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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Dragnet. But first,

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I do want to encourage you, if you're enjoying the podcast,

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to please follow us using your favorite podcast software. And

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today's program is brought to you in part by the

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financial support of our listeners. You can support the show

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by mailing a donation to Adam Graham Peelbox one three.

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That's fuel Box one five nine thirteen, Boise, Aldaho eight

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three seven one five. Now from April third, nineteen fifty two,

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here is the Big street Car.

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Speaker 2: The story you were about to hear is true. The

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names have been changed to protect the innocent. You're a

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detective sergeant. You're assigned a homicide detail. A man is

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shot down on the street of a residential neighborhood. He's

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critically wounded. You don't know who the assailant is. You

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don't know where he is.

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Speaker 3: Your jobey.

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Speaker 4: The documented drama of an actual crime. Well the next

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thirty minutes, in cooperation with the Los Angeles Police.

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Speaker 3: Department, you will travel.

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Speaker 4: Step by step on the side of the law through

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an actual case transcribed from official police violence, from beginning

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to end, from crime to punishment. Dragnet is the story

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of your police force in action.

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Speaker 5: January twentieth was mild in Los Angeles. We were working

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the night Watch out of homicide detail.

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Speaker 6: My partner's Ed Jacobs. The boss is stad Brown, Chief

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of Detectives.

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Speaker 7: My name is Friday.

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Speaker 5: I was on the way back from dinner and it

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was nine fifty seven pm when I got back to

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the City Hall Room forty two pharmacide detail.

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Speaker 3: All right, make it in time.

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Speaker 7: No, they were closed up.

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Speaker 3: It's too bad.

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Speaker 7: Why Gee cafeteria down the street.

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Speaker 3: I was terrible, nothing at all.

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Speaker 6: Huh Well, I figured.

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Speaker 5: I'd be safe for the corn beef hash even that

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wasn't much soggy, you know, probably standing all day.

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Speaker 3: It's too bad.

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Speaker 8: I asked Johnny if you'd stay open a couple of

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minutes late, told him you were coming right over.

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Speaker 6: The place was closed tight. When I got there, I

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couldn't raise anybody.

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Speaker 8: Sharp lives a really good tonight. Some great pie too,

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boys and berry best I had anyway for them.

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Speaker 7: Say you got any of those bike car pills in

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your locker? I can sure you use one.

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Speaker 8: I'm afraid not. You had the last one to Jeane

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Bechdel tonight. He hit at the cafeteria too. I hi,

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say any phone calls for me? Murial downstairs office called

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run you asked for They got it ready.

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Speaker 6: It was the only call. Yeah, what is it else?

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I'm wrong? Oh?

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Speaker 7: You've been moping around like you lost your best friend.

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What's the matter? You man at the world?

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Speaker 6: No, just my young loss. Wife had her father and

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mother over for lunch today. The old man's getting to

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be a real pain in the neck. Don't get along

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with him, uh, I keep trying to. Doesn't seem to

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do much good. All he can think of his money.

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It's all he can talk about while.

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Speaker 8: Let it boy, you my in law has been talking

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about it for years, forgetting you won't let you.

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Speaker 6: And then he puts his foot inside the front door.

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It's the first thing you hear. Crusty old guy, that pipe.

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He smokes enough to knock you over.

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Speaker 7: Why don't you duck out when they come over? Tell

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him you got a call. You have to go to work.

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Speaker 6: The wife sounded that once. She makes me hang around,

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keeps telling me your father and mother like me. You

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never know what. The old guy's a real tyrant.

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Speaker 2: See.

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Speaker 6: The wife comes from a big family. Every time I

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see her, old man he has to make a point

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of telling me how smart as other sons in law?

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How much doll I'm making? Yeah, see yeah, same routine.

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Every time one of his daughter's married a carpenter, he's

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making twenty dollars a day. When I'm married a hot carrier,

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he's making twenty five dollars a day. Always ends up

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asking me how much I'm making.

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Speaker 3: Why don't you tell himuch? Some of his business I

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did today?

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Speaker 6: That's what started the argument. I walked out, crusty old guy.

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Speaker 3: Yeah, well I got it.

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Speaker 6: Homicide fiddy, yes, black?

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Speaker 7: Would you repeat yes, sir, I have it fine, thank you?

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Speaker 9: Yes?

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Speaker 7: Or right away? Shooting Kirkman near l Pine.

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Speaker 6: Let me grab my coat.

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Speaker 5: Nos Man down on the sidewalk, apparently hurt. Bad neighbor

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said it was a family fight. Tomorrow we better hustle

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it out.

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Speaker 6: Let's go. That's one good thing about this job.

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Speaker 7: What do you mean trouble?

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Speaker 6: You don't know what it is to hear about other.

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Speaker 5: People's Sergeant al Shambra and I go out to the scene,

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of the shooting Code three.

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Speaker 7: Red light and siren.

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Speaker 5: We located the victim lying on the sidewalk approximately fifty

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feet from the intersection of Kirkland Avenue and Alpine Street.

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He was a dark haired man, looked to be in

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his early forties, tan complexion, well built. He'd been shot

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several times in the chest, once in the shoulder. He

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appeared to be unconscious. A handful of curious neighbors were

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standing by. One of them, a short, bawling man, identified

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himself as Ernest. Quickly, he said he was the victim's

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next door neighbor.

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Speaker 3: What's man's name, mister Whitley?

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Speaker 6: Wally Radford lives right next door to me, been my

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neighbor for years.

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Speaker 3: Where do you live?

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Speaker 6: This apartment court right here? I live in the cottage

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next to the end when they're number eight, while he

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lives at number nine one, right in the end they're

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facing this.

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Speaker 7: Yeah. What do you know about the shooting, mister Whitley?

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Speaker 6: Well, I didn't have anything to do with it. I

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was watching television with a wife. I heard the shots outside.

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You can ask the wife.

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Speaker 7: Sh'll tell you you heard the shots outside of Radford's cottage.

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Speaker 6: Right, yeah, that's right. Where's that was to come?

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Speaker 3: They've been notified there on the way.

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Speaker 7: Well, who did the shooting, Whitley, would you know that?

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Speaker 6: Well, not for sure. We were watching television, like I said,

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when I heard the shots, wife and I. At first

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I heard the shots, and then I heard somebody yell.

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I thought it was some high school kids in a

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hot rod or something, you know, horse around outside. My

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wife told me to get up and take a look anyway,

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so I did.

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Speaker 7: On the way to the door, I.

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Speaker 6: Heard another shot, and then somebody yelled out again like

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they were hurt. Must have been six or seven shots anyway.

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Just as I opened the door, I saw Wally go

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running fast. I didn't know what was coming off. He

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ran right out toward the street here weaving back and forth.

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Looked like it had a couple of drinks. I didn't

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know what it was.

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Speaker 3: You didn't see the actual shooting. You didn't see anyone

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with a gun?

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Speaker 6: Oh No, The only one I saw was Wally. He

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ran right by me, holding his hands up to his chest.

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I yelled to him, but he didn't stop. I didn't

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know if he was drunk or what. When he got

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out here to the sidewalk. I saw him fall down.

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I went after him. It's terrible, say either one. You

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got to smoke. Yeah, look I'm still shaking like a leaf.

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There you go, swell, thank you.

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Speaker 7: All the life.

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Speaker 6: Yeah, please, you're welcome.

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Speaker 7: Was Radford still conscious when you reached him, you.

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Speaker 6: Know, just about? Yeah? I don't know how many times

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he was shot. He was rolling around on the ground.

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Pain was terrible. The whole front of his shirt was

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all stained. I yelled to Mike Desmond, one of the

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other neighbors. He called you, fellas good Redford, saying anything

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to you how it happened. We kept moaning about the pain.

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That made me sick. It was a relief when he

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passed out.

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Speaker 7: Did he tell you how it happened?

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Speaker 6: Yeah? His wife. I figured that was it when I

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saw it was wrong with him.

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Speaker 7: He told you his wife shot him.

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Speaker 6: Oh, they had a big fight today. Wiley and his

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wife started this afternoon. Been going on all day, all night,

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yelling at each other, throwing things around. I never expected this, though.

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Something must to snapped. She must be out of her mind.

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Where's his wife now?

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Speaker 7: I don't know.

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Speaker 6: It's still back in their cottage. I guess I've been

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here since the shooting. I didn't see her leave.

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Speaker 9: Joe.

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Speaker 6: Yeah, we got our hands full.

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Speaker 7: Now.

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Speaker 6: What he done was talking one of the neighbor women

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back in the court here, she said to missus Radford

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wanted her about five minutes ago, identified herself as the

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victim's wife, Cottage number nine, mus Radford went with a

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neighborhood and she said she was giving fair warnings. She

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wanted to pass the world. What do you mean, She's

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going to kill anybody that comes.

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Speaker 5: After ten twenty eight pm, the ambulance arrived and the

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attendants administered first aid to the victim of the shooting,

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Wallace Radford, before he was rushed to Georgia Street Receiving

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Hospital for further treatment. Radford regained consciousness long enough to

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confirm the fact that it was his wife who shot him.

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That was about all he could tell us before the

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sedatives took effect. The two officers and two of the

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radio cars which were standing by, were detailed to keep

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the crowd away from the apartment court where the shooting

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took place, in particular Cottage nine, where the Radfords lived.

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The blinds were drawn in the house. There were no

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lights showing. We called the Radford cottage on the poem,

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but there was no answer. Al Shambra and Ed circled

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around and back for a closer.

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Speaker 7: Look at the place.

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Speaker 5: I continued interviewing the Radford's next door neighbor, Ernest Quidley.

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Speaker 6: I guess I should have known it had come to

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this someday. We'd have been fighting lately. Wally and his

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wife have been there nothing but wrangling day and they.

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Speaker 7: Were You any idea where missus Radford got the gun.

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Speaker 6: She must have used Wally's. I guess don't know where

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else she gets her hands on one.

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Speaker 7: He keeps a gun in the house, does he?

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Speaker 6: Yeah, as long as they've known to me. It's thirty

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eight automatic. I don't know to make them?

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Speaker 7: Do you happen to know if Missus Radford was used

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to handling the gun?

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Speaker 6: No, a typical woman. I remember Wally and Stella were

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over for cards one night.

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Speaker 7: Stella, that's missus Radford.

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Speaker 6: I don't know how it came up, but Wally and

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Stella started arguing about him keeping a gun in the house.

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Stella didn't like it a bit, said she was afraid

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of guns, didn't even like to have him around. That

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surprise you even knew how to pull a trigger.

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Speaker 7: You said, the Radford's had a big fight today. What

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was it about?

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Speaker 6: You had to know single thing. I guess Stella was

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always accusing Wally a running around with other women, run

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around town drinking. As far as I know, it wasn't true.

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Matter of fact, it was just the opposite. If anybody

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was on the town, it was Stella. I have at

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least one guy she was making eyes at. Oh, she's

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your friends.

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Speaker 7: Why what to look like?

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Speaker 3: Not good? House is pitch dark? An't there anyone moving

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around inside?

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Speaker 6: It won't be easy to get out of that shoe.

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The way the cottage is situated.

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Speaker 7: Wow, what's the problem?

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Speaker 6: The rere of the housebacks up against that hill. There

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there was a small space between the end of the

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house and the hill, and no back door. Just windows.

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One of them's open a few inches.

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Speaker 7: I mean, the front door is the only way in

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the place.

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Speaker 3: I on the left the house or left hand side.

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Speaker 6: That's a kitchen door. Sorry, at least right in the kitchen,

243
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just like our place. All the cottages laid out.

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Speaker 7: The same living rooms just inside the front door. They know, Yeah,

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that's right.

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00:10:09,200 --> 00:10:11,240
Speaker 6: Bedroom's in the right rear kitchen and the left rear

247
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a small bathroom leading off the bedroom.

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Speaker 7: Least the left.

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Speaker 6: She won't come out peasibly. How about a two guys

250
00:10:16,159 --> 00:10:17,159
show that ought to bring her up?

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00:10:17,200 --> 00:10:18,600
Speaker 7: Well, I don't know if we'll need today. I might

252
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be a waste of time.

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Speaker 5: Whitley here was just telling you, missus, Radford isn't familiar

254
00:10:21,960 --> 00:10:24,159
with guns. Do you think you know how to reload

255
00:10:24,159 --> 00:10:24,879
the automatically?

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00:10:25,240 --> 00:10:27,519
Speaker 6: No, sir, I'm pretty sure she wouldn't. I don't even

257
00:10:27,559 --> 00:10:29,679
know if Wally had another clip of shells around the house.

258
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Even if you did, Stella wouldn't know.

259
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Speaker 7: What to do with it.

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00:10:32,000 --> 00:10:33,440
Speaker 8: How about to clip the s all ready thing? On

261
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the chance you got a couple of shells left.

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Speaker 6: She fired more than half a dozen of them. I

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00:10:37,000 --> 00:10:38,799
know that she must have gone crazy. They were at

264
00:10:38,840 --> 00:10:41,279
least seven or eight shots just about empty in the gun.

265
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Speaker 7: How about it?

266
00:10:42,200 --> 00:10:43,879
Speaker 5: You want to try rushing the place, Let's go kide

267
00:10:43,960 --> 00:10:46,039
me all right. You better stay out here for the

268
00:10:46,039 --> 00:10:48,000
time being, mister Whitley might be some shooting. You know

269
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that you'd take any chances?

270
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Speaker 7: Yes, for sure.

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Speaker 6: Okay, So I'll be right back here if you want.

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Speaker 7: Thank you very much, all right? Let's try it.

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Speaker 3: How do you want to handle it?

274
00:10:57,080 --> 00:10:59,000
Speaker 6: Why don't you and I'll take the side door. I'll

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go in the front. I want to see if we

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get a rise out of her first.

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Speaker 7: Yeah, I might be sure to give it up without

278
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a fight. I'll call out to her a couple of

279
00:11:06,559 --> 00:11:08,480
times first. If there's no answer, we'll rush the place.

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Speaker 6: Okay, now, let's.

281
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Speaker 7: Make it all together. I just wait for a signal.

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Speaker 8: I'll call it aut right, okay, all right, sid, I'll

283
00:11:15,960 --> 00:11:17,919
do it just behind the shrub over there. There's a

284
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little time to get around.

285
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Speaker 7: Huh. Yeah.

286
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Speaker 5: Know when I call out to rush, make it fast.

287
00:11:21,519 --> 00:11:23,039
It's the only thing we've got in our favor. We'll

288
00:11:23,039 --> 00:11:25,279
try and surprise you, right, say you'll have bab be careful.

289
00:11:29,440 --> 00:11:32,159
Speaker 7: That's Radford. There's Ratford.

290
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Speaker 9: Can you hear me?

291
00:11:34,120 --> 00:11:37,240
Speaker 7: Police officers got your place around it. I want you

292
00:11:37,320 --> 00:11:40,360
to come out, can you hear me?

293
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Speaker 10: Miss Radford? We want you to come out, Miss Radford?

294
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All right, let's go hit the door, go Joey?

295
00:11:56,240 --> 00:11:56,559
Speaker 9: All right?

296
00:11:56,679 --> 00:11:58,799
Speaker 7: Yeah? What about you and the kick and tempty? Okay,

297
00:11:58,960 --> 00:12:01,600
just a minute? Living room's efty?

298
00:12:01,679 --> 00:12:02,080
Speaker 1: Not in here?

299
00:12:02,200 --> 00:12:02,960
Speaker 7: Add in the bedroom?

300
00:12:03,039 --> 00:12:05,840
Speaker 3: Nothing hair? Yeah, how about that? They go back, here

301
00:12:05,879 --> 00:12:07,360
are you bedroom? Straight back?

302
00:12:07,440 --> 00:12:11,639
Speaker 7: All right, have a look when you check the bathroom.

303
00:12:11,279 --> 00:12:12,919
Speaker 3: In all the closet, everything, she's gone.

304
00:12:16,320 --> 00:12:19,039
Speaker 5: Ten forty six pm we double checked the cottage, all

305
00:12:19,080 --> 00:12:22,080
the buildings and possible hiding places adjoining the Radford house,

306
00:12:22,080 --> 00:12:24,200
and then we combed through the immediate neighborhood around the

307
00:12:24,200 --> 00:12:27,759
apartment court. There was no trace of a suspect Stella Radford.

308
00:12:28,600 --> 00:12:30,840
In the apartment. We found a picture which neighbors told

309
00:12:30,919 --> 00:12:33,840
us was a good likeness of missus Radford. Al Shambra

310
00:12:33,960 --> 00:12:35,879
got to a phone called the office and a local

311
00:12:35,960 --> 00:12:38,679
broadcast and an APB was gotten out on her. We

312
00:12:38,759 --> 00:12:41,000
figured she probably slipped out of the house without being

313
00:12:41,080 --> 00:12:44,879
noticed during the general excitement immediately after the shooting. Her

314
00:12:45,000 --> 00:12:47,120
phone called at one of the neighbors warning that she'd

315
00:12:47,200 --> 00:12:49,759
kill anyone who came after her. Only served as a

316
00:12:49,799 --> 00:12:52,759
stall to give her more time for a getaway. Ten

317
00:12:52,919 --> 00:12:55,639
fifty five pm, Ray Pinker and the crime lab crew

318
00:12:55,720 --> 00:12:59,840
arrived and began their preliminary investigation. Judging from the bloodstains

319
00:13:00,039 --> 00:13:01,639
out on the furniture, in the rug, in the living

320
00:13:01,720 --> 00:13:04,080
room and on the front steps of the cottage, Radford

321
00:13:04,120 --> 00:13:06,039
had first been shot while he was in the living room,

322
00:13:06,320 --> 00:13:08,240
and then apparently he ran out the front door to

323
00:13:08,360 --> 00:13:09,320
escape the gunfire.

324
00:13:10,000 --> 00:13:12,080
Speaker 7: A trail of seven empty shells.

325
00:13:11,759 --> 00:13:14,600
Speaker 5: Ejected from a thirty eight caliber automatic seemed to indicate

326
00:13:14,679 --> 00:13:16,759
that his wife followed him out the front door, still

327
00:13:16,799 --> 00:13:19,279
firing at him as he tried to get away. We

328
00:13:19,440 --> 00:13:21,919
checked the apartment court garage, but the Radford's car was

329
00:13:21,960 --> 00:13:24,919
still there. We remained at the apartment court interviewing the

330
00:13:24,960 --> 00:13:26,960
neighbors and trying to get a line on some of

331
00:13:27,000 --> 00:13:29,080
Missus Radford's known friends and associates.

332
00:13:30,399 --> 00:13:33,159
Speaker 6: Joe, how'd you make a much ol neighbor I talked.

333
00:13:32,960 --> 00:13:34,759
Speaker 7: To, hardly even knew the Radford's How about.

334
00:13:34,519 --> 00:13:36,399
Speaker 6: You that much better? You're in the apartment up the

335
00:13:36,440 --> 00:13:38,720
way named Joanne Taylor. She told me she knew Radford's

336
00:13:38,720 --> 00:13:40,799
wife fairly well. Says she has a sister in town.

337
00:13:40,799 --> 00:13:42,159
Doesn't have any idea where she lives.

338
00:13:42,000 --> 00:13:44,440
Speaker 5: Though, how about the boyfriends Missus Radford' supposed to running

339
00:13:44,440 --> 00:13:44,720
around with?

340
00:13:44,720 --> 00:13:45,879
Speaker 7: Hearing anything about.

341
00:13:45,639 --> 00:13:47,279
Speaker 6: That, she thinks she was doing a little running around.

342
00:13:47,320 --> 00:13:49,360
She doesn't know who the men are though. Hearing about

343
00:13:49,399 --> 00:13:51,720
Radford's condition, I checked with George's treat a couple of

344
00:13:51,720 --> 00:13:53,519
minutes ago. It's pretty critical. I don't know if he's

345
00:13:53,519 --> 00:13:54,200
going to make it her name.

346
00:13:54,320 --> 00:13:59,960
Speaker 8: Oh back here, hustler, come on, But he got Redford,

347
00:14:00,000 --> 00:14:02,200
his neighbors next to Whitley's. Just got a call from

348
00:14:02,200 --> 00:14:04,039
miss Radford. She's talking to mister Whitley on the phone

349
00:14:04,120 --> 00:14:04,440
right now.

350
00:14:04,440 --> 00:14:05,600
Speaker 7: Let's go. I don't know what this is.

351
00:14:05,639 --> 00:14:06,039
Speaker 11: What I was on?

352
00:14:13,480 --> 00:14:15,399
Speaker 6: Oh yes, I was just gonna run and get you.

353
00:14:15,480 --> 00:14:16,639
Speaker 7: You had missus Radford on the phone.

354
00:14:16,759 --> 00:14:18,679
Speaker 6: I did, Yeah, she hung up just before you came in.

355
00:14:19,039 --> 00:14:20,679
Speaker 3: Wouldn't talk though. Did you tell you where she is?

356
00:14:21,000 --> 00:14:21,039
Speaker 5: No?

357
00:14:21,240 --> 00:14:23,080
Speaker 6: She sure sounded funny. I think something snatched.

358
00:14:23,080 --> 00:14:24,519
Speaker 7: She's a little crazy or what she said?

359
00:14:24,559 --> 00:14:25,039
Speaker 11: What she called?

360
00:14:25,080 --> 00:14:26,519
Speaker 6: You said she wanted to find out if her no

361
00:14:26,639 --> 00:14:28,639
good husband was dead. Yet that's all I could make A.

362
00:14:32,440 --> 00:14:34,360
Speaker 5: While ed and I waited with mister Whitley in his

363
00:14:34,440 --> 00:14:36,799
apartment al shamber, got to another phone in one of

364
00:14:36,840 --> 00:14:39,519
the adjoining apartments, called our business office and gave them

365
00:14:39,559 --> 00:14:42,240
the number of the Whitley's telephone. He asked them to

366
00:14:42,279 --> 00:14:44,759
make arrangements as soon as possible to have all incoming

367
00:14:44,879 --> 00:14:48,159
calls at the Whitley's trace to their origin meantime, Ed

368
00:14:48,200 --> 00:14:49,919
and I were briefing Ernest Whitley as to what he

369
00:14:49,919 --> 00:14:52,639
should say if and when the suspect Stella Radford called

370
00:14:52,720 --> 00:14:55,559
him back. There was no phone extension in his apartment,

371
00:14:55,679 --> 00:14:57,320
so the only way we'd be able to monitor the.

372
00:14:57,360 --> 00:14:59,759
Speaker 7: Conversation would be for Whitley to share the receiver with.

373
00:14:59,799 --> 00:15:03,759
Speaker 5: One one of us were waiting eleven thirty pm, eleven

374
00:15:03,840 --> 00:15:06,799
forty five midnight, twelve fifteen am.

375
00:15:08,960 --> 00:15:11,039
Speaker 7: Sorry, all right, try and keep the receiver till then

376
00:15:11,080 --> 00:15:11,679
so we can listen.

377
00:15:12,240 --> 00:15:13,399
Speaker 5: Sure, hope, I got it straight?

378
00:15:13,519 --> 00:15:16,960
Speaker 11: Okay, Hello, I needed Stella.

379
00:15:17,279 --> 00:15:18,519
Speaker 9: Do you find out what I told you to?

380
00:15:19,080 --> 00:15:20,440
Speaker 6: Yeah? Yeah, I call the hospital.

381
00:15:20,600 --> 00:15:21,480
Speaker 7: While he's a lot better.

382
00:15:21,720 --> 00:15:23,120
Speaker 6: It's not as bad as they thought it was. What

383
00:15:23,120 --> 00:15:24,000
do you mean it's not bad?

384
00:15:24,039 --> 00:15:24,759
Speaker 3: You're trying to kid me.

385
00:15:25,120 --> 00:15:26,960
Speaker 6: No, it's a truth. Still, it's not half bad at all.

386
00:15:26,960 --> 00:15:28,039
While he's gonna be all right.

387
00:15:28,000 --> 00:15:29,960
Speaker 9: Couldn't I'm shot him four or five times?

388
00:15:30,039 --> 00:15:30,879
Speaker 5: Ell? Could he be all right?

389
00:15:31,000 --> 00:15:32,000
Speaker 6: I didn't say he was all right.

390
00:15:32,039 --> 00:15:33,360
Speaker 7: I say he was going to be all right.

391
00:15:33,519 --> 00:15:35,320
Speaker 6: Look, it's nothing serious. It's not half as bad as

392
00:15:35,360 --> 00:15:35,720
they thought.

393
00:15:35,799 --> 00:15:37,159
Speaker 9: You're lying, you know you're lying.

394
00:15:37,320 --> 00:15:38,919
Speaker 6: Let's come on, snap, out of it. Well you're still

395
00:15:39,000 --> 00:15:39,840
it's going to be all right.

396
00:15:39,960 --> 00:15:41,559
Speaker 7: Wal He forgives you, believe me, he does.

397
00:15:42,039 --> 00:15:43,840
Speaker 6: Now, look, why don't you come home. We'll get the

398
00:15:43,879 --> 00:15:45,639
whole thing straightened out. There won't be any trouble.

399
00:15:45,639 --> 00:15:46,960
Speaker 12: Why don't you trying to kid me?

400
00:15:47,000 --> 00:15:48,039
Speaker 9: It's not going to be all right.

401
00:15:48,360 --> 00:15:50,200
Speaker 6: I've seen the last you and the last of Wallie.

402
00:15:50,279 --> 00:15:51,559
Speaker 11: Still, I'm with my boyfriend.

403
00:15:51,639 --> 00:15:53,600
Speaker 6: Now we're getting out of town. Now, wait a minute, Stelle,

404
00:15:53,679 --> 00:15:55,759
use your head. Huh. Don't go rushing in anything. Don't

405
00:15:55,799 --> 00:15:56,279
have to tell me.

406
00:15:56,320 --> 00:15:57,039
Speaker 5: I know what I'm doing.

407
00:15:57,360 --> 00:15:59,200
Speaker 6: I don't care if that dumb husband of mine lived

408
00:15:59,279 --> 00:16:00,440
or dies, but just.

409
00:16:00,440 --> 00:16:02,360
Speaker 9: Telling me better not try to follow it, Stell.

410
00:16:02,440 --> 00:16:04,440
Speaker 6: My boyfriend and ex he's got a gun and he

411
00:16:04,480 --> 00:16:06,000
knows how to use it. Well, Stella, wall you listen

412
00:16:06,080 --> 00:16:06,360
a minute.

413
00:16:07,000 --> 00:16:08,639
Speaker 3: The cops too, in case they're going to follow us.

414
00:16:09,200 --> 00:16:10,480
Speaker 9: They try and stop it, and they're going.

415
00:16:10,399 --> 00:16:11,960
Speaker 6: To have a fight in there. Look, you keep talking.

416
00:16:12,000 --> 00:16:14,120
When you listen for just a minute, where are you now,

417
00:16:14,440 --> 00:16:15,519
let me come down and talk to you.

418
00:16:15,759 --> 00:16:17,480
Speaker 9: Not a chance, just be a waste of time.

419
00:16:17,720 --> 00:16:19,519
Speaker 5: I'll leave it with my boyfriend in half an hour.

420
00:16:19,759 --> 00:16:21,159
Speaker 7: You can tell I'll be done.

421
00:16:21,159 --> 00:16:23,559
Speaker 6: Wait a minute, Stelle. He gave me a message for you, Annie.

422
00:16:23,679 --> 00:16:25,320
He left something with me. He wants you to have it.

423
00:16:25,600 --> 00:16:26,720
What's wallet?

424
00:16:27,279 --> 00:16:28,519
Speaker 7: He gave it to me just before he left for

425
00:16:28,559 --> 00:16:28,960
the hospital.

426
00:16:28,960 --> 00:16:31,000
Speaker 6: He got ninety four dollars in it, says he doesn't

427
00:16:31,039 --> 00:16:32,399
care what you think of He wants you to have

428
00:16:32,480 --> 00:16:32,840
the money.

429
00:16:33,720 --> 00:16:34,519
Speaker 7: Ninety four dollars.

430
00:16:34,639 --> 00:16:36,720
Speaker 6: Yeah, he didn't have that much money with hi.

431
00:16:36,759 --> 00:16:37,360
Speaker 9: Where'd he get it?

432
00:16:37,440 --> 00:16:39,240
Speaker 6: Well, I don't know anything about that, but it's right

433
00:16:39,279 --> 00:16:40,639
here in his wallet, just the way he gave it

434
00:16:40,720 --> 00:16:42,080
to me. He wants you to have it, that's.

435
00:16:41,919 --> 00:16:42,279
Speaker 3: All I know.

436
00:16:42,519 --> 00:16:43,039
Speaker 9: I don't get it.

437
00:16:43,120 --> 00:16:44,360
Speaker 4: He didn't have that much money.

438
00:16:44,440 --> 00:16:45,759
Speaker 6: Well, what do you want me to do? Take it

439
00:16:45,840 --> 00:16:47,840
back to him? Tell me you didn't want it. Look,

440
00:16:47,879 --> 00:16:49,639
give the guy a break, Hostelle. It's the only way

441
00:16:49,639 --> 00:16:52,960
he's got to show you how he feels about you, Stell.

442
00:16:54,039 --> 00:16:54,600
Speaker 3: Isn't that right?

443
00:16:56,399 --> 00:16:56,519
Speaker 9: Well?

444
00:16:56,559 --> 00:16:57,360
Speaker 7: How about it, Stelle?

445
00:16:58,440 --> 00:17:00,240
Speaker 6: You got the money with you? I told you, yeah,

446
00:17:00,279 --> 00:17:02,600
pick it up anytime you want. No, you bring it

447
00:17:02,639 --> 00:17:03,039
down here.

448
00:17:03,919 --> 00:17:05,400
Speaker 4: I'll put your camp there, buy your.

449
00:17:05,359 --> 00:17:06,599
Speaker 12: Drinks if you meet my boyfriend.

450
00:17:06,799 --> 00:17:14,359
Speaker 6: Yeah, Stelle, Stelle, Yeah, it's about twelve thirty out.

451
00:17:14,240 --> 00:17:15,200
Speaker 11: Be down here in half an hour.

452
00:17:15,319 --> 00:17:17,039
Speaker 6: Huh, I'm in a bar right on the corner.

453
00:17:17,079 --> 00:17:17,640
Speaker 10: You can't miss it.

454
00:17:17,720 --> 00:17:19,240
Speaker 6: Well, what corner ninth and Avalon.

455
00:17:23,079 --> 00:17:25,359
Speaker 5: As soon as the suspect Stella Radford hung up, we

456
00:17:25,440 --> 00:17:27,880
went to the apartment Cottie's next door, where al Shambra

457
00:17:28,039 --> 00:17:30,920
was on the phone in constant communication with our business office.

458
00:17:31,720 --> 00:17:33,559
Speaker 7: He told us that somehow there's been a slip up.

459
00:17:34,119 --> 00:17:36,000
Speaker 5: They were unable to trace the call to its point

460
00:17:36,039 --> 00:17:40,319
of origin twelve thirty six am. According to plan, Ernest

461
00:17:40,359 --> 00:17:43,279
quickly left his apartment, called a taxi and headed downtown

462
00:17:43,359 --> 00:17:44,440
to keep his appointment with a.

463
00:17:44,440 --> 00:17:45,640
Speaker 7: Suspect Stella Radford.

464
00:17:46,240 --> 00:17:49,079
Speaker 5: Ed Jacobs and Lieutenant Tony Ruis from Homicide followed him.

465
00:17:49,319 --> 00:17:52,160
Al shamber and I stood by at the apartment more

466
00:17:52,240 --> 00:17:55,559
waiting one am one point thirty two am.

467
00:17:56,200 --> 00:17:57,799
Speaker 6: I think they'd call us anyway. I wonder what the

468
00:17:57,880 --> 00:18:00,519
hitch is. It's kind of hard to figure out, steer.

469
00:18:00,599 --> 00:18:01,440
Speaker 7: They ran into some kind of.

470
00:18:01,440 --> 00:18:03,720
Speaker 6: Trouble, made missus Radford. She really warmed up for the

471
00:18:03,759 --> 00:18:04,880
idea when the money was mentioned.

472
00:18:04,920 --> 00:18:06,559
Speaker 7: Apparently, yeah, I was listening in.

473
00:18:06,599 --> 00:18:08,240
Speaker 5: When Whitley gave her the story, she seemed to go

474
00:18:08,359 --> 00:18:10,440
for it's kind of hard to tell the way this

475
00:18:10,519 --> 00:18:11,319
whole thing shaped up.

476
00:18:11,359 --> 00:18:14,880
Speaker 6: She might be them. Now give a look.

477
00:18:18,319 --> 00:18:20,799
Speaker 7: Than Joe, Oh yeah, what happened? How to go?

478
00:18:20,960 --> 00:18:23,440
Speaker 8: We covered the bottle of clothing. Priz neighborhood gave a

479
00:18:23,480 --> 00:18:25,599
funny of time. Yeah, no, lock, she didn't show.

480
00:18:36,240 --> 00:18:39,519
Speaker 4: You are listening to Drag Meet Authentic stories of your

481
00:18:39,599 --> 00:18:40,559
police force and action.

482
00:18:48,319 --> 00:18:51,440
Speaker 5: Friday, January twenty first to twenty eight am, with the

483
00:18:51,480 --> 00:18:54,000
failure of the suspect, Stella Radford to keep the date

484
00:18:54,039 --> 00:18:56,359
with her next door neighbor Ernest Quidley at the Avalon

485
00:18:56,400 --> 00:19:00,440
Boulevard bar, we reached a temporary stalemate. Despite the fact

486
00:19:00,480 --> 00:19:02,880
that checks were made at all restaurants, bars, and other

487
00:19:02,960 --> 00:19:04,640
business places in the vicinity.

488
00:19:04,279 --> 00:19:06,759
Speaker 7: Of Ninth and Avalon opened that time of night, there

489
00:19:06,880 --> 00:19:08,640
was no report or trace of the suspect.

490
00:19:09,319 --> 00:19:11,640
Speaker 5: While the search continued, we stood by at the Whitley

491
00:19:11,680 --> 00:19:14,400
apartment in the hope that missus Radford might call back.

492
00:19:15,200 --> 00:19:17,839
A check of our records and Identification Bureau failed to

493
00:19:17,839 --> 00:19:19,240
turn up any record on either the.

494
00:19:19,279 --> 00:19:20,279
Speaker 7: Victim or the suspect.

495
00:19:20,359 --> 00:19:23,720
Speaker 5: His wife ed called Georgia Street Receiving Hospital again, but

496
00:19:23,799 --> 00:19:24,640
there was no change.

497
00:19:25,119 --> 00:19:27,200
Speaker 7: Wallace Radford's condition was still critical.

498
00:19:28,000 --> 00:19:30,839
Speaker 5: At two thirty five a m. Stella Radford telephoned again.

499
00:19:31,440 --> 00:19:33,720
While we listened in. She told Whitley that she'd had

500
00:19:33,759 --> 00:19:35,799
no intention of keeping that appointment with him at the

501
00:19:35,799 --> 00:19:38,599
Avalon Boulevard bar. She told him that she knew he

502
00:19:38,680 --> 00:19:40,960
was working with the police, that she saw officers follow

503
00:19:41,000 --> 00:19:41,880
Whitley to the bar.

504
00:19:42,039 --> 00:19:43,279
Speaker 7: Where they were supposed to have met.

505
00:19:43,880 --> 00:19:46,079
Speaker 5: She again warned him of the consequences in the event

506
00:19:46,119 --> 00:19:49,440
anybody tried to apprehend her. After she hung up, we

507
00:19:49,559 --> 00:19:51,200
checked with the business office and they told us that

508
00:19:51,279 --> 00:19:53,480
the calls had been coming from a telephone prefix which

509
00:19:53,559 --> 00:19:57,079
was impossible to trace. Ten minutes later, Whitley got another

510
00:19:57,160 --> 00:19:59,759
call from the Radford woman. The conversation went on for

511
00:19:59,799 --> 00:20:02,400
the better part of twenty minutes. She didn't seem to

512
00:20:02,440 --> 00:20:04,559
make much rhyme or reason. Her only concern was the

513
00:20:04,599 --> 00:20:06,079
condition of her husband, whether or.

514
00:20:06,039 --> 00:20:09,440
Speaker 7: Not he was dead. She hung up abruptly, but fifteen

515
00:20:09,480 --> 00:20:11,000
minutes later she called Whitley again.

516
00:20:11,519 --> 00:20:13,200
Speaker 6: Look, Stelle, I told you there isn't gonna be any

517
00:20:13,200 --> 00:20:15,359
trouble now. Why don't you go and see Wally lying

518
00:20:15,440 --> 00:20:16,960
down there in the hospital. He wants to see you.

519
00:20:17,039 --> 00:20:19,039
How about it, Hostell? If he did or not, that's

520
00:20:19,079 --> 00:20:19,680
all I want to know.

521
00:20:20,079 --> 00:20:21,680
Speaker 7: My boyfriend and I are leave the first thing in

522
00:20:21,720 --> 00:20:22,039
the morning.

523
00:20:22,039 --> 00:20:22,920
Speaker 9: I want to find out before.

524
00:20:23,000 --> 00:20:24,400
Speaker 6: Why don't you at least give me a chance to

525
00:20:24,480 --> 00:20:26,279
talk to you? Estelle? Huh, we've been good friends.

526
00:20:26,319 --> 00:20:26,400
Speaker 7: You know.

527
00:20:26,440 --> 00:20:27,640
Speaker 6: I wouldn't do anything to hurt you.

528
00:20:27,720 --> 00:20:28,400
Speaker 7: You are Wally.

529
00:20:28,480 --> 00:20:29,960
Speaker 6: Now let me talk to you. Hunh there's nothing to

530
00:20:30,039 --> 00:20:30,440
talk about.

531
00:20:30,720 --> 00:20:32,279
Speaker 1: They got any say to tell me now.

532
00:20:32,319 --> 00:20:33,319
Speaker 5: All I want to do is out.

533
00:20:33,559 --> 00:20:35,400
Speaker 6: I want to told you he's hurt, but he's going

534
00:20:35,480 --> 00:20:39,480
to be all right. It's not serious, Stelle.

535
00:20:39,599 --> 00:20:41,039
Speaker 9: Why don't you shove blind to me?

536
00:20:41,319 --> 00:20:43,960
Speaker 6: But I'm not lying, Stelle. I wouldn't lie about something

537
00:20:44,079 --> 00:20:46,200
like that. What's the matter with you anyway? You've been drinking?

538
00:20:46,319 --> 00:20:47,200
Speaker 9: What's it your business?

539
00:20:47,599 --> 00:20:49,839
Speaker 6: You're not getting me, Ornie. You're trying to help the cup?

540
00:20:49,920 --> 00:20:50,720
Speaker 12: Don't you think I know that?

541
00:20:50,880 --> 00:20:52,079
Speaker 9: What kind of a pool you think I am?

542
00:20:52,200 --> 00:20:54,799
Speaker 6: I'm trying to help, Stelle, that's all you're You're kind of.

543
00:20:54,839 --> 00:20:57,000
Speaker 9: Help, not me, though, you're kind of help the coup.

544
00:20:57,160 --> 00:20:58,359
I know they're weakened, but we.

545
00:20:58,440 --> 00:20:59,480
Speaker 7: Made that day to meet at the bar.

546
00:20:59,559 --> 00:21:00,480
Speaker 5: You total all about it.

547
00:21:00,640 --> 00:21:04,680
Speaker 6: No, No, you got it wrong, honey. I'm trying to

548
00:21:04,720 --> 00:21:06,640
help both it and you and Wally. I'm trying to

549
00:21:06,640 --> 00:21:08,799
help the best way I know how. Why don't you

550
00:21:08,880 --> 00:21:11,079
come home? I told you straighten the whole thing out.

551
00:21:11,079 --> 00:21:11,880
There won't be any trouble.

552
00:21:11,960 --> 00:21:13,200
Speaker 9: Don't have me that I said.

553
00:21:13,240 --> 00:21:14,799
Speaker 6: We're leaving count me and my boyfriend.

554
00:21:15,519 --> 00:21:16,359
Speaker 9: What about that money?

555
00:21:16,759 --> 00:21:16,880
Speaker 4: Nine?

556
00:21:18,640 --> 00:21:20,400
Speaker 6: Yeah, that's ready, diners. Now, how can I get it

557
00:21:20,440 --> 00:21:22,160
to you? If you don't trust me, get.

558
00:21:22,039 --> 00:21:22,799
Speaker 4: Away from the cops.

559
00:21:23,920 --> 00:21:26,279
Speaker 6: Maybe I could use the money, but I'm not giving myself. Look,

560
00:21:26,279 --> 00:21:28,319
you're wrong about the cops. Still believe me?

561
00:21:28,359 --> 00:21:28,559
Speaker 9: You are?

562
00:21:28,680 --> 00:21:30,400
Speaker 6: Now, why won't you let me meet you someplace? Any

563
00:21:30,440 --> 00:21:31,759
place you want? Just let me talk to you.

564
00:21:32,759 --> 00:21:34,440
Speaker 5: I have to tell you that not to talk about.

565
00:21:34,839 --> 00:21:36,160
Speaker 6: All I want to do is about Wally.

566
00:21:36,319 --> 00:21:36,920
Speaker 9: Is he did yet?

567
00:21:36,920 --> 00:21:38,720
Speaker 6: But I told you he's not dead. He's going to

568
00:21:38,759 --> 00:21:41,799
be all right. Why can't you believe me? It's not

569
00:21:41,920 --> 00:21:42,519
what they thought.

570
00:21:42,599 --> 00:21:45,039
Speaker 7: Whial, He'll be okay in the next room.

571
00:21:46,200 --> 00:21:49,079
Speaker 6: But what Forest Dell? Why not come on snap out

572
00:21:49,079 --> 00:21:49,200
of it.

573
00:21:49,319 --> 00:21:50,279
Speaker 3: Huh No, it's the.

574
00:21:50,279 --> 00:21:51,039
Speaker 6: Truth, So help me.

575
00:21:52,480 --> 00:21:55,200
Speaker 3: Yeah, that's my It just happened to strike me.

576
00:21:55,400 --> 00:21:56,279
Speaker 7: You hear that street card.

577
00:21:56,359 --> 00:21:57,319
Speaker 5: It just went by a minute ago.

578
00:21:57,599 --> 00:21:58,039
Speaker 3: Yeah, I did.

579
00:21:58,119 --> 00:21:59,039
Speaker 6: Why did you know this?

580
00:21:59,079 --> 00:22:01,039
Speaker 5: A little before that we were listening on the phone.

581
00:22:01,119 --> 00:22:03,000
Sounded like the same thing coming over the line, didn't it.

582
00:22:03,240 --> 00:22:05,319
Speaker 8: Yeah, come to think of it, it did. Matter of fact,

583
00:22:05,319 --> 00:22:06,839
I heard it a couple of times coming over the phone.

584
00:22:06,920 --> 00:22:07,519
Was pretty regular.

585
00:22:07,599 --> 00:22:08,240
Speaker 7: Now, that's what I mean.

586
00:22:08,400 --> 00:22:11,000
Speaker 5: Street cars have been passing by here regularly too. Not

587
00:22:11,160 --> 00:22:13,440
much of a time laps either, not much more in

588
00:22:13,480 --> 00:22:16,039
a minute. Well, I mean between the time when we

589
00:22:16,160 --> 00:22:17,559
hear it over the phone and the time the street

590
00:22:17,559 --> 00:22:18,720
car actually passes this place.

591
00:22:18,799 --> 00:22:18,960
Speaker 6: Yeah.

592
00:22:19,640 --> 00:22:21,799
Speaker 5: Well, if we've got the right angle, there's only one

593
00:22:21,799 --> 00:22:24,759
way to figure here. She's phoning from somewhere in the neighborhood,

594
00:22:24,799 --> 00:22:26,319
and she's fairly close with and she saying, where do

595
00:22:26,400 --> 00:22:32,680
we start looking? Car tracks only run two ways. Three

596
00:22:32,799 --> 00:22:34,960
thirty am ed and I went back into the next

597
00:22:35,079 --> 00:22:37,799
room and continue to monitor the conversation between Whitley and

598
00:22:37,880 --> 00:22:40,519
missus Radford. Whitley seemed to know how to keep the

599
00:22:40,599 --> 00:22:43,400
suspect talking, even though the purpose of her conversation seemed

600
00:22:43,400 --> 00:22:46,599
to make little or no sense. At three forty two am,

601
00:22:46,799 --> 00:22:49,359
while we listened in on the other end of the line.

602
00:22:49,680 --> 00:22:50,880
We again heard the sound of a.

603
00:22:50,880 --> 00:22:53,759
Speaker 6: Street car approach and pass Ed checked his watch.

604
00:22:54,200 --> 00:22:56,880
Speaker 5: Approximately one minute thirty eight seconds later, we heard a

605
00:22:56,920 --> 00:23:00,319
streetcar pass by in front of the apartment court. Before

606
00:23:00,440 --> 00:23:02,119
Ed and I left, we gotted down a note for

607
00:23:02,200 --> 00:23:04,799
Whickley asking him to keep missus Radford on the line just.

608
00:23:04,839 --> 00:23:07,200
Speaker 7: As long as possible. We got in the car and

609
00:23:07,319 --> 00:23:09,640
drove north along the car tracks at about the normal

610
00:23:09,680 --> 00:23:10,559
speed of a street car.

611
00:23:11,319 --> 00:23:13,599
Speaker 5: One minute and thirty eight seconds of driving brought us

612
00:23:13,640 --> 00:23:16,240
a distance of little more than eight blocks. Was on

613
00:23:16,319 --> 00:23:18,519
the fringe of a park area. There were only three

614
00:23:18,599 --> 00:23:21,599
residential buildings in the immediate vicinity. There were no lights

615
00:23:21,599 --> 00:23:24,039
showing in any of them. We checked the location for

616
00:23:24,119 --> 00:23:27,319
public telephones, but we found none. Four or fifteen am,

617
00:23:27,480 --> 00:23:29,720
we turned around, drove back to the apartment court.

618
00:23:29,720 --> 00:23:32,559
Speaker 7: And, using the same timing procedure one minute thirty.

619
00:23:32,319 --> 00:23:34,960
Speaker 5: Eight seconds of twenty five miles an hour, we drove

620
00:23:35,000 --> 00:23:36,720
along the car line in a southerly direction.

621
00:23:37,920 --> 00:23:40,000
Speaker 8: Shot how much of a choice Barser closed most of

622
00:23:40,000 --> 00:23:41,839
the restaurants. No light's running on this block?

623
00:23:42,400 --> 00:23:43,720
Speaker 7: Few up ahead, then the next block.

624
00:23:43,880 --> 00:23:45,960
Speaker 3: ED, gotta come pretty soon, doesn't it?

625
00:23:47,039 --> 00:23:49,880
Speaker 7: Yeah? It's a minute right now. I can't see how

626
00:23:49,920 --> 00:23:50,559
we be wronging it?

627
00:23:50,640 --> 00:23:53,319
Speaker 3: Can you too much to rite off? Is just a coincidence?

628
00:23:54,160 --> 00:24:00,319
Speaker 7: A minute? Fifteen seconds? Minute twenty better? Slow down? Yeah?

629
00:24:02,279 --> 00:24:02,799
Speaker 3: What do you think?

630
00:24:03,599 --> 00:24:05,559
Speaker 7: There's a service station across the street and it's.

631
00:24:05,440 --> 00:24:07,480
Speaker 6: Closed up with a lot of them have outside payphers.

632
00:24:07,480 --> 00:24:08,799
Speaker 7: Don't think you see any No?

633
00:24:09,400 --> 00:24:12,359
Speaker 3: None on this side? Say I'll pull up in there.

634
00:24:12,440 --> 00:24:16,799
Speaker 7: Huh Yeah, there's the phone los in the back there.

635
00:24:16,839 --> 00:24:18,559
There's no light though, looks.

636
00:24:18,319 --> 00:24:22,319
Speaker 3: Like somebody in it. Looks like a woman yet is

637
00:24:22,400 --> 00:24:26,640
come in? All right, hold it up, lady, he's running

638
00:24:26,640 --> 00:24:27,039
for Joe.

639
00:24:27,160 --> 00:24:28,880
Speaker 7: All right, come on, come on, hold it up, lady.

640
00:24:28,920 --> 00:24:31,160
Speaker 6: Police office, they go, they go, me, what do you

641
00:24:31,200 --> 00:24:31,680
think you're doing?

642
00:24:31,759 --> 00:24:34,119
Speaker 7: Poice officer's lady? Here's our identification? Like talk to you?

643
00:24:34,400 --> 00:24:36,079
Speaker 6: You leave me alone. Just leave me alone, that's all.

644
00:24:36,119 --> 00:24:36,920
Speaker 12: I don't have to talk to you.

645
00:24:37,000 --> 00:24:38,240
Speaker 3: And name still a Radford? Isn't it?

646
00:24:38,640 --> 00:24:38,680
Speaker 7: No?

647
00:24:39,160 --> 00:24:40,599
Speaker 3: No, it isn't that's your identification?

648
00:24:40,720 --> 00:24:41,480
Speaker 6: Who sent you here?

649
00:24:41,519 --> 00:24:41,880
Speaker 11: Who was it?

650
00:24:42,000 --> 00:24:42,920
Speaker 7: Are you still a Radford?

651
00:24:43,039 --> 00:24:43,960
Speaker 6: Who couldn't have found out?

652
00:24:44,000 --> 00:24:44,839
Speaker 12: How'd you know I was here?

653
00:24:44,839 --> 00:24:45,359
Speaker 5: It was on hee?

654
00:24:45,400 --> 00:24:45,880
Speaker 8: Wasn't it him?

655
00:24:45,920 --> 00:24:46,440
Speaker 2: And his friends?

656
00:24:46,480 --> 00:24:48,960
Speaker 6: He told you. No, man, I don't see how you

657
00:24:49,079 --> 00:24:51,799
found me. Somebody had to tell you. You never could

658
00:24:51,839 --> 00:24:53,960
have found me. I don't see how I made any mistake.

659
00:24:54,279 --> 00:24:55,799
Speaker 7: Yeah, that's right. Let's go, lady.

660
00:25:08,559 --> 00:25:11,640
Speaker 2: The story you have just heard was true. The names

661
00:25:11,640 --> 00:25:13,200
were changed to protect the innocent.

662
00:25:13,599 --> 00:25:16,720
Speaker 4: On April sixteenth, trial was held in Superior Court, Department

663
00:25:16,759 --> 00:25:19,519
eighty eight, City and County of Los Angeles, State of California.

664
00:25:19,720 --> 00:25:21,640
Speaker 6: In a moment the results of that trial.

665
00:25:29,920 --> 00:25:32,599
Speaker 4: The victim of the shooting, Wallace John Radford, recovered from

666
00:25:32,640 --> 00:25:35,799
his wounds and refused to press charges against his wife. However,

667
00:25:35,920 --> 00:25:38,200
she was tried in Superior Court and found guilty of

668
00:25:38,279 --> 00:25:40,759
Section two forty five PC Assault.

669
00:25:40,400 --> 00:25:41,200
Speaker 3: With a deadly weapon.

670
00:25:41,720 --> 00:25:44,680
Speaker 4: She was sentenced to the term prescribed by law assault

671
00:25:44,720 --> 00:25:47,160
with a deadly weapon as punishable by imprisonment in the

672
00:25:47,200 --> 00:25:50,240
state penitentiary for a term not less than one nor

673
00:25:50,359 --> 00:25:51,400
more than ten years.

674
00:25:53,079 --> 00:25:56,799
Speaker 2: Ladies and gentlemen, Mister Joseph M. Kennick, President of the

675
00:25:56,880 --> 00:26:02,279
California State Juvenile Officers Association, thank you. California State Juvenile

676
00:26:02,279 --> 00:26:05,119
Officers Association has asked me to present this award of

677
00:26:05,200 --> 00:26:09,599
merit to Jack Webb and to Dragnet for outstanding service

678
00:26:09,680 --> 00:26:13,359
to law enforcement in the authentic and sympathetic portrayal of

679
00:26:13,480 --> 00:26:16,200
the police officer in the field of delinquency control.

680
00:26:16,359 --> 00:26:18,599
Speaker 5: Thank you very much, mister Kenney, and I'll be looking

681
00:26:18,640 --> 00:26:20,440
forward to meeting you again and the members of your

682
00:26:20,480 --> 00:26:23,200
association at your annual conference banquet tomorrow night.

683
00:26:23,240 --> 00:26:34,599
Speaker 7: Here in Los Angeles, you have just.

684
00:26:34,640 --> 00:26:38,039
Speaker 4: Heard Dragnet, a series of authentic cases from official files.

685
00:26:38,640 --> 00:26:41,920
Technical advice comes from the Office of Chief of Police W. H. Parker,

686
00:26:42,039 --> 00:26:46,440
Los Angeles Police Department Technical Advisors, Captain Jack Donaho, Sergeant

687
00:26:46,480 --> 00:26:50,599
Marty Wynn, Sergeant Vance Bracer. Heard tonight where Barney Phillips, Herbellus,

688
00:26:50,680 --> 00:26:54,599
Jack Pruschan, Helen Cleave, script by Jim Mozy, music by

689
00:26:54,680 --> 00:26:57,039
Walter Schumann, Hell Gibney speaking.

690
00:27:07,880 --> 00:27:08,640
Speaker 7: Ladies and gentlemen.

691
00:27:09,720 --> 00:27:13,559
Speaker 2: Nature plus the threat of man made catastrophes make continuing

692
00:27:13,640 --> 00:27:18,480
health and constant preparedness necessary. The Red Cross binds these needs.

693
00:27:19,319 --> 00:27:21,839
Answer the Red Cross calls with a generous contribution.

694
00:27:36,680 --> 00:27:39,160
Speaker 6: No, it's cod Spy on NBC.

695
00:27:46,480 --> 00:27:52,160
Speaker 1: Welcome back. That cafeteria at the beginning is a menace

696
00:27:52,319 --> 00:27:56,240
to public safety. Given how many police officers it was

697
00:27:56,319 --> 00:28:00,119
a flecting a nice clue and bit of detective of

698
00:28:00,240 --> 00:28:04,799
work that could have worked in a fictional story. For

699
00:28:04,920 --> 00:28:08,960
the first time listening to this, I did question the

700
00:28:09,240 --> 00:28:13,839
method because it seemed to me that on a very

701
00:28:14,079 --> 00:28:18,079
basic level, you could have had one of the two

702
00:28:18,200 --> 00:28:25,200
detectives outside monitoring street car traffic in the area, so

703
00:28:25,480 --> 00:28:29,680
when the other one heard the streak car going by

704
00:28:29,880 --> 00:28:34,440
after they'd heard it on the phone, the detective was

705
00:28:34,519 --> 00:28:38,799
outside would know which exact direction to go, rather than

706
00:28:38,920 --> 00:28:43,640
having to backtrack back and forth, which required keeping the

707
00:28:43,759 --> 00:28:47,680
suspect on the line longer. Now, it could be a

708
00:28:47,920 --> 00:28:54,359
change that was done for dramatic effect because it's a

709
00:28:54,480 --> 00:28:58,000
little bit more tense, or it could be that the

710
00:28:58,079 --> 00:29:01,400
real life officers didn't think think of that. To be fair,

711
00:29:01,839 --> 00:29:05,880
this is at least my third time hearing this particular episode,

712
00:29:05,920 --> 00:29:08,400
and I think this is the first time it's occurred

713
00:29:08,400 --> 00:29:12,000
to me, and I was not under the influence of

714
00:29:12,279 --> 00:29:17,359
the cafeterious food. Episode also has another important point at

715
00:29:17,480 --> 00:29:22,240
the end where the husband, mister Radford, decides not to

716
00:29:22,319 --> 00:29:27,400
press charges. Nevertheless, charges are brought, and this brings home

717
00:29:27,559 --> 00:29:31,839
an important point where sometimes we can get misled by

718
00:29:32,200 --> 00:29:38,160
fictional crime programs and get the idea that a victim's

719
00:29:38,480 --> 00:29:43,920
decision to press charges or not determinative of whether a

720
00:29:44,039 --> 00:29:48,200
prosecution will occur. That's just not the case. It is

721
00:29:48,480 --> 00:29:53,279
usually the decision of the state as to whether they're

722
00:29:53,319 --> 00:29:56,440
going to prosecute, although that does vary a little bit

723
00:29:56,599 --> 00:30:01,480
by jurisdiction in some cases. Just as a practical matter

724
00:30:02,079 --> 00:30:07,039
without a complaining witness, there are various crimes that are

725
00:30:07,200 --> 00:30:10,880
just very hard to prove, and this is true certainly

726
00:30:11,039 --> 00:30:15,680
of many domestic violence prosecutions. There are also some minor

727
00:30:15,839 --> 00:30:20,000
crimes where a prosecutor might give weight to a victim's

728
00:30:20,119 --> 00:30:27,160
request that prosecution not be pursued. Prosecutorial discretion can indicate

729
00:30:27,279 --> 00:30:32,759
that it's just not wise to bring a prosecution involved

730
00:30:33,000 --> 00:30:40,200
the correctional system in a minor situation that the parties

731
00:30:40,920 --> 00:30:44,119
have come to an understanding one. But then there are

732
00:30:44,319 --> 00:30:48,759
cases that are going to be prosecuted regardless of what

733
00:30:49,000 --> 00:30:53,319
the victim said. It's wonderful the husband's choosing to be

734
00:30:53,480 --> 00:30:57,720
a sport and not prosecute, but honestly, the police don't

735
00:30:57,880 --> 00:31:02,359
need him to give evidence. They've got the gun she fired,

736
00:31:02,759 --> 00:31:05,640
and likely they were able to run a paraffine test

737
00:31:06,000 --> 00:31:09,359
and he ended up in the hospital in critical condition.

738
00:31:09,559 --> 00:31:13,680
This is a serious crime. It's not something that you

739
00:31:13,920 --> 00:31:19,200
can allow in society without consequence, so it's totally they

740
00:31:19,599 --> 00:31:24,680
believable that they would go ahead and prosecute despite the husband.

741
00:31:24,440 --> 00:31:25,119
Speaker 7: Not wanting it.

742
00:31:25,720 --> 00:31:29,400
Speaker 1: Now it's time to thank our Patreon supporter of the day.

743
00:31:29,799 --> 00:31:34,160
Thank you to Rochelle, Patreon supporter since April, currently supporting

744
00:31:34,240 --> 00:31:38,160
the podcast at the Detective Sergeant level of seven dollars

745
00:31:38,240 --> 00:31:40,519
and fourteen cents or more per month. Thanks so much

746
00:31:40,559 --> 00:31:43,880
for your support, Roastale, And that will do it for today.

747
00:31:44,039 --> 00:31:47,480
If you're enjoying the podcast, please follow us using your

748
00:31:47,680 --> 00:31:51,119
favorite podcast software and be sure to rate and review

749
00:31:51,200 --> 00:31:54,960
the podcast wherever you download it from. We'll be back

750
00:31:55,279 --> 00:31:58,480
next Thursday with another episode of Dragnet, but join us

751
00:31:58,559 --> 00:31:59,880
back here tomorrow.

752
00:31:59,559 --> 00:32:00,039
Speaker 7: For your.

753
00:32:02,200 --> 00:32:04,319
Speaker 9: This is Al Turner, a New Britain mutual.

754
00:32:04,480 --> 00:32:06,480
Speaker 11: Hi. Oh, what goes with you these days?

755
00:32:06,839 --> 00:32:09,920
Speaker 9: Johnny? One of our important clients is very anxious to

756
00:32:09,960 --> 00:32:12,240
get in touch with you. Says that she's an old

757
00:32:12,319 --> 00:32:12,960
friend of yours.

758
00:32:13,039 --> 00:32:13,599
Speaker 12: Oh who is that?

759
00:32:14,200 --> 00:32:16,160
Speaker 9: Her name is missus Virginia Haskell.

760
00:32:16,759 --> 00:32:20,400
Speaker 12: Virginia Haskell, that's right? Uh, sorry, Al, but I'm afraid

761
00:32:20,400 --> 00:32:22,079
I never heard of her before she.

762
00:32:22,160 --> 00:32:25,000
Speaker 9: Got married about a year ago. Her name was Van

763
00:32:25,079 --> 00:32:26,880
Doran Ginney.

764
00:32:26,680 --> 00:32:28,000
Speaker 11: Van dorn Is.

765
00:32:28,319 --> 00:32:31,039
Speaker 12: Oh well, now that's something else again, and I mean

766
00:32:31,160 --> 00:32:32,920
something well, then you do know her.

767
00:32:33,160 --> 00:32:33,920
Speaker 7: One of the most.

768
00:32:33,759 --> 00:32:36,480
Speaker 12: Delightful bits of feminine polker tude I ever ran up against.

769
00:32:36,920 --> 00:32:39,000
Believe me, a young man's fancy didn't have to wait

770
00:32:39,039 --> 00:32:40,400
for spring to turn the thoughts of her.

771
00:32:40,880 --> 00:32:41,799
Speaker 9: Now what does that mean?

772
00:32:42,200 --> 00:32:42,400
Speaker 11: Oh?

773
00:32:42,759 --> 00:32:42,920
Speaker 7: Ah?

774
00:32:43,079 --> 00:32:45,720
Speaker 11: Even I had serious ideas about that gallop one time.

775
00:32:46,119 --> 00:32:48,839
Speaker 12: Oh yeah, right after college. Isn't every kid of that

776
00:32:48,920 --> 00:32:51,240
agent trigued by the idea of marrying into a fortune.

777
00:32:51,680 --> 00:32:54,440
And very beautiful at least she was when I know her.

778
00:32:54,759 --> 00:32:55,720
Speaker 9: Still is Johnny.

779
00:32:55,960 --> 00:32:58,359
Speaker 11: So she's married to somebody by the name of Haskell.

780
00:32:58,480 --> 00:33:03,279
Speaker 9: Huh, Gorton Haskell. They live on Birchbrook Road down in Bronxville,

781
00:33:03,359 --> 00:33:03,759
New York.

782
00:33:04,359 --> 00:33:08,480
Speaker 12: Funny, what well when I knew her, that blonde charmer

783
00:33:08,519 --> 00:33:11,839
didn't have eyes for anybody but Paul Snowden. Who's Paul

784
00:33:11,920 --> 00:33:15,079
Snowdon child? What sweetheight that sort of thing. Poor boy

785
00:33:15,200 --> 00:33:16,200
making good on his own, you.

786
00:33:16,200 --> 00:33:16,640
Speaker 6: Know a little bit.

787
00:33:17,079 --> 00:33:19,400
Speaker 9: Ah, He is too proud to marry her because of

788
00:33:19,480 --> 00:33:19,880
her money.

789
00:33:20,000 --> 00:33:22,359
Speaker 12: But she swore that she'd never marry anybody else, that

790
00:33:22,480 --> 00:33:23,680
he was her one true love.

791
00:33:24,440 --> 00:33:27,440
Speaker 11: But I uh, I guess she changed her mind. What

792
00:33:27,559 --> 00:33:28,920
does she want to see me about al?

793
00:33:29,519 --> 00:33:32,519
Speaker 9: She didn't say. She did make it clear, however, that

794
00:33:32,640 --> 00:33:34,720
it has to do with some of the family insurance.

795
00:33:34,759 --> 00:33:36,359
Speaker 11: Well that's as good an excuse as any.

796
00:33:36,799 --> 00:33:38,519
Speaker 9: Then, do you want to run on down.

797
00:33:38,400 --> 00:33:41,400
Speaker 12: There for a longing look at the gorgeous Ginny van Durham.

798
00:33:41,839 --> 00:33:44,759
But it'll cost you money out listen, Johnny.

799
00:33:44,759 --> 00:33:49,799
Speaker 9: With the premiums we get for all the insurance she carries, life, house, property,

800
00:33:49,880 --> 00:33:50,200
and so on.

801
00:33:50,640 --> 00:33:52,720
Speaker 11: The sky is a limit, brother, Have you stucked your

802
00:33:52,799 --> 00:33:53,200
neck out?

803
00:33:53,640 --> 00:33:55,160
Speaker 9: Well, no, that doesn't mean you have.

804
00:33:55,759 --> 00:33:56,480
Speaker 11: I'll be in touch.

805
00:33:57,240 --> 00:33:59,480
Speaker 1: You'll be with us then in the meeting time. S

806
00:34:00,079 --> 00:34:04,559
comments to Box thirteen at Greatdetectives dot net, follow us

807
00:34:04,720 --> 00:34:08,280
on Twitter at A Radio Detectives, and check us out

808
00:34:08,400 --> 00:34:14,480
on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho.

809
00:34:14,840 --> 00:34:17,719
This is your host, Adam Graham signing off.

