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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a comment,

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<v Speaker 1>send it to me Box thirteen at Great Detectives dot net,

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<v Speaker 1>follow us on Twitter at Radio Detectives, and become one

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<v Speaker 1>of our friends on Facebook, Facebook dot com slash Radio Detectives.

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<v Speaker 1>Before we do get started, I want to encourage you,

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<v Speaker 1>if you've not already, to pick up your copy of

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<v Speaker 1>Slime Incorporated.

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<v Speaker 2>It's my first detective.

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<v Speaker 1>Novel and it mixes elements of classical detective fiction with

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<v Speaker 1>a modern style. It's available as an audiobook through audible

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<v Speaker 1>dot com where the iTunes stores. You can also pick

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<v Speaker 1>it up as a paperback or an ebook. We have

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<v Speaker 1>some great overall reviews on Amazon, so I think you

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<v Speaker 1>will enjoy that.

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<v Speaker 2>But now it's.

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<v Speaker 1>Time for today's episode of the Adventures of Philip Marlow.

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<v Speaker 1>The original air date May thirtieth of nineteen fifty and

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<v Speaker 1>the title is The Bedside.

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<v Speaker 3>Manners, Get This and Get It Straight. Crime is a

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<v Speaker 3>sucker's road, and those who travel and wind up in

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<v Speaker 3>the gut of the prison of the grave there's no

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<v Speaker 3>other end. But they never learn.

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<v Speaker 4>From the pen of Raimond Chandler, outstanding author of crime fiction,

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<v Speaker 4>comes his most famous character in the Adventures of Philip

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<v Speaker 4>marlow Now with Gerald Moore starred as Philip Marlowe, we

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<v Speaker 4>bring you tonight's exciting story the bedside manners.

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<v Speaker 3>In your head and hit the streets. I had Tommy, okay, kid,

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<v Speaker 3>he thanks, have it easy now, sure.

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<v Speaker 5>Can't go.

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<v Speaker 6>Somebody give it a be Okay, just take it easy.

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<v Speaker 3>Now. That's the way it happened two weeks ago, and

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<v Speaker 3>they scraped me up off the pavement. I felt like

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<v Speaker 3>everything must have been broken. God. Finally the doctor boiled

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<v Speaker 3>it all down or A fractured tibia and the sordid

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<v Speaker 3>bruises leaded me ten days in the hospital, tangled up

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<v Speaker 3>with enough pulleys, weights and trapeze bars to rig a

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<v Speaker 3>circus tent, after which I managed to get sprung with

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<v Speaker 3>the peace and quiet of my own apartment. There on

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<v Speaker 3>a special bed in my living room, I spent four

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<v Speaker 3>days scratching my broken leg through an inch of plastic

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<v Speaker 3>cast while I worried about the business I was missing,

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<v Speaker 3>until finally Ordine Patterson, a girl with a multimillion dollar

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<v Speaker 3>estate i'd worked for once, insisted on seeing me immediately

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<v Speaker 3>about a job. Once she was sure I could handle

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<v Speaker 3>even flat on my back.

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<v Speaker 7>Phil, it's about my brother.

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<v Speaker 3>Another jam huh, yes, Wait a minute, I gotta get comforted.

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<v Speaker 3>I guess your father knew his son pretty well when

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<v Speaker 3>he left. He left all that dough and your hands

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<v Speaker 3>are being.

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<v Speaker 8>Yes, only this time, I sincerely believe Mayna has learned

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<v Speaker 8>this lesson.

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<v Speaker 9>Phil.

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<v Speaker 8>He's worried, sick and frankly, so am I?

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<v Speaker 3>So am I if I can straighten this leg out? Well,

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<v Speaker 3>if you think I can help in this condition, it

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<v Speaker 3>can't be too serious. Hey, before you sit down and

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<v Speaker 3>reach me cigarette, will you?

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<v Speaker 9>Yeah?

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<v Speaker 7>Sure, sure, Phil? Here it is thanks Phil.

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<v Speaker 8>Last Saturday night, Maynard went out on a binge. He

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<v Speaker 8>got home at four o'clock in the morning, awfully intoxicated.

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<v Speaker 3>No, it's not unusual for Mayna, is it. No?

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<v Speaker 8>Except this time he was frightened, Phil, scared stiff. Well,

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<v Speaker 8>that's just the point. We don't know. He was so

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<v Speaker 8>drunky he couldn't remember anything, didn't know where he'd been.

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<v Speaker 3>Or with whom Phil.

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<v Speaker 10>It was.

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<v Speaker 3>It was terrible. This was last Saturday. Why you're so worried?

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<v Speaker 3>And it happened surely by now you'd have heard.

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<v Speaker 8>But something did happen, Phil. This morning I got a

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<v Speaker 8>phone call from a man who meant business.

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<v Speaker 5>Believe me.

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<v Speaker 8>I made notes on a memo pad while he took

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<v Speaker 8>so I wouldn't forget any of it. Here, Dad, here,

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<v Speaker 8>here read it.

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<v Speaker 3>No, this is fish Fish, Yes, tell maned fifty gees

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<v Speaker 3>important money by tomorrow or trouble.

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<v Speaker 8>Then he hung up on me, Phil.

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<v Speaker 3>Fish did you have Mane ever hear him before?

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<v Speaker 9>Well?

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<v Speaker 8>I certainly didn't. And when I asked Maynard he didn't

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<v Speaker 8>know him either. He had a oh a cold, heavy

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<v Speaker 8>voice and spoke with a thick list.

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<v Speaker 3>You want me to pick this fish for him?

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<v Speaker 7>Yes, so I'll know why Maynard? Oh was that much money?

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<v Speaker 3>And now, look, baby, I'm bed ridden. I'm stuck. I

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<v Speaker 3>can't even move that.

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<v Speaker 7>I know that, Peel.

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<v Speaker 8>But you have the phone here, a lot of contacts

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<v Speaker 8>and plenty of diplomacy. If this is something I can

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<v Speaker 8>get made it out of by paying that money, then

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<v Speaker 8>I'll pay.

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<v Speaker 3>Okay, baby, I'll try. But look, if it's outside the law, turn.

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<v Speaker 7>May it in. Yes, yes, I'm aware of that.

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<v Speaker 3>All right? Where do I start? Where did he start? Saturday?

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<v Speaker 8>At the Colony Club with a female named Feofman. Well,

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<v Speaker 8>whatever happened must have been done there. That's why I

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<v Speaker 8>thought of you feel. You know the Colony Club, Well, I.

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<v Speaker 3>Know the Scotch's Johnny Walker and sid Ray Feels the

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<v Speaker 3>owner of that song.

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<v Speaker 7>That may be enough. Will you want to talk to.

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<v Speaker 3>Me in it? Yeah? Yeah, send him over in about now.

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<v Speaker 8>Yes, he'll be here. And that alphin girl's number is

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<v Speaker 8>Sunset oh one four four.

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<v Speaker 3>O one four four okay, Ordeine, I'll get him at

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<v Speaker 3>least my dial finger isn't Hello, what fish?

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<v Speaker 11>I know my pigeons with you now?

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<v Speaker 2>I followed her.

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<v Speaker 11>Don't clip her wings? Well back out now where you

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<v Speaker 11>still can't.

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<v Speaker 2>I'm wanting you.

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<v Speaker 7>Still? Who who was that you? You look upset?

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<v Speaker 3>Yeah? Well my uh my horse just ran fourth. Look

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<v Speaker 3>you better run along now or dean okay, and stay

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<v Speaker 3>out of the dark corners, huh. In spite of my

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<v Speaker 3>sitting duck position, and I told myself that a private

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<v Speaker 3>detective who listens to warnings today is out of business tomorrow.

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<v Speaker 3>So I put in a call for sid Rayhaield at

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<v Speaker 3>the Colony Club. Sid was out, so I left a

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<v Speaker 3>message for him to get in touch with me. Next,

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<v Speaker 3>I tried fay Altman, but the Sunset number went unanswered.

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<v Speaker 3>After that, I started checking for the next best thing

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<v Speaker 3>to legs. I could think of a guy named Hunger

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<v Speaker 3>Molloy by profession, or robing bookie by appearance of slouch

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<v Speaker 3>and threadbare hounds tooth propped against any convenient lamp post. Hunger,

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<v Speaker 3>by some peculiar instinct, either knew I could find out

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<v Speaker 3>about anything, especially slightly illegal, and because I'd once brought

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<v Speaker 3>him out of a tight spot, he loved me like

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<v Speaker 3>a brother. I finally located him in a pool hall

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<v Speaker 3>on Melrose and told him what I needed to know.

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<v Speaker 3>He promised it was as good as done and was

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<v Speaker 3>off to the canning club and I would hear from him. Well.

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<v Speaker 3>That left me with nothing to do but scratch my

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<v Speaker 3>cast again, worry about my gun being in the desk

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<v Speaker 3>drawer and my office, think about fish and wait. Things

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<v Speaker 3>went like that for forty five five minutes, and then

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<v Speaker 3>come in. Who is it? Who's there?

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<v Speaker 5>Why it's me Hunger.

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<v Speaker 7>Oh, what's the matter, Philip, you're jumping?

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<v Speaker 3>Yeah, I'm real glad to see you, fella.

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<v Speaker 9>Likewise, I have fear under the weather has it.

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<v Speaker 3>No, it's bothering me a little. Look I brang you

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<v Speaker 3>some flowers. Oh, hunger, you shouldn't be I know.

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<v Speaker 10>I tried to get long stems, but then plants in

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<v Speaker 10>the parking dunes the good this year? Hey, listen, are

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<v Speaker 10>you sure you gave me the right dope on the phone, Philip?

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<v Speaker 3>Sure, sure, I'm sure. Why what'd you find out?

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<v Speaker 9>That's just it?

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<v Speaker 3>Nothing.

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<v Speaker 10>I went to the Colney Club and got talking around,

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<v Speaker 10>but not one thing worth medicine went on there Saturday night.

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<v Speaker 3>Well maybe it started there and moved out, huh.

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<v Speaker 9>I tried that.

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<v Speaker 10>Some of the customers went out to the valley after

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<v Speaker 10>the shoot, little dice. Now the bunch moved on to

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<v Speaker 10>that big John on Adams with some poker.

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<v Speaker 3>That's all gambling could be a gambling set up. Were

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<v Speaker 3>they big games?

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<v Speaker 10>No, just the usual, nothing extra at all, And especially

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<v Speaker 10>I couldn't been down a thing on any fifty.

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<v Speaker 3>J's changing hands are a positive? Hunger.

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<v Speaker 10>Well, you don't ask too many questions in that league, Philip,

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<v Speaker 10>But I'm pretty sure nobody got rich, right I heard

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<v Speaker 10>you know?

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<v Speaker 9>I got a hint at least.

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<v Speaker 3>Okay, Well, look what about this guy named Fish? Blank.

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<v Speaker 10>Some new faces in town, but no high rollers. Answering

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<v Speaker 10>to fish in the background. Yeah, some pick and shovel

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<v Speaker 10>clean in a nice way. Been digging nuggets here in

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<v Speaker 10>there for a year or so. The latest is the

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<v Speaker 10>gill Edge punk. You want to know about Maynard Patterson?

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<v Speaker 10>Can I have one of these?

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<v Speaker 3>Yeah, go ahead, feed your face.

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<v Speaker 10>Incidentally, they was among those president of the county Saturday nine

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<v Speaker 10>if that means something to you.

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<v Speaker 3>And that's about it, Philip, Okay, Hunger, thanks amitting.

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<v Speaker 10>Sorry I couldn't be more help, but I think you're

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<v Speaker 10>getting a bump pitch Well, visitors, how you I got

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<v Speaker 10>a back way out of here, It won't.

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<v Speaker 3>Look such a sure, sure bedroom, Hunky, you can go

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<v Speaker 3>out the window and down the fire escape. Wait a minute,

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<v Speaker 3>is that new shirt? No?

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<v Speaker 10>I come into a bit of clink, so I had

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<v Speaker 10>it washed.

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<v Speaker 9>I hope you feel a better, Philippo.

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<v Speaker 3>Yeah, thanks, Come in, Ordine, you wanted to see me.

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<v Speaker 9>Mister mollow, sorry about your leg.

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<v Speaker 3>I'm sorry about it. Tool, I can't get comfortable. Heyy

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<v Speaker 3>I hear you really tied one on the other night.

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<v Speaker 9>I kid you have it, but I'm through mister motow.

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<v Speaker 3>I swear yeah, sure, so thanks. What about the gambling

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<v Speaker 3>loves your head over that too?

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<v Speaker 9>Yeah, I guess I do, far as my allowance goes.

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<v Speaker 3>Anyway, Now, allow Look, I want you to tell me

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<v Speaker 3>or you remember about Saturday night.

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<v Speaker 9>Well, I I went to the Colony Club with Faye.

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<v Speaker 9>That's my girl.

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<v Speaker 3>By the way, how do you write stuff like Fay

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<v Speaker 3>on your allowance? Just to get then that skipper skipp

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<v Speaker 3>it go ahead?

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<v Speaker 9>While I was drinking quite a bit. By one o'clock,

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<v Speaker 9>I guess I was pretty fuzzy. I lost face someplace.

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<v Speaker 9>Then I went outside for some air, and from there

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<v Speaker 9>on it's just a blank.

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<v Speaker 3>Well. Now, look, if you didn't pass out cold, you're

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<v Speaker 3>bound to have some flashes you can remember. I want

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<v Speaker 3>it all.

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<v Speaker 9>Well, I do remember a couple of things, mister Montague.

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<v Speaker 9>The more like a dream than anything else. I seem

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<v Speaker 9>to remember a big, old fashioned house. It was dark

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<v Speaker 9>and gloomy, with high ceilings and old ornate brass chandeliers.

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<v Speaker 9>I don't know how I got there or what I

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<v Speaker 9>was doing.

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<v Speaker 3>Were you alone?

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<v Speaker 9>Well, I don't think so. I've got a man's face

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<v Speaker 9>in my mind, a flabby guy in a silk shirt.

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<v Speaker 9>He had big hands, freckled on the backs of him,

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<v Speaker 9>who was kind of a reddish hair on him. I

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<v Speaker 9>remember him against something green?

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<v Speaker 3>Did he lisp?

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<v Speaker 9>I can't even remember, and just thinking about him gives

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<v Speaker 9>me the willies. But I don't know why. I can't

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<v Speaker 9>figure out why. I talked to face. She waited for

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<v Speaker 9>me until the colony closed, and then she went home.

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<v Speaker 9>She was pretty mad about it.

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<v Speaker 3>Are you sure that's all you can remember? Yep?

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<v Speaker 9>That's everything. How does it make any sense at all?

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<v Speaker 3>Not much? Sounds like you could have been mixed up

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<v Speaker 3>a poker game at a green top table and an

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<v Speaker 3>old dump on Adam has lost your shirt to a

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<v Speaker 3>fat guy named Fish.

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<v Speaker 9>You think that's all there is doing her?

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<v Speaker 3>Well, not quite all. There's the little matter of fifty

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<v Speaker 3>thousand bucks you ow.

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<v Speaker 9>Him fifty thousand. Look, mister Mollowey, if you and Ordine

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<v Speaker 9>get me out of this mess, I swear I'll straighten up.

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<v Speaker 9>I'll never get into trouble again.

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<v Speaker 3>Honest, sonny boy. What you do later is your sister's headaches. Strictly.

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<v Speaker 3>I got trouble enough lining things up, so you can

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<v Speaker 3>get off the hook. I go on home and stay

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<v Speaker 3>there like collya.

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<v Speaker 9>Okay, Okay, mister Molowike, I know you don't like me,

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<v Speaker 9>but well thanks.

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<v Speaker 3>Anyhow, fifty thousand bucks. Oh yeah, sun said old one.

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<v Speaker 3>Or for I have to put cast on so tight. Hello, Fay,

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<v Speaker 3>my name is Phil Mallow. I've been trying to reach

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<v Speaker 3>you for two hours.

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<v Speaker 7>Maybe you need longer arms.

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<v Speaker 3>Mister mom, just some conversation about Manard Pattison. I'm in

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<v Speaker 3>my apartment number two, ten Granad Arms on Franklin. Can

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<v Speaker 3>you come over?

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<v Speaker 12>Why would I want to talk about Maynard to you

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<v Speaker 12>in the first place, and why don't you come over

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<v Speaker 12>here in the second?

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<v Speaker 3>In the first place, I'm a private detective. In the

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<v Speaker 3>second I got a busted leg. How about it? It's important.

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<v Speaker 7>Well, I've never dated a private detective with a broken leg.

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<v Speaker 7>Before it sounds dressing. I'm around the corner on Bronson.

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<v Speaker 7>I'll be right there.

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<v Speaker 3>Good out, goodbye, Faye, come on in well, sid Rayphiel

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<v Speaker 3>in person yet.

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<v Speaker 13>Yeah, the boys at the club told me about your

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<v Speaker 13>urgent call peepers, so I came right out.

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<v Speaker 3>Well, if i'd known you were coming out of make

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<v Speaker 3>the snakes, let's get the cracks. I know what you want. Well,

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<v Speaker 3>then you're clairvoyant. Because I'm not sure myself yet. Try this.

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<v Speaker 13>You're working for Udine Patterson like you did once before?

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<v Speaker 13>Because the punk brother hers isn't a bad jam with

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<v Speaker 13>one mister Fish, Well.

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<v Speaker 3>Yeah, it's quite neat, quite neat. You happen to know

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<v Speaker 3>the guy?

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<v Speaker 13>Yeah, well I happen to know the guy. That's why

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<v Speaker 13>I'm here to tip you, because you're a friend of

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<v Speaker 13>mine more or less. So I say, leave it alone,

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<v Speaker 13>my get out of it, stay out.

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00:14:23.639 --> 00:14:25.799
<v Speaker 3>It's none of your business. You know, you talk like

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<v Speaker 3>a man with a personal angle. What I ort to

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<v Speaker 3>split your lip for that? I come here to do

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00:14:30.759 --> 00:14:33.240
<v Speaker 3>your turn it easy. Mind your bedside man has said

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<v Speaker 3>I'm an invalid.

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<v Speaker 13>You'll be worse than that if you don't back out

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<v Speaker 13>of this. I'm telling you this guy Fish is too

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<v Speaker 13>hot to handle mylow and you better?

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<v Speaker 3>Who's that? How should I know? For a sick room?

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00:14:42.759 --> 00:14:45.159
<v Speaker 3>Is joints becoming more like Hollywood and Fine by the minute?

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<v Speaker 13>I took a long chance coming here. I got to

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<v Speaker 13>get out without being seen.

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<v Speaker 3>Well, try the bedroom window and fire escape. Everybody else does.

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<v Speaker 3>Don't let them until I'm gone.

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<v Speaker 5>You hear it ain't healthy?

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<v Speaker 3>Said said?

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<v Speaker 5>What is it? Sid?

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00:15:00.919 --> 00:15:08.879
<v Speaker 3>Oh this stinking leg it's going, mister fish, I suppose

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<v Speaker 3>that makes me.

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00:15:12.440 --> 00:15:13.279
<v Speaker 5>From the restaurant.

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<v Speaker 7>Are you all right and mellow?

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00:15:16.320 --> 00:15:19.480
<v Speaker 3>Yeah? Yeah, it's the I'm okay, I'm fine.

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<v Speaker 8>Really, I thought you was talking to somebody.

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00:15:22.440 --> 00:15:24.840
<v Speaker 3>No, no, I was reading. I didn't hear the buzzer.

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00:15:25.000 --> 00:15:26.960
<v Speaker 5>Oh yeah, I know what you mean.

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00:15:27.360 --> 00:15:31.960
<v Speaker 8>Sometimes I get real carried away myself. Look, I fixed

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00:15:32.000 --> 00:15:35.840
<v Speaker 8>up your dinner everything, just like you're ordered here.

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00:15:36.240 --> 00:15:37.720
<v Speaker 3>No, missie, I don't think I'll eat right now. I

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00:15:37.799 --> 00:15:39.360
<v Speaker 3>just put the tray down and beat it. Huh like

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00:15:39.399 --> 00:15:39.960
<v Speaker 3>a good girl.

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<v Speaker 5>Yeah, but what about the dishes?

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00:15:42.080 --> 00:15:43.720
<v Speaker 3>Oh get him in the morning. Will you get out

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<v Speaker 3>of here while.

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<v Speaker 2>You go on?

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<v Speaker 5>Yee, we're okay, good night, mister.

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<v Speaker 3>Okay fish, the girl's gone. Oh come on in? Did

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00:15:54.919 --> 00:15:58.399
<v Speaker 3>you hear me? I said, come on in. I guess

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00:15:58.399 --> 00:15:59.720
<v Speaker 3>I'm as ready as I'll ever be.

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00:16:12.240 --> 00:16:14.600
<v Speaker 4>In just a moment the second act of Philip Marlowe.

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00:16:14.600 --> 00:16:18.120
<v Speaker 4>But first, this Wednesday Night, CBS brings you the premiere

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00:16:18.159 --> 00:16:21.240
<v Speaker 4>of a bright new musical show, The ABC's of Music,

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00:16:21.279 --> 00:16:25.480
<v Speaker 4>starring Robert Q. Lewis and Ralph Flanagan's orchestra. It promises

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00:16:25.480 --> 00:16:28.039
<v Speaker 4>a half hour of top Hits and Top Entertainment every

321
00:16:28.039 --> 00:16:31.919
<v Speaker 4>Wednesday on CBS, when also you hear the hilarious Groucho Marx,

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00:16:31.960 --> 00:16:34.159
<v Speaker 4>squiz show, You Bet Your Life and the drama of

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00:16:34.240 --> 00:16:38.440
<v Speaker 4>Doctor Christian. The ABC's of Music, Graucho Marx and Doctor

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00:16:38.519 --> 00:16:42.600
<v Speaker 4>Christian come every Wednesday and most of these same CBS stations.

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00:16:44.720 --> 00:16:45.399
<v Speaker 3>Now with our.

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<v Speaker 4>Star Gerald Moore, the second act of Philip Marlowe, and

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<v Speaker 4>Tonight's story The Bedside Manners.

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<v Speaker 3>The man is never ready to die. Really, sometimes saying

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00:17:04.400 --> 00:17:08.000
<v Speaker 3>you helps, sometimes, like when you're flat on your back

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<v Speaker 3>waiting for a killer with a silencer might step into

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00:17:11.359 --> 00:17:16.799
<v Speaker 3>view through your bedroom door. I kept on waiting for

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00:17:17.000 --> 00:17:20.039
<v Speaker 3>sixty seconds each as long as a fall down an

333
00:17:20.079 --> 00:17:24.000
<v Speaker 3>empty well. Once I thought I heard the window close,

334
00:17:25.599 --> 00:17:29.119
<v Speaker 3>at least another five minutes went by, and I actually

335
00:17:29.200 --> 00:17:31.640
<v Speaker 3>began to believe that for some reason, Fish had gone away,

336
00:17:33.119 --> 00:17:37.039
<v Speaker 3>and it made the scoreboard really easy to read. Sid Rayfiel,

337
00:17:37.079 --> 00:17:38.880
<v Speaker 3>a guy who knew his way around, had been killed

338
00:17:39.640 --> 00:17:42.519
<v Speaker 3>and I hadn't been able to do a thing about it.

339
00:17:42.359 --> 00:17:45.240
<v Speaker 3>It was time for called a homicide. But even as

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00:17:45.240 --> 00:17:49.400
<v Speaker 3>I reached for the phone, it went off Hello. I said, hello,

341
00:17:50.119 --> 00:17:53.440
<v Speaker 3>last morning, Oh you got the phone fast, But still,

342
00:17:53.480 --> 00:17:56.319
<v Speaker 3>what's on your slippery mind? Fish, something to.

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00:17:56.279 --> 00:17:56.920
<v Speaker 9>Pay attention to?

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00:17:57.559 --> 00:17:57.599
<v Speaker 4>You?

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00:17:57.720 --> 00:17:59.240
<v Speaker 9>See, Molly, you're only still alive.

346
00:17:59.039 --> 00:18:00.200
<v Speaker 2>Because that's convenient me.

347
00:18:00.319 --> 00:18:02.359
<v Speaker 3>Too bad you didn't feel that way about sid rayphield

348
00:18:02.440 --> 00:18:02.680
<v Speaker 3>Ray if you.

349
00:18:02.799 --> 00:18:03.519
<v Speaker 5>Got what he deserved.

350
00:18:04.119 --> 00:18:04.680
<v Speaker 2>So will you?

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<v Speaker 9>Like I said, you're only still a life because that's

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00:18:07.200 --> 00:18:07.880
<v Speaker 9>convenient to me.

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00:18:08.359 --> 00:18:09.880
<v Speaker 11>You're happen to be working for the lady who.

354
00:18:09.799 --> 00:18:11.119
<v Speaker 3>Holds the purse strings go on.

355
00:18:11.599 --> 00:18:15.440
<v Speaker 11>Therefore, that's very little more, Mallow, except this Maynard Patterson's

356
00:18:15.440 --> 00:18:18.279
<v Speaker 11>a lousy poker player. On Saturday night he dropped fifty

357
00:18:18.319 --> 00:18:21.279
<v Speaker 11>thousand to me fifty thousand and two markets Mellow, one

358
00:18:21.319 --> 00:18:23.680
<v Speaker 11>for two thousand and the other for forty eight. I

359
00:18:23.680 --> 00:18:24.799
<v Speaker 11>want both paid promptly.

360
00:18:24.799 --> 00:18:27.880
<v Speaker 3>You want a thing not quite Manad Patterson doesn't remember

361
00:18:27.880 --> 00:18:30.480
<v Speaker 3>what happens Saturday night. Oh maybe you know all about it,

362
00:18:30.480 --> 00:18:31.880
<v Speaker 3>and you're making this up as you go along.

363
00:18:32.759 --> 00:18:33.839
<v Speaker 9>No, Mallow, that's.

364
00:18:33.680 --> 00:18:34.319
<v Speaker 2>Not the case.

365
00:18:34.839 --> 00:18:37.119
<v Speaker 11>If you drag yourself to the window sill in your bedroom,

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00:18:37.160 --> 00:18:38.319
<v Speaker 11>you'll find all the proof you need.

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00:18:38.319 --> 00:18:39.880
<v Speaker 3>What do you mean that I left.

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00:18:39.759 --> 00:18:42.279
<v Speaker 11>One of the markets there in a white envelope, the

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00:18:42.279 --> 00:18:45.039
<v Speaker 11>one for two thousand, Anna and the poor little rich

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00:18:45.079 --> 00:18:47.880
<v Speaker 11>boy's own handwriting. I left it there so you'd know

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<v Speaker 11>I'm not kidnappout forty eight grand I'll be in touch.

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<v Speaker 3>So long, mellow, lousy double crook, come in?

373
00:18:59.119 --> 00:18:59.559
<v Speaker 2>Why not?

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00:19:00.400 --> 00:19:03.200
<v Speaker 7>How could a girl ever resist to welcome? In your voice?

375
00:19:03.839 --> 00:19:05.480
<v Speaker 7>I'm Faye open, private detective.

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00:19:05.519 --> 00:19:07.200
<v Speaker 3>That figures what happened to you?

377
00:19:07.240 --> 00:19:09.440
<v Speaker 7>Fall out of a transom or trip over a clue?

378
00:19:09.519 --> 00:19:12.240
<v Speaker 3>Which neither? It was a wise crack? Honey, I leafed

379
00:19:12.279 --> 00:19:13.799
<v Speaker 3>so hot, I fell down and broke my leg.

380
00:19:15.240 --> 00:19:16.200
<v Speaker 7>Let's get down to business.

381
00:19:16.279 --> 00:19:19.079
<v Speaker 3>Huh, yeah, for a stought of Faye. What's your connection

382
00:19:19.119 --> 00:19:21.720
<v Speaker 3>with Manet Pattison? How tight is there not? Huh?

383
00:19:21.799 --> 00:19:22.519
<v Speaker 7>What was that again?

384
00:19:22.640 --> 00:19:25.160
<v Speaker 3>I said you and Mayne? Just how chummy are you too?

385
00:19:25.480 --> 00:19:28.519
<v Speaker 7>I thought I heard you right? You know, Private Detective.

386
00:19:28.599 --> 00:19:30.039
<v Speaker 7>I don't like being pushed around.

387
00:19:30.079 --> 00:19:32.079
<v Speaker 3>Hey, there's a dead man in the bedroom.

388
00:19:34.119 --> 00:19:36.680
<v Speaker 7>Dead man? Did you say it? Deadness?

389
00:19:36.759 --> 00:19:39.079
<v Speaker 3>Sid Rayphael? He was murdered Faye.

390
00:19:40.119 --> 00:19:43.880
<v Speaker 7>No, oh, not sid Gee. He was a nice guy, Marlo.

391
00:19:43.680 --> 00:19:44.960
<v Speaker 12>Sharp but nice.

392
00:19:45.039 --> 00:19:45.200
<v Speaker 9>Hey.

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00:19:45.240 --> 00:19:46.279
<v Speaker 3>I want you to go in there and look for

394
00:19:46.279 --> 00:19:49.640
<v Speaker 3>an envelope on a window sill. No, I don't think

395
00:19:49.920 --> 00:19:52.000
<v Speaker 3>it's important, Faye. I can't get out of this bed.

396
00:19:52.640 --> 00:19:54.480
<v Speaker 3>I go on, it may help us tag Sid's killer.

397
00:19:56.839 --> 00:19:58.160
<v Speaker 5>All right, I'll get it.

398
00:20:01.799 --> 00:20:05.119
<v Speaker 3>Keep going key at the window sill, do you see it?

399
00:20:05.599 --> 00:20:10.559
<v Speaker 5>Yeah? Here? Yeah, hey the window's broken in there.

400
00:20:10.559 --> 00:20:13.519
<v Speaker 3>Do you know what? Yeah? Yeah, I'll faye. My question

401
00:20:13.599 --> 00:20:15.519
<v Speaker 3>about you and Mane somehow or other it may County

402
00:20:15.599 --> 00:20:16.160
<v Speaker 3>in love with him?

403
00:20:16.599 --> 00:20:19.079
<v Speaker 7>No, I mean I like him all right.

404
00:20:19.119 --> 00:20:22.680
<v Speaker 12>He's a good time, nice places, nice people, nice little presents.

405
00:20:22.799 --> 00:20:27.960
<v Speaker 12>No yachts, No, that's right, No yachts, and I like yachts.

406
00:20:28.000 --> 00:20:31.440
<v Speaker 12>Private Detective, they beat rowing around in MacArthur Park.

407
00:20:31.519 --> 00:20:33.079
<v Speaker 7>I know I've tried them both.

408
00:20:33.880 --> 00:20:35.759
<v Speaker 3>Anything else, Yeah, it turn it around. How does he

409
00:20:35.799 --> 00:20:36.480
<v Speaker 3>feel about you?

410
00:20:36.720 --> 00:20:37.240
<v Speaker 9>Overboard?

411
00:20:37.240 --> 00:20:37.880
<v Speaker 7>I guess.

412
00:20:38.319 --> 00:20:41.039
<v Speaker 12>Look, you said that this might help catch Sid's killer.

413
00:20:41.480 --> 00:20:43.279
<v Speaker 12>I like Sid, so I'd like to see that happen.

414
00:20:43.759 --> 00:20:46.440
<v Speaker 12>But make this question a good one, because it's your last.

415
00:20:47.279 --> 00:20:50.680
<v Speaker 3>Fair enough, man, it loves you, You love money, man.

416
00:20:50.680 --> 00:20:52.920
<v Speaker 3>It didn't have any Now the question, do you have

417
00:20:52.920 --> 00:20:54.000
<v Speaker 3>any plan to change all that?

418
00:20:54.599 --> 00:20:55.160
<v Speaker 7>Just one?

419
00:20:55.559 --> 00:20:57.799
<v Speaker 12>He was saving up every cent he could squeeze out

420
00:20:57.799 --> 00:21:00.160
<v Speaker 12>of that stingy sister of his for a stake in

421
00:21:00.200 --> 00:21:01.160
<v Speaker 12>a big card game.

422
00:21:01.480 --> 00:21:03.480
<v Speaker 7>He was going to run it into big dough and

423
00:21:03.599 --> 00:21:04.839
<v Speaker 7>he helped, Private Detective.

424
00:21:05.279 --> 00:21:07.759
<v Speaker 3>Yeah, if you called checking other people's stories out, I help,

425
00:21:08.160 --> 00:21:11.480
<v Speaker 3>which translates into what man it did just that? Only

426
00:21:11.480 --> 00:21:13.519
<v Speaker 3>he lost it all Saturday night, lost his steak in

427
00:21:13.599 --> 00:21:14.920
<v Speaker 3>fifty thousand bucks more?

428
00:21:15.160 --> 00:21:17.599
<v Speaker 7>What he owes that much dough?

429
00:21:17.799 --> 00:21:20.759
<v Speaker 3>Yeah? Yeah, I'll tell me. Have you heard from minutes since.

430
00:21:22.200 --> 00:21:26.559
<v Speaker 7>You had your last question, Private Detective? Remember good, I marlow.

431
00:21:27.079 --> 00:21:28.799
<v Speaker 5>It's been a big fast place.

432
00:21:29.000 --> 00:21:34.559
<v Speaker 3>I'll bet anyhow, fay, i'd best to the fish fish. Yeah,

433
00:21:34.640 --> 00:21:35.359
<v Speaker 3>I don't get it.

434
00:21:35.599 --> 00:21:36.160
<v Speaker 5>What fish?

435
00:21:36.559 --> 00:21:40.160
<v Speaker 3>Never mind? Go bye, baby, and don't slam it the door.

436
00:21:47.079 --> 00:21:49.160
<v Speaker 3>The lady was gone. It was time to call the police,

437
00:21:50.079 --> 00:21:52.000
<v Speaker 3>but I was dying hard, and even as I dialed

438
00:21:52.000 --> 00:21:53.680
<v Speaker 3>the number, I turned the envelope that had been left

439
00:21:53.720 --> 00:21:56.799
<v Speaker 3>on the window, still over in one hand. The envelope

440
00:21:56.799 --> 00:21:58.880
<v Speaker 3>was the cheap kind you find in any dimes told

441
00:21:58.960 --> 00:22:01.559
<v Speaker 3>nothing written on it, and the note itself, which read

442
00:22:01.599 --> 00:22:03.640
<v Speaker 3>I owe the bear of two thousand bucks payable within

443
00:22:03.680 --> 00:22:07.799
<v Speaker 3>twenty four hours, was signed Mainard Patterson and dated Saturday.

444
00:22:08.799 --> 00:22:10.720
<v Speaker 3>It was on a square piece of memo. Okay, for

445
00:22:11.839 --> 00:22:13.759
<v Speaker 3>it made me think about a little light and quite

446
00:22:13.759 --> 00:22:15.640
<v Speaker 3>a while I would been sitting last for a last

447
00:22:15.640 --> 00:22:18.559
<v Speaker 3>seat in the back of my mind, trying real hot

448
00:22:18.599 --> 00:22:23.079
<v Speaker 3>at this pupil. Oh, Marlow, that fishing may be great?

449
00:22:23.960 --> 00:22:31.559
<v Speaker 3>Oh this leg? Can I baby be home? Hello missus

450
00:22:31.599 --> 00:22:32.319
<v Speaker 3>Marlow or Dean?

451
00:22:32.680 --> 00:22:32.880
<v Speaker 2>Oh?

452
00:22:33.160 --> 00:22:34.319
<v Speaker 5>Still, what have you found out?

453
00:22:34.359 --> 00:22:35.920
<v Speaker 3>I'm not sure, but among other things, I may have

454
00:22:35.960 --> 00:22:38.519
<v Speaker 3>caught a killer. Now listen, do you still have that note?

455
00:22:38.599 --> 00:22:40.119
<v Speaker 3>You know, the one you brought over here? The memo

456
00:22:40.160 --> 00:22:41.599
<v Speaker 3>you made have to fish? Call if you got it?

457
00:22:41.839 --> 00:22:42.960
<v Speaker 8>Yes, it's in my handbagg.

458
00:22:43.319 --> 00:22:44.839
<v Speaker 3>Never mind the question. Just get it, will you?

459
00:22:45.160 --> 00:22:46.400
<v Speaker 7>Oh God, I'll only be a moment.

460
00:22:46.440 --> 00:22:46.920
<v Speaker 3>I'll hang on.

461
00:22:47.200 --> 00:22:49.279
<v Speaker 9>You better, just hang up.

462
00:22:50.880 --> 00:22:53.720
<v Speaker 3>I wasn't expecting you just yet made it?

463
00:22:54.880 --> 00:22:56.279
<v Speaker 9>Or this gun? I'm sure hang up.

464
00:22:57.839 --> 00:22:59.319
<v Speaker 3>It'll only make a call back, you know.

465
00:22:59.519 --> 00:23:02.799
<v Speaker 9>Yeah, And won't my dear sister be exasperated when she

466
00:23:02.880 --> 00:23:07.960
<v Speaker 9>keeps getting it no matter how long she dials? Only

467
00:23:08.000 --> 00:23:08.920
<v Speaker 9>you're busy signal?

468
00:23:09.519 --> 00:23:13.240
<v Speaker 3>The pronunciation is signal? Mean what do I call you? Fish?

469
00:23:13.240 --> 00:23:16.599
<v Speaker 3>And don't look so surprised your acts think babeluecat pronounce

470
00:23:16.599 --> 00:23:18.279
<v Speaker 3>the letter rest avoid it instead of going out of

471
00:23:18.279 --> 00:23:22.160
<v Speaker 3>their way to use it, as in Perth Dring my mistake, Molloyah.

472
00:23:22.160 --> 00:23:23.640
<v Speaker 3>Among a lot of others. You never should have been

473
00:23:23.640 --> 00:23:25.440
<v Speaker 3>careless about the kind of paper you wrote the iou

474
00:23:25.599 --> 00:23:28.039
<v Speaker 3>on your sister, who you're trying to swindle, come in

475
00:23:28.079 --> 00:23:29.680
<v Speaker 3>here earlier with the same juttings on a piece of

476
00:23:29.680 --> 00:23:33.079
<v Speaker 3>paper that's got the same top edge irregular because no

477
00:23:33.200 --> 00:23:33.960
<v Speaker 3>doubt no.

478
00:23:33.880 --> 00:23:36.559
<v Speaker 9>I know because it was ripped off the same telephone pad.

479
00:23:36.640 --> 00:23:39.880
<v Speaker 9>And I wouldn't have used that paper since iouser customarily

480
00:23:39.880 --> 00:23:42.759
<v Speaker 9>written during her immediately after a card game, and I

481
00:23:42.759 --> 00:23:44.359
<v Speaker 9>couldn't have been at home at the time of the game.

482
00:23:45.480 --> 00:23:48.119
<v Speaker 9>I'd stop it, Marlow, there's no need for any more hypotheses.

483
00:23:48.400 --> 00:23:50.160
<v Speaker 3>No, you can fill in all the blanks, can't you

484
00:23:50.359 --> 00:23:52.880
<v Speaker 3>step by step? A rotten tailor made scheme to get

485
00:23:52.880 --> 00:23:55.759
<v Speaker 3>your sister to save you by paying fifty thousand bucks

486
00:23:56.279 --> 00:23:58.079
<v Speaker 3>to a gambler named Fish who doesn't exist.

487
00:23:58.119 --> 00:23:58.680
<v Speaker 9>I should stop it.

488
00:23:58.799 --> 00:24:01.160
<v Speaker 3>Slimy set up that began the fake one night stand

489
00:24:01.160 --> 00:24:03.799
<v Speaker 3>of Bottle in Bond Amnesia moved on and would also

490
00:24:03.880 --> 00:24:06.880
<v Speaker 3>fake telephone call Ordine from a heavy named Fish, a

491
00:24:07.000 --> 00:24:09.000
<v Speaker 3>man with a lift shut up Mallow, and the payoff

492
00:24:09.000 --> 00:24:10.720
<v Speaker 3>the confession call of me af.

493
00:24:12.160 --> 00:24:15.079
<v Speaker 9>Yes, mister Mallow, everything you say is so, but I'm

494
00:24:15.079 --> 00:24:17.559
<v Speaker 9>still not beaten. And I won't be. You're the only

495
00:24:17.559 --> 00:24:21.000
<v Speaker 9>one who knows all this. And even as Fish killed

496
00:24:21.039 --> 00:24:24.960
<v Speaker 9>sid Rafael, fish is gonna kill you, fish Mallow, not me, Fish,

497
00:24:25.400 --> 00:24:28.200
<v Speaker 9>the ruthless gambler who never will be caught, but who

498
00:24:28.240 --> 00:24:33.759
<v Speaker 9>my sister will pay. Nevertheless, that clear, Mellow, Not quite?

499
00:24:34.559 --> 00:24:36.599
<v Speaker 3>Why did you kill Raphael? He had me convinced that

500
00:24:36.640 --> 00:24:38.160
<v Speaker 3>Fish actually existed.

501
00:24:37.799 --> 00:24:41.400
<v Speaker 9>Which is the reason he died. He was playing my Gamellow,

502
00:24:41.680 --> 00:24:44.400
<v Speaker 9>not for me. Somehow or other he found out what

503
00:24:44.440 --> 00:24:47.160
<v Speaker 9>I was doing, maybe because he always checked carefully when

504
00:24:47.200 --> 00:24:50.359
<v Speaker 9>anybody got too interested in Faye Aufman, and he decided

505
00:24:50.400 --> 00:24:54.480
<v Speaker 9>to help things along and cut himself in. You know

506
00:24:54.559 --> 00:24:57.880
<v Speaker 9>the answer to that? Now, if you don't mind turn

507
00:24:57.920 --> 00:24:58.720
<v Speaker 9>on the radio, Mellow.

508
00:24:59.319 --> 00:25:06.000
<v Speaker 3>Why silence? It hasn't it on? Ye ladder?

509
00:25:08.440 --> 00:25:10.799
<v Speaker 9>I wouldn't want anything to go wrong, now, man, I've

510
00:25:10.799 --> 00:25:13.640
<v Speaker 9>been so lucky, lucky that I got away from my

511
00:25:13.720 --> 00:25:15.799
<v Speaker 9>sister and was free to watch this building, it's apartment,

512
00:25:16.680 --> 00:25:18.359
<v Speaker 9>lucky so that I could see who came and who

513
00:25:18.400 --> 00:25:21.759
<v Speaker 9>went and act accordingly. Yeah, I've been lucky, all right,

514
00:25:22.640 --> 00:25:24.119
<v Speaker 9>You do grant me that, don't you mind?

515
00:25:24.480 --> 00:25:28.720
<v Speaker 3>Yeah, sure, you've been lucky. Yeah, you've been real Lucky

516
00:25:28.759 --> 00:25:31.880
<v Speaker 3>Patterson up to now. But you know how it is

517
00:25:31.880 --> 00:25:33.559
<v Speaker 3>with luck, kid, One minute you have it, the next

518
00:25:33.559 --> 00:25:36.559
<v Speaker 3>minute it runs out. Lucky you might have I turned

519
00:25:36.559 --> 00:25:37.880
<v Speaker 3>this off. It's putting me to sleep.

520
00:25:38.640 --> 00:25:40.279
<v Speaker 9>You are brave, aren't you, Marlowe?

521
00:25:40.359 --> 00:25:43.880
<v Speaker 3>No, no, no, just lucky lucky. That someone's standing behind you.

522
00:25:44.519 --> 00:25:46.119
<v Speaker 9>Who the Mounted Police?

523
00:25:46.240 --> 00:25:49.160
<v Speaker 3>Oh no, no, just a guy, a guy named Hunger Malloy.

524
00:25:49.319 --> 00:25:51.480
<v Speaker 3>It's a funny kind of a guy man. And he

525
00:25:51.480 --> 00:25:53.160
<v Speaker 3>he was here early at night and he ducked out

526
00:25:53.200 --> 00:25:55.400
<v Speaker 3>by way of the bedroom. At least I thought he'd

527
00:25:55.480 --> 00:25:55.920
<v Speaker 3>ducked out.

528
00:25:56.359 --> 00:25:59.480
<v Speaker 9>Quit. I don't budge an inch. I'm not going to

529
00:25:59.519 --> 00:26:01.359
<v Speaker 9>turn around, give you the chance to go for that gun,

530
00:26:01.359 --> 00:26:02.960
<v Speaker 9>which is probably under your pillow.

531
00:26:03.200 --> 00:26:04.880
<v Speaker 3>But manage, you should do something. You're about to be

532
00:26:05.000 --> 00:26:07.480
<v Speaker 3>hitting a knogin honestly, and with a vibe that's mollow.

533
00:26:07.480 --> 00:26:08.599
<v Speaker 9>I'll believe what it happened.

534
00:26:12.720 --> 00:26:17.240
<v Speaker 10>He just wouldn't take your word, would he, Philip. Well,

535
00:26:17.640 --> 00:26:18.880
<v Speaker 10>that's the way it goes.

536
00:26:19.920 --> 00:26:22.039
<v Speaker 3>I'll see you. I'll wait a minute, Hunger, come back here.

537
00:26:22.680 --> 00:26:25.799
<v Speaker 10>I can't pal you got a corpse in there.

538
00:26:25.839 --> 00:26:28.039
<v Speaker 2>That means cops them and need don't make.

539
00:26:28.000 --> 00:26:29.920
<v Speaker 3>Don't worry about it. Just tell me before I bust.

540
00:26:29.960 --> 00:26:32.839
<v Speaker 3>You started for the way window twenty minutes ago. What happened?

541
00:26:33.160 --> 00:26:33.640
<v Speaker 1>Uh?

542
00:26:33.640 --> 00:26:35.319
<v Speaker 3>Well, Philip, what happened? Hunger?

543
00:26:36.119 --> 00:26:40.400
<v Speaker 10>I got delayed after that stuff was popping this This

544
00:26:40.519 --> 00:26:43.559
<v Speaker 10>louse was in there, then the corpse delect high and

545
00:26:43.599 --> 00:26:48.160
<v Speaker 10>then the louse again at the window, leaving an envelope at.

546
00:26:47.960 --> 00:26:50.640
<v Speaker 3>Yeah, but the delay, Hunger before company started coming? What

547
00:26:50.799 --> 00:26:52.119
<v Speaker 3>was it? Well?

548
00:26:53.000 --> 00:26:55.680
<v Speaker 7>And the truth pulp?

549
00:26:55.920 --> 00:26:57.920
<v Speaker 3>Yeah, try it, try it may not hurt at all.

550
00:26:58.640 --> 00:27:01.559
<v Speaker 10>Okay, they was on your dresser.

551
00:27:01.920 --> 00:27:03.279
<v Speaker 2>The jazziest pair.

552
00:27:03.119 --> 00:27:05.119
<v Speaker 10>Of pearl couplings, Philip, I seen since I used to

553
00:27:05.200 --> 00:27:09.599
<v Speaker 10>deal in Vegas. I was attracted.

554
00:27:10.519 --> 00:27:12.480
<v Speaker 3>Hunger is the last favorite of a guy. You've already

555
00:27:12.519 --> 00:27:14.839
<v Speaker 3>done a big favor for it. Take the couplings.

556
00:27:14.839 --> 00:27:17.400
<v Speaker 10>Go ahead, kid, all right, Philip, As long as you

557
00:27:17.400 --> 00:27:22.920
<v Speaker 10>put it's a nice I will now, Like I was saying, wait.

558
00:27:22.839 --> 00:27:24.680
<v Speaker 3>A minute, Hunger, the couplings. Take them with you now.

559
00:27:24.960 --> 00:27:30.000
<v Speaker 10>Of course, that's exactly what I'm doing, Philip, see you around.

560
00:27:40.359 --> 00:27:47.119
<v Speaker 3>Funny little guy, funny name, Hunger malloy. You know it's

561
00:27:47.119 --> 00:27:50.400
<v Speaker 3>a strange thing, but a broken leg makes the old

562
00:27:50.440 --> 00:27:55.559
<v Speaker 3>wheels go around. Now, that figures makes you think about breaks,

563
00:27:56.880 --> 00:28:00.200
<v Speaker 3>and that brings me back to Hunger Maloy again. The

564
00:28:00.279 --> 00:28:04.400
<v Speaker 3>only break he ever got was in his skull. Somebody

565
00:28:04.440 --> 00:28:07.279
<v Speaker 3>once said, we make our own breaks. I don't know

566
00:28:07.319 --> 00:28:11.519
<v Speaker 3>about that. I didn't break my leg, or maybe I did.

567
00:28:12.799 --> 00:28:15.759
<v Speaker 3>Did I really look where I was going? And man

568
00:28:15.880 --> 00:28:19.960
<v Speaker 3>had Patterson with all the breaks, he had loads of dough.

569
00:28:21.440 --> 00:28:23.119
<v Speaker 3>Still he didn't know where he was going out of that.

570
00:28:24.720 --> 00:28:28.839
<v Speaker 3>And sid Rayphield, I wonder if when the slug hit him,

571
00:28:28.839 --> 00:28:50.759
<v Speaker 3>he thought, what a loves he break.

572
00:29:00.839 --> 00:29:04.279
<v Speaker 4>The Adventures of Philip Marlowe Bringing You Raymond Chandler's most

573
00:29:04.279 --> 00:29:09.000
<v Speaker 4>famous characters, star Gerald Moore, are produced and directed by

574
00:29:09.079 --> 00:29:13.000
<v Speaker 4>Norman MacDonald and are written for radio by Robert Mitchell

575
00:29:13.039 --> 00:29:16.960
<v Speaker 4>and Gene Levitt. Featured in our cast were Anne Stone,

576
00:29:17.359 --> 00:29:22.519
<v Speaker 4>David Ellis, viv Janis Williams, Herbert, Paul Dubov and Frank Gerstall.

577
00:29:23.079 --> 00:29:26.160
<v Speaker 4>The special music is composed and conducted by Richard o'rant.

578
00:29:30.960 --> 00:29:34.720
<v Speaker 4>Bessured be with us again next week when Philip Marlowe says.

579
00:29:35.799 --> 00:29:38.559
<v Speaker 3>This time it was strictly out of whack from a

580
00:29:38.599 --> 00:29:42.480
<v Speaker 3>perfect hostess who was rude to our guests. As the

581
00:29:42.599 --> 00:29:46.079
<v Speaker 3>big red fence that ran all the way from La

582
00:29:46.240 --> 00:29:50.160
<v Speaker 3>to Palm Springs. Who was second story man stabbed to

583
00:29:50.240 --> 00:29:52.519
<v Speaker 3>death in a basement apartment.

584
00:30:05.240 --> 00:30:09.079
<v Speaker 4>Don't let a rainy day find you unprepared. Start saving

585
00:30:09.119 --> 00:30:11.960
<v Speaker 4>for that rainy day right now by buying United States

586
00:30:11.960 --> 00:30:15.720
<v Speaker 4>savings bonds. There's nothing quite like these savings bonds. They're

587
00:30:15.839 --> 00:30:18.440
<v Speaker 4>like a cash reserve, always available when you need them,

588
00:30:18.640 --> 00:30:21.920
<v Speaker 4>and yet they're always earning interest. If you hold on

589
00:30:21.960 --> 00:30:24.599
<v Speaker 4>to your savings bonds until they mature, you'll get back

590
00:30:24.640 --> 00:30:27.119
<v Speaker 4>three or four dollars for every three dollars you invest.

591
00:30:27.680 --> 00:30:31.119
<v Speaker 4>Start providing for the future right now. Buy United States

592
00:30:31.160 --> 00:30:47.880
<v Speaker 4>Savings bonds regularly. This is Roy Rowan speaking. This is CBS,

593
00:30:47.920 --> 00:31:09.599
<v Speaker 4>the Columbia Broadcasting System.

594
00:31:09.839 --> 00:31:11.200
<v Speaker 2>Welcome back, Well.

595
00:31:11.279 --> 00:31:15.720
<v Speaker 1>I love the concept of this episode, the idea of

596
00:31:15.920 --> 00:31:20.400
<v Speaker 1>Marlowe solving a case without leaving his bed. I don't

597
00:31:20.440 --> 00:31:23.599
<v Speaker 1>know if they quite got the story to its full potential.

598
00:31:24.119 --> 00:31:27.799
<v Speaker 1>I mean, essentially, all the tough guys and people he

599
00:31:28.400 --> 00:31:32.319
<v Speaker 1>normally walks about to question were very nice and can

600
00:31:32.359 --> 00:31:36.279
<v Speaker 1>real y'all, and came to be questioned and to deliver

601
00:31:36.359 --> 00:31:39.519
<v Speaker 1>their dialogue right it is at his bed. I mean

602
00:31:39.640 --> 00:31:43.279
<v Speaker 1>that is service, But I think there's more you can

603
00:31:43.319 --> 00:31:48.960
<v Speaker 1>do with the detective stuck in bed against a dangerous foe,

604
00:31:49.319 --> 00:31:52.240
<v Speaker 1>particularly here since his rescue came from a little bit

605
00:31:52.279 --> 00:31:55.680
<v Speaker 1>of a cheat. But still, I did enjoy the episode,

606
00:31:55.680 --> 00:31:58.079
<v Speaker 1>and I thought the identity of the murderer was a

607
00:31:58.119 --> 00:32:03.160
<v Speaker 1>good twist, because even if you recognize that the same

608
00:32:03.319 --> 00:32:08.519
<v Speaker 1>actor was doing the voice of the brother and of

609
00:32:08.640 --> 00:32:15.079
<v Speaker 1>the fish, that still wouldn't necessarily mean that they were

610
00:32:15.079 --> 00:32:17.720
<v Speaker 1>the same people. It could just mean that they were

611
00:32:17.759 --> 00:32:21.839
<v Speaker 1>doing doubles. But any rate, an interesting episode. And speaking

612
00:32:21.880 --> 00:32:27.000
<v Speaker 1>of interesting, I have a postcard that came to my

613
00:32:27.160 --> 00:32:31.400
<v Speaker 1>peel box at peel Box one five nine one three

614
00:32:31.480 --> 00:32:35.960
<v Speaker 1>boise Onaho eight three seven one five. And I love

615
00:32:36.000 --> 00:32:41.400
<v Speaker 1>the postcard because it is a cover of Action Comics

616
00:32:41.799 --> 00:32:48.920
<v Speaker 1>number forty two from March nineteen forty two. It's a

617
00:32:49.440 --> 00:32:56.160
<v Speaker 1>situation where Superman is flying upwards to save a roller

618
00:32:56.160 --> 00:33:01.119
<v Speaker 1>coaster car where the track has split and the passengers

619
00:33:01.160 --> 00:33:06.559
<v Speaker 1>are hurtling towards their new I've read the story in

620
00:33:06.640 --> 00:33:09.880
<v Speaker 1>Action Comics forty two. The cover has nothing to do

621
00:33:09.960 --> 00:33:13.480
<v Speaker 1>with it, but it's certainly a great cover anyway. Lindsey

622
00:33:13.880 --> 00:33:17.400
<v Speaker 1>writes in Dear Mister Graham, I realized that this peel

623
00:33:17.440 --> 00:33:20.160
<v Speaker 1>box is for donations, but I have these postcards and

624
00:33:20.200 --> 00:33:23.039
<v Speaker 1>I wanted to send you one, and the site doesn't.

625
00:33:22.759 --> 00:33:24.599
<v Speaker 2>Really say not to write.

626
00:33:25.319 --> 00:33:29.319
<v Speaker 1>Well, lindsay, I'm perfectly okay with people who would rather

627
00:33:29.440 --> 00:33:33.200
<v Speaker 1>do written a correspondent sending them to the peel box,

628
00:33:33.640 --> 00:33:36.559
<v Speaker 1>just as long as it's legendable, which means I am

629
00:33:36.599 --> 00:33:39.160
<v Speaker 1>not allowed to send a letter to myself at my

630
00:33:39.279 --> 00:33:43.039
<v Speaker 1>peel box, but printed legibly, I can definitely read it.

631
00:33:43.160 --> 00:33:46.440
<v Speaker 1>Plus with a very nice card like this, I definitely

632
00:33:46.480 --> 00:33:49.960
<v Speaker 1>appreciate that. She goes on to say, I wanted to

633
00:33:49.960 --> 00:33:52.000
<v Speaker 1>thank you for being so active in the old time

634
00:33:52.119 --> 00:33:56.119
<v Speaker 1>radio community. I first began listening to your Superman podcast

635
00:33:56.160 --> 00:33:59.119
<v Speaker 1>because it was the most complete on iTunes. I later

636
00:33:59.240 --> 00:34:01.680
<v Speaker 1>listened to some of your Great Detectives podcast, and I

637
00:34:01.720 --> 00:34:05.400
<v Speaker 1>found your commentary far more engaging. I think most people

638
00:34:05.400 --> 00:34:08.840
<v Speaker 1>who still listen to old time radio know your name. Well,

639
00:34:09.000 --> 00:34:11.719
<v Speaker 1>that's nice of you to say, she said, I'd already

640
00:34:11.719 --> 00:34:14.239
<v Speaker 1>listened to Box thirteen when I found the Great Detective

641
00:34:14.320 --> 00:34:18.239
<v Speaker 1>so you probably mentioned the twenty ten Box thirteen comic there,

642
00:34:18.719 --> 00:34:21.239
<v Speaker 1>but I thought i'd bring it up anyway. Speaking of comics,

643
00:34:21.239 --> 00:34:23.440
<v Speaker 1>I'm a big fan of The Green Hornet and The Saint,

644
00:34:23.599 --> 00:34:26.599
<v Speaker 1>both of which spawned comic books. I was wondering if

645
00:34:26.639 --> 00:34:29.880
<v Speaker 1>you had any comments on them. Superman's main medium was

646
00:34:29.920 --> 00:34:32.800
<v Speaker 1>the comic book, but the radio show influenced the comics.

647
00:34:32.840 --> 00:34:35.840
<v Speaker 1>Did the comics of the Green Hornt Hornet or The

648
00:34:35.840 --> 00:34:40.199
<v Speaker 1>Saint influenced the radio show? Thanks well, Lindsey. I'll go

649
00:34:40.239 --> 00:34:43.639
<v Speaker 1>ahead and answer the question as best I can. And

650
00:34:43.719 --> 00:34:46.199
<v Speaker 1>I should have talked more about the Saint comic book

651
00:34:46.239 --> 00:34:49.119
<v Speaker 1>back when we were doing The Saint, so I'll do

652
00:34:49.159 --> 00:34:52.360
<v Speaker 1>that now. On the Saint radio show, there was often

653
00:34:52.559 --> 00:34:55.920
<v Speaker 1>reference to the Saint comic book being on sale on

654
00:34:56.039 --> 00:34:59.079
<v Speaker 1>a newsstand. Typically, if we think of comic books, we

655
00:34:59.119 --> 00:35:02.039
<v Speaker 1>think of these super hero comic books, and if we

656
00:35:02.159 --> 00:35:06.280
<v Speaker 1>think further, we'll probably think of Marvel and DC. If

657
00:35:06.320 --> 00:35:10.239
<v Speaker 1>you're really a bit more on the geeky side, you

658
00:35:10.320 --> 00:35:12.840
<v Speaker 1>may be aware that there are other companies out there

659
00:35:12.880 --> 00:35:18.480
<v Speaker 1>like IDW, Image, Dark Horse, and Dynamite. But pretty much

660
00:35:18.559 --> 00:35:21.280
<v Speaker 1>we think, when it comes to history, it was Marvel

661
00:35:21.320 --> 00:35:25.400
<v Speaker 1>and DC. Well, that really wasn't true. In the nineteen

662
00:35:25.519 --> 00:35:30.360
<v Speaker 1>forties there was an absolute proliferation of a comic book companies,

663
00:35:30.519 --> 00:35:33.639
<v Speaker 1>and one of these was a company called Avon, and

664
00:35:33.679 --> 00:35:37.679
<v Speaker 1>they published the Saint comic books. Now, like a lot

665
00:35:37.719 --> 00:35:41.079
<v Speaker 1>of comics during this period, the Saint Comic Book was

666
00:35:41.119 --> 00:35:46.280
<v Speaker 1>published between nineteen forty seven and nineteen fifty two. It

667
00:35:46.320 --> 00:35:49.800
<v Speaker 1>would be overly generous to say that the Saint comics

668
00:35:49.840 --> 00:35:54.199
<v Speaker 1>were published on any sort of schedule. They had twelve

669
00:35:54.280 --> 00:35:57.880
<v Speaker 1>issues published in those five years. All the issues of

670
00:35:57.920 --> 00:36:01.440
<v Speaker 1>the Saint Comic Book are actually in the public domaining

671
00:36:01.440 --> 00:36:05.159
<v Speaker 1>Nobody Review renewed the copyright on them and so you

672
00:36:05.159 --> 00:36:10.360
<v Speaker 1>can read them at Digitalcomic Museum dot com. Essentially, it

673
00:36:10.400 --> 00:36:14.599
<v Speaker 1>didn't change anything. The same comic books were basic and

674
00:36:15.559 --> 00:36:20.480
<v Speaker 1>i should say, fairly well written crime and adventure comics

675
00:36:20.599 --> 00:36:26.480
<v Speaker 1>of the era, some full book adventures running twenty some pages,

676
00:36:26.960 --> 00:36:29.639
<v Speaker 1>and some that were, you know, fairly short of six

677
00:36:29.719 --> 00:36:32.920
<v Speaker 1>to ten page story. But it didn't really have any

678
00:36:33.079 --> 00:36:35.679
<v Speaker 1>influence on what went on in the book, what went

679
00:36:35.760 --> 00:36:39.559
<v Speaker 1>on the movies. In fact, the st TV Show in

680
00:36:39.599 --> 00:36:43.320
<v Speaker 1>the nineteen sixties was one of the few that didn't

681
00:36:43.360 --> 00:36:46.519
<v Speaker 1>actually have a comic book associated with it. The Saint

682
00:36:46.639 --> 00:36:52.559
<v Speaker 1>also had a comic strip that ran in newspapers that

683
00:36:53.199 --> 00:36:57.320
<v Speaker 1>both predated and outlasted the comic book. As for the

684
00:36:57.400 --> 00:37:02.599
<v Speaker 1>Green Hornet. That character has pretty much been acquired by Dynamite,

685
00:37:02.639 --> 00:37:05.960
<v Speaker 1>and indeed, if you're interested in the Green Hornet, pretty

686
00:37:06.000 --> 00:37:07.880
<v Speaker 1>much the only way to read.

687
00:37:07.679 --> 00:37:09.440
<v Speaker 2>About him is in comic books.

688
00:37:09.719 --> 00:37:12.159
<v Speaker 1>Though there was that movie a few years back, but

689
00:37:12.239 --> 00:37:17.840
<v Speaker 1>it didn't do particularly well. And Dynamite they actually published

690
00:37:18.000 --> 00:37:22.199
<v Speaker 1>reprints of Golden Age Green Hornet material, and so I've

691
00:37:22.239 --> 00:37:25.159
<v Speaker 1>read all the issues of that that were collected in

692
00:37:25.239 --> 00:37:31.639
<v Speaker 1>their Green Hornet Golden Age Remastered hardcover book, and I

693
00:37:31.679 --> 00:37:35.280
<v Speaker 1>can say that the Green Hornet comic didn't have any

694
00:37:35.440 --> 00:37:39.320
<v Speaker 1>influence on the radio show. It was very much derivative

695
00:37:39.400 --> 00:37:44.480
<v Speaker 1>of the radio show. The approach taken with the comic

696
00:37:44.519 --> 00:37:50.599
<v Speaker 1>book was to fill this sixty four page comic with

697
00:37:51.039 --> 00:37:54.639
<v Speaker 1>six to eight page Green Hornet stories, and they all

698
00:37:54.679 --> 00:38:00.559
<v Speaker 1>basically followed similar Racketbuckstein stories like you here on the

699
00:38:00.679 --> 00:38:04.760
<v Speaker 1>radio show. They just weren't as complex or as well developed.

700
00:38:04.880 --> 00:38:07.400
<v Speaker 1>So I would say the influence of the Green Hornet

701
00:38:07.480 --> 00:38:10.559
<v Speaker 1>comic on the radio show is pretty well nil. But

702
00:38:10.639 --> 00:38:13.119
<v Speaker 1>at any rate, Lindsey, thanks so much for the question

703
00:38:13.320 --> 00:38:15.840
<v Speaker 1>and for the nice cart. I really appreciate it. But

704
00:38:15.960 --> 00:38:18.440
<v Speaker 1>that will do it for today. If you do have

705
00:38:18.480 --> 00:38:21.239
<v Speaker 1>a comment, send it to me Box thirteen at Great

706
00:38:21.239 --> 00:38:25.840
<v Speaker 1>Detectives dot net, follow us on Twitter at Radio Detectives,

707
00:38:25.880 --> 00:38:29.719
<v Speaker 1>and become one of our friends on Facebook, Facebook, dot com,

708
00:38:29.760 --> 00:38:31.239
<v Speaker 1>slash Radiodetectives.

709
00:38:31.840 --> 00:38:33.360
<v Speaker 2>Well, that will do it for today.

710
00:38:33.719 --> 00:38:37.039
<v Speaker 1>Join us next Wednesday for another episode of Philip Marlow,

711
00:38:37.800 --> 00:38:41.480
<v Speaker 1>and coming next Tuesday, it's The Crime Files of Flamond

712
00:38:41.679 --> 00:38:44.679
<v Speaker 1>as our new Tuesday show, and then join us tomorrow

713
00:38:44.760 --> 00:38:48.079
<v Speaker 1>for Nick Carter. In the meanwhile, sendra comments to box

714
00:38:48.119 --> 00:38:52.239
<v Speaker 1>thirteen at Great Detectives dot net, follow us on Twitter

715
00:38:52.280 --> 00:38:56.599
<v Speaker 1>at Radio Detectives, and become one of our friends on Facebook, Facebook,

716
00:38:56.639 --> 00:39:00.639
<v Speaker 1>dot com, Slash Radio Detectives. From Boise, Idaho, this is

717
00:39:00.679 --> 00:39:02.719
<v Speaker 1>your host, Adam Grahamson and off
