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<v Speaker 1>This is Michael Connolly and you are listening to Killer

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<v Speaker 1>in the Code Solving the Black Dahia and Zodiac Cases.

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<v Speaker 1>This is chapter nine. Today we are going to talk

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<v Speaker 1>to author William Mann, who has a new book out

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<v Speaker 1>about the Black Dahlia case. But before we get to that,

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<v Speaker 1>I want to give a quick update on our investigation.

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<v Speaker 1>As you must know by now, our suspect in the

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<v Speaker 1>Zodiac killings and the gruesome torture and murder of Elizabeth

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<v Speaker 1>Short is Marvin Margolis, also known as Marvin Merrill, also

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<v Speaker 1>known as Marty Merrill, among several other names. A key

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<v Speaker 1>piece of evidence uncovered in the investigation headed by Citizens

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<v Speaker 1>Salute Alex Baber is the so called Elizabeth sketch that

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<v Speaker 1>was created and signed by Marty Merrill in nineteen ninety two,

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<v Speaker 1>at a time he was dying of cancer. The sketches

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<v Speaker 1>of a young, dark haired woman and his titled Elizabeth.

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<v Speaker 1>She is nude, and the sketch depicts her from the

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<v Speaker 1>waist up hereily mirroring the bisection of Elizabeth Short. There

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<v Speaker 1>are also contour lines on the body that also mirror

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<v Speaker 1>some of the injuries sustained by Short. In the shading

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<v Speaker 1>Surrounding the figure, Baber found a hidden word zodiac. The

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<v Speaker 1>sketch was framed under glass by Meryl's son and turned

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<v Speaker 1>over to the Baby Team, along with three boxes of

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<v Speaker 1>documents and other property inherited after his father's death in

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<v Speaker 1>nineteen ninety three. We can now reveal something else hidden

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<v Speaker 1>in the Elizabeth sketch, but first the story of how

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<v Speaker 1>it was found. All the property turned over by Meryl's

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<v Speaker 1>son was cataloged by veteran homicide detectives Rick Jackson and

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<v Speaker 1>Missy Roberts, both longtime cold case detectives formerly with the

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<v Speaker 1>Lost Angeles Police Department. Dozens and dozens of documents and

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<v Speaker 1>other items were listed on the inventory and a receipt

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<v Speaker 1>given to the sun. This was because it was all

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<v Speaker 1>on loan from the son, who was hopeful that the

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<v Speaker 1>material might be used to disprove his father's connection to

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<v Speaker 1>two of the most infamous unsolved crimes in American history.

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<v Speaker 1>While several items in the inventory tended to support Merrill

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<v Speaker 1>as the suspect, the sketch was perhaps the most convincing.

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<v Speaker 1>Jackson called it a deathbed confession, and though late in

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<v Speaker 1>his life Merrill knew another person whose middle name was Elizabeth.

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<v Speaker 1>The Baber team confirmed she was much older and her

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<v Speaker 1>physical descriptors were far different from both Elizabeth Short and

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<v Speaker 1>the Elizabeth in the sketch. It came time last week

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<v Speaker 1>to return Merrill's property to his son, as was promised,

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<v Speaker 1>but before it was delivered, a forensic photographer was brought

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<v Speaker 1>in to document every item we had received. Thousands of

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<v Speaker 1>photos were taken, and when it came time to shooting

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<v Speaker 1>the sketch, it was removed from beneath the glass of

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<v Speaker 1>its frame so it could be photographed without reflection. Sometimes

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<v Speaker 1>a photo can pick up what cannot easily be noticed

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<v Speaker 1>by the naked eye. I'll let Rick Jackson describe what

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<v Speaker 1>was seen and captured through the macro lens of the camera.

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<v Speaker 2>We took the glass off of the sketch and there

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<v Speaker 2>was an indentation that extended from the left edge of

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<v Speaker 2>the mouth, curled upwards. It was probably a quarter of

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<v Speaker 2>an inch or three eighths of an inch, which you know,

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<v Speaker 2>a significant win.

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<v Speaker 3>It's a small sketch that were curled upward toward the ear,

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<v Speaker 3>much like the Dahlia's body was found with the curled

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<v Speaker 3>insized wound all the way up, kind of toward her

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<v Speaker 3>tempt on both sides. The right side of the sketch's

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<v Speaker 3>mouth is covered with the hair, so you see nothing there,

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<v Speaker 3>but it was definitely an indentation that extended from that

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<v Speaker 3>side of the mouth. You can really see it under

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<v Speaker 3>the macro lens, especially with the peripheral lighting from the side. Yeah,

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<v Speaker 3>so it was intentional that. It was like almost like

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<v Speaker 3>somebody had taken maybe a dull nail and extended the

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<v Speaker 3>mouth a little bit right from the corner. The indentation

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<v Speaker 3>is definitely there. It looks like a shorter version of

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<v Speaker 3>the incised wounds that went from both sides of Elizabeth

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<v Speaker 3>Short's mouth by the killer. It was deliberately set right there,

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<v Speaker 3>there's no doubt about it. It matches right in line

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<v Speaker 3>with the curled smile. It's very very clear.

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<v Speaker 1>You can see the photo taken during the process we

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<v Speaker 1>are talking about out here under episode nine on our

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<v Speaker 1>website at killerndecode dot com. It is known as a

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<v Speaker 1>Glasgow smile as it was a torture originated with criminal

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<v Speaker 1>gangs in Glasgow, Scotland in the nineteen twenties. According to

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<v Speaker 1>her autopsy report, Elizabeth Short was cut in such a

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<v Speaker 1>way while she was still alive. How Its Baber believes

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<v Speaker 1>the indentation seen on the Elizabeth sketch leaves no doubt

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<v Speaker 1>about who the subject of the sketches.

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<v Speaker 4>I don't think that we have any other conclusion everything

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<v Speaker 4>the fact that it is Elizabeth Short. This means that

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<v Speaker 4>the sketch is what we thought it was. It's a

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<v Speaker 4>representation of Elizabeth Short's last moments. So I think at

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<v Speaker 4>this point nobody can can challenge us on what the

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<v Speaker 4>sketch represents.

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<v Speaker 1>And now that the line of indentation on the sketch

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<v Speaker 1>subject's mouth has been seen, we realized it was there

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<v Speaker 1>and even noticeable all along. Back in December, we posted

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<v Speaker 1>a photo of the sketch on the website along with

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<v Speaker 1>other extras relating to episode two. The photo was taken

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<v Speaker 1>before the sketch was ever taken out of glass and examined.

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<v Speaker 1>And yet there is the line of indentation stretching from

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<v Speaker 1>the corner of the mouth, but wasn't noticed then is

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<v Speaker 1>clearly seen now the Glasgow smile. Okay, so let's move on.

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<v Speaker 1>I am joined now by William J. Mann, who is

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<v Speaker 1>on the road promoting his new book, Black Dahlia Murder.

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<v Speaker 1>Monsters and madness in mid century Hollywood. I'm not a

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<v Speaker 1>professional critic, but I am a reader and a professional writer.

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<v Speaker 1>And my one word take when William's book is riveting.

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<v Speaker 1>Maybe it's because these days I'm steeped in everything and

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<v Speaker 1>anything Black Dahia. I ended up losing a night's sleep

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<v Speaker 1>on this book. I'm more of an audiobook guy because

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<v Speaker 1>I can be writing when most people can be reading.

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<v Speaker 1>So I started listening to this book a couple fridays

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<v Speaker 1>ago when I went to bed with the plan of reading,

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<v Speaker 1>listening to a few chapters, and then turning it off.

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<v Speaker 1>But I never turned it off. I just had to

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<v Speaker 1>go through the night listening to it. I finished it

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<v Speaker 1>the following Saturday afternoon. It's exhaustedly researched, well written, and

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<v Speaker 1>it's elevated. And by that I mean it takes this

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<v Speaker 1>awful crime that we're going to talk about here and

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<v Speaker 1>puts it in the context of that time in our history.

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<v Speaker 1>You know, a country emerging victoriously from a world war

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<v Speaker 1>and a city on the cusp of tremendous expansion, and

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<v Speaker 1>this is the lands through which William sees this young

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<v Speaker 1>woman's life. I also have to say that William quite

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<v Speaker 1>methodically and carefully goes through the many suspects in the

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<v Speaker 1>killing them is be short and convincingly knocks them down

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<v Speaker 1>one by one until he reaches who he calls the

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<v Speaker 1>last man standing. And we'll get to him that man

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<v Speaker 1>in the course of our conversation. So thanks for joining William.

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<v Speaker 1>You've told me that you didn't set out to find

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<v Speaker 1>the killer in this story, that you wanted to find

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<v Speaker 1>the victim, Elizabeth Short, So I want you to kind

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<v Speaker 1>of get me off the hook here. I will be

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<v Speaker 1>the first to admit that on this podcast we have

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<v Speaker 1>not paid enough attention to Elizabeth the victim, but luckily

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<v Speaker 1>you have. You made a deep dive into her short

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<v Speaker 1>life and times you say she had wanderlust. I would

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<v Speaker 1>like to start with that. Tell us what Elizabeth wanderlust,

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<v Speaker 1>tell us about it and what she was looking for

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<v Speaker 1>before she met her untimely and horrible end.

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<v Speaker 5>Well, I think I'm not sure she even knew what

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<v Speaker 5>she was looking for necessarily, but she was not content

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<v Speaker 5>to stay in her small town, New England suburb of Boston.

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<v Speaker 5>That was not what she wanted. She didn't want to

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<v Speaker 5>be her sisters who got married or one of them

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<v Speaker 5>went off to the into the service. Her mother had

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<v Speaker 5>spent all her life really raising four daughters. Her husband

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<v Speaker 5>had abandoned the family when Elizabeth was six, and Elizabeth

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<v Speaker 5>was fired with some curiosity to see places beyond that

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<v Speaker 5>small town. She was a sickly child for a while.

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<v Speaker 5>She'd been suffering from pleurisy. She'd had an operation for that,

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<v Speaker 5>and she had asthma that caused the cold weather to

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<v Speaker 5>really affect her. So her mother had agreed to let

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<v Speaker 5>her go for part of the winters down to Florida.

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<v Speaker 5>So she got used to traveling and spending time on

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<v Speaker 5>her own, and she liked that. She really felt that

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<v Speaker 5>I can find the world, you know, I can make

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<v Speaker 5>my own decisions, and she wanted more of that. So

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<v Speaker 5>in nineteen in the summer of nineteen forty six, she

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<v Speaker 5>gets an offer to meet a boyfriend. Wasn't serious, but

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<v Speaker 5>she told her mother it was and meet him in

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<v Speaker 5>Long Beach. He was stationed there. He was in the Army,

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<v Speaker 5>And so she takes a bus ride across the country,

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<v Speaker 5>stopping first in Indianapolis and then Chicago. Because you know,

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<v Speaker 5>at wanderlust, she wants to see places, she wants to

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<v Speaker 5>meet people, and then finally arrives in Long Beach. And

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<v Speaker 5>I think what she was looking for was adventure, new ideas,

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<v Speaker 5>new places, new people. Her father had left the family

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<v Speaker 5>when she was so young that she had very little

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<v Speaker 5>memory of him, but to her he seemed like, you know,

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<v Speaker 5>he was this adventurer there he's out seeing the world,

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<v Speaker 5>and she wanted to be like him. And she had

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<v Speaker 5>gone to see him at one point at an earlier time.

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<v Speaker 5>It went badly he rejected her for a second time.

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<v Speaker 5>So possibly in hers she was looking for some affirmation,

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<v Speaker 5>maybe some sense of her father, you know, maybe some

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<v Speaker 5>you know, male approval, because she did she did like

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<v Speaker 5>to make friends with older men, though she was very

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<v Speaker 5>puritanical in a way. But so long answer to say,

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<v Speaker 5>I'm not sure she knew what she was looking for,

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<v Speaker 5>but she was definitely looking for something and that wasn't

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<v Speaker 5>to be found in her small town.

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<v Speaker 1>In the context of that time. Wasn't this a real

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<v Speaker 1>transformative time and country, especially for women. You know, they

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<v Speaker 1>had been called out of the homes to kind of

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<v Speaker 1>keep the country running while most of the men were

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<v Speaker 1>off at war, right, and then it was the war's over,

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<v Speaker 1>and it's like, you can't go back to being normal, right.

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<v Speaker 5>Yeah, I mean, you know, you can't see Elizabeth's story

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<v Speaker 5>without understanding that context. This was a period when many

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<v Speaker 5>young women were not following the old rules of staying

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<v Speaker 5>at home, getting married, having children. They want to see

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<v Speaker 5>the world a little bit.

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<v Speaker 3>More.

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<v Speaker 5>Women, as you say, during the war had saved the

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<v Speaker 5>economy and they had gone into the factories, the offices

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<v Speaker 5>and really kept the country running while the men were away.

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<v Speaker 5>And then when the men came home, they were encouraged

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<v Speaker 5>to go back, put on an apron, have more babies.

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<v Speaker 5>And for some women that wasn't ever going to happen again.

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<v Speaker 5>They had tasted autonomy and they wanted more of it.

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<v Speaker 5>So Elizabeth was part of that movement. I'm not sure

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<v Speaker 5>she was actually consciously thinking in those terms, but she

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<v Speaker 5>was part of that movement of single women making lives

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<v Speaker 5>for themselves in the nation cities.

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<v Speaker 1>Yeah, we see that in our history. I think you

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<v Speaker 1>said she did a lot of CouchSurfing, but she also

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<v Speaker 1>did that with other women that were also exercising their autonomy. Yes. Absolutely,

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<v Speaker 1>You've already talked about the impact that her father's abandonment

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<v Speaker 1>had on her. She also did this thing that was

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<v Speaker 1>a pretty common thing during wartime. That is a wartime

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<v Speaker 1>romance where she actually got engaged to a man that

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<v Speaker 1>was in the military that she really didn't even know,

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<v Speaker 1>and that also ended with a big impact. Can you

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<v Speaker 1>talk about that a little bit. Yeah. Sure.

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<v Speaker 5>While she was in Florida, she met a one of

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<v Speaker 5>the heroes of the Flying Tigers. It was a unit

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<v Speaker 5>that was pretty independent, but it was President Roosevelt had

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<v Speaker 5>sanctioned it to go after and protect mainland China, and

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<v Speaker 5>so the Flying Tigers were a heroic group of people,

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<v Speaker 5>and Matt Gordon was the maverick of them. You know,

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<v Speaker 5>he was Tom Cruise. I mean, he was the guy

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<v Speaker 5>that flew the planes and was glamorous and handsome. And

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<v Speaker 5>Elizabeth met him one night. They had a lovely evening

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<v Speaker 5>and then he was flying out the next day and

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<v Speaker 5>he asked her if she would wait for him, and

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<v Speaker 5>she said yes. And you know, later on it would

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<v Speaker 5>be you know, seen as if this was this longtime,

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<v Speaker 5>great romance.

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<v Speaker 1>It was.

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<v Speaker 5>They met once. So that's important to point out that

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<v Speaker 5>his Matt's mother later revealed that, but that shouldn't necessarily

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<v Speaker 5>diminish the relationship. You know, they wrote to each other frequently,

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<v Speaker 5>and you know, Elizabeth's head was filled with all sorts

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<v Speaker 5>of you know, romantic notions, and he seems to have

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<v Speaker 5>liked her very much too, from the letters to his mother. Unfortunately,

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<v Speaker 5>Matt was killed in a in an accident. It wasn't

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<v Speaker 5>it wasn't in combat, but he was killed in an

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<v Speaker 5>accident shortly before he was planned to come home and

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<v Speaker 5>ask Elizabeth to marry him. He did have a ring

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<v Speaker 5>for her. It was sent to her by one of

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<v Speaker 5>his friends. And you know, she was she was surely crushed.

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<v Speaker 5>She was surely you know, bereffed by this. But part

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<v Speaker 5>of me wonders would she have really married him? You know,

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<v Speaker 5>I don't think she was at a point where she

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<v Speaker 5>wanted to settle down quite yet. But who knows because

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<v Speaker 5>she never had the chance to make that decision.

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<v Speaker 1>Yeah, So she comes to La ends up becoming famous

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<v Speaker 1>in death, you know, for this horrible crime. I mean

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<v Speaker 1>so horrible. We're still talking about it, we're still writing

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<v Speaker 1>about it eighty years later, right, I guess I want

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<v Speaker 1>to get into that fame that came in the Moniker,

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<v Speaker 1>the Black Dahlia. It really took her in a false direction,

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<v Speaker 1>didn't it.

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<v Speaker 5>Yeah, you know, the Black Dahlia is so different, completely

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<v Speaker 5>different from Elizabeth Short. As as you know, the name

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<v Speaker 5>came only after the death. It was it was given

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<v Speaker 5>to her by the by the press, by the newspapers,

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<v Speaker 5>and you know, it was it was a name that

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<v Speaker 5>became the calling card for the case, and it conjured

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<v Speaker 5>up all sorts of ideas of the you know, the

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<v Speaker 5>sinister woman who walked by night in black sheer clothing

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<v Speaker 5>and you know, you know, making connections with dangerous men

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<v Speaker 5>and all of this. You know, it really layers itself

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<v Speaker 5>right into film noir, which is a genre that was

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<v Speaker 5>coming into existence just as Elizabeth was murdered. So you know,

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<v Speaker 5>she becomes this huge, uh you know, meme in some ways,

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<v Speaker 5>you know, in in in noir fiction and noir films,

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<v Speaker 5>and had very little to do with with Elizabeth Short.

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<v Speaker 5>She was she was rather puritanical. She loved to flirt,

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<v Speaker 5>but she rarely slept with a guy. She was she

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<v Speaker 5>was very good at getting a man to buy her

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<v Speaker 5>a hamburger while she's sitting at a lunch counter, because

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<v Speaker 5>she'd bat her eyes and say, well, I'm hungry. But

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<v Speaker 5>she she wasn't a sex worker, which is what the

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<v Speaker 5>myth would later make her out to be a sex

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<v Speaker 5>worker or you know, pornographic actress or you know, a

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<v Speaker 5>bit part player who wants to be famous, and all

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<v Speaker 5>of that. She was none of them. She was just

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<v Speaker 5>a young woman who was twenty two years old, let's remember,

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<v Speaker 5>and just going from place to place seeing what she

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<v Speaker 5>could find.

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<v Speaker 1>So the myth is largely built by the media, and

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<v Speaker 1>I think there was five or six newspapers in Los

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<v Speaker 1>Angeles at that time, a very heavily competitive market, and

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<v Speaker 1>it kind of to me, it kind of feels like

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<v Speaker 1>the media emerged as one of the villains in this

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<v Speaker 1>story because of what they did to her.

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<v Speaker 5>Yeah, I would agree that part of the blame for

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<v Speaker 5>the original detectives not being able to zero in and

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<v Speaker 5>a killer right away, I think was because of the

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<v Speaker 5>distractions the media was constantly throwing at them. The two

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<v Speaker 5>original detectives, Harry Hanson and Finest Brown, in my opinion,

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<v Speaker 5>were good detectives. They were doing their job. They knew

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<v Speaker 5>how to research these kinds of crimes, though this one

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<v Speaker 5>was obviously beyond anything they had seen up until that point,

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<v Speaker 5>but it was, you know, it was a way of

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<v Speaker 5>keeping the truth from coming out because in some ways,

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<v Speaker 5>the media didn't want the truth. They didn't want this

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<v Speaker 5>story to be over. It was selling a lot of

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<v Speaker 5>newspapers for them. Jimmy Richardson of the Los Angeles Examiner

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<v Speaker 5>said that the Dahlia case was selling more newspapers than

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<v Speaker 5>Pearl Harbor. So they made sure that there were column

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<v Speaker 5>inches available for the Dahlia case on every front page.

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<v Speaker 5>So every front page had some Dahlia news. And that's

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<v Speaker 5>not just the Examiner, it is also the Herald Express,

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<v Speaker 5>the Daily News, even the Times, though they were a

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<v Speaker 5>little more sober, but the Times also had that it

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<v Speaker 5>was on page two. And so if they didn't have

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<v Speaker 5>new Dallia news, they made stuff up. They literally made

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<v Speaker 5>stuff up. And so Harry Hanson and Finest Brown are obligated.

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<v Speaker 5>Captain Donahue would say, you know, go investigate this. Somebody's

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<v Speaker 5>just confessed over the Examiner, and they'd have to stop

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<v Speaker 5>what they were doing and go over and examine, you know,

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<v Speaker 5>the latest crazy confessor. So, yeah, the media is one

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<v Speaker 5>of the reasons why, and not just one of the reasons,

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<v Speaker 5>but one of the main reasons why the detectives were

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<v Speaker 5>unable to zero in on somebody early.

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<v Speaker 1>On, Yeah, the I think it was Brown, one of

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<v Speaker 1>those two guys, Brown or Handsome. And then they testified

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<v Speaker 1>to the grand jury in nineteen forty nine said they

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<v Speaker 1>had three hundred suspects. In total, they had something like

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<v Speaker 1>nineteen confessors. And so even when they whittled it down

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<v Speaker 1>to a list of twenty two, I mean, that is

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<v Speaker 1>a massive list in itself. Absolutely, it's no wonder stuff.

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<v Speaker 1>Things slipped through, and including the guy you call the

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<v Speaker 1>last man standing. So, yeah, you know, I guess you

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<v Speaker 1>kind of already answered this, but I was going to

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<v Speaker 1>say that it wasn't a a state of the art investigation,

323
00:20:01.920 --> 00:20:06.759
<v Speaker 1>wasn't really even a textbook investigation. The tark the department

324
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<v Speaker 1>had budget issues. Sometimes these detectives didn't even have a

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<v Speaker 1>car or they could use. But let's talk about that guy,

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<v Speaker 1>the last man standing, Marvin Margolis. He's the same suspect

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<v Speaker 1>that we've landed on in this podcast. You quite methodically

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<v Speaker 1>knocked down that list of twenty two prime suspects until

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<v Speaker 1>there was only Marvin Margolis left. Why didn't you knock

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<v Speaker 1>him off the list?

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<v Speaker 5>Well, because Margolis is the only suspect who contains both

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<v Speaker 5>qualities that the detectives speculated needed to be to determine

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<v Speaker 5>who this killer is. So he had both the how

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<v Speaker 5>and the why, which you know, if how plus why

335
00:20:55.839 --> 00:20:59.720
<v Speaker 5>equals who was one FBI equation that's used. And he

336
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<v Speaker 5>had how because he had been in the military and

337
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<v Speaker 5>he had served in a medical unit, so he assisted

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00:21:07.680 --> 00:21:13.640
<v Speaker 5>in surgical procedures. And he had the the why, which

339
00:21:13.720 --> 00:21:17.480
<v Speaker 5>is the rationale or the motivation for killing. When he

340
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<v Speaker 5>was discharged, he had terrible PTSD and was discharged with

341
00:21:22.519 --> 00:21:26.599
<v Speaker 5>a fifty percent psychiatric disability, and the psychiatrist at the

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<v Speaker 5>time said, you know, he could be dangerous. He's a

343
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<v Speaker 5>you know, he's he didn't use these phrases, but you

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00:21:31.799 --> 00:21:36.119
<v Speaker 5>know he was a loose cannon. And those two attributes

345
00:21:37.079 --> 00:21:39.559
<v Speaker 5>do not turn up in any of the other suspects.

346
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<v Speaker 5>He also has other circumstantial evidence that makes me say,

347
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<v Speaker 5>of all of them, he's the only one I can't

348
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<v Speaker 5>rule out. He's the only one who does not have

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<v Speaker 5>something in his story that just disqualifies him. And for

350
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<v Speaker 5>the earlier candidates, whether they be Mark Hanson or or

351
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<v Speaker 5>Carl Bausinger, they don't have the surgical ability. There's they

352
00:22:05.839 --> 00:22:10.759
<v Speaker 5>could not have conducted that that bisection. They couldn't. They

353
00:22:10.799 --> 00:22:14.119
<v Speaker 5>did not have the ability to do that. Somebody like

354
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<v Speaker 5>Ballsinger too was he was. He was a fraud fraudulent guy.

355
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<v Speaker 5>He was. He was rested several times. But at the

356
00:22:22.200 --> 00:22:25.960
<v Speaker 5>same time he didn't possess the rage of society that

357
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<v Speaker 5>is needed. He you know, he got away with stuff,

358
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<v Speaker 5>so he wasn't really raging against society. He got his

359
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<v Speaker 5>way against society. The same is true with Glenn Wolf

360
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<v Speaker 5>who was another suspect. They they might have been sociopaths,

361
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<v Speaker 5>but they weren't angry sociopaths. They they knew how to

362
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<v Speaker 5>get what they wanted from society without without being frustrated.

363
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<v Speaker 5>Marvin Margoliz was constantly frustrated. He was never given the

364
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<v Speaker 5>the the praise in when he was in the military.

365
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<v Speaker 5>He wanted more experience in the operating room, was always

366
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<v Speaker 5>denied that he was put into the far pharmacy instead

367
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<v Speaker 5>of the instead of the surgery centers. His father had

368
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<v Speaker 5>told him he was a would never make make any good.

369
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<v Speaker 5>That he was he was never going to be anything,

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<v Speaker 5>you know, from an early age, and then when he

371
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<v Speaker 5>goes to he enrolls at University of Southern California, he's

372
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<v Speaker 5>constantly dropping out of his classes. He can't hack it,

373
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<v Speaker 5>and his professors are telling him, you know, yeah, you

374
00:23:23.279 --> 00:23:25.160
<v Speaker 5>don't have it, you don't have what it takes. So

375
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<v Speaker 5>this is a guy with anger and resentment at the world,

376
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<v Speaker 5>plus has the surgical skills to do what was done

377
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<v Speaker 5>to Eldzabeth Short. I can't one hundred percent say he

378
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<v Speaker 5>was the killer, because we know there's records that haven't

379
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<v Speaker 5>been released, But he's the only one that I can't

380
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<v Speaker 5>rule out. And as you say, he is the last

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<v Speaker 5>man standing, and I think he was the last man

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<v Speaker 5>standing for the detectives at the time too.

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<v Speaker 1>There's a lot of people out there seems eliminated, and

384
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<v Speaker 1>I think he was initially, you know, and like that

385
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<v Speaker 1>was one of the things where they were overwhelmed and

386
00:24:01.079 --> 00:24:05.680
<v Speaker 1>they checked the box with him right right and moved on.

387
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<v Speaker 1>But your study of the records that are available, what

388
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<v Speaker 1>is the evolution of that of Marvin Margolis in terms

389
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<v Speaker 1>of whether he was eliminated and when and whether he

390
00:24:19.400 --> 00:24:23.079
<v Speaker 1>was then reinstated as a key suspect.

391
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<v Speaker 5>Yeah, he was early on, he was investigated, he was questioned,

392
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<v Speaker 5>and the other reason he was question was because his

393
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<v Speaker 5>roommate Bill Robinson, who had also lived with Elizabeth Short

394
00:24:34.799 --> 00:24:41.200
<v Speaker 5>and Marjorie Graham with with Marvin. He came forward and said, okay,

395
00:24:42.160 --> 00:24:46.079
<v Speaker 5>I know this girl. I lived with her. And they said, well,

396
00:24:46.119 --> 00:24:49.200
<v Speaker 5>who else lived with you? And he said, Marvin Markgolis.

397
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<v Speaker 5>We need to talk to him. And he said, well,

398
00:24:52.880 --> 00:24:55.279
<v Speaker 5>he doesn't want to come in. So he is then

399
00:24:55.440 --> 00:24:58.160
<v Speaker 5>forced to come in, apparently because he does speak with

400
00:24:58.720 --> 00:25:02.319
<v Speaker 5>Hanson and Brown and he has an alibi for that

401
00:25:02.440 --> 00:25:04.839
<v Speaker 5>night of the night of the murder. His wife he's

402
00:25:04.920 --> 00:25:08.960
<v Speaker 5>recently gotten married, and his wife says, you know, he

403
00:25:09.079 --> 00:25:12.440
<v Speaker 5>was with me. So spousal alibis are always a little

404
00:25:12.480 --> 00:25:14.759
<v Speaker 5>bit suspicious. But you know, for the time being, they

405
00:25:15.480 --> 00:25:19.119
<v Speaker 5>put all, you know, Marvin Margolis aside because they had,

406
00:25:19.440 --> 00:25:22.839
<v Speaker 5>you know, a new suspect coming in every day, whether

407
00:25:22.880 --> 00:25:26.319
<v Speaker 5>that be Robert Manley or Lynn Martin. There was always

408
00:25:26.359 --> 00:25:29.039
<v Speaker 5>somebody new to investigate. And it's not until the district

409
00:25:29.079 --> 00:25:32.920
<v Speaker 5>attorney steps in around nineteen forty eight forty nine that

410
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<v Speaker 5>Marvin re emerges from the records. I think Frank Jemison

411
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<v Speaker 5>was going through them and probably said to from finest Brown,

412
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<v Speaker 5>what about this guy.

413
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<v Speaker 1>He looked at it.

414
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<v Speaker 5>He's got surgical experience. He was a boyfriend he you know,

415
00:25:45.839 --> 00:25:48.519
<v Speaker 5>has this rage why not him? And after getting more

416
00:25:48.559 --> 00:25:52.920
<v Speaker 5>information about him, Finess Brown actually tells the grand jury

417
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<v Speaker 5>he could be a very good suspect. And that's really

418
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<v Speaker 5>that the last record we have before things that the

419
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<v Speaker 5>District Attorney closes down its investigation. And it is clear

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<v Speaker 5>from some of the newspaper records I found was that

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<v Speaker 5>Brown began interviewing people about Marvin Margolis. And why I

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<v Speaker 5>say that is he goes to Boston to interview Marjorie Graham,

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<v Speaker 5>and Marjorie Graham would have known Marvin Margolis's He's the

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<v Speaker 5>only suspect he could have been going to Marjorie to

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<v Speaker 5>ask about. So I think by the by nineteen fifty,

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<v Speaker 5>certainly the Marvin had risen back up in prominence in

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<v Speaker 5>the detective's research.

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<v Speaker 1>And by then he's under another name. That's right, the

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<v Speaker 1>wind Right.

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<v Speaker 5>That's right, that's right. He had changed his name. He

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<v Speaker 5>moved to Kansas, where he reinvents himself as an artist.

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<v Speaker 5>And interestingly, when he's in Kansas, he begins telling another

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<v Speaker 5>story about himself, you know, instead of being the frustrated

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<v Speaker 5>surgical assistant that he now he's a member of the

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<v Speaker 5>Flying Tigers. And if if your listeners recall Matt Gordon

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<v Speaker 5>was a member of the Flying Tigers. And suddenly, suddenly

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<v Speaker 5>Marvin is describing himself as if he was Matt Gordon.

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<v Speaker 5>And it has to you wonder did Elizabeth ever compare

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<v Speaker 5>him unfavorably to you know when she dated him. Well,

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<v Speaker 5>you're nothing like my Matt Gordon, who was a hero,

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<v Speaker 5>and you know he flew the planes and did that?

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<v Speaker 1>Did that.

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<v Speaker 5>Upset marc OLiS?

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<v Speaker 1>The psychology of that is really interesting. You know the

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<v Speaker 1>guy's experience in Okinawa, you know his hero stuff. Yes, exactly,

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<v Speaker 1>but that wasn't good enough for him, right, tell the

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<v Speaker 1>newspaper that's right. I don't know. There's there's something deep

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00:27:48.480 --> 00:27:52.880
<v Speaker 1>about that and h and him leaving clues if you

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<v Speaker 1>asked me. But I'm not a not a psychologist.

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<v Speaker 5>Yep, I agree.

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<v Speaker 1>Well, you set out to find the victim, not necessarily killer,

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<v Speaker 1>but I think you found in both. It's a really

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<v Speaker 1>good book and I appreciate you spending some time and

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<v Speaker 1>letting me use you to deliver some Elizabeth.

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<v Speaker 5>Well, I'm happy to do it because Elizabeth Short, I

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<v Speaker 5>think deserves to be remembered. Her death was grizzly and sensational,

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<v Speaker 5>but her life, while it was ordinary and unremarkable, is

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<v Speaker 5>still more important than her death.

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<v Speaker 1>You've been listening to kill her in the Code Solving

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<v Speaker 1>the Black Dahia and Zodiac cases. This episode was written

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<v Speaker 1>and produced by me Michael Connolly, with editing by Terall

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<v Speaker 1>Lee Langford and music by Mark Henry Phillips. We will

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<v Speaker 1>be back with chapter ten soon. Thank you for listening, Y,
