1 00:00:00,400 --> 00:00:03,520 Speaker 1: And we're back. So I'm gonna hit you with this news. 2 00:00:03,560 --> 00:00:06,679 Mister Muss. We a long time ago were big Tarantino fans, 3 00:00:06,719 --> 00:00:08,640 But I think this is something we probably have said 4 00:00:08,880 --> 00:00:12,080 would never happen, right, especially with Tarantino. He's a stickler. 5 00:00:12,679 --> 00:00:15,679 We're doing he's doing ten movies, right because kill Bill's 6 00:00:15,679 --> 00:00:18,399 a combo. He's doing ten movies and he's retiring. So 7 00:00:18,960 --> 00:00:20,920 it was around last year something like that where he 8 00:00:20,960 --> 00:00:23,440 was writing the movie Critic. Now this rum or the 9 00:00:23,480 --> 00:00:26,320 start of it. There's conflicting reports. Some people say this 10 00:00:26,440 --> 00:00:29,120 was an entirely different script. Some people say the movie 11 00:00:29,160 --> 00:00:31,640 Critic kind of transformed into a cliff Proof script, because 12 00:00:31,640 --> 00:00:33,280 what happens was he was writing the script about a 13 00:00:33,320 --> 00:00:35,759 movie critic in like the sixties seventies, But he did 14 00:00:35,799 --> 00:00:39,159 have cliff Proof Cliff Boof as a character that showed 15 00:00:39,240 --> 00:00:40,880 up right, just kind of like a cameo, had some 16 00:00:40,920 --> 00:00:43,799 sort of appearance or whatnot. And then some people believe 17 00:00:43,799 --> 00:00:45,600 that that got more and more and then just kind 18 00:00:45,600 --> 00:00:48,039 of turned into one. But then as we talked about 19 00:00:48,119 --> 00:00:51,520 last year, Tarantino just shelve that he for some reason, 20 00:00:51,520 --> 00:00:53,000 just tell eight it's not good enough, don't want to 21 00:00:53,039 --> 00:00:55,479 direct it. He's being very particular because it is his 22 00:00:55,560 --> 00:00:58,039 last movie. He wants to stick to that. I swear. 23 00:00:58,039 --> 00:00:59,640 If he be's really particular and then he just comes 24 00:00:59,679 --> 00:01:01,600 back for eleventh, is gonna be pissed. But I know 25 00:01:01,679 --> 00:01:03,399 lots of people don't believe him. I think I do 26 00:01:03,479 --> 00:01:07,120 believe him, just in this story alone, because as we've seen, 27 00:01:07,239 --> 00:01:09,239 he has a script sitting there and instead of doing 28 00:01:09,319 --> 00:01:11,439 nothing with it, well, he sold it off. And he 29 00:01:11,519 --> 00:01:14,040 said before like he's gonna write, He's gonna write books, 30 00:01:14,079 --> 00:01:16,640 he's gonna write plays. I think this is a kind 31 00:01:16,680 --> 00:01:19,439 of a window into I don't think it's gonna happen, 32 00:01:19,519 --> 00:01:23,359 but like he's he either has a treatment or he's 33 00:01:23,359 --> 00:01:25,760 written a full script of Kill Bill three. So but 34 00:01:25,799 --> 00:01:27,959 what happened here was I guess that he had the 35 00:01:28,000 --> 00:01:30,239 script at one point and Brad Pitt really liked it, 36 00:01:30,280 --> 00:01:31,920 and Brad Pitt said like, well, if you're not gonna 37 00:01:31,920 --> 00:01:34,959 make it, could ee And I guess the word is that, 38 00:01:35,000 --> 00:01:38,879 Tarantino said, depending who the director was. So you go 39 00:01:38,920 --> 00:01:41,159 to Dave Fincher, who on Mount Rushmore. He's a mind 40 00:01:41,200 --> 00:01:47,400 Mount Rushmore seven, Fight Club, The Killer. Just recently he 41 00:01:47,480 --> 00:01:49,680 was a part Gone Girl. Yes, he's been a part 42 00:01:49,719 --> 00:01:51,959 of many series, like he's doing the Squid Game remake, 43 00:01:52,000 --> 00:01:54,079 he did House of Cards, he did make which I 44 00:01:54,079 --> 00:01:56,519 didn't really love. He'd been the Curse of Benjamin Button 45 00:01:56,920 --> 00:01:59,439 not the Curse? Is it the Curse the Case of Benjamin? 46 00:01:59,519 --> 00:02:01,079 But not the Case. It is a career some kind 47 00:02:01,079 --> 00:02:05,159 of ye it is. Hey, we just reviewed it last 48 00:02:05,239 --> 00:02:08,719 year three. Yeah, curse. We'll talk about that later. But 49 00:02:09,479 --> 00:02:11,599 so this is what happened. He went to him and 50 00:02:11,719 --> 00:02:14,439 right now, David Fincher has an exclusive first look deal 51 00:02:14,439 --> 00:02:17,680 with Netflix. So in the situation where well he approves, 52 00:02:17,719 --> 00:02:19,879 finchering director will have to be with Netflix. Sounds like 53 00:02:19,960 --> 00:02:22,159 Tarantino didn't care because they paid him a nice twenty 54 00:02:22,240 --> 00:02:24,719 wamp a million to get this script off of them. 55 00:02:24,719 --> 00:02:28,759 So they bought the script. Well that's pretty good for 56 00:02:29,120 --> 00:02:31,520 he does nothing. Now he just wrote that script down. 57 00:02:31,599 --> 00:02:35,840 Speaker 2: He get for adventures fifty Come on, that's pretty good. 58 00:02:35,879 --> 00:02:38,680 Speaker 1: That's fit. Like he got twenty that's pretty good for 59 00:02:38,759 --> 00:02:41,240 just writing a script. I'll have someone by a script. 60 00:02:41,039 --> 00:02:42,560 Speaker 2: For twenty letters on a page. 61 00:02:42,800 --> 00:02:45,319 Speaker 1: Yeah you know, but yeah, she got twenty million. He 62 00:02:45,439 --> 00:02:47,639 slid that over and then after this apparently the root 63 00:02:47,800 --> 00:02:50,520 is like he he might have had the executive executive 64 00:02:50,520 --> 00:02:53,000 producer credit on or something, but where does he has 65 00:02:53,039 --> 00:02:55,280 nothing new? That doesn't care? Like you go do your thing? 66 00:02:55,960 --> 00:02:57,400 Speaker 2: So sorry, can you remind me? 67 00:02:57,439 --> 00:02:59,639 Speaker 3: Tarantino's reasoning for doing the ten is it because like 68 00:02:59,680 --> 00:03:01,759 you get old and you make shitty movies? Is because 69 00:03:01,759 --> 00:03:03,400 he wants like there to be a nice like time 70 00:03:03,439 --> 00:03:05,479 capsule ten movies is a nice number. 71 00:03:05,800 --> 00:03:08,080 Speaker 1: I think a bit of both, but more the former 72 00:03:08,159 --> 00:03:11,240 that he believes directors when they get older make bad movies. 73 00:03:11,560 --> 00:03:13,800 Speaker 3: See then I just think this is so dumb because 74 00:03:13,840 --> 00:03:16,639 now like Hollywood came out in twenty nineteen, and so 75 00:03:16,680 --> 00:03:18,400 now it's gonna be like a couple more years or 76 00:03:18,919 --> 00:03:21,479 longer until we get that Gavie it could is this 77 00:03:21,599 --> 00:03:24,240 reasoning not like by fucking around, by making these random 78 00:03:24,280 --> 00:03:26,319 scripts and selling them off and then going to make 79 00:03:26,319 --> 00:03:29,560 a stage play and then doing this, doing that, canceling movies, 80 00:03:29,639 --> 00:03:32,439 Like have you not then gotten into that era where 81 00:03:32,479 --> 00:03:34,479 you're an old, shitty director Tarantino? 82 00:03:34,599 --> 00:03:35,439 Speaker 2: Like, what's going on here? 83 00:03:35,479 --> 00:03:37,000 Speaker 3: Is this tenth movie is gonna be garbage because you're 84 00:03:37,000 --> 00:03:38,240 waiting so long to make it. 85 00:03:37,800 --> 00:03:40,759 Speaker 1: It's going sixty two, so I'd like to as old. 86 00:03:40,840 --> 00:03:42,840 Speaker 3: He's old and he's washed, and this movie's gonna suck 87 00:03:42,919 --> 00:03:44,319 is by his reasoning. 88 00:03:44,039 --> 00:03:48,319 Speaker 1: By his right time, by the time he could be filming. Technically, 89 00:03:48,400 --> 00:03:50,520 I think in the States it's the same. You're considered 90 00:03:50,560 --> 00:03:53,039 a senior when you're sixty five, so he's in his 91 00:03:53,400 --> 00:03:56,439 scenes in his senior years. I do agree with everybody 92 00:03:56,560 --> 00:03:58,240 that I think he's just mad, that he. 93 00:03:58,240 --> 00:03:59,400 Speaker 2: Just needs to swallow that. 94 00:03:59,520 --> 00:04:02,280 Speaker 3: I know he's been going, yeah, sticking to that thing 95 00:04:02,520 --> 00:04:04,599 for you know, twenty years or whatever at this point, 96 00:04:05,039 --> 00:04:06,879 but dude, come on, you know you want to make 97 00:04:06,879 --> 00:04:07,240 the movies. 98 00:04:07,280 --> 00:04:08,120 Speaker 2: You're still gonna make them. 99 00:04:08,159 --> 00:04:10,280 Speaker 3: You're just not gonna like, oh, I'm not in the 100 00:04:10,280 --> 00:04:13,080 director's chair, dude, just make the movies. Okay, if you 101 00:04:13,120 --> 00:04:14,879 make a shitty movie, that'll be one of my favorite 102 00:04:14,879 --> 00:04:15,280 movies of the. 103 00:04:15,240 --> 00:04:15,680 Speaker 2: Year, you know. 104 00:04:16,199 --> 00:04:20,240 Speaker 1: Yeah, I think he's just kicking himself. That, unfortunately, to me, 105 00:04:20,639 --> 00:04:22,519 my favorite. I don't know if it's my favorite, but 106 00:04:22,560 --> 00:04:24,959 the best movie he's done was What's Upon Time in Hollywood? 107 00:04:25,199 --> 00:04:27,279 And I think he really wishes that was his last one, 108 00:04:27,279 --> 00:04:29,480 because I think there's like a chasing the dragon feel 109 00:04:29,480 --> 00:04:32,160 where I think he looks at that movie and he 110 00:04:32,199 --> 00:04:34,319 doesn't think he can top it. He doesn't think and 111 00:04:34,319 --> 00:04:36,959 that's what he's worried about. Is everyone be like, oh, yeah, 112 00:04:37,000 --> 00:04:38,319 he should have in the last one. This is his 113 00:04:38,399 --> 00:04:40,639 last one. And then because you know what's gonna happen though, 114 00:04:40,800 --> 00:04:43,240 as I wonder, is that's gonna happen, and then he's 115 00:04:43,240 --> 00:04:45,600 gonna stew on it for years and he's gonna hear 116 00:04:45,600 --> 00:04:48,160 those comments again and again that people like, well, wasn't 117 00:04:48,160 --> 00:04:48,920 as good as Hollywood. 118 00:04:48,920 --> 00:04:50,319 Speaker 2: We're not gonna get in this movie, are we? 119 00:04:50,759 --> 00:04:53,160 Speaker 1: But no, I think he'll be the verse that he'll 120 00:04:53,160 --> 00:04:54,720 do it, and then he'll come back for eleventh when 121 00:04:54,720 --> 00:04:56,800 everyone tells him that ten was not as good as Hollywood. 122 00:04:56,800 --> 00:04:59,120 That's what's gonna happen. He's gonna prove something. But it's 123 00:04:59,160 --> 00:05:01,319 out of that or he should he said before he 124 00:05:01,360 --> 00:05:04,120 could just cheat and say Kill Bill was two movies 125 00:05:04,120 --> 00:05:06,839 and he's at ten already because he didn't want to release. 126 00:05:07,000 --> 00:05:09,000 Speaker 2: Imagine if he imagine if he did that. 127 00:05:10,160 --> 00:05:11,759 Speaker 1: At this point, he maybe should if he's just like 128 00:05:11,759 --> 00:05:13,199 getting gray hairs over this. But what do you think 129 00:05:13,199 --> 00:05:16,240 about the concept now of just a sequel of this film, 130 00:05:16,399 --> 00:05:19,240 Cliff Boof has come back. It's following his adventures. Leo 131 00:05:19,319 --> 00:05:22,839 supposedly is in negotiations to appear. His role would not 132 00:05:22,920 --> 00:05:25,560 be huge. It sounds like it maybe be kind of 133 00:05:26,120 --> 00:05:28,959 like you remember how Pacino was in the in Hollywood 134 00:05:29,040 --> 00:05:31,000 was now I hate saying that in the first movie 135 00:05:31,000 --> 00:05:33,160 because that's what it is, But in Hollywood where Pacina 136 00:05:33,199 --> 00:05:35,240 was in a couple of scenes, it sounds like Leo 137 00:05:35,279 --> 00:05:37,279 would be that where maybe there'd be a part where 138 00:05:37,279 --> 00:05:40,279 he'd be in there. And there's been no talks about 139 00:05:40,279 --> 00:05:42,519 Margot Robbie being in it, but apparently it's not like 140 00:05:42,560 --> 00:05:45,120 a closed door, so there's lots like. 141 00:05:45,759 --> 00:05:47,000 Speaker 3: You know, yeah, I mean, basic of all you were 142 00:05:47,000 --> 00:05:48,879 saying earlier about Cliff Booth and that being maybe the 143 00:05:48,879 --> 00:05:51,639 genesis of this that makes that makes sense that he 144 00:05:51,639 --> 00:05:54,000 would be maybe love main I who comes back. But 145 00:05:54,079 --> 00:05:55,600 to me, when I first heard this news and kind 146 00:05:55,600 --> 00:05:57,399 of forgot about that Cliff Booth thing, because I think 147 00:05:57,399 --> 00:05:59,720 you've mentioned that before, it's like Margot Robbie was the 148 00:05:59,759 --> 00:06:01,720 first thing that came to my mind, Like that's that's 149 00:06:01,759 --> 00:06:03,720 where the sequel stuff goes, because that's kind of the 150 00:06:03,720 --> 00:06:06,199 whole rewriting of history of this is that this person 151 00:06:06,199 --> 00:06:08,680 who in the real world died at that point in 152 00:06:08,680 --> 00:06:09,639 time is instead alive. 153 00:06:09,680 --> 00:06:11,160 Speaker 2: Now what can we do next with that? 154 00:06:11,639 --> 00:06:14,120 Speaker 3: You know, her filming her next movie, which is some 155 00:06:14,199 --> 00:06:15,800 other thing that could be you know, it's a classic 156 00:06:15,839 --> 00:06:19,279 Tarantino movie within a movie situation. So I feel like 157 00:06:19,519 --> 00:06:20,959 it would be great if she came back. That would 158 00:06:20,959 --> 00:06:24,560 be really fun, But also sounds like this might just 159 00:06:24,600 --> 00:06:28,000 be like in the from the world of Once upon 160 00:06:28,040 --> 00:06:30,000 a Time in Hollyway, it's gonna like a Ballerina situation 161 00:06:30,040 --> 00:06:32,120 where it's like, is it really a sequel? Maybe not, 162 00:06:32,360 --> 00:06:34,279 it's just like in the same place and there's a 163 00:06:34,319 --> 00:06:36,279 couple characters that come back and then in which case 164 00:06:36,319 --> 00:06:37,959 it's like, well, I can't complain too much of it's 165 00:06:38,000 --> 00:06:41,720 not directly following up on like storylines from the first one. Yeah, 166 00:06:41,720 --> 00:06:43,639 because even Cliff Booth, he's just kind of like a guy, 167 00:06:43,800 --> 00:06:45,279 you know, it's not really about him. 168 00:06:45,920 --> 00:06:47,519 Speaker 1: Well yeah, now it's but it sounds like he'd be 169 00:06:47,560 --> 00:06:49,199 the main characterist, So I feel like it has to 170 00:06:49,279 --> 00:06:52,879 be about him now, Like that's the thing that's true. 171 00:06:52,879 --> 00:06:56,240 And I don't know if like do you touch upon 172 00:06:56,480 --> 00:06:58,480 like are the police or somebody after him for the 173 00:06:58,519 --> 00:07:01,120 wife thing? Is it more stuntman things? Is it like 174 00:07:01,879 --> 00:07:03,639 the future of Hollywood? 175 00:07:03,680 --> 00:07:06,639 Speaker 2: And puts those puts those goggles on on the boat 176 00:07:06,720 --> 00:07:07,160 or whatever it is. 177 00:07:07,560 --> 00:07:09,680 Speaker 1: That could be a poster right there, you know, And 178 00:07:09,879 --> 00:07:12,360 I agree with super Band Mike. There's no possiblyay it 179 00:07:12,399 --> 00:07:13,920 lives up to the hype his tenth movie. No, I 180 00:07:13,959 --> 00:07:16,040 don't think so. Now you've built up too much. Now 181 00:07:16,079 --> 00:07:18,240 there's he should have never said it. He should have 182 00:07:18,600 --> 00:07:22,040 what I always get the idea Tarantino is a showman, 183 00:07:22,279 --> 00:07:25,120 a showman. He's a showman and he's showmanship, and he 184 00:07:25,199 --> 00:07:27,319 wanted to build that up, right because I know it's 185 00:07:27,360 --> 00:07:29,079 like we talk about John stuff. I can see the 186 00:07:29,199 --> 00:07:32,480 promotion and the posters already, the final Tarantino movie. You 187 00:07:32,480 --> 00:07:34,199 get to like all that, right, but you know how 188 00:07:34,279 --> 00:07:36,240 cool it would have been. Let's say he's legitimately doing this. 189 00:07:36,639 --> 00:07:38,160 How cool would have been. You watched the movie and 190 00:07:38,199 --> 00:07:40,040 he hit credits and the first thing that pops up, 191 00:07:40,160 --> 00:07:43,399 like the final Quinn, you know, directed by. 192 00:07:43,680 --> 00:07:45,839 Speaker 3: Just like delete Jackie Brown, and then we get like 193 00:07:45,879 --> 00:07:47,000 an eleventh movie. 194 00:07:47,279 --> 00:07:48,879 Speaker 1: A lot of people love Jackie Brown, so you don't 195 00:07:48,879 --> 00:07:50,759 want to do that. Everybody has their favorite Tarantino. 196 00:07:51,240 --> 00:07:53,759 Speaker 2: I will delete it from history or like the credits. 197 00:07:53,560 --> 00:07:56,839 Speaker 1: Is directed by Quentin Tarantino dot dot dot for the 198 00:07:57,000 --> 00:07:58,879 last time you would have that would have been such 199 00:07:58,959 --> 00:08:00,959 like a mic drop. But it wouldn't it would it 200 00:08:01,040 --> 00:08:03,639 would be because it would have festivals and everything. I 201 00:08:03,680 --> 00:08:07,839 don't know, but yeah, yeah, yeah, I'm on. I'll take 202 00:08:07,959 --> 00:08:12,279 this because Brad Pitt was great. Cliff Proof, well, I 203 00:08:12,360 --> 00:08:14,079 don't know why I have such a problem saying that name. Tonight, 204 00:08:14,120 --> 00:08:16,319 Cliff Boom, I'm just gonna call him Booth for the 205 00:08:16,439 --> 00:08:21,319 foreseeable future. I'll take this, But at the same time, 206 00:08:21,560 --> 00:08:23,879 I have some worries. I know. In the discord me 207 00:08:23,920 --> 00:08:27,560 and Clay Us col agent Patroon Clay talked about this. 208 00:08:27,720 --> 00:08:30,160 He was completely on board with Fincher as a director. 209 00:08:30,920 --> 00:08:33,240 I'm not really and this is coming from like Tarantino. 210 00:08:33,440 --> 00:08:36,480 I this should sound perfect, right Fincher. I think he's 211 00:08:36,519 --> 00:08:38,759 written one of his scripts. And he doesn't write his scripts. 212 00:08:38,799 --> 00:08:41,279 He doesn't do that. He's a director. He does not 213 00:08:41,440 --> 00:08:44,240 do screenplays or whatever like that's what he is. 214 00:08:44,960 --> 00:08:46,399 Speaker 2: Touch a piece of paper in his life. 215 00:08:46,519 --> 00:08:49,759 Speaker 1: Never he can't. He can't paper straws none of it, 216 00:08:50,120 --> 00:08:53,840 but no, you didn't want to cycle at all. But 217 00:08:54,440 --> 00:08:58,879 for me, in my Rushmore is Nolan SCORSESEI and then 218 00:08:58,919 --> 00:09:01,080 these two. So you would probably look at this bit 219 00:09:01,919 --> 00:09:05,080 is like a perfect can any guy to direct it, right, 220 00:09:06,720 --> 00:09:09,159 But to me, it's just like and even Clay was like, oh, well, 221 00:09:09,200 --> 00:09:11,679 Fincher has like a very you know, hit. He thought 222 00:09:11,720 --> 00:09:14,320 his sense of humor would match, and Fincher in his 223 00:09:14,440 --> 00:09:16,759 movies has a great sense of humor. But I don't 224 00:09:16,799 --> 00:09:19,200 think they match at all really to me, I think 225 00:09:19,600 --> 00:09:24,759 his is very dry and sometimes very dark. Tarantino has 226 00:09:24,919 --> 00:09:27,200 dark humor, but I think his humor son is very 227 00:09:27,440 --> 00:09:30,200 over the top or it's stuff like Hateful Eight when 228 00:09:30,200 --> 00:09:32,240 it's like smash cut to a guy going down on 229 00:09:32,279 --> 00:09:37,120 Sam Jackson and he's like, like, it's very like splashy, right, 230 00:09:37,159 --> 00:09:39,679 And for me it's like, I think it's very night 231 00:09:39,759 --> 00:09:41,639 and day different. I think it's a good thing because 232 00:09:41,639 --> 00:09:43,679 you know, you have a great director, you know, visually 233 00:09:43,720 --> 00:09:46,159 great director. But even their visual styles are very different. 234 00:09:46,440 --> 00:09:49,879 At least they both work with Pitt multiple times. Like Pitt, 235 00:09:50,279 --> 00:09:52,559 Fincher is a go to guy like offic seven and 236 00:09:52,679 --> 00:09:55,519 Fight Club, but He also directed World War Z. I've 237 00:09:55,559 --> 00:09:56,919 never seen it, but that was a film that I 238 00:09:57,000 --> 00:09:59,879 was in production hell, and he went to Fincher and 239 00:10:00,000 --> 00:10:01,840 just said, like I need your help, and Fincher did it, 240 00:10:01,879 --> 00:10:04,519 so they got a good relationship. And I am curious 241 00:10:04,559 --> 00:10:06,360 of like who else you could get back if you 242 00:10:06,440 --> 00:10:08,879 want to tie back into Charles Manson stuff, if you 243 00:10:08,919 --> 00:10:10,480 could get like Marvel quality back, Like. 244 00:10:11,080 --> 00:10:12,559 Speaker 3: Well, that's what I was gonna say, is like, you know, 245 00:10:12,679 --> 00:10:16,039 Sidney Sweeney, Mikey Madison, maya Hawk in there, Like there's 246 00:10:16,120 --> 00:10:18,799 so many and Austin Butler even, like so many people 247 00:10:18,840 --> 00:10:20,600 who are like huge stars now, and. 248 00:10:20,600 --> 00:10:22,240 Speaker 2: It's like it would be great if you got like 249 00:10:22,559 --> 00:10:23,600 that row of people back. 250 00:10:23,840 --> 00:10:27,080 Speaker 1: And she's not huge, but don't forget like Victoria PETRADI 251 00:10:27,200 --> 00:10:28,759 I can never say her last name, the girl that 252 00:10:28,799 --> 00:10:31,440 played Loving You. She was on the Manson Girls as well, right, 253 00:10:31,559 --> 00:10:33,919 so it never ends all of them and you got 254 00:10:34,000 --> 00:10:36,639 Netflix budget everything. And for me, it's also like it's 255 00:10:36,679 --> 00:10:38,720 a bummer. I hope there's some sort of run, but 256 00:10:38,840 --> 00:10:41,399 it's a really bummer of like I'd love to see 257 00:10:41,399 --> 00:10:42,759 this on the big screen if it ends up being 258 00:10:42,759 --> 00:10:45,519 anywhere near the quality of Hollywood. So there's that. And 259 00:10:45,720 --> 00:10:48,639 also just like there's times with Fincher's Net. 260 00:10:48,600 --> 00:10:50,759 Speaker 3: They would put it, they would do the classic Netflix 261 00:10:50,840 --> 00:10:53,399 in theater run right because they wanted to be as 262 00:10:53,519 --> 00:10:54,639 a striking at the Oscars. 263 00:10:54,720 --> 00:10:57,320 Speaker 1: Right. Yeah. But I never always get all those because 264 00:10:57,320 --> 00:10:59,360 I wanted the Killer. I didn't get the Killer, like 265 00:10:59,480 --> 00:11:01,639 I was so antisipated the Killer, and I didn't get 266 00:11:01,639 --> 00:11:02,200 that in Colonna. 267 00:11:02,559 --> 00:11:04,960 Speaker 2: So that's right, glass Onion, What did you get any 268 00:11:04,960 --> 00:11:05,159 of these? 269 00:11:05,480 --> 00:11:07,799 Speaker 1: Glass Onion? Yeah? And I got the fucking red notice 270 00:11:07,840 --> 00:11:09,679 with Rock and Ryan Reynolds, like, I feel. 271 00:11:09,480 --> 00:11:11,600 Speaker 2: Like he would Tarantino one. 272 00:11:11,919 --> 00:11:12,399 Speaker 4: I hope you know. 273 00:11:12,799 --> 00:11:14,519 Speaker 2: I mean, I guess Killer was Fincher as well, right, 274 00:11:14,559 --> 00:11:14,799 but I. 275 00:11:14,840 --> 00:11:17,120 Speaker 1: Think you would Tarantino that both. 276 00:11:17,159 --> 00:11:18,519 Speaker 2: I think that would go everywhere. 277 00:11:18,799 --> 00:11:21,120 Speaker 1: Yeah, So I'm hoping and I'll be there for it. 278 00:11:21,519 --> 00:11:23,279 And my only thing is with his work so far, 279 00:11:23,440 --> 00:11:26,039 I love the Killer MANK I was not a fan of. 280 00:11:26,200 --> 00:11:28,399 I loved House of Cards. But then he's also like 281 00:11:28,840 --> 00:11:31,200 remaking Squid Game and I'm like, well that feels like 282 00:11:31,279 --> 00:11:32,720 kind of a cash rep. So the same thing. It's like, 283 00:11:33,120 --> 00:11:36,960 but Netflix, you just never know sometimes of like where 284 00:11:37,120 --> 00:11:38,600 is is this like a one for you one for me? 285 00:11:38,799 --> 00:11:40,759 Is this a money move again? Is this just because 286 00:11:40,799 --> 00:11:43,759 Pitt really wanted to do this? And he's like, yeah, sure, 287 00:11:43,840 --> 00:11:45,360 fuck it, like I'll do it. I we'll get some 288 00:11:45,639 --> 00:11:50,039 like this is one. It just feels like I just 289 00:11:50,159 --> 00:11:52,879 see a scenario, Dylan, where we watched this movie and 290 00:11:52,960 --> 00:11:54,679 we're like, man, I really wish they didn't do this, 291 00:11:55,000 --> 00:11:58,320 even if Tarantino wrote it, because even then, I oh, 292 00:11:58,360 --> 00:12:01,600 Blue Velvet. Tarantino wrote it's not that natural Born Killers. 293 00:12:02,480 --> 00:12:04,480 He wrote that movie, and I can't remember the reason 294 00:12:04,519 --> 00:12:06,480 why he didn't end up directing it, and then when 295 00:12:06,519 --> 00:12:08,840 he saw bits and pieces of it, he was fucking 296 00:12:08,960 --> 00:12:11,080 pissed the whole time that he didn't direct and he 297 00:12:11,159 --> 00:12:14,039 really regretted it. And imagine, here's another one. 298 00:12:14,440 --> 00:12:16,279 Speaker 2: The early one in his career is like true true Lies? 299 00:12:16,320 --> 00:12:17,399 Is the other one or something like that? 300 00:12:17,759 --> 00:12:21,639 Speaker 1: True romance? That's what was yeah, true yeah, true romance. 301 00:12:21,720 --> 00:12:22,879 Yeah that was another one, but that was because he 302 00:12:22,960 --> 00:12:25,320 was still smaller, so he didn't have the clout right. Yeah, 303 00:12:25,320 --> 00:12:27,559 but here's another scenario. Could you imagine this? And this 304 00:12:27,600 --> 00:12:29,639 is what I would wonder what he would do with 305 00:12:29,759 --> 00:12:32,000 his like yeah, and he asked to he is a 306 00:12:32,080 --> 00:12:33,720 massive eagle and that's a good thing. That's where he's 307 00:12:33,720 --> 00:12:36,600 got where he is. Imagine he puts out his tenth 308 00:12:36,720 --> 00:12:39,000 movie and everyone does the whole thing like I said, 309 00:12:39,159 --> 00:12:40,759 that sound as good as Holly blah blah blah. And 310 00:12:40,840 --> 00:12:43,559 then the Hollywood sequel comes out and everyone loves it. 311 00:12:44,279 --> 00:12:46,759 What is that gonna do to him? Because you have 312 00:12:46,840 --> 00:12:48,879 a movie that you like gave away like ah, whatever, 313 00:12:49,240 --> 00:12:51,559 this is fine, you can direct it. And everyone's like, oh, 314 00:12:51,639 --> 00:12:54,159 this is amazing. And then his movie comes out like 315 00:12:54,759 --> 00:12:55,519 kind of disappointing. 316 00:12:55,679 --> 00:12:57,759 Speaker 2: Some people will be like, oh, that was his tenth movie. 317 00:12:57,759 --> 00:12:59,919 That was his tenth. Did you see Tarantino's tenth movie? 318 00:13:00,399 --> 00:13:01,320 Speaker 1: It was insane? 319 00:13:01,559 --> 00:13:02,399 Speaker 2: It was so good. 320 00:13:02,919 --> 00:13:06,080 Speaker 1: Yeah, super Mike says, if Narnia does well, hopefully it 321 00:13:06,519 --> 00:13:07,840 uh starts more never right now. 322 00:13:07,879 --> 00:13:10,120 Speaker 3: That's part of the contract for that is is Girwig's like, 323 00:13:10,159 --> 00:13:11,759 I need that on the big screen around us doing 324 00:13:11,799 --> 00:13:12,000 it right. 325 00:13:12,120 --> 00:13:14,840 Speaker 1: Rumor as Girwig was not gonna walk, but like it 326 00:13:14,960 --> 00:13:16,440 was more moving that way of like you better do 327 00:13:16,559 --> 00:13:20,159 this the problem. So that happened and then even people 328 00:13:20,240 --> 00:13:22,720 like Imax said we don't plan on doing this again. 329 00:13:23,120 --> 00:13:25,600 They don't want to do that, because the thing is 330 00:13:25,919 --> 00:13:28,360 they look at them as the enemy. They look at 331 00:13:28,399 --> 00:13:31,720 that because they look at like you're pushing Netflix and streamers. 332 00:13:31,759 --> 00:13:34,600 So there's a lot of exhibitors like that. I'm sure 333 00:13:34,639 --> 00:13:36,559 we'll still take it. But even Imax said, like, we're 334 00:13:36,600 --> 00:13:39,440 never doing a mask and it's Hollywood, right, things change. 335 00:13:39,519 --> 00:13:41,840 But they said, like, we're doing this, but we're not 336 00:13:41,960 --> 00:13:43,840 doing this a bunch of times in the future because 337 00:13:44,159 --> 00:13:46,200 we don't want people to go subscribe to Netflix, like 338 00:13:46,240 --> 00:13:47,639 we want them to come to the theaters, which is 339 00:13:47,759 --> 00:13:50,679 dumb because like eventually it'll go to DVD or another 340 00:13:50,759 --> 00:13:51,440 streaming service. 341 00:13:51,440 --> 00:13:53,519 Speaker 3: Now I'm just imagining Netflix showing up at the theater 342 00:13:53,559 --> 00:13:56,120 and like we got Tarantino's tenth movie, Are you gonna 343 00:13:56,159 --> 00:13:57,080 make an exception for this? 344 00:13:57,320 --> 00:13:59,399 Speaker 2: Like they're and at the end of the. 345 00:13:59,440 --> 00:14:01,240 Speaker 1: Day, they can just go get their own movie theaters. 346 00:14:01,240 --> 00:14:03,360 They're already eight billion dollars of debt. What's another couple 347 00:14:03,399 --> 00:14:05,440 of billion? So I was gonna ask you this, though, 348 00:14:05,480 --> 00:14:07,120 how would you feel because people talked about this, how 349 00:14:07,120 --> 00:14:10,080 would you feel about this would never happen? But like 350 00:14:10,159 --> 00:14:12,759 back in the day, he wrote a Vincent Vegas or 351 00:14:12,759 --> 00:14:15,159 a Vega Brothers script where there's like, yeah, there's a 352 00:14:15,240 --> 00:14:18,159 character from Paul Fiction and Reserve Dogs are related. I 353 00:14:18,200 --> 00:14:20,080 don't know if it's a treatment or a script, but 354 00:14:20,240 --> 00:14:25,519 there is a script where the girl that oh god, 355 00:14:25,799 --> 00:14:28,480 who is it anyway? I can't remember her name, but 356 00:14:28,519 --> 00:14:30,879 in Kill Bill she kills one of those assassins. They 357 00:14:30,919 --> 00:14:33,320 have a daughter, right, and he had he had written 358 00:14:33,440 --> 00:14:35,879 something where that daughter grows up and now she's after 359 00:14:35,919 --> 00:14:36,320 the bride. 360 00:14:36,360 --> 00:14:37,039 Speaker 2: I remember that one. 361 00:14:37,080 --> 00:14:38,840 Speaker 1: How would you feel like, let's say, whatever it is, 362 00:14:39,039 --> 00:14:41,080 tenth movie comes out, reception is what it is, and 363 00:14:41,200 --> 00:14:43,320 he sticks to his world. How would you feel like 364 00:14:43,960 --> 00:14:46,120 if we're getting this universe of Hey, we might visit 365 00:14:46,159 --> 00:14:48,440 a lot of these Tarantino worlds or scrapped ideas, but 366 00:14:48,480 --> 00:14:51,960 it's not through complete, like completely his lens. It's obviously 367 00:14:52,000 --> 00:14:55,639 written by him, but people can still, you know, rewrite stuff, 368 00:14:55,679 --> 00:14:57,759 things will change. It's not him, so it is like 369 00:14:57,879 --> 00:15:01,320 you're getting a amalgamation of Tarantino stuff in a sense. 370 00:15:01,360 --> 00:15:02,720 How do you feel about that going forward? Because this 371 00:15:02,720 --> 00:15:05,200 is yeah to me? At first sign of I thought 372 00:15:05,279 --> 00:15:06,919 he would be very precious. So the fact that he 373 00:15:07,080 --> 00:15:09,480 sold it, I I would that surprised me. The most 374 00:15:09,519 --> 00:15:11,799 that he would, Yeah, you can have it. Obviously he 375 00:15:11,879 --> 00:15:14,000 got twenty million, so like, I'm sure he's fine, but 376 00:15:14,080 --> 00:15:16,159 like just he striking me as the type of guy 377 00:15:16,159 --> 00:15:18,639 that went, no, I'm not like, this is my stuff 378 00:15:18,720 --> 00:15:19,840 and he gave it. 379 00:15:19,840 --> 00:15:23,480 Speaker 3: Away, so right, yeah, I mean it'd be a different scenario. 380 00:15:23,600 --> 00:15:25,720 And this is a little little dark here is like 381 00:15:26,240 --> 00:15:28,639 if Tarantino had died but he wrote all these scripts, 382 00:15:29,200 --> 00:15:30,679 I don't know, maybe it would be weird, okay if 383 00:15:30,679 --> 00:15:32,000 they just like took those scripts and they gave it 384 00:15:32,080 --> 00:15:32,360 to people. 385 00:15:32,399 --> 00:15:33,720 Speaker 2: But like, let's say he had put it in his. 386 00:15:33,759 --> 00:15:36,600 Speaker 3: Will that he's like, let other people make these movies. Yeah, 387 00:15:36,799 --> 00:15:39,240 Like that would be like, oh cool, we're getting more 388 00:15:39,279 --> 00:15:41,840 of him in a way, but because we'd be getting 389 00:15:41,840 --> 00:15:43,840 them through the context of like him and his stupid 390 00:15:43,840 --> 00:15:46,159 little rules, I'm like, come on, like. 391 00:15:46,200 --> 00:15:47,200 Speaker 2: We could have the real thing. 392 00:15:47,279 --> 00:15:49,679 Speaker 3: He's right here, He's doesn't even have gray a gray 393 00:15:49,759 --> 00:15:51,519 hair on that head yet, Like, come on, let's get 394 00:15:51,559 --> 00:15:53,679 him in that director's chair and make it happen. At 395 00:15:53,720 --> 00:15:55,240 the same time, though, I do think that there could 396 00:15:55,279 --> 00:15:57,799 be some fun of like ooh, who would be the 397 00:15:57,960 --> 00:16:00,360 perfect director for kill Bill? You know, any director in 398 00:16:00,399 --> 00:16:02,360 the world that he wants to do. It would be 399 00:16:02,440 --> 00:16:04,960 like I will gladly take this script for this and 400 00:16:05,080 --> 00:16:06,519 do it, you know, like I'm sure you get whoever 401 00:16:06,559 --> 00:16:09,240 he wants. Seeing as like the Fincher thing, it's like, okay, 402 00:16:09,240 --> 00:16:11,200 that's probably one of the very top dogs you could 403 00:16:11,200 --> 00:16:11,759 possibly get. 404 00:16:11,960 --> 00:16:14,519 Speaker 2: Respect take the script and like make it complete. 405 00:16:14,519 --> 00:16:17,360 Speaker 3: And obviously, as you mentioned the Brad Pitt connection there 406 00:16:17,440 --> 00:16:19,720 is really important too, So like it's not like we're 407 00:16:19,720 --> 00:16:21,799 going to be getting like random ass people who are 408 00:16:22,039 --> 00:16:24,720 taking these scripts and making them unless he signed some 409 00:16:24,840 --> 00:16:27,360 really weird deal where he just sells his soul and 410 00:16:27,480 --> 00:16:29,200 gives them away to make a shit ton of money. 411 00:16:29,240 --> 00:16:32,480 But like, you know, Netflix gets to pick who directs it, and. 412 00:16:32,519 --> 00:16:33,320 Speaker 2: They pick I don't know. 413 00:16:33,399 --> 00:16:35,240 Speaker 3: I don't want to like shit on any director right now, 414 00:16:35,279 --> 00:16:37,039 but they just give it to some random person, you know. 415 00:16:38,320 --> 00:16:39,799 But I don't know, I think there could be some 416 00:16:39,879 --> 00:16:41,639 fun there's that could be a fun fan cast for 417 00:16:41,720 --> 00:16:43,879 us or maybe fancast raft thing for us to do 418 00:16:44,080 --> 00:16:46,080 is like oh, what would like who should do this 419 00:16:46,440 --> 00:16:49,120 the Vega Brothers sequel, or like who should do the 420 00:16:49,840 --> 00:16:51,919 kill Bill trilogy thing? And like, I don't I think 421 00:16:51,960 --> 00:16:55,159 there could be some fun there, So I mean, I'm 422 00:16:55,240 --> 00:16:57,879 honestly not super hyped with the kill Bill thing. Detol 423 00:16:57,919 --> 00:17:00,559 as well, Killed Bills my least favorite, a huge kill 424 00:17:00,600 --> 00:17:01,360 Bill guy. 425 00:17:01,559 --> 00:17:02,159 Speaker 2: The Vega thing. 426 00:17:03,039 --> 00:17:04,400 Speaker 3: I don't know how I feel about that now. I 427 00:17:04,480 --> 00:17:06,400 think many many years ago could have been fun. I 428 00:17:06,400 --> 00:17:08,119 don't know if I want that today. 429 00:17:08,279 --> 00:17:11,440 Speaker 1: Yeah, I'm over it now. I'm not over it, but 430 00:17:11,480 --> 00:17:14,000 I think we're past the time because I there's either 431 00:17:14,079 --> 00:17:18,200 two routes we go. It's one it's daging, which I 432 00:17:18,559 --> 00:17:21,359 don't really want because a full like a scene or 433 00:17:21,400 --> 00:17:23,319 two shirt, but a full movie we've seen that at 434 00:17:23,319 --> 00:17:25,200 times where it doesn't work. And then I also don't 435 00:17:25,279 --> 00:17:29,240 want like a recast because I feel that Michael Madsen 436 00:17:29,319 --> 00:17:31,200 may not as much. But Travolta to me is very 437 00:17:31,279 --> 00:17:32,880 much like a Nick Cage where it's like he just 438 00:17:33,000 --> 00:17:36,960 has a you can't really capture what Travolta is like. 439 00:17:37,039 --> 00:17:40,279 Speaker 2: He has a certain same guy from Yeah, no, I meant, 440 00:17:40,319 --> 00:17:40,720 I meant. 441 00:17:40,559 --> 00:17:42,400 Speaker 1: As like a young actor. I think that'd be very 442 00:17:42,480 --> 00:17:45,480 hard to find me somebody to play a young Travolta. 443 00:17:45,559 --> 00:17:47,319 And I think that's hard. He has like a certain 444 00:17:47,480 --> 00:17:50,880 or where it's not like like he has certain but 445 00:17:51,000 --> 00:17:52,920 I just feel like it could be like old and 446 00:17:52,960 --> 00:17:55,519 Aaron Wright playing Han Solo War. It's like this just 447 00:17:55,680 --> 00:17:58,720 doesn't feel right. So that's that's I don't. 448 00:17:58,519 --> 00:17:59,839 Speaker 2: Know if there's any other of his movies that, like, 449 00:17:59,880 --> 00:18:03,359 I want, any seql for I think he had. 450 00:18:03,319 --> 00:18:05,480 Speaker 1: One point, well, there's a couple. I think at one 451 00:18:05,480 --> 00:18:07,759 point he had pitched something more with a ful eight. 452 00:18:07,880 --> 00:18:09,319 I don't need that because I don't think it's at 453 00:18:09,440 --> 00:18:12,000 least fright, but that's lower for me. I did always 454 00:18:12,119 --> 00:18:14,119 want and he was starting to try to. I think 455 00:18:14,839 --> 00:18:17,079 they announced it, but they scrapped. At one point they 456 00:18:17,119 --> 00:18:19,640 are working on a Django and Zoro movie. I don't 457 00:18:19,640 --> 00:18:21,680 know if you remember we talked about that point. Yeah, 458 00:18:22,119 --> 00:18:23,880 I still kind of want that. 459 00:18:24,000 --> 00:18:26,839 Speaker 3: Dango Okay, Django, Yes, I forgot about that. I would 460 00:18:26,839 --> 00:18:27,079 take that. 461 00:18:27,240 --> 00:18:28,400 Speaker 2: That'd be cool, even. 462 00:18:28,279 --> 00:18:31,519 Speaker 1: If it's like, uh, some sort of highly sielies like 463 00:18:31,640 --> 00:18:34,799 animated movie. I would take that. I would take kill 464 00:18:34,880 --> 00:18:36,920 Bill because I think kill Bill is like in the 465 00:18:37,000 --> 00:18:38,119 higher middle, but one I. 466 00:18:38,119 --> 00:18:40,279 Speaker 2: Think fruitful at the very least compared. 467 00:18:40,400 --> 00:18:44,079 Speaker 1: Especially because like and kill Bill, they give her a daughter, 468 00:18:44,240 --> 00:18:47,000 and like, how do you not do that? How do 469 00:18:47,039 --> 00:18:49,640 you not have my Hawk and Uma Thermina like that 470 00:18:49,960 --> 00:18:52,119 is absolutely that's money right there to me. 471 00:18:52,160 --> 00:18:54,039 Speaker 3: And what's the hood I always forgad the guy's name 472 00:18:54,119 --> 00:18:55,519 her husband Ethan. 473 00:18:55,720 --> 00:18:57,519 Speaker 1: Well they're not not anymore Ethan. 474 00:18:57,599 --> 00:18:58,480 Speaker 2: They're not married anymore. 475 00:18:58,680 --> 00:18:59,640 Speaker 1: No, they're not Ethan Hawk. 476 00:18:59,759 --> 00:19:00,519 Speaker 2: No, today I learned. 477 00:19:00,559 --> 00:19:04,440 Speaker 4: Okay, you know, but yeah, you get those two, you 478 00:19:04,519 --> 00:19:08,039 make Zendaya give me a death death proof with u 479 00:19:09,279 --> 00:19:11,720 R whytt rustle that's what I want to say. 480 00:19:11,920 --> 00:19:15,119 Speaker 1: Yeah, earlier years. Yeah, and then there's another one too, 481 00:19:15,319 --> 00:19:18,279 like same thing he was they scrapped and so they're 482 00:19:18,279 --> 00:19:20,160 not doing anymore. But it just makes me intrigued. Where 483 00:19:20,160 --> 00:19:21,880 at one point, remember he was writing a Star Trek 484 00:19:22,000 --> 00:19:23,519 script and then a bunch of stuff changed that it 485 00:19:23,599 --> 00:19:26,759 never happened. So but even then I'm also still I'm 486 00:19:26,920 --> 00:19:29,480 also curious now going forward after he does that tenth film, 487 00:19:29,480 --> 00:19:32,279 if we're going to get people like going to him now, like, hey, 488 00:19:32,319 --> 00:19:34,279 we would like you to write this because now like 489 00:19:34,400 --> 00:19:36,200 he's on the market right like if he's not, if 490 00:19:36,240 --> 00:19:40,440 you can't work with him of like you know, fucking 491 00:19:40,559 --> 00:19:42,240 James gunn sit him down and be like we'd really 492 00:19:42,359 --> 00:19:45,440 like you because there was no don't don't laugh though 493 00:19:45,519 --> 00:19:48,000 for a second, there was a in that they're making 494 00:19:48,079 --> 00:19:50,240 that Sergeant Rock movie. You think you've kind of heard 495 00:19:50,240 --> 00:19:53,920 about this a little bit, but anyways, in the nineties, 496 00:19:54,079 --> 00:19:56,960 Tarantino said there was he was very close to directing 497 00:19:57,000 --> 00:19:59,400 a Sergeant Rock movie, and there's a script where he's like, oh, 498 00:19:59,400 --> 00:20:00,640 it's one of the best script ever read, and he 499 00:20:00,759 --> 00:20:04,039 was like readapting and everything like that. And he also 500 00:20:04,240 --> 00:20:06,240 at one point not that they would ever do it. 501 00:20:06,680 --> 00:20:09,920 He had pitched I can't remember who had the rights, 502 00:20:09,960 --> 00:20:12,279 but someone had the rights to Luke Cage, and he 503 00:20:12,519 --> 00:20:14,839 was pitching hard to try and direct and write a 504 00:20:14,880 --> 00:20:17,480 Luke Cage. I'm just saying, because he's on the market, 505 00:20:17,559 --> 00:20:19,279 I do not think it's out of the realm possibility. 506 00:20:19,559 --> 00:20:22,759 It might not happen, but I could see at some 507 00:20:22,880 --> 00:20:25,599 point him being attached to just write something, not direct, 508 00:20:25,680 --> 00:20:26,880 but write something, because. 509 00:20:26,680 --> 00:20:28,799 Speaker 3: Now those are ones that I would actually be more 510 00:20:28,880 --> 00:20:31,039 cool with, Like I don't need him directing that, Like 511 00:20:31,079 --> 00:20:32,240 I'll just take his script. 512 00:20:32,400 --> 00:20:35,599 Speaker 1: Yeah yeah, so uh says I want to see what 513 00:20:35,640 --> 00:20:37,839 happened to Hans Land after Bastards. 514 00:20:38,240 --> 00:20:41,079 Speaker 3: It's kind of tough thought, I mean, yeah, I do 515 00:20:41,240 --> 00:20:45,359 want more Waltz. Christoph Walt's in a Tarantino thing as all. 516 00:20:45,519 --> 00:20:48,160 He's just obviously it's a combo made in heaven. And 517 00:20:48,200 --> 00:20:50,119 you can't really do with a jangle unless you do prequel. 518 00:20:50,279 --> 00:20:54,279 Speaker 2: So I don't know if I need that though. 519 00:20:54,480 --> 00:20:57,480 Speaker 1: Oh right, yeah, que, I'm like you do more jangle? Yeah? No, 520 00:20:57,920 --> 00:21:02,720 uh the what's his name identity? Yeah, and yes, it's 521 00:21:02,759 --> 00:21:04,640 like Superman. Mike says he was supposed to the Radar 522 00:21:04,720 --> 00:21:06,559 Star Trek two. Yeah, that's a song about and that's 523 00:21:06,599 --> 00:21:08,640 where people have rumored that, like the reason he just 524 00:21:08,680 --> 00:21:10,240 didn't do because he didn't want his last movie to 525 00:21:10,240 --> 00:21:12,200 be ip movie the same way. There's part of the 526 00:21:12,240 --> 00:21:14,079 reasons that some people say, like he didn't want to 527 00:21:14,079 --> 00:21:15,359 do this because he didn't want a sequel for his 528 00:21:15,480 --> 00:21:16,079 last It's. 529 00:21:15,960 --> 00:21:17,519 Speaker 2: Like same thing in movies. 530 00:21:17,599 --> 00:21:21,000 Speaker 1: Man, you know, it's interesting. But yeah, we'll see, Well 531 00:21:21,359 --> 00:21:23,680 that'll be a very fun and interesting review. 532 00:21:23,759 --> 00:21:25,279 Speaker 2: I'll be there day one to see that movie. 533 00:21:25,920 --> 00:21:28,079 Speaker 1: Absolutely, Okay, it's definitely gonna have a lot of discussion 534 00:21:28,119 --> 00:21:30,599 of who comes back, who else they cast, whatever they do, 535 00:21:30,799 --> 00:21:33,319 what other kind of famous people they bring up. Because 536 00:21:33,319 --> 00:21:35,640 alsoly lots of famous people were like you know cast 537 00:21:35,680 --> 00:21:37,880 in that movie, right, like Steve McQueen and Sharon Tate, 538 00:21:38,000 --> 00:21:40,640 Like what do you do? And I will be I 539 00:21:40,720 --> 00:21:42,880 think it will be a huge hit for Netflix if 540 00:21:42,880 --> 00:21:45,319 they can get Leo back for a scene or two, 541 00:21:45,359 --> 00:21:47,319 because that I think that's massive. 542 00:21:47,480 --> 00:21:49,240 Speaker 2: So uh, and I would be surprised if he did. 543 00:21:49,359 --> 00:21:51,400 Speaker 3: For some I guess if Fincher, it's like, it's not 544 00:21:51,519 --> 00:21:53,680 like they're getting some guy off the street, like they're 545 00:21:53,680 --> 00:21:56,200 getting reputable people. But for some reason, it feels like 546 00:21:56,319 --> 00:21:58,000 not something. I feel like he wants to be the 547 00:21:58,039 --> 00:21:59,119 star or nothing. 548 00:21:59,799 --> 00:22:02,279 Speaker 1: He's never worked with Fincher, which is interesting. The only 549 00:22:02,319 --> 00:22:04,599 time he worked with Fincher, I think is there was 550 00:22:04,640 --> 00:22:07,240 like a new Imax camera made and to show it off, 551 00:22:07,440 --> 00:22:10,079 Fincher and Leo work together to like show what it 552 00:22:10,119 --> 00:22:12,039 would look like. But that was it or it was 553 00:22:12,079 --> 00:22:13,319 like some sort of kid. Yeah, it was like a 554 00:22:13,880 --> 00:22:16,160 just like for tech people like to show like this 555 00:22:16,279 --> 00:22:19,160 what tech? Yeah exactly. So that's like the only time 556 00:22:19,160 --> 00:22:22,119 they've worked together. And I guess the reason why it's 557 00:22:22,720 --> 00:22:25,680 like the rumor is he's like in the script, what's 558 00:22:25,720 --> 00:22:30,440 his name? Uh, Dalton Rick Rick adult rific condultant. Yeah, 559 00:22:30,599 --> 00:22:32,640 rumors he's in the script. And the reason why there's 560 00:22:32,640 --> 00:22:34,440 some validity to this is because he's supposed to be 561 00:22:34,440 --> 00:22:38,759 filming that Evil can Eevil movie with Damon Chizzelle, but 562 00:22:38,839 --> 00:22:40,680 the word is he hasn't signed on to that, so 563 00:22:40,799 --> 00:22:43,920 people are saying that he might be like kind. 564 00:22:43,799 --> 00:22:47,079 Speaker 2: Of film two scenes for a well that, or. 565 00:22:47,079 --> 00:22:49,400 Speaker 1: He might be putting them against each other to be like, Okay, 566 00:22:49,599 --> 00:22:51,880 you know Netflix has offered me this, like you want 567 00:22:51,920 --> 00:22:55,079 me evil and evil like and like Leo, he did. 568 00:22:55,200 --> 00:22:57,640 Don't forget he's done a Netflix movie before. He did 569 00:22:57,680 --> 00:22:59,359 don't look up remember a couple of years ago. So 570 00:22:59,400 --> 00:23:02,319 it's not like he's not Tom Cruise, where Tom Cruise 571 00:23:02,400 --> 00:23:05,039 is completely like I'm not ever fucking dowing streaming, like, 572 00:23:05,160 --> 00:23:07,720 don't talk to me about it, like Leo, he'll do it. 573 00:23:07,920 --> 00:23:08,880 Speaker 2: So he'll do it. 574 00:23:09,240 --> 00:23:11,079 Speaker 1: We will see. So let's take our last ad break 575 00:23:11,119 --> 00:23:12,599 and then we'll be back with our final topic with 576 00:23:12,680 --> 00:23:14,400 some trailers and we'll be right back