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Speaker 1: W M n H rip the novels you're listening to.

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Speaker 2: W M and H Get Command God, Don't Get Supreme, Leada,

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Maxill Cobby.

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Speaker 3: Welcome back everybody. If you're listening live.

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Speaker 4: On Saturday April twenty six, twenty twenty five, we have

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entered our number two New Marrow dose of Matt Connorton

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Unleashed and we live from the studios of w M

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n H ninety five point three FM Inglorious, Manchester, New Hampshire.

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And of course you can stream the show from anywhere

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in the world. Go to Matt Connerton dot com slash

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live for all your streaming options, social media links, contact info,

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show archives, et cetera, et cetera. Jenny is here of

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course at the news table and joining us in the studio.

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We've got the guys from Space Casino here. Welcome guys.

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Speaker 5: Hey, how's it going?

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Speaker 4: Hey very well, very well, So looking forward to talking

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with you, getting to know you guys.

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Speaker 3: But we're going to play a track first.

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Speaker 4: And this is the Uh. This is the first single

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from the album Be So Cold. This is the first one,

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first single, yep and uh. And the album is what's

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the title again? Elephants in the room, elephants in the room.

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I look forward to asking you more about that too.

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I love the cover. I love the cover, by the way,

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the cover is really cool. Oh thank you, I thank absolutely.

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But we're going to give this a spin and then

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we'll come back and talk with these guys. And this

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is be So Cold. This is the band Space Casino.

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Speaker 1: Dot your gold, you lot of Stoll.

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Speaker 6: Said, don't want from the old long.

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Speaker 1: Young man below, say.

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Speaker 7: Not us don't do better? Mother still thought us to

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do with thromself come no want to lose that s

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do know that's a source clumb spots when you.

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Speaker 1: Do don't down? Why you don't pay so good? Why

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you don't play so well? You got pay soccer?

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Speaker 6: You needbe waiting anything? Say you need se.

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Speaker 1: I pass the day?

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Speaker 5: I feel like you must.

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Speaker 7: That way of going up to Stoll back before all

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the strap.

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Speaker 6: The sas is all time. I wrote a lot of

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ron on the face, so stressing would be so cool, mass.

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Speaker 1: Cool, little miss so stub.

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Speaker 3: Does that as catchy as hell? That is so good?

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Speaker 4: Thank you got it absolutely. That is called be so called.

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That is the band Space Casino. And we've got let's see,

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we've got Jared Seamus and Nick with hear us today

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on the program.

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Speaker 3: And who are we? You guys are a four piece?

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Speaker 8: Right?

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Speaker 3: We're missing one guy.

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Speaker 5: Yeah, we're missing one. He was uh he was still

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on the coach when we left the V and B.

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Speaker 4: Well at least you know where he is though, So

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he's not missing or abducted by aliens or something, because

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you just never know, You just never know.

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Speaker 3: So uh so, guys, let's so, Jared, let's start with you.

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Speaker 4: What do you?

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Speaker 3: What do you do in the band?

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Speaker 8: I play guitar. I play guitar, and I sing and

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occasionally I do bad stand up on stage.

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Speaker 3: Due okay, very good, very good?

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Speaker 5: And you, Seamus, I play the drums.

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Speaker 3: You play the drums, excellent, and h Nick.

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Speaker 9: A little bit of bass, little bit of vocals, Yeah,

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a little bit of this than that.

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Speaker 3: Sure, sure, very good. And what is the guy on

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the couch what does he do?

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Speaker 5: He plays guitar and things too, all three of them,

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like they kind of switch off on like lead vocals,

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like the one who writes the song is kind of

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the one that sings it.

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Speaker 8: Okay, yeah, songwriters, and we pretty split it up pretty evenly.

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Speaker 4: I always think that's that's kind of a cool dynamic

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to have, you know, And now that I think about it,

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you know, I played in a bunch of bands, but

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I never played in something where more than one person

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would would take a turn at lead vocals. And you know,

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I think it probably gives you an opportunity to kind

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of add some texture to your overall sound, right, you know,

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different voices, different naturally bringing different personalities, and then you know,

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the songs are each their own kind of become their

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own character that way.

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Speaker 5: Right, Yeah, exactly, and it kind of gives like you're

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like it, each of them has kind of their own vibe.

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Like so on the album, there's nine songs, yeah, and

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they each there's three each from like three from Nick,

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three from Jared, three from Chris, So it kind of

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you know, they they each have their own vibe and

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we kind of split them up, you know.

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Speaker 8: Yeah, it adds texture.

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Speaker 5: Yeah, I like it a lot.

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Speaker 8: Do you do you.

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Speaker 4: Deliberately split it three ways when you're when you're approaching

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picking the songs or does it just kind of work

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out that way?

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Speaker 8: Or Yeah, when we're recording an album, we're like, all right,

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everyone picked three songs, okay of yours that you want

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to present that we work on those for a long time.

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Speaker 3: Gotcha, that's very democratic, that way too, right.

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Speaker 8: I tried it, yeah, because I've been in a lot

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of bands before as well, and like it's not always

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like that, and especially if you're a drummer or rhythm section,

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they don't get a lot of say naturally right. So

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I feel like with this project, it was really I

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was determined to make it as democratic and free. Yeah yeah,

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between everyone.

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Speaker 4: That's really cool, so obvious. Question two I got to

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ask up front where does the name come from? Because

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Space Casino is a pretty cool name. Where does it

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come from?

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Speaker 5: So we uh well, I I really love like the

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aesthetic of like space, and I also love gambling.

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Speaker 8: Yeah, the opposite, I like the aesthetic of casinos.

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Speaker 3: Yeah.

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Speaker 8: I don't like Amblies much, but I love space.

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Speaker 5: Yeah.

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Speaker 9: Yeah, basically a culmination of our two favorite things, celestial

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objects and degenerating.

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Speaker 8: Yeah okay, okay, both are a cold wasteland.

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Speaker 5: Yeah fair, all right, you can just really get away

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with you know, it's casinos are like it's the most degenerate,

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Like it's the casinos are so funny because like it'll

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be like an old lady sitting at a slought machine,

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like putting a putting her retirement into a slot machine.

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And then there's like like a rich millionaire businessman, like

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all in the same all in the same spot. Yeah,

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just wasting money.

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Speaker 4: Yeah, it's funny. I've only been in a casino once

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in my life because I'm not a gambler. But years ago,

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I had gone to see a show at Mohican Sun

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and my friend Dan and I we were just like,

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he wasn't either, but I was just like, you know,

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if I was wanted to just like walk through a

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casino just to see if it's like if it really

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is like what you see on.

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Speaker 3: TV and in movies, and it kind of was.

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Speaker 5: Yeah, we just walked through it.

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Speaker 4: But it was like, you know, I didn't have any

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interest in gambling, but it's it's interesting to walk through

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a casino, you know.

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Speaker 5: Yeah, it's a it's a it's an experience, like the lights,

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the sound, I mean, they do it all on purpose,

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but it's like just just walking through a casino, you

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get it's like a vibe, you know, it's yeah, it's

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an experience.

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Speaker 4: Yeah, totally totally. And where does a What about the

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name of the album elephants in the room. I'm curious

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about that too.

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Speaker 8: Oh yeah, that was well that's Nick Nick's song. That's

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a line in a song by Nick.

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Speaker 5: Oh okay, yes, Nick's song Spaces, which is also you

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know because we're's Space Casino, but he says elephants in

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the room at one point in the song. Then I

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think it was actually Jared's idea, like what if we

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named the album elephants in the Room.

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Speaker 8: Yeah, and it's the final song on the album.

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Speaker 5: Ok.

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Speaker 8: I get that at the end and kind of like yeah,

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you're like, oh, I get it, but it's not the

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name of the song, which is also I like that.

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Speaker 3: Yeah, yeah, that is cool. Yeah, and I like the

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cover art too. Who did the cover art?

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Speaker 10: Is?

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Speaker 8: Did you the cover art?

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Speaker 5: Yeah?

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Speaker 8: I did that, But it's really a photograph just put

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the colors adjusted and played with. So it's a photograph

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of a the ceramic mask that we found it.

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Speaker 5: Will Yeah, yeah that that met like that mask we

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found and we were like we were actually looking for

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stuff for like we were like filming something, so we

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went to a Savers just to find like cool, fun

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cheap props and then I saw that and we were

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like whoa, this thing is awesome. Yeah, and then Jared

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took the picture and kind of.

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Speaker 8: And I put the mask on top of an old

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symbol which reflected light in a cool way, and then

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I put like a little disco ball I had on

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the mask, and I just took a couple pictures and

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then yeah, it looks like that now it just looks

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like a weird alien head.

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Speaker 5: Yeah.

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Speaker 8: Yeah, coming out of a portal or something.

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Speaker 1: Yeah.

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Speaker 4: No, it's cool, it's cool, I dig it. Is that

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your first full length release as a band.

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Speaker 5: Or yes, so we have. We had one EP out

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with like four songs, but this is our first full album.

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Speaker 4: Okay, okay, how long have you guys been together? It

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has Space Seen been around for a while or.

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Speaker 8: We've been playing for We've been playing together for probably

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like eight years. I think the Space Casino project is

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like five years old.

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Speaker 5: Five years yeah. Yeah, well, because we started the first

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like Space Casino show with like January twenty twenty, and

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we were like, this is gonna be our year. Yeah,

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and then we didn't. We didn't play again until like

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a year and a half later. But that club closed,

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so yeah, yeah, yeah, the club. That club closed because

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of COVID. Yeah, and then we couldn't practice or do anything.

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But then then when once places started opening back up,

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like twenty twenty one, we we've been going pretty steady since. Yeah, yeah,

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good good.

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Speaker 4: During the during the pandemic, like well, like in twenty

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twenty when you guys, yeah, I mean, well what a

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way to start, huh.

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Speaker 5: Yeah. Yeah, but we we all we were even jamming

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together before that. We all went to the same high school.

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Oh exactly, yeah, oh cool.

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Speaker 8: Yeah, actually probably longer than eight years then probably like.

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Speaker 5: Well, I mean jamming together. They they they went to

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Amherst and then me and my my friend Scott, who

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was also a musician, Like would I would drive up

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and party with them in Amherst? Yeah, okay, yeah.

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Speaker 8: Jamming ya drink and jam yeah all night.

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Speaker 5: I got the I got the fun parts of college

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without without having to to actually learn anything.

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Speaker 3: Without without the enormous loan.

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Speaker 1: Yeah.

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Speaker 3: Yeah. Has it always been the same four guys?

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Speaker 5: Is it always space?

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Speaker 1: Yeah?

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Speaker 8: We had we had like our friend Scott was in

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the band's kind of it was kind of like a

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rotating chairs, but yeh of us three kind of always remain.

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Speaker 5: Yeah, and and for the last we added Chris, but

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the guy on the couch like a few years ago.

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But like this, this lineup of Space Casino has probably

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been like the most consistent, like the four piece has been.

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Speaker 8: You know, we kind of started the Space Casino projects.

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Speaker 5: Yeah exactly.

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Speaker 4: And then yeah, yeah, are you guys playing a lot

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of shows these days? Obviously you know where you're from,

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because we should say too you're from I forgot now,

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but it's Boston area.

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Speaker 8: Yeah, yeah, yore, South Shore area.

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Speaker 5: But we play a lot in like in Cambridge, Somerville,

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like you know, yeah, yeah, we love we love going

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out to Worcester. Have you ever been to Ralphs Rock Diner?

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Speaker 3: Oh yeah, yeah, legendary Yeah yeah, that place is so cool.

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Speaker 5: Yeah, we we love playing at Real.

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Speaker 4: I haven't been there in a very long time, but

245
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yeah I used to when I was still playing in bands. Yeah,

246
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we would play there. Yeah, that's a great well Wister.

247
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I don't know if they They used to be a

248
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place there called the a Trim. I don't think that's

249
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there anymore though.

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Speaker 9: I don't know you heard of the Arimi iver been though.

251
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Speaker 4: Yeah, it's probably gone. But that was a really cool

252
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place in Wister. There was a bunch of cool places.

253
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But but yeah, so you guys are but I can

254
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see where where with your like, do you feel with

255
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your sound that you're directly influenced by the Boston music

256
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scene because you you sound like you're of that area,

257
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you know what I mean?

258
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Speaker 5: Like, yeah, I think so.

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Speaker 8: I don't know, we have a lot of different tastes. Yeah,

260
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I feel like there's a lot more hardcore punk and

261
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that kind of energy Boston. Yeah, but there's also a

262
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lot of few stuff.

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Speaker 3: Yeah.

264
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Speaker 5: Well we're a lot of times we're like the softest.

265
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We're not the softest, you know what I mean, Like

266
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we're we're usually like the lightest band on the bill

267
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most of most like uh, there's a lot of really heavy,

268
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like hardcore, like hot punk, like that sort of scene.

269
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Speaker 3: Yeah.

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Speaker 5: Yeah, but but I mean I would say we are

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still you know, we're still.

272
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Speaker 8: Slightly we're kind of like heavier. So I guess that

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makes sense coming.

274
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Speaker 5: From It's in the It's in the water.

275
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Speaker 8: Yeah yeah, I mean I was a big fan of

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Aerosmith in my younger days, not really these days.

277
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Speaker 5: Yeah.

278
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Speaker 4: Yeah, well you hear you hear the same six songs

279
00:17:36,720 --> 00:17:41,799
on the radio, Yeah, exactly, Like yeah, now, because I

280
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can imagine like the college crowd really getting into you guys,

281
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you know in the Boston area and and you know

282
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college radio and all that. So, now, do any of

283
00:17:51,440 --> 00:17:53,519
you also play in other projects? Because it seems like

284
00:17:53,599 --> 00:17:55,519
everybody we have on the show lately, everybody's got a

285
00:17:55,599 --> 00:17:59,200
million different different projects in addition to whatever they're on

286
00:17:59,279 --> 00:18:00,000
the show to talk about.

287
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Speaker 8: Out I have we have yeah, actually couch Chris is

288
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playing in a acoustic duo with this uh with our

289
00:18:08,720 --> 00:18:11,279
friend Katie, and they're really good. They're called the Stops.

290
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I guess we'll give him a shout out.

291
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Speaker 5: Cool.

292
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Speaker 8: They do covers and originals acoustic duo. That's nice. So

293
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he does that. I also I have I've played another

294
00:18:20,599 --> 00:18:23,839
projects before. It doesn't always sometimes you don't have time

295
00:18:23,880 --> 00:18:25,599
for two projects, right right if you really want to

296
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get into something. But I know people are in like

297
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seven projects.

298
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Speaker 5: Yeah, yeah, Oh there's some I don't I know, I don't.

299
00:18:31,039 --> 00:18:33,519
I don't get how how people there's so many drummers

300
00:18:33,680 --> 00:18:36,200
Like that's like the joke is like, oh, like my

301
00:18:36,319 --> 00:18:38,119
drummer's only in four other bands?

302
00:18:38,279 --> 00:18:40,720
Speaker 4: You know that's been Yeah, that that comes up a

303
00:18:40,799 --> 00:18:43,640
lot on this show. Yeah, every drummer is in multiple

304
00:18:43,799 --> 00:18:44,400
bands and I.

305
00:18:44,440 --> 00:18:47,240
Speaker 5: Don't I don't understand. I can. I barely have time

306
00:18:47,599 --> 00:18:51,519
yeah to be in this band. Yeah, so shout out

307
00:18:51,559 --> 00:18:54,400
to to those drummers working hard out there. But oh yeah,

308
00:18:55,079 --> 00:18:59,759
space casino for me. Yeah, we do.

309
00:19:00,079 --> 00:19:02,920
Speaker 8: We do sometimes make like short films we were talking

310
00:19:02,920 --> 00:19:04,799
about earlier, so that's kind of like a side thing

311
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we do.

312
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Speaker 3: Oh school, Yeah, tell me more about that. I'm curious.

313
00:19:08,119 --> 00:19:09,839
Speaker 5: Yeah yeah, well we did.

314
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Speaker 8: One forty eight hour film fests.

315
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Speaker 5: Yeah.

316
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Speaker 8: Yeah, so you get like a you get a couple

317
00:19:17,240 --> 00:19:19,319
of like, you get a line of dialogue to use,

318
00:19:19,359 --> 00:19:22,240
you get a character name, an occupation, and then you

319
00:19:22,319 --> 00:19:27,119
get everybody gets a different genre. So literally you get

320
00:19:27,319 --> 00:19:29,440
on Friday, seven o'clock, you get a you get all

321
00:19:29,480 --> 00:19:32,000
your criteria, you have to use the movie, and you

322
00:19:32,119 --> 00:19:34,720
have to turn it in two days later at seven o'clock.

323
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So take a weekend. It's fun, yeah, very cool. And

324
00:19:38,200 --> 00:19:40,000
then so we you know, we made like a little

325
00:19:40,119 --> 00:19:44,039
week Our genre was like crime genre, so we kind

326
00:19:44,039 --> 00:19:46,839
of did our own little like Tarantino movie where oh wow,

327
00:19:46,960 --> 00:19:49,000
yeah there's no gun involved.

328
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Speaker 9: It's supposed to be like two minutes long, and we

329
00:19:52,319 --> 00:19:55,640
never have. We never leave enough time to actually edit

330
00:19:55,799 --> 00:19:59,039
and you know, yeah, we buy everything we come out with,

331
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like a fifteen minut movie.

332
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Speaker 5: Yeah that doesn't count for anything. Yeah, but we have

333
00:20:05,440 --> 00:20:06,039
fun making it.

334
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Speaker 3: Yeah.

335
00:20:07,640 --> 00:20:10,079
Speaker 5: Yeah. The one of our my favorite one we did

336
00:20:10,240 --> 00:20:15,400
was is called the Florist Job because there was that

337
00:20:15,599 --> 00:20:19,440
was the the occupation they gave us was florists.

338
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Speaker 3: Okay.

339
00:20:20,559 --> 00:20:24,400
Speaker 5: So it's like it's a florist that gets his wife

340
00:20:24,519 --> 00:20:27,519
is sick, so he gets involved in in in being

341
00:20:27,680 --> 00:20:33,799
like a getaway driver. It's really ridiculous, ridiculous, yeah yeah,

342
00:20:34,000 --> 00:20:35,680
but it's it's fun.

343
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Speaker 4: So what what happens to these if you know, if

344
00:20:38,559 --> 00:20:41,559
if it's too long to enter into the festival or whatever,

345
00:20:41,640 --> 00:20:42,799
I can't win anything, I guess.

346
00:20:42,839 --> 00:20:44,559
Speaker 3: But you done put them on YouTube?

347
00:20:44,759 --> 00:20:47,759
Speaker 5: Yeah yeah, they're on They're on YouTube. Channel is.

348
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Speaker 8: Channel is Big Monday Films. That's film Okay, company name.

349
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Speaker 3: I got to check that out.

350
00:20:54,799 --> 00:20:57,880
Speaker 8: Yeah yeah, there's a link on our on our website

351
00:20:57,880 --> 00:21:02,160
and our link Treekay. Yeah, very cool. Anyone's interested. Yeah,

352
00:21:02,359 --> 00:21:06,279
it's all four band members playing and playing different characters.

353
00:21:06,319 --> 00:21:07,000
It's really funny.

354
00:21:07,160 --> 00:21:07,359
Speaker 5: Yeah.

355
00:21:07,480 --> 00:21:08,640
Speaker 3: That makes you guys unique.

356
00:21:08,920 --> 00:21:10,759
Speaker 4: You're definitely the first band we've ever had on the

357
00:21:10,759 --> 00:21:12,640
show's like, oh, by the way, we also make short

358
00:21:12,720 --> 00:21:15,880
films and when we're all in the film, that's really cool.

359
00:21:16,119 --> 00:21:19,279
Speaker 5: Yeah, really cool. And we put our we put our

360
00:21:19,880 --> 00:21:21,039
our music into the.

361
00:21:22,839 --> 00:21:23,759
Speaker 8: Put us on the radio.

362
00:21:24,519 --> 00:21:27,200
Speaker 3: Yeah, yeah, smart. Yeah, I mean, why wouldn't you. Yeah, no,

363
00:21:27,359 --> 00:21:28,720
that's great. That's really cool.

364
00:21:28,920 --> 00:21:30,839
Speaker 5: Yeah, yeah, it's fun. We have a lot of fun

365
00:21:30,920 --> 00:21:33,559
making them. We still have to make it's funny. We've

366
00:21:33,599 --> 00:21:36,160
made like two short films, but we still haven't done

367
00:21:36,200 --> 00:21:39,240
our own music video. We got to do that next.

368
00:21:39,799 --> 00:21:42,039
Speaker 8: Yeah, that's funny, that's funny, and he wants to help

369
00:21:42,119 --> 00:21:42,279
with that.

370
00:21:44,880 --> 00:21:46,680
Speaker 4: Well, we should play another track we want to play.

371
00:21:47,279 --> 00:21:48,599
We talked about Summer Breeze.

372
00:21:48,799 --> 00:21:50,079
Speaker 8: Yeah, yeah, it sounds great.

373
00:21:50,119 --> 00:21:52,599
Speaker 5: Play that one. Next, This is a this is Nick's song.

374
00:21:53,480 --> 00:21:55,359
Speaker 3: Okay, Nick on lead vocals on this one.

375
00:21:55,519 --> 00:21:57,240
Speaker 8: Yeah, the master mind of the band.

376
00:21:58,119 --> 00:21:58,920
Speaker 3: All right, very good.

377
00:21:59,559 --> 00:22:01,720
Speaker 4: If you are just joining us, we have Space Casino

378
00:22:02,079 --> 00:22:04,200
here with us in studio, and we're gonna hear another

379
00:22:04,240 --> 00:22:06,160
track from Elephants in the room, and this is called

380
00:22:06,279 --> 00:22:06,960
Summer Breeze.

381
00:22:34,680 --> 00:23:07,799
Speaker 11: So it's fine wondering since I'm living with so existed, So.

382
00:23:10,359 --> 00:23:54,920
Speaker 6: My my mondrem my Moon, you hit Acostomare you hit

383
00:23:55,000 --> 00:24:11,759
a custom dreams? She like, so many grades.

384
00:24:25,160 --> 00:24:29,759
Speaker 1: Can be anyway, So.

385
00:24:31,519 --> 00:24:46,240
Speaker 7: We said a press robantity wall, so closing what its

386
00:24:47,599 --> 00:24:49,039
scart be seen.

387
00:24:50,680 --> 00:25:14,720
Speaker 1: Trucks to shot you stop.

388
00:25:19,279 --> 00:25:45,960
Speaker 12: Say city twisting, City Swinton, you have to stop serious twisting.

389
00:25:50,240 --> 00:25:51,759
Speaker 1: Six City Twist.

390
00:26:09,039 --> 00:26:11,079
Speaker 3: I love it. That is so good. That is called

391
00:26:11,119 --> 00:26:11,839
Summer Breeze.

392
00:26:12,240 --> 00:26:15,200
Speaker 4: The band is a Space Casino and we've got three

393
00:26:15,279 --> 00:26:17,640
quarters of Space Casino here with us in studio.

394
00:26:18,119 --> 00:26:20,839
Speaker 3: Uh and I love that. Nick. I love your voice

395
00:26:20,880 --> 00:26:21,359
on that too.

396
00:26:21,599 --> 00:26:22,720
Speaker 8: Oh, thank you so much.

397
00:26:22,960 --> 00:26:25,440
Speaker 3: And that's actually you're you're playing the guitar solo on that.

398
00:26:25,920 --> 00:26:26,119
Speaker 8: Yeah.

399
00:26:26,680 --> 00:26:30,200
Speaker 9: So I wrote the bass track at first, and we

400
00:26:30,319 --> 00:26:33,839
kind of layered up everything. I love how the harmonies

401
00:26:33,880 --> 00:26:37,839
come together on that chorus. It's just like very very vast,

402
00:26:38,119 --> 00:26:41,720
like dense sound, which is really nice. And then on

403
00:26:41,880 --> 00:26:44,920
top I just laid a quick, beautiful guitar solo.

404
00:26:45,119 --> 00:26:50,039
Speaker 3: Yeah, well, everything about that is really good. How about that?

405
00:26:50,200 --> 00:26:51,880
Is that a crowd favorite when you play that one live?

406
00:26:52,079 --> 00:26:52,240
Speaker 5: Yeah?

407
00:26:52,519 --> 00:26:52,759
Speaker 3: Yeah?

408
00:26:52,920 --> 00:26:54,960
Speaker 5: Yeah, yeah, very cool, very cool.

409
00:26:55,720 --> 00:26:59,400
Speaker 3: Where did you record the album? Sounds incredible? Where so

410
00:26:59,720 --> 00:27:00,200
at A.

411
00:27:00,480 --> 00:27:05,960
Speaker 5: Huge shout out Ugly Robot Studios, which is in Quincy, Massachusetts.

412
00:27:07,119 --> 00:27:12,960
Speaker 9: Kevin Grady. Yeah, we really did a really nice job. Yeah,

413
00:27:12,960 --> 00:27:15,200
we recorded the whole thing there. It's also right down

414
00:27:15,240 --> 00:27:18,799
the street from my house, so that's nice. Nice, But

415
00:27:19,000 --> 00:27:22,119
we recorded the whole thing there. We met him through

416
00:27:22,759 --> 00:27:25,279
he's he's in a couple of bands.

417
00:27:25,400 --> 00:27:28,720
Speaker 5: We met him through like, you know, doing shows, and

418
00:27:28,799 --> 00:27:32,559
then he mentioned that like he because he we met

419
00:27:32,640 --> 00:27:35,279
him at a he was doing a house show in

420
00:27:35,440 --> 00:27:41,759
his studio and then he but but he's he's done

421
00:27:41,839 --> 00:27:46,799
it up. You know, it's it's it's well done. And yeah,

422
00:27:46,839 --> 00:27:49,799
they do a lot of shows there, and so we

423
00:27:49,960 --> 00:27:52,319
met him through like playing music, and he mentioned that

424
00:27:52,400 --> 00:27:55,400
he he records bands. So then we decided to give

425
00:27:55,400 --> 00:27:58,319
it a try. And then we were like, oh definitely,

426
00:27:58,799 --> 00:28:00,400
you know, because at first we were like, well, let's

427
00:28:00,440 --> 00:28:02,680
go in and see see how it is. But then

428
00:28:03,279 --> 00:28:05,240
after a couple of sessions, we were like, oh yeah,

429
00:28:05,240 --> 00:28:06,119
we're definitely doing the.

430
00:28:06,119 --> 00:28:08,640
Speaker 8: Whole albums work with. Yeah, he gets it.

431
00:28:09,000 --> 00:28:13,279
Speaker 5: Yeah, yeah, good good sound engineer and also you know,

432
00:28:13,480 --> 00:28:16,559
gives good gives good pointers. But isn't like, you know,

433
00:28:16,640 --> 00:28:18,319
he's not trying to tell you. He's not trying to

434
00:28:18,359 --> 00:28:21,519
produce it. But you know, he'll throw out a suggestion

435
00:28:21,720 --> 00:28:24,880
and usually it's a good one. Yeah, yeah, Oh that's cool.

436
00:28:24,960 --> 00:28:27,160
Speaker 4: Yeah, there's so many options as far as you know,

437
00:28:27,279 --> 00:28:29,920
especially in your area where you guys are from, there's

438
00:28:29,960 --> 00:28:32,920
a you know, it's funny too, because there was a

439
00:28:33,000 --> 00:28:38,799
time when people kind of predicted that recording studios would

440
00:28:38,839 --> 00:28:40,759
be a thing of the past at some point, because

441
00:28:41,039 --> 00:28:43,160
you have so many options now, Like you can you

442
00:28:43,240 --> 00:28:45,839
can record at home and come up with something that

443
00:28:45,880 --> 00:28:47,799
sounds like it was done in a million dollar studio,

444
00:28:47,920 --> 00:28:48,119
you know.

445
00:28:48,440 --> 00:28:50,880
Speaker 3: Yeah, but in reality, I mean, recording.

446
00:28:50,559 --> 00:28:53,880
Speaker 4: Studios are still thriving, even though a lot of musicians

447
00:28:53,960 --> 00:28:55,880
are finding other ways to record too.

448
00:28:56,119 --> 00:28:59,599
Speaker 5: So yeah, well the thing is, and we did we

449
00:29:00,240 --> 00:29:05,000
you know, we self recorded things in the past, and like,

450
00:29:05,279 --> 00:29:07,720
I mean, you don't know what you're doing, you're not, Yeah,

451
00:29:07,759 --> 00:29:12,000
I mean I've heard, you know, some people are really

452
00:29:12,079 --> 00:29:13,680
good at it. But I think for us, we just

453
00:29:13,759 --> 00:29:17,079
wanted to focus the thing about when you're doing it yourself,

454
00:29:17,160 --> 00:29:20,799
you're also like you're you're not just focusing on the music,

455
00:29:21,079 --> 00:29:22,640
you know what I mean. It's nice to when you

456
00:29:22,799 --> 00:29:25,519
just have somebody else doing it for you. You don't

457
00:29:25,559 --> 00:29:28,319
have to worry about your dog crashing or you know,

458
00:29:28,519 --> 00:29:32,960
your your lexicon, you know. Yeah, so I think for

459
00:29:33,160 --> 00:29:35,240
us we were like, well, no, let's let's go to

460
00:29:35,319 --> 00:29:38,559
a studio, have them do it. That way, we can

461
00:29:38,680 --> 00:29:42,799
just focus on, you know, giving it the best takes

462
00:29:42,920 --> 00:29:44,079
we can, you know. Yeah.

463
00:29:44,160 --> 00:29:45,839
Speaker 8: Yeah, yeah, I mean I feel like nowadays you just

464
00:29:45,920 --> 00:29:48,319
have so many jobs as an artist. So you have

465
00:29:48,519 --> 00:29:51,319
like your marketer, that's true, your producer, everything.

466
00:29:51,559 --> 00:29:51,720
Speaker 5: Yeah.

467
00:29:52,200 --> 00:29:54,359
Speaker 8: So yeah, if you can afford it to take away

468
00:29:54,400 --> 00:29:55,960
one of those jobs, I feel like it's worth it

469
00:29:56,039 --> 00:29:57,200
helps focus on the other ones.

470
00:29:57,400 --> 00:29:59,920
Speaker 3: Yeah, that makes sense. Yeah. You plan to record with

471
00:30:00,079 --> 00:30:01,359
him again in the future.

472
00:30:01,559 --> 00:30:04,279
Speaker 8: Yeah, yeah, yeah, we're working on like a new LP.

473
00:30:04,680 --> 00:30:07,039
Speaker 3: Oh you are okay, yeah if you already started.

474
00:30:07,720 --> 00:30:11,200
Speaker 8: We started recording like nothing, nothing to advertised yet, but

475
00:30:11,559 --> 00:30:13,839
on the horizon it will be coming out probably next year.

476
00:30:13,960 --> 00:30:15,200
Speaker 3: Oh very cool, very cool.

477
00:30:15,319 --> 00:30:20,000
Speaker 8: Yeah yeah yeah, full full album yeah probably yea.

478
00:30:19,960 --> 00:30:22,400
Speaker 5: Yeah, yeah we might. I mean we might even just

479
00:30:22,559 --> 00:30:26,519
release a song, you know, the first song. We might

480
00:30:26,640 --> 00:30:30,119
just release it, see what happens. Yeah, Elevant's in the

481
00:30:30,200 --> 00:30:33,880
Room we released in January, so it's still kind of

482
00:30:33,960 --> 00:30:36,720
pretty fresh. But yeah, but there's no sense in.

483
00:30:36,799 --> 00:30:38,559
Speaker 8: Uh, yeah, you can only play the same songs for

484
00:30:38,920 --> 00:30:41,039
so long. Yeah, so we got to come up with

485
00:30:41,200 --> 00:30:42,000
new stuff.

486
00:30:42,000 --> 00:30:46,200
Speaker 3: Right right now. That makes sense. Do you guys do

487
00:30:46,279 --> 00:30:47,039
you play anything?

488
00:30:47,599 --> 00:30:49,480
Speaker 4: Is there anything that you play live that you haven't

489
00:30:49,559 --> 00:30:51,839
that hasn't released been released yet that you're kind of

490
00:30:52,880 --> 00:30:55,720
Sometimes sometimes bands will kind of workshop material, you know,

491
00:30:55,759 --> 00:30:56,680
in front of an audience and.

492
00:30:56,839 --> 00:30:58,519
Speaker 8: Yeah, yeah we've done that. Yeah.

493
00:30:59,440 --> 00:30:59,599
Speaker 5: Yeah.

494
00:30:59,599 --> 00:31:02,880
Speaker 9: We try cycle in like a couple different tunes every

495
00:31:02,960 --> 00:31:05,680
show just to kind of keep it, you know, lively,

496
00:31:05,920 --> 00:31:06,680
keep it mixed up.

497
00:31:06,920 --> 00:31:09,640
Speaker 8: Yeah, so we have a couple, you know, in the works.

498
00:31:09,839 --> 00:31:10,039
Speaker 3: Yeah.

499
00:31:10,319 --> 00:31:14,519
Speaker 5: Yeah. And then sometimes we'll bring back like really old stuff,

500
00:31:15,039 --> 00:31:18,480
like one of the songs that like one of Jared's

501
00:31:18,480 --> 00:31:22,759
songs that he just went back to start recording is

502
00:31:22,799 --> 00:31:26,960
a song from like before even our first like LP

503
00:31:27,400 --> 00:31:29,599
really that he was but then he was well also go.

504
00:31:29,759 --> 00:31:32,359
Speaker 8: We'll also play old songs like from the first EP,

505
00:31:32,720 --> 00:31:36,079
and like we'll change a part or modify it in

506
00:31:36,119 --> 00:31:39,119
a way or add add something new to it just

507
00:31:39,160 --> 00:31:39,799
to keep it fresh.

508
00:31:39,960 --> 00:31:44,079
Speaker 4: Yeah yeah, that makes sense. Yeah, yeah, very cool. Do

509
00:31:44,119 --> 00:31:45,880
you guys want to play we should play another one

510
00:31:45,920 --> 00:31:46,799
from the album, of course.

511
00:31:46,880 --> 00:31:48,880
Speaker 3: I Elephants in the Room. What do you guys want

512
00:31:48,920 --> 00:31:50,319
to play next? Totally up to you.

513
00:31:50,559 --> 00:31:54,119
Speaker 8: I guess you give Chris the song, Yeah, rain I

514
00:31:54,160 --> 00:31:58,039
think maybe PASSI mena yeah, or we can do rain

515
00:31:58,079 --> 00:32:01,480
on too. Oh it's the the other like single maybe

516
00:32:01,640 --> 00:32:05,119
Oh yeah, right, it's a single, which one. Let's try

517
00:32:05,240 --> 00:32:07,000
rain on raining outside?

518
00:32:07,359 --> 00:32:08,240
Speaker 3: Yeah. Oh that's true.

519
00:32:08,319 --> 00:32:12,119
Speaker 4: Yeah, very very apropos Yeah, I guess it's supposed to

520
00:32:12,160 --> 00:32:14,359
rain all day from what I From what I understand.

521
00:32:15,640 --> 00:32:18,160
If you're just joining us on Saturday, we do have

522
00:32:18,559 --> 00:32:21,559
a space casino here with us alive in studio, and

523
00:32:21,599 --> 00:32:23,799
we're going to play another track from this incredible album,

524
00:32:24,480 --> 00:32:28,440
Elephants in the Room. And uh, this is a little

525
00:32:28,480 --> 00:32:32,759
bit slow to download. It will download, it's just being slow.

526
00:32:34,559 --> 00:32:36,079
Speaker 3: Anything we should well, I'm waiting for that.

527
00:32:36,160 --> 00:32:39,039
Speaker 4: Anything we should oh, Eric comes well, anything I'll ask anyway,

528
00:32:39,039 --> 00:32:40,839
anything we should know about this track before we play it.

529
00:32:41,759 --> 00:32:46,920
Speaker 8: That's written by Chris from the couch all right, Yeah,

530
00:32:47,319 --> 00:32:50,279
I don't know. He's not here to talk about that's true.

531
00:32:50,359 --> 00:32:51,039
Speaker 3: Yeah, he's not here.

532
00:32:51,759 --> 00:32:54,759
Speaker 9: If features some nice cowbo work from me, yeah, almost

533
00:32:54,960 --> 00:32:58,240
more of like an acoustic It was based around acoustic

534
00:32:58,279 --> 00:32:59,200
guitar at first.

535
00:32:59,440 --> 00:33:02,240
Speaker 5: Okay, so maybe like a lighter sense of the album.

536
00:33:02,519 --> 00:33:04,880
Speaker 4: Okay, all right, very cool, So we'll give this a spin.

537
00:33:05,000 --> 00:33:07,720
This is called rain On and the band is Space Casino.

538
00:33:49,359 --> 00:34:07,640
Speaker 1: I have come on, I can hardly see. So I

539
00:34:08,360 --> 00:34:12,840
got made you boy? Yeah, I you got mad you Bay.

540
00:34:48,320 --> 00:35:07,599
That's some wonder what boy knows? God do not need

541
00:35:07,760 --> 00:35:18,000
you man, but I do not need you man, Drayman

542
00:35:20,159 --> 00:35:31,039
hardly dreaming. I cat tream slow shot, not to Nyga

543
00:35:31,559 --> 00:35:55,880
s phone the sony sky looking at the snow.

544
00:36:49,440 --> 00:36:52,960
Speaker 4: Another great track that is called rain On. That is

545
00:36:53,039 --> 00:36:55,039
from the album Elephants in the Room and the band

546
00:36:55,280 --> 00:36:58,320
is Space Casino. We have three of the guys from

547
00:36:58,400 --> 00:37:02,000
Space Casino here, and the gentleman who sings on that

548
00:37:02,519 --> 00:37:05,719
song and wrote it is He's so that's Chris from

549
00:37:05,760 --> 00:37:10,159
the Couch right, Yes, yes, but a great song though, yeah,

550
00:37:10,320 --> 00:37:12,320
really really good. And you know, we were kind of

551
00:37:12,360 --> 00:37:13,920
talking off air while I was playing. I said his

552
00:37:14,039 --> 00:37:15,800
vocal delivery, he kind of reminds me a little bit

553
00:37:15,840 --> 00:37:18,920
of Bono and it's really good.

554
00:37:20,039 --> 00:37:23,079
Speaker 8: Yeah, we were making we were we heard a little

555
00:37:23,119 --> 00:37:25,840
bit of Irish rogue in his singing in the studio

556
00:37:25,960 --> 00:37:29,079
once and it was a lot of fun. Yeah, Yeah,

557
00:37:29,199 --> 00:37:32,280
but yeah great, Yeah, like his his guitar parts, he

558
00:37:32,360 --> 00:37:34,519
wrote most of them. There really nice.

559
00:37:35,159 --> 00:37:36,599
Speaker 3: Are any of those songs on the album?

560
00:37:37,079 --> 00:37:40,320
Speaker 4: Is there anything that is difficult or was difficult to

561
00:37:41,639 --> 00:37:45,880
play live because it's, you know, the materials pretty sophisticated

562
00:37:45,960 --> 00:37:47,239
in terms of the different parts.

563
00:37:47,320 --> 00:37:50,800
Speaker 9: And actually that song more than anything, I feel like

564
00:37:50,920 --> 00:37:55,519
Chris throws on like a kpeo. He switches from acoustic

565
00:37:55,679 --> 00:37:58,960
one show, then he'll do electric at the other show. Yeah,

566
00:37:59,000 --> 00:38:01,239
And it's just kind of it's always been one where

567
00:38:01,639 --> 00:38:03,480
maybe we don't want to play it, you know, I

568
00:38:03,519 --> 00:38:06,119
don't want to put my kapa on my guitar or whatever.

569
00:38:06,599 --> 00:38:09,760
Speaker 8: Songs are definitely like trickier than others, but we play

570
00:38:09,800 --> 00:38:13,039
them all live. Yeah, that one particular is a little

571
00:38:13,800 --> 00:38:15,679
that's probably one of the trickiest, but it's a lot

572
00:38:15,719 --> 00:38:16,199
of fun too.

573
00:38:16,480 --> 00:38:19,519
Speaker 5: Yeah, there's definitely for for me on the drums. There

574
00:38:19,519 --> 00:38:23,119
were definitely a few songs. There's another song another one

575
00:38:23,159 --> 00:38:28,199
of Christ's songs is called Pashmina Blues where I'm doing

576
00:38:28,239 --> 00:38:32,960
a pretty fast like high hat part and you know

577
00:38:33,159 --> 00:38:35,280
in the studio you get multiple takes so you can

578
00:38:35,440 --> 00:38:38,840
just do it. But by the end when we play

579
00:38:38,880 --> 00:38:41,239
that song live, by the end of that song, my

580
00:38:41,440 --> 00:38:45,719
right arm is like burning. And then I'm like why,

581
00:38:46,280 --> 00:38:48,440
why what was I doing in the studio?

582
00:38:48,599 --> 00:38:49,719
Speaker 3: What was I on that day?

583
00:38:50,440 --> 00:38:52,760
Speaker 5: But but it's it sounds great.

584
00:38:52,920 --> 00:38:54,559
Speaker 8: It keeps us awake, you know, all the all the

585
00:38:54,679 --> 00:38:57,639
changes and little syncrasies.

586
00:38:58,239 --> 00:38:58,480
Speaker 5: Yeah.

587
00:38:59,360 --> 00:39:00,679
Speaker 4: Is it important to you guys to be able to

588
00:39:00,719 --> 00:39:03,199
replicate that live exactly how you recorded.

589
00:39:02,880 --> 00:39:03,480
Speaker 5: It or yeah?

590
00:39:03,760 --> 00:39:07,480
Speaker 9: We we try to our utmost ability to Sometimes it

591
00:39:07,519 --> 00:39:10,840
doesn't come to fruition, but yeah, it's it's a challenge.

592
00:39:10,920 --> 00:39:14,199
Speaker 8: It's it's nice to be challenged by our songs. Still.

593
00:39:14,320 --> 00:39:17,159
Oh yeah, yeah, yeah, sometimes life we'll even we we

594
00:39:17,320 --> 00:39:20,320
do do that. But sometimes we'll even try it. Well,

595
00:39:20,480 --> 00:39:22,679
like I said before, we would, uh, we change a

596
00:39:22,719 --> 00:39:24,679
little bit of the song to do live. So sometimes

597
00:39:24,760 --> 00:39:26,360
we'll yeah, we'll mess with the song.

598
00:39:26,519 --> 00:39:29,280
Speaker 5: Yeah, well we'll change it us. We'll change things up.

599
00:39:29,360 --> 00:39:32,079
But we do try to not we try not to

600
00:39:32,320 --> 00:39:37,159
let it be we like, we we try not to

601
00:39:37,239 --> 00:39:39,880
rely on the studio magic, you know what I mean,

602
00:39:40,000 --> 00:39:42,360
Like if we like, we'll change it up, but not

603
00:39:42,599 --> 00:39:44,840
changing it in a way of like, oh, let's skip

604
00:39:44,920 --> 00:39:48,079
that part because it's too hard to replicate what you

605
00:39:48,159 --> 00:39:52,920
know what I mean, Yeah, because sometimes it is, you know,

606
00:39:53,239 --> 00:39:56,960
it would be easy to do that. Yeah, yeah, but

607
00:39:57,119 --> 00:40:00,719
we try to We try to challenge ourselves to do it.

608
00:40:00,800 --> 00:40:03,239
They were definitely, I mean, for me, there were a

609
00:40:03,320 --> 00:40:06,400
lot of like like fills and weird little things I

610
00:40:06,519 --> 00:40:10,920
did in like I would practice. For the first few

611
00:40:11,000 --> 00:40:15,800
months after we released the album, I was practicing on there.

612
00:40:15,840 --> 00:40:20,920
I was listening to the album, practicing drums to my drums,

613
00:40:21,039 --> 00:40:23,480
like listening to my drums, trying to replicate what I

614
00:40:23,559 --> 00:40:26,480
did because I was like what what what did I

615
00:40:26,599 --> 00:40:29,559
do in the studio that day? Like what is this fill?

616
00:40:30,159 --> 00:40:33,199
But I eventually got most of it down. Sometimes I

617
00:40:33,280 --> 00:40:35,119
still struggle, yeah, yeah, Yeah.

618
00:40:35,320 --> 00:40:37,360
Speaker 8: Personally, I feel like I don't even want it. If

619
00:40:37,400 --> 00:40:40,440
I go to a band, a band's show, a concert,

620
00:40:40,800 --> 00:40:43,880
I don't even always want to hear record perfect version

621
00:40:43,880 --> 00:40:46,159
of the song. I want to hear like a new tale,

622
00:40:46,199 --> 00:40:48,519
like a live, fresh on the spot take of it.

623
00:40:48,639 --> 00:40:50,039
Speaker 3: That's how I tend to feel about it.

624
00:40:50,719 --> 00:40:53,559
Speaker 5: Yeah, sometimes it is. Sometimes it's upset, it's kind of

625
00:40:54,119 --> 00:40:56,760
it's kind of a letdown when it sounds exactly like

626
00:40:56,920 --> 00:41:00,719
the album, especially if the I mean, if it sounds

627
00:41:00,719 --> 00:41:03,920
exactly like the album but your your stage presence is

628
00:41:04,119 --> 00:41:08,079
like stunning, then that's one thing. But yeah, there have

629
00:41:08,199 --> 00:41:11,679
been times I've gone two shows where it's like it's

630
00:41:11,920 --> 00:41:15,400
just the band standing there and it sounds exactly like

631
00:41:15,519 --> 00:41:18,079
the album, and then they get off stage and it's like,

632
00:41:18,639 --> 00:41:22,280
I basically just I spent fifty dollars to listen to

633
00:41:22,360 --> 00:41:23,880
the album in a room.

634
00:41:23,880 --> 00:41:24,519
Speaker 1: You know what I mean?

635
00:41:24,760 --> 00:41:25,239
Speaker 7: Right right?

636
00:41:25,559 --> 00:41:28,239
Speaker 8: Yeah, I did see like I had an experience I

637
00:41:28,320 --> 00:41:30,679
went to see in New Jersey. I went to see

638
00:41:30,760 --> 00:41:33,679
the Strokes opening for Red Hot Chili Peppers, and the

639
00:41:33,760 --> 00:41:37,000
Strokes are like my all time favorite bands. Chili Peppers

640
00:41:37,000 --> 00:41:39,960
are in the top ten for sure. Yeah, but my

641
00:41:40,199 --> 00:41:43,320
favorite bands. They sounded exactly I was like, I was

642
00:41:43,360 --> 00:41:45,559
also very very far away from the stadium, but they

643
00:41:45,679 --> 00:41:49,119
sounded very album perfect really and it was great. I

644
00:41:49,199 --> 00:41:50,920
loved them. But then when the Chili Peppers came on,

645
00:41:51,039 --> 00:41:54,559
the Chili Peppers are jamming, They're throwing in little little

646
00:41:54,639 --> 00:41:56,960
jams in between songs, and the songs are playing are

647
00:41:57,400 --> 00:42:01,239
have a life of their own. Yeah, and uh yeah, so.

648
00:42:03,199 --> 00:42:05,280
Speaker 5: Yeah, I don't think I feel like they don't play

649
00:42:05,840 --> 00:42:09,320
anything the same way, at least not exactly. They're always.

650
00:42:15,679 --> 00:42:17,119
Speaker 3: Yeah, I wanted to.

651
00:42:19,639 --> 00:42:20,239
Speaker 8: Everyone knows.

652
00:42:21,360 --> 00:42:24,800
Speaker 4: But he is an incredible bass player, absolutely, yeah, absolutely.

653
00:42:25,000 --> 00:42:27,960
I wish my fingers could move that fast. There's a

654
00:42:28,679 --> 00:42:29,880
guy who's been on the show. I don't know if

655
00:42:29,880 --> 00:42:32,280
you know, Aaron bid Uh. He's he's from up here,

656
00:42:32,400 --> 00:42:34,400
but he's he's been on the show and he's playing

657
00:42:34,400 --> 00:42:37,159
a bunch of bands. But but he does a lot

658
00:42:37,199 --> 00:42:39,119
of solo work too, and and he comes in and

659
00:42:39,280 --> 00:42:42,440
you know, he sets up this whole he's got this

660
00:42:42,519 --> 00:42:45,000
whole thing that he plays along too, that he'll he'll

661
00:42:45,039 --> 00:42:46,800
come in here and he'll he'll play and I just

662
00:42:47,360 --> 00:42:49,840
spend the entire time just watching his fingers because he

663
00:42:50,079 --> 00:42:52,800
can play like Flee you know, just incredible bass lines.

664
00:42:52,840 --> 00:42:54,519
And I'm just like, you know, I'm a bass player,

665
00:42:54,559 --> 00:42:57,519
so I'm just sitting there, you know, just just watching

666
00:42:57,559 --> 00:43:01,199
his fingers the entire time. But yeah, know, but yeah,

667
00:43:01,239 --> 00:43:03,559
Flee Flea is definitely one of the one of the greats.

668
00:43:05,559 --> 00:43:07,000
Speaker 3: We should I want to make.

669
00:43:06,920 --> 00:43:08,679
Speaker 4: Sure we have time to fit in one more, well

670
00:43:08,920 --> 00:43:10,960
technically two more, because we'll play one more now and

671
00:43:11,000 --> 00:43:12,719
then we'll play one more at the at the very

672
00:43:12,840 --> 00:43:16,400
end of the segment. But uh, the album is so good,

673
00:43:16,559 --> 00:43:18,320
I do want to make sure we have time to

674
00:43:18,679 --> 00:43:20,280
what what should we what should.

675
00:43:20,000 --> 00:43:20,679
Speaker 3: We go to next?

676
00:43:21,880 --> 00:43:25,840
Speaker 5: Mm hmm uh Spaces.

677
00:43:25,800 --> 00:43:27,880
Speaker 4: Spaces Okay, oh yeah, that's a good one to play

678
00:43:27,880 --> 00:43:29,280
because we talked about that one earlier.

679
00:43:30,199 --> 00:43:31,599
Speaker 5: Yeah, let me get let me.

680
00:43:31,960 --> 00:43:32,920
Speaker 3: Load that one up.

681
00:43:33,119 --> 00:43:36,280
Speaker 5: This is where where the the album name comes from

682
00:43:36,960 --> 00:43:38,719
a lyric in this song.

683
00:43:39,000 --> 00:43:44,119
Speaker 3: Oh okay, yeah, okay, okay, oh, very cool. Okay, So

684
00:43:44,239 --> 00:43:45,159
we'll give this a spin.

685
00:43:45,480 --> 00:43:47,719
Speaker 4: And for those of you just joining us, we do

686
00:43:47,920 --> 00:43:50,760
have a Space Casino three quarters of the band Space

687
00:43:50,840 --> 00:43:55,119
Casino here with us in studio. And uh, this is

688
00:43:55,639 --> 00:43:57,800
this track. This is of course from the album Elephants

689
00:43:57,800 --> 00:44:00,320
in the Room. And this is on all the streaming platform.

690
00:44:00,320 --> 00:44:01,679
Speaker 5: Yep, yep everything. Yeah.

691
00:44:02,039 --> 00:44:04,559
Speaker 3: What about the original EP that you guys did, is

692
00:44:04,559 --> 00:44:05,440
that available everywhere?

693
00:44:05,559 --> 00:44:09,360
Speaker 5: That's on everything too? Yeah, okay, and you can follow us.

694
00:44:09,480 --> 00:44:12,639
We always post everything on like our our Instagram is

695
00:44:12,679 --> 00:44:16,599
our main like where we update give updates on shows

696
00:44:16,639 --> 00:44:17,079
and stuff.

697
00:44:17,239 --> 00:44:20,519
Speaker 4: Okay, okay, very cool. All right, let's give this a spin.

698
00:44:20,599 --> 00:44:23,440
This is called Spaces and the band is Space Casino.

699
00:44:36,119 --> 00:45:35,880
Speaker 1: What's as business? What song of a lesson? What song

700
00:45:36,079 --> 00:45:46,719
of the reason? Welcome to this basis play.

701
00:45:48,039 --> 00:45:59,079
Speaker 6: We're not facetus with your fading with the elements the

702
00:45:59,360 --> 00:46:38,159
element sad.

703
00:46:21,280 --> 00:46:24,440
Speaker 1: St time ned it.

704
00:46:28,800 --> 00:46:28,840
Speaker 7: Me?

705
00:46:43,360 --> 00:46:59,719
Speaker 1: What song? The song? What song? What sing?

706
00:47:05,559 --> 00:47:11,280
Speaker 7: In between the tax sat by the location were talking

707
00:47:11,280 --> 00:47:12,880
about the said poke.

708
00:47:12,760 --> 00:47:25,440
Speaker 6: Plays and seeing you at the teams wistmans and by

709
00:47:25,519 --> 00:47:26,039
the rays.

710
00:47:27,360 --> 00:47:39,360
Speaker 1: So welcome mistments with these angle.

711
00:47:40,400 --> 00:47:48,719
Speaker 6: Rons, my angwa this podcast Santa Paulsis with the elephants and.

712
00:47:51,199 --> 00:48:12,800
Speaker 1: The elephants and the elephant your hord.

713
00:48:16,920 --> 00:48:28,199
Speaker 6: It's the game blood Ramming all just the game blad

714
00:48:29,280 --> 00:48:39,880
ramming all your's the game blood Bramby.

715
00:49:40,000 --> 00:49:43,360
Speaker 4: That is called spaces. The band is Space Casino. It's

716
00:49:43,400 --> 00:49:44,199
another great track.

717
00:49:44,280 --> 00:49:45,679
Speaker 3: I love that. I love the whole vibe of that.

718
00:49:45,840 --> 00:49:46,559
That is so cool.

719
00:49:47,039 --> 00:49:49,800
Speaker 5: Thank you, thank you. Yeah, great job guys. That's another

720
00:49:50,039 --> 00:49:51,119
that's another nick song.

721
00:49:51,639 --> 00:49:53,079
Speaker 3: Yeah yeah yeah.

722
00:49:53,119 --> 00:49:55,079
Speaker 9: I don't know what kind of demons are running around

723
00:49:55,119 --> 00:49:56,760
in my head, but it seems like a couple of

724
00:49:56,840 --> 00:50:01,440
my songs are all about anxiety, you know, yeah, yeah, habits,

725
00:50:01,480 --> 00:50:04,079
elephants in the room, yeah yeah, yeah, Well.

726
00:50:04,320 --> 00:50:06,679
Speaker 3: But that's relatable things. We all things, we all deal

727
00:50:06,760 --> 00:50:09,639
with right, yeah, yeah, very very cool.

728
00:50:10,880 --> 00:50:14,679
Speaker 4: What should we know about where people should go online

729
00:50:14,719 --> 00:50:16,239
to keep up with everything you guys are doing.

730
00:50:16,880 --> 00:50:20,039
Speaker 8: Yeah, I mean just follow us on Instagram and Facebook

731
00:50:20,119 --> 00:50:23,159
and Twitter, web all that all that jazz.

732
00:50:23,440 --> 00:50:25,840
Speaker 5: Yeah at Space Casino Band, right.

733
00:50:25,920 --> 00:50:28,639
Speaker 8: Yes, at Space Casino Bands and uh yeah. From there,

734
00:50:28,679 --> 00:50:32,480
there's all in the bile. There's links to our website

735
00:50:32,599 --> 00:50:35,559
and our link tree, and you know, we're on Spotify

736
00:50:35,599 --> 00:50:36,760
and iTunes and YouTube.

737
00:50:36,880 --> 00:50:38,719
Speaker 5: You can sign up for our email lists.

738
00:50:38,840 --> 00:50:40,480
Speaker 8: We actually do have a you we did just make

739
00:50:40,559 --> 00:50:44,599
a up. We have an email list, yes, yeah, uh well,

740
00:50:45,360 --> 00:50:49,719
but we did just we made a promo video. You

741
00:50:49,760 --> 00:50:52,679
ever see hot Ones, uh the Internet show?

742
00:50:52,800 --> 00:50:55,920
Speaker 3: Oh yeah yeah where they eat the Yeah yeah yeah,

743
00:50:56,039 --> 00:50:56,280
so on.

744
00:50:56,599 --> 00:50:59,639
Speaker 8: Our YouTube page if you go to Space Casino Band

745
00:50:59,679 --> 00:51:01,960
on you tube. We did, like we have this fifteen

746
00:51:02,000 --> 00:51:06,039
minute hot Ones challenge where we actually ate increasingly spicier

747
00:51:06,079 --> 00:51:09,360
wings just like the show, and even we used even

748
00:51:09,440 --> 00:51:12,639
hotter sauce than the show. Really, yes, we used the bomb,

749
00:51:12,679 --> 00:51:14,840
which is featured on the show. That was one of

750
00:51:14,960 --> 00:51:18,199
the like five flavors we used. Okay, but it was

751
00:51:18,440 --> 00:51:21,280
very very hot. We also tossed the wings. We used

752
00:51:21,320 --> 00:51:23,679
the same container to toss all the wings.

753
00:51:23,880 --> 00:51:29,400
Speaker 5: Yeah, accumulating basically all the all the hot sauces were

754
00:51:29,440 --> 00:51:30,559
on like every wing.

755
00:51:30,800 --> 00:51:33,119
Speaker 8: Oh okay, then the hook at the end of the video,

756
00:51:33,280 --> 00:51:37,559
the last spiciest wing we ate. We immediately jumped on

757
00:51:37,639 --> 00:51:39,639
instruments and tried to play a song. Yeah, and it

758
00:51:39,760 --> 00:51:43,159
was painful. Yes, singing, We played singing.

759
00:51:42,920 --> 00:51:47,440
Speaker 9: We played besto Cold oh well, while dying of hot

760
00:51:47,519 --> 00:51:48,400
wings eat stroke.

761
00:51:48,800 --> 00:51:50,000
Speaker 3: Yeah, that's fantastic.

762
00:51:50,079 --> 00:51:53,440
Speaker 5: That's and it's called Hot Boys Boys Okay.

763
00:51:53,639 --> 00:51:53,840
Speaker 7: Yeah.

764
00:51:54,000 --> 00:51:57,320
Speaker 9: Shout out to my brother Riley for being the host

765
00:51:57,400 --> 00:52:01,159
and holding it down. Yeah, absolutely hilarious work.

766
00:52:01,320 --> 00:52:01,480
Speaker 1: Yeah.

767
00:52:01,880 --> 00:52:03,599
Speaker 5: He was cracking this up the whole time. Yeah.

768
00:52:03,719 --> 00:52:05,960
Speaker 3: Yeah, I gotta check that. So that's on YouTube.

769
00:52:06,239 --> 00:52:06,840
Speaker 8: That's YouTube.

770
00:52:06,920 --> 00:52:09,039
Speaker 3: Yeah, yeah, I gotta check that out. That's very cool,

771
00:52:09,159 --> 00:52:11,199
very cool. And do you guys have anything this weekend?

772
00:52:11,239 --> 00:52:14,400
Speaker 4: Are Well, I know you're yeah, probably you're not playing

773
00:52:14,400 --> 00:52:16,119
any shows right because you're up here for the weekend.

774
00:52:16,199 --> 00:52:21,400
Speaker 8: But yeah, well next next week, next weekend, uh Friday

775
00:52:21,440 --> 00:52:25,199
and Saturday Friday, we're in Summerville at Union Tavern with

776
00:52:25,320 --> 00:52:29,280
a couple other bands. But then the day after Saturday

777
00:52:29,320 --> 00:52:32,079
we're in Roxbury, mass And we're playing our friend Luke's

778
00:52:32,079 --> 00:52:35,920
thirtieth birthday bash, and he's having a few different acts.

779
00:52:36,039 --> 00:52:41,079
He also performs. He is more like electronic music, so

780
00:52:41,159 --> 00:52:43,320
all sorts of different acts, plus a magician's gonna play

781
00:52:43,360 --> 00:52:45,599
there too. Okay, that's gonna be fun. That's that illusion.

782
00:52:45,840 --> 00:52:50,760
Speaker 3: Oh okay, very cool, very cool, excellent, excellent. Well guys,

783
00:52:50,840 --> 00:52:51,639
this has been wonderful.

784
00:52:51,639 --> 00:52:53,599
Speaker 4: I really appreciate the three of you coming in and

785
00:52:53,880 --> 00:52:55,679
we'll definitely do this again in the future as you're

786
00:52:55,679 --> 00:52:56,840
releasing new music and whatnot.

787
00:52:56,840 --> 00:52:57,559
Speaker 3: I love your sound.

788
00:52:57,840 --> 00:53:00,719
Speaker 5: Oh, thank you, yeah, thanks having love to come back.

789
00:53:00,840 --> 00:53:04,480
Speaker 3: It's a good time, absolutely, absolutely, And what should we

790
00:53:04,599 --> 00:53:05,320
close out with?

791
00:53:06,599 --> 00:53:14,039
Speaker 8: Maybe like gallons? Yeah yeah, yeah, maybe gallon gallons. I'd

792
00:53:14,079 --> 00:53:18,679
say gallons. It's a closer. Yeah. This this the lyrics

793
00:53:18,719 --> 00:53:20,320
to the song came to be in a dream?

794
00:53:20,719 --> 00:53:25,440
Speaker 4: Oh okay, gallons of ink? Yeah, yes, it sounds like

795
00:53:25,480 --> 00:53:27,679
it's about getting a lot of tattoos or something.

796
00:53:29,039 --> 00:53:30,480
Speaker 8: It's just about killer whales.

797
00:53:30,519 --> 00:53:34,079
Speaker 3: I guess I don't, all right, Yeah.

798
00:53:34,280 --> 00:53:36,599
Speaker 8: It's good self interpretive okay.

799
00:53:36,440 --> 00:53:40,280
Speaker 4: Okay, cool, cool, And if you are listening live on Saturday,

800
00:53:40,519 --> 00:53:42,239
coming up in the third hour today, we have Lone

801
00:53:42,280 --> 00:53:45,480
Wolf James and guys, thank you again. We will close

802
00:53:45,559 --> 00:53:49,239
out uh this segment with another great track the band

803
00:53:49,320 --> 00:53:51,960
of Space Casino. The album is Elephants in the Room

804
00:53:52,079 --> 00:53:56,679
and this is called Gallants, Gallants, gallons you believe I

805
00:53:56,800 --> 00:53:59,960
do a radio show? Let me try that again. Gallons

806
00:54:00,400 --> 00:54:03,599
of ink buy Space Casino. Thanks again, guys, thank you,

807
00:55:00,480 --> 00:55:02,599
stay than going to the.

808
00:55:02,639 --> 00:55:07,000
Speaker 10: World, and things like what was to welcome?

809
00:55:10,119 --> 00:55:15,679
Speaker 1: What side you doll sa do trun said the sad.

810
00:55:18,400 --> 00:55:31,320
Speaker 13: Storts sounds excrete goss and what times doing a steep but.

811
00:55:33,119 --> 00:55:53,760
Speaker 1: We go sleep s stot save side step so sert

812
00:55:54,559 --> 00:55:55,760
size ste.

813
00:56:02,000 --> 00:56:24,360
Speaker 7: Moll to artan son seven sign jenal o june signe, s.

814
00:56:27,199 --> 00:56:52,360
Speaker 1: O s N sign two time t stay god ta sing.

815
00:56:53,679 --> 00:57:00,280
Speaker 6: O all same to stay the start and signy.

816
00:57:02,239 --> 00:57:05,559
Speaker 1: Don't senda s.

817
00:57:13,519 --> 00:57:24,559
Speaker 7: Two hunt seven it sorry well ten mo too far, lady,

818
00:57:24,760 --> 00:57:34,239
Sorry we did don't you seven.

819
00:57:34,400 --> 00:57:35,719
Speaker 1: Side ten.

820
00:57:42,320 --> 00:57:44,320
Speaker 6: Down up the one side?

821
00:57:47,360 --> 00:58:04,239
Speaker 1: I got to a stand, want to stay the say

822
00:58:04,360 --> 00:58:04,679
this thing?

823
00:58:04,840 --> 00:58:11,760
Speaker 10: You say this because I say I don't know, I

824
00:58:11,960 --> 00:58:15,519
can tell twenty say this is the person.

825
00:58:19,039 --> 00:58:42,599
Speaker 1: I feel just talking about the can't do sir.

826
00:58:49,800 --> 00:58:50,239
Speaker 3: You said

827
00:59:37,159 --> 00:59:37,199
Speaker 10: So