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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Orlando, Florida.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Broadways My Beat.

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But first I want to encourage you. If you're enjoying

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the podcast, please follow us using your favorite podcast software.

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Today's program is brought you in part by the financial

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support of our listeners. You can support the show on

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a one time basis using the Zell app to boxteen

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at Great Detectives dotyet and become one of our ongoing

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Patreon supporters for as little as two dollars per month

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at Patreon, Great Detectives dot net. Now from August fifth,

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nineteen fifty one, here is the Howard Crawford murder case.

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Speaker 2: This is Bob broadcasting from Tapeka, Kansas, Hope and thanking

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the sponsor of your irregularly scheduled program for this two

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minute interruption, Ladies and gentlemen. In the last ten years,

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I've visited many dramatic spots in this world. But just

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a few minutes ago I returned from a tour of

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what was once North Topeka, Kansas. I've just seen block

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after block of total destruction, streets, caved in buildings, undermined

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and flattened, entire new housing developments of shambles, with the

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houses jammed together like battered boxes. As we toured this

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sickening area, I thought of the heroics that must have

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becompanied this disaster as had happened, the emergency operations of

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the Red Cross, Salvation Army, Air Force, Coast Guard, veterans organizations,

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and the thousands of civilian volunteers, all striving to hold

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this hungry caw river within its banks. Then the complete

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frustration when it crashed into the streets. But the excitement

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of that time has passed. Today it's a dismal task

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of dirty drudgery. Imagine the heartbreaker returning to what was

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once your home and finding three feet of dried mud

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in the front porch. After scraping and digging for hours,

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you finally get the door open, only to find dried,

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drifted mud bank throughout the house, with everything in it

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destroyed beyond repair. Countless of the heartbreaking stories of human despair.

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There's a Great Flood of nineteen fifty one is written.

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But you and I, neighbors of these call valley folks

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of Kansas can help, and I mean help with dimes

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and dollars. The Red Cross and other agencies have done

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a magnificent job taking emergency care of ten to fifteen

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thousand refugees, and they're still doing great work in helping

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the needy with rehabilitation. But that's a far cry from

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the tremendous job that lies ahead. And to Peak alone,

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the loss is one hundred million. That amounts to one

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thousand dollars for each and every person in this city.

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I'm appealing to that great heart that has made America.

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It's never failed before. Won't you send your contribution, large

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or small to Flood to Peak at Kansas. That's all

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the address you need. Flood to Peak at Kansas and

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join me, Bob Hope and bringing new hope to thousands

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of unfortunate American folks.

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Speaker 3: Thank you.

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Speaker 4: William Rigley Company has donated the time for this message

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from Bob Hope.

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Speaker 3: Now, after a short pause, we switched to Hollywood for

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your regular program. Broadway is My Beat.

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Speaker 5: Wrigley Spearman Chewing Gum, the refreshing, delicious treat that gives

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you chewing enjoyment. Resents for your listening enjoyment.

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Speaker 3: Broadways My Beat from Time Spurt to Columbus Circle, the gaudiest,

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the most violent, the lonesomest mile in the world. Broadways

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My Beat, the exciting drama of mystery and murder and

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the people who walk the Great White Way with Larry

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Thor as Detective Danny Clover. Or refreshment while you work,

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or enjoyment anytime chew a stick of Wrigley Spearmint gum.

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The delicious, long lasting, real mint flavor of Wrigley spearmint

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cools your mouth and freshens your taste.

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Speaker 5: The good smooth chewing helps keep your feeling fresh and alert,

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adds enjoyment to whatever you're doing. So indoors, outdoors at

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worker play, enjoy chewing Wrigley Spearmint gum. Wrigley's spearmint refreshing,

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delicious on the ground.

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Speaker 3: When the summer becomes August, Broadway pauses for a while,

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considers what happened to the springtime dreams to be fulfilled

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in the middle of July at the very latest, and

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what at the blonde on last month's snapshots, the one

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with sunny legs, the one you tried with poetry and

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she touched her cheek, the fawn of camp never cared

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a jewel of the catskills. She's back in the Bronx

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shoe store, kid, And the last time you walked by,

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she didn't look so good. And walk the streets furious

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with people and heat, and feel your throat tightened when

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it suddenly comes to you. Another summer's rushing away. Maybe

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next year, kid, maybe. And uptown east of Broadway, where

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I was in the outdoor swimming pool catering also of

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the seekers after something or other. The crowd was divided

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into non swimmers, saandsitters, ukulele players, miscellaneous, and the man

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in the swimming trunks lying on the concrete walk. The

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man who had drowned and the police emergency crew working

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over him with a respirator, and the man from headquarters

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who had gotten there before me.

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Speaker 6: They've been working on him for quite a while.

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Speaker 3: Danny, why'd you call me to come down? Muggulm?

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Speaker 6: I asked the same question of Patrolman Kenny. It's like this, Danny.

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Kenny was flagged off his feet when this man was

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dragged out of the pool, took off the man's locker

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check went to the locker, you know, for identification. The

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locker was empty. Forced Uh huh, all those locks answered,

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what dimsta? Skeleton key robbery gets a dozen calls a

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day from these.

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Speaker 3: Pools, So you figure that man's drowning and his lockers

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being robbed had something and.

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Speaker 6: Maybe a coincidence, Danny, maybe something else.

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Speaker 2: I don't know.

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Speaker 6: I wanted you to be here. Okay, let's take a look.

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Speaker 3: One of you men called the Morgan.

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Speaker 6: A lifeguard pulled him out as that one. Danny, you

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want to.

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Speaker 3: Talk to I'm from the police, Danny Clover uh Russ

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gavey what happened here? Alice on my stand? Hem? He

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started the yell. I went in after him.

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Speaker 6: How'd you get those scratches on your shoulder?

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Speaker 3: You fought me.

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Speaker 4: I had to take him money to break his hold.

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When he stopped struggling, I got him off. By that time,

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he needed that official respiration. I gave it to him.

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Speaker 3: I said, your man king, all right, did detective Muggaman

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here tell you this man's clothes are gone and it's

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going to be pretty difficult to identify him now? Yeah,

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he told me any ideas about it? Nope, fucking us

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back to the office at headquarters and sit with it.

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A man had been drowned in a public pool, from

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a policeman's point of view, worth only a quarter page

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form and triplicate. However, the fact of his lockers being

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robbed maybe something else. Again, probably not more forms than

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a couple of hours later, when the office gathers up

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its private shadows, a door opens, a man walks in.

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Speaker 7: Busy.

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Speaker 3: Come in, doctor Sinskitch, Sit down, thank you.

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Speaker 6: I just came from the autopsy room, Danny. And has

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that man brought in from the swimming pool to drowned them?

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Has he been identified? Danny?

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Speaker 3: Not you? What's on your mind?

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Speaker 6: He was murdered, murdered, how whoever administered artificial respiration? That

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that man killed him as surely as if he had

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driven a knife into his heart, Doctor sens Danny gently,

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I'll explain. Inside of the chest, Danny, is a delicate

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system of balances, balances which cannot be upset else a man's.

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Speaker 3: Heart will be affected in this lung. What's that gut

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to do with murder?

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Speaker 6: Simply that the autopsy I just performed and the drowned

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man revealed small internal hemorrhages, bruises of the muscles and

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bones of the chest from too active a manipulation.

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Speaker 3: You mean that lifeguard didn't.

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Speaker 6: I mean he did a very bad job of artificial respiration.

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Speaker 3: That's why you call it murderer, not premeditated. Of coast.

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Speaker 6: Doctor, This is not the question in your mind you

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wanted to ask if it was a tad, didn't you.

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Speaker 3: Dare and let the question take over the room. Add

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the weight of its violence to the oppressive night heat,

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the stifling remembrance of other such questions posed in the

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same room. Quietly, fearfully, because a policeman too reacts to

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the touch of death. It fills the room, and against

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its pressure, you lift the phone, make the call to

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the Department of Public Works, have them check personnel files,

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come up with an address for Russ gave lifeguard. Go

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there to the whole bedroom, furnished in the style of

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Brownstone East twenties, find it empty of Russ. Gavy be

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told in the way out by the woman spread wide

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on the stoop. You should have asked before Russ was

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across the street in the park, on that bench, fighting

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for his share of the night air. Walk up to Russ,

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let him chew the last fiber of a match.

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Speaker 4: Stick, and taking my well earned rest you want to

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help mister clovery.

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Speaker 3: Sure mind a vi sit down, Rous, Yes, so the

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you are almost a hero to day, Russ, you're kidding.

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That's how I make my daily summer bread fifty bucks

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a week. Agile a girl, save a leg. Longer been

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a lifeguard, Russ?

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Speaker 4: Oh, six maybe seven summers? Time out for a frolic

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on Anzio peach. Then you've had a lot of experience

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saving people from drowning?

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Speaker 3: Am I allotted? Share? The medical examiner down at headquarters

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says that man. You try to say, I remember, Our

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medical examiner says he was murdered. Well, I'll come. Our

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man says it was murdered because artificial respiration wasn't applied properly.

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Well you, A man is a.

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Speaker 4: Smart man, but a four bit of weak lifeguard does

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the best he can. He studies in classes, he follows

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a first aid manual. You call him a murderer because

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he didn't make out with one poor slap.

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Speaker 3: You tell me, Russ, you murder the man are.

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Speaker 4: Considering the percentage of lives that are saved and not

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saved by such as we That's a question you may

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never be able to answer.

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Speaker 3: I'll cut, I'll keep trying, Russ. You won't mind that, Danny.

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Speaker 8: Why don't you never turn on a light? You sit

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like this in the dark by yourself. It's I got

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one of the Tartaglia kids to home, does the same thing.

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You both make me feel the same way.

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Speaker 3: And you've got your problems.

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Speaker 8: Yeah, I could do without them.

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Speaker 3: You in the mood, Danny, sure whatever?

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Speaker 8: Nothing no progress and identification of the drowned man. No

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progress and a connection between him and that lifeguard. Russ

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Gavy reports.

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Speaker 3: On Gavy State.

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Speaker 8: He is looked up to at the pool by girls

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and ladies size swimmers. Occasionally he buys for one or

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the other a beer at the concession stand, occasionally escorts

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one or the other type to her home, deposits it,

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goes to the news stand by super type magazines, goes

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to us room healthy, normal, muscle boy.

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Speaker 3: Maybe a murderer's you know.

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Speaker 8: Pardon me, Danny, but I must take gods, Sergeant I

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Taglia speaking, Yes, yeah, I got it. Hansen's porn shop.

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He's thirty four. I told you I got it. They

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bother us with such such what you know, a man

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with a porn shop got the nudges in the midst

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of a nice conversation, because somebody who works in a

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pool hawk the sud of clothes valuables look to this,

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mister hansome like stolen goods and four. Yeah, do I

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bother yourself with it, Denny.

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Speaker 3: Because maybe it'll give me the name of a murdered man.

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Speaker 9: You might ask me why I called the police, mister Clover,

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after so many months of abstemiously staying away from your fellows.

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All right, mister Hanson, why because there was something fishy

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about it? This time, this suit, this watch ring, money

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clip was brought me by a boy who's in attendant

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at a public pool all on Upper Broadway. Inevitably that

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pool where that unidentified man was drowned, his things stolen.

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You read about it, of course?

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Speaker 3: Who brought this to you?

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Speaker 9: A boy know him well, I've had dealings with him intermittently.

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Who's the boy Bobby Kent. He's got a room in

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one of those crates on East thirty seventh er er

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sixteen fifty four East thirty seventh. Just ask for Bobby.

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Speaker 3: We all know him, and you think these things belonged

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to the drowned man.

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Speaker 9: The man was robbed where Bobby works, died where Bobby

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works Bobby Pond's things that obviously don't belong to him.

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What is there left for a decent man to think,

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mister Clover.

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Speaker 3: Then the three walk to the languid summer night, the

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city Bond and the dream Bond people and the Sandstone Steps,

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who find their delights in a pop bottle or by

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taking possession of a star in the sky, or by

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cooling themselves with a fan courtesy of Swanson's Chicken Freckracy.

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Past them and mind the kiddies at their nighttime play

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the patter of little feet up on alley and arrive

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at the address on thirty seventh Street, and over one

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of the bells, see a name, Bobby Kent, Apartment three.

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And the sound you hear is the far off thunder

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made of heat and air currents and stratosphere. And the

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lightning through the window at the end of the corridor

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lights up the number three on a door briefly. Then again, Bobby,

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Bobby Kent, This is the police, Bobby, open up, I'm

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coming in. Bobby Bobby was in his shirt was ripped,

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his face, bloody, hands tied behind his back, belt ru

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on his neck, and the belt was strung over a

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pipe near the ceiling. When I brought over a chair

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to stand on, there was lightning again, and the whole

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room was stark white for an instant. It took a

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while to get Bobby down, but it didn't matter. Bobby

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had been dead when I got there. Bobby had been murdered.

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Speaker 5: Or refreshment while you work, for enjoyment, anytime chew a

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stick of Wriggley's Spearmint gum when your mouth feels dry,

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when you're warm or tired. Wriggly's spearmint is really refreshing.

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00:15:50,399 --> 00:15:53,519
The lively, full bodied real mint flavor cools your mouth,

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moistens your throat, freshens your taste, and the chewing itself

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gives you a little lift. Helps you feel your best,

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do your best. So for chewing enjoyment plus pleasant refreshment,

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00:16:04,519 --> 00:16:10,039
chew delicious Wrigley spearm It Gum. We now continue with

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Broadway's My Beat, written by Morton Fine and David Friedkin

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and starring Larry Thor as Detective Danny Clover.

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Speaker 3: Broadway leans against a doorway, flips a coin, and makes

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odds on the thirty one days of August. This month's kid,

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It'll come in the Philly, and the third the dream boat,

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the oil on that little piece of property at least

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in the Texas bad Lands. Gotta come in otherwise what

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have you been building? Kid? Gotta come in so you

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can indulge the whim of the hour, enjoy it, own

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it all that neon. Yours to turn on or off

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that music of the dance calling to you from basement

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dance lands. Yours to play soft or loud or cut

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off like that dance in dark and in stillness. If

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you want the traffic signals pushing back the people, yours

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to make say stop go. You're a king man with

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headlines at your feet. Boy murdered hung by belt in

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tenement room, unknown man drowned in public pool. All yours, kid,

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clean shuffle a minute of luck, and it's all yours.

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And the next morning at headquarters consider your share of

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it yours And Detective Muggulmins, you still stick.

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Speaker 6: With that, Danny, that the man in the pool was murdered.

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Speaker 3: Yeah, you don't like it. Oh, it's not that, danny.

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Speaker 6: It's only so many people drowned, so many can't be saved.

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You're going to go back and call everyone that wasn't

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the murder victim.

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Speaker 3: Rus gave he as a trained lifeguard. He told me

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the man fought him had to be pushed under happens

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that way sometimes, Danny could have been the other way around.

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00:17:51,200 --> 00:17:53,000
Could have been Russ wanted the man dead. It could

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have been he fought the man, drowned him, finished him

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with his own brand of artificial respiration. Could have been.

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Speaker 6: But where's a string?

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Speaker 3: That not Danny? What connection the kid that was hung?

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00:18:02,000 --> 00:18:04,400
Bobby can't the attendant at the pool. That could be

296
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a connection.

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Speaker 6: Because he stole a man's clothes out of a crummy locker.

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00:18:08,039 --> 00:18:10,160
We're not even sure they belonged to the drowned man.

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00:18:10,759 --> 00:18:11,880
Speaker 3: What do we know about them?

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Speaker 6: Muggamn Well from the cleaner's marks, they belonged to a

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00:18:15,039 --> 00:18:18,960
man named Howard Crawford married. I checked his wife should

302
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be at the morgue to identify in a half hour

303
00:18:21,319 --> 00:18:22,200
would have come sooner.

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Speaker 3: Wanted to go out and buy a dress. First on

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00:18:24,920 --> 00:18:27,559
a meter, you get whatever you can on. Bobby can't

306
00:18:27,680 --> 00:18:30,680
friends people he stole from whoever wanted it. I'm working

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00:18:30,720 --> 00:18:33,519
on it. Put a tail on Gavy every breath he breathes.

308
00:18:33,559 --> 00:18:34,680
I on a report, got it?

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Speaker 6: Anything else?

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00:18:35,599 --> 00:18:39,000
Speaker 3: Danny. Yeah, why does a woman need a new dress

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to look at a dead man?

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Speaker 9: I don't know.

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Speaker 6: Ask her when you see her.

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Speaker 3: Are you ready, missus? Coffin waiting for you? All right?

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00:19:00,319 --> 00:19:02,599
Just look at this man and tell me if he's.

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00:19:02,240 --> 00:19:09,519
Speaker 10: Okay, okay, put him back, he's mine. Can we get

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00:19:09,519 --> 00:19:10,079
out of his place?

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00:19:10,119 --> 00:19:15,519
Speaker 3: Now? Of course? I throw that storm. I want to

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00:19:15,559 --> 00:19:17,960
sit down on this bench for a minute or else.

320
00:19:18,039 --> 00:19:23,000
Speaker 10: Huh, sure, I'll sit. What do you think of my husband,

321
00:19:23,000 --> 00:19:25,960
mister Clover? Can you imagine it? Howard getting himself a

322
00:19:25,960 --> 00:19:27,720
piece of marble and a police morg.

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00:19:27,680 --> 00:19:29,279
Speaker 3: When did you see him last?

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00:19:29,799 --> 00:19:31,920
Speaker 10: I got out of a warm bed yesterday morning and

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00:19:31,960 --> 00:19:34,799
a kind of the phone ringing was for Howard. He

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00:19:34,880 --> 00:19:37,680
pinched my cheeks, said goodbye, honey, I'm going out of town.

327
00:19:37,880 --> 00:19:40,480
Speaker 3: This happened often, is going out of town in his

328
00:19:40,680 --> 00:19:42,839
line salesman. And you didn't see him after that?

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00:19:43,480 --> 00:19:45,279
Speaker 10: Look, boyfriend, I was in the middle of a beauty

330
00:19:45,319 --> 00:19:49,279
exercise Bendover's for the figure. I was grabbing my ankle,

331
00:19:49,400 --> 00:19:51,720
so I looked back there he was going out of

332
00:19:51,720 --> 00:19:52,039
the house.

333
00:19:52,119 --> 00:19:54,319
Speaker 3: Doesn't it seemed strange to you that he didn't go

334
00:19:54,400 --> 00:19:55,599
out of town that he was fine.

335
00:19:55,640 --> 00:19:59,240
Speaker 10: Strange to me, he's dead, but I'm going to get

336
00:19:59,319 --> 00:19:59,839
used to it.

337
00:20:00,359 --> 00:20:02,440
Speaker 3: Who do you know had a reason for murdering him?

338
00:20:03,200 --> 00:20:03,599
Speaker 11: Murdered?

339
00:20:04,119 --> 00:20:05,200
Speaker 10: Thought you said he drowned?

340
00:20:05,960 --> 00:20:07,480
Speaker 3: Do you like to swim? Missus Coffin?

341
00:20:07,920 --> 00:20:09,880
Speaker 10: You see this sunburn? You think I got it standing

342
00:20:09,960 --> 00:20:10,799
under a hot iron?

343
00:20:11,480 --> 00:20:11,920
Speaker 3: Look at it?

344
00:20:12,039 --> 00:20:13,279
Speaker 10: See how you like it?

345
00:20:13,319 --> 00:20:15,880
Speaker 3: Did you get out of that swimming pool uptown Coney?

346
00:20:16,000 --> 00:20:17,400
Speaker 10: I know a part of Coney where they carry a

347
00:20:17,400 --> 00:20:19,440
pretty good crowd. That's where this burn came from.

348
00:20:19,480 --> 00:20:21,519
Speaker 3: There's a lifeguard at that pool. I go to.

349
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Speaker 10: Coney where they carry a million on a weekend. I

350
00:20:24,640 --> 00:20:26,920
don't confine me to public pools uptown.

351
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Speaker 3: Did you have anything to do with your husband's death,

352
00:20:29,599 --> 00:20:30,319
missus Crawford.

353
00:20:31,960 --> 00:20:34,480
Speaker 10: Now, I'm a girl who's going to tell you the truth. Boyfriend,

354
00:20:35,759 --> 00:20:38,440
every time I've thought of it, I've wished Howard dead

355
00:20:38,440 --> 00:20:41,319
every hour on the hour, and I wished him dead

356
00:20:41,319 --> 00:20:43,119
on a half hour too. But that's when the race

357
00:20:43,200 --> 00:20:48,519
results come over the radio. Howard things have come true.

358
00:20:48,599 --> 00:20:49,720
I've wished for him.

359
00:20:49,839 --> 00:20:52,759
Speaker 3: That's all. Missus Coffin. You can get out of here

360
00:20:52,799 --> 00:20:58,920
now and watch her reapply the lipstick and readjust her

361
00:20:58,960 --> 00:21:01,359
clothes and walk away from her dead to a summer

362
00:21:01,440 --> 00:21:04,039
rhythm that no longer held any part of him. A

363
00:21:04,079 --> 00:21:06,880
woman starting the new day fresh the memory she had

364
00:21:06,920 --> 00:21:10,240
submitted to, now happily dead on a marble slab and

365
00:21:10,319 --> 00:21:12,559
at the end of the corridor, the street, sunlight touching

366
00:21:12,559 --> 00:21:15,240
her face for an instant darting away, leaving only pallor

367
00:21:15,759 --> 00:21:27,359
and the smear of scarlet on her lips. Back in

368
00:21:27,400 --> 00:21:30,400
the office, order a shadow for missus Crawford, then a

369
00:21:30,400 --> 00:21:32,880
telephone report for Mugovan. He'd found a girl who was

370
00:21:32,920 --> 00:21:35,400
the girlfriend of Bobby Kent, a box office girl and

371
00:21:35,440 --> 00:21:37,279
an all day, all night movie on Easte hundred and

372
00:21:37,279 --> 00:21:40,119
twenty fifth. Lucilla Lang on duty for the rest of

373
00:21:40,160 --> 00:21:46,799
the day and night. Police ms Lang, take back your bed.

374
00:21:46,960 --> 00:21:47,839
Speaker 7: You don't buy enough.

375
00:21:48,240 --> 00:21:49,839
Speaker 3: You're a friend of Bobby Kent's.

376
00:21:50,319 --> 00:21:52,079
Speaker 7: Look you you want to lose me my job?

377
00:21:52,160 --> 00:21:53,680
Speaker 3: All we want, miss Lang, All you.

378
00:21:53,680 --> 00:21:57,000
Speaker 7: Want is to mark me lousy with the management. Sweaty

379
00:21:57,079 --> 00:21:59,920
cops snooping around where I live. I know my girlfriend.

380
00:22:00,960 --> 00:22:02,799
Tell me he had his nose in my affairs, asked

381
00:22:02,920 --> 00:22:05,759
questions she had to tell him I was cozy.

382
00:22:05,480 --> 00:22:07,359
Speaker 3: With Bobby All we want is something that will give

383
00:22:07,440 --> 00:22:08,279
us Bobby's killer.

384
00:22:08,519 --> 00:22:11,200
Speaker 7: Search me up and down, you won't find Bobby's killer.

385
00:22:10,960 --> 00:22:12,640
Speaker 3: And maybe someone who wanted him dead.

386
00:22:13,440 --> 00:22:15,359
Speaker 7: All the kid ever did was steal a buck here

387
00:22:15,400 --> 00:22:17,680
and there so we could make an impression on me

388
00:22:18,079 --> 00:22:21,440
and my girlfriend. Boy has to die for that.

389
00:22:22,079 --> 00:22:22,799
Speaker 3: He was a thief.

390
00:22:23,720 --> 00:22:27,279
Speaker 7: Ain't everybody, kiddo, one way or another, to sweep out

391
00:22:27,319 --> 00:22:29,680
the locker room in a public pool, to empty the

392
00:22:29,680 --> 00:22:32,359
footpast grub him out. You think that's the end of

393
00:22:32,359 --> 00:22:33,519
the rainbow for a kid.

394
00:22:33,559 --> 00:22:35,440
Speaker 3: Did you know about the clothes he stole from the

395
00:22:35,440 --> 00:22:37,400
pool to watch the ring money clip?

396
00:22:38,119 --> 00:22:38,400
Speaker 10: Sure?

397
00:22:38,440 --> 00:22:41,000
Speaker 7: I know he told me. I even know about the

398
00:22:41,079 --> 00:22:42,640
five hundred bucks that was in the suit.

399
00:22:42,799 --> 00:22:44,359
Speaker 3: Five hundred We were.

400
00:22:44,200 --> 00:22:47,839
Speaker 7: Going to take it and go off to far away places.

401
00:22:48,599 --> 00:22:52,799
Do you know something, kiddo? What Bobby's dead from hanging

402
00:22:53,400 --> 00:22:57,160
and I'm cooped up in a cage, so I ain't

403
00:22:57,160 --> 00:22:58,079
gonna make it, am I?

404
00:23:10,279 --> 00:23:10,799
Speaker 6: Danny?

405
00:23:11,160 --> 00:23:15,599
Speaker 3: Come on in muggling, What do you want an opinion about?

406
00:23:15,640 --> 00:23:18,200
Speaker 6: What about how soon we should pick up Russ Gavey

407
00:23:18,240 --> 00:23:20,119
for the murder of Crawford and that pool lieutendant.

408
00:23:20,160 --> 00:23:21,519
Speaker 3: If we pick him up, how long do you think

409
00:23:21,519 --> 00:23:22,759
we can hold him killer?

410
00:23:22,839 --> 00:23:23,160
Speaker 6: Danny?

411
00:23:23,319 --> 00:23:26,880
Speaker 3: Are you going to prove premeditated murder by artificial respiration? Now?

412
00:23:26,920 --> 00:23:29,440
Speaker 6: Maybe we shouldn't start from there, Danny, Maybe we should

413
00:23:29,440 --> 00:23:32,359
start from the attendant. Now, he killed Bobby Kent because

414
00:23:32,400 --> 00:23:35,079
Bobby stole the clothes, because Bobby would learn that the

415
00:23:35,160 --> 00:23:38,839
clothes belonged to Howard Crawford. Bobby was a sneak thief

416
00:23:39,359 --> 00:23:41,319
from there to blackmail him. One easy lesson.

417
00:23:41,400 --> 00:23:44,359
Speaker 3: So we get back to Howard Crawford. You know what

418
00:23:44,400 --> 00:23:46,319
we need, Michel, Yeah, motive.

419
00:23:46,359 --> 00:23:48,599
Speaker 9: We gotta find out why.

420
00:23:48,319 --> 00:23:48,880
Speaker 3: We got something.

421
00:23:48,960 --> 00:23:49,200
Speaker 6: You know.

422
00:23:49,839 --> 00:23:52,920
Speaker 8: Officer Rotchet just called from a gas station on Queen's Highway.

423
00:23:53,119 --> 00:23:56,119
Missus Crawford just arrest registered at the rich Lodge Motel

424
00:23:56,160 --> 00:23:57,519
about ten miles out of the city.

425
00:23:57,599 --> 00:24:00,920
Speaker 3: Thanks Gino muggling. Yeah, Danny, Shadow, you got on rus

426
00:24:00,960 --> 00:24:02,440
gave you get him off. I don't want to followed,

427
00:24:02,480 --> 00:24:04,880
all right? Were you going to find out why a

428
00:24:05,000 --> 00:24:35,799
widow wanders far from home? It's open? Why are you

429
00:24:35,799 --> 00:24:36,480
stop a drink?

430
00:24:36,519 --> 00:24:38,880
Speaker 10: I'll be right in. I had my hair down.

431
00:24:38,920 --> 00:24:39,559
Speaker 3: Where do you see?

432
00:24:40,240 --> 00:24:48,279
Speaker 10: What's the new clothes? You like him? You'll like him

433
00:24:48,319 --> 00:24:50,359
to love her? You like him.

434
00:24:50,559 --> 00:24:52,519
Speaker 3: That's your going away dress, Missus Crawford.

435
00:24:52,839 --> 00:24:54,119
Speaker 10: It could be for that too.

436
00:24:54,240 --> 00:24:56,400
Speaker 3: You've got a home in Manhattan, Missus Crawford. What are

437
00:24:56,440 --> 00:24:58,319
you doing here? Where is your home?

438
00:24:58,359 --> 00:25:00,000
Speaker 10: Boyfriend? And what are you doing here?

439
00:25:00,119 --> 00:25:01,160
Speaker 3: I wanted to talk to you.

440
00:25:01,920 --> 00:25:04,519
Speaker 10: Me and my sunburn made an impression. Huh? So you

441
00:25:04,599 --> 00:25:07,160
got a flunky to follow me? You could have done

442
00:25:07,160 --> 00:25:11,960
it yourself, No uproar would have happened. Well, here we are.

443
00:25:12,079 --> 00:25:14,160
Speaker 3: You still haven't answered my question? What are you doing here?

444
00:25:15,119 --> 00:25:18,319
Speaker 10: Girl likes to get away sometimes. You'd be surprised how

445
00:25:18,319 --> 00:25:21,079
many phone calls I've gotten since Howard drank all that water.

446
00:25:22,200 --> 00:25:26,759
Here's a dime, throw it in the radio. No, and

447
00:25:26,880 --> 00:25:33,240
I'll throw it a dime. That phone calls all day long.

448
00:25:35,079 --> 00:25:36,440
Now it's your.

449
00:25:36,359 --> 00:25:38,599
Speaker 3: Turn just to talk to kill some time?

450
00:25:40,559 --> 00:25:43,160
Speaker 10: Ah that Kenton?

451
00:25:44,680 --> 00:25:44,839
Speaker 6: Yeah?

452
00:25:44,880 --> 00:25:45,759
Speaker 10: Oh what'd you say? Love it?

453
00:25:45,960 --> 00:25:48,079
Speaker 3: Nothing? I didn't saying that. Look be a doll.

454
00:25:48,160 --> 00:25:48,960
Speaker 10: Will you go away?

455
00:25:49,039 --> 00:25:50,960
Speaker 3: Come back another day? I'll be here.

456
00:25:51,240 --> 00:25:55,519
Speaker 10: Let's pick a tuesday. Make a dad. Why don't you

457
00:25:55,559 --> 00:25:56,480
go right now.

458
00:25:56,359 --> 00:25:58,359
Speaker 3: Out the back way through a window. Let's get up.

459
00:26:00,079 --> 00:26:02,160
Speaker 10: Us got a little trouble, I.

460
00:26:02,119 --> 00:26:08,000
Speaker 3: Mean, Russ closed the door. I'll bet the lady told

461
00:26:08,039 --> 00:26:09,799
you to get out of here. Mister Clover. Uh huh.

462
00:26:10,359 --> 00:26:12,119
You two know each other pretty well, don't you.

463
00:26:12,559 --> 00:26:16,400
Speaker 10: Yeah, swimming pool romance. I saw him in those California

464
00:26:16,440 --> 00:26:18,480
feet flippers, and it twisted my heart.

465
00:26:19,519 --> 00:26:22,480
Speaker 3: You took planning on going away together. I only asked

466
00:26:22,519 --> 00:26:25,160
because the back of Russ's car is loaded a suitcases.

467
00:26:25,279 --> 00:26:28,400
We've got to get married in Maryland, is yes, there is.

468
00:26:28,920 --> 00:26:31,160
There's a whole section in the penal coat about murder.

469
00:26:31,440 --> 00:26:33,640
Back to that. I could have picked you up before, Russ,

470
00:26:33,640 --> 00:26:35,240
but I needed a motive. I had to find out

471
00:26:35,279 --> 00:26:39,319
why you murdered Howard Crawford. There she is? How did

472
00:26:39,319 --> 00:26:41,480
I kill him? By drowning him? You made sure the

473
00:26:41,559 --> 00:26:44,279
resuscitator squad wouldn't revive him. You crushed out whatever life

474
00:26:44,279 --> 00:26:46,680
there was in him. Listen to him made yeah, listen,

475
00:26:47,480 --> 00:26:49,720
you killed Bobby Kent. He was a petty thief. He

476
00:26:49,720 --> 00:26:52,160
took the clothes you had stolen from Crawford. Sooner or

477
00:26:52,200 --> 00:26:54,160
later he put two and two together, probably would have

478
00:26:54,240 --> 00:26:56,880
blackmailed you. You couldn't afford to let that happen. You

479
00:26:56,960 --> 00:26:57,559
ready eat it?

480
00:26:58,000 --> 00:27:02,759
Speaker 10: I'm ready only one thing, Russ. I'm a happy girl, Russ.

481
00:27:02,799 --> 00:27:06,000
I like to live happy. From just now on, you're

482
00:27:06,039 --> 00:27:08,519
going to be a brooden as long as lover here

483
00:27:08,519 --> 00:27:09,720
has got you. I don't want you.

484
00:27:10,119 --> 00:27:12,720
Speaker 3: Both of you. You're an accessory, Missus Crawford.

485
00:27:13,559 --> 00:27:16,200
Speaker 10: Oh that changes things right away, Russ.

486
00:27:16,519 --> 00:27:21,640
Speaker 3: Yeah, there'll be a fool ka your way, Russ. Be

487
00:27:21,720 --> 00:27:56,440
the same. You're ready to go back to town, Missus Crawford.

488
00:28:18,680 --> 00:28:21,039
It's the time on Broadway when the crowd gives up

489
00:28:21,200 --> 00:28:24,640
goes home. Then it's the street of the dim moonlight

490
00:28:24,680 --> 00:28:27,799
and the dark whispers, the wind of the night, the

491
00:28:27,880 --> 00:28:34,599
wind that scatters everything, yesterday's headlines, yesterday's dreams, yesterday's people.

492
00:28:35,759 --> 00:28:42,000
It's Broadway, the gaudiest, the most violent, the lonesomest mile

493
00:28:42,039 --> 00:28:46,079
in the world. Broadway my beat.

494
00:29:01,960 --> 00:29:05,480
Speaker 5: Remember friends for refreshment while you work for enjoyment. Anytime

495
00:29:05,599 --> 00:29:08,599
chew a stick of Wrigley's spearmint gum, there's lots of

496
00:29:08,680 --> 00:29:11,359
lively real mint flavor in it to cool your mouth,

497
00:29:11,480 --> 00:29:14,799
fresh and your taste and sweeten your breath. And chewing

498
00:29:14,880 --> 00:29:18,640
wrigley Spearmint helps keep you fresh and alert. You feel better,

499
00:29:18,799 --> 00:29:21,799
work better, get more fun out of doing things. So

500
00:29:21,960 --> 00:29:26,559
indoors outdoors at worker play, Always keep delicious Wriggly Spearmant

501
00:29:26,599 --> 00:29:29,559
chewing gum handy for refreshment while you work.

502
00:29:29,839 --> 00:29:30,559
Speaker 3: For enjoyment.

503
00:29:30,640 --> 00:29:43,599
Speaker 5: Anytime chew a stick of Wrigley's Spearmint Gum. The makers

504
00:29:43,599 --> 00:29:46,559
of Wriggley's Spearmint Chewing Gum hope you enjoyed tonight's story

505
00:29:46,920 --> 00:29:49,880
and that you're enjoying Wrigley Spearmint Gum every day.

506
00:29:50,400 --> 00:29:51,440
Speaker 3: We invite you to join.

507
00:29:51,359 --> 00:29:53,759
Speaker 5: Us next week at the same time when Detective Danny

508
00:29:53,759 --> 00:29:58,759
Clover returns again with Broadways My Beat. Broadway's My Beat,

509
00:29:58,799 --> 00:30:01,319
brought to you by Wriggley's Beer Miccum, is produced and

510
00:30:01,359 --> 00:30:04,680
directed by Elliot Lewis, with music composed and conducted by

511
00:30:04,680 --> 00:30:08,720
Alexander Courage. Program is written by Martin Fine and David Friedkin,

512
00:30:09,039 --> 00:30:12,960
and stars Larry Thorr as Detective Danny Plover, with Charles Calvert,

513
00:30:13,000 --> 00:30:16,440
ast Tartaglia and Jack Brush and his Muggeman. In tonight's cast,

514
00:30:16,519 --> 00:30:20,039
Mary Jane Croft was heard as Edith Crawford, hi Averbacus Russ,

515
00:30:20,079 --> 00:30:23,559
Gaby Stan Waxman is Mister Hanson, and Michael Ann Brett

516
00:30:23,640 --> 00:30:24,759
as Lucille Lang.

517
00:30:28,440 --> 00:30:29,680
Speaker 3: Bob Stevenson speaking.

518
00:30:29,920 --> 00:30:31,720
Speaker 5: This is the CBS Radio.

519
00:30:31,480 --> 00:30:50,960
Speaker 1: Network, Welcome back. There's a few points here. First of all,

520
00:30:51,359 --> 00:30:53,559
it's been a couple of years, but I think we

521
00:30:53,680 --> 00:30:58,279
played a Dangerous Simon episode that talked about this, but

522
00:30:58,359 --> 00:31:02,799
it's worth talking about again. The event that Bob Hope

523
00:31:02,960 --> 00:31:05,240
was referencing at the top of the episode was the

524
00:31:05,279 --> 00:31:10,480
Great Flood of nineteen fifty one. There was extraordinary rainfall

525
00:31:10,559 --> 00:31:13,960
on the Kansas River and many of its tributaries overflowed

526
00:31:14,000 --> 00:31:18,880
their banks. July thirteenth, nineteen fifty one, was labeled as

527
00:31:19,400 --> 00:31:24,920
Black Friday by the locals, with local flooding reaching a

528
00:31:25,000 --> 00:31:28,319
level that hadn't been seen since the Great Flood of

529
00:31:28,359 --> 00:31:32,039
eighteen forty four. There were more than twenty five thousand

530
00:31:32,039 --> 00:31:38,039
people displaced and homes, neighborhoods and businesses dealing with ruins

531
00:31:38,160 --> 00:31:42,680
and debrize. And so that's what motivated the appeal. And

532
00:31:42,799 --> 00:31:47,559
the damage extended not just to Kansas but also to Missouri,

533
00:31:47,640 --> 00:31:53,640
with damage of around a billion dollars in nineteen fifty

534
00:31:53,680 --> 00:31:58,319
one dollars obviously much higher today, and that was the

535
00:31:58,400 --> 00:32:02,279
reason for the appeal. Of course, it speaks to Bob

536
00:32:02,400 --> 00:32:09,079
Hope's role in national profile in the nineteen fifties. Now

537
00:32:09,119 --> 00:32:15,160
he is rightfully associated with his work with the USO,

538
00:32:16,160 --> 00:32:18,839
where he was such a key leader from World War

539
00:32:19,000 --> 00:32:22,799
Two to the Persian Gulf War. And I'm not laughing

540
00:32:23,279 --> 00:32:26,400
because of any disrespect from mister Hope's work. I'm just

541
00:32:26,519 --> 00:32:30,000
laughing because my note said OSS, which would be an

542
00:32:30,160 --> 00:32:33,680
entire alternate history. But I digress. Bob Hope did not

543
00:32:33,799 --> 00:32:36,559
work with the OSS, but he did work with the USO.

544
00:32:37,200 --> 00:32:40,400
But if you listen to his radio programs from the

545
00:32:40,519 --> 00:32:46,240
late nineteen forties through the fifties, it really does express

546
00:32:46,400 --> 00:32:51,119
a broader amount of charitable concerns. It seems like every

547
00:32:51,319 --> 00:32:55,519
second or third episode Hope was raising funds for a

548
00:32:55,559 --> 00:32:59,079
different cause or raising awareness of a different issue, whether

549
00:32:59,119 --> 00:33:04,000
it was some disaster relief or some international problem, or

550
00:33:04,200 --> 00:33:09,240
just the typical red feather campaign. He was utilized by

551
00:33:09,240 --> 00:33:13,400
a lot of humanitarian causes, which I think reflected broader

552
00:33:13,440 --> 00:33:18,039
concern It also reflected his popularity during that period as

553
00:33:18,119 --> 00:33:21,400
one of the biggest screen stars in addition to being

554
00:33:21,519 --> 00:33:27,599
one of radio's highest rated comedians. Now, I have to

555
00:33:27,640 --> 00:33:32,160
say that the episode itself has one of the most

556
00:33:32,279 --> 00:33:36,359
far fetched beginnings. First of all, Danny gets called into

557
00:33:36,440 --> 00:33:39,559
a drowning with the thought it's suspicious that the guy's

558
00:33:39,720 --> 00:33:43,559
locker was robbed. Now, keep in mind, Danny is a

559
00:33:43,640 --> 00:33:48,200
lieutenant of homicide and Mugvian is calling him based on

560
00:33:48,359 --> 00:33:50,920
that really should have kept the whole case to himself

561
00:33:50,960 --> 00:33:54,759
for a while. And then you have doctor Sinsky's conclusion

562
00:33:54,759 --> 00:34:03,079
of homicide. Let's be clear, good injuries result from resuscitation attempts, absolutely,

563
00:34:03,160 --> 00:34:07,400
particularly since the methods that were used in the forties

564
00:34:07,440 --> 00:34:12,159
and fifties tended to be a little more crude and rough.

565
00:34:12,559 --> 00:34:16,360
But the thing is that the injuries that doctor Sinsky

566
00:34:16,679 --> 00:34:23,480
described are absolutely normal for even proper resuscitation attempts, and

567
00:34:23,559 --> 00:34:28,800
drowning itself could cause internal lung bleeding and chests strain

568
00:34:29,159 --> 00:34:35,119
the delicate system of balances in the chest. Sounds really poetic,

569
00:34:35,400 --> 00:34:39,559
but that's just how modern medicine would have viewed things

570
00:34:39,599 --> 00:34:43,320
in the nineteen fifties, and certainly not to the extent

571
00:34:43,599 --> 00:34:47,519
of saying confidently that it was murder. Now, we also

572
00:34:47,639 --> 00:34:52,960
have this great, fantastic line. Every time I've thought about it,

573
00:34:53,039 --> 00:34:56,440
I wished Howard dead every hour on the hour, and

574
00:34:56,519 --> 00:35:00,559
I wished him dead on the half hour two, that's

575
00:35:00,599 --> 00:35:04,400
when the race results came over the radio. I mean,

576
00:35:04,639 --> 00:35:08,079
that line just cracks me up. That's probably the one

577
00:35:08,159 --> 00:35:12,960
line from Broadways My Bait which could have been something

578
00:35:13,000 --> 00:35:16,440
that was being reused from Pat Novak. Finally, on a

579
00:35:16,519 --> 00:35:20,079
really positive note, I love the final fight scene with

580
00:35:20,119 --> 00:35:24,880
the music. Now, if you watch TV shows in the

581
00:35:24,960 --> 00:35:29,480
late fifties and early sixties, they often have these terrific

582
00:35:29,719 --> 00:35:35,599
fight scenes with this jazzy music playing, oftentimes with the

583
00:35:35,719 --> 00:35:39,760
music edited in, though occasionally it'll be something live or

584
00:35:39,800 --> 00:35:43,440
a record. It's rarely tried over radio, and I think

585
00:35:43,519 --> 00:35:47,599
part of the reason for that is that it risked

586
00:35:47,760 --> 00:35:51,320
distracting from the audio of the fight that you're trying

587
00:35:51,360 --> 00:35:53,800
to present. But I think they did a really good

588
00:35:53,960 --> 00:35:57,159
job mixing it so that it actually complimented the fight

589
00:35:57,239 --> 00:36:01,000
scene so nastily. Down on that, all right, listener comments

590
00:36:01,000 --> 00:36:04,360
and feedback now, and we have some comments regarding the

591
00:36:04,480 --> 00:36:10,079
Broadways My Beat episode Buddy Malpaw and the Jeweled Scimitar.

592
00:36:11,000 --> 00:36:15,880
Betsy riots really great episode, very funny and sweet, and

593
00:36:16,039 --> 00:36:19,480
Elizabeth says thank you from Mexico. Well, thank you so much.

594
00:36:19,559 --> 00:36:22,519
Appreciate you taking the time to leave those comments. Now

595
00:36:22,639 --> 00:36:26,039
it's time to thank our Patreon supporter of the day.

596
00:36:26,199 --> 00:36:29,840
Thank you to Margie, Patreon supporter since June twenty sixteen,

597
00:36:29,960 --> 00:36:33,599
currently supporting the podcast at the Detective Sergeant level of

598
00:36:33,639 --> 00:36:36,280
seven dollars and fourteen cents or more per month. Thanks

599
00:36:36,280 --> 00:36:38,880
so much for your support, and that will do it

600
00:36:38,960 --> 00:36:42,679
for today. We will be back next Wednesday with another

601
00:36:42,719 --> 00:36:46,199
episode of Broadways My Beat, but join us back here

602
00:36:46,239 --> 00:36:49,800
tomorrow for drag Net where I don't know.

603
00:36:49,960 --> 00:36:51,880
Speaker 12: He didn't seem to have any friends, see, and his

604
00:36:51,920 --> 00:36:53,679
wife had only been in the city a year before

605
00:36:53,719 --> 00:36:54,119
she died.

606
00:36:54,119 --> 00:36:56,239
Speaker 11: He was retired, you know, Yes, man, we talked to

607
00:36:56,280 --> 00:36:57,840
some of the neighbors out there. They couldn't tell us

608
00:36:57,880 --> 00:36:58,360
much money.

609
00:36:58,840 --> 00:37:00,880
Speaker 12: Maybe some of the people he did business with might

610
00:37:00,960 --> 00:37:03,400
know something. If you tried the neighborhood bank out there.

611
00:37:03,519 --> 00:37:05,320
I know that's where mister Dillan had his account.

612
00:37:05,440 --> 00:37:06,480
Speaker 11: No, man, we haven't yet.

613
00:37:06,599 --> 00:37:08,599
Speaker 12: Well, I can give you the bank's address. It's about

614
00:37:08,599 --> 00:37:09,039
all though.

615
00:37:09,239 --> 00:37:10,519
Speaker 11: That's the only contact, you.

616
00:37:10,480 --> 00:37:13,239
Speaker 12: Know, I'm afraid so, yes, I didn't know much about

617
00:37:13,239 --> 00:37:16,159
mister Dillan's private affairs. Whenever I talked to him, it

618
00:37:16,199 --> 00:37:17,800
seemed the only thing he had on his mind was

619
00:37:17,800 --> 00:37:20,840
his wife's death. It couldn't seem to get over it.

620
00:37:20,840 --> 00:37:22,400
It seemed like he didn't want to get over it.

621
00:37:22,840 --> 00:37:25,039
Speaker 11: You mentioned that when you leased his home, mister Dylan

622
00:37:25,119 --> 00:37:25,840
took an apartment.

623
00:37:25,840 --> 00:37:27,559
Speaker 2: Do you happen to have that address with Spanner?

624
00:37:27,840 --> 00:37:29,679
Speaker 12: Well, I don't have it with me now, but I

625
00:37:29,719 --> 00:37:31,360
have it at home. Mightn't call in and give it

626
00:37:31,360 --> 00:37:31,519
to you.

627
00:37:31,519 --> 00:37:33,880
Speaker 11: If you like? If you wouldn't, please, certainly? Oh, thank

628
00:37:33,880 --> 00:37:35,960
you very much, miss Banner. You have our card. When

629
00:37:36,000 --> 00:37:38,119
you hear anything at all from mister Dillan, we'd appreciates

630
00:37:38,159 --> 00:37:38,679
if you'd call.

631
00:37:38,719 --> 00:37:41,159
Speaker 12: And surely I'll call you right away. Do you think

632
00:37:41,159 --> 00:37:43,239
something could have happened to him? Well, as possible, we

633
00:37:43,280 --> 00:37:43,639
don't know.

634
00:37:43,719 --> 00:37:45,280
Speaker 3: All we have is a letter from his sister.

635
00:37:45,519 --> 00:37:49,159
Speaker 12: That seem kind of strange, doesn't it. It wasn't feeling too well.

636
00:37:49,320 --> 00:37:51,679
I wondered why he hadn't contacted me about sending the

637
00:37:51,719 --> 00:37:54,280
rent money to him. He was such a nice man,

638
00:37:54,320 --> 00:37:56,480
mister Dylan. I certainly hope nothing's happened to him.

639
00:37:56,519 --> 00:37:59,400
Speaker 11: Well, you say it was very depressed about his wife's death, ma'am,

640
00:37:59,679 --> 00:38:01,159
Would you say that it was getting to be a

641
00:38:01,199 --> 00:38:02,280
little abnormal with him.

642
00:38:02,800 --> 00:38:05,679
Speaker 12: Well, I wouldn't know about that, sergeant, but I didn't know.

643
00:38:05,719 --> 00:38:07,440
He brooded about it all the time, he thought that

644
00:38:07,480 --> 00:38:10,360
he'd lost everything, didn't seem to want to go on.

645
00:38:10,599 --> 00:38:11,000
Speaker 3: Uh huh.

646
00:38:11,199 --> 00:38:13,280
Speaker 11: He ever give an indication that maybe he might take

647
00:38:13,320 --> 00:38:15,760
his own life. I mean, all this rooting of his wife.

648
00:38:15,960 --> 00:38:21,039
Speaker 12: Well, no, nothing definite, just depressed and moody all the time. Oh,

649
00:38:21,119 --> 00:38:22,800
now that I remember the last time I saw him,

650
00:38:22,800 --> 00:38:25,519
he did say something kind of funny that. It was

651
00:38:25,519 --> 00:38:27,639
the day before he left. We were talking about the

652
00:38:27,679 --> 00:38:29,320
rent money and I asked him if I couldn't send

653
00:38:29,320 --> 00:38:31,280
it to him. He got kind of a strange look

654
00:38:31,320 --> 00:38:33,719
on his face. Yeah, he said, where I'm going, I

655
00:38:33,760 --> 00:38:34,599
won't need the money.

656
00:38:34,840 --> 00:38:37,000
Speaker 1: I hope you'll be with us then. In the meantime,

657
00:38:37,280 --> 00:38:41,800
send your comments to Box thirteen at Great Detectives dot net,

658
00:38:42,440 --> 00:38:45,840
follow us on Twitter at Radio Detectives, and check us

659
00:38:45,880 --> 00:38:52,079
out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho.

660
00:38:52,320 --> 00:38:54,960
This is your host, Adam Graham signing off.

