WEBVTT

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<v Speaker 1>Way wait a sad.

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<v Speaker 2>Welcome back to Midnight Viewing, the Horror Anthology podcast, where

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<v Speaker 2>this season we're taking a look at George A. Romero's

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<v Speaker 2>nineteen eighties series Tales from the Dark Side. Sharing the

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<v Speaker 2>Midnight view with me are the Projection Boost Mike White, I.

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<v Speaker 3>Am very lazy and that will cost me a lot.

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<v Speaker 2>Of money true, and the Culture Cast Chris Nashu.

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<v Speaker 4>I don't know about the Bitterest Pill, but I have

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<v Speaker 4>heard of a jagged little pill.

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<v Speaker 2>Tonight we are taking a look at two episodes from

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<v Speaker 2>season three. Those are The Bitterest Pill and Florence Bravo.

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<v Speaker 2>The Bitterest Pill is season three episode number three, originally

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<v Speaker 2>aired on October the twelfth, nineteen eighty six. This was

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<v Speaker 2>written by Michael Cube of McDowell and Julie Selbo, based

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<v Speaker 2>on a short story by Frederick Pohle, and directed by

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<v Speaker 2>Brian Michael Stoller. This one stars Mark Blankfield at Joe Carraffalo,

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<v Speaker 2>Catherine Benison, and a Jason Horst as Jonathan. It's about

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<v Speaker 2>a mad chemist and former flame who reappears in the

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<v Speaker 2>lives of a couple who've recently won the lottery with

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<v Speaker 2>a promise of not just fortune but world domination. It

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<v Speaker 2>is a bit convoluted. What did you think of it, Mike?

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<v Speaker 3>A bit, a bit? Ah, Yeah, I really like Mark Blankfield.

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<v Speaker 3>I kind of grew up with him in different things.

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<v Speaker 3>I was just recently watching what was the one he

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<v Speaker 3>did Frankenstein General Hospitalers.

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<v Speaker 2>Yeah.

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<v Speaker 3>Oh it's terrible. It's absolutely terrible, And I'm just like,

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<v Speaker 3>how did they make comedies like this in the past?

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<v Speaker 3>And just know they had to know they were dogs, right?

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<v Speaker 2>Yeah? And what a weird bookend to young doctors in

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<v Speaker 2>love at the beginning of the decade they gain well.

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<v Speaker 3>And then Jacquel and hide together again in there as well.

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<v Speaker 3>So yeah, gosh. Yeah, he's a very special taste. He's

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<v Speaker 3>completely unhinged in this episode, which is absolutely fine. I

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<v Speaker 3>really like Frederick Pohl, and I think I'd like to

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<v Speaker 3>go back and track down the original short story. I

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<v Speaker 3>will admit that when I first started watching this episode,

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<v Speaker 3>I thought the father was Dan casting A Letta Homer Simpson,

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<v Speaker 3>and I thought the mom for a hot second was

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<v Speaker 3>Adrian Barbo. Her profile looked almost exactly like that, and

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<v Speaker 3>I was like, Oh, I am in for treat. Oh

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<v Speaker 3>this is going to be great. Yeah, not to offend

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<v Speaker 3>the actors, but the caliber that they are is pretty

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<v Speaker 3>much the caliber of the episode. And that shit eating kid,

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<v Speaker 3>I just I didn't get it, the whole thing of Okay,

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<v Speaker 3>we won the lottery. First, I thought that was going

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<v Speaker 3>to be a dream or seat of something, just because

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<v Speaker 3>of the way how odd it is. And then they

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<v Speaker 3>get into things and I'm like, no, I guess that

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<v Speaker 3>was a real thing. I guess they're so rich they

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<v Speaker 3>need a bodyguard. Now I live in some big estate,

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<v Speaker 3>but yeah, and then this dude shows up and just

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<v Speaker 3>starts acting crazy, and the longeraise on screen, the crazier

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<v Speaker 3>he gets, and I wasn't here for it. Wasn't able

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<v Speaker 3>to connect with this episode, Chris, Were you able to

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<v Speaker 3>connect with the episode?

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<v Speaker 5>Oh God, I wish somebody would have connected with a

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<v Speaker 5>right hook to my fucking temple so I didn't have

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<v Speaker 5>to watch this episode.

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<v Speaker 4>Good lord.

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<v Speaker 5>The acting place Tinker was just Oh the way William

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<v Speaker 5>Hickey was chewing scenery in the last episode we talked about.

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<v Speaker 5>In the last two episodes we talked about, this was

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<v Speaker 5>just insanity bullshit, Like, just what the fuck was it?

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<v Speaker 4>Father Malone? Was it?

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<v Speaker 5>No? It was I guess the three of us, we

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<v Speaker 5>were talking about that weird episode one of these anthology

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<v Speaker 5>shows where they were like in a studio and all

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<v Speaker 5>of a sudden, the noises started existing in the studio

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<v Speaker 5>and like aliens showed up and shit.

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<v Speaker 2>That was a Yeah, it was an old radio drama

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<v Speaker 2>going on and there was a curse on the theater

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<v Speaker 2>and everything they described appeared.

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<v Speaker 5>Yeah, it reminded me of that where all of a sudden,

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<v Speaker 5>the guys just in the house. He starts making noises

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<v Speaker 5>and dreaming and just I don't find you know what

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<v Speaker 5>I get that. There's the idea at the center of

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<v Speaker 5>this is, Oh, they have this kooky friend who has

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<v Speaker 5>this whole opportunity that they could take advantage of, and

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<v Speaker 5>if they don't, they're gonna miss out on an opportunity.

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<v Speaker 5>And then it turns out that the kid eats it

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<v Speaker 5>and haha, the kid's super smart. Now, why is the

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<v Speaker 5>whole payoff of this fucking episode like two minutes long?

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<v Speaker 3>Well?

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<v Speaker 4>Is that so strange?

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<v Speaker 3>Is that the kid seems to be punishing the parents

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<v Speaker 3>and keeping the prison there.

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<v Speaker 5>Yeah, because they kept him prisoner. That was the one

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<v Speaker 5>thing I was like, Okay, I get this part. I

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<v Speaker 5>understood what they were getting at, only in as much

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<v Speaker 5>as like they were leaving him locked in his room,

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<v Speaker 5>and so at the end of the episode he's like, well,

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<v Speaker 5>I'm gonna lock you in your room and it's okay, sure,

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<v Speaker 5>but that seems illak and I don't know if you

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<v Speaker 5>could do that me personally. Isn't this limitless? Do you

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<v Speaker 5>guys ever see that movie with Bradley Cooper.

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<v Speaker 4>Isn't it just this?

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<v Speaker 3>No? But I saw the TV series that was based.

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<v Speaker 2>On on it.

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<v Speaker 4>Okay, but the same thing.

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<v Speaker 3>Right, No, you're totally right, You're you're absolutely right. As

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<v Speaker 3>far as the power that unlocks this, the kid now

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<v Speaker 3>seems very very rich.

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<v Speaker 4>Yeah, well, he's an asshole, but.

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<v Speaker 3>He cannot afford any sort of cover art for his book.

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<v Speaker 5>Come, thank you for pointing that out. That is like

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<v Speaker 5>that looks like he's being held hostage. It looks like

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<v Speaker 5>a ransom note.

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<v Speaker 3>So terrible.

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<v Speaker 5>Yeah, production, I'm selling New York Times book with the

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<v Speaker 5>bitterest pill.

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<v Speaker 4>I'm not with that cover.

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<v Speaker 2>It's not no, no, he bought up your copy. That's

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<v Speaker 2>what was happening.

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<v Speaker 3>Oh, okay, that's yeah. I've heard about that happening before.

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<v Speaker 2>My goodness, the bitterest pill. You know, halfway down my notes,

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<v Speaker 2>halfway through the episode, I did write, Mark Blankfield is

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<v Speaker 2>an acquired taste. I'm on your side with that, Mike.

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<v Speaker 2>I remember him being in everything when we were kids,

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<v Speaker 2>like you couldn't turn around and not stamp not only

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<v Speaker 2>the ones we mentioned, but like the Incredible Shrinking Woman.

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<v Speaker 2>I thought he was fucking hlarious in that. You mentioned

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<v Speaker 2>Jekyl and Hide Together again. There's a moment in that

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<v Speaker 2>film where he's supposed to be doing a like an

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<v Speaker 2>organ transplant and he turns into mister Hyde and he

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<v Speaker 2>looks at the tray of oregons and he goes, oh, buds,

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<v Speaker 2>which just lives in my brain. So Mark Blankfield, I

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<v Speaker 2>tried looking him up more than just his credits, because

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<v Speaker 2>I also remember him from Fridays and ABC's attempt at

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<v Speaker 2>Saturday Night Live. He was one of the cast on that,

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<v Speaker 2>but like.

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<v Speaker 3>Back when, wasn't Michael Richards on that as well?

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<v Speaker 2>Sure was, and Larry David was one of the writers

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<v Speaker 2>at that.

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<v Speaker 3>Oh fuck yeah. I think I actually watch a lot

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<v Speaker 3>of episodes of that. I don't know why, because nothing

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<v Speaker 3>sticks with me. It's like there are bits from SNL

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<v Speaker 3>from the same period of time that I can still quote.

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<v Speaker 3>But Fridays, I just nothing's there.

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<v Speaker 2>Firmat because there were no reruns of Friday, so be composable.

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<v Speaker 2>But all the SNL stuff got repackaged and reshown to

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<v Speaker 2>us over and over again. Yeah, I wish I could

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<v Speaker 2>have found out more about him. I've always really liked

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<v Speaker 2>him as a performer, and he's doing his thing here.

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<v Speaker 2>I know, Chris, it's a bit much. It is a

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<v Speaker 2>bit all Jim Carrey or some sort of French comedian.

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<v Speaker 4>Jim Carrey, Hey, buddy.

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<v Speaker 2>Pretty similar.

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<v Speaker 5>Oh wait, if Jim Carrey, if there was no redeeming

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<v Speaker 5>value to Jim Carrey, I.

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<v Speaker 2>Think Jim Carrey would have done the same shit in here,

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<v Speaker 2>not that none of it. Also would have been funny

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<v Speaker 2>because the episode is not agreed episode. They're not supposed

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<v Speaker 2>to be doing comedy here on tell Us the dark Side.

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<v Speaker 2>What's making me laugh on this show is the fact

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<v Speaker 2>that the sister is going to drown the little girl

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<v Speaker 2>like they did in the previous episode. That's the funny this.

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<v Speaker 2>As bad as the episode is, though, it does echo

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<v Speaker 2>the themes I've noticed have emerged on the show every season.

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<v Speaker 2>We're going to get a few episodes where they begin

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<v Speaker 2>with a chaoic home environment. The show definitely seems hell

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<v Speaker 2>bent on putting a hammer to the fifties nuclear family idea,

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<v Speaker 2>more than any anthology show we've seen, including Twilight Zone,

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<v Speaker 2>which was running concurrently with this. Also emasculation, there's a

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<v Speaker 2>whole lot of emasculation on this show. Like here, It

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<v Speaker 2>isn't just this crazy chemist from their past show. So

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<v Speaker 2>he's the guy who tried to steal his wife away

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<v Speaker 2>on the night of their marriage. Oh yeah, you're dynamic

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<v Speaker 2>to throw in all of a sudden.

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<v Speaker 4>Was a really smart guy.

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<v Speaker 3>Though, smacks or ass and stuff. When she's crawling across him,

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<v Speaker 3>I'm like, oh okay.

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<v Speaker 2>And by the way she is crawling across him, I'm like,

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<v Speaker 2>look out, fair hubby.

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<v Speaker 3>Yeah, with that guy. Nobody's very redeemable in this. But

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<v Speaker 3>I think the husband's the worst character.

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<v Speaker 2>He is a Johnny bag of donuts. He's just a

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<v Speaker 2>stretched out, weird, shouty sort of a guy. But the ending,

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<v Speaker 2>I love the ending. I wanted to have gotten there.

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<v Speaker 2>I wanted to have earned that. I wanted that kid

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<v Speaker 2>to have been treated poorly and was getting a revenge

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<v Speaker 2>on them, or it just came out of nowhere and

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<v Speaker 2>he's now lording over them and Darkseide can be just

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<v Speaker 2>fine with a with an out of the blue. Now

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<v Speaker 2>you're all fucked ending as far as I'm concerned. But

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<v Speaker 2>they were going for a comeuppance here and locking your

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<v Speaker 2>kid in his room for an hour while there's a

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<v Speaker 2>lunatic downstairs. It's probably not the worst thing. Ever. I

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<v Speaker 2>imagine that kid had plenty of toys while they were wealthy.

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<v Speaker 2>Why did they stay in that house?

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<v Speaker 3>Yeah, no, good question.

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<v Speaker 2>They stayed any two bedroom bungalow and Pasadena. What they

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<v Speaker 2>were millionaires? They won the lottery in the opening? What?

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<v Speaker 2>This is a fucking weird episode. I wish they had

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<v Speaker 2>pulled it out, honestly, because I'm into how chaotic it

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<v Speaker 2>is and how firing in every direction it goes. It

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<v Speaker 2>just can't pull it together.

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<v Speaker 4>No, it's too much.

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<v Speaker 5>I think it's just too much, too much all at once,

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<v Speaker 5>and they don't do enough to get it there. And

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<v Speaker 5>then the ending just I'm so disappointed because the ending.

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<v Speaker 5>I like the idea, but it logistically makes no fucking sense.

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<v Speaker 2>No, they're saying that the kid is so fucking brilliant.

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<v Speaker 2>Now because he took the pills instead of the father,

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<v Speaker 2>then he's figured out a legal loophole to become his

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<v Speaker 2>parents' guardians. We're just supposed to believe that he's the

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<v Speaker 2>smartest thing on earth now, and like he'll he whatever

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<v Speaker 2>he wants, he's going to get. That's what Blackfield kid

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<v Speaker 2>yelling about. It's not even about the money, it's the power.

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<v Speaker 2>You're going to have real power with this.

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<v Speaker 3>Right, and wish that half the episode had been the

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<v Speaker 3>kid after he takes the pill, and right, like, all right,

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<v Speaker 3>what's his machinations? How does he do this? I solve this.

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<v Speaker 3>I'm gonna like, maybe be a real piece of shit.

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<v Speaker 3>Like I note that most millionaires and billionaires really are

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<v Speaker 3>very very nice people that want to help out people.

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<v Speaker 3>They donate almost all of their money to worthy causes

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<v Speaker 3>and things. I really want to. I want billionaires to

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<v Speaker 3>like me because I like them so much. But the

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<v Speaker 3>thing is, show me, show me what a piece of

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<v Speaker 3>shit this kid is. He's like, oh, I discovered the

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<v Speaker 3>cure for cancer, but the pharmaceutical companies are paying me

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<v Speaker 3>more than it would be worth for me to release that,

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<v Speaker 3>so I'm making money that way. Or I discovered how

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<v Speaker 3>to make cars run on water. But now the automotive

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<v Speaker 3>companies are paying me more than it would be worth

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<v Speaker 3>for me to release it. So he just like starts

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<v Speaker 3>making all of his money through being a real piece

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<v Speaker 3>of shit human being. I would love that. I mean,

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<v Speaker 3>that seems like a great thing to explore.

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<v Speaker 4>Such a shame of that were happening in real life

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<v Speaker 4>and not fiction.

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<v Speaker 3>I know, I know right now, I know that, like

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<v Speaker 3>the billionaires are here to help us, So that's great.

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<v Speaker 3>I'm sure once Hollywood is done smoldering, they're just gonna

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<v Speaker 3>pour all kinds of money into that whole thing. That'll

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<v Speaker 3>be fantastic.

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<v Speaker 2>Here's some things I liked in the episode. Mark Blankfield

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<v Speaker 2>takes up some wind up sneaker toys. Yes, just does.

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<v Speaker 2>It's out of the blue. I love that I had friends

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<v Speaker 2>who constantly had that ship in their pockets for some reason,

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<v Speaker 2>that the eighties was the decade of the wind up toys.

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<v Speaker 4>Hey we should bring that bag you know what.

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<v Speaker 3>Ship.

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<v Speaker 2>Well, every once in a while, a little robot running

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<v Speaker 2>across the.

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<v Speaker 5>People would be like, who's that cool guy over there?

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<v Speaker 4>Who is that genuinely cool guy?

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<v Speaker 5>Mike's grabbing a toy, right, now as we speak.

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<v Speaker 3>Yeah, it's a little hopping vampire. He just goes around

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<v Speaker 3>and hops. So he's not going to do it now.

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<v Speaker 2>Oh and he's Oh.

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<v Speaker 4>He has hot he's he has a hop performance anxiety.

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<v Speaker 2>The Chinese hopping vampire.

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<v Speaker 3>Yes it is. Once I saw one of these, I

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<v Speaker 3>said I have to get it.

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<v Speaker 5>You know, I really want one of those Godzilla wind

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<v Speaker 5>up toys where it sparks out of its mouth.

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<v Speaker 4>You remember those.

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<v Speaker 2>I had one of those.

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<v Speaker 1>Kid.

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<v Speaker 4>Yeah, they're so fucking cool. Not tea, but it's very cool.

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<v Speaker 4>Not teeth, not little sneakers.

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<v Speaker 5>I'd like something more age appropriate as opposed to something

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<v Speaker 5>that a child would have.

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<v Speaker 4>Mark Blankfield.

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<v Speaker 2>I like. Here's another thing I like. When he's introduced,

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<v Speaker 2>he refers to his former girlfriend A is twenty percent

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<v Speaker 2>body fat, eighty percent lean and mean tissue cuddles. I

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<v Speaker 2>like that description. Also, when the husband has finally thrown

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<v Speaker 2>out Mark Blankfield and is directing his anger at the

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<v Speaker 2>wife he could, he says that she's dressed like a

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<v Speaker 2>dance hall fluozy, and then he takes it back. He says, oh,

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<v Speaker 2>I didn't mean that. And all I can say to

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<v Speaker 2>that is, if you call somebody a dance hall floozy.

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<v Speaker 2>You fucking mean it?

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<v Speaker 4>Oh yeah? Wow, didn't know we needed to bring Wang

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<v Speaker 4>Chung into this book. Okay.

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<v Speaker 2>The only other good thing is one of the musical

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<v Speaker 2>beds they had going in the background was a harpsichord,

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<v Speaker 2>which I always love when they throwing in a modern setting.

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<v Speaker 2>It just makes everything feel a bit off. Other than that,

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<v Speaker 2>I do not recommend this one all that much. Other

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<v Speaker 2>than I like the concept of the ending.

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<v Speaker 3>Yes, the concept was good, the execution not so good.

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<v Speaker 2>Yeah, that's great. On to season two, episode four. This

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<v Speaker 2>is Florence Bravo. It aired originally on October nineteenth, nineteen

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<v Speaker 2>eighty six. Written by Edith Swinson Everybody's Favorite. Directed by

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<v Speaker 2>John Lewis, This one stars Laurie Cardilly, David Hayward, Carol Levy,

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00:15:31.759 --> 00:15:35.720
<v Speaker 2>and Laryn Klein as Florence Bravo. She's currently a voice

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<v Speaker 2>in Red Dead Redemption. This is about an emotionally unstable

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<v Speaker 2>wife who fears her husband is cheating and the ghost

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<v Speaker 2>in their newly purchased home isn't helping the matter any

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<v Speaker 2>which you think of this one, Chris.

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<v Speaker 5>I liked it better when they did it on Americ

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<v Speaker 5>Kid Horror Store. I guess this is what this felt like, right.

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<v Speaker 5>That was the first season of that goddamn show. A

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<v Speaker 5>ghost trying to convince a wife that you're being cheated on. Wow,

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<v Speaker 5>you murder your husband, wow, because you're possessed by the

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<v Speaker 5>ghost man. Ryan Murphy shouldn't rip off Tales from the

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<v Speaker 5>dark Side, And that was fine. I think actually, of

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<v Speaker 5>the episodes that we've talked about recently, this one I

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<v Speaker 5>think is again it's proper mean at the end, which

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<v Speaker 5>I appreciate. I think that the one with the little

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<v Speaker 5>girl being drowned was proper mean, and I think it

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00:16:21.080 --> 00:16:22.159
<v Speaker 5>earns the meanness.

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<v Speaker 4>I don't know. I just wish it wasn't so fucking

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<v Speaker 4>obvious with the Vidy.

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<v Speaker 5>I wish it wasn't so obvious what the fucking episode

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<v Speaker 5>was doing more or less from the get go. She

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<v Speaker 5>was a big time feminist. Okay, so the ghost is

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<v Speaker 5>gonna do something here. Remind me if anybody's ever like,

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<v Speaker 5>there's a big feminist ghost in this house, to be like,

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<v Speaker 5>can I.

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<v Speaker 4>Not live there?

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<v Speaker 5>Because it seems like you know a lot more about

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<v Speaker 5>the ghost than you should. And I don't want to

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<v Speaker 5>be part of that now because I think a feminist

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<v Speaker 5>ghost would kill me, just because if you if you

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<v Speaker 5>know that much about a ghost, that's a problem. It

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<v Speaker 5>seems like the ghost is in fact real, which the

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<v Speaker 5>ghost ends up being very fucking real. So I thought

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<v Speaker 5>it was fine, better than some of the blackout sketch

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<v Speaker 5>ish things we've had recently, because this is not a

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<v Speaker 5>blackout sketch at least.

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<v Speaker 4>Mike, what about you?

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<v Speaker 3>I think you liked it more than I did. I

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<v Speaker 3>just could see everything that was coming from the beginning.

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<v Speaker 3>I was just like, Oh, okay, so there's gonna be

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<v Speaker 3>ghosts and oh yeah, it's gaslighting her and.

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<v Speaker 4>Ghost lighting her mic oh yeah.

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<v Speaker 2>Yeah.

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00:17:21.640 --> 00:17:26.240
<v Speaker 3>It just felt very, very familiar with this whole plot,

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00:17:26.359 --> 00:17:30.799
<v Speaker 3>and I actually was giving this episode more credit than

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00:17:31.279 --> 00:17:34.400
<v Speaker 3>it deserved because I thought the ghost was actually played

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00:17:34.440 --> 00:17:37.880
<v Speaker 3>by the same actress that played the wife. Because a

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00:17:37.880 --> 00:17:39.920
<v Speaker 3>lot of times when you see the ghost, you're seeing

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<v Speaker 3>her from the back in the rocking chair. So I'm like, oh, well,

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00:17:43.319 --> 00:17:46.039
<v Speaker 3>that's kind of clever. Keep her face a little bit hidden,

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00:17:46.480 --> 00:17:48.599
<v Speaker 3>and when they turn at the end and look at

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00:17:48.640 --> 00:17:51.200
<v Speaker 3>each other, it'll be the same person looking. It would

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00:17:51.200 --> 00:17:54.480
<v Speaker 3>be like a mirror, be like poetry or rhymes but

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<v Speaker 3>they didn't do that. It's a different woman. So I'm like, oh, okay,

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<v Speaker 3>so the thing I thought you were going to do

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00:18:00.599 --> 00:18:03.960
<v Speaker 3>with the cool reveal, you just said, nah, nah, that's

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<v Speaker 3>to day.

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00:18:06.880 --> 00:18:07.920
<v Speaker 4>How about aout UFM.

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<v Speaker 2>I liked this one. It just might be in comparison

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<v Speaker 2>to the three previous ones we got. This one did

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<v Speaker 2>feel more Tales from the Dark Sign than not. However,

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<v Speaker 2>did feel familiar, didn't it. That's because we trained in

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00:18:20.079 --> 00:18:23.079
<v Speaker 2>the trenches of Night Gallery. This does feel very Night Gallery,

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<v Speaker 2>the ghost convincing you that there's cheating. There's plenty of

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00:18:26.920 --> 00:18:30.519
<v Speaker 2>those episodes, plenty of variations on it. The human who

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<v Speaker 2>finds the ghost, and the ghost wants them to kill

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<v Speaker 2>her husband, and then there's the host. There were tons. Anyway,

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00:18:37.319 --> 00:18:40.000
<v Speaker 2>it feels like a tired genre, but it also feels

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<v Speaker 2>with a good enough story, they can do it. I

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<v Speaker 2>don't know that this one is it. I do like

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<v Speaker 2>seeing Lori carn Dilly. This Tales and the Dark Sign

361
00:18:47.319 --> 00:18:50.359
<v Speaker 2>seems a repository for a Day of the Dead actor,

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<v Speaker 2>as we had Sherman Howard last season. Here Lori Cardilly

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00:18:53.880 --> 00:18:56.839
<v Speaker 2>also from Day of the Dead. I liked her performance

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00:18:57.039 --> 00:18:59.359
<v Speaker 2>and I liked it again. I like the concept of

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<v Speaker 2>the episode. I like the ambiguity of these episodes when

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<v Speaker 2>they're done well, because baked into this is the fact

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<v Speaker 2>that she's been she's had some sort of breakdown, and

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00:19:09.480 --> 00:19:11.720
<v Speaker 2>she's supposed to be taking her medication, and they make

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<v Speaker 2>it up she is definitely not taking her medication. And

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<v Speaker 2>seen that before, we have seen We've seen it tons

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<v Speaker 2>of times. But here's Tails from the dark Side. So

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<v Speaker 2>I was waiting for them to go a little more

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<v Speaker 2>hard or on that. I guess Tails from the dark Side.

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<v Speaker 2>In the end, it's always going to be a supernatural landing.

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<v Speaker 2>If this had been Tails from the Crypt, which I'm

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00:19:30.640 --> 00:19:32.440
<v Speaker 2>sure we got a couple of them in this, on

377
00:19:32.480 --> 00:19:35.480
<v Speaker 2>that too, it would definitely end the other way. I

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<v Speaker 2>don't know.

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00:19:36.279 --> 00:19:39.880
<v Speaker 3>I was hoping that speaking of going harder, and I

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00:19:39.920 --> 00:19:43.519
<v Speaker 3>was hoping maybe the husband had been gaslighting her and

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00:19:43.720 --> 00:19:46.119
<v Speaker 3>made her think that she was crazy, that she actually

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00:19:46.240 --> 00:19:49.519
<v Speaker 3>didn't have a breakdown, or he was giving her something

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00:19:49.559 --> 00:19:53.480
<v Speaker 3>to give her, you know, make her unstable, I don't know,

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00:19:53.559 --> 00:19:56.920
<v Speaker 3>for some reason. And then the ghost is actually no, no,

385
00:19:57.160 --> 00:19:59.519
<v Speaker 3>like I'm helping you out, like you don't know the

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00:19:59.559 --> 00:20:01.400
<v Speaker 3>real true truth. And then the truth will come out

387
00:20:01.440 --> 00:20:05.000
<v Speaker 3>through the through my actions. But no, that didn't happen either.

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00:20:05.680 --> 00:20:08.160
<v Speaker 2>David Hayward, who I remember from the nineties being on

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00:20:08.240 --> 00:20:10.440
<v Speaker 2>Beverly Hills nine oh two. I no, yes, I watched

390
00:20:10.440 --> 00:20:13.240
<v Speaker 2>Beverly Hills nine oh two. No, but he was also

391
00:20:13.400 --> 00:20:17.000
<v Speaker 2>on Twilight Zone eighty five and two separate episodes Gentlemen.

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00:20:17.359 --> 00:20:19.359
<v Speaker 2>He was in He was a reporter in a Saucer

393
00:20:19.400 --> 00:20:22.960
<v Speaker 2>of Loneliness that was with the Yeah, the Shelley Devall episode,

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00:20:23.119 --> 00:20:27.640
<v Speaker 2>answered Libertini, Yeah, that's right. And he was Paul the

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<v Speaker 2>husband in Dreams for Sale.

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<v Speaker 4>Oh, dreams for keeping, Gotta keep it alive, got to

397
00:20:38.799 --> 00:20:41.640
<v Speaker 4>keep the memory alive. And that's right.

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<v Speaker 5>He was the husband in fucking Dreams for Sale, wasn't he?

399
00:20:44.960 --> 00:20:47.480
<v Speaker 5>There was all that man, what's the mustache?

400
00:20:47.519 --> 00:20:47.680
<v Speaker 4>Too?

401
00:20:47.720 --> 00:20:47.920
<v Speaker 5>Even?

402
00:20:47.960 --> 00:20:53.000
<v Speaker 2>I'm pretty sure absolutely, And if fans of Christopher Guest,

403
00:20:53.039 --> 00:20:57.039
<v Speaker 2>he made a non mockumentary, non improv movie called The

404
00:20:57.079 --> 00:21:00.279
<v Speaker 2>Big Picture about a film student who's getting his big

405
00:21:00.319 --> 00:21:04.680
<v Speaker 2>break and making a movie and the sort of the

406
00:21:04.200 --> 00:21:06.880
<v Speaker 2>the the art house movie that he wants to make

407
00:21:07.079 --> 00:21:10.160
<v Speaker 2>features David Hayward. They keep cutting to that movie as

408
00:21:10.200 --> 00:21:13.359
<v Speaker 2>the and that movie keeps changing as the film progresses

409
00:21:13.400 --> 00:21:14.759
<v Speaker 2>in the studio keeps interfering.

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00:21:15.400 --> 00:21:19.599
<v Speaker 3>Oh that's so weird because I just talked with was

411
00:21:19.640 --> 00:21:22.240
<v Speaker 3>it the screenwriter of that movie? Because I was like,

412
00:21:22.279 --> 00:21:26.119
<v Speaker 3>oh gosh, I love the Big Picture, and yeah, I

413
00:21:26.119 --> 00:21:28.240
<v Speaker 3>haven't thought about that in forever, and I just was

414
00:21:28.279 --> 00:21:31.000
<v Speaker 3>thinking about it two days ago. So great poll.

415
00:21:31.640 --> 00:21:34.480
<v Speaker 2>Oh Man and Jennifer Jason Lee and that that that

416
00:21:34.640 --> 00:21:41.880
<v Speaker 2>the actual Manic Pixie dream girl. Oh yes, uh, it's ghosty.

417
00:21:42.279 --> 00:21:45.680
<v Speaker 2>This one. It's murdery. I like it, ending sure is,

418
00:21:47.519 --> 00:21:51.319
<v Speaker 2>and I like it. I like a murderous ghost if

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00:21:51.319 --> 00:21:53.160
<v Speaker 2>she's a feminist or not. Here's the one thing I

420
00:21:53.160 --> 00:21:56.599
<v Speaker 2>did notice, ordinarily, in any of these ghost stories, what

421
00:21:56.680 --> 00:21:59.359
<v Speaker 2>will happen is the couple gets sold to Bill of Goods.

422
00:21:59.400 --> 00:22:01.759
<v Speaker 2>They've sold house, and then they find out afterwards that

423
00:22:01.799 --> 00:22:03.880
<v Speaker 2>there was some sort of ghost situation here and they

424
00:22:03.880 --> 00:22:06.720
<v Speaker 2>have to track that real estate agent down and punch

425
00:22:06.799 --> 00:22:09.079
<v Speaker 2>the information out of them. Here it's this is a

426
00:22:09.079 --> 00:22:11.640
<v Speaker 2>three bedroom, you know, see it's got two floors. Oh,

427
00:22:11.640 --> 00:22:13.559
<v Speaker 2>there was a horrendous murder down here.

428
00:22:14.359 --> 00:22:15.400
<v Speaker 3>Check out these boards.

429
00:22:17.160 --> 00:22:20.799
<v Speaker 5>Pretty sure they see that's real blood, real flattered blood.

430
00:22:20.839 --> 00:22:22.880
<v Speaker 4>That's a bullet hole. The hole is still on the wall.

431
00:22:23.000 --> 00:22:24.440
<v Speaker 4>Didn't even dig it out of the drywall.

432
00:22:26.480 --> 00:22:28.359
<v Speaker 3>You'd probably use a if you got one of those

433
00:22:28.400 --> 00:22:29.200
<v Speaker 3>metal detectors.

434
00:22:29.279 --> 00:22:30.039
<v Speaker 2>Go around the walls.

435
00:22:30.079 --> 00:22:32.400
<v Speaker 3>See what else you dig up. There might be knives

436
00:22:32.480 --> 00:22:33.119
<v Speaker 3>sitting here.

437
00:22:33.400 --> 00:22:35.200
<v Speaker 5>They a couple of safety razors that they put through

438
00:22:35.240 --> 00:22:35.519
<v Speaker 5>the wall.

439
00:22:35.559 --> 00:22:36.680
<v Speaker 4>Who knows.

440
00:22:37.599 --> 00:22:39.799
<v Speaker 2>So far, I'm really enjoying the beginnings and the endings

441
00:22:39.839 --> 00:22:41.960
<v Speaker 2>of the episodes and toes in the dark side this scene.

442
00:22:42.680 --> 00:22:45.039
<v Speaker 2>It's just what's hanging in the middle that's proving to

443
00:22:45.079 --> 00:22:45.960
<v Speaker 2>be a problem.

444
00:22:46.640 --> 00:22:53.240
<v Speaker 5>This season has been so far pretty mediocre compared to

445
00:22:53.319 --> 00:22:54.559
<v Speaker 5>the first two seasons.

446
00:22:54.640 --> 00:22:56.920
<v Speaker 4>That's more my takeaway.

447
00:22:57.000 --> 00:23:00.880
<v Speaker 5>So far this show has been very lack luster compared

448
00:23:00.880 --> 00:23:05.000
<v Speaker 5>to the first two seasons, being I would say, rather

449
00:23:05.960 --> 00:23:08.519
<v Speaker 5>quality all the way through. Like I would say the

450
00:23:08.519 --> 00:23:11.400
<v Speaker 5>first two seasons of this show have been pretty good overall.

451
00:23:11.839 --> 00:23:17.079
<v Speaker 5>Third season, though not, starting out with a real fart underwater.

452
00:23:17.559 --> 00:23:21.000
<v Speaker 2>I'm not. I'm wondering if that has anything to do

453
00:23:21.079 --> 00:23:24.440
<v Speaker 2>with Mitchell Galen's absence on the show, because he was

454
00:23:24.480 --> 00:23:27.279
<v Speaker 2>the story editor for the first two seasons, and it's

455
00:23:27.279 --> 00:23:30.160
<v Speaker 2>hard to put a price tag on the importance of

456
00:23:30.200 --> 00:23:32.880
<v Speaker 2>that job when it comes to a fucking anthology. Show.

457
00:23:33.440 --> 00:23:36.079
<v Speaker 2>It isn't like, oh, now we'll have our characters spend

458
00:23:36.079 --> 00:23:39.559
<v Speaker 2>the day at the sub shop. No, it's we need beginnings,

459
00:23:39.599 --> 00:23:41.799
<v Speaker 2>middles and endings that are fucking great.

460
00:23:42.400 --> 00:23:45.440
<v Speaker 4>That people want to watch, that people enjoy. And I

461
00:23:45.519 --> 00:23:48.839
<v Speaker 4>have not really enjoyed these four episodes.

462
00:23:48.920 --> 00:23:52.759
<v Speaker 5>Maybe all things equal, If that's the only kind of

463
00:23:52.839 --> 00:23:56.160
<v Speaker 5>big thing other than the involvement of George Romero, which

464
00:23:56.200 --> 00:23:58.799
<v Speaker 5>that first episode of this season not great in and

465
00:23:58.839 --> 00:24:01.359
<v Speaker 5>of its own right, maybe that had something to do

466
00:24:01.400 --> 00:24:04.440
<v Speaker 5>with it, because yeah, man, I liked the ending and

467
00:24:04.519 --> 00:24:06.559
<v Speaker 5>I liked the beginning, but yeah, I guess the middle

468
00:24:06.640 --> 00:24:07.359
<v Speaker 5>is not great.

469
00:24:07.440 --> 00:24:07.799
<v Speaker 4>I don't know.

470
00:24:07.839 --> 00:24:09.519
<v Speaker 5>I did like it more than you did, Mike, but

471
00:24:10.480 --> 00:24:13.799
<v Speaker 5>I don't know. It's still not great. Compared to the

472
00:24:13.839 --> 00:24:16.400
<v Speaker 5>first two seasons, none of these four episodes have.

473
00:24:16.400 --> 00:24:20.640
<v Speaker 2>Been But he doesn't compare to any of the Bad

474
00:24:20.920 --> 00:24:21.880
<v Speaker 2>Night Gallery or.

475
00:24:22.039 --> 00:24:25.319
<v Speaker 5>Oh no, these are just middle of the road. These

476
00:24:25.359 --> 00:24:28.000
<v Speaker 5>are middling at best. They're not really awful.

477
00:24:29.319 --> 00:24:32.759
<v Speaker 3>No, I haven't been like offended by any of these

478
00:24:32.799 --> 00:24:34.119
<v Speaker 3>as far as how bad they are.

479
00:24:34.680 --> 00:24:36.880
<v Speaker 2>On the next episode of Midnight Viewing, we're gonna be

480
00:24:36.920 --> 00:24:39.240
<v Speaker 2>taking a look at the next two episodes of season three.

481
00:24:39.319 --> 00:24:43.119
<v Speaker 2>Those are the gezen Stacks and Black Widows Midnight Viewing.

482
00:24:43.119 --> 00:24:46.079
<v Speaker 2>The Horror Anthology podcast is a proud member of weirding

483
00:24:46.119 --> 00:24:49.079
<v Speaker 2>Way Media Group and our theme song was composed by

484
00:24:49.279 --> 00:24:52.680
<v Speaker 2>HP with an assist by Donald Rubinstein. Until next time?

485
00:24:52.720 --> 00:24:54.319
<v Speaker 2>What are you working on? Where can people find it?

486
00:24:54.400 --> 00:24:58.519
<v Speaker 5>Chris Dashu, Well, I've been too busy eating a whole

487
00:24:58.799 --> 00:25:01.920
<v Speaker 5>stack of gezons to be knowing what to do. Just

488
00:25:02.000 --> 00:25:04.759
<v Speaker 5>geezing Stacks now, what a fucking weird name. Thank you

489
00:25:04.799 --> 00:25:05.759
<v Speaker 5>for saying it out loud.

490
00:25:06.240 --> 00:25:06.920
<v Speaker 4>What am I doing?

491
00:25:07.920 --> 00:25:10.720
<v Speaker 5>A whole lot of audio things over at Weirdingwaymedia dot

492
00:25:10.720 --> 00:25:13.240
<v Speaker 5>com other than one podcast which can be found over

493
00:25:13.240 --> 00:25:16.839
<v Speaker 5>at patreon dot com, slash Culturecast or patreon dot com

494
00:25:16.839 --> 00:25:21.119
<v Speaker 5>slash Projection Booth, which is ranking on Bond which Father

495
00:25:21.160 --> 00:25:23.039
<v Speaker 5>Malone's gonna be joining us here pretty soon to talk

496
00:25:23.079 --> 00:25:25.839
<v Speaker 5>about another James Bond movie, another Timothy Dalton film.

497
00:25:25.880 --> 00:25:27.519
<v Speaker 4>But we're chugging right along.

498
00:25:27.519 --> 00:25:29.119
<v Speaker 5>We're gonna have to figure out what we're doing next,

499
00:25:29.160 --> 00:25:31.039
<v Speaker 5>because man, I think we're about two thirds of the

500
00:25:31.039 --> 00:25:32.960
<v Speaker 5>way done at this point. Feels like we've just been

501
00:25:33.000 --> 00:25:35.359
<v Speaker 5>cruising right along through James Bond. And if you want

502
00:25:35.359 --> 00:25:38.599
<v Speaker 5>to hear us now and when we started Patreon dot

503
00:25:38.640 --> 00:25:41.960
<v Speaker 5>com slash culturecast or projection Booth, what about you, Mike White.

504
00:25:42.319 --> 00:25:44.960
<v Speaker 3>Pretty much the same thing, all those great things then

505
00:25:45.000 --> 00:25:48.440
<v Speaker 3>all the audio diversions that we do over at Weirdingwaymedia

506
00:25:48.480 --> 00:25:51.599
<v Speaker 3>dot com, like the Life and Times of Captain Barnie Miller,

507
00:25:51.680 --> 00:25:55.039
<v Speaker 3>which also is about rap, but probably a lot sooner

508
00:25:55.079 --> 00:25:57.799
<v Speaker 3>than mister bond Is, because we haven't even started on

509
00:25:57.880 --> 00:26:01.200
<v Speaker 3>those Daltons or Braslin's or what's the other guy's named

510
00:26:01.279 --> 00:26:03.720
<v Speaker 3>Craig Greg, Greg, Greg Craig.

511
00:26:04.039 --> 00:26:06.440
<v Speaker 4>Greg, Craig Greg and old Craig.

512
00:26:08.000 --> 00:26:08.799
<v Speaker 2>So we'll get there.

513
00:26:09.000 --> 00:26:11.279
<v Speaker 3>We will definitely get there, and we might take some

514
00:26:11.359 --> 00:26:14.119
<v Speaker 3>stops along the way to visit our old friend Johnny

515
00:26:14.119 --> 00:26:18.079
<v Speaker 3>English as well. So fingers crossed. But yeah, everything is

516
00:26:18.200 --> 00:26:21.799
<v Speaker 3>available at widowaybedia dot com. How about you, fatherom.

517
00:26:21.519 --> 00:26:24.279
<v Speaker 2>Alone as for me what they said, but also head

518
00:26:24.279 --> 00:26:26.359
<v Speaker 2>over to Patreon dot com slash fa them alone, where

519
00:26:26.359 --> 00:26:29.799
<v Speaker 2>you're gonna get episodes early and commercial free and bonus

520
00:26:29.839 --> 00:26:32.680
<v Speaker 2>content which you can only get there if money's tight.

521
00:26:32.799 --> 00:26:35.079
<v Speaker 2>You could also do us a favor by giving us

522
00:26:35.119 --> 00:26:38.480
<v Speaker 2>a five star review, subscribe like share tell someone else.

523
00:26:38.599 --> 00:26:41.559
<v Speaker 2>Thank you all for joining us here at midnight, viewing

524
00:26:42.119 --> 00:26:45.119
<v Speaker 2>until next time. Try to enjoy the daylight.

525
00:27:01.799 --> 00:27:25.079
<v Speaker 1>Almost raid ins
