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<v Speaker 1>Author's Playhouse, Candy, my dear, you look beautiful. How are

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<v Speaker 1>you well?

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<v Speaker 2>I'm fine, mister DEMI just dying slowly, nothing serious.

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<v Speaker 1>It's most becoming. Missus Stewart, thank you, mister. Things seem

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<v Speaker 1>to have blown up in our faces, haven't they. My

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<v Speaker 1>best girl and your husband have eloped. A rare woman

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<v Speaker 1>or homemaker.

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<v Speaker 3>Candy wanted to help decide Pam Peter's faith, but fate

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<v Speaker 3>has a maddening habit of plotting its own course. Author's

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<v Speaker 3>Playhouse presents Elizabeth Dunn's mirthful story woman's work.

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<v Speaker 2>That's the very last bandage I'm folding this day. The

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<v Speaker 2>Red Cross would be rehabilitating me if I do anymore, Candy,

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<v Speaker 2>if you finish, come out in the hall with me

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<v Speaker 2>for a minute. I've got something to tell you. All right,

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<v Speaker 2>I'm coming. I hope you look all over dinner, that's

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<v Speaker 2>put it mildly, Sit down and lend an ear. Baby.

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<v Speaker 2>I have sinned, hope, darling. I have exactly twenty minutes

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<v Speaker 2>before I have to go home and feed little David

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<v Speaker 2>his supper. If you have anything sordid to say, you'd

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<v Speaker 2>better hurry you when you're David, how old is he

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<v Speaker 2>now six months. Why doesn't he feed himself? You're ruining

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<v Speaker 2>that child. Oh, we're giving him a terribly sheltered life.

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<v Speaker 2>Go on, what have you done? I have no idea,

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<v Speaker 2>but I must have sinned because I'm visited by Pan

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<v Speaker 2>next week. Makes sense. I am Pandora Pan Peters, the

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<v Speaker 2>dear friend of my girlhood, whose talented neck I would

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<v Speaker 2>gladly ring. She's coming here for a month, she and

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<v Speaker 2>her horrid little airplane. Why I didn't even know you

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<v Speaker 2>knew Pan Peters. You mean the war correspondence, the one

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<v Speaker 2>who wrote the Pegasus as a lady.

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<v Speaker 4>He's been to.

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<v Speaker 2>Tehrann and Russia and goodness knows where, and now she's

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<v Speaker 2>coming here to get over it. She must be perfectly fascinating.

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<v Speaker 2>She's fascinating, all right. Even Lobby, my very own husband,

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<v Speaker 2>is slightly in love with her. But it's my brother

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<v Speaker 2>George who's causing the trouble. My brother George has been

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<v Speaker 2>in love with Pan Peters ever since I brought her

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<v Speaker 2>home from Miss March's for spring vacation in nineteen thirty.

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<v Speaker 2>Why does he marry her? Because she won't. She's had

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<v Speaker 2>millions of bows, but she won't get married. You see,

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<v Speaker 2>she doesn't want to make a home, at least she

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<v Speaker 2>doesn't want to make one. And brother George is as

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<v Speaker 2>domestic as the bedrooms, slipper, Your brother George is a

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<v Speaker 2>domestic I know, I know, a glamour boy of journalism,

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<v Speaker 2>owner and publisher of Meridian, that unique newspaper is modern

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<v Speaker 2>as tomorrow, the boy with a byeline. But he is domestic.

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<v Speaker 2>Probably is a reaction from growing up with me. He

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<v Speaker 2>wants his little wife to stay home picking oakum and

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<v Speaker 2>dipping her own candles, and Miss Peters won't. Well, doesn't

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<v Speaker 2>that settle Let's settle it when Pan gets here. Georgill

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<v Speaker 2>come out every weekend and mope around like a disillusioned

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<v Speaker 2>setter till about Sunday noon, when he and Pan will

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<v Speaker 2>have a fight that'll make the clock strike out of

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<v Speaker 2>sheer nervousness, and then he'll flounce off in rage and

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<v Speaker 2>come back the next weekend for an encore. I don't

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<v Speaker 2>see why George should have everything his way, But George

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<v Speaker 2>is well, I mean, he's George, and you're going to

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<v Speaker 2>put a stop to this nonsense. Me. Listen, George has

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<v Speaker 2>almost got to the place where he'll take pen on

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<v Speaker 2>any terms, even her own, and that mustn't happen. I'm

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<v Speaker 2>very fond of Pan, but my adore George, and Pan

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<v Speaker 2>would break his heart and ruin his life and make

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<v Speaker 2>a hash of his career. Now, you and Bill make

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<v Speaker 2>domesticity look positively attractive. I mean you sort of enjoy

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<v Speaker 2>your house and your baby and everything. Well, I certainly do. Well,

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<v Speaker 2>that's what I mean. And you do it so well, Candy.

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<v Speaker 2>I want George to see it. I want to show

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<v Speaker 2>him what a happy married life is like, what a

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<v Speaker 2>real wife is well of all the ridiculous. Well, I

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<v Speaker 2>suppose I'm to whip up a little five course dinner

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<v Speaker 2>and a tull evening dress and a straw hat with ribbons,

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<v Speaker 2>meanwhile singing the bell song from Lockby and giving the

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<v Speaker 2>cradle a brisk kick and pass. You get things so quickly, dear,

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<v Speaker 2>And shall I tell George that I make all of

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<v Speaker 2>my husband's clothes out of skins?

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<v Speaker 1>Listen?

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<v Speaker 2>Are you going to help me? Or are you not?

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<v Speaker 2>I'll help not that it will do the slightest good though,

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<v Speaker 2>why not? Well, I mean, things just don't happen that way.

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<v Speaker 2>For instance, I only got domestic after I got married,

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<v Speaker 2>and I've noticed that most men don't seem to like

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<v Speaker 2>girls who were just terribly domestic before they get married. Oh,

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<v Speaker 2>never mind, never mind. Will you bring miss Peters and

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<v Speaker 2>your brother George to lunch next sunner? I will, and

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<v Speaker 2>you'd better make it good.

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<v Speaker 5>See.

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<v Speaker 2>Oh gosh, what's the matter, darling, Phil, I've made a

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<v Speaker 2>terrible discovery. I can't add all good.

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<v Speaker 1>Heavens. I thought you're heaving incurable disease or something.

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<v Speaker 5>Phil.

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<v Speaker 2>Isn't the bank ever wrong?

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<v Speaker 1>Never work? And banks run by machinery you can't win?

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<v Speaker 5>Is not enough?

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<v Speaker 2>Not what money?

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<v Speaker 1>Wait? Two weeks ago we had what I should have

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<v Speaker 1>described as route funny. What's happened to him?

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<v Speaker 2>I haven't spent a cent of it. Honestly, Bill, the

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<v Speaker 2>bag cakes that are something.

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<v Speaker 1>You've made a mistake, you'll find it. Good luck, Honey.

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<v Speaker 1>I'm going back to my newspaper.

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<v Speaker 2>Listen, Bill. In this house, we run things as a partnership,

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<v Speaker 2>don't we. You do certain things. I do certain things.

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<v Speaker 2>I paint furniture, talk on the telephone, answer all letters

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<v Speaker 2>from your family, and plant flower seeds right right? And

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<v Speaker 2>you fix the fire, take care of the car, and

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<v Speaker 2>get anything I happen to want after I've turned out

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<v Speaker 2>the light and open the window. Right from now on,

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<v Speaker 2>you all should do the bills.

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<v Speaker 1>I think so.

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<v Speaker 2>There are certain things that are not women's work, and

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<v Speaker 2>this is one of them. I'll do anything else you want, Bill,

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<v Speaker 2>I'll weave and churn and vote intelligently like you, but

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<v Speaker 2>I will not. I will not do the check anymore.

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<v Speaker 1>Get away, I'll do it. You can get out on

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<v Speaker 1>the roof. And men that shingled the blew off last January.

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<v Speaker 2>Some women could even do that. Some women can. All

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<v Speaker 2>that reminds me, Darling, Who do you think is coming

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<v Speaker 2>to visit the Morgan.

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<v Speaker 1>I was twenty three antaclause Stark Monty Woollie who, let's.

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<v Speaker 2>Not guess Pandora Peters? Oh really, but aren't you excited?

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<v Speaker 1>Sure, Harry too.

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<v Speaker 2>The Morgans. They're bringing her here for lunch on Sunday.

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<v Speaker 1>Really, it'll be fun to see.

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<v Speaker 2>Fan again again. Do you know her?

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<v Speaker 1>Certainly? I know I've known her for years.

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<v Speaker 2>You never told me, You've never asked me. Do you

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<v Speaker 2>know Winston Churchill? No generalize in her? Mary Martin, No, Well,

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<v Speaker 2>don't say I never ask you. When did you meet

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<v Speaker 2>pan Peters?

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<v Speaker 1>Five or six years ago.

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<v Speaker 2>Oh before you knew me? Yep, attractive? Very did you

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<v Speaker 2>did you see much of her?

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<v Speaker 1>Listen? I find that I can't add either.

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<v Speaker 2>But did you do?

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<v Speaker 1>You mean? Did I fall for No? I did not.

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<v Speaker 1>I saw something of her, and so they did about

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<v Speaker 1>forty other men.

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<v Speaker 2>You know Hope's brother, George Demis in twenty twenty.

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<v Speaker 1>Everybody knows George Demi.

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<v Speaker 2>He wants to marry her.

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<v Speaker 1>Fine, congratulations George. Hope You'll be very happy.

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<v Speaker 2>But Hope doesn't want him too. She thinks he'd be

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<v Speaker 2>very unhappy because you see Bill, he's very domestic, and

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<v Speaker 2>Hope says, Pat isn't a big home loving In fact,

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<v Speaker 2>you a woman.

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<v Speaker 1>All this prattle about people, my mind is going go away.

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<v Speaker 1>Let me add in peace?

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<v Speaker 2>Is that you Bill?

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<v Speaker 6>There's left of me?

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<v Speaker 1>Yeah?

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<v Speaker 2>Did you get the garden furniture washed? They'll all be

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<v Speaker 2>here in just a few minutes. I want everything to

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<v Speaker 2>look absolutely lush.

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<v Speaker 1>Do you want me to do now? Build a wing

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<v Speaker 1>on the house. It's just time before lunch.

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<v Speaker 2>I never saw anyone so feeble. Why I do three

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<v Speaker 2>times as much in one day.

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<v Speaker 1>Women have more endurance, It's been proved. Uh, what's for lunch.

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<v Speaker 2>Ham ham my good yokl We're having avocado pears and

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<v Speaker 2>chicken ala bonfab that sin, corn bread and strawberries for dessert.

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<v Speaker 2>Oh it's going to be heavenly, just like one of

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<v Speaker 2>those French picnics that Renoi painted. I don't get dressed, dowling,

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<v Speaker 2>it's late.

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<v Speaker 1>How do I wear voating costume?

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<v Speaker 2>Doling? Before you go? Just help me into this, will you?

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<v Speaker 2>What is it?

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<v Speaker 1>Sleptover?

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<v Speaker 2>It's an apron. It seems sort of appropriate, you know,

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<v Speaker 2>Ad asked. He sent it to me for Christmas. And

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<v Speaker 2>I don't know exactly how to get into it. But

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<v Speaker 2>it's set on the cord for a busy little bride,

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<v Speaker 2>so it must be very practical.

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<v Speaker 1>Any little bride that gets in and out of this

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<v Speaker 1>is bond to be busy turning around. See would it

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<v Speaker 1>be simpler if I just tied your handed foot in,

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<v Speaker 1>locked in a steel box and lowers in the East River.

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<v Speaker 1>If I get you into this, you'll never get out again.

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<v Speaker 1>And I can't see why you suddenly want to wear

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<v Speaker 1>an apron to lunch anyway?

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<v Speaker 2>Oh yeah, I hear a car coming.

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<v Speaker 1>Okay, that's the best I can do with a darn thing.

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<v Speaker 2>I'll go down now. Please get dressed fast. Hi, everyone,

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<v Speaker 2>come on over here. We're a shady it's a little candy, dear. Oh,

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<v Speaker 2>I rushed a head while they're still pushing each other

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<v Speaker 2>out of the car. Oh, your garden and the lunch

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<v Speaker 2>table there under the trees looks simply divine. Oh, the

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<v Speaker 2>whole setup is perfect, Darling, good grief. Hope is that

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<v Speaker 2>beautiful creature? Pan Peters? Yes, did you ever see anything

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<v Speaker 2>like her? Flax were invented for a figure like that,

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<v Speaker 2>and can't she wear them? Gad Hope, I feel as

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<v Speaker 2>bunch and over stuffed as a feather bed. Don't be silly,

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<v Speaker 2>you look sweet? Oh, here they come a common be

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<v Speaker 2>introduced everyone to right. This is my precious brother George.

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<v Speaker 2>How do you do, Missus Stewart, you are eyes Hello.

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<v Speaker 2>He's the nicest male alive except for my very own

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<v Speaker 2>dear husband, who I see sneaking off from the direction

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<v Speaker 2>of your lunch table on Candy. This is Pandora Peters.

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<v Speaker 6>So kind of you to let me come to missus

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<v Speaker 6>Stuart when the.

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<v Speaker 2>House guest of hopes is something rather of my Missus Peters.

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<v Speaker 2>I read your book, Pegasus. I loved it.

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<v Speaker 1>Why, thank you?

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<v Speaker 2>That's nice as you. Oh here's Bill.

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<v Speaker 1>Hi, everybody, it's Peter's I presume why Bill Stewart.

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<v Speaker 2>I don't believe it?

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<v Speaker 6>How absolutely wonderful I.

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<v Speaker 2>Bill, open the ginger ale when you please.

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<v Speaker 1>What a delightful spot this is, missus Stewart. Look at us.

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<v Speaker 1>We look just like one of Renois's picnics in modern dress,

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<v Speaker 1>except you. You're right off the canvas.

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<v Speaker 2>You have a poetic soul. Mister Deming, do come and

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<v Speaker 2>have some lunch. We all got into candy only has

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<v Speaker 2>an eight three times a week. I simply couldn't do it.

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<v Speaker 2>I can't boil an egg.

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<v Speaker 1>This chicken thing is wonderful. I'd love to cook. How

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<v Speaker 1>do you make it? Will you tell?

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<v Speaker 2>Of course, I'll tell you. Begin with six little white onions.

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<v Speaker 2>And when that fried Brad I sposed to get the

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<v Speaker 2>press miles away from the palace, but one of the guards, well,

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<v Speaker 2>he told me to be at the west gates eleven.

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<v Speaker 2>So I'm left holding six wid onions while everybody else

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<v Speaker 2>gets smuggled into a palace. Squere I was finally face

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<v Speaker 2>to face with the print, and what could he do

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<v Speaker 2>with so he laughed and said in Prince because he

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<v Speaker 2>didn't well in English. Well, I don't know how you

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<v Speaker 2>got here, young woman, but here you are. So what

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<v Speaker 2>do you want to know?

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<v Speaker 1>Because I asked him right off when it was.

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<v Speaker 2>George, don't you want to hear how to make this

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<v Speaker 2>chicken thing?

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<v Speaker 1>He really does the end of pan story. First, Oh,

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<v Speaker 1>there really isn't anything more to my sister. Hope, whom

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<v Speaker 1>I love very dearly, is a half with Although I

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<v Speaker 1>do want to know how to make this chicken thing.

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<v Speaker 2>Sometimes I hate tag.

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<v Speaker 1>Come and look at my tam power. It's getting to

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<v Speaker 1>look perfectly delicious. That darted choked, isn't it.

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<v Speaker 2>I say it's spin its Chinese version. I'm sure I

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<v Speaker 2>had it once when we.

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<v Speaker 1>Were dining with the youngs.

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<v Speaker 2>It's funny. Stop.

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<v Speaker 1>Well, come on, feast your rights on the American version. Oh,

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<v Speaker 1>I'd forgotten that places like this still exist, Missus Stewarts.

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<v Speaker 2>Oh, George call her Candy may I.

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<v Speaker 1>I'd even forgotten that there were girls like you in

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<v Speaker 1>the world, simple and uncomplicated. Your husband's very lucky.

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<v Speaker 2>I often worst like myself. I beg your pardon, George,

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<v Speaker 2>why don't you go and look at the tampella.

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<v Speaker 1>Huh oh, I get it, and I go.

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<v Speaker 2>Hope. This is a lot of nonsense. It's not proving

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<v Speaker 2>a thing, Darling. Don't stop now, it's just beginning to

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<v Speaker 2>take effect. Can't just see how George is basking. It's

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<v Speaker 2>exactly the kind of life he wants for himself. I

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<v Speaker 2>don't believe it. George wants things to happen. He doesn't

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<v Speaker 2>want his women simple and uncomplicated, not for a minute.

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<v Speaker 2>Sooner or later, George is bound to realize that pan

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<v Speaker 2>sort of life is nervous and high strung, and geared

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<v Speaker 2>to such speed that it has no time for the

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<v Speaker 2>simple essentials. When did you make up that speech? It's

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<v Speaker 2>just something I jotted down on the back of an

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<v Speaker 2>old envelope. No, but honestly, Candy, it's true. Please don't

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<v Speaker 2>let me down. It's the silliest plan I ever heard of,

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<v Speaker 2>and I don't know why I ever let myself to it.

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<v Speaker 2>But since I've started, I'll finish. Only I warn you

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<v Speaker 2>if anything happened, don't be ridiculous. What can happen? Bill?

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<v Speaker 2>What in the world are you looking for in your

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<v Speaker 2>barrel drawers? This hour of the night snapshot?

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<v Speaker 1>I've got some somewhere the picnic.

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<v Speaker 2>We went on, which of our picnics do you mean?

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<v Speaker 5>Oh?

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<v Speaker 1>I mean the one pan and I went on, I

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<v Speaker 1>thought you'd be.

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<v Speaker 2>Amused by Pandora is a funny sort of name, isn't it?

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<v Speaker 1>Romantic?

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<v Speaker 2>Mother?

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<v Speaker 5>I suppose, But don't you.

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<v Speaker 2>Think it's odd to name a child after the girl?

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<v Speaker 2>Open the box and let all the trouble into the world.

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<v Speaker 1>And she's got a head on her shoulders penhad. She's

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<v Speaker 1>writing an article for George's paper on airplanes after the war.

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<v Speaker 1>She asked me to help her. Seems to think I can.

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<v Speaker 2>That's lovely.

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<v Speaker 1>Well, why not? Aeroplanes are my business? For crying out? Lock,

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<v Speaker 1>don I work for an airline.

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<v Speaker 2>Yes, dear, I wonder why she doesn't marry George.

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00:15:28.120 --> 00:15:28.799
<v Speaker 1>Why should she?

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00:15:29.519 --> 00:15:31.919
<v Speaker 2>Well, Hope says she's been in love with her for years.

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<v Speaker 1>The only way of being in love. I was trying

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00:15:35.000 --> 00:15:37.879
<v Speaker 1>to reform a girl. What's the matter with her? The

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00:15:37.919 --> 00:15:43.759
<v Speaker 1>way she is? Everybody else likes him? Oh I suppose, so, Oh, George,

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<v Speaker 1>George makes me tired? Great DEMI good night.

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<v Speaker 4>Good night? Hello, Hello Candy?

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00:16:16.080 --> 00:16:20.440
<v Speaker 2>Oh, oh, hello, Hope, Sorry I bellowed. So this has

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<v Speaker 2>been the blackest day of my life, and I'm ready

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<v Speaker 2>to tear my hair out.

296
00:16:23.919 --> 00:16:25.679
<v Speaker 4>I know it's the hottest day of the year, but

297
00:16:25.879 --> 00:16:27.480
<v Speaker 4>what else has happened to poison you?

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00:16:27.559 --> 00:16:30.000
<v Speaker 2>So on top of this heat, David picked today to

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00:16:30.039 --> 00:16:32.480
<v Speaker 2>cut his first tooth, and he's howled for six hours

300
00:16:32.480 --> 00:16:35.000
<v Speaker 2>without taking a breath. And I had the most frightful

301
00:16:35.000 --> 00:16:37.480
<v Speaker 2>fight with my laundress. I lost. Of course, I did

302
00:16:37.519 --> 00:16:40.240
<v Speaker 2>the washing myself, and I didn't have time to wash

303
00:16:40.279 --> 00:16:41.679
<v Speaker 2>my hair. And you should see me.

304
00:16:42.120 --> 00:16:45.759
<v Speaker 4>No thanks, old girl, pardon me if I break into

305
00:16:45.799 --> 00:16:48.320
<v Speaker 4>your dirge. But I'm going to have a dinner party

306
00:16:48.320 --> 00:16:50.679
<v Speaker 4>for Pan. She leaves in a week or so, you know,

307
00:16:50.799 --> 00:16:52.320
<v Speaker 4>and I want to be sure that you and Bill

308
00:16:52.360 --> 00:16:54.399
<v Speaker 4>will come. It'll be on Saturday night.

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00:16:55.320 --> 00:16:58.000
<v Speaker 2>Your voice comes to me as from another world, hope.

310
00:16:58.559 --> 00:17:01.200
<v Speaker 2>But maybe by Saturday I can pull myself together and

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00:17:01.240 --> 00:17:03.679
<v Speaker 2>be on hand. Who else is coming?

312
00:17:03.840 --> 00:17:07.039
<v Speaker 4>Bill's boss, mister Dempstone, he's met Pan, and there's her

313
00:17:07.039 --> 00:17:10.920
<v Speaker 4>devoted slave and George. Of course, all.

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<v Speaker 2>Right, count on us, provided I live to Lynn. I'm

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00:17:14.160 --> 00:17:16.519
<v Speaker 2>tired and hot, and it's nearly six and Bill will

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00:17:16.559 --> 00:17:18.240
<v Speaker 2>be home any minutes, shouting for his dinner.

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<v Speaker 4>Very well, I can take a hint. See on Saturday,

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00:17:22.000 --> 00:17:22.960
<v Speaker 4>dinner will be in seven.

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00:17:23.839 --> 00:17:27.640
<v Speaker 6>Well, there's Bill, goodbye, hope, Bill.

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00:17:28.039 --> 00:17:29.119
<v Speaker 5>Yes, it's me Bill.

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00:17:29.200 --> 00:17:31.559
<v Speaker 2>You've got to fix the garbage pail. I'm going mad.

322
00:17:31.960 --> 00:17:33.960
<v Speaker 2>I can't get the top on tight. And every dog

323
00:17:34.000 --> 00:17:35.880
<v Speaker 2>for ten miles around has been here all day, and

324
00:17:35.920 --> 00:17:37.160
<v Speaker 2>besides it isn't sanitary.

325
00:17:37.759 --> 00:17:40.160
<v Speaker 1>Oh hello, Candy, how.

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00:17:40.000 --> 00:17:40.359
<v Speaker 2>Do you do?

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00:17:40.519 --> 00:17:40.720
<v Speaker 4>Pen?

328
00:17:41.880 --> 00:17:43.160
<v Speaker 2>Won't you come in?

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00:17:43.559 --> 00:17:46.839
<v Speaker 1>She is in Uh. I asked her for dinner. I

330
00:17:46.920 --> 00:17:48.200
<v Speaker 1>was sure you'd be able to fix her up a

331
00:17:48.240 --> 00:17:48.920
<v Speaker 1>plate of something.

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00:17:49.200 --> 00:17:56.000
<v Speaker 2>Oh yes, yes, indeed, sit down, Pen. How's everything going fine?

333
00:17:56.119 --> 00:17:59.759
<v Speaker 2>Thank you? Where do you keep your plane laguardire?

334
00:17:59.759 --> 00:18:00.400
<v Speaker 1>You see?

335
00:18:00.920 --> 00:18:03.880
<v Speaker 2>Oh that's right near Bill's office, isn't it? He is

336
00:18:03.960 --> 00:18:08.200
<v Speaker 2>quite near? How is your baby very well? Thank you?

337
00:18:08.680 --> 00:18:13.079
<v Speaker 2>He's getting a tooth? Really? How exciting? Yes, isn't it?

338
00:18:14.279 --> 00:18:16.960
<v Speaker 2>You know this conversation sounds like something out of Swedish

339
00:18:16.960 --> 00:18:20.640
<v Speaker 2>and six Easy Lessons. Doubtless you think my only subjects

340
00:18:20.640 --> 00:18:23.119
<v Speaker 2>of conversation or baby's teeth a little white onion.

341
00:18:23.559 --> 00:18:26.640
<v Speaker 1>Pardon me for mentioning it, But how about some dinner? Honey?

342
00:18:26.720 --> 00:18:26.880
<v Speaker 5>Oh?

343
00:18:27.079 --> 00:18:30.640
<v Speaker 2>Yes, by all means, will you excuse me, Pad, I'll

344
00:18:30.680 --> 00:18:34.480
<v Speaker 2>finish getting things ready, of course, Candy, dear, I do

345
00:18:34.519 --> 00:18:35.960
<v Speaker 2>hope I didn't come at a bad time.

346
00:18:36.079 --> 00:18:39.039
<v Speaker 1>Oh, don't be silly, h Come on, Candy, I'll help

347
00:18:39.039 --> 00:18:45.039
<v Speaker 1>you with the dinner. What came over you, baby, shooting

348
00:18:45.079 --> 00:18:47.200
<v Speaker 1>off like that? It wasn't very polite.

349
00:18:47.400 --> 00:18:48.160
<v Speaker 2>I'm sorry.

350
00:18:48.839 --> 00:18:50.400
<v Speaker 1>I don't know what Pam must think.

351
00:18:50.559 --> 00:18:51.960
<v Speaker 2>Does it matter? Of course?

352
00:18:52.039 --> 00:18:55.119
<v Speaker 1>It matters. You like her, don't you. She likes you,

353
00:18:56.359 --> 00:18:57.680
<v Speaker 1>She said she wish you knew you were better.

354
00:18:58.119 --> 00:19:01.079
<v Speaker 2>She's very clever, clever.

355
00:19:00.839 --> 00:19:04.599
<v Speaker 1>And you're sort of pasthetic too, poor kid. She can

356
00:19:04.640 --> 00:19:06.200
<v Speaker 1>do too many things, that's your trouble.

357
00:19:06.440 --> 00:19:09.599
<v Speaker 2>She certainly can if she just stick to flying her

358
00:19:09.599 --> 00:19:12.799
<v Speaker 2>airplane around the world and driving George Deming crazy. But

359
00:19:12.920 --> 00:19:15.680
<v Speaker 2>I fail to see anything and the least pathetic about her.

360
00:19:15.799 --> 00:19:18.480
<v Speaker 1>Oh it's a matter of angel. David been pretty tough

361
00:19:18.480 --> 00:19:19.039
<v Speaker 1>on you today.

362
00:19:19.480 --> 00:19:22.759
<v Speaker 2>No, nothing's too tough. Call the Duchess.

363
00:19:22.799 --> 00:19:40.519
<v Speaker 1>Supper's ready, Hello, Candy, Welcome to our party, such as

364
00:19:40.559 --> 00:19:42.200
<v Speaker 1>it is. Where's Bill?

365
00:19:42.920 --> 00:19:45.480
<v Speaker 2>Where is he? I thought he'd come straight here, and

366
00:19:45.480 --> 00:19:47.920
<v Speaker 2>he didn't come home to get me. Isn't he here?

367
00:19:48.240 --> 00:19:51.079
<v Speaker 1>No, my pet? Neither is our guest of honor, precious Pandora.

368
00:19:51.319 --> 00:19:52.400
<v Speaker 2>They're both missing.

369
00:19:52.519 --> 00:19:54.519
<v Speaker 1>Now wipe that look of horror off your face and

370
00:19:54.559 --> 00:19:58.200
<v Speaker 1>let's start this conversation over again. Candy, my dear, you

371
00:19:58.240 --> 00:19:59.480
<v Speaker 1>look beautiful. How are you?

372
00:20:00.319 --> 00:20:04.319
<v Speaker 2>Oh? I'm fine. Mister Deming, just dying slowly, nothing serious.

373
00:20:04.400 --> 00:20:05.319
<v Speaker 1>It's most becoming.

374
00:20:05.359 --> 00:20:07.440
<v Speaker 2>Missus Stewart, Thank you, mister Demings.

375
00:20:08.200 --> 00:20:10.759
<v Speaker 1>Things seem to have blown up in our faces, haven't they.

376
00:20:11.839 --> 00:20:14.319
<v Speaker 1>My best girl and your husband have eloped, and of

377
00:20:14.319 --> 00:20:15.880
<v Speaker 1>course on the home front, there's no telling.

378
00:20:15.960 --> 00:20:20.160
<v Speaker 2>What did he tell you all those two black cotted

379
00:20:20.279 --> 00:20:20.559
<v Speaker 2>did he?

380
00:20:20.680 --> 00:20:23.160
<v Speaker 1>Sister dear? Remember the Deming gun pressure jeans?

381
00:20:24.039 --> 00:20:26.319
<v Speaker 2>And when I think what I paid them to have

382
00:20:26.440 --> 00:20:29.039
<v Speaker 2>them walk out on me two hours before dinner and

383
00:20:29.200 --> 00:20:31.799
<v Speaker 2>not a soul available in this whole town on a Saturday.

384
00:20:32.000 --> 00:20:35.039
<v Speaker 2>What are you talking about? My cook and my butler.

385
00:20:35.319 --> 00:20:38.480
<v Speaker 2>I've telephoned every cleaning woman I know, and then to

386
00:20:38.519 --> 00:20:40.599
<v Speaker 2>have pan laid on top of it and keeping bill

387
00:20:40.680 --> 00:20:43.920
<v Speaker 2>with her. I knew I shouldn't give this party something

388
00:20:44.039 --> 00:20:48.200
<v Speaker 2>told are having for dinner squabs and broccoli and vhy

389
00:20:48.359 --> 00:20:51.880
<v Speaker 2>squabs and an nice thing that takes hours. Well, Hilda

390
00:20:51.960 --> 00:20:54.839
<v Speaker 2>must have made that this morning. Then squabs are easy.

391
00:20:54.640 --> 00:20:55.240
<v Speaker 4>Not for me.

392
00:20:55.920 --> 00:20:57.559
<v Speaker 2>The only thing I know about squabs is how to

393
00:20:57.599 --> 00:21:01.000
<v Speaker 2>eat them? There's nothing to do. Would go to ye

394
00:21:01.039 --> 00:21:05.319
<v Speaker 2>oldie englishy tea room and very thoughts sickens me. Don't

395
00:21:05.319 --> 00:21:09.039
<v Speaker 2>be silly. Where's an apron? Oh, Candy darling, you don't

396
00:21:09.079 --> 00:21:11.440
<v Speaker 2>mean oh, I can't let you.

397
00:21:11.480 --> 00:21:13.359
<v Speaker 1>Certainly you can let her. That's the kind of girl

398
00:21:13.400 --> 00:21:15.960
<v Speaker 1>she is, and I will help. I have a very

399
00:21:16.039 --> 00:21:17.319
<v Speaker 1>light hand with burnt toast.

400
00:21:17.559 --> 00:21:20.319
<v Speaker 2>All right, let's go, George, Go cheer up your guests.

401
00:21:20.359 --> 00:21:26.079
<v Speaker 2>Hope the dinner ready to George, where do you suppose

402
00:21:26.160 --> 00:21:27.000
<v Speaker 2>those two are?

403
00:21:27.279 --> 00:21:30.119
<v Speaker 1>How should I know? Anne probably decided to fly to

404
00:21:30.200 --> 00:21:33.400
<v Speaker 1>Mexico and took Bill along. You never can tell about her.

405
00:21:33.640 --> 00:21:36.720
<v Speaker 2>Well, you've always been able to tell about Bill always

406
00:21:36.799 --> 00:21:41.720
<v Speaker 2>up to now. Personally, I think this is all your fault.

407
00:21:42.279 --> 00:21:43.559
<v Speaker 2>Put those rolls in a pieplane.

408
00:21:43.559 --> 00:21:44.960
<v Speaker 1>I want to heat my fault.

409
00:21:45.559 --> 00:21:47.759
<v Speaker 2>If you had any sense you'd married ten years ago

410
00:21:47.759 --> 00:21:48.759
<v Speaker 2>and taken care of her.

411
00:21:48.640 --> 00:21:49.920
<v Speaker 1>Well haven't I been trying to?

412
00:21:50.200 --> 00:21:53.319
<v Speaker 2>And why haven't you succeeded? Because you have some idiotic

413
00:21:53.400 --> 00:21:56.480
<v Speaker 2>notion about the way she ought to be. You want

414
00:21:56.480 --> 00:21:59.359
<v Speaker 2>everything your way, George Demming, And then you can't understand

415
00:21:59.400 --> 00:22:02.519
<v Speaker 2>why girl Pan won't marry you. Here, Put this butter

416
00:22:02.519 --> 00:22:03.200
<v Speaker 2>in the icebox.

417
00:22:03.240 --> 00:22:06.039
<v Speaker 1>Now listen. All I asked is a home, the kind

418
00:22:06.079 --> 00:22:07.359
<v Speaker 1>of home you have yourself?

419
00:22:07.720 --> 00:22:11.240
<v Speaker 2>Why should you make all the conditions anyway? Suppose Pan

420
00:22:11.400 --> 00:22:13.200
<v Speaker 2>said she would marry you unless you were good at

421
00:22:13.200 --> 00:22:16.440
<v Speaker 2>putting up shelves. Why, I bet you can't even hang

422
00:22:16.480 --> 00:22:20.240
<v Speaker 2>a picture? George Denning, I bet I can get those

423
00:22:20.240 --> 00:22:23.559
<v Speaker 2>soup plates, will you? I haven't got a home myself anymore.

424
00:22:23.920 --> 00:22:28.039
<v Speaker 2>The master seems to have departed, departed with Pan, so

425
00:22:28.279 --> 00:22:30.079
<v Speaker 2>poody your beautiful domesticity.

426
00:22:30.200 --> 00:22:32.000
<v Speaker 1>But he'll be back. You're married to him.

427
00:22:32.400 --> 00:22:35.240
<v Speaker 2>What kind of a marriage do you think it is? Funny?

428
00:22:36.680 --> 00:22:36.880
<v Speaker 4>Oh?

429
00:22:38.400 --> 00:22:42.559
<v Speaker 1>No kind at all, Candy, no kind at all. Has

430
00:22:42.599 --> 00:22:44.000
<v Speaker 1>Bill ever let you down before?

431
00:22:44.599 --> 00:22:48.920
<v Speaker 2>Noir's what? Ah?

432
00:22:49.200 --> 00:22:49.279
<v Speaker 3>So?

433
00:22:49.440 --> 00:22:52.039
<v Speaker 1>The very first time he fails to appear, you decide

434
00:22:52.039 --> 00:22:54.599
<v Speaker 1>he's not to be killed. He's off with a pretty girl.

435
00:22:54.640 --> 00:22:59.759
<v Speaker 1>Therefore he's no husband of yours. When you divorces, oh

436
00:23:00.200 --> 00:23:00.720
<v Speaker 1>can you?

437
00:23:01.519 --> 00:23:05.559
<v Speaker 2>Of course I'm not. You don't understand.

438
00:23:07.920 --> 00:23:09.839
<v Speaker 1>You're just one of those girls who want everything their

439
00:23:09.920 --> 00:23:13.519
<v Speaker 1>own way. You're jealous for no reason. You're a baby.

440
00:23:15.720 --> 00:23:18.039
<v Speaker 2>What the soup in the dishes? Would you please?

441
00:23:18.079 --> 00:23:20.480
<v Speaker 1>There's no sense in getting mad at me. You just

442
00:23:20.519 --> 00:23:23.759
<v Speaker 1>stay mad at Bill. I'll get it. Hope's busy in

443
00:23:23.759 --> 00:23:30.839
<v Speaker 1>the other rooms. Hello, Yes, George Demmings speaking good Heavens

444
00:23:30.880 --> 00:23:34.839
<v Speaker 1>where killed? Okay, I'll get a plane and be down

445
00:23:34.880 --> 00:23:37.720
<v Speaker 1>there right away, Hope. I've got to go. A plane

446
00:23:37.759 --> 00:23:40.079
<v Speaker 1>crash north of Baltimore. I've got to get there, be

447
00:23:40.119 --> 00:23:41.160
<v Speaker 1>on the spotful of papers.

448
00:23:41.200 --> 00:23:44.799
<v Speaker 2>Oh, Georgeorge, what's terrible plane crash? Oh?

449
00:23:44.920 --> 00:23:48.160
<v Speaker 1>Bill, I can George Catcher, I've got her.

450
00:23:48.480 --> 00:23:49.160
<v Speaker 2>I'm all right.

451
00:23:50.319 --> 00:23:54.039
<v Speaker 1>Oh dear God, it's not them. Candy here, drink this quick.

452
00:23:54.599 --> 00:23:56.960
<v Speaker 1>It's a transport plane owned by the airlines. Bill works

453
00:23:57.000 --> 00:23:59.720
<v Speaker 1>for the American Eagle, a big one, twenty passengers. Oh

454
00:24:00.200 --> 00:24:01.359
<v Speaker 1>are you sure positive?

455
00:24:03.279 --> 00:24:03.920
<v Speaker 2>I'll answer it.

456
00:24:04.000 --> 00:24:04.640
<v Speaker 6>The Sun.

457
00:24:06.440 --> 00:24:09.839
<v Speaker 4>Hello Baltimore calling ready with your call of Baltimore.

458
00:24:10.240 --> 00:24:13.319
<v Speaker 2>Hello, pass Where are you? Are you all right?

459
00:24:13.400 --> 00:24:16.000
<v Speaker 6>Heyes, listen, Candy. Bill is out of the accident, and

460
00:24:16.039 --> 00:24:18.720
<v Speaker 6>he said where there's been a plane crash the Eagle

461
00:24:18.759 --> 00:24:19.839
<v Speaker 6>and the loss of people killed.

462
00:24:19.839 --> 00:24:20.440
<v Speaker 4>It it's bad.

463
00:24:20.839 --> 00:24:23.039
<v Speaker 6>Listen, Candy, this is important. He wants you to find

464
00:24:23.039 --> 00:24:24.880
<v Speaker 6>mister Denstone. The office can't reach him.

465
00:24:25.000 --> 00:24:27.160
<v Speaker 2>Mister Denstone is right here in the living room waiting

466
00:24:27.160 --> 00:24:27.559
<v Speaker 2>for dinner.

467
00:24:27.640 --> 00:24:28.119
<v Speaker 4>Then listen.

468
00:24:28.359 --> 00:24:30.119
<v Speaker 6>Tell him. Bill tried and tried to get him when

469
00:24:30.119 --> 00:24:31.960
<v Speaker 6>the news of the crash came, but he couldn't. And

470
00:24:32.000 --> 00:24:34.279
<v Speaker 6>the other two big shots were on vacation. I forget

471
00:24:34.279 --> 00:24:36.160
<v Speaker 6>their names, you know, And the planes at the field

472
00:24:36.160 --> 00:24:38.359
<v Speaker 6>were grounded, and Bill was franzy because he knew somebody

473
00:24:38.400 --> 00:24:39.880
<v Speaker 6>from the airline company ought to be here.

474
00:24:39.920 --> 00:24:42.880
<v Speaker 2>So we came in my plane. What she says, blue

475
00:24:42.920 --> 00:24:46.279
<v Speaker 2>Bill down, he couldn't find mister Denstone. Candy, Yes, pass

476
00:24:46.440 --> 00:24:47.039
<v Speaker 2>George there.

477
00:24:47.200 --> 00:24:49.200
<v Speaker 6>Tell George to come, Tell him to get a plane.

478
00:24:49.400 --> 00:24:50.480
<v Speaker 2>George says, to come.

479
00:24:50.640 --> 00:24:52.799
<v Speaker 1>Tell her I'm halfway there. Tell her she's got a

480
00:24:52.799 --> 00:24:54.799
<v Speaker 1>honeymoon breakfast date with me and Elkton Maryland.

481
00:24:55.519 --> 00:24:57.240
<v Speaker 2>He says, he's all the way, and be ready to

482
00:24:57.240 --> 00:24:58.279
<v Speaker 2>marry him immediately.

483
00:24:58.400 --> 00:25:01.359
<v Speaker 6>No, no, I've got a I'm in goolf talking in

484
00:25:01.440 --> 00:25:03.759
<v Speaker 6>any way. I won't fight sat tell that so and

485
00:25:03.799 --> 00:25:05.599
<v Speaker 6>so I won't be married without a piece of airboom

486
00:25:05.680 --> 00:25:07.720
<v Speaker 6>later if I have to make it myself still into

487
00:25:07.799 --> 00:25:08.640
<v Speaker 6>hurry up, So on.

488
00:25:08.799 --> 00:25:10.119
<v Speaker 2>Candy, you steel my love.

489
00:25:10.240 --> 00:25:11.400
<v Speaker 5>You'll be on for breakfast.

490
00:25:11.440 --> 00:25:29.920
<v Speaker 1>Goodbye, Honey, these are the best mumklins you ever threw together.

491
00:25:31.119 --> 00:25:33.000
<v Speaker 1>Why can't I have breakfast like this every morning?

492
00:25:33.400 --> 00:25:37.240
<v Speaker 2>A fat chance of that? Go on about pam Well.

493
00:25:37.920 --> 00:25:40.000
<v Speaker 1>All the way down, she kept saying how she wished

494
00:25:40.039 --> 00:25:42.079
<v Speaker 1>we could have reached George so he could have come

495
00:25:42.119 --> 00:25:44.039
<v Speaker 1>along and done a night with its account for the paper.

496
00:25:44.680 --> 00:25:47.200
<v Speaker 1>And finally I said, I thought you didn't care so

497
00:25:47.279 --> 00:25:50.720
<v Speaker 1>much for George. You just stared at me care for him?

498
00:25:50.759 --> 00:25:53.960
<v Speaker 1>She said, I'm crazy about George. Thought you knew that.

499
00:25:54.799 --> 00:25:56.720
<v Speaker 1>And I said, well, why don't you marry a man

500
00:25:56.720 --> 00:26:00.000
<v Speaker 1>for Pete's sake? And she said, because George keeps winning,

501
00:26:00.119 --> 00:26:02.240
<v Speaker 1>remodeled me into a chattel and it makes me mad.

502
00:26:03.079 --> 00:26:05.359
<v Speaker 1>Then I said, well, listen, pat why don't you marry

503
00:26:05.440 --> 00:26:06.680
<v Speaker 1>him and remodel George?

504
00:26:06.759 --> 00:26:09.119
<v Speaker 2>Oh darling, how clever of you.

505
00:26:09.519 --> 00:26:11.240
<v Speaker 1>And she started to me again, and then she began

506
00:26:11.319 --> 00:26:14.200
<v Speaker 1>to laugh. She kept laughing and saying, well, why didn't

507
00:26:14.240 --> 00:26:16.519
<v Speaker 1>I ever think of it? Everybody seems to think George

508
00:26:16.559 --> 00:26:18.240
<v Speaker 1>is the ultimate product of civilization.

509
00:26:18.759 --> 00:26:19.799
<v Speaker 2>Where were you then.

510
00:26:20.039 --> 00:26:22.480
<v Speaker 1>Well, running into the storm. Then it was somewhere north

511
00:26:22.519 --> 00:26:25.799
<v Speaker 1>of Balamore. Honestly, I didn't think she could make it.

512
00:26:26.599 --> 00:26:29.599
<v Speaker 1>She wasn't half bird. We wouldn't have. I thought, this

513
00:26:29.799 --> 00:26:34.480
<v Speaker 1>is it you know what, what, Bill, I was so scared.

514
00:26:34.519 --> 00:26:37.640
<v Speaker 1>I couldn't think. It felt as though my mind were

515
00:26:37.680 --> 00:26:41.480
<v Speaker 1>all glued up with fear. It was horrible. There was

516
00:26:41.480 --> 00:26:43.839
<v Speaker 1>only one thought, way in the middle of my mind.

517
00:26:44.519 --> 00:26:48.559
<v Speaker 1>You know what. It was? What I thought. If I

518
00:26:48.720 --> 00:26:52.519
<v Speaker 1>die now, I won't see Candy grow old. I just

519
00:26:52.599 --> 00:26:56.759
<v Speaker 1>got to see Candy grow old. Bad to be that scared.

520
00:26:58.200 --> 00:26:59.240
<v Speaker 1>Oh was any more coffee?

521
00:27:00.279 --> 00:27:05.160
<v Speaker 2>I'm glad you thought that. I mean especially glad because

522
00:27:06.039 --> 00:27:08.039
<v Speaker 2>I thought you were getting a little tired of me?

523
00:27:08.920 --> 00:27:11.119
<v Speaker 1>Is that why you've been acting funny? I put it

524
00:27:11.119 --> 00:27:12.920
<v Speaker 1>down to hot weather. Tired of you.

525
00:27:13.839 --> 00:27:16.720
<v Speaker 2>I thought maybe you like the glamorous miss Peters better.

526
00:27:16.960 --> 00:27:18.759
<v Speaker 1>I'll get away, girl. You make me cross that.

527
00:27:19.079 --> 00:27:21.720
<v Speaker 2>Well, she's so much smarter, and she's beautiful too.

528
00:27:22.079 --> 00:27:24.640
<v Speaker 1>Sure, I know you're dumb and ugly, but if I

529
00:27:24.680 --> 00:27:27.160
<v Speaker 1>deserted you, your father would be irritated. And I'm scared

530
00:27:27.160 --> 00:27:32.200
<v Speaker 1>of your father. You know what I'm prepared to admit now,

531
00:27:32.279 --> 00:27:36.640
<v Speaker 1>but privately, Candy, privately, that all women are smarter than

532
00:27:36.759 --> 00:27:40.240
<v Speaker 1>all men. Oh no, well, they do just as much

533
00:27:40.279 --> 00:27:46.039
<v Speaker 1>work and they look prettier. You look awfully pretty, darling.

534
00:27:46.160 --> 00:27:50.000
<v Speaker 2>I feel so good now, I'm so thankful about everything.

535
00:27:51.480 --> 00:27:56.519
<v Speaker 2>I would like to do something for you, something difficult

536
00:27:56.640 --> 00:28:02.640
<v Speaker 2>and unpleasant. Were Johnny, would you like me to do

537
00:28:02.680 --> 00:28:03.680
<v Speaker 2>the check book again?

538
00:28:04.279 --> 00:28:07.720
<v Speaker 1>No, Angel, you have sons and married people off, but

539
00:28:07.960 --> 00:28:25.920
<v Speaker 1>I will add and subtracts. You have heard Elizabeth Dunn's

540
00:28:25.920 --> 00:28:30.599
<v Speaker 1>story women's work, adapted for Author's Playhouse by Elizabeth Copeland

541
00:28:30.599 --> 00:28:54.359
<v Speaker 1>and directed by Herbert Latteaux. Candy Stewart was played by

542
00:28:54.440 --> 00:28:58.720
<v Speaker 1>Miss Eleanor Jackson, Hope Morgan by Miss Rosalind Gastro and

543
00:28:58.839 --> 00:29:02.559
<v Speaker 1>Pan Peters by Miss Lois Salley Wilms. Herbert was heard

544
00:29:02.599 --> 00:29:06.599
<v Speaker 1>as Bill Stewart and Haskell Coffin as George Deming. The

545
00:29:06.680 --> 00:29:11.200
<v Speaker 1>musical score was directed by Joseph Calichio. Next week, same time,

546
00:29:11.559 --> 00:29:15.440
<v Speaker 1>same station, Author's Playhouse will bring you Arthur Wing Pinero's

547
00:29:15.480 --> 00:29:18.960
<v Speaker 1>Strange Tale of England during the reign of George the Third,

548
00:29:19.519 --> 00:29:21.400
<v Speaker 1>the widow of wasdale Head