WEBVTT

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<v Speaker 1>Man, old man, that's sharp and clear. That's the absolute

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<v Speaker 1>finest television set I ever did see.

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<v Speaker 2>Well, now, wait a minute, how you know that that

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<v Speaker 2>you find television? Said Andy, You ain't even got the

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<v Speaker 2>thing turned on.

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<v Speaker 3>Don't need to turn this set on. The North SAMs

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<v Speaker 3>just got the nameplate.

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<v Speaker 2>DBS. Oh CBS. Yeah, that makes the greatest sight unseen.

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<v Speaker 4>Oh CBS, Columbia, makers of America's most advanced radio and

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<v Speaker 4>television receivers. Present transcribed to Amos and Andy Show, written

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<v Speaker 4>by Joe Connolly and Bob Moser, featuring Amanda Randolph, Ernestine Wade,

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<v Speaker 4>Johnny Lee, Amos, Rees, Gus Bays, lud Gluskin's music Yours Truly,

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<v Speaker 4>Harlow Wilcock, and starring radios all time favorites Gosden and

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<v Speaker 4>Charles Barrell Amos Hardy.

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<v Speaker 2>The Kingfish and.

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<v Speaker 4>His wife Sapphire and her mother planned on spending a

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<v Speaker 4>month's vacation in Mama's cottage up in the country. The

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<v Speaker 4>Kingfish has just been up to look the place over

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<v Speaker 4>after the winter and has just returned with bad news.

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<v Speaker 5>What dish you say, George, They had a flood of

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<v Speaker 5>where a cabin is flood?

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<v Speaker 2>I'll say there was. When I got there, the coase

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<v Speaker 2>guard was draining out the cabin. They had a bills

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<v Speaker 2>pumped down the chimney.

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<v Speaker 5>Lastly, little charttage in the country.

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<v Speaker 6>Years ago, I spent my honeymoon up there.

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<v Speaker 2>Well, unless you was a romantic barracouter inexactly the idea

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<v Speaker 2>honeymoon spot. No more, I George, stopped this fooling.

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<v Speaker 5>Is there any danceness in the house.

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<v Speaker 2>Well, there was a little in the living room, a

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<v Speaker 2>level how much about ten feet?

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<v Speaker 5>But the water done receded well as the floors dried out.

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<v Speaker 2>Now that's hard to tell the honey you see when

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<v Speaker 2>the flood receded, Uh, it receded the floor with it,

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<v Speaker 2>that's what happened.

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<v Speaker 5>Well, we ain't got the money to fix it up.

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<v Speaker 5>I guess we'll just have to give up any thought

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<v Speaker 5>of a vacation right now.

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<v Speaker 2>You know, maybe we could rent it out to somebody.

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<v Speaker 2>Oh Doo'm be silly. Only a boob would want a

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<v Speaker 2>place like that.

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<v Speaker 6>Then you shouldn't have no trouble taste one to no one.

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<v Speaker 5>I was right, George. You know the thing we ought

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<v Speaker 5>to do is put.

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<v Speaker 3>An avermon to take her.

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<v Speaker 5>Come on, Mama, we'll go in and call him up.

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<v Speaker 2>Trying to runt that flooded cottage. This ain't gonna be easy.

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<v Speaker 2>It would take a fish to live up there. A fish.

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<v Speaker 2>They wait a mina. I think I know. It's just

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<v Speaker 2>the big fat, pooped out porpoise to occupy that aquarium too.

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<v Speaker 2>Just keep walking and there. The cottage is just over

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<v Speaker 2>this next nole down in the little valley. Lovely location,

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<v Speaker 2>and they're situated right between disappointment nose and gutted glen

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<v Speaker 2>the beautiful.

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<v Speaker 3>About the well lessened Kingfish.

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<v Speaker 1>I don't know why I should be taking the vacation

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<v Speaker 1>this time of the year.

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<v Speaker 2>Oh look, andre, I worried about you. You spend the

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<v Speaker 2>whole winter down here in the city breathing this up

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<v Speaker 2>knocks you there? Well, you mean the air up here

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<v Speaker 2>is better or serven of theres and in the city

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<v Speaker 2>of the air is one part hydrogen and two parts carbon. Proxie.

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<v Speaker 2>There's only one way that you can get pure ad

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<v Speaker 2>and this and there. And I don't think you want

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<v Speaker 2>to spend your vacation and no oxygen tent.

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<v Speaker 3>Do you. Well?

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<v Speaker 1>Maybe he was right, Kingfish, but uh tell me something

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<v Speaker 1>is the water in the lake down.

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<v Speaker 2>There been rising lately riding the wood? Make you say that?

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<v Speaker 1>Well that show looks to me like there was a

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<v Speaker 1>flood up here.

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<v Speaker 2>Hell the hell he is and right here here we is.

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<v Speaker 2>Well look at there there is your dream cottage.

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<v Speaker 1>Yeah, I want to uh wait a minute, King Ridge.

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<v Speaker 1>If the water don't rise around here, how come the

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<v Speaker 1>houses up in the air on six foot pylons ventilation?

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<v Speaker 2>And there under the horse there they got what you

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<v Speaker 2>call a breezeway. Now come on and let's climb the

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<v Speaker 2>steps here and take a look at your beautiful mansion. Boy. Yeah,

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<v Speaker 2>well okay, now follow me across the porch and then

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<v Speaker 2>watch the loose boards. Then uh here and there I

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<v Speaker 2>tell you when you move in, uh uh say and

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<v Speaker 2>uh uh that's funny. He was here a minute ago

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<v Speaker 2>and they and the whereas you.

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<v Speaker 1>I was down here in the breezewaite, King Fidg, just

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<v Speaker 1>ain't no.

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<v Speaker 2>Time to play games. Come on out of there. Yeah,

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<v Speaker 2>give me your hand here, let's stand on that rock

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<v Speaker 2>down there. Come on, come on, let's up rant.

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<v Speaker 1>All right there you yeah, holy macro king Fidge, I

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<v Speaker 1>went right through the porch.

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<v Speaker 2>Well, like any players, the boys need a little tightening up,

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<v Speaker 2>you know, the more or less go in the door here, door,

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<v Speaker 2>and these a little tightening too.

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<v Speaker 7>It.

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<v Speaker 2>Uh, let's step over the thing down. Uh, let's leave

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<v Speaker 2>it down the floor now here we all uh look

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<v Speaker 2>the living room over there and there see there, and

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<v Speaker 2>nice new floors are put in your.

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<v Speaker 1>Well, listen, king fish, this is all just one big room.

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<v Speaker 1>How you get fire rooms out of this place?

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<v Speaker 2>Well, like all summer players, and you just draw the curtain.

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<v Speaker 2>Now you see you doorge the curtain like this, and

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<v Speaker 2>there you was. On this side of the curtain you

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<v Speaker 2>got a bedroom, and on the other side you got

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<v Speaker 2>a nice eight by four living rooms.

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<v Speaker 1>That don't give me much of a living room. Suppose

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<v Speaker 1>I want to have a big house woman party. I

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<v Speaker 1>got about thirty or forty friends I'd like to have up.

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<v Speaker 1>How's I going to entertain them all in that little

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<v Speaker 1>bitty living room?

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<v Speaker 2>Well, you can stagger the guests. Do you like to

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<v Speaker 2>do at the airport? Have him circle around outside? Tell

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<v Speaker 2>you was ready for him to come in and make

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<v Speaker 2>a landing at the punch bowl?

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<v Speaker 1>Yeah, well all right, tell me something. What is this

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<v Speaker 1>curtain here?

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<v Speaker 2>Well, if you're having a dinner party and you just

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<v Speaker 2>pulled this across like this, you see, and there's your

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<v Speaker 2>dining room.

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<v Speaker 1>But I don't know about this place, Kingfish, with the

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<v Speaker 1>curtains and everything.

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<v Speaker 2>Now look, and I admit the thing. He's a little

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<v Speaker 2>fixing up. But you can have the place for the

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<v Speaker 2>whole summer for just two hundred bucks. What do you say, boy, Well,

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<v Speaker 2>I ain't bad. Oh, great bargain there.

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<v Speaker 3>Okay, it's a deal, Kingfish. I'll take it.

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<v Speaker 2>Fine, And now let's go back to the city and

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<v Speaker 2>we'll sign the ironbound contract. There. You go ahead, and

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<v Speaker 2>then we'll follow you on the posh all right behind you.

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<v Speaker 3>Yeah, okay, let's go. Thanks, Kingfish.

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<v Speaker 1>I was gonna uh uh I uh, well, that's funny.

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<v Speaker 3>I thought the Kingfisher was following me. Hey, Cakefish, Cakefish,

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<v Speaker 3>where is she down here?

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<v Speaker 2>And just stop down to inspect the breeze wave me

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<v Speaker 2>you hear to break. I'm just glad I got that

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<v Speaker 2>cottage running down to. Let me get in the department

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<v Speaker 2>here and tell South far So home got some good news.

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<v Speaker 5>Well, well, I got wonderful news for you today, George.

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<v Speaker 5>We got an answer to I add and I rented

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<v Speaker 5>the cottage today to a mister Walter Jackson for one

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<v Speaker 5>hundred dollars. He's moving in that at night.

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<v Speaker 2>Uh honey, wait a minute, this is the other a mess.

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<v Speaker 2>I done rented the cottage to end it, and he

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<v Speaker 2>moving in there late tonight. Oh you ain't, George. Oh

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<v Speaker 2>this awful.

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<v Speaker 5>Mister Jackson is a very nervous man. He said as

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<v Speaker 5>soon as he got there, he was gonna go right

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<v Speaker 5>to bed. Oh I wonder what will happen.

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<v Speaker 2>Well, I don't know, but I got idea. There's gonna

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<v Speaker 2>be more screaming and young enough, dad than the time

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<v Speaker 2>that Grandma was flapping the hogs and fell into the

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<v Speaker 2>pig waller. Hello there, this is Freeman Gosden. Tonight's Amos

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<v Speaker 2>and Andy Show is a little special because it marks the

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<v Speaker 2>start of our second six months of sponsorship by CBS Columbia.

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<v Speaker 2>And this is a good time to tell you about

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<v Speaker 2>something my partner, Charles Carell, and I have talked about

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<v Speaker 2>a number of times, and it is this. It's really

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<v Speaker 2>a pleasure to be selling a top notch product like

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<v Speaker 2>CBS Television sets. The CBS Columbia p people build a

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<v Speaker 2>truly fine television receiver and we just come right out

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<v Speaker 2>and tell you so without any ifs, hands or butts.

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<v Speaker 2>It makes us feel good to know that when you

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<v Speaker 2>go down to your dealers and see the fine picture

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<v Speaker 2>on a CBS set, when you hear the three hundred

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<v Speaker 2>and sixty full fidelity sound, and when you try CBS

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<v Speaker 2>sweep tuning, you'll discover what we have said about CBS

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<v Speaker 2>television sets is not exaggerated at all. These CBS sets

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<v Speaker 2>are exceptional sets, and each one represents solid value. Of course,

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<v Speaker 2>there's a mighty good reason for it. CBS Columbia is

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<v Speaker 2>the set manufacturing division of the Columbia Broadcasting System. The

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<v Speaker 2>greatest name in home entertainment.

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<v Speaker 1>Show is Darkened. Well, I got my night shirt on

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<v Speaker 1>here in the washing area.

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<v Speaker 2>Too bad.

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<v Speaker 1>I fell down that breezeway and busted my kerosene lamp. Yeah,

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<v Speaker 1>let me feel my way across the living room here. Hm,

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<v Speaker 1>kingfish must have pulled all the curtains my heayways he

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<v Speaker 1>here's the bed. Yeah, let me sit down on the

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<v Speaker 1>edge of it.

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<v Speaker 3>Oh me as I tired?

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<v Speaker 1>Yeah, I as really exhausted.

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<v Speaker 3>How do you like that? I really must be tired.

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<v Speaker 3>I ain't asleep, but I have snoring already. Uh, well,

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<v Speaker 3>let me lay it down, pulled the covers up around me.

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<v Speaker 7>Here.

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<v Speaker 1>Oh oh, this is one of them short beds. My

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<v Speaker 1>feet's is sticking out of the bottom.

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<v Speaker 3>Yeah there is.

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<v Speaker 1>There's my foot with the corn plaster on it.

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<v Speaker 7>There's my foot with the busted toe.

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<v Speaker 1>And there's my foot with the sock on it.

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<v Speaker 3>The holy smoke. I must be tired, and I thought

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<v Speaker 3>I was. From here. It looks like I got three feets.

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<v Speaker 7>I wonder what I'm.

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<v Speaker 1>Yea, and I'm storing again, and I ain't asleep. Wait

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<v Speaker 1>a minute, there seems to be something here on the

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<v Speaker 1>next pillar. Oh oh, there's something wrong here, cause I

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<v Speaker 1>know I ain't got two heads. Oh me, I must

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<v Speaker 1>be so tired. I haven't hallucinations. And I'm gonna make

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<v Speaker 1>the final test. I'm gonna reach down here and pinch

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<v Speaker 1>my foot with the sock on it.

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<v Speaker 3>There, Oh holy.

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<v Speaker 2>I pinched my foot on the other head set out.

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<v Speaker 2>I'm getting out of here. Wait a minute, who's here

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<v Speaker 2>in this? Ain't nobody here, mister us all alone? Wait

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<v Speaker 2>a minute, stop, stop out of my way, Help let

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<v Speaker 2>me out of here.

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<v Speaker 7>Help help, yah amos.

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<v Speaker 1>And that's the whole story.

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<v Speaker 2>Yeah, that's a terrible thing. And they find another man

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<v Speaker 2>in your bed.

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<v Speaker 3>Oh yeah, it was a mess, Amos.

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<v Speaker 1>He run out the back way and I run out

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<v Speaker 1>the front way.

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<v Speaker 2>Yeah, well, how did you get that bunk on your head? Then?

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<v Speaker 1>Oh well that on the way out, I slipped on

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<v Speaker 1>a dead fish and landed in the breezeway.

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<v Speaker 2>Again, you say that you ain't got no idea who

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00:12:39.240 --> 00:12:40.639
<v Speaker 2>this man was you founding dead?

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<v Speaker 1>No, when the Kingfish running me the place, he didn't

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<v Speaker 1>say nothing about no other man.

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<v Speaker 2>I'm beginning to see here. You rented the pleaers from

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<v Speaker 2>the king feesh. Huh. Yeah, did you ever stop to

225
00:12:51.039 --> 00:12:53.559
<v Speaker 2>think that the Kingfish might have rented this pleas to

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<v Speaker 2>one other fellow?

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<v Speaker 1>Well, now, why would the Kingfish want to do that?

228
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<v Speaker 1>After all, in the past, ways, all way, he's been buddies.

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<v Speaker 1>I mean, he never tried to jyp me. I mean

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<v Speaker 1>he ain't never tried to pull notes.

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<v Speaker 3>Uh, I mean, uh, holy Macrolamos, he's done it again.

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<v Speaker 2>You know, if I was you out, get hold of

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<v Speaker 2>that king fiece right away and straighten this nonsense out.

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<v Speaker 1>Then yeah, I'm gonna call him up right away. Say,

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<v Speaker 1>by the way, Amos, could any of your kids use

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<v Speaker 1>a turtle. I found this in the pocket of my

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<v Speaker 1>ninety when I got out of the breezeway.

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<v Speaker 2>Now taking these and there ain't no Cenison hollering me

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<v Speaker 2>on the telephone. Yeah, well the whole thing was a mistake. No,

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<v Speaker 2>you can't have your money back. I worked the thing.

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<v Speaker 2>I'll just give me time, man, I knew. Alright, alright,

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<v Speaker 2>I'll call you back later. Goodbye. Oh me, what a mess.

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<v Speaker 2>I went to players to end the sapphire to mister Jackson,

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<v Speaker 2>one of them has gotta go. Uh well, if it

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<v Speaker 2>ain't now donquin jack Calhoun, Now how the king fish

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<v Speaker 2>come on in here? What brings you over here? Donquin? No?

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<v Speaker 6>I was over making a political speech in the park.

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<v Speaker 2>Making a political speech. Oh, making a speech, un, I'll say.

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<v Speaker 6>I climbed up on my soapbox and made the greatest

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<v Speaker 6>speech in my career. I stood on that soap boxing.

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<v Speaker 6>I said, ladies and gentlemen, a it's the plean governments.

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<v Speaker 6>We must wash our hands of vice and corruption. The

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<v Speaker 6>time has come to scrubb away the stigma of briberies,

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<v Speaker 6>to base our selves and democracy.

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<v Speaker 2>Heath Feedle. Yeah, well did you get many votes? No?

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<v Speaker 2>But I show sold a out of soap. Well, I

257
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<v Speaker 2>got a different problem. Uh gonkhy Look here, I runned

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<v Speaker 2>a vacation cottage up in the Catskill Mountains and and

259
00:15:04.919 --> 00:15:07.639
<v Speaker 2>my wife done run it into a mister Jackson. And

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<v Speaker 2>last night they both discovered each other up there in

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<v Speaker 2>the place at the same time.

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<v Speaker 6>Oh that's a nasty business, Kingfish, a nastted business. Somebody

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<v Speaker 6>got to go.

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<v Speaker 2>Well, now, I'll tell her what I want to do.

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<v Speaker 2>I want key Band up there because he paying me

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<v Speaker 2>two hundred dollars. Yeah, he's a two hundred dollars man.

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<v Speaker 2>But I want to unrun it from Jackson. Of course,

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00:15:30.159 --> 00:15:32.240
<v Speaker 2>he only paying me a hundred dollars. She died there

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<v Speaker 2>that he's been in halfway.

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<v Speaker 6>Well, the thing to do is, it's the scaredest fellow

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<v Speaker 6>Jackson out of there.

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<v Speaker 2>Yeah.

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<v Speaker 6>You know, that's pretty wild country up there, and the

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<v Speaker 6>cat's skills, and you could make him think it's too

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<v Speaker 6>dangerous to live up there. Tell him that there's some

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<v Speaker 6>wild animals or something in the woods.

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<v Speaker 2>Oh there's a great idea, Calhoun. Yeah yeah, tell him

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00:15:55.679 --> 00:15:58.200
<v Speaker 2>the animals. Yeah. I'll tell Andy the truth about this

279
00:15:58.559 --> 00:15:59.960
<v Speaker 2>and get him to go up there and help me

280
00:16:00.039 --> 00:16:03.240
<v Speaker 2>scared of fellow Jackson. O, yes, well, when it comes

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<v Speaker 2>to your vacasion, I hope you don't have no trouble

282
00:16:05.360 --> 00:16:08.080
<v Speaker 2>like this. Cow Oh, I ain't gonna have no trouble.

283
00:16:08.399 --> 00:16:09.080
<v Speaker 2>I've done the.

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<v Speaker 6>Same things ever. Summer whatever Sunday goes out to Cony

285
00:16:12.799 --> 00:16:15.120
<v Speaker 6>Island and rides the biggest roller coat today.

286
00:16:15.200 --> 00:16:18.039
<v Speaker 2>T Yeah, well, don't you get scared on that roller course?

287
00:16:18.080 --> 00:16:19.559
<v Speaker 2>The cattle scared.

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<v Speaker 6>Kingfish when it goes down that first stip. I freeze

289
00:16:24.759 --> 00:16:29.159
<v Speaker 6>out now, But at time it hits the bottom, I'm blubbering,

290
00:16:29.279 --> 00:16:29.919
<v Speaker 6>not a baby.

291
00:16:31.399 --> 00:16:32.159
<v Speaker 2>The riders over.

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<v Speaker 6>It takes two men's to get me out the car. Oh, kingfish,

293
00:16:36.039 --> 00:16:39.399
<v Speaker 6>I has a whippering, blubbering mess. I have to spend

294
00:16:39.440 --> 00:16:42.200
<v Speaker 6>three days in bad before I was well enough to

295
00:16:42.440 --> 00:16:44.840
<v Speaker 6>go back, and then ride that thing again on the

296
00:16:44.879 --> 00:16:45.960
<v Speaker 6>next Sunday.

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<v Speaker 2>Hold that s most cold. If the roller course to

298
00:16:50.080 --> 00:16:51.960
<v Speaker 2>make you that sick, why do you keep going on it?

299
00:16:52.000 --> 00:16:53.200
<v Speaker 2>And I've got a free path.

300
00:16:53.440 --> 00:17:08.000
<v Speaker 4>All the crowning glory of any TV set is its

301
00:17:08.039 --> 00:17:10.720
<v Speaker 4>sound system. No matter how good a picture you get,

302
00:17:10.759 --> 00:17:13.480
<v Speaker 4>you can enjoy a show thoroughly unless the sound is

303
00:17:13.519 --> 00:17:17.440
<v Speaker 4>sparkling clear in the field of television sounds. CBS sets

304
00:17:17.519 --> 00:17:20.480
<v Speaker 4>stand alone with their famous three hundred and sixty full

305
00:17:20.519 --> 00:17:24.559
<v Speaker 4>fidelity sound system, the very same system that has received

306
00:17:24.599 --> 00:17:28.799
<v Speaker 4>worldwide acclaim in high five phonographs. As you probably know,

307
00:17:29.039 --> 00:17:32.519
<v Speaker 4>three hundred and sixty sound uses two speakers, but let

308
00:17:32.599 --> 00:17:34.880
<v Speaker 4>me point out that the number of speakers is by

309
00:17:34.920 --> 00:17:37.960
<v Speaker 4>no means the whole story. In the CBS three hundred

310
00:17:37.960 --> 00:17:41.599
<v Speaker 4>and sixty system, these two speakers are especially matched and

311
00:17:41.680 --> 00:17:46.279
<v Speaker 4>specially designed with deep cones and heavy voice coil magnets.

312
00:17:46.759 --> 00:17:50.359
<v Speaker 4>They are powered by a specially designed amplifier that handles

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00:17:50.359 --> 00:17:54.359
<v Speaker 4>a wide range of sound without distortion. These speakers face

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00:17:54.400 --> 00:17:57.319
<v Speaker 4>in opposite directions, so that sound reaches you from all

315
00:17:57.359 --> 00:18:01.599
<v Speaker 4>around the whole room plays. There's something else that's mighty important.

316
00:18:01.880 --> 00:18:04.839
<v Speaker 4>Not only does the three hundred and sixties system sound

317
00:18:04.880 --> 00:18:07.640
<v Speaker 4>better than anything else you've ever heard in television, but

318
00:18:07.759 --> 00:18:10.720
<v Speaker 4>you'll be conscious of an improvement in picture quality too.

319
00:18:11.559 --> 00:18:12.599
<v Speaker 2>And that's not just a.

320
00:18:12.480 --> 00:18:15.880
<v Speaker 4>Claim, it's a fact proved in a recent psychological test.

321
00:18:16.640 --> 00:18:19.200
<v Speaker 4>For a new experience in TV, go on down to

322
00:18:19.240 --> 00:18:23.039
<v Speaker 4>your dealers and see and hear a CBS television set.

323
00:18:23.319 --> 00:18:25.759
<v Speaker 4>Twenty one inch models start at one hundred and forty

324
00:18:25.839 --> 00:18:26.839
<v Speaker 4>nine to ninety five.

325
00:18:36.720 --> 00:18:39.079
<v Speaker 5>Well, mister Jackson, it was nice of you to phone me,

326
00:18:39.400 --> 00:18:42.279
<v Speaker 5>and I'm awfully sorry to hear you had all this trouble.

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00:18:42.559 --> 00:18:45.799
<v Speaker 8>Yes, Missus Stevens, I'm phoning you from the hardware store

328
00:18:45.839 --> 00:18:47.319
<v Speaker 8>in the village near the cottage.

329
00:18:47.640 --> 00:18:48.759
<v Speaker 2>After what happened.

330
00:18:48.519 --> 00:18:51.200
<v Speaker 8>Last night, I came down here to the hardware store

331
00:18:51.480 --> 00:18:53.079
<v Speaker 8>and bought myself a con.

332
00:18:53.839 --> 00:18:57.359
<v Speaker 5>Well, I'm sure when my husband gets there tonight he'll

333
00:18:57.400 --> 00:18:58.799
<v Speaker 5>fighting the whole thing out.

334
00:19:11.599 --> 00:19:14.880
<v Speaker 3>Show is dark up here at Thissdell the night and kings.

335
00:19:15.160 --> 00:19:18.559
<v Speaker 2>Well now and there here's the cottage. Now listen to this.

336
00:19:19.319 --> 00:19:21.440
<v Speaker 2>I going in and talked to missus Jackson, like I

337
00:19:21.440 --> 00:19:23.839
<v Speaker 2>told you I was gonna do. Now, you know what

338
00:19:23.920 --> 00:19:26.000
<v Speaker 2>you're gonna do to help me scare them away? Yeah?

339
00:19:26.240 --> 00:19:28.480
<v Speaker 1>Sure, I'm gonna hide in the bushes and pull this

340
00:19:28.640 --> 00:19:31.039
<v Speaker 1>string with the rozin on her through this big tin

341
00:19:31.200 --> 00:19:31.880
<v Speaker 1>can like this.

342
00:19:34.599 --> 00:19:37.480
<v Speaker 2>Yeah, good and the good Now that really sound like

343
00:19:37.519 --> 00:19:38.279
<v Speaker 2>a mountain lion?

344
00:19:38.319 --> 00:19:39.279
<v Speaker 3>Alrighty yeah?

345
00:19:39.440 --> 00:19:42.519
<v Speaker 2>Or that really order skin? Now, get over in the

346
00:19:42.519 --> 00:19:45.640
<v Speaker 2>bushes there. And when I gets in the cottage, and

347
00:19:45.759 --> 00:19:48.480
<v Speaker 2>I was there for about two three minutes, you make

348
00:19:48.519 --> 00:19:49.759
<v Speaker 2>a noise like a mountain lion.

349
00:19:50.039 --> 00:19:53.200
<v Speaker 1>Yeah, well, uh, say tell me something. Uh you show

350
00:19:53.279 --> 00:19:56.319
<v Speaker 1>we're doing the right thing here. Kingfish couldn't backfire nothing,

351
00:19:56.359 --> 00:19:56.640
<v Speaker 1>could it?

352
00:19:56.720 --> 00:19:57.400
<v Speaker 2>Oh cools not?

353
00:19:57.599 --> 00:20:02.000
<v Speaker 1>And yeah, well I hope this stringing can don't make

354
00:20:02.039 --> 00:20:03.920
<v Speaker 1>no noise like a female mountain lion.

355
00:20:05.119 --> 00:20:06.200
<v Speaker 3>Because of a male.

356
00:20:06.039 --> 00:20:08.839
<v Speaker 1>Mountain lion heard the thing and come around. I sure

357
00:20:08.920 --> 00:20:10.799
<v Speaker 1>hate to see his expression when he found out I

358
00:20:10.920 --> 00:20:11.839
<v Speaker 1>was just a tin can.

359
00:20:16.119 --> 00:20:17.880
<v Speaker 2>Well, never mind that. And and I'll tell you what

360
00:20:17.960 --> 00:20:20.039
<v Speaker 2>you get on over there in the woods. And I

361
00:20:20.160 --> 00:20:21.839
<v Speaker 2>going in there, talk to mister Jackson.

362
00:20:21.880 --> 00:20:23.440
<v Speaker 3>Yeah, okay, yeah, I'll be going over there.

363
00:20:23.480 --> 00:20:27.319
<v Speaker 2>I'll see you. M Jackson got his legs turned on.

364
00:20:27.519 --> 00:20:29.799
<v Speaker 2>He must be in all right. I'd better knock on

365
00:20:29.880 --> 00:20:31.519
<v Speaker 2>the bias here. I don't want to go through that

366
00:20:31.559 --> 00:20:39.960
<v Speaker 2>breezeway again. I shouldn't have too much trouble with this fellow. Yes, yes,

367
00:20:40.039 --> 00:20:42.680
<v Speaker 2>what is it? Don't be alarm miss Jackson. I ain't

368
00:20:42.680 --> 00:20:45.519
<v Speaker 2>no wild beasts from out of the woods, as only

369
00:20:45.559 --> 00:20:48.599
<v Speaker 2>your landlord. Oh you must be, mister Stevens.

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00:20:48.759 --> 00:20:49.480
<v Speaker 8>Won't you come in?

371
00:20:50.319 --> 00:20:52.960
<v Speaker 2>Uh just stopped in to see if you was comfortable

372
00:20:53.079 --> 00:20:55.119
<v Speaker 2>up here in this lonely desolate spot.

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00:20:55.680 --> 00:20:58.880
<v Speaker 8>Well, I was telling your wife, I had quite an

374
00:20:58.960 --> 00:21:01.759
<v Speaker 8>experience last night. I woke up in the middle of

375
00:21:01.799 --> 00:21:03.880
<v Speaker 8>the night and there was this man in my bed.

376
00:21:04.440 --> 00:21:08.880
<v Speaker 2>You don't mean to tell me, well, uh, you gotta

377
00:21:08.880 --> 00:21:12.000
<v Speaker 2>break anywhere. At least you wasn't sharing the covers with

378
00:21:12.119 --> 00:21:13.559
<v Speaker 2>a coyote or something like that.

379
00:21:15.759 --> 00:21:17.640
<v Speaker 8>It was a frightening experience.

380
00:21:17.839 --> 00:21:20.480
<v Speaker 2>Well, just being such a wild part of the woods,

381
00:21:20.480 --> 00:21:23.440
<v Speaker 2>almost anything could happen, you see, Yeah, I tell you

382
00:21:25.960 --> 00:21:29.559
<v Speaker 2>good Heavens. What was that that? Oh, that was just

383
00:21:29.599 --> 00:21:36.200
<v Speaker 2>one of them man eating ferocious mountain lions to scare Hmm.

384
00:21:36.920 --> 00:21:37.720
<v Speaker 2>Sounds like it's.

385
00:21:37.559 --> 00:21:41.920
<v Speaker 8>Pretty hungry to night doing it doing their mountains lines

386
00:21:42.039 --> 00:21:42.400
<v Speaker 8>up here.

387
00:21:42.680 --> 00:21:44.759
<v Speaker 2>Yeah. Yeah, the woods is full of them. Uh. I

388
00:21:44.839 --> 00:21:47.119
<v Speaker 2>ran into place last year till a man and woman

389
00:21:47.240 --> 00:21:50.079
<v Speaker 2>with eight kid and he took my advice and he

390
00:21:50.160 --> 00:21:53.960
<v Speaker 2>counted them every morning before breakfast. In the second week

391
00:21:54.039 --> 00:21:57.240
<v Speaker 2>he started coming up shy. Of course, I reduced the

392
00:21:57.319 --> 00:22:02.759
<v Speaker 2>rent as the season more on, you see hmm, sound

393
00:22:02.839 --> 00:22:05.880
<v Speaker 2>like you're ready for blue plate dinner and they're doing it.

394
00:22:06.000 --> 00:22:09.200
<v Speaker 8>Well, I'm frightening the grand I'm prepared for something like this,

395
00:22:09.519 --> 00:22:12.759
<v Speaker 8>Oh preparing, Yes, After that little episode with that power

396
00:22:12.880 --> 00:22:16.119
<v Speaker 8>last night, I went into town and bought myself a gun.

397
00:22:16.319 --> 00:22:19.319
<v Speaker 2>Yeah, well, I'm glad you you you sa a gun?

398
00:22:19.519 --> 00:22:23.759
<v Speaker 8>Yeah, London sturdy caliber with a telescopic sight.

399
00:22:24.319 --> 00:22:26.839
<v Speaker 2>I'll go and get it. I'll fix that mount Yeah. Well,

400
00:22:26.839 --> 00:22:28.640
<v Speaker 2>while you gone, I'll go out on the porch and

401
00:22:28.680 --> 00:22:33.160
<v Speaker 2>see run scared of mountain lying away mount lying mountain

402
00:22:33.200 --> 00:22:36.680
<v Speaker 2>lyon turn up? Who was looking?

403
00:22:46.920 --> 00:22:47.119
<v Speaker 1>Man?

404
00:22:47.359 --> 00:22:50.240
<v Speaker 2>There's a man coming out telling the gun fell a caliber. Remondson,

405
00:22:50.279 --> 00:22:53.279
<v Speaker 2>beat it, mount lying beat it? I got my gun.

406
00:22:53.599 --> 00:22:56.440
<v Speaker 2>Well it's two late, mister Jackson. There he done gone

407
00:22:56.480 --> 00:22:57.160
<v Speaker 2>off in the woods.

408
00:22:57.200 --> 00:22:59.400
<v Speaker 8>Wait a minute, I see it between the trees.

409
00:22:59.640 --> 00:23:04.119
<v Speaker 2>Make I can get a shot. Oh you must have

410
00:23:06.319 --> 00:23:07.400
<v Speaker 2>uh something wrong with her?

411
00:23:08.039 --> 00:23:08.200
<v Speaker 7>Oh?

412
00:23:08.359 --> 00:23:11.480
<v Speaker 2>I know I'm nervous, but I could have sworn that

413
00:23:11.599 --> 00:23:12.799
<v Speaker 2>mountain line had on.

414
00:23:12.839 --> 00:23:13.480
<v Speaker 4>A dirt.

415
00:23:15.200 --> 00:23:15.720
<v Speaker 2>Stephens.

416
00:23:16.039 --> 00:23:18.319
<v Speaker 8>I don't know what's going on here, but I'm moving out.

417
00:23:18.519 --> 00:23:19.599
<v Speaker 8>I want my money back.

418
00:23:19.960 --> 00:23:22.079
<v Speaker 2>Well I saw it moster. Well, you can move out

419
00:23:22.079 --> 00:23:23.920
<v Speaker 2>if you want to, but I ain't giving you your

420
00:23:23.960 --> 00:23:27.240
<v Speaker 2>money back. Look are you trying to jyp me here? No?

421
00:23:27.480 --> 00:23:29.240
<v Speaker 2>I can't help. But if you scared move it out

422
00:23:29.279 --> 00:23:32.279
<v Speaker 2>on your own violation. You can't get no money back

423
00:23:32.319 --> 00:23:32.599
<v Speaker 2>from me.

424
00:23:36.640 --> 00:23:40.200
<v Speaker 8>Uh, what was that, I was just cocking the gun here.

425
00:23:43.480 --> 00:23:45.720
<v Speaker 6>That was a hundred dollars even, wasn't that much I got,

426
00:23:56.200 --> 00:23:59.079
<v Speaker 6>John Stevens, I ain't gonna spend my vacation up there

427
00:23:59.079 --> 00:23:59.920
<v Speaker 6>in dismal dalla.

428
00:24:00.200 --> 00:24:03.160
<v Speaker 2>That's that. Yeah, But we got a honey. Mister Jackson

429
00:24:03.240 --> 00:24:05.200
<v Speaker 2>done moved out and after the shooting, and they won't

430
00:24:05.240 --> 00:24:08.319
<v Speaker 2>have no part of the players. He demanded his money back.

431
00:24:08.680 --> 00:24:10.880
<v Speaker 5>Well, I ain't going to no place that's liable to

432
00:24:10.880 --> 00:24:11.480
<v Speaker 5>be flooded.

433
00:24:11.519 --> 00:24:13.759
<v Speaker 2>Now, look, south Fire, look here a couple of days

434
00:24:13.799 --> 00:24:15.960
<v Speaker 2>of sunshine and the players will be as dy as

435
00:24:16.000 --> 00:24:18.599
<v Speaker 2>to it. They rainy seasons, sof I guarantee you that

436
00:24:18.640 --> 00:24:19.640
<v Speaker 2>ain't gonna rain no more.

437
00:24:20.839 --> 00:24:24.720
<v Speaker 5>Well, all right, George, Oh good, I guarantee you.

438
00:24:25.079 --> 00:24:25.279
<v Speaker 2>Yeah.

439
00:24:25.319 --> 00:24:27.119
<v Speaker 5>I I hope you're right, cause we ain't got no

440
00:24:27.160 --> 00:24:29.839
<v Speaker 5>money to go no place else. I guess we'll just

441
00:24:29.880 --> 00:24:32.240
<v Speaker 5>have to make the best of that cottage. But let

442
00:24:32.279 --> 00:24:35.279
<v Speaker 5>me warn you, George, you know what daphness will do

443
00:24:35.319 --> 00:24:39.440
<v Speaker 5>to mama's lumbago, and if anything happens to spire this vacation,

444
00:24:39.599 --> 00:24:49.000
<v Speaker 5>I'll never forgive you the rest of my life.

445
00:24:51.119 --> 00:24:53.839
<v Speaker 2>Well, good morning, south Fire. Do your mama still sleeping

446
00:24:53.880 --> 00:24:56.039
<v Speaker 2>behind the other curtain. That's so I brung your breakfast

447
00:24:56.079 --> 00:24:58.640
<v Speaker 2>into you, had you sleep you first night at good

448
00:24:58.640 --> 00:24:59.599
<v Speaker 2>old Dismaldell.

449
00:25:00.440 --> 00:25:03.960
<v Speaker 5>George all was just looking out the winder here it's raining.

450
00:25:04.759 --> 00:25:07.440
<v Speaker 2>Oh no, honey, just a little slight spring drizzle we

451
00:25:07.519 --> 00:25:07.880
<v Speaker 2>call it.

452
00:25:08.880 --> 00:25:10.880
<v Speaker 5>Now. Look, George Stevens, you don't think there's gonna be

453
00:25:10.960 --> 00:25:11.960
<v Speaker 5>another flood, dude?

454
00:25:12.079 --> 00:25:15.200
<v Speaker 2>Oh no, honey. Uh you reading the newspaper. The flood

455
00:25:15.240 --> 00:25:17.799
<v Speaker 2>season is over. Or we as a good mile from

456
00:25:17.799 --> 00:25:20.599
<v Speaker 2>the lake, and anyway, the house is on six foot piling.

457
00:25:20.920 --> 00:25:22.839
<v Speaker 2>No water can come in here this time of year.

458
00:25:23.480 --> 00:25:26.279
<v Speaker 5>Well all right, George, Oh say you.

459
00:25:26.279 --> 00:25:28.680
<v Speaker 2>Forgot the coffee there. I was waiting for the milker.

460
00:25:28.720 --> 00:25:30.599
<v Speaker 2>I'll go out on the porch and seevers come in here.

461
00:25:32.079 --> 00:25:35.599
<v Speaker 2>Oh yeah, it's uh holy Mackwell South, I look what's

462
00:25:35.599 --> 00:25:54.759
<v Speaker 2>floating in the front door. And what are you doing

463
00:25:54.839 --> 00:25:57.079
<v Speaker 2>to that poor old TV set? Trying to wreck it?

464
00:25:57.400 --> 00:26:02.440
<v Speaker 1>No, sir, I's unrecond is creating the greatest contribution ever.

465
00:26:02.400 --> 00:26:05.160
<v Speaker 2>Made to the ancient art of tuning in a TV set. Yeah,

466
00:26:05.160 --> 00:26:06.759
<v Speaker 2>well that's nice. Annie, tell me about it.

467
00:26:07.319 --> 00:26:10.519
<v Speaker 1>Well, you know the nuisance the way you always had

468
00:26:10.559 --> 00:26:13.799
<v Speaker 1>a tune a TV set, all them twiddly little dials

469
00:26:13.880 --> 00:26:16.880
<v Speaker 1>with the squinty little numbers, all that bending down and

470
00:26:17.000 --> 00:26:17.640
<v Speaker 1>reaching around.

471
00:26:18.079 --> 00:26:21.079
<v Speaker 7>Yeah, boy, that's gone with my new system.

472
00:26:21.400 --> 00:26:24.359
<v Speaker 1>The channel numbers is big and easy reading, and they

473
00:26:24.400 --> 00:26:26.480
<v Speaker 1>have spread out clean across the front of the set,

474
00:26:27.160 --> 00:26:31.000
<v Speaker 1>and under the numbers there's just this one handy little knob.

475
00:26:31.599 --> 00:26:34.160
<v Speaker 1>Then when he wants to switch from channel four to

476
00:26:34.319 --> 00:26:35.960
<v Speaker 1>channel two, you just.

477
00:26:36.240 --> 00:26:38.599
<v Speaker 3>Wished that knob across and there you is.

478
00:26:39.279 --> 00:26:40.119
<v Speaker 2>Ah, where is that?

479
00:26:40.720 --> 00:26:42.680
<v Speaker 3>You is locked in tune for good?

480
00:26:42.960 --> 00:26:45.519
<v Speaker 2>That's where you is well? And it is just one

481
00:26:45.599 --> 00:26:48.640
<v Speaker 2>thing about this invention of yours. He has already been

482
00:26:48.720 --> 00:26:53.119
<v Speaker 2>invented by the CBS Columbia people. They calls it's sweep tuning.

483
00:26:53.359 --> 00:26:55.680
<v Speaker 2>You mean to say that CBS Columbia is done? Beat

484
00:26:55.720 --> 00:26:56.319
<v Speaker 2>me to the draw.

485
00:26:56.920 --> 00:27:00.039
<v Speaker 1>They already got this quickest, handiest station selected.

486
00:27:00.640 --> 00:27:04.680
<v Speaker 2>He Shue has. That's the sweep tuning everybody's been talking about.

487
00:27:05.240 --> 00:27:07.839
<v Speaker 2>What's more, you can get sweep tuning in a twenty

488
00:27:07.880 --> 00:27:10.960
<v Speaker 2>one inch CBS TV set for only one hundred and

489
00:27:11.039 --> 00:27:14.039
<v Speaker 2>forty nine dollars and ninety five cents. Hey, why are

490
00:27:14.039 --> 00:27:14.559
<v Speaker 2>you going there?

491
00:27:14.559 --> 00:27:16.480
<v Speaker 1>And I gotta get them a dealer before he sold

492
00:27:16.480 --> 00:27:16.839
<v Speaker 1>out of them.

493
00:27:16.920 --> 00:27:18.279
<v Speaker 3>CBS sweep tuning cents.

494
00:27:18.319 --> 00:27:20.799
<v Speaker 2>Yeah, wait a minute, here, take your whole set along

495
00:27:20.880 --> 00:27:28.839
<v Speaker 2>with you. Get yourself a real nice trade in Well,

496
00:27:28.920 --> 00:27:30.920
<v Speaker 2>folks would like to say good night for our sponsors,

497
00:27:31.000 --> 00:27:35.359
<v Speaker 2>CBS Columbia, manufacturers of America's most advanced radio and television receiver.

498
00:27:35.559 --> 00:27:36.400
<v Speaker 2>Thank you and goodnight.

499
00:27:36.519 --> 00:27:37.440
<v Speaker 3>See you next Sunday.

500
00:27:50.519 --> 00:27:52.279
<v Speaker 4>They show to be with us at the same time

501
00:27:52.400 --> 00:27:55.839
<v Speaker 4>next Sunday for the Emerson Andi Show. Transcribed and directed

502
00:27:55.880 --> 00:27:59.039
<v Speaker 4>by Cliff Powell. Tonight's program was brought to you by

503
00:27:59.240 --> 00:28:04.680
<v Speaker 4>CBS Columbia Manufacturers are full fidelity television receivers, and for

504
00:28:04.839 --> 00:28:08.119
<v Speaker 4>a real treat in TV entertainment, tune in Life with Father,

505
00:28:08.279 --> 00:28:12.480
<v Speaker 4>presented every week by CBS Columbia over the CBS Television Network.

506
00:28:12.839 --> 00:28:18.599
<v Speaker 4>See your paper for time and station. Now stay tuned

507
00:28:18.720 --> 00:28:22.079
<v Speaker 4>for Armist Books, which follows immediately over most of these

508
00:28:22.160 --> 00:28:23.279
<v Speaker 4>same radio stations.