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<v Speaker 1>Petrie Wine brings you.

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<v Speaker 2>Basil raft Bone and Nigel Bruce and the new Adventures

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<v Speaker 2>of Sherlock Holmes. The Petrie family, the family that took

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<v Speaker 2>time to bring you good wine. Invite you to listen

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<v Speaker 2>to doctor Watson tell us another exciting adventure he shared

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<v Speaker 2>with his good friend, that master Detective Sherlock Holmes. And

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<v Speaker 2>I'd like to tell you about my favorite time of day.

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<v Speaker 2>It's just before dinner, you know, when the family's all

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<v Speaker 2>sitting around in the living room and wonderful things are

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<v Speaker 2>cooking in the kitchen.

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<v Speaker 1>Ah, that's for me, and that's the time for a

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<v Speaker 1>glass of sherry.

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<v Speaker 2>Because Petrie California's sherry really makes waiting for dinner a pleasure.

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<v Speaker 2>That Petrie sherry is the perfect before dinner wine. Just

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<v Speaker 2>look at his beautiful amber color and then taste that

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<v Speaker 2>wonderful Petrie sherry.

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<v Speaker 1>What a flavor.

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<v Speaker 2>Petri sherry has a rich, nutty flavor that's right from

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<v Speaker 2>the heart of sunripe grapes. And if you like your

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<v Speaker 2>sherry dry, you know, not sweet, you want to get

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<v Speaker 2>Petree pale dry sherry or better yet, taste them both.

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<v Speaker 1>Don't buy one, buy two. Those letters P. E. T.

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<v Speaker 2>R I on the label are the personal assurance of

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<v Speaker 2>the Petrie family that Petree Sherry is truly good wine.

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<v Speaker 2>And now it's time to keep the weekly appointment with

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<v Speaker 2>our good friend, doctor Watson.

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<v Speaker 1>How are you deceading? Doctor? I never felt better. Thank you,

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<v Speaker 1>mister Botel. Drow up your usual churn, make.

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<v Speaker 2>Yourself comfortable, thank you. I see you've had the old

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<v Speaker 2>ten dispatch box out again. I suppose you've been going

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<v Speaker 2>through your notes on tonight's new share lock owns advantage.

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<v Speaker 3>Yes, I think you will find it as pretty little

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<v Speaker 3>problem as we ever encountered. Story began at eighteen hundred

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<v Speaker 3>and eighty seven.

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<v Speaker 1>That it is year for us, my boy.

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<v Speaker 3>It was the same year that Home solved the case

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<v Speaker 3>of the Amateur Mellican Society who held their meetings in

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<v Speaker 3>a luxuriously furnished vault below a furniture warehouse.

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<v Speaker 1>Oh, I remember that story, Darkling.

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<v Speaker 2>And wasn't eighty seven the year you both escaped from

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<v Speaker 2>death in the paradal chamber?

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<v Speaker 4>It was?

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<v Speaker 3>Indeed, you've got a very good memory, Misberto. The story

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<v Speaker 3>I'm going to tell you tonight topped off this unusually

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<v Speaker 3>exciting year. It was late in October and the equinoxial

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<v Speaker 3>gales had set in with exceptional violence. All day, the

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<v Speaker 3>wind had howled, and the rain had beaten against the

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<v Speaker 3>windows of our Baker Street lodgings. Finally, it was midnight.

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<v Speaker 3>As far as I remember, the storm grew higher and louder,

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<v Speaker 3>and the wind in the chimney sobbed like a child. Suddenly,

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<v Speaker 3>much to our surprise, the doorbell jangled, and a few

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<v Speaker 3>months later, our midnight visitor.

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<v Speaker 1>Stood before us. He was a man of about forty five,

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<v Speaker 1>and as he looked about him anxiously on the glare

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<v Speaker 1>of the lamp.

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<v Speaker 3>I could see that his face was pale, and that

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<v Speaker 3>his eyes heavy, like those of a man who was

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<v Speaker 3>weighed down with some great anxiety.

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<v Speaker 1>And when he spoke, his urn was businesslike and almost aggressive.

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<v Speaker 5>I've come to you for advice, mister Holmes, that's easily obtained,

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<v Speaker 5>and help that is not always so easy.

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<v Speaker 1>It helps the gentlemen off this coat, But he wasn't

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<v Speaker 1>you let me hang it up for you? Thank you, sir.

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<v Speaker 6>I heard of you, mister Holmes, from Major Pendergast Toyert.

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<v Speaker 6>He said that you could solve anything. I'm ready said

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<v Speaker 6>too much, that you've never been beaten. I've been beaten

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<v Speaker 6>four times, serves, three times by men and once by

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<v Speaker 6>a woman.

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<v Speaker 1>That's the person.

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<v Speaker 5>You sit down and introduce yourself. My friend's name is Watson,

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<v Speaker 5>Dr Watson.

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<v Speaker 1>How do you lose her? How do you do? Doctor?

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<v Speaker 1>My name is Lovelace, Edmund Lovelace.

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<v Speaker 5>And what brings you to me at this hour of

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<v Speaker 5>the night? Mister Lovelace, I'm in terrible trouble.

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<v Speaker 6>Mister Holmes, you don't know anything about me, but if

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<v Speaker 6>you'll accept my case, you can save four lives.

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<v Speaker 5>I wouldn't say that I know nothing about ucer, though

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<v Speaker 5>It's true that I know little beyond the somewhat obvious

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<v Speaker 5>fact that well you are single, that you keep a

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<v Speaker 5>dog but not a man servant, and that you are

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<v Speaker 5>much preoccupied the goverasiness, which I take to be some

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<v Speaker 5>form of insurance.

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<v Speaker 3>Oh come, come, come now, what is this well i've met?

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<v Speaker 3>I'll wage to let my friends right, though, isn't he

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<v Speaker 3>mister Lovelace?

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<v Speaker 1>Perfectly?

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<v Speaker 5>But I'll be hanged if I can see how he knows.

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<v Speaker 5>It's a practical application of logic, sir. The briefcase that

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<v Speaker 5>you carry it might at first indicate a barrister or

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<v Speaker 5>some other professional man. But your brusque business business like

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<v Speaker 5>manna contracts that suggestion.

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<v Speaker 1>An insurance broke up who must visit.

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<v Speaker 5>Clients at odd hours is the likeliest man to combine

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<v Speaker 5>that manner with a briefcase of midnight that the wife

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<v Speaker 5>and the man servant, and the fact that I'm preoccupied

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<v Speaker 5>with my business. Your couplings don't match, sir, They each

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<v Speaker 5>is from a different pair. That would suggest preoccupation. And

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<v Speaker 5>it's a mistake that neither a wife nor a man

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<v Speaker 5>servant would have allowed to passe.

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<v Speaker 1>How about the dog? I can't see.

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<v Speaker 5>I shall let you punder on that matter, while mister

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<v Speaker 5>Lovelace tells.

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<v Speaker 6>Us is probably mister Holmes, are you interested in preventing

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<v Speaker 6>a murder as in solving one?

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<v Speaker 1>Naturally? I am mister Lovelace's even more so. But please

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<v Speaker 1>tell me you're sorry.

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<v Speaker 6>I live with four cousins of mine in an old

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<v Speaker 6>houst in Camberwell. My grandfather left the house and a

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<v Speaker 6>sizeable fortune to the five of us on condition that

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<v Speaker 6>we lived together.

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<v Speaker 1>And maintained the family unity.

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<v Speaker 6>It probably won't surprise you to know that we've grown

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<v Speaker 6>to get pretty much on each other's nerves.

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<v Speaker 1>What happens if one of you dies, mister Lovelace, his.

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<v Speaker 6>Share is divided among the others.

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<v Speaker 5>The wonder to me is there that not that a

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<v Speaker 5>murder may take place, but that it has not happened

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<v Speaker 5>one ago.

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<v Speaker 1>Who's responsible for the administration of the estate. My cousin Gerald.

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<v Speaker 6>He's much older than the rest of us, and he's

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<v Speaker 6>a thoroughly unpleasant, cantankerous man. He gets an extra share

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<v Speaker 6>in the estate as administrator, and in consequence he doesn't.

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<v Speaker 1>Work we feel, of course, but he.

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<v Speaker 6>Lives all of us and we're continually quarreling with him

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<v Speaker 6>about it.

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<v Speaker 1>Sounds like a jolly asshole is going to be trouble,

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<v Speaker 1>mister Holmes, I know it.

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<v Speaker 6>Gerald hates us and he's jealous of our share in

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<v Speaker 6>the estate.

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<v Speaker 1>Who spoke of preventing murder just now?

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<v Speaker 5>Yet I can see that you've selected your cousin Gerald

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<v Speaker 5>as the potential murderer.

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<v Speaker 1>Am I right? Yes you are.

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<v Speaker 6>But don't think it's personal prejudice that makes me suspect him.

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<v Speaker 6>I have good reason for doing so.

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<v Speaker 1>What reason? This evening?

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<v Speaker 6>Just before dinner, I can jerrold off with his top

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<v Speaker 6>coat and went to hang it up for him. As

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<v Speaker 6>I did so, I heard a strange pallid clink in

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<v Speaker 6>one of his pockets. I slipped my hand inside it

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<v Speaker 6>and found a hypodermic syringe and a small pile of liquid.

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<v Speaker 1>I opened the pile and smelled it. Gentlemen, it reeked

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<v Speaker 1>of bitter almond. Mister Sila, Eh, what did you do?

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<v Speaker 6>I thought of destroying it, but I realized that would

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<v Speaker 6>put him on his guard, so I replaced it in

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<v Speaker 6>his pocket. Of course, I warned the others, and we

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<v Speaker 6>decided that I had come to you. I had a

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<v Speaker 6>most important client tonight. Who I'd have been here earlier?

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<v Speaker 2>He is?

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<v Speaker 3>It seems odd that you didn't come directed to mister

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<v Speaker 3>Helms as soon you'd made a discovery mister Lovelace. After all,

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<v Speaker 3>if a potential murderers walking about with a pocket full

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<v Speaker 3>of silent, I should have thought that it itself was

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<v Speaker 3>more importand business.

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<v Speaker 6>Well, I yes, I I course, if I seem so

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<v Speaker 6>to you, doctor, that's the most interesting stick you carriser me.

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<v Speaker 1>I exactly it, of course, h thank god.

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<v Speaker 3>Now I see how you deduced that mister Lovelace had

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<v Speaker 3>a dog homes marks of the dog's teeth.

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<v Speaker 1>Of the stick.

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<v Speaker 5>Yes, my dear Bussi, but these marks under scrutiny give

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<v Speaker 5>us more specific information.

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<v Speaker 1>He's a large dog.

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<v Speaker 5>You've had him for some years, mister Lovelace, and he's

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<v Speaker 5>now old and feeble.

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<v Speaker 1>Well, you're perfectly.

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<v Speaker 6>Right, But I'll be hindy if I can see how

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<v Speaker 6>you can tell that from looking at a walking stick.

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<v Speaker 5>This stick is covered with teeth marks. Therefore it has

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<v Speaker 5>been carried many times by the dog. Now it's done

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<v Speaker 5>the heaviest stick, so only a large dog could have

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<v Speaker 5>carried it.

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<v Speaker 1>And the teeth marks also indicate a large jaw.

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<v Speaker 5>The older marks are deep sunk loqure, the fresh ones

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<v Speaker 5>where the wood is not yet dark, and a shallow Yes,

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<v Speaker 5>it's obvious that the jaws are losing their spring.

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<v Speaker 1>Let's put a cover of you, mister Holmes.

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<v Speaker 6>But I don't see what it has to do with

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<v Speaker 6>the case of hand.

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<v Speaker 1>Neither do I homes I must confess now.

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<v Speaker 5>Surely it tells us that your story, mister Lovelace, may

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<v Speaker 5>bear or less terrifying implication than you think. On the

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<v Speaker 5>other hand, it's implication may be even more terrifying. Oh,

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<v Speaker 5>it's late at night. I feel that any feather delay

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<v Speaker 5>in this matter would be extremely dangerous. I suggest to

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<v Speaker 5>get a cab and I'm jahus in Campbewell at once.

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<v Speaker 1>Alice, Randolph and Dad, you're still up.

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<v Speaker 6>I was able to persuade mister Shellakurks and Dr Watson

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<v Speaker 6>to come back with me.

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<v Speaker 1>Gentlemen, this is my cousin, Alice Harley. How do you do?

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<v Speaker 1>How do you do? Miss Harley? How do you do?

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<v Speaker 5>And my cousin Randolph Lovely. I told him about the

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<v Speaker 5>whole business, Randolph, so we can all speak perfectly freely.

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<v Speaker 7>Let's begin by sitting down, shall we. Randolf and I

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<v Speaker 7>had just finished a little cold supper. We've been to

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<v Speaker 7>the theater tonight.

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<v Speaker 5>Well, mister Holmes, I suppose Edmund told you about finding

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<v Speaker 5>the hypodermic sperience and the cyanide in Gerald's coat pocket. Yes, indeed,

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<v Speaker 5>may I ask where your cousin Gerald Lovelace is now.

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<v Speaker 7>We left the house at seven, but I imagine Gerald went

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<v Speaker 7>upstairs at eight as usual, didn't.

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<v Speaker 1>He on the stroke of eight? Alice.

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<v Speaker 6>He's very fixed in his habits, mister Holmes.

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<v Speaker 1>He goes up to his room every night at eight.

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<v Speaker 1>There he needs or works on his accounts and.

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<v Speaker 6>Eventually goes to bed any time between ten and one, for.

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<v Speaker 1>He might still be up.

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<v Speaker 5>I should like to speak to him a little later

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<v Speaker 5>in the meanwhile, may I ask you, two young people,

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<v Speaker 5>tell me, quite honestly your feelings about your cousin Gerald, and.

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<v Speaker 1>You might as well be Frank. I've kept nothing back.

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<v Speaker 7>All right, ran Off and I hate him fast of all.

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<v Speaker 7>We're sure he's jealous of our shares in the estate.

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<v Speaker 1>And then we Alice and I want to get married.

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<v Speaker 1>Mister Holmes and Gerald won't hear of it.

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<v Speaker 2>But you're your.

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<v Speaker 1>Cousins, aren't you?

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<v Speaker 7>Only second cousins, Doctor Watson. Gerald is dreadfully conventional. He's

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<v Speaker 7>threatened us that if we do get married, he'll go

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<v Speaker 7>to court until they have our shares in the estate annulled.

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<v Speaker 5>And from the way the will is worded, I wouldn't

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<v Speaker 5>be surprised he could do it. So you can see

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<v Speaker 5>why we have no great love for him, why we're

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<v Speaker 5>afraid of him.

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<v Speaker 1>He turns an extremely unfilled persons to you.

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<v Speaker 5>You mentioned there were five cousins in the house. Three

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<v Speaker 5>of you were here. Mister Gerald's lovelace is upstairs. Who

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<v Speaker 5>and where is the fifth cousin. The fifth cousin is

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<v Speaker 5>my brother Skilly. He's something of a tragic Fred.

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<v Speaker 1>You see.

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<v Speaker 5>Gilly is twenty, but he he never developed mentally beyond

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<v Speaker 5>the age of eight.

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<v Speaker 1>He had a bad fall in the hunting field when

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<v Speaker 1>he was a kid. He's been like this ever since.

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<v Speaker 1>I'm sorry to hear that, sir, but he's the.

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<v Speaker 7>Dearest, most gentle boy you've ever met, and.

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<v Speaker 6>Incidentally, the one person in this house who doesn't hate Gerald.

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<v Speaker 1>And poor Fellow doesn't understand the conditions of the world

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<v Speaker 1>last monson.

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<v Speaker 7>No, but if he did, I don't think it'd make

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<v Speaker 7>any difference. I swear Gilly loves every living thing, especially Gladstone.

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<v Speaker 1>Gladstone is the name of his dog, his dog. Yes,

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<v Speaker 1>the dog may be the key to this whole matter.

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<v Speaker 1>Dog What makes you say that home?

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<v Speaker 5>When a man brings a quick and painless poison home

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<v Speaker 5>to ourself, containing an old and feeble dog, it's more

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<v Speaker 5>than possible that he has obtained that poison quite legitimately,

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<v Speaker 5>to give the dog a merciful death, to kill Gladstone.

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<v Speaker 1>Oh no, after all, Alice, dear, he is old and

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<v Speaker 1>almost blind.

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<v Speaker 6>With mister Holmes, if you think Gerald brought home the

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<v Speaker 6>poison to put Gladstone out of the way. When I

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<v Speaker 6>admit it sounds perfectly logical. What made you to say

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<v Speaker 6>come here tonight?

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<v Speaker 5>Because I dare not even guess what you may have

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<v Speaker 5>done by including the thought of murder in this situation?

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<v Speaker 1>And where is your brother, Gilly in his room upstairs asleep?

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00:11:10.639 --> 00:11:12.080
<v Speaker 1>I wonder if we might go up to him. I

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<v Speaker 1>like to talk, if you don't mind. And after that

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<v Speaker 1>I I want a few words with your cousin, Gerald Lovelace.

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<v Speaker 1>He's asleep, stole with a dog in his arm. M

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<v Speaker 1>I'm gonna play. We'll have to awaken him, Killy, Killy,

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<v Speaker 1>that's all right. I'm not going to help him. Gilly. Hm?

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<v Speaker 1>Who is it? Oh?

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<v Speaker 4>Hello, Alice? Who are these men? They've come to take

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<v Speaker 4>Gladstone away?

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<v Speaker 2>Oh?

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<v Speaker 1>No, Gillouis We have not, Gilly. We've just come to

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<v Speaker 1>admire him. No, brother's been telling us what a fine

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<v Speaker 1>dog he is. Huh, that's different. He isn't he beautiful?

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<v Speaker 4>I I just had such a wonderful dream about him,

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<v Speaker 4>Such a wonderful dream.

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<v Speaker 1>What was it, Billy? Hmm? Well he was all young again.

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<v Speaker 1>It's just a puppy.

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<v Speaker 4>He was chasing a rabbit across a cliff top and

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<v Speaker 4>and I was running with him. Oh, Glaston looked so beautiful,

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<v Speaker 4>didn't you, old boy? Of course you did. And and

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00:12:32.440 --> 00:12:35.399
<v Speaker 4>you know, the rabbit went down a hole, and Gladston

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<v Speaker 4>went down after him, and I went down after Gladstone,

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<v Speaker 4>and all had tea with the rabbits. Huh, so funny.

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<v Speaker 4>He all had little green hats on, hats with feathers.

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<v Speaker 4>I wanted Glaston to try one on, but you wouldn't.

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<v Speaker 1>So sleepy. Come on, Gladston, let's go back to the

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<v Speaker 1>tea party.

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<v Speaker 5>Okay, his world may be a great gil more pleasant

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<v Speaker 5>than ours, Watson. That's what I'd like to thank mister Holmes.

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<v Speaker 5>Now it's act him for a few words for their

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<v Speaker 5>cousin Gerald. His runs at the end of this corridor.

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<v Speaker 1>I'm afraid Gilly wasn't much help to you, mister Harman

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00:13:17.519 --> 00:13:20.000
<v Speaker 1>on the country, young lady. He told me exactly what

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<v Speaker 1>I wanted to know.

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<v Speaker 8>Here we on.

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<v Speaker 5>This is Gerald from there's no light under the door.

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<v Speaker 5>He must have gone to sleep, and I'm afraid we

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00:13:26.039 --> 00:13:33.200
<v Speaker 5>must waken him too. Hm must sleeper, but he isn't.

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<v Speaker 5>He's a remarkably LifeWise.

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<v Speaker 1>I'm on twin track a match with the jat mandles

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<v Speaker 1>at the head of his dead doctor Watson, while he's

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00:13:45.600 --> 00:13:47.679
<v Speaker 1>lying on the outside of his bed. He must be.

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00:13:48.759 --> 00:13:51.279
<v Speaker 1>There's blood on the pillow. Great Scot Holmes, the back

302
00:13:51.279 --> 00:13:56.600
<v Speaker 1>of his car smashed him. He's murdered. Oh horrible, yes, Watson,

303
00:13:57.200 --> 00:13:59.399
<v Speaker 1>the blows on his head, looking on the table by his.

304
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<v Speaker 5>Bed, hypodermic syringe and a broken file, Yes, a broken file.

305
00:14:06.360 --> 00:14:09.279
<v Speaker 1>Wreaking a bitter almonds for a devil.

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<v Speaker 5>Well, I won't pretend I like him, but what a

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00:14:12.559 --> 00:14:13.759
<v Speaker 5>ghastly way to done.

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00:14:13.960 --> 00:14:16.600
<v Speaker 1>All they that take the sword shall perish.

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<v Speaker 5>With the sword, so the scripture say, mister Lovelace. There

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00:14:19.960 --> 00:14:24.000
<v Speaker 5>is suspicion that the killing has brought murder to pass. Well,

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00:14:24.039 --> 00:14:26.440
<v Speaker 5>it's too late to prevent it. Job now is to

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00:14:26.440 --> 00:14:29.320
<v Speaker 5>find the killer and see that he's brought to justice.

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<v Speaker 2>Doctor Watson will tell you the rest of his story

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00:14:40.200 --> 00:14:42.840
<v Speaker 2>in just a few seconds, just time enough for me

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00:14:42.919 --> 00:14:45.720
<v Speaker 2>to tell you that if there's one wine it's perfect

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00:14:45.759 --> 00:14:50.559
<v Speaker 2>for any occasion, it's Patrie, California's sherry. With a bottle

317
00:14:50.600 --> 00:14:53.399
<v Speaker 2>of that rich and the colored Patrie sherry on hand.

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00:14:54.000 --> 00:14:56.519
<v Speaker 2>You can make that time before dinner a main event.

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00:14:57.279 --> 00:14:59.799
<v Speaker 2>And Patrick Sherry is the perfect answer to the question

320
00:14:59.840 --> 00:15:03.799
<v Speaker 2>of what to serve when company comes. Serve Patrie Scharry

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00:15:03.840 --> 00:15:07.200
<v Speaker 2>alone and let its full wonderful flavor speak for itself,

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00:15:07.799 --> 00:15:11.200
<v Speaker 2>or served Patrick Cherry with or deerbs or party sandwiches.

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00:15:11.679 --> 00:15:16.120
<v Speaker 2>And remember you can serve Patrie Scharry, probably because Patrie

324
00:15:16.159 --> 00:15:21.240
<v Speaker 2>is the proudest name in the history of American wine. Well,

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00:15:21.279 --> 00:15:24.440
<v Speaker 2>doctor Watson, so you found Gerald Lovelace dead in one

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00:15:24.480 --> 00:15:27.440
<v Speaker 2>of the bedrooms of the house in Camberwell, what did

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00:15:27.480 --> 00:15:27.720
<v Speaker 2>you do?

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<v Speaker 1>Send for the police? Not at once?

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00:15:29.960 --> 00:15:32.559
<v Speaker 3>Sherlock Holmes persuaded the remainder of the household to give

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00:15:32.639 --> 00:15:34.720
<v Speaker 3>him the opportunity of examining the scene of the crime

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00:15:34.799 --> 00:15:38.039
<v Speaker 3>carefully before the police was sent for. And so a

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00:15:38.080 --> 00:15:41.200
<v Speaker 3>few minutes before one o'clock that October night, Holmes and

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00:15:41.240 --> 00:15:43.240
<v Speaker 3>I stood alone in the room of death.

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00:15:47.360 --> 00:15:49.960
<v Speaker 1>You know, Holmes, I think you should have sent for

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00:15:50.000 --> 00:15:50.720
<v Speaker 1>the police right away.

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00:15:50.759 --> 00:15:52.360
<v Speaker 5>And in case of fact this Watson, I prefer to

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00:15:52.360 --> 00:15:55.519
<v Speaker 5>be my own police. And I have spun the web.

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00:15:56.080 --> 00:15:58.840
<v Speaker 5>They may take the flies, but not before What are

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00:15:58.840 --> 00:16:00.799
<v Speaker 5>the results if you are medically examination old Chap.

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00:16:01.120 --> 00:16:04.559
<v Speaker 3>It's exactly Hugh reconstructed at homes. He was first beating

341
00:16:04.600 --> 00:16:06.720
<v Speaker 3>on the head with that poker lying on the floor.

342
00:16:07.240 --> 00:16:10.240
<v Speaker 3>Then he had the full file of sylide injected into

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00:16:10.279 --> 00:16:10.879
<v Speaker 3>his left wrist.

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<v Speaker 1>Can you estimate the time of death to accurately?

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00:16:13.240 --> 00:16:15.879
<v Speaker 3>No, His room's confinedly hot. He might have died any

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00:16:15.919 --> 00:16:18.399
<v Speaker 3>time from one to five hours ago.

347
00:16:18.559 --> 00:16:21.519
<v Speaker 5>Yes, it's now one o'clock, and we know that he

348
00:16:21.559 --> 00:16:25.440
<v Speaker 5>was alive at eight statemand Lovelace saw him.

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00:16:25.360 --> 00:16:27.879
<v Speaker 1>Leave for his room at that hour. Ye, if he

350
00:16:28.000 --> 00:16:28.799
<v Speaker 1>was telling the truth.

351
00:16:28.919 --> 00:16:30.919
<v Speaker 5>One thing we do know for a fact is that

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00:16:31.000 --> 00:16:33.159
<v Speaker 5>this man was murdered and the exact moment he was

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00:16:33.159 --> 00:16:33.840
<v Speaker 5>going to bed.

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00:16:34.159 --> 00:16:37.279
<v Speaker 1>He's wearing his nightgown and nightcap. But his bed has

355
00:16:37.320 --> 00:16:38.000
<v Speaker 1>not been slept in.

356
00:16:38.080 --> 00:16:40.279
<v Speaker 3>And is it possible the murder might have killed him

357
00:16:40.279 --> 00:16:43.399
<v Speaker 3>shortly after eight and then dressed him in his nightclothes.

358
00:16:43.519 --> 00:16:44.879
<v Speaker 1>Confuses no matter, Chap.

359
00:16:45.399 --> 00:16:47.720
<v Speaker 5>He will notice that the hypodemic needl passed to the

360
00:16:47.759 --> 00:16:49.039
<v Speaker 5>sleeve of his night shirt.

361
00:16:49.279 --> 00:16:49.480
<v Speaker 1>Here.

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00:16:50.200 --> 00:16:52.639
<v Speaker 5>Also the nightcap is crushed in bloodstained from the blows

363
00:16:52.639 --> 00:16:53.120
<v Speaker 5>of the poker.

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00:16:53.279 --> 00:16:56.720
<v Speaker 1>No devil g Lovelace had prepared for bed. Yes, pot

365
00:16:56.759 --> 00:16:58.440
<v Speaker 1>a glass of water on the night table and the

366
00:16:59.000 --> 00:16:59.480
<v Speaker 1>per book.

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00:17:00.039 --> 00:17:05.759
<v Speaker 5>What yes, signs of a prosperous and meticulous man, fine

368
00:17:05.839 --> 00:17:12.279
<v Speaker 5>gold watch and in excellent condition. Ah, there's the answer, Watson.

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00:17:12.359 --> 00:17:13.759
<v Speaker 1>What do you mean? There's the answer, Watson.

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00:17:14.079 --> 00:17:16.119
<v Speaker 5>I just wound this watch one turn and then it

371
00:17:16.240 --> 00:17:19.200
<v Speaker 5>was fully wound. That provides us with the time schedule

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00:17:19.240 --> 00:17:21.519
<v Speaker 5>for arm there. Come on, we'll send a servain for

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00:17:21.559 --> 00:17:23.480
<v Speaker 5>the police, and while they're on the way, if you'll

374
00:17:23.480 --> 00:17:25.200
<v Speaker 5>call everyone together. I should like to put a few

375
00:17:25.240 --> 00:17:27.000
<v Speaker 5>more questions to this family.

376
00:17:38.839 --> 00:17:39.799
<v Speaker 1>Before the police arrive.

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00:17:39.839 --> 00:17:42.000
<v Speaker 5>I should like to carry your statements again very carefully,

378
00:17:42.000 --> 00:17:45.759
<v Speaker 5>if you don't mind, mister Edmund Lovelace, what with your

379
00:17:45.880 --> 00:17:47.079
<v Speaker 5>exact movements tonight?

380
00:17:47.240 --> 00:17:52.160
<v Speaker 6>I left here shortly before ten, from ten o'clock until

381
00:17:52.200 --> 00:17:53.759
<v Speaker 6>the time I came to baker'street.

382
00:17:53.240 --> 00:17:55.680
<v Speaker 1>House with my clan. His name and address is.

383
00:17:55.400 --> 00:17:58.200
<v Speaker 6>Derek Waterlow in nine on snow squares off Kensick.

384
00:17:58.200 --> 00:18:01.680
<v Speaker 5>Thank you making note of these willy Watsons. You, miss Harley,

385
00:18:01.799 --> 00:18:03.440
<v Speaker 5>and you, mister Randolph.

386
00:18:03.079 --> 00:18:05.160
<v Speaker 1>Lovelace, went to the theater together.

387
00:18:05.480 --> 00:18:08.799
<v Speaker 5>Can any independent witness testify as to your movements?

388
00:18:09.079 --> 00:18:12.480
<v Speaker 7>Yes, mister Holmes, we went with friends the grant Moresby.

389
00:18:13.119 --> 00:18:15.799
<v Speaker 7>They live at the Clarendon Hotel of charing Crosson.

390
00:18:15.519 --> 00:18:17.720
<v Speaker 1>What time did you leave this house? Well, it was

391
00:18:17.759 --> 00:18:20.440
<v Speaker 1>about a quarter to eight, wasn't it allus? Yes?

392
00:18:20.960 --> 00:18:23.079
<v Speaker 7>And after the play we went to the Cafe Rore

393
00:18:23.079 --> 00:18:25.079
<v Speaker 7>else for a little refreshment with our friends, and then

394
00:18:25.119 --> 00:18:25.759
<v Speaker 7>came back here.

395
00:18:25.839 --> 00:18:26.200
<v Speaker 8>I see.

396
00:18:26.200 --> 00:18:28.039
<v Speaker 1>And what time did you arrive back at this house?

397
00:18:28.279 --> 00:18:31.279
<v Speaker 5>Just a few minutes before midnight? I remember the grandfather

398
00:18:31.359 --> 00:18:33.160
<v Speaker 5>clock in the hall striking just as we went into

399
00:18:33.160 --> 00:18:35.960
<v Speaker 5>the drawing. And your brother Gilly, sir, I hate to

400
00:18:35.960 --> 00:18:36.640
<v Speaker 5>waken him again.

401
00:18:36.680 --> 00:18:39.519
<v Speaker 1>Have you any idea of his movements? Tight? Well, he

402
00:18:39.599 --> 00:18:41.160
<v Speaker 1>never goes out after darkness.

403
00:18:40.960 --> 00:18:43.160
<v Speaker 5>Mors But I spoke to the cook as we came

404
00:18:43.200 --> 00:18:45.680
<v Speaker 5>in tonight. She says that he played cards with her

405
00:18:45.759 --> 00:18:47.160
<v Speaker 5>until just after ten o'clock.

406
00:18:47.240 --> 00:18:49.000
<v Speaker 7>He was fast asleep when I looked in on him

407
00:18:49.000 --> 00:18:50.000
<v Speaker 7>shortly after midnight.

408
00:18:50.319 --> 00:18:53.039
<v Speaker 5>Thank you you've made a note of all these facts, Watson.

409
00:18:53.079 --> 00:18:55.559
<v Speaker 1>Here's I got them all down. Good. Then let's be

410
00:18:55.599 --> 00:18:56.519
<v Speaker 1>o way to Baker Street.

411
00:18:56.599 --> 00:18:58.839
<v Speaker 5>But the police, mister Holmes said, on the way, I know,

412
00:18:59.759 --> 00:19:02.559
<v Speaker 5>please give them my regards. Will you apologize for my

413
00:19:02.640 --> 00:19:05.160
<v Speaker 5>informality and tell them that I had the answer to

414
00:19:05.200 --> 00:19:19.200
<v Speaker 5>this matter, probably in a little over twenty four hours.

415
00:19:21.519 --> 00:19:24.359
<v Speaker 3>Homes Here, it is well after midnight. You haven't done

416
00:19:24.359 --> 00:19:25.720
<v Speaker 3>a thing on the camera world case.

417
00:19:25.759 --> 00:19:26.839
<v Speaker 1>No, but you have, old Chap.

418
00:19:27.200 --> 00:19:28.799
<v Speaker 5>You've checked on all the time out of eyes and

419
00:19:28.880 --> 00:19:29.559
<v Speaker 5>found them valid.

420
00:19:29.599 --> 00:19:32.279
<v Speaker 1>I'm much obliged to and special. The Start was here tonight,

421
00:19:32.279 --> 00:19:34.359
<v Speaker 1>you know, and he made some pretty costic remarks. I

422
00:19:34.400 --> 00:19:34.920
<v Speaker 1>can tell you.

423
00:19:34.960 --> 00:19:37.720
<v Speaker 5>Oh didn't you inform him that I'll have the answer

424
00:19:37.839 --> 00:19:39.799
<v Speaker 5>to the problem for fore many hours past?

425
00:19:40.279 --> 00:19:43.319
<v Speaker 1>Here's but you know the star he wanted action. He's

426
00:19:43.319 --> 00:19:48.440
<v Speaker 1>gonna have it. The watch is still running. Another thing.

427
00:19:48.559 --> 00:19:50.519
<v Speaker 3>What will the Start say when he finds that you

428
00:19:50.599 --> 00:19:52.279
<v Speaker 3>took the dead man's work?

429
00:19:52.359 --> 00:19:54.960
<v Speaker 1>I have no idea. Oh did you take it anywhere?

430
00:19:55.079 --> 00:19:58.400
<v Speaker 1>He sound sleepy, Old Chap. I'm confron. Why don't you

431
00:19:58.440 --> 00:19:58.839
<v Speaker 1>go to bed?

432
00:19:59.200 --> 00:19:59.759
<v Speaker 4>Are you going to do?

433
00:20:00.680 --> 00:20:04.720
<v Speaker 1>Continue my vigil with my pipe? The Watch of the

434
00:20:04.759 --> 00:20:19.759
<v Speaker 1>dead Man? What's up? What's wake up? Five o'clock in

435
00:20:19.799 --> 00:20:21.119
<v Speaker 1>the morning.

436
00:20:21.200 --> 00:20:21.279
<v Speaker 2>Up?

437
00:20:21.920 --> 00:20:24.640
<v Speaker 1>The watch has just stopped. I'm about to rewind it.

438
00:20:24.799 --> 00:20:27.359
<v Speaker 3>What are you rewinding it for? Homes You waited over

439
00:20:27.400 --> 00:20:29.079
<v Speaker 3>twenty four hours with unworm?

440
00:20:29.359 --> 00:20:31.640
<v Speaker 5>When I know how it turns, it takes to wind

441
00:20:31.680 --> 00:20:34.000
<v Speaker 5>it fully, I shall have the answer to the whole business.

442
00:20:35.759 --> 00:20:39.759
<v Speaker 1>Ten eleven. You're being confinedly mysterious as usual.

443
00:20:40.359 --> 00:20:44.240
<v Speaker 5>Fourteen fourteen turns and the watch is fully wound. Get

444
00:20:44.319 --> 00:20:45.319
<v Speaker 5>your clothes on, old chap.

445
00:20:45.400 --> 00:20:46.119
<v Speaker 1>Where are we going on this?

446
00:20:46.440 --> 00:20:59.839
<v Speaker 5>The house in Camberwell, now I know who murdered Gerald's lovelace, mister.

447
00:20:59.720 --> 00:21:01.200
<v Speaker 1>Edmonds, that lace. I'm glad to let us in.

448
00:21:01.799 --> 00:21:04.200
<v Speaker 5>Please take us up to your young cousin's room at once, Billy,

449
00:21:04.880 --> 00:21:05.160
<v Speaker 5>what do.

450
00:21:05.079 --> 00:21:05.359
<v Speaker 6>You want to?

451
00:21:06.440 --> 00:21:08.519
<v Speaker 1>Please take us up to him? Of course? But what

452
00:21:08.720 --> 00:21:10.799
<v Speaker 1>brings you hear it this hour of the morning. Terms

453
00:21:11.039 --> 00:21:12.480
<v Speaker 1>knows who's murdered your cousin.

454
00:21:12.640 --> 00:21:15.000
<v Speaker 6>I'm served to hear it more than the police seems.

455
00:21:15.000 --> 00:21:17.359
<v Speaker 5>You know, they were here half the night class examining us.

456
00:21:18.119 --> 00:21:27.720
<v Speaker 1>Here we are. I don't bother to knock, Billy, Billy,

457
00:21:28.200 --> 00:21:28.799
<v Speaker 1>I'm awake.

458
00:21:29.480 --> 00:21:32.160
<v Speaker 4>We heard you coming up the stairs, didn't we, Glaston,

459
00:21:34.240 --> 00:21:35.279
<v Speaker 4>it's the same man again.

460
00:21:35.720 --> 00:21:38.000
<v Speaker 1>You're not going to take Gladston away, are you? Please?

461
00:21:38.039 --> 00:21:42.279
<v Speaker 1>Don't take him away. We're not going to touch him.

462
00:21:41.440 --> 00:21:47.200
<v Speaker 5>Oh all right then, oh Gilly, Yes, you really love

463
00:21:47.279 --> 00:21:48.039
<v Speaker 5>that dog, don't you.

464
00:21:48.559 --> 00:21:52.359
<v Speaker 1>Of course I do more than anything or anybody. I

465
00:21:52.480 --> 00:21:52.920
<v Speaker 1>believe you.

466
00:21:52.920 --> 00:21:55.160
<v Speaker 5>Would even kill a man who tried to hurt Gladston,

467
00:21:55.759 --> 00:22:00.640
<v Speaker 5>wouldn't Joe, Oh, yes, sir, I won't get it, No,

468
00:22:01.200 --> 00:22:08.200
<v Speaker 5>great shotter, Gilly. I don't think you really kill a man.

469
00:22:08.960 --> 00:22:10.079
<v Speaker 5>I don't think you could.

470
00:22:10.119 --> 00:22:16.400
<v Speaker 1>Hah, couldn't die though? How would you kill him? I'd

471
00:22:16.440 --> 00:22:19.359
<v Speaker 1>hit him first. I'd take a poker and hit him

472
00:22:19.359 --> 00:22:21.839
<v Speaker 1>on the head so he couldn't fight back. And then

473
00:22:21.880 --> 00:22:23.319
<v Speaker 1>I'd take the lasty needle.

474
00:22:23.119 --> 00:22:25.559
<v Speaker 4>He told me he was going to stick in Glaston and.

475
00:22:25.160 --> 00:22:27.119
<v Speaker 1>And and I'd fill it full of that water he

476
00:22:27.160 --> 00:22:29.319
<v Speaker 1>showed me, and I'd stick it in him. That's what

477
00:22:29.480 --> 00:22:33.200
<v Speaker 1>I do. Then he'd be dead and he couldn't hurt

478
00:22:33.200 --> 00:22:34.279
<v Speaker 1>my Glaston anymore.

479
00:22:34.559 --> 00:22:41.319
<v Speaker 5>Not ever, Let's leave him, shall we? Good Bye Gilly

480
00:22:41.680 --> 00:22:42.480
<v Speaker 5>Pu's dreams.

481
00:22:43.200 --> 00:22:53.759
<v Speaker 1>Good Bye, sir, little Glaster. You satisfied, sir? Yes, poor Guinea,

482
00:22:54.519 --> 00:22:56.880
<v Speaker 1>there's no doubt about it, canna be.

483
00:22:57.160 --> 00:22:59.319
<v Speaker 3>No one had described the murder to him, and yet

484
00:22:59.319 --> 00:23:01.440
<v Speaker 3>he's just given an exact description.

485
00:23:01.680 --> 00:23:06.480
<v Speaker 1>It's method. What will happened to him? They they won't try.

486
00:23:05.960 --> 00:23:08.319
<v Speaker 5>It, No, no, no, no, little pressure in the right places,

487
00:23:08.319 --> 00:23:10.000
<v Speaker 5>and you'll be released to a private nursing home.

488
00:23:10.240 --> 00:23:12.839
<v Speaker 1>I'll do everything I can. Mister Lovelace, thank you, mister Helms,

489
00:23:13.400 --> 00:23:14.160
<v Speaker 1>thank you very much.

490
00:23:25.799 --> 00:23:27.839
<v Speaker 3>Well, Holmes, now that we're back in Vaker Streets and

491
00:23:27.880 --> 00:23:30.519
<v Speaker 3>the whole pressing case is finished with, perhaps you'll tell

492
00:23:30.559 --> 00:23:31.640
<v Speaker 3>me how you.

493
00:23:31.720 --> 00:23:33.519
<v Speaker 1>Knew that Billy had committed them.

494
00:23:34.079 --> 00:23:36.799
<v Speaker 5>The time schedules all alarm. You checked the alibis the

495
00:23:36.839 --> 00:23:40.960
<v Speaker 5>other cousins and found them satisfactory. That meant that Alice

496
00:23:41.119 --> 00:23:45.440
<v Speaker 5>Harley and Randolph Lovelace could have committed the crime only

497
00:23:45.720 --> 00:23:51.279
<v Speaker 5>at midnight, Edmund on late before ten, Gilly, only around eleven.

498
00:23:51.519 --> 00:23:54.079
<v Speaker 5>You said that the time of death could have been

499
00:23:54.119 --> 00:23:55.400
<v Speaker 5>at any of those hours.

500
00:23:55.240 --> 00:23:57.119
<v Speaker 1>Yes, I did, so how did you pin it down

501
00:23:57.160 --> 00:24:00.440
<v Speaker 1>to eleven? The watch gave me the specific cancer.

502
00:24:00.640 --> 00:24:03.000
<v Speaker 5>When I picked it up, I am thinking, I'm thinkingly wound.

503
00:24:03.000 --> 00:24:06.319
<v Speaker 1>It made one turn, was then fully wound. Now when

504
00:24:06.359 --> 00:24:08.119
<v Speaker 1>does the stotic of precise.

505
00:24:07.759 --> 00:24:10.240
<v Speaker 5>Man like Gerald Lovelace wind his watch just He's going

506
00:24:10.240 --> 00:24:12.839
<v Speaker 5>to be exactly ol Collum, so that it was obvious

507
00:24:13.079 --> 00:24:17.599
<v Speaker 5>that he was killed precisely one watch stem turn before

508
00:24:18.240 --> 00:24:19.279
<v Speaker 5>I wound his watch.

509
00:24:19.319 --> 00:24:21.640
<v Speaker 1>Now I'm beginning to see daylight at Holmes. So you

510
00:24:21.759 --> 00:24:22.880
<v Speaker 1>let the watch run down.

511
00:24:22.920 --> 00:24:26.400
<v Speaker 5>That's what I did. It took twenty eight hours, from

512
00:24:26.440 --> 00:24:29.720
<v Speaker 5>one o'clock the night before last until five this morning. Now,

513
00:24:29.799 --> 00:24:32.240
<v Speaker 5>how many turns did it take to rewind it? Fourteen,

514
00:24:32.400 --> 00:24:35.400
<v Speaker 5>wasn't That's right? Therefore one turn of the watch stem

515
00:24:35.480 --> 00:24:39.519
<v Speaker 5>equal two hours, proving that Gerald Lovelace had been murdered

516
00:24:39.559 --> 00:24:43.200
<v Speaker 5>two hours before one o'clock at eleven pm.

517
00:24:43.039 --> 00:24:45.119
<v Speaker 1>When Gilly was the only one who could have done it.

518
00:24:45.799 --> 00:24:48.160
<v Speaker 3>You know, Holmes, I still find it hard to believe

519
00:24:48.160 --> 00:24:50.039
<v Speaker 3>that boy was capable.

520
00:24:49.599 --> 00:24:53.000
<v Speaker 1>Of such a ghastly crime. He seems so gentle old.

521
00:24:52.880 --> 00:24:56.799
<v Speaker 5>Years years, except when his beloved dog's life was at stake.

522
00:24:57.279 --> 00:25:01.000
<v Speaker 5>Probably out of some mistaken notion of kindness, General Lovelace

523
00:25:01.039 --> 00:25:03.119
<v Speaker 5>warn the boy of his intentions regarding the dog.

524
00:25:03.759 --> 00:25:05.799
<v Speaker 1>It's a sad business. What's in a sad business? I

525
00:25:05.799 --> 00:25:07.480
<v Speaker 1>hate to think of that boy as spending the rest

526
00:25:07.480 --> 00:25:09.480
<v Speaker 1>of his life in a mental health I have one

527
00:25:09.599 --> 00:25:13.400
<v Speaker 1>prayer for his future. What's that home? The dog Babston

528
00:25:13.880 --> 00:25:14.880
<v Speaker 1>can't live very long.

529
00:25:16.039 --> 00:25:31.240
<v Speaker 8>I prayed Gilly does not long outlive him.

530
00:25:32.039 --> 00:25:34.039
<v Speaker 1>That was a remarkable bit of deduction on the part

531
00:25:34.079 --> 00:25:36.759
<v Speaker 1>of mister Holm. Yes, extremely cover wasn't. Of course, I

532
00:25:37.039 --> 00:25:39.920
<v Speaker 1>may say, so I was some small help? Was so

533
00:25:40.440 --> 00:25:41.839
<v Speaker 1>small help? Why?

534
00:25:41.960 --> 00:25:47.039
<v Speaker 2>Doctor, you practically solve the case by yourself. But doctor,

535
00:25:47.079 --> 00:25:49.319
<v Speaker 2>you did check all the alibis, didn't you. Yes, I

536
00:25:49.480 --> 00:25:52.559
<v Speaker 2>checked where each suspect was at very time, as you

537
00:25:52.680 --> 00:25:55.079
<v Speaker 2>checked time. And what's more important than time?

538
00:25:55.240 --> 00:25:56.279
<v Speaker 1>WHOA why? Doctor?

539
00:25:56.319 --> 00:25:58.680
<v Speaker 2>Time is even vitally important when it comes to wine.

540
00:25:58.839 --> 00:26:00.880
<v Speaker 1>I was wondering how you going to bring that in?

541
00:26:00.920 --> 00:26:03.400
<v Speaker 2>And one thing we do know, Petrie took time to

542
00:26:03.440 --> 00:26:07.079
<v Speaker 2>bring you good wine, so nobody can miss with Petri wine.

543
00:26:07.400 --> 00:26:08.480
<v Speaker 1>It's just gotta be good.

544
00:26:09.200 --> 00:26:11.480
<v Speaker 2>You know, you can't be in the wine business as

545
00:26:11.519 --> 00:26:14.799
<v Speaker 2>long as the Petrie family without really learning all about

546
00:26:14.839 --> 00:26:18.039
<v Speaker 2>the fine art of making wine. And don't forget the

547
00:26:18.039 --> 00:26:21.119
<v Speaker 2>Petrie family has been making fine wine since way back

548
00:26:21.119 --> 00:26:24.200
<v Speaker 2>in the eighteen hundreds, so naturally they've been able to

549
00:26:24.240 --> 00:26:28.480
<v Speaker 2>hand on down from father to son, from father to son,

550
00:26:29.079 --> 00:26:32.960
<v Speaker 2>the result of generations of experience at turning luscious sun

551
00:26:33.079 --> 00:26:37.480
<v Speaker 2>ripe and grapes into fragrant, delicious wine. No matter what

552
00:26:37.599 --> 00:26:40.400
<v Speaker 2>type of wine you prefer, you'll like it more if

553
00:26:40.440 --> 00:26:44.920
<v Speaker 2>it's a Petree wine, because Petree took time to bring

554
00:26:44.960 --> 00:26:49.799
<v Speaker 2>you good wine. Well, doctor Watson, what new Sherlock Holmes story.

555
00:26:49.839 --> 00:26:51.480
<v Speaker 2>Do you plan to tell us next world on next week?

556
00:26:51.519 --> 00:26:53.319
<v Speaker 3>Mister about chall, I'm going to tell you a most

557
00:26:53.400 --> 00:26:55.759
<v Speaker 3>unusual adventure the terms and I had when we were

558
00:26:55.920 --> 00:26:59.160
<v Speaker 3>tending a performance at the Upper House in Rome. Concerns

559
00:26:59.160 --> 00:27:02.319
<v Speaker 3>the famous singer lost her voice, an understudy who was

560
00:27:02.359 --> 00:27:05.119
<v Speaker 3>nearly lynched, and a murder that baffles the police. I

561
00:27:05.240 --> 00:27:08.240
<v Speaker 3>call it the Adventure of the Terrifying Cats.

562
00:27:08.359 --> 00:27:10.640
<v Speaker 1>Well that's the story we've got to hear. Thank you,

563
00:27:10.680 --> 00:27:11.359
<v Speaker 1>mister Bartel.

564
00:27:11.519 --> 00:27:13.000
<v Speaker 3>And before you go, I want to talk to our

565
00:27:13.039 --> 00:27:16.200
<v Speaker 3>friends about their war bonds. You know, during the war,

566
00:27:16.240 --> 00:27:18.680
<v Speaker 3>the best investment we could find was a United States

567
00:27:18.759 --> 00:27:21.839
<v Speaker 3>war bond, and for my money, there's still a great investment.

568
00:27:22.400 --> 00:27:26.119
<v Speaker 3>They're called United States savings bonds now, and only the

569
00:27:26.200 --> 00:27:29.519
<v Speaker 3>name is changed. Savings bonds are sold in the same

570
00:27:29.559 --> 00:27:32.680
<v Speaker 3>denominations and give you all the same advantages, and you

571
00:27:32.720 --> 00:27:35.440
<v Speaker 3>can buy savings bonds at the same places at your

572
00:27:35.480 --> 00:27:38.160
<v Speaker 3>bank or your postuff store through the payroll savings plans.

573
00:27:38.640 --> 00:27:41.960
<v Speaker 3>So invest all you can in United States savings bonds

574
00:27:42.400 --> 00:27:43.720
<v Speaker 3>because you cannot.

575
00:27:43.400 --> 00:28:04.000
<v Speaker 1>Find a better or a safer investment. To night.

576
00:28:04.079 --> 00:28:07.920
<v Speaker 2>Sherlock Holmes adventure was written by Dennis Green and Anthony Boucher,

577
00:28:08.359 --> 00:28:10.480
<v Speaker 2>and was suggested by an incident in the Sir.

578
00:28:10.480 --> 00:28:13.680
<v Speaker 1>Arthur Conan Doyle story. The Five Orange.

579
00:28:13.240 --> 00:28:18.279
<v Speaker 2>Pits music is by Dean Fosterling. Mister Rathbone appears through

580
00:28:18.319 --> 00:28:21.440
<v Speaker 2>the courtesy of Metro Golden Mayor and mister Bruce through

581
00:28:21.480 --> 00:28:24.640
<v Speaker 2>the courtesy of Universal Pictures, where they are now starring

582
00:28:24.720 --> 00:28:32.160
<v Speaker 2>in the Sherlock Holmes series. The Petri Wine Company of

583
00:28:32.160 --> 00:28:35.799
<v Speaker 2>San Francisco, California invites you to tune in again next week,

584
00:28:36.039 --> 00:28:39.759
<v Speaker 2>same time, same station. Sherlock Holmes comes to you from

585
00:28:39.759 --> 00:28:49.119
<v Speaker 2>our Hollywood studio. This is Harry Bartel saying good night

586
00:28:49.160 --> 00:28:52.039
<v Speaker 2>for the Petrie family. Listen every Monday on most of

587
00:28:52.079 --> 00:28:55.920
<v Speaker 2>these same stations eight o'clock to Michael Shane, followed immediately

588
00:28:55.960 --> 00:28:59.759
<v Speaker 2>by Sherlock Holmes. This is the mutual Broadcasting System.
