1
00:00:06,400 --> 00:00:12,480
Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho.

2
00:00:12,679 --> 00:00:16,199
This is your host, Adam Graham. In a moment, we

3
00:00:16,399 --> 00:00:20,160
are going to bring you this week's episode of Cloak

4
00:00:20,199 --> 00:00:24,000
and Dagger. But first I do want to encourage you,

5
00:00:24,039 --> 00:00:28,160
if you're enjoying the podcast, to follow us using your

6
00:00:28,280 --> 00:00:33,159
favorite podcast software. And remember today's program is brought you

7
00:00:33,159 --> 00:00:35,399
in part by the financial support of our listeners. You

8
00:00:35,479 --> 00:00:38,520
can support the show on a one time basis at

9
00:00:38,560 --> 00:00:41,799
support dot Great Detectives dot net, or become one of

10
00:00:41,840 --> 00:00:45,759
our ongoing Patreon supporters for as little last two dollars

11
00:00:45,799 --> 00:00:51,320
per month by going to Patreon dot Great Detectives dot net. Now.

12
00:00:51,359 --> 00:00:56,960
From August sixth, nineteen fifty here is recommendation from Rummel.

13
00:00:59,840 --> 00:01:03,399
Speaker 2: You willing to undertake a dangerous mission behind the enemy lines,

14
00:01:04,079 --> 00:01:06,000
knowing you may never return alive.

15
00:01:13,319 --> 00:01:16,079
Speaker 3: What you have just heard is the question asked during

16
00:01:16,120 --> 00:01:19,920
the war to agents of the OSS. Ordinary citizens to

17
00:01:20,000 --> 00:01:45,120
this question answered yes, This is Clock and Dagger. Black warfare, espionage,

18
00:01:45,159 --> 00:01:49,719
international intrigue. These are the weapons of the OSS. Today's

19
00:01:49,719 --> 00:01:53,799
story recommendation from Rummel about an American OSS agent in

20
00:01:53,840 --> 00:01:58,560
Italy who almost outsmarted himself, is suggested by actual incidents

21
00:01:58,640 --> 00:02:02,079
recorded in the Washington fire of the Office of Strategic Services,

22
00:02:02,599 --> 00:02:11,199
a story that can now be told.

23
00:02:13,759 --> 00:02:18,400
Speaker 4: Hey, come back here. You can't leave me here. I

24
00:02:18,520 --> 00:02:21,439
demand to see someone in the thirty Let me out

25
00:02:21,439 --> 00:02:21,759
of here.

26
00:02:29,800 --> 00:02:33,400
Speaker 3: Brother. That was some spot to be in me. Joe

27
00:02:33,400 --> 00:02:38,400
Donado in a jail seller, Milan, Italy. It was crazy. Well,

28
00:02:38,479 --> 00:02:41,000
after a while, I got tired of yelling. So I

29
00:02:41,240 --> 00:02:44,800
sat down on a narrow prison cot and thought back

30
00:02:44,879 --> 00:02:48,680
to the way it had begun. On a train from

31
00:02:48,759 --> 00:02:52,360
Verasi to Milan. The French Underground had smuggled me from

32
00:02:52,439 --> 00:02:56,039
Leon across Switzerland, and I made my way over the border.

33
00:02:56,840 --> 00:02:59,080
There on, I was on my own, posing as an

34
00:02:59,080 --> 00:03:03,520
Italian chalk salesman. So I sat back in my compartment,

35
00:03:03,840 --> 00:03:06,599
lit a European cigarette and blue smoke rings over my

36
00:03:06,680 --> 00:03:09,680
head to the rack where my shortwave radio was hidden

37
00:03:09,719 --> 00:03:13,280
in one of the suitcases. All of a sudden, the

38
00:03:13,360 --> 00:03:15,879
train gave a lunch. One of my suitcases took a

39
00:03:15,879 --> 00:03:19,159
flying dive to the floor. There was a suitcase with

40
00:03:19,240 --> 00:03:22,439
a pen knife scar across the leather handle, the one

41
00:03:22,479 --> 00:03:25,599
with the radio. I was glad I was long in

42
00:03:25,639 --> 00:03:27,680
that compartment. I couldn't wait to find out if that

43
00:03:27,759 --> 00:03:30,080
radio was all right. You see, the case was lined

44
00:03:30,120 --> 00:03:32,960
with a false backy of boxes of chocolates to hide

45
00:03:32,960 --> 00:03:37,719
the radio. I unfastened the backing and there was the radio.

46
00:03:38,560 --> 00:03:41,199
It was okay, nothing was broken. And then before I

47
00:03:41,199 --> 00:03:45,199
could refasten the backing, I heard voices outside the compartment door.

48
00:03:48,159 --> 00:03:50,439
I didn't have time to refasten the backing. I had

49
00:03:50,520 --> 00:03:53,080
just enough time to slam the case shut again, slide

50
00:03:53,080 --> 00:03:54,599
it back up in the rack, and get back in

51
00:03:54,639 --> 00:03:59,360
my seat. Major, What is this? I was under the

52
00:03:59,400 --> 00:04:02,080
impression of this compartment was reserved from me alone. There

53
00:04:02,159 --> 00:04:06,439
must be some mistake, Field Marshal. There was a mistake,

54
00:04:06,479 --> 00:04:09,479
all right, my mistake in tacking the one compartment on

55
00:04:09,520 --> 00:04:12,840
the train that have been chosen for Field Marshal Ramo,

56
00:04:13,439 --> 00:04:15,319
what is the meaning of this? I do not know,

57
00:04:15,599 --> 00:04:17,839
and you are a measure. There has been a mistake.

58
00:04:17,879 --> 00:04:18,759
Speaker 5: I have a mistake.

59
00:04:18,839 --> 00:04:21,120
Speaker 3: Do not tell me of mistakes. This is your stupidity.

60
00:04:21,399 --> 00:04:26,079
You had your orders. No, no, I instructed the train. God,

61
00:04:26,240 --> 00:04:29,519
I will not have this disturbance, you understand, Yes, excellency,

62
00:04:29,639 --> 00:04:32,720
I am sorry if I have been the cause of

63
00:04:32,759 --> 00:04:35,839
this I assure you it was quite unintentional. I will

64
00:04:35,879 --> 00:04:38,920
take my suitcases and may immediately. I'll see if it

65
00:04:39,240 --> 00:04:42,000
is best you live. I will find you another comput

66
00:04:42,079 --> 00:04:46,399
Oh wait, it is unnecessary, conductor, gentlemen's already here. There's

67
00:04:46,560 --> 00:04:50,759
room for both of us, we Germans and Italians must share,

68
00:04:51,160 --> 00:04:54,839
Is it not so? I perhaps say you would prefer

69
00:04:54,920 --> 00:04:57,839
your privacy. There's nothing for me to move on. I

70
00:04:57,839 --> 00:04:59,800
will not hear of it. See where you are?

71
00:05:01,079 --> 00:05:04,480
Speaker 5: Actually I would welcome company. I did test train rides.

72
00:05:05,240 --> 00:05:08,639
Better arrange the table for me in the dining consci agency.

73
00:05:09,319 --> 00:05:15,279
Speaker 3: You're a stupid Next attention to such a fuss over nothing?

74
00:05:16,839 --> 00:05:20,040
Tell me your name? Oh my name is Donato. You

75
00:05:20,079 --> 00:05:25,480
said donat to your excellency. Where you're headed for? S Donato? Oh,

76
00:05:25,560 --> 00:05:29,920
I am getting off at Milano. See well, we should

77
00:05:29,920 --> 00:05:33,360
have time to get acquainted. It is time to get

78
00:05:33,360 --> 00:05:37,360
a quite ed. Great what are we going to talk about?

79
00:05:37,879 --> 00:05:40,680
Maybe I could get the conversation started by saying Hairfield

80
00:05:40,720 --> 00:05:43,439
Marshall Ramo, it might interest you to know that I

81
00:05:43,439 --> 00:05:46,360
am an OSS spy. I am an Italia radio back

82
00:05:46,439 --> 00:05:52,560
information on your northern supply concentrations. You say you are

83
00:05:52,560 --> 00:05:57,160
a chocolate salesman. See, my office is in Verona. Here

84
00:05:57,199 --> 00:05:59,879
is my card, but I'm not in the market for chocolate.

85
00:06:00,439 --> 00:06:04,319
You may put the car back. Oh it here you

86
00:06:04,360 --> 00:06:10,160
drop this. Your medical classification in the Fascisty army, you gratchy.

87
00:06:11,360 --> 00:06:15,000
That was a great disappointment to me, your excellency, But

88
00:06:15,360 --> 00:06:18,720
you see, an old back injury kept me out of

89
00:06:18,759 --> 00:06:19,279
the army.

90
00:06:19,600 --> 00:06:22,800
Speaker 5: You must not blame yourself or something you cannot help.

91
00:06:23,519 --> 00:06:28,240
Speaker 3: Still, it is a great disappointment. Yes, I understand, your excellency.

92
00:06:28,439 --> 00:06:31,720
Speaker 5: Yes, Major your table in the dining room, you say, aha,

93
00:06:31,920 --> 00:06:32,240
look it.

94
00:06:33,160 --> 00:06:38,000
Speaker 3: I will return soon, or we will continue our conversation.

95
00:06:40,199 --> 00:06:43,920
We had taught ten minutes and I aged ten years.

96
00:06:45,079 --> 00:06:49,680
I wondered if I should change compartments before he came back. No, no, no,

97
00:06:49,800 --> 00:06:52,759
that might seem suspicious. I looked out of the window.

98
00:06:53,360 --> 00:06:56,279
The green rolling hills of citrus and otive trees didn't

99
00:06:56,279 --> 00:06:59,319
tell me anything. I just crossed my fingers and hoped

100
00:06:59,360 --> 00:07:03,199
we were coming in them a lot soon. You do

101
00:07:03,319 --> 00:07:06,439
not see what do you want with me? I do

102
00:07:06,560 --> 00:07:09,480
not want anything with you. Field Marshall wants to see you,

103
00:07:09,519 --> 00:07:11,600
and you'd better be quick about it. Oh see, no, no,

104
00:07:11,720 --> 00:07:26,279
leave your suitcases. Just come with me quickly. You wanted

105
00:07:26,639 --> 00:07:28,839
to see me, your excellency.

106
00:07:28,839 --> 00:07:36,519
Speaker 5: Yes, sit down there opposite me. Oh gratch, gratch, I

107
00:07:36,560 --> 00:07:40,439
thought about you after I left the compartment, Senor the

108
00:07:40,600 --> 00:07:43,759
lot or see see.

109
00:07:45,079 --> 00:07:47,240
Speaker 3: Would you care to join me for coffee? Senor? It

110
00:07:47,240 --> 00:07:48,680
would be my pleasure.

111
00:07:50,439 --> 00:07:56,240
Speaker 5: Coffee with Piel Marshal Ramel. When I tell the game

112
00:07:56,360 --> 00:07:58,240
back home about this, I thought.

113
00:07:59,519 --> 00:08:03,240
Speaker 3: There was a am across the aisle, a dab a

114
00:08:03,279 --> 00:08:06,879
little guy with a waxed mustache. I and Ramel nodded

115
00:08:06,920 --> 00:08:09,720
to each other, and then a dab a little old

116
00:08:09,720 --> 00:08:12,920
guy kept watching me, watching me.

117
00:08:13,759 --> 00:08:18,160
Speaker 5: Yeah, I never can get used to this Italian coffee

118
00:08:18,160 --> 00:08:19,319
with all its chickory.

119
00:08:20,279 --> 00:08:23,639
Speaker 3: Don't suppose I ever will. I would naturally have a

120
00:08:23,680 --> 00:08:25,959
fondness for it. I have had it all my life.

121
00:08:27,800 --> 00:08:33,240
Speaker 5: Well, was your home originally uh in Urbino, the birthplace

122
00:08:33,240 --> 00:08:33,799
of Raffia.

123
00:08:34,279 --> 00:08:37,039
Speaker 3: My family is still living there. Would you like to

124
00:08:37,039 --> 00:08:40,679
see some snapshots, your excellency, Yes, very much, and they

125
00:08:40,679 --> 00:08:43,720
are right here in my wallet. I hear you see

126
00:08:43,960 --> 00:08:46,720
that little farm in the valley. It is here, you

127
00:08:46,759 --> 00:08:54,279
see this is a huge sorry as the pretty child wish. Oh,

128
00:08:55,159 --> 00:08:59,279
my sister franchise, gay, she looks very much like you. Yea,

129
00:09:01,399 --> 00:09:04,559
it was interesting, Rama thought. The kid in the picture

130
00:09:04,600 --> 00:09:10,000
of these snapshots had been made by OSS photographers, and

131
00:09:10,039 --> 00:09:12,559
an early picture of me had been super imposed over

132
00:09:12,600 --> 00:09:18,000
the very attractive family group. You know, I've taken quite

133
00:09:18,000 --> 00:09:23,200
a fancy to you. Oh tell me, Uh these chocolates yourself?

134
00:09:23,200 --> 00:09:30,240
Are they any good? Oh? See that very good? Not? No?

135
00:09:30,240 --> 00:09:34,799
Speaker 6: No, no, no, well surely well one two of them

136
00:09:34,840 --> 00:09:37,120
would not be mister. Is it all right with you

137
00:09:37,159 --> 00:09:39,720
if I sent my adjutant to get one of the suitcases? Yes,

138
00:09:40,320 --> 00:09:42,240
we Germans and Italians must share.

139
00:09:42,759 --> 00:09:47,440
Speaker 3: No, No, it's perfectly all right. Only I will get

140
00:09:47,440 --> 00:09:47,919
them myself.

141
00:09:48,080 --> 00:09:51,120
Speaker 5: No, I wanted the don't need major go to the compartment,

142
00:09:51,200 --> 00:09:54,600
bring one of the No, no, it is foolish to

143
00:09:54,600 --> 00:09:55,000
send him.

144
00:09:55,000 --> 00:09:57,559
Speaker 3: I can easily go myself. No, no, how insist.

145
00:09:58,320 --> 00:10:01,240
Speaker 5: We would have so little time for talking before the

146
00:10:01,279 --> 00:10:02,759
train stops at Milando.

147
00:10:04,399 --> 00:10:07,000
Speaker 3: I had no choice. I had to sit there and

148
00:10:07,039 --> 00:10:10,039
sweat it out, just pray that the adjutant brought back

149
00:10:10,200 --> 00:10:13,360
the right case. I felt as if there were a

150
00:10:13,399 --> 00:10:16,320
band of steel around my head that kept getting tighter

151
00:10:16,360 --> 00:10:21,240
and tighter. What is it, my friend? Are you not

152
00:10:21,320 --> 00:10:25,600
feeling well? Oh, it is very hot in here, is

153
00:10:25,639 --> 00:10:25,840
it not?

154
00:10:26,159 --> 00:10:29,679
Speaker 5: Yes, it is unfortunately. Yes, Perhaps I should quot the

155
00:10:29,679 --> 00:10:32,679
conductor and have it. Oh yeah, the Major returns with

156
00:10:32,759 --> 00:10:36,039
your samper case. The first thing I looked at when

157
00:10:36,039 --> 00:10:38,159
the Major put the case in my lap was the handle.

158
00:10:39,320 --> 00:10:42,320
There was a long scar in the letter. It was

159
00:10:42,360 --> 00:10:46,639
the one with the radio. You know I've always had

160
00:10:46,679 --> 00:10:54,879
a fondness for chocolates. Well, come open it. Well the

161
00:10:56,039 --> 00:10:58,240
catch it. It seems to be stuck.

162
00:10:58,919 --> 00:11:01,519
Speaker 3: Surely you can fix it. Oh see, see, of course

163
00:11:01,679 --> 00:11:05,039
that is a I will try. Dear to me, what

164
00:11:05,039 --> 00:11:07,559
what I have? An excellently depend Now, perhaps I can

165
00:11:07,600 --> 00:11:09,759
adjust the lot? No, no, no, no, no, I I

166
00:11:09,799 --> 00:11:15,159
will get it in the moment, I'm sure I Oh, Milano,

167
00:11:15,519 --> 00:11:19,039
that is my stop, Your excellency so soon? What a pity? Well,

168
00:11:19,159 --> 00:11:21,879
if if you wish, I will stay until the next station.

169
00:11:22,000 --> 00:11:24,000
All this for you take a buzz ball O. No, no, no,

170
00:11:24,039 --> 00:11:26,120
I would not think of it. It is too kind

171
00:11:26,120 --> 00:11:27,200
of you to suggest it.

172
00:11:28,200 --> 00:11:32,399
Speaker 5: We must say. I'll be the same Lefield Marshall Rommel.

173
00:11:33,240 --> 00:11:41,159
It has been a great honor. I hurried back to

174
00:11:41,200 --> 00:11:44,440
the compartment to get my coat, and hat, and then

175
00:11:44,480 --> 00:11:46,600
on an impulse, I grabbed the other case of the

176
00:11:46,679 --> 00:11:49,240
wreck and as the train stopped, I turned and ran

177
00:11:49,360 --> 00:11:53,519
back toward the dining room.

178
00:11:54,080 --> 00:11:57,240
Speaker 3: Then you, then you, I know, I know I'm getting

179
00:11:57,240 --> 00:11:58,000
off in a minute.

180
00:11:58,039 --> 00:12:04,840
Speaker 7: No momento, Yeah Hill Marshall, senor do not do I

181
00:12:04,879 --> 00:12:07,799
did not expect to see you, fair, your excellency, if

182
00:12:07,799 --> 00:12:10,639
you will permit me a hideous this case of chocolate,

183
00:12:10,720 --> 00:12:14,039
oh for your you see, luck works now.

184
00:12:14,080 --> 00:12:19,639
Speaker 3: Than gluts it multi grots you. If I passed through Milano,

185
00:12:19,720 --> 00:12:21,799
I would look you up. I don't know where I'd

186
00:12:21,799 --> 00:12:24,440
be staying, Sir. It is not difficult for the police

187
00:12:24,480 --> 00:12:25,399
to find the man.

188
00:12:26,200 --> 00:12:34,159
Speaker 5: I'll be the same, And with this pleasant thought, I

189
00:12:34,240 --> 00:12:36,279
left him glad.

190
00:12:36,000 --> 00:12:42,159
Speaker 3: To get off that train. You don't need oss training

191
00:12:42,200 --> 00:12:45,600
to tell you when someone's following you. It's an instinctive

192
00:12:45,679 --> 00:12:49,000
feeling you get. I started to walk a little faster,

193
00:12:49,080 --> 00:12:54,200
and the footsteps behind me quickly too. I passed a

194
00:12:54,200 --> 00:12:56,360
small coffee shop, and through the reflection in the window,

195
00:12:56,399 --> 00:12:58,759
I could see coming after me the man in the

196
00:12:58,840 --> 00:13:01,240
dining car who had never taking his eyes off me,

197
00:13:02,120 --> 00:13:05,480
the dapple little guy with a mustache. He and Ramel

198
00:13:05,519 --> 00:13:07,840
had nodded to each other. Was it a signal? Did

199
00:13:08,159 --> 00:13:10,960
Ramel just trying to string me along? He broke into

200
00:13:11,000 --> 00:13:14,000
Iran Signor. I didn't tend to stop until I got

201
00:13:14,399 --> 00:13:15,240
Then maybe I could use some.

202
00:13:15,279 --> 00:13:18,440
Speaker 2: Of the crowd. I said, wait, wait to stop him

203
00:13:18,440 --> 00:13:20,000
with somebody?

204
00:13:20,120 --> 00:13:22,440
Speaker 3: God, what are you doing? Open that gate? I am sorry, Senor,

205
00:13:22,559 --> 00:13:24,360
this gate is closed, and now use the south day

206
00:13:24,399 --> 00:13:29,440
But I am sorry, this gate is closed, Senor. I've

207
00:13:29,440 --> 00:13:34,159
had such trouble catching Hapo with you. Who are you?

208
00:13:34,600 --> 00:13:35,039
Allow me?

209
00:13:36,200 --> 00:13:40,440
Speaker 2: Allow me to introduce myself. I am at the Count

210
00:13:40,919 --> 00:13:42,480
Pietro imperially.

211
00:13:43,480 --> 00:13:44,279
Speaker 3: What do you want with me?

212
00:13:44,799 --> 00:13:47,879
Speaker 2: Well, I noticed you were having coffee on the train

213
00:13:47,960 --> 00:13:52,200
with Phield Marshall or Rammel himself. I'm a great admirer

214
00:13:52,200 --> 00:13:55,759
of the Marshall, and I have a nodding acquaintance with him.

215
00:13:56,120 --> 00:13:58,759
Speaker 3: Or say, what has that to do with me?

216
00:13:59,080 --> 00:14:01,759
Speaker 2: Well, I have to know, Signor that Roma does not

217
00:14:01,919 --> 00:14:05,279
make friends easily. And so when I saw you two together,

218
00:14:05,360 --> 00:14:11,759
I I mean, ko, would you do me the extreme

219
00:14:11,960 --> 00:14:15,120
honor of joining me at my palace for dinner this evening?

220
00:14:15,799 --> 00:14:18,679
It would be a great pleasure to entertain a good

221
00:14:18,840 --> 00:14:21,240
friend of Romans.

222
00:14:34,600 --> 00:14:37,919
Speaker 3: As the long black limousine drove up to the palace.

223
00:14:38,919 --> 00:14:42,480
I felt like a visitor of the Middle Ages. The

224
00:14:42,559 --> 00:14:46,600
gray stone steps were hallowed age this way signor. The

225
00:14:46,679 --> 00:14:50,200
lower windows were blazing with life and till told you

226
00:14:50,279 --> 00:14:58,639
set in brackets like the doors. Quiet, quiet, quiet. The

227
00:14:58,639 --> 00:15:02,399
flaws are made of color a marble. On the walls

228
00:15:02,480 --> 00:15:06,679
hung ancient tapestries with scenes in the Old Testament. I

229
00:15:06,759 --> 00:15:10,440
walked through past a line of servants. My mouth was

230
00:15:10,480 --> 00:15:13,480
open at all this grandeur, and I walked right into

231
00:15:13,519 --> 00:15:21,799
a sud of Mama, excuse me, goma, mico, mio, dinner

232
00:15:22,440 --> 00:15:35,960
is waiting. Ah, that was a delicious dinner. Gratchy cant

233
00:15:36,080 --> 00:15:40,440
imperially molt. I'm delighted you enjoyed it.

234
00:15:41,600 --> 00:15:46,159
Speaker 2: Now we will sit here in the library and talk

235
00:15:46,279 --> 00:15:48,799
of ramel siicatto.

236
00:15:49,120 --> 00:15:52,399
Speaker 3: Gratch You no tell me what was he like? What

237
00:15:53,279 --> 00:15:53,960
did he say?

238
00:15:54,559 --> 00:15:54,960
Speaker 2: Oh?

239
00:15:55,039 --> 00:16:02,360
Speaker 3: We merely exchanged pleasantries, Great leader, great chief. Once when

240
00:16:02,360 --> 00:16:06,399
he was in mid and he kept looking. He was lively.

241
00:16:06,519 --> 00:16:10,799
He was I want to set up my basket games. However,

242
00:16:11,000 --> 00:16:15,360
while this was being introduced to Alan and a while away,

243
00:16:17,320 --> 00:16:22,080
what was that little brandy? Oh, no, no brand, what

244
00:16:22,279 --> 00:16:22,919
is it? Bobo?

245
00:16:23,480 --> 00:16:28,960
Speaker 8: What's the matter, Good evening, Count Pale, They told me

246
00:16:29,000 --> 00:16:29,519
you were here.

247
00:16:30,000 --> 00:16:32,679
Speaker 3: You see Bobo, it is only Antonio.

248
00:16:33,559 --> 00:16:37,799
Speaker 2: Gum my, dear, I would I would like you to

249
00:16:37,840 --> 00:16:45,840
meet a friend, see Senior Giuseppe Donato, great friend of Rammers.

250
00:16:48,759 --> 00:16:55,279
Speaker 8: I am impressed. The pleasure is mine.

251
00:16:57,519 --> 00:17:01,679
Speaker 3: Gave Bill a quest. My secretary is very pretty.

252
00:17:03,120 --> 00:17:06,440
Speaker 8: Your lordship, there is a call on your private phone

253
00:17:06,720 --> 00:17:07,839
in a small library.

254
00:17:08,279 --> 00:17:12,680
Speaker 2: Oh see, I will return. It will give you two

255
00:17:12,720 --> 00:17:15,200
a chance to get acquired.

256
00:17:17,839 --> 00:17:25,519
Speaker 3: Riet Bobo, eh multe bella signorina. You are very pretty.

257
00:17:25,759 --> 00:17:27,079
Counting pettyally was right?

258
00:17:29,119 --> 00:17:32,680
Speaker 8: Did you find yourself faced into that compliments in your

259
00:17:32,759 --> 00:17:33,319
own No?

260
00:17:33,319 --> 00:17:35,960
Speaker 3: No, no, not at all. We Italians are proud of

261
00:17:35,960 --> 00:17:40,079
our beautiful women, and it is impossible not to notice

262
00:17:40,079 --> 00:17:44,839
how well you represent them.

263
00:17:45,359 --> 00:17:48,160
Speaker 8: Where do you live in Milano?

264
00:17:48,640 --> 00:17:48,920
Speaker 5: No?

265
00:17:48,920 --> 00:17:52,359
Speaker 3: No, no, I'm here on business.

266
00:17:52,720 --> 00:17:53,640
Speaker 8: Where are you staying?

267
00:17:54,200 --> 00:17:56,640
Speaker 3: Oh? I only arrived today. I've made no plans yet.

268
00:17:57,319 --> 00:18:03,240
Speaker 8: You are the count secretary, his personal secretary. Since the

269
00:18:03,279 --> 00:18:05,880
Countess passed on, I attend to all arrangements for his

270
00:18:06,200 --> 00:18:13,200
banquets and receptions, as well as his personal correspondence. Oh oh,

271
00:18:13,359 --> 00:18:16,119
I see he is on grand signor. I am very

272
00:18:16,200 --> 00:18:21,519
fond of him. I remember how disappointed he was when

273
00:18:21,720 --> 00:18:25,279
Field Marshall Romel failed to attend a reception he planned

274
00:18:25,319 --> 00:18:25,640
for him.

275
00:18:25,720 --> 00:18:27,839
Speaker 3: Why I know he told me that he is.

276
00:18:27,799 --> 00:18:33,200
Speaker 8: A great admirer of Ramel. So am I tell me

277
00:18:33,240 --> 00:18:33,720
about him?

278
00:18:33,799 --> 00:18:34,240
Speaker 3: Signor?

279
00:18:34,920 --> 00:18:38,519
Speaker 8: Does he intend to come to Milano soon? Perhaps we

280
00:18:38,599 --> 00:18:40,559
can plan something else in his honor.

281
00:18:41,119 --> 00:18:43,759
Speaker 3: I don't know his intentions.

282
00:18:43,960 --> 00:18:46,440
Speaker 8: Perhaps he is returning to Africa immediately.

283
00:18:46,799 --> 00:18:51,440
Speaker 3: I don't know that either. Here, well, I.

284
00:18:51,480 --> 00:18:56,519
Speaker 2: See you two have become acquainted, eh Martabne your lordship.

285
00:18:56,920 --> 00:18:59,400
Speaker 8: Since the Signor is staying in Milano, shall I give

286
00:18:59,480 --> 00:19:01,920
him the name of a good hotel.

287
00:19:01,839 --> 00:19:06,839
Speaker 2: Hotel with forty rooms here, most of them empathy, I

288
00:19:06,880 --> 00:19:10,680
should say not. You will stay here at me comello

289
00:19:11,640 --> 00:19:13,240
as long as you want.

290
00:19:13,960 --> 00:19:20,119
Speaker 3: GRATCHI molta gentile. I'm very grateful. They gave me a

291
00:19:20,160 --> 00:19:24,119
sweet to myself, with a tremendous canopy dead and a

292
00:19:24,240 --> 00:19:27,680
sculptured rug on the floor. Through the casement window I

293
00:19:27,680 --> 00:19:31,359
could see the Piazza Sundial, the narrow streets of Milan,

294
00:19:32,079 --> 00:19:34,279
and off in the distance the Church of Santa Maria

295
00:19:34,319 --> 00:19:37,720
del Grazia. Who was going to look for an American

296
00:19:37,759 --> 00:19:41,039
spy and I set up like that. Who was my order?

297
00:19:42,039 --> 00:19:44,119
Every night? I patted the radio on the suitcase and

298
00:19:44,160 --> 00:19:47,839
hoped i'd have a message to send back soon. A

299
00:19:47,880 --> 00:19:51,200
few days later, counting Piiali asked me to walk to

300
00:19:51,279 --> 00:19:52,119
his office with him.

301
00:19:53,039 --> 00:19:57,160
Speaker 2: Ah, this Italian summer makes me feel ten years younger.

302
00:19:57,640 --> 00:19:59,519
You know, if I were twenty years younger, I would

303
00:19:59,599 --> 00:20:03,119
be more tended to that dock E had secretary of mine.

304
00:20:03,359 --> 00:20:07,880
Speaker 3: I don't blame you. She seems to have taken an

305
00:20:07,960 --> 00:20:11,039
interest in you. Oh that's all she is.

306
00:20:11,119 --> 00:20:14,599
Speaker 2: See, she's a keep on to ask questions about you.

307
00:20:15,039 --> 00:20:17,759
Speaker 3: See you still have not told me why you want

308
00:20:17,799 --> 00:20:18,920
to see me at your office.

309
00:20:19,279 --> 00:20:22,799
Speaker 2: I refuse to speak business at the home, never do.

310
00:20:23,200 --> 00:20:26,599
Speaker 3: And your business I don't know that either. You will

311
00:20:27,680 --> 00:20:29,480
soon enough come.

312
00:20:30,000 --> 00:20:33,240
Speaker 2: My office is in the municipal building across the square.

313
00:20:34,480 --> 00:20:38,720
Speaker 3: I followed him across the square, over the fen and cobblestones.

314
00:20:39,359 --> 00:20:42,799
Everywhere around me were black shirted for shisty. I wondered

315
00:20:42,799 --> 00:20:44,599
if my good luck so far had made me too

316
00:20:44,640 --> 00:20:47,799
sure of myself. I followed him up the stairs the

317
00:20:47,880 --> 00:20:53,200
municipal building, down the narrow corridor, and we started the

318
00:20:53,400 --> 00:20:56,559
door third from the end, and then I know what

319
00:20:56,640 --> 00:21:03,200
his business was. Superintendent of police, brego, I beg of you,

320
00:21:04,079 --> 00:21:08,519
please go in, count Imperiality. I don't understand. Now you

321
00:21:08,640 --> 00:21:09,480
know my business.

322
00:21:10,200 --> 00:21:16,079
Speaker 2: I am superintendent of police, often an unpleasant occupation. Come in,

323
00:21:17,960 --> 00:21:19,359
I said, come in.

324
00:21:22,279 --> 00:21:22,880
Speaker 3: That's right.

325
00:21:25,359 --> 00:21:29,200
Speaker 2: I wanted to see you here because it's necessary for

326
00:21:29,319 --> 00:21:33,759
us to have a little talk about you and the police.

327
00:21:34,640 --> 00:21:38,559
Speaker 3: What have I to do with the police. How would

328
00:21:38,599 --> 00:21:42,160
you like to work for me? Come? Come, come, don't

329
00:21:42,160 --> 00:21:48,319
look so startled work for you as a member of

330
00:21:48,359 --> 00:21:49,200
the police.

331
00:21:49,440 --> 00:21:54,000
Speaker 2: But of course, perhaps this communication from a Rama will

332
00:21:54,039 --> 00:21:58,759
explain gratch. As you can see, it's a request from

333
00:21:58,839 --> 00:22:02,240
him for me to locate you in Milano and offer

334
00:22:02,279 --> 00:22:05,680
you this position. He's obviously very fond of you, great

335
00:22:05,759 --> 00:22:08,640
Chief Rommel, and he knows how badly you feel about

336
00:22:08,680 --> 00:22:10,880
your medical classification in the army.

337
00:22:11,400 --> 00:22:13,519
Speaker 3: Ah.

338
00:22:14,240 --> 00:22:18,920
Speaker 2: I don't know what to say, just to say you accept. Ordinarily,

339
00:22:18,960 --> 00:22:21,480
of course I would have to make extensive research into

340
00:22:21,559 --> 00:22:27,160
your background before offering you this position. But the personal

341
00:22:27,200 --> 00:22:31,279
recommendation from Ramel hardly makes that necessary. But what do

342
00:22:31,359 --> 00:22:39,119
you say, amico mio? What do you think I said?

343
00:22:40,000 --> 00:22:42,799
Speaker 3: I said yes in a hurry, and when I left

344
00:22:42,839 --> 00:22:45,680
the office later, I had a badge in everything. Ever

345
00:22:45,720 --> 00:22:47,960
since I bought the train of Verace, I had one

346
00:22:48,000 --> 00:22:50,720
bad scare after another, but so far nothing had happened.

347
00:22:51,200 --> 00:22:53,240
I was beginning to feel I had a charmed life

348
00:22:54,400 --> 00:23:00,200
until I got back to my suite at the palace. Antonia, Ah,

349
00:23:01,359 --> 00:23:02,680
what are you doing with that suitcase?

350
00:23:03,640 --> 00:23:07,000
Speaker 8: These are excellent chocolates? Will you have one?

351
00:23:07,400 --> 00:23:08,599
Speaker 3: What right have you in here?

352
00:23:09,839 --> 00:23:13,200
Speaker 8: I was curious about you. I found out I had

353
00:23:13,240 --> 00:23:16,559
reason to be curious. I'd like you to meet two friends,

354
00:23:16,640 --> 00:23:17,680
Jacamo and Mario.

355
00:23:19,319 --> 00:23:21,680
Speaker 3: For the first time I saw them, two men standing

356
00:23:21,680 --> 00:23:23,839
half hidden the shadows of the big room. And now

357
00:23:23,920 --> 00:23:26,400
the chair before Antonya was my suitcase. She turned it

358
00:23:26,440 --> 00:23:29,279
around so I could see the inside. The backing was off,

359
00:23:29,359 --> 00:23:32,440
the radio was gone. Who are these men? What is this?

360
00:23:33,559 --> 00:23:35,920
Do not be afraid. I don't know what's right. When

361
00:23:35,920 --> 00:23:37,559
she said we were thrain but.

362
00:23:37,599 --> 00:23:40,359
Speaker 8: This was a foolhardy place to leave your radio, Americano,

363
00:23:40,880 --> 00:23:43,640
I found a better hiding place in the wall, safe

364
00:23:44,000 --> 00:23:48,519
of an unused room in the palace. It is all right,

365
00:23:48,599 --> 00:23:53,279
sing your donato. We are partisans, members of the underground.

366
00:23:53,400 --> 00:23:57,240
Speaker 3: You you just stand there and tell me this. Why not?

367
00:23:58,000 --> 00:24:00,640
The American radio has given us proof who you are,

368
00:24:01,559 --> 00:24:04,920
no doctor, you want a proof of who we are? Escort,

369
00:24:06,119 --> 00:24:08,720
I'm listening. We will tell you all that you came

370
00:24:08,759 --> 00:24:11,640
here to find out. All you have to do is

371
00:24:11,680 --> 00:24:14,599
to ask and we will answer. We will answer even

372
00:24:14,640 --> 00:24:15,359
before you ask.

373
00:24:15,440 --> 00:24:18,200
Speaker 8: The Nazis are using northern Italy as a supply base

374
00:24:18,279 --> 00:24:21,680
for the Africa Core. In fact, Ramo is expecting air

375
00:24:21,720 --> 00:24:24,240
reinforcements to leave here at the end of the week.

376
00:24:24,519 --> 00:24:27,079
Speaker 3: How many plans? Seventy five bombers? Where are they in

377
00:24:27,160 --> 00:24:30,839
a field that caravet You're ten miles west? You wanted

378
00:24:30,880 --> 00:24:33,359
my police there was an altitude bomb there? Did you

379
00:24:33,400 --> 00:24:33,880
find it?

380
00:24:33,960 --> 00:24:35,279
Speaker 8: Is this what you mean?

381
00:24:35,440 --> 00:24:38,680
Speaker 3: Yes? Is there anyone in the underground who can duplicate it?

382
00:24:39,480 --> 00:24:42,319
The professor of chemistry in the University of Milando is

383
00:24:42,640 --> 00:24:45,400
a train. What you see, if you remove the pin

384
00:24:45,440 --> 00:24:48,039
from these bombs and plant them in an airplane, they'll

385
00:24:48,079 --> 00:24:50,839
explode automatically when the ship gains altitude. We will let

386
00:24:50,880 --> 00:24:53,000
you know when you can see the fireworks. Oh oh,

387
00:24:53,160 --> 00:24:58,759
and another bit of information. See it might interest you

388
00:24:58,839 --> 00:25:02,799
to know that you have been talking to a member

389
00:25:02,799 --> 00:25:06,640
of the FASCISTI secret police.

390
00:25:12,319 --> 00:25:17,680
Speaker 2: Anthonia, you look more lovely than ever this evening, my lord,

391
00:25:17,920 --> 00:25:22,240
and you and Miko, where are you going before it drive?

392
00:25:22,400 --> 00:25:22,559
Speaker 3: Sir?

393
00:25:24,039 --> 00:25:27,039
Speaker 2: How wonderful it must be to be young again, especially

394
00:25:27,039 --> 00:25:27,720
in the summer.

395
00:25:28,319 --> 00:25:33,920
Speaker 3: Well, go and enjoy yourselves. Oh we will, We are

396
00:25:34,319 --> 00:25:35,160
sure we will.

397
00:25:45,240 --> 00:25:47,480
Speaker 8: It is fortunate the Count and not invite himself a.

398
00:25:47,400 --> 00:25:49,799
Speaker 3: Long You're sure we can see everything from this hilltop,

399
00:25:49,920 --> 00:25:50,319
very sure.

400
00:25:50,880 --> 00:25:53,680
Speaker 8: When the planes take off from Carabicho after midnight, we

401
00:25:53,720 --> 00:25:55,240
will see them.

402
00:25:55,319 --> 00:25:59,119
Speaker 3: It's cool up here on this hill.

403
00:26:00,200 --> 00:26:03,240
Speaker 8: Not cool enough to offer you an excuse to put

404
00:26:03,279 --> 00:26:04,240
your arm around me.

405
00:26:04,559 --> 00:26:07,440
Speaker 3: Oh you remember what the Count said. We are young.

406
00:26:07,920 --> 00:26:16,759
It is summer in your business, business, Scott, listen the plans.

407
00:26:17,960 --> 00:26:27,079
They are taking off any minute now, any minute. What

408
00:26:27,200 --> 00:26:28,079
if something happened.

409
00:26:29,319 --> 00:26:31,119
Speaker 8: But if they weren't able to plant those bombs?

410
00:26:32,400 --> 00:26:33,960
Speaker 1: What if?

411
00:26:36,079 --> 00:26:36,680
Speaker 3: What if?

412
00:26:36,799 --> 00:26:42,759
Speaker 9: He Although this seems a poor way to repay Ramel

413
00:26:42,960 --> 00:26:50,400
for his hospitality, Rammel didn't get his seventy five of

414
00:26:50,400 --> 00:26:54,279
Obamas no sky protection, and that played a part when

415
00:26:54,319 --> 00:26:56,079
he was thrown back from l A La Main a

416
00:26:56,079 --> 00:26:56,880
short month later.

417
00:26:57,960 --> 00:27:00,559
Speaker 3: The OSAs continue to get total information or then Italy

418
00:27:00,640 --> 00:27:05,319
supply concentrations, troop movements, and underground activities. Each time police

419
00:27:05,359 --> 00:27:08,880
triangulation detected my radio antenna, I, as a member of

420
00:27:08,880 --> 00:27:11,839
the secret Police, would lead a raid. Having first as

421
00:27:11,839 --> 00:27:15,160
a member of the underground moved into another spot. And

422
00:27:15,160 --> 00:27:19,240
then one day the Americans took over Milan. I walked

423
00:27:19,240 --> 00:27:21,680
into G two headquarters to give them a personal work.

424
00:27:23,319 --> 00:27:26,039
What do you mean just walking into my office like this? Sergeant?

425
00:27:26,039 --> 00:27:28,279
Who is this? I'm sorry, Major, I couldn't stop them.

426
00:27:29,359 --> 00:27:31,799
Where the black shirt he's wearing? Whoever he is, I

427
00:27:31,799 --> 00:27:34,200
don't like him. Now. Wait, man, wait a minute. You

428
00:27:34,240 --> 00:27:37,920
boys got me wrong. When I came to tell your name, Donado, Lieutenant,

429
00:27:38,000 --> 00:27:41,359
just me, Joe Donato. Look, you don't understand I'm a

430
00:27:41,359 --> 00:27:44,880
member of the OSS. Yeah, sure, he's a member. Look, Mac,

431
00:27:44,960 --> 00:27:48,039
that's enough, Sergeant Donato. According to our list, you're a

432
00:27:48,119 --> 00:27:51,200
high ranking member of the Fascisti Police. Thanks for giving

433
00:27:51,240 --> 00:27:55,680
yourself up. I'm not giving myself up. That's what you think, Mac,

434
00:27:56,000 --> 00:27:57,640
I tell you I'm a member of the US. They

435
00:27:57,720 --> 00:28:00,720
have your full record. Donato in his own report Theisty

436
00:28:00,759 --> 00:28:04,160
headquarters count Imperial I thought very highly. I don't care

437
00:28:04,200 --> 00:28:07,119
what he thought. The files we found a personal recommendation

438
00:28:07,200 --> 00:28:11,799
from Ramel about you, a personal recommendation from raml and

439
00:28:11,839 --> 00:28:15,119
you expect us to believe you're a member of the OSS.

440
00:28:15,279 --> 00:28:18,720
Speaker 10: But you you hate came always Sergeant bro I'm in jail.

441
00:28:18,720 --> 00:28:29,000
You can't do this way, all right? To my congressman, Hey,

442
00:28:29,079 --> 00:28:32,319
come back, I demand to see someone the thirty.

443
00:28:33,000 --> 00:28:33,920
Speaker 4: Let me out of here.

444
00:28:34,799 --> 00:28:38,000
Speaker 3: I stand on my constitutional rights. Let me out of here.

445
00:28:46,200 --> 00:28:49,640
A week later, OSS in London sent verification on Lieutenant

446
00:28:49,720 --> 00:28:53,559
Joseph Donato, and an embarrassed g two Headquarters released him

447
00:28:53,559 --> 00:28:56,920
from jail. Thus, once again, the report of another agent

448
00:28:57,000 --> 00:29:01,079
closed with the words mission accomplished. Listen again next week

449
00:29:01,119 --> 00:29:04,039
for another true adventure from the files of Oss on

450
00:29:05,359 --> 00:29:06,759
Folk and Dagger.

451
00:29:20,640 --> 00:29:24,960
Speaker 11: Heard in today's Cloakndagger adventurer as Joe As, Ralph Bell, Rammel,

452
00:29:25,160 --> 00:29:29,440
Barry Kroger, the Count Arnold Moss, Antonia Jan Minor, the

453
00:29:29,519 --> 00:29:30,680
Colonel Raymond.

454
00:29:30,519 --> 00:29:31,200
Speaker 3: Edward Johnson.

455
00:29:31,559 --> 00:29:34,960
Speaker 11: Others were Boris Aplin, Jerry Jarrett and Carl Weber. The

456
00:29:35,000 --> 00:29:38,200
script was written by Winnifred Wolf and Jack Gordon. Music

457
00:29:38,279 --> 00:29:41,640
was under the direction of John Guart. Today's true OSS

458
00:29:41,720 --> 00:29:45,000
Adventure was based on the book Cloakandagger by Cory Ford

459
00:29:45,039 --> 00:29:48,440
and Alistair McMain. This program is directed by Lewis G.

460
00:29:48,599 --> 00:29:51,640
Cohn and Alfred Hollander, under the direction and supervision of

461
00:29:51,680 --> 00:29:52,839
Sherman Marx.

462
00:29:54,480 --> 00:29:55,119
Speaker 3: Programs.

463
00:29:55,160 --> 00:29:59,440
Speaker 11: Get Your Programs Here, Action and ADVENTURER Yours Tonight one

464
00:29:59,480 --> 00:30:01,759
thousand Dollar We Want offers the mystery for you to

465
00:30:01,799 --> 00:30:04,319
solve at home for a three thousand dollars cash prize

466
00:30:04,599 --> 00:30:05,759
bought by the Corps.

467
00:30:05,759 --> 00:30:06,400
Speaker 3: Said Ouch.

468
00:30:06,480 --> 00:30:09,400
Speaker 11: Tonight's case on the Saints, and then Sam Spade solves

469
00:30:09,400 --> 00:30:13,000
another exciting caper searching for the bell King Solomon used

470
00:30:13,039 --> 00:30:16,880
to call his wives. That's tonight on NBC. No, I'll

471
00:30:16,880 --> 00:30:20,759
stay tuned for High Adventure and The Big Guy on NBC.

472
00:30:27,720 --> 00:30:28,480
Speaker 3: Welcome Back.

473
00:30:28,599 --> 00:30:32,000
Speaker 1: A few weeks back, someone said you couldn't really do

474
00:30:32,119 --> 00:30:35,079
a lot of episode of this series. Well, the writers

475
00:30:35,119 --> 00:30:38,759
proved them wrong because this was great. Our hero was like,

476
00:30:38,960 --> 00:30:42,400
I thought I'd lived a charmed life, and then it

477
00:30:42,440 --> 00:30:45,359
turned out it was the Partisans who found his radio,

478
00:30:45,519 --> 00:30:47,599
and so it was like, yeah, you really didn't have

479
00:30:47,680 --> 00:30:51,440
a charmed life. But then the final twist did show

480
00:30:51,519 --> 00:30:54,079
him finally get into trouble, and that made me laugh.

481
00:30:54,519 --> 00:30:58,680
He needed some misadventure to balance that out and definitely

482
00:30:58,720 --> 00:31:02,000
got it. And this was all because of a friendly

483
00:31:02,480 --> 00:31:06,039
encounter with Ramo and him taking the time to get

484
00:31:06,119 --> 00:31:10,359
him the chocolates. It's such a great story and somewhat

485
00:31:10,359 --> 00:31:15,559
of an uncharacteristic role for Bell, and particularly here where

486
00:31:15,559 --> 00:31:18,599
he gets to play the protagonists where we tend to

487
00:31:18,680 --> 00:31:22,160
hear him a lot in character roles. So good stuff. Well,

488
00:31:22,240 --> 00:31:25,519
listener comments and feedback now, and we have a comment

489
00:31:25,640 --> 00:31:30,079
on Spotify regarding the secret Box from Mechanics sixty six.

490
00:31:30,519 --> 00:31:34,319
Why did he keep saving Sabby? Did he think they

491
00:31:34,400 --> 00:31:38,160
spoke spanished? These guys surely were not Seal Team candidates.

492
00:31:39,640 --> 00:31:43,680
I would guess that what they were saying or trying

493
00:31:43,720 --> 00:31:49,559
to say is do you save save? Which could be

494
00:31:49,640 --> 00:31:54,599
a term used in certain West Indian islands, which means

495
00:31:54,640 --> 00:31:57,799
do you understand what was said? That was the way

496
00:31:57,880 --> 00:32:01,680
I took that particular phrase. Now, I will admit that

497
00:32:01,839 --> 00:32:04,880
some of the OSS agents are not up to the

498
00:32:04,920 --> 00:32:11,920
standards of our modern intelligence operatives and what we expect

499
00:32:11,920 --> 00:32:15,920
from them based on popular culture and also what we

500
00:32:16,039 --> 00:32:21,079
have read in books that are about their true operations.

501
00:32:21,359 --> 00:32:26,119
But that's one of the appeals of the OSS while

502
00:32:26,160 --> 00:32:33,400
these people did have specialized training, they came from civilian backgrounds,

503
00:32:33,440 --> 00:32:39,319
and there's a bit of an everyman nature about the

504
00:32:39,359 --> 00:32:42,759
way that the organization worked during the war and the

505
00:32:42,799 --> 00:32:48,279
way individual operatives handled themselves in this situation where you

506
00:32:48,440 --> 00:32:52,720
did not have things as well established as they are today.

507
00:32:53,119 --> 00:32:56,519
And then we have a comment on YouTube from Sasoff

508
00:32:57,319 --> 00:33:01,839
on the episode The Trap, Raymond Edward Johnson, Ralph Bell,

509
00:33:02,039 --> 00:33:05,559
and Everett Sloan all in one episode together, three of

510
00:33:05,599 --> 00:33:10,160
the greatest old time radio talents, all in one place. Well,

511
00:33:10,200 --> 00:33:13,119
thanks so much, say Sov. And I emphasized that over

512
00:33:13,160 --> 00:33:17,400
the last couple of weeks you had some more prominent

513
00:33:17,519 --> 00:33:22,680
stars on the program, but that is not to in

514
00:33:22,720 --> 00:33:28,160
any way disrespect the great cast of actors who they

515
00:33:28,319 --> 00:33:32,519
had coming back to the series week after week. Because

516
00:33:32,759 --> 00:33:39,359
these performers were the backbone of the New York radio industry.

517
00:33:39,519 --> 00:33:43,799
They were in so many programs and were so versatile

518
00:33:43,960 --> 00:33:46,960
and talented, and in some ways, I do think they

519
00:33:47,079 --> 00:33:52,200
may be more appreciated by the old time radio fandom

520
00:33:52,240 --> 00:33:55,640
that we have today than they were in the modern audiences,

521
00:33:55,960 --> 00:34:00,279
because we're able to consume so much more of it

522
00:34:00,039 --> 00:34:03,240
and in such a volume and be able to spot, hey,

523
00:34:03,359 --> 00:34:07,400
Ralph Bell is doing so much work and really and

524
00:34:07,480 --> 00:34:12,280
can play all these great characters. And those who did

525
00:34:12,559 --> 00:34:17,599
survive into the seventies and eighties at least got to

526
00:34:18,760 --> 00:34:22,599
hear a lot of that and realize how much their

527
00:34:22,639 --> 00:34:26,000
work was remembered and appreciated, and certainly Ralph Bell was

528
00:34:26,039 --> 00:34:28,800
on that list, particularly as he got to work a

529
00:34:28,840 --> 00:34:32,960
lot in the CBS Radio Mystery Theater as well. All right, well,

530
00:34:33,000 --> 00:34:35,719
now it's time to thank our Patreon supporter of the day,

531
00:34:35,760 --> 00:34:38,039
and I want to go ahead and think Denise, Patreon

532
00:34:38,119 --> 00:34:42,239
supporter since March twenty twenty five, currently supporting the podcast

533
00:34:42,320 --> 00:34:44,679
at the secret Agent level of four dollars or more

534
00:34:44,719 --> 00:34:47,440
per month. Thanks so much for your support, Denise, and

535
00:34:47,480 --> 00:34:50,400
that will do it for today. If you're enjoying the podcast,

536
00:34:50,519 --> 00:34:55,079
please follow us using your favorite podcast software, and if

537
00:34:55,119 --> 00:35:00,719
you're only listening to The Great Detectives subscribe to The

538
00:35:00,719 --> 00:35:05,320
Great Adventurers. To here our Tuesday podcast, which will feature

539
00:35:05,360 --> 00:35:09,000
the interplanetary adventures of Flash Gordon, and of course we

540
00:35:09,079 --> 00:35:13,880
will be back next Saturday with another episode of Cloak

541
00:35:13,880 --> 00:35:17,880
and Dagger. In the meantime, send your comments to Box

542
00:35:18,000 --> 00:35:22,199
thirteen at Great detectives dot net from Boise, Idaho. This

543
00:35:22,360 --> 00:35:24,639
is your host, Adam Graham signing off.

