So?

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Speaker 5: I used to be in a I used to drum

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and a doom metal band a couple of years ago,

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and I played a show with those guys.

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Speaker 7: And who was the band? Can you say?

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Speaker 5: Yeah? Yeah, we were called Grave Tripper.

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Speaker 7: Okay, oh that's a cool name.

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Speaker 5: Yeah, it was wicked. It was a fun project. Yeah.

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But as far as like things went and we just

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kind of all decided to part ways. But but yeah,

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so I met those guys at a show we played,

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and I thought they were cool, they were fun to watch,

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and yeah, I just hit them up on Instagram and

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you don't let them know. Hey, I'm starting this project.

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If if you guys ever need an opener or you know,

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need to fill a bill, feel free to hit us.

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Speaker 7: Oh very cool, very cool. That's in Plattsburgh, New York. Yeah, okay, excellent.

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Have you guys played out much or I know it's

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a relatively new prob.

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Speaker 9: Yeah, actually very new really just that show at Red

243
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Alert was our first, our first and only gigs so far.

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Speaker 8: Okay, where uh.

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Speaker 9: You know, we're wide open like our you know, we

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we work and have day jobs and stuff like that.

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But yeah, get us on your get us on your bill,

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get us in your basement, get us on.

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Speaker 8: Your birthday, your birth birthday. We'll play whatever.

250
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Speaker 7: But I would imagine when when you guys are out

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there gigging to that, you know, other other bands that

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you play with are going to really appreciate the you know,

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whereas this just two of you. You know, it's not

254
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because I, like, I used to play in a lot

255
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of bands and I don't know anymore, but I don't

256
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play anymore, but I know how like like sometimes when

257
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you're on a bill with a bunch of bands and

258
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you've got a band that you know, they're a five

259
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piece metal band and they've got all this gear and

260
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it takes them forever to get set up and then

261
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the tear down and you're waiting and waiting and waiting.

262
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But when it's just two of you.

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Speaker 8: Know, where a sound guy's dream come true.

264
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Speaker 7: I would imagine that's cool. And making the sound guy

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happy is always a plus.

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Speaker 9: It's miles miles where other actions go yards, making the

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sound guy happy goes mine.

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Speaker 7: Yes, yes, absolutely so. Have you both played in a

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lot of bands before this project or yeah.

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Speaker 9: I've I've been in all kinds of bands, Like you know,

271
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I had like a little garage band that didn't do

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anything with some friends.

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Speaker 8: In middle school. We were called rubber band, you know.

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Speaker 9: Yeah, and we wore rubber bands on our wrists because

275
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we were in the band rubber band.

276
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Speaker 8: Oh yeah, it was well now, yeah exactly.

277
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Speaker 9: And then we would start, you know, shooting them across

278
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the classrooms and getting them taken away by.

279
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Speaker 8: Teachers and stuff like that. But that's good for our

280
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middle school things, good marketing.

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Speaker 9: Then in high school, I was in a group called

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Idiosity Killed the Cat. Okay, we we got kind of

283
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kind of big, like in our town, like and you know,

284
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people would come out to see our shows because we

285
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were really the only like thing like that coming out

286
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of the town, which was Natick, Massachusetts. Bag shout out Natick, Massachusetts.

287
00:16:04,879 --> 00:16:07,559
There they've got a lot of music going on there.

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There's it's actually become quite the cultural hub.

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Speaker 7: Good.

290
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Speaker 9: But in my high school days it was less so yeah,

291
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and it's just it's it's really cool.

292
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Speaker 7: Yeah.

293
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Speaker 9: And then like more recently, I was in like a

294
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ska psychedelic fusion kind of band called Massachusetts the Band.

295
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As you can see, we're just great at naming bands.

296
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It was in like a gloom like glam doom rock

297
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outfit for a while called Votes that I sang and

298
00:16:35,720 --> 00:16:40,000
played tambourine for. Really yeah, just you know, all kinds

299
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of projects to keep me busy.

300
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Speaker 8: I'll quit hoging the mic, what about you, don So.

301
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Speaker 5: I haven't really been in too many bands and h

302
00:16:49,279 --> 00:16:51,399
In my early years of high school, like eighth grade

303
00:16:51,399 --> 00:16:54,799
through maybe sophomore year, I was in this crossover band

304
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called Silent Violence and we've played a few shows here

305
00:16:58,440 --> 00:17:02,639
and there, but somewhere in my sophomore year I was

306
00:17:02,759 --> 00:17:06,799
perpetually grounded pretty much like every other week through the

307
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rest of high school. That kind of hindered my ability

308
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to be in bands, yeah, because I wasn't following the

309
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rules there. But after high school I did a lot

310
00:17:16,759 --> 00:17:19,799
of like solo acoustic stuff for a long time. Yeah,

311
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and it was fun. It was fun because I had

312
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the ability to travel and not have to be around

313
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one area for too long and still be able to

314
00:17:32,599 --> 00:17:36,359
do music. Oh yeah. And it wasn't really until until

315
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Grave Tripper that I started playing in bands again.

316
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Speaker 7: Oh no kidding.

317
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Speaker 5: Yeah.

318
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Speaker 7: Yeah. The thing about doing like in a solo acoustic

319
00:17:43,519 --> 00:17:46,359
thing is it's it's very liberating, I would think, right,

320
00:17:46,480 --> 00:17:49,720
because you can book yourself wherever and you don't have

321
00:17:49,759 --> 00:17:52,160
to check with anybody on their schedule or anything like that.

322
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Speaker 8: Oh yeah, absolutely play whatever songs you want too.

323
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Speaker 5: Yeah.

324
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Speaker 7: Yeah, was was it hard for that reason? Was it

325
00:17:58,319 --> 00:18:00,839
hard to transition back into playing in a band?

326
00:18:01,720 --> 00:18:06,039
Speaker 5: No? No, Actually for me, it was. Uh. It was

327
00:18:06,160 --> 00:18:09,279
nice to finally transdition back into a band because for

328
00:18:09,279 --> 00:18:11,319
for a long time I was trying to get back

329
00:18:11,319 --> 00:18:14,880
into it, but just wasn't able to find the right people, yeah,

330
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to make to make sounds with, you know. And uh,

331
00:18:18,440 --> 00:18:21,880
I just think being in a group of people and

332
00:18:22,200 --> 00:18:25,160
all kind of finding that like vibe and that like wavelength,

333
00:18:25,160 --> 00:18:27,359
we can all ride together. Is something really special.

334
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Speaker 7: Yeah yeah, oh very cool, very cool.

335
00:18:29,720 --> 00:18:29,880
Speaker 5: Hey.

336
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Speaker 7: By the way, too, I want to mention, Uh, I

337
00:18:32,720 --> 00:18:36,079
saw in one of the chat rooms Sheila Russo uh

338
00:18:36,200 --> 00:18:39,720
says really great tunes, referring to one of our earlier guests.

339
00:18:39,720 --> 00:18:41,240
And and Sheila, of course, I don't know. Do you

340
00:18:41,279 --> 00:18:42,759
guys know a paper Jam magazine?

341
00:18:42,960 --> 00:18:43,119
Speaker 5: No?

342
00:18:43,440 --> 00:18:43,960
Speaker 8: I know of it.

343
00:18:44,079 --> 00:18:46,720
Speaker 7: Yeah, yeah, oh yeah there. We kind of partnered up

344
00:18:46,759 --> 00:18:48,440
with them. They send us a lot of great guests

345
00:18:48,519 --> 00:18:51,440
and and uh, they're they're amazing. So hi Sheila, if

346
00:18:51,440 --> 00:18:53,759
you're still listening, we love paper Jam. The new one

347
00:18:53,839 --> 00:18:56,759
just came in the mail, uh the other day. And uh,

348
00:18:56,680 --> 00:18:58,720
our friend Gracy Gatto is in the chat room to

349
00:18:59,039 --> 00:19:03,000
hello Gracie, and let's see And in the Facebook chat room,

350
00:19:03,039 --> 00:19:06,839
I see our friend Jay Fed from Vermont and Nathan Hill,

351
00:19:06,920 --> 00:19:09,000
another very talented musician. He's gonna be coming on the

352
00:19:09,000 --> 00:19:12,400
show soon. So hello Nathan and everybody else who is listening.

353
00:19:12,799 --> 00:19:15,960
I think we should play another track. What do you

354
00:19:16,000 --> 00:19:17,640
guys think we should play next?

355
00:19:17,920 --> 00:19:20,000
Speaker 9: Shit him with my void because we talked about it

356
00:19:20,039 --> 00:19:21,599
a little while ago you've read my mind.

357
00:19:22,039 --> 00:19:24,519
Speaker 8: This is the one that we recorded everything in the

358
00:19:24,519 --> 00:19:25,079
same take.

359
00:19:25,400 --> 00:19:28,119
Speaker 7: Okay, so this was all so, this was all done live.

360
00:19:28,119 --> 00:19:31,400
In other words, yeah, this track, okay, very cool if

361
00:19:31,400 --> 00:19:33,599
you're just joining us. We have the guys from Sick Dude,

362
00:19:33,680 --> 00:19:37,000
Hell yeah here with us in studio and let's give

363
00:19:37,039 --> 00:20:11,559
this a spin. This is called my void.

364
00:20:47,720 --> 00:20:50,000
Speaker 4: I said in this wool.

365
00:20:51,400 --> 00:20:59,039
Speaker 10: Went for us the walls, I cannot see myself and

366
00:20:59,279 --> 00:21:03,240
I saw I won't try move it.

367
00:21:03,519 --> 00:21:05,960
Speaker 1: Like gostone.

368
00:21:06,480 --> 00:21:24,359
Speaker 6: Waiting two by cross by stay close, so burstness, I shryd.

369
00:21:25,319 --> 00:21:27,680
Speaker 4: The motion of great.

370
00:21:29,359 --> 00:21:29,599
Speaker 6: Wait.

371
00:21:29,799 --> 00:21:31,519
Speaker 7: I told me that.

372
00:21:48,319 --> 00:21:54,839
Speaker 1: Wrapped the fox shop, I will never see it away.

373
00:21:55,960 --> 00:22:01,880
If the fine destroyed myself by a furcas white kid.

374
00:22:01,960 --> 00:22:09,640
Speaker 6: An ways, while when knock down head that my voice

375
00:22:11,079 --> 00:22:13,079
jelly man so.

376
00:22:18,720 --> 00:22:21,240
Speaker 4: So pastis.

377
00:22:23,240 --> 00:22:28,319
Speaker 11: Said the most enough gray.

378
00:22:30,119 --> 00:23:14,480
Speaker 7: White as a way, I love it. That is called

379
00:23:14,720 --> 00:23:18,720
my void. The band is Sick Dude, Hell yeah. Do

380
00:23:18,759 --> 00:23:20,599
you guys refer to yourselves as a band when there's

381
00:23:20,599 --> 00:23:22,319
two of you? How does that work? Because you sound

382
00:23:22,440 --> 00:23:25,279
like a band. It's hard not to call you a

383
00:23:25,359 --> 00:23:27,119
band because you've got such a big sound, you know.

384
00:23:27,480 --> 00:23:30,240
Speaker 9: Yeah, I'm pretty sure we both tell our respective partners.

385
00:23:30,279 --> 00:23:32,799
We're off to band practice, you know.

386
00:23:34,400 --> 00:23:38,200
Speaker 7: Yeah, yeah, no, that makes sense, that makes sense. And

387
00:23:39,119 --> 00:23:41,359
I enjoy now that I know you're set up, Dylan.

388
00:23:41,440 --> 00:23:43,799
I just I really I enjoy listening to it even

389
00:23:43,839 --> 00:23:47,880
that much more now that I understand what you're doing there.

390
00:23:47,920 --> 00:23:50,200
That's really cool. And what's going on with the vocal there,

391
00:23:50,319 --> 00:23:51,680
like what's the vocal effect on that?

392
00:23:52,640 --> 00:23:56,599
Speaker 5: I know we ran distortion on it. Yeah, And well,

393
00:23:56,680 --> 00:23:58,680
initially when I started the band, I always wanted to

394
00:23:58,759 --> 00:24:02,240
learn how to do like metal screams. And I figured, like,

395
00:24:02,359 --> 00:24:04,839
I'm never gonna learn if I don't try, and even

396
00:24:04,880 --> 00:24:06,759
if it sounds like crap, I'm just gonna wing it

397
00:24:06,839 --> 00:24:09,960
and right right, And that was kind of the idea,

398
00:24:10,599 --> 00:24:14,119
and just to kind of a what do you call

399
00:24:14,200 --> 00:24:19,599
it to omit like dread through the sound of it?

400
00:24:21,160 --> 00:24:23,680
Speaker 7: Are you able to Are you able to do that

401
00:24:23,799 --> 00:24:26,319
without hurting your your throat?

402
00:24:26,640 --> 00:24:29,480
Speaker 5: I mean I am now, I am now.

403
00:24:30,119 --> 00:24:32,319
Speaker 8: During the recording process, not so much.

404
00:24:35,279 --> 00:24:36,960
Speaker 5: It took a little bit. There was one point I

405
00:24:37,079 --> 00:24:40,640
lost my voice for probably like for like a week

406
00:24:40,680 --> 00:24:43,279
and a half. Really yeah, And that's when I realized, like, oh,

407
00:24:44,039 --> 00:24:47,720
I gotta start watching some videos, and you know, taking

408
00:24:47,759 --> 00:24:49,480
this a little bit more seriously, there's.

409
00:24:49,319 --> 00:24:53,039
Speaker 7: That that legendary one that people talk about to this day.

410
00:24:53,559 --> 00:24:55,319
I think it's called the zen of. Is that the

411
00:24:55,480 --> 00:24:56,359
zendom screaming?

412
00:24:56,839 --> 00:24:57,440
Speaker 6: You know that one?

413
00:24:57,720 --> 00:25:01,640
Speaker 7: No, there's a vocal. I cannot remember her name, but

414
00:25:03,880 --> 00:25:06,279
there was a point where, like everybody I knew who

415
00:25:06,319 --> 00:25:08,680
was doing any kind of aggressive vocals would talk about

416
00:25:08,720 --> 00:25:11,720
learning from her. But I think it was actually this

417
00:25:11,880 --> 00:25:13,799
was quite a while ago now, because I remember people

418
00:25:13,839 --> 00:25:16,559
talking about a DVD. But I'm sure it's on YouTube now,

419
00:25:16,720 --> 00:25:18,839
it's on Blu ray now yeah maybe.

420
00:25:20,640 --> 00:25:24,759
Speaker 9: Maybe, Yeah, But that effect that was just uh again

421
00:25:24,920 --> 00:25:26,799
just the producer which I shut out John at the

422
00:25:26,880 --> 00:25:30,160
sound of and by the way, but the uh, he

423
00:25:30,319 --> 00:25:33,079
was just you know, kind of throwing some little effects

424
00:25:33,119 --> 00:25:36,200
on it to kind of beef up that vocal thing. Yeah,

425
00:25:37,359 --> 00:25:39,279
when we do it live, I or when we did

426
00:25:39,319 --> 00:25:42,039
it live that one time, I tried, I try to

427
00:25:42,279 --> 00:25:45,880
like do like a secondary yelled vocal in the background

428
00:25:45,960 --> 00:25:47,319
to kind of just like fill it out.

429
00:25:47,480 --> 00:25:47,720
Speaker 7: Yeah.

430
00:25:48,519 --> 00:25:49,079
Speaker 8: Yeah, We're.

431
00:25:50,640 --> 00:25:54,599
Speaker 9: Neither of us are very gifted metal singers. You know,

432
00:25:54,720 --> 00:25:57,079
we can both kind of hold a scream, but then

433
00:25:57,119 --> 00:25:58,559
it hurts the next day.

434
00:25:58,559 --> 00:26:03,480
Speaker 7: Right right, Well, when you're drumming too, especially, that's gonna

435
00:26:03,519 --> 00:26:05,039
be hard, right, I mean, you don't see that many

436
00:26:05,119 --> 00:26:06,400
drummers who sing, and I.

437
00:26:06,839 --> 00:26:08,480
Speaker 8: Yeah, I've done that in a couple of bands.

438
00:26:08,519 --> 00:26:11,279
Speaker 9: In that band Massachusetts of the band I was, I was,

439
00:26:12,200 --> 00:26:14,160
I did lead vocal on a lot of songs us,

440
00:26:14,319 --> 00:26:17,160
but was backup vocal for most of the songs. Like,

441
00:26:17,240 --> 00:26:19,200
the leader of that band really wanted us to focus

442
00:26:19,319 --> 00:26:21,319
on three part harmonies and we were a three piece,

443
00:26:21,400 --> 00:26:23,160
so it was like, oh, I had to do what

444
00:26:23,240 --> 00:26:24,799
we had to do, and I had to learn and

445
00:26:25,000 --> 00:26:27,759
uh yeah, I get to take some of that some

446
00:26:27,880 --> 00:26:29,640
of that knowledge into this band, which is cool.

447
00:26:29,720 --> 00:26:32,920
Speaker 7: But yeah, I would imagine that was challenging because obviously

448
00:26:33,000 --> 00:26:36,319
as a drummer, well, singing, so much of it is breathing,

449
00:26:36,400 --> 00:26:40,079
controlling your breath, and drums is the most physical instrument

450
00:26:40,079 --> 00:26:41,880
because you're using all four of your limbs and it's

451
00:26:42,440 --> 00:26:44,079
you know, and at the same time, you got to

452
00:26:44,119 --> 00:26:45,920
really kind of control your breathing if you're trying to

453
00:26:45,960 --> 00:26:46,720
sing while drumming.

454
00:26:46,720 --> 00:26:49,319
Speaker 9: I was imagine you really got to You gotta treat

455
00:26:49,440 --> 00:26:53,000
your your breathes in and each syllable that you're singing

456
00:26:53,319 --> 00:26:55,519
like it's on the grid with what you're drumming to,

457
00:26:55,799 --> 00:26:59,440
Like it had to like you're not just hitting your

458
00:26:59,559 --> 00:27:02,079
right hand and on the snare, you're also going ah

459
00:27:02,480 --> 00:27:03,480
like while you're hitting it.

460
00:27:03,640 --> 00:27:04,920
Speaker 7: So yeah, you have to.

461
00:27:05,240 --> 00:27:08,039
Speaker 9: Internalize it like it's part of the drum set, but

462
00:27:08,160 --> 00:27:10,119
it's coming through you. That's been my way.

463
00:27:11,400 --> 00:27:13,079
Speaker 7: I've never heard anyone explain it that way, but that

464
00:27:13,160 --> 00:27:14,920
makes sense. Yeah, that makes perfect sense.

465
00:27:15,200 --> 00:27:17,240
Speaker 8: A little tip for for beginners like me.

466
00:27:17,599 --> 00:27:23,720
Speaker 7: Yeah, Now, how many songs do you, guys, everything that

467
00:27:23,759 --> 00:27:25,920
you've written so far, is that on on this uh,

468
00:27:26,519 --> 00:27:29,200
this debut release or do you have others that you

469
00:27:29,279 --> 00:27:30,119
haven't recorded yet.

470
00:27:30,400 --> 00:27:33,039
Speaker 5: We have two others that we haven't recorded yet, okay,

471
00:27:33,240 --> 00:27:34,880
and we got a few more in the works as well.

472
00:27:35,079 --> 00:27:38,759
Speaker 7: Yeah. Yeah, and this I Forget is it self titled

473
00:27:39,440 --> 00:27:39,960
the debut.

474
00:27:41,839 --> 00:27:45,079
Speaker 5: We called it E P like E E P that's

475
00:27:45,240 --> 00:27:46,319
that's right, I forgot.

476
00:27:46,480 --> 00:27:46,680
Speaker 6: Yeah.

477
00:27:47,680 --> 00:27:49,480
Speaker 8: That was a spur of the moment decision.

478
00:27:49,559 --> 00:27:52,680
Speaker 5: There was there was a it was a hell yeah moment.

479
00:27:53,400 --> 00:27:55,359
It was like should we call it E E P

480
00:27:55,680 --> 00:27:57,200
E E? You know, like sick dude?

481
00:27:57,480 --> 00:28:03,200
Speaker 7: Hell yeah, I'm always I ask everybody. I'm always curious

482
00:28:03,200 --> 00:28:05,720
about influences, and from talking to you guys so far,

483
00:28:05,759 --> 00:28:10,119
I would imagine that you both have pretty diverse influences musically,

484
00:28:10,279 --> 00:28:12,039
but I'm curious to hear about some of them.

485
00:28:12,440 --> 00:28:17,799
Speaker 5: Yeah, so big influences for me. A lot of Black Sabbath,

486
00:28:18,799 --> 00:28:22,559
a lot of James Brown, Yeah, yeah, a little bit

487
00:28:22,599 --> 00:28:24,359
of everything. Yeah, you know, I mean I grew up

488
00:28:24,400 --> 00:28:28,359
listening to a lot of Johnny Cash. Yeah, and I

489
00:28:28,519 --> 00:28:31,720
was lucky enough to have parents who loved cool music.

490
00:28:32,119 --> 00:28:35,319
I mean, so I was exposed to bands like Blind Melon, Sublime,

491
00:28:35,880 --> 00:28:37,599
all that kind of stuff at an early age, and

492
00:28:37,720 --> 00:28:40,559
like Alice in Chains, So that took like a that

493
00:28:40,680 --> 00:28:43,400
was a big role in kind of shaping my taste

494
00:28:43,440 --> 00:28:47,119
in music. But yeah, a lot of a lot of everything,

495
00:28:47,839 --> 00:28:50,279
and especially like like metal, punk rock, a lot of

496
00:28:50,400 --> 00:28:54,960
underground stuff, but also anything that's just weird and different.

497
00:28:55,279 --> 00:28:59,519
Speaker 7: Yeah, yeah, yeah, no doubt. How about you? Yeah, I

498
00:28:59,559 --> 00:29:01,279
don't know what to call it. Do I call you somebody?

499
00:29:01,559 --> 00:29:02,480
Speaker 8: You could just call me Nate.

500
00:29:02,519 --> 00:29:04,640
Speaker 9: I was I just uh I because I didn't know,

501
00:29:04,680 --> 00:29:08,400
if you know, I make art under somebody's crackers, somebody's crackers.

502
00:29:08,039 --> 00:29:09,839
Speaker 7: So I didn't know, do I call you somebody's Do

503
00:29:10,000 --> 00:29:11,519
I do I call you some for short?

504
00:29:11,640 --> 00:29:11,799
Speaker 5: Yeah?

505
00:29:11,839 --> 00:29:14,480
Speaker 8: You call me crackers. You can just call me Nate.

506
00:29:14,559 --> 00:29:15,119
Speaker 5: That's my name.

507
00:29:15,279 --> 00:29:15,960
Speaker 8: Yeah, perfect.

508
00:29:18,160 --> 00:29:20,240
Speaker 9: I've never really thought about how people are supposed to

509
00:29:20,359 --> 00:29:24,079
call me. When I introduced myself as somebody's I didn't.

510
00:29:23,880 --> 00:29:24,920
Speaker 5: Know maybe if it was s C.

511
00:29:25,400 --> 00:29:27,839
Speaker 7: You know, you just use initials for for short. I

512
00:29:28,279 --> 00:29:28,680
wasn't sure.

513
00:29:28,759 --> 00:29:31,720
Speaker 9: I've done some raps as somebody's crackers, and after I

514
00:29:31,799 --> 00:29:35,240
refer to myself as s C. Yeah, the best there

515
00:29:35,319 --> 00:29:37,720
ever was, but the best that ain't yet be SC

516
00:29:38,039 --> 00:29:41,279
something like a Lil Wayne Gretzky. It's funny how nobody

517
00:29:41,359 --> 00:29:44,359
gets me, like no soap radio or no coke pepsi?

518
00:29:44,680 --> 00:29:45,079
Speaker 8: Anyway?

519
00:29:46,519 --> 00:29:47,240
Speaker 7: Is that online?

520
00:29:47,640 --> 00:29:47,759
Speaker 2: Uh?

521
00:29:48,559 --> 00:29:49,319
Speaker 5: Sort of? Uh?

522
00:29:49,400 --> 00:29:52,039
Speaker 9: Me and my friend did a project called America's Funniest

523
00:29:52,079 --> 00:29:54,519
Home Videos, and I used some of that rap in

524
00:29:54,680 --> 00:29:55,279
one of the songs.

525
00:29:56,359 --> 00:29:58,640
Speaker 8: That's cool anyway.

526
00:29:58,720 --> 00:29:59,319
Speaker 5: What was the question?

527
00:29:59,440 --> 00:29:59,559
Speaker 1: Though?

528
00:29:59,599 --> 00:30:00,440
Speaker 8: It's about music.

529
00:30:01,400 --> 00:30:03,680
Speaker 9: I've been exposed to music from a very young age.

530
00:30:03,799 --> 00:30:06,759
My folks were in a band full time when I

531
00:30:06,839 --> 00:30:08,880
was born. They were called the Candles. They played all

532
00:30:08,920 --> 00:30:11,599
around like New England and most of the Eastern Seaboard,

533
00:30:12,359 --> 00:30:15,759
and they just, uh, is that the same thing as

534
00:30:15,799 --> 00:30:18,200
the East Coast that I just try to sound smart

535
00:30:18,240 --> 00:30:19,200
but sound like an idiot.

536
00:30:19,440 --> 00:30:23,920
Speaker 7: Anyway, I feel like the seaboard is when people say,

537
00:30:24,200 --> 00:30:26,680
I feel like that's more like the East Coast is

538
00:30:26,759 --> 00:30:29,720
more like the Upper the Upper East, well, the Upper

539
00:30:29,799 --> 00:30:33,960
East Coast like like New England and down down into

540
00:30:34,039 --> 00:30:36,319
New Jersey. I get like, that's the East Coast, but

541
00:30:36,480 --> 00:30:39,680
the Eastern Seaboard would be the whole eastern side of

542
00:30:39,720 --> 00:30:40,359
the country thing.

543
00:30:40,519 --> 00:30:43,440
Speaker 9: Anyway, I think that's where they played. Yeah, they they

544
00:30:43,519 --> 00:30:48,039
had original music, but they really packed. They packed bars

545
00:30:48,079 --> 00:30:51,319
and venues and stuff with their Grateful Dead covers. As

546
00:30:51,400 --> 00:30:53,880
a result, I'm not the world's biggest Grateful Dead fan.

547
00:30:54,160 --> 00:30:57,640
But I don't hate them, but I don't love them.

548
00:30:57,880 --> 00:30:59,799
But I love everything. And like I said earlier, I

549
00:31:00,039 --> 00:31:04,319
particularly identify with duos, people like Steely Dan, like Ween,

550
00:31:05,200 --> 00:31:08,400
anything that's just been two people getting together and creating

551
00:31:08,519 --> 00:31:11,160
something like even if it evolves past more than two people,

552
00:31:11,359 --> 00:31:13,680
like what it did in both of those cases. But yeah,

553
00:31:14,200 --> 00:31:19,319
the White Stripes, Sneaker Pamps, Fevery Corporation, just anything that's

554
00:31:19,359 --> 00:31:22,680
two people. Daft punk just always really speaks to me,

555
00:31:22,799 --> 00:31:24,160
because it's really.

556
00:31:24,079 --> 00:31:25,160
Speaker 8: All you need to take.

557
00:31:25,319 --> 00:31:30,480
Speaker 9: Like, like, singer songwriter stuff is in like one pocket

558
00:31:30,559 --> 00:31:32,839
that's ever growing with like the way people are getting

559
00:31:32,839 --> 00:31:35,519
more and more creative. But a second person can take

560
00:31:35,559 --> 00:31:38,720
singer songwriter and just turn it into a full blown composition.

561
00:31:39,599 --> 00:31:41,519
And I just like, I have such a hard time

562
00:31:41,559 --> 00:31:44,240
working as a solo artist, like I need that other

563
00:31:44,400 --> 00:31:47,440
person to bounce something off of. And so yeah, so

564
00:31:47,920 --> 00:31:52,680
other bands though, I've like, I really love like Manu

565
00:31:52,799 --> 00:31:54,400
Chau and his band Mono Negra.

566
00:31:55,000 --> 00:31:55,519
Speaker 5: I love.

567
00:31:57,319 --> 00:31:59,880
Speaker 8: What have I been digging on a lot lately, King

568
00:32:00,000 --> 00:32:02,880
Gizzard and the Lizard Wizard Gong.

569
00:32:04,039 --> 00:32:04,559
Speaker 5: Who else?

570
00:32:05,000 --> 00:32:07,559
Speaker 9: I love like psychedelic rock, but I love like garage

571
00:32:07,640 --> 00:32:11,799
rock too. I love rap music, like particularly like underground

572
00:32:11,880 --> 00:32:15,839
hip hop stuff. Yeah yeah, a certain era of popular

573
00:32:16,279 --> 00:32:18,279
rap music that I still really love. A lot of

574
00:32:18,279 --> 00:32:21,039
people will call me an old head for that, but yeah,

575
00:32:21,240 --> 00:32:24,440
there's a lot of that stuff I love, like the nineties,

576
00:32:24,480 --> 00:32:27,000
two thousands, even some of the early twenty ten stuff

577
00:32:27,079 --> 00:32:28,000
like Asap Rocky.

578
00:32:28,079 --> 00:32:30,440
Speaker 8: Oh yeah, yeah me too, really really good stuff.

579
00:32:30,640 --> 00:32:33,240
Speaker 9: Yeah, but yeah, I love everything as long as it's

580
00:32:33,319 --> 00:32:36,720
like authentic, it makes me feel something and bonus points

581
00:32:36,759 --> 00:32:39,160
if it's like something I haven't heard before, right.

582
00:32:39,599 --> 00:32:42,400
Speaker 7: Right, there's so much great stuff out there, and you know,

583
00:32:42,480 --> 00:32:44,200
a lot of people they get older, and I think

584
00:32:44,240 --> 00:32:46,319
the average age for this is probably around thirty. A

585
00:32:46,359 --> 00:32:47,799
lot of people they reach a certain point in their

586
00:32:47,839 --> 00:32:49,960
life where they say, Okay, I've heard all the music

587
00:32:50,000 --> 00:32:53,200
I ever need to hear, and anything made after this

588
00:32:53,359 --> 00:32:56,880
I'm not going to like. And it's too bad, really is,

589
00:32:57,240 --> 00:33:00,960
because you miss out on so much. And you mentioned

590
00:33:01,039 --> 00:33:02,880
bands just now that I haven't heard of that now

591
00:33:02,960 --> 00:33:05,519
I'm curious about just because you know, you mentioned him.

592
00:33:05,519 --> 00:33:09,279
It's like okay, because but yeah, I always grew up,

593
00:33:09,400 --> 00:33:11,319
you know. And and Jenny is like this too, like

594
00:33:11,400 --> 00:33:12,880
we both love here. I mean, that's part of why

595
00:33:12,920 --> 00:33:14,720
we do a show like this because we love hearing

596
00:33:15,119 --> 00:33:17,880
new music and new music that maybe hasn't made it

597
00:33:17,960 --> 00:33:21,319
to the mainstream. And you know, and and uh, my dad,

598
00:33:23,359 --> 00:33:25,200
you know, he's in his seventies and he lives on

599
00:33:25,279 --> 00:33:28,119
the Seacoast and he's still at his age. He'll listen

600
00:33:28,160 --> 00:33:31,079
to w u n H, the great college station there

601
00:33:31,160 --> 00:33:33,960
because he loves hearing new music. Like if you got

602
00:33:34,039 --> 00:33:36,240
in a car with my dad, you're not gonna hear

603
00:33:36,519 --> 00:33:38,960
an oldies station on his radio. You know, he's not

604
00:33:39,079 --> 00:33:42,880
that stereotypical boomer. He loves hearing new music and he's

605
00:33:42,920 --> 00:33:45,400
always been like that, you know, and even like and

606
00:33:45,480 --> 00:33:49,359
he likes hip hop. He like, you know, it's it's amazing.

607
00:33:49,519 --> 00:33:52,119
So you know. So, I mean he's he's sipper than me.

608
00:33:52,279 --> 00:33:55,079
Like he'll he'll ask me about a band he heard

609
00:33:55,119 --> 00:33:57,000
on w U n H and I'm like, I don't,

610
00:33:57,000 --> 00:33:58,720
I don't know who it is. And it's like, wow,

611
00:33:59,319 --> 00:34:01,960
you know me on this But but yeah, and I

612
00:34:02,039 --> 00:34:04,880
and I think it's so important to you know, I mean, yeah,

613
00:34:04,880 --> 00:34:06,680
it sounds like you guys both have a real commitment

614
00:34:06,720 --> 00:34:11,199
to to hearing, hearing and exploring new sounds, which then

615
00:34:11,360 --> 00:34:15,119
informs your own musical output and and helps you to

616
00:34:15,159 --> 00:34:17,159
be more creative. The more the more you're exposed to,

617
00:34:17,199 --> 00:34:24,679
the more creative you're gonna be, right, Yeah, No, So

618
00:34:24,800 --> 00:34:26,360
I think I think that's great. I think it's so

619
00:34:26,440 --> 00:34:29,920
important to have a diversity and and uh and influences

620
00:34:30,000 --> 00:34:30,400
and all that.

621
00:34:30,639 --> 00:34:33,920
Speaker 5: So yeah, absolutely, I mean our our main goal, I

622
00:34:34,000 --> 00:34:37,079
think collectively is is to just have fun. Yeah, you know,

623
00:34:37,679 --> 00:34:41,000
make some loud sounds, smash some stuff and you know,

624
00:34:41,159 --> 00:34:41,960
have a good time.

625
00:34:42,199 --> 00:34:44,480
Speaker 8: Meet some people, help some people feel good.

626
00:34:46,639 --> 00:34:50,119
Speaker 7: Absolutely well we should uh, we should play another track.

627
00:34:50,159 --> 00:34:51,199
What do you guys want to play next?

628
00:34:53,320 --> 00:34:54,559
Speaker 8: Sitting with the title track?

629
00:34:55,360 --> 00:35:01,519
Speaker 7: Yeah, let's see, let me find it here. Why don't

630
00:35:01,559 --> 00:35:02,000
I see it?

631
00:35:02,280 --> 00:35:07,239
Speaker 8: It's might be he might have sent it to you

632
00:35:07,280 --> 00:35:08,320
as sdh.

633
00:35:08,159 --> 00:35:10,119
Speaker 7: Oh, I'm looking right, that's why. Yeah, it says that

634
00:35:10,360 --> 00:35:11,559
sh wid it threw me out?

635
00:35:11,920 --> 00:35:12,239
Speaker 1: Got it?

636
00:35:12,360 --> 00:35:13,280
Speaker 7: Got it? Okay? Yeah?

637
00:35:13,400 --> 00:35:14,199
Speaker 8: Nice going do.

638
00:35:16,199 --> 00:35:17,440
Speaker 5: Oh no, I'm grounded again.

639
00:35:20,039 --> 00:35:22,519
Speaker 7: All right, this is the title track. This is sick dude,

640
00:35:22,559 --> 00:35:52,960
Hell yeah, but your building in the.

641
00:35:53,000 --> 00:35:56,440
Speaker 2: World today when I keep fighting for a better way,

642
00:35:57,760 --> 00:36:02,000
wing a back back, a fie for a heart a check,

643
00:36:02,719 --> 00:36:05,960
but after that I be late, free coming down the

644
00:36:06,119 --> 00:36:08,960
road and a feeling the breeze, A million.

645
00:36:08,760 --> 00:36:11,639
Speaker 1: Half accots in b fig swimming the life.

646
00:36:11,840 --> 00:36:18,039
Speaker 11: But by decide check dude, hell yeah, checkdune, Hell yeah,

647
00:36:19,119 --> 00:36:23,760
check dude, hell yeah, chiktute hell yeah.

648
00:36:35,679 --> 00:36:39,280
Speaker 1: But it's stripping. Fuck the crowd. I gotta go kind

649
00:36:39,320 --> 00:36:43,039
of get out now. The road is calling for my escape.

650
00:36:43,320 --> 00:36:46,840
There's no more time for Chester Jay. I could the

651
00:36:46,960 --> 00:36:51,199
bottle pull it back? The whiter spinning head of the back.

652
00:36:51,960 --> 00:36:55,679
But my promised and paid away. Whimming at the moments that.

653
00:36:55,840 --> 00:37:04,440
Speaker 11: Takes to day six dude, Hell yeah, hell yeah.

654
00:37:05,440 --> 00:37:08,480
Speaker 4: Check.

655
00:37:20,320 --> 00:37:21,440
Speaker 7: Oh that is sick, dude.

656
00:37:21,480 --> 00:37:21,920
Speaker 1: Hell yeah.

657
00:37:22,199 --> 00:37:23,719
Speaker 7: That's the name of the song. That's the name of

658
00:37:23,760 --> 00:37:26,360
the band. And we've got the guys here. Dylan and

659
00:37:26,440 --> 00:37:27,199
Nate are here with us.

660
00:37:27,360 --> 00:37:29,400
Speaker 8: Hey, hey, hey, live in the studio.

661
00:37:29,840 --> 00:37:31,079
Speaker 7: Yeah yeah, that's really good.

662
00:37:31,119 --> 00:37:31,320
Speaker 1: Guys.

663
00:37:31,320 --> 00:37:34,320
Speaker 7: I love the energy of it. If that doesn't get

664
00:37:34,360 --> 00:37:36,280
you moving, check your pulse, you might be dead.

665
00:37:38,119 --> 00:37:40,000
Speaker 8: Look at this on your little weather cam here. You

666
00:37:40,079 --> 00:37:41,920
got this sharp shinned hawk right here.

667
00:37:42,159 --> 00:37:42,400
Speaker 1: Yeah.

668
00:37:42,800 --> 00:37:43,800
Speaker 8: I love birds, man.

669
00:37:46,000 --> 00:37:48,360
Speaker 7: When we were here, when we got here this morning,

670
00:37:48,639 --> 00:37:51,199
that bird was right in front of the camp. We

671
00:37:52,840 --> 00:37:53,400
got two of them.

672
00:37:54,599 --> 00:37:57,239
Speaker 8: Yeah, very cool. See a lot of great babies last year.

673
00:37:57,360 --> 00:37:59,719
Speaker 5: So this is the falcon cam on top of the

674
00:37:59,760 --> 00:38:01,920
bree Yeah awesome.

675
00:38:02,119 --> 00:38:02,320
Speaker 6: Yeah.

676
00:38:02,519 --> 00:38:05,880
Speaker 7: It's really cool at night too, because so I'm also

677
00:38:06,000 --> 00:38:07,599
a co host on a show that airs on Friday

678
00:38:07,679 --> 00:38:10,199
night's called retro Spectrum Radio, and and so we have

679
00:38:10,320 --> 00:38:12,159
this on last night. And the view of the city

680
00:38:12,199 --> 00:38:14,519
at night is even whether there's a bird there. When

681
00:38:14,559 --> 00:38:16,559
there's a bird there, that's a plus. But even when

682
00:38:16,599 --> 00:38:18,039
there's not a bird there. Just the view of the

683
00:38:18,119 --> 00:38:20,880
city is really cool at night when everything's lit up.

684
00:38:20,960 --> 00:38:23,239
Speaker 8: But anyway, this isn't good radio.

685
00:38:23,639 --> 00:38:26,519
Speaker 7: Here in Manchester. Well you know, we can describe it.

686
00:38:26,760 --> 00:38:30,960
I mean it is theater of the mind after all. Yes, yes,

687
00:38:31,360 --> 00:38:33,800
but yeah, we've got the guys from Sick Dude. Hell

688
00:38:33,880 --> 00:38:37,920
yeah here with us in studio and now do you

689
00:38:38,000 --> 00:38:42,159
guys obviously it's almost spring and then summer will be

690
00:38:42,280 --> 00:38:44,360
here and a lot of the bands we know, you know,

691
00:38:44,400 --> 00:38:45,880
they play a lot of shows in the summer. Is

692
00:38:45,920 --> 00:38:47,280
that kind of the plan for you guys? You're going

693
00:38:47,360 --> 00:38:48,360
to be get getting out there.

694
00:38:48,239 --> 00:38:50,920
Speaker 5: A lot this year, we hope to Yeah, yeah, I

695
00:38:50,960 --> 00:38:56,199
mean that's the goal. Yeah, that's the goal. Absolutely. Yeah,

696
00:38:56,280 --> 00:39:00,039
because it's summertime, people are going to be out and

697
00:39:00,119 --> 00:39:02,519
you know, at the same time too, as far as

698
00:39:02,639 --> 00:39:06,000
next winter goes, I hope to be playing just as much. Yeah,

699
00:39:06,039 --> 00:39:09,360
because I feel like, especially you know in the East

700
00:39:09,440 --> 00:39:12,039
Coast in the winter, having something to go do is

701
00:39:12,119 --> 00:39:15,159
super important. Yeah, you know, and then some of the

702
00:39:15,239 --> 00:39:18,039
most fun shows I've been to for some reason, I've

703
00:39:18,039 --> 00:39:20,559
always been in the winter time. Really yeah, yeah, I

704
00:39:20,599 --> 00:39:21,679
don't know, I think I have something to do with

705
00:39:21,800 --> 00:39:23,800
just like uh like being cooped up, you.

706
00:39:23,840 --> 00:39:27,480
Speaker 8: Know, releases twice as nice yep.

707
00:39:27,679 --> 00:39:30,679
Speaker 7: Yeah, yeah, it's a good way to uh you know,

708
00:39:30,800 --> 00:39:34,159
to fight the winter depression and all this seasonal depression

709
00:39:34,199 --> 00:39:38,719
that which is especially bad here in the Northeast. So yeah, no,

710
00:39:38,880 --> 00:39:40,840
that's cool. Yeah, I want to see you guys live.

711
00:39:40,920 --> 00:39:42,559
I love the I love what you're doing. I love

712
00:39:42,559 --> 00:39:46,440
the energy of it. And do you guys are there?

713
00:39:47,199 --> 00:39:49,679
I mean what is you both live in wolf Burrow?

714
00:39:49,800 --> 00:39:50,559
Speaker 5: Or yeah?

715
00:39:50,760 --> 00:39:54,840
Speaker 7: Okay, like are there other bands there or did you

716
00:39:54,880 --> 00:39:56,800
guys can kind of team up with for shows? Or

717
00:39:56,840 --> 00:39:59,440
what's the scene like? I mean, I know wolf Burrow,

718
00:39:59,480 --> 00:40:01,039
It's it's not a big place.

719
00:40:01,119 --> 00:40:01,480
Speaker 5: I know that.

720
00:40:01,760 --> 00:40:06,360
Speaker 7: I think I believe I've driven through it once or twice.

721
00:40:06,440 --> 00:40:09,000
Speaker 8: But a quick drive through, yeah, blink and you'll miss it.

722
00:40:11,000 --> 00:40:13,599
Speaker 5: It's uh, it could be a little tough scene wise there.

723
00:40:13,760 --> 00:40:13,960
Speaker 7: Yeah.

724
00:40:14,039 --> 00:40:17,280
Speaker 5: Yeah, because a lot of it's just a lot of

725
00:40:17,360 --> 00:40:21,079
it's bar bands, yeah, you know, and it's it's mainly covers.

726
00:40:21,480 --> 00:40:21,679
Speaker 7: Yeah.

727
00:40:21,880 --> 00:40:25,360
Speaker 5: Finding a place to play your original songs up there

728
00:40:25,440 --> 00:40:26,719
can kind of be like pulling teeth.

729
00:40:26,920 --> 00:40:27,119
Speaker 7: Yeah.

730
00:40:28,960 --> 00:40:31,320
Speaker 5: I was fortunate enough one time to play on the

731
00:40:31,360 --> 00:40:34,480
Winnie Bell and that's like the boat that goes out

732
00:40:34,519 --> 00:40:36,679
on the lake out there and yeah, yeah, and the

733
00:40:37,039 --> 00:40:40,000
dude who hired me to play hadn't heard any of

734
00:40:40,079 --> 00:40:43,039
my music. Yeah, and my acoustic solo stuff was very

735
00:40:43,119 --> 00:40:45,920
rooted in punk rock as well. A lot like the

736
00:40:46,000 --> 00:40:50,000
Stoogest kind of deal, and a lot of it was

737
00:40:50,119 --> 00:40:53,159
making people feel uncomfortable, which was something I enjoyed, like

738
00:40:53,239 --> 00:40:56,800
as a musician. And I got to say, it was

739
00:40:56,880 --> 00:40:58,760
like the perfect show for it because I get on

740
00:40:58,840 --> 00:41:02,159
this boat and it's all these like older people or

741
00:41:02,400 --> 00:41:06,440
like like high class, sophisticated type folk and we go

742
00:41:06,559 --> 00:41:08,880
out on the boat and I looked like a maniac

743
00:41:09,039 --> 00:41:12,519
that day, you know. And I hop on the microphone

744
00:41:12,599 --> 00:41:14,920
like is everybody ready to get weird? And it was

745
00:41:15,039 --> 00:41:16,199
just like dead silence.

746
00:41:17,280 --> 00:41:20,800
Speaker 7: Those people were not expecting on a boat with Yeah, that.

747
00:41:20,920 --> 00:41:23,000
Speaker 5: Was the best part. They couldn't get away. You know.

748
00:41:23,119 --> 00:41:27,199
Speaker 7: That's great, that's funny. Well, so then how did it go?

749
00:41:27,480 --> 00:41:29,880
Like how did the gig go? How did people react?

750
00:41:30,199 --> 00:41:34,159
Speaker 5: My girlfriend really enjoyed it, yeah, and the rest of

751
00:41:34,239 --> 00:41:36,400
the people were, I think, just waiting to get off

752
00:41:36,440 --> 00:41:38,039
the boat because sometimes it's.

753
00:41:38,199 --> 00:41:40,440
Speaker 7: Sometimes it's fun in a situation like that, that to

754
00:41:40,480 --> 00:41:42,360
see if you can win people over, you know, But

755
00:41:42,480 --> 00:41:45,639
it doesn't sound like that was a crowd that necessarily

756
00:41:45,760 --> 00:41:46,800
wanted to be one over.

757
00:41:47,480 --> 00:41:50,800
Speaker 8: No, I tried, that's funny, drove them back to port.

758
00:41:51,360 --> 00:41:51,559
Speaker 1: Yeah.

759
00:41:53,679 --> 00:41:56,119
Speaker 7: Did the guy who booked you, did he ever book

760
00:41:56,159 --> 00:41:56,480
you again?

761
00:41:56,599 --> 00:41:56,880
Speaker 6: Or was that?

762
00:41:58,360 --> 00:41:58,400
Speaker 1: No?

763
00:41:58,679 --> 00:42:01,519
Speaker 5: But not necessarily. I don't think it was a matter

764
00:42:01,639 --> 00:42:05,679
of a matter of me burning the bridge.

765
00:42:05,840 --> 00:42:08,239
Speaker 7: Yeah, he was like, he wasn't upset with you. No, No, No,

766
00:42:08,360 --> 00:42:10,440
he wasn't upset because he probably he probably knew what

767
00:42:10,519 --> 00:42:13,719
he was. He probably figured he had some he knew me,

768
00:42:13,880 --> 00:42:16,760
so he knew maybe it would work. Yeah, because I

769
00:42:16,920 --> 00:42:19,000
used to do so. I used to in addition to

770
00:42:19,039 --> 00:42:20,400
playing in a lot of bands, I would promote a

771
00:42:20,400 --> 00:42:22,920
lot of shows, and I put on shows various places,

772
00:42:23,000 --> 00:42:26,880
and I always kind of and and from a business standpoint,

773
00:42:26,960 --> 00:42:29,360
this was probably not a good thing, but I would

774
00:42:29,480 --> 00:42:31,840
kind of like to test the limits a little bit

775
00:42:32,039 --> 00:42:34,559
in terms of just seeing what would happen.

776
00:42:34,760 --> 00:42:34,920
Speaker 12: You know.

777
00:42:35,119 --> 00:42:38,360
Speaker 7: Okay, you know, we got this metal show we're doing,

778
00:42:38,440 --> 00:42:41,440
but we got this one act that's a little more

779
00:42:41,559 --> 00:42:43,920
hip hop, you know, but we're going to put them

780
00:42:43,960 --> 00:42:46,119
in there and see what happens, you know, just to

781
00:42:46,159 --> 00:42:49,599
see what happened, and and sometimes it ends up going well,

782
00:42:50,239 --> 00:42:53,199
you know, because sometimes people who may not think they

783
00:42:53,280 --> 00:42:56,599
want some sort of variety in the in the show,

784
00:42:56,679 --> 00:42:58,000
when you know, when you got a bunch of bands

785
00:42:58,039 --> 00:43:00,840
and this one act that's different, sometimes you know, if

786
00:43:01,159 --> 00:43:03,039
it may go over well and it turns out these

787
00:43:03,079 --> 00:43:05,079
people actually enjoy what they're seeing.

788
00:43:05,239 --> 00:43:07,239
Speaker 9: Yeah, you know, it's like that's how some people find

789
00:43:07,280 --> 00:43:09,760
out that they like rap music. Like I'm not even kidding.

790
00:43:09,800 --> 00:43:12,199
That is how some people find out they like anything.

791
00:43:12,280 --> 00:43:14,880
As you throw like a wild card band onto a

792
00:43:14,920 --> 00:43:17,480
bill and then all of a sudden you've got somebody's

793
00:43:17,679 --> 00:43:20,079
entire like world being opened up in front of their

794
00:43:20,159 --> 00:43:21,880
eyes to something they were completely blind to.

795
00:43:22,000 --> 00:43:24,800
Speaker 7: And it's just that is very true. Yeah, yeah, and

796
00:43:25,360 --> 00:43:29,880
especially with hip hop, I think, yeah, yeah absolutely.

797
00:43:31,440 --> 00:43:31,920
Speaker 5: Do you guys?

798
00:43:32,079 --> 00:43:34,360
Speaker 7: Uh so, I mean long term, do you want to

799
00:43:34,440 --> 00:43:38,079
like tour around New England and get out and kind

800
00:43:38,119 --> 00:43:39,119
of go everywhere.

801
00:43:38,840 --> 00:43:42,519
Speaker 8: Or I would like to Yeah, we would be great.

802
00:43:42,719 --> 00:43:45,039
Speaker 5: Yeah, we we haven't had that discussion together, but I

803
00:43:45,079 --> 00:43:49,280
mean that's definitely like a lifelong dream and goal of

804
00:43:49,360 --> 00:43:53,840
mine just to tour, you know, and play basements all

805
00:43:53,920 --> 00:43:54,480
over the place.

806
00:43:54,719 --> 00:43:58,559
Speaker 7: Yeah, yeah, yeah, yeah. Some people listening probably don't even

807
00:43:58,599 --> 00:43:59,960
know what you mean when you say that, you know,

808
00:44:00,320 --> 00:44:03,920
basement shows, because people who are people who've never you know,

809
00:44:04,039 --> 00:44:06,760
even been near you know, the punk rock scene or

810
00:44:06,800 --> 00:44:08,760
anything like that, probably are like, what, what does he

811
00:44:08,840 --> 00:44:09,719
mean play basements?

812
00:44:10,840 --> 00:44:12,119
Speaker 8: That's exactly what we mean.

813
00:44:12,280 --> 00:44:14,719
Speaker 9: We mean, pack a bunch of sweaty people into your

814
00:44:14,719 --> 00:44:17,360
basement and charge him five dollars or three beers to

815
00:44:17,440 --> 00:44:17,840
see us.

816
00:44:18,400 --> 00:44:24,400
Speaker 5: And vacant warehouses. Some of the best shows I've actually,

817
00:44:24,559 --> 00:44:26,719
you know, best shows I've ever been to take a

818
00:44:26,760 --> 00:44:30,519
place in basement or or a squat house. You know,

819
00:44:31,280 --> 00:44:33,440
it's always interesting because you never know what you're gonna get.

820
00:44:34,000 --> 00:44:34,159
Speaker 1: You know.

821
00:44:34,320 --> 00:44:36,800
Speaker 5: Sometimes you walk into place and the only rule is

822
00:44:37,199 --> 00:44:41,920
don't hang on the pipes, right, exactly exactly.

823
00:44:42,639 --> 00:44:44,800
Speaker 7: I want to make sure we get another song. And

824
00:44:45,320 --> 00:44:46,679
what do you guys want to play next? We should

825
00:44:46,719 --> 00:44:47,280
play another.

826
00:44:47,119 --> 00:44:50,159
Speaker 5: One, yeah, I think we should do Nailing the Coffin.

827
00:44:50,239 --> 00:44:52,880
Speaker 7: Nailing the Coffin, all right, Yeah, I gotta get a

828
00:44:53,000 --> 00:44:55,000
radio editor to that one that I made. Yeah, this

829
00:44:55,199 --> 00:44:57,400
is and this also happens to be one of my

830
00:44:57,440 --> 00:45:00,679
favorites too. Uh, you know, I some of the whole thing,

831
00:45:00,760 --> 00:45:05,079
but I really like this a lot. Where oh there

832
00:45:05,079 --> 00:45:07,639
it is? I'm like, where did it go? I'm talking

833
00:45:07,639 --> 00:45:09,039
about how much I want to play and I can't

834
00:45:09,079 --> 00:45:14,719
find it there. It's been a busy show today, but

835
00:45:14,800 --> 00:45:16,880
I'm glad you guys are here and I'm very happy

836
00:45:16,920 --> 00:45:18,840
to share this track. All right here it is if

837
00:45:18,920 --> 00:45:21,320
you are just tuning in, We've got sick Dude hell

838
00:45:21,400 --> 00:45:23,119
yeah with us here in studio, and this track is

839
00:45:23,159 --> 00:45:32,639
called Nail in the Coffin, Don't Believe in myself?

840
00:45:32,760 --> 00:45:38,960
Speaker 10: Bumping to beforn another nail in knight, popping another closet door,

841
00:45:40,159 --> 00:45:43,960
corn crops by something baking right not old table go

842
00:45:44,519 --> 00:45:45,800
it bit fakes by.

843
00:45:51,760 --> 00:45:54,679
Speaker 2: Two week call, we can back up ships, sworn the

844
00:45:54,719 --> 00:45:58,960
cream and is always brising, so wait, sit on, I'm

845
00:45:59,000 --> 00:45:59,800
a petty score.

846
00:46:00,559 --> 00:46:03,119
Speaker 7: Ford crumps, fie does it make bye?

847
00:46:03,559 --> 00:46:06,079
Speaker 1: I don't kim up it big makes a fry.

848
00:46:21,639 --> 00:46:27,760
Speaker 10: All these Swedish people making their it's a mess, preaching

849
00:46:27,880 --> 00:46:28,639
in my pocket.

850
00:46:28,719 --> 00:46:31,880
Speaker 7: But all I said, ever said, Ford promps, fy I.

851
00:46:32,039 --> 00:46:34,840
Speaker 1: It make you bye? I don't kim up no it

852
00:46:34,960 --> 00:46:35,880
it makes a bye.

853
00:47:14,760 --> 00:47:17,280
Speaker 7: I love that. I was so into it I didn't

854
00:47:17,320 --> 00:47:18,000
notice it was over.

855
00:47:18,559 --> 00:47:21,199
Speaker 8: I appreciate it that. I love the groove on that.

856
00:47:21,440 --> 00:47:23,519
Speaker 7: I love the groove on that. Great job, guys, Thank you,

857
00:47:23,639 --> 00:47:26,039
thank you. Sick dude, hell yeah, is here with us

858
00:47:26,079 --> 00:47:28,039
in studio. That is called Nail in the Coffin. Hey,

859
00:47:28,079 --> 00:47:31,599
what do you have again? Swedish people though that was

860
00:47:31,960 --> 00:47:36,039
a little inside No, that is that is a great

861
00:47:36,159 --> 00:47:38,800
track and uh yeah, you guys were saying as we

862
00:47:38,880 --> 00:47:40,840
were listening to it too, that one goes over pretty well.

863
00:47:41,480 --> 00:47:43,760
Speaker 8: Yeah, that's probably our favorite to like play.

864
00:47:44,000 --> 00:47:47,480
Speaker 9: Yeah, I feel like if we're when we're practicing, if

865
00:47:47,480 --> 00:47:49,800
we're like that last one wasn't so good, let's play

866
00:47:49,920 --> 00:47:51,840
Nail in the Coffin and kind of just like bring

867
00:47:52,039 --> 00:47:54,559
us bring ourselves back to ground a little bit, you know.

868
00:47:54,679 --> 00:47:58,000
Speaker 5: And yeah, yeah, always always brings up the energy morale.

869
00:47:58,280 --> 00:48:01,440
Speaker 7: Yeah yeah. Now, do you Alays have any covers? A

870
00:48:01,519 --> 00:48:04,960
lot of bands will throw in a cover. I'm just curious.

871
00:48:05,440 --> 00:48:09,039
Speaker 5: So we've been trying to figure out what what to

872
00:48:09,239 --> 00:48:11,199
cover and what we could make work.

873
00:48:11,719 --> 00:48:16,039
Speaker 7: Yeah. I can imagine like like some classic Sabbath like

874
00:48:16,119 --> 00:48:17,119
Sweetly for something.

875
00:48:17,480 --> 00:48:19,880
Speaker 8: We do have a Sabbath song on the chopping block

876
00:48:19,960 --> 00:48:22,960
to learn for covering. Which one was it?

877
00:48:23,360 --> 00:48:24,039
Speaker 5: Hand of Doom?

878
00:48:24,119 --> 00:48:24,320
Speaker 1: Yeah?

879
00:48:24,599 --> 00:48:28,360
Speaker 7: Okay, yeah I can I can picture that. Yeah yeah.

880
00:48:28,519 --> 00:48:31,119
Speaker 9: I I've been in a lot of bands, some of

881
00:48:31,239 --> 00:48:35,239
which have played covers. I have like a weird moral

882
00:48:35,320 --> 00:48:39,320
hang up about covers because like, so hear me out, okay.

883
00:48:40,039 --> 00:48:40,559
Speaker 8: Very curious.

884
00:48:40,559 --> 00:48:43,400
Speaker 9: If you play in a band that does mostly original

885
00:48:43,519 --> 00:48:46,159
songs and you play a cover live at like say

886
00:48:46,199 --> 00:48:49,960
a bar or something, you have suddenly become the disappointment

887
00:48:50,079 --> 00:48:53,760
jukebox for the entire audience because a couple of people

888
00:48:53,880 --> 00:48:56,480
in the audience liked the cover song. But then they're like, hey,

889
00:48:56,559 --> 00:48:59,480
can you play leather and Lace or like something?

890
00:48:59,559 --> 00:49:02,800
Speaker 8: And you can't. You play leather and Lace, you can't

891
00:49:02,840 --> 00:49:05,079
play free Bird, you can't play.

892
00:49:06,559 --> 00:49:09,400
Speaker 9: Sultans of Swing, you know what I mean, Like suddenly

893
00:49:09,559 --> 00:49:11,840
you can't play what they all of a sudden want

894
00:49:11,920 --> 00:49:14,559
to hear and what they've tricked themselves into thinking they're

895
00:49:14,760 --> 00:49:18,920
there to hear. That suddenly you owe them something. And

896
00:49:19,079 --> 00:49:21,280
so with me, I like to play covers if it

897
00:49:21,440 --> 00:49:24,239
really means something to me, Like if I can get

898
00:49:24,320 --> 00:49:27,960
something emotionally out of performing this song in front of people,

899
00:49:28,599 --> 00:49:30,920
play a cover all day long, But I'm not just

900
00:49:31,039 --> 00:49:37,400
gonna play you know, wagon Wheel because it'll does that

901
00:49:37,440 --> 00:49:37,840
make sense?

902
00:49:38,000 --> 00:49:38,360
Speaker 5: It does?

903
00:49:38,679 --> 00:49:39,039
Speaker 1: It does.

904
00:49:39,320 --> 00:49:40,840
Speaker 7: I can relate to what you're saying, And.

905
00:49:41,000 --> 00:49:43,840
Speaker 8: No shade to anybody who makes a living playing covers.

906
00:49:44,039 --> 00:49:52,159
That's that's not what I vibe with musically, you really speak.

907
00:49:52,320 --> 00:49:56,159
Speaker 7: Yeah, No, I can relate to that tremendously because you know,

908
00:49:56,239 --> 00:49:58,239
I played a bunch of bands, and I always fought

909
00:49:58,400 --> 00:50:02,760
against doing too many covers. It would be hard to

910
00:50:03,000 --> 00:50:05,159
talk the other people I was in these bands with

911
00:50:05,320 --> 00:50:09,840
out of doing any covers. But like I was in

912
00:50:09,880 --> 00:50:12,880
a hardcore band. I was in a band called First Shove,

913
00:50:12,960 --> 00:50:15,159
and like the one cover that we were doing was

914
00:50:15,360 --> 00:50:19,280
we did Last Breath by Hate Breed and that was

915
00:50:19,360 --> 00:50:21,199
okay because it was short and it wasn't with with

916
00:50:21,280 --> 00:50:23,519
that kind of situation. It's not like somebody's not going

917
00:50:23,599 --> 00:50:25,800
to say, you know, okay, now do you know free Bird?

918
00:50:25,840 --> 00:50:27,719
Speaker 5: You know what I mean? Yeah, Yeah, that's true, like

919
00:50:27,920 --> 00:50:33,239
in that and that type of element, you know, covering

920
00:50:33,320 --> 00:50:35,760
a song is almost like more more or less paying

921
00:50:35,840 --> 00:50:37,920
homage to an inspiration.

922
00:50:38,280 --> 00:50:38,480
Speaker 8: Yeah.

923
00:50:38,719 --> 00:50:42,000
Speaker 9: Yeah, that band we played with it that Red Alert

924
00:50:42,079 --> 00:50:45,719
shout out to Trick Attack at the coolest design i've

925
00:50:45,760 --> 00:50:47,960
ever heard of. So everybody loves the Tony Hawk pro

926
00:50:48,079 --> 00:50:50,920
skater soundtracks, right, what if there was a band that

927
00:50:51,000 --> 00:50:54,599
that was their whole thing and that's Trick Attack, kid. Yeah,

928
00:50:54,639 --> 00:50:56,480
be on the lookout for Trick Attack coming to a

929
00:50:56,519 --> 00:50:58,760
place near you. They were so awesome, they were sick

930
00:50:59,000 --> 00:51:01,039
and they've got such a good idea of just like

931
00:51:01,159 --> 00:51:04,199
taking this soundtrack that's resonated with so many people our

932
00:51:04,280 --> 00:51:07,239
age and exposed so many people to so many cool

933
00:51:07,480 --> 00:51:10,239
forms of music, and uh yeah, just kind of bringing

934
00:51:10,280 --> 00:51:12,000
the spirit of that and and to.

935
00:51:12,159 --> 00:51:18,800
Speaker 5: Like skateboard to coundtrack being played live. That that was like, man,

936
00:51:19,159 --> 00:51:21,239
my fourth grade self was over the moon.

937
00:51:23,320 --> 00:51:25,599
Speaker 8: Respect yeah, yeah.

938
00:51:25,480 --> 00:51:28,320
Speaker 5: Yeah, respectfully of course the nostalgic it was great.

939
00:51:28,679 --> 00:51:30,440
Speaker 7: Where are they from? Are they from around here?

940
00:51:31,880 --> 00:51:34,320
Speaker 8: They're from mass Yeah, Mass, I think, okay.

941
00:51:34,199 --> 00:51:35,599
Speaker 7: Yeah, oh, maybe we can get them on the show.

942
00:51:35,599 --> 00:51:38,760
That's that's very interesting. Yeah. But yeah, I always I

943
00:51:38,760 --> 00:51:41,360
always fought against doing too many covers in the bands

944
00:51:41,400 --> 00:51:43,079
I was in or or. My thing was, if we're

945
00:51:43,079 --> 00:51:45,880
going to do a cover, let's end with it that way.

946
00:51:46,679 --> 00:51:49,559
Yeah the way, there's not that way. There's no misunderstandings

947
00:51:49,599 --> 00:51:51,679
about you know, Are we an original band? Are we

948
00:51:51,760 --> 00:51:54,400
a cover band? I was just you know, we'll do well, well,

949
00:51:54,679 --> 00:51:56,320
let's do it at the end. But the other thing

950
00:51:56,400 --> 00:51:59,559
that drove me nuts to back in and this, you know,

951
00:52:00,480 --> 00:52:02,960
so this goes back like twenty years, but there was

952
00:52:03,039 --> 00:52:07,519
a period where and and anybody, any of my peers

953
00:52:07,599 --> 00:52:10,320
from that time will know what I'm talking about, because

954
00:52:10,360 --> 00:52:12,320
I know I know some of the people I knew

955
00:52:12,360 --> 00:52:15,320
then listen to the show. There was this period where

956
00:52:15,480 --> 00:52:19,960
if you were a New Hampshire band and you were

957
00:52:20,159 --> 00:52:22,639
an original band that liked to sprinkle in a couple

958
00:52:22,679 --> 00:52:27,440
of covers, all of these bands were covering sober by Tool.

959
00:52:29,360 --> 00:52:34,960
It was so obnoxious. And it wasn't even like all

960
00:52:35,039 --> 00:52:39,000
these bands were covering Tool. All these bands were specifically

961
00:52:39,599 --> 00:52:44,159
covering sober by Tool. And it even and I was

962
00:52:44,239 --> 00:52:47,320
in a band called My Life Crisis, and I remember

963
00:52:47,760 --> 00:52:50,480
one of the guys was like, because everybody in the

964
00:52:50,519 --> 00:52:52,719
band was a Tool fan, including me, I like Tool.

965
00:52:52,760 --> 00:52:53,079
Speaker 5: I didn't.

966
00:52:53,239 --> 00:52:55,239
Speaker 7: I never loved Tool, but I liked but I think

967
00:52:55,280 --> 00:52:57,719
I burned out on them because they just they were

968
00:52:57,760 --> 00:52:59,800
so ubiquitous. It was like, oh my god, no more.

969
00:53:01,199 --> 00:53:03,159
And I remember the conversation with these guys where one

970
00:53:03,159 --> 00:53:04,639
of them was like, we should do a Tool cover,

971
00:53:05,079 --> 00:53:07,800
and I remember just I'm sitting there silently thinking, oh, no,

972
00:53:08,719 --> 00:53:12,360
I know what's coming next. We should do Sober. It

973
00:53:12,519 --> 00:53:15,519
was so weird and I'm not even I'm not even

974
00:53:15,599 --> 00:53:19,039
exaggerating or being hyperbolic. All of these bands were covering

975
00:53:19,199 --> 00:53:20,360
that specific song.

976
00:53:20,480 --> 00:53:23,800
Speaker 8: I must really resonate with the New Hampshire musician craft.

977
00:53:24,320 --> 00:53:24,880
Speaker 5: I guess.

978
00:53:26,880 --> 00:53:30,239
Speaker 7: It was so strange, like at like twenty years ago,

979
00:53:30,280 --> 00:53:32,719
if you walked into any bar where there was a

980
00:53:32,920 --> 00:53:35,800
rock band playing, whether it was an original band that

981
00:53:35,920 --> 00:53:39,800
did one cover or a cover band, you were going

982
00:53:39,880 --> 00:53:45,239
to hear Sober by Tool. It was bizarre and it

983
00:53:45,360 --> 00:53:48,679
was very frustrating. And here I am, two decades later,

984
00:53:48,800 --> 00:53:51,880
finally venting about it publicly to.

985
00:53:51,880 --> 00:53:53,199
Speaker 8: Get your chest it does.

986
00:53:53,280 --> 00:53:56,760
Speaker 7: I've been carrying that around with me all this time.

987
00:53:57,159 --> 00:54:02,039
We'll be like, oh, it's a great bassline, don't get

988
00:54:02,079 --> 00:54:02,440
me wrong.

989
00:54:05,440 --> 00:54:07,880
Speaker 5: Yeah, can't we be sob.

990
00:54:12,280 --> 00:54:12,719
Speaker 7: Mashup?

991
00:54:12,920 --> 00:54:13,719
Speaker 8: Yeah, me too.

992
00:54:13,840 --> 00:54:13,960
Speaker 6: Man.

993
00:54:14,119 --> 00:54:16,760
Speaker 5: I had a funny idea. I was thinking, you know,

994
00:54:17,159 --> 00:54:21,199
wouldn't it be funny to open with a cover and

995
00:54:21,440 --> 00:54:26,719
then before every original song you played, just be like, oh,

996
00:54:26,840 --> 00:54:29,320
this next one is war Pigs by Sabbath.

997
00:54:31,840 --> 00:54:35,039
Speaker 9: I do stuff like that with There's another band that

998
00:54:35,119 --> 00:54:38,000
I play sometimes with. We're kind of like in the

999
00:54:38,039 --> 00:54:40,519
middle of like a semi break now, but we're called Targets.

1000
00:54:40,639 --> 00:54:43,280
Targets shout out to Sean James Sweeney.

1001
00:54:43,960 --> 00:54:44,599
Speaker 1: Uh we uh.

1002
00:54:45,519 --> 00:54:47,360
Speaker 8: I kind of like MC for them.

1003
00:54:47,599 --> 00:54:50,800
Speaker 9: Because everybody else just like he is either too busy

1004
00:54:50,880 --> 00:54:53,440
setting up there like synthesizer for the next song or whatever.

1005
00:54:53,559 --> 00:54:55,719
So I just kind of end up like talking, and

1006
00:54:55,800 --> 00:54:58,880
I'll introduce songs with like names that are familiar or

1007
00:54:59,000 --> 00:55:01,519
like not say that where us. I'll say that like hey,

1008
00:55:01,559 --> 00:55:03,719
where are the Backstreet Boys? Or where the fine young

1009
00:55:03,800 --> 00:55:06,559
Cannibals or something like that. Yeah, like anything so that

1010
00:55:06,679 --> 00:55:09,239
it seems like I'm am seeing, but I'm actually giving

1011
00:55:09,280 --> 00:55:11,000
the audience no information at all.

1012
00:55:11,280 --> 00:55:12,960
Speaker 8: Right, that's kind of my stick.

1013
00:55:13,760 --> 00:55:17,960
Speaker 7: Oh that's cool, that's cool. I like that. Let's uh.

1014
00:55:18,079 --> 00:55:19,400
I want to make sure we get at least one

1015
00:55:19,440 --> 00:55:20,480
more in what should we play?

1016
00:55:20,519 --> 00:55:21,960
Speaker 8: I think we only got one more? You want to

1017
00:55:22,000 --> 00:55:22,840
hit him with dead Sky?

1018
00:55:23,639 --> 00:55:23,760
Speaker 1: Oh?

1019
00:55:23,880 --> 00:55:24,079
Speaker 6: Yeah?

1020
00:55:25,400 --> 00:55:25,599
Speaker 5: Yeah?

1021
00:55:26,320 --> 00:55:27,079
Speaker 7: Is there only one more?

1022
00:55:27,119 --> 00:55:29,280
Speaker 8: I think there is. This is the one that you

1023
00:55:29,360 --> 00:55:31,280
can hear John doing Barnyard noise.

1024
00:55:31,440 --> 00:55:33,800
Speaker 7: Yeah yeah, oh there is only one left. Okay, yeah,

1025
00:55:33,880 --> 00:55:36,360
so we'll play this something, we'll come back and wrap up.

1026
00:55:36,679 --> 00:55:39,280
But if you are just joining us, oh hello to

1027
00:55:39,559 --> 00:55:41,639
Andre Dumont in the chat room, of course, from the

1028
00:55:41,679 --> 00:55:46,000
great band Andre from Dead Harrison and Terminus Underground and

1029
00:55:46,079 --> 00:55:49,079
New Hampshire Underground. And Andre is someone who probably can

1030
00:55:49,159 --> 00:55:52,039
relate to what I was saying a moment ago, one

1031
00:55:52,079 --> 00:55:54,599
of my peers from that era. I'm sure Andre. Andre

1032
00:55:54,760 --> 00:55:57,320
may have even been in a band that played sober by.

1033
00:55:57,320 --> 00:55:59,719
Speaker 8: Tool listen, man, why can't we just be sober?

1034
00:56:00,000 --> 00:56:04,719
Speaker 7: Oh boy, you'd think I could relate to I'm not

1035
00:56:04,880 --> 00:56:07,639
much of a drinker myself. I'm pretty sober. You think

1036
00:56:07,679 --> 00:56:10,840
i'd appreciate the song more, but I just grew to

1037
00:56:11,000 --> 00:56:14,679
hate it, all right. So this is called a Dead

1038
00:56:14,800 --> 00:56:18,719
Sky and the band is Hell yeah. No, I'm sorry,

1039
00:56:19,000 --> 00:56:21,760
sick dude. Hell yeah, I apologize, gentlemen.

1040
00:56:21,760 --> 00:56:22,280
Speaker 5: I'm suffering.

1041
00:56:23,320 --> 00:56:25,400
Speaker 7: I'm suffering from adult onset dyslexia.

1042
00:56:26,159 --> 00:56:26,519
Speaker 6: Here we go.

1043
00:56:26,639 --> 00:56:29,119
Speaker 7: This is Dead Sky from Sick Dude. Hell Yeah.

1044
00:57:01,559 --> 00:57:13,880
Speaker 12: The story by blast Pie File of Mountain Lie motal

1045
00:57:14,559 --> 00:57:21,760
so Maie Fall.

1046
00:57:24,880 --> 00:57:27,800
Speaker 1: By Scord.

1047
00:57:44,159 --> 00:57:46,360
Speaker 5: Vanity slowly fates.

1048
00:57:47,719 --> 00:57:53,920
Speaker 1: Technology building place except this crate.

1049
00:58:30,800 --> 00:58:43,440
Speaker 4: Tops skin cause your tes Cop sol Cossh lost, Go

1050
00:58:44,119 --> 00:58:59,840
back spells back cock co sat Don Mellion, old Cop.

1051
00:59:17,960 --> 00:59:23,679
Speaker 2: Vanity slowly trades, technology, build through place.

1052
00:59:25,480 --> 00:59:27,440
Speaker 5: Accept this face