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<v Speaker 1>Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. In a moment, we

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<v Speaker 1>are going to bring you this week's episode of Cloak

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<v Speaker 1>and Dagger. But first I do want to encourage you,

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<v Speaker 1>if you're enjoying the podcast, to follow us using your

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<v Speaker 1>favorite podcast software. And remember today's program is brought you

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<v Speaker 1>in part by the financial support of our listeners. You

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<v Speaker 1>can support the show on a one time basis at

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<v Speaker 1>support dot Great Detectives dot net, or become one of

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<v Speaker 1>our ongoing Patreon supporters for as little last two dollars

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<v Speaker 1>per month by going to Patreon dot Great Detectives dot net. Now.

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<v Speaker 1>From August sixth, nineteen fifty here is recommendation from Rummel.

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<v Speaker 2>You willing to undertake a dangerous mission behind the enemy lines,

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<v Speaker 2>knowing you may never return alive.

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<v Speaker 3>What you have just heard is the question asked during

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<v Speaker 3>the war to agents of the OSS. Ordinary citizens to

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<v Speaker 3>this question answered yes, This is Clock and Dagger. Black warfare, espionage,

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<v Speaker 3>international intrigue. These are the weapons of the OSS. Today's

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<v Speaker 3>story recommendation from Rummel about an American OSS agent in

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<v Speaker 3>Italy who almost outsmarted himself, is suggested by actual incidents

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<v Speaker 3>recorded in the Washington fire of the Office of Strategic Services,

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<v Speaker 3>a story that can now be told.

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<v Speaker 4>Hey, come back here. You can't leave me here. I

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<v Speaker 4>demand to see someone in the thirty Let me out

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<v Speaker 4>of here.

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<v Speaker 3>Brother. That was some spot to be in me. Joe

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<v Speaker 3>Donado in a jail seller, Milan, Italy. It was crazy. Well,

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<v Speaker 3>after a while, I got tired of yelling. So I

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<v Speaker 3>sat down on a narrow prison cot and thought back

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<v Speaker 3>to the way it had begun. On a train from

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<v Speaker 3>Verasi to Milan. The French Underground had smuggled me from

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<v Speaker 3>Leon across Switzerland, and I made my way over the border.

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<v Speaker 3>There on, I was on my own, posing as an

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<v Speaker 3>Italian chalk salesman. So I sat back in my compartment,

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<v Speaker 3>lit a European cigarette and blue smoke rings over my

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<v Speaker 3>head to the rack where my shortwave radio was hidden

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<v Speaker 3>in one of the suitcases. All of a sudden, the

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<v Speaker 3>train gave a lunch. One of my suitcases took a

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<v Speaker 3>flying dive to the floor. There was a suitcase with

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<v Speaker 3>a pen knife scar across the leather handle, the one

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<v Speaker 3>with the radio. I was glad I was long in

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<v Speaker 3>that compartment. I couldn't wait to find out if that

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<v Speaker 3>radio was all right. You see, the case was lined

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<v Speaker 3>with a false backy of boxes of chocolates to hide

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<v Speaker 3>the radio. I unfastened the backing and there was the radio.

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<v Speaker 3>It was okay, nothing was broken. And then before I

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<v Speaker 3>could refasten the backing, I heard voices outside the compartment door.

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<v Speaker 3>I didn't have time to refasten the backing. I had

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<v Speaker 3>just enough time to slam the case shut again, slide

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<v Speaker 3>it back up in the rack, and get back in

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<v Speaker 3>my seat. Major, What is this? I was under the

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<v Speaker 3>impression of this compartment was reserved from me alone. There

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<v Speaker 3>must be some mistake, Field Marshal. There was a mistake,

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<v Speaker 3>all right, my mistake in tacking the one compartment on

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<v Speaker 3>the train that have been chosen for Field Marshal Ramo,

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<v Speaker 3>what is the meaning of this? I do not know,

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<v Speaker 3>and you are a measure. There has been a mistake.

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<v Speaker 5>I have a mistake.

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<v Speaker 3>Do not tell me of mistakes. This is your stupidity.

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<v Speaker 3>You had your orders. No, no, I instructed the train. God,

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<v Speaker 3>I will not have this disturbance, you understand, Yes, excellency,

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<v Speaker 3>I am sorry if I have been the cause of

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<v Speaker 3>this I assure you it was quite unintentional. I will

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<v Speaker 3>take my suitcases and may immediately. I'll see if it

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<v Speaker 3>is best you live. I will find you another comput

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<v Speaker 3>Oh wait, it is unnecessary, conductor, gentlemen's already here. There's

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<v Speaker 3>room for both of us, we Germans and Italians must share,

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<v Speaker 3>Is it not so? I perhaps say you would prefer

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<v Speaker 3>your privacy. There's nothing for me to move on. I

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<v Speaker 3>will not hear of it. See where you are?

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<v Speaker 5>Actually I would welcome company. I did test train rides.

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<v Speaker 5>Better arrange the table for me in the dining consci agency.

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<v Speaker 3>You're a stupid Next attention to such a fuss over nothing?

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<v Speaker 3>Tell me your name? Oh my name is Donato. You

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<v Speaker 3>said donat to your excellency. Where you're headed for? S Donato? Oh,

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<v Speaker 3>I am getting off at Milano. See well, we should

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<v Speaker 3>have time to get acquainted. It is time to get

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<v Speaker 3>a quite ed. Great what are we going to talk about?

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<v Speaker 3>Maybe I could get the conversation started by saying Hairfield

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<v Speaker 3>Marshall Ramo, it might interest you to know that I

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<v Speaker 3>am an OSS spy. I am an Italia radio back

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<v Speaker 3>information on your northern supply concentrations. You say you are

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<v Speaker 3>a chocolate salesman. See, my office is in Verona. Here

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<v Speaker 3>is my card, but I'm not in the market for chocolate.

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<v Speaker 3>You may put the car back. Oh it here you

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<v Speaker 3>drop this. Your medical classification in the Fascisty army, you gratchy.

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<v Speaker 3>That was a great disappointment to me, your excellency, But

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<v Speaker 3>you see, an old back injury kept me out of

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<v Speaker 3>the army.

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<v Speaker 5>You must not blame yourself or something you cannot help.

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<v Speaker 3>Still, it is a great disappointment. Yes, I understand, your excellency.

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<v Speaker 5>Yes, Major your table in the dining room, you say, aha,

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<v Speaker 5>look it.

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<v Speaker 3>I will return soon, or we will continue our conversation.

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<v Speaker 3>We had taught ten minutes and I aged ten years.

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<v Speaker 3>I wondered if I should change compartments before he came back. No, no, no,

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<v Speaker 3>that might seem suspicious. I looked out of the window.

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<v Speaker 3>The green rolling hills of citrus and otive trees didn't

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<v Speaker 3>tell me anything. I just crossed my fingers and hoped

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<v Speaker 3>we were coming in them a lot soon. You do

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<v Speaker 3>not see what do you want with me? I do

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<v Speaker 3>not want anything with you. Field Marshall wants to see you,

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<v Speaker 3>and you'd better be quick about it. Oh see, no, no,

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<v Speaker 3>leave your suitcases. Just come with me quickly. You wanted

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<v Speaker 3>to see me, your excellency.

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<v Speaker 5>Yes, sit down there opposite me. Oh gratch, gratch, I

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<v Speaker 5>thought about you after I left the compartment, Senor the

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<v Speaker 5>lot or see see.

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<v Speaker 3>Would you care to join me for coffee? Senor? It

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<v Speaker 3>would be my pleasure.

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<v Speaker 5>Coffee with Piel Marshal Ramel. When I tell the game

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<v Speaker 5>back home about this, I thought.

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<v Speaker 3>There was a am across the aisle, a dab a

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<v Speaker 3>little guy with a waxed mustache. I and Ramel nodded

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<v Speaker 3>to each other, and then a dab a little old

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<v Speaker 3>guy kept watching me, watching me.

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<v Speaker 5>Yeah, I never can get used to this Italian coffee

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<v Speaker 5>with all its chickory.

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<v Speaker 3>Don't suppose I ever will. I would naturally have a

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<v Speaker 3>fondness for it. I have had it all my life.

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<v Speaker 5>Well, was your home originally uh in Urbino, the birthplace

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<v Speaker 5>of Raffia.

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<v Speaker 3>My family is still living there. Would you like to

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<v Speaker 3>see some snapshots, your excellency, Yes, very much, and they

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<v Speaker 3>are right here in my wallet. I hear you see

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<v Speaker 3>that little farm in the valley. It is here, you

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<v Speaker 3>see this is a huge sorry as the pretty child wish. Oh,

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<v Speaker 3>my sister franchise, gay, she looks very much like you. Yea,

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<v Speaker 3>it was interesting, Rama thought. The kid in the picture

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<v Speaker 3>of these snapshots had been made by OSS photographers, and

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<v Speaker 3>an early picture of me had been super imposed over

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<v Speaker 3>the very attractive family group. You know, I've taken quite

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<v Speaker 3>a fancy to you. Oh tell me, Uh these chocolates yourself?

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<v Speaker 3>Are they any good? Oh? See that very good? Not? No?

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<v Speaker 6>No, no, no, well surely well one two of them

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<v Speaker 6>would not be mister. Is it all right with you

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<v Speaker 6>if I sent my adjutant to get one of the suitcases? Yes,

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<v Speaker 6>we Germans and Italians must share.

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<v Speaker 3>No, No, it's perfectly all right. Only I will get

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<v Speaker 3>them myself.

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<v Speaker 5>No, I wanted the don't need major go to the compartment,

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<v Speaker 5>bring one of the No, no, it is foolish to

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<v Speaker 5>send him.

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<v Speaker 3>I can easily go myself. No, no, how insist.

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<v Speaker 5>We would have so little time for talking before the

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<v Speaker 5>train stops at Milando.

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<v Speaker 3>I had no choice. I had to sit there and

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<v Speaker 3>sweat it out, just pray that the adjutant brought back

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<v Speaker 3>the right case. I felt as if there were a

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<v Speaker 3>band of steel around my head that kept getting tighter

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<v Speaker 3>and tighter. What is it, my friend? Are you not

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<v Speaker 3>feeling well? Oh, it is very hot in here, is

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<v Speaker 3>it not?

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<v Speaker 5>Yes, it is unfortunately. Yes, Perhaps I should quot the

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<v Speaker 5>conductor and have it. Oh yeah, the Major returns with

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<v Speaker 5>your samper case. The first thing I looked at when

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<v Speaker 5>the Major put the case in my lap was the handle.

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<v Speaker 5>There was a long scar in the letter. It was

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<v Speaker 5>the one with the radio. You know I've always had

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<v Speaker 5>a fondness for chocolates. Well, come open it. Well the

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<v Speaker 5>catch it. It seems to be stuck.

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<v Speaker 3>Surely you can fix it. Oh see, see, of course

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<v Speaker 3>that is a I will try. Dear to me, what

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<v Speaker 3>what I have? An excellently depend Now, perhaps I can

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<v Speaker 3>adjust the lot? No, no, no, no, no, I I

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<v Speaker 3>will get it in the moment, I'm sure I Oh, Milano,

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<v Speaker 3>that is my stop, Your excellency so soon? What a pity? Well,

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<v Speaker 3>if if you wish, I will stay until the next station.

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<v Speaker 3>All this for you take a buzz ball O. No, no, no,

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<v Speaker 3>I would not think of it. It is too kind

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<v Speaker 3>of you to suggest it.

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<v Speaker 5>We must say. I'll be the same Lefield Marshall Rommel.

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<v Speaker 5>It has been a great honor. I hurried back to

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<v Speaker 5>the compartment to get my coat, and hat, and then

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<v Speaker 5>on an impulse, I grabbed the other case of the

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<v Speaker 5>wreck and as the train stopped, I turned and ran

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<v Speaker 5>back toward the dining room.

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<v Speaker 3>Then you, then you, I know, I know I'm getting

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<v Speaker 3>off in a minute.

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<v Speaker 7>No momento, Yeah Hill Marshall, senor do not do I

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<v Speaker 7>did not expect to see you, fair, your excellency, if

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<v Speaker 7>you will permit me a hideous this case of chocolate,

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<v Speaker 7>oh for your you see, luck works now.

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<v Speaker 3>Than gluts it multi grots you. If I passed through Milano,

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<v Speaker 3>I would look you up. I don't know where I'd

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<v Speaker 3>be staying, Sir. It is not difficult for the police

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<v Speaker 3>to find the man.

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<v Speaker 5>I'll be the same, And with this pleasant thought, I

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<v Speaker 5>left him glad.

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<v Speaker 3>To get off that train. You don't need oss training

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<v Speaker 3>to tell you when someone's following you. It's an instinctive

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<v Speaker 3>feeling you get. I started to walk a little faster,

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<v Speaker 3>and the footsteps behind me quickly too. I passed a

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<v Speaker 3>small coffee shop, and through the reflection in the window,

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<v Speaker 3>I could see coming after me the man in the

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<v Speaker 3>dining car who had never taking his eyes off me,

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<v Speaker 3>the dapple little guy with a mustache. He and Ramel

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<v Speaker 3>had nodded to each other. Was it a signal? Did

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<v Speaker 3>Ramel just trying to string me along? He broke into

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<v Speaker 3>Iran Signor. I didn't tend to stop until I got

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<v Speaker 3>Then maybe I could use some.

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<v Speaker 2>Of the crowd. I said, wait, wait to stop him

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<v Speaker 2>with somebody?

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<v Speaker 3>God, what are you doing? Open that gate? I am sorry, Senor,

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<v Speaker 3>this gate is closed, and now use the south day

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<v Speaker 3>But I am sorry, this gate is closed, Senor. I've

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<v Speaker 3>had such trouble catching Hapo with you. Who are you?

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<v Speaker 3>Allow me?

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<v Speaker 2>Allow me to introduce myself. I am at the Count

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<v Speaker 2>Pietro imperially.

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<v Speaker 3>What do you want with me?

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<v Speaker 2>Well, I noticed you were having coffee on the train

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<v Speaker 2>with Phield Marshall or Rammel himself. I'm a great admirer

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<v Speaker 2>of the Marshall, and I have a nodding acquaintance with him.

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<v Speaker 3>Or say, what has that to do with me?

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<v Speaker 2>Well, I have to know, Signor that Roma does not

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<v Speaker 2>make friends easily. And so when I saw you two together,

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<v Speaker 2>I I mean, ko, would you do me the extreme

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<v Speaker 2>honor of joining me at my palace for dinner this evening?

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<v Speaker 2>It would be a great pleasure to entertain a good

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<v Speaker 2>friend of Romans.

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<v Speaker 3>As the long black limousine drove up to the palace.

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<v Speaker 3>I felt like a visitor of the Middle Ages. The

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<v Speaker 3>gray stone steps were hallowed age this way signor. The

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<v Speaker 3>lower windows were blazing with life and till told you

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<v Speaker 3>set in brackets like the doors. Quiet, quiet, quiet. The

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<v Speaker 3>flaws are made of color a marble. On the walls

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<v Speaker 3>hung ancient tapestries with scenes in the Old Testament. I

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<v Speaker 3>walked through past a line of servants. My mouth was

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<v Speaker 3>open at all this grandeur, and I walked right into

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<v Speaker 3>a sud of Mama, excuse me, goma, mico, mio, dinner

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<v Speaker 3>is waiting. Ah, that was a delicious dinner. Gratchy cant

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<v Speaker 3>imperially molt. I'm delighted you enjoyed it.

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<v Speaker 2>Now we will sit here in the library and talk

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<v Speaker 2>of ramel siicatto.

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<v Speaker 3>Gratch You no tell me what was he like? What

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<v Speaker 3>did he say?

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<v Speaker 2>Oh?

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<v Speaker 3>We merely exchanged pleasantries, Great leader, great chief. Once when

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<v Speaker 3>he was in mid and he kept looking. He was lively.

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<v Speaker 3>He was I want to set up my basket games. However,

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<v Speaker 3>while this was being introduced to Alan and a while away,

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<v Speaker 3>what was that little brandy? Oh, no, no brand, what

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<v Speaker 3>is it? Bobo?

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<v Speaker 8>What's the matter, Good evening, Count Pale, They told me

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<v Speaker 8>you were here.

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<v Speaker 3>You see Bobo, it is only Antonio.

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<v Speaker 2>Gum my, dear, I would I would like you to

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<v Speaker 2>meet a friend, see Senior Giuseppe Donato, great friend of Rammers.

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<v Speaker 8>I am impressed. The pleasure is mine.

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<v Speaker 3>Gave Bill a quest. My secretary is very pretty.

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<v Speaker 8>Your lordship, there is a call on your private phone

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<v Speaker 8>in a small library.

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<v Speaker 2>Oh see, I will return. It will give you two

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<v Speaker 2>a chance to get acquired.

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<v Speaker 3>Riet Bobo, eh multe bella signorina. You are very pretty.

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<v Speaker 3>Counting pettyally was right?

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<v Speaker 8>Did you find yourself faced into that compliments in your

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<v Speaker 8>own No?

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<v Speaker 3>No, no, not at all. We Italians are proud of

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<v Speaker 3>our beautiful women, and it is impossible not to notice

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<v Speaker 3>how well you represent them.

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<v Speaker 8>Where do you live in Milano?

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<v Speaker 5>No?

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00:17:48.920 --> 00:17:52.359
<v Speaker 3>No, no, I'm here on business.

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<v Speaker 8>Where are you staying?

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<v Speaker 3>Oh? I only arrived today. I've made no plans yet.

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<v Speaker 8>You are the count secretary, his personal secretary. Since the

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<v Speaker 8>Countess passed on, I attend to all arrangements for his

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<v Speaker 8>banquets and receptions, as well as his personal correspondence. Oh oh,

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<v Speaker 8>I see he is on grand signor. I am very

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<v Speaker 8>fond of him. I remember how disappointed he was when

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<v Speaker 8>Field Marshall Romel failed to attend a reception he planned

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<v Speaker 8>for him.

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<v Speaker 3>Why I know he told me that he is.

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<v Speaker 8>A great admirer of Ramel. So am I tell me

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<v Speaker 8>about him?

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<v Speaker 3>Signor?

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<v Speaker 8>Does he intend to come to Milano soon? Perhaps we

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<v Speaker 8>can plan something else in his honor.

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<v Speaker 3>I don't know his intentions.

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<v Speaker 8>Perhaps he is returning to Africa immediately.

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<v Speaker 3>I don't know that either. Here, well, I.

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<v Speaker 2>See you two have become acquainted, eh Martabne your lordship.

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<v Speaker 8>Since the Signor is staying in Milano, shall I give

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<v Speaker 8>him the name of a good hotel.

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00:19:01.839 --> 00:19:06.839
<v Speaker 2>Hotel with forty rooms here, most of them empathy, I

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00:19:06.880 --> 00:19:10.680
<v Speaker 2>should say not. You will stay here at me comello

289
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<v Speaker 2>as long as you want.

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<v Speaker 3>GRATCHI molta gentile. I'm very grateful. They gave me a

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00:19:20.160 --> 00:19:24.119
<v Speaker 3>sweet to myself, with a tremendous canopy dead and a

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00:19:24.240 --> 00:19:27.680
<v Speaker 3>sculptured rug on the floor. Through the casement window I

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00:19:27.680 --> 00:19:31.359
<v Speaker 3>could see the Piazza Sundial, the narrow streets of Milan,

294
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<v Speaker 3>and off in the distance the Church of Santa Maria

295
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<v Speaker 3>del Grazia. Who was going to look for an American

296
00:19:37.759 --> 00:19:41.039
<v Speaker 3>spy and I set up like that. Who was my order?

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<v Speaker 3>Every night? I patted the radio on the suitcase and

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<v Speaker 3>hoped i'd have a message to send back soon. A

299
00:19:47.880 --> 00:19:51.200
<v Speaker 3>few days later, counting Piiali asked me to walk to

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<v Speaker 3>his office with him.

301
00:19:53.039 --> 00:19:57.160
<v Speaker 2>Ah, this Italian summer makes me feel ten years younger.

302
00:19:57.640 --> 00:19:59.519
<v Speaker 2>You know, if I were twenty years younger, I would

303
00:19:59.599 --> 00:20:03.119
<v Speaker 2>be more tended to that dock E had secretary of mine.

304
00:20:03.359 --> 00:20:07.880
<v Speaker 3>I don't blame you. She seems to have taken an

305
00:20:07.960 --> 00:20:11.039
<v Speaker 3>interest in you. Oh that's all she is.

306
00:20:11.119 --> 00:20:14.599
<v Speaker 2>See, she's a keep on to ask questions about you.

307
00:20:15.039 --> 00:20:17.759
<v Speaker 3>See you still have not told me why you want

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00:20:17.799 --> 00:20:18.920
<v Speaker 3>to see me at your office.

309
00:20:19.279 --> 00:20:22.799
<v Speaker 2>I refuse to speak business at the home, never do.

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00:20:23.200 --> 00:20:26.599
<v Speaker 3>And your business I don't know that either. You will

311
00:20:27.680 --> 00:20:29.480
<v Speaker 3>soon enough come.

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00:20:30.000 --> 00:20:33.240
<v Speaker 2>My office is in the municipal building across the square.

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<v Speaker 3>I followed him across the square, over the fen and cobblestones.

314
00:20:39.359 --> 00:20:42.799
<v Speaker 3>Everywhere around me were black shirted for shisty. I wondered

315
00:20:42.799 --> 00:20:44.599
<v Speaker 3>if my good luck so far had made me too

316
00:20:44.640 --> 00:20:47.799
<v Speaker 3>sure of myself. I followed him up the stairs the

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00:20:47.880 --> 00:20:53.200
<v Speaker 3>municipal building, down the narrow corridor, and we started the

318
00:20:53.400 --> 00:20:56.559
<v Speaker 3>door third from the end, and then I know what

319
00:20:56.640 --> 00:21:03.200
<v Speaker 3>his business was. Superintendent of police, brego, I beg of you,

320
00:21:04.079 --> 00:21:08.519
<v Speaker 3>please go in, count Imperiality. I don't understand. Now you

321
00:21:08.640 --> 00:21:09.480
<v Speaker 3>know my business.

322
00:21:10.200 --> 00:21:16.079
<v Speaker 2>I am superintendent of police, often an unpleasant occupation. Come in,

323
00:21:17.960 --> 00:21:19.359
<v Speaker 2>I said, come in.

324
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<v Speaker 3>That's right.

325
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<v Speaker 2>I wanted to see you here because it's necessary for

326
00:21:29.319 --> 00:21:33.759
<v Speaker 2>us to have a little talk about you and the police.

327
00:21:34.640 --> 00:21:38.559
<v Speaker 3>What have I to do with the police. How would

328
00:21:38.599 --> 00:21:42.160
<v Speaker 3>you like to work for me? Come? Come, come, don't

329
00:21:42.160 --> 00:21:48.319
<v Speaker 3>look so startled work for you as a member of

330
00:21:48.359 --> 00:21:49.200
<v Speaker 3>the police.

331
00:21:49.440 --> 00:21:54.000
<v Speaker 2>But of course, perhaps this communication from a Rama will

332
00:21:54.039 --> 00:21:58.759
<v Speaker 2>explain gratch. As you can see, it's a request from

333
00:21:58.839 --> 00:22:02.240
<v Speaker 2>him for me to locate you in Milano and offer

334
00:22:02.279 --> 00:22:05.680
<v Speaker 2>you this position. He's obviously very fond of you, great

335
00:22:05.759 --> 00:22:08.640
<v Speaker 2>Chief Rommel, and he knows how badly you feel about

336
00:22:08.680 --> 00:22:10.880
<v Speaker 2>your medical classification in the army.

337
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<v Speaker 3>Ah.

338
00:22:14.240 --> 00:22:18.920
<v Speaker 2>I don't know what to say, just to say you accept. Ordinarily,

339
00:22:18.960 --> 00:22:21.480
<v Speaker 2>of course I would have to make extensive research into

340
00:22:21.559 --> 00:22:27.160
<v Speaker 2>your background before offering you this position. But the personal

341
00:22:27.200 --> 00:22:31.279
<v Speaker 2>recommendation from Ramel hardly makes that necessary. But what do

342
00:22:31.359 --> 00:22:39.119
<v Speaker 2>you say, amico mio? What do you think I said?

343
00:22:40.000 --> 00:22:42.799
<v Speaker 3>I said yes in a hurry, and when I left

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<v Speaker 3>the office later, I had a badge in everything. Ever

345
00:22:45.720 --> 00:22:47.960
<v Speaker 3>since I bought the train of Verace, I had one

346
00:22:48.000 --> 00:22:50.720
<v Speaker 3>bad scare after another, but so far nothing had happened.

347
00:22:51.200 --> 00:22:53.240
<v Speaker 3>I was beginning to feel I had a charmed life

348
00:22:54.400 --> 00:23:00.200
<v Speaker 3>until I got back to my suite at the palace. Antonia, Ah,

349
00:23:01.359 --> 00:23:02.680
<v Speaker 3>what are you doing with that suitcase?

350
00:23:03.640 --> 00:23:07.000
<v Speaker 8>These are excellent chocolates? Will you have one?

351
00:23:07.400 --> 00:23:08.599
<v Speaker 3>What right have you in here?

352
00:23:09.839 --> 00:23:13.200
<v Speaker 8>I was curious about you. I found out I had

353
00:23:13.240 --> 00:23:16.559
<v Speaker 8>reason to be curious. I'd like you to meet two friends,

354
00:23:16.640 --> 00:23:17.680
<v Speaker 8>Jacamo and Mario.

355
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<v Speaker 3>For the first time I saw them, two men standing

356
00:23:21.680 --> 00:23:23.839
<v Speaker 3>half hidden the shadows of the big room. And now

357
00:23:23.920 --> 00:23:26.400
<v Speaker 3>the chair before Antonya was my suitcase. She turned it

358
00:23:26.440 --> 00:23:29.279
<v Speaker 3>around so I could see the inside. The backing was off,

359
00:23:29.359 --> 00:23:32.440
<v Speaker 3>the radio was gone. Who are these men? What is this?

360
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<v Speaker 3>Do not be afraid. I don't know what's right. When

361
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<v Speaker 3>she said we were thrain but.

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<v Speaker 8>This was a foolhardy place to leave your radio, Americano,

363
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<v Speaker 8>I found a better hiding place in the wall, safe

364
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<v Speaker 8>of an unused room in the palace. It is all right,

365
00:23:48.599 --> 00:23:53.279
<v Speaker 8>sing your donato. We are partisans, members of the underground.

366
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<v Speaker 3>You you just stand there and tell me this. Why not?

367
00:23:58.000 --> 00:24:00.640
<v Speaker 3>The American radio has given us proof who you are,

368
00:24:01.559 --> 00:24:04.920
<v Speaker 3>no doctor, you want a proof of who we are? Escort,

369
00:24:06.119 --> 00:24:08.720
<v Speaker 3>I'm listening. We will tell you all that you came

370
00:24:08.759 --> 00:24:11.640
<v Speaker 3>here to find out. All you have to do is

371
00:24:11.680 --> 00:24:14.599
<v Speaker 3>to ask and we will answer. We will answer even

372
00:24:14.640 --> 00:24:15.359
<v Speaker 3>before you ask.

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<v Speaker 8>The Nazis are using northern Italy as a supply base

374
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<v Speaker 8>for the Africa Core. In fact, Ramo is expecting air

375
00:24:21.720 --> 00:24:24.240
<v Speaker 8>reinforcements to leave here at the end of the week.

376
00:24:24.519 --> 00:24:27.079
<v Speaker 3>How many plans? Seventy five bombers? Where are they in

377
00:24:27.160 --> 00:24:30.839
<v Speaker 3>a field that caravet You're ten miles west? You wanted

378
00:24:30.880 --> 00:24:33.359
<v Speaker 3>my police there was an altitude bomb there? Did you

379
00:24:33.400 --> 00:24:33.880
<v Speaker 3>find it?

380
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<v Speaker 8>Is this what you mean?

381
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<v Speaker 3>Yes? Is there anyone in the underground who can duplicate it?

382
00:24:39.480 --> 00:24:42.319
<v Speaker 3>The professor of chemistry in the University of Milando is

383
00:24:42.640 --> 00:24:45.400
<v Speaker 3>a train. What you see, if you remove the pin

384
00:24:45.440 --> 00:24:48.039
<v Speaker 3>from these bombs and plant them in an airplane, they'll

385
00:24:48.079 --> 00:24:50.839
<v Speaker 3>explode automatically when the ship gains altitude. We will let

386
00:24:50.880 --> 00:24:53.000
<v Speaker 3>you know when you can see the fireworks. Oh oh,

387
00:24:53.160 --> 00:24:58.759
<v Speaker 3>and another bit of information. See it might interest you

388
00:24:58.839 --> 00:25:02.799
<v Speaker 3>to know that you have been talking to a member

389
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<v Speaker 3>of the FASCISTI secret police.

390
00:25:12.319 --> 00:25:17.680
<v Speaker 2>Anthonia, you look more lovely than ever this evening, my lord,

391
00:25:17.920 --> 00:25:22.240
<v Speaker 2>and you and Miko, where are you going before it drive?

392
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<v Speaker 3>Sir?

393
00:25:24.039 --> 00:25:27.039
<v Speaker 2>How wonderful it must be to be young again, especially

394
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<v Speaker 2>in the summer.

395
00:25:28.319 --> 00:25:33.920
<v Speaker 3>Well, go and enjoy yourselves. Oh we will, We are

396
00:25:34.319 --> 00:25:35.160
<v Speaker 3>sure we will.

397
00:25:45.240 --> 00:25:47.480
<v Speaker 8>It is fortunate the Count and not invite himself a.

398
00:25:47.400 --> 00:25:49.799
<v Speaker 3>Long You're sure we can see everything from this hilltop,

399
00:25:49.920 --> 00:25:50.319
<v Speaker 3>very sure.

400
00:25:50.880 --> 00:25:53.680
<v Speaker 8>When the planes take off from Carabicho after midnight, we

401
00:25:53.720 --> 00:25:55.240
<v Speaker 8>will see them.

402
00:25:55.319 --> 00:25:59.119
<v Speaker 3>It's cool up here on this hill.

403
00:26:00.200 --> 00:26:03.240
<v Speaker 8>Not cool enough to offer you an excuse to put

404
00:26:03.279 --> 00:26:04.240
<v Speaker 8>your arm around me.

405
00:26:04.559 --> 00:26:07.440
<v Speaker 3>Oh you remember what the Count said. We are young.

406
00:26:07.920 --> 00:26:16.759
<v Speaker 3>It is summer in your business, business, Scott, listen the plans.

407
00:26:17.960 --> 00:26:27.079
<v Speaker 3>They are taking off any minute now, any minute. What

408
00:26:27.200 --> 00:26:28.079
<v Speaker 3>if something happened.

409
00:26:29.319 --> 00:26:31.119
<v Speaker 8>But if they weren't able to plant those bombs?

410
00:26:32.400 --> 00:26:33.960
<v Speaker 1>What if?

411
00:26:36.079 --> 00:26:36.680
<v Speaker 3>What if?

412
00:26:36.799 --> 00:26:42.759
<v Speaker 9>He Although this seems a poor way to repay Ramel

413
00:26:42.960 --> 00:26:50.400
<v Speaker 9>for his hospitality, Rammel didn't get his seventy five of

414
00:26:50.400 --> 00:26:54.279
<v Speaker 9>Obamas no sky protection, and that played a part when

415
00:26:54.319 --> 00:26:56.079
<v Speaker 9>he was thrown back from l A La Main a

416
00:26:56.079 --> 00:26:56.880
<v Speaker 9>short month later.

417
00:26:57.960 --> 00:27:00.559
<v Speaker 3>The OSAs continue to get total information or then Italy

418
00:27:00.640 --> 00:27:05.319
<v Speaker 3>supply concentrations, troop movements, and underground activities. Each time police

419
00:27:05.359 --> 00:27:08.880
<v Speaker 3>triangulation detected my radio antenna, I, as a member of

420
00:27:08.880 --> 00:27:11.839
<v Speaker 3>the secret Police, would lead a raid. Having first as

421
00:27:11.839 --> 00:27:15.160
<v Speaker 3>a member of the underground moved into another spot. And

422
00:27:15.160 --> 00:27:19.240
<v Speaker 3>then one day the Americans took over Milan. I walked

423
00:27:19.240 --> 00:27:21.680
<v Speaker 3>into G two headquarters to give them a personal work.

424
00:27:23.319 --> 00:27:26.039
<v Speaker 3>What do you mean just walking into my office like this? Sergeant?

425
00:27:26.039 --> 00:27:28.279
<v Speaker 3>Who is this? I'm sorry, Major, I couldn't stop them.

426
00:27:29.359 --> 00:27:31.799
<v Speaker 3>Where the black shirt he's wearing? Whoever he is, I

427
00:27:31.799 --> 00:27:34.200
<v Speaker 3>don't like him. Now. Wait, man, wait a minute. You

428
00:27:34.240 --> 00:27:37.920
<v Speaker 3>boys got me wrong. When I came to tell your name, Donado, Lieutenant,

429
00:27:38.000 --> 00:27:41.359
<v Speaker 3>just me, Joe Donato. Look, you don't understand I'm a

430
00:27:41.359 --> 00:27:44.880
<v Speaker 3>member of the OSS. Yeah, sure, he's a member. Look, Mac,

431
00:27:44.960 --> 00:27:48.039
<v Speaker 3>that's enough, Sergeant Donato. According to our list, you're a

432
00:27:48.119 --> 00:27:51.200
<v Speaker 3>high ranking member of the Fascisti Police. Thanks for giving

433
00:27:51.240 --> 00:27:55.680
<v Speaker 3>yourself up. I'm not giving myself up. That's what you think, Mac,

434
00:27:56.000 --> 00:27:57.640
<v Speaker 3>I tell you I'm a member of the US. They

435
00:27:57.720 --> 00:28:00.720
<v Speaker 3>have your full record. Donato in his own report Theisty

436
00:28:00.759 --> 00:28:04.160
<v Speaker 3>headquarters count Imperial I thought very highly. I don't care

437
00:28:04.200 --> 00:28:07.119
<v Speaker 3>what he thought. The files we found a personal recommendation

438
00:28:07.200 --> 00:28:11.799
<v Speaker 3>from Ramel about you, a personal recommendation from raml and

439
00:28:11.839 --> 00:28:15.119
<v Speaker 3>you expect us to believe you're a member of the OSS.

440
00:28:15.279 --> 00:28:18.720
<v Speaker 10>But you you hate came always Sergeant bro I'm in jail.

441
00:28:18.720 --> 00:28:29.000
<v Speaker 10>You can't do this way, all right? To my congressman, Hey,

442
00:28:29.079 --> 00:28:32.319
<v Speaker 10>come back, I demand to see someone the thirty.

443
00:28:33.000 --> 00:28:33.920
<v Speaker 4>Let me out of here.

444
00:28:34.799 --> 00:28:38.000
<v Speaker 3>I stand on my constitutional rights. Let me out of here.

445
00:28:46.200 --> 00:28:49.640
<v Speaker 3>A week later, OSS in London sent verification on Lieutenant

446
00:28:49.720 --> 00:28:53.559
<v Speaker 3>Joseph Donato, and an embarrassed g two Headquarters released him

447
00:28:53.559 --> 00:28:56.920
<v Speaker 3>from jail. Thus, once again, the report of another agent

448
00:28:57.000 --> 00:29:01.079
<v Speaker 3>closed with the words mission accomplished. Listen again next week

449
00:29:01.119 --> 00:29:04.039
<v Speaker 3>for another true adventure from the files of Oss on

450
00:29:05.359 --> 00:29:06.759
<v Speaker 3>Folk and Dagger.

451
00:29:20.640 --> 00:29:24.960
<v Speaker 11>Heard in today's Cloakndagger adventurer as Joe As, Ralph Bell, Rammel,

452
00:29:25.160 --> 00:29:29.440
<v Speaker 11>Barry Kroger, the Count Arnold Moss, Antonia Jan Minor, the

453
00:29:29.519 --> 00:29:30.680
<v Speaker 11>Colonel Raymond.

454
00:29:30.519 --> 00:29:31.200
<v Speaker 3>Edward Johnson.

455
00:29:31.559 --> 00:29:34.960
<v Speaker 11>Others were Boris Aplin, Jerry Jarrett and Carl Weber. The

456
00:29:35.000 --> 00:29:38.200
<v Speaker 11>script was written by Winnifred Wolf and Jack Gordon. Music

457
00:29:38.279 --> 00:29:41.640
<v Speaker 11>was under the direction of John Guart. Today's true OSS

458
00:29:41.720 --> 00:29:45.000
<v Speaker 11>Adventure was based on the book Cloakandagger by Cory Ford

459
00:29:45.039 --> 00:29:48.440
<v Speaker 11>and Alistair McMain. This program is directed by Lewis G.

460
00:29:48.599 --> 00:29:51.640
<v Speaker 11>Cohn and Alfred Hollander, under the direction and supervision of

461
00:29:51.680 --> 00:29:52.839
<v Speaker 11>Sherman Marx.

462
00:29:54.480 --> 00:29:55.119
<v Speaker 3>Programs.

463
00:29:55.160 --> 00:29:59.440
<v Speaker 11>Get Your Programs Here, Action and ADVENTURER Yours Tonight one

464
00:29:59.480 --> 00:30:01.759
<v Speaker 11>thousand Dollar We Want offers the mystery for you to

465
00:30:01.799 --> 00:30:04.319
<v Speaker 11>solve at home for a three thousand dollars cash prize

466
00:30:04.599 --> 00:30:05.759
<v Speaker 11>bought by the Corps.

467
00:30:05.759 --> 00:30:06.400
<v Speaker 3>Said Ouch.

468
00:30:06.480 --> 00:30:09.400
<v Speaker 11>Tonight's case on the Saints, and then Sam Spade solves

469
00:30:09.400 --> 00:30:13.000
<v Speaker 11>another exciting caper searching for the bell King Solomon used

470
00:30:13.039 --> 00:30:16.880
<v Speaker 11>to call his wives. That's tonight on NBC. No, I'll

471
00:30:16.880 --> 00:30:20.759
<v Speaker 11>stay tuned for High Adventure and The Big Guy on NBC.

472
00:30:27.720 --> 00:30:28.480
<v Speaker 3>Welcome Back.

473
00:30:28.599 --> 00:30:32.000
<v Speaker 1>A few weeks back, someone said you couldn't really do

474
00:30:32.119 --> 00:30:35.079
<v Speaker 1>a lot of episode of this series. Well, the writers

475
00:30:35.119 --> 00:30:38.759
<v Speaker 1>proved them wrong because this was great. Our hero was like,

476
00:30:38.960 --> 00:30:42.400
<v Speaker 1>I thought I'd lived a charmed life, and then it

477
00:30:42.440 --> 00:30:45.359
<v Speaker 1>turned out it was the Partisans who found his radio,

478
00:30:45.519 --> 00:30:47.599
<v Speaker 1>and so it was like, yeah, you really didn't have

479
00:30:47.680 --> 00:30:51.440
<v Speaker 1>a charmed life. But then the final twist did show

480
00:30:51.519 --> 00:30:54.079
<v Speaker 1>him finally get into trouble, and that made me laugh.

481
00:30:54.519 --> 00:30:58.680
<v Speaker 1>He needed some misadventure to balance that out and definitely

482
00:30:58.720 --> 00:31:02.000
<v Speaker 1>got it. And this was all because of a friendly

483
00:31:02.480 --> 00:31:06.039
<v Speaker 1>encounter with Ramo and him taking the time to get

484
00:31:06.119 --> 00:31:10.359
<v Speaker 1>him the chocolates. It's such a great story and somewhat

485
00:31:10.359 --> 00:31:15.559
<v Speaker 1>of an uncharacteristic role for Bell, and particularly here where

486
00:31:15.559 --> 00:31:18.599
<v Speaker 1>he gets to play the protagonists where we tend to

487
00:31:18.680 --> 00:31:22.160
<v Speaker 1>hear him a lot in character roles. So good stuff. Well,

488
00:31:22.240 --> 00:31:25.519
<v Speaker 1>listener comments and feedback now, and we have a comment

489
00:31:25.640 --> 00:31:30.079
<v Speaker 1>on Spotify regarding the secret Box from Mechanics sixty six.

490
00:31:30.519 --> 00:31:34.319
<v Speaker 1>Why did he keep saving Sabby? Did he think they

491
00:31:34.400 --> 00:31:38.160
<v Speaker 1>spoke spanished? These guys surely were not Seal Team candidates.

492
00:31:39.640 --> 00:31:43.680
<v Speaker 1>I would guess that what they were saying or trying

493
00:31:43.720 --> 00:31:49.559
<v Speaker 1>to say is do you save save? Which could be

494
00:31:49.640 --> 00:31:54.599
<v Speaker 1>a term used in certain West Indian islands, which means

495
00:31:54.640 --> 00:31:57.799
<v Speaker 1>do you understand what was said? That was the way

496
00:31:57.880 --> 00:32:01.680
<v Speaker 1>I took that particular phrase. Now, I will admit that

497
00:32:01.839 --> 00:32:04.880
<v Speaker 1>some of the OSS agents are not up to the

498
00:32:04.920 --> 00:32:11.920
<v Speaker 1>standards of our modern intelligence operatives and what we expect

499
00:32:11.920 --> 00:32:15.920
<v Speaker 1>from them based on popular culture and also what we

500
00:32:16.039 --> 00:32:21.079
<v Speaker 1>have read in books that are about their true operations.

501
00:32:21.359 --> 00:32:26.119
<v Speaker 1>But that's one of the appeals of the OSS while

502
00:32:26.160 --> 00:32:33.400
<v Speaker 1>these people did have specialized training, they came from civilian backgrounds,

503
00:32:33.440 --> 00:32:39.319
<v Speaker 1>and there's a bit of an everyman nature about the

504
00:32:39.359 --> 00:32:42.759
<v Speaker 1>way that the organization worked during the war and the

505
00:32:42.799 --> 00:32:48.279
<v Speaker 1>way individual operatives handled themselves in this situation where you

506
00:32:48.440 --> 00:32:52.720
<v Speaker 1>did not have things as well established as they are today.

507
00:32:53.119 --> 00:32:56.519
<v Speaker 1>And then we have a comment on YouTube from Sasoff

508
00:32:57.319 --> 00:33:01.839
<v Speaker 1>on the episode The Trap, Raymond Edward Johnson, Ralph Bell,

509
00:33:02.039 --> 00:33:05.559
<v Speaker 1>and Everett Sloan all in one episode together, three of

510
00:33:05.599 --> 00:33:10.160
<v Speaker 1>the greatest old time radio talents, all in one place. Well,

511
00:33:10.200 --> 00:33:13.119
<v Speaker 1>thanks so much, say Sov. And I emphasized that over

512
00:33:13.160 --> 00:33:17.400
<v Speaker 1>the last couple of weeks you had some more prominent

513
00:33:17.519 --> 00:33:22.680
<v Speaker 1>stars on the program, but that is not to in

514
00:33:22.720 --> 00:33:28.160
<v Speaker 1>any way disrespect the great cast of actors who they

515
00:33:28.319 --> 00:33:32.519
<v Speaker 1>had coming back to the series week after week. Because

516
00:33:32.759 --> 00:33:39.359
<v Speaker 1>these performers were the backbone of the New York radio industry.

517
00:33:39.519 --> 00:33:43.799
<v Speaker 1>They were in so many programs and were so versatile

518
00:33:43.960 --> 00:33:46.960
<v Speaker 1>and talented, and in some ways, I do think they

519
00:33:47.079 --> 00:33:52.200
<v Speaker 1>may be more appreciated by the old time radio fandom

520
00:33:52.240 --> 00:33:55.640
<v Speaker 1>that we have today than they were in the modern audiences,

521
00:33:55.960 --> 00:34:00.279
<v Speaker 1>because we're able to consume so much more of it

522
00:34:00.039 --> 00:34:03.240
<v Speaker 1>and in such a volume and be able to spot, hey,

523
00:34:03.359 --> 00:34:07.400
<v Speaker 1>Ralph Bell is doing so much work and really and

524
00:34:07.480 --> 00:34:12.280
<v Speaker 1>can play all these great characters. And those who did

525
00:34:12.559 --> 00:34:17.599
<v Speaker 1>survive into the seventies and eighties at least got to

526
00:34:18.760 --> 00:34:22.599
<v Speaker 1>hear a lot of that and realize how much their

527
00:34:22.639 --> 00:34:26.000
<v Speaker 1>work was remembered and appreciated, and certainly Ralph Bell was

528
00:34:26.039 --> 00:34:28.800
<v Speaker 1>on that list, particularly as he got to work a

529
00:34:28.840 --> 00:34:32.960
<v Speaker 1>lot in the CBS Radio Mystery Theater as well. All right, well,

530
00:34:33.000 --> 00:34:35.719
<v Speaker 1>now it's time to thank our Patreon supporter of the day,

531
00:34:35.760 --> 00:34:38.039
<v Speaker 1>and I want to go ahead and think Denise, Patreon

532
00:34:38.119 --> 00:34:42.239
<v Speaker 1>supporter since March twenty twenty five, currently supporting the podcast

533
00:34:42.320 --> 00:34:44.679
<v Speaker 1>at the secret Agent level of four dollars or more

534
00:34:44.719 --> 00:34:47.440
<v Speaker 1>per month. Thanks so much for your support, Denise, and

535
00:34:47.480 --> 00:34:50.400
<v Speaker 1>that will do it for today. If you're enjoying the podcast,

536
00:34:50.519 --> 00:34:55.079
<v Speaker 1>please follow us using your favorite podcast software, and if

537
00:34:55.119 --> 00:35:00.719
<v Speaker 1>you're only listening to The Great Detectives subscribe to The

538
00:35:00.719 --> 00:35:05.320
<v Speaker 1>Great Adventurers. To here our Tuesday podcast, which will feature

539
00:35:05.360 --> 00:35:09.000
<v Speaker 1>the interplanetary adventures of Flash Gordon, and of course we

540
00:35:09.079 --> 00:35:13.880
<v Speaker 1>will be back next Saturday with another episode of Cloak

541
00:35:13.880 --> 00:35:17.880
<v Speaker 1>and Dagger. In the meantime, send your comments to Box

542
00:35:18.000 --> 00:35:22.199
<v Speaker 1>thirteen at Great detectives dot net from Boise, Idaho. This

543
00:35:22.360 --> 00:35:24.639
<v Speaker 1>is your host, Adam Graham signing off.
