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<v Speaker 1>Hell and welcome Mythic Mind, where we pursue wisdom on

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<v Speaker 1>the path between primary secondary world. I'm your host, Angrew Sneider,

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<v Speaker 1>and I am always grateful for your company. Hey there,

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<v Speaker 1>welcome back, and today we're going to be continuing our

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<v Speaker 1>patron chat on the poetic Eda. But first I want

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<v Speaker 1>to go ahead and thank all of my patrons that

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<v Speaker 1>make this kind of thing possible, as well as all

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<v Speaker 1>the other various things that I do independently and the

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<v Speaker 1>things that we collaborate on as the fellowship. Right now,

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<v Speaker 1>we are just on the verge of having fifty paid patrons,

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<v Speaker 1>which is incredible. We're at forty seven at the time

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<v Speaker 1>this recording, and so hopefully we can push that over

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<v Speaker 1>the edge by next time. You Just head on over

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<v Speaker 1>to patreon dot com slash Mythic Mind and go ahead

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<v Speaker 1>and sign on. Any level of support really helps me

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<v Speaker 1>to continue doing more of this sort of thing. My

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<v Speaker 1>goal long term is to be fully funded independently so

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<v Speaker 1>I can really just pour time into creating the best

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<v Speaker 1>possible fellowship I can create. And I'm creating the best

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<v Speaker 1>quality and quantity of content that I can And so

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<v Speaker 1>go to Patreon dot com slash Mythic Mind. Any level

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<v Speaker 1>support helps. It gives you full access to the discord

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<v Speaker 1>and lets you participate in things like this, and I

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<v Speaker 1>want to highlight some of the really cool things that

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<v Speaker 1>are coming up this year. If you purchase an annual

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<v Speaker 1>Tier three membership, then I'm going to give you full

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<v Speaker 1>access to the courses that are currently on the books

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<v Speaker 1>and so coming up, that's a Brief History of Ideas,

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<v Speaker 1>which is kind of like intro to Philosophy, but it's

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<v Speaker 1>going to be better than I mean, as somebody who's

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<v Speaker 1>taught intro to Philosophy a number of times, I can

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<v Speaker 1>tell you it's going to be better than the vast

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<v Speaker 1>majority of intro to Philosophy university courses. And so only

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<v Speaker 1>covering six weeks, I include all of the pds for

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<v Speaker 1>the readings. I mean, I'll recommend probably some other translations

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<v Speaker 1>and some hard copies that you should get, but I'm

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<v Speaker 1>not going to mandate that you buy any text. And

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<v Speaker 1>so some version of the text that we will be

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<v Speaker 1>reading will be available through the Google Classrooms, the platform

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<v Speaker 1>that I'm using now. And so that's a Brief History

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<v Speaker 1>of Ideas. That's the next one that's coming up. And

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<v Speaker 1>then following that, we're going to do Plato Stoicism until

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<v Speaker 1>we have faces. That's the study that I'm really excited

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<v Speaker 1>about putting together. And then a little bit later around

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<v Speaker 1>September or so, we'll be doing the Elder Scrolls and philosophy,

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<v Speaker 1>which is kind of cool that, you know, I've mostly

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<v Speaker 1>been doing a literary focused but I think that there's

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<v Speaker 1>some potential here for dealing with the questions of like,

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<v Speaker 1>how does how do video games relate to literature as

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<v Speaker 1>an art form? What are its advantages, what are its disadvantages?

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<v Speaker 1>And then what are the philosophical and religious ideas that

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<v Speaker 1>we see in the Elder Scrolls in particular, and how

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<v Speaker 1>does that relate to kind of our primary world ideas?

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<v Speaker 1>And so I think that there are a lot of

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<v Speaker 1>different angles that we're going to use. There, a lot

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<v Speaker 1>of different lenses. I think it's can be really an

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<v Speaker 1>interesting study. And again, if you sign on with a

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<v Speaker 1>Tier three annual patronage, then you will get access to

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<v Speaker 1>all of that for one price. And furthermore, by becoming

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<v Speaker 1>a patron of Mythic Mind at any level, you're going

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<v Speaker 1>to get a discount on any courses that come from

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<v Speaker 1>other Mythic Mind creators. And so right now we've got

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<v Speaker 1>Hannah Gilmore. She's putting together an introductory of Latin course

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<v Speaker 1>that's coming up in May that it looks really good,

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<v Speaker 1>you know, I've looked over what she's posted to her

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<v Speaker 1>Google classroom. I look forward to participating personally. And so

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<v Speaker 1>if you want to get started with Latin as well

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<v Speaker 1>as to learn a little bit about Roman culture and history,

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<v Speaker 1>then you should enroll in her course, and I'll leave

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<v Speaker 1>a link to her patreon in the show notes as well.

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<v Speaker 1>But if you come a Mythic Mind patron at any level,

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<v Speaker 1>you get half off that course, and so that could

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<v Speaker 1>be a good way to go there if that interests you.

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<v Speaker 1>And you also get half off of any other courses

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<v Speaker 1>made by Fellowship members that may be coming up this year.

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<v Speaker 1>But for right now, I really want to thank all

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<v Speaker 1>of my current patrons, and especially those who are at

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<v Speaker 1>the Tier three or higher, and so many things to

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<v Speaker 1>Mark chaz Arin, Clinton, Evy, Jamie Justin, Kyle, Mariah, Paul

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<v Speaker 1>Tyler and William and of course thanks to all the

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<v Speaker 1>other thirty five paid patrons as well. If you're not

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<v Speaker 1>already on board, and then I welcome you to join

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<v Speaker 1>the fellowship at patreon dot com slash Mythic Mind. And

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<v Speaker 1>if you're not quite ready to throw a few dollars

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<v Speaker 1>our way, then you can go ahead and become a

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<v Speaker 1>free patron, and that will give you access to some

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<v Speaker 1>occasional updates about some things we have going on, as

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<v Speaker 1>well as some occasional invitations to participate on the show.

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<v Speaker 1>I just recently sent out the first one of those

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<v Speaker 1>that's available even to free patrons, and so it's patreon

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<v Speaker 1>dot com slash Mythic Mind, and again find that link

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<v Speaker 1>in the show notes. Oh but I should say that

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<v Speaker 1>if you make any purchases through Patreon, whether you're buying

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<v Speaker 1>a subscription or you buy an individual class A product,

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<v Speaker 1>make sure that you go through your browser and not

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<v Speaker 1>the Patreon app, because when you go through the app,

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<v Speaker 1>well Apple up charges that way they can take a

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<v Speaker 1>cut for themselves. So make sure that you're using your

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<v Speaker 1>browser for any purchases on Patreon. All right, Well, now

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<v Speaker 1>let's go ahead and get to this week's Patron chat

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<v Speaker 1>on the Edit texts. Welcome back as we continue with

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<v Speaker 1>our edit chats with the next series of texts here,

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<v Speaker 1>which mostly continue to deal with the Volsong Saga and

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<v Speaker 1>Cigaurd and Zigmund and whatnot. As a reminder to anyone

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<v Speaker 1>who's listening or who is tuning in for the first time,

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<v Speaker 1>none of us are at all experts on these texts.

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<v Speaker 1>I mean, we're all kind of interested in myths and

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<v Speaker 1>fantasy and the things that these texts have inspired. But

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<v Speaker 1>we're definitely just kind of amateurs going up the river

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<v Speaker 1>here and seeing what we can find along the way.

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<v Speaker 1>But before we get into the text, to just check

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<v Speaker 1>in with Thomas and Josh, I mean, do you guys

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<v Speaker 1>have anything going on, anything you want to plug any

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<v Speaker 1>updates to provide for us.

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<v Speaker 2>Thomas, Yeah, So, as of recording that, this is still February,

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<v Speaker 2>and earlier this month, my debut children's book finally came

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<v Speaker 2>out from the Great Folks that weren't on Fire Votive,

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<v Speaker 2>though if you go to bookstore dot word on fire

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<v Speaker 2>dot com you can see my new book, The Riddle

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<v Speaker 2>of the Tongue Stones, How Blessed Nicholas Steno Uncovered The

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<v Speaker 2>Hidden History of the Earth. It's children's nonfiction for ages

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<v Speaker 2>about eight through fourteen, and it's the story of Nicholas Steno,

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<v Speaker 2>who was a pioneering geologist and also a Catholic priest

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<v Speaker 2>and a very holy man. And I go through his

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<v Speaker 2>whole story of literally laying the groundwork for the science

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<v Speaker 2>of geology. And as of tomorrow, I'll be starting work

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<v Speaker 2>on what I hope will be the follow up book,

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<v Speaker 2>so we'll see good.

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<v Speaker 1>That's fantastic. So what in particular led you here? I mean, no,

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<v Speaker 1>obviously you're you know, you've got your science background, but

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<v Speaker 1>like will lead you to that focus or to write

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<v Speaker 1>about him?

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<v Speaker 2>Yeah, I've known about him for a long time. I

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<v Speaker 2>took a lot of geology classes in my early years

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<v Speaker 2>of college, and you know, he was always he was

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<v Speaker 2>always in the very early pages of every like geology textbook,

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<v Speaker 2>and I was always fascinated by him because those textbooks

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<v Speaker 2>always tended to downplay the fact that he that he

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<v Speaker 2>had this whole other side of his life, you know,

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<v Speaker 2>that that he was, you know, a religious person and

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<v Speaker 2>a clergyman. So I wanted to tell his story. And

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<v Speaker 2>even among you know, Christians and and and people who

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<v Speaker 2>are you know, interested in the whole science and faith,

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<v Speaker 2>you know, conversation, I feel like he's he's just not

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<v Speaker 2>as well known, and he's someone who if I was.

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<v Speaker 2>You know, if I had known about him when I

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<v Speaker 2>was ten years old, it would have really excited me

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<v Speaker 2>because like he's he's essentially like the patron saying of paleontology,

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<v Speaker 2>and so that that would have really excited me as

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<v Speaker 2>a kid. And my whole goal these days is to

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<v Speaker 2>write the kind of books that would have excited me

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<v Speaker 2>as a kid. So that's that's really what drew me

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<v Speaker 2>to this. I want to I want to write things

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<v Speaker 2>that are gonna inspire, educate, and entertain young minds. And

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<v Speaker 2>that's that's kind of what I'm all about right now.

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<v Speaker 2>It's kind of my new mission and I'm very excited

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<v Speaker 2>about it.

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<v Speaker 1>That's great, it's a very noble mission. Now, can you

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<v Speaker 1>tell us anything about what you're working on next? Or

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<v Speaker 1>is that under wraps at this point.

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<v Speaker 2>It's not really under wraps, because you know, I have

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<v Speaker 2>sort of soft pitched it to my editors, but nothing's

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<v Speaker 2>official yet. Next, I would like to tell the story

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<v Speaker 2>of Henri Breuil. He was a French priest and an

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<v Speaker 2>archaeologist from the twentieth century. He was involved in studying

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<v Speaker 2>the famous painted caves at Lasco in southern France and

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<v Speaker 2>if if you look up cave paintings on the internet,

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<v Speaker 2>they're the ones that come up and it and it's

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<v Speaker 2>it's also a very neat story that I think kids

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<v Speaker 2>will be interested in because those caves were initially discovered

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<v Speaker 2>by kids who were looking for their lost dog and

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<v Speaker 2>would turned out to find this hole in the ground

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<v Speaker 2>that led to this whole cavern system and these cave

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<v Speaker 2>paintings that nobody had ever seen before. So I've just

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<v Speaker 2>done a lot of preliminary research about the caves at

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<v Speaker 2>Lasco and about Henri Burrell's life, and it's a really

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<v Speaker 2>fascinating story and I'm really excited to get down to

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<v Speaker 2>this week start drafting.

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<v Speaker 1>So that is exciting, and it is just so crazy

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<v Speaker 1>how we can still just like find things like this,

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<v Speaker 1>like yeah, you know, think like the you know, Dead

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<v Speaker 1>Sea scrolls and you know how these things get discovered

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<v Speaker 1>by accident.

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<v Speaker 2>Yeah, oh, the Dead Sea Scrolls. I may have to

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<v Speaker 2>tackle that sometime because they have an interesting story too.

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<v Speaker 2>I just love archaeology and paleontology so and the thrill

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<v Speaker 2>of discovery. That was always something that you know, I

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<v Speaker 2>loved reading books about explorers and scientists when I was

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<v Speaker 2>a kid, you know. So that's that's really what I

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<v Speaker 2>want to write about these days.

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<v Speaker 1>That's great, and it definitely sounds like you are doing

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<v Speaker 1>your part two, you know, re enchant science fight putting

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<v Speaker 1>it in proper context.

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<v Speaker 2>Yes, yeah, and to make a story out of it,

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<v Speaker 2>you know as well. You know, they're you know, to

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<v Speaker 2>like in our kind of hyper stem culture, we focus

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<v Speaker 2>on facts and figures and numbers and not enough on

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<v Speaker 2>the whole narrative and thrill of discovery and that there

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<v Speaker 2>were people behind these great discoveries, and people with lives

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<v Speaker 2>and with a faith in God. And I just think that, Yeah,

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<v Speaker 2>I like that idea, re enchanting science. That's great.

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<v Speaker 1>Good good Josh. Do you have anything going on.

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<v Speaker 3>Other than hoping that along with these discoveries that keep

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<v Speaker 3>happening that on one day they discover Cthulhu at the

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<v Speaker 3>bottom of the other than that, no, not a whole lot.

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<v Speaker 3>I mean, my sub stack is still just consisting of

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<v Speaker 3>weekly posts right now. They're pretty much just all on

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<v Speaker 3>the Divine Comedy, so just doing one canto a week,

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<v Speaker 3>basically doing three cantos from each basically each section of

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<v Speaker 3>the comedy. So there'll be eventually be nine move there's

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<v Speaker 3>five out right now, just finishing up purgatorio, so that's

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<v Speaker 3>part of my graduate school program. But other than that,

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<v Speaker 3>just working and preparing for my next child to be born.

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<v Speaker 3>So try not to commit to anything else.

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<v Speaker 1>Basically, Yeah, I'm not very good at that, not committing

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<v Speaker 1>to things.

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<v Speaker 3>I know. When my first daughter was born, I was like,

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<v Speaker 3>you know what, I've slept like three hours a night

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<v Speaker 3>the past three nights, and it would be a great

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<v Speaker 3>time to start learning how to read the Bible and Greek,

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<v Speaker 3>because you know what, this is a normal thing that

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<v Speaker 3>people do.

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<v Speaker 1>Yeah, I just I got messed up by running my

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<v Speaker 1>dissertation while working and having our twins because at that point,

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<v Speaker 1>just out of necessity, I learned how to just do

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<v Speaker 1>stuff without sleeping, and then I never learned how to

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<v Speaker 1>turn it off. So it's just I just haven't really

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<v Speaker 1>slept for years. I'm mostly okay with that, but I

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<v Speaker 1>know that eventually it's gonna hit me. But yeah, you know,

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<v Speaker 1>I've we've got our next is sometime with the next

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<v Speaker 1>couple of weeks, and here I am planning out a

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<v Speaker 1>three more courses lead and all sorts of stuff. So

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<v Speaker 1>but it's fine, it'll be fine.

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<v Speaker 2>I have been learning to sort of wake up automatically

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<v Speaker 2>at four in the morning, So there's that. You know,

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<v Speaker 2>I don't have kids, but you know, like I am

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<v Speaker 2>learning to do without less sleep. But I'm sure, like

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<v Speaker 2>you say, it will eventually bite me later. Yeah.

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<v Speaker 1>I think of that episode of Seinfeld where he's talking

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<v Speaker 1>about how, you know, night Jerry or morning Jerry hates

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<v Speaker 1>night Jerry. It's like, that's that's how I feel a

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<v Speaker 1>odd times, like I'm fine at nighttime, morning's not always

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<v Speaker 1>quite so. Uh thrilling. Uh Well, let's cool. Well, I

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<v Speaker 1>guess we can go ahead and start to work through

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<v Speaker 1>some of these texts. See what we're able to pull

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<v Speaker 1>out here. Now. The first one we're starting off on

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<v Speaker 1>was the Death of Sinfioti, which doesn't really have a

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<v Speaker 1>whole lot too. It's just a short little prose about

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<v Speaker 1>the death of Sinfieli, who was the son of Zigmund

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<v Speaker 1>of the vol songs and Borg killed or it's Borg

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<v Speaker 1>Kill's uh not not biological, right, Yeah, because I'm trying

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<v Speaker 1>to remember all this sets to work it together. Uh,

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<v Speaker 1>sim Fiot was the son of Zigmund and actually his sister,

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<v Speaker 1>if I recall correctly, we get in the vol song

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<v Speaker 1>saga kind of a children if You're in situation going on, No, yeah,

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<v Speaker 1>where there's some deception and it's you know, it's it's

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<v Speaker 1>it's kind of kind of strange, but definitely the inspiration

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<v Speaker 1>I think for talking in that Children if You're in Situation.

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<v Speaker 1>So yeah, so that's where Sinfioti comes from. So stepchild

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<v Speaker 1>of borg Kield who is now the wife of Zigmund

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<v Speaker 1>and Sinfiltlee, and I think it's like his uncle are

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<v Speaker 1>both going after, you know, trying to woo the same woman,

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<v Speaker 1>and sim Filetle ends up killing the uncle. So then

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<v Speaker 1>Borg killed essentially poisoned since Fieltle. Yeah, so it's like

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<v Speaker 1>nor soap opera stuff here. I don't know. I don'tally

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<v Speaker 1>don't have anything insightful to pull from this. I don't

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<v Speaker 1>know if you have any of the comments.

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<v Speaker 3>Was Sigmund the one who all of his brothers and

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<v Speaker 3>him were pinned under a trunk of wood and devoured

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<v Speaker 3>night by night by like one by one by the

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<v Speaker 3>she wolf and he was the only one that escaped.

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<v Speaker 1>Yes, that's correct, And okay, I'm just trying to.

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<v Speaker 3>Make sure I'm getting my names and orders mixed yes,

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<v Speaker 3>but really profitable to read like some of the whole

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<v Speaker 3>songs saga along with this and take notes that, so

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<v Speaker 3>note for next time.

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<v Speaker 1>Yes, that would be helpful. And the Volksong saga it's

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<v Speaker 1>not terribly long. It is interesting.

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<v Speaker 2>Oh yeah, I have read that before. It was a

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<v Speaker 2>while ago, but I remember I was starting to remember

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<v Speaker 2>things going through some of these shorter ETA texts. I

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<v Speaker 2>was like, oh, yeah, that I remember that from the

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<v Speaker 2>Volsung saga. Yeah, it's not long at all. So yeah,

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<v Speaker 2>I'm gonna read that as a companion.

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<v Speaker 1>You probably would be a good idea. I probably need

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<v Speaker 1>to read through it again before next time. I read

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<v Speaker 1>it several months ago by this point, in the midst

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<v Speaker 1>of my My Baywolf studies. Kind of as a side note,

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<v Speaker 1>I went off to read the Volsom saga. But I mean,

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<v Speaker 1>all the specific details haven't exactly stayed in my head here.

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<v Speaker 1>But yeah, and so Zigmund's wife or killed poisons and Fioti.

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<v Speaker 1>But at first in Fieldle it kind of recognized that

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<v Speaker 1>something's amiss, and so he goes and tells his father

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<v Speaker 1>Zigmund that my drink is kind of cloudy. And then

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<v Speaker 1>Zigbin because you know, he's like this uber warrior kind

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<v Speaker 1>of guy. He just drinks it because poison can't hurt him.

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<v Speaker 1>And this happens like repeatedly, where Borkill keeps giving sin

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<v Speaker 1>field Y this poison drink that then Zigman keeps drinking

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<v Speaker 1>until finally, for whatever reason I because he's worn down,

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<v Speaker 1>sin Fieldle decides to finally just drink it and he dies. Yeah.

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<v Speaker 1>I don't really have any great insight to pull from this. Yeah, Yeah,

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<v Speaker 1>so I content just moving on to the next section,

303
00:16:39.440 --> 00:16:40.600
<v Speaker 1>which has a little bit more to it.

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<v Speaker 3>That would be a great opportunity to kind of introduce,

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<v Speaker 3>like sinfili in the concept of like the parallels and

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00:16:46.679 --> 00:16:49.960
<v Speaker 3>maybe even some non parallels with like the whole sung saga,

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<v Speaker 3>since that's going to be a running theme through all

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<v Speaker 3>of these uh fragmentary texts. Right, So I think that's

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<v Speaker 3>I think that's good enough personally.

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<v Speaker 1>Yeah. And then from this point we're really moving on

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<v Speaker 1>from Zigmund, and now we're going to be focusing mostly

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<v Speaker 1>on Ziggurd, who is his son, and so well, I

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<v Speaker 1>guess some of that story will sort of come out

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<v Speaker 1>as we go, but I'll read the introduction here provided

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<v Speaker 1>in the Larrington text, and so this is going to

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<v Speaker 1>be concerning Gripier's prophecy or gripispas it says. It's clearly

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<v Speaker 1>a late poem, depended upon the other poems which follow

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<v Speaker 1>it in the Ziggurd cycle, and possibly upon an early

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<v Speaker 1>version of the Volksong saga. It's function is to summarize

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<v Speaker 1>the story of Ziggurd for telling everything which will happen

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<v Speaker 1>to him. And so that's really the gist of it.

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<v Speaker 1>So Ziggurd is going to be talking to this guy Gripier,

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<v Speaker 1>who's described as being incredibly wise. He has some foresight,

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<v Speaker 1>he's able to look down the path of fate and

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<v Speaker 1>tell Ziggurd various things are going to happen to him.

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<v Speaker 1>And so that's really the context for what's happening here.

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<v Speaker 1>And so it's it's part prophecy revealing his fate. And

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<v Speaker 1>also there's some like wisdom literature, like Norse wisdom literature

329
00:18:05.359 --> 00:18:10.519
<v Speaker 1>type of stuff in here, some like proverbial wisdom. Yeah,

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<v Speaker 1>I don't know, I mean, what are what are some

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<v Speaker 1>things that stood out to you?

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<v Speaker 3>Just a note what they're relational here? But on the

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<v Speaker 3>sixth standza, assuming it's the h this edition, but it says,

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<v Speaker 3>tell me if you know, like comma uncle, as if

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00:18:25.240 --> 00:18:28.240
<v Speaker 3>there's like addressing him his uncle. So I'm guessing I

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00:18:28.279 --> 00:18:29.960
<v Speaker 3>don't know if it's said it in the introduction or not,

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<v Speaker 3>but just like for like the listener's sake and all

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<v Speaker 3>that this this is his uncle, correct, like that this

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00:18:36.599 --> 00:18:39.279
<v Speaker 3>is there is like a familiar relation here of some sort.

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<v Speaker 2>I believe that's even in the in the end notes

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<v Speaker 2>they mentioned that, yeah, that h Gripier, that Sigurd is

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<v Speaker 2>Grippier's sister son, and there was like a very in

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<v Speaker 2>Norse societies, there's a very important relationship between a man

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<v Speaker 2>and specifically his sister's son. I mean, we see that

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<v Speaker 2>in the Lord of the Rings with Faydin and Aleen

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<v Speaker 2>I mean I am and and also with Alen as

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<v Speaker 2>his as both his niece and nephew, because they're his

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<v Speaker 2>sister's children. He has very close bond with them.

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<v Speaker 1>Hm hmm.

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<v Speaker 3>That's a great connection, I would I would think I've

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00:19:22.799 --> 00:19:24.880
<v Speaker 3>already thought of that one. See, I'm just here for

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<v Speaker 3>the on the no stuff like faf near and smoke.

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<v Speaker 3>So I am most curious in any sort of prophetic

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<v Speaker 3>sort of literature from any culture, what sort of the

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<v Speaker 3>relationship is between like the word of the prophet and

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<v Speaker 3>how the word of the prophet can or cannot be

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<v Speaker 3>undone by like the free will of the person who

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<v Speaker 3>the prophet, who's like the main subject of the prophecy, right,

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<v Speaker 3>Like I think this is a lot with like this

360
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<v Speaker 3>like comes up all the time with like the uh,

361
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<v Speaker 3>like the dramatists of like the classical Athens period. I think, like,

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<v Speaker 3>you know, first thought would be like Tyresius, like the

363
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<v Speaker 3>profit of Apollo and like Thebes, especially in like Oedipus wrecks,

364
00:20:11.920 --> 00:20:14.440
<v Speaker 3>there's like that. It's kind of like that tension where

365
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<v Speaker 3>it's like can Oedipis like escape his fate or is

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<v Speaker 3>he completely you know, fettered to exactly what Tyresi has

367
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<v Speaker 3>told him? And was there any way he could have

368
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<v Speaker 3>undone any of that? And I don't know how they

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<v Speaker 3>would think of that in this culture. I don't know

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<v Speaker 3>if they of view all of any insight to that.

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<v Speaker 3>But that's usually like a question I always thinking of

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<v Speaker 3>with these kinds of texts.

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<v Speaker 1>Yeah, I'm not super well read in Greek drama. Do

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<v Speaker 1>they come down like do they unravel that tension at all?

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<v Speaker 3>In your experience, it doesn't seem like I mean just

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<v Speaker 3>thinking of like, you know, Sophocles Euripides and Aesculus, Uh, specifically,

377
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<v Speaker 3>I don't think of any time where they specifically like

378
00:20:57.920 --> 00:21:00.839
<v Speaker 3>really give like a clear cut you know how it

379
00:21:00.880 --> 00:21:03.160
<v Speaker 3>is with like scholarship, where it's like you have like

380
00:21:03.640 --> 00:21:07.000
<v Speaker 3>these you know, to twenty five hundred year long scholarly

381
00:21:07.119 --> 00:21:11.599
<v Speaker 3>traditions where people are debating on whether you know, Sophocles

382
00:21:11.720 --> 00:21:14.440
<v Speaker 3>was like a hard determinist or a compatibilist or people

383
00:21:14.519 --> 00:21:18.079
<v Speaker 3>even like libertarian free will or what exactly his message

384
00:21:18.160 --> 00:21:22.079
<v Speaker 3>was with that right, So that's obviously like up for debate,

385
00:21:22.160 --> 00:21:25.319
<v Speaker 3>and I don't feel qualified to give an opinion either way,

386
00:21:25.400 --> 00:21:28.000
<v Speaker 3>that's for sure. But I'm curious how that works out

387
00:21:28.039 --> 00:21:30.359
<v Speaker 3>in this in this specific culture, in this text.

388
00:21:30.920 --> 00:21:34.759
<v Speaker 1>Yeah, in my reading, it definitely seemed like the northern

389
00:21:35.079 --> 00:21:40.559
<v Speaker 1>cultures take a pretty hard line fatalistic perspective of you know,

390
00:21:40.799 --> 00:21:45.359
<v Speaker 1>he Ziggurt isn't asking what's likely to happen, what might happen.

391
00:21:45.680 --> 00:21:48.039
<v Speaker 1>He says what's going to happen, And then he's told

392
00:21:48.200 --> 00:21:51.720
<v Speaker 1>here's what's going to happen, and Ziggert says, okay, And

393
00:21:51.759 --> 00:21:54.480
<v Speaker 1>it's like, you know, when things you know it seems

394
00:21:54.519 --> 00:21:57.599
<v Speaker 1>like he's going to get some some misfortune of various kinds.

395
00:21:57.640 --> 00:22:01.279
<v Speaker 1>Even like his death. He never is about trying to

396
00:22:01.319 --> 00:22:04.640
<v Speaker 1>avoid it or like questioning it. He just said accept it,

397
00:22:04.720 --> 00:22:07.400
<v Speaker 1>like Okay, this is what's going to happen. And I

398
00:22:07.400 --> 00:22:10.359
<v Speaker 1>think that's pretty common in the Northern literature. We get

399
00:22:10.359 --> 00:22:13.480
<v Speaker 1>the strong emphasis on like the norns, the fates of

400
00:22:13.720 --> 00:22:18.200
<v Speaker 1>Norse mythology, the fact that they not only lay out

401
00:22:18.240 --> 00:22:20.240
<v Speaker 1>the path of mortals, but they even lay out the

402
00:22:20.240 --> 00:22:22.720
<v Speaker 1>path of the gods. Right, even the gods are subject

403
00:22:22.759 --> 00:22:25.119
<v Speaker 1>to fate, which is why Odin in a lot of

404
00:22:25.119 --> 00:22:27.559
<v Speaker 1>these texts is constantly trying to figure out what's going

405
00:22:27.640 --> 00:22:32.000
<v Speaker 1>to happen, because he knows it's already settled. And so

406
00:22:32.200 --> 00:22:35.039
<v Speaker 1>I would definitely say that these Norse texts take a

407
00:22:35.039 --> 00:22:38.279
<v Speaker 1>pretty hard line, fatalistic approach to this, and so the

408
00:22:38.319 --> 00:22:40.880
<v Speaker 1>story is not so much about like what is Zigurd

409
00:22:40.960 --> 00:22:43.400
<v Speaker 1>going to do? Now we know what Ziggurd is going

410
00:22:43.400 --> 00:22:45.079
<v Speaker 1>to do? We know what's going to happen at Ziggurd.

411
00:22:45.400 --> 00:22:47.319
<v Speaker 1>I guess really the question is how is he going

412
00:22:47.319 --> 00:22:49.240
<v Speaker 1>to relate to that fate now that's presented in front

413
00:22:49.240 --> 00:22:51.319
<v Speaker 1>of him? Is he going to play the coward and

414
00:22:51.640 --> 00:22:53.799
<v Speaker 1>in futility try to run away or is he just

415
00:22:53.839 --> 00:22:56.039
<v Speaker 1>going to accept it? And I think what we find

416
00:22:56.160 --> 00:22:59.400
<v Speaker 1>is the heroes are those who simply accept their fate

417
00:22:59.839 --> 00:23:03.039
<v Speaker 1>and march forward doing the things that they know they're

418
00:23:03.039 --> 00:23:05.039
<v Speaker 1>supposed to do, even though they already know what the

419
00:23:05.039 --> 00:23:05.880
<v Speaker 1>outcome is going to be.

420
00:23:07.599 --> 00:23:12.000
<v Speaker 2>Yeah, that actually makes me think of two different fantasy authors,

421
00:23:12.119 --> 00:23:16.279
<v Speaker 2>one Tolkien because now I'm thinking about the Children of

422
00:23:16.319 --> 00:23:21.759
<v Speaker 2>Hurin in that light, because obviously Tolkien believes in free will,

423
00:23:22.960 --> 00:23:29.799
<v Speaker 2>but Turin is under the curse of more Goth So, like,

424
00:23:29.960 --> 00:23:33.480
<v Speaker 2>how much free will does Turin have when we know

425
00:23:33.559 --> 00:23:36.519
<v Speaker 2>that the author clearly believes that Turin has free will,

426
00:23:37.279 --> 00:23:41.599
<v Speaker 2>yet like Turin is always making But it's interesting when

427
00:23:41.640 --> 00:23:46.559
<v Speaker 2>you read the Children of Hurine, it's clearly Turin's choices

428
00:23:46.640 --> 00:23:51.079
<v Speaker 2>that get him into trouble, yet it's also made clear

429
00:23:51.079 --> 00:23:53.440
<v Speaker 2>in the story that he wouldn't be put in these

430
00:23:53.480 --> 00:23:57.799
<v Speaker 2>situations if it weren't for the curse. So I just

431
00:23:57.880 --> 00:24:01.079
<v Speaker 2>find that very interesting. And and then the other the

432
00:24:01.119 --> 00:24:03.200
<v Speaker 2>other author I was thinking of in terms of what

433
00:24:03.599 --> 00:24:08.359
<v Speaker 2>you said, Uh Andrew about you know, does does the

434
00:24:08.400 --> 00:24:11.279
<v Speaker 2>hero run away from his fate or embrace it is

435
00:24:11.359 --> 00:24:14.240
<v Speaker 2>Robert Jordan with the Wheel of Time, because in the

436
00:24:14.240 --> 00:24:17.680
<v Speaker 2>Wheel of Time everything the future is gonna happen a

437
00:24:17.680 --> 00:24:20.720
<v Speaker 2>certain way because it's happened that way in the past,

438
00:24:21.400 --> 00:24:25.119
<v Speaker 2>and the hero becomes the hero by simply accepting his

439
00:24:25.240 --> 00:24:28.319
<v Speaker 2>destiny no matter what, that is going to be. So

440
00:24:29.680 --> 00:24:33.519
<v Speaker 2>different fantasy authors have tackled it in different ways.

441
00:24:34.440 --> 00:24:38.160
<v Speaker 1>Yeah, I definitely think that, you know, I can obviously

442
00:24:38.200 --> 00:24:41.200
<v Speaker 1>speak of Tolkien primarily on this that you know, he

443
00:24:41.319 --> 00:24:45.680
<v Speaker 1>definitely makes use of this Northern fate, this idea that

444
00:24:45.720 --> 00:24:49.000
<v Speaker 1>we're going to march forward even though, like you know,

445
00:24:49.039 --> 00:24:51.640
<v Speaker 1>maybe we're doomed to fail either way. We're gonna do

446
00:24:51.640 --> 00:24:53.279
<v Speaker 1>what we're supposed to do. We're gonna take the next step,

447
00:24:53.319 --> 00:24:55.440
<v Speaker 1>even though we don't know exactly where that road's gonna lead.

448
00:24:56.200 --> 00:24:59.680
<v Speaker 1>But Tolkien I think gets I mean, he's more complicated

449
00:25:00.079 --> 00:25:02.559
<v Speaker 1>who we're dealing with this topic because he's a Christian,

450
00:25:03.000 --> 00:25:09.559
<v Speaker 1>and because he has more I don't know, more resources

451
00:25:09.559 --> 00:25:12.039
<v Speaker 1>I gets to pull from regarding this relationship between fate

452
00:25:12.079 --> 00:25:16.400
<v Speaker 1>and free will. Then we get simply in raw paganism,

453
00:25:16.680 --> 00:25:19.480
<v Speaker 1>and so he brings the complexities of Christianity into the

454
00:25:19.519 --> 00:25:23.480
<v Speaker 1>Northern fatalism. And then you get the question like what

455
00:25:23.599 --> 00:25:27.240
<v Speaker 1>exactly is the doom of more Goth or the curse

456
00:25:27.279 --> 00:25:29.440
<v Speaker 1>of more Goth or you know, whatever we're told that

457
00:25:29.759 --> 00:25:34.519
<v Speaker 1>is placed upon Turin, Like what exactly is that is it?

458
00:25:34.559 --> 00:25:40.079
<v Speaker 1>Is Turin actually doomed to futility or is that his

459
00:25:40.119 --> 00:25:42.960
<v Speaker 1>own doing? And I don't really know that. I don't

460
00:25:42.960 --> 00:25:44.279
<v Speaker 1>know that Tolkien would be able to give us a

461
00:25:44.319 --> 00:25:45.160
<v Speaker 1>clear answer on that.

462
00:25:48.039 --> 00:25:50.039
<v Speaker 2>Yeah, I agree, I don't think he's I don't think

463
00:25:50.039 --> 00:25:53.640
<v Speaker 2>Tolkien was interested in clear answers to a lot of

464
00:25:53.680 --> 00:25:56.400
<v Speaker 2>this stuff, which a lot of people don't get like

465
00:25:56.440 --> 00:26:00.240
<v Speaker 2>they it. For me, it always goes back to Tom Bombadil, right,

466
00:26:00.559 --> 00:26:03.599
<v Speaker 2>there is no clear answer to what he is. Yet

467
00:26:03.599 --> 00:26:06.880
<v Speaker 2>everyone wants there to be a clear answer, and much

468
00:26:06.920 --> 00:26:10.200
<v Speaker 2>ink has been spilled, and many YouTube videos have been

469
00:26:10.240 --> 00:26:13.680
<v Speaker 2>done trying to get a clear answer, but there is none,

470
00:26:13.680 --> 00:26:17.119
<v Speaker 2>and you just have to sometimes with Tolkien, you just

471
00:26:17.160 --> 00:26:17.920
<v Speaker 2>have to accept that.

472
00:26:19.759 --> 00:26:23.839
<v Speaker 1>Yeah, And that's because I mean Tolkien. He's not like Lewis,

473
00:26:23.920 --> 00:26:26.079
<v Speaker 1>where Lewis usually has an idea and then he tells

474
00:26:26.079 --> 00:26:29.720
<v Speaker 1>a story about it, whereas Tolkien tells a story and

475
00:26:29.759 --> 00:26:31.680
<v Speaker 1>then there are all kinds of ideas that are embedded

476
00:26:31.680 --> 00:26:33.640
<v Speaker 1>in the story, and then it just becomes a lot

477
00:26:33.680 --> 00:26:40.720
<v Speaker 1>more ambiguous because he's not writing propaganda. Now, Oh, that

478
00:26:40.799 --> 00:26:42.640
<v Speaker 1>sounded like I'd really doing a slide against Lewis. That

479
00:26:42.680 --> 00:26:47.319
<v Speaker 1>was not my intention, right, yeah, yeah, no, I get it. Yeah,

480
00:26:47.400 --> 00:26:50.440
<v Speaker 1>But I mean Lewis is obviously a lot more ideologically

481
00:26:50.519 --> 00:26:54.160
<v Speaker 1>driven in his story creation, right, yeah.

482
00:26:54.000 --> 00:26:56.480
<v Speaker 2>He knows the kind of story he wants to tell

483
00:26:57.200 --> 00:27:01.319
<v Speaker 2>going in, whereas Tolkien is much more more like, let

484
00:27:01.319 --> 00:27:02.799
<v Speaker 2>me see where this goes.

485
00:27:04.039 --> 00:27:06.160
<v Speaker 1>Right, I mean, all the time you're reading his letters,

486
00:27:06.200 --> 00:27:08.200
<v Speaker 1>and you know, he's talking about how he just discovers

487
00:27:08.279 --> 00:27:10.119
<v Speaker 1>this and that, and you know when he gets to

488
00:27:10.160 --> 00:27:11.799
<v Speaker 1>Fangor and that's when he met the ends for the

489
00:27:11.799 --> 00:27:13.839
<v Speaker 1>first time. Like he didn't he didn't have this idea

490
00:27:13.880 --> 00:27:16.039
<v Speaker 1>as to what he was gonna plant here and there,

491
00:27:16.039 --> 00:27:20.079
<v Speaker 1>and it just just discovered stuff, which is, you know,

492
00:27:20.160 --> 00:27:23.519
<v Speaker 1>not something that can really be replicated.

493
00:27:24.720 --> 00:27:27.559
<v Speaker 3>Tolkien's is more like, I have this language, now I

494
00:27:27.599 --> 00:27:30.200
<v Speaker 3>need to create a mythology for this language. And now

495
00:27:30.279 --> 00:27:32.720
<v Speaker 3>I've got language and mythology, but I don't have a narrative.

496
00:27:32.799 --> 00:27:34.799
<v Speaker 3>So now I needed to create a narrative to include

497
00:27:34.799 --> 00:27:37.799
<v Speaker 3>my mythology and my language It's like, this is a

498
00:27:37.839 --> 00:27:40.599
<v Speaker 3>totally different approach, right.

499
00:27:40.839 --> 00:27:43.319
<v Speaker 1>I think that Tolkien is, in like the pure sense

500
00:27:43.359 --> 00:27:47.880
<v Speaker 1>of the word, a genius. And you know that sounds

501
00:27:48.960 --> 00:27:51.839
<v Speaker 1>like I'm just Tolkien fanboy, which I mean fair enough,

502
00:27:51.839 --> 00:27:55.599
<v Speaker 1>I guess, but that you know, he's a genius in

503
00:27:55.640 --> 00:27:59.240
<v Speaker 1>that you can't really teach somebody to write in the

504
00:27:59.799 --> 00:28:02.279
<v Speaker 1>way that he went about producing his story. It just

505
00:28:02.319 --> 00:28:05.359
<v Speaker 1>came out of him as a person. You know, he

506
00:28:05.359 --> 00:28:07.599
<v Speaker 1>he obviously in the way that he went about writing.

507
00:28:07.880 --> 00:28:11.079
<v Speaker 1>He didn't write as somebody who's a trained novelist doing

508
00:28:11.079 --> 00:28:13.559
<v Speaker 1>the kinds of things that trained novelists are trained to do.

509
00:28:14.720 --> 00:28:18.599
<v Speaker 1>It just you know, he read a lot of good literature. Obviously,

510
00:28:18.599 --> 00:28:21.720
<v Speaker 1>he had his academic training. Obviously he had his background

511
00:28:21.759 --> 00:28:25.079
<v Speaker 1>with the sorrows of his youth, his time in the war.

512
00:28:25.519 --> 00:28:29.359
<v Speaker 1>It's like everything that made Tolkien Tolkien came out in

513
00:28:29.400 --> 00:28:37.000
<v Speaker 1>the Legendarium, and a lot of that comes from the

514
00:28:37.039 --> 00:28:40.720
<v Speaker 1>Northern Tales. And so, uh, I guess back to the text.

515
00:28:40.599 --> 00:28:45.279
<v Speaker 3>Here, say derail us a little more.

516
00:28:45.920 --> 00:28:48.920
<v Speaker 1>No, I mean, that's that's fine. It's this We're we're

517
00:28:48.960 --> 00:28:51.359
<v Speaker 1>not doing academic presentations here. It's all right if we

518
00:28:51.359 --> 00:28:52.480
<v Speaker 1>get derailed.

519
00:28:55.799 --> 00:29:01.000
<v Speaker 2>I did like the uh, the structure of this particular section.

520
00:29:01.720 --> 00:29:05.839
<v Speaker 2>I just I actually started to get into it, whereas

521
00:29:06.079 --> 00:29:09.000
<v Speaker 2>some of the earlier material in the ED I was

522
00:29:09.079 --> 00:29:14.359
<v Speaker 2>just like, oh, yeah, you know, they just go and like, uh,

523
00:29:14.559 --> 00:29:17.079
<v Speaker 2>let's kill some guys and take their stuff, you know,

524
00:29:17.160 --> 00:29:22.839
<v Speaker 2>do basic Viking things. But with this, the conversation between

525
00:29:23.559 --> 00:29:25.799
<v Speaker 2>Sigurd and his uncle and that kind of back and

526
00:29:25.839 --> 00:29:28.880
<v Speaker 2>forth where it's like tell me, tell me, and then

527
00:29:28.920 --> 00:29:31.519
<v Speaker 2>he tells them or he tries to hold stuff back

528
00:29:31.920 --> 00:29:34.079
<v Speaker 2>and Sigurd is like, come on, you've got to tell me.

529
00:29:34.240 --> 00:29:36.759
<v Speaker 2>It was you know, it was good at building that

530
00:29:36.880 --> 00:29:40.759
<v Speaker 2>kind of tension that keeps the reader entertained and wanting

531
00:29:40.799 --> 00:29:43.720
<v Speaker 2>to go on and read the next stanza and see

532
00:29:43.759 --> 00:29:45.960
<v Speaker 2>how everything's going to play out. I just thought that

533
00:29:46.240 --> 00:29:49.559
<v Speaker 2>the poet here is very effective in doing that.

534
00:29:52.240 --> 00:29:58.279
<v Speaker 1>Yeah, for sure. And we get them just classic beginning

535
00:29:58.319 --> 00:30:02.000
<v Speaker 1>of really almost every now tale of your avenging your

536
00:30:02.039 --> 00:30:04.880
<v Speaker 1>tin and so that's where this starts off. And yeah,

537
00:30:04.920 --> 00:30:07.400
<v Speaker 1>that's that's always happening in the Northern tails that so

538
00:30:07.480 --> 00:30:10.000
<v Speaker 1>and so kills your father whoever, and then you have

539
00:30:10.039 --> 00:30:13.799
<v Speaker 1>to go off and do your your your vengeance. And

540
00:30:13.839 --> 00:30:16.480
<v Speaker 1>then they in turn are going to ventuance against you,

541
00:30:16.519 --> 00:30:19.240
<v Speaker 1>and so we get these dynastic feuds playing out here.

542
00:30:19.240 --> 00:30:20.599
<v Speaker 1>And so he's going to go out and he's going

543
00:30:20.599 --> 00:30:26.640
<v Speaker 1>to avenge his father, and then he's going to the

544
00:30:26.680 --> 00:30:29.000
<v Speaker 1>next major thing is to go off and kill Fafnir.

545
00:30:32.039 --> 00:30:36.359
<v Speaker 1>Now it's also significant that he's going to kill Fafnir

546
00:30:36.759 --> 00:30:42.880
<v Speaker 1>with the reforged sword of his father, and so we

547
00:30:43.079 --> 00:30:47.359
<v Speaker 1>get see some narcal underall stuff going on here when

548
00:30:47.440 --> 00:30:50.319
<v Speaker 1>this is highlighted in in the saga, and it's it's

549
00:30:50.480 --> 00:30:54.119
<v Speaker 1>it's kind of referenced in the text that when in

550
00:30:54.240 --> 00:30:57.640
<v Speaker 1>Zigmund's final battle, up to this point, Zigmund his father

551
00:30:58.000 --> 00:31:00.240
<v Speaker 1>had really had the blessing of Odin upon him, which

552
00:31:00.240 --> 00:31:02.480
<v Speaker 1>is one of the reasons why he was so successful.

553
00:31:03.039 --> 00:31:05.960
<v Speaker 1>But as Odin tends to do, you know, after he

554
00:31:06.000 --> 00:31:08.400
<v Speaker 1>builds up his warrior, then he makes sure that they

555
00:31:08.519 --> 00:31:10.799
<v Speaker 1>die in battle so that way they go to Valhalla

556
00:31:11.160 --> 00:31:12.599
<v Speaker 1>and so that way they can fight for him on

557
00:31:12.640 --> 00:31:16.079
<v Speaker 1>the day of Ragnarok. And so after really building up

558
00:31:16.160 --> 00:31:19.480
<v Speaker 1>Zigmund into this great warrior, this great king, he has

559
00:31:19.559 --> 00:31:23.160
<v Speaker 1>him killed in battle. But he Odin himself appears as

560
00:31:23.240 --> 00:31:25.640
<v Speaker 1>like a warrior in the midst of the battle, Zigmund

561
00:31:25.799 --> 00:31:28.119
<v Speaker 1>goes to attack him, not really know who he is,

562
00:31:28.480 --> 00:31:32.440
<v Speaker 1>and so doing shatters his sword, which then those shards

563
00:31:32.440 --> 00:31:35.200
<v Speaker 1>are maintained and passed on to Ziggard, who then is

564
00:31:35.240 --> 00:31:37.240
<v Speaker 1>going to have that reforged so then he can go

565
00:31:37.279 --> 00:31:40.720
<v Speaker 1>off and kill Faffnir. And so we definitely get some

566
00:31:40.880 --> 00:31:42.240
<v Speaker 1>more talking connections here.

567
00:31:44.599 --> 00:31:47.200
<v Speaker 2>I feel like there's a story to be told by

568
00:31:47.480 --> 00:31:51.000
<v Speaker 2>a writer more talented than me, which kind of takes

569
00:31:51.079 --> 00:31:54.839
<v Speaker 2>the which were like takes the Odin Odin's m L

570
00:31:55.599 --> 00:31:58.839
<v Speaker 2>and like applies it to like the dark lord sort

571
00:31:58.880 --> 00:32:04.000
<v Speaker 2>of character, because Odin is essentially harvesting people to serve

572
00:32:04.039 --> 00:32:07.119
<v Speaker 2>as his undead army, and I'm like, that's a very

573
00:32:07.319 --> 00:32:08.799
<v Speaker 2>dark lord thing to do.

574
00:32:10.519 --> 00:32:12.359
<v Speaker 1>Yeah. At the same time, Odin is seen is like,

575
00:32:12.599 --> 00:32:17.759
<v Speaker 1>you know, one of the best. Yeah, it's interesting mythos

576
00:32:17.759 --> 00:32:24.640
<v Speaker 1>that they have going on there, I guess, because I

577
00:32:24.640 --> 00:32:26.920
<v Speaker 1>mean death and battle itself was seen as a good thing,

578
00:32:26.960 --> 00:32:29.880
<v Speaker 1>and so I guess it's the kind of blessing that

579
00:32:29.920 --> 00:32:33.440
<v Speaker 1>Odin bestows upon his warriors to have them die in battle.

580
00:32:34.079 --> 00:32:35.720
<v Speaker 2>I'm sure Odin would say that.

581
00:32:35.960 --> 00:32:41.519
<v Speaker 1>Yeah, yes, Odin, wouldn't you say that? But yeah, it's

582
00:32:41.799 --> 00:32:49.880
<v Speaker 1>it's kind of demented. In fact, in one of the

583
00:32:50.240 --> 00:32:54.920
<v Speaker 1>fleeting contests, I think it was Harvard song when Odin

584
00:32:54.960 --> 00:32:57.240
<v Speaker 1>and Thor are going at it with each other. It's

585
00:32:57.279 --> 00:32:58.720
<v Speaker 1>one of the things that Thor brings up the fact

586
00:32:58.720 --> 00:33:01.599
<v Speaker 1>that he's always the manipulating people killing him off.

587
00:33:04.839 --> 00:33:07.799
<v Speaker 2>And what's funny is that that Odin normally wouldn't think

588
00:33:07.920 --> 00:33:10.759
<v Speaker 2>Thor would would be that quick on the uptake to

589
00:33:11.359 --> 00:33:15.119
<v Speaker 2>figure that out. So sometimes Thor is smarter than Odin

590
00:33:15.160 --> 00:33:16.079
<v Speaker 2>gives him credit for.

591
00:33:16.680 --> 00:33:21.200
<v Speaker 1>Right. That was I think one of my favorite text

592
00:33:21.240 --> 00:33:23.839
<v Speaker 1>so far that we've done. It's great.

593
00:33:24.319 --> 00:33:27.839
<v Speaker 2>Yeah, when I was I was telling a co worker

594
00:33:28.000 --> 00:33:30.440
<v Speaker 2>that I was reading the EDAs like, that's one of

595
00:33:30.440 --> 00:33:32.599
<v Speaker 2>the ones I used. Is kind of like the pitch

596
00:33:32.640 --> 00:33:35.920
<v Speaker 2>that like you should read this because that was the

597
00:33:35.960 --> 00:33:36.920
<v Speaker 2>funniest session.

598
00:33:38.039 --> 00:33:42.640
<v Speaker 1>Yeah. When when I teach bayf on campus, now when

599
00:33:42.680 --> 00:33:46.519
<v Speaker 1>we get to the bay Wolf back and forth, now

600
00:33:46.599 --> 00:33:48.400
<v Speaker 1>I have them read Harvard's song as well, and they

601
00:33:48.440 --> 00:33:56.279
<v Speaker 1>always enjoy that. Now, of course we do have Fafnir

602
00:33:56.400 --> 00:33:58.319
<v Speaker 1>and you know, as Josh brought up, you know, we

603
00:33:58.400 --> 00:34:01.559
<v Speaker 1>connection to Tolkien dragons here in that you know, it's

604
00:34:01.599 --> 00:34:04.200
<v Speaker 1>a it's a it's a wives dragon. You know, they're

605
00:34:04.279 --> 00:34:06.160
<v Speaker 1>they have conversation with each other, and so this is

606
00:34:06.200 --> 00:34:09.679
<v Speaker 1>not just a beast. And I guess we can say

607
00:34:09.679 --> 00:34:11.159
<v Speaker 1>more rough fer a little bit because he gets his

608
00:34:11.199 --> 00:34:12.119
<v Speaker 1>own way.

609
00:34:14.480 --> 00:34:22.360
<v Speaker 2>Yeah yeah. They even say in the last stanza, let's

610
00:34:22.400 --> 00:34:26.320
<v Speaker 2>part and say farewell. One can't overcome fate. So the

611
00:34:26.400 --> 00:34:29.800
<v Speaker 2>author is like, you know, pretty clear, okay, yep, you

612
00:34:29.840 --> 00:34:32.039
<v Speaker 2>know this is all set in stone.

613
00:34:34.400 --> 00:34:38.039
<v Speaker 1>Yeah yeah, and underlying that as well, and so there

614
00:34:38.039 --> 00:34:41.320
<v Speaker 1>it is. There's no point fighting against it. Definitely a

615
00:34:41.320 --> 00:34:42.360
<v Speaker 1>strong sense of fate there.

616
00:34:46.719 --> 00:34:48.960
<v Speaker 3>I think in my mind there's always like it's seems

617
00:34:49.000 --> 00:34:51.400
<v Speaker 3>like in a lot of like models of like especially

618
00:34:51.400 --> 00:34:54.039
<v Speaker 3>in like different like Christian theological traditions, it's like some

619
00:34:54.159 --> 00:34:57.519
<v Speaker 3>kind of like kind of like mysterious relationship between like

620
00:34:57.719 --> 00:35:01.440
<v Speaker 3>uh you know, like divine sovereignty and will. But it

621
00:35:01.519 --> 00:35:03.880
<v Speaker 3>kind of like makes me forget sometimes to some culture

622
00:35:04.000 --> 00:35:08.800
<v Speaker 3>like they literally just take like a hard, fatalistic, deterministic approach.

623
00:35:08.840 --> 00:35:10.360
<v Speaker 3>It's even kind of like with like it's kind of

624
00:35:10.360 --> 00:35:13.039
<v Speaker 3>like a different version of Stoicism in a sense right

625
00:35:13.079 --> 00:35:15.679
<v Speaker 3>where it's like everything you know and like like all

626
00:35:15.800 --> 00:35:18.719
<v Speaker 3>like matter is like deterministic, but like the only thing

627
00:35:18.760 --> 00:35:21.480
<v Speaker 3>you can control is like what goes on on the

628
00:35:21.519 --> 00:35:24.559
<v Speaker 3>inside of you, right, And it's it's like obviously not

629
00:35:24.639 --> 00:35:27.719
<v Speaker 3>quite stoicism, but it's kind of a sense where it's like, yes,

630
00:35:27.760 --> 00:35:30.440
<v Speaker 3>everything on the outside is determined what we can control

631
00:35:30.559 --> 00:35:34.119
<v Speaker 3>how we we respond to it, which is kind of

632
00:35:34.199 --> 00:35:37.000
<v Speaker 3>stoic in a sense, but they they manifest that in

633
00:35:37.039 --> 00:35:40.719
<v Speaker 3>a different way where they it's kind of like a

634
00:35:40.760 --> 00:35:44.880
<v Speaker 3>sense to where it's like different cultures, like most cultures,

635
00:35:45.360 --> 00:35:48.320
<v Speaker 3>not all cultures, or at least any like stable cultures

636
00:35:48.360 --> 00:35:51.400
<v Speaker 3>would believe that, like you know, cultivating virtue is a

637
00:35:51.440 --> 00:35:53.400
<v Speaker 3>great thing, but the difference is like what is like

638
00:35:53.760 --> 00:35:56.119
<v Speaker 3>one of those virtues that you actually cultivate and how

639
00:35:56.119 --> 00:35:58.840
<v Speaker 3>do you cultivate them? Is like what makes them different? Right?

640
00:35:58.880 --> 00:36:01.280
<v Speaker 3>And I think that's probably equal word just like we're

641
00:36:01.320 --> 00:36:04.400
<v Speaker 3>seeing here is almost like a different version of of

642
00:36:04.440 --> 00:36:06.639
<v Speaker 3>that in some sense, right, Like there's something there's some

643
00:36:06.679 --> 00:36:07.960
<v Speaker 3>connection there, I would think.

644
00:36:08.840 --> 00:36:11.519
<v Speaker 2>Yeah, as you were saying that, I'm like, I don't

645
00:36:11.559 --> 00:36:13.920
<v Speaker 2>think it's an accident that in How to Train Your

646
00:36:14.000 --> 00:36:16.440
<v Speaker 2>Drag and the lead Viking is named Stoic.

647
00:36:18.039 --> 00:36:18.920
<v Speaker 3>Yeah, I guess you're right.

648
00:36:19.000 --> 00:36:21.400
<v Speaker 2>I never thought, right, So there is kind of that

649
00:36:21.599 --> 00:36:25.880
<v Speaker 2>you know, Vikings do seem stoical in a way. You know,

650
00:36:26.519 --> 00:36:30.119
<v Speaker 2>even if it's not exactly the same ideology. You know,

651
00:36:30.199 --> 00:36:33.039
<v Speaker 2>there's that. I think that you're right, that connection of

652
00:36:33.719 --> 00:36:37.920
<v Speaker 2>your response to things internally is what you can control,

653
00:36:38.559 --> 00:36:41.280
<v Speaker 2>you know, whether you're a coward or brave or whatever,

654
00:36:41.440 --> 00:36:44.199
<v Speaker 2>whether you face up to this or run away. It's

655
00:36:44.239 --> 00:36:48.840
<v Speaker 2>like but that you know, but that the material sort

656
00:36:48.880 --> 00:36:52.039
<v Speaker 2>of state of things is completely out of your hands,

657
00:36:52.760 --> 00:36:55.239
<v Speaker 2>and that you might as well just accept what's going on.

658
00:36:57.400 --> 00:36:58.960
<v Speaker 1>Yeah, I mean, I think I've mentioned this before in

659
00:36:59.000 --> 00:37:02.000
<v Speaker 1>one of our one of our t that there'd be

660
00:37:02.000 --> 00:37:05.840
<v Speaker 1>some benefit in reading the Stoics, right, reading Marcus Arelius

661
00:37:05.920 --> 00:37:09.440
<v Speaker 1>or Seneca or whoever, alongside the Norse text, because there

662
00:37:09.440 --> 00:37:14.239
<v Speaker 1>definitely is some commonality. There's some kinship there between the

663
00:37:14.559 --> 00:37:19.440
<v Speaker 1>idea of like the the stable steadfast Roman warrior and

664
00:37:20.079 --> 00:37:23.440
<v Speaker 1>the Norse warrior. There's some common philosophy up play there,

665
00:37:23.440 --> 00:37:25.800
<v Speaker 1>and what drives them, what guides them, what grounds them

666
00:37:26.239 --> 00:37:30.119
<v Speaker 1>in their changing fortunes. Yeah, I definitely think that that's there.

667
00:37:39.840 --> 00:37:42.599
<v Speaker 1>I have always, at least ever since I can remember,

668
00:37:43.000 --> 00:37:45.559
<v Speaker 1>had a kind of longing for death. It was when

669
00:37:45.599 --> 00:37:47.920
<v Speaker 1>I was happiest that I longed most. It was on

670
00:37:48.039 --> 00:37:50.039
<v Speaker 1>happy days when we were up in the hills, the

671
00:37:50.119 --> 00:37:53.119
<v Speaker 1>three of us, with the wind and the sunshine, where

672
00:37:53.159 --> 00:37:55.920
<v Speaker 1>you couldn't see Gloam or the palace. Do you remember

673
00:37:56.400 --> 00:37:58.960
<v Speaker 1>the color and the smell, and looking across at the

674
00:37:58.960 --> 00:38:02.719
<v Speaker 1>gray mountain in the distance, And because it was so beautiful,

675
00:38:03.079 --> 00:38:06.639
<v Speaker 1>it set me longing, always longing somewhere else there must

676
00:38:06.639 --> 00:38:10.239
<v Speaker 1>be more of it. Everything seemed to be saying, Psyche, come,

677
00:38:11.039 --> 00:38:13.480
<v Speaker 1>but I couldn't come, and I didn't know where I

678
00:38:13.599 --> 00:38:16.719
<v Speaker 1>was to come to. It almost hurt me. I felt

679
00:38:16.760 --> 00:38:19.119
<v Speaker 1>like a bird in a cage when the other birds

680
00:38:19.119 --> 00:38:23.000
<v Speaker 1>of its kind are flying home. And now I will

681
00:38:23.000 --> 00:38:25.760
<v Speaker 1>make answer to you, oh my judges, and show that

682
00:38:25.800 --> 00:38:28.440
<v Speaker 1>he who has lived as a true philosopher has reason

683
00:38:28.519 --> 00:38:30.239
<v Speaker 1>to be of good cheer when he is about to die,

684
00:38:30.559 --> 00:38:33.039
<v Speaker 1>and that after death he may hope to receive the

685
00:38:33.079 --> 00:38:35.840
<v Speaker 1>greatest good in the other world. For I deem that

686
00:38:35.880 --> 00:38:38.840
<v Speaker 1>the true disciple of philosophy is likely to be misunderstood

687
00:38:38.880 --> 00:38:41.039
<v Speaker 1>by other men. They do not perceive that he is

688
00:38:41.079 --> 00:38:44.320
<v Speaker 1>ever pursuing death and dying. And if this is true, why,

689
00:38:44.679 --> 00:38:47.360
<v Speaker 1>having had the desire of death all his life long,

690
00:38:47.639 --> 00:38:49.679
<v Speaker 1>should he regret the arrival of that which he has

691
00:38:49.719 --> 00:38:54.480
<v Speaker 1>always been pursuing and desiring. The longing of Plato and

692
00:38:54.559 --> 00:38:58.320
<v Speaker 1>the control of the Stoics pervades Lewis's retelling of the

693
00:38:58.360 --> 00:39:01.239
<v Speaker 1>Cupid and psyche Myth until we have fail With this

694
00:39:01.360 --> 00:39:04.639
<v Speaker 1>incredible novel, which he believed to be his best, Lewis

695
00:39:04.639 --> 00:39:08.559
<v Speaker 1>demonstrates the tensions in ancient thought, and even more significantly,

696
00:39:08.880 --> 00:39:11.920
<v Speaker 1>the limits of rational philosophy, which can only go as

697
00:39:11.960 --> 00:39:15.440
<v Speaker 1>deep as the foxes can dig. Beyond that, under that

698
00:39:15.599 --> 00:39:18.960
<v Speaker 1>and providing the life of that thought, we find the

699
00:39:19.079 --> 00:39:22.639
<v Speaker 1>dark and holy places that blind our faculties of reason.

700
00:39:23.360 --> 00:39:26.199
<v Speaker 1>What then, shall we do? This is a topic that

701
00:39:26.239 --> 00:39:30.079
<v Speaker 1>we will explore after first surveying some important philosophical contributions

702
00:39:30.079 --> 00:39:32.719
<v Speaker 1>in the ancient world that have had some significant bearing

703
00:39:32.800 --> 00:39:35.920
<v Speaker 1>on Lewis's great novel. To this end, we will begin

704
00:39:36.000 --> 00:39:39.199
<v Speaker 1>with Plato's Phato, which discusses the immortality of the soul

705
00:39:39.519 --> 00:39:42.280
<v Speaker 1>and what those who love wisdom might expect in the

706
00:39:42.320 --> 00:39:44.719
<v Speaker 1>life to come, and then we will spend four weeks

707
00:39:44.719 --> 00:39:48.760
<v Speaker 1>with some of the great Stoics, including Epictetus, Emperor, Marcus, Aurelius,

708
00:39:48.800 --> 00:39:51.840
<v Speaker 1>and Seneca. Finally, we will turn our attention to till

709
00:39:51.880 --> 00:39:55.119
<v Speaker 1>we have faces for the final two weeks with original content,

710
00:39:55.320 --> 00:39:57.000
<v Speaker 1>and so this will not be the same as what

711
00:39:57.039 --> 00:39:59.320
<v Speaker 1>you may have seen in the Fiction and Philosophy of C. S.

712
00:39:59.400 --> 00:40:02.239
<v Speaker 1>Lewis course. Each week of this eight week study will

713
00:40:02.239 --> 00:40:05.880
<v Speaker 1>include readings from primary sources that will be provided as PDFs,

714
00:40:05.960 --> 00:40:09.000
<v Speaker 1>although these are all texts that belong in your personal library.

715
00:40:09.199 --> 00:40:12.559
<v Speaker 1>You'll be provided with recommendations for secondary readings. You'll have

716
00:40:12.639 --> 00:40:15.519
<v Speaker 1>recorded presentations for you to watch at your leisure, ongoing

717
00:40:15.559 --> 00:40:18.679
<v Speaker 1>discord chats, and weekly life meetings to discuss the readings

718
00:40:18.920 --> 00:40:21.480
<v Speaker 1>enrolled today by going to patreon dot com slash Mythic

719
00:40:21.519 --> 00:40:23.360
<v Speaker 1>Mind and checking out the job. Or you can gain

720
00:40:23.400 --> 00:40:26.800
<v Speaker 1>access to all courses, past, present and future this year

721
00:40:26.880 --> 00:40:30.000
<v Speaker 1>by purchasing a Tier three annual subscription. I hope to

722
00:40:30.000 --> 00:40:40.400
<v Speaker 1>see you there, and you know, I think there's a

723
00:40:40.400 --> 00:40:42.960
<v Speaker 1>lot of a lot of wisdom in that, you know,

724
00:40:43.000 --> 00:40:47.440
<v Speaker 1>even if as Christians, you know, will maybe deep in

725
00:40:47.480 --> 00:40:50.400
<v Speaker 1>and make this conversation a little bit more complicated, there's

726
00:40:50.400 --> 00:40:53.920
<v Speaker 1>definitely some wisdom in just focusing on the things that

727
00:40:53.960 --> 00:40:56.480
<v Speaker 1>you are responsible for, the things that you can control,

728
00:40:56.920 --> 00:40:58.920
<v Speaker 1>and the vast majority of things that happen to us

729
00:40:58.960 --> 00:41:01.480
<v Speaker 1>and around us are things that are simply outside of

730
00:41:01.519 --> 00:41:05.119
<v Speaker 1>our control. Like it doesn't matter how much you maintain

731
00:41:05.199 --> 00:41:06.920
<v Speaker 1>your health, you can still get hit by a car,

732
00:41:06.960 --> 00:41:10.719
<v Speaker 1>Like you can still get cancer or whatever. And so

733
00:41:11.239 --> 00:41:15.519
<v Speaker 1>obviously our decisions matter, but the vast majority of what

734
00:41:15.880 --> 00:41:19.079
<v Speaker 1>actually happens in our moratl lives is outside of our control.

735
00:41:19.400 --> 00:41:21.639
<v Speaker 1>And so instill getting spun up in anxiety about things

736
00:41:21.639 --> 00:41:24.440
<v Speaker 1>that we were never responsible for. Focus on what you

737
00:41:24.519 --> 00:41:27.519
<v Speaker 1>are responsible for, which is how you're relating to changing

738
00:41:27.559 --> 00:41:30.920
<v Speaker 1>fortunes around you. And I think it's starting sound a

739
00:41:30.920 --> 00:41:33.360
<v Speaker 1>lot like Boethius as so I say that, and that's

740
00:41:34.000 --> 00:41:37.880
<v Speaker 1>I mean, not an accident. But so there's a lot

741
00:41:37.920 --> 00:41:40.119
<v Speaker 1>of wisdom here, even if I think it might need

742
00:41:40.159 --> 00:41:42.440
<v Speaker 1>a little bit more context.

743
00:41:43.400 --> 00:41:47.679
<v Speaker 2>Oh yeah, I definitely benefited a lot in a you know,

744
00:41:48.039 --> 00:41:51.079
<v Speaker 2>in a more in a rougher period of my life

745
00:41:51.079 --> 00:41:54.039
<v Speaker 2>from reading the Stolics, and you know, of course I've

746
00:41:54.119 --> 00:41:59.000
<v Speaker 2>kind of moved beyond them into how Christianity builds on that.

747
00:41:59.639 --> 00:42:01.880
<v Speaker 2>But it's like, but yeah, I think they're a good

748
00:42:01.920 --> 00:42:05.320
<v Speaker 2>starting point, especially for it because we live in such

749
00:42:05.360 --> 00:42:08.599
<v Speaker 2>an age of anxiety. Right, So there, I think that's

750
00:42:08.679 --> 00:42:10.440
<v Speaker 2>why you know, even a lot of like you know,

751
00:42:10.519 --> 00:42:14.400
<v Speaker 2>secular minded people are gravitating towards Stoicism because I think

752
00:42:14.400 --> 00:42:17.480
<v Speaker 2>they recognize that there's something there where it's like I'm sick.

753
00:42:17.559 --> 00:42:20.000
<v Speaker 2>I'm sick and tired of being anxious about stuff that

754
00:42:20.079 --> 00:42:23.960
<v Speaker 2>I have no control over, you know. So I definitely

755
00:42:24.000 --> 00:42:25.960
<v Speaker 2>think it is a good starting point for people. I

756
00:42:25.960 --> 00:42:27.920
<v Speaker 2>think the problem is is that people kind of get

757
00:42:27.960 --> 00:42:31.159
<v Speaker 2>stuck there and and they don't, you know, move on

758
00:42:31.239 --> 00:42:34.199
<v Speaker 2>to to other traditions which kind of build and and

759
00:42:34.280 --> 00:42:37.320
<v Speaker 2>have more of that nuance than the Stoics have.

760
00:42:38.039 --> 00:42:40.920
<v Speaker 1>Correct that, you know, I think Marcus really is he

761
00:42:40.920 --> 00:42:43.400
<v Speaker 1>he has He's a good starting place. But from there

762
00:42:43.440 --> 00:42:44.920
<v Speaker 1>you have to go to Boethias. That's the next dome.

763
00:42:44.960 --> 00:42:51.760
<v Speaker 1>Oh yeah, So anything else from from this text that

764
00:42:51.840 --> 00:42:55.159
<v Speaker 1>stood out to you. You know, there's this interesting story

765
00:42:55.199 --> 00:42:58.239
<v Speaker 1>which just goes into the Volksong saga that you know,

766
00:42:58.280 --> 00:43:02.719
<v Speaker 1>after he kills FoST near the dragon, which you know,

767
00:43:02.800 --> 00:43:06.440
<v Speaker 1>he he kills it by striking its underbelly, which to

768
00:43:06.519 --> 00:43:08.360
<v Speaker 1>us sounds like, you know, a classic that's how you

769
00:43:08.440 --> 00:43:10.280
<v Speaker 1>kill a dragon that's its weak spot. But that's because

770
00:43:10.280 --> 00:43:12.840
<v Speaker 1>it's it's drawn from these foundational myshere of that this

771
00:43:12.880 --> 00:43:16.360
<v Speaker 1>is where this came from, right, Uh, does go back

772
00:43:16.400 --> 00:43:20.079
<v Speaker 1>to to Turin, you know, killing the dragon, he slices

773
00:43:20.159 --> 00:43:28.239
<v Speaker 1>underbelly and then he consumes its heart and its blood,

774
00:43:28.280 --> 00:43:32.639
<v Speaker 1>which gives him wisdom, which allows him to hear the birds,

775
00:43:34.079 --> 00:43:37.320
<v Speaker 1>which the birds tip him off that Reagan, the guy

776
00:43:37.320 --> 00:43:39.800
<v Speaker 1>who reforged his sword for him, that he doesn't have

777
00:43:39.800 --> 00:43:43.199
<v Speaker 1>his best interest at heart here, and so then Reagan

778
00:43:43.239 --> 00:43:47.320
<v Speaker 1>gets killed as well, and then Ziger takes the riches

779
00:43:47.360 --> 00:43:51.599
<v Speaker 1>and he goes off and then he gets He falls

780
00:43:51.599 --> 00:43:57.480
<v Speaker 1>in love with this valkyrie Britain hild in this text.

781
00:43:57.800 --> 00:44:01.639
<v Speaker 1>Although let's see what was her name in the Bulkling saga.

782
00:44:01.679 --> 00:44:02.440
<v Speaker 1>It's actually different.

783
00:44:04.000 --> 00:44:06.440
<v Speaker 2>Yeah, there appears to be some confusion as to what

784
00:44:06.639 --> 00:44:07.639
<v Speaker 2>her name is.

785
00:44:08.639 --> 00:44:13.519
<v Speaker 3>Because don't they refer to as it's like Sigur Siggar

786
00:44:13.559 --> 00:44:16.079
<v Speaker 3>deal from sig deal Far or something like.

787
00:44:16.039 --> 00:44:20.199
<v Speaker 1>That, something like that. Yeah, and so her her name

788
00:44:20.320 --> 00:44:23.119
<v Speaker 1>is a little confused here. But overtheless, he falls in

789
00:44:23.119 --> 00:44:26.719
<v Speaker 1>love with his valkyrie and that kind of plunges himself

790
00:44:26.719 --> 00:44:28.679
<v Speaker 1>to her. But then later he gets bewitched and forgets

791
00:44:28.679 --> 00:44:34.320
<v Speaker 1>about her, and so it's just this whole just confusing

792
00:44:35.960 --> 00:44:37.400
<v Speaker 1>comedy of errors. I don't. I don't know if that's

793
00:44:37.400 --> 00:44:41.000
<v Speaker 1>the right right firm. I like that so and so

794
00:44:41.039 --> 00:44:43.000
<v Speaker 1>getting with so and so, and you know, he helps

795
00:44:43.000 --> 00:44:45.280
<v Speaker 1>this other guy, you know, basically his brother in law

796
00:44:45.480 --> 00:44:47.480
<v Speaker 1>get together with the valkyrie, kind of forgetting that he

797
00:44:47.519 --> 00:44:51.000
<v Speaker 1>added a connection to her. And so it ends in

798
00:44:51.280 --> 00:44:54.119
<v Speaker 1>just this turmoils, everything unravels, and you know, he kind

799
00:44:54.119 --> 00:44:57.280
<v Speaker 1>of remembers what's going on, and then he ends up

800
00:44:57.960 --> 00:45:02.960
<v Speaker 1>getting killed as essentially Brent Hill. The valkyrie conspires to

801
00:45:03.000 --> 00:45:07.599
<v Speaker 1>bring about his death because he kind of refused her

802
00:45:07.639 --> 00:45:10.119
<v Speaker 1>because at that point had been too late as everyone's

803
00:45:10.159 --> 00:45:12.519
<v Speaker 1>card of getting married off, and so she just kind

804
00:45:12.559 --> 00:45:15.079
<v Speaker 1>of scorned and embittered, and so she plots for his death,

805
00:45:16.159 --> 00:45:20.199
<v Speaker 1>which kind of unfortunate that this is how this great

806
00:45:20.239 --> 00:45:24.320
<v Speaker 1>man dies. But this this bewitchment that befalls him that

807
00:45:24.360 --> 00:45:27.559
<v Speaker 1>really leads ultimately to his death. I mean, can think

808
00:45:27.559 --> 00:45:30.079
<v Speaker 1>of the number of times we see in the Norse

809
00:45:30.239 --> 00:45:35.239
<v Speaker 1>wisdom literature the warning against going with witches and you know,

810
00:45:35.280 --> 00:45:38.480
<v Speaker 1>those who would bewitch you. And I think of when

811
00:45:38.480 --> 00:45:42.360
<v Speaker 1>you read the Biblical proverbs, there's this regular warning of

812
00:45:42.440 --> 00:45:45.119
<v Speaker 1>you know, stay away from the prostitute, the lady of

813
00:45:46.079 --> 00:45:48.679
<v Speaker 1>you know the knight, whereas in the Norse text it's

814
00:45:48.760 --> 00:45:51.000
<v Speaker 1>usually stay away from the witch. And so it's just

815
00:45:51.079 --> 00:45:54.880
<v Speaker 1>kind of interesting the parallel but also the twist there.

816
00:45:55.760 --> 00:46:00.519
<v Speaker 3>Yeah, yeah, here's a thought on that, because I didn't

817
00:46:00.519 --> 00:46:03.239
<v Speaker 3>think of this until you said the word witch, but

818
00:46:03.920 --> 00:46:06.519
<v Speaker 3>and I think of the it sparked my thought on

819
00:46:06.679 --> 00:46:10.039
<v Speaker 3>what Lewis said about this, which is an observation I've

820
00:46:10.039 --> 00:46:12.880
<v Speaker 3>noticed in medieval literature as well, with like the just

821
00:46:12.960 --> 00:46:16.760
<v Speaker 3>kind of image he talks about how like people like

822
00:46:16.840 --> 00:46:20.719
<v Speaker 3>often like associate like witch trials and stuff like that

823
00:46:20.800 --> 00:46:22.719
<v Speaker 3>with the Middle Ages, and really that's more of like

824
00:46:22.760 --> 00:46:26.639
<v Speaker 3>an early modern thing. So do you think like this

825
00:46:26.760 --> 00:46:30.559
<v Speaker 3>form like of witchcraft is like unique to its time

826
00:46:30.679 --> 00:46:33.000
<v Speaker 3>or do you think it's just something utterly different from

827
00:46:33.119 --> 00:46:37.239
<v Speaker 3>what we see in like the early modern period, especially

828
00:46:37.280 --> 00:46:39.440
<v Speaker 3>even like you think like an obvious example would be

829
00:46:39.440 --> 00:46:43.480
<v Speaker 3>like the Weird Sisters and like Macbeth. Right, So it's

830
00:46:43.559 --> 00:46:45.800
<v Speaker 3>like I thought there because like, yeah, there's kind of

831
00:46:45.800 --> 00:46:47.880
<v Speaker 3>like a claim he makes there. I think it has

832
00:46:47.920 --> 00:46:50.199
<v Speaker 3>a lot of validity where you actually don't really see

833
00:46:50.239 --> 00:46:54.719
<v Speaker 3>a lot of like witches like you know, cooking body

834
00:46:54.760 --> 00:46:56.840
<v Speaker 3>parts and cauldrons and stuff like that. Out in the

835
00:46:56.920 --> 00:47:00.679
<v Speaker 3>forest somewhere in medieval literature, like it's often portrayed as

836
00:47:00.719 --> 00:47:02.960
<v Speaker 3>sometimes in our contemporary world.

837
00:47:06.119 --> 00:47:11.039
<v Speaker 1>Yeah, you know, he says similarly in Abolition of Man

838
00:47:11.119 --> 00:47:14.440
<v Speaker 1>that you know, you don't really see magic like witchcraft

839
00:47:14.440 --> 00:47:17.199
<v Speaker 1>in the Middle Ages very often, that that's something that's

840
00:47:17.239 --> 00:47:22.039
<v Speaker 1>really more of a Victorian reality or at least early modern.

841
00:47:23.280 --> 00:47:26.159
<v Speaker 1>And yeah, I don't know. It seems to be that

842
00:47:26.920 --> 00:47:31.760
<v Speaker 1>magic and witchcraft does play a pretty important role in

843
00:47:31.800 --> 00:47:35.119
<v Speaker 1>the Norse culture in that that is a regular warning.

844
00:47:35.679 --> 00:47:37.079
<v Speaker 1>And so I don't know, I don't I don't know

845
00:47:37.079 --> 00:47:40.239
<v Speaker 1>if this is something particularly unique to Norse culture that

846
00:47:40.280 --> 00:47:44.199
<v Speaker 1>they have this space for witchcraft. I don't know. I

847
00:47:44.199 --> 00:47:45.679
<v Speaker 1>don't really have it a lot to comment on that.

848
00:47:46.559 --> 00:47:47.880
<v Speaker 3>Yeah, I wonder if it's more of like a fig

849
00:47:47.960 --> 00:47:50.880
<v Speaker 3>and like that, or even like maybe like the Germanic traditions,

850
00:47:51.000 --> 00:47:53.480
<v Speaker 3>whereas like you kind of think of like our like

851
00:47:53.639 --> 00:47:58.760
<v Speaker 3>you know, anglospheric like English tradition. It's like like the

852
00:47:58.800 --> 00:48:01.719
<v Speaker 3>first like mythology think of for the Middle Ages really

853
00:48:01.719 --> 00:48:03.440
<v Speaker 3>for all of English history. That would be like the

854
00:48:03.559 --> 00:48:06.559
<v Speaker 3>Arthurian legend, right, And like you it's kind of like

855
00:48:06.840 --> 00:48:10.000
<v Speaker 3>those elements are like pretty absent from that for the

856
00:48:10.039 --> 00:48:12.000
<v Speaker 3>most part. I mean, you might see like glimpses of

857
00:48:12.000 --> 00:48:14.840
<v Speaker 3>them here or there, but wonder.

858
00:48:17.360 --> 00:48:21.079
<v Speaker 2>Is Yeah, Arthurian magic is more you know, concerned with

859
00:48:21.159 --> 00:48:25.559
<v Speaker 2>like the fae and even like witches like Morgan le Fay.

860
00:48:25.719 --> 00:48:31.239
<v Speaker 2>You know, she's tapped into fairy rather than like you know,

861
00:48:32.119 --> 00:48:36.840
<v Speaker 2>what we would think of as witchcraft exactly.

862
00:48:36.960 --> 00:48:40.360
<v Speaker 3>Yeah, and so yeah, I wonder, I wonder if this

863
00:48:40.480 --> 00:48:42.719
<v Speaker 3>is more like that, or if this is something that's

864
00:48:42.760 --> 00:48:46.159
<v Speaker 3>completely of its own, or like if it's distinct in

865
00:48:46.239 --> 00:48:48.519
<v Speaker 3>some other ways. I certainly don't have an answer. That's

866
00:48:48.559 --> 00:48:51.960
<v Speaker 3>why I'm asking the questions and not answering myself. But

867
00:48:52.239 --> 00:48:54.000
<v Speaker 3>this is the thoughts running through my head right now,

868
00:48:54.000 --> 00:48:55.039
<v Speaker 3>I guess as you brought that up.

869
00:48:57.360 --> 00:49:00.519
<v Speaker 1>Yeah, just in my reading and not having any brets here,

870
00:49:00.559 --> 00:49:03.280
<v Speaker 1>but just in my reading so far, it seems like

871
00:49:03.360 --> 00:49:06.960
<v Speaker 1>that there is space for kind of natural magic. I

872
00:49:06.960 --> 00:49:10.599
<v Speaker 1>would say this would be something like fairy magic, right that,

873
00:49:10.920 --> 00:49:15.239
<v Speaker 1>that kind of reality, which seems fairly commonplace, as sometimes

874
00:49:15.239 --> 00:49:18.639
<v Speaker 1>people will like change shape or you know, have something

875
00:49:18.679 --> 00:49:24.440
<v Speaker 1>that's not really seen as terribly like striking or or diabolical.

876
00:49:24.800 --> 00:49:26.519
<v Speaker 1>But at the same time we do get this pretty

877
00:49:26.559 --> 00:49:30.760
<v Speaker 1>regular warning against witches. Don't collaborate with witches. If you

878
00:49:30.800 --> 00:49:33.519
<v Speaker 1>see it in the road, go another direction. And so

879
00:49:33.639 --> 00:49:36.079
<v Speaker 1>there seems to be like this kind of natural phaytype magic,

880
00:49:36.280 --> 00:49:38.719
<v Speaker 1>but then there also seems to be something like diabolical

881
00:49:39.320 --> 00:49:41.159
<v Speaker 1>that they're told you need to stay away from this.

882
00:49:43.159 --> 00:49:47.760
<v Speaker 1>So yeah, I don't know. It seems to be a

883
00:49:47.760 --> 00:49:53.360
<v Speaker 1>little bit of both, which I mean, they obviously live

884
00:49:53.400 --> 00:49:59.920
<v Speaker 1>in a very spiritual culture in that you know, the

885
00:50:00.599 --> 00:50:03.199
<v Speaker 1>everything is kind of spiritually charged, which is where you

886
00:50:03.239 --> 00:50:08.519
<v Speaker 1>get the druidic type of mentality. And I guess that

887
00:50:08.519 --> 00:50:10.599
<v Speaker 1>that can be mused in a positive or negative direction.

888
00:50:10.800 --> 00:50:12.880
<v Speaker 1>I don't know. I don't I don't have a lot

889
00:50:12.880 --> 00:50:15.000
<v Speaker 1>of firm answer here either.

890
00:50:15.880 --> 00:50:16.119
<v Speaker 3>Yeah.

891
00:50:16.119 --> 00:50:20.000
<v Speaker 2>I wonder if it's tied into into the natural world

892
00:50:20.039 --> 00:50:22.280
<v Speaker 2>in some way, right, because in a lot of ways

893
00:50:22.320 --> 00:50:25.760
<v Speaker 2>that you know, these types of cultures would view the

894
00:50:25.840 --> 00:50:29.760
<v Speaker 2>natural world as almost like as a neutral thing that

895
00:50:29.800 --> 00:50:34.719
<v Speaker 2>can either help you or harm you, depending on almost

896
00:50:34.760 --> 00:50:38.400
<v Speaker 2>like its whim so like I want it. I wonder

897
00:50:38.400 --> 00:50:41.159
<v Speaker 2>if that's, like you know, leads to this sort of

898
00:50:41.199 --> 00:50:45.039
<v Speaker 2>idea where it's like, yeah, there's kind of natural magic

899
00:50:45.079 --> 00:50:47.199
<v Speaker 2>and it can either be for your benefit or it

900
00:50:47.199 --> 00:50:51.199
<v Speaker 2>could kill you, you know, And again it's it seems like

901
00:50:51.239 --> 00:50:53.519
<v Speaker 2>something they don't have a whole lot of control over.

902
00:50:56.840 --> 00:50:59.760
<v Speaker 2>It's just another thing in the world that could kill

903
00:50:59.760 --> 00:51:00.679
<v Speaker 2>you or hects.

904
00:51:00.519 --> 00:51:01.079
<v Speaker 3>You, or.

905
00:51:04.280 --> 00:51:07.199
<v Speaker 2>I remember speaking of like the medieval concepts of magic.

906
00:51:07.639 --> 00:51:13.480
<v Speaker 2>I was reading somewhere recently that our word grammar is

907
00:51:13.599 --> 00:51:19.639
<v Speaker 2>related to glamour, glamour being in its origin fairy magic

908
00:51:20.400 --> 00:51:25.360
<v Speaker 2>was called glamour. They're sort of illusionary magic to appear

909
00:51:25.400 --> 00:51:28.719
<v Speaker 2>as different things or can to confuse you. And that

910
00:51:28.800 --> 00:51:33.719
<v Speaker 2>those two words glamour and grammar are etymologically connected because

911
00:51:33.760 --> 00:51:38.320
<v Speaker 2>fairy glamour was powered by speech words. That's why you

912
00:51:38.400 --> 00:51:41.119
<v Speaker 2>weren't supposed to talk to fairies, because as soon as

913
00:51:41.119 --> 00:51:44.039
<v Speaker 2>you start talking to them, you get caught in their

914
00:51:44.119 --> 00:51:49.360
<v Speaker 2>net of illusionary magic. It's inter sidebarmer there.

915
00:51:49.360 --> 00:51:51.719
<v Speaker 1>But yeah, yeah, it reminds me of a line in

916
00:51:51.960 --> 00:51:54.559
<v Speaker 1>Talking on fairy stories where he says that you know,

917
00:51:54.840 --> 00:51:57.239
<v Speaker 1>a spell is both a story told as well as

918
00:51:57.280 --> 00:52:00.440
<v Speaker 1>like a word of power over men. So again that

919
00:52:00.480 --> 00:52:04.599
<v Speaker 1>idea of just like language is so attached to the

920
00:52:04.639 --> 00:52:11.599
<v Speaker 1>world of faery. It's interesting. I don't really have anywhere

921
00:52:11.639 --> 00:52:13.320
<v Speaker 1>to go from that there, but it's interesting.

922
00:52:13.679 --> 00:52:15.800
<v Speaker 2>Yeah, I just think that, like, you know, in this time,

923
00:52:15.880 --> 00:52:18.519
<v Speaker 2>in like this general time period of the Middle Ages,

924
00:52:18.559 --> 00:52:21.239
<v Speaker 2>there seems to be different cross currents and ideas of

925
00:52:21.280 --> 00:52:27.000
<v Speaker 2>what what even like magic even is. Because I think

926
00:52:27.000 --> 00:52:29.559
<v Speaker 2>that's also a very modern idea, right, that there's this

927
00:52:30.079 --> 00:52:34.559
<v Speaker 2>thing called magic that we can very easily define as such.

928
00:52:34.679 --> 00:52:37.599
<v Speaker 2>I don't I don't think that hm, peoples would have

929
00:52:37.639 --> 00:52:41.039
<v Speaker 2>really looked at it that way. It's like, oh, yeah,

930
00:52:41.119 --> 00:52:44.480
<v Speaker 2>there's magic, and that's different from the natural world or

931
00:52:44.519 --> 00:52:47.199
<v Speaker 2>the spirit or whatever. It's like its own I'm not

932
00:52:47.199 --> 00:52:50.440
<v Speaker 2>sure they would have had their own category of like, oh,

933
00:52:50.599 --> 00:52:52.880
<v Speaker 2>this is magic, you know.

934
00:52:53.679 --> 00:52:55.559
<v Speaker 1>Yeah, I really like some of the comments that we

935
00:52:55.599 --> 00:53:01.000
<v Speaker 1>get on this topic from that hideous strength when talking

936
00:53:01.159 --> 00:53:04.239
<v Speaker 1>or Lewis rather Lewis is talking about, you know how

937
00:53:04.599 --> 00:53:06.280
<v Speaker 1>things used to be a lot more ambiguous, which is

938
00:53:06.320 --> 00:53:09.559
<v Speaker 1>why someone like Mertlin kind of had his place in that.

939
00:53:09.880 --> 00:53:12.480
<v Speaker 1>You know, he wasn't really like a demon. He was

940
00:53:12.519 --> 00:53:14.480
<v Speaker 1>called a son of the devil, but that wasn't really accurate.

941
00:53:14.559 --> 00:53:17.599
<v Speaker 1>He lived in kind of this ambiguous type of reality. However,

942
00:53:17.639 --> 00:53:20.639
<v Speaker 1>the kind of magic use of practice is no longer

943
00:53:20.719 --> 00:53:25.880
<v Speaker 1>lawful because now things have become kind of more precise.

944
00:53:25.920 --> 00:53:30.480
<v Speaker 1>Over time, things have become less ambiguous because over time

945
00:53:30.840 --> 00:53:35.440
<v Speaker 1>things take kind of more form, more shape, And so

946
00:53:35.920 --> 00:53:38.400
<v Speaker 1>you know what maybe used to be allowed as sort

947
00:53:38.440 --> 00:53:42.880
<v Speaker 1>of this blending of nature and what we today would

948
00:53:42.880 --> 00:53:45.440
<v Speaker 1>call magic, but was really just part of the natural

949
00:53:45.480 --> 00:53:48.760
<v Speaker 1>world that it's just kind of become disentangled over time.

950
00:53:50.000 --> 00:53:52.199
<v Speaker 1>And not that I'm pulling anything dogmatically from that, but

951
00:53:52.239 --> 00:53:55.400
<v Speaker 1>I think that, at least on a level of I

952
00:53:55.440 --> 00:53:59.159
<v Speaker 1>don't know literature, I guess I think it's an interesting perspective.

953
00:54:01.559 --> 00:54:03.880
<v Speaker 3>Are you sure that on the whole that novels are

954
00:54:04.599 --> 00:54:06.280
<v Speaker 3>Are you sure that they're not better when there's no

955
00:54:06.440 --> 00:54:08.760
<v Speaker 3>miracles in them?

956
00:54:09.599 --> 00:54:14.639
<v Speaker 1>Right? Thanks for that? Who is it? Said that? Or

957
00:54:14.679 --> 00:54:16.840
<v Speaker 1>well that's well, that's right.

958
00:54:17.639 --> 00:54:20.239
<v Speaker 3>Yeah, like that novel was good until like you know,

959
00:54:20.400 --> 00:54:23.199
<v Speaker 3>Merwin came in and all the magic stuff started happening

960
00:54:23.199 --> 00:54:25.440
<v Speaker 3>at the end. I'm just like, no, he's dead wrong,

961
00:54:25.719 --> 00:54:28.480
<v Speaker 3>like the end of story, like period, like move on.

962
00:54:28.880 --> 00:54:34.280
<v Speaker 1>That was the best part, right, what's about? Yeah, that's right?

963
00:54:34.559 --> 00:54:36.440
<v Speaker 1>Or said it was great until we got to all

964
00:54:36.480 --> 00:54:40.559
<v Speaker 1>the supernatural stuff, Like that's literally the story. I don't know.

965
00:54:40.880 --> 00:54:43.400
<v Speaker 3>Sorry that that hideous strength is a way better dystopian

966
00:54:43.480 --> 00:54:48.400
<v Speaker 3>novel than nineteen eighty four and the story online.

967
00:54:51.039 --> 00:54:54.199
<v Speaker 1>Yeah, it's just so obviously true. I mean it'd be

968
00:54:54.199 --> 00:54:56.239
<v Speaker 1>easy to get off track here, but I mean read

969
00:54:56.239 --> 00:54:58.599
<v Speaker 1>that hideous strength and just look at what's happening in

970
00:54:58.639 --> 00:55:01.320
<v Speaker 1>the world, and low this was a prophet of sorts

971
00:55:01.360 --> 00:55:01.719
<v Speaker 1>for sure.

972
00:55:02.519 --> 00:55:04.840
<v Speaker 2>I think people have the same problem with another great

973
00:55:04.920 --> 00:55:09.519
<v Speaker 2>Christian dystopian novel, a Canticle for Lebowitz, where the miracles

974
00:55:09.559 --> 00:55:11.559
<v Speaker 2>happen at the end and people are just like what,

975
00:55:11.920 --> 00:55:14.239
<v Speaker 2>and I'm like, no, that that's the whole point.

976
00:55:17.320 --> 00:55:24.239
<v Speaker 1>Absolutely well, all right, moving on to the Light of Reagan,

977
00:55:25.199 --> 00:55:32.320
<v Speaker 1>which mostly is just like a list of like different omens.

978
00:55:32.559 --> 00:55:34.480
<v Speaker 1>I mean, we get more of the story. I don't

979
00:55:34.599 --> 00:55:36.239
<v Speaker 1>know that we need to get into every detail of

980
00:55:36.280 --> 00:55:41.320
<v Speaker 1>the story here, but we do get a little bit

981
00:55:41.320 --> 00:55:44.039
<v Speaker 1>more about Bafnir and his origin and the fact that

982
00:55:44.079 --> 00:55:47.639
<v Speaker 1>he wasn't always a dragon. Fafnir was actually originally the

983
00:55:47.679 --> 00:55:53.159
<v Speaker 1>brother of Reagan, but essentially by hoarding this cursed gold,

984
00:55:53.880 --> 00:55:57.440
<v Speaker 1>he ends up turning into a dragon. As Lewis would

985
00:55:57.440 --> 00:56:00.960
<v Speaker 1>tell us that sleeping on dragon's hoard with dragonish thoughts,

986
00:56:01.079 --> 00:56:03.679
<v Speaker 1>you know, might actually turn you into a dragon. That's

987
00:56:03.679 --> 00:56:05.480
<v Speaker 1>where we get used to scrub turning into a dragon.

988
00:56:05.519 --> 00:56:07.920
<v Speaker 2>Oh, for goodness sake, Yeah, you're right.

989
00:56:08.159 --> 00:56:12.440
<v Speaker 3>The dragoning of Eustas is like an underrated h inspiration

990
00:56:12.719 --> 00:56:15.199
<v Speaker 3>for twentieth century literature here.

991
00:56:16.639 --> 00:56:20.400
<v Speaker 1>Yeah, and so I mean the Fafnir, I mean he's

992
00:56:20.480 --> 00:56:24.679
<v Speaker 1>used to scrub with a different ending, and he's.

993
00:56:24.519 --> 00:56:28.599
<v Speaker 2>Glour Rung because not only is he killed from underneath,

994
00:56:28.800 --> 00:56:32.719
<v Speaker 2>but he has that whole conversation with his slayer, just

995
00:56:32.760 --> 00:56:37.519
<v Speaker 2>like he does with with Turin, although Fafnir's is much longer.

996
00:56:40.119 --> 00:56:42.679
<v Speaker 2>I'm like, just die already.

997
00:56:43.639 --> 00:56:47.719
<v Speaker 1>And sometimes Fafnir actually seems to show some respects for

998
00:56:47.719 --> 00:56:52.000
<v Speaker 1>for Ziggurd, you know, as opposed to Glowrung. So he's

999
00:56:52.039 --> 00:56:56.800
<v Speaker 1>not like just purely villainous. I mean he is. He

1000
00:56:56.880 --> 00:56:59.000
<v Speaker 1>is a villain, like he turned into a dragon because

1001
00:56:59.000 --> 00:57:03.079
<v Speaker 1>he was doing dragonish things, but also he remains a

1002
00:57:03.119 --> 00:57:07.079
<v Speaker 1>level of humanity here, a level of respect for the

1003
00:57:07.119 --> 00:57:11.079
<v Speaker 1>one who was able to slay him.

1004
00:57:11.320 --> 00:57:12.000
<v Speaker 3>Oh.

1005
00:57:11.880 --> 00:57:15.039
<v Speaker 2>So I noticed the magic sword or I don't know

1006
00:57:15.039 --> 00:57:19.199
<v Speaker 2>if the sword's magic, but it's called Graham, And I'm like, oh,

1007
00:57:19.480 --> 00:57:22.480
<v Speaker 2>wasn't that a King of Rohan? Like I'm remembering the

1008
00:57:22.599 --> 00:57:24.960
<v Speaker 2>Nameless and I feel like there was a king of

1009
00:57:25.039 --> 00:57:29.320
<v Speaker 2>Rohan called Graham. So again Tolkien is just pulling random

1010
00:57:29.440 --> 00:57:33.360
<v Speaker 2>names from the Eda, sprinkling them throughout Middle Earth.

1011
00:57:33.159 --> 00:57:33.760
<v Speaker 3>Which I like.

1012
00:57:34.079 --> 00:57:36.280
<v Speaker 1>So yeah, he'll do that again in a little bit

1013
00:57:36.800 --> 00:57:42.280
<v Speaker 1>one of the other texts, and it is Yeah, it's

1014
00:57:42.360 --> 00:57:46.639
<v Speaker 1>kind of interesting that Tolkien thinks that in Beowulf that

1015
00:57:46.719 --> 00:57:49.880
<v Speaker 1>the dragon of Beowulf was another one of the stories

1016
00:57:49.880 --> 00:57:52.199
<v Speaker 1>of a man turning into a dragon. You know, it's

1017
00:57:52.280 --> 00:57:55.920
<v Speaker 1>kind of subtext when we're told in Beowulf that it

1018
00:57:56.000 --> 00:57:59.199
<v Speaker 1>was this loan survivor of this horde of treasure that

1019
00:57:59.320 --> 00:58:02.719
<v Speaker 1>he barely eating, kind of kept all by himself, that

1020
00:58:02.800 --> 00:58:04.559
<v Speaker 1>this is the last survivor of the people that gives

1021
00:58:04.639 --> 00:58:08.920
<v Speaker 1>us the treasure, and then cut forward and there's dragon there,

1022
00:58:09.480 --> 00:58:12.719
<v Speaker 1>and so the fact that there is some foundation here.

1023
00:58:12.760 --> 00:58:16.159
<v Speaker 1>In fact, even in Beowulf, at one point, after the

1024
00:58:16.239 --> 00:58:21.760
<v Speaker 1>slang of Grendel, the poet in Herot connects Beowulf to

1025
00:58:22.679 --> 00:58:26.599
<v Speaker 1>this slang of Fafnir. He references refers to him, you know,

1026
00:58:26.639 --> 00:58:30.119
<v Speaker 1>in connection to Zigmund, because it all gets kind of confused.

1027
00:58:30.280 --> 00:58:32.400
<v Speaker 1>So even though Zigger who killed the dragon, he connects

1028
00:58:32.400 --> 00:58:34.079
<v Speaker 1>them to Zigmun because these tales kind of change a

1029
00:58:34.119 --> 00:58:36.400
<v Speaker 1>little bit here and there. But so there's already this

1030
00:58:36.400 --> 00:58:39.880
<v Speaker 1>this connection of the dragon of the Volsung saga to

1031
00:58:40.400 --> 00:58:43.840
<v Speaker 1>Beowulf's dragon to the story, and so that's just something

1032
00:58:43.880 --> 00:58:47.599
<v Speaker 1>talking sort of supposes that's kind of interesting.

1033
00:58:48.320 --> 00:58:51.039
<v Speaker 3>It's funny because I was going to actually make a

1034
00:58:51.079 --> 00:58:54.440
<v Speaker 3>comment on all these like sort of like anthropomorphic dragon

1035
00:58:54.519 --> 00:58:58.000
<v Speaker 3>figures and comment the one in Beowulf is not that way,

1036
00:58:58.079 --> 00:59:01.480
<v Speaker 3>but maybe he actually is that when he's actually in

1037
00:59:01.639 --> 00:59:03.679
<v Speaker 3>dragon for and there doesn't seemed to be like these

1038
00:59:03.760 --> 00:59:08.119
<v Speaker 3>humanesque qualities in him. But I had never heard that theory.

1039
00:59:08.239 --> 00:59:10.760
<v Speaker 3>So if we're looking into.

1040
00:59:11.800 --> 00:59:19.480
<v Speaker 1>Yeah, it's easy to go way off track here. But

1041
00:59:20.119 --> 00:59:23.039
<v Speaker 1>I do love that that scene in Beiowulf where he

1042
00:59:23.079 --> 00:59:27.639
<v Speaker 1>is summoning forth the dragon, it's very Bengolfing and Morgoth

1043
00:59:28.119 --> 00:59:32.599
<v Speaker 1>where he is directly like calling it forth, you know,

1044
00:59:32.679 --> 00:59:35.320
<v Speaker 1>to to come and meet him for battle. And so

1045
00:59:35.840 --> 00:59:41.400
<v Speaker 1>Tolkien just he's all over these northern stories. But yeah,

1046
00:59:41.440 --> 00:59:43.719
<v Speaker 1>so so we get a lot of just descriptions of

1047
00:59:43.800 --> 00:59:46.119
<v Speaker 1>various omens to look out for. We don't need to

1048
00:59:46.199 --> 00:59:49.199
<v Speaker 1>necessarily go into all that. I do think it's interesting

1049
00:59:49.239 --> 00:59:55.920
<v Speaker 1>that the Norse treat the sun as feminine. Yeah. In

1050
00:59:56.079 --> 00:59:58.679
<v Speaker 1>stans At twenty three there's a reference to the sun

1051
00:59:58.840 --> 01:00:02.480
<v Speaker 1>as the shining sys of the moon, and so in

1052
01:00:02.760 --> 01:00:04.760
<v Speaker 1>North the Northern myth thoughs a lot of times they

1053
01:00:04.840 --> 01:00:07.719
<v Speaker 1>refer to actually every time they refer to the sun

1054
01:00:08.119 --> 01:00:11.480
<v Speaker 1>with the feminine and the moon masculine, which is just

1055
01:00:11.559 --> 01:00:13.599
<v Speaker 1>kind of interesting to me. I'm not exactly sure how

1056
01:00:13.639 --> 01:00:16.199
<v Speaker 1>they get there, because I mean, naturally our way of

1057
01:00:16.199 --> 01:00:18.599
<v Speaker 1>thinking of the sun as masculine and moon is feminine,

1058
01:00:18.719 --> 01:00:21.800
<v Speaker 1>that makes like some rational sense to me. So I

1059
01:00:21.920 --> 01:00:24.119
<v Speaker 1>just I don't really know how the Norse got to

1060
01:00:24.159 --> 01:00:27.480
<v Speaker 1>this position, but it's just interesting difference, which I mean,

1061
01:00:27.480 --> 01:00:29.719
<v Speaker 1>this is what Tolkien does in this Summarlion. Yeah.

1062
01:00:30.239 --> 01:00:36.519
<v Speaker 2>Yeah, and even in the Lord of the Rings that

1063
01:00:36.639 --> 01:00:38.239
<v Speaker 2>the Hobbits always call the sun.

1064
01:00:38.199 --> 01:00:50.519
<v Speaker 1>She right, whereas you know, read Tolkien's or Lewis's Ransom

1065
01:00:50.599 --> 01:00:53.880
<v Speaker 1>series and the sun is masculine and the moon is feminine.

1066
01:00:54.639 --> 01:00:56.880
<v Speaker 3>I was about to say, that's like you know, soul

1067
01:00:57.000 --> 01:01:02.000
<v Speaker 3>and Luna and like the Roman mythos, that's totally reversed.

1068
01:01:02.599 --> 01:01:03.800
<v Speaker 1>Right, It's interesting.

1069
01:01:08.239 --> 01:01:08.400
<v Speaker 2>Yeah.

1070
01:01:08.440 --> 01:01:10.639
<v Speaker 1>And then in Staton twenty five, right toward the end

1071
01:01:10.719 --> 01:01:13.880
<v Speaker 1>here it says combed and washed every thoughtful man should

1072
01:01:13.880 --> 01:01:16.159
<v Speaker 1>be and fed in the morning, for one cannot first

1073
01:01:16.159 --> 01:01:18.519
<v Speaker 1>see where one will be by evening. It is bad

1074
01:01:18.599 --> 01:01:21.679
<v Speaker 1>to rush headlong before an omen. So there's always talk

1075
01:01:21.719 --> 01:01:23.800
<v Speaker 1>about omens, which are definitely tied to this theme of

1076
01:01:23.840 --> 01:01:26.599
<v Speaker 1>fate that we've been discussing that you know, an omen

1077
01:01:26.920 --> 01:01:31.239
<v Speaker 1>is properly perceived, brings awareness to something that's going to happen,

1078
01:01:31.360 --> 01:01:34.960
<v Speaker 1>and so there's this fatalism. But also, you know, we're

1079
01:01:35.000 --> 01:01:37.800
<v Speaker 1>told that you just do with the stuff that you

1080
01:01:37.880 --> 01:01:39.760
<v Speaker 1>need to do, like get dressed for the day and

1081
01:01:39.920 --> 01:01:41.920
<v Speaker 1>go out and meet fate, don't just wait for it

1082
01:01:42.000 --> 01:01:42.400
<v Speaker 1>to come to you.

1083
01:01:45.360 --> 01:01:48.119
<v Speaker 2>And that reminds me too of some I was listening

1084
01:01:48.159 --> 01:01:51.199
<v Speaker 2>to a podcast once this is another Roman connection where

1085
01:01:51.239 --> 01:01:55.960
<v Speaker 2>they were saying how the Romans were very obsessed with omens,

1086
01:01:56.119 --> 01:02:00.320
<v Speaker 2>but almost kind of retroactively where a big, you know,

1087
01:02:00.599 --> 01:02:04.679
<v Speaker 2>earth shattering political event would happen, and then they would

1088
01:02:04.760 --> 01:02:08.599
<v Speaker 2>search back in the weeks and months previous to try

1089
01:02:08.679 --> 01:02:11.320
<v Speaker 2>and find all of these natural omens that would have

1090
01:02:11.480 --> 01:02:15.920
<v Speaker 2>forecast it in hindsight. And so like in Roman history,

1091
01:02:15.920 --> 01:02:19.840
<v Speaker 2>it's like Suetonius and stuff. He'll talk about somebody's assassination,

1092
01:02:20.519 --> 01:02:24.159
<v Speaker 2>but then also list all of these omens that supposedly

1093
01:02:24.280 --> 01:02:28.079
<v Speaker 2>predicted it before it happened, or were supposed to clue

1094
01:02:28.199 --> 01:02:33.360
<v Speaker 2>us in. So again there's a maybe the Romans were

1095
01:02:33.360 --> 01:02:35.800
<v Speaker 2>always in conflict with the Germanics because they had more

1096
01:02:35.880 --> 01:02:38.920
<v Speaker 2>in common than either of them would like to let on.

1097
01:02:41.719 --> 01:02:49.519
<v Speaker 1>Right, they don't want to admit their commonality with the Barbarians. Well,

1098
01:02:49.880 --> 01:02:52.960
<v Speaker 1>unless there's anything else there. I mean, looking over to

1099
01:02:53.199 --> 01:02:56.400
<v Speaker 1>the lay of Fafnir, and we've kind of been talking

1100
01:02:56.440 --> 01:02:58.519
<v Speaker 1>around some of the different story elements, but I mean,

1101
01:02:58.519 --> 01:03:01.119
<v Speaker 1>there's listen more about Thoftnir, but this is mostly about

1102
01:03:01.159 --> 01:03:08.079
<v Speaker 1>the conversation between Fafnir and Ziggurd following the mortal blow

1103
01:03:08.159 --> 01:03:12.559
<v Speaker 1>to Fafnir. And you know, Fafnir recognizes the fact that

1104
01:03:13.159 --> 01:03:15.480
<v Speaker 1>like this gold is going to play a part in

1105
01:03:15.639 --> 01:03:19.280
<v Speaker 1>his undoing, in Ziggurd's undoing, he says, those rings, like

1106
01:03:19.800 --> 01:03:23.559
<v Speaker 1>this treasure that you're liberating from me right now, he

1107
01:03:23.599 --> 01:03:25.840
<v Speaker 1>says that those rings will be your death. And so

1108
01:03:25.960 --> 01:03:29.000
<v Speaker 1>there's this strong sense that this is curse gold, and

1109
01:03:29.159 --> 01:03:32.920
<v Speaker 1>that you know that seizing a dragon's horde is not

1110
01:03:33.039 --> 01:03:36.840
<v Speaker 1>necessarily that the right virtuous course of action. You know,

1111
01:03:37.039 --> 01:03:40.639
<v Speaker 1>in Faftner, if anybody would understand the consequences of latching

1112
01:03:40.679 --> 01:03:43.559
<v Speaker 1>yourself onto gold, and so he's even trying to give

1113
01:03:43.639 --> 01:03:46.360
<v Speaker 1>a kind of warning to Ziggard, although of course in

1114
01:03:46.599 --> 01:03:49.960
<v Speaker 1>the movement of fate it's not going to do anything.

1115
01:03:53.880 --> 01:03:56.920
<v Speaker 3>You're saying I thought of. But contrasting again the difference

1116
01:03:57.079 --> 01:04:01.800
<v Speaker 3>of like with Beowulf, there being like the pic dragon fight,

1117
01:04:02.079 --> 01:04:07.559
<v Speaker 3>and then with Sigurd's approach to his dragon, it's more

1118
01:04:07.719 --> 01:04:12.719
<v Speaker 3>the approach is more about like cunning, a cunning ability

1119
01:04:12.800 --> 01:04:16.599
<v Speaker 3>and wit than it is like direct valor and combat.

1120
01:04:16.719 --> 01:04:19.280
<v Speaker 3>And I can't help but see this connection with like,

1121
01:04:19.440 --> 01:04:22.679
<v Speaker 3>you know, Achilles and the valor and combat in the Iliad,

1122
01:04:22.840 --> 01:04:26.960
<v Speaker 3>and then Odysseus kind of getting his way back to

1123
01:04:27.119 --> 01:04:33.000
<v Speaker 3>Ithaca through through wit, right, rather than through being through

1124
01:04:33.039 --> 01:04:36.760
<v Speaker 3>being cunning in this sense, rather than through more like

1125
01:04:36.920 --> 01:04:40.360
<v Speaker 3>brawn and valor, and in the way that Achilles approached

1126
01:04:40.360 --> 01:04:42.880
<v Speaker 3>it in the Iliad. Kind of contrasting those two characters

1127
01:04:42.960 --> 01:04:45.639
<v Speaker 3>and seeing almost like those parallels in this tradition, I

1128
01:04:45.840 --> 01:04:47.719
<v Speaker 3>can't I couldn't help but notice that when I was

1129
01:04:47.800 --> 01:04:52.639
<v Speaker 3>reading the that that introductory paragraph or two to this

1130
01:04:53.920 --> 01:04:54.639
<v Speaker 3>to this poem.

1131
01:04:55.800 --> 01:04:59.840
<v Speaker 1>Yeah, yeah, there's really not a great like huge fight.

1132
01:05:00.079 --> 01:05:03.599
<v Speaker 1>Epic fight between Ziggurd and Fafnir. It goes pretty quickly.

1133
01:05:03.840 --> 01:05:07.239
<v Speaker 1>It's more about the discourse than the actual combat.

1134
01:05:09.400 --> 01:05:13.559
<v Speaker 2>Yeah, it's almost like it is like Odysseus blinding the Cyclops,

1135
01:05:13.719 --> 01:05:16.360
<v Speaker 2>isn't it. It's quick and then it's over.

1136
01:05:16.719 --> 01:05:16.880
<v Speaker 1>You know.

1137
01:05:18.639 --> 01:05:20.559
<v Speaker 3>It's like almost like he doesn't need to be strong

1138
01:05:20.639 --> 01:05:22.199
<v Speaker 3>and you need to be able to go, you know,

1139
01:05:22.840 --> 01:05:26.039
<v Speaker 3>blow with blow with Hector in a sense even like

1140
01:05:26.119 --> 01:05:29.639
<v Speaker 3>the you know, the other greatest warrior and in the

1141
01:05:29.760 --> 01:05:31.760
<v Speaker 3>fight right because he can just he can just figure

1142
01:05:31.760 --> 01:05:34.239
<v Speaker 3>out a way to deal with it quickly once he's

1143
01:05:34.239 --> 01:05:35.320
<v Speaker 3>figured it out in a sense.

1144
01:05:36.599 --> 01:05:40.639
<v Speaker 1>Yeah, And later on in this lay, Ziggurd says to Reagan,

1145
01:05:41.320 --> 01:05:43.920
<v Speaker 1>courage is better than the power of a sword when

1146
01:05:44.079 --> 01:05:46.440
<v Speaker 1>where angry man have to fight for I've seen a

1147
01:05:46.480 --> 01:05:49.599
<v Speaker 1>brave man fighting strongly conquer with a blunt sword. So

1148
01:05:50.000 --> 01:05:52.559
<v Speaker 1>courage is more important than the weapon that you're wielding.

1149
01:05:52.800 --> 01:05:54.960
<v Speaker 1>Even though he has an important weapon like that, that's

1150
01:05:55.039 --> 01:05:57.639
<v Speaker 1>not really the point. His courage is primary here.

1151
01:06:01.440 --> 01:06:04.440
<v Speaker 2>I'm also interested by this, and the text mentions it

1152
01:06:04.559 --> 01:06:08.800
<v Speaker 2>several times that Faffnir has something called a helm of terror,

1153
01:06:09.400 --> 01:06:12.159
<v Speaker 2>and if you look in the endnotes, it says, we're

1154
01:06:12.199 --> 01:06:14.760
<v Speaker 2>not really sure what that was. Was it an actual

1155
01:06:14.960 --> 01:06:16.800
<v Speaker 2>helm or is this like a metaphor?

1156
01:06:17.559 --> 01:06:17.760
<v Speaker 1>You know?

1157
01:06:17.880 --> 01:06:19.239
<v Speaker 2>And I find that interesting.

1158
01:06:20.760 --> 01:06:22.559
<v Speaker 1>But I do think that regardless of what this was

1159
01:06:22.599 --> 01:06:24.559
<v Speaker 1>in the story, this is where we get turns helme,

1160
01:06:26.320 --> 01:06:28.039
<v Speaker 1>oh the dragon helm.

1161
01:06:28.400 --> 01:06:34.840
<v Speaker 3>You're right, yeah, I'm missing some of these connections. Sounds

1162
01:06:34.880 --> 01:06:37.320
<v Speaker 3>like I'm due for reread on some of these non

1163
01:06:37.400 --> 01:06:38.000
<v Speaker 3>word of the rings.

1164
01:06:38.079 --> 01:06:45.079
<v Speaker 1>Tolkien tails, Yeah, we talked about maybe doing a children

1165
01:06:45.199 --> 01:06:50.079
<v Speaker 1>suran for the next next patron chats. Maybe we'll see,

1166
01:06:50.159 --> 01:06:52.519
<v Speaker 1>but that might be might be a good follow up

1167
01:06:52.559 --> 01:06:54.320
<v Speaker 1>to this the set.

1168
01:06:55.159 --> 01:06:59.039
<v Speaker 2>It might be, yeah, because it's it's so infused with

1169
01:06:59.199 --> 01:07:02.440
<v Speaker 2>that Norse spirit. I think of all the things, of

1170
01:07:02.559 --> 01:07:05.159
<v Speaker 2>all the First Age stuff, it might be the most.

1171
01:07:05.719 --> 01:07:13.159
<v Speaker 1>Yeah, yeah, yeah, yeah, absolutely anything else stood out to

1172
01:07:13.159 --> 01:07:13.400
<v Speaker 1>you here.

1173
01:07:19.239 --> 01:07:22.480
<v Speaker 3>I do just have to point out the stands of

1174
01:07:22.519 --> 01:07:26.039
<v Speaker 3>fourteen referring to blood as sword liquid. I just need

1175
01:07:26.119 --> 01:07:28.039
<v Speaker 3>to I just find out what to incorporate then.

1176
01:07:29.840 --> 01:07:30.840
<v Speaker 1>That that's a good one.

1177
01:07:30.840 --> 01:07:32.119
<v Speaker 2>You ever which one it was.

1178
01:07:32.159 --> 01:07:33.760
<v Speaker 3>In, But it was one of like the first poems

1179
01:07:33.800 --> 01:07:35.800
<v Speaker 3>in this entire book, Like they refer to like a

1180
01:07:35.880 --> 01:07:38.039
<v Speaker 3>beard as like a cheek forest, And I'm just like

1181
01:07:38.119 --> 01:07:40.599
<v Speaker 3>these these aren't terms that like I need to start,

1182
01:07:40.880 --> 01:07:42.679
<v Speaker 3>like I need to start using these on people and

1183
01:07:42.760 --> 01:07:43.760
<v Speaker 3>just see how they react.

1184
01:07:45.559 --> 01:07:49.320
<v Speaker 1>Yes, yes, yes, there's a lot of great phraseology in

1185
01:07:49.360 --> 01:07:49.840
<v Speaker 1>these texts.

1186
01:07:53.440 --> 01:07:56.199
<v Speaker 2>Oh. I like how the text can't decide whether Reagan

1187
01:07:56.760 --> 01:08:01.519
<v Speaker 2>is a dwarf or a giant and that kind of Again,

1188
01:08:01.760 --> 01:08:05.360
<v Speaker 2>it's that Norse ambiguity about what some of these things

1189
01:08:05.480 --> 01:08:10.119
<v Speaker 2>even are, you know, like where sometimes the dwarves and

1190
01:08:10.159 --> 01:08:14.079
<v Speaker 2>the giants are used interchangeably, Elves are never explained at

1191
01:08:14.119 --> 01:08:15.440
<v Speaker 2>all in any detail.

1192
01:08:15.920 --> 01:08:20.600
<v Speaker 3>And so what even was a dwarf in the in

1193
01:08:20.720 --> 01:08:23.760
<v Speaker 3>the EDA is? Because like ever since and it's like

1194
01:08:23.920 --> 01:08:26.960
<v Speaker 3>we have Tolkien dwarfs, and now Tolkien dwarfs are just

1195
01:08:27.079 --> 01:08:30.279
<v Speaker 3>every dwarf that's ever existed since Tolkien, right, they all

1196
01:08:30.439 --> 01:08:32.920
<v Speaker 3>just like look like you know, the dwarfs in the

1197
01:08:32.960 --> 01:08:35.800
<v Speaker 3>Hobbit and Gimli, right, But before that, it's like, what

1198
01:08:36.159 --> 01:08:39.079
<v Speaker 3>exactly was a dwarf in like the thirteenth century?

1199
01:08:39.199 --> 01:08:39.359
<v Speaker 2>Right?

1200
01:08:41.159 --> 01:08:46.319
<v Speaker 1>I mean my understanding is that, you know, I mean

1201
01:08:46.399 --> 01:08:49.680
<v Speaker 1>something like like Tolkien's dwarves at least in stature, in

1202
01:08:49.800 --> 01:08:52.680
<v Speaker 1>that they seem to be smaller for the most part,

1203
01:08:53.000 --> 01:08:56.800
<v Speaker 1>they seem to be into smithing that sort of thing. However,

1204
01:08:59.159 --> 01:09:04.000
<v Speaker 1>usually are they're either evil or at the very least

1205
01:09:04.039 --> 01:09:06.560
<v Speaker 1>like you can't really trust them, like they're kind of wily,

1206
01:09:07.600 --> 01:09:09.720
<v Speaker 1>and so they're not really good characters. In fact, in

1207
01:09:09.840 --> 01:09:12.800
<v Speaker 1>Tolkien's first imagining of the Dwarves, they were going to

1208
01:09:12.880 --> 01:09:16.640
<v Speaker 1>be villains, like inherently the kind of like the same

1209
01:09:16.720 --> 01:09:18.720
<v Speaker 1>calipers like the Orcs and that like these are just

1210
01:09:18.840 --> 01:09:24.119
<v Speaker 1>bad people. Obviously he re reworked that, but yeah, and

1211
01:09:24.199 --> 01:09:29.119
<v Speaker 1>so they seem to be these like little crafty troublemakers.

1212
01:09:30.479 --> 01:09:32.399
<v Speaker 3>I wonder if like him, like making the Dwarfs good

1213
01:09:32.560 --> 01:09:35.520
<v Speaker 3>was like the first time and like you know, the

1214
01:09:35.680 --> 01:09:39.479
<v Speaker 3>literary tradition that Dwarfs were actually like not bad in

1215
01:09:39.560 --> 01:09:42.039
<v Speaker 3>this sense. So it's like maybe him the script just

1216
01:09:42.119 --> 01:09:44.800
<v Speaker 3>kind of has changed it for the past, you know,

1217
01:09:45.039 --> 01:09:46.239
<v Speaker 3>seventy or eighty years or so.

1218
01:09:47.279 --> 01:09:50.359
<v Speaker 2>He mentions in one of the letters that his Dwarves

1219
01:09:50.880 --> 01:09:56.680
<v Speaker 2>take more really from the brothers Grim Dwarves than the Norse,

1220
01:09:58.359 --> 01:10:01.439
<v Speaker 2>so like the snow White in this SEVN Dwarves where

1221
01:10:01.439 --> 01:10:05.880
<v Speaker 2>they're kind of where they're basically good characters, and so

1222
01:10:06.079 --> 01:10:10.640
<v Speaker 2>he seems to have like just merged the two. I

1223
01:10:10.680 --> 01:10:14.560
<v Speaker 2>guess traditions that there were and out pops what seems

1224
01:10:14.640 --> 01:10:16.079
<v Speaker 2>like a completely new thing.

1225
01:10:17.760 --> 01:10:20.560
<v Speaker 1>It would be interesting to study the history of dwarves,

1226
01:10:21.680 --> 01:10:23.319
<v Speaker 1>you know, like how do we get to the brothers

1227
01:10:23.399 --> 01:10:25.960
<v Speaker 1>grim dwarves, you know from the original version? Like that'd

1228
01:10:25.960 --> 01:10:33.520
<v Speaker 1>be interesting to study. Sometimes one of my side projects.

1229
01:10:33.880 --> 01:10:36.239
<v Speaker 3>Say the things I would study if this was my day.

1230
01:10:36.199 --> 01:10:42.239
<v Speaker 1>Job, exactly if I ever get to a point where

1231
01:10:42.399 --> 01:10:45.119
<v Speaker 1>I'm just fully funded independently, that's the kind of stuff

1232
01:10:45.119 --> 01:10:46.039
<v Speaker 1>I'm gonna do with my life.

1233
01:10:47.439 --> 01:10:50.039
<v Speaker 2>Oh yeah, believe me. Yeah, yeah. I was doing that

1234
01:10:50.199 --> 01:10:53.720
<v Speaker 2>this morning where I was outlining like my dream book

1235
01:10:53.920 --> 01:10:56.840
<v Speaker 2>of like do of researching some of this stuff. And

1236
01:10:56.880 --> 01:10:59.199
<v Speaker 2>I'm like, I'm never going to write this because I

1237
01:10:59.359 --> 01:11:02.800
<v Speaker 2>don't have the time or you know, like I'm not yeah,

1238
01:11:02.800 --> 01:11:06.199
<v Speaker 2>I'm not independently funded. But it's like, and I was

1239
01:11:06.239 --> 01:11:10.079
<v Speaker 2>thinking about the stack of books I would need to

1240
01:11:10.239 --> 01:11:14.520
<v Speaker 2>write this one book, and I'm like, see.

1241
01:11:14.600 --> 01:11:16.920
<v Speaker 1>A lot of times I get this impulse of Okay,

1242
01:11:16.920 --> 01:11:18.560
<v Speaker 1>here's what I want to write because it's what I

1243
01:11:18.600 --> 01:11:21.800
<v Speaker 1>want to read, right, that tokenyan impulse. But then I realized,

1244
01:11:22.039 --> 01:11:25.840
<v Speaker 1>I feel like only I would want to read this. Yeah.

1245
01:11:27.039 --> 01:11:29.039
<v Speaker 2>Yeah, that was one of those that was one of

1246
01:11:29.079 --> 01:11:32.239
<v Speaker 2>those cases for me. It's like, I think only I

1247
01:11:32.399 --> 01:11:37.319
<v Speaker 2>would want to read this. Oh and the sidetrack the

1248
01:11:37.520 --> 01:11:42.239
<v Speaker 2>birds that seemed like straight out of the Hobbit almost,

1249
01:11:43.479 --> 01:11:46.159
<v Speaker 2>where like they taught like the thrush where he talks

1250
01:11:46.239 --> 01:11:50.039
<v Speaker 2>to Bard and say and exposes the weak point, because

1251
01:11:50.079 --> 01:11:54.720
<v Speaker 2>it's the same thing right there, warning Sigurd of some danger,

1252
01:11:55.560 --> 01:11:59.560
<v Speaker 2>you know, with what's his name? We're Reagan, right, so yeah,

1253
01:12:00.399 --> 01:12:02.840
<v Speaker 2>but well, oh but but they weren't thrushes, though there

1254
01:12:02.840 --> 01:12:05.479
<v Speaker 2>were some other kind of bird.

1255
01:12:06.520 --> 01:12:06.960
<v Speaker 1>Who were they?

1256
01:12:07.680 --> 01:12:12.680
<v Speaker 2>Not hatches, that's it, and not hatchest And I don't

1257
01:12:12.680 --> 01:12:14.680
<v Speaker 2>really know what a nut hatch is, No, I've never

1258
01:12:14.800 --> 01:12:16.319
<v Speaker 2>so I don't think I've ever seen one.

1259
01:12:17.439 --> 01:12:21.439
<v Speaker 1>I don't know. And so I guess birds are connected

1260
01:12:21.520 --> 01:12:23.560
<v Speaker 1>to wisdom. I mean, I know, you know, Odin has

1261
01:12:23.600 --> 01:12:26.920
<v Speaker 1>his ravens who go throughout the earth and then report

1262
01:12:27.000 --> 01:12:29.039
<v Speaker 1>back to him, And so I guess birds do have

1263
01:12:29.119 --> 01:12:32.239
<v Speaker 1>this connection to wisdom. And you know, consuming the dragon

1264
01:12:32.439 --> 01:12:36.119
<v Speaker 1>heart gives you this kind of this access to the

1265
01:12:36.159 --> 01:12:40.560
<v Speaker 1>same wavelength essentially, so you can understand what they're saying. Interesting.

1266
01:12:41.039 --> 01:12:43.439
<v Speaker 2>That was another thing where I was like, oh, that's

1267
01:12:43.520 --> 01:12:46.760
<v Speaker 2>where that comes from, because I've seen that referenced in

1268
01:12:46.880 --> 01:12:49.720
<v Speaker 2>other things, where you eat the dragon's heart and you

1269
01:12:49.800 --> 01:12:52.520
<v Speaker 2>can understand all languages, and I'm like, oh, it's from

1270
01:12:52.640 --> 01:12:58.319
<v Speaker 2>this originally, right, So much dragon lore comes from the.

1271
01:13:00.359 --> 01:13:05.039
<v Speaker 1>Yeah, and in humbo is commentary on Bawel for many

1272
01:13:05.119 --> 01:13:08.880
<v Speaker 1>monsters and the critics. But Tolkien says that you know, oftimes,

1273
01:13:08.880 --> 01:13:11.960
<v Speaker 1>we think that looking back that you dragons were all

1274
01:13:11.960 --> 01:13:13.800
<v Speaker 1>over the place in the old stories, but they're really not.

1275
01:13:14.560 --> 01:13:17.640
<v Speaker 1>There are only a few major examples of dragons in

1276
01:13:17.880 --> 01:13:22.000
<v Speaker 1>the old literature, and Faffner is one of the primary

1277
01:13:22.479 --> 01:13:26.000
<v Speaker 1>dragons of Germanic lore. And so the fact that there

1278
01:13:26.000 --> 01:13:29.680
<v Speaker 1>actually weren't a lot of dragons in their imagination means

1279
01:13:29.720 --> 01:13:31.960
<v Speaker 1>that this story is going to be very significant for

1280
01:13:32.159 --> 01:13:34.039
<v Speaker 1>a lot of the dragon lore that comes out of it.

1281
01:13:35.479 --> 01:13:37.800
<v Speaker 2>That's so true, because like I think last year or

1282
01:13:37.800 --> 01:13:40.760
<v Speaker 2>the year before, I did a deep dive into dragon law,

1283
01:13:40.880 --> 01:13:44.439
<v Speaker 2>and you're so right, like, it's far less common than

1284
01:13:44.520 --> 01:13:48.399
<v Speaker 2>you'd think it was. And then once once a pattern

1285
01:13:48.520 --> 01:13:54.079
<v Speaker 2>gets established in dragon law, every subsequent dragon uses it.

1286
01:13:56.600 --> 01:14:00.640
<v Speaker 2>Right in the in the Saint Hay geographies, almost all

1287
01:14:00.720 --> 01:14:04.479
<v Speaker 2>the dragons are identical and do the same kinds of

1288
01:14:04.600 --> 01:14:09.000
<v Speaker 2>things like that was very very interesting to me because

1289
01:14:09.039 --> 01:14:11.680
<v Speaker 2>I thought I would because I was specifically trying to

1290
01:14:11.760 --> 01:14:14.800
<v Speaker 2>find as many stories as I could of saints with dragons,

1291
01:14:15.079 --> 01:14:17.439
<v Speaker 2>and I thought they would all be interesting and different

1292
01:14:17.560 --> 01:14:20.399
<v Speaker 2>and varied. But no, they were almost The stories had

1293
01:14:20.439 --> 01:14:24.399
<v Speaker 2>the same beats, and the dragons themselves all had very

1294
01:14:24.479 --> 01:14:25.680
<v Speaker 2>much the same details.

1295
01:14:26.199 --> 01:14:29.000
<v Speaker 1>Well, obviously that tells us that's how dragons were and

1296
01:14:29.079 --> 01:14:36.960
<v Speaker 1>that's what saints were like. So now, I mean, one

1297
01:14:37.079 --> 01:14:39.600
<v Speaker 1>last Tolkien connection at this point. I mean, there's a

1298
01:14:39.680 --> 01:14:44.119
<v Speaker 1>reference to the importance of rings. In fact, even the

1299
01:14:44.199 --> 01:14:47.880
<v Speaker 1>birds reference Ziggert as like someone who gives away rings.

1300
01:14:49.479 --> 01:14:53.159
<v Speaker 1>And so this gets to the Germanic culture of you know,

1301
01:14:53.399 --> 01:14:56.640
<v Speaker 1>the great leaders get gold, they'll you know, break up

1302
01:14:57.119 --> 01:15:01.239
<v Speaker 1>the rings of their foes and then they'll basically, you know,

1303
01:15:01.439 --> 01:15:03.399
<v Speaker 1>turn me into other rings, and then they give out

1304
01:15:03.439 --> 01:15:07.000
<v Speaker 1>to those who do service to them, which definitely feeds

1305
01:15:07.079 --> 01:15:09.119
<v Speaker 1>right into the idea of you know, Salaran as the

1306
01:15:09.199 --> 01:15:12.600
<v Speaker 1>ring lord. He's a giver of rings. You know, obviously

1307
01:15:12.720 --> 01:15:17.439
<v Speaker 1>he's a perverted form of the ideal ring lord. But

1308
01:15:17.560 --> 01:15:20.920
<v Speaker 1>nonetheless that that imagery comes, you know, directly from these texts.

1309
01:15:23.000 --> 01:15:25.720
<v Speaker 3>There's anybody else like growing up on like Tolkien and

1310
01:15:25.800 --> 01:15:29.359
<v Speaker 3>stuff like just whenever you started reading historical like ancient

1311
01:15:29.399 --> 01:15:31.039
<v Speaker 3>medieval text, do you just like to see like the

1312
01:15:31.119 --> 01:15:33.159
<v Speaker 3>word ring and you're like You're instantly looking for a

1313
01:15:33.199 --> 01:15:35.880
<v Speaker 3>connection to Tolkien. It's like the First Time or the

1314
01:15:35.960 --> 01:15:38.039
<v Speaker 3>Republic and like the Ring of Guy. I guess I'm like, okay,

1315
01:15:38.119 --> 01:15:39.840
<v Speaker 3>like how's this going to relate? Like I'm just I'm

1316
01:15:39.840 --> 01:15:43.640
<v Speaker 3>always looking for those connections. And sometimes they're probably there

1317
01:15:43.680 --> 01:15:45.960
<v Speaker 3>and I miss him, and sometimes they're probably just not there,

1318
01:15:46.079 --> 01:15:47.359
<v Speaker 3>but sometimes they are.

1319
01:15:48.159 --> 01:15:50.720
<v Speaker 1>Yep, even when it comes to Tolkien, sol In Plato,

1320
01:15:52.960 --> 01:16:03.279
<v Speaker 1>are they're teaching at these schools exactly? Well, yeah, unless

1321
01:16:03.279 --> 01:16:06.800
<v Speaker 1>there's anything else, can and move on. We've got the

1322
01:16:07.039 --> 01:16:11.800
<v Speaker 1>delay of Zigertrifa. I'm sure I just butchered that terribly.

1323
01:16:13.119 --> 01:16:16.640
<v Speaker 3>That that's the britn Hild name in this text, which

1324
01:16:16.880 --> 01:16:18.079
<v Speaker 3>threw me off for a second.

1325
01:16:19.279 --> 01:16:22.760
<v Speaker 1>Yes, and so this is brent Hild, britn Hild as

1326
01:16:22.880 --> 01:16:23.640
<v Speaker 1>she should have been.

1327
01:16:26.239 --> 01:16:33.880
<v Speaker 3>Right through here.

1328
01:16:34.119 --> 01:16:38.399
<v Speaker 1>Oh, here's another Tolkien name, Paul. There's a reference to

1329
01:16:39.000 --> 01:16:43.079
<v Speaker 1>uh meme here m I m, such as with the

1330
01:16:43.279 --> 01:16:46.600
<v Speaker 1>petty dwarf of children of Huron. Yes.

1331
01:16:47.439 --> 01:16:55.520
<v Speaker 2>Yeah, Oh, and the warriors are often referred to as

1332
01:16:55.720 --> 01:16:58.279
<v Speaker 2>trees in these texts. I don't know if you guys

1333
01:16:58.359 --> 01:17:03.880
<v Speaker 2>picked up on that or like, uh, the apple tree

1334
01:17:03.960 --> 01:17:07.039
<v Speaker 2>of battle. At one point someone is called and I

1335
01:17:07.079 --> 01:17:09.319
<v Speaker 2>think at some point somebody is called a beach tree

1336
01:17:10.199 --> 01:17:12.479
<v Speaker 2>or something like that, so that that seems to be

1337
01:17:12.600 --> 01:17:16.439
<v Speaker 2>a recurring theme warrior as tree, And I'm wondering what

1338
01:17:16.640 --> 01:17:20.000
<v Speaker 2>the symbol like what they're picking up on, because you

1339
01:17:20.039 --> 01:17:23.000
<v Speaker 2>wouldn't you wouldn't have that metaphor if there wasn't something

1340
01:17:23.119 --> 01:17:29.239
<v Speaker 2>tree like about a warrior. So I wonder what they're

1341
01:17:31.840 --> 01:17:35.560
<v Speaker 2>I'm missing some context here that they're that they're picking

1342
01:17:35.680 --> 01:17:35.880
<v Speaker 2>up on.

1343
01:17:36.119 --> 01:17:39.680
<v Speaker 1>I mean, I guess you got the indomitable strength of nature,

1344
01:17:40.159 --> 01:17:45.560
<v Speaker 1>you know, the steadfastness. Yeah, I mean other than just

1345
01:17:45.600 --> 01:17:48.000
<v Speaker 1>like strength that you know, instead being steadfast, I'm not

1346
01:17:48.119 --> 01:17:48.560
<v Speaker 1>quite sure.

1347
01:17:50.760 --> 01:17:52.399
<v Speaker 3>I was would say is as simple as like just

1348
01:17:52.479 --> 01:17:55.600
<v Speaker 3>like their rigidness and sturdiness as well, like equating to

1349
01:17:55.720 --> 01:17:58.920
<v Speaker 3>like fortitude in some way, or I don't know, there's

1350
01:17:58.960 --> 01:18:00.279
<v Speaker 3>probably something far beyond on that.

1351
01:18:00.560 --> 01:18:05.119
<v Speaker 1>But you know, I wonder if when if that language

1352
01:18:05.119 --> 01:18:07.760
<v Speaker 1>and you know, we can't help, but it constantly referenced

1353
01:18:07.760 --> 01:18:11.000
<v Speaker 1>Tolkien and studying these texts. But you know when Tolkien

1354
01:18:11.039 --> 01:18:13.159
<v Speaker 1>says that he had this image in his head of

1355
01:18:13.640 --> 01:18:16.960
<v Speaker 1>you know, okay, what if the trees went to battle? Right,

1356
01:18:17.079 --> 01:18:19.079
<v Speaker 1>this is where we get the version of the end

1357
01:18:19.119 --> 01:18:22.119
<v Speaker 1>says he tries to you know, improve on Shakespeare, as

1358
01:18:22.159 --> 01:18:28.760
<v Speaker 1>he essentially put it, But a lot of this tax

1359
01:18:28.920 --> 01:18:32.359
<v Speaker 1>is really going through runic wisdom of you need this

1360
01:18:32.520 --> 01:18:35.399
<v Speaker 1>room in order to do this thing. So it's a

1361
01:18:35.479 --> 01:18:36.079
<v Speaker 1>long list of that.

1362
01:18:39.000 --> 01:18:41.039
<v Speaker 3>I would say it was really like it was kind

1363
01:18:41.079 --> 01:18:43.680
<v Speaker 3>of like this these like runic stands as well as

1364
01:18:43.720 --> 01:18:47.279
<v Speaker 3>that like five through eighteen, where it's kind of like

1365
01:18:47.399 --> 01:18:52.800
<v Speaker 3>just listing like these different uh, these different ruins that

1366
01:18:52.920 --> 01:18:57.079
<v Speaker 3>represent these different things that like that he must have

1367
01:18:57.239 --> 01:19:00.359
<v Speaker 3>in a sense, and that's like it doesn't doesn't really

1368
01:19:00.359 --> 01:19:02.039
<v Speaker 3>I should kind of like go back into like the

1369
01:19:02.159 --> 01:19:04.800
<v Speaker 3>frame of like the I guess, like the plot of

1370
01:19:04.880 --> 01:19:07.640
<v Speaker 3>this poem to like you know stand such twenty one,

1371
01:19:07.720 --> 01:19:09.399
<v Speaker 3>but yeah, you have like what like I think like

1372
01:19:09.560 --> 01:19:13.319
<v Speaker 3>five through eighteen there it's kind of like DV it's

1373
01:19:13.359 --> 01:19:14.479
<v Speaker 3>a little bit to go into that.

1374
01:19:15.840 --> 01:19:18.279
<v Speaker 1>Yeah, and even then in twenty one where it shifts

1375
01:19:18.279 --> 01:19:21.960
<v Speaker 1>a little bit, Okay, we get this Norther encourage statement

1376
01:19:22.039 --> 01:19:24.600
<v Speaker 1>here where it says, I will not flee even if

1377
01:19:24.640 --> 01:19:27.279
<v Speaker 1>you know I am doomed. I was not born a coward.

1378
01:19:27.640 --> 01:19:29.359
<v Speaker 1>And so this idea of I'm going to march into

1379
01:19:29.399 --> 01:19:33.199
<v Speaker 1>my doom because well, being a coward is worse, and

1380
01:19:33.319 --> 01:19:35.239
<v Speaker 1>so it doesn't really matter what lays in front of me.

1381
01:19:35.279 --> 01:19:38.000
<v Speaker 1>I'm going to keep marching forward. And then and there's

1382
01:19:38.359 --> 01:19:41.279
<v Speaker 1>very similar lines to that all throughout Tolkien. But then,

1383
01:19:41.800 --> 01:19:43.680
<v Speaker 1>you know, move forward, And the rest of this text

1384
01:19:44.119 --> 01:19:47.159
<v Speaker 1>is largely like proverbial wisdom now, and so a lot

1385
01:19:47.159 --> 01:19:48.800
<v Speaker 1>of this is wisdom literature.

1386
01:19:52.680 --> 01:19:55.439
<v Speaker 2>It also like that reminds me. And this line is

1387
01:19:55.560 --> 01:19:59.640
<v Speaker 2>not from Tolkien himself, it's from the movies, but it's

1388
01:19:59.800 --> 01:20:03.279
<v Speaker 2>very it's very Norse in a way when Gimli says

1389
01:20:03.720 --> 01:20:07.840
<v Speaker 2>certainty of death, small chance of success, what are we

1390
01:20:07.960 --> 01:20:08.399
<v Speaker 2>waiting for?

1391
01:20:10.800 --> 01:20:14.119
<v Speaker 1>Yeah, it's an obviously comical approach ad this very northern

1392
01:20:14.159 --> 01:20:15.199
<v Speaker 1>idea mm hm.

1393
01:20:18.960 --> 01:20:20.680
<v Speaker 3>Like in Stance of twenty three, how it's like it's

1394
01:20:20.760 --> 01:20:24.600
<v Speaker 3>kind of has like a like biblical language almost in

1395
01:20:24.640 --> 01:20:26.399
<v Speaker 3>a sense, kind of like in the Sermon on the

1396
01:20:26.439 --> 01:20:29.359
<v Speaker 3>Mound during like I think it's like James five or

1397
01:20:29.560 --> 01:20:33.880
<v Speaker 3>talks about do not swear an oath unless it's truly kept.

1398
01:20:34.039 --> 01:20:36.680
<v Speaker 3>Terrible fate bonds attached to the oath tear like just

1399
01:20:36.720 --> 01:20:38.960
<v Speaker 3>like this value of like basically like hey, like don't

1400
01:20:39.000 --> 01:20:40.880
<v Speaker 3>make an oath unless you're actually going to keep it.

1401
01:20:41.199 --> 01:20:45.720
<v Speaker 3>And also therefore there are is deep, maybe even mortal

1402
01:20:46.199 --> 01:20:50.800
<v Speaker 3>consequences to the oath breaker in a sense for not

1403
01:20:51.079 --> 01:20:53.840
<v Speaker 3>keeping it. Like they take over this really seriously right,

1404
01:20:53.880 --> 01:20:57.640
<v Speaker 3>and like we certainly see that, and like biblical language

1405
01:20:57.680 --> 01:20:59.159
<v Speaker 3>and the New Testament as well.

1406
01:21:00.039 --> 01:21:01.920
<v Speaker 1>So done, harrow, this is the army of the dead

1407
01:21:02.079 --> 01:21:05.520
<v Speaker 1>right terrible fate bonds attached to the oath terror wretched

1408
01:21:05.600 --> 01:21:08.479
<v Speaker 1>is the pledge criminal. They broke their oath. Therefore their

1409
01:21:08.640 --> 01:21:11.079
<v Speaker 1>you know, condemned to undeath until they fulfill it.

1410
01:21:11.640 --> 01:21:19.119
<v Speaker 3>Mm hm. That all comes full circle. It's all in

1411
01:21:19.199 --> 01:21:24.479
<v Speaker 3>Talkien say TALKI and Jesus said, it's all there.

1412
01:21:32.960 --> 01:21:35.359
<v Speaker 1>Yeah, that that but that does definitely tie into just

1413
01:21:35.439 --> 01:21:38.920
<v Speaker 1>this resolute, really kind of stoic idea of there's this

1414
01:21:39.039 --> 01:21:42.960
<v Speaker 1>direct connection between like your words and your steadfast soul

1415
01:21:43.479 --> 01:21:46.680
<v Speaker 1>and so your oath matter. You need to do what

1416
01:21:46.800 --> 01:21:49.520
<v Speaker 1>you say that you're going to do. And so that's

1417
01:21:49.560 --> 01:21:51.960
<v Speaker 1>a continual idea here. And so you know, as much

1418
01:21:52.000 --> 01:21:55.359
<v Speaker 1>as you when you read some of the early wisdom

1419
01:21:55.399 --> 01:21:58.159
<v Speaker 1>literature that looked at like the the Havamal and sometimes

1420
01:21:58.640 --> 01:22:03.279
<v Speaker 1>the proverbs that they're given, it seemed well, not very

1421
01:22:03.399 --> 01:22:06.479
<v Speaker 1>virtuous to us looking back, like there is still a

1422
01:22:07.199 --> 01:22:11.000
<v Speaker 1>degree of virtue that I think is that we would

1423
01:22:11.039 --> 01:22:14.159
<v Speaker 1>see as virtue even in the North wisdom literature. Here,

1424
01:22:14.319 --> 01:22:17.520
<v Speaker 1>like in you know, there's oath keeping in Stane at

1425
01:22:17.520 --> 01:22:19.680
<v Speaker 1>thirty two, it says, you know, I advise you that

1426
01:22:19.760 --> 01:22:22.760
<v Speaker 1>you guard against evil and distance yourself from light mindedness.

1427
01:22:23.159 --> 01:22:26.399
<v Speaker 1>Do not entice girls or any man's wife, nor encourage

1428
01:22:26.479 --> 01:22:30.760
<v Speaker 1>excessive pleasure. And so this idea that like you don't

1429
01:22:31.159 --> 01:22:34.680
<v Speaker 1>you know, don't commit adultery, keep yourself from evil. And

1430
01:22:34.840 --> 01:22:37.439
<v Speaker 1>so some of some of this wisdom could you know,

1431
01:22:37.560 --> 01:22:39.840
<v Speaker 1>easily just be pulled from Proverbs as well.

1432
01:22:40.399 --> 01:22:42.600
<v Speaker 2>Mm hmm. I was going to say that that sounded

1433
01:22:42.720 --> 01:22:45.159
<v Speaker 2>straight out of Proverbs almost. Yeah.

1434
01:22:51.359 --> 01:22:51.479
<v Speaker 3>Oh.

1435
01:22:51.600 --> 01:22:54.399
<v Speaker 2>And the next stanza it talks about you should bury

1436
01:22:54.479 --> 01:22:58.159
<v Speaker 2>the day mm hm, which is interesting because I thought

1437
01:22:58.199 --> 01:23:02.680
<v Speaker 2>that Norse normally burned they're dead. Yet it says here

1438
01:23:03.239 --> 01:23:06.279
<v Speaker 2>that I advise you ninthly that you bury corpses where

1439
01:23:06.319 --> 01:23:08.880
<v Speaker 2>you find them on the ground, whether they are dead

1440
01:23:08.920 --> 01:23:12.279
<v Speaker 2>of sickness or else drowned or men killed by weapons.

1441
01:23:14.399 --> 01:23:17.039
<v Speaker 1>So I wonder if just burying is what you do,

1442
01:23:17.399 --> 01:23:19.800
<v Speaker 1>you're just like half an upon a body. But then

1443
01:23:19.920 --> 01:23:22.880
<v Speaker 1>you maybe do the ceremony if it's for like somebody,

1444
01:23:22.920 --> 01:23:27.840
<v Speaker 1>you know that you need to honor. Ah, yeah, it's

1445
01:23:27.920 --> 01:23:36.520
<v Speaker 1>my guess. I don't really know. Again, there's a warning

1446
01:23:36.560 --> 01:23:40.359
<v Speaker 1>in here about staying away from witches and stands at

1447
01:23:40.399 --> 01:23:40.880
<v Speaker 1>twenty six.

1448
01:23:46.840 --> 01:23:50.239
<v Speaker 2>Oh yeah, I like, yeah, that's a humorous one almost.

1449
01:23:50.359 --> 01:23:53.159
<v Speaker 2>It's like that, I advise you. Fourthly, if a witch

1450
01:23:53.279 --> 01:23:56.439
<v Speaker 2>full of malice lies on your roat, better to go,

1451
01:23:56.800 --> 01:23:59.279
<v Speaker 2>better to go on than be her guest. Though night

1452
01:23:59.439 --> 01:24:03.520
<v Speaker 2>over taq. And that was in other words, like even

1453
01:24:03.600 --> 01:24:08.239
<v Speaker 2>if it's dark, don't stay at a witch's house. Keep walking.

1454
01:24:12.039 --> 01:24:13.840
<v Speaker 1>You can see how that plays into somebody, even like

1455
01:24:13.920 --> 01:24:17.600
<v Speaker 1>the the you know, the grim fairy tales. Oh yeah,

1456
01:24:18.079 --> 01:24:23.359
<v Speaker 1>don't go to the witch's house in the woods. Yeah.

1457
01:24:23.399 --> 01:24:26.079
<v Speaker 2>And then there's a lot here about quarreling, you know,

1458
01:24:26.439 --> 01:24:30.920
<v Speaker 2>like don't quarrel over ale over women, you know, very practical,

1459
01:24:31.000 --> 01:24:33.399
<v Speaker 2>you know, practical advice.

1460
01:24:33.119 --> 01:24:38.119
<v Speaker 1>For back then and you know, yeah, and then towards

1461
01:24:38.119 --> 01:24:40.119
<v Speaker 1>the end in thirty six. You know, he says, quarrels

1462
01:24:40.159 --> 01:24:42.600
<v Speaker 1>in enmity, don't think they've gone to sleep any more

1463
01:24:42.680 --> 01:24:45.479
<v Speaker 1>than grief. Common sense, and weapons are necessary for the

1464
01:24:45.520 --> 01:24:49.560
<v Speaker 1>prince to acquire for him who shall be foremost among men. So,

1465
01:24:50.199 --> 01:24:52.920
<v Speaker 1>you know, don't don't think that just because you seem

1466
01:24:52.960 --> 01:24:55.800
<v Speaker 1>to have dealt with this argument, this disagreement, that it's over,

1467
01:24:56.600 --> 01:24:58.000
<v Speaker 1>you need to make sure that you have some weapons

1468
01:24:58.000 --> 01:25:04.439
<v Speaker 1>on your side, all right, And you'll saying, well, let's

1469
01:25:04.439 --> 01:25:07.840
<v Speaker 1>bring up for that that text okay, then rolled on

1470
01:25:07.920 --> 01:25:10.600
<v Speaker 1>to a fragment of a poem about Ziggurd.

1471
01:25:14.279 --> 01:25:17.920
<v Speaker 3>I think that I mean that first stands uh? I

1472
01:25:18.000 --> 01:25:20.479
<v Speaker 3>kind of I kind of read that almost like obviously

1473
01:25:20.520 --> 01:25:23.520
<v Speaker 3>that's a question that belongs within the narrative of the text,

1474
01:25:23.560 --> 01:25:25.479
<v Speaker 3>but it almost seems like a question that could be

1475
01:25:27.560 --> 01:25:30.359
<v Speaker 3>like directed to the reader as like a reflection for

1476
01:25:30.520 --> 01:25:32.720
<v Speaker 3>going into the rest of the text as well, Like

1477
01:25:32.800 --> 01:25:35.000
<v Speaker 3>it's like, what has Segur done so wrong that you

1478
01:25:35.079 --> 01:25:36.960
<v Speaker 3>want to deprive the brave man of life?

1479
01:25:37.079 --> 01:25:37.119
<v Speaker 1>It?

1480
01:25:37.920 --> 01:25:40.640
<v Speaker 3>I just think that's kind of like a profound introductory, uh.

1481
01:25:41.239 --> 01:25:43.760
<v Speaker 3>Kind of it's like an introductory like provoking question to

1482
01:25:43.880 --> 01:25:47.119
<v Speaker 3>the text, and even like thinking some way it's like

1483
01:25:47.479 --> 01:25:50.560
<v Speaker 3>you're thinking almost in like a like platonic terms in

1484
01:25:50.600 --> 01:25:53.159
<v Speaker 3>a sense here, But it's like I almost instantly like

1485
01:25:53.239 --> 01:25:55.359
<v Speaker 3>start thinking about like justice, and it's like, is there

1486
01:25:55.479 --> 01:25:58.520
<v Speaker 3>some way in which like Sigurd dying is is just

1487
01:25:58.760 --> 01:26:01.199
<v Speaker 3>or it is just complete and justice? And was there

1488
01:26:01.359 --> 01:26:03.199
<v Speaker 3>was he not deserving of it in any way?

1489
01:26:03.319 --> 01:26:03.520
<v Speaker 2>You know?

1490
01:26:03.720 --> 01:26:05.439
<v Speaker 3>That's those are kind of like the questions that begun

1491
01:26:05.520 --> 01:26:07.359
<v Speaker 3>to come to mind for me with this.

1492
01:26:09.800 --> 01:26:11.920
<v Speaker 1>Yeah, and a lot of this you ask we read

1493
01:26:11.960 --> 01:26:15.960
<v Speaker 1>about the death of Ziggurd. I mean, in the kind

1494
01:26:15.960 --> 01:26:17.760
<v Speaker 1>of meta level of this narrative, it goes back to

1495
01:26:17.920 --> 01:26:21.720
<v Speaker 1>Fafnir's warnings that taking the treasure is going to be

1496
01:26:21.880 --> 01:26:23.520
<v Speaker 1>his doom or it's going to lead to his doom,

1497
01:26:24.279 --> 01:26:27.319
<v Speaker 1>because it's part of the attention that he gets from

1498
01:26:27.359 --> 01:26:30.239
<v Speaker 1>this great victory taking the treasure away is that he

1499
01:26:31.000 --> 01:26:35.079
<v Speaker 1>enters into this relationship with Brittnhild, which eventually is going

1500
01:26:35.119 --> 01:26:36.720
<v Speaker 1>to end up leading to his death. Right she's the

1501
01:26:36.720 --> 01:26:39.840
<v Speaker 1>one who's going to conspire his death through this entire

1502
01:26:40.600 --> 01:26:44.840
<v Speaker 1>series of mishaps and the witchments and whatnot. But going

1503
01:26:44.920 --> 01:26:48.000
<v Speaker 1>back to taking the treasure hoard from Fafnir, like that

1504
01:26:48.039 --> 01:26:50.479
<v Speaker 1>can be seen as really a starting place of the end.

1505
01:26:53.920 --> 01:26:57.199
<v Speaker 1>It says that the end of the epilogue that there

1506
01:26:57.239 --> 01:27:01.279
<v Speaker 1>are snifferent versions as to exactly where and how Zigger died,

1507
01:27:01.720 --> 01:27:04.199
<v Speaker 1>but with having common is that he died when he

1508
01:27:04.279 --> 01:27:07.119
<v Speaker 1>was flying down and unarmed, so he didn't get to

1509
01:27:07.239 --> 01:27:09.560
<v Speaker 1>die really a hero's death. He just died as a

1510
01:27:09.640 --> 01:27:16.800
<v Speaker 1>result of a plot, which I suppose continues the connection

1511
01:27:16.920 --> 01:27:19.840
<v Speaker 1>to at least the sort of the aesthetics of Children

1512
01:27:19.880 --> 01:27:23.199
<v Speaker 1>of Urine, and that Turin doesn't die in battle. He

1513
01:27:23.399 --> 01:27:26.760
<v Speaker 1>can just he kills himself. And I feel like it

1514
01:27:27.000 --> 01:27:30.199
<v Speaker 1>it has the same kind of feeling as you get

1515
01:27:30.199 --> 01:27:33.159
<v Speaker 1>to the end in that you follow the story of

1516
01:27:33.319 --> 01:27:36.760
<v Speaker 1>this great hero who's done some incredible things, some great

1517
01:27:36.800 --> 01:27:39.439
<v Speaker 1>feats of strength, but in the end he dies a

1518
01:27:39.840 --> 01:27:41.880
<v Speaker 1>kind of pitiful, sad death.

1519
01:27:45.399 --> 01:27:49.039
<v Speaker 2>Right, it's almost like, yes, spoilers, it's almost if like

1520
01:27:49.359 --> 01:27:54.439
<v Speaker 2>Turin had if he had died, you know, fighting the dragon,

1521
01:27:55.239 --> 01:27:58.680
<v Speaker 2>that would have been a much more classically heroic way

1522
01:27:58.720 --> 01:28:01.600
<v Speaker 2>for him to go out, no matter or what had

1523
01:28:01.680 --> 01:28:05.319
<v Speaker 2>El said transpired. But you know it has to be

1524
01:28:05.439 --> 01:28:08.680
<v Speaker 2>a full, literally to the hilt tragedy.

1525
01:28:09.880 --> 01:28:13.760
<v Speaker 1>Right, These falls on his suddenly talking sword.

1526
01:28:16.199 --> 01:28:19.199
<v Speaker 3>You joke about spoilers. But I have friends that I'm

1527
01:28:19.239 --> 01:28:21.840
<v Speaker 3>going to send this video to and it's published that

1528
01:28:21.960 --> 01:28:24.680
<v Speaker 3>I don't believe haven't read children or whoever, And so

1529
01:28:24.880 --> 01:28:26.399
<v Speaker 3>maybe I'll just tell them to stop at like a

1530
01:28:26.479 --> 01:28:27.920
<v Speaker 3>certain timestand or something.

1531
01:28:28.119 --> 01:28:30.840
<v Speaker 1>Yeah. Yeah, then again, it is entirely fitting with the

1532
01:28:31.720 --> 01:28:34.640
<v Speaker 1>Northern stories to know the ending before it happens, right,

1533
01:28:35.119 --> 01:28:35.880
<v Speaker 1>So it's fate.

1534
01:28:39.359 --> 01:28:41.239
<v Speaker 3>There's alsot of sense to it that where even like

1535
01:28:42.680 --> 01:28:47.640
<v Speaker 3>slight like side side thing here, but like, yes, like

1536
01:28:47.960 --> 01:28:51.279
<v Speaker 3>you know, obviously you want to be surprised and see

1537
01:28:51.399 --> 01:28:54.039
<v Speaker 3>like the plot unfold for the first time, to experience

1538
01:28:54.159 --> 01:28:56.800
<v Speaker 3>that spoiler free. But there's a sense where like our

1539
01:28:56.840 --> 01:29:01.079
<v Speaker 3>culture builds everything. I'm like, you know, gods, it's just

1540
01:29:01.159 --> 01:29:04.039
<v Speaker 3>about like stuff happening in the plot where it's like

1541
01:29:04.880 --> 01:29:06.960
<v Speaker 3>that's why. That's why like people like I don't want

1542
01:29:06.960 --> 01:29:09.039
<v Speaker 3>to get on a soapbox and preach too much here,

1543
01:29:09.079 --> 01:29:11.000
<v Speaker 3>but this is like why like people like just they

1544
01:29:11.079 --> 01:29:13.520
<v Speaker 3>read a bunch of like just different contemporary books like

1545
01:29:13.640 --> 01:29:15.920
<v Speaker 3>one time, and they like don't understand why people would

1546
01:29:16.000 --> 01:29:18.239
<v Speaker 3>reread books, and it's like, no, like what makes a

1547
01:29:18.279 --> 01:29:21.159
<v Speaker 3>great book is the fact that like people for hundreds

1548
01:29:21.279 --> 01:29:23.359
<v Speaker 3>or thousands of years have reread it because it's so

1549
01:29:23.680 --> 01:29:26.000
<v Speaker 3>rich that you can reread it over and over and

1550
01:29:26.079 --> 01:29:28.520
<v Speaker 3>over again like every year of your life maybe even

1551
01:29:28.600 --> 01:29:31.359
<v Speaker 3>and never never comprehend some things and that.

1552
01:29:33.079 --> 01:29:35.600
<v Speaker 1>Yeah, yeah, and that's what Lewis says, I mean, very

1553
01:29:35.680 --> 01:29:38.760
<v Speaker 1>much drawing on his Platonism when he says that a

1554
01:29:38.880 --> 01:29:41.800
<v Speaker 1>good story is not based around becoming but on being

1555
01:29:42.279 --> 01:29:45.119
<v Speaker 1>on like states of being, and that the more that

1556
01:29:45.199 --> 01:29:47.199
<v Speaker 1>you reread good stories, the more you're going to move

1557
01:29:47.279 --> 01:29:50.720
<v Speaker 1>closer and closer to the ideals that are represented within

1558
01:29:50.800 --> 01:29:53.640
<v Speaker 1>the stories, and that is itself the story. This is

1559
01:29:53.680 --> 01:29:55.399
<v Speaker 1>the further up and further in idea we get the

1560
01:29:55.479 --> 01:29:58.760
<v Speaker 1>end of Narnia, that it's you know, we're going into

1561
01:29:58.880 --> 01:30:04.960
<v Speaker 1>the real Narnia within Narnia. It's a I think that

1562
01:30:05.159 --> 01:30:07.920
<v Speaker 1>is absolutely true that a good story is one that

1563
01:30:08.000 --> 01:30:10.479
<v Speaker 1>you're going to be compelled to read again and again

1564
01:30:10.520 --> 01:30:12.359
<v Speaker 1>and again, and gets better.

1565
01:30:12.399 --> 01:30:15.279
<v Speaker 2>The more that you're familiar with it, right, Yeah, because

1566
01:30:15.279 --> 01:30:17.399
<v Speaker 2>you start to look forward to those beats and those

1567
01:30:17.560 --> 01:30:20.640
<v Speaker 2>moments where it's like, you know, yeah, it's not like

1568
01:30:20.840 --> 01:30:24.039
<v Speaker 2>experiencing the first the first time, but it's almost kind

1569
01:30:24.079 --> 01:30:27.600
<v Speaker 2>of better in a way when you know it's coming.

1570
01:30:27.720 --> 01:30:31.680
<v Speaker 2>It's very strange, but it's something I've definitely experienced as

1571
01:30:31.760 --> 01:30:34.239
<v Speaker 2>I reread my favorite texts, you know, where it's like

1572
01:30:35.000 --> 01:30:38.720
<v Speaker 2>you almost start to live in the text in a way.

1573
01:30:38.880 --> 01:30:43.279
<v Speaker 2>It's it's very and experience it as a as almost

1574
01:30:43.479 --> 01:30:47.399
<v Speaker 2>like a participant and not a spectator. It's very strange experience.

1575
01:30:47.520 --> 01:30:50.000
<v Speaker 2>Like I don't think I'm explaining it well, but yeah,

1576
01:30:50.079 --> 01:30:51.199
<v Speaker 2>it's very strange.

1577
01:30:51.800 --> 01:30:54.520
<v Speaker 1>Yeah, it's the idea of like enchantment or entering the

1578
01:30:54.560 --> 01:30:59.840
<v Speaker 1>perilous realm. It's like it it becomes or it awakens

1579
01:30:59.840 --> 01:31:02.640
<v Speaker 1>some thing inside of you. The more connected you are

1580
01:31:02.760 --> 01:31:06.800
<v Speaker 1>to it, and so that that discovery is it's part

1581
01:31:06.920 --> 01:31:10.159
<v Speaker 1>of the experience, and it only grows the more that

1582
01:31:10.279 --> 01:31:14.640
<v Speaker 1>you grow with the text, you know, as land seems

1583
01:31:14.720 --> 01:31:23.199
<v Speaker 1>larger as you grow larger. Weep. So now last text

1584
01:31:23.279 --> 01:31:27.199
<v Speaker 1>for this section, short old text, the poem of Gudrun.

1585
01:31:29.000 --> 01:31:33.520
<v Speaker 1>Who see who is Gudrun again? Okay, that was the

1586
01:31:33.720 --> 01:31:43.479
<v Speaker 1>wife of zigurd H. And so Gunnar is the if

1587
01:31:43.479 --> 01:31:48.479
<v Speaker 1>I'm recalling correctly, Gunar is the brother of Gudrun. Uh

1588
01:31:48.600 --> 01:31:52.319
<v Speaker 1>and Gunnar is the one who actually killed Ziggurd I believe,

1589
01:31:54.479 --> 01:31:59.479
<v Speaker 1>And so Gudrun now is she is lamenting. Well, actually,

1590
01:31:59.479 --> 01:32:02.199
<v Speaker 1>at first she can't really lament, like she she isn't

1591
01:32:02.319 --> 01:32:06.640
<v Speaker 1>responding really at all, until finally somebody has the wisdom

1592
01:32:06.760 --> 01:32:09.279
<v Speaker 1>to basically show her the body of Ziggurd, to unveil

1593
01:32:09.319 --> 01:32:11.640
<v Speaker 1>the body of Ziggurd, and that allows her to connect

1594
01:32:11.640 --> 01:32:13.800
<v Speaker 1>to the reality of what took place, So now she's

1595
01:32:13.840 --> 01:32:16.520
<v Speaker 1>able to actually lament. And then also she starts to

1596
01:32:17.399 --> 01:32:20.840
<v Speaker 1>pronounce doom on Gunnar for what he's done, and he says,

1597
01:32:20.920 --> 01:32:22.520
<v Speaker 1>you know you won't get the good of the gold.

1598
01:32:23.039 --> 01:32:24.840
<v Speaker 1>The rings will be the death of you for you

1599
01:32:24.960 --> 01:32:27.840
<v Speaker 1>swore oath to Ziggurd. So she accuses him of being

1600
01:32:27.840 --> 01:32:30.760
<v Speaker 1>an oathbreaker and says that we see this gold is

1601
01:32:30.800 --> 01:32:32.479
<v Speaker 1>going to be your doom, even as we're told that

1602
01:32:32.520 --> 01:32:34.359
<v Speaker 1>the gold is going to be the doom of Giggurd himself.

1603
01:32:34.680 --> 01:32:41.439
<v Speaker 1>So there's this idea of history repeating itself. We definitely

1604
01:32:41.520 --> 01:32:44.760
<v Speaker 1>see some precedents for tolkien tendency to have a lot

1605
01:32:44.840 --> 01:32:47.760
<v Speaker 1>of very similarly sounding names.

1606
01:32:49.319 --> 01:32:54.079
<v Speaker 2>Oh yes, yeah. On the Secrets of Middle Earth podcasts,

1607
01:32:54.119 --> 01:32:56.159
<v Speaker 2>we joke about that all the time, where it's either

1608
01:32:56.399 --> 01:32:59.760
<v Speaker 2>everybody's name starts with F or everybody's name starts.

1609
01:32:59.479 --> 01:33:00.439
<v Speaker 3>With c and.

1610
01:33:02.279 --> 01:33:03.359
<v Speaker 1>So brilliant. Yeah.

1611
01:33:06.680 --> 01:33:11.880
<v Speaker 2>Oh, I like it stands at nineteen where Gudrun's referring

1612
01:33:11.920 --> 01:33:15.760
<v Speaker 2>to herself. I believe she says, I am as little

1613
01:33:15.920 --> 01:33:19.560
<v Speaker 2>as a leaf among the bay willows now the prince

1614
01:33:19.680 --> 01:33:24.000
<v Speaker 2>is dead. I thought that was very beautiful. Mh.

1615
01:33:25.039 --> 01:33:25.399
<v Speaker 1>You know, she.

1616
01:33:26.960 --> 01:33:30.800
<v Speaker 2>Feels like almost viscerally feels her littleness in the face

1617
01:33:31.000 --> 01:33:33.359
<v Speaker 2>of the death of her husband.

1618
01:33:33.880 --> 01:33:36.119
<v Speaker 1>Yeah, and then contrasting that with the big beginning of

1619
01:33:36.159 --> 01:33:38.680
<v Speaker 1>that stand though, where it says, you know, I seemed

1620
01:33:38.800 --> 01:33:41.319
<v Speaker 1>also among the Prince's warriors to be higher than any

1621
01:33:41.359 --> 01:33:43.760
<v Speaker 1>of Odin's ladies. So she says, like when I was

1622
01:33:43.840 --> 01:33:46.359
<v Speaker 1>with you, I was like better than the valkyries, and

1623
01:33:46.479 --> 01:33:55.720
<v Speaker 1>now I'm less than nothing. Yeah, this whole section, I mean,

1624
01:33:55.800 --> 01:33:58.199
<v Speaker 1>it's I don't have a lot to like comment on

1625
01:33:58.560 --> 01:34:02.000
<v Speaker 1>other than just to just to like such a visceral,

1626
01:34:02.840 --> 01:34:07.399
<v Speaker 1>impassioned lament. It's just kind of beautiful and heartbreaking.

1627
01:34:12.640 --> 01:34:16.159
<v Speaker 2>Yeah, and just very complex, you know, like psychologically complex too,

1628
01:34:16.319 --> 01:34:19.159
<v Speaker 2>as you mentioned. You know, she almost can't even grieve

1629
01:34:19.439 --> 01:34:22.479
<v Speaker 2>in the beginning, because like it's, like you said, someone

1630
01:34:23.159 --> 01:34:26.399
<v Speaker 2>has the wisdom to show her the body, you know,

1631
01:34:26.520 --> 01:34:31.199
<v Speaker 2>which almost unleashes that kind of torrent of you know,

1632
01:34:31.760 --> 01:34:34.840
<v Speaker 2>she's finally able to almost process in a way.

1633
01:34:35.800 --> 01:34:43.279
<v Speaker 3>Right, Right, that's almost like that like that at first

1634
01:34:43.399 --> 01:34:46.439
<v Speaker 3>like stage of denial and then like the seeing of

1635
01:34:46.520 --> 01:34:52.560
<v Speaker 3>the body almost you know, invokes you know, the sensory

1636
01:34:52.680 --> 01:34:56.159
<v Speaker 3>in a sense where like she can't deny, she can't

1637
01:34:56.199 --> 01:34:58.960
<v Speaker 3>deny like what she actually sees and witnesses, and that

1638
01:34:59.520 --> 01:35:03.520
<v Speaker 3>like that that image of death is what actually brings

1639
01:35:03.560 --> 01:35:07.760
<v Speaker 3>about and provokes the uh, it finally provokes the lamentations

1640
01:35:07.840 --> 01:35:11.279
<v Speaker 3>in a sense, right.

1641
01:35:11.880 --> 01:35:15.399
<v Speaker 1>I mean the right kind of lamentation is itself grounding.

1642
01:35:16.000 --> 01:35:18.720
<v Speaker 1>It connects you to the reality of what you're experiencing.

1643
01:35:18.840 --> 01:35:20.680
<v Speaker 1>And so you know, she she had to come to

1644
01:35:20.800 --> 01:35:23.720
<v Speaker 1>terms with this reality in order to properly connect yourself

1645
01:35:23.720 --> 01:35:25.960
<v Speaker 1>with the world, because you know, it is so easy

1646
01:35:26.039 --> 01:35:29.000
<v Speaker 1>to do in the midst of sorrow. She's kind of disengage,

1647
01:35:29.039 --> 01:35:31.680
<v Speaker 1>which you know, as you said, is something like denial.

1648
01:35:31.800 --> 01:35:35.119
<v Speaker 1>It's it's an escape without hope of recovery.

1649
01:35:38.000 --> 01:35:41.720
<v Speaker 2>Right, And it's like that that recognition that like no

1650
01:35:42.239 --> 01:35:46.399
<v Speaker 2>death is wrong. This shouldn't be like the world is

1651
01:35:46.520 --> 01:35:51.520
<v Speaker 2>broken somehow, you know, like this shouldn't happen. And yet

1652
01:35:52.159 --> 01:35:55.800
<v Speaker 2>you know, like it it does, you know, whereas nowadays

1653
01:35:55.880 --> 01:35:59.039
<v Speaker 2>our culture just flees from that idea of having to

1654
01:35:59.119 --> 01:36:02.239
<v Speaker 2>deal with it. You know, if we can ignore it

1655
01:36:02.359 --> 01:36:04.079
<v Speaker 2>and we don't have to deal with it, we don't

1656
01:36:04.159 --> 01:36:05.880
<v Speaker 2>have to see it, we don't have to grapple with

1657
01:36:06.000 --> 01:36:10.640
<v Speaker 2>the reality that a death is real, and b we

1658
01:36:10.800 --> 01:36:12.920
<v Speaker 2>almost know it shouldn't be like this.

1659
01:36:13.720 --> 01:36:22.000
<v Speaker 1>You know, yeah, absolutely, you know I'm content with that

1660
01:36:22.239 --> 01:36:25.479
<v Speaker 1>being the ending words, unless Josh or Thomas, do you

1661
01:36:25.520 --> 01:36:27.680
<v Speaker 1>have anything else that you want to feel compel ad

1662
01:36:27.720 --> 01:36:29.239
<v Speaker 1>And we've been going on for a little while now,

1663
01:36:32.920 --> 01:36:36.840
<v Speaker 1>all right, Well, I enjoyed this chat, you know, after

1664
01:36:36.880 --> 01:36:38.600
<v Speaker 1>taking a month off, it's good to get back into it.

1665
01:36:39.640 --> 01:36:42.319
<v Speaker 1>You know, we'll see what next month looks like with

1666
01:36:43.680 --> 01:36:46.399
<v Speaker 1>you know, we're with our next one coming soon. I

1667
01:36:46.439 --> 01:36:48.479
<v Speaker 1>know Josh is coming soon as well, and so we'll

1668
01:36:48.479 --> 01:36:50.640
<v Speaker 1>see where things look. But hopefully we'll be able to

1669
01:36:50.640 --> 01:36:53.159
<v Speaker 1>get another one out next month with whoever's able to attend.

1670
01:36:53.840 --> 01:36:56.479
<v Speaker 1>But for now, appreciate guys stuff and buy and we'll

1671
01:36:56.560 --> 01:37:05.279
<v Speaker 1>do it again next time. All right. Well, that's it

1672
01:37:05.359 --> 01:37:07.760
<v Speaker 1>for now, and so thank you for listening, and remember

1673
01:37:07.800 --> 01:37:09.680
<v Speaker 1>to go to patreon dot com slash Mythic Mind to

1674
01:37:09.800 --> 01:37:12.680
<v Speaker 1>join the fellowship. And I should say that my wife

1675
01:37:12.680 --> 01:37:15.039
<v Speaker 1>and I are expecting our next kid really any day now,

1676
01:37:15.199 --> 01:37:17.800
<v Speaker 1>and so I'm trying to build up a little bit

1677
01:37:17.840 --> 01:37:22.079
<v Speaker 1>of content to sort of spread that across the coming weeks. However,

1678
01:37:22.279 --> 01:37:24.039
<v Speaker 1>if there is a little bit of a break, no,

1679
01:37:24.279 --> 01:37:27.000
<v Speaker 1>that's probably why. All right, Well, that's it for now

1680
01:37:27.119 --> 01:37:57.720
<v Speaker 1>and until next time, God speed. When you go to

1681
01:37:57.800 --> 01:38:01.159
<v Speaker 1>the roots of the word philosophy and the love of wisdom,

1682
01:38:01.439 --> 01:38:04.279
<v Speaker 1>which unfortunately is not what you find at the roots

1683
01:38:04.399 --> 01:38:07.720
<v Speaker 1>of all who call themselves philosophers. Now, how do we

1684
01:38:07.840 --> 01:38:10.640
<v Speaker 1>get here? What are the ideas that shape our world?

1685
01:38:10.880 --> 01:38:13.199
<v Speaker 1>And what can the old world tell us in response

1686
01:38:13.319 --> 01:38:15.960
<v Speaker 1>to the perennial questions of what it means to be human?

1687
01:38:16.319 --> 01:38:19.319
<v Speaker 1>What is our purpose? And what, if anything, ought we

1688
01:38:19.439 --> 01:38:22.640
<v Speaker 1>aspire to? In a brief history of ideas, we will

1689
01:38:22.760 --> 01:38:25.479
<v Speaker 1>navigate major epics of thought and survey some of the

1690
01:38:25.560 --> 01:38:33.479
<v Speaker 1>most important figures in the Western canon, including Plato, Aristotle, Boethius, Augustine, Anselm, Aquinas, Descartes, Nietzsche,

1691
01:38:33.600 --> 01:38:37.000
<v Speaker 1>Sart and Carecguard And of course we will consider even

1692
01:38:37.199 --> 01:38:39.600
<v Speaker 1>more names. But these are the thinkers that will supply

1693
01:38:39.760 --> 01:38:43.319
<v Speaker 1>our primary readings each week. Will include primary sources that

1694
01:38:43.399 --> 01:38:46.439
<v Speaker 1>will be provided as PDFs. Although these are all texts

1695
01:38:46.479 --> 01:38:49.079
<v Speaker 1>that do belong in your personal library. You will be

1696
01:38:49.199 --> 01:38:52.479
<v Speaker 1>recommended some secondary texts. You'll be provided with some recorded

1697
01:38:52.479 --> 01:38:55.880
<v Speaker 1>presentations for you to watch at your leisure, ongoing discord chats,

1698
01:38:56.119 --> 01:38:59.119
<v Speaker 1>and weekly life meetings to discuss their readings. I've been

1699
01:38:59.159 --> 01:39:01.800
<v Speaker 1>teaching philosophy for many years, and I can say with

1700
01:39:02.039 --> 01:39:04.680
<v Speaker 1>confidence that you will leave this six week course with

1701
01:39:04.760 --> 01:39:07.760
<v Speaker 1>a better understanding of the foundation to Western thought than

1702
01:39:07.840 --> 01:39:11.680
<v Speaker 1>most contemporary philosophy majors enrolled today. By going to patreon

1703
01:39:11.720 --> 01:39:14.279
<v Speaker 1>dot com slash Mythic Mind and checking out the shop,

1704
01:39:14.680 --> 01:39:17.720
<v Speaker 1>or you can gain access to all courses past present

1705
01:39:18.039 --> 01:39:20.640
<v Speaker 1>in any course that begins during the term of your

1706
01:39:20.680 --> 01:39:25.079
<v Speaker 1>subscription by purchasing a Tier three annual subscription. So again,

1707
01:39:25.159 --> 01:39:28.039
<v Speaker 1>purchase a Tier three annual subscription, and I will give

1708
01:39:28.039 --> 01:39:29.800
<v Speaker 1>you a special code that gives you access to all

1709
01:39:29.920 --> 01:39:32.920
<v Speaker 1>courses that either have taken place or do start in

1710
01:39:33.159 --> 01:39:36.079
<v Speaker 1>this term. And I sincerely hope to see you there.
