Speaker 1: And we're back. So I'm gonna hit you with this news.
Mister Muss. We a long time ago were big Tarantino fans,
But I think this is something we probably have said
would never happen, right, especially with Tarantino. He's a stickler.
We're doing he's doing ten movies, right because kill Bill's
a combo. He's doing ten movies and he's retiring. So
it was around last year something like that where he
was writing the movie Critic. Now this rum or the
start of it. There's conflicting reports. Some people say this
was an entirely different script. Some people say the movie
Critic kind of transformed into a cliff Proof script, because
what happens was he was writing the script about a
movie critic in like the sixties seventies, But he did
have cliff Proof Cliff Boof as a character that showed
up right, just kind of like a cameo, had some
sort of appearance or whatnot. And then some people believe
that that got more and more and then just kind
of turned into one. But then as we talked about
last year, Tarantino just shelve that he for some reason,
just tell eight it's not good enough, don't want to
direct it. He's being very particular because it is his
last movie. He wants to stick to that. I swear.
If he be's really particular and then he just comes
back for eleventh, is gonna be pissed. But I know
lots of people don't believe him. I think I do
believe him, just in this story alone, because as we've seen,
he has a script sitting there and instead of doing
nothing with it, well, he sold it off. And he
said before like he's gonna write, He's gonna write books,
he's gonna write plays. I think this is a kind
of a window into I don't think it's gonna happen,
but like he's he either has a treatment or he's
written a full script of Kill Bill three. So but
what happened here was I guess that he had the
script at one point and Brad Pitt really liked it,
and Brad Pitt said like, well, if you're not gonna
make it, could ee And I guess the word is that,
Tarantino said, depending who the director was. So you go
to Dave Fincher, who on Mount Rushmore. He's a mind
Mount Rushmore seven, Fight Club, The Killer. Just recently he
was a part Gone Girl. Yes, he's been a part
of many series, like he's doing the Squid Game remake,
he did House of Cards, he did make which I
didn't really love. He'd been the Curse of Benjamin Button
not the Curse? Is it the Curse the Case of Benjamin?
But not the Case. It is a career some kind
of ye it is. Hey, we just reviewed it last
year three. Yeah, curse. We'll talk about that later. But
so this is what happened. He went to him and
right now, David Fincher has an exclusive first look deal
with Netflix. So in the situation where well he approves,
finchering director will have to be with Netflix. Sounds like
Tarantino didn't care because they paid him a nice twenty
wamp a million to get this script off of them.
So they bought the script. Well that's pretty good for
he does nothing. Now he just wrote that script down.
Speaker 2: He get for adventures fifty Come on, that's pretty good.
Speaker 1: That's fit. Like he got twenty that's pretty good for
just writing a script. I'll have someone by a script.
Speaker 2: For twenty letters on a page.
Speaker 1: Yeah you know, but yeah, she got twenty million. He
slid that over and then after this apparently the root
is like he he might have had the executive executive
producer credit on or something, but where does he has
nothing new? That doesn't care? Like you go do your thing?
Speaker 2: So sorry, can you remind me?
Speaker 3: Tarantino's reasoning for doing the ten is it because like
you get old and you make shitty movies? Is because
he wants like there to be a nice like time
capsule ten movies is a nice number.
Speaker 1: I think a bit of both, but more the former
that he believes directors when they get older make bad movies.
Speaker 3: See then I just think this is so dumb because
now like Hollywood came out in twenty nineteen, and so
now it's gonna be like a couple more years or
longer until we get that Gavie it could is this
reasoning not like by fucking around, by making these random
scripts and selling them off and then going to make
a stage play and then doing this, doing that, canceling movies,
Like have you not then gotten into that era where
you're an old, shitty director Tarantino?
Speaker 2: Like, what's going on here?
Speaker 3: Is this tenth movie is gonna be garbage because you're
waiting so long to make it.
Speaker 1: It's going sixty two, so I'd like to as old.
Speaker 3: He's old and he's washed, and this movie's gonna suck
is by his reasoning.
Speaker 1: By his right time, by the time he could be filming. Technically,
I think in the States it's the same. You're considered
a senior when you're sixty five, so he's in his
scenes in his senior years. I do agree with everybody
that I think he's just mad, that he.
Speaker 2: Just needs to swallow that.
Speaker 3: I know he's been going, yeah, sticking to that thing
for you know, twenty years or whatever at this point,
but dude, come on, you know you want to make
the movies.
Speaker 2: You're still gonna make them.
Speaker 3: You're just not gonna like, oh, I'm not in the
director's chair, dude, just make the movies. Okay, if you
make a shitty movie, that'll be one of my favorite
movies of the.
Speaker 2: Year, you know.
Speaker 1: Yeah, I think he's just kicking himself. That, unfortunately, to me,
my favorite. I don't know if it's my favorite, but
the best movie he's done was What's Upon Time in Hollywood?
And I think he really wishes that was his last one,
because I think there's like a chasing the dragon feel
where I think he looks at that movie and he
doesn't think he can top it. He doesn't think and
that's what he's worried about. Is everyone be like, oh, yeah,
he should have in the last one. This is his
last one. And then because you know what's gonna happen though,
as I wonder, is that's gonna happen, and then he's
gonna stew on it for years and he's gonna hear
those comments again and again that people like, well, wasn't
as good as Hollywood.
Speaker 2: We're not gonna get in this movie, are we?
Speaker 1: But no, I think he'll be the verse that he'll
do it, and then he'll come back for eleventh when
everyone tells him that ten was not as good as Hollywood.
That's what's gonna happen. He's gonna prove something. But it's
out of that or he should he said before he
could just cheat and say Kill Bill was two movies
and he's at ten already because he didn't want to release.
Speaker 2: Imagine if he imagine if he did that.
Speaker 1: At this point, he maybe should if he's just like
getting gray hairs over this. But what do you think
about the concept now of just a sequel of this film,
Cliff Boof has come back. It's following his adventures. Leo
supposedly is in negotiations to appear. His role would not
be huge. It sounds like it maybe be kind of
like you remember how Pacino was in the in Hollywood
was now I hate saying that in the first movie
because that's what it is, But in Hollywood where Pacina
was in a couple of scenes, it sounds like Leo
would be that where maybe there'd be a part where
he'd be in there. And there's been no talks about
Margot Robbie being in it, but apparently it's not like
a closed door, so there's lots like.
Speaker 3: You know, yeah, I mean, basic of all you were
saying earlier about Cliff Booth and that being maybe the
genesis of this that makes that makes sense that he
would be maybe love main I who comes back. But
to me, when I first heard this news and kind
of forgot about that Cliff Booth thing, because I think
you've mentioned that before, it's like Margot Robbie was the
first thing that came to my mind, Like that's that's
where the sequel stuff goes, because that's kind of the
whole rewriting of history of this is that this person
who in the real world died at that point in
time is instead alive.
Speaker 2: Now what can we do next with that?
Speaker 3: You know, her filming her next movie, which is some
other thing that could be you know, it's a classic
Tarantino movie within a movie situation. So I feel like
it would be great if she came back. That would
be really fun, But also sounds like this might just
be like in the from the world of Once upon
a Time in Hollyway, it's gonna like a Ballerina situation
where it's like, is it really a sequel? Maybe not,
it's just like in the same place and there's a
couple characters that come back and then in which case
it's like, well, I can't complain too much of it's
not directly following up on like storylines from the first one. Yeah,
because even Cliff Booth, he's just kind of like a guy,
you know, it's not really about him.
Speaker 1: Well yeah, now it's but it sounds like he'd be
the main characterist, So I feel like it has to
be about him now, Like that's the thing that's true.
And I don't know if like do you touch upon
like are the police or somebody after him for the
wife thing? Is it more stuntman things? Is it like
the future of Hollywood?
Speaker 2: And puts those puts those goggles on on the boat
or whatever it is.
Speaker 1: That could be a poster right there, you know, And
I agree with super Band Mike. There's no possiblyay it
lives up to the hype his tenth movie. No, I
don't think so. Now you've built up too much. Now
there's he should have never said it. He should have
what I always get the idea Tarantino is a showman,
a showman. He's a showman and he's showmanship, and he
wanted to build that up, right because I know it's
like we talk about John stuff. I can see the
promotion and the posters already, the final Tarantino movie. You
get to like all that, right, but you know how
cool it would have been. Let's say he's legitimately doing this.
How cool would have been. You watched the movie and
he hit credits and the first thing that pops up,
like the final Quinn, you know, directed by.
Speaker 3: Just like delete Jackie Brown, and then we get like
an eleventh movie.
Speaker 1: A lot of people love Jackie Brown, so you don't
want to do that. Everybody has their favorite Tarantino.
Speaker 2: I will delete it from history or like the credits.
Speaker 1: Is directed by Quentin Tarantino dot dot dot for the
last time you would have that would have been such
like a mic drop. But it wouldn't it would it
would be because it would have festivals and everything. I
don't know, but yeah, yeah, yeah, I'm on. I'll take
this because Brad Pitt was great. Cliff Proof, well, I
don't know why I have such a problem saying that name. Tonight,
Cliff Boom, I'm just gonna call him Booth for the
foreseeable future. I'll take this, But at the same time,
I have some worries. I know. In the discord me
and Clay Us col agent Patroon Clay talked about this.
He was completely on board with Fincher as a director.
I'm not really and this is coming from like Tarantino.
I this should sound perfect, right Fincher. I think he's
written one of his scripts. And he doesn't write his scripts.
He doesn't do that. He's a director. He does not
do screenplays or whatever like that's what he is.
Speaker 2: Touch a piece of paper in his life.
Speaker 1: Never he can't. He can't paper straws none of it,
but no, you didn't want to cycle at all. But
for me, in my Rushmore is Nolan SCORSESEI and then
these two. So you would probably look at this bit
is like a perfect can any guy to direct it, right,
But to me, it's just like and even Clay was like, oh, well,
Fincher has like a very you know, hit. He thought
his sense of humor would match, and Fincher in his
movies has a great sense of humor. But I don't
think they match at all really to me, I think
his is very dry and sometimes very dark. Tarantino has
dark humor, but I think his humor son is very
over the top or it's stuff like Hateful Eight when
it's like smash cut to a guy going down on
Sam Jackson and he's like, like, it's very like splashy, right,
And for me it's like, I think it's very night
and day different. I think it's a good thing because
you know, you have a great director, you know, visually
great director. But even their visual styles are very different.
At least they both work with Pitt multiple times. Like Pitt,
Fincher is a go to guy like offic seven and
Fight Club, but He also directed World War Z. I've
never seen it, but that was a film that I
was in production hell, and he went to Fincher and
just said, like I need your help, and Fincher did it,
so they got a good relationship. And I am curious
of like who else you could get back if you
want to tie back into Charles Manson stuff, if you
could get like Marvel quality back, Like.
Speaker 3: Well, that's what I was gonna say, is like, you know,
Sidney Sweeney, Mikey Madison, maya Hawk in there, Like there's
so many and Austin Butler even, like so many people
who are like huge stars now, and.
Speaker 2: It's like it would be great if you got like
that row of people back.
Speaker 1: And she's not huge, but don't forget like Victoria PETRADI
I can never say her last name, the girl that
played Loving You. She was on the Manson Girls as well, right,
so it never ends all of them and you got
Netflix budget everything. And for me, it's also like it's
a bummer. I hope there's some sort of run, but
it's a really bummer of like I'd love to see
this on the big screen if it ends up being
anywhere near the quality of Hollywood. So there's that. And
also just like there's times with Fincher's Net.
Speaker 3: They would put it, they would do the classic Netflix
in theater run right because they wanted to be as
a striking at the Oscars.
Speaker 1: Right. Yeah. But I never always get all those because
I wanted the Killer. I didn't get the Killer, like
I was so antisipated the Killer, and I didn't get
that in Colonna.
Speaker 2: So that's right, glass Onion, What did you get any
of these?
Speaker 1: Glass Onion? Yeah? And I got the fucking red notice
with Rock and Ryan Reynolds, like, I feel.
Speaker 2: Like he would Tarantino one.
Speaker 4: I hope you know.
Speaker 2: I mean, I guess Killer was Fincher as well, right,
but I.
Speaker 1: Think you would Tarantino that both.
Speaker 2: I think that would go everywhere.
Speaker 1: Yeah, So I'm hoping and I'll be there for it.
And my only thing is with his work so far,
I love the Killer MANK I was not a fan of.
I loved House of Cards. But then he's also like
remaking Squid Game and I'm like, well that feels like
kind of a cash rep. So the same thing. It's like,
but Netflix, you just never know sometimes of like where
is is this like a one for you one for me?
Is this a money move again? Is this just because
Pitt really wanted to do this? And he's like, yeah, sure,
fuck it, like I'll do it. I we'll get some
like this is one. It just feels like I just
see a scenario, Dylan, where we watched this movie and
we're like, man, I really wish they didn't do this,
even if Tarantino wrote it, because even then, I oh,
Blue Velvet. Tarantino wrote it's not that natural Born Killers.
He wrote that movie, and I can't remember the reason
why he didn't end up directing it, and then when
he saw bits and pieces of it, he was fucking
pissed the whole time that he didn't direct and he
really regretted it. And imagine, here's another one.
Speaker 2: The early one in his career is like true true Lies?
Is the other one or something like that?
Speaker 1: True romance? That's what was yeah, true yeah, true romance.
Yeah that was another one, but that was because he
was still smaller, so he didn't have the clout right. Yeah,
but here's another scenario. Could you imagine this? And this
is what I would wonder what he would do with
his like yeah, and he asked to he is a
massive eagle and that's a good thing. That's where he's
got where he is. Imagine he puts out his tenth
movie and everyone does the whole thing like I said,
that sound as good as Holly blah blah blah. And
then the Hollywood sequel comes out and everyone loves it.
What is that gonna do to him? Because you have
a movie that you like gave away like ah, whatever,
this is fine, you can direct it. And everyone's like, oh,
this is amazing. And then his movie comes out like
kind of disappointing.
Speaker 2: Some people will be like, oh, that was his tenth movie.
That was his tenth. Did you see Tarantino's tenth movie?
Speaker 1: It was insane?
Speaker 2: It was so good.
Speaker 1: Yeah, super Mike says, if Narnia does well, hopefully it
uh starts more never right now.
Speaker 3: That's part of the contract for that is is Girwig's like,
I need that on the big screen around us doing
it right.
Speaker 1: Rumor as Girwig was not gonna walk, but like it
was more moving that way of like you better do
this the problem. So that happened and then even people
like Imax said we don't plan on doing this again.
They don't want to do that, because the thing is
they look at them as the enemy. They look at
that because they look at like you're pushing Netflix and streamers.
So there's a lot of exhibitors like that. I'm sure
we'll still take it. But even Imax said, like, we're
never doing a mask and it's Hollywood, right, things change.
But they said, like, we're doing this, but we're not
doing this a bunch of times in the future because
we don't want people to go subscribe to Netflix, like
we want them to come to the theaters, which is
dumb because like eventually it'll go to DVD or another
streaming service.
Speaker 3: Now I'm just imagining Netflix showing up at the theater
and like we got Tarantino's tenth movie, Are you gonna
make an exception for this?
Speaker 2: Like they're and at the end of the.
Speaker 1: Day, they can just go get their own movie theaters.
They're already eight billion dollars of debt. What's another couple
of billion? So I was gonna ask you this, though,
how would you feel because people talked about this, how
would you feel about this would never happen? But like
back in the day, he wrote a Vincent Vegas or
a Vega Brothers script where there's like, yeah, there's a
character from Paul Fiction and Reserve Dogs are related. I
don't know if it's a treatment or a script, but
there is a script where the girl that oh god,
who is it anyway? I can't remember her name, but
in Kill Bill she kills one of those assassins. They
have a daughter, right, and he had he had written
something where that daughter grows up and now she's after
the bride.
Speaker 2: I remember that one.
Speaker 1: How would you feel like, let's say, whatever it is,
tenth movie comes out, reception is what it is, and
he sticks to his world. How would you feel like
if we're getting this universe of Hey, we might visit
a lot of these Tarantino worlds or scrapped ideas, but
it's not through complete, like completely his lens. It's obviously
written by him, but people can still, you know, rewrite stuff,
things will change. It's not him, so it is like
you're getting a amalgamation of Tarantino stuff in a sense.
How do you feel about that going forward? Because this
is yeah to me? At first sign of I thought
he would be very precious. So the fact that he
sold it, I I would that surprised me. The most
that he would, Yeah, you can have it. Obviously he
got twenty million, so like, I'm sure he's fine, but
like just he striking me as the type of guy
that went, no, I'm not like, this is my stuff
and he gave it.
Speaker 3: Away, so right, yeah, I mean it'd be a different scenario.
And this is a little little dark here is like
if Tarantino had died but he wrote all these scripts,
I don't know, maybe it would be weird, okay if
they just like took those scripts and they gave it
to people.
Speaker 2: But like, let's say he had put it in his.
Speaker 3: Will that he's like, let other people make these movies. Yeah,
Like that would be like, oh cool, we're getting more
of him in a way, but because we'd be getting
them through the context of like him and his stupid
little rules, I'm like, come on, like.
Speaker 2: We could have the real thing.
Speaker 3: He's right here, He's doesn't even have gray a gray
hair on that head yet, Like, come on, let's get
him in that director's chair and make it happen. At
the same time, though, I do think that there could
be some fun of like ooh, who would be the
perfect director for kill Bill? You know, any director in
the world that he wants to do. It would be
like I will gladly take this script for this and
do it, you know, like I'm sure you get whoever
he wants. Seeing as like the Fincher thing, it's like, okay,
that's probably one of the very top dogs you could
possibly get.
Speaker 2: Respect take the script and like make it complete.
Speaker 3: And obviously, as you mentioned the Brad Pitt connection there
is really important too, So like it's not like we're
going to be getting like random ass people who are
taking these scripts and making them unless he signed some
really weird deal where he just sells his soul and
gives them away to make a shit ton of money.
But like, you know, Netflix gets to pick who directs it, and.
Speaker 2: They pick I don't know.
Speaker 3: I don't want to like shit on any director right now,
but they just give it to some random person, you know.
But I don't know, I think there could be some
fun there's that could be a fun fan cast for
us or maybe fancast raft thing for us to do
is like oh, what would like who should do this
the Vega Brothers sequel, or like who should do the
kill Bill trilogy thing? And like, I don't I think
there could be some fun there, So I mean, I'm
honestly not super hyped with the kill Bill thing. Detol
as well, Killed Bills my least favorite, a huge kill
Bill guy.
Speaker 2: The Vega thing.
Speaker 3: I don't know how I feel about that now. I
think many many years ago could have been fun. I
don't know if I want that today.
Speaker 1: Yeah, I'm over it now. I'm not over it, but
I think we're past the time because I there's either
two routes we go. It's one it's daging, which I
don't really want because a full like a scene or
two shirt, but a full movie we've seen that at
times where it doesn't work. And then I also don't
want like a recast because I feel that Michael Madsen
may not as much. But Travolta to me is very
much like a Nick Cage where it's like he just
has a you can't really capture what Travolta is like.
Speaker 2: He has a certain same guy from Yeah, no, I meant,
I meant.
Speaker 1: As like a young actor. I think that'd be very
hard to find me somebody to play a young Travolta.
And I think that's hard. He has like a certain
or where it's not like like he has certain but
I just feel like it could be like old and
Aaron Wright playing Han Solo War. It's like this just
doesn't feel right. So that's that's I don't.
Speaker 2: Know if there's any other of his movies that, like,
I want, any seql for I think he had.
Speaker 1: One point, well, there's a couple. I think at one
point he had pitched something more with a ful eight.
I don't need that because I don't think it's at
least fright, but that's lower for me. I did always
want and he was starting to try to. I think
they announced it, but they scrapped. At one point they
are working on a Django and Zoro movie. I don't
know if you remember we talked about that point. Yeah,
I still kind of want that.
Speaker 3: Dango Okay, Django, Yes, I forgot about that. I would
take that.
Speaker 2: That'd be cool, even.
Speaker 1: If it's like, uh, some sort of highly sielies like
animated movie. I would take that. I would take kill
Bill because I think kill Bill is like in the
higher middle, but one I.
Speaker 2: Think fruitful at the very least compared.
Speaker 1: Especially because like and kill Bill, they give her a daughter,
and like, how do you not do that? How do
you not have my Hawk and Uma Thermina like that
is absolutely that's money right there to me.
Speaker 3: And what's the hood I always forgad the guy's name
her husband Ethan.
Speaker 1: Well they're not not anymore Ethan.
Speaker 2: They're not married anymore.
Speaker 1: No, they're not Ethan Hawk.
Speaker 2: No, today I learned.
Speaker 4: Okay, you know, but yeah, you get those two, you
make Zendaya give me a death death proof with u
R whytt rustle that's what I want to say.
Speaker 1: Yeah, earlier years. Yeah, and then there's another one too,
like same thing he was they scrapped and so they're
not doing anymore. But it just makes me intrigued. Where
at one point, remember he was writing a Star Trek
script and then a bunch of stuff changed that it
never happened. So but even then I'm also still I'm
also curious now going forward after he does that tenth film,
if we're going to get people like going to him now, like, hey,
we would like you to write this because now like
he's on the market right like if he's not, if
you can't work with him of like you know, fucking
James gunn sit him down and be like we'd really
like you because there was no don't don't laugh though
for a second, there was a in that they're making
that Sergeant Rock movie. You think you've kind of heard
about this a little bit, but anyways, in the nineties,
Tarantino said there was he was very close to directing
a Sergeant Rock movie, and there's a script where he's like, oh,
it's one of the best script ever read, and he
was like readapting and everything like that. And he also
at one point not that they would ever do it.
He had pitched I can't remember who had the rights,
but someone had the rights to Luke Cage, and he
was pitching hard to try and direct and write a
Luke Cage. I'm just saying, because he's on the market,
I do not think it's out of the realm possibility.
It might not happen, but I could see at some
point him being attached to just write something, not direct,
but write something, because.
Speaker 3: Now those are ones that I would actually be more
cool with, Like I don't need him directing that, Like
I'll just take his script.
Speaker 1: Yeah yeah, so uh says I want to see what
happened to Hans Land after Bastards.
Speaker 3: It's kind of tough thought, I mean, yeah, I do
want more Waltz. Christoph Walt's in a Tarantino thing as all.
He's just obviously it's a combo made in heaven. And
you can't really do with a jangle unless you do prequel.
Speaker 2: So I don't know if I need that though.
Speaker 1: Oh right, yeah, que, I'm like you do more jangle? Yeah? No,
uh the what's his name identity? Yeah, and yes, it's
like Superman. Mike says he was supposed to the Radar
Star Trek two. Yeah, that's a song about and that's
where people have rumored that, like the reason he just
didn't do because he didn't want his last movie to
be ip movie the same way. There's part of the
reasons that some people say, like he didn't want to
do this because he didn't want a sequel for his
last It's.
Speaker 2: Like same thing in movies.
Speaker 1: Man, you know, it's interesting. But yeah, we'll see, Well
that'll be a very fun and interesting review.
Speaker 2: I'll be there day one to see that movie.
Speaker 1: Absolutely, Okay, it's definitely gonna have a lot of discussion
of who comes back, who else they cast, whatever they do,
what other kind of famous people they bring up. Because
alsoly lots of famous people were like you know cast
in that movie, right, like Steve McQueen and Sharon Tate,
Like what do you do? And I will be I
think it will be a huge hit for Netflix if
they can get Leo back for a scene or two,
because that I think that's massive.
Speaker 2: So uh, and I would be surprised if he did.
Speaker 3: For some I guess if Fincher, it's like, it's not
like they're getting some guy off the street, like they're
getting reputable people. But for some reason, it feels like
not something. I feel like he wants to be the
star or nothing.
Speaker 1: He's never worked with Fincher, which is interesting. The only
time he worked with Fincher, I think is there was
like a new Imax camera made and to show it off,
Fincher and Leo work together to like show what it
would look like. But that was it or it was
like some sort of kid. Yeah, it was like a
just like for tech people like to show like this
what tech? Yeah exactly. So that's like the only time
they've worked together. And I guess the reason why it's
like the rumor is he's like in the script, what's
his name? Uh, Dalton Rick Rick adult rific condultant. Yeah,
rumors he's in the script. And the reason why there's
some validity to this is because he's supposed to be
filming that Evil can Eevil movie with Damon Chizzelle, but
the word is he hasn't signed on to that, so
people are saying that he might be like kind.
Speaker 2: Of film two scenes for a well that, or.
Speaker 1: He might be putting them against each other to be like, Okay,
you know Netflix has offered me this, like you want
me evil and evil like and like Leo, he did.
Don't forget he's done a Netflix movie before. He did
don't look up remember a couple of years ago. So
it's not like he's not Tom Cruise, where Tom Cruise
is completely like I'm not ever fucking dowing streaming, like,
don't talk to me about it, like Leo, he'll do it.
Speaker 2: So he'll do it.
Speaker 1: We will see. So let's take our last ad break
and then we'll be back with our final topic with
some trailers and we'll be right back