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<v Speaker 1>Callaroga Shark Media. He me there, I'm shunning back with

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<v Speaker 1>your Daily Comedy News. So I did watch Ronnie Ching

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<v Speaker 1>special and it's really good. Now let me tell you

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<v Speaker 1>what I liked it. Ronnie is a great storyteller and

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<v Speaker 1>top of mine. So right before I recorded this, I

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<v Speaker 1>just recorded my end of the year rankings. So let

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<v Speaker 1>me double sidebar here. First of all, I've been having

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<v Speaker 1>a lot of voice problems lately. As you've been listening today,

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<v Speaker 1>my voice seems strong. This is the fourth straight episode

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<v Speaker 1>of Daily comed News I'm recording and the voice is

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<v Speaker 1>holding up thanks to the help of a large iced

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<v Speaker 1>coffee with caramel and milk. And you get support the

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<v Speaker 1>show and buy me a coffee. Dot com slash Daily

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<v Speaker 1>Comedy News. Well, that's not why I bring it up.

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<v Speaker 1>I'm just happy that I have the voice to record

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<v Speaker 1>all these things. So I have Ronnie up on my list.

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<v Speaker 1>I have him way up on the list. But I

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<v Speaker 1>don't agree with Jason's In a Minute is not the

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<v Speaker 1>number one special of the year. That said, I don't

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<v Speaker 1>think Jason and is crazy. So tune in on December

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<v Speaker 1>twenty seventh for my complete list. But as I recorded

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<v Speaker 1>those lists, I was talking about specifically al name names,

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<v Speaker 1>Adrian Applelucci Special, and my problem with Adrian Special is

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<v Speaker 1>I don't believe any of the underlying premises at all.

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<v Speaker 1>They're funny stories, but I need a little bit of reality.

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<v Speaker 1>Like she's telling these stories, and I don't believe anything

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<v Speaker 1>she said actually happened. I could be wrong, but personally

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<v Speaker 1>I didn't believe it. Now, as I'm watching Ronnie and

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<v Speaker 1>he does that big opening chunk about freezing his wife's eggs,

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<v Speaker 1>and it's a long chunk, I believe the underlying story

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<v Speaker 1>actually happened or the details exaggerated for comedic effect. Sure,

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<v Speaker 1>but I don't feel like he sat at a desk

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<v Speaker 1>and said, Okay, let me just totally make up a

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<v Speaker 1>half hour story and tell it. Well, perhaps he did,

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<v Speaker 1>but I believe the underlying story. So he's a great storyteller.

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<v Speaker 1>And as he tells the stories, he will drop in tags.

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<v Speaker 1>So that's like, you know, after a joke, you just say,

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<v Speaker 1>like one more short thing. And I never saw his

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<v Speaker 1>tags coming, and they're all really funny. I've talked about

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<v Speaker 1>on this podcast how I have Emperor of Rome syndrome,

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<v Speaker 1>and I'll be like, oh yeah, that's really funny, but

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<v Speaker 1>I don't actually laugh. I laughed at Ronnie Chang special,

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<v Speaker 1>so I like that one a lot. I recommend, but

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<v Speaker 1>I won't tell you how far up the list. You'll

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<v Speaker 1>have to listen on the twenty seventh, twenty eighth, and

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<v Speaker 1>twenty ninth for the breakdowns of those. Do you like

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<v Speaker 1>Nate Burgetzi, because if you don't, you might as well

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<v Speaker 1>check out today. Nate's PR team should play Nicki Glazer's

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<v Speaker 1>PR team in the PR Team super Bowl this weekend

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<v Speaker 1>because they are both absolutely flooring it. I don't recall

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<v Speaker 1>seeing a push to this effect. On Tuesday, Nate got

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<v Speaker 1>a New York Times article, a Washington Post article, and

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<v Speaker 1>a Hollywood Reporter article, all this to promote his Netflix

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<v Speaker 1>special on Christmas Eve, and also tonight is Nate Burghetzi's

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<v Speaker 1>Nashville Christmas on CBS nine o'clock. So one thing we

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<v Speaker 1>know about the special is, you know the George Washington

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<v Speaker 1>bit he's done on the two episodes of SNL. He's

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<v Speaker 1>doing a version of that, but he's dressed as an angel.

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<v Speaker 1>One of the jokes we see in the trailers he says,

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<v Speaker 1>let this be called Christmas, and let it be celebrated

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<v Speaker 1>each year by gathering with family, by doing goodwill in

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<v Speaker 1>his name, and by putting a big pine tree in

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<v Speaker 1>your house. God commands the pine tree shall be decorated

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<v Speaker 1>with glittering glass ornaments of incredible beauty, also with garbage

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<v Speaker 1>that your children make at school. Now, before you feel

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<v Speaker 1>bad for the SNL people being ripped off, Lorne Michaels

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<v Speaker 1>is producing this special even though it's on CBS, which

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<v Speaker 1>is interesting that it's on CBS right. SNL cast members

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<v Speaker 1>Ashley Padia and mikey Day appear in the sketches Mary

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<v Speaker 1>and Joseph, so it's not like Nate's thieving from SNL.

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<v Speaker 1>Naperghetzi's Nashville Christmas will feature a mix of stand up comedy,

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<v Speaker 1>pre taped comedy shorts, sketches, and musical performances. CBS says

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<v Speaker 1>the special spots lights the heart and spirit of Nashville

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<v Speaker 1>during the holiday season and highlighting family fun and feel

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<v Speaker 1>good moments. In a statement, Nate said, and I want

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<v Speaker 1>to make a great show for families to gather around

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<v Speaker 1>and watch together. And I couldn't be in better hands

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<v Speaker 1>with this team. Some of his press, he said he

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<v Speaker 1>met his wife Laura, while waiting tables at Applebee's in Nashville,

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<v Speaker 1>to her sense of humor and laugh. We married in

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<v Speaker 1>two thousand and six on Friday the thirteenth. His favorite

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<v Speaker 1>spot at home, I have a golf simulator room that

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<v Speaker 1>I added onto the house. His goal for stand up

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<v Speaker 1>is to be funny on stage without saying things that

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<v Speaker 1>will embarrass or upset his parents. In his pre stage mantra,

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<v Speaker 1>I remind myself that the knight's not about me, It's

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<v Speaker 1>about the audience. Then I go out to determine and

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<v Speaker 1>make them have fun. All right. Like I said, I

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<v Speaker 1>got a lot of ate today. So if you're not

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<v Speaker 1>in anate, you should just bail. Let's start with the

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<v Speaker 1>Washington Post. On the headline, Nate Brighetzi wants to be

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<v Speaker 1>the Walmart of comedy. They write, Nate loves fast food.

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<v Speaker 1>He loves big box stores and the suburbs and TNT

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<v Speaker 1>marathons of Diehard. He finds felicity in the familiar, comfort

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<v Speaker 1>in the caloric originality. Any ordinary somebody worked hard on

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<v Speaker 1>that opener. The first quote we get from Nate is

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<v Speaker 1>I had McDonald's last night. They caught up with Nate

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<v Speaker 1>playing golf, when we learned that he loves the pit

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<v Speaker 1>stop around the Troubadour's fifth hole. A cottage filled with

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<v Speaker 1>every temptation you can imagine, jars of candy, topshelf liquor,

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<v Speaker 1>and a drawer of fried chicken sandwiches with pimento cheese.

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<v Speaker 1>He points to the soft serve board and seems disappointed

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<v Speaker 1>when no one makes a homemade version of a blizzard.

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<v Speaker 1>He really loves blizzards, he tells the post. No one

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<v Speaker 1>wants to be Walmart. I want to be Walmart. When

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<v Speaker 1>George Carland was around, you needed George Carlin, you needed

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<v Speaker 1>Lenny Bruce. Now he thinks we need something else, so

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<v Speaker 1>he doesn't to push the envelope. He pulls it in.

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<v Speaker 1>He loved comedy ever since childhood. When he heard Sinbad

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<v Speaker 1>do a bit about McDonald's and people not knowing what

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<v Speaker 1>to order, Sinbad's punch line was that they got the

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<v Speaker 1>same menu. The article then talks about Nate going and

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<v Speaker 1>up to Chicago, and we've talked about that in the past.

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<v Speaker 1>Then he hits New York City, where he loaded FedEx

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<v Speaker 1>trucks from five to ten am after being on stage

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<v Speaker 1>every night. Boy, that's rough. Pete Holmes said the landscape

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<v Speaker 1>of comedy was that nine out of ten comedians were

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<v Speaker 1>going to be kind of rough. The styles you shock

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<v Speaker 1>them and then you kick them in the place you

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<v Speaker 1>kick people. Pete Holmes supposed to wear clean, Pete Holmes.

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<v Speaker 1>Pete said Canadians and college kids always loved me and Nate.

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<v Speaker 1>Home says the audience grew weary about jokes about finding

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<v Speaker 1>the g spot and thatvent he and Nate were a

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<v Speaker 1>breath of fresh air at a gearshift. Mikey Day talked

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<v Speaker 1>about how the George Washington sketch has accelerated Nate's career

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<v Speaker 1>and said, I truly only think that would have worked

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<v Speaker 1>so well with Nate. The dead eyes stare that he

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<v Speaker 1>did is just so perfect a for George Washington b

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<v Speaker 1>just stating these dumb facts. It was just kismet. Nate

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<v Speaker 1>says the sketch shot his career into another world. I

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<v Speaker 1>actually enjoy politics. I don't talk about them, but I

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<v Speaker 1>enjoy them. I don't think it's what people are coming

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<v Speaker 1>to me for the battle isn't with other people but myself.

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<v Speaker 1>I've got to fight myself. It's easy to feel self important.

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<v Speaker 1>I don't have a crazy take ever, so I don't

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<v Speaker 1>get the quick hits, a lot of comic sketch. He's

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<v Speaker 1>got his company, Nate Land, and the guideposts for Nateland content.

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<v Speaker 1>We're starting at PG, but you can talk to me

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<v Speaker 1>into PG thirteen. That's a good rule. That's kind of

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<v Speaker 1>what I try to do here. His production company has

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<v Speaker 1>ambitions beyond comedy. Why not apply clean and different movie genres?

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<v Speaker 1>For example, horror, let's not show someone's bones, says Nate.

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<v Speaker 1>Romantic comedy. He says, we've had a lot of sex

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<v Speaker 1>scenes in movies. There's not much left on the table.

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<v Speaker 1>He has some taglines good clean, scary, good clean, dramatic,

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<v Speaker 1>good clean. Bill Burth said, there's people who work clean.

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<v Speaker 1>There are absolute cornballs that sound like they're doing comedy

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<v Speaker 1>for forty years ago. Then this guy's like Nate, whose

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<v Speaker 1>jokes are so good you don't even realize he's working clean.

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<v Speaker 1>Nate says of his own comedy, it's just going to

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<v Speaker 1>be me being dumb, and you can laugh with me

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<v Speaker 1>or laugh at me. My specials are rated PG. One

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<v Speaker 1>of them was rated G. I'll be honest with you,

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<v Speaker 1>it's a little embarrassing. The New York Times had an

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<v Speaker 1>article that was just one of the articles, and check

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<v Speaker 1>your watch. We are deep into this podcast already today.

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<v Speaker 1>Right the second one, Nate Bergetzi wants your family to

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<v Speaker 1>stop fighting for an hour maybe two. They cover the

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<v Speaker 1>same beats, including the George Washington sketch. Nate says, I

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<v Speaker 1>don't want your family fighting. There's plenty of times you're

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<v Speaker 1>gonna be fighting. So if I can be your one

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<v Speaker 1>hour you don't fight, we get the sindbad story again,

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<v Speaker 1>then we get I remember when my dad brought Brian

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<v Speaker 1>Reagan's CD at a truck stop. He said, I'll pull

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<v Speaker 1>over because he was laughing so hard. My Dad's just

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<v Speaker 1>driving in the middle of the night on the interstate

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<v Speaker 1>and he's like, I can't even drive because I have

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<v Speaker 1>to get this out of my system. Then I listened

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<v Speaker 1>to it and it was that funny. To this day

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<v Speaker 1>in my head, I want someone to laugh so hard,

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<v Speaker 1>to just have that experience. When I was younger, someone

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<v Speaker 1>said he always wrote me a Bob Newhart That meant

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<v Speaker 1>not a lot of energy, not a big presence. But

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<v Speaker 1>I was a fan of Bob Newhart. I loved his albums.

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<v Speaker 1>In a sitcoms, I like that I was gonna be

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<v Speaker 1>more of that person. I was way more deadpan at

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<v Speaker 1>the beginning, and I did move around a lot. I

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<v Speaker 1>never moved. Being from the South and having this accent

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<v Speaker 1>and talking slower, I always sounded pretty different, especially when

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<v Speaker 1>I was in New York. So I learned how to

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<v Speaker 1>write jokes first, and I feel like I'm getting more

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<v Speaker 1>in my voice now. I auditioned for the Daily Show.

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<v Speaker 1>It was down to me and Jordan Klepper. Jordan was better.

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<v Speaker 1>I did so bad. It was a quick no. I

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<v Speaker 1>was gonna meet my buddy for lunch. I didn't make

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<v Speaker 1>it to the restaurant before they called and said, you're fine,

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<v Speaker 1>don't worry about it. I mean, look, I wanted it,

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<v Speaker 1>but if you look back, it's like, man, it's really

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<v Speaker 1>good that I didn't get that, because I clearly wasn't

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<v Speaker 1>ready for it, and I could have really shot my

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<v Speaker 1>career in another direction. Ah, this is interesting. I didn't

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<v Speaker 1>know the scene. There's always connections in Hollywood. And this

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<v Speaker 1>doesn't mean Nate is bad, but just you gotta understand

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<v Speaker 1>how show business works, and it's who you know. Nate

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<v Speaker 1>tells the Times. My management company does a lot with SNL.

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<v Speaker 1>They have Seth Meyers, Adam Sandler, David Spade. I knew

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<v Speaker 1>my name had been thrown around, think it was anything

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<v Speaker 1>too serious. They were just letting its sit there. Then

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<v Speaker 1>they came to one of my shows in Vegas, and

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<v Speaker 1>they came when I was in Radio City. The actor

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<v Speaker 1>strike was going on and comedians weren't our own void.

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<v Speaker 1>We didn't have anything all that, and then it was like,

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<v Speaker 1>you know what, we have a hosting spot in two weeks.

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<v Speaker 1>And I went from I didn't really know what was

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<v Speaker 1>going to happen, now this is happening. My career felt

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<v Speaker 1>like a steady climb s and I was a big leap.

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<v Speaker 1>I'm glad my career before it was a slow build.

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<v Speaker 1>So you're a bit of a hand a little better.

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<v Speaker 1>You know, it's all slow until it's as fast as

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<v Speaker 1>it can be. Some philosophy from Nate Television is chasing

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<v Speaker 1>social media, and I don't think it should. My company's

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<v Speaker 1>done very well on social media, but I don't make

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<v Speaker 1>it for that. You need to make your thing in

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<v Speaker 1>the full way. And then I hope that the clips

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<v Speaker 1>go wherever they go. There's not a lot because they're

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<v Speaker 1>on to watch as a family That's why Friends in

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<v Speaker 1>Seinfeld and Ray are still some of the most watched shows.

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<v Speaker 1>It's not because people don't want it. They do want it,

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<v Speaker 1>they're just not being given it. The goal with the

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<v Speaker 1>variety shows to be able to have people come together

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<v Speaker 1>and sit in their house and watch something dumb and silly.

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<v Speaker 1>If you ever see a donkey perform a high diving act,

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<v Speaker 1>put it in your set. All right, I got another one.

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<v Speaker 1>I told you. It was any Burghazzy Day, the Hollywood

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<v Speaker 1>Porternybergatzi conquered Comedy. Hollywood is Next. We learned that in

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<v Speaker 1>twenty fourteen, Nate was making a Jimmy Fallon Produce sitcom pilot.

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<v Speaker 1>Nate said, when it was happening, I remember my buddy

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<v Speaker 1>was like, this is your shot, So if it doesn't work,

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<v Speaker 1>that's it. I was kind of annoyed by that at

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<v Speaker 1>the time, but I think it helped me. It'd put

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<v Speaker 1>a little chip on my shoulder. I thought for sure

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<v Speaker 1>it would go. When I look back, I'm very glad

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<v Speaker 1>it didn't because I have a lot more of control

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<v Speaker 1>of where I want to go now, and I don't

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<v Speaker 1>think I would have had that then. I would have

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<v Speaker 1>been too young and not a good enough comedian or performer.

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<v Speaker 1>Yet I look back on a lot of stuff like that,

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<v Speaker 1>had I gotten it, my career could have gone in

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<v Speaker 1>a different direction. And he tells the Daily Show anecdote,

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<v Speaker 1>OLLI reporter, he almost had sitcoms at NBC, Fox, ABC, Netflix.

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<v Speaker 1>Was there any kind of threw line other feedback? No,

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<v Speaker 1>but I don't think there was a lot of entertainment

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<v Speaker 1>made for people not on the coast during that period.

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<v Speaker 1>They'd tell you they wanted multicams and stuff that's designed

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<v Speaker 1>for co viewing. Then you'd pitch one of people who

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<v Speaker 1>aren't watching multicams. They want them because it looks good

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<v Speaker 1>in their budget, but then they're like, well, this show's

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<v Speaker 1>not fun, yeah, because the show's not made for you.

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<v Speaker 1>So it was like there's a lot of that for

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<v Speaker 1>a long time, but now shifting and everybody seems to

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<v Speaker 1>want broader again. We have a comic Derek Strup, who

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<v Speaker 1>was on my Christmas special that he comes on the

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<v Speaker 1>road with me a lot, and he's someone I was

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<v Speaker 1>telling CBS like, this is Kevin James. Make that show again.

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<v Speaker 1>Just have it be something fun that everybody can watch

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<v Speaker 1>for thirty minutes and then you can go back to

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<v Speaker 1>your murder show. He says, the Christmas Show is the

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<v Speaker 1>most exciting thing I've done. If it does well, that's

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<v Speaker 1>the one thing I could see doing for an extended

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<v Speaker 1>period of time that would be fun. Right if this

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<v Speaker 1>became an annual tradition, Olli reporter, you worry about alienating

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<v Speaker 1>an audience a lot. What drives that? Nate's I don't

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<v Speaker 1>want anybody to feel better or uncomfortable. Would break my

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<v Speaker 1>heart if somebody thought that I thought I'm better than them.

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<v Speaker 1>I don't want to be for everybody. I mean, that's

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<v Speaker 1>the goal. I grew up eating a chain restaurant and

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<v Speaker 1>I'm going to Walmart. I'm on board with selling everything

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<v Speaker 1>to everybody. A lot of times people be like, my

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<v Speaker 1>comedy isn't for everybody, and there's a pride in that,

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<v Speaker 1>but never click for me. I was always like, why

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<v Speaker 1>would you not want everybody to come to your show?

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<v Speaker 1>A little more about the Daily Show port Nate says,

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<v Speaker 1>I was not good. I auditioned with John Stewart and

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<v Speaker 1>I'd heard that they'd like my audition, at least that's

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<v Speaker 1>what Hassan told me. Then I go to the Daily

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<v Speaker 1>Show and I'm with John at the desk. That was good,

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<v Speaker 1>and then I had to read to John Oliver part

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<v Speaker 1>John Oliver uses a lot of words that I don't

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<v Speaker 1>really know what they mean or how to say them.

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<v Speaker 1>It was bad and I had the suit on didn't fit.

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<v Speaker 1>I look like I was going to divorce court to

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<v Speaker 1>get my daughter back or something. They called me before

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<v Speaker 1>I even was back in my hotel. Right, I've heard

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<v Speaker 1>that part already and there's like six more paragraphs, but

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<v Speaker 1>I am nate it out and I have to take

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<v Speaker 1>a commercial break. So behind the scenes, if I don't

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<v Speaker 1>take a commercial break before the twenty minute mark, the

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<v Speaker 1>automation will force one. So let me put one by

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<v Speaker 1>design and then we'll come back and maybe we'll do

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<v Speaker 1>three sections today. You got an your money's worth today,

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<v Speaker 1>be right back. Rose Matta Fayo has a special out

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<v Speaker 1>on Max Today. The La Times caught up with Rosen.

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<v Speaker 1>We learned that she started doing comedy workshops at age fifteen.

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<v Speaker 1>She's now thirty two, which means she's been doing stand

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<v Speaker 1>up for more than half her life, a fact she

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<v Speaker 1>says makes her feel a panic slightly rising in my chest.

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<v Speaker 1>She talks on stage about relatability and the need for

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<v Speaker 1>female comics to be self deprecating, but she says she

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<v Speaker 1>does not come from a place of imposter syndrome. That's

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<v Speaker 1>the one thing I don't think I have. I have

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<v Speaker 1>everything else, low self esteem, terrible relationship with myself, all

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<v Speaker 1>those things you're supposed to have in your thirties. In

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<v Speaker 1>On and on and on, we check in with Rose

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<v Speaker 1>after a real life breakup where everybody from her grandmother

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<v Speaker 1>to her housekeepers like Garol, move on. You weren't together

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<v Speaker 1>long enough to be this upset. She talks about chronicling

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<v Speaker 1>her feelings in the notes app and this real experience

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<v Speaker 1>of suddenly understanding her parents better. But she's now the

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<v Speaker 1>age they were when she was a kid. She cut

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<v Speaker 1>some jokes from her live performances. They were jokes about

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<v Speaker 1>Taylor Swift and Michael Jackson. Tho was cut for time.

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<v Speaker 1>One of the jokes is who has the time to

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<v Speaker 1>get docks online by superfans, But a joke about the

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<v Speaker 1>attractiveness of Wallougi from Mario Kart was obviously written and

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<v Speaker 1>recorded before their real world arrest of Luigi, the guy

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<v Speaker 1>accused of shooting the United Healthcare CEO. That one stayed

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<v Speaker 1>in Ro says, in your twenties you almost think you

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<v Speaker 1>kind of got it together and now I'm staring at

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<v Speaker 1>this next bit where you're like, yeah, but you don't

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<v Speaker 1>know anything. You kind of have to accept the randomness

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<v Speaker 1>of life, where friends marrying, of kids and the generation

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<v Speaker 1>above you get sick and dies. She says she's always

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<v Speaker 1>had an interest in death. The first show she performed

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<v Speaker 1>at Edinburgh Fringe was about her own funeral and involved

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<v Speaker 1>her jumping out of a coffin in a jeweled tuxedo.

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<v Speaker 1>Two Stories Out of the UK Today, One Happy One Sad,

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<v Speaker 1>The Happy One Strictly Come Dancing in a Dancing with

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<v Speaker 1>Star for the Brits they finish up their twentieth anniversary year.

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<v Speaker 1>The winner blind comedian Chris McCausland. Chris paid tribute to

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<v Speaker 1>the efforts of his professional partner Diane Buswell and using

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<v Speaker 1>unconventional methods and teaching Chris how to dance. That's pretty cool.

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<v Speaker 1>The Sad Story. Police have found the body of a

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<v Speaker 1>missing Britain Got Talent star after he went missing. Earlier

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<v Speaker 1>in the week, comedian Martin Crofts had made it to

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<v Speaker 1>the semi finals. His act involved him placing a pan

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<v Speaker 1>on his head, becoming known as the pan Man and

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<v Speaker 1>singing a song while impersonating a Dalek from doctor who

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<v Speaker 1>Police have found what they believed to be his body

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<v Speaker 1>in the Winnie Gill Reservoir in North Yorkshire. Felippe Esparza

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<v Speaker 1>announced a new special coming in Netflix in February, Raging Fool.

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<v Speaker 1>In Raging Fool, Felipe explores the trials and tribulations of

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<v Speaker 1>navigating complicated family dynamics, marriage, cultural divides, infidelity and more.

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<v Speaker 1>And if you're in China, I gotta do this one

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<v Speaker 1>today because of the way time zones work. But on

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<v Speaker 1>Friday in China, the Beijinger tells us the comedy the

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<v Speaker 1>Citadel was bringing the festive spirit to life with a

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<v Speaker 1>hilarious live version of family Feud to celebrate the Dongji Festival,

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<v Speaker 1>also known as the Winter Solstice. The don g Festival

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<v Speaker 1>marks the longest night of the year, enough time for

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<v Speaker 1>family gatherings, feasting and fun. So if you're listening in Beijing, hey,

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<v Speaker 1>that's pretty cool. Head on over to the Comedy Citadel.

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<v Speaker 1>Their version will feature four teams or families and they

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<v Speaker 1>will battle it out to answer survey questions, just like

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<v Speaker 1>the TV show. However, there's a twist you the audience,

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<v Speaker 1>Beijing listener, You'll be the one providing the answers. It

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<v Speaker 1>means every response could turn into a hilarious surprise. And

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<v Speaker 1>that is your comedy news for today. Before we go,

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<v Speaker 1>I just want to get in front of something. So

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<v Speaker 1>Holidays coming up, I will have an episode for you

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<v Speaker 1>every single day, just like always. I'm not going anywhere,

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<v Speaker 1>but I just want to be fair to myself and

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<v Speaker 1>fair to you. Some of the episodes are pre tapes.

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<v Speaker 1>For example, December twenty seventh, eighth and ninth pre tapes

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<v Speaker 1>Top Comedy Specials of the Year. January first, I will

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<v Speaker 1>air the interview I did on The Letterman Podcast. I'm

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<v Speaker 1>the guest on The Letterman Podcast tomorrow if you want

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<v Speaker 1>to hear it then, but I'm using that as the

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<v Speaker 1>January first episode. Christmas Day, I already pretaped it, so

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<v Speaker 1>as part of that, I just want to get in

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<v Speaker 1>front of it. So if you're like, hey, how come

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<v Speaker 1>he's not talking about Nate Bergazzi special. Did he not

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<v Speaker 1>watch it? I'm just on tape a little bit more

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<v Speaker 1>than usual. You know. Through the end of the year.

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<v Speaker 1>That's all that's going on here. I just wanted to

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<v Speaker 1>deal you straight. I'm about to record Friday's episode, Johnny

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<v Speaker 1>Max take it in some days off. I appreciate you,

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<v Speaker 1>Thank you for listening. See you tomorrow.
