1 00:00:14,400 --> 00:00:16,160 Speaker 1: It is a dream. 2 00:00:16,280 --> 00:00:17,079 Speaker 2: It's a dream. 3 00:00:17,199 --> 00:00:23,399 Speaker 3: It's a dream come true. It's a dream. It's a dream. 4 00:00:23,559 --> 00:00:29,719 It's a dream. It's a dream come true. It's a dream. 5 00:00:29,879 --> 00:00:33,799 It's a dream. It's a dream. It's a dream col true. 6 00:00:36,240 --> 00:00:37,960 It's a dream. It's a dream. 7 00:00:38,079 --> 00:00:41,039 Speaker 2: It's a dream. It's a dream come true. 8 00:00:42,399 --> 00:00:47,320 Speaker 4: It's like a dream come true. It's like living in 9 00:00:47,439 --> 00:00:54,399 a movie. It's just being you, like the way that 10 00:00:54,640 --> 00:00:58,640 it should be. All that's ship read it through. 11 00:01:00,520 --> 00:01:06,760 Speaker 5: It's so fairy had excuse me, and you don't you know? 12 00:01:07,120 --> 00:01:08,640 Speaker 6: Don't you know? Don't you know? 13 00:01:15,120 --> 00:01:19,040 Speaker 7: No, I am no more crying from your darling. 14 00:01:19,480 --> 00:01:25,359 Speaker 8: Dollar just pron to see a smile on your face 15 00:01:25,599 --> 00:01:32,959 for darlings. And I know sometimes it bels like the 16 00:01:33,040 --> 00:01:34,640 sky is fall. 17 00:01:36,920 --> 00:01:37,439 Speaker 2: No matter. 18 00:01:37,640 --> 00:01:38,760 Speaker 6: When we've been through. 19 00:01:38,959 --> 00:01:39,680 Speaker 2: It's just men. 20 00:01:40,640 --> 00:01:42,799 Speaker 5: And it's a dream called true. 21 00:01:49,000 --> 00:01:51,920 Speaker 2: It's a dream, is a dream, is a dream, it's 22 00:01:52,000 --> 00:01:56,599 a dream come true. It's a. 23 00:01:58,519 --> 00:01:58,840 Speaker 9: Dream. 24 00:01:59,000 --> 00:02:07,000 Speaker 3: It's a dream true. It's a dream, is a dream. 25 00:02:09,719 --> 00:02:15,199 Speaker 5: It's like a dream come true. It's like a move. 26 00:02:17,000 --> 00:02:17,919 Speaker 10: It's joy. 27 00:02:20,800 --> 00:02:22,759 Speaker 6: I don't worry that it should be. 28 00:02:24,319 --> 00:02:26,039 Speaker 11: I'll dethily been through. 29 00:02:27,840 --> 00:02:33,039 Speaker 12: It's so far behind, no matter, but we've been through 30 00:02:33,479 --> 00:02:35,879 don't you know, don't you know, don't you know? 31 00:02:36,039 --> 00:02:36,479 Speaker 2: Where it's. 32 00:02:44,719 --> 00:02:59,039 Speaker 3: Oh my god, dis sall grandma and that's sometimes didn't 33 00:02:59,120 --> 00:03:05,360 make feel the skies ball, no pun of the women 34 00:03:05,719 --> 00:03:09,360 to everything to you fin the change. 35 00:03:18,560 --> 00:05:46,639 Speaker 1: Clean by. 36 00:04:45,079 --> 00:05:27,160 Speaker 2: Two. Wo oh oh wow. It's agree It's a dream. 37 00:05:27,360 --> 00:05:29,879 It's a dream. It's a dream of college. 38 00:05:33,319 --> 00:05:37,639 Speaker 3: It's a dream. It's agree in scree in sderot. 39 00:05:38,000 --> 00:05:38,720 Speaker 2: I'm sure. 40 00:05:41,319 --> 00:05:46,519 Speaker 3: It's agree it center its agree as agree true. 41 00:05:49,360 --> 00:05:53,639 Speaker 2: It's a duras agreen. It's a dream. It's a dream. 42 00:06:11,439 --> 00:06:13,959 Speaker 13: Oh that is so cool, dream come true. That is 43 00:06:14,040 --> 00:06:17,040 Cosmic Blossom. They're here with us in studio and they 44 00:06:17,160 --> 00:06:19,639 are gonna play a few songs in just a couple 45 00:06:19,680 --> 00:06:21,879 of minutes, and then we're gonna talk a bit and 46 00:06:22,519 --> 00:06:24,560 they've got a brand new single that we will also 47 00:06:24,680 --> 00:06:26,959 play at the end of the segment. But welcome everybody, 48 00:06:27,800 --> 00:06:30,399 all right, Cosmic Blossom is here with us, and if 49 00:06:30,439 --> 00:06:32,360 you all want to play, you're gonna do what three songs? 50 00:06:32,759 --> 00:06:34,600 I think, yeah, and then uh and then we'll uh 51 00:06:34,720 --> 00:06:36,800 we'll talk after so uh yeah, just go for it. 52 00:06:36,839 --> 00:06:38,639 Whenever you're ready. Cosmic Blossom Live. 53 00:07:00,319 --> 00:07:04,199 Speaker 14: I'm gonna spend my dad he's a walking and then 54 00:07:04,360 --> 00:07:04,800 the sun. 55 00:07:07,040 --> 00:07:09,959 Speaker 15: See how that sucks, but you could still have fun. 56 00:07:13,480 --> 00:07:16,639 Speaker 16: I've got folks coming around and they been calling meet 57 00:07:16,720 --> 00:07:17,360 out jerk. 58 00:07:19,839 --> 00:07:21,199 Speaker 15: Mainly I don't feel I. 59 00:07:21,279 --> 00:07:22,439 Speaker 3: To doing no work. 60 00:07:26,199 --> 00:07:27,439 Speaker 6: You gotta splad. 61 00:07:27,199 --> 00:07:30,600 Speaker 15: Something to me now, just gell see you understand. 62 00:07:32,360 --> 00:07:34,639 Speaker 16: Well, all my precious tomb has got to go back 63 00:07:34,920 --> 00:07:41,240 to the man. I might have found myself just to 64 00:07:41,360 --> 00:07:46,920 let little simple joy or adding high baby till it's 65 00:07:47,000 --> 00:07:48,399 then nine them joy. 66 00:07:49,639 --> 00:08:20,680 Speaker 6: Oh boy, take your time, hib there ain't no needs you. RaSE, No, 67 00:08:25,160 --> 00:08:27,360 take your time ship. 68 00:08:31,480 --> 00:08:48,039 Speaker 15: There ain't no needs you. Yeah, bet, I'm going to 69 00:08:48,159 --> 00:08:55,639 spend my night like you. Yeah, I sure do love 70 00:08:55,679 --> 00:08:56,279 to believe you. 71 00:09:00,639 --> 00:09:04,759 Speaker 16: I'm thinking that Y'all'm gonna find out what a sweet simple. 72 00:09:04,600 --> 00:09:08,039 Speaker 17: Dude it's all I care about. 73 00:09:08,080 --> 00:09:11,159 Speaker 7: Is all in the blood rud. 74 00:09:13,480 --> 00:09:14,799 Speaker 6: No, no, my lit soul. 75 00:09:15,039 --> 00:09:17,919 Speaker 15: It it ain't gonna understand no sh no. 76 00:09:19,720 --> 00:09:22,240 Speaker 6: If I don't get the noise and actually wore all 77 00:09:22,440 --> 00:09:23,480 the dancing. 78 00:09:26,159 --> 00:09:26,679 Speaker 10: This done. 79 00:09:26,799 --> 00:09:29,000 Speaker 11: B got the pills, who lived. 80 00:09:29,159 --> 00:09:33,200 Speaker 16: Fifty tea ball and none no on head and hid 81 00:09:33,320 --> 00:09:35,360 plain I them. 82 00:09:35,320 --> 00:10:01,759 Speaker 7: Sed, oh boy, say no job. 83 00:10:05,960 --> 00:10:06,639 Speaker 18: You know me. 84 00:10:24,679 --> 00:10:25,799 Speaker 6: Care bat done. 85 00:10:35,720 --> 00:10:38,799 Speaker 13: Cosmic blossom is here with us in studio sounding great 86 00:10:38,919 --> 00:10:42,440 if you are just joining us and uh yeah, just 87 00:10:42,639 --> 00:10:45,919 just fantastic. Uh yeah, let's keep going. I love hearing 88 00:10:45,960 --> 00:10:49,440 you all play all right. Cosmic Blossom live in studio. 89 00:11:09,279 --> 00:11:14,639 Speaker 14: Senna Dropper who Water, Santa whispers the wind. 90 00:11:16,200 --> 00:11:19,679 Speaker 17: It's how I'm name speak. 91 00:11:20,039 --> 00:11:28,360 Speaker 19: Musicals in them everything, sena dancer, the spirit. It's s 92 00:11:28,600 --> 00:11:33,600 the beat of each chart, each magic that guys am 93 00:11:33,799 --> 00:11:40,120 playing side of music too. We are oh music too. 94 00:11:40,399 --> 00:11:41,279 Speaker 20: We are. 95 00:11:43,519 --> 00:11:47,440 Speaker 6: So and how it moves me when I hear. 96 00:11:47,679 --> 00:11:49,879 Speaker 15: The morning birds saying. 97 00:11:51,440 --> 00:11:57,039 Speaker 6: Sorry, honey song the guy they. 98 00:11:59,159 --> 00:12:01,360 Speaker 21: So you're feeling. 99 00:12:02,919 --> 00:12:06,039 Speaker 6: It's the way that you play it. 100 00:12:06,440 --> 00:12:12,200 Speaker 16: Signing the song creates a colt bone that takes me ooy. 101 00:12:34,159 --> 00:12:36,360 Speaker 22: Seeing the color of the trump fin. 102 00:12:37,840 --> 00:12:39,639 Speaker 2: It's sending the fuck out of the string. 103 00:12:41,200 --> 00:12:47,200 Speaker 19: It's myriad of color, sound of musicsin everything. 104 00:12:49,679 --> 00:12:51,559 Speaker 6: Now we see each other. 105 00:12:53,519 --> 00:12:55,120 Speaker 15: Through the window of par. 106 00:12:56,679 --> 00:12:58,799 Speaker 5: It's how the song makes. 107 00:12:58,799 --> 00:13:01,360 Speaker 17: Ence our musical. 108 00:13:02,000 --> 00:13:05,639 Speaker 6: We are a music zoo. 109 00:13:05,840 --> 00:13:06,840 Speaker 3: We are. 110 00:13:09,000 --> 00:13:17,159 Speaker 6: Going How and moves me when a year's between secrecuity 111 00:13:18,159 --> 00:13:21,360 a melody of comfort. 112 00:13:21,000 --> 00:13:22,240 Speaker 2: That and blame. 113 00:13:24,519 --> 00:13:28,879 Speaker 15: See the way that you listen, See. 114 00:13:28,759 --> 00:13:30,240 Speaker 2: The way that you move. 115 00:13:31,639 --> 00:13:35,480 Speaker 6: The rhythm tire me if you're so sublime and. 116 00:13:35,600 --> 00:13:36,840 Speaker 2: I'm lost with them. 117 00:13:37,080 --> 00:14:45,879 Speaker 21: Loved the bird. 118 00:14:49,720 --> 00:14:57,639 Speaker 2: Up up. 119 00:15:07,200 --> 00:15:10,559 Speaker 13: Hmm, just incredible. Cosmic Blossom is here with us live 120 00:15:10,799 --> 00:15:13,519 in studio. They're gonna play one more for us, and 121 00:15:13,600 --> 00:15:15,720 then we're gonna play the brand new single, the studio 122 00:15:15,840 --> 00:15:19,279 track halfway there, and then we're gonna talk with Cosmic 123 00:15:19,320 --> 00:15:22,240 Blossom a bit so Cosmic Blossom. They got one more 124 00:15:22,279 --> 00:15:23,679 to play live in studio. 125 00:15:26,480 --> 00:15:31,559 Speaker 23: She got confidence. She goes down the girls, killing in 126 00:15:32,879 --> 00:15:37,120 that goes wild. She ain't got no care in. 127 00:15:37,279 --> 00:15:39,080 Speaker 18: The world show. 128 00:15:43,120 --> 00:15:50,440 Speaker 5: She's abtless din he want fine? 129 00:15:51,399 --> 00:15:56,519 Speaker 24: She didn't come knock down boys when she called your mind? 130 00:16:00,960 --> 00:16:09,399 Every day she rides right, he got pa up fuy fine. 131 00:16:13,159 --> 00:16:19,799 Speaker 23: You got compidence, she got die go killing it that go. 132 00:16:20,000 --> 00:16:27,000 Why ain't got no care? Killing the fine. 133 00:16:30,000 --> 00:16:30,279 Speaker 2: Step? 134 00:16:30,440 --> 00:16:32,600 Speaker 5: Last kid to night? 135 00:16:33,879 --> 00:16:34,879 Speaker 17: You killing your care? 136 00:16:36,159 --> 00:16:36,879 Speaker 2: You're bade. 137 00:16:38,039 --> 00:16:41,279 Speaker 5: Ain't gonna cow bull my ways. 138 00:16:42,440 --> 00:16:49,360 Speaker 2: Nor mind. There isn't a man. Every day she rides. 139 00:16:52,039 --> 00:16:57,000 Speaker 5: She got pa up fine. 140 00:16:59,240 --> 00:16:59,919 Speaker 17: And I work. 141 00:17:00,080 --> 00:17:01,879 Speaker 5: Don't damn I I disserve this. 142 00:17:03,440 --> 00:17:08,039 Speaker 25: And just don't batter of people saying no, no, I'm 143 00:17:08,079 --> 00:17:10,400 gonna keep bungling with purpose. 144 00:17:11,759 --> 00:17:12,880 Speaker 2: Do you hate her? 145 00:17:13,039 --> 00:17:17,440 Speaker 5: Get up my way now and I will so damn hot. 146 00:17:17,559 --> 00:17:18,559 Speaker 17: I deserve this. 147 00:17:20,039 --> 00:17:21,119 Speaker 5: And it don't matter. 148 00:17:21,160 --> 00:17:27,559 Speaker 26: I want people say, I'm gonna keep uggling with herpes. 149 00:17:28,599 --> 00:17:35,599 Speaker 5: Oh you hate get up a wacky it's a feeling myself. 150 00:17:35,319 --> 00:18:13,759 Speaker 18: Today seas in a lay. 151 00:18:14,119 --> 00:18:23,359 Speaker 5: Every day she rides, don't you'll be fine fine? 152 00:18:26,039 --> 00:18:30,240 Speaker 26: And I was so damn hot. I deserve this and 153 00:18:30,480 --> 00:18:35,039 it don't matter what people saying. No, no, I'm gonna 154 00:18:35,119 --> 00:18:37,640 keep fumbling with purpose. 155 00:18:38,839 --> 00:18:40,759 Speaker 11: Or you hater, kad on my way. 156 00:18:41,039 --> 00:18:41,200 Speaker 18: Now. 157 00:18:42,839 --> 00:18:44,000 Speaker 17: I we're so down hot. 158 00:18:44,160 --> 00:18:45,160 Speaker 5: I deserve it. 159 00:18:46,680 --> 00:18:51,359 Speaker 26: And it don't matter our people said, Oh no, I'm 160 00:18:51,400 --> 00:18:54,319 gonna keep fumbling him with perfect. 161 00:18:55,640 --> 00:19:12,839 Speaker 10: Oh you hater, kid out my weight. Now, Ain't nobody 162 00:19:12,960 --> 00:19:13,839 gonna bring up. 163 00:19:17,359 --> 00:19:20,039 Speaker 5: Got coppdies you got cappody. 164 00:19:24,720 --> 00:19:36,319 Speaker 3: Ain't nobody gonna bring Ain't. 165 00:19:31,359 --> 00:19:33,079 Speaker 17: Nobody gonna bring it downs. 166 00:19:33,119 --> 00:19:35,960 Speaker 5: He's un to down to down to down to down 167 00:19:36,079 --> 00:19:36,559 to down. 168 00:19:37,359 --> 00:19:39,119 Speaker 11: Ain't nobody gonna bring up. 169 00:19:39,039 --> 00:19:39,599 Speaker 2: Down your. 170 00:19:43,440 --> 00:19:57,400 Speaker 17: He Ain't nobody gonna bring up to. 171 00:20:02,079 --> 00:20:05,640 Speaker 25: Nobody, ain't gonna bring up down, sit down to down 172 00:20:05,839 --> 00:20:10,920 that down stamp down, sit down. 173 00:20:15,079 --> 00:20:19,480 Speaker 6: Up nobody. 174 00:20:19,759 --> 00:20:27,519 Speaker 23: She look down down, down, down, down down down nobody. 175 00:20:32,680 --> 00:20:33,200 Speaker 2: Anybody. 176 00:20:38,799 --> 00:20:40,240 Speaker 11: Ain't nobody gonna bring it? 177 00:20:42,039 --> 00:20:45,240 Speaker 13: Oh my god, that was so cool. That was awesome. 178 00:20:45,359 --> 00:20:49,119 Great job. Cosmic Blossom live in studio with us, and 179 00:20:49,359 --> 00:20:51,400 we're gonna go ahead and play this brand new studio track. 180 00:20:51,480 --> 00:20:54,279 This is called Halfway There, and then we're gonna talk 181 00:20:54,720 --> 00:20:57,920 with Cosmic Blossoms. So there is plenty more to come. 182 00:20:58,119 --> 00:20:59,839 Don't go anywhere halfway there. 183 00:21:06,519 --> 00:21:09,920 Speaker 16: I'm not gonna play the game of back and forth 184 00:21:10,000 --> 00:21:11,039 and praise and blame. 185 00:21:12,200 --> 00:21:14,400 Speaker 11: Already you know that you're staying true. 186 00:21:17,279 --> 00:21:19,200 Speaker 15: Wall were loving. I'm not living in now. 187 00:21:19,880 --> 00:21:23,279 Speaker 11: I know everything on work itself out. I'm being good 188 00:21:23,319 --> 00:21:23,480 to me. 189 00:21:23,759 --> 00:21:29,799 Speaker 20: Is all that you gotta do. It details you the captains. 190 00:21:29,839 --> 00:21:34,519 When I know where to place my best stay after. 191 00:21:34,559 --> 00:21:35,960 Speaker 11: Jail, you keep me coming through. 192 00:21:38,960 --> 00:21:41,160 Speaker 6: I don't go hung up on my heaverywe word. 193 00:21:41,680 --> 00:21:44,839 Speaker 11: I need you belying free. I as some ver im 194 00:21:44,920 --> 00:21:47,039 feeling me when you're feeling you. 195 00:21:49,960 --> 00:21:50,759 Speaker 15: I choose you. 196 00:21:50,880 --> 00:21:55,640 Speaker 14: Who ever read shine, no matter what come ride come shine. 197 00:21:55,640 --> 00:21:57,960 Speaker 2: Ride or die from curse. 198 00:21:58,200 --> 00:21:59,880 Speaker 6: Get the components of Alaskas. 199 00:22:00,039 --> 00:22:04,759 Speaker 11: You're n the amazing you find your ries. 200 00:22:05,880 --> 00:22:08,880 Speaker 2: Ride me. I'll remind you why. 201 00:22:08,799 --> 00:22:09,200 Speaker 9: Your mi. 202 00:22:13,519 --> 00:22:17,319 Speaker 11: Arty in your wanna be. 203 00:22:18,519 --> 00:22:28,240 Speaker 2: You got me med entity the wana me. 204 00:22:29,440 --> 00:22:40,039 Speaker 11: You gotta give me bread with me coming home at 205 00:22:40,079 --> 00:22:41,039 the end of your day. 206 00:22:41,680 --> 00:22:43,839 Speaker 5: You painted it with such beautiful shape. 207 00:22:44,519 --> 00:22:46,359 Speaker 11: Wish and I could be in that painting. 208 00:22:50,039 --> 00:22:54,000 Speaker 5: Know sometimes you'll see me rolling my eyes. Don't underestimate yourself. 209 00:22:54,079 --> 00:22:54,839 Speaker 6: You're the fries. 210 00:22:55,319 --> 00:22:58,200 Speaker 11: I keep you on to myself if I could use. 211 00:23:00,880 --> 00:23:03,880 Speaker 27: Thinking back to the game of Girls Bad, I had 212 00:23:04,000 --> 00:23:06,799 some you can't look at BG. 213 00:23:08,480 --> 00:23:15,720 Speaker 11: Fool see something fucks of the big things back. 214 00:23:17,319 --> 00:23:27,839 Speaker 3: That his plan jumps a folding and real that sun 215 00:23:28,319 --> 00:23:31,119 dig and find the first. 216 00:23:31,200 --> 00:23:33,839 Speaker 11: A copy through the last about w and. 217 00:23:35,119 --> 00:23:41,160 Speaker 2: They had on not too fat? Com Let you find 218 00:23:41,240 --> 00:23:43,480 the bad long can you. 219 00:23:45,359 --> 00:23:45,640 Speaker 9: Bad? 220 00:23:49,039 --> 00:23:49,920 Speaker 2: Count on up? 221 00:23:51,279 --> 00:23:59,200 Speaker 11: You gotta beat me bad bad bad? 222 00:24:00,079 --> 00:24:04,240 Speaker 2: You wanna be that gotta gave me a bad. 223 00:24:55,400 --> 00:24:59,880 Speaker 11: Lot using libry, know that what comrade? 224 00:25:00,119 --> 00:25:03,839 Speaker 2: Don't shun rid time from the past. 225 00:25:04,359 --> 00:25:05,759 Speaker 17: Until Alaska. 226 00:25:06,839 --> 00:25:12,319 Speaker 2: Amazing spinesz. 227 00:25:13,480 --> 00:25:14,319 Speaker 6: Music Wi. 228 00:25:21,759 --> 00:25:35,640 Speaker 28: Kolana, you gotta beat me Happy Kampa, You gotta beat 229 00:25:35,759 --> 00:25:37,000 me happy. 230 00:25:38,839 --> 00:25:41,880 Speaker 2: Camp Pap. 231 00:25:53,480 --> 00:25:55,920 Speaker 13: I like the endin on that too. That is so cool. Hey, everybody, 232 00:25:55,920 --> 00:25:58,880 if you're just joining us, we have Cosmic Blossom here 233 00:25:58,920 --> 00:26:01,079 with us alive and Udio. They just played a few 234 00:26:01,160 --> 00:26:04,160 tracks and we opened the show uh with a new 235 00:26:04,240 --> 00:26:06,559 song too. But that is the newest right, that is 236 00:26:06,799 --> 00:26:10,920 halfway there from Cosmic Blossom, and of course, uh Gary 237 00:26:11,160 --> 00:26:13,599 is here, Gary Smith, who is in Uh Gary? How 238 00:26:13,640 --> 00:26:15,920 many bands are you now? Can you even put a 239 00:26:16,000 --> 00:26:16,400 number on it? 240 00:26:16,519 --> 00:26:19,039 Speaker 22: Yeah, I mean I'm probably in like six or seven projects. 241 00:26:19,079 --> 00:26:19,680 Speaker 13: Oh is that all? 242 00:26:19,839 --> 00:26:20,039 Speaker 9: Yeah? 243 00:26:22,200 --> 00:26:22,599 Speaker 22: Probably more. 244 00:26:22,759 --> 00:26:23,160 Speaker 9: You do a lot. 245 00:26:23,200 --> 00:26:25,599 Speaker 13: You do a lot of stuff, but I always say 246 00:26:25,640 --> 00:26:27,160 you're one of the You're one of the most talented 247 00:26:27,240 --> 00:26:32,200 and busiest musicians I know in the area. So we 248 00:26:32,319 --> 00:26:35,079 also have so we'll we'll go around here. So we 249 00:26:35,119 --> 00:26:39,759 have Ryan here on drums and sounding great than your 250 00:26:39,799 --> 00:26:41,759 first time on the show. So appreciate having you here. 251 00:26:42,480 --> 00:26:45,000 And uh and Meg of course I love the vocal 252 00:26:45,079 --> 00:26:47,480 on that last song that that y'all played. That was 253 00:26:48,000 --> 00:26:50,039 really cool. And you're in Dog a Dog as well. 254 00:26:50,160 --> 00:26:51,200 Speaker 17: Yeah, we'll be on at eleven. 255 00:26:51,359 --> 00:26:53,240 Speaker 13: Yeah, yeah, so that's that's gonna be awesome. 256 00:26:53,480 --> 00:26:53,640 Speaker 15: Yeah. 257 00:26:53,680 --> 00:26:55,200 Speaker 13: When you walked in, I was like, oh wait, she's 258 00:26:55,319 --> 00:26:59,359 on the other band, and uh, let's see and we 259 00:26:59,440 --> 00:27:00,759 have Nick welcome. 260 00:27:00,880 --> 00:27:01,519 Speaker 29: What's up guys? 261 00:27:01,640 --> 00:27:05,000 Speaker 13: And uh you Now let me ask you this, So 262 00:27:05,200 --> 00:27:08,359 are the four of you like because we in fact 263 00:27:08,359 --> 00:27:10,200 I asked before the show, do I introduce you as 264 00:27:10,240 --> 00:27:13,440 Cosmic Blossom or Cosmic Blossom collective because it seems like 265 00:27:13,519 --> 00:27:16,720 there's like is there a core band and then sort 266 00:27:16,799 --> 00:27:20,839 of ancillary people who are the collective? Or how does how? 267 00:27:20,960 --> 00:27:22,039 How is this all working? 268 00:27:22,359 --> 00:27:22,599 Speaker 22: Sure? 269 00:27:22,720 --> 00:27:25,000 Speaker 29: So there's there's like I would say, probably like eight 270 00:27:25,039 --> 00:27:27,079 of us that are like the core group members. Okay, 271 00:27:27,119 --> 00:27:28,920 you know we kind of split that up into like 272 00:27:29,319 --> 00:27:32,440 two little subgroups that like write songs like on their own, 273 00:27:32,480 --> 00:27:34,240 and then we kind of bring it to the larger group. 274 00:27:34,400 --> 00:27:36,079 Oh and then we have other musicians that are in 275 00:27:36,119 --> 00:27:37,480 the scene that kind of join on, you know, like 276 00:27:37,519 --> 00:27:39,359 horn players and stuff like that. Whenever we have like 277 00:27:39,440 --> 00:27:41,559 bigger gigs. Yeah, for the most part, we kind of 278 00:27:41,599 --> 00:27:44,000 stick to the core group of like eight of us. 279 00:27:44,119 --> 00:27:49,559 Speaker 13: Yeah, gotcha, gotcha? Wow. So so that that core configuration 280 00:27:49,680 --> 00:27:51,440 of eight, So what do you have covered in terms 281 00:27:51,480 --> 00:27:55,200 of instruments or is it a lot of singers or 282 00:27:55,279 --> 00:27:57,200 how does how does? Like I guess what I'm really 283 00:27:57,240 --> 00:27:59,200 asking is who are the other four of the eight? 284 00:27:59,440 --> 00:28:01,720 Speaker 29: Sure? Absolutely, I would say the other four. While we 285 00:28:01,759 --> 00:28:03,599 have brad to Palm on guitar, you couldn't be here today, 286 00:28:03,640 --> 00:28:06,240 but he's the guy that I started this with lead guitar. 287 00:28:06,799 --> 00:28:09,559 We have Jimmy on keys, he's fantastic, Chuck on bass, 288 00:28:09,720 --> 00:28:13,119 we love Chuck and Anthony on drums, he's the other 289 00:28:13,200 --> 00:28:14,759 drummer that we have, I'd say that. And then we 290 00:28:14,880 --> 00:28:17,319 have singers on top of that too. You know Amanda 291 00:28:17,400 --> 00:28:19,480 Van Tyne, Sarah Bird, she's also in Dog Eate Dogs. 292 00:28:19,480 --> 00:28:21,359 She'll be here a little bit later, okay, And you know, 293 00:28:21,519 --> 00:28:23,480 just too many people to name off off the rip 294 00:28:23,559 --> 00:28:24,160 out the rest of that. 295 00:28:24,400 --> 00:28:27,440 Speaker 13: Yeah, is it? Is it challenging to manage all that 296 00:28:27,559 --> 00:28:30,880 in terms of playing live shows and figuring out who's 297 00:28:31,200 --> 00:28:33,799 available for what or or maybe it's maybe it makes 298 00:28:33,839 --> 00:28:35,839 it easier in some ways because you can kind of 299 00:28:36,119 --> 00:28:38,680 change up the configuration of the songs on the fly 300 00:28:38,920 --> 00:28:42,079 depending on who's there. I mean, what is that like 301 00:28:42,160 --> 00:28:42,960 what is that dynamic? 302 00:28:43,160 --> 00:28:44,200 Speaker 22: Like, well, that's one of it. 303 00:28:44,240 --> 00:28:46,559 Speaker 30: And definitely with like like there's a where or you 304 00:28:46,559 --> 00:28:48,400 guys are playing on March twenty first, I already had 305 00:28:48,440 --> 00:28:50,960 a gig. But you know it's simple enough where we 306 00:28:51,079 --> 00:28:53,759 have like two drummers, two basses, and we're all cross trained, 307 00:28:53,839 --> 00:28:56,240 so we can kind of, yeah, if one of us 308 00:28:56,279 --> 00:28:58,200 can make it, we can still kind of make make 309 00:28:58,240 --> 00:29:00,200 the gigs work, yeah, which is nice. But again, we 310 00:29:01,400 --> 00:29:04,119 tend to play like bigger, bigger shows. We're not doing 311 00:29:04,119 --> 00:29:06,200 a lot of smaller stuff, so it's usually make it 312 00:29:06,279 --> 00:29:07,000 worth it, I would say. 313 00:29:07,079 --> 00:29:07,799 Speaker 22: With other shows. 314 00:29:08,039 --> 00:29:09,839 Speaker 13: Yeah, yeah, no, that makes sense. 315 00:29:09,960 --> 00:29:12,519 Speaker 29: Yeah, with smaller gigs and stuff, we'll usually stick to 316 00:29:12,599 --> 00:29:14,079 like a smaller group of us, you know what I mean. 317 00:29:14,240 --> 00:29:16,319 Like if we're just playing like a club downtown like 318 00:29:16,400 --> 00:29:18,240 say Lowell or something like that, you know we'll have 319 00:29:18,359 --> 00:29:20,279 probably just like the eight of us covered that. If 320 00:29:20,319 --> 00:29:22,319 we're playing like a bigger festival over the summer, we'll 321 00:29:22,319 --> 00:29:24,759 probably have we'll break out all the stops for that, 322 00:29:24,839 --> 00:29:27,359 so we'll have all what fifteen of us on stage 323 00:29:27,440 --> 00:29:29,359 orthing like that, Yeah, at one time, and you know, 324 00:29:29,400 --> 00:29:31,279 people kind of jump in and out per song. It's 325 00:29:31,319 --> 00:29:33,440 not everybody's on the stage all at once. Everybody kind 326 00:29:33,440 --> 00:29:35,039 of just floats in and out as the songs kind 327 00:29:35,039 --> 00:29:38,119 of come okay. And yeah, like Gary said, having two 328 00:29:38,200 --> 00:29:40,200 of everything is really helpful. So if one person can't 329 00:29:40,240 --> 00:29:42,839 make it, someone can cover the entire base through one show. 330 00:29:42,960 --> 00:29:44,880 Speaker 13: That it's like a Noah's Ark thing. You got two 331 00:29:44,960 --> 00:29:45,319 of Uh. 332 00:29:47,279 --> 00:29:49,640 Speaker 29: I didn't look at it like that before. Yeah, no, 333 00:29:49,759 --> 00:29:50,359 it makes sense. 334 00:29:50,400 --> 00:29:52,160 Speaker 13: So that's so that's smart to do it that way. 335 00:29:52,240 --> 00:29:53,559 That totally makes sense. I like it. 336 00:29:53,720 --> 00:29:54,119 Speaker 17: I like it. 337 00:29:55,400 --> 00:29:57,720 Speaker 13: What is so do you know what, like, what is 338 00:29:57,759 --> 00:29:59,680 the maximum number of people you've had on stage at 339 00:29:59,680 --> 00:30:01,119 once a Cosmic Blossom set? 340 00:30:02,200 --> 00:30:03,519 Speaker 29: How did we have on for Wormtown? 341 00:30:03,680 --> 00:30:03,839 Speaker 22: Yeah? 342 00:30:03,839 --> 00:30:04,119 Speaker 13: That once? 343 00:30:04,240 --> 00:30:06,279 Speaker 30: That was probably like with the horn players and stuff, 344 00:30:06,319 --> 00:30:09,920 that's probably like twelve or thirteen out wow, get yeah. 345 00:30:09,839 --> 00:30:11,319 Speaker 29: Thirteen of us probably on it once. 346 00:30:11,440 --> 00:30:12,759 Speaker 13: Yeah, And what's the minimum them? 347 00:30:12,880 --> 00:30:16,000 Speaker 29: Like, what is the small The smallest we have was four, Yeah, 348 00:30:16,039 --> 00:30:17,920 and it's it's cool because we'll start with four, like 349 00:30:18,160 --> 00:30:21,000 for our last festival we played at Wormtown, we start 350 00:30:21,039 --> 00:30:23,000 with four, and then we add one person, and then 351 00:30:23,000 --> 00:30:24,920 we add another person and it's just like grows to 352 00:30:25,000 --> 00:30:26,640 like the end of the show, all thirteen of us 353 00:30:26,640 --> 00:30:27,759 are on stage all at once. 354 00:30:27,680 --> 00:30:28,880 Speaker 13: So blossoms. 355 00:30:29,000 --> 00:30:31,119 Speaker 15: Yeah, yeah, this guy's good. 356 00:30:32,039 --> 00:30:34,160 Speaker 13: Yeah, it's up to do your marketing. I get all 357 00:30:34,160 --> 00:30:36,480 the times. Yeah, I want to be part of this. 358 00:30:36,799 --> 00:30:37,680 Speaker 22: Do you want to join us to do? 359 00:30:37,720 --> 00:30:37,960 Speaker 13: You guys? 360 00:30:38,000 --> 00:30:38,759 Speaker 22: Remember sixteen? 361 00:30:38,880 --> 00:30:39,079 Speaker 15: Yeah? 362 00:30:39,720 --> 00:30:40,279 Speaker 13: You know it's up? 363 00:30:40,440 --> 00:30:40,640 Speaker 17: Yeah. 364 00:30:42,839 --> 00:30:46,400 Speaker 13: Oh that's no, that's cool though. Now now when you so, 365 00:30:46,519 --> 00:30:49,799 how does that affect how you approach recording, because you've got, 366 00:30:50,160 --> 00:30:52,799 like we featured, uh, that great studio track we opened 367 00:30:52,839 --> 00:30:55,359 with and we just played halfway there. How do how 368 00:30:55,400 --> 00:30:56,920 does that get figured out? Who's going to? 369 00:30:57,079 --> 00:30:57,200 Speaker 9: Uh? 370 00:30:57,319 --> 00:30:59,599 Speaker 13: I mean, do you try to get all fifteen people 371 00:30:59,640 --> 00:31:01,119 on a try or probably not? 372 00:31:01,200 --> 00:31:03,200 Speaker 30: I wouldn't think, but yeah, I mean we we again 373 00:31:03,279 --> 00:31:05,480 try and kind of get a scratch track, you know, 374 00:31:05,559 --> 00:31:08,759 we use the well recently started using Pete who I've 375 00:31:09,000 --> 00:31:11,559 used all for my procreston Maintenance and Fox and Flamingos. 376 00:31:11,599 --> 00:31:13,160 So like we kind of just lay the scratch track 377 00:31:13,240 --> 00:31:15,480 down with the four or five of us, and then 378 00:31:16,079 --> 00:31:18,440 the girls will come add the vocals after the fact 379 00:31:18,559 --> 00:31:20,640 and we try and get as many people on it. 380 00:31:20,720 --> 00:31:25,039 Obviously sometimes it doesn't always work out, but yeah, I mean, ultimately, 381 00:31:25,119 --> 00:31:27,359 you know, everyone, like I said, everyone can play everything, 382 00:31:27,440 --> 00:31:31,400 so that's half the battle. But yeah, recording wise, we 383 00:31:32,200 --> 00:31:34,400 it's pretty efficient. Like last song, we pretty much had 384 00:31:34,400 --> 00:31:36,119 it done in two days over the course of a week. 385 00:31:36,119 --> 00:31:39,960 We're recording again on March twenty eighth, recording our next 386 00:31:40,000 --> 00:31:40,960 song excellent. 387 00:31:41,279 --> 00:31:42,640 Speaker 29: First one we played here take your Time. 388 00:31:42,599 --> 00:31:44,359 Speaker 30: Yeah, take your Time, the one that we played solo 389 00:31:44,640 --> 00:31:46,319 the first one, the acoustic one, So that's going to 390 00:31:46,359 --> 00:31:49,200 be recorded, Uh, excellent, down to Pete so that yeah, 391 00:31:49,400 --> 00:31:51,759 and then we're working on a bunch of other stuff too. 392 00:31:52,240 --> 00:31:54,240 Speaker 13: Is there a studio recording of the last one that 393 00:31:54,480 --> 00:31:56,599 you played that you sang on Meg not yet? No, 394 00:31:56,960 --> 00:31:58,880 I love that song? Oh, thank you, thank you. 395 00:31:59,079 --> 00:31:59,680 Speaker 17: Yeah, we do. 396 00:32:00,160 --> 00:32:02,880 Speaker 10: Me and Amanda Vantine do that one together usually. 397 00:32:04,160 --> 00:32:07,039 Speaker 11: Kind of like a girl power song and stuff. But yeah, 398 00:32:07,079 --> 00:32:08,680 we're hoping on recording that soon too. 399 00:32:09,000 --> 00:32:12,079 Speaker 13: Cool. Cool, Yeah, No, that's that's really good. So there 400 00:32:12,279 --> 00:32:14,640 Now is there an album or is there just singles 401 00:32:14,839 --> 00:32:16,839 for Cosmic Blossom up to now? I don't so. 402 00:32:17,240 --> 00:32:19,079 Speaker 29: Right now, we just have I think what eight singles, 403 00:32:19,319 --> 00:32:21,559 and that was over the course of like, you know, 404 00:32:21,680 --> 00:32:24,119 this has progressed in a crazy way that we've had 405 00:32:24,160 --> 00:32:26,920 even other members that have you know, like come and gone, 406 00:32:27,279 --> 00:32:29,079 and so we over the course of the last you know, 407 00:32:29,119 --> 00:32:31,240 two or three years, we've probably put out about eight singles. 408 00:32:31,920 --> 00:32:35,519 We're gearing up now to get like a full length album, 409 00:32:35,559 --> 00:32:38,319 probably about like fourteen songs, oh on one big album 410 00:32:38,599 --> 00:32:40,720 and we hope to get that like pressed onto vinyl 411 00:32:40,759 --> 00:32:42,400 and stuff by the end of the summer. That's kind 412 00:32:42,400 --> 00:32:44,839 of nice. We're in the process of getting everything recorded 413 00:32:44,880 --> 00:32:46,319 and polished up now for that. 414 00:32:46,559 --> 00:32:49,559 Speaker 13: Oh, very cool. Yeah, that'll that'll be good. It's cool 415 00:32:49,559 --> 00:32:51,319 that you're gonna do vinyl. A lot of people are 416 00:32:51,359 --> 00:32:52,640 doing vinyl now, that's awesome. Yeah. 417 00:32:52,720 --> 00:32:55,200 Speaker 29: He just pressed vinyl for his Percussive Maintenance album. 418 00:32:55,359 --> 00:32:59,160 Speaker 13: Oh you did? Yeah, okay, one of those too cool, outstanding. Well, 419 00:32:59,160 --> 00:33:01,720 I don't know if y'all know. And Gary, you've obviously 420 00:33:01,759 --> 00:33:03,160 been here before, but not I been here in a 421 00:33:03,200 --> 00:33:05,000 little while. We have a record player now. 422 00:33:06,160 --> 00:33:08,039 Speaker 29: Yeah, absolutely, spind your vinyl on that. 423 00:33:08,160 --> 00:33:10,039 Speaker 13: Yeah, right, Yeah. One of the guys, this belongs to 424 00:33:10,319 --> 00:33:12,480 Ryan Sherman, the cherminator. He does a show here, a 425 00:33:12,599 --> 00:33:15,680 music show. But but he brought this in, you know him. Yeah, 426 00:33:16,079 --> 00:33:18,319 he brought this in and he said anybody can use it, 427 00:33:18,440 --> 00:33:20,759 so we can. We can always plug it in and 428 00:33:21,039 --> 00:33:21,880 spend something on there. 429 00:33:22,200 --> 00:33:22,400 Speaker 24: Sick. 430 00:33:22,960 --> 00:33:26,119 Speaker 13: My theory about you know, people who buy vinyl at 431 00:33:26,160 --> 00:33:28,519 this point, you know, unless they're they're buying you know, 432 00:33:28,680 --> 00:33:31,079 used vinyl, you know, like classic rock stuff. But I 433 00:33:31,119 --> 00:33:33,000 think when people buy brand new vinyl, most of the 434 00:33:33,039 --> 00:33:35,039 time they probably never even open it, or if they 435 00:33:35,119 --> 00:33:36,839 do open it. They never play it because it's just 436 00:33:37,119 --> 00:33:38,000 something that's cool to have. 437 00:33:38,200 --> 00:33:39,079 Speaker 22: It's a collective piece. 438 00:33:39,160 --> 00:33:40,759 Speaker 29: Yeah, absolute, Yeah, it's not the only way that we 439 00:33:40,799 --> 00:33:42,839 listen to music to anymore, so that's more of a 440 00:33:42,960 --> 00:33:44,400 it's more of a novelty to have for sure. 441 00:33:44,480 --> 00:33:46,200 Speaker 13: Yeah, it's cool to have it. You know, you can 442 00:33:46,319 --> 00:33:47,920 mount it on the wall, do whatever with it. But 443 00:33:48,799 --> 00:33:50,559 but yeah, but we do have the capability to play 444 00:33:50,640 --> 00:33:52,920 vinyl and we also have a we actually have a 445 00:33:53,000 --> 00:33:54,839 CD player here too. I don't even have a CD 446 00:33:54,920 --> 00:33:57,359 player at home anymore, but we do have a CD 447 00:33:57,440 --> 00:33:59,480 player here. I think I think Rob has a veto 448 00:33:59,480 --> 00:34:01,279 from Grantis of Mind is the only one who actually 449 00:34:01,359 --> 00:34:03,160 uses it. But we do have one here, so we 450 00:34:03,279 --> 00:34:06,039 have that capability as well. But it's nice to live 451 00:34:06,079 --> 00:34:07,880 in a digital age. But no, that's cool that you're 452 00:34:07,880 --> 00:34:09,000 in a do vinyl. That's awesome. 453 00:34:09,119 --> 00:34:11,480 Speaker 29: Yeah, yeah, very nice to have for the summer. Absolutely. 454 00:34:11,639 --> 00:34:14,360 Speaker 13: How long has Cosmic Blossom existed. It's been a number 455 00:34:14,360 --> 00:34:16,159 of years, right, but it sounds like it's changed a lot. 456 00:34:16,239 --> 00:34:17,679 It's morphed and grown. 457 00:34:17,480 --> 00:34:19,400 Speaker 29: And absolutely yeah, I would say that me and Brad 458 00:34:19,519 --> 00:34:22,760 started this in twenty twenty when everything kind of shut down. 459 00:34:22,840 --> 00:34:24,480 We kind of just met up with our buddy Brian 460 00:34:24,559 --> 00:34:26,960 Lambers a lot. He's a core member of this took. 461 00:34:27,760 --> 00:34:29,719 He helps us a lot with our production and stuff. 462 00:34:29,719 --> 00:34:32,039 He's awesome. So we just met up with him and 463 00:34:32,159 --> 00:34:34,159 just like us three just started writing the original songs 464 00:34:34,199 --> 00:34:37,360 that we had for this. Later on we picked up 465 00:34:38,239 --> 00:34:41,280 drums and bass with Axel and Alfredo. Yeah, and then 466 00:34:41,480 --> 00:34:43,400 right after that we picked up Amanda Vantayne as like 467 00:34:43,480 --> 00:34:46,039 our lead singer, and then like just from there, once 468 00:34:46,119 --> 00:34:48,199 that happened, like people start started joining left and right, 469 00:34:48,239 --> 00:34:50,039 and okay, it just became what it became after that. 470 00:34:50,199 --> 00:34:50,400 Speaker 13: Yeah. 471 00:34:50,480 --> 00:34:52,480 Speaker 29: Yeah, it kind of grew naturally too. It's not like, 472 00:34:52,679 --> 00:34:54,320 you know, we really actually planned for that. We kind 473 00:34:54,360 --> 00:34:55,880 of planned on being a band at first, and then 474 00:34:56,119 --> 00:34:57,800 just so many people just ended up coming through that 475 00:34:57,840 --> 00:34:59,079 we're like, all right, let's see if we can make 476 00:34:59,159 --> 00:35:01,719 that like a trend. Yeah, it's been a lot, but 477 00:35:01,760 --> 00:35:03,239 it's been working for us. It's been really cool. 478 00:35:03,760 --> 00:35:06,239 Speaker 13: Was there any was there any kind of resistance to 479 00:35:06,320 --> 00:35:08,280 that initially within the band, Like do we want to 480 00:35:08,360 --> 00:35:10,840 just let people sort of join or did you just 481 00:35:11,199 --> 00:35:12,920 did you just go with it instinctively? Like no, this 482 00:35:13,039 --> 00:35:14,519 is cool just if people want to become a. 483 00:35:14,519 --> 00:35:16,280 Speaker 29: Part of it, honestly, and I'm so proud of this. 484 00:35:16,360 --> 00:35:19,480 Everybody who's joined this has been so like okay with 485 00:35:19,599 --> 00:35:21,480 making sure that everybody has their time in the spotlight. 486 00:35:21,480 --> 00:35:23,960 You know, we're really good about sharing it and making 487 00:35:24,000 --> 00:35:26,480 it as much of a collaboration as possible. 488 00:35:26,599 --> 00:35:29,320 Speaker 13: That's really cool. Yeah, I admire that a lot. That's 489 00:35:29,440 --> 00:35:32,679 that's excellent. That's excellent. And then what do you have 490 00:35:32,760 --> 00:35:34,320 coming up? Do you have any shows this weekend that 491 00:35:34,360 --> 00:35:36,000 you're playing or what's what's kind of next for a 492 00:35:36,039 --> 00:35:37,079 cosmos Nicker. 493 00:35:37,440 --> 00:35:40,400 Speaker 30: You're playing a Hennecker Brewery March twenty first, yeah, guy, 494 00:35:41,039 --> 00:35:45,280 and then we just when we were playing Warping weft 495 00:35:45,440 --> 00:35:49,360 Ye with Fox and excellent Low Yeah, on April tenth, 496 00:35:50,719 --> 00:35:52,920 and then Grange Creek. 497 00:35:53,039 --> 00:35:53,239 Speaker 17: Yeah. 498 00:35:53,280 --> 00:35:55,039 Speaker 29: I'd say our biggest show that we're excited for is 499 00:35:55,039 --> 00:35:57,400 we're playing the Capital Center for the Arts, the Bank 500 00:35:57,440 --> 00:35:59,440 in New Hampshire, Stage up Conquered and we're. 501 00:36:00,639 --> 00:36:05,440 Speaker 13: You're doing that Kevin Haran, Kevin Hornan, Yeah, yeah, he's 502 00:36:05,480 --> 00:36:06,679 been on the show. Yeah, Yeah, that's great. 503 00:36:07,280 --> 00:36:09,719 Speaker 30: We're playing in his band. So I brought I brought 504 00:36:09,760 --> 00:36:16,239 Cosmic well of course you are. But yeah, that's that 505 00:36:16,280 --> 00:36:17,800 should be as that would be a really. 506 00:36:18,800 --> 00:36:20,599 Speaker 13: Is that throughout n H Music Collective? 507 00:36:20,800 --> 00:36:20,840 Speaker 25: No? 508 00:36:21,159 --> 00:36:21,559 Speaker 28: No, no? 509 00:36:23,280 --> 00:36:27,639 Speaker 13: Oh cool, very nice, very nice. Yeah. How many, like 510 00:36:27,760 --> 00:36:30,039 how many songs does Cosmic Blossom have at this point? 511 00:36:30,320 --> 00:36:33,599 That because obviously, you know, you've got songs that everybody, 512 00:36:33,800 --> 00:36:35,880 like everybody who's a part of it knows, right, So 513 00:36:36,880 --> 00:36:38,639 does that you have a lot? 514 00:36:38,760 --> 00:36:39,440 Speaker 29: Yeah, Oh my gosh. 515 00:36:39,519 --> 00:36:39,679 Speaker 15: Yeah. 516 00:36:39,679 --> 00:36:42,119 Speaker 29: So we probably have about like ten that we've like 517 00:36:42,599 --> 00:36:44,840 retired is what we call it, with ones we don't 518 00:36:44,840 --> 00:36:48,119 really play anymore. We have probably like eight right now 519 00:36:48,199 --> 00:36:50,320 that are in our like what we call our set, 520 00:36:50,360 --> 00:36:52,760 which we'll bring to anywhere, and then we're we've got 521 00:36:52,760 --> 00:36:55,679 probably about four more that we're writing, and then maybe 522 00:36:55,719 --> 00:36:58,199 even like two or three acoustic songs on top of that. 523 00:36:58,280 --> 00:36:59,199 Speaker 22: So we have we have a lot. 524 00:36:59,280 --> 00:37:03,559 Speaker 29: We've about twenty twenty or twenty five we've that we've 525 00:37:03,559 --> 00:37:04,239 got floating around. 526 00:37:04,280 --> 00:37:06,239 Speaker 13: Oh that's great. Yeah, with that many? Is it hard 527 00:37:06,239 --> 00:37:07,920 to write a set list if you're in a situation where, 528 00:37:08,079 --> 00:37:09,719 like say, you've got an hour of time to fill, 529 00:37:10,440 --> 00:37:12,000 obviously you can't play all of those. So yeah, it 530 00:37:12,079 --> 00:37:13,880 was a difficult to decide with that much material. 531 00:37:14,000 --> 00:37:16,159 Speaker 29: Honestly, the biggest part of it is like who's there, 532 00:37:16,360 --> 00:37:19,119 you know, all that makes there and who knows what song? 533 00:37:19,199 --> 00:37:20,920 And then you may kind of create a set list 534 00:37:20,960 --> 00:37:23,760 based upon who shows up. Okay, we've spent a lot 535 00:37:23,760 --> 00:37:25,400 of time making sure that everybody knows a little bit 536 00:37:25,400 --> 00:37:27,199 of everything, but still it kind of we kind of 537 00:37:27,239 --> 00:37:29,079 run into that sometimes, so we gear our sets on 538 00:37:29,599 --> 00:37:31,599 who's there and who's ready to show up that day. 539 00:37:31,679 --> 00:37:35,599 Speaker 13: No, that makes sense. That makes sense. So now where 540 00:37:35,679 --> 00:37:37,559 where should people go online to keep up with everything 541 00:37:37,599 --> 00:37:40,400 that Cosmic Blossom is doing and the music that you 542 00:37:40,480 --> 00:37:42,719 have out and and I assume this is all on Spotify? 543 00:37:42,760 --> 00:37:45,239 Everything that Yeah released so far, including including I know 544 00:37:45,360 --> 00:37:47,400 this is pot off the press halfway? There is that 545 00:37:47,559 --> 00:37:48,360 on Spotify as well? 546 00:37:48,440 --> 00:37:50,079 Speaker 29: Oh yeah, yeah absolutely, Yeah, that went up a few 547 00:37:50,079 --> 00:37:52,360 weeks ago. That's on all major streaming platforms. 548 00:37:52,400 --> 00:37:52,639 Speaker 13: We're on. 549 00:37:52,719 --> 00:37:54,079 Speaker 29: All all the singles that we have are on all 550 00:37:54,119 --> 00:37:57,639 major streaming platforms. You can go to our website Cosmic 551 00:37:57,679 --> 00:38:00,840 block Them Cosmic Blossom Collective dot com. You can find 552 00:38:00,880 --> 00:38:03,639 us on Facebook, Instagram. All that reached us to reach 553 00:38:03,760 --> 00:38:06,360 out to us there and we'll we'll talk you that way. 554 00:38:06,440 --> 00:38:09,960 Speaker 13: Yeah, yeah, outstanding. And who is so other than other 555 00:38:10,079 --> 00:38:12,320 than Gary is is? And of course Meg you have 556 00:38:12,440 --> 00:38:15,400 dog a dog? And Ryan, do you have other projects 557 00:38:15,480 --> 00:38:21,400 that you plan as well? Or well another project? I 558 00:38:21,480 --> 00:38:22,320 found that shocking. 559 00:38:23,199 --> 00:38:23,760 Speaker 17: I know it's. 560 00:38:26,280 --> 00:38:28,880 Speaker 22: Me him and Bob Dwyre are r GB Trio. 561 00:38:29,400 --> 00:38:29,679 Speaker 17: I don't know. 562 00:38:30,280 --> 00:38:32,400 Speaker 13: Yeah, you know Bob's been on the show yea, yeah. 563 00:38:32,280 --> 00:38:34,039 Speaker 22: You know, and you guys from you guys have known? 564 00:38:35,000 --> 00:38:38,079 Speaker 13: Yeah yeah, actually now to mention it, yeah yeah, yeah, 565 00:38:38,519 --> 00:38:42,119 what was so that's RBG Trio is r G RGB trip. 566 00:38:42,280 --> 00:38:44,360 Ye sorry, I think I'm suffering from adult on set 567 00:38:44,360 --> 00:38:48,320 to slex. Okay, very cool? And then uh and what 568 00:38:48,440 --> 00:38:50,320 about you Nick? You might do you have other stuff 569 00:38:50,360 --> 00:38:50,840 that you've got? 570 00:38:50,920 --> 00:38:53,360 Speaker 29: Going to my original band that I formed with Brad 571 00:38:53,760 --> 00:38:56,679 the the Core group. There we are in a band 572 00:38:56,719 --> 00:38:58,559 called Earthmark, and we're more of like a progressive rock 573 00:38:58,639 --> 00:39:02,039 kind of group. And yeah, we've been around for a while, Okay, okay, god, 574 00:39:02,039 --> 00:39:03,679 we've been playing around for like twelve years now. 575 00:39:04,599 --> 00:39:06,920 Speaker 13: Earthmark is a very prog rock name. 576 00:39:07,599 --> 00:39:09,559 Speaker 29: Yeah, I don't even know how we came up with that. 577 00:39:09,679 --> 00:39:12,360 Speaker 13: It's cool. Well, I like it. I like it a lot. Yeah, Yeah, 578 00:39:12,679 --> 00:39:17,079 that's that's very cool. Well, we got to we're approaching 579 00:39:17,159 --> 00:39:18,840 the top of the hour, so we should begin to 580 00:39:18,880 --> 00:39:20,760 wrap up. But thank you all for joining us. This 581 00:39:20,800 --> 00:39:21,440 has been amazing. 582 00:39:21,599 --> 00:39:22,480 Speaker 29: Yeah, man, thank you so much. 583 00:39:23,079 --> 00:39:25,280 Speaker 13: Love hearing you play live. We'll do it again. And 584 00:39:25,360 --> 00:39:26,800 you know, and anything new of course that you've got 585 00:39:26,840 --> 00:39:29,719 coming out as far as studio tracks, we will always uh, 586 00:39:30,119 --> 00:39:31,360 we'll always give them a spin. 587 00:39:31,440 --> 00:39:31,599 Speaker 22: Here. 588 00:39:32,039 --> 00:39:33,960 Speaker 13: I think I know we opened the show with it, 589 00:39:34,039 --> 00:39:35,760 but I love it so much. I think we should 590 00:39:35,800 --> 00:39:40,119 also end the segment with we should give this another spin. Uh, 591 00:39:40,599 --> 00:39:42,719 dream come True. I really love this song a lot. 592 00:39:42,960 --> 00:39:43,400 Speaker 15: Thanks man. 593 00:39:43,599 --> 00:39:43,800 Speaker 28: Yeah. 594 00:39:43,920 --> 00:39:47,360 Speaker 13: Who by the way, so these these songs like who 595 00:39:47,400 --> 00:39:49,320 are the kind of the primary songwriters or. 596 00:39:49,360 --> 00:39:50,440 Speaker 22: Is it Nick? 597 00:39:50,559 --> 00:39:51,079 Speaker 2: Is? Nick? 598 00:39:51,639 --> 00:39:53,920 Speaker 30: He's an amazing song right, Like we'll just start jamming. 599 00:39:53,960 --> 00:39:55,840 He'll come up with words off the top of his head, 600 00:39:55,920 --> 00:39:58,039 like melodies, like he like improvises songs. 601 00:39:58,199 --> 00:40:00,360 Speaker 22: It's crazy. Really, I've never seen anyone and do it. 602 00:40:00,800 --> 00:40:05,400 Speaker 13: Thanks great, Yeah, no, great, great stuff. Everything everything you've 603 00:40:05,440 --> 00:40:07,599 got going is great. So thank you all. Right, here 604 00:40:07,679 --> 00:40:09,719 we go. This is once again. This is really good. 605 00:40:09,760 --> 00:40:12,800 This is a dream come True by Cosmic Blossom. 606 00:40:13,480 --> 00:40:13,840 Speaker 2: Mhm. 607 00:40:29,880 --> 00:40:37,920 Speaker 3: Dream it's a dream come true, a dream. It's a 608 00:40:38,039 --> 00:40:46,920 dream come true. It's a dream. It's a dream come true, 609 00:40:51,519 --> 00:40:52,880 a dream. 610 00:40:55,599 --> 00:40:57,360 Speaker 6: It's like a dream come true. 611 00:40:59,199 --> 00:41:01,320 Speaker 11: It's like and then in a movie. 612 00:41:03,039 --> 00:41:04,320 Speaker 2: It's just me, you. 613 00:41:06,840 --> 00:41:08,519 Speaker 6: Like the way that it should be. 614 00:41:10,159 --> 00:41:15,400 Speaker 5: All that's ship we been through, it's so fairly had. 615 00:41:17,360 --> 00:41:20,840 Speaker 6: It's just me and you. Don't you know, don't you know? 616 00:41:21,360 --> 00:41:22,400 Speaker 5: Don't you always of. 617 00:41:28,280 --> 00:41:28,320 Speaker 2: No? 618 00:41:28,719 --> 00:41:30,519 Speaker 6: Ho, I am no more. 619 00:41:30,599 --> 00:41:36,639 Speaker 7: Crying to your dollar dollar, just born to. 620 00:41:36,679 --> 00:41:43,199 Speaker 8: See a smile on your face for darlings. And I 621 00:41:43,400 --> 00:41:50,119 know sometimes it bes like the sky is falling no 622 00:41:50,320 --> 00:41:54,199 matter what we've been No, it's just man, and it's 623 00:41:54,239 --> 00:41:55,960 a dream called true. 624 00:42:02,280 --> 00:42:06,880 Speaker 2: Is a dream? Is a dream come true? 625 00:42:09,400 --> 00:42:19,760 Speaker 3: It is a dream true. It's a dream. It's a 626 00:42:19,840 --> 00:42:21,400 dream true. 627 00:42:22,880 --> 00:42:24,719 Speaker 5: It's like a dream come true. 628 00:42:26,440 --> 00:42:28,400 Speaker 2: It's like a move. 629 00:42:30,199 --> 00:42:37,679 Speaker 11: It's joking, not the way that it should be. I'll 630 00:42:37,840 --> 00:42:39,199 dethis sleep been thru. 631 00:42:41,000 --> 00:42:46,199 Speaker 12: It's so far behind, no matter what we've been through, 632 00:42:46,639 --> 00:42:48,079 don't you know, don't you know? 633 00:42:48,599 --> 00:42:49,039 Speaker 2: Don't you know? 634 00:42:49,239 --> 00:43:06,039 Speaker 3: It's ah, that's the boss brands. 635 00:43:10,119 --> 00:43:14,719 Speaker 11: And so doesn't make feel that the spies. 636 00:43:17,320 --> 00:43:41,920 Speaker 27: No proud of the women who was just a rale. 637 00:44:24,599 --> 00:44:58,320 Speaker 2: Think yeah, got. 638 00:45:00,079 --> 00:45:17,159 Speaker 9: Oh wow wow wow wow, oh wow wow. 639 00:45:38,480 --> 00:45:43,320 Speaker 3: It's a great insdream as dream. It's a durn of cos. 640 00:45:46,480 --> 00:45:51,639 Speaker 2: It's a dream. It's agree, it's agree. It's duran. I'm true. 641 00:45:54,519 --> 00:45:59,639 It's agree, it center its agree, its agree come true. 642 00:46:02,519 --> 00:46:06,000 It's a dream. It's a dream. It's a dream. It's 643 00:46:06,159 --> 00:46:06,840 a dream.