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<v Speaker 1>The bird feeder. Arthur fills his bird feeder every morning

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<v Speaker 1>at seven o'clock. He has done this for eleven years,

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<v Speaker 1>ever since his wife passed and the house became too quiet.

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<v Speaker 1>The feeder hangs from a hook on the porch, a

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<v Speaker 1>wooden platform with a roof painted green, though the paint

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<v Speaker 1>has worn away in patches, and the wood underneath is

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<v Speaker 1>silver with age. He fills it with sunflower seats, not

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<v Speaker 1>the cheap mix with the filler grain that the birds

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<v Speaker 1>sort through and discard. The good stuff, black oil sunflower seeds,

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<v Speaker 1>the kind that cardinals love and chickadees love most. He

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<v Speaker 1>buys them in forty pound bags from the farm supply

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<v Speaker 1>store and keeps them in a metal trash can by

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<v Speaker 1>the back door. The lid waited with a brick to

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<v Speaker 1>keep the squirrels out. At seven o'clock, Arthur steps onto

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<v Speaker 1>the porch. The air is cool, the sky is just

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<v Speaker 1>turning light. He scoops the seeds into the feeder, one cup,

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<v Speaker 1>two cups, three. He checks the water in the stone

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<v Speaker 1>basin on the railing. He brushes away the husks from yesterday.

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<v Speaker 1>Then he sits in his rocking chair with his coffee

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<v Speaker 1>and waits The birds come at seven twelve, not seven eleven,

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<v Speaker 1>not seven thirteen, seven twelve. Arthur has been washing enough

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<v Speaker 1>to know their schedules as well as he knows his own.

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<v Speaker 1>The first to arrive is always the chickadee. Arthur calls

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<v Speaker 1>him the scout. He is small and quick, with a

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<v Speaker 1>black cap and a white face. He lands on the feeder,

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<v Speaker 1>grabs a single seed, and flies away. He does this

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<v Speaker 1>three times. Then he returns to the maple tree and

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<v Speaker 1>calls to the others the all clear signal the feeder

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<v Speaker 1>is safe. The cardinals come next. The male is bright red,

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<v Speaker 1>the color of a fire engine, the color of a sunset.

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<v Speaker 1>Arthur calls him the Gentleman. He is cautious. He sits

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<v Speaker 1>on the railing and looks at the feeder for a

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<v Speaker 1>long time before he lands. He eats slowly, cracking each

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<v Speaker 1>seed with care, his black mask giving him the look

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<v Speaker 1>of a bandit. At a formal dinner, his mate comes

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<v Speaker 1>with him. Arthur calls her the Lady. She is brown,

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<v Speaker 1>with orange on her wings and beak, beautiful in a

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<v Speaker 1>quiet way. She eats while the Gentleman watches. He always

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<v Speaker 1>lets her eat first. Arthur respects this about him The

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<v Speaker 1>blue jays arrive at seven twenty. They are loud, they

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<v Speaker 1>are pushy. Arthur calls them the committee because they argue

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<v Speaker 1>about everything. They argue about who gets to eat first.

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<v Speaker 1>They argue about which side of the feeder is better.

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<v Speaker 1>They argue about the squirrels. They argue about the weather.

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<v Speaker 1>They arrive squawking and leave squawking, and the porch sounds

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<v Speaker 1>like a board meeting that has gone on too long.

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<v Speaker 1>Arthur does not mind. He likes the Committee. They make

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<v Speaker 1>him laugh. The new thatch comes at seven point thirty.

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<v Speaker 1>Arthur calls him the upside down one, because that is

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<v Speaker 1>what he is. He walks head first down the trunk

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<v Speaker 1>of the maple tree, which is not how most birds walk.

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<v Speaker 1>He lands on the feeder and eats with his head tilted,

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<v Speaker 1>as if the world looks different from an angle, and

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<v Speaker 1>he prefers it that way. The woodpecker comes at seven forty.

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<v Speaker 1>Arthur calls him the doctor because of the way he

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<v Speaker 1>taps on the maple tree, methodical and precise, as if

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<v Speaker 1>he is checking for a heartbeat. He is a downy woodpecker,

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<v Speaker 1>small and black and white, with a red patch on

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<v Speaker 1>the back of his head. He does not eat from

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<v Speaker 1>the feeder. He eats from the suet cage that Arthur

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<v Speaker 1>hangs from the hook below. He clings to the wire

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<v Speaker 1>mesh and pecks, his body perfectly still except for his head.

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<v Speaker 1>The mourning doves come last. Arthur calls them the quiet ones.

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<v Speaker 1>They sit on the railing and coo a low, sad,

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<v Speaker 1>beautiful sound that makes the morning feel deeper than it is.

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<v Speaker 1>They eat the seeds that the other birds have knocked

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<v Speaker 1>to the floor. They are not picky, they are grateful.

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<v Speaker 1>Arthur watches them all. He has given them names, not

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<v Speaker 1>because they are pets, but because they are neighbors. He

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<v Speaker 1>has watched their children grow up. He has watched the

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<v Speaker 1>gentleman teach his son to crack seeds. He has watched

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<v Speaker 1>the lady build a nest in the maple tree, weaving

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<v Speaker 1>grass and twigs with her beak. He has watched the

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<v Speaker 1>scout lead a new group of chickadees to the feeder

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<v Speaker 1>for the first time, showing them the ropes. He knows

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<v Speaker 1>their arguments and their alliances. He knows that the committee

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<v Speaker 1>will chase the squirrels away from the feeder, but only

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<v Speaker 1>if the gentleman is not nearby. Because the gentleman does

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<v Speaker 1>not tolerate bullying. He knows that the upside down one

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<v Speaker 1>will eat alone, always alone, and that this is not

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<v Speaker 1>sadness but preference. He knows that the quiet ones will

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<v Speaker 1>sit together on the railing, shoulder to shoulder, and that

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<v Speaker 1>their cooing is not grief but conversation. Arthur has learned

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<v Speaker 1>something from watching the birds. He has learned that a

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<v Speaker 1>life can be small and still be full. He has

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<v Speaker 1>learned that routine is not the same as emptiness. He

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<v Speaker 1>has learned that the world is full of small dramas,

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<v Speaker 1>and small joys, and small kindnesses if you sit still

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<v Speaker 1>long enough to see them. At eight o'clock, Arthur goes inside.

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<v Speaker 1>He washes his coffee cup, He dries it with a towel.

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<v Speaker 1>He puts it back on the hook. The birds have

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<v Speaker 1>had their breakfast. The feeder is half empty. The porch

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<v Speaker 1>is quiet again, except for the faint sound of wings

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<v Speaker 1>in the maple tree. Arthur does not need much. He

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<v Speaker 1>has his house, he has his porch, He has his birds,

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<v Speaker 1>He has his coffee. He has the morning, every morning,

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<v Speaker 1>the same and not the same, the light changing with

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<v Speaker 1>the seasons, the birds coming and going, the feeder being

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<v Speaker 1>filled and emptied and filled again. Some people might look

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<v Speaker 1>at Arthur's life and see loneliness. They would be wrong.

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<v Speaker 1>Arthur is alone, but he is not lonely. He has

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<v Speaker 1>the scout and the gentleman, and the lady, and the committee,

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<v Speaker 1>and the upside down one, and the doctor and the

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<v Speaker 1>quiet ones. He has the sound of wings. He has

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<v Speaker 1>the crack of sunflower seeds. He has the coop of

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<v Speaker 1>mourning doves. In the early morning light and every evening,

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<v Speaker 1>when the birds have gone to roost and the feeder

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<v Speaker 1>is empty and the porch is quiet, Arthur sits in

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<v Speaker 1>his rocking chair and listens to the silence. It is

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<v Speaker 1>not the silence of absence. It is the silence of

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<v Speaker 1>a day that has been lived, a day that was

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<v Speaker 1>full of small things, a day that mattered. He sleeps well,

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<v Speaker 1>he always has. The birds will come again at seven twelve,

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<v Speaker 1>The feeder will be full, the morning will be waiting,

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<v Speaker 1>and Arthur will be there in his rocking chair with

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<v Speaker 1>his coffee, watching the world wake up, one small bird

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<v Speaker 1>at a time.
