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Speaker 1: In a moment, you will hear James Stewart as the

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six Shooter. Just one of the many great stars brought

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to you on Sundays on NBC Every Sunday. Here Hume

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Cronnin and Jessica Tandy in The Marriage Sir Lawrence Olivier

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on Theatre Royal, Lawrence Tibbett with the Golden Voices, Helen Hayes,

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Frederick marsh Rex Harrison, and Lily Palmer on the NBC

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Star Playhouse, all of them heard only on NBC. James

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Stewart as the six Shooter. The man in the saddle

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is angular and long laked. His skin is sundeyed brown.

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The gun in his holster is gray steel and rainbow

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mother of pearl, Its handle unmarked. People call them both

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the six Shooter. Coleman, America's leader in modern automatic home

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heating equipment, and the National Broadcasting Company present James Stewart

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as the six Shooter. A transcribed series of dramas based

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on the life of Britt Ponsel, the Texas plainsman who

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wandered through.

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Speaker 2: The Western territories, leaving.

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Speaker 1: Behind a trail of steel remembered legends. Now in just

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a moment, immediately Following this important announcement, you'll hear Act

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one of the Six Shooter. The Red Cross trains millions

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of Americans each year in first aid, water safety, home nursing,

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and as volunteer nurses AIDS. Volunteer nurses aids assist professional

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nurses in hospitals and clinics.

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Speaker 2: This help requires skill.

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Speaker 1: It is through the Red Cross that you and your

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neighbor can get that skill, can get that train. Through

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the Red Cross, you can answer the call of your

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family and your community. Help make this training possible. Give

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through the American Red Cross Funds now Act one of

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the Six Shooter, starring James Stewart.

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Speaker 3: The trail of Virtue City was over the crest of

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Baroneck Mountain and then down the northern slope. That's why

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you couldn't see the town until you're almost there. That

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in the clouds always seemed to be a stack of

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thick marshmallow clouds along the side of Baronet, and by

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the time he got through them, the town was right

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in front of you. Anyway, I was about two o'clock

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in the afternoon when I hit the city limits, and

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at least what had been the city lemits ten to

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fifteen years ago. Of course, nowadays, housed on the outskirts

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weren't much more, just loose timbers and broken windows. When

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I reached the main street, things look more normal, not

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like a real town course, but well, the mercantile was

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open on the bank, and the post office chen or

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twelve stores made, all still doing business. I spotted what

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I was looking for, the woe boy who the sign

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on the opera house set Rocky Mountain, Western Railroad, Virtue

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City Office. Well, I guess they might as well use

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the opera House for something. Jenny Lynn Show won't be

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singing there anymore, not like she did for the grand opening.

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Speaker 4: I howdy afternoon, excuse me? Oh sure, I mind handing

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me that box?

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Speaker 5: Mm?

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Speaker 4: Yeah, that one there on the.

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Speaker 3: Desk, Oh?

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Speaker 5: Oh, this one? Yeah, yeah, I wanna.

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Speaker 4: Put these papers in it? Yeah? Thanks?

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Speaker 3: Uh you clean out the offer, that's right, I say,

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moving to another place, And well, I guess there's plenty

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of vacancies in Virtue City and there one more. Wait

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about what you leaving town?

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Speaker 4: They sure, mister, in three weeks, that's what I wasted here,

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three weeks. I'm not wasting any more time. By night,

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that's the deadline. Then I take the stage. Virtue City

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doesn't deserve a railroad and they're not getting one. M

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what's on your mind?

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Speaker 3: Uh well, I under the circumstances, I'm not exactly sure.

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Speaker 4: That's no surprise. Nobody's sure anything around here.

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Speaker 3: No, No, What I mean is I was figuring on

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signing up with the railroad. I've played track before and

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I thought that I. Uh well, I've I heard the

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new line was going through Virtue City. Yeah, he'd wrong, mister,

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uh huh well, I'm sorry to trouble you.

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Speaker 4: There's other fault too, should be sorry. Gave me their word,

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said they'd have the right away free and Claire out of.

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Speaker 3: Some that's what we out of it, Red red party?

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Speaker 5: Mm over here in the court house?

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Speaker 3: Why me, Doc Cross?

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Speaker 5: What what?

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Speaker 3: What?

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Speaker 6: Oh?

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Speaker 3: Oh?

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Speaker 1: Hol dark?

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Speaker 2: Oh, I'm sure, Doc six dark as Brett on your right?

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Speaker 3: Oh shay, I I didn't know you were still living

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or a uh what?

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Speaker 5: Well?

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Speaker 3: What in the thunder you're doing on a wheelchair? Dark?

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Speaker 6: Oh?

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Speaker 3: I fell off my horse a couple of months ago. Hey,

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here's fault, not mine. Oh he's fault. Oh sure, yeah,

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see did you break anything? And I ain't positive? I

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had to send for Doc Sampson over the Watsonville. He says,

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broke my leg. Oh, Butcher, don't think he'd know a

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broken leg from my floating kidney. If you ask me.

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He's keeping me off my feet, so he'll get a

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crack at all my patient. Oh well, Darker, do you good?

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Get a little rash? Mm? Maybe ain't gonna sit down

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and britt sound sish ah. I was kind of surprised

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to see the courthouse still open. I thought they'd moved

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county seat over to Fort Grid pliticians. Yeah, those people

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in Fort Gray bribe the legislature, that's what they did.

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But we'll get the county seat back again. Just you

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wait and see Meantime, we're using the courthouse for a

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city hall. I guess we got just about the fanciest

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city hall west of Denver. Yeah, I wouldn't be surprised.

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I'm the mayor now, Brett.

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Speaker 4: Oh wow, what about you?

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Speaker 3: What brought you to Virtue City after all this time?

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I hope you ain't just passing through. I'm fright, so, Doc,

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I was able to sign up with the railroad, But

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since they ain't coming this.

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Speaker 5: Way, not coming this way?

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Speaker 3: But who told you that. Well, that's full over at

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the opera house. Oh that's Nelson, fad Nelson. Don't take

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no attention to him. Well he worked for the railroad,

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don't they.

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Speaker 5: Well, yes he does, but he.

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Speaker 3: Ain't never wanted the line to go through Virtue City anyhow.

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He'd rather run away of Watsonville, if you ask me.

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Watsonville's paying him off. Oh that's the reason he's been

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looking for an excuse to get out of our contract.

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He figures this trouble with that, and he'll let him

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on off the hook. Annie's Silver Annie, You remember her?

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Writ Annie Huxley. Annie huh oh, Annie Huxley. Oh sure,

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I thought she'd moved away. Oh such luck. She's still

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setting on the old Huxley mine like a hen hatching eggs.

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The only thing is there ain't no eggs in that mine,

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not anymore. Well, what what she got to do with

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the railroads? Though? Well, with the route's been surveyed to

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go through her property. Town agreed to secure all the

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rideaways the railroad in need. We're willing to pay for

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him and a good pride. But Annie's not satisfied with

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what you're offering. We don't know she won't talk to us,

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won't even let anybody near her shack.

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Speaker 2: Oh, she just sets there day and night.

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Speaker 3: Ride for the window with her shot gun poking out.

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Anybody comes on her ane and let's go. H got

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some food notes and there's still silver in that mine,

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and folks are trying to get it away from her.

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I'm crazy, that's what she is. To ask me. Oh,

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I wouldn't say that, dog. Maybe Annie's living the past

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a little bit. She got quite a past living too,

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you know she was I I remember about her wedding

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to send Hawksley about how he put down a street

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sober dollars all around the church, remember as well, that's

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beside the point I sent for Clyde Huxley.

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Speaker 5: Clyde Clyde.

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Speaker 3: Yeah, he's a relative of sins, a distant cousin or

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something like that, but a relative. We had to pay

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his pair all the way out in Chicago. He's seeing

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Annie ask that's where he is right now, and heels

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straighten her out. You see, he's a liar and he's

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not the kind to put up with any nonsense. Where hell,

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mister hux and I didn't see you ride up, and

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I didn't walked in the street. I didn't ride.

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Speaker 2: I wonked for you.

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Speaker 3: Oh now, don't tell me that horse of mind threw

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you too.

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Speaker 2: I'll where will I find the chief of police? What

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I'm charging that woman with a tempted murder?

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Speaker 3: Or you don't mean Annie?

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Speaker 2: Certainly do mean Nannie. She ought to be locked up,

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and if I have anything to do with that, she

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will be.

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Speaker 6: Uh.

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Speaker 3: Then she she wouldn't sign over the ride away and

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not even for you her own can.

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Speaker 2: I didn't get a chance to discuss it. She shot

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at me point blink.

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Speaker 3: Don't look like she hit you.

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Speaker 2: It is a miracle she didn't.

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Speaker 3: Well, I guess she just didn't know who you were,

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mister Huxley. She didn't recognize you. I told her where

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I was.

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Speaker 2: Right after that she fired.

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Speaker 5: Uh.

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Speaker 3: Some folks just don't Cortondorella Doves. Seems like she she

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tried to kill me. Oh no, she was just defending

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her property in us.

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Speaker 5: Actually.

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Speaker 3: Uh, if she'd wanted to kill you, you wouldn't be

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walking around now. Annie knows how to handle a gun. Well, no,

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we we gotta do something, Brick if we don't have

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that right away by tomorrow. And Nelson he he's the

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railroad man nelse no leave town.

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Speaker 2: The railroad goes through Watson Villain.

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Speaker 3: That'll just about wash up Virtue City once and for all.

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There must be some way of explaining things to Annie Dock.

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I throw her in jail, I'd just have to make

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her more accusted than ever, you know, But same, maybe

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there is another way. Sure, somebody she trusted, somebody who

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didn't have no axe to grind. She listened to him.

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Or now, Doc, you got those papers already, have her

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to sign. Mister Huxley R. Dock would then give him

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to Brick.

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Speaker 5: Doc. Uh, Now this ain't my fair, Dock. Now, I

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don't wanna get mixed up with him. I know you bring,

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but I don't let us down.

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Speaker 3: Go on, huctually give him the papers. We will never

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forget what you're doing, but the whole town will be

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in your debt. Just get her to sign him places

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remark to the Nicks Doc. Next thing I knew, I

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was riding up to the Huxley mine. Annie Shack was

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next to the main shaft, about a hundred yards off

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the road. I slid down out of the saddle and

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tried the gate. Holy smokes padlocks big enough to protect

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the Denver mint was chained around the post.

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Speaker 5: Well, I don't nothing else to do but climb over

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the fence.

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Speaker 3: I uh, getting on toward dusk now, I I I

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didn't know whether to sneak up on Annie unawares or

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just walk up to the front door and play in

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sight and take my chances. While I was making up

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my mind, are you slapping down behind the pile up

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wooden boxes? Whe Wow? At least one thing was certain.

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I wasn't gonna sneak up on her unawares. Go next

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time out of me.

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Speaker 1: I'll put that thing down, Annie, or I'll shoot it

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out of your hands.

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Speaker 3: Who of her?

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Speaker 2: Who is that?

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Speaker 3: Brett Poonset? Right? A right, I'm on node.

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Speaker 6: None of the flea bitten skunks from around here to

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have nerve enough to talk to me that way.

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Speaker 3: Al, I'm coming in, Annie.

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Speaker 6: I guess there's no it's jumping you. I said, I

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believe you. They would try to shoe fish gumb out

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of my hand and written no.

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Speaker 2: Matter what you say.

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Speaker 3: Wow, that makes us even man. I don't believe you

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would aim at I neither.

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Speaker 5: Uh.

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Speaker 3: How things Annie, well, not too bad?

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Speaker 4: Not too bad to close that door?

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Speaker 3: Sure, So.

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Speaker 6: Back to The matter is, bitch, I've been working in

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the southern and chaffed lately found a vein that looks

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real promising. One of these days the Hutley will be

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going full force again.

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Speaker 5: Mm hmm.

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Speaker 3: Now Annie, now you don't really believe that.

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Speaker 6: Well, of course I believe it. Why shouldn't I. We

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took a quarter of a million dollars out of this

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mind sitting me, and there's plenty more. She just questioned

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to find it here?

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Speaker 3: You want some coffee? Yeah, yeah, thanks? Now th th

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these hills have been work dry an there's no silver,

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and I'm not anymore, And that's why I came up

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to talk.

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Speaker 4: To you here.

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Speaker 6: Drink your coffee. It's about the right away for the railroad.

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You're just wasting your breath.

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Speaker 3: No, but dark Cross said you didn't know anything about

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the railroad. That nobody had been able to explain it

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to her.

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Speaker 6: Nobody had to explain if there's nothing goes on in

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Virtue City that I don't get wind of. I ain't

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lived here thirty five years for nothing.

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Speaker 5: Dark says.

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Speaker 3: The town needs the railroad needs it bad.

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Speaker 6: Why I got no objection to a railroad into Virtues City?

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Probably need it myself to haul it all out when

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I strike a rich being. But the lion don't have

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to go through my property.

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Speaker 3: Uh, mountain country like this, railroads don't.

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Speaker 5: Have much choice.

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Speaker 3: And I asked dark Cross, and the only other route

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would cost a whole lot more money. More on the

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rocky Mountain Western is waning to pay. Well, I needs

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my problem.

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Speaker 6: All I carry about is the Huxley, and they not

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laying any tracks across it.

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Speaker 5: Alright, ain't all right? That's the way you feel? Thanks

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for coffee?

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Speaker 3: Oh I, I guess might be out of warring you.

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Your cousin's talking about putting you in jail.

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Speaker 6: He's my cousin.

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Speaker 3: He's sins and sin never had no use for arm

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neither well whoever he is he and it's for putting

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me in jail. He'll have to find somebody to come

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out here and arrest me first.

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Speaker 6: From what I've seen of him this afternoon on the railway,

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make no trouble.

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Speaker 3: What's what's going on here?

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Speaker 2: Harshley is going to sweat out of wanant her rest.

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Thanks to you, the sheriff was able to serve it.

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Speaker 6: Fall aloe down me cheaperne occupied.

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Speaker 3: Some make a sneak in here. Let's go listen.

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Speaker 6: I'm done enough listening to you already take your hands

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off me, Schiff. I ain't one of the girls from

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Crawford Saloon. I'm Silver Andie Huxley. And when I go

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to jail, I go.

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Speaker 3: Under my own power.

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Speaker 1: We'll return to James Stewart as the six shooter in

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a moment. First, a word from Coleman, America's leader in

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00:14:54,240 --> 00:14:59,759
modern automatic home heating equipment. When winter comes, does your

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00:14:59,759 --> 00:15:01,279
house shrink like this?

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Speaker 3: Well, I guess it's time to close off the two

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back rooms. There's just no way to heat them.

301
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Speaker 2: Don't deprive yourself of valuable living space.

302
00:15:09,039 --> 00:15:12,360
Speaker 1: Get a Coleman floor furnace or wall heater and enjoy

303
00:15:12,480 --> 00:15:13,919
new warmth and comfort.

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00:15:13,679 --> 00:15:14,960
Speaker 3: In the hardest to heat rooms.

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00:15:15,080 --> 00:15:17,519
Speaker 1: A Coleman floor furnace a wall heater takes up a

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00:15:17,600 --> 00:15:21,000
minimum of space, yet it gives you constant circulation of fresh,

307
00:15:21,120 --> 00:15:24,159
warm air, just as a big basement furnace does. You'll

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00:15:24,240 --> 00:15:27,039
be snug and comfortable all winter long. And if you're

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00:15:27,120 --> 00:15:30,039
interested in economy as well as comfort, listen to this.

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00:15:30,759 --> 00:15:34,000
Coleman floor furnaces and wall heaters are low in price,

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00:15:34,440 --> 00:15:37,879
low in operating cost because Coleman gives you maximum heat

312
00:15:37,919 --> 00:15:41,000
from the fuel you use, either gas or LP gas.

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00:15:41,480 --> 00:15:44,720
See your Coleman heater tomorrow. You'll find his name and

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00:15:44,720 --> 00:15:49,879
address in your telephone directory. Remember comfort costs so little

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00:15:50,600 --> 00:16:02,960
with a Coleman. Now Act two of the six Shooter,

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00:16:03,320 --> 00:16:07,200
starring James Stewart as Brick Punts it Uh.

317
00:16:19,000 --> 00:16:19,200
Speaker 4: Well.

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Speaker 3: They put Annie in a buckboard and started out for town.

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I rode alongside for half a mile or so and

320
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tried to tell her I wasn't part of getting or arrested,

321
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but she wasn't listening, so I gave scars hat. It

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was about nine o'clock when I got back to Virtue City.

323
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Place looked even stranger by night than the day. Uh,

324
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just a light here and there where folks were living,

325
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and then whole blocks of darkness in between, sort of like, uh,

326
00:16:47,000 --> 00:16:49,320
like the candles on a cake when part of 'em

327
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been blown up. I stopped off at the Mansion hotel

328
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enough to get me a room, and I headed over

329
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the dark Cross's house, who was sitting in the living

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room meeting balks a hard candy.

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Speaker 5: When I got there, Come on in and break Come

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00:17:04,119 --> 00:17:04,359
on in.

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Speaker 3: How'd you make out get her to find him the

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dotted line.

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00:17:06,839 --> 00:17:10,160
Speaker 5: Oh uh, sorry to hear that hurt.

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00:17:10,720 --> 00:17:12,759
Speaker 3: Oh mm, don't shy a for a while. I don't

337
00:17:12,759 --> 00:17:16,000
know better, and eat this stuff with my teeth. Sure

338
00:17:16,000 --> 00:17:18,599
he is good though, has a piece, no no kinds. Yeah,

339
00:17:18,759 --> 00:17:21,880
any well, now you mustn't feel too bad, Brick. As

340
00:17:21,920 --> 00:17:23,559
a fag, you wouldn't have much luck with it. So

341
00:17:23,640 --> 00:17:26,119
it was mister Huxley. He uh he went ahead and

342
00:17:26,200 --> 00:17:29,240
got that warrant drawed up. Yeah, yeah, I know, uh

343
00:17:29,319 --> 00:17:33,000
huh uh. I was there when the sharp arrested her.

344
00:17:33,359 --> 00:17:35,359
She thinks I was in cahoots with him and Hodgsley.

345
00:17:35,480 --> 00:17:37,200
Oh well, now that's a shame. But don't you worry.

346
00:17:37,200 --> 00:17:39,160
I'll see she finds out the true Ah. I guess

347
00:17:39,200 --> 00:17:41,319
it's certainly right forgetting mixed up in her affairs. No,

348
00:17:41,480 --> 00:17:43,519
you wasn't mixing, Rick, You were just doing us a

349
00:17:43,599 --> 00:17:48,039
fair man. We're all much obliged. Hm. You know, send

350
00:17:48,160 --> 00:17:50,400
him for Clyde. Huxley was just about the smartest stunt

351
00:17:50,480 --> 00:17:53,640
I ever pulled. Maybe maybe so, But you haven't got

352
00:17:53,720 --> 00:17:55,960
the right away yet. Well we'll get it, Brick, we'll

353
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get it.

354
00:17:57,039 --> 00:18:00,319
Speaker 5: Oh, I don't think jail on heard the answer. Besides,

355
00:18:00,319 --> 00:18:01,559
you'll have to turn her loose anyway.

356
00:18:01,640 --> 00:18:04,440
Speaker 3: Hucksley can't make that charge of attempted murder. Stay, you know,

357
00:18:04,599 --> 00:18:07,279
he's not charging her with anything, Grid, It's just a

358
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question of whether she's got all her faculties or not.

359
00:18:09,440 --> 00:18:12,920
Speaker 5: That's what the hearing will be about. You mean, well,

360
00:18:12,960 --> 00:18:14,279
you mean he's claiming she's crazy.

361
00:18:14,359 --> 00:18:16,640
Speaker 3: Well, you said yourself she was peculiar. I said she

362
00:18:16,799 --> 00:18:21,039
lived in the past. That's all. Everybody's got something to remember.

363
00:18:21,160 --> 00:18:22,119
Speaker 5: Does that more or less?

364
00:18:22,200 --> 00:18:23,880
Speaker 3: Well, in her case it's more or not less. Of

365
00:18:23,920 --> 00:18:26,839
course he's hat to Judge Draiting to decide. Well, hasn't

366
00:18:26,839 --> 00:18:30,039
there got to be medical testimony and uh sanity hearing? Yeah,

367
00:18:30,240 --> 00:18:33,160
actually subpoenaed me this evening a dog gone a dark

368
00:18:33,279 --> 00:18:36,720
now th th this just isn't right. That is her

369
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only relative. He looked afire state law. It says the

370
00:18:39,279 --> 00:18:42,960
nearest relative can demand is sanity hearing. If there's sufficient cause, you'll.

371
00:18:42,839 --> 00:18:44,240
Speaker 5: Take that mind away from her.

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00:18:44,279 --> 00:18:46,640
Speaker 3: You'll break her heart and not wait a minute, brit

373
00:18:46,799 --> 00:18:48,799
you said yourself, this wasn't none of your business. If

374
00:18:48,799 --> 00:18:50,920
you were sorry you mixed into it. Sure, God, but

375
00:18:51,079 --> 00:18:52,839
it just looks like I got mixed up in it.

376
00:18:53,200 --> 00:19:03,200
H Night dark. I'll see you later. This is not clean.

377
00:19:03,359 --> 00:19:04,480
Speaker 2: I want to get this clear.

378
00:19:05,160 --> 00:19:08,079
Speaker 1: You admit firing a shot done at various people over

379
00:19:08,079 --> 00:19:09,480
approached your place of residence.

380
00:19:09,519 --> 00:19:11,200
Speaker 4: At various times, I've shot.

381
00:19:11,000 --> 00:19:13,359
Speaker 6: At people trying to get into the Huxley mind. If

382
00:19:13,400 --> 00:19:15,920
that's what you mean, that's right now?

383
00:19:16,160 --> 00:19:19,680
Speaker 3: How often has this occurred? As often as they tried

384
00:19:19,720 --> 00:19:21,440
to order?

385
00:19:22,400 --> 00:19:23,519
Speaker 5: You come to order.

386
00:19:24,559 --> 00:19:28,200
Speaker 3: It's a very serious matter. Now let's see where what?

387
00:19:28,480 --> 00:19:32,960
Oh yes, uh well, surely you must admit this behavior

388
00:19:33,039 --> 00:19:36,039
of yours isn't exactly normal.

389
00:19:36,680 --> 00:19:40,200
Speaker 6: It's normal for me now order.

390
00:19:40,720 --> 00:19:44,599
Speaker 3: What I mean is the average person doesn't use firearms

391
00:19:44,680 --> 00:19:45,640
on harm as visitors.

392
00:19:45,680 --> 00:19:48,519
Speaker 6: The average person don't own the Huxley Mine.

393
00:19:48,960 --> 00:19:49,240
Speaker 4: I do.

394
00:19:50,039 --> 00:19:54,240
Speaker 2: Uh yeah, you are not? You Aheapen Dougley. This is

395
00:19:54,279 --> 00:19:56,720
the crux of my poor cousin's delusion. This feeling of

396
00:19:56,799 --> 00:19:58,000
hers with the Huxley Mine.

397
00:19:58,079 --> 00:20:00,720
Speaker 1: Isn't some great value that it still contains when we

398
00:20:00,799 --> 00:20:02,039
all know that it's worthless?

399
00:20:02,519 --> 00:20:05,160
Speaker 6: And just how do you know that you proved it

400
00:20:05,240 --> 00:20:05,480
to us?

401
00:20:05,640 --> 00:20:06,279
Speaker 3: For ten years?

402
00:20:06,359 --> 00:20:08,559
Speaker 2: You've lived there and searched the shops every day, have

403
00:20:08,680 --> 00:20:11,960
you found silver, even a trace of it. No, I

404
00:20:12,039 --> 00:20:13,240
ain't you see you runner?

405
00:20:14,240 --> 00:20:17,519
Speaker 6: If that makes me crazy, then Sin must have really

406
00:20:17,599 --> 00:20:21,359
been out of his head. He spent twelve years prospecting

407
00:20:21,440 --> 00:20:25,279
that mine before he made his first break. I still

408
00:20:25,440 --> 00:20:28,279
got two years to go before be even with him.

409
00:20:28,680 --> 00:20:32,319
Speaker 2: Yes there was silver there. There there is nor Lona.

410
00:20:32,559 --> 00:20:35,920
Speaker 3: I'm sorry, missus Huxley, but after what Doc Cross have

411
00:20:36,039 --> 00:20:38,759
and then what you yourself say, Well, I'm afraid that

412
00:20:38,960 --> 00:20:44,039
the law allows me no alternative, but it excuse me,

413
00:20:44,279 --> 00:20:47,960
your honor. Now now I see here. We're not gonna

414
00:20:47,960 --> 00:20:51,200
have any more interruptions. Who is that man? Doc Rich

415
00:20:51,279 --> 00:20:53,039
puns six shooter?

416
00:20:53,160 --> 00:20:53,319
Speaker 4: Yes?

417
00:20:54,240 --> 00:20:54,839
Speaker 2: Where hell?

418
00:20:55,079 --> 00:20:57,759
Speaker 3: If there's something you wish to say, mister Boncaid, that

419
00:20:58,359 --> 00:21:00,519
is here a cord over here. Happy to hear you.

420
00:21:00,839 --> 00:21:05,000
Oh thanks, George. Uh, I've been listening to this hearing

421
00:21:05,200 --> 00:21:08,119
and uh like mister Huxley says that all seems to

422
00:21:08,240 --> 00:21:10,680
hinge on whether or not there's any silver in the

423
00:21:10,759 --> 00:21:15,119
Huxley mine. What what I mean is if there was silver,

424
00:21:15,319 --> 00:21:18,720
then Annie's actions wouldn't seem so strange, were they?

425
00:21:19,039 --> 00:21:19,240
Speaker 5: Well?

426
00:21:20,759 --> 00:21:22,440
Speaker 2: Oh no, no, I suppose not.

427
00:21:22,759 --> 00:21:28,440
Speaker 3: Uh, She'd be protecting a valuable piece of land. But yeah, well, now, uh,

428
00:21:28,640 --> 00:21:31,480
I think maybe you ought to see this report here.

429
00:21:32,279 --> 00:21:35,200
You see, I took some ore samples from the Huxley

430
00:21:35,279 --> 00:21:40,200
mine over to this Essay office this morning, and uh, well,

431
00:21:40,240 --> 00:21:42,519
h well, here here's one of 'em. I'm afraid I

432
00:21:42,599 --> 00:21:44,799
don't uh quite follow you, mister Polly, if you'll just

433
00:21:44,960 --> 00:21:49,279
read that report, you're on a senior samples tested, So

434
00:21:49,559 --> 00:21:54,880
uh value of approximate one hundred twenty five dollars a

435
00:21:55,039 --> 00:21:58,240
time a hundred and twenty four. Yeah, I figured they'd

436
00:21:58,319 --> 00:22:01,680
run a little higher, but I guess, uh here, let

437
00:22:01,720 --> 00:22:05,440
me see that. I can't believe it. Well that that's

438
00:22:05,440 --> 00:22:09,000
what it says, all right, Why this wort come.

439
00:22:08,920 --> 00:22:09,559
Speaker 2: From the Huxley.

440
00:22:09,799 --> 00:22:11,640
Speaker 3: Yeah, yeah, that's where I came from.

441
00:22:12,759 --> 00:22:17,039
Speaker 6: Listen, quitting everybody, everybody, and he's found silver again.

442
00:22:18,079 --> 00:22:20,880
Speaker 3: For all we know, the whole town has hit money,

443
00:22:21,039 --> 00:22:22,400
just like in the old days.

444
00:22:22,839 --> 00:22:23,240
Speaker 5: Silver.

445
00:22:25,279 --> 00:22:25,480
Speaker 3: Yeah.

446
00:22:26,240 --> 00:22:28,880
Speaker 4: Where the railroads. You've got a contact with my company.

447
00:22:29,039 --> 00:22:34,400
Speaker 3: We don't need your railroad, Nelson, We've got silvere.

448
00:22:38,480 --> 00:22:38,680
Speaker 4: Ah.

449
00:22:39,839 --> 00:22:42,880
Speaker 3: Now, I wouldn't be too hasty dark of course, there's

450
00:22:43,200 --> 00:22:45,640
no possibility of bringing the line through the Huxley, now,

451
00:22:45,720 --> 00:22:49,559
I suppose, But there is that other route. It cost

452
00:22:49,640 --> 00:22:51,440
much of Nelson's company a little more money.

453
00:22:52,559 --> 00:22:54,319
Speaker 4: They range there. Of course, I'll have to check with

454
00:22:54,400 --> 00:22:55,079
the main office.

455
00:22:55,200 --> 00:22:55,720
Speaker 3: Oh you would.

456
00:22:56,440 --> 00:22:57,880
Speaker 5: Oh that seems a shame.

457
00:22:58,599 --> 00:23:01,200
Speaker 3: Too bad. You can't, sir, the decision right now on

458
00:23:01,319 --> 00:23:03,880
the spot, you know, for another railroad. Here is about

459
00:23:03,920 --> 00:23:05,400
the Silver and Tart to beat you in here.

460
00:23:06,640 --> 00:23:09,079
Speaker 4: On second thought, there really isn't any reason to delay

461
00:23:09,160 --> 00:23:11,960
the matter. If you'll just drop by my office, doctor Cross,

462
00:23:12,000 --> 00:23:14,359
I will send the contract and give the order to

463
00:23:14,400 --> 00:23:15,960
begin construction on the other route.

464
00:23:16,160 --> 00:23:21,480
Speaker 3: Yeah, except what you well, I guess that takes care

465
00:23:21,519 --> 00:23:25,599
of everything except Annie and the sanity hearing. Uh, you

466
00:23:25,720 --> 00:23:28,920
were just about to hand down a ruling, judge. Now

467
00:23:29,039 --> 00:23:32,240
now you come to order, come to do well, there's

468
00:23:32,279 --> 00:23:36,160
no question about her sanity. I'm surprised at you, mister Huxley,

469
00:23:36,400 --> 00:23:38,839
a lawyer, if you're standing questing the complaint like that,

470
00:23:39,440 --> 00:23:42,960
why silver Ranny Huxley is one of Virtue City's outstanding citizens.

471
00:23:43,359 --> 00:23:47,960
I always have been, always will be. Of course a

472
00:23:48,079 --> 00:24:02,680
journy h Inside of five minutes, the only people left

473
00:24:02,720 --> 00:24:06,039
in that courtroom were May and Annie. The funny thing,

474
00:24:06,200 --> 00:24:09,279
you know, she was the only person who hadn't been

475
00:24:09,359 --> 00:24:12,799
excited about the sawber. She just kind of stared at

476
00:24:12,880 --> 00:24:18,039
me without budgeting, and then uh, corners of her lips

477
00:24:18,119 --> 00:24:20,480
sort of wrinkled up into a smile.

478
00:24:21,519 --> 00:24:27,000
Speaker 6: Great palm said, yes, ma'am, you better get out of

479
00:24:27,079 --> 00:24:30,839
town before they find out they tar and feather.

480
00:24:30,880 --> 00:24:32,680
Speaker 3: You're for sure? Well? What what?

481
00:24:33,000 --> 00:24:33,119
Speaker 5: Uh?

482
00:24:33,559 --> 00:24:33,599
Speaker 4: What?

483
00:24:33,759 --> 00:24:34,240
Speaker 5: What what are you?

484
00:24:34,519 --> 00:24:35,720
Speaker 3: What are you talking about? Annie?

485
00:24:36,000 --> 00:24:40,960
Speaker 6: Why you think guy didn't recognize that piece or or two.

486
00:24:41,920 --> 00:24:43,720
I've been looking at it for thirty years.

487
00:24:44,920 --> 00:24:47,319
Speaker 3: Uh hm, them samples.

488
00:24:46,960 --> 00:24:49,720
Speaker 6: Have been sitting on my dresser ever since. Then found

489
00:24:49,799 --> 00:24:54,599
'em in his first strike. Oh who saw 'em last night?

490
00:24:55,480 --> 00:24:57,759
You knew they were souvenirs from the old days.

491
00:24:58,200 --> 00:25:01,559
Speaker 3: Well, they could have been, and something that you dug

492
00:25:01,720 --> 00:25:02,759
up recently, couldn't they.

493
00:25:04,240 --> 00:25:06,920
Speaker 6: I'm not saying you lied, brit Or.

494
00:25:07,079 --> 00:25:08,559
Speaker 3: You told 'em was it the or it.

495
00:25:08,680 --> 00:25:09,480
Speaker 4: Was from the Huxley?

496
00:25:09,599 --> 00:25:10,359
Speaker 3: That's true enough.

497
00:25:11,039 --> 00:25:12,880
Speaker 6: It's just a good thing they didn't.

498
00:25:12,680 --> 00:25:15,799
Speaker 3: Ask you when yes, I guess t is I guess his?

499
00:25:16,759 --> 00:25:16,960
Speaker 5: Well.

500
00:25:17,359 --> 00:25:18,720
Speaker 3: Uh, anybody can make a mistake.

501
00:25:18,839 --> 00:25:21,680
Speaker 6: And you knew what you were doing, and you knew

502
00:25:21,720 --> 00:25:24,039
the layer would be coming through the other route before

503
00:25:24,160 --> 00:25:24,960
they got white.

504
00:25:25,519 --> 00:25:29,400
Speaker 3: No, I I wouldn't exactly say that, but uh, under

505
00:25:29,440 --> 00:25:32,440
the circumstances, I kind of think maybe I better leave town.

506
00:25:33,880 --> 00:25:37,559
Don't you think that would be so long? Annie made

507
00:25:37,599 --> 00:25:38,119
him in a bit.

508
00:25:39,359 --> 00:25:40,319
Speaker 6: I wanted to thank you.

509
00:25:40,839 --> 00:25:43,200
Speaker 3: Oh well, nothing to thank me for, Annie. It just

510
00:25:43,319 --> 00:25:47,240
looks like I can't tell old ore samples from fresh ones,

511
00:25:47,440 --> 00:25:59,480
that's all. Oh. It was a microtol lighter before I

512
00:25:59,559 --> 00:26:02,640
heard about Virtue City again. Bumped into a fellow and

513
00:26:02,680 --> 00:26:06,000
Idaho spring so it was heading up that way. Said

514
00:26:06,000 --> 00:26:08,759
that been a big silver strike near the town. I

515
00:26:08,920 --> 00:26:11,000
I tried to talk him out of going over there.

516
00:26:11,000 --> 00:26:12,960
I told him he'd probably just a false alarm, and

517
00:26:12,960 --> 00:26:13,640
he wouldn't listen.

518
00:26:14,799 --> 00:26:15,640
Speaker 5: He said they had been a.

519
00:26:15,720 --> 00:26:18,720
Speaker 3: False strike three or four weeks ago, and everybody went

520
00:26:18,759 --> 00:26:23,440
out prospecting, and the first thing you knew, somebody found Zelda.

521
00:26:23,920 --> 00:26:25,400
Speaker 5: The real thing fall.

522
00:26:25,400 --> 00:26:27,440
Speaker 3: I had a newspaper from Virtue City to prove it.

523
00:26:28,119 --> 00:26:32,359
Editorial on the front page was by Doc Cross about

524
00:26:32,480 --> 00:26:34,519
moving the county seat back to where it was was.

525
00:26:35,440 --> 00:26:41,200
Speaker 5: Remember, Uh, thanks, sure, how funny way we're working on

526
00:26:41,440 --> 00:26:41,680
was it?

527
00:26:53,400 --> 00:26:56,440
Speaker 1: Here's a tip for more great dramatic entertainment. Each week

528
00:26:56,559 --> 00:26:59,880
on the NBC Radio Network. Direct from his great hit

529
00:27:00,119 --> 00:27:03,039
in From Here to Eternity comes a new dramatic Frank

530
00:27:03,119 --> 00:27:06,200
Sinatra to play the hard hitting adventure role of Rocky

531
00:27:06,279 --> 00:27:10,119
Fortune every Tuesday evening. And if comedy is your weakness,

532
00:27:10,440 --> 00:27:12,359
you want to know that Fimer McGee and Molly are

533
00:27:12,400 --> 00:27:15,319
now heard every day, Monday through Friday on the NBC

534
00:27:15,559 --> 00:27:20,000
Radio Network. Remember you'll hear more of America's greatest radio

535
00:27:20,119 --> 00:27:23,000
programs if you keep your dial set to this same

536
00:27:23,119 --> 00:27:39,359
station of the NBC Radio Network. Coleman, America's leader in

537
00:27:39,480 --> 00:27:43,799
modern automatic home heating equipment, and the National Broadcasting Company

538
00:27:44,119 --> 00:27:46,079
have presented James Stewart as.

539
00:27:46,319 --> 00:27:47,000
Speaker 5: The Six Shooter.

540
00:27:47,599 --> 00:27:50,440
Speaker 1: Mister Stewart may currently be seen in the Universal International

541
00:27:50,480 --> 00:27:54,160
picture Thunder Bay. Others in the cast were Jeanette Nolan,

542
00:27:54,559 --> 00:27:58,599
dan Or Hurleyhee, Herb Bigren, Robert Griffin, and Parley Bayer.

543
00:27:59,359 --> 00:28:02,200
The Six Shooter is an NBC Radio Network production in

544
00:28:02,319 --> 00:28:06,160
association with Review Productions and is based on a character

545
00:28:06,240 --> 00:28:09,440
who have created by Frank Burt and the transcribed story

546
00:28:09,519 --> 00:28:13,079
is written by him. Special music was by Basil Adlam

547
00:28:13,400 --> 00:28:16,440
and the entire production is under the direction of Jack Johnstone.

548
00:28:17,000 --> 00:28:20,799
All characters and incidents were fictitious, and any resemblance to

549
00:28:21,039 --> 00:28:24,480
actual characters or incidents is purely coincidental.

550
00:28:24,960 --> 00:28:26,039
Speaker 3: Hell give me speaking.

551
00:28:33,880 --> 00:28:38,160
Speaker 1: Listen to Last Man Out Next on the NBC Radio network.