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<v Speaker 1>Hey, this is Michael Brustin, a keyboardist and fearner, and

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<v Speaker 1>you are listening to a Doctor Sky Experience on Talk

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<v Speaker 1>Radio seventy seven.

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<v Speaker 2>WABC, and welcome, ladies and gentlemen to the Doctor Sky Experience,

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<v Speaker 2>heard exclusively here on Talk Radio seventy seven dule ABC,

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<v Speaker 2>as we like to say, the crown jewel of radio,

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<v Speaker 2>the iconic seventy seven talk radio station, eaming out of the

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<v Speaker 2>New York around the nation, around the world, and I'm

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<v Speaker 2>sure out into the cosmos. If you're a newcomer to

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<v Speaker 2>the Doctor Sky Experience. Great interviews from the realms of astronomy, space, aviation,

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<v Speaker 2>and weather and celebrity gain to the mix and ladies

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<v Speaker 2>and gentlemen. Today, without further ado, we are going to

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<v Speaker 2>introduce one of the great band members of one of

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<v Speaker 2>the most iconic rock bands in history, Foreigner, and just

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<v Speaker 2>a few moments we'll be introducing the keyboardist, Michael Bluestein,

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<v Speaker 2>who's going to tell us a little bit more not

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<v Speaker 2>only about the band, but more importantly about the farewell

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<v Speaker 2>tour twenty twenty three that he's involved in with this

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<v Speaker 2>iconic band, a real classic here in America, but a

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<v Speaker 2>little background on Our Special Guests Byba Bluestein began piano

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<v Speaker 2>studies at age nine. Growing up, he was exposed to

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<v Speaker 2>a wide range of artists, including Stevie Wonder, Paul Simon, Boston, Mozart,

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<v Speaker 2>The Who, and jazz pianist.

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<v Speaker 1>The Onliest Moment.

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<v Speaker 2>After studying at Berkeley College of Music, Michael made his

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<v Speaker 2>way up to Los Angeles, where he played with Stevie Nicks, b.

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<v Speaker 2>K Anglethias an Astussian, and with the house band of

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<v Speaker 2>Jimmy Kimmel Live. Michael describes the experiences playing Oh the

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<v Speaker 2>classic Parigner songs as quote, truly surreal. I grew up

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<v Speaker 2>hearing and loving all these songs. I've ever dreamed that

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<v Speaker 2>I would have the chance to be in the band

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<v Speaker 2>playing with them. The energy on stage is amazing and

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<v Speaker 2>I love looking out and seeing everyone singing along with

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<v Speaker 2>every word. End quote. With that, let's welcome the keyboards

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<v Speaker 2>from this iconic band, follow the Michael blue Seen Welcome

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<v Speaker 2>to the show. Thank you, Hey, hey Dad, great to

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<v Speaker 2>be here. Hey, thank you so much, my friend. You

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<v Speaker 2>know the tour, let's talk about it, historic farewell tour.

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<v Speaker 2>It's twenty twenty three and beyond. Sorry to to report

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<v Speaker 2>those words. But this band is what about fifty watch

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<v Speaker 2>fifty years old? Is that correct? In my recollection? Well,

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<v Speaker 2>I formed it.

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<v Speaker 1>You know, kind of towards the end of seventy six,

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<v Speaker 1>and the first single feels like the first time came

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<v Speaker 1>out in seventy seven and the rest of history as

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<v Speaker 1>they say. But so yeah, not quite fifty, but kind

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<v Speaker 1>of approaching rapidly approaching that fifty year mark.

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<v Speaker 2>Totally incredible, Nick Jones, Ian McDonald of King Crimson lou

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<v Speaker 2>Graham Foreigner And you know, it's interesting the namesake. I'm

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<v Speaker 2>reading this, I need little bit of help from you, Michael,

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<v Speaker 2>that the name foreigner is simply the fact that they

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<v Speaker 2>had a bunch of foreign guys playing in the band.

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<v Speaker 2>And is that simply how the name foreigner came about?

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<v Speaker 2>I mean it seems pretty obvious.

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<v Speaker 1>Well yeah, I mean that that is for one, one

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<v Speaker 1>angle on it. I mean, it was kind of half

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<v Speaker 1>and half English guys and American guys, and they came

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<v Speaker 1>up with this that that this concept that no matter

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<v Speaker 1>anywhere wherever they were going in the world, one of

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<v Speaker 1>them would be a foreigners based on the different the

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<v Speaker 1>different book, you know, not nationality.

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<v Speaker 2>Is there, just to remind everybody listening to the Doctor

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<v Speaker 2>Sky experience. Here, I'm the powerful talk radio seventy Southern

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<v Speaker 2>w ABC, beaming out of the United States, the nation,

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<v Speaker 2>the world, and Michael, I'm sure even out into the cosmos.

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<v Speaker 2>Today we're talking with the keyboardist, Michael Lustein, one of

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<v Speaker 2>the members of this iconic band as we keep talking

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<v Speaker 2>about here, and rightfully so, they've earned their right, ladies

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<v Speaker 2>and gentlemen, to play music, playing at loud and crowd.

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<v Speaker 2>Over what eighty million records sold worldwide and over thirty

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<v Speaker 2>seven million records sold in the United States, that is

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<v Speaker 2>no easy thing to do. Talk a little bit more

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<v Speaker 2>about the great history of this band and what does

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<v Speaker 2>it mean to you to be part of it. It's

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<v Speaker 2>such a high honor.

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<v Speaker 1>Well, I mean, I think that you know, it's sort

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<v Speaker 1>of the whole thing was born at a real classic

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<v Speaker 1>time in rock and roll late seventies or just so

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<v Speaker 1>many American, so many great artists, you know, American British

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<v Speaker 1>that were exploding on the scene. And you know, that

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<v Speaker 1>sort of era of music is just such a big

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<v Speaker 1>part of the culture. And you know, whether you're talking

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<v Speaker 1>about you know, Boston or Journey or Foreign Rio or Styx,

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<v Speaker 1>all these great anthemic songs everyone remembers from, you know,

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<v Speaker 1>their high school years, college years.

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<v Speaker 2>You know.

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<v Speaker 1>In my case, I was eight years old and feels

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<v Speaker 1>like the first time came out. I was born in

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<v Speaker 1>sixteen years old, so you know, I was a kid

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<v Speaker 1>hearing these songs and just loved them. And you know,

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<v Speaker 1>Lou Graham's voice was just always this powerful, spine tangling,

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<v Speaker 1>goosebump inducing, you know, vocal performances on these tunes. So

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<v Speaker 1>it definitely made an impression on me. And I have

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<v Speaker 1>lots of memories as a kid listening to all these

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<v Speaker 1>all the tunes, Double Vision, Head Games, cold As, I

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<v Speaker 1>feel like the first time jud Bucks, Hero Urgent, you know,

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<v Speaker 1>waiting for a girl like you. You know, all these

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<v Speaker 1>tunes just really everybody knows them, you know, especially if

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<v Speaker 1>you grew up around that time, but not not only

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<v Speaker 1>if you grew up around that time. I mean, you know,

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<v Speaker 1>we're seeing the kids and the grandkids of these people

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<v Speaker 1>out there that now you know, they grew up then

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<v Speaker 1>that we're in high school then, and it's pretty awesome

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<v Speaker 1>how it's survived, and you know through the generations. Here

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<v Speaker 1>you know, and people are still loving these tunes and

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<v Speaker 1>they're still relevant. They're still part of the fabric of

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<v Speaker 1>the American experience, the European experience, you know, when of course,

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<v Speaker 1>you know, I want to know what love is that

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<v Speaker 1>I didn't even mention which was the biggest hit of

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<v Speaker 1>all amazing that was a worldwide hit. So you know

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<v Speaker 1>that no matter where you go, everyone knows that prom

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<v Speaker 1>So yeah, it's pretty incredible to be a part of

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<v Speaker 1>this legacy, this repertoire of songs. You know, it's a

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<v Speaker 1>pretty insane catalog. That's just you know, I think it's

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<v Speaker 1>it's classic in every sense.

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<v Speaker 2>Well, Michael, in case people out there listening have never

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<v Speaker 2>been to a live concert as foreigner, you have some

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<v Speaker 2>make great opportunities here as you talk about the historics

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<v Speaker 2>farewell to or twenty twenty three, twenty twenty four, those

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<v Speaker 2>at the home here in Arizona. You're coming to the

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<v Speaker 2>auctionen pavilion here. This is coming someday to the August

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<v Speaker 2>at twenty at seven pm. It's your tickets, of course,

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<v Speaker 2>where the tickets are sold all over the place, and

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<v Speaker 2>that should be an outstanding concert when also on stage

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<v Speaker 2>as what we have Loverboys, Is that correct.

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<v Speaker 1>That's right, Lover Boys. It's been really a great, a

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<v Speaker 1>fitting double bill. We love those guys. They of course

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<v Speaker 1>have some really memorable, huge smash hit songs as well,

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<v Speaker 1>and we've just really enjoyed getting to hear their set

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<v Speaker 1>and getting to hang with them backstage, and it's just

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<v Speaker 1>it's just had a really great vibe all around musically

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<v Speaker 1>and personally. So I think you'll be fine that it

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<v Speaker 1>just the pairing of those two bands of Lover Blayne Foreigner,

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<v Speaker 1>we just feel is really working. And wow, it just

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<v Speaker 1>gets it gets fans really pumped up by the time

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<v Speaker 1>we get on stage.

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<v Speaker 2>Sure it does, you know. I remember, going back, Michael,

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<v Speaker 2>a few years ago, we were listening to the band

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<v Speaker 2>play live, of course, out in the most amazing epitheater

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<v Speaker 2>Talking Stick here in Arizona, and boy, there wasn't an

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<v Speaker 2>empty seat in the crowd. I mean, people were jumping up,

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<v Speaker 2>moving to the music, you know, going with lip syncing

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<v Speaker 2>and singing the songs. Even more than lip syncing, they

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<v Speaker 2>were doing the own things.

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<v Speaker 3>Three.

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<v Speaker 4>For more than four decades, our next guests have been

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<v Speaker 4>singing the soundtrack of our lives. They first wore up

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<v Speaker 4>onto the scene, and the seventies were chart topping hits

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<v Speaker 4>like Feels Like the First Time and Cold as Ice.

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<v Speaker 5>There currently on their global farewell tour and joining us

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<v Speaker 5>with a very special performance, Please welcome one of the

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<v Speaker 5>most popular rock bands in all time, Warner. Yes, what

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<v Speaker 5>a trick for us treating I mean, you guys have

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<v Speaker 5>decided this is your last final tour. What's it like

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<v Speaker 5>saying goodbye?

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<v Speaker 3>It's it's it's mixed, you know if this is going

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<v Speaker 3>to go into twenty twenty four because we can't get

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<v Speaker 3>everywhere in a year, but we're experiencing it on the fly,

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<v Speaker 3>real time. How it feels to be in front of

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<v Speaker 3>a crowd that you think you might not see again.

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<v Speaker 3>So bittersweet?

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<v Speaker 4>Really, No, what are you doing for school programs? I

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<v Speaker 4>know you've given so much to fans, but you're also

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<v Speaker 4>giving back to the community.

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<v Speaker 3>We've been working with a Grammy Foundation for a long time,

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<v Speaker 3>more than a decade, and helping bring attention to the

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<v Speaker 3>lack of funding for school choirs, and on this tour,

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<v Speaker 3>we're having choir competitions. The winner of the competition gets

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<v Speaker 3>a Bose l one system with our partners nice there,

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<v Speaker 3>and we donate money to the choirs, and it's all

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<v Speaker 3>about giving them the experience and also helping fund music

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<v Speaker 3>in the arts.

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<v Speaker 5>That's so cool because the music is so important. Kelly,

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<v Speaker 5>you joined the band in two thousand and five, correct,

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<v Speaker 5>What was it like stepping into such an iconic group.

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<v Speaker 3>Well, I have had a little conversation with myself and said,

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<v Speaker 3>do you think you can do this? And sometimes you

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<v Speaker 3>just have to have belief in yourself and take a leap,

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<v Speaker 3>and it seemed to have worked out.

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<v Speaker 4>So it did work out. And look at what I'm holding.

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<v Speaker 4>This is such a treat right here. What do you

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<v Speaker 4>think it is about your music that has resonated with

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<v Speaker 4>so many people over the past what four decades?

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<v Speaker 1>Now?

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<v Speaker 3>It's the catalog, It's it's a wonderful catalog of songs

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<v Speaker 3>with its sixteen top thirties and over eighty million records sold.

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<v Speaker 3>And I think the quality of the material is really

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<v Speaker 3>what's important.

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<v Speaker 2>Nice.

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<v Speaker 5>So you guys have as many hits as Fleet with

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<v Speaker 5>Mac they're in the Hall of Fame. You guys have

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<v Speaker 5>been eligible to be in the rock and roll Hall

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<v Speaker 5>of Fame for a long time for a while, but

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<v Speaker 5>continue to be overlooked. What do you think it's going

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<v Speaker 5>to take I don't.

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<v Speaker 3>Think that that's really what's important. I think what's important

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<v Speaker 3>to us is that our fans show us that they

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<v Speaker 3>love us. And I don't know rock and roll hall

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<v Speaker 3>of fame a set standard of what they think is important.

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<v Speaker 3>I mean influence. How many people have been influenced to

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<v Speaker 3>pick up a guitar or sing because of this band.

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<v Speaker 3>I consider that influence.

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<v Speaker 4>It is all right, thank you very much. And now

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<v Speaker 4>here is Farder with one of their songs, of course

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<v Speaker 4>that I love.

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<v Speaker 2>I want to know what love is. I want that song.

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<v Speaker 6>I've been waiting for this song. Please give it to us,

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<v Speaker 6>all right, get a.

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<v Speaker 7>Take a little time, little time to thinkings over, better

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<v Speaker 7>read between the lines.

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<v Speaker 8>In case I need and win a moulder.

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<v Speaker 7>This mountain, mounts Clive.

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<v Speaker 8>Feels like a world upon my shoulder. Through the clouds,

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<v Speaker 8>I see the shine. Excuse me, warms like gross colder.

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<v Speaker 5>In my last.

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<v Speaker 4>There's been punicking.

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<v Speaker 8>I don't now you fucking sa sit.

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<v Speaker 4>Down now, I'm Chael, so.

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<v Speaker 8>You change this.

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<v Speaker 7>I want to know nothing.

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<v Speaker 3>I want you shine.

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<v Speaker 4>I want to see nothing.

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<v Speaker 2>Well that was amazing. I want to know what love is.

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<v Speaker 2>Was really outstanding. They actually brought on stages you know better,

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<v Speaker 2>I'm local, you know, chorus, young children they had singing

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<v Speaker 2>in the chorus that was just so amazing, which I

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<v Speaker 2>find fascinating. But we haven't forgotten our friends back at

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<v Speaker 2>WABC in New York because according to the great schedule here,

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<v Speaker 2>as you folks know best, September second, Syracuse, New York,

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<v Speaker 2>September third, the pnd Bank Arts Center in Home Down,

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<v Speaker 2>New Jersey, and all the way going into the latter

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<v Speaker 2>part of twenty twenty three, November the seventeenth, Bethlehem, Pennsylvania.

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<v Speaker 2>How do you guys do it? It must be amazing talk

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<v Speaker 2>about being on the road. I mean, you know people

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<v Speaker 2>who see these concerts. I mean obviously myself, I don't

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<v Speaker 2>know all the back of the details, but you love

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<v Speaker 2>what you do. But boy, that drains a lot of

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<v Speaker 2>your battery energy every day to beyond as much as

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<v Speaker 2>you guys are, so that must be pretty challenging to

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<v Speaker 2>be on sport. Describe that for them don't understand what

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<v Speaker 2>we're talking.

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<v Speaker 1>About, Well, it definitely does, you know. I think that

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<v Speaker 1>there's though there is some drainage, as you said, you know,

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<v Speaker 1>to I like that drain to the battery, you know,

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<v Speaker 1>to the body. There's a lot of travel. I mean,

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<v Speaker 1>we all feel like the travel is the hardest part.

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<v Speaker 1>I mean, you know, get the getting of the stage,

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<v Speaker 1>you know, not not that running around in one hundred

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<v Speaker 1>and three degree heat is easy on stage, especially you know,

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<v Speaker 1>the time of the year. We just did three shows

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<v Speaker 1>and Texas that will take its toll on.

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<v Speaker 2>You know, Arizona someday, right, Oh god, I know, uh.

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<v Speaker 1>Well I did hear. I have heard that they did

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<v Speaker 1>blow some cold air on a Sunner stage. They're driving

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<v Speaker 1>this Americans on stage from whatever well there, but yeah,

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<v Speaker 1>so yeah, there is certainly a draining component to it,

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<v Speaker 1>but it's also energizing. You know, we get our batteries

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<v Speaker 1>recharged by the crowds that we get, you know, in

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<v Speaker 1>the enthusiasm that that's coming back to us. So yeah,

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<v Speaker 1>there's you know, the travel is the hardest part, and

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<v Speaker 1>you know, getting on buses, getting on planes, you know,

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<v Speaker 1>but sort of drudgery of that can can take its toll.

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<v Speaker 1>But we all try to eat well and take care

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<v Speaker 1>of ourselves out here and do what we need to

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<v Speaker 1>do to stay fresh. And obviously sleep is a huge

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<v Speaker 1>part of that for everyone. So we do our best

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<v Speaker 1>to get that done. But at the end of the day,

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<v Speaker 1>we love what we're doing. And you know, you just

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<v Speaker 1>like practicing an instrument and getting better at that or

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<v Speaker 1>whatever your craft is. I mean, there's a there's some

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<v Speaker 1>travel chops that get developed, if you know what I mean.

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<v Speaker 1>You know, if after you're doing it, you sort of

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<v Speaker 1>get it, it becomes a well illed machine in the

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<v Speaker 1>sense of you know, you know, you know what your

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<v Speaker 1>rituals are, packing and unpacking. You know, you know what

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<v Speaker 1>you have to do to get to get up and

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<v Speaker 1>ready in time, and to do the things you need

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<v Speaker 1>to do during the day before you lead the hotel

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<v Speaker 1>and get to the venue, and you just sort of

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<v Speaker 1>that part of it, you know, it almost gets to

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<v Speaker 1>be second nature too. So yeah, that's uh, it's a challenge.

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<v Speaker 2>But one no, I don't know how I could do it.

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<v Speaker 2>That's amazing. But God bless you guys, because again on

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<v Speaker 2>the very positive side of the Sohole interview, you're as

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<v Speaker 2>energized as you can be one and ten percent, and

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<v Speaker 2>that's exactly the gie that audience loves, and that energy

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<v Speaker 2>is definitely two directional. I want to also mention to

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<v Speaker 2>you right now. Of course, we're going to be hearing

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<v Speaker 2>a little excerpt from an interview that was done with

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<v Speaker 2>the band and Good Morning America just recently talking about

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<v Speaker 2>this historic farewell tour twenty twenty three, twenty twenty four,

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<v Speaker 2>and I think that really says it well, Michael. You know,

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<v Speaker 2>obviously you're out there in the public eye for so long,

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<v Speaker 2>this great band, part of American culture in the rock

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<v Speaker 2>and the old world. But I want to just transition

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<v Speaker 2>to something here and see if you can help us out.

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<v Speaker 2>We have a lot of big fans of Vinyl out there.

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<v Speaker 2>I mean, it's not amazing the resurgence of vinyl. Everywhere

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<v Speaker 2>I go bookstores and other big music stores. Vinyl has

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<v Speaker 2>really shocked at the top, bigger than what STD is.

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<v Speaker 2>But is it true that you have a gold Vinyl

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<v Speaker 2>commemorative album that people can get to and also a

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<v Speaker 2>black version of that talked about that that's amazing for

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<v Speaker 2>big fans of vinyl.

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<v Speaker 1>Yes, that's true. We've been selling them in all the

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<v Speaker 1>shows and actually really a lot of we're selling find

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<v Speaker 1>edition of the black vinyl. That's every day we get

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<v Speaker 1>to the venue and we're just they've got them lined

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00:17:07.440 --> 00:17:10.519
<v Speaker 1>up for us to sign. They've been selling quite well

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<v Speaker 1>at the shows. People can also get them at Foreigner

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<v Speaker 1>online dot com. Yes, that's right, that's the one. I think,

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00:17:24.519 --> 00:17:28.079
<v Speaker 1>all the all the merchants available there, all the different

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<v Speaker 1>kinds of vinyl that you said, the golden and the

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<v Speaker 1>black versions. So yes, it's wonderful. I mean that's kind

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<v Speaker 1>of you know, full circle, right. I mean it comes

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<v Speaker 1>back to when the band first came out, you know,

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<v Speaker 1>and all those iconic albums on on vinyl, Double Vision,

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<v Speaker 1>head Games, you know, the first album just entitled Foreigner

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<v Speaker 1>and you know Foreigner for Agent Provocateur, all those classics

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<v Speaker 1>that were people were used to hearing on vinyl.

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<v Speaker 5>Uh.

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<v Speaker 1>Yeah, this is a sort of of kind of bringing

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<v Speaker 1>it all back home.

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<v Speaker 2>Well as this that wasn't enough, Let's talk about something

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<v Speaker 2>else here that I have in my hand that I

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<v Speaker 2>couldn't put it down. It's the audio CD and the

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<v Speaker 2>DVD with the twenty first century Symphony Orchestra and Chorus. Now,

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<v Speaker 2>this one, folks, knocks it out of the park because

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<v Speaker 2>I can't think of a more better blending of the

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<v Speaker 2>different genres of music and incorporating what a classical orchestra

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<v Speaker 2>an amazing chorus in with the sound and music of foreigners.

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<v Speaker 2>Talk about that because that is that's something for everyone.

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<v Speaker 2>In other words, you have somebody out there that would

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<v Speaker 2>say terribly and I would never agree with them. Oh,

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<v Speaker 2>I'm not in the rocket roll. They like the audio

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<v Speaker 2>files for classic music or such. For Wow, isn't this incredible?

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00:18:42.400 --> 00:18:46.000
<v Speaker 2>I mean this set that audio CD and DVD's it

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00:18:46.119 --> 00:18:49.279
<v Speaker 2>must have describe that whole process of where it was

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<v Speaker 2>done and a little bit of the backstory that we

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00:18:51.960 --> 00:18:54.519
<v Speaker 2>may not have been able to capture from watching it

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<v Speaker 2>on the DVD.

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<v Speaker 1>It was a pretty special event. We were performing at

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<v Speaker 1>a festival in Lucerne, Switzerland. We've done that festival twice now,

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<v Speaker 1>with both times with this orchestra made of Swiss musicians

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<v Speaker 1>from that region. Lake Lucerne is this beautiful lake in

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<v Speaker 1>Switzerland with you know, views of the Alps in the background,

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<v Speaker 1>and it's just a really gorgeous, scenic, fairy tale kind

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00:19:21.599 --> 00:19:26.079
<v Speaker 1>of city, really beautiful city and amazing hotel right there

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<v Speaker 1>on the lake that we were staying, a hotel Schweizer.

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<v Speaker 1>It's called Schwizhoff, that's it. And yeah, we did this

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<v Speaker 1>performance and recording with the orchestra of the twenty first

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<v Speaker 1>century Orchestra that you described, and it was a blast.

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<v Speaker 1>You know. It's part of this festival, so all kinds

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<v Speaker 1>of other bands playing throughout the weekend, throughout the week

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<v Speaker 1>you know. I think at one point where I just

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<v Speaker 1>went in, Fire was there and a lot of classic

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<v Speaker 1>band Howard Jones kind of, you know, a lot of

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<v Speaker 1>a lot of classic bands at a classic artists they

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<v Speaker 1>call it Retrofest and yeah, which we've been there twice

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<v Speaker 1>now and one of them was recorded, and it was

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<v Speaker 1>just a really great opportunity. And like you said, I

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<v Speaker 1>chanced to hear all the songs and all the music

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<v Speaker 1>in a different context in the classical more of the

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00:20:12.240 --> 00:20:15.960
<v Speaker 1>classical contest text of course. Still there's you know, the

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00:20:16.000 --> 00:20:20.720
<v Speaker 1>full rock band combined with the classical instrumentation, which is

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<v Speaker 1>just seems to work really well.

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<v Speaker 2>Most beautiful And if you're a big fan of Foreigner,

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<v Speaker 2>who isn't if you're missing something in your audio collection

369
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<v Speaker 2>and now DVD collection, you got to get a copy

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<v Speaker 2>of this. It's just beautiful. Just a few more minutes

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<v Speaker 2>with you as time permits here and I do appreciate

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<v Speaker 2>your time, and say hi to Kelly Hanson. Kelly was awesome,

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<v Speaker 2>like yourself and talking to us about a year or

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<v Speaker 2>so ago, and I got to ask this, and now

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<v Speaker 2>we're positive. He always want to be positive. But it

376
00:20:46.880 --> 00:20:50.359
<v Speaker 2>was tough during COVID, right, I mean, God bless all.

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00:20:50.200 --> 00:20:51.200
<v Speaker 1>The bands in the world.

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<v Speaker 2>All everything was just kind of like coming to a

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<v Speaker 2>grinding hole. But describe that period because it was something

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00:20:58.079 --> 00:21:01.400
<v Speaker 2>that maybe a lot of music acts and bands couldn't survive.

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<v Speaker 2>Warner came out well, but that was a tough time.

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<v Speaker 1>Obviously, it was a tough time and we were really sidelined.

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<v Speaker 1>It was a lot of false starts. You know, there

384
00:21:13.759 --> 00:21:16.119
<v Speaker 1>was a thought of Okay, we're not going to cancel

385
00:21:16.200 --> 00:21:17.920
<v Speaker 1>these shows yet, I think we're going to be good.

386
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<v Speaker 1>Then get closer and closer, and the promoters would pull

387
00:21:20.759 --> 00:21:23.319
<v Speaker 1>the plug because we just weren't there yet, and there

388
00:21:23.359 --> 00:21:28.200
<v Speaker 1>were still, you know, resurgences of the virus happening in

389
00:21:28.240 --> 00:21:30.160
<v Speaker 1>different areas depending on where we were going. You know,

390
00:21:30.200 --> 00:21:33.599
<v Speaker 1>we had to just cancel postpone, a lot of a

391
00:21:33.640 --> 00:21:36.000
<v Speaker 1>lot of trips, a lot of tours, and we got

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<v Speaker 1>going again. I think our first shows back were in

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<v Speaker 1>May of twenty twenty one, so compared to a lot

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<v Speaker 1>of artists, a lot of bands that we got out

395
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<v Speaker 1>there probably as soon as it was possible, you know,

396
00:21:46.279 --> 00:21:47.960
<v Speaker 1>and of course there was still a lot of protocols

397
00:21:48.000 --> 00:21:50.079
<v Speaker 1>in place at that point, a lot of masking, still

398
00:21:50.119 --> 00:21:53.759
<v Speaker 1>a lot of the distancing and everything. But yeah, it's

399
00:21:53.799 --> 00:21:56.640
<v Speaker 1>sort of here we are, I mean over two years

400
00:21:56.720 --> 00:22:01.319
<v Speaker 1>later and on and going wrong end, but yeah, we did.

401
00:22:02.000 --> 00:22:06.079
<v Speaker 1>We were sidelined for about a year and a half really,

402
00:22:06.279 --> 00:22:10.799
<v Speaker 1>and yes, yeah, I mean it was it was a

403
00:22:10.880 --> 00:22:12.799
<v Speaker 1>lot of a lot of time at home. I mean, honestly,

404
00:22:12.839 --> 00:22:14.759
<v Speaker 1>for me, there were you know, it was bittersweet because

405
00:22:14.759 --> 00:22:17.880
<v Speaker 1>it was it was nice to actually get to be

406
00:22:17.920 --> 00:22:20.359
<v Speaker 1>at home or and do some other musical projects, you know,

407
00:22:20.440 --> 00:22:25.079
<v Speaker 1>in my personal studio that had been put off for

408
00:22:25.119 --> 00:22:26.799
<v Speaker 1>a while. I just didn't have as much time to do.

409
00:22:26.920 --> 00:22:29.759
<v Speaker 1>So that was, you know, the sort of silver lining there.

410
00:22:29.799 --> 00:22:32.160
<v Speaker 1>There were some more creative projects at home that I

411
00:22:32.200 --> 00:22:35.440
<v Speaker 1>was able to dive into, but we were all missing

412
00:22:35.680 --> 00:22:38.240
<v Speaker 1>being out there, and thank god, we were able to

413
00:22:38.240 --> 00:22:40.279
<v Speaker 1>get it going again in May twenty one.

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<v Speaker 2>Michael, just a couple of quick ones here, and I

415
00:22:43.079 --> 00:22:45.599
<v Speaker 2>know your time is important, just like here, so I

416
00:22:45.680 --> 00:22:47.480
<v Speaker 2>want to know something when you look at this whole

417
00:22:47.480 --> 00:22:49.359
<v Speaker 2>world of the keyboards, Who in your mind in this

418
00:22:49.440 --> 00:22:52.240
<v Speaker 2>dimssion is somebody that you really looked up to? I know,

419
00:22:52.279 --> 00:22:54.200
<v Speaker 2>it's just labbed in your bio that we just read

420
00:22:54.200 --> 00:22:56.680
<v Speaker 2>at the top of the show. So many different people

421
00:22:56.720 --> 00:22:58.400
<v Speaker 2>that you've been around, But who who do you admire

422
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<v Speaker 2>so much in the keyboard world throughout the UTU all time.

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<v Speaker 2>It doesn't necessarily have to be in the rock genre.

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<v Speaker 1>I would say that I have some people in different

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<v Speaker 1>genres and different time periods that have been the biggest

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00:23:14.440 --> 00:23:16.960
<v Speaker 1>influence for me, the most impactful. I mean, you know,

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<v Speaker 1>the closest to the rock and roll world. I mean

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<v Speaker 1>Keith Emerson, Rememberson, Macol Palmer. He was a huge influence

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<v Speaker 1>when I was first getting into playing rock keyboards and

430
00:23:28.359 --> 00:23:31.240
<v Speaker 1>also discovering jazz and progressive music because he kind of

431
00:23:31.240 --> 00:23:35.519
<v Speaker 1>brought those things together and obviously a strong classical influence

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<v Speaker 1>in his style. Rick Wakeman of Yes also a big,

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00:23:40.039 --> 00:23:42.039
<v Speaker 1>big influence in that world. But then you know, on

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<v Speaker 1>them getting further on into high school and college, I

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00:23:45.039 --> 00:23:48.039
<v Speaker 1>got more into jazz and went further back to people

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00:23:48.160 --> 00:23:54.200
<v Speaker 1>like Oscar Peterson from Canada, amazing jazz pianists, Bill Evans,

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00:23:54.400 --> 00:23:58.079
<v Speaker 1>Keith Jarrett, Herbie Hancock. Room's really large for me as

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<v Speaker 1>a guy that was missed in the sixties and seventies.

439
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<v Speaker 1>You know, a lot of people know him from Rocket,

440
00:24:03.240 --> 00:24:06.599
<v Speaker 1>you know, his big hit Rocket from the early eighties,

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00:24:06.640 --> 00:24:09.480
<v Speaker 1>but he was an amazing jazz piano. Is an amazing

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00:24:09.519 --> 00:24:11.920
<v Speaker 1>jazz pianist who play with Miles Davis. Was part of

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<v Speaker 1>Miles davis second big quintet in the nineteen sixties when

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00:24:17.240 --> 00:24:19.200
<v Speaker 1>Herbie was just you know, a young man. He was

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00:24:19.200 --> 00:24:21.599
<v Speaker 1>playing with Miles in the sixties and then he started

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00:24:21.640 --> 00:24:25.440
<v Speaker 1>his own group, the Headhunters, doing funk kind of funk

447
00:24:25.519 --> 00:24:28.160
<v Speaker 1>jazz the seventies. And I love all that stuff, acoustic

448
00:24:28.160 --> 00:24:30.160
<v Speaker 1>stuff with Miles and the funk stuff that he did

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<v Speaker 1>with his own band. So I would say, yeah, Keith

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00:24:34.079 --> 00:24:36.960
<v Speaker 1>Jarrett and a lot of solo piano jazz stuff.

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<v Speaker 2>And well that's a lot of people, you bet, a

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<v Speaker 2>lot of talent.

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<v Speaker 1>Yeah, So I have a lot of influences, diverse group

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<v Speaker 1>of people. Yeah, And then I love you know, I

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<v Speaker 1>mean Elton John and Billy Joel or two towering figures

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00:24:48.400 --> 00:24:51.519
<v Speaker 1>and pop piano and those guys what those guys did

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<v Speaker 1>with Songwright.

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<v Speaker 2>Wow, a lot of powerful, powerful answer to a great

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<v Speaker 2>you know, world of music. But you know this is

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<v Speaker 2>a bit I hate to say this. We hate to

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<v Speaker 2>end these interviews here, but that's Foreigner Ladies and gentlemen,

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<v Speaker 2>composed of Mick Jones, Kelly Henston, Bruce Watson, Jeff Pilson,

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00:25:07.920 --> 00:25:11.720
<v Speaker 2>Chris Frasier, Luis Moldonado and of course our special guest

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<v Speaker 2>today Michael Lustin on keyboards. Thank you so much. I

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<v Speaker 2>want to remind people to go to Foreigner online dot

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00:25:18.240 --> 00:25:21.680
<v Speaker 2>com from your entire tour schedule all their offerings that

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00:25:21.759 --> 00:25:25.200
<v Speaker 2>you can get. This particular interview conducted of course in

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00:25:25.720 --> 00:25:29.799
<v Speaker 2>August of twenty twenty three, regarding the historic Farewell Tour

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00:25:29.920 --> 00:25:33.480
<v Speaker 2>twenty twenty three, twenty twenty four. I do appreciate your

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00:25:33.519 --> 00:25:36.759
<v Speaker 2>time and godspeed to you and the band. Please stay

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00:25:36.759 --> 00:25:38.359
<v Speaker 2>on the line as we go to the heartbreak at

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<v Speaker 2>the bottom of the hour that concludes this interesting addition,

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00:25:41.599 --> 00:25:44.079
<v Speaker 2>as you tell us out there up to Doctor Sky

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00:25:44.200 --> 00:25:48.039
<v Speaker 2>experience exclusively on America's number one radio station, Talk Radio,

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00:25:48.039 --> 00:25:52.119
<v Speaker 2>seventy seven WABC. We call it the Crown jewl of radio.

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<v Speaker 2>The iconic seventy sothern talk radio I'm Steve Kates, and

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<v Speaker 2>I want to thank our producer, Doctor D for handling

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<v Speaker 2>all the technicals that make this found as good as

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<v Speaker 2>you would expect. Thank you to our special guest, Michael

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<v Speaker 2>Blue said
