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Speaker 1: All right.

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Speaker 2: That is don't fool me twice by the band the Marches,

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And of course you heard that the first time on

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American radio here on WM and H on this very program.

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And we've got let's see who we have here. I

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believe Kate Morrow is with us via Microsoft teams. Kate,

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can you hear me?

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Speaker 3: Yeah? I can hear you.

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Speaker 2: Hello, excellent, Welcome to the show. Is anyone else from

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the band with you?

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Speaker 1: Or are you?

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Speaker 3: Is it?

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Speaker 1: Are you flying solo?

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Speaker 3: Unfortunately the Ghetos couldn't come with me, so I'm playing solo.

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But I'm very happy to be here.

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Speaker 1: That is quite all right. We're very happy to have you.

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Welcome to the show.

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Speaker 2: I love your sound particularly and you probably hear this

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all the time, but I'm particularly taken with the vocals

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and the harmonies. And do all four of you sing live?

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Speaker 3: Yes? So that's something we've just started to incorporate into

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our live sets. I was the last one to start

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singing yes. Vocals.

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Speaker 2: Well, you don't see a lot of singing drummers, and

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you know, I think it's obvious why. I mean, you know,

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drumming it's the most physical instrument, right, You're using all

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four of your limbs, So it's probably challenging. I've always

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assumed anyway, that's it's challenging for drummers to sing because

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you're already using a lot of wind.

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Speaker 1: You're already you're you're already.

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Speaker 2: Doing so much. How has that been for you? You

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said that you were the last of the four to

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really start singing. I mean, how how has that been

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for you? Has it been challenging or is it kind

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of come naturally or what's happened?

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Speaker 3: Like I bet both? You know, when I'm playing live,

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I usually do tend to sing along with it a microphone,

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although I don't seem very good. Now we're starting to

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We're starting to incorporate into our set and I'm having

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time to practice with the ghettos, get used to playing

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west the drums at the same time, and it's going

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really well. It sounds amazing when we have all four

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of us, so I'm enjoying it.

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Speaker 2: Is it important to you as a band to replicate

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because I would imagine this is very difficult because again,

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such a it seems to me, And again when whether

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it's that song or November, it seems like it's such

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a key part of your sound. Those those harmonies. Is

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it important to be able to replicate that live? Or

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do you not worry about it as much? Maybe live

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it can be a little looser and a little raw,

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or I mean, how do you approach that? Do you

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do you really try to replicate what's what's what you've

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recorded or or is it not that big of a deal.

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Speaker 3: No, I think we definitely are trying to make sure

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our life sound is quite similar to the tracks. Yeah,

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and so we are. We haven't working on it.

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Speaker 2: It is important, do you like, how do you in

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terms of practicing, uh, kind of replicating that vocally? Do

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you do you ever, like just sit like the four

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of you and just try singing the parts and and

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you know, you each find your octave or do you

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just or do you just play the songs and practice,

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you know, the singing obviously while you're playing.

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Speaker 3: Do you know when we've tried to do it like

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a capella, we usually just end up laughing. We do

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it with all the instruments in the fields. Yeah, it

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was we'll just sit and laugh at each other.

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Speaker 2: No, that makes sense, That makes sense. Now, how long

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has the band been around? You're relatively new, right the marches?

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Speaker 3: Yeah, we are so and the four of us came

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together in May twenty twenty four, so it's been in

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nearly two years. Nearly two years.

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Speaker 1: Next, okay, okay, so relatively relatively new. Now I'm curious

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about So.

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Speaker 2: I was reading this So the BBC it says here

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and you can tell me if this is right, but

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it says here the BBC kind of has introduced you

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as calling you, uh, Glasgow's freshest girl band. And when

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I see that, something occurs to me. Now, obviously, so

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you're you're all females in the band, but I find

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it odd that that someone would.

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Speaker 1: Point that out.

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Speaker 2: I'm only bringing it up because I'm curious how you

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feel about when say, the BBC refers to you as

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Glasgow's freshest girl band, Because to me, it's weird that.

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You know, it's like, you don't call a bunch of

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dudes in a rock band. You don't call them a

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boy band, you know, unless you're referring to you know,

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a specific genre.

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Speaker 1: Right, But but how do you feel about that?

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Speaker 2: Like, to me, it seems almost sexist when the BBC

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goes out of their way to label you as that.

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You know, you're a rock band you happen to be

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for women, but why do you need this special label?

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Speaker 1: I'm curious how you feel about that, do you know?

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Speaker 3: I think you can take it in a number of ways.

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And you know, we are all females. We are all

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female bands, so that's simplely understandable. And the presenters who

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said that they were females themselves, okay, and the Glasgow

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sine there aren't many for or aren't many all female bands. Yeah,

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I can understand why they have said that. You know,

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it's not something that we're deliberately, you know, not trying

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to mark ourselves as obviously we are get band that

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is us. However, you know, like you said, you could

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see a rock band, you could say whatever. However we

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just took it as we just took it as our

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compliment from the BBC and all the lessen do so

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many bands every day that if they're calling those the

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freshiesh ghetto bands in Glasgow, then I think we are

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quite happy to take that as a compliment.

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Speaker 2: Yeah, no, that's good. That's a great way to look

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at it. Yeah, it just struck me as strange. But

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as you mentioned too, it was it was women who

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are saying it so that changes the context a bit too,

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so so that that's good. That's good, But I mean,

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but you are you are a rock band. And and

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for for anyone who you know, for anyone who is

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joining us late who didn't hear the track, don't fool

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me twice. I mean, you're I'm curious to know more

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about your sound and your influences because I I hear

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some different things in there, But like, who are some

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of your influences?

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Speaker 3: Well, some of our influences definitely have to be Fleet

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with Mac. For example, the Angles when we're starting out,

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those were the kind of bands that we're saying very

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much our sound. Now we have changed direction, you know,

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don't for me twice as the start of our more

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rockier sound.

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Speaker 1: Yeah, and so we are.

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Speaker 3: Just came to finding their feet there. You could say,

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like alanis motor Set for example, definitely an influence there.

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Speaker 2: Yeah, yeah, I like the Fleewood Mac. I can definitely

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hear that. I'm a big Fleewood Mac fan, and I

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know what you mean. Yeah, that's that's definitely And and

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again it kind of goes to that vocal approach, right,

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you know, it reminds me of a very very evocative

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of Fleewood Mac.

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Speaker 1: And then oh.

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Speaker 3: Absolutely we do call our singer Stevie Nix because she

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does so just like her rethink it's amazing.

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Speaker 1: Yeah, that's that's fantastic. That's fantastic.

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Speaker 2: So Don't Fool Me Twice as the newest single, and

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then you've got November, which we also did play on

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the show. Really like that, and then you've got You've

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got a couple others before that. What's what's kind of

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the do you have plans to do an EP or

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a full album or I mean, there's so many different

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ways to release music these days, but are you going

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to do more singles? Do you know kind of what

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your forward trajectory is as far.

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Speaker 3: As that, Yes, absolutely, so I think our next plan

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is to release an EP okay, which is very exciting,

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going along the lines of Don't Form Me Twice and

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that more rockier sound. Yeah, November and Don't Form Twice

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was released on like our double asage release, it was

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put on vinyl, and November was the end of our

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first chapter together kind of like our old sound, and

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then Don't for Me Twice is the beginning of our

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new sound. So the beginning then of our EP and

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what's the Cup in twenty twenty six?

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Speaker 1: Oh, very cool.

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Speaker 2: Now in terms of because you talk about that kind

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of your old sound and your new sound, that that transition,

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is that something that you decided as a band in

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other words, was it Is it intentional or is it

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more just sort of organic, like that's kind of the

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direction you're you're going and you're just going with it.

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I'm curious about that. Is that something you where you

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sat down and you said, you know, the four of

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you said we need to go, we want to change direction,

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or or is it just kind of something that's happening.

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Speaker 3: So it just kind of happened in the room. The

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four of us set and we write our songs together.

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Whilst writing Don't for Me twice and a couple of

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our others which are unreleased, we realized, wow, we love

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playing this sound. It comes so easy to us, like

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it's definitely the direction we wanted to head, and so

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we decided to make that kind of move and say, okay,

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it is quite a big change up going down the

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more rockier route, but definitely yeah, that's when we decided

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this is where we want to go.

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Speaker 2: Okay, okay, yeah, So it sounds like kind of a

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kind of a combination of both. Right, it's you know,

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you kind of naturally started doing that, but but then

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once you realize it's working, you know, and don't exactly Yeah,

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and it makes sense. I mean, you don't Fool Me

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Twice is a great track. I definitely want to hear

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more of that. So that's that's that's really good. And

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you've done some festivals, right, yes, we have.

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Speaker 3: We did our first set of festivals this year. Yeah.

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Speaker 2: I was looking at this, so let's see, uh, come

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back around. Oh yeah, oh there's a bunch of them.

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Speaker 1: Listen here.

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Speaker 2: How many of you done? It looks like you've done

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quite a few, right, Yeah, so yeah.

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Speaker 3: We've done quite a few. Most noticeable we played Scotland's

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biggest outdoor festival, Beldrum up in Inverness. Okay, we managed

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to do two stages there. We did a live electric

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set and then we also did an acoustic set as

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well on a slightly smaller stage, which was really fun.

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And we've done some festivals local to where we live

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in the west of Scotland as well. Yeah, that's been

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a nice mix of the smaller ones and then obviously

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Scotland's biggest, so it'd been really fun.

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Speaker 2: That's great because the thing about festivals is, you know,

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and I always say, and obviously you know this because

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you're experiencing it, but I always say, especially for young

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new bands, festivals, not only do they get you in

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front of these very large crowds, so they expose you

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to you know, a potentially whole new fan base and

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can help you to build a fan base very quickly,

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but also the networking opportunities that come with playing festivals

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it's unparalleled. You know, you meet you meet all these

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other artists that you're playing with, but also you know

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all kinds of industry people at these festivals and that

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helps you build so you know, so you build an audience,

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but you also build a network and a reputation within

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the industry that is so critical. So festivals are if

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you can play. And we've got a lot of guests.

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We've had a lot of guests from the UK who've

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been you know, we've done a festival or two, but

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no one who's done as many as you have. And

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it seems like you really, I mean, you're really just

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approaching that head on, which is fantastic. I tell everybody

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play every festival you can because it is so it

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is so critical. I mean you can make big leaps

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and bounds as playing festivals. So that's that's fantastic.

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Speaker 3: Absolutely, yep. You don't know who's going to be there

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watching you, so as it's just a great way to

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reach new people, nu audances, different places, make connections, as

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you said, for your network. So absolutely, And.

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Speaker 2: What is this by the way, the uh it says

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you sold out the SWG three Poetry Club show.

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Speaker 1: What's that?

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Speaker 3: Yes? So s WG three is a venue in Glasgow.

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The Poetry Club is the name of the venue. So

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that was where we did our headline show for our

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single Feel at All and we managed to completely sell

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out that show.

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Speaker 2: Oh excellent, excellent, Okay, very good. Yeah, so you're off

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to a great start. Now are you playing? Are you

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playing consistently? Are you touring? Are you are you doing

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a lot of like like what's the live situation?

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Speaker 1: Now?

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Speaker 2: I can tell you here in the United States, a

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lot of a lot of bands kind of high at

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least in this part of the country. A lot of

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bands kind of hibernate a little bit in the winter.

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They you know, they're active recording and writing, but they

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don't play out as much. But what's what's the situation

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where you are as far as live shows.

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Speaker 3: So we did our last live show of the year

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on the sixth of December. That was our headline show

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for the release of Don't Film Me Twice in November,

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so that as well, that was in Glasgow. That was

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really cool. We are taking a little bit of a

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break over new year, starting to write some new songs

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and then in February and March time we're actually going

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on a tour.

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Speaker 1: Oh outstanding. Are you now?

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Speaker 2: Are you going on your own tour or are you

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opening for for somebody or what's what are you doing

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for the tour?

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Speaker 3: So far, it's I believe it as a headline tour.

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I believe it might be a joint headline in one

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of the locations. It's oh to be one hundred percent

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confirmed as yet, however, yet it does look as if

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will be the headline. So it's very exciting.

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Speaker 2: Oh, very good. That is outstanding. Outstanding And can you

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talk a little bit too about the themes of of

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your songs because I saw something about you know this

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is more than you know you kind of think of

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it as it's not just a band but a movement,

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and it's it seems like there's there's certain themes that

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come up, you know, like empowerment and and uh you

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know and and uh taking control and and so forth.

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I mean, can can you talk a little bit about that?

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And I'm curious how important that is to you as

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a band to kind of like, you know, do you

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have a certain message that you're trying to put forth.

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Speaker 3: Yeah, I would definitely say impowerment is a really good one.

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Definitely one of the themes. Yeah, I guess like our

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message is just I suppose it is empowerments. Really, we

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just write music. We love what we do, and we

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want to just put out music that we love to play,

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we love to listen to, and so yeah, that's that's

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definitely what I would say for that.

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Speaker 2: Yeah, outstanding. Well Will in a moment, I'm gonna play

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this track November, which is the I think the first

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song of your band that we've played on the show.

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But uh, you know, we're always happy to kind of

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be the you know, the entry point into American radio

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for for some of these great bands that are that

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are coming out of your your area. There's so much

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so much incredible talent there. But so we're gonna play

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that track in a moment and we'll let you go.

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But Kate, thank you so much for joining us. And

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where where's the best place to go online or the

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best places to go for people to keep up with

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everything that The Marches is doing, because you've got a

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lot going on, So we want to make sure our

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listeners know how they can follow you online.

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Speaker 3: Yes, absolutely so the best place you can beaches is

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probably our Instagram. We are The Marches Music on Instagram.

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We've got a blue tech so you'll be able to

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find those and you can get our music all on

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Apple Music, in Spotify and all the use of stream.

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Speaker 2: Insights outstanding, outstanding.

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Speaker 1: All right, Kate Morrow, thank you so much. We'll let

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you go.

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Speaker 2: We're going to hit that track, but we will definitely

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do this again in the future. Like I said, we're

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big fans. I love the vocals, it's it just sounds

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so good. And I'm glad Fleewood Matt came up because

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now that totally makes sense to me.

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Speaker 3: But but yes, absolutely.

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Speaker 1: Absolutely so, we will do this again in the future.

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Keep up the great work. We'll talk to you soon.

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Speaker 3: Thanks Kate, thank you so much for having me. Thank

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you you got it.

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Speaker 1: Bye bye bye. All right, I didn't mean to start

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the track yet.

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Speaker 2: That is Kate Morrow from the band The Marches, and

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I really this is another great song. You heard it

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here first on American radio here on WM and H.

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This is another great track. This is called November and

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the band is The Marches.