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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshall and the smell of

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guns smoke guns Starry William Conrad, The story of the

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violence that moved west with Young America, and the story of.

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Speaker 2: A man who moved with it. I'm that man, Matt Dillon,

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United States Marshall, the first man they look for and

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the less they want to meet. It's a chancey job

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and it makes a man watchful and a little lonely.

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Speaker 3: Chester, Oh Chester, was you saying something, mister doing?

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Speaker 4: What is that?

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Speaker 5: Oh?

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Speaker 4: Well, this is a.

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Speaker 2: Duck call I ordered all the way from Saint Louis.

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Speaker 5: It's just come in the mail.

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Speaker 2: Doesn't sound like any duck I ever heard. Oh he's

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gone keys.

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Speaker 5: See any duck that here just comes right at you.

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Speaker 2: You better be careful. We don't want to jail over

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run with them.

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Speaker 5: Oh well, they ain't nothing around yet, but they're just

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about due when they start coming through. I'm gonna get

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down there and then bushes longer with a shotgun and

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this thing, and mister Donne, we're gonna be eating roast duck.

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Speaker 2: Every day for three months. I'm glad to hear that.

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Speaker 5: Chester takes kind of a Matt boone. Now it takes

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a little letter practice, and I got it down exact yet.

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Speaker 4: But I will.

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Speaker 2: Gentlemen, Oh, come in listen. You're Marshall doing. Yeah, that's right.

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I am Cyrus Tiger Marshall. Possibly you've heard of me.

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I'm afraid not. But what can I do for you?

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Missus Tagger? You can give me your complete cooperation. Oh,

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I have here and a photograph of a young lady.

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I have reason to believe she is in Dodge Citty.

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Go on, mister Taggard, Suppose she is here. She's my daughter,

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Evy Taggert. She ran away from home nearly a year ago,

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and she has made it very difficult to find her.

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If you do find her, I shall take her back

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to New York with me. Naturally, assume from your partner's

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exclamation that you do know her, not by that name

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as well. She has used a number of false names

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during the past year. Very well, you will take me

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to her at once. How old is your daughter, mister Taggart,

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twenty four? And then she's of legal age. Suppose she

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won't go back with you, Marshall. The target enterprises include railroads,

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several banks, and finance companies, along with mining and cattle interests.

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I with my father and my grandfather before me, did

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not acquire them by tolerating interference with our wishes. Now,

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why did she run away in the first place? Because

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she's a wilful, headstrong little fool. Marshall, We're wasting time,

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mister Taggart. I'm not gonna take you to her, not

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just yet. May I remind your enterprises, sir, don't inclothe

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the United States Marshal's office. I imagine my influence could

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extend that far if you compelled me to use it.

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You do as you'll like, But I'm going to talk

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to the girl first. I'm gonna find out what she

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wants to do. What she wants is a no go forte,

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mister Taggart. She keeps pretty late, houred what you're doing?

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Speaker 4: Maybe she ain't up yet?

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Speaker 2: Yeah, maybe nothing. No Marshall, Chester morning, Patsy or uh,

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I guess it's Ev Taggart now.

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Speaker 5: Is Oh he's here huh mm hmm over the Dutch house.

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Speaker 2: He says he's come to take you tight girl.

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Speaker 6: Come on in. It wouldn't do any good to run

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not now.

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Speaker 2: Thought I heard you talking to no you know girl,

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Alden Dunge Marshall, Now Blackjack, don't you over the golden

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horn part time? That's right? What's the trouble, Marshall.

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Speaker 7: My father's here Bru, finally caught up with me.

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Speaker 2: What of it? You're over twenty one. He can't do nothing.

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Speaker 6: You don't know him.

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Speaker 5: What can he do?

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Speaker 2: Marshall.

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Speaker 5: She's got a right to live her life the way

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she wants, isn't she.

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Speaker 2: As far as the law is concerned. And he may

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try other ways.

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Speaker 7: He will, he'll do anything.

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Speaker 5: I know He'll be sorry if he tries anything.

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Speaker 2: I'll stick with you.

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Speaker 4: You know that.

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Speaker 6: I know, girl, But I know how he can be.

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Speaker 5: That's why I never wanted.

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Speaker 6: Him to find me.

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Speaker 2: Are you sure that you don't want to go back

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with him either?

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Speaker 4: Of course?

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Speaker 2: I'm sure that's a rough life. You're leading here, working

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on a long branch, having to put up with any

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man who comes along, who's got the price of a

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drink anything.

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Speaker 6: It'd be better than going back home.

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Speaker 2: You don't know what it was like, Marshall.

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Speaker 6: I don't really matter to him.

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Speaker 5: I never did.

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Speaker 6: Just the family name he cares about. Wait, I'll excuse it.

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I'm not going back.

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Speaker 2: He says, you are, and I'd say he's used to

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getting his own.

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Speaker 6: Way, no matter what I have to do. I'm not

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going back, no matter what.

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Speaker 8: Sam, the men back of the Federale table one another round.

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Speaker 5: When he gets sham that much, you take.

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Speaker 4: It back to him.

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Speaker 8: How about Kitty, I'm mad I didn't see you come in.

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Speaker 2: He looked busy, so I kept quiet.

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Speaker 6: You know, I just assumed you hadn't come in tonight, maatter.

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Speaker 2: Oh no, I can always have a beer up a street.

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Speaker 8: No, it says that I did something this even that

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I hate myself for amen.

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Speaker 2: Ow, what's it all about.

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Speaker 8: Well, that girl Patsy who's been working here the last

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few months.

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Speaker 2: You know who she is, man, Yeah, her name's ev Taggert.

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Their father came up from the East yesterday.

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Speaker 8: Yeah, no, I met him. Do you know he's trying

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to force her to go back to New York with him. Oh,

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he didn't waste any time going into action. He just

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sent a few telegrams East and I did I did what. Well,

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mister Budkin came over from the bank this afternoon. He

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was real apologetic, but he had orders from the big

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bank back he that holds part of his stock.

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Speaker 2: Oh, one of Taggart's banks.

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Speaker 8: Yeah, either I fired ev or bucking it calling our loan.

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And just a half hour later I got a telegram

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from my wholesale in Kansas City, fire EV or pay

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up all I can simon accounts. Immediately I let her

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go on, Mat, I had to.

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Speaker 2: He couldn't do much of anything else, could you want?

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Speaker 8: I've got my partner to think about the girls. You

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can't find an army bare handed.

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Speaker 2: There's no reason I feel guilty, Kitty. He didn't have

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much choice.

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Speaker 8: Oh, I don't clean. The life she's leading here is

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very good, but good or bad at at least what

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she wants to do.

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Speaker 2: And she'll have the rights you. Our rights are pretty

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hard things to hang on to sometimes.

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Speaker 5: Oh, well, there'd been any other way.

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Speaker 4: So he scared you off.

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Speaker 5: You started the ball rolling down. Nobody will hire and

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take it easy, Burl. For whose side are you on anyway?

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Speaker 2: Marshall? There's no law against what Tiger did, Burl, and

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Kitty didn't have any choice. She had to go along

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with it.

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Speaker 5: The words out all over town.

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Speaker 2: Nobody will give her a job. They're a pree to

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his money.

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Speaker 6: Well, I got reason to be.

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Speaker 5: He's trying to starve her out. He thinks he'll get

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her back home that way. Now, let's worked before, when

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they won't this time, we'll figure some way to beat

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that old Butzon, why don't you support her?

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Speaker 2: Mister Rowland, I assume you are burl Old.

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Speaker 5: I guess you're Tagget.

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Speaker 2: That's correct. As I said, why don't you support her?

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I understand she's been supporting you for several months.

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Speaker 4: That's a lie.

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Speaker 2: I got a job, yes it's part time. But you've

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been taking money from her, haven't him?

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Speaker 6: With loans?

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Speaker 2: What are you getting that anyway? The fact that you're

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an utterly worthless loafer who lives off the earnings of

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a woman. Why you dirty old? All right, burrow that's

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no he thinks he's talking to Can I give you

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a handless to Taggert? No, thank you? It would seem

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it would seem to me that it's your job to

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prevent such occurrences martial ar. I even sign a complaint

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if you like, No thank you, I have something rather

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more drastic in mind. Good evening, gentlemen, that's the cold

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fish sports. He talking about Marshall. He can't do nothing

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to me. I wouldn't better.

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Speaker 4: On that girl, your mooning back. I love that.

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Speaker 5: Come on in, Oh, Chest in Heaven says, put that

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thing away.

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Speaker 2: Now there's some coffee on the top of the stove.

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I don't guarantee it though, I duck made it. Oh

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well then I passed.

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Speaker 5: Oh you drunk it plenty times before, and it never

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hurts none.

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Speaker 2: A man's luck runs out. Chest, pull up a chair, dock, no, no, no,

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I have a good time, man.

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Speaker 5: I don't have a plush line seed with the public

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trough like some people.

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Speaker 8: I know.

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Speaker 5: That's a professional man like miss Health has to get

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out and scramble if he wants to keep bodying.

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Speaker 4: Dok.

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Speaker 2: The only time I ever seen you scrambles when Sam

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Nordan says one on the houseboys for.

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Speaker 5: Two cents, I wouldn't even tell you what I knew.

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Speaker 2: All right, what do you know, Doc?

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Speaker 5: Oh, you get to use evidence a year. You're starting

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to sing a different tool now, Doc, it's a fine

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thing when I have to do your job alone with

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my own just out of the times. To my heart, Doc,

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he's going to be a killing killing, you know, because

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I keep my mouth shut and my ears open. You

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know a gunman name of Bill Jacks.

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Speaker 2: Yeah, he's been around town for a month or so.

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They say that.

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Speaker 5: Old man Tagger has hired him to kill bur Alden.

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Speaker 2: Yeah, so that's what Taggart meant about. Something more dressing.

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Speaker 5: Is Anyway, I've done all the brain work for you,

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and I'll go on out in the restaurant.

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Speaker 2: On what charge?

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Speaker 4: Doc?

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Speaker 2: They'll both deny it.

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Speaker 5: Well, you're just gonna sit there and let it happen.

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Speaker 2: I know I listened to suggestions, Doc, but in the

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long run it will probably come to just that. It's

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Matt Dulan. Let me in.

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Speaker 5: Eighty eight Here, Marshall, she went down to the Chinaman's

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to bring some grut.

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Speaker 2: I hear the one I want to see Burl? All right,

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come on, Ian, what is it?

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Speaker 4: What do you want?

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Speaker 2: Barl? You made a bad enemy. When you're knocked old

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man taggered down, I'll knock him down seven days a

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week if he don't stay away from how he'll stay away?

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All right? But the man he's hired, the kid you want?

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What are you talking about? The words out that he's offered,

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No Jack's two thousand dollars to put you on boot Hill.

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Speaker 5: But you gotta do something, Marshall, And I know about Jack's.

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Speaker 2: You got to rest you. You got no proof Burrow

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or I can doos warn you?

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Speaker 5: Well, then then I gotta get out of here. I

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gotta get out of town right now. I'll get a

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horse from Mars Grinnick and heads out.

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Speaker 2: So what about Eve, Evie?

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Speaker 5: She'd be better off back home anyway. Oh, I see

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we're hitting the tray on the run.

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Speaker 2: That ain't no kind of a life for a woman.

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You think the long branches any better? And you got

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no call to talk like that?

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Speaker 6: What's going on?

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Speaker 5: Evie?

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Speaker 2: You tell her? Marshall, where you going? So you see

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that he's gone, go.

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Speaker 4: On the way.

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Speaker 6: What do you mean here?

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Speaker 2: You f there hired a gunman to kill him.

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Speaker 7: So Birth's getting out, running away, leaving me.

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Speaker 2: And I guess a lot of men of that that

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same way, under the circumstances.

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Speaker 6: Don't try any excuses for a Marshal and the kind

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he is I've known all along.

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Speaker 7: Oh the life I've been living the last years, and

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it's a very pretty one.

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Speaker 4: And I did it.

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Speaker 7: I guess I've done it on purpose, sunk as low

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as I could.

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Speaker 6: It's a way of hitting back at my father.

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Speaker 2: Yeah, it works that way. Sometimes.

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Speaker 6: Wasn't a very pretty life at home either.

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Speaker 2: Marshall, I guess not Bert wouldn't have turned you to this.

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Speaker 4: I'd kill it.

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Speaker 7: At least an'll get that stuffed Bill doesn't deserve dying.

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Speaker 6: He's he's just to t what he years and that's

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all he claims to be.

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Speaker 7: There's no reason he should pay.

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Speaker 2: But my father is going to.

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Speaker 6: I'm gonna see that he pays.

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Speaker 2: Pays how.

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Speaker 7: I don't know exactly, but he's going to. He's gonna

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pay for things once and for all.

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Speaker 2: Oh, don't to me like either one of them. Make

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them show up, miss young how they might not ches sir, Well,

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I know his tacker had bought two tickets back east

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on this afternoon's train. That's rare.

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Speaker 5: I never thought he would give in and.

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Speaker 2: Go back with him. And he's a hard man to be.

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He's just a dog bunch. And the way he goes

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around feeding people and gets by with it, you know,

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I get by with it forever. Just to if you

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keep pushing people around, sooner or later you're gonna push

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one up Moretta too far. I don't speak of the

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devil's young yeah, and by himself too. Good afternoon, gentlemen.

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Nice of you to drop around to see us off us,

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mister Taggert. Oh, my daughter is just looking after some

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detail of her lucky she'll be along. As much as

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I hate to disappoint you, Marshall, I would have disappointed me.

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It's none of my business, soom not officially, of course.

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I imagine you did the hold a certain personal opinion. Yeah,

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I still do as matter of fact. Indeed, so judge,

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such as I think you're making a big mistake taking

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that girl back against her will. I sure why I'm

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using those black jacket or monocles. It amounts to that.

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Why don't you give her a chance, mister Taggert. You

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can get her out of Dodge if you want, away

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from what she's been doing. But why don't you let

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her live her own life. She will live precisely as

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I tell her to live, Marshall, It won't work that way,

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mister Taggert. You can't treat people like horses. You can't

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own people, Marshall. I'll go an empire on the principle

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of owning people. I own hundreds of the body and soul, rock,

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stock and bottle. I call the tomb and they dance,

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and she will dance with them. You ready call it

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quite what he might be.

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Speaker 6: Let's go.

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Speaker 2: Gooday, gentlemen, goodbye, good lucky.

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Speaker 6: Thank you, Monsel, good die. I think we may meet

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again soon.

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Speaker 2: Come along, Evey.

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Speaker 5: Yes, just look in there, just look how he book

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her students feels he's going along meat to the line.

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Speaker 2: Yeah, it looks that way. Well, what's he doing here?

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That's Bill Jackson.

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Speaker 5: Jax.

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Speaker 2: There's nothing for us to talk about, right and all

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that jo Yeah, put you about trying, jack Shall drop

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your gun around.

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Speaker 9: Fine, you're going, mister young.

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Speaker 2: Your father's dead too, wee.

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Speaker 5: Father?

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Speaker 2: So this is how he was supposed to pay? Huh?

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Speaker 6: You know what you mean, Marshall.

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Speaker 7: Father had a disagreement over the price on Burl's head.

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Speaker 2: What price did you put on your father's head?

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Speaker 4: Evan?

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Speaker 2: How much were you gonna pay Bill Jacks for this?

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Speaker 6: You can't prove a thing, not a thing.

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Speaker 2: We'll let the judge. They said that. I don't care.

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Speaker 7: As long as he finally lost.

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Speaker 2: But father.

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Speaker 7: Sure doesn't know anybody, now, does he?

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Speaker 10: H Gunsmoke, produced and directed by Norman McDonald, stars William

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Conrad as Matt Dylan Us Marshall. The script was specially

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written for gun Smote by Less Brunchfield, with editorial supervision

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by John Meston. The music was composed and conducted by

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Rex Cory. Sound patterns were by Ray.

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Speaker 2: Kemper and Bill James.

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Speaker 10: Featured in the cast were Parley Bahar as Chester, Howard

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mcphear as Doc, and Georgia Ellis as Kidding