1
00:00:38,000 --> 00:00:42,320
Speaker 1: My name is Samry, I play the fan.

2
00:00:43,200 --> 00:00:47,479
Speaker 2: It's the greatest man of rock group. All across the

3
00:00:47,600 --> 00:00:50,280
land were all suns of.

4
00:00:50,280 --> 00:00:55,320
Speaker 1: Stumpbacks and we don't get my damn You me this

5
00:00:55,679 --> 00:01:01,399
sunny see it's what we are to damn. All you've

6
00:01:01,479 --> 00:01:05,760
gotten to say is show me the walking roll. Take

7
00:01:05,840 --> 00:01:06,319
it from me.

8
00:01:06,959 --> 00:01:15,000
Speaker 2: You will see how Jerry and your last row dear

9
00:01:16,359 --> 00:01:30,439
the worst kind of me ball rue and in the world.

10
00:01:25,439 --> 00:01:30,280
Speaker 1: Dear no big gains one of more ons that you

11
00:01:30,519 --> 00:01:33,079
will ad do, heed your tom.

12
00:01:43,959 --> 00:01:49,280
Speaker 3: Let me introduce you to the members of my mans.

13
00:01:49,120 --> 00:01:52,280
Speaker 1: The hardness walking test was from.

14
00:01:52,200 --> 00:01:53,280
Speaker 4: Here to child.

15
00:01:54,920 --> 00:01:59,200
Speaker 2: We are the coolest that we are the best.

16
00:02:00,359 --> 00:02:06,879
Speaker 5: We don't ack like loosers, like in like me, stop beres, turn.

17
00:02:06,640 --> 00:02:12,240
Speaker 2: Out the power Jerry, every villa so and ain't not

18
00:02:12,400 --> 00:02:13,520
there personal.

19
00:02:14,159 --> 00:02:15,879
Speaker 1: It's just having the scum.

20
00:02:15,759 --> 00:02:27,199
Speaker 2: Backs, scum bears, the worst kinds of eball through agnor.

21
00:02:27,960 --> 00:02:28,000
Speaker 6: I.

22
00:02:29,000 --> 00:02:32,120
Speaker 2: Scum beers.

23
00:02:33,120 --> 00:02:36,759
Speaker 1: Don't make you bunch of ballons that you will have.

24
00:02:36,919 --> 00:03:42,639
Speaker 2: As to be the war that you will have.

25
00:03:48,080 --> 00:03:50,280
Speaker 7: In times of crisis, you need a law firm that

26
00:03:50,400 --> 00:03:53,439
stands by your side. With over forty years of experience,

27
00:03:53,560 --> 00:03:56,719
Craig and Getsulus is dedicated to fighting for your rights.

28
00:03:57,120 --> 00:04:00,120
As former state prosecutors, our attorneys have the knowledge and

29
00:04:00,199 --> 00:04:03,879
trial experience to provide an aggressive defense against any charge,

30
00:04:04,280 --> 00:04:08,520
from DUIs to homicides. If you've been injured, our compassionate

31
00:04:08,599 --> 00:04:11,159
team will assess your case and fight for the compensation

32
00:04:11,280 --> 00:04:14,719
you deserve. Serving all of New Hampshire, Craigan Getzulis is

33
00:04:14,800 --> 00:04:17,839
here when you need us most. Visit craigatzulis dot com

34
00:04:18,040 --> 00:04:22,120
for a free consultation. Craigan getzulus, your advocates, your.

35
00:04:22,000 --> 00:04:27,120
Speaker 4: Allies, bring your kitchen to life with Queen Citycabinetry, located

36
00:04:27,240 --> 00:04:30,680
at eighty seven Elm Street in the historic Sunbeam Wall

37
00:04:30,839 --> 00:04:33,879
in Manchester, open Monday through Friday nine.

38
00:04:33,759 --> 00:04:37,600
Speaker 8: Am to five thirty pm, in Saturdays ten am to

39
00:04:37,720 --> 00:04:41,000
two pm. They can be reached at six h three

40
00:04:41,399 --> 00:04:44,800
two two two to zero zero seven. We're on the

41
00:04:44,879 --> 00:04:50,560
web at Queen citycabinatry nh dot com. Come see the possibility.

42
00:04:50,680 --> 00:04:56,480
Is Queen Citycabinetry, another proud sponsor of WMNH Busine's Cafe

43
00:04:56,800 --> 00:04:58,839
is the place to put us. Smile on your face,

44
00:04:59,000 --> 00:05:00,839
Judy and the crew. We'll take care out of you.

45
00:05:01,079 --> 00:05:05,199
Bring your appetite intrigue your taste. Bus Right Business Cafe

46
00:05:05,439 --> 00:05:09,800
is always a winning choice. Breakfast, lunch or supper Dizze's

47
00:05:09,920 --> 00:05:13,680
Cafe at eight sixty Elm Street in downtown Manchester.

48
00:05:14,199 --> 00:05:15,480
Speaker 4: Dine in, take out or.

49
00:05:15,480 --> 00:05:18,800
Speaker 8: Make a reservation call six oh three, six oh six

50
00:05:19,120 --> 00:05:24,360
two five three two, Eat, drink and be happy Dizze's Cafe.

51
00:05:24,720 --> 00:05:27,439
Speaker 9: When it comes to keeping WMNH on the air and

52
00:05:27,560 --> 00:05:30,720
your own personal or business computer needs, trust growl In

53
00:05:30,800 --> 00:05:35,319
Computers located on Elm Street in Manchester. Grollin handles computer repair,

54
00:05:35,519 --> 00:05:38,399
virus removal and custom built systems. Are you looking for

55
00:05:38,519 --> 00:05:41,800
budget friendly options? Check out our selection of fully inspected

56
00:05:41,959 --> 00:05:46,040
used computers. We offer tailored on site solutions no unnecessary

57
00:05:46,120 --> 00:05:49,680
expenses here. Visit Growlin dot com or call Grolling Computers

58
00:05:49,839 --> 00:05:53,439
at six zero three six four five zero one zero one.

59
00:05:53,639 --> 00:05:56,759
Your tech, your way, Trust groll In Computers.

60
00:06:03,279 --> 00:06:07,639
Speaker 6: Midnight seven times out of ten we listened to our

61
00:06:07,839 --> 00:06:14,120
music at night. That's one titled Businesses program.

62
00:06:14,000 --> 00:06:16,439
Speaker 10: Late Night to Light with DJ Midas right here on

63
00:06:16,639 --> 00:06:18,079
WMNH Manchester.

64
00:06:19,160 --> 00:06:23,920
Speaker 11: Because Saturdays and Sunday nights midnight to four am.

65
00:06:25,240 --> 00:06:30,720
Speaker 12: This hour on WMNH is sponsored by CGI Business Solutions

66
00:06:31,079 --> 00:06:35,079
located at five Dartmouth Drive in Auburn. They serve all

67
00:06:35,160 --> 00:06:39,639
your business needs including employee benefits, planning, corporate design and

68
00:06:39,759 --> 00:06:45,720
business administration, investments and wealth management and customized business insurance solutions.

69
00:06:46,000 --> 00:06:48,560
Their phone number is eight sixty six eighty four to

70
00:06:48,639 --> 00:06:52,439
one forty six hundred, or on the web at CGI

71
00:06:52,639 --> 00:06:54,480
business solutions dot com.

72
00:06:57,519 --> 00:07:01,000
Speaker 10: Behold the harmony of airwaves as you immerse yourself in

73
00:07:01,079 --> 00:07:05,480
the captivating frequencies of w m NHLP. The sonic heartbeats

74
00:07:05,519 --> 00:07:08,800
of Manchester is transcending through the ether at ninety five

75
00:07:08,839 --> 00:07:12,600
point three megahertz frequency modulation or transmissions emanate from the

76
00:07:12,720 --> 00:07:15,720
zedith of one thousand Elm streets. Insure into the hearts

77
00:07:15,759 --> 00:07:18,800
of our creative realm at one nineteen Canal Street, where

78
00:07:18,920 --> 00:07:23,040
innovation and sound collage. They're the impro moder of Manchester

79
00:07:23,199 --> 00:07:27,279
Public Television Service in the venerable City of Manchester, New Hampshire, USA.

80
00:07:27,720 --> 00:07:30,759
Enrich your auditory journey with the depth of our license

81
00:07:30,800 --> 00:07:34,160
to WESIDENSSPT. Your missives to w m n H ninety

82
00:07:34,160 --> 00:07:37,560
five three at gmail dot com, or traverse the virtual

83
00:07:37,639 --> 00:07:41,480
corridors of w Mnhradio dot org. Engage with our sonic

84
00:07:41,600 --> 00:07:45,079
vibrations by communing with us through the digital channel or radio.

85
00:07:45,279 --> 00:07:48,720
Beckons eager to enthrall you with its mesmerizing kittence and

86
00:07:48,800 --> 00:07:51,519
develop you with a symphony of foundless auditories.

87
00:07:51,560 --> 00:07:58,639
Speaker 5: One dude, WM andh rip the dobles.

88
00:08:26,639 --> 00:08:28,639
Speaker 13: We're not in destrog the boat.

89
00:08:30,319 --> 00:08:32,559
Speaker 12: Baby, better get that, Jane.

90
00:08:33,840 --> 00:08:38,320
Speaker 13: I think it's I believe boat how you get into

91
00:08:38,480 --> 00:08:40,120
the hands of things.

92
00:08:41,159 --> 00:08:47,240
Speaker 2: And something going about some feelings. Never time.

93
00:08:48,399 --> 00:08:51,080
Speaker 5: I'm not asking for n jeez.

94
00:08:52,120 --> 00:08:53,639
Speaker 2: I just want to know why.

95
00:08:56,360 --> 00:09:02,000
Speaker 13: Where's a wy way out? There's no show come out?

96
00:09:03,799 --> 00:09:05,919
Speaker 1: There's some racing way out out?

97
00:09:07,559 --> 00:09:08,799
Speaker 2: Give me kill me.

98
00:09:21,120 --> 00:09:23,200
Speaker 13: I don't wanna pass afy you.

99
00:09:24,840 --> 00:09:27,000
Speaker 2: I don't wanna tackack you down.

100
00:09:28,120 --> 00:09:30,120
Speaker 11: Let him being like a friend.

101
00:09:31,600 --> 00:09:33,200
Speaker 2: That's like a stranger and no.

102
00:09:35,759 --> 00:09:39,879
Speaker 14: By like y'all right, y'all whys I sye my bight,

103
00:09:40,000 --> 00:09:43,320
I y'all by y'all wild lie it's like y'all out

104
00:09:43,360 --> 00:09:47,759
by way while I'm bi's like, god, a wow, why

105
00:09:47,960 --> 00:09:48,679
y'alls out?

106
00:09:50,879 --> 00:09:56,120
Speaker 2: Let me a ways any way out? There's no shot coming?

107
00:09:58,240 --> 00:10:02,799
Lets so racing way out, Jimmy.

108
00:10:02,879 --> 00:10:09,320
Speaker 13: Kimmy, it's so easy way Why I why.

109
00:10:09,240 --> 00:10:17,399
Speaker 2: I ask to shut down. God, so easy way out, jimmything,

110
00:10:17,679 --> 00:10:35,080
Jimmy baby. Maybe we can ship this. We need say wee.

111
00:10:37,240 --> 00:10:38,559
Speaker 13: Getting him doing doing?

112
00:10:38,679 --> 00:10:40,159
Speaker 1: Then it is true.

113
00:10:41,480 --> 00:10:50,559
Speaker 13: God, it's something I was bad about some busy my.

114
00:10:52,120 --> 00:10:56,480
Speaker 2: I don't ask him out, no change. I just want

115
00:10:56,559 --> 00:10:57,559
to know why.

116
00:11:00,159 --> 00:11:01,639
Speaker 1: That's so easy anyway?

117
00:11:02,519 --> 00:11:03,600
Speaker 2: All wise? Ay? Why?

118
00:11:03,679 --> 00:11:09,039
Speaker 13: Yes? Add why's so easy anyway?

119
00:11:11,240 --> 00:11:21,960
Speaker 2: An? I said all wise? I why so I got?

120
00:11:24,279 --> 00:11:26,440
I said a wise, I need a wise, I need

121
00:11:26,519 --> 00:11:27,840
otherwise I win out.

122
00:12:31,679 --> 00:12:34,679
Speaker 9: This is Eleanor Langthorne from Vices Inc. And you're listening

123
00:12:34,759 --> 00:12:38,399
to Matt Connorton Unleashed on ninety five point three w

124
00:12:38,879 --> 00:12:39,600
m n H.

125
00:12:39,840 --> 00:12:41,679
Speaker 11: You're listening to w m n H.

126
00:12:46,600 --> 00:12:51,639
Speaker 3: Command God, don't get Supremelyda Matt Zo cobbing.

127
00:13:25,279 --> 00:13:28,200
Speaker 5: Welcome back everybody, as we enter our number two New

128
00:13:28,279 --> 00:13:31,320
Maarrow dose of Matt Conorton Unleashed and we are live

129
00:13:31,600 --> 00:13:36,759
from the studios of wm NH ninety five point three FM, Inglorious, Manchester,

130
00:13:36,960 --> 00:13:39,039
New Hampshire. Of course, you can also stream the show

131
00:13:39,039 --> 00:13:42,679
at Matt conorton dot com slash live. The audio stream,

132
00:13:42,759 --> 00:13:44,799
of course, you can get there and you can interact

133
00:13:45,080 --> 00:13:48,000
with us through that page. However, we do not have

134
00:13:48,120 --> 00:13:51,240
our usual Facebook or YouTube video feed this morning. There's

135
00:13:51,240 --> 00:13:53,840
a problem with the software. Not sure why it's not working,

136
00:13:53,960 --> 00:13:56,440
but these things do happen, but the show goes on.

137
00:13:56,600 --> 00:13:58,360
Of course. You can also if you're in Manchester, you

138
00:13:58,399 --> 00:14:01,080
can listen to us on your FM radio ninety five

139
00:14:01,120 --> 00:14:03,799
point three FM. But wherever you are in the world,

140
00:14:03,879 --> 00:14:06,519
go to Matt connorton dot com slash live. You can

141
00:14:06,600 --> 00:14:08,759
listen to the audio stream, you can interact with us,

142
00:14:08,799 --> 00:14:10,600
you can send us in some messages during the show.

143
00:14:11,039 --> 00:14:11,159
Speaker 3: Uh.

144
00:14:11,440 --> 00:14:13,840
Speaker 5: You can of course continue to post on social media.

145
00:14:13,879 --> 00:14:15,480
We'll try to keep an eye on that as we

146
00:14:15,559 --> 00:14:18,720
are live on this Saturday morning. Jenny is here as well,

147
00:14:21,039 --> 00:14:23,799
our guest that we're supposed to have in the second hours.

148
00:14:23,960 --> 00:14:26,200
M I A, but that's okay. We've got plenty of

149
00:14:26,279 --> 00:14:29,080
other things we can do. By the way, I had

150
00:14:29,120 --> 00:14:33,440
to play that I hadn't played it in a while.

151
00:14:33,840 --> 00:14:36,159
Dead By Wednesday their cover of No Easy Way Out.

152
00:14:36,240 --> 00:14:38,919
I love that, love that. I went.

153
00:14:39,000 --> 00:14:41,039
Speaker 15: Such a great band and it was so cool to

154
00:14:41,080 --> 00:14:42,320
get to see them live as well.

155
00:14:42,960 --> 00:14:46,360
Speaker 5: Oh they were fantastic. Yeah, absolutely, yeah. I remember when

156
00:14:46,399 --> 00:14:51,120
they when they started playing that song. You know, because

157
00:14:51,120 --> 00:14:53,360
that's their current single. And I remember I look at

158
00:14:53,399 --> 00:14:54,519
you and I said, oh, here we go, and I

159
00:14:54,600 --> 00:14:57,399
went running up to the front because I had to.

160
00:14:57,559 --> 00:15:00,200
I had to be up close for that. But yeah, yeah,

161
00:15:00,240 --> 00:15:03,399
coming up in the third hour today, we have a Volley.

162
00:15:03,960 --> 00:15:06,679
I learned how to say it correctly. I actually I

163
00:15:06,759 --> 00:15:09,200
had emailed Sean and I said, by the way, how

164
00:15:09,240 --> 00:15:11,159
do I fanatically how do I say this? Because I

165
00:15:11,240 --> 00:15:15,399
was saying vowley and it's actually volley Volley, And so

166
00:15:15,440 --> 00:15:17,600
they're gonna be a great punk rock band. They're going

167
00:15:17,679 --> 00:15:19,799
to be with us in the third hour today. And

168
00:15:19,879 --> 00:15:21,279
of course in the first hour we had our friend

169
00:15:21,360 --> 00:15:25,000
Gracie Gatto, who is doing very positive things and very

170
00:15:25,080 --> 00:15:28,159
excited for her with her the animated series that I

171
00:15:28,240 --> 00:15:28,600
can't wait.

172
00:15:28,639 --> 00:15:30,480
Speaker 15: I think that's such a great idea. I do too,

173
00:15:30,559 --> 00:15:32,480
and I do think that I'm looking forward to seeing.

174
00:15:32,600 --> 00:15:33,320
Speaker 13: I like it.

175
00:15:33,480 --> 00:15:34,399
Speaker 5: I like tunes.

176
00:15:34,519 --> 00:15:36,159
Speaker 15: I mean, I grew up well, I mean, I'm a

177
00:15:36,240 --> 00:15:40,279
typical jen Xer. I grew up with Saturday morning cartoons.

178
00:15:40,320 --> 00:15:43,519
Speaker 5: So I love the idea. Yeah, No, I think I

179
00:15:43,559 --> 00:15:45,600
think it's going to be very successful. I think she'll

180
00:15:45,639 --> 00:15:47,559
have a lot of success with it in the new year.

181
00:15:47,720 --> 00:15:53,200
So well, so when we're in this situation and we

182
00:15:53,240 --> 00:15:56,080
need something to talk about, you know, obviously a lot

183
00:15:56,120 --> 00:15:58,399
of people in the industry, whether they be in bands

184
00:15:58,480 --> 00:16:00,320
or other parts of the music industry, listening the show.

185
00:16:00,360 --> 00:16:02,879
So we like to talk about music industry related things,

186
00:16:03,399 --> 00:16:06,759
and there are always things going on in the music industry.

187
00:16:06,799 --> 00:16:09,600
By the way, I didn't mention it last night on

188
00:16:09,720 --> 00:16:12,960
Paul's show, but somehow the subject on Retrospectrum Radio with

189
00:16:13,039 --> 00:16:15,080
poly c, which of course you can hear every Friday

190
00:16:15,120 --> 00:16:17,799
night from a to eleven PM here at WM and H,

191
00:16:18,320 --> 00:16:20,519
and I'm Paul's one of Paul's co hosts on that show,

192
00:16:20,559 --> 00:16:23,440
the subject of Don Henley came up, and oh yeah,

193
00:16:23,440 --> 00:16:28,200
I heard that last night. And when we months and

194
00:16:28,279 --> 00:16:32,240
months ago, when we did that first segment about Don Henley,

195
00:16:33,240 --> 00:16:35,720
because he's very litigious, he sues a lot of people

196
00:16:36,759 --> 00:16:41,080
that segment, I'd posted it on YouTube, just that segment,

197
00:16:41,360 --> 00:16:47,159
and to this date is the most listened to segment

198
00:16:47,240 --> 00:16:49,200
that we have on YouTube of any show that we've

199
00:16:49,240 --> 00:16:53,320
ever done. Thousands and thousands and thousands of people have

200
00:16:53,480 --> 00:16:56,399
listened to that specific segment and seem to enjoy it.

201
00:16:57,879 --> 00:16:59,279
Speaker 15: Do you want to talk to somebody?

202
00:17:00,159 --> 00:17:03,879
Speaker 5: Two? Isaac actually, oh our guest.

203
00:17:04,039 --> 00:17:05,720
Speaker 15: Yeah, I got to type the phone number.

204
00:17:05,519 --> 00:17:08,599
Speaker 5: And okay, very good. So well, okay, so if he's

205
00:17:08,720 --> 00:17:15,519
uh now though three. Well, so now that now that

206
00:17:15,640 --> 00:17:18,000
we know that he is going to be joining us,

207
00:17:18,039 --> 00:17:19,880
I'll go ahead. You know what I'll do, Uh while

208
00:17:19,880 --> 00:17:21,279
we wait for him to call, I'll go ahead and

209
00:17:21,319 --> 00:17:26,799
play the track his newest single, which is called.

210
00:17:29,400 --> 00:17:30,000
Speaker 2: Where Did It Go?

211
00:17:36,000 --> 00:17:41,039
Speaker 5: Oh? Bar none. I made a radio edit, of course, yeah,

212
00:17:41,880 --> 00:17:43,880
I had to do that. But yeah, we'll we'll play that.

213
00:17:44,279 --> 00:17:48,039
Uh yeah, since we uh, you've reached him and he's

214
00:17:48,079 --> 00:17:50,559
going to be calling and uh and then when by

215
00:17:50,599 --> 00:17:51,880
the time the track is over, we'll have him on

216
00:17:51,880 --> 00:17:53,960
the line with us. All right, So Isaac Sierra aka

217
00:17:54,160 --> 00:17:57,400
True Rhymes aka Truth, Uh, he is calling in right now,

218
00:17:57,680 --> 00:17:59,000
I'm gonna go ahead and hit this track and then

219
00:17:59,000 --> 00:18:05,559
we'll bring him in. Oh my godd.

220
00:18:07,359 --> 00:18:09,119
Speaker 2: Shue Rocks teaching honesty.

221
00:18:10,240 --> 00:18:13,640
Speaker 3: I just kind of felt like barring out for y'all turning.

222
00:18:15,799 --> 00:18:17,160
Speaker 5: I sent out and that's the West.

223
00:18:17,200 --> 00:18:20,000
Speaker 3: But I was left on red, left for dead, your

224
00:18:20,119 --> 00:18:23,720
name's left unsaid, I'm the top of the discussion. It's

225
00:18:23,799 --> 00:18:26,880
no cred only blood shit yellow bellies to what the

226
00:18:27,000 --> 00:18:27,759
bet you've gotten?

227
00:18:27,839 --> 00:18:31,480
Speaker 2: Number bars? My balls bar done so far? Hop prove

228
00:18:31,599 --> 00:18:32,960
my style is far from.

229
00:18:33,119 --> 00:18:35,759
Speaker 3: What she usually used to it on talladeus chatting in

230
00:18:35,839 --> 00:18:38,599
the loose enough local the left cap like it was

231
00:18:38,640 --> 00:18:41,359
shooting gun. My cattle lot will hits you with the

232
00:18:41,440 --> 00:18:43,960
cattle partter. I'm not the battlestarter all that. You call

233
00:18:44,039 --> 00:18:46,640
me poppy like I ever had a daughter. We've gotten

234
00:18:46,720 --> 00:18:49,200
past the car but and now we cause the massisteria.

235
00:18:49,359 --> 00:18:51,799
Speaker 5: Beware of the blood suck. It's cause of malaria.

236
00:18:52,240 --> 00:18:54,160
Speaker 3: We got the world in our palms. You got to

237
00:18:54,240 --> 00:18:56,519
be getting yours ure not gonna be getting boss in

238
00:18:56,640 --> 00:18:59,079
the soul and sold of soul? Can I purchased some

239
00:18:59,160 --> 00:19:02,240
person's called wrapt Corner store with the loose head in

240
00:19:02,319 --> 00:19:05,119
that results. Excuse me, man, I introduced it to my

241
00:19:05,200 --> 00:19:07,799
PEPERINOI you can't pet it and you can't get them

242
00:19:07,920 --> 00:19:10,880
glass of water. He doesn't trust his own mama. He died,

243
00:19:10,920 --> 00:19:12,799
it's all he was trying to carve b I'm a

244
00:19:12,920 --> 00:19:16,160
mythro parperak on top and you plying everybody's at the

245
00:19:16,240 --> 00:19:19,200
stage for the earthquake. Give me neck in the neck

246
00:19:19,319 --> 00:19:21,960
Brake's best case, we do the best shows and lots

247
00:19:21,960 --> 00:19:25,119
of breads made. Worst case, we celebrate way too early

248
00:19:25,240 --> 00:19:26,880
and don't wake up the next day.

249
00:19:27,359 --> 00:19:29,000
Speaker 12: I'm on the corner writing rons.

250
00:19:29,039 --> 00:19:30,720
Speaker 1: This is a lot of mind shine.

251
00:19:30,480 --> 00:19:31,400
Speaker 3: To both hands.

252
00:19:31,440 --> 00:19:32,680
Speaker 10: Watch how Tom passed?

253
00:19:32,759 --> 00:19:35,240
Speaker 3: How long have I been in the simulation if of

254
00:19:35,440 --> 00:19:39,240
it said this below? What's my final destination? Gotta brush

255
00:19:39,319 --> 00:19:43,039
this dirt off mysegfa gifts, led log and gilosophagists like.

256
00:19:43,119 --> 00:19:43,880
Speaker 2: Some los anges.

257
00:19:44,359 --> 00:19:45,720
Speaker 11: I don't need to god.

258
00:19:45,759 --> 00:19:47,480
Speaker 3: I need a farm syst and bagshit.

259
00:19:47,720 --> 00:19:48,680
Speaker 2: Maga futures.

260
00:19:48,759 --> 00:19:52,279
Speaker 3: Looking nominay ahead against the speaking take, you get brain damage.

261
00:19:52,319 --> 00:19:53,119
I might manage to.

262
00:19:53,200 --> 00:19:54,200
Speaker 5: Leave the crowd drooling.

263
00:19:54,400 --> 00:19:56,880
Speaker 3: My skill is being proofn lipping under the rock.

264
00:19:56,920 --> 00:19:58,319
Speaker 2: I'm care what you being doing.

265
00:19:58,440 --> 00:20:00,359
Speaker 3: Constant wrestles in a pull of Jelli the bull and

266
00:20:00,440 --> 00:20:03,559
sweaters being ruined off. I love the smell of sea

267
00:20:03,759 --> 00:20:06,480
fresh the scar with Piers fresh. Who's ready to face

268
00:20:06,559 --> 00:20:09,480
the fish? Yes dead Dad, exkiir reenss make the next

269
00:20:09,640 --> 00:20:13,559
dis taste incredible. Maybe Dad's whild face little soft say,

270
00:20:13,599 --> 00:20:15,759
oh that give a man course down my side have

271
00:20:15,839 --> 00:20:17,519
been pulling with then I ain't fro the floor trying

272
00:20:17,559 --> 00:20:20,519
to pipe the short. Yeah, what's he dressed like a

273
00:20:20,680 --> 00:20:23,160
unit born? Now I'm doing pooring it because these things

274
00:20:23,279 --> 00:20:26,519
on the uniform yet had my mind hog tied, but

275
00:20:26,680 --> 00:20:29,240
it ran away screaming bloody murder, watching.

276
00:20:29,039 --> 00:20:31,160
Speaker 7: More wrong, give a hard murmurs on wire.

277
00:20:31,240 --> 00:20:31,960
Speaker 5: You breathing still?

278
00:20:32,000 --> 00:20:34,279
Speaker 3: I thought I killed you for certain my faults us

279
00:20:34,599 --> 00:20:36,240
I'm a socking to the wrong person.

280
00:20:36,359 --> 00:20:37,440
Speaker 2: What's the hardest part.

281
00:20:37,319 --> 00:20:39,680
Speaker 3: Of getting your festa bulls? I'll bring them back in

282
00:20:39,799 --> 00:20:41,279
the wild, chass, who cares?

283
00:20:41,359 --> 00:20:42,480
Speaker 5: I need dank gross?

284
00:20:42,559 --> 00:20:45,079
Speaker 3: Then you wanna be scared to let me play shows

285
00:20:45,119 --> 00:20:47,640
blessing and he gets my call? Yeah, well am innute,

286
00:20:47,720 --> 00:20:50,480
kay off, I'm bad news and I like them mother

287
00:20:50,599 --> 00:20:53,160
dudes show slam me getting my unger booms. Get up

288
00:20:53,200 --> 00:20:56,720
the round so paint this pleasure? Who I ain't getting

289
00:20:56,799 --> 00:20:59,759
it through your picked straws. Hit this run never monitor

290
00:21:00,079 --> 00:21:02,599
rick wall. You made my skin crawl making what then

291
00:21:02,720 --> 00:21:04,759
get on the floor, so old one off, put this

292
00:21:04,920 --> 00:21:06,920
leave shaw on, drink myth that this ten ball?

293
00:21:07,000 --> 00:21:09,440
Speaker 5: Well your off this ten floor?

294
00:21:09,559 --> 00:21:12,880
Speaker 3: Snort lad, paint them scrape thought this toy card. I'm

295
00:21:12,920 --> 00:21:14,039
talking dp ho.

296
00:21:14,200 --> 00:21:15,480
Speaker 5: It's the twenty three flavors.

297
00:21:15,519 --> 00:21:18,480
Speaker 3: I'm gonna manipulated gas lights you while your gag on

298
00:21:18,599 --> 00:21:21,039
this light, sayer, get wet off this rice paper. Get

299
00:21:21,119 --> 00:21:24,200
ahead from your nice neighbor. What's sopped as well, spits

300
00:21:24,319 --> 00:21:26,759
out in the plant campus the snake magic. You got

301
00:21:26,880 --> 00:21:27,680
a hand it to him.

302
00:21:27,759 --> 00:21:28,200
Speaker 2: He's out.

303
00:21:28,279 --> 00:21:30,559
Speaker 3: Man, it's some charming the man on me waiting to

304
00:21:30,680 --> 00:21:32,519
be defeat of them, sick of the weak of this

305
00:21:32,880 --> 00:21:36,359
diseases like peanut butter on jelly on tosts, growths, gropes,

306
00:21:36,400 --> 00:21:40,000
go for broke doing cold cam yona ars versus way bathers.

307
00:21:40,039 --> 00:21:41,799
Speaker 5: Tell your clowns shoot the down side.

308
00:21:42,200 --> 00:21:45,880
Speaker 3: Your chest starves for batting your eyes help me on

309
00:21:46,000 --> 00:21:46,480
the bag.

310
00:21:46,599 --> 00:21:48,440
Speaker 5: God, this is planny fish in the sea.

311
00:21:49,160 --> 00:21:52,079
Speaker 1: One fish to fish, so many fishes.

312
00:21:51,720 --> 00:21:54,759
Speaker 3: To eat and baked das for one hundred and twenty degrees.

313
00:21:54,839 --> 00:21:56,559
My body is made up it on haight, he just

314
00:21:56,680 --> 00:22:00,279
said he watched me clean off. I ain't chasing him want,

315
00:22:00,480 --> 00:22:02,920
but it's still funny to watch lee. Why you wanted

316
00:22:03,240 --> 00:22:06,119
the guy you always wanted, the best that they always

317
00:22:06,200 --> 00:22:07,880
wanted to be before me?

318
00:22:12,240 --> 00:22:15,960
Speaker 5: Okay, that is bar none. That is our friend Isaac Sierra,

319
00:22:16,039 --> 00:22:18,599
who should be on the line with us, Isaac, are

320
00:22:18,599 --> 00:22:19,079
you there.

321
00:22:20,519 --> 00:22:20,720
Speaker 2: Yet?

322
00:22:20,720 --> 00:22:22,119
Speaker 11: I'm here? How you doing good?

323
00:22:22,160 --> 00:22:22,759
Speaker 2: How are you? Man?

324
00:22:23,440 --> 00:22:25,599
Speaker 5: Good? Welcome, welcome back. It's been a long time.

325
00:22:27,000 --> 00:22:28,839
Speaker 11: Yeah, man, I'm happy to be back on the show.

326
00:22:29,440 --> 00:22:31,720
Speaker 5: Is that your now? That's your newest right? Is that

327
00:22:31,839 --> 00:22:33,240
your your newest track? Bar none?

328
00:22:34,599 --> 00:22:38,680
Speaker 11: That's the newest music video that we have just released.

329
00:22:39,839 --> 00:22:42,359
Speaker 5: Oh okay, okay. Has that been out for a while.

330
00:22:44,240 --> 00:22:46,640
Speaker 11: The song has been out for a couple of years,

331
00:22:46,720 --> 00:22:49,160
and we just released the music video for it. We've

332
00:22:51,079 --> 00:22:54,160
been developing a media company and that's the first full

333
00:22:54,200 --> 00:22:57,000
production as far as music videos that we've done.

334
00:22:57,480 --> 00:23:02,119
Speaker 5: Oh okay, that makes sense. Yeah, it's very well. So, yeah,

335
00:23:02,200 --> 00:23:05,319
so tell us about that, tell us about the media company.

336
00:23:05,400 --> 00:23:06,640
This is a new development.

337
00:23:08,079 --> 00:23:13,680
Speaker 11: Yeah. Absolutely. The media company is called Manifest Media. So

338
00:23:14,599 --> 00:23:22,920
we are aiming to do music, television, film, even developing

339
00:23:23,079 --> 00:23:29,119
video games, and eventually we will be wanting to rep talent.

340
00:23:30,319 --> 00:23:32,880
So some of the newer music that I've been doing,

341
00:23:33,920 --> 00:23:37,799
as far as the vocalists, we've been exploring other genres

342
00:23:37,799 --> 00:23:41,240
outside of hip hop music, a lot of different rock genres,

343
00:23:41,359 --> 00:23:45,799
new metal, punk rock. We've been doing a little bit

344
00:23:45,880 --> 00:23:49,880
of more traditional metal as well. Which has been exciting.

345
00:23:50,599 --> 00:23:53,200
Speaker 5: Oh interesting. Now, has this always kind of been the

346
00:23:53,279 --> 00:23:56,839
goal long term or is this something you you decided

347
00:23:56,920 --> 00:23:59,720
on recently, because you know, in the past when we've talked,

348
00:23:59,799 --> 00:24:02,799
you know, you're pretty focused on your hip hop career

349
00:24:02,960 --> 00:24:05,079
and the music that you were making. But it sounds

350
00:24:05,119 --> 00:24:07,839
like you've you've really taken a big step into expanding

351
00:24:07,880 --> 00:24:10,599
what you do. Have you always wanted to kind of

352
00:24:10,640 --> 00:24:11,359
branch out like that?

353
00:24:13,200 --> 00:24:15,799
Speaker 11: Yeah, Actually, it's it's very interesting that I ended up

354
00:24:15,839 --> 00:24:19,559
becoming a rap artist. When I was younger, I always

355
00:24:19,720 --> 00:24:23,000
felt like I would be in bands, and I tried

356
00:24:23,039 --> 00:24:27,480
to put those projects together. It was just a lot

357
00:24:27,599 --> 00:24:32,000
harder to maintain all of those moving parts. It's like

358
00:24:32,400 --> 00:24:35,480
being in a big marriage with like five different people.

359
00:24:36,759 --> 00:24:39,359
And so I ended up becoming a rap artist because

360
00:24:40,559 --> 00:24:43,519
not only did I develop the passion for like hip

361
00:24:43,559 --> 00:24:47,119
hop music as far as the culture and am seeing,

362
00:24:48,319 --> 00:24:51,319
but it was just easier to manage myself as a

363
00:24:51,799 --> 00:24:56,720
solo artist that way. And nowadays you have producers that

364
00:24:56,839 --> 00:25:02,920
are putting out fully constructed rock music the same way

365
00:25:03,000 --> 00:25:06,039
that you might find like a rap instrumental sure, and

366
00:25:06,200 --> 00:25:10,319
so I just kind of got inspired to expand my

367
00:25:10,480 --> 00:25:14,240
songwriting capabilities, and if you were gonna you were gonna

368
00:25:14,240 --> 00:25:16,359
ask me when I was a kid what I really

369
00:25:16,440 --> 00:25:18,440
wanted to do, I would have told I would have

370
00:25:18,480 --> 00:25:20,519
told you I wanted to be like a movie producer.

371
00:25:21,079 --> 00:25:26,319
And that's what's kind of developed this this release. As

372
00:25:26,359 --> 00:25:29,519
far as like visually, we really went for it and

373
00:25:29,680 --> 00:25:34,400
said cinematically, what can we do? And I had a

374
00:25:34,480 --> 00:25:37,920
lot of help from my team. I want to give

375
00:25:38,000 --> 00:25:44,000
a big shout out to UH to UH Rocky, which

376
00:25:44,359 --> 00:25:47,279
was the cinematographer for the video. You can find the

377
00:25:47,359 --> 00:25:51,720
video on YouTube, the song of bar None. We're still

378
00:25:51,799 --> 00:25:57,319
using the hashtag m KOT, but we do have a

379
00:25:57,400 --> 00:26:01,559
new channel for the company, which is Manifest Media. Oh okay,

380
00:26:02,440 --> 00:26:07,119
releasing all of the other rock music on all the

381
00:26:07,680 --> 00:26:10,440
major string platforms soon. But you can find us on

382
00:26:10,759 --> 00:26:13,720
SoundCloud under Manifest Media as well.

383
00:26:14,200 --> 00:26:17,359
Speaker 5: Okay, oh excellent, excellent. Yeah, So this is a big

384
00:26:17,920 --> 00:26:19,279
this is a big change for you. This is a

385
00:26:19,319 --> 00:26:22,279
big switch now. And it's interesting too what you said

386
00:26:22,279 --> 00:26:26,039
about the way that you became a rapper, because somebody

387
00:26:26,079 --> 00:26:27,559
else on the show. I wish I could remember who

388
00:26:27,559 --> 00:26:28,960
it was, but somebody else on the show had said

389
00:26:29,000 --> 00:26:31,920
something about being in a band is like like if

390
00:26:31,920 --> 00:26:33,640
you're in a band with four other people, it's like

391
00:26:33,720 --> 00:26:35,920
being in a relationship with four other people who are

392
00:26:35,920 --> 00:26:38,440
also in a relationship with four other people. And what

393
00:26:38,599 --> 00:26:42,440
you said reminds me of that, and that happens with

394
00:26:42,599 --> 00:26:45,519
a lot of For example, some of the singer songwriters

395
00:26:45,839 --> 00:26:48,200
that we've had on the show over the years sort

396
00:26:48,200 --> 00:26:50,240
of a similar trajectory and that, you know, they were

397
00:26:50,279 --> 00:26:52,880
in a band and then it got to be too

398
00:26:53,000 --> 00:26:54,359
much and they said, you know, I want to do

399
00:26:54,519 --> 00:26:57,920
something on my own because I just think it will

400
00:26:57,960 --> 00:27:01,839
be you know, kind of tamlined and easier to manage

401
00:27:01,960 --> 00:27:04,519
and schedule around and everything if I'm just doing my

402
00:27:04,640 --> 00:27:07,720
own thing. So it's interesting that you took that path,

403
00:27:07,799 --> 00:27:10,319
but of course you're now you're taking a whole bunch

404
00:27:10,359 --> 00:27:11,240
of stuff on it once.

405
00:27:13,440 --> 00:27:16,640
Speaker 11: Yeah, it's funny because when you were working in a

406
00:27:16,960 --> 00:27:23,119
big production in general, it takes teamwork, and so I

407
00:27:23,480 --> 00:27:25,640
guess as far as that's the thing that interests me

408
00:27:25,720 --> 00:27:30,279
the most about I've never been part of a film crew,

409
00:27:31,200 --> 00:27:34,119
but I do have people that have been in the

410
00:27:34,559 --> 00:27:40,839
film industry and worked alongside, you know, numbers of different productions,

411
00:27:41,440 --> 00:27:44,559
and it does take a village to get those things

412
00:27:45,880 --> 00:27:49,200
taken care of. And so yeah, it's it's like being

413
00:27:49,240 --> 00:27:52,519
in a band, but in this situation, not everybody plays

414
00:27:52,519 --> 00:27:54,880
an instrument. You know, some folks are doing a little

415
00:27:54,920 --> 00:28:01,319
bit more administrative work or you know, handling different things

416
00:28:01,440 --> 00:28:06,839
as far as you know. I also edited the video myself,

417
00:28:06,960 --> 00:28:10,000
which is something that I've grew a passion for recently.

418
00:28:11,160 --> 00:28:15,000
You know, we vlog everything as far as when we're traveling,

419
00:28:15,200 --> 00:28:18,880
and I try to document like all the making of

420
00:28:19,160 --> 00:28:22,039
the music and everything that we're doing now. And so,

421
00:28:23,039 --> 00:28:27,799
you know, I could only afford so much through the

422
00:28:28,039 --> 00:28:31,960
music production as far as like the beats and publishing

423
00:28:32,000 --> 00:28:33,880
and all these different things, and so I started to

424
00:28:34,039 --> 00:28:37,240
like take a crack at editing myself. And so this

425
00:28:37,440 --> 00:28:41,440
was a challenge as far as like editing, trying to

426
00:28:41,559 --> 00:28:45,279
figure out how to get the mining and the performance

427
00:28:45,319 --> 00:28:49,359
shots to match the lyrics in the song. And it

428
00:28:49,480 --> 00:28:52,440
was a fun, fun process. We got to partner up

429
00:28:52,480 --> 00:28:56,640
with the Breaking Bad Store, which is like a novelty

430
00:28:56,720 --> 00:28:59,519
gift shop here that's all themed around the Breaking Bad

431
00:28:59,559 --> 00:29:02,240
television and show, and they allowed us to come and

432
00:29:02,480 --> 00:29:05,720
film in their museum. They have a bunch of different

433
00:29:06,480 --> 00:29:10,200
memorabilia and things from the like the filming of the

434
00:29:10,359 --> 00:29:14,119
TV show and some photo opportunities, and so if you

435
00:29:15,079 --> 00:29:17,920
get a chance to watch the video, you'll see like

436
00:29:18,039 --> 00:29:23,440
some backdrop from the Armanos like restaurant from the TV show,

437
00:29:24,279 --> 00:29:27,039
And that was really exciting for us to be able

438
00:29:27,079 --> 00:29:27,839
to partner with them.

439
00:29:29,359 --> 00:29:32,079
Speaker 5: Yeah, well, that's that's huge, right, I mean, that's that's

440
00:29:32,240 --> 00:29:36,920
that's fantastic. So do you have are are there specific

441
00:29:37,079 --> 00:29:39,680
artists on the roster that you're that you're working with

442
00:29:40,000 --> 00:29:42,240
now or is that still sort of developing.

443
00:29:43,960 --> 00:29:48,160
Speaker 11: That's definitely developing. We don't have anybody signed with our

444
00:29:48,200 --> 00:29:51,680
company yet, but I am I have my eye on

445
00:29:51,759 --> 00:29:54,480
a few different artists. I've been in the Midwest a

446
00:29:54,559 --> 00:29:57,799
lot this year, and there's a few artists out there

447
00:29:58,759 --> 00:30:01,640
that I've had my eye on on one in particular,

448
00:30:03,680 --> 00:30:07,880
his name is Rocky. I've been working with another artist

449
00:30:09,039 --> 00:30:15,519
that's really solid. His name is The Revel. And then

450
00:30:15,680 --> 00:30:19,960
another friend of mine that I've made in the last year,

451
00:30:20,759 --> 00:30:23,200
his name is Bags. He's an incredible artist. We have

452
00:30:23,279 --> 00:30:26,440
a single that will be coming out later this year,

453
00:30:27,519 --> 00:30:31,200
and so I've been just kind of keeping my ear

454
00:30:31,319 --> 00:30:39,000
out We also did host some showcases, some unofficial showcases

455
00:30:40,480 --> 00:30:44,119
in Austin, Texas earlier this year during the south By

456
00:30:44,160 --> 00:30:51,359
Southwest Festival, and we discovered some incredible bands. One is

457
00:30:52,400 --> 00:30:55,759
like a pop punk band by the name of calmer

458
00:30:55,839 --> 00:31:01,839
Seas and they really kind of d of have the

459
00:31:01,960 --> 00:31:05,319
same message as far as like, uh speaking about the

460
00:31:05,440 --> 00:31:09,240
mental health and different things like that. They stood out

461
00:31:09,279 --> 00:31:15,880
to me a lot. There was another band that my

462
00:31:16,079 --> 00:31:21,359
sister's really good friend is in called the ETCeteras Okay,

463
00:31:21,680 --> 00:31:26,519
and there made me as well. So many different artists, what.

464
00:31:26,599 --> 00:31:28,640
Speaker 5: Do you what do you look for in terms of

465
00:31:28,680 --> 00:31:30,920
who you're interested in working with? What do they have

466
00:31:31,039 --> 00:31:34,400
to have? Because, as you know, there's so much talent

467
00:31:34,599 --> 00:31:38,000
out there, you know, like like people ask us, people

468
00:31:38,039 --> 00:31:39,880
ask Jenny because she does the booking on the show,

469
00:31:39,920 --> 00:31:41,480
how do you find these how do you find all

470
00:31:41,519 --> 00:31:43,640
these great artists? And it's like, well, there's so much

471
00:31:43,720 --> 00:31:46,920
talent there everywhere, Like, so what do you look for? Like, like,

472
00:31:47,000 --> 00:31:49,599
you must have somewhat of a criteria in mind, because

473
00:31:49,640 --> 00:31:52,680
not everyone you encounter is necessarily someone that you can

474
00:31:52,839 --> 00:31:53,640
work with, right.

475
00:31:54,759 --> 00:31:58,359
Speaker 11: Right, So the things that I work that I look

476
00:31:58,480 --> 00:32:02,480
for first off, is I guess. You know, I have

477
00:32:02,559 --> 00:32:05,000
a very eclectic taste, and so I want to like

478
00:32:05,160 --> 00:32:08,839
the music first off. And then as far as wanting

479
00:32:08,880 --> 00:32:13,799
to do business with folks, you know, I'm not really

480
00:32:14,440 --> 00:32:16,920
I don't really have a preference and genre per se.

481
00:32:18,039 --> 00:32:19,960
But when you start to do business with folks, I

482
00:32:20,799 --> 00:32:25,119
the way that we're trying to approach things is eventually,

483
00:32:25,319 --> 00:32:28,960
we would love to be able to provide the same

484
00:32:30,759 --> 00:32:33,759
opportunities that a major label would be able to provide bands,

485
00:32:34,400 --> 00:32:39,640
but also without changing people. And so like we would

486
00:32:39,759 --> 00:32:43,720
like to have like the type of company that's providing

487
00:32:43,799 --> 00:32:46,079
the vacuum that a major label would provide to you,

488
00:32:46,440 --> 00:32:50,319
to any type of artists or if they want to

489
00:32:50,359 --> 00:32:53,319
go DIY and they just need a little help and

490
00:32:53,440 --> 00:32:57,440
assistance in some areas, we allow you to do that.

491
00:32:57,640 --> 00:32:59,599
And so what I do is I usually sit down

492
00:32:59,680 --> 00:33:04,599
and say, you know, what is your end goal? Where

493
00:33:04,759 --> 00:33:11,359
is the the top for you? You know, And so

494
00:33:11,759 --> 00:33:14,640
if we sit there and we decide, you know, let's

495
00:33:14,680 --> 00:33:19,200
play with these different strategies as far as marketing or promotion.

496
00:33:19,839 --> 00:33:24,960
And they're not filling some of the suggestions. They are

497
00:33:25,079 --> 00:33:30,319
merely a suggestion because I think that where some companies

498
00:33:31,039 --> 00:33:34,480
fail is they see something work for somebody and then

499
00:33:34,519 --> 00:33:37,920
they they automatically want it to be the blueprint. And

500
00:33:38,000 --> 00:33:41,480
I don't want to take away from an artist or

501
00:33:41,559 --> 00:33:46,160
a band's artistry. I want them to develop naturally. And

502
00:33:46,359 --> 00:33:51,079
so that's like basically the purpose of Manifest Media is

503
00:33:52,079 --> 00:33:57,079
because we're not only doing like music, We're also we

504
00:33:57,200 --> 00:33:59,680
have like a division that does like marketing and advertisement.

505
00:34:00,039 --> 00:34:02,599
And I take on a client, I'm saying, you know,

506
00:34:02,720 --> 00:34:05,480
what do you want? What is your vision? And how

507
00:34:05,519 --> 00:34:06,759
do we help materialize that?

508
00:34:07,400 --> 00:34:10,679
Speaker 5: Okay, Okay, no, that makes sense. Yeah, do you ever

509
00:34:10,760 --> 00:34:14,239
have anyone approach you who you have to kind of say, hey,

510
00:34:14,280 --> 00:34:16,480
I'm sorry, but I don't I don't think you're ready yet,

511
00:34:16,599 --> 00:34:19,039
like you've got you know, because we all know with

512
00:34:19,239 --> 00:34:21,400
major labels, for example, and it's been this way for

513
00:34:21,480 --> 00:34:23,760
a couple of decades at least, right there's there really

514
00:34:23,880 --> 00:34:27,000
is no There really is no A and R anymore.

515
00:34:27,039 --> 00:34:31,239
There's no development major labels want, right, they want people

516
00:34:31,320 --> 00:34:34,199
who are already all ready to go, who've already done

517
00:34:34,199 --> 00:34:37,079
all the work, which which people criticize major labels for.

518
00:34:37,239 --> 00:34:39,800
But I actually think it kind of makes sense. But

519
00:34:40,239 --> 00:34:43,000
from a business standpoint, and then of course independent labels,

520
00:34:43,719 --> 00:34:46,639
you know there are generally a lot more interested in,

521
00:34:46,840 --> 00:34:48,320
you know, kind of putting in the work of the

522
00:34:48,360 --> 00:34:51,840
development of the artists and whatnot. But but but do

523
00:34:51,920 --> 00:34:53,760
you ever have anyone come to you who you have

524
00:34:53,880 --> 00:34:55,960
to say you need to do a little more on

525
00:34:56,079 --> 00:34:58,719
your own before we can help you to get to

526
00:34:58,800 --> 00:35:01,079
where you want to go because you're not ready yet

527
00:35:01,480 --> 00:35:03,199
to take that step to try to get to where

528
00:35:03,239 --> 00:35:04,440
you want to go? Does that ever happen?

529
00:35:06,239 --> 00:35:11,920
Speaker 11: Yeah, Actually, that's a great question I have, in a

530
00:35:12,000 --> 00:35:17,000
short answer, found myself in that situation where I've kind

531
00:35:17,039 --> 00:35:22,280
of just tried to give advice to a developing artist.

532
00:35:22,360 --> 00:35:25,280
But artists development is very important, and I don't feel

533
00:35:25,320 --> 00:35:29,039
like all artists should be left on their own to

534
00:35:29,159 --> 00:35:32,199
learn it, because it can be very discouraging to just

535
00:35:32,280 --> 00:35:36,559
be told no. And so I was actually just recently

536
00:35:37,159 --> 00:35:39,840
on a podcast that a friend of mine in Supeaka, Kansas,

537
00:35:39,920 --> 00:35:43,360
puts on with a they have like a recording facility

538
00:35:43,400 --> 00:35:47,480
out there called sound Peak Studios, and so they have

539
00:35:47,639 --> 00:35:50,159
a podcast called sound Peak after Dark and you can

540
00:35:50,199 --> 00:35:52,760
find their channel on YouTube. While it was just on

541
00:35:52,840 --> 00:35:55,599
an episode on the twenty first of December, and so

542
00:35:55,719 --> 00:35:57,800
what they do is they allow artists to perform and

543
00:35:57,880 --> 00:36:02,280
they give them feedback from a few different perspectives. And

544
00:36:03,119 --> 00:36:05,559
what I'm trying to do personally, and I'm trying to

545
00:36:05,639 --> 00:36:12,639
develop programs to educate an artists where they can learn

546
00:36:13,239 --> 00:36:18,440
not only artists development, but business development as well, because

547
00:36:18,960 --> 00:36:24,039
I feel like it's one thing for an artist to

548
00:36:24,360 --> 00:36:29,400
be able to present themselves as far as their craft,

549
00:36:30,360 --> 00:36:34,280
but it's another thing to navigate through the business world

550
00:36:34,920 --> 00:36:40,880
of music or other platforms. And so that's what we're

551
00:36:41,960 --> 00:36:45,159
also trying to do, which is kind of going into

552
00:36:45,920 --> 00:36:48,760
what we've spoken about before, which is my kind of

553
00:36:48,840 --> 00:36:53,199
therapy community is I'm not sure if we're going to

554
00:36:53,320 --> 00:36:55,400
name it my kind of therapy. I think we're trying

555
00:36:55,440 --> 00:36:59,000
to develop the programs and name them Stroke of Genius,

556
00:36:59,039 --> 00:37:06,719
which was also coined by Rockel, our cinematographer, Okay, and

557
00:37:08,400 --> 00:37:12,119
those programs would be available to anybody, not just folks

558
00:37:12,159 --> 00:37:15,320
that are within our company or signed to our our label,

559
00:37:16,400 --> 00:37:18,960
but the general public would be able to come and

560
00:37:19,119 --> 00:37:23,519
be involved in those programs and developed not only they're

561
00:37:23,679 --> 00:37:28,519
musical crafts, but visual art crafts because I also do

562
00:37:28,679 --> 00:37:34,599
visual art acrylic on canvas in different multimedia types of

563
00:37:34,800 --> 00:37:37,679
art forms like that, and so we're trying to do

564
00:37:37,840 --> 00:37:46,239
that from like the nonprofit perspective of things, and so yeah,

565
00:37:46,599 --> 00:37:49,239
you know, I I as far as a short answer,

566
00:37:49,320 --> 00:37:53,039
I haven't encountered artists like that. And I do agree

567
00:37:53,079 --> 00:37:54,880
with you that the major labels aren't really put in

568
00:37:54,960 --> 00:37:56,360
a lot of time. I don't know if that the

569
00:37:56,519 --> 00:38:01,119
indie labels are either, but it can be from a

570
00:38:01,199 --> 00:38:07,880
business standpoint, time consuming, and it can take a lot

571
00:38:07,960 --> 00:38:11,679
of money to develop an artist, yes, And so that's

572
00:38:11,719 --> 00:38:14,679
why we've said, you know, how could we approach this

573
00:38:14,800 --> 00:38:17,880
from a standpoint of business where it makes sense and

574
00:38:17,960 --> 00:38:22,039
we're not necessarily trying to line our pockets. But you know,

575
00:38:22,079 --> 00:38:24,360
we're still trying to decide whether we're going to accept

576
00:38:24,400 --> 00:38:27,320
grants to these programs or if we're going to be

577
00:38:27,400 --> 00:38:29,599
independently funded, right right.

578
00:38:31,199 --> 00:38:33,719
Speaker 5: Yeah, And I think I think too it's more important

579
00:38:33,719 --> 00:38:36,920
than ever too. Well, let me put it this way.

580
00:38:36,920 --> 00:38:39,719
I think there's there's now more than ever a need to,

581
00:38:41,039 --> 00:38:44,559
you know, to have resources where people can kind of learn.

582
00:38:45,119 --> 00:38:47,800
You know, it's not like I mean, I'm old enough

583
00:38:47,840 --> 00:38:50,320
to remember when you know, we didn't mind I'm gen X,

584
00:38:50,440 --> 00:38:52,880
so my generation was really the last generation to grow

585
00:38:53,000 --> 00:38:56,360
up without the Internet, so you know, I can I

586
00:38:56,480 --> 00:38:59,440
still remember when you you put out, you know, you

587
00:38:59,519 --> 00:39:01,280
try to get signed. You're in a band, or you're

588
00:39:01,320 --> 00:39:03,280
doing a solo thing, whatever it is, and you're you're

589
00:39:03,280 --> 00:39:05,159
trying to get signed to a label, and then you

590
00:39:05,239 --> 00:39:07,679
get signed, and then the label releases your album and

591
00:39:08,000 --> 00:39:10,000
hopefully they're able to get you on the radio and

592
00:39:10,079 --> 00:39:12,719
hopefully they're able to sell some records for you. But

593
00:39:12,880 --> 00:39:18,519
today there's so much more to do, which is good

594
00:39:18,840 --> 00:39:21,840
in the sense that with social media and everything, there's

595
00:39:21,920 --> 00:39:24,840
so many ways to get your music out there and

596
00:39:24,920 --> 00:39:28,039
to really market yourself, not just market your music, but

597
00:39:28,119 --> 00:39:29,920
really market yourself as a brand.

598
00:39:30,840 --> 00:39:32,719
Speaker 11: And yeah, I agree with that.

599
00:39:33,119 --> 00:39:35,960
Speaker 5: So there's so much more opportunity there. But it's also

600
00:39:36,119 --> 00:39:38,679
because there's so much more opportunity that's a double edged sword,

601
00:39:38,760 --> 00:39:41,119
because there's also so much more that you have to learn,

602
00:39:41,840 --> 00:39:45,079
and some people don't like to do that part. I'm

603
00:39:45,400 --> 00:39:48,679
I'm unusual in that I'm someone who, right from the

604
00:39:48,719 --> 00:39:52,039
beginning of my career in the music industry, I've always

605
00:39:52,079 --> 00:39:54,719
been fascinated by all of it. You know, I've played

606
00:39:54,760 --> 00:39:57,000
in a bunch of bands. But I also the business

607
00:39:57,039 --> 00:40:00,400
of music has always been really interesting to me. But

608
00:40:00,800 --> 00:40:02,840
most musicians don't want to have to deal with that,

609
00:40:03,119 --> 00:40:06,000
or they don't, you know. I hear people complain about, well,

610
00:40:06,039 --> 00:40:07,519
I don't want to have to try to become a

611
00:40:07,599 --> 00:40:09,800
TikTok star. I just want to make my music. And

612
00:40:09,880 --> 00:40:12,960
it's like, okay, the music is the main thing, sure,

613
00:40:13,079 --> 00:40:15,000
but these are just things that you need to do

614
00:40:15,119 --> 00:40:18,480
to market yourself, you know, unless you have the luxury

615
00:40:18,519 --> 00:40:20,159
of having a major label do it all for you.

616
00:40:20,360 --> 00:40:23,719
So so I think that for what you're doing, or

617
00:40:23,800 --> 00:40:26,119
other organizations that we know, like you're in New Hampshire,

618
00:40:26,119 --> 00:40:29,679
there's a in Nashua. Our friends Eleanor and Andre, they

619
00:40:29,760 --> 00:40:32,920
run something called New Hampshire Underground, which you know provides

620
00:40:33,199 --> 00:40:35,559
education for artists and help for artists. But but I

621
00:40:35,639 --> 00:40:37,920
think that's I think that's more important than it's ever been.

622
00:40:39,960 --> 00:40:47,039
Speaker 11: I agree. I will admit that I was not focused

623
00:40:47,119 --> 00:40:50,760
on the business portion when I was a young artist myself,

624
00:40:51,440 --> 00:40:56,559
and even I was actually very stubborn as far as

625
00:40:57,559 --> 00:41:04,960
you know, my uncle was already a very experienced musician

626
00:41:05,320 --> 00:41:07,800
and was trying to give me a lot of perspective

627
00:41:07,840 --> 00:41:11,159
when I was just becoming an artist and he saw

628
00:41:11,360 --> 00:41:14,000
talent in me, and he tried to give me some

629
00:41:14,199 --> 00:41:16,960
advice that I did not want to hear because I

630
00:41:17,079 --> 00:41:19,840
was like, I've got a message, like you know, he

631
00:41:19,840 --> 00:41:21,639
would he would try to give me tips on like,

632
00:41:22,000 --> 00:41:26,719
you know, develop your appearance or you know, how you

633
00:41:26,800 --> 00:41:29,840
want to present yourself, and I did not want to

634
00:41:29,880 --> 00:41:31,760
hear it. When I was younger, it wasn't intel. I

635
00:41:32,000 --> 00:41:37,360
had basically turned down all the majors and indie label

636
00:41:37,480 --> 00:41:41,239
offers that I had on the table and kind of

637
00:41:42,039 --> 00:41:46,079
felt like I had nowhere else to go. And a

638
00:41:46,119 --> 00:41:48,000
friend of mine basically was like, what are you going

639
00:41:48,039 --> 00:41:51,039
to do? You know, become a manager in a fast

640
00:41:51,079 --> 00:41:54,360
food chain. Not that there's anything wrong with that. Anybody

641
00:41:54,400 --> 00:41:58,920
that does that, I respect anybody who you know, does

642
00:41:59,039 --> 00:42:03,559
anything in in any workforce. But what I said to

643
00:42:03,719 --> 00:42:07,239
myself was, well, if I go take on a different

644
00:42:07,280 --> 00:42:09,119
type of career path, I'm going to have to learn

645
00:42:09,239 --> 00:42:12,559
skills anyway, and so why not learn the skills that

646
00:42:12,639 --> 00:42:15,400
it takes me to be involved in the business that

647
00:42:15,559 --> 00:42:18,280
I want to be in, which then has developed all

648
00:42:18,360 --> 00:42:22,440
of these different new avenues for us to now have

649
00:42:24,480 --> 00:42:31,440
founded not only manifest Media, but these other to land Tropic,

650
00:42:33,199 --> 00:42:34,840
you know, things that we're trying to do through the

651
00:42:34,920 --> 00:42:36,000
nonprofits and stuff.

652
00:42:36,039 --> 00:42:36,159
Speaker 6: You know.

653
00:42:37,840 --> 00:42:39,719
Speaker 5: Yeah, you should talk a little bit more about that too,

654
00:42:40,440 --> 00:42:43,119
especially for people who have not heard our previous conversations

655
00:42:43,159 --> 00:42:46,440
on the show about about what you've done and what

656
00:42:46,519 --> 00:42:50,159
you've been doing in terms of mental health and awareness.

657
00:42:50,239 --> 00:42:52,840
I know that you know, you had had a friend

658
00:42:52,840 --> 00:42:55,639
who had committed suicide and you did a song about

659
00:42:55,679 --> 00:42:57,719
that and whatnot, but yeah, can you talk a little

660
00:42:57,719 --> 00:42:59,800
bit more about that, about about what you've been doing

661
00:42:59,840 --> 00:43:02,039
in that zone and how that relates to the to

662
00:43:02,159 --> 00:43:02,599
your music.

663
00:43:04,239 --> 00:43:09,880
Speaker 11: Yeah, absolutely, so, yeah, I do remember that is how

664
00:43:10,480 --> 00:43:15,000
we met is. I had put out a song about

665
00:43:15,079 --> 00:43:19,599
five years ago called how could You about a two

666
00:43:19,679 --> 00:43:22,840
different friends of mine that had passed away. One of

667
00:43:22,960 --> 00:43:29,480
them was confirmed a suicide and the other we we

668
00:43:29,679 --> 00:43:34,079
assume that it was a self inflicted overdose, but it

669
00:43:34,239 --> 00:43:43,239
was never confirmed, and that had began the expansion of

670
00:43:44,000 --> 00:43:48,719
I Guess what is now our mental health advocacy brand

671
00:43:49,039 --> 00:43:57,679
and community, the hashtag MKOT and this last year in

672
00:43:58,119 --> 00:44:03,920
twenty twenty three, I Guess I just said advocating isn't enough,

673
00:44:05,119 --> 00:44:09,159
not that I have any issue with anybody that purely advocates,

674
00:44:09,840 --> 00:44:14,079
but I said, you know, let's see how much we

675
00:44:14,199 --> 00:44:16,480
can do or how much more we can do. And

676
00:44:16,599 --> 00:44:19,400
so I didn't really know where we were fitting into

677
00:44:19,480 --> 00:44:23,880
the nonprofit world at that moment in time, and my

678
00:44:25,360 --> 00:44:28,760
first idea was, well, I have a lot of background

679
00:44:29,320 --> 00:44:32,679
an event organization. Let's see if we can create an

680
00:44:32,800 --> 00:44:34,679
annual mental health awareness events.

681
00:44:34,960 --> 00:44:35,639
Speaker 6: And so we do.

682
00:44:37,280 --> 00:44:45,400
Speaker 11: A mental health awareness festival every May, and we've been

683
00:44:45,440 --> 00:44:49,719
doing that for two years now. It's called the Mcott Bash.

684
00:44:50,199 --> 00:44:50,519
Speaker 5: Okay.

685
00:44:50,599 --> 00:44:57,639
Speaker 11: So what we usually do is we'll pick an already

686
00:44:57,719 --> 00:45:04,119
existing nonprofit and we'll raise money for them. And we've

687
00:45:04,519 --> 00:45:07,840
been very successful in being able to put on these

688
00:45:07,920 --> 00:45:11,960
productions in the last couple of years, and we hope

689
00:45:12,000 --> 00:45:17,159
to continue to shed light on even centralized topics. Folks

690
00:45:17,199 --> 00:45:21,119
have asked us if we would be willing to do

691
00:45:21,280 --> 00:45:27,400
events that were more focused around particular brain functionality that

692
00:45:27,480 --> 00:45:33,119
folks are dealing with, like schizophrenia or you know, any

693
00:45:33,159 --> 00:45:39,679
other different particular I don't like to use the word

694
00:45:40,519 --> 00:45:44,960
mental illness or disorder. I particularly like to use the

695
00:45:45,000 --> 00:45:48,280
phrase brain function I feel like everybody has brain functionality,

696
00:45:48,880 --> 00:45:53,199
and we particularly are trying to develop programs to help

697
00:45:53,199 --> 00:45:55,480
folks that are dealing with traumatic brain injury as well.

698
00:45:56,480 --> 00:46:03,719
I know that it's very hard to continue with employment

699
00:46:03,840 --> 00:46:07,159
after you sustain the brain injury, and so we're trying

700
00:46:07,199 --> 00:46:12,400
to develop programs to help folks with employment and protect

701
00:46:12,519 --> 00:46:16,880
like employment protection as well. But for right now, we

702
00:46:17,840 --> 00:46:21,360
just said, can we help some other programs that already exist,

703
00:46:22,039 --> 00:46:27,199
and so we raised money for a couple of different

704
00:46:27,400 --> 00:46:35,199
local nonprofits. And as these events developed, we are hoping

705
00:46:35,400 --> 00:46:40,519
to not only just spread awareness through the music, but

706
00:46:40,719 --> 00:46:44,360
we would, you know, hope to have seminars where folks

707
00:46:44,400 --> 00:46:48,840
are giving testimony and we have professionals coming and talking about,

708
00:46:50,159 --> 00:46:53,360
you know, how they might be able to you know,

709
00:46:54,360 --> 00:46:57,679
give some insight on just different forms of brain function

710
00:46:58,519 --> 00:47:01,280
and where they might be able to find an outlet

711
00:47:01,360 --> 00:47:05,920
to help, you know, find services and aid if they're

712
00:47:05,920 --> 00:47:09,599
dealing with certain things. And so that's all a developing process.

713
00:47:09,760 --> 00:47:11,719
But we're just happy to be able to have done

714
00:47:12,079 --> 00:47:15,519
what little we could do in the last couple of years.

715
00:47:16,119 --> 00:47:18,800
Speaker 5: Yeah, no, I think that's uh. I think that's great,

716
00:47:19,400 --> 00:47:23,840
very very positive stuff. And and what about as far

717
00:47:23,920 --> 00:47:26,760
as your own uh material. As far as your your

718
00:47:26,840 --> 00:47:29,880
hip hop have you been Have you been touring at

719
00:47:29,920 --> 00:47:31,639
all in the past couple of years.

720
00:47:31,679 --> 00:47:35,159
Speaker 11: I think a lot. Actually, we have a tour it's

721
00:47:35,199 --> 00:47:41,519
going to be coming up this next year in probably

722
00:47:41,559 --> 00:47:44,000
the middle of February till about the end of March

723
00:47:44,079 --> 00:47:47,440
and April. We're hoping to get out to your neck

724
00:47:47,480 --> 00:47:49,079
of the woods, and if we do, I would love

725
00:47:49,159 --> 00:47:51,760
to come and visit you in person on the show.

726
00:47:53,079 --> 00:47:57,519
But we're going to be continuing to push the bar

727
00:47:57,679 --> 00:48:05,480
Nun song and music video and also promoting some new

728
00:48:05,639 --> 00:48:08,920
hip hop records that we have out. We uh, we

729
00:48:09,039 --> 00:48:13,159
are always producing rap music. That's so funny actually, is

730
00:48:13,239 --> 00:48:16,840
that I started doing so much rock music, people are like,

731
00:48:17,280 --> 00:48:20,320
do you rap anymore? And so we are trying to

732
00:48:20,599 --> 00:48:27,000
create a balance as far as putting out more hip

733
00:48:27,000 --> 00:48:31,239
hop and rap records as well as uh, you know,

734
00:48:31,400 --> 00:48:34,519
developing developing these other genres. As far as myself as

735
00:48:34,519 --> 00:48:37,880
a vocalists. I have a lot more in the vault

736
00:48:37,920 --> 00:48:39,239
that we'll be releasing this year.

737
00:48:39,559 --> 00:48:43,000
Speaker 5: Oh excellent, excellent. Where do you record? Do you do everything?

738
00:48:43,519 --> 00:48:45,119
Do you do everything yourself or do you have a

739
00:48:45,159 --> 00:48:46,239
studio that you work out of.

740
00:48:47,920 --> 00:48:51,360
Speaker 11: I have a couple of different facilities. One facility that

741
00:48:51,480 --> 00:48:55,480
I use in Albuquerque is called On the Moon Studios.

742
00:48:56,800 --> 00:49:02,280
Nick Johnson is the founder of On the Moon Studios

743
00:49:02,400 --> 00:49:04,519
and the engineer that I work with over there, and

744
00:49:04,599 --> 00:49:11,360
he's an incredible, incredible individual and I've been working with

745
00:49:11,480 --> 00:49:15,920
him for probably about four years now. As far as

746
00:49:16,079 --> 00:49:20,599
being on the road, I do use sound peak as

747
00:49:20,639 --> 00:49:24,000
far as when I'm in Topeka, Kansas, or you know,

748
00:49:24,159 --> 00:49:27,119
if somebody has a studio and we can just hop

749
00:49:27,199 --> 00:49:28,960
in there. Because I try to stay as productive as

750
00:49:29,000 --> 00:49:31,880
possible when I'm on the road. I don't really party

751
00:49:32,039 --> 00:49:33,679
like I used to. I used to be kind of

752
00:49:33,719 --> 00:49:36,719
a you know, a party animal, but now I just

753
00:49:36,840 --> 00:49:38,559
try to make sure that if we're going to be

754
00:49:38,599 --> 00:49:42,119
away from home, we're working right.

755
00:49:42,639 --> 00:49:42,920
Speaker 5: Yeah, And.

756
00:49:44,960 --> 00:49:49,760
Speaker 11: So to say that is also I said all that

757
00:49:49,920 --> 00:49:52,039
to say the reason why I started doing the rock

758
00:49:52,199 --> 00:49:56,280
music is because I did have a home studio available

759
00:49:56,360 --> 00:50:01,519
to me at that moment in time, which was something new.

760
00:50:01,599 --> 00:50:04,480
I never really wanted to do that. I liked a

761
00:50:04,639 --> 00:50:08,920
little bit of a creative exchange.

762
00:50:09,400 --> 00:50:09,519
Speaker 13: You know.

763
00:50:09,679 --> 00:50:12,199
Speaker 11: People will always ask me like do you make your

764
00:50:12,239 --> 00:50:14,400
own beats or do you record yourself, and those were

765
00:50:14,480 --> 00:50:16,199
things that I kind of wanted to leave up to

766
00:50:16,280 --> 00:50:20,320
folks that specialized in those areas. Yeah, but when I

767
00:50:20,519 --> 00:50:26,920
had the availability to record myself, I would just knock

768
00:50:27,000 --> 00:50:29,519
out two or three songs in a night, and my

769
00:50:29,679 --> 00:50:35,719
roommate was like always pretty surprised because he would be

770
00:50:35,880 --> 00:50:39,039
just like, Wow, you can just do any genre, because

771
00:50:39,039 --> 00:50:41,000
I'd be like, look look at this song that I did,

772
00:50:41,440 --> 00:50:45,159
or look at that, and he would be just kind

773
00:50:45,199 --> 00:50:48,719
of excited that there was just like always something creative

774
00:50:48,800 --> 00:50:53,599
happening around. Because he was making records with me, rap records.

775
00:50:53,639 --> 00:50:56,679
He had been in like different hardcore bands as a

776
00:50:56,760 --> 00:51:00,079
vocalist and dabbled in rap music himself. He was the

777
00:51:00,159 --> 00:51:02,719
one with the recording setup, and since it was around,

778
00:51:02,800 --> 00:51:05,880
I was like, let's let's see how this works. And

779
00:51:06,039 --> 00:51:09,840
so I started to get a little bit more experienced

780
00:51:09,880 --> 00:51:12,719
and like mixed, mixing and mastering and different things like

781
00:51:12,800 --> 00:51:16,280
that and editing, and which gave me an even more

782
00:51:17,480 --> 00:51:21,840
deeper respect for folks that have to do all of

783
00:51:21,920 --> 00:51:25,440
the recording and the post production, because it's not easy

784
00:51:26,519 --> 00:51:29,480
to do any of these things and to create a

785
00:51:29,559 --> 00:51:32,239
final product. So that was very exciting for me. To

786
00:51:32,320 --> 00:51:34,960
be able to get my feet wet in that area.

787
00:51:35,320 --> 00:51:35,559
Speaker 1: Yeah.

788
00:51:35,880 --> 00:51:39,559
Speaker 5: Absolutely, no, that's great. That's great. Well, Isaac, You've you've

789
00:51:39,639 --> 00:51:43,320
got a lot going on. So let's before we before

790
00:51:43,360 --> 00:51:45,079
we close out the segment, and I'm gonna I think

791
00:51:45,079 --> 00:51:48,320
I'm gonna end with light work. The track that you

792
00:51:48,440 --> 00:51:51,519
did with Jewel Santana. The collab from this is this

793
00:51:51,639 --> 00:51:53,079
is from a few years ago, right, I think we

794
00:51:53,159 --> 00:51:55,159
had we had played this on the show before and

795
00:51:55,280 --> 00:51:57,480
I was like, really pretty blown away by it.

796
00:51:59,400 --> 00:52:02,039
Speaker 11: Yeah, that is a really cool collaboration that I was

797
00:52:02,119 --> 00:52:07,119
able to do a few years ago. I think that

798
00:52:07,400 --> 00:52:10,239
is the last time that I was on the show.

799
00:52:11,079 --> 00:52:13,800
I don't want to uh have that large of a

800
00:52:13,880 --> 00:52:17,159
gap uh for the next one. So oh, I agree

801
00:52:17,559 --> 00:52:20,239
out to you and I should have actually probably sent

802
00:52:20,360 --> 00:52:23,039
you one of the rock records. I don't think that

803
00:52:23,119 --> 00:52:25,639
you even knew that we were doing that. But even

804
00:52:25,840 --> 00:52:28,480
just for your listening pleasure, I'll send you some stuff.

805
00:52:28,800 --> 00:52:30,800
Oh yeah, you can check out the other thing we're doing.

806
00:52:31,039 --> 00:52:34,000
Speaker 5: Send us. Yeah, send us anything you want and and

807
00:52:34,280 --> 00:52:36,760
uh and if it if it's something that hasn't been

808
00:52:36,760 --> 00:52:40,360
played on the radio before, make sure make sure you

809
00:52:40,480 --> 00:52:42,559
let us know that because we can do. We like

810
00:52:42,639 --> 00:52:45,840
to do world radio premieres where we're the first radio

811
00:52:45,920 --> 00:52:48,360
station in the US to play something. That's a thing

812
00:52:48,440 --> 00:52:50,239
that we do. So if you've got if you've got

813
00:52:50,280 --> 00:52:51,920
anything like that, I mean, send us anything. But if

814
00:52:51,960 --> 00:52:54,280
you've got anything like that too that hasn't been played anywhere,

815
00:52:54,400 --> 00:52:55,920
let us know. Or if it's been played on a

816
00:52:55,960 --> 00:52:58,000
podcast or something, fine, but if it hasn't been played

817
00:52:58,039 --> 00:52:59,639
on the radio yet, let us know.

818
00:52:59,800 --> 00:53:04,440
Speaker 11: And actually one of I love premiering the records on

819
00:53:04,599 --> 00:53:07,400
your show, and I really appreciate and I'm very honored

820
00:53:07,480 --> 00:53:13,760
that you had allowed me to do that for a

821
00:53:13,920 --> 00:53:15,000
few of these releases.

822
00:53:15,800 --> 00:53:17,079
Speaker 5: Yeah, excellent, excellent.

823
00:53:17,360 --> 00:53:20,360
Speaker 15: Jenny, did you have you know you're you're you're one

824
00:53:20,400 --> 00:53:21,639
of my personal favorites.

825
00:53:22,559 --> 00:53:26,000
Speaker 5: Oh yeah, I just remember it. I almost forgot.

826
00:53:26,119 --> 00:53:26,320
Speaker 6: Yeah.

827
00:53:26,599 --> 00:53:30,360
Speaker 5: Yeah, the hoodies, so Isaac, we still wear those hoodies

828
00:53:30,400 --> 00:53:31,079
that you sent us.

829
00:53:31,760 --> 00:53:34,159
Speaker 15: And yeah, and you see the picture I tagged you in.

830
00:53:35,679 --> 00:53:36,880
Speaker 11: Yeah, I did get that picture.

831
00:53:37,039 --> 00:53:38,719
Speaker 3: Was that was a news story?

832
00:53:39,199 --> 00:53:42,960
Speaker 15: That a surprise, Yeah that I did not know they

833
00:53:43,000 --> 00:53:45,159
were going to pull that photo either, And I'm really

834
00:53:45,199 --> 00:53:45,880
glad that they did.

835
00:53:46,039 --> 00:53:46,960
Speaker 5: I love that photo.

836
00:53:47,320 --> 00:53:51,679
Speaker 15: It's you and I are are brother and sister when

837
00:53:51,719 --> 00:53:54,320
it comes to that issue and trying to help people

838
00:53:54,360 --> 00:53:57,480
and you now, as you know, I have CRPS, So

839
00:53:57,599 --> 00:54:00,480
it's a real important part of my heart. You do

840
00:54:00,679 --> 00:54:03,079
that work and I really appreciate it, and I am

841
00:54:03,199 --> 00:54:04,760
honored to wear that short I love.

842
00:54:05,679 --> 00:54:07,679
Speaker 5: Yeah, absolutely, very.

843
00:54:07,639 --> 00:54:12,280
Speaker 11: Honored to have you. You know, it's it's a big

844
00:54:12,360 --> 00:54:16,679
issue that always needs to be addressed. Yeah, and so

845
00:54:17,199 --> 00:54:20,039
I'm very honored that you've supported over the years and

846
00:54:20,280 --> 00:54:23,159
still have the the hoodies. We're trying to produce more

847
00:54:23,880 --> 00:54:27,840
and we're trying to at some point give a portion

848
00:54:28,000 --> 00:54:31,760
of the proceeds from the sales of that merchandise to

849
00:54:32,679 --> 00:54:35,079
different programs for suicide prevention as well.

850
00:54:35,480 --> 00:54:39,960
Speaker 5: Excellent, excellent, Yeah, that's outstanding, very good, very good, Isaac.

851
00:54:40,000 --> 00:54:41,400
So before we let you go, like I said, we're

852
00:54:41,400 --> 00:54:44,519
gonna play light work, But what should people know about

853
00:54:44,519 --> 00:54:47,239
where to find you online, how to find Manifest Media,

854
00:54:47,559 --> 00:54:49,880
anything that you want our listeners to make sure that

855
00:54:49,960 --> 00:54:51,599
they know so they can keep up on everything that

856
00:54:51,639 --> 00:54:53,639
you're doing or you know, and there might be somebody

857
00:54:53,719 --> 00:54:55,159
listening who wants to work with you too.

858
00:54:57,320 --> 00:55:02,320
Speaker 11: Yeah. So right now, Manifest Media does have an Instagram page,

859
00:55:02,880 --> 00:55:09,039
Manifest medi and we also have a Facebook page which

860
00:55:09,119 --> 00:55:16,000
is Manifest Media. The YouTube and uh SoundCloud if you

861
00:55:16,079 --> 00:55:18,519
want to hear some of the music right now is

862
00:55:19,679 --> 00:55:25,280
also under Manifest Media. And you can also contact me

863
00:55:25,480 --> 00:55:29,119
personally if anybody ever wanted to reach out through any

864
00:55:29,159 --> 00:55:32,239
of the Instagram. We also have an Instagram for my

865
00:55:32,400 --> 00:55:37,039
kind of Therapy now which is m kot underscore dot org.

866
00:55:37,840 --> 00:55:42,239
And you know, I manage all of those accounts, so

867
00:55:42,280 --> 00:55:47,760
if anybody ever wanted to find me, uh, that's that's

868
00:55:47,840 --> 00:55:50,119
how they would be able to get a hold of me.

869
00:55:50,280 --> 00:55:57,960
Also through Isaac Sierra is my personal page on Facebook

870
00:55:58,159 --> 00:56:03,719
that's attached to also the The Truth Facebook page and

871
00:56:04,199 --> 00:56:06,239
True to the Rhymes c r U E the number

872
00:56:06,280 --> 00:56:09,199
two d A R H y M yes all one word.

873
00:56:09,639 --> 00:56:14,440
Speaker 5: On Instagram outstanding, outstanding. All right, Isaac, So we'll let

874
00:56:14,480 --> 00:56:16,559
you go so we can hit this track, but yes,

875
00:56:16,679 --> 00:56:18,599
let's do this again soon. You've got a lot going on.

876
00:56:19,480 --> 00:56:21,079
Send us any music you want to send us. We

877
00:56:21,159 --> 00:56:24,239
love it, we love premiering new music. And uh, we'll

878
00:56:24,320 --> 00:56:26,280
let you go for now, and and I'm sure we'll

879
00:56:26,280 --> 00:56:27,559
talk to you soon. But thank you so much for

880
00:56:27,639 --> 00:56:28,360
calling us today.

881
00:56:29,039 --> 00:56:30,320
Speaker 11: Thanks for having me on the show again.

882
00:56:30,679 --> 00:56:33,599
Speaker 5: You got it all right, all right, you got to

883
00:56:33,679 --> 00:56:34,039
take care.

884
00:56:35,119 --> 00:56:36,800
Speaker 11: Good morning, bye bye, bye.

885
00:56:36,639 --> 00:56:40,440
Speaker 5: Bye, all right, Isaac Sierra and we will close out

886
00:56:40,880 --> 00:56:43,920
this segment with this track light Work. This is his

887
00:56:44,039 --> 00:56:47,880
collab with Jewels Santana and then Uh and then coming

888
00:56:47,960 --> 00:56:50,639
up in the third hour, we have the band of Volley.

889
00:56:50,760 --> 00:56:53,639
We got some punk rock coming in, so here we go.

890
00:56:53,760 --> 00:57:02,559
This is called light work, Yeah.

891
00:57:03,800 --> 00:57:04,440
Speaker 11: Said Taylor.

892
00:57:05,440 --> 00:57:08,599
Speaker 16: I cops caught me with the beasts at and then

893
00:57:08,679 --> 00:57:11,440
take a fleet. Then my time came home from still

894
00:57:11,519 --> 00:57:13,840
stay with heat. I let it bang before I let

895
00:57:13,920 --> 00:57:16,239
him begin to play with me. I ain't as fleet

896
00:57:16,360 --> 00:57:19,199
cap again to make him take a knee with the drugs.

897
00:57:19,239 --> 00:57:20,119
Speaker 2: I'm to let him man.

898
00:57:20,280 --> 00:57:23,800
Speaker 16: Basically, face Addie is INNY. I gotta hate his seat

899
00:57:24,320 --> 00:57:26,320
and this round ain't nothing free. You gotta pay a

900
00:57:26,440 --> 00:57:28,360
v so I know if I got what you need,

901
00:57:28,400 --> 00:57:30,920
you're gonna be paying me. I put on a show

902
00:57:30,960 --> 00:57:32,159
because I'm the one that came to.

903
00:57:32,239 --> 00:57:34,599
Speaker 17: Seek falling on him, faithfully, that's what the man is.

904
00:57:34,719 --> 00:57:35,320
Speaker 2: Hate to seek.

905
00:57:35,639 --> 00:57:36,679
Speaker 17: They try to cage your me.

906
00:57:36,840 --> 00:57:39,159
Speaker 16: It I could clean my seat back. You can't say

907
00:57:39,199 --> 00:57:42,360
him raging beasts. He always break the leaseh life is

908
00:57:42,480 --> 00:57:44,039
so I chose to make it sleep.

909
00:57:44,599 --> 00:57:45,679
Speaker 5: They chose to play with it.

910
00:57:45,760 --> 00:57:48,199
Speaker 2: I chose to flee to Keith. They chose to go

911
00:57:48,320 --> 00:57:48,599
get it.

912
00:57:48,679 --> 00:57:49,719
Speaker 12: I chose to stay with it.

913
00:57:50,119 --> 00:57:52,599
Speaker 16: I chose to rep with our rep away with it.

914
00:57:52,960 --> 00:57:54,920
He chose to call your man when his tongue and

915
00:57:55,079 --> 00:57:56,039
the slush.

916
00:57:55,719 --> 00:57:57,840
Speaker 2: And the shoug. I chose to hold and bang my

917
00:57:57,920 --> 00:57:58,400
own shot.

918
00:57:59,119 --> 00:58:00,920
Speaker 16: Here on my quick let us a jigging, and I

919
00:58:01,079 --> 00:58:03,519
just shrug against me. I just came and let your chicken.

920
00:58:03,639 --> 00:58:04,159
Speaker 2: I know that.

921
00:58:06,039 --> 00:58:10,000
Speaker 17: They like night swerve, nice work. I reply, light work,

922
00:58:10,199 --> 00:58:12,800
light word. We're at your brist lift. That's that ice word,

923
00:58:13,000 --> 00:58:18,679
night work, right word, right word. They like night swors,

924
00:58:18,880 --> 00:58:22,599
nights work. I reply, light work, light word. Where at

925
00:58:22,679 --> 00:58:26,159
your press lipt? That's that ice word, like Mike check

926
00:58:26,280 --> 00:58:27,760
Yet my mic word the.

927
00:58:27,840 --> 00:58:29,760
Speaker 7: Hard way comas colder than the hawk.

928
00:58:29,880 --> 00:58:31,719
Speaker 5: Dick hit a dirty based.

929
00:58:31,440 --> 00:58:34,800
Speaker 3: In flushed it before they matched in fifteen years old, Mama.

930
00:58:34,599 --> 00:58:36,960
Speaker 2: Connaschopping icebergs, it's just the ten.

931
00:58:37,119 --> 00:58:40,719
Speaker 3: Fifteen years later, finally with a jin, decided to write,

932
00:58:40,800 --> 00:58:41,719
war is this week?

933
00:58:41,760 --> 00:58:43,239
Speaker 12: A fight on prim paint, But.

934
00:58:43,320 --> 00:58:45,320
Speaker 3: Not enough to give up my whole life for it.

935
00:58:45,480 --> 00:58:47,920
Speaker 5: That's a close call, Like I had my phone off.

936
00:58:48,000 --> 00:58:51,199
Speaker 3: Still wonder if I was set up by my own dog. Damn,

937
00:58:51,480 --> 00:58:55,039
I'm never seeing again. That's another story sand Tanner's work

938
00:58:55,079 --> 00:58:57,960
and see you a home guard flash, the brick, grabbed.

939
00:58:57,719 --> 00:59:00,039
Speaker 5: The water, stole off, almost kicked the whole.

940
00:59:00,199 --> 00:59:02,039
Speaker 4: Or Warre accidents happened.

941
00:59:02,119 --> 00:59:03,159
Speaker 11: Only could have had his.

942
00:59:03,280 --> 00:59:06,119
Speaker 3: Dome blowing off the one that we used the lidlight

943
00:59:06,280 --> 00:59:09,239
so warp outside of the store, trying to show Warf

944
00:59:09,360 --> 00:59:11,400
not knowing the moles and his chest came from the

945
00:59:11,519 --> 00:59:15,039
same man and sharing the story with the sword so small.

946
00:59:15,480 --> 00:59:19,400
Speaker 17: They like night Sworth, nice work. I reply, light work,

947
00:59:19,599 --> 00:59:25,239
light words lift, that's that ice worth night work, light work,

948
00:59:25,440 --> 00:59:30,199
light work. They like night sworst nights work. I reply,

949
00:59:30,480 --> 00:59:33,079
light work, light work, and the rest lift, that's that

950
00:59:33,239 --> 00:59:37,000
ice worth like Mike check Yet my mic work might

951
00:59:37,199 --> 00:59:37,440
work