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<v Speaker 1>Coming to you from the dining room table at East

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<v Speaker 1>Barbury Lane. Welcome to another special episode of Full Circle

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<v Speaker 1>the podcast. I am your host, Charles Tyson Jr. And

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<v Speaker 1>today I'm thrilled to be sitting down with my guest.

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<v Speaker 1>She is a New York Times bestselling author. She has

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<v Speaker 1>written an amazing and fun and dark book darkly fabulous

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<v Speaker 1>will call it. It is called Girl Dinner, and I

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<v Speaker 1>am excited to have Olivi Blake in the house. Hi, Olivi,

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<v Speaker 1>how are you.

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<v Speaker 2>Hi, I'm great, Thank you so much for having me.

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<v Speaker 1>Thank you. I love this book.

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<v Speaker 2>Thank you. It was a great place to start.

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<v Speaker 3>I'm not sure what people are going to be of it, Honestly,

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<v Speaker 3>I'm still very nervous.

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<v Speaker 1>I mean, well, it tickled that part of my brain

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<v Speaker 1>that you know, I love, I love. I was a

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<v Speaker 1>gender studies minor, so it was like, yes, give it

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<v Speaker 1>to me.

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<v Speaker 2>Yeah, yeah, I was.

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<v Speaker 3>I studied urban planning in public policy, so very much,

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<v Speaker 3>you know, in the under the umbrella of sociology. This

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<v Speaker 3>is very much chapping into how have I been trained

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<v Speaker 3>to think right.

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<v Speaker 1>Right, right right? I guess the best place to start

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<v Speaker 1>is tell us what Girl Dinner is about.

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<v Speaker 2>Okay, So Girl Dinner is about the House.

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<v Speaker 3>It's the most prestigious, unnamed sorority on this equally unnamed

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<v Speaker 3>and elite university campus. And there are two perspectives. There's Nina,

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<v Speaker 3>who's the nineteen year old who's rushing the house. She

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<v Speaker 3>didn't have a great freshman year, but she's very ambitious.

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<v Speaker 3>She's super hungry, you know, she really wants big things

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<v Speaker 3>for her life, and she sees the house as her

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<v Speaker 3>opportunity to become one of those you know, powerful, beautiful,

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<v Speaker 3>perfect women that she's seen come out of it. And

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<v Speaker 3>then there the other character is Sloan. She's thirty three.

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<v Speaker 3>She is an adjunct professor, and she's just taken a step,

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<v Speaker 3>you know, sideways slash kind of backward in her career

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<v Speaker 3>in order to join her husband, who is a professor

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<v Speaker 3>at the same university. She has been with her daughter,

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<v Speaker 3>her newborn daughter, for the last eighteen months, and.

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<v Speaker 2>She's just now going back to work.

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<v Speaker 3>So she's having sort of the crisis of being the

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<v Speaker 3>postpartum woman who's her clothes don't fit and her brain

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<v Speaker 3>only works like thirty percent of the time.

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<v Speaker 2>That is very familiar to me.

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<v Speaker 3>And she also crosses paths with the house by way

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<v Speaker 3>of its alumnae. So she is looking at these women

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<v Speaker 3>who have come out of the house and is like, Wow,

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<v Speaker 3>how do they have it all? How are they achieving

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<v Speaker 3>all these things that I'm struggling with. And so as

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<v Speaker 3>both Nina and Sloane come to realize exactly how these

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<v Speaker 3>women do have it all, it's kind of they're kind

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<v Speaker 3>of asked, you know, what does power mean to them?

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<v Speaker 3>And what are they willing to sacrifice for it?

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<v Speaker 1>And so much more.

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<v Speaker 3>Yeah, yeah, that was It's really really Girl Dinner started

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<v Speaker 3>as a punchline. I mean it was when obviously obviously

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<v Speaker 3>that's a reference to the meme I'm not on TikTok,

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<v Speaker 3>so like it reached me, like last I like to

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<v Speaker 3>joke that it reached me as you know Anne Hathaway's

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<v Speaker 3>cerulean sweater, you know, like trickled down to me. And

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<v Speaker 3>so then I was like, wouldn't it be funny if

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<v Speaker 3>I wrote a satire about a cannibal sorority and called

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<v Speaker 3>it girl Dinner and enough people laughed that here we are.

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<v Speaker 1>Okay, So I'm glad you said cannibalism because I was

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<v Speaker 1>trying to figure out how to talk about it without

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<v Speaker 1>talking about right.

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<v Speaker 2>No, no, no, we can just talk about it. The

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<v Speaker 2>thing is that.

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<v Speaker 3>I when I wrote this, or when I when I

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<v Speaker 3>told my editor and she's like, you have to write that,

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<v Speaker 3>I was like, don't you think there's been a lot

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<v Speaker 3>of cannibal books recently?

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<v Speaker 2>Like I had read a lot, at least four or.

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<v Speaker 3>Five books in twenty twenty three where it was like

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<v Speaker 3>the surprise twist is cannibalism.

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<v Speaker 2>And I was like, if we're if I'm.

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<v Speaker 3>Going to do this, if I'm going to contribute to

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<v Speaker 3>the canon of cannibalism, then I want it to be

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<v Speaker 3>to not turn on the twist like that. You can

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<v Speaker 3>kind of know the whole way through that you're like,

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<v Speaker 3>oh God, they're cannibals, aren't they.

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<v Speaker 1>So well it was funny because I was like, Okay,

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<v Speaker 1>so they're cannibals. Wait, they're witches, Wait they're vampire, They're

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<v Speaker 1>gonna be all of them watched Luckily there was no

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<v Speaker 1>wrong answer, and yeah, I love it, And and part

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<v Speaker 1>of me is like, hmmm, do I have a list?

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<v Speaker 1>But I don't think many of the people on my

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<v Speaker 1>list would be very nutritious for anyone. I also love

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<v Speaker 1>the themes of what is a good woman? I'm putting

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<v Speaker 1>that in their quotes and is there such a thing?

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<v Speaker 3>Right, Yeah, that's really the question. Bok is not trying

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<v Speaker 3>to answer the question. I will just say that straight up.

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<v Speaker 3>I think there's been a lot of people have been like, oh,

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<v Speaker 3>girl Dinner is like the start of this fem gore

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<v Speaker 3>trend or something, which it absolutely is not. Girl Dinner

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<v Speaker 3>is very much like in conversation with what I already

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<v Speaker 3>see as an identifiable trend, Like there's you know, the

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<v Speaker 3>woman having a meltdown is like pretty much my favorite

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<v Speaker 3>literary subgenre, and this is a book that is very

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<v Speaker 3>much one of those. But I think what's different about

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<v Speaker 3>Girl Dinner is that it's like it already it already

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<v Speaker 3>knows about those books, right, Like it already it's having

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<v Speaker 3>it's like breaking the fourth wall while it's having its

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<v Speaker 3>melt down, you know, because when I'm asking the question

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<v Speaker 3>what is a good woman?

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<v Speaker 2>And really I'm asking the question if we already know,

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<v Speaker 2>if there's already been so.

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<v Speaker 3>Much media Barbie Movie included that suggests that the answer

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<v Speaker 3>to can women have it all?

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<v Speaker 2>Is no? Then what do we get to have?

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<v Speaker 3>If the answer is little treats like are we functioning

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<v Speaker 3>in the postgirl boss little treats economy like that should

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<v Speaker 3>not be good enough for you, That shouldn't be good

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<v Speaker 3>enough for anyone. And so I think part of the

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<v Speaker 3>question of what are you willing to do to be

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<v Speaker 3>a good woman? And in what ways can you have

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<v Speaker 3>blind spots? In what ways can your understanding of your

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<v Speaker 3>own suffering or victimhood be myopic? I think it's this.

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<v Speaker 3>I really wanted to lean into the dissonance of what

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<v Speaker 3>is real suffering, Like what is power that we actually

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<v Speaker 3>don't have? What are resources that we really don't have,

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<v Speaker 3>and what do we think that power is right?

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<v Speaker 1>And and that's the thing. It's like this conversation all

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<v Speaker 1>lies on the foundation rickety as it is of the

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<v Speaker 1>power structure, that of the patriarchy. And that's like a

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<v Speaker 1>house of cards built on a sand dune, you know,

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<v Speaker 1>as we're kind of seeing, it's like it's all smoke

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<v Speaker 1>and mirrors. And now it's like, you know, they're showing

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<v Speaker 1>us the smoke and the mirrors, and we're still like, ooh,

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<v Speaker 1>look at the castle.

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<v Speaker 3>Yeah, my okay, My whole thing this is I think

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<v Speaker 3>some women may find it frustrating that this is not

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<v Speaker 3>a man hating book or like, this is not a

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<v Speaker 3>book about revenge against men. This is a book that's like,

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<v Speaker 3>what is the patriarchy doing to you?

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<v Speaker 1>Right?

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<v Speaker 3>And So the reason that I have to point that

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<v Speaker 3>out is because I think sometimes people go into this

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<v Speaker 3>expecting one thing. There's a lot of media that I

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<v Speaker 3>that I put under the Girl Boss umbrella, which is

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<v Speaker 3>the kind of thing where, you know, I think in

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<v Speaker 3>the twenty tens, it was very hot to be like, well,

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<v Speaker 3>you know, if we just if we just use these

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<v Speaker 3>products and if we just you know, embrace our sexuality

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<v Speaker 3>and beauty is power, and you know, all this the

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<v Speaker 3>lean in and all this stuff, and you know, we

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<v Speaker 3>just do these things.

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<v Speaker 2>It'll be fine.

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<v Speaker 3>And we're at a place now where it's like, Okay,

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<v Speaker 3>that didn't work, but all is not lost, right, because

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<v Speaker 3>I think if we can all collectively voice the patriarchy

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<v Speaker 3>as a problem, the patriarchy is the problem, what do

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<v Speaker 3>we do about it? And my concern is that at

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<v Speaker 3>this juncture, people are going the wrong way, right, Like

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<v Speaker 3>tradwives should not be the answer, true women not being

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<v Speaker 3>able to have it all. Right.

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<v Speaker 2>I understand. The thing is that I am sympathetic.

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<v Speaker 3>I am sympathetic to the younger generations of women who

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<v Speaker 3>feel like I don't want to do the you know,

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<v Speaker 3>chuggy millennial go get them girl boss thing. You know,

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<v Speaker 3>I get it that, like you're looking at what we

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<v Speaker 3>did and you think it's corny, and you know, people

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<v Speaker 3>make a joke of the pussy hats or whatever, but

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<v Speaker 3>like it did something right because it allowed women to women.

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<v Speaker 3>And you know, I'm using women as a very broad

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<v Speaker 3>term here to recognize that there's more we could have,

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<v Speaker 3>there's more we should have, right, And I understand that

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<v Speaker 3>one one outcome of that is to be like, well,

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<v Speaker 3>I'm not even gonna try, right, Like, if the road,

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<v Speaker 3>you know, if the road to having it all is

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<v Speaker 3>doomed to fail, then all right, trad wifery it is.

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<v Speaker 2>But that's a huge problem.

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<v Speaker 3>I mean, the whole the whole concept, really, Girl Dinner

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<v Speaker 3>is just kind of it's just feminism question mark.

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<v Speaker 2>And it's like, what does your feminism look like?

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<v Speaker 3>Because if your feminism, if your feminism has exceptions anywhere, right,

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<v Speaker 3>if your if your feminism does not, if it has exclusions,

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<v Speaker 3>then not only is it probably not feminism, but it's

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<v Speaker 3>doomed to fail, right, you know, like the patriarchy. Taking

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<v Speaker 3>down the patriarchy is an uphill battle. It's systemic, it's institutional,

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<v Speaker 3>it's like really embedded in every possible way. And so

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<v Speaker 3>if you're saying, you know, the trans women or the

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<v Speaker 3>disabled women or the women of color does not have

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<v Speaker 3>a place in your movement, then there's not enough of you, period, right,

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<v Speaker 3>And if your power is contingent on a man's power,

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<v Speaker 3>then you don't actually have it.

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<v Speaker 2>It's just a myth.

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<v Speaker 3>So, and I also wanted to talk about just the pure,

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<v Speaker 3>you know, amusing to me if it weren't so terrible

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<v Speaker 3>hypocrisy of the tradwife concept or the concept of a

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<v Speaker 3>traditional woman's role. When the women who are popularizing this

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<v Speaker 3>are extremely wealthy and they're working, they're a brand, they

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<v Speaker 3>create content. They are not traditional women, and they were

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<v Speaker 3>given those resources by the feminists that came before them.

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<v Speaker 3>Yeah yeah, right, yeah, so right, So you know that's

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<v Speaker 3>why I was like, this has to be a satire.

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<v Speaker 3>This has to be you know, it has to be funny,

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<v Speaker 3>It has to be kind of like a left.

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<v Speaker 2>Through nausea kind of feeling. But it also, you.

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<v Speaker 3>Know, I recognize that like, truly conservative women are not

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<v Speaker 3>going to read this book right, like they're like, you know,

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<v Speaker 3>there are people that can't be helped. But I also

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<v Speaker 3>think there's lots of people who are like, oh, I'm

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<v Speaker 3>liberal except for this thing, or like, oh, I'm liberal,

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<v Speaker 3>but I think Taylor Swift should be cognizant that her

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<v Speaker 3>audience is too young for her to sing about Dix.

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<v Speaker 2>And it's just like and it's like.

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<v Speaker 3>Can a woman make or she wants to or not?

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<v Speaker 3>This is a totally this is a totally minor example.

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<v Speaker 3>It's just that this week alone, five different women have

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<v Speaker 3>said that to me, Like, is this some sort of

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<v Speaker 3>talking point online?

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<v Speaker 2>I don't know, but you know, I think.

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<v Speaker 3>It's just it's this weird like I guess I'm asking

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<v Speaker 3>the question question, what are you policing and why?

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<v Speaker 1>Right? We live in a post wop era, so that

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<v Speaker 1>very argument is just.

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<v Speaker 2>Has everyone forgotten that? I'm worried people have forgotten.

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<v Speaker 1>That's like that was like a praiseworthy moment for me.

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<v Speaker 1>It's like, you know, these women are talking about men

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<v Speaker 1>the way men have been talking about women in the

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<v Speaker 1>same genre all this time, but they're in charge and

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<v Speaker 1>they're getting paid do that shit take off more. I

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<v Speaker 1>don't give a shit.

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<v Speaker 3>Yeah, and I you know, and so yeah, and this

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<v Speaker 3>is the sort of this is what I mean Also

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<v Speaker 3>by like being in conversation with all this, someone asked

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<v Speaker 3>me recently, like what.

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<v Speaker 2>What singular event radicalized me?

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<v Speaker 3>Right, And that's there's nothing, you know, But I'm a

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<v Speaker 3>woman who grew up in thee I grew up in

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<v Speaker 3>the two thousands, so I was there, you know, when

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<v Speaker 3>Britney Spears shaved her head and Lindsay Lohan did whatever

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<v Speaker 3>Lindsay Lohan did, and like the whole thing would be

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<v Speaker 3>as skinny as possible, whatever thing, all the things, you know,

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<v Speaker 3>all the Lindsay loyand things, and you know, and and

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<v Speaker 3>when everyone was just so cruel to like Jessica Simpson,

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<v Speaker 3>I don't even know. And what I internalized from all

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<v Speaker 3>of that and being biracial and not seeing anyone who

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<v Speaker 3>looked like me and all of this is just like

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<v Speaker 3>this feeling like I've got to be a guys girl.

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<v Speaker 3>I've got to be a cool girl. I've got to

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<v Speaker 3>be not like other girls. That's that's where I started from, right,

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<v Speaker 3>And so to be where I am now, I owe

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<v Speaker 3>all of that to the many different feminist movements that

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<v Speaker 3>happened along the way, the.

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<v Speaker 2>Me Too movement, for example, the pussy hats.

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<v Speaker 3>You know, the fact that I understand, like I said,

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<v Speaker 3>why people kind of look at the things that we did,

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<v Speaker 3>the like hope core of the Obama era and see

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<v Speaker 3>that as being you know, yeah, you know, mainly virtue

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<v Speaker 3>signaling or whatever. But it was not for naught. You know,

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<v Speaker 3>like it wasn't for nothing. Because if I can sit

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<v Speaker 3>here and you know, say that it's actually not acceptable

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<v Speaker 3>to laugh at jokes that objectify me, or jokes that

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<v Speaker 3>are racist, or it's not okay, you know that there

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<v Speaker 3>are there are things that like that I'm allowed to

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<v Speaker 3>identify as not acceptable. I think that's like that speaks

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<v Speaker 3>to how how far we've come socially, not just as

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<v Speaker 3>I have matured as an individual, Like this is something

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<v Speaker 3>that like the world has taught me.

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<v Speaker 2>This is an attitude I can take.

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<v Speaker 3>So, you know, while I approach many things with cynicism

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<v Speaker 3>in this book, I think there's a lot of there's

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<v Speaker 3>a lot of value to asking what can we do

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<v Speaker 3>from here? Where can we go from here? That allows

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<v Speaker 3>more of us, most of us, to have the power

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<v Speaker 3>that we want.

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<v Speaker 1>Right, and how much longer can we go before women

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<v Speaker 1>actually really do snap and start biting bitches?

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<v Speaker 2>Because I am pretty obsessed.

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<v Speaker 3>I'm pretty obsessed with the intersection of femininity, culture and violence,

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<v Speaker 3>Like at what point do we become violent?

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<v Speaker 2>And what does feminine violence look like?

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<v Speaker 1>Right? And I love it because I'm sick of man

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<v Speaker 1>shit and I am my man, you know what I'm saying.

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<v Speaker 1>So it's like if and I recognize that, you know,

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<v Speaker 1>I fall on that spectrum where like someone might want

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<v Speaker 1>to take a chunk out of my leg too, but

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<v Speaker 1>you know what, so be it. It obviously doesn't really

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<v Speaker 1>work anymore when men do it, Like so like at

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<v Speaker 1>the very least, like how much worse could a woman

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<v Speaker 1>fuck up? I mean, come on, come, oh.

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<v Speaker 3>Great points, great points. I yeah, no, And it's you know,

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<v Speaker 3>I have to I do. I have to emphasize it

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<v Speaker 3>not being a man hating book, because like, I'm a

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<v Speaker 3>woman married to a man, I have a son.

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<v Speaker 2>It's important to me that, like it's not like we're

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<v Speaker 2>targeting a.

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<v Speaker 3>Group for erasure, you h of course, Well, you know,

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<v Speaker 3>I have to say these things. There are people who

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<v Speaker 3>need to hear.

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<v Speaker 1>These, right, Yeah, yeah, it's just.

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<v Speaker 3>Like it's not you know, I do think there are

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<v Speaker 3>pitfalls to suggesting to kind of like the man hating jokes,

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<v Speaker 3>you know, not that they shouldn't be made, not that

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<v Speaker 3>they aren't earned, but that there still has to be

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<v Speaker 3>a role for men. There still has to be like

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<v Speaker 3>an understanding of what is a good man. I think

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<v Speaker 3>that's also implied when you ask the question what's a

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<v Speaker 3>good woman, you are necessarily asking the question what's a

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<v Speaker 3>good man? And so, you know, it's something that I

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<v Speaker 3>all of my works are very existential. They're really all

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<v Speaker 3>about like what does it mean to live well? And

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<v Speaker 3>I think some of that means removing yourself as an

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<v Speaker 3>individual and thinking more of the collective. I guess it's

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<v Speaker 3>existential and it's humanist. That's like, if we make things

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<v Speaker 3>better for everyone, even people you don't like, that means

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<v Speaker 3>it's better for everyone.

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<v Speaker 2>Even you.

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<v Speaker 3>And I think that's the mindset, right, That's the mindset

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<v Speaker 3>that I find is missing from a lot of people

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<v Speaker 3>and that I try to encourage in these roundabout ways.

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<v Speaker 3>It's just like, you know, if we could make everybody's

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<v Speaker 3>life a little bit better. I talk a lot about

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<v Speaker 3>how you know, there's all, there's all this you know

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<v Speaker 3>about the male loneliness epidemic, when really what it is

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<v Speaker 3>is a capitalist driven loneliness epidemic that is not specific

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<v Speaker 3>to men.

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<v Speaker 2>Women are lonely too.

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<v Speaker 3>And it's but but people are more in crisis over

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<v Speaker 3>men being lonely because it's unusual because it hasn't happened before,

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<v Speaker 3>or like women waiting longer for marriage or not getting

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<v Speaker 3>married or not choosing to have children that is new,

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<v Speaker 3>and so people are more worried, like what happens to

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<v Speaker 3>the men. But the answer is everybody is lonely. If

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<v Speaker 3>we can make things better for women, it would make

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<v Speaker 3>things better for men.

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<v Speaker 1>Right.

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<v Speaker 2>But again, I don't expect men to.

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<v Speaker 3>Read this book either, so I don't really know how

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<v Speaker 3>to reach them.

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<v Speaker 1>I'll do my part. I'll as it's on you.

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<v Speaker 3>Charlespread the word like.

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<v Speaker 1>But like that whole male loneliness thing, it's like, have

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<v Speaker 1>you met you? I wouldn't want to hang out.

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<v Speaker 2>With you, Eve, I know?

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<v Speaker 3>Yeah, yeah you really? What what's the the South Korean movement?

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<v Speaker 3>That's like a number and a letter?

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<v Speaker 2>Is it four B?

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<v Speaker 1>Is it something like that? Yeah? Yeah, yeah, yeah, it's an.

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<v Speaker 2>Interesting it's an interesting concept.

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<v Speaker 3>Because it's like, yeah, there, what's good about it is

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<v Speaker 3>that it's actionable, it has a deliverable It's like, unless

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<v Speaker 3>you give us these things that we that we want.

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<v Speaker 3>You know, there's there's a moment in Girl Dinner. Okay,

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<v Speaker 3>let me back up mentally.

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<v Speaker 2>So I wrote Girl.

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<v Speaker 3>Dinner in twenty twenty three before the twenty twenty four

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<v Speaker 3>presidential election, and there was a moment when you know,

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<v Speaker 3>I was going into I think it was copy ed

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<v Speaker 3>it's and I had sort of like it's like what

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<v Speaker 3>you know, there's a line where one of the characters, Jazz,

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<v Speaker 3>she is she's Nina's twin sister, and she's complaining about

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<v Speaker 3>the shirts that you see white.

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<v Speaker 2>Women wear at yoga.

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<v Speaker 3>You know, that's just like you know, like a you

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<v Speaker 3>go girl boss and like she's like, I hate these

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<v Speaker 3>shirts and all they do is benefit some CEO that's

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<v Speaker 3>probably a man, and like and she's like, and I

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<v Speaker 3>think the original line was that we can't have a

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<v Speaker 3>woman in office.

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<v Speaker 2>We're too emotional for that. And then I was like,

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<v Speaker 2>let's be optimistic. What if Kamala wins, what if this.

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<v Speaker 3>Happens, and like, let's you know, I don't want to

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<v Speaker 3>be the person who accidentally like, I don't know, jinx

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<v Speaker 3>is this. So then I changed the line too, we

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<v Speaker 3>can't have too many women in office. We're too emotional

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<v Speaker 3>for that, right. And then when I was then when

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<v Speaker 3>the election actually happened and I was sort of sitting

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<v Speaker 3>with my feelings on it, I changed that line to

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<v Speaker 3>what it ultimately is, which is we can't have equal

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<v Speaker 3>representation because I think that is the real deliverable, right, Like,

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<v Speaker 3>that's the actual thing that we want, that we deserve.

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<v Speaker 3>That is not unreasonable to ask for. You know, if

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<v Speaker 3>the whole point is about if the model of the

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<v Speaker 3>republic is built on representation, then it is not unreasonable

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<v Speaker 3>to say there should be an equal number of feminine representatives. Right,

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<v Speaker 3>That's not a crazy thing to say, it is.

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<v Speaker 2>So yeah, And so that.

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<v Speaker 3>Was when, you know, it was funny to just I'm

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<v Speaker 3>using the one little line as a microcosm. But I

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<v Speaker 3>think that's what makes the difference between the things.

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<v Speaker 2>That I identify as like girl bossy.

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<v Speaker 3>That's just like you know that it's just like, oh,

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<v Speaker 3>we're just we're just complaining about men generally, We're just

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<v Speaker 3>complaining about the state of things. No, this is a

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<v Speaker 3>very specific complaint, and it's one that I can stand

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<v Speaker 3>on and that feels like there's something productive to come

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<v Speaker 3>out of.

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<v Speaker 1>It, right, It's that whole thing like, well, not all men,

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<v Speaker 1>to which I always respond, yeah, but enough of you

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<v Speaker 1>motherfuckers to warrant the conversation.

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<v Speaker 3>Exactly exactly, not all men, but certainly enough men.

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<v Speaker 1>And always men.

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<v Speaker 2>And always men. Yeah, someone else is saying something.

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<v Speaker 3>One of the one of the books that I well,

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<v Speaker 3>like the main book that I talk about in the acknowledgments,

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<v Speaker 3>because in the acknowledgements, I'm like, this is not an

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<v Speaker 3>educational text, Okay, Like, this is not a you know, this.

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<v Speaker 2>Is a feminist.

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<v Speaker 3>This is a feminist book in terms of it being

404
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<v Speaker 3>a contribution to a conversation that's already happening and it's

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<v Speaker 3>not in more productive ways in other places. And so

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<v Speaker 3>one of the books I brought up is Hood Feminism

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<v Speaker 3>by Mickey Kendall, which I think is a great book.

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00:21:06.920 --> 00:21:10.759
<v Speaker 3>It's very similar you know, studying sociology, studying public policy.

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<v Speaker 3>It's it's how I think about things. But you know,

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<v Speaker 3>Mickey Kendall makes points that I think not a lot

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<v Speaker 3>of women think about that being pro gun control is

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<v Speaker 3>a feminist stance because many women are shot and killed

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<v Speaker 3>by their husbands, and so it's this kind of thing

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<v Speaker 3>that's like, you don't you know, this is what when

415
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<v Speaker 3>when you pick and choose what belongs to the feminist agenda,

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<v Speaker 3>there's a danger in not being able to see these

417
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<v Speaker 3>things because they don't apply to you specifically, you know,

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<v Speaker 3>or you know, when we're when we say all cops

419
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<v Speaker 3>are bad, what we mean is like a lot of

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<v Speaker 3>cops beat their wives, and a lot of cops will

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<v Speaker 3>cover for each other, and all these sorts of things

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<v Speaker 3>that like, this is a feminist stance for these reasons.

423
00:21:51.839 --> 00:21:55.200
<v Speaker 2>So yeah, it's a it's it's a way to.

424
00:21:57.119 --> 00:21:58.440
<v Speaker 3>I think a lot of people there was a lot

425
00:21:58.440 --> 00:22:00.640
<v Speaker 3>of discourse about the Barbie movie right about it being like,

426
00:22:00.880 --> 00:22:05.720
<v Speaker 3>you know, second wave feminism, like whatever, introductory, right, whatever,

427
00:22:06.119 --> 00:22:07.759
<v Speaker 3>but like you have to start somewhere, right, we have

428
00:22:07.839 --> 00:22:09.240
<v Speaker 3>to start this conversation somewhere.

429
00:22:09.240 --> 00:22:10.559
<v Speaker 1>I didn't have a problem with that because it was

430
00:22:10.559 --> 00:22:15.640
<v Speaker 1>a mainstream film. Yes, and it for many many people,

431
00:22:15.640 --> 00:22:18.359
<v Speaker 1>who is the first time they were actually engaging actively

432
00:22:18.400 --> 00:22:19.279
<v Speaker 1>with this conversation.

433
00:22:20.000 --> 00:22:22.880
<v Speaker 3>Yes, yes, and I think it is valuable for those reasons.

434
00:22:22.920 --> 00:22:26.480
<v Speaker 3>It's not as valuable as like maybe some people you know,

435
00:22:26.640 --> 00:22:29.119
<v Speaker 3>like it's not it's not the end all test, right,

436
00:22:29.160 --> 00:22:29.599
<v Speaker 3>but it is.

437
00:22:29.680 --> 00:22:30.839
<v Speaker 1>Not a Belle Hooks article.

438
00:22:30.920 --> 00:22:35.599
<v Speaker 2>But it is a contribution, right.

439
00:22:35.680 --> 00:22:38.359
<v Speaker 3>And and I think that all these little things that

440
00:22:38.400 --> 00:22:41.720
<v Speaker 3>make us engage with our own power differently, those things

441
00:22:41.759 --> 00:22:42.319
<v Speaker 3>are important.

442
00:22:42.319 --> 00:22:43.640
<v Speaker 2>They contribute to the conversation.

443
00:22:44.680 --> 00:22:47.759
<v Speaker 1>Yeah. Like, I'm just thinking about when we went and

444
00:22:47.839 --> 00:22:50.759
<v Speaker 1>saw Barbie in the theater and it was the part

445
00:22:50.839 --> 00:22:54.319
<v Speaker 1>when can kick Barbie out of the out of her

446
00:22:54.359 --> 00:22:58.000
<v Speaker 1>own house basically, and I hear this little girl off

447
00:22:58.039 --> 00:23:01.240
<v Speaker 1>to the side going, that's so mean. Yes, learn it now,

448
00:23:01.440 --> 00:23:06.240
<v Speaker 1>take it with you. Yeah.

449
00:23:06.680 --> 00:23:09.000
<v Speaker 3>Whoof Yeah, no you can't. You can't trust a man

450
00:23:09.119 --> 00:23:10.240
<v Speaker 3>just because he's nice to you.

451
00:23:10.400 --> 00:23:13.680
<v Speaker 1>Yeah, for sure, that part because think about why he's

452
00:23:13.720 --> 00:23:14.640
<v Speaker 1>being nice to you.

453
00:23:15.599 --> 00:23:17.400
<v Speaker 2>M Oh god.

454
00:23:17.759 --> 00:23:20.079
<v Speaker 3>You know. One thing, one thing about having a son

455
00:23:20.359 --> 00:23:22.839
<v Speaker 3>that has been very interesting to me because you know,

456
00:23:22.880 --> 00:23:26.839
<v Speaker 3>now I'm exposed to the true weirdness that is hashtag

457
00:23:26.880 --> 00:23:28.880
<v Speaker 3>boy mom and like whip at and fail.

458
00:23:29.519 --> 00:23:33.480
<v Speaker 1>Okay, And it's.

459
00:23:33.440 --> 00:23:37.480
<v Speaker 2>It's funny because at first, so I.

460
00:23:37.359 --> 00:23:39.359
<v Speaker 3>Always knew I was only having one child. I like,

461
00:23:39.400 --> 00:23:41.519
<v Speaker 3>could not do my job if I had more children.

462
00:23:41.599 --> 00:23:44.640
<v Speaker 3>And I'm not interested in ever doing pregnancy or childbirth again.

463
00:23:45.319 --> 00:23:48.599
<v Speaker 3>But so knowing that I had a boy meant the

464
00:23:48.640 --> 00:23:50.480
<v Speaker 3>door was closed on ever having a girl. And that

465
00:23:50.559 --> 00:23:52.960
<v Speaker 3>made me really sad, you know, because it seemed like, oh,

466
00:23:53.039 --> 00:23:56.079
<v Speaker 3>it would be really nice to, you know, to raise

467
00:23:56.119 --> 00:23:59.279
<v Speaker 3>a little girl with the feelings that I have about

468
00:23:59.279 --> 00:24:01.720
<v Speaker 3>my own feminine of like, yes, you can do anything.

469
00:24:01.759 --> 00:24:06.599
<v Speaker 3>Nothing's closed off to you, like you know, and and

470
00:24:06.640 --> 00:24:08.839
<v Speaker 3>a lot of people tried to comfort me by saying,

471
00:24:08.880 --> 00:24:11.000
<v Speaker 3>but like, oh, but you know, you'll raise a good

472
00:24:11.039 --> 00:24:14.240
<v Speaker 3>man because you're a strong woman, you know, like you

473
00:24:14.319 --> 00:24:18.160
<v Speaker 3>as a strong woman can shape his understanding of what

474
00:24:18.359 --> 00:24:21.200
<v Speaker 3>a woman is. But the more that I think about it,

475
00:24:21.319 --> 00:24:24.880
<v Speaker 3>the more that it's like, actually, it's more important. I

476
00:24:24.920 --> 00:24:28.559
<v Speaker 3>think that the way that his father models this right,

477
00:24:28.720 --> 00:24:33.079
<v Speaker 3>like that it it doesn't matter how much I accomplish.

478
00:24:33.440 --> 00:24:38.440
<v Speaker 3>If my male spouse does not respect me, respect my competency,

479
00:24:38.960 --> 00:24:42.319
<v Speaker 3>treat me like I you know that I have merit

480
00:24:42.359 --> 00:24:46.240
<v Speaker 3>that's entirely mine. My son will not. My son will

481
00:24:46.240 --> 00:24:48.640
<v Speaker 3>not interpret those things either, Like he needs to see

482
00:24:48.920 --> 00:24:51.000
<v Speaker 3>that all women are a certain way, not just that

483
00:24:51.119 --> 00:24:53.359
<v Speaker 3>his mom is, you know, because there's there's plenty, there's

484
00:24:53.400 --> 00:24:53.920
<v Speaker 3>plenty of.

485
00:24:53.880 --> 00:24:56.440
<v Speaker 2>Boys who had mothers who love them who turned out terrible.

486
00:24:59.359 --> 00:24:59.559
<v Speaker 1>Yeah.

487
00:25:00.519 --> 00:25:03.839
<v Speaker 3>Yeah, so that I think that's where my my feeling

488
00:25:04.039 --> 00:25:09.039
<v Speaker 3>that like the father as a question mark is like

489
00:25:09.319 --> 00:25:13.440
<v Speaker 3>very important that especially, and and you know, we talk

490
00:25:13.480 --> 00:25:16.319
<v Speaker 3>about girls who don't have who don't have strong father

491
00:25:16.359 --> 00:25:19.680
<v Speaker 3>figures or whatever, which is true, but but boys I

492
00:25:19.720 --> 00:25:22.319
<v Speaker 3>think who don't have, Like, I think what's going to

493
00:25:22.400 --> 00:25:25.799
<v Speaker 3>turn a boy into an in cell is not so

494
00:25:25.880 --> 00:25:27.759
<v Speaker 3>much the mother, but probably the father.

495
00:25:28.279 --> 00:25:34.359
<v Speaker 1>Right, it's that whole Like every time I see these

496
00:25:34.559 --> 00:25:40.400
<v Speaker 1>broie dudes who are being homophobic, it's and it's it's

497
00:25:40.440 --> 00:25:42.559
<v Speaker 1>that's just so ironic to me because it's like, you

498
00:25:42.559 --> 00:25:45.079
<v Speaker 1>don't even like women. Listen to the ways we talk

499
00:25:45.119 --> 00:25:47.440
<v Speaker 1>about women. You don't like women. Oh they don't like that?

500
00:25:47.559 --> 00:25:51.599
<v Speaker 2>Yeah, oh they don't. It's true.

501
00:25:51.880 --> 00:25:56.319
<v Speaker 3>Uh yeah, men are Men are fragile and sensitive creatures.

502
00:25:57.079 --> 00:25:59.920
<v Speaker 3>And you know, we know that's true because basically all

503
00:26:00.079 --> 00:26:03.799
<v Speaker 3>of being a woman is how to how to you know,

504
00:26:04.039 --> 00:26:07.920
<v Speaker 3>manipulate and engage with the fragile, sensitive creature.

505
00:26:07.680 --> 00:26:14.519
<v Speaker 1>Of the man. And I think about this whole thing

506
00:26:14.559 --> 00:26:19.519
<v Speaker 1>about equality, and I constantly say it, you know, when

507
00:26:19.559 --> 00:26:23.400
<v Speaker 1>we're talking about civil rights and protests it's like the

508
00:26:24.480 --> 00:26:28.119
<v Speaker 1>consensus to me seems to be we want equality, we

509
00:26:28.160 --> 00:26:31.119
<v Speaker 1>want equal rights, we don't want to be inconvenienced in

510
00:26:31.160 --> 00:26:40.519
<v Speaker 1>any way. And that and I notice that, and this

511
00:26:40.680 --> 00:26:48.440
<v Speaker 1>is women, people of color. Equality does not mean you

512
00:26:49.200 --> 00:26:52.079
<v Speaker 1>just having the freedom to be just like the shittiest

513
00:26:52.079 --> 00:26:57.079
<v Speaker 1>white man, you know, me a little bit more. And

514
00:26:57.480 --> 00:27:02.200
<v Speaker 1>a lot of times I feel like we get once

515
00:27:02.240 --> 00:27:04.359
<v Speaker 1>we get into a position where we can treat people

516
00:27:05.079 --> 00:27:07.759
<v Speaker 1>the way the shittiest white man they know can do it,

517
00:27:08.039 --> 00:27:13.039
<v Speaker 1>that that's done. You know, we hit it, and that's

518
00:27:13.079 --> 00:27:14.839
<v Speaker 1>kind of how we got here. You know what I'm saying.

519
00:27:15.000 --> 00:27:17.279
<v Speaker 2>It's yes, yes, it is.

520
00:27:17.799 --> 00:27:20.640
<v Speaker 3>I wrote Girl Dinner from a place of betrayal, for sure.

521
00:27:20.839 --> 00:27:23.039
<v Speaker 3>There are just too many, too many wives who sat

522
00:27:23.119 --> 00:27:25.720
<v Speaker 3>there silent, and it's just like you're watching, You're watching

523
00:27:25.799 --> 00:27:29.119
<v Speaker 3>that guy take rights away from you, from your daughter

524
00:27:29.519 --> 00:27:32.119
<v Speaker 3>from like you know, there's the line and Girl Dinner

525
00:27:32.160 --> 00:27:34.440
<v Speaker 3>about like you know, the women's day have fewer rights

526
00:27:34.480 --> 00:27:39.920
<v Speaker 3>because they don't because of rovers Swede And it's just

527
00:27:41.680 --> 00:27:44.519
<v Speaker 3>I think I just got you know, it's hard to

528
00:27:44.559 --> 00:27:47.480
<v Speaker 3>write from a place of anger because I don't want

529
00:27:47.519 --> 00:27:50.839
<v Speaker 3>to just yell at people, and especially especially you know,

530
00:27:50.960 --> 00:27:53.559
<v Speaker 3>I understand that my audience thinks the way that I do.

531
00:27:53.720 --> 00:27:55.599
<v Speaker 3>They see the world pretty similar to the way that

532
00:27:55.640 --> 00:27:57.240
<v Speaker 3>I do, or they wouldn't be drawn to my work

533
00:27:57.359 --> 00:28:01.440
<v Speaker 3>right right, And so it's it's kind of like, well,

534
00:28:01.480 --> 00:28:04.519
<v Speaker 3>what do I want to say? That's still what story

535
00:28:04.519 --> 00:28:07.000
<v Speaker 3>do I want to tell? That still that resonates, but

536
00:28:07.039 --> 00:28:10.400
<v Speaker 3>it is not, I don't know, discouraging. And that was

537
00:28:10.400 --> 00:28:12.839
<v Speaker 3>a hard that was a hard line to walk of,

538
00:28:12.960 --> 00:28:17.519
<v Speaker 3>just like how do I draw attention to these things

539
00:28:17.599 --> 00:28:20.599
<v Speaker 3>that I'm seeing that I feel are so such like

540
00:28:20.680 --> 00:28:23.559
<v Speaker 3>you know, pinch points in this moment in time right

541
00:28:24.079 --> 00:28:27.640
<v Speaker 3>that I feel it's my responsibility to to you know,

542
00:28:27.960 --> 00:28:30.000
<v Speaker 3>I have your attention, so I want you to look

543
00:28:30.039 --> 00:28:33.680
<v Speaker 3>at this thing. But also without just preaching to the choir.

544
00:28:33.720 --> 00:28:35.440
<v Speaker 3>And that was honestly really hard. And that's the thing

545
00:28:35.440 --> 00:28:36.920
<v Speaker 3>that I'm not sure if I'm done, I don't know

546
00:28:37.000 --> 00:28:37.640
<v Speaker 3>we'll see.

547
00:28:38.359 --> 00:28:43.200
<v Speaker 1>I mean, finding hope. It's the one weapon that we

548
00:28:43.279 --> 00:28:48.240
<v Speaker 1>still have. And I am I am a hardcore optimist,

549
00:28:48.880 --> 00:28:51.680
<v Speaker 1>like to the point of ridiculousness sometimes, like I can

550
00:28:51.720 --> 00:28:55.799
<v Speaker 1>find the silver lining anything. It might be like very

551
00:28:55.839 --> 00:28:59.440
<v Speaker 1>thin and slightly tarnished, but it's their damn it, but

552
00:28:59.640 --> 00:29:03.599
<v Speaker 1>I'm it's getting a little harder to find the hope.

553
00:29:04.480 --> 00:29:07.480
<v Speaker 1>You know. It's just like sometimes all I can do

554
00:29:07.599 --> 00:29:09.880
<v Speaker 1>is just like, well, it has to work out, It

555
00:29:10.000 --> 00:29:11.880
<v Speaker 1>just has to well.

556
00:29:11.920 --> 00:29:14.480
<v Speaker 3>I think this is where I think hope comes in

557
00:29:16.119 --> 00:29:20.200
<v Speaker 3>to the concept of randomness. That actually, I think we

558
00:29:20.359 --> 00:29:23.480
<v Speaker 3>feel that we're on a trajectory that can only go

559
00:29:23.519 --> 00:29:26.079
<v Speaker 3>a certain way, and in some ways we are right.

560
00:29:26.160 --> 00:29:27.920
<v Speaker 3>I think those of us who are interested in and

561
00:29:27.960 --> 00:29:30.480
<v Speaker 3>have studied history are very alarmed at this moment in time,

562
00:29:30.920 --> 00:29:32.680
<v Speaker 3>But there are still lots of things that happen that

563
00:29:32.720 --> 00:29:36.000
<v Speaker 3>are completely unpredictable. Who could have seen COVID coming, you know,

564
00:29:36.240 --> 00:29:40.279
<v Speaker 3>And for better or worse, things happen that upset the trajectory.

565
00:29:40.519 --> 00:29:42.599
<v Speaker 3>And that is the closest thing I can get to hope.

566
00:29:42.839 --> 00:29:45.720
<v Speaker 3>That's just like, maybe the thing that I think is

567
00:29:45.759 --> 00:29:48.079
<v Speaker 3>going to happen is not actually what's going to happen.

568
00:29:48.519 --> 00:29:50.720
<v Speaker 3>It's something. It's kind of the advice I give people.

569
00:29:50.920 --> 00:29:54.400
<v Speaker 3>It's the advice I give people on like an individualist level.

570
00:29:54.680 --> 00:29:58.240
<v Speaker 3>That's just like, you know, if you're working towards something,

571
00:29:58.319 --> 00:30:02.119
<v Speaker 3>if it's a creative career, it's you know, your love life,

572
00:30:02.119 --> 00:30:04.440
<v Speaker 3>whatever you don't actually know what's going to happen next.

573
00:30:04.440 --> 00:30:08.000
<v Speaker 3>You think you do, right, But what the wonderful thing

574
00:30:08.079 --> 00:30:10.160
<v Speaker 3>and the terrifying thing about life is that you never

575
00:30:10.279 --> 00:30:13.400
<v Speaker 3>actually know because the concept of randomness, and that's just

576
00:30:13.440 --> 00:30:18.079
<v Speaker 3>the statistical probability that something completely unforeseen could happen.

577
00:30:18.160 --> 00:30:19.559
<v Speaker 2>Still exists, right.

578
00:30:19.599 --> 00:30:23.079
<v Speaker 3>And like the fact that we are having this conversation

579
00:30:23.160 --> 00:30:25.599
<v Speaker 3>that I have come this far after being someone who

580
00:30:25.720 --> 00:30:29.119
<v Speaker 3>is writing fan fiction on the internet, you know, like

581
00:30:29.200 --> 00:30:32.400
<v Speaker 3>the statistical chance of this is so minute, and here

582
00:30:32.400 --> 00:30:32.720
<v Speaker 3>we are.

583
00:30:33.319 --> 00:30:37.480
<v Speaker 2>So that's my that's my silveriest lining.

584
00:30:37.880 --> 00:30:40.720
<v Speaker 3>It's just like, honestly, we don't know what's happening next,

585
00:30:40.799 --> 00:30:43.559
<v Speaker 3>yeah and so and so our responsibility then is to

586
00:30:43.599 --> 00:30:47.599
<v Speaker 3>make the best possible choice given that we don't know

587
00:30:47.680 --> 00:30:49.000
<v Speaker 3>for sure what's happening next.

588
00:30:49.519 --> 00:30:52.920
<v Speaker 1>Right, as Martha would put it, just keep doing the

589
00:30:52.960 --> 00:30:54.079
<v Speaker 1>next right thing.

590
00:30:55.160 --> 00:30:58.440
<v Speaker 3>Yes, yes, I keep telling everyone that the Atlas series

591
00:30:58.440 --> 00:30:59.799
<v Speaker 3>specifically has the exact.

592
00:30:59.599 --> 00:31:04.720
<v Speaker 2>Same more all as Frozen two. It's it's it's the

593
00:31:04.799 --> 00:31:05.880
<v Speaker 2>next right choice.

594
00:31:06.039 --> 00:31:09.519
<v Speaker 1>Oh, Okay, I'm still gonna let it go.

595
00:31:11.599 --> 00:31:13.839
<v Speaker 3>You let it go first, but then you make the yeah,

596
00:31:13.880 --> 00:31:14.880
<v Speaker 3>that's that's Frozen one.

597
00:31:14.960 --> 00:31:17.240
<v Speaker 2>Okay.

598
00:31:18.359 --> 00:31:23.359
<v Speaker 1>Yeah, And I still say and Martha Martha Puts put

599
00:31:23.400 --> 00:31:27.279
<v Speaker 1>it first. She was like, the best way forward is

600
00:31:27.319 --> 00:31:29.440
<v Speaker 1>for women to just stop fucking Republicans.

601
00:31:30.440 --> 00:31:33.680
<v Speaker 3>Yeah, well, certainly you should stop fucking anyone who doesn't

602
00:31:33.720 --> 00:31:37.640
<v Speaker 3>respect you, Okay, Like, I mean that's the one takeaway.

603
00:31:37.880 --> 00:31:40.599
<v Speaker 3>Do not have sex with someone who does not respect

604
00:31:40.720 --> 00:31:42.799
<v Speaker 3>not just you as a person, but you as as

605
00:31:42.880 --> 00:31:45.559
<v Speaker 3>part of something you are like other girls, Okay, And

606
00:31:45.680 --> 00:31:48.400
<v Speaker 3>like that means something right.

607
00:31:48.319 --> 00:31:52.160
<v Speaker 1>And and then I think about Janelle Monet one of

608
00:31:52.160 --> 00:31:56.400
<v Speaker 1>my favorite lyrics of hers of theirs, excuse me, we're

609
00:31:56.400 --> 00:31:58.839
<v Speaker 1>gonna start a motherfucking pussy riot because we're won't put

610
00:31:58.880 --> 00:32:02.200
<v Speaker 1>him on a motherfucking pussy die. I'm like, do it.

611
00:32:03.599 --> 00:32:07.519
<v Speaker 1>The money and sex are the only things a lot

612
00:32:07.519 --> 00:32:10.759
<v Speaker 1>of these people understand. And until you like cut off that,

613
00:32:10.799 --> 00:32:13.039
<v Speaker 1>supply they're not going You're not going to have their attention,

614
00:32:13.720 --> 00:32:18.640
<v Speaker 1>you know, unless women just start eating bitches, which I'm

615
00:32:18.839 --> 00:32:20.559
<v Speaker 1>I'm still here for I you know.

616
00:32:20.759 --> 00:32:22.200
<v Speaker 2>Yeah, you know we can do that too.

617
00:32:22.440 --> 00:32:25.079
<v Speaker 3>But the problem, you know, in Girl Dinner, I always

618
00:32:25.119 --> 00:32:27.319
<v Speaker 3>say that Girl Dinner is not I don't really think

619
00:32:27.319 --> 00:32:29.119
<v Speaker 3>of it as a horror novel because it's not gory.

620
00:32:29.160 --> 00:32:31.000
<v Speaker 2>It's not about the act of eating. It's about the

621
00:32:31.079 --> 00:32:31.759
<v Speaker 2>decision to.

622
00:32:31.720 --> 00:32:34.960
<v Speaker 3>Eat right, and it's the decision who to eat, So

623
00:32:35.000 --> 00:32:36.799
<v Speaker 3>we all have to get on board is a thing

624
00:32:37.039 --> 00:32:39.720
<v Speaker 3>we as a movement have to decide who are we eating.

625
00:32:40.119 --> 00:32:43.799
<v Speaker 1>That's important, right because I often say, you know, you

626
00:32:43.839 --> 00:32:44.960
<v Speaker 1>only have to eat one.

627
00:32:44.839 --> 00:32:49.440
<v Speaker 2>Rich Oh God, imagine how much good we could do too.

628
00:32:49.680 --> 00:32:53.200
<v Speaker 1>Yeah, no, just and then with the fear of God,

629
00:32:53.240 --> 00:32:54.920
<v Speaker 1>and just look at them and lick your lips one

630
00:32:54.960 --> 00:32:56.200
<v Speaker 1>time and then they go, Okay, I'm.

631
00:32:56.039 --> 00:33:03.119
<v Speaker 4>Sorry, I know, here's one hundred dollars at right, Yeah,

632
00:33:03.160 --> 00:33:08.039
<v Speaker 4>I just but yes, Getting getting back into the book,

633
00:33:08.680 --> 00:33:14.279
<v Speaker 4>I appreciated besides the immediate themes, I appreciated how queer

634
00:33:14.920 --> 00:33:15.640
<v Speaker 4>the book is.

635
00:33:16.519 --> 00:33:24.240
<v Speaker 1>I appreciated how beige the book is. For lack of

636
00:33:24.279 --> 00:33:29.799
<v Speaker 1>a better ter, like, it was clear that most of

637
00:33:29.839 --> 00:33:33.079
<v Speaker 1>the character main characters weren't white, even if it wasn't

638
00:33:33.079 --> 00:33:35.759
<v Speaker 1>specified what brand of not whiteness they were.

639
00:33:37.640 --> 00:33:40.839
<v Speaker 3>I did I did want to briefly, okay because Girl

640
00:33:40.880 --> 00:33:43.039
<v Speaker 3>Dinner doesn't really dig into this, but I did kind

641
00:33:43.039 --> 00:33:46.200
<v Speaker 3>of want to talk about being white passing in terms

642
00:33:46.319 --> 00:33:49.799
<v Speaker 3>of beauty standards, like okay, if you can pass, if

643
00:33:49.799 --> 00:33:53.079
<v Speaker 3>you can clear the bar, for Western beauty. Then on

644
00:33:53.200 --> 00:33:56.240
<v Speaker 3>some level you're forgiven you're not whiteness, right, But it's

645
00:33:56.279 --> 00:33:59.039
<v Speaker 3>a compromise. It's a compromise if you don't take everybody

646
00:33:59.039 --> 00:34:01.240
<v Speaker 3>else with you. I think this is the I think

647
00:34:01.279 --> 00:34:04.400
<v Speaker 3>when you talk about, you know, can beauty be power

648
00:34:04.519 --> 00:34:07.559
<v Speaker 3>or can sexuality be power? The answer is absolutely no, right, Like,

649
00:34:07.599 --> 00:34:10.239
<v Speaker 3>there's no way to actually turn that into something. Beauty

650
00:34:10.320 --> 00:34:14.960
<v Speaker 3>is not going to get you equal representation. So so

651
00:34:15.079 --> 00:34:17.960
<v Speaker 3>I think the question then I didn't really get into

652
00:34:18.000 --> 00:34:20.320
<v Speaker 3>it for Girl Dinner. I actually the next book that

653
00:34:20.360 --> 00:34:23.239
<v Speaker 3>comes out next year, Dreamland, is about a white passing

654
00:34:23.360 --> 00:34:26.239
<v Speaker 3>Filipina girl and kind of the ways that she uses

655
00:34:26.599 --> 00:34:28.199
<v Speaker 3>her perceived.

656
00:34:27.719 --> 00:34:31.119
<v Speaker 2>Whiteness as power quote unquote.

657
00:34:32.000 --> 00:34:36.199
<v Speaker 3>It's something that I sort of began with Nina and

658
00:34:36.199 --> 00:34:38.440
<v Speaker 3>and oh my god, I'm forgetting my own character and Tessa,

659
00:34:38.880 --> 00:34:42.760
<v Speaker 3>you know this, Like Tessa specifically, she's like if I

660
00:34:42.880 --> 00:34:46.280
<v Speaker 3>weren't this taught, I wouldn't be accepted or like, you know,

661
00:34:46.400 --> 00:34:47.920
<v Speaker 3>if it I think.

662
00:34:47.840 --> 00:34:49.920
<v Speaker 2>The line she says is the only thing I'm black

663
00:34:50.000 --> 00:34:53.679
<v Speaker 2>enough for is racism. That's why I'm here because like yeah,

664
00:34:53.719 --> 00:34:54.000
<v Speaker 2>and I.

665
00:34:56.280 --> 00:34:58.440
<v Speaker 3>And so I think they, yeah, that you're right, Like

666
00:34:58.480 --> 00:35:00.679
<v Speaker 3>they have an awareness of that. And there's a reason

667
00:35:00.719 --> 00:35:03.519
<v Speaker 3>I don't get into Nina culturally because that's really not

668
00:35:03.559 --> 00:35:05.880
<v Speaker 3>what this book is about. This book is about Nina

669
00:35:06.000 --> 00:35:10.039
<v Speaker 3>is choosing the whiteness as power even though she doesn't

670
00:35:10.039 --> 00:35:12.039
<v Speaker 3>actually have it, and so what does that mean for

671
00:35:12.079 --> 00:35:12.639
<v Speaker 3>her future?

672
00:35:13.159 --> 00:35:20.760
<v Speaker 1>Right? And that is so fraught. It's like what do

673
00:35:20.880 --> 00:35:25.679
<v Speaker 1>you do once you have that access, because there's two

674
00:35:25.840 --> 00:35:28.880
<v Speaker 1>paths you can go. You can just go along to

675
00:35:28.920 --> 00:35:34.079
<v Speaker 1>get along and you know, sorry Mom, sorry dad, or

676
00:35:34.400 --> 00:35:37.199
<v Speaker 1>you can you know, once you're inside, then you can

677
00:35:37.239 --> 00:35:41.320
<v Speaker 1>start being subversive and like you know, reckonshit a little bit,

678
00:35:44.400 --> 00:35:48.239
<v Speaker 1>but that's not really that's not often the path that's

679
00:35:48.320 --> 00:35:53.559
<v Speaker 1>chosen because it's like, you know, once you once you

680
00:35:53.599 --> 00:35:55.480
<v Speaker 1>get in the big house, you kind of want to like,

681
00:35:55.639 --> 00:35:57.960
<v Speaker 1>you know, get comfy, you.

682
00:35:57.920 --> 00:36:01.960
<v Speaker 3>Know, right right, and and other people who are like

683
00:36:02.039 --> 00:36:04.440
<v Speaker 3>you but maybe less acceptable than you, they feel like

684
00:36:04.440 --> 00:36:08.199
<v Speaker 3>a threat. And this is one of one of my

685
00:36:08.239 --> 00:36:10.639
<v Speaker 3>friends I was talking about this. He likened it to

686
00:36:10.800 --> 00:36:15.800
<v Speaker 3>like sometimes when a woman and I serve the same kind.

687
00:36:15.559 --> 00:36:17.800
<v Speaker 2>Of purpose, like social purpose.

688
00:36:17.920 --> 00:36:20.440
<v Speaker 3>If there's a group of us and there's like a

689
00:36:20.440 --> 00:36:25.559
<v Speaker 3>woman who's like me, she's similarly performing her femininity, and

690
00:36:25.599 --> 00:36:28.360
<v Speaker 3>she's also you know, doing well in her career or whatever.

691
00:36:28.880 --> 00:36:31.960
<v Speaker 3>And then we kind of feel like we're superheroes, like

692
00:36:32.000 --> 00:36:34.639
<v Speaker 3>we're the same we showed up to the superhero convention,

693
00:36:34.679 --> 00:36:36.840
<v Speaker 3>but we have the same superpowers. So one of us

694
00:36:36.880 --> 00:36:39.480
<v Speaker 3>has to leave, and I think there's there's you know,

695
00:36:39.519 --> 00:36:42.880
<v Speaker 3>that still exists, and that that is the fallacy of scarcity,

696
00:36:42.920 --> 00:36:45.199
<v Speaker 3>that there are not enough resources for all of us.

697
00:36:45.519 --> 00:36:47.559
<v Speaker 3>And so part of this is like once, but once

698
00:36:47.559 --> 00:36:50.320
<v Speaker 3>you can see that, once you can see the myth

699
00:36:50.920 --> 00:36:55.119
<v Speaker 3>that like that the power can only be held by

700
00:36:55.119 --> 00:36:58.519
<v Speaker 3>one person, right, then it feels better, I think, to

701
00:36:58.599 --> 00:37:00.920
<v Speaker 3>clear that space. It's just like, actually, know, if there

702
00:37:00.920 --> 00:37:02.360
<v Speaker 3>are two of us here, if there are more of

703
00:37:02.440 --> 00:37:05.000
<v Speaker 3>us here, then we have more power than I can

704
00:37:05.039 --> 00:37:07.159
<v Speaker 3>hold on my own. It might not feel that way,

705
00:37:07.480 --> 00:37:08.760
<v Speaker 3>but that's the truth.

706
00:37:08.840 --> 00:37:14.119
<v Speaker 1>Right, And that's the thing that people don't really think about.

707
00:37:14.440 --> 00:37:21.239
<v Speaker 1>When you have biracial individuals like yourself, like myself, especially

708
00:37:21.519 --> 00:37:26.880
<v Speaker 1>if you know half of that is white, you have

709
00:37:26.960 --> 00:37:33.360
<v Speaker 1>that inside or outsider view that is unique, Like you

710
00:37:33.480 --> 00:37:36.719
<v Speaker 1>know the language, you know the code, and you can

711
00:37:36.760 --> 00:37:41.000
<v Speaker 1>speak it and it gets spoken to you, so you

712
00:37:41.079 --> 00:37:44.360
<v Speaker 1>have access because like some of them I'm sure you

713
00:37:44.559 --> 00:37:48.119
<v Speaker 1>experienced this, Like I was never I'm not white passing,

714
00:37:48.159 --> 00:37:52.159
<v Speaker 1>but people often don't think that I'm black. So the

715
00:37:52.199 --> 00:37:53.480
<v Speaker 1>things that get said to.

716
00:37:53.400 --> 00:38:00.639
<v Speaker 3>Me, yes, yeah, and to some degree, ever know how

717
00:38:00.719 --> 00:38:01.800
<v Speaker 3>much you're getting away with it.

718
00:38:01.920 --> 00:38:02.159
<v Speaker 2>Either.

719
00:38:02.360 --> 00:38:04.159
<v Speaker 3>The thing for me is I went to a predominantly

720
00:38:04.159 --> 00:38:07.679
<v Speaker 3>white high school, and so Nina even says in the

721
00:38:07.679 --> 00:38:10.480
<v Speaker 3>book that, like, there are certain moments when I could

722
00:38:10.480 --> 00:38:12.599
<v Speaker 3>forget that I'm not white, right, like, because I like

723
00:38:12.639 --> 00:38:15.079
<v Speaker 3>the same white things as my white friends, and you know,

724
00:38:15.119 --> 00:38:17.679
<v Speaker 3>we think all these things, and then suddenly someone says

725
00:38:17.760 --> 00:38:20.320
<v Speaker 3>something about me being Asian or meeting whatever, and it's like, oh,

726
00:38:20.320 --> 00:38:22.559
<v Speaker 3>my camouflage wasn't as good as I thought, or like

727
00:38:22.679 --> 00:38:25.639
<v Speaker 3>I thought that I had disappeared into this whiteness and

728
00:38:25.679 --> 00:38:30.159
<v Speaker 3>I didn't, and and kind of the feeling that, like, yeah,

729
00:38:30.199 --> 00:38:32.760
<v Speaker 3>I'm not white passing to the extent that anyone would

730
00:38:32.880 --> 00:38:36.440
<v Speaker 3>mistake me for completely white, right, but white passing enough

731
00:38:36.480 --> 00:38:39.800
<v Speaker 3>that people don't see me as too foreign. And so

732
00:38:39.960 --> 00:38:44.360
<v Speaker 3>I think there's this constant striving stay on the yeah,

733
00:38:44.400 --> 00:38:47.199
<v Speaker 3>to stay on the safe side, you know, to stay

734
00:38:47.239 --> 00:38:52.039
<v Speaker 3>on the you know, to be all sorts of things

735
00:38:52.079 --> 00:38:58.719
<v Speaker 3>that are respectable. You know, it's respectability politics, and I wanted,

736
00:38:58.800 --> 00:39:00.639
<v Speaker 3>you know, this is one of those things like I

737
00:39:00.679 --> 00:39:03.239
<v Speaker 3>wanted to engage with it, but I couldn't get into it.

738
00:39:03.239 --> 00:39:05.800
<v Speaker 3>It was more like I could just like identify these

739
00:39:05.840 --> 00:39:09.800
<v Speaker 3>things that look at look at these girls and how

740
00:39:10.199 --> 00:39:13.360
<v Speaker 3>they could provide different resources to each other, and will

741
00:39:13.400 --> 00:39:16.119
<v Speaker 3>they choose to Right, that's kind of a question.

742
00:39:16.159 --> 00:39:22.679
<v Speaker 1>Right, So in the world of oh, okay, well, first

743
00:39:22.679 --> 00:39:26.400
<v Speaker 1>of all, do you see Girl Dinner as like that

744
00:39:26.679 --> 00:39:29.159
<v Speaker 1>whole world? Do you see this story as being done

745
00:39:29.400 --> 00:39:31.840
<v Speaker 1>or do you have plans for more?

746
00:39:34.079 --> 00:39:36.000
<v Speaker 3>The thing is that I think you really have to

747
00:39:36.119 --> 00:39:38.400
<v Speaker 3>end on the note of not really knowing what happens next.

748
00:39:39.599 --> 00:39:41.840
<v Speaker 3>Like it's kind of it's a it's a Schrodinger's cat

749
00:39:41.880 --> 00:39:44.960
<v Speaker 3>situation that you can't know what happens next because that

750
00:39:45.159 --> 00:39:48.480
<v Speaker 3>changes how you feel about the ending. So it has

751
00:39:48.519 --> 00:39:51.400
<v Speaker 3>to end here. But it's really funny that some people

752
00:39:51.440 --> 00:39:53.840
<v Speaker 3>have been pitching me with like sequel ideas, and I'm like, uh,

753
00:39:53.920 --> 00:39:57.199
<v Speaker 3>huh uh huh, yeah.

754
00:39:56.440 --> 00:39:57.840
<v Speaker 1>Well that's the thing. It's like, I don't even know

755
00:39:58.000 --> 00:40:01.039
<v Speaker 1>if I would want to say equal, but I am

756
00:40:01.159 --> 00:40:06.440
<v Speaker 1>curious to know what you think is next for some

757
00:40:06.519 --> 00:40:09.440
<v Speaker 1>of these girls. Of course, you can't really answer that

758
00:40:09.440 --> 00:40:10.360
<v Speaker 1>without saying how it ends.

759
00:40:10.639 --> 00:40:13.280
<v Speaker 2>Yeah, it's a it's a bit squilary.

760
00:40:14.800 --> 00:40:17.639
<v Speaker 3>But it also I think that stasis is important because

761
00:40:17.679 --> 00:40:19.960
<v Speaker 3>it's it's like, it's kind of like the feeling when

762
00:40:19.960 --> 00:40:21.800
<v Speaker 3>I was doing a copy that it's not sure who

763
00:40:21.880 --> 00:40:23.920
<v Speaker 3>is going to win the election, because on the money end,

764
00:40:23.920 --> 00:40:27.119
<v Speaker 3>it was like, if Kamala won that election, were we done?

765
00:40:27.360 --> 00:40:29.119
<v Speaker 2>Had we done the work? You know, did we need

766
00:40:29.159 --> 00:40:31.480
<v Speaker 2>this book? Because like, if we.

767
00:40:31.400 --> 00:40:35.280
<v Speaker 3>Can elect a black and Indian biracial woman to the

768
00:40:35.360 --> 00:40:38.480
<v Speaker 3>highest office, did we do it? Well?

769
00:40:38.639 --> 00:40:44.719
<v Speaker 1>Yeah, because you know Obama ended racism, so right, Yeah,

770
00:40:44.960 --> 00:40:47.559
<v Speaker 1>Kamala would have ended misogyny.

771
00:40:47.639 --> 00:40:51.440
<v Speaker 3>Yeah, So you know, So ultimately, I think that feeling

772
00:40:51.440 --> 00:40:55.800
<v Speaker 3>of like there is an optimistic view of this, there's

773
00:40:55.840 --> 00:40:58.360
<v Speaker 3>a cynical view of this. I think it is my

774
00:40:58.480 --> 00:41:00.239
<v Speaker 3>place to get out of the way and let you

775
00:41:00.320 --> 00:41:03.320
<v Speaker 3>answer that for yourself. And so yeah, but I like

776
00:41:03.360 --> 00:41:05.960
<v Speaker 3>open ended things. Honestly, I don't like epilogues. I don't

777
00:41:06.000 --> 00:41:09.360
<v Speaker 3>like people to tell me what the ending is because

778
00:41:09.400 --> 00:41:11.039
<v Speaker 3>I want the space to like come up with it

779
00:41:11.079 --> 00:41:14.519
<v Speaker 3>myself as a reader. Right, So yeah, I'm I don't

780
00:41:14.559 --> 00:41:17.159
<v Speaker 3>think I'm ever going to give that feeling of complete satisfaction.

781
00:41:17.280 --> 00:41:22.079
<v Speaker 3>I've basically like pitched it at you and see where

782
00:41:22.079 --> 00:41:22.840
<v Speaker 3>you take it from there.

783
00:41:23.599 --> 00:41:29.400
<v Speaker 1>Fair enough, fair enough, the book is Girl Dinner. I

784
00:41:29.519 --> 00:41:32.920
<v Speaker 1>highly recommend that everyone in the sound of our voice

785
00:41:32.960 --> 00:41:36.440
<v Speaker 1>gets their own copy and reads it and come to

786
00:41:36.480 --> 00:41:41.719
<v Speaker 1>your own conclusions. So, Olive, what is your Where is

787
00:41:41.760 --> 00:41:44.280
<v Speaker 1>your favorite place to point people to to get their

788
00:41:44.280 --> 00:41:45.280
<v Speaker 1>own copy of the book?

789
00:41:46.519 --> 00:41:49.760
<v Speaker 3>Well, you know, always your local indie is the best

790
00:41:49.760 --> 00:41:53.039
<v Speaker 3>possible place. But if you want to get a book

791
00:41:53.079 --> 00:41:55.719
<v Speaker 3>that is personalized and signed by me, you can order

792
00:41:55.760 --> 00:41:58.199
<v Speaker 3>through Village Well Books and Coffee. There's links on my

793
00:41:58.280 --> 00:42:01.079
<v Speaker 3>website all of you Blake dot com. That is an option,

794
00:42:02.199 --> 00:42:05.559
<v Speaker 3>but definitely go over to your local indie and it's

795
00:42:05.559 --> 00:42:06.320
<v Speaker 3>great for all of us.

796
00:42:06.360 --> 00:42:10.000
<v Speaker 1>We all win fabulous And if we wanted to learn

797
00:42:10.039 --> 00:42:12.639
<v Speaker 1>more about you, you mentioned your website. Where else could

798
00:42:12.679 --> 00:42:14.079
<v Speaker 1>we go to follow you?

799
00:42:16.559 --> 00:42:19.039
<v Speaker 3>In my dreams, I get to flee the internet, But

800
00:42:19.079 --> 00:42:21.719
<v Speaker 3>you can find me on Instagram as oli you Blake,

801
00:42:22.159 --> 00:42:23.639
<v Speaker 3>on Tumblr as all of you Blake.

802
00:42:23.639 --> 00:42:25.559
<v Speaker 2>That's actually the best place to find me. I still

803
00:42:25.599 --> 00:42:26.360
<v Speaker 2>like Tumblr a lot.

804
00:42:26.599 --> 00:42:31.280
<v Speaker 3>Okay, yeah, okay, Tumbler, I'm on Blue Sky.

805
00:42:31.480 --> 00:42:33.639
<v Speaker 2>I have an account on Twitter, but I don't use it.

806
00:42:35.199 --> 00:42:37.480
<v Speaker 3>And really, if you want to hear from me but

807
00:42:37.599 --> 00:42:40.239
<v Speaker 3>like not too much, you know, just like a casual friendship,

808
00:42:40.320 --> 00:42:43.159
<v Speaker 3>then you can subscribe for my newsletter on my website.

809
00:42:43.320 --> 00:42:45.199
<v Speaker 3>Oh I'm also on YouTube. I have a YouTube channel.

810
00:42:45.199 --> 00:42:47.119
<v Speaker 3>I'll be Blake is not writing, So if you ever

811
00:42:47.159 --> 00:42:51.079
<v Speaker 3>have any questions about anything life, relationships, writing, you can

812
00:42:51.159 --> 00:42:51.639
<v Speaker 3>ask me there.

813
00:42:51.880 --> 00:42:54.280
<v Speaker 1>Okay, and I will put all of that information in

814
00:42:54.320 --> 00:42:56.440
<v Speaker 1>the notes this episode. And I feel you on wanting

815
00:42:56.480 --> 00:43:00.880
<v Speaker 1>to flee social media, like I just the timeline the

816
00:43:00.920 --> 00:43:03.679
<v Speaker 1>other day. It was like two thousand and seven. If

817
00:43:03.719 --> 00:43:05.840
<v Speaker 1>I didn't have this dance company to promote, I would

818
00:43:05.840 --> 00:43:07.760
<v Speaker 1>get rid of all my social media. Then cut to

819
00:43:07.800 --> 00:43:10.239
<v Speaker 1>twenty fifteen. If I didn't have this bar to promote,

820
00:43:10.239 --> 00:43:11.800
<v Speaker 1>I would get rid of all my social media, and

821
00:43:11.800 --> 00:43:14.119
<v Speaker 1>then cut to twenty and twenty two. I didn't have

822
00:43:14.119 --> 00:43:17.159
<v Speaker 1>this podcast promote, I'll get rid of myself. I hear you.

823
00:43:17.400 --> 00:43:20.280
<v Speaker 1>It's a sewer, it really is.

824
00:43:20.519 --> 00:43:21.559
<v Speaker 2>It is garbage.

825
00:43:21.719 --> 00:43:25.480
<v Speaker 3>And you know, as each platform gets like monopolized device

826
00:43:25.599 --> 00:43:28.840
<v Speaker 3>so much like I don't enjoy being in the zucker verse, okay,

827
00:43:28.880 --> 00:43:30.800
<v Speaker 3>and he punishes you if you don't buy into the

828
00:43:30.960 --> 00:43:33.480
<v Speaker 3>entire Zucker verse. So like, I have a feeling I'm

829
00:43:33.480 --> 00:43:35.880
<v Speaker 3>gonna get pushed out, and I'm like, okay with that.

830
00:43:36.239 --> 00:43:38.159
<v Speaker 3>I will let the door hit me on the way out.

831
00:43:38.400 --> 00:43:42.159
<v Speaker 1>I know that's right. I'll of you, blake. It has

832
00:43:42.280 --> 00:43:45.639
<v Speaker 1>been a pleasure, and I have a feeling this is

833
00:43:45.679 --> 00:43:47.679
<v Speaker 1>not going to be the last time that we sit

834
00:43:47.719 --> 00:43:48.119
<v Speaker 1>and chat.

835
00:43:49.159 --> 00:43:51.519
<v Speaker 3>Oh wonderful. I look forward to the next time. And

836
00:43:51.559 --> 00:43:52.800
<v Speaker 3>thank you so much for having me.

837
00:43:52.880 --> 00:43:53.960
<v Speaker 2>It was wonderful to be here.

838
00:43:54.360 --> 00:43:57.239
<v Speaker 1>Thank you so much, and you have a fabulous.

839
00:43:56.840 --> 00:43:58.320
<v Speaker 2>Day you too.

840
00:43:58.960 --> 00:44:03.440
<v Speaker 1>By now. Full Circle is a Never Scurred Productions podcast

841
00:44:03.719 --> 00:44:07.199
<v Speaker 1>hosted by Charles Tyson Junior and Martha Madrigal, produced and

842
00:44:07.360 --> 00:44:11.119
<v Speaker 1>edited by Never Scurred Executive Produced by Charles Tyson Junior

843
00:44:11.119 --> 00:44:13.920
<v Speaker 1>and Martha Madrigal. Our theme in music is by the

844
00:44:14.000 --> 00:44:18.119
<v Speaker 1>jingle Marys. All names, pictures, music, audio, and video clips

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<v Speaker 1>are registered trademarks and or copyrights of their respective copyright holders.
