WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp The

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<v Speaker 1>House Whisper on demand on the iHeartRadio app. Hey, welcome

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<v Speaker 1>to Home where every week we help you better understand

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<v Speaker 1>that place where you live. I'm Dean Sharp, the House

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<v Speaker 1>Whisperer here with you live like I am every weekend

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<v Speaker 1>Saturday mornings from six to eight Pacific time, Sunday mornings

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<v Speaker 1>nine to noon Pacific time. Hey, I want to take

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<v Speaker 1>a second and remind you that right after we go

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<v Speaker 1>off the air, every single live show that we do

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<v Speaker 1>find everywhere your favorite podcasts are found, or I should

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<v Speaker 1>say anywhere your favorite podcasts are found, whether it's the

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<v Speaker 1>Dean Sharp, or you can just search for The House

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<v Speaker 1>Whisperer and you'll find us hundreds of episodes, including today's

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<v Speaker 1>to a show and you missed a show, or you

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<v Speaker 1>want to go back and listen more carefully to certain

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<v Speaker 1>get to new episodes every week as we load up.

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<v Speaker 1>All right, we're talking about hanging stuff inside your home today.

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<v Speaker 1>I want to get back to that now. I just

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<v Speaker 1>talked to you. Did you go did you look at

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<v Speaker 1>monkey Hooks? Did the A students? Did you went and

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<v Speaker 1>checked out monkey Hooks? You saw what they are? Right?

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<v Speaker 1>They're cool. They're cool. Now, it's not an end all.

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<v Speaker 1>There's there's no one thing that is the right thing

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<v Speaker 1>for every situation. That is why we've taken you through

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<v Speaker 1>the steps this morning. You got to figure out what

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<v Speaker 1>your wall conditions are. You got to figure out whether

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<v Speaker 1>you're going to be punching through drywall, drilling into plaster,

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<v Speaker 1>or going into wood. You know, which is a really

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<v Speaker 1>really secure way of hanging a thing if you've got

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<v Speaker 1>wood that you hit behind the dry wall or the surface.

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<v Speaker 1>But also you need to know, because you came home

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<v Speaker 1>with hollow wall anchors that the expectation is there is

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<v Speaker 1>no wood there and all of a sudden you hit

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<v Speaker 1>a stud. Then you know you don't have the right

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<v Speaker 1>anchor in your hand for what you want to hang,

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<v Speaker 1>which will lead us to the question of should you

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<v Speaker 1>have a stud finder? And I don't think it's a

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<v Speaker 1>bad idea for any homeowner to have a stud finder.

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<v Speaker 1>A stud finder is simply a device that will allow

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<v Speaker 1>you to figure out where the studs are in any

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<v Speaker 1>given area of your wall. Yes, they are. Stud finders

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<v Speaker 1>can be very, very confusing because they can be priced

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<v Speaker 1>anywhere from five dollars literally five dollars up to hundreds

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<v Speaker 1>of dollars. So wow, what's the deal with the stud finder? Well,

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<v Speaker 1>very very expensive stud finders can be adjusted to different

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<v Speaker 1>thicknesses of walls. They can read through plywood walls, concrete walls.

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<v Speaker 1>They can identify things like electrical lines and plumbing pipes

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<v Speaker 1>and various other things like that. They really are kind

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<v Speaker 1>of a pro tool. And you know, hey, if you

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<v Speaker 1>got money to burn and you want an expensive stud finder,

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<v Speaker 1>you're going to want to learn how to use it.

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<v Speaker 1>That's great. Otherwise, a simple basic stud finder for you

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<v Speaker 1>will actually work really well. I mean something in the

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<v Speaker 1>thirty dollar range. And if it's just as simple as

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<v Speaker 1>looking for studs in a hollow wall dry wall setup,

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<v Speaker 1>then you know what one of the five dollars stud find.

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<v Speaker 1>What is a five dollars studfinder. It's a magnet set

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<v Speaker 1>on a swivel, Okay, And why is that effective? Because

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<v Speaker 1>studs are made out of wood, Dean, I don't know

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<v Speaker 1>if anybody told you, but studs are not magnetic. Now

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<v Speaker 1>you're right, you're right, I stand corrected. No, no, no,

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<v Speaker 1>but here's the thing. Drywall screws are made out of metal.

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<v Speaker 1>And so you've got studs in your wall, and the

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<v Speaker 1>drywall has been hung with drywall screws that have been

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<v Speaker 1>covered over, they've been mudded over, so you don't see them, hopefully,

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<v Speaker 1>but they're still there. And so for every stud wall

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<v Speaker 1>that you have in your wall, you've got drywall screws,

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<v Speaker 1>usually at about every twelve inches, all the way up

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<v Speaker 1>the entire length of that stud And so if you

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<v Speaker 1>take a little magnetic stud finder, which has no battery,

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<v Speaker 1>no redoubt, it just simply has a magnet on a swivel,

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<v Speaker 1>and when the magnet finds metal right under the surface

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<v Speaker 1>of the drywall mud, it points to it, and a

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<v Speaker 1>little the other end of the magnet, which is red,

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<v Speaker 1>points straight at you and says, hey, it's a drywall screw,

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<v Speaker 1>which means, hey, we just found the stud. And there

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<v Speaker 1>you go, and you can test it by going a

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<v Speaker 1>foot higher and it'll happen again, and a foot higher

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<v Speaker 1>and it'll happen again, and then you slide over about

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<v Speaker 1>sixteen inches okay on average studs. By the way, stud

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<v Speaker 1>walls for stick style framing are either sixteen or twenty

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<v Speaker 1>four inches on center, so you either go over sixteen

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<v Speaker 1>more inches you'll fight.

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<v Speaker 2>Now.

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<v Speaker 1>They can be closer than that, but they can't be

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<v Speaker 1>further away from that, because that's code. And that's why

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<v Speaker 1>you can use something as simple as a magnetic studfinder

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<v Speaker 1>to find the studs in a wall and you can

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<v Speaker 1>bypass all the other crazy side again, a brilliantly simple

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<v Speaker 1>device right for helping you figure out whether you're going

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<v Speaker 1>to hang your painting or your photo right where a

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<v Speaker 1>stud is, or whether you're going to have to deal

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<v Speaker 1>with the hollow wall situation with hollow wall angers. Now,

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<v Speaker 1>what if we're renting, or what if we've got a

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<v Speaker 1>century old house and we've got plaster, and for whatever reason,

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<v Speaker 1>we don't want to do any damage to the wall.

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<v Speaker 1>No damage to the wall minimal. We don't want to

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<v Speaker 1>put holes in the wall. We but we still want

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<v Speaker 1>to hang some stuff. What about surface mount adhesive based hangers. Well,

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<v Speaker 1>it's a qualified yes, maybe, depending on a number of factors.

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<v Speaker 1>And I got to tell you, just raising this subject,

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<v Speaker 1>one of the comments that I get most are for

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<v Speaker 1>three M command strips because they're at every you know,

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<v Speaker 1>home improvement there, at every hardware store, hanging right up

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<v Speaker 1>front three M. They're like, look, don't amateur wall just

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<v Speaker 1>peel and stick and hang your photos. In theory, sure,

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<v Speaker 1>in practicality, maybe let's talk about why they work and

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<v Speaker 1>what makes them not work.

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<v Speaker 2>You're listening to Home with Dean Sharp on demand from

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<v Speaker 2>KFI A M six forty.

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<v Speaker 1>Thanks for joining us on the program here in the

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<v Speaker 1>third hour of our fine program. On a beautiful, beautiful

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<v Speaker 1>fall day in southern California. Things are cooling down. It's

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<v Speaker 1>gonna be kind of a cooler week. It's gonna be

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<v Speaker 1>nice southern California fall ish, you know, right for in

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<v Speaker 1>time for Halloween, which is great. I hope you've got

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<v Speaker 1>plans to get out in this lovely day today we do. Uh,

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<v Speaker 1>we're just gonna We're gonna get on the bikes. After

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<v Speaker 1>the show, We're get on the bikes. We're gonna head

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<v Speaker 1>off somewhere. I don't know where we're gonna go, but

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<v Speaker 1>we're gonna go somewhere on the bikes. Maybe ride to lunch. Maybe,

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<v Speaker 1>I don't know, but uh, we're gonna get out in it.

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<v Speaker 1>Get the heart pump and some It's a gorgeous day

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<v Speaker 1>to be outside. So make some plants, all right, take

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<v Speaker 1>my advice, make some plants. All right. We're talking about

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<v Speaker 1>hanging stuff on your walls. We've come to the place

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<v Speaker 1>now where we arrive and perhaps the most controversial of

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<v Speaker 1>all of these systems of hanging things on your wall,

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<v Speaker 1>and that is the no damage quote unquote, Dean's doing

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<v Speaker 1>air quotes here, no damage surface anchors, which means adhesive anchors.

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<v Speaker 1>And I said right before the break that I get

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<v Speaker 1>the most comments from people about three M command anchors.

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<v Speaker 1>That's their brand, because they're literally just hanging in every

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<v Speaker 1>you go down the picture hanging eye or whatever at

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<v Speaker 1>the hardware store, and there they are just everywhere, all

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<v Speaker 1>these packages and the claim is it's three m okay,

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<v Speaker 1>I mean, so you trust that name, right, But the

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<v Speaker 1>claim is, hey, look, you just push these on the wall,

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<v Speaker 1>hang your stuff. When you're done, peel them off. They

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<v Speaker 1>come off clean, no damage, and you're good to go. Okay,

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<v Speaker 1>I'm not buying it. No, I don't, because I've seen

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<v Speaker 1>and heard too many stories of like, well, yeah, In fact,

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<v Speaker 1>Conway was telling me even on Thursday night he was

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<v Speaker 1>a victim of the command hanger. He's like, yeah, you know,

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<v Speaker 1>I put those on the wall and then I just wait,

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<v Speaker 1>I just wait. Days later, all of a sudden, in

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<v Speaker 1>the middle of the night, smash, crash, Man, what happened?

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<v Speaker 1>Oh yeah, just fell off, just fell off the wall.

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<v Speaker 1>So here's my issue with it. My issue with command

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<v Speaker 1>hangers or surface mount hangers is, you know, I mean,

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<v Speaker 1>conceptually I'm all for it, but in practical terms, who

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<v Speaker 1>is worried about not damaging the walls? Well, probably renters.

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<v Speaker 1>If you don't own the place you're you're in the

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<v Speaker 1>group that's most concerned about not doing damage to the wall,

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<v Speaker 1>and rightly, so, okay, if you're renting, chances are you're

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<v Speaker 1>also living in a place in which the landlord has

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<v Speaker 1>spent the least amount of money on the paint on

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<v Speaker 1>the walls, okay, And have no doubt about it that

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<v Speaker 1>you are not sticking an adhesive wallhanger to a wall.

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<v Speaker 1>You are sticking an adhesive wallhanger onto paint, okay, which

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<v Speaker 1>is itself clinging to the wall. So, if the paint

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<v Speaker 1>in your place is in any way shape or form

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<v Speaker 1>a little powdery, if you can rub it with your

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<v Speaker 1>hand and you get a little bit of you know,

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<v Speaker 1>white residue on your hand, flat paint on a wall

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<v Speaker 1>because it's old or it was thin, or whatever the

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<v Speaker 1>case may be, this is not a strong candidate for

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<v Speaker 1>your adhesive hangers. Okay. Second is the fact that so

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<v Speaker 1>you can see, well, i'll just put it this way,

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<v Speaker 1>you can see the conflict that I have. If you've

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<v Speaker 1>got the best possible paint on the wall, it's probably

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<v Speaker 1>because you own the place, at which point you're probably

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<v Speaker 1>the least concerned about doing damage to the wall because

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<v Speaker 1>it's your house and I want my painting right here,

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<v Speaker 1>and I don't care I'm putting a hole in the wall.

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<v Speaker 1>It's my house. I'm not going to forfeit my security

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<v Speaker 1>deposit to myself. So that's the home that has the

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<v Speaker 1>best shaped wall conditions, and yet command hangers are almost

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<v Speaker 1>inevitably sold to renters who probably have the worst walls

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<v Speaker 1>to put adhesive strips onto. So that's an issue that

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<v Speaker 1>I have. The second thing is understanding that the condition

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<v Speaker 1>of the wall, not just the quality of the paint,

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<v Speaker 1>but is it a little dirty, doesn't have any oily

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<v Speaker 1>residue on it? Have we completely cleaned that surface? Have

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<v Speaker 1>we given it a wipe down with some rubbing alcohol

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<v Speaker 1>to make sure that it's as clean as possible? And

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<v Speaker 1>then finally, have we applied the hook the way it

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<v Speaker 1>should be applied? And you're like, well, wait a second,

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<v Speaker 1>it's peel and stick, Dean, Yeah, yeah, yeah, but did

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<v Speaker 1>you know that your best odds for having one of

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<v Speaker 1>those command hangars stick is to peel off the backing

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<v Speaker 1>after you've properly cleaned the wall in the best possible condition,

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<v Speaker 1>push it on because it's a foam tape, right to

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<v Speaker 1>push it on, and then hold it depressed with as

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<v Speaker 1>much pressure as possible against the wall and that foam

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<v Speaker 1>tape for about thirty seconds. Yeah, that's kind of a inconvenient,

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<v Speaker 1>but it's the proper way to give that adhesive the

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<v Speaker 1>best chance, to give the foam the best chance of

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<v Speaker 1>molding around the microsurface of the wall so that it's

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<v Speaker 1>got the best chance of holding. And even at that,

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<v Speaker 1>even at that, am I going to hang something really

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<v Speaker 1>valuable there? When I know that there is a likely

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<v Speaker 1>that a number of different conditions. Too much moisture in

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<v Speaker 1>the air, it gets too dry, the wall paint is

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<v Speaker 1>not as good as I thought it was, so on

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<v Speaker 1>and so forth, all these conditions that can make one

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<v Speaker 1>of these adhesive hooks fall off a wall. Am I

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<v Speaker 1>going to put something valuable there? Now? Probably not? So

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<v Speaker 1>there you go. So does Dean love adhesive surface mount

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<v Speaker 1>of hangars? No he does not. Does he trust them?

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<v Speaker 1>No he does not. Has he used them? Yes? Yes

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<v Speaker 1>I have? Ah ah Where why I'll tell you why?

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<v Speaker 1>And where I do find them valuable in a couple

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<v Speaker 1>of situations, on glass, on stone, and on metal surfaces.

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<v Speaker 1>Why because they can be cleaned, prepped. We're not relying

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<v Speaker 1>on paint. And that's where an adhesive really shines, Okay,

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<v Speaker 1>really really shines. Does a good adhesive leave something behind

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<v Speaker 1>when you peel it off? Yeah, it does, because it's

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<v Speaker 1>supposed to be grabbing onto the wall. So just don't

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<v Speaker 1>buy into this idea that, you know what, you'll stick

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<v Speaker 1>this thing on, it'll stay on for five years and

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<v Speaker 1>when you pull it off, it will just come off cleanly.

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<v Speaker 1>How does that even make sense that the an adhesive

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<v Speaker 1>is super strong, clings to the wall, and yet just

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<v Speaker 1>by the power of your willing it to not stick,

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<v Speaker 1>when you pull it off, it leaves no marks behind.

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<v Speaker 1>It's either a weak adhesive that leaves the wall clean

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<v Speaker 1>or it's a strong adhesive that leaves itself behind and

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<v Speaker 1>mars the wall. So the idea of a no damage

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<v Speaker 1>wall adhesive not buying it. Okay, I want it to

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<v Speaker 1>stick and be a problem when I pull it off,

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<v Speaker 1>or it's not gonna stick and I don't want to

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<v Speaker 1>hang it in the first place. All right, I'm done,

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<v Speaker 1>I'm off my soapbox about wall adhesive surface anchors. Right,

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<v Speaker 1>But on glass which has no surface to damage, I

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<v Speaker 1>mean you could even use a little glass scraper and

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<v Speaker 1>clean it off. Or stone or metal surfaces that you

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<v Speaker 1>don't want to be drilling into. Then there you go,

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<v Speaker 1>and guess what those are The surfaces that they hold

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<v Speaker 1>to the very best for the very longest. All right,

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<v Speaker 1>moving on now into the final turn on our raceway,

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<v Speaker 1>our journey towards hanging things properly. I want to talk

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<v Speaker 1>about how high where on a wall to actually place

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<v Speaker 1>this stuff and are there any tools out there that

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<v Speaker 1>will help you significantly, because there is some. You know,

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<v Speaker 1>if you go to the most hardware stores of the

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<v Speaker 1>big box store, you're going to find at least one

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<v Speaker 1>or two what I would call as seen on TV

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<v Speaker 1>kind of like look at this hanging kit. Buy this kit.

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<v Speaker 1>Spend thirty dollars on this kit. It's the wonder hanging

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<v Speaker 1>kit and it will make hanging pictures perfectly, you know.

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<v Speaker 1>All right, we'll talk about it.

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<v Speaker 2>You're listening to Home with Dean Sharp on demand from

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<v Speaker 2>KFI AM sixty.

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<v Speaker 1>All right, hey, thanks for joining us on the program today.

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<v Speaker 1>We're having a good time here KFI AM six forty.

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<v Speaker 1>Your home, Dean Sharp the house whisper. I am finishing.

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<v Speaker 1>I apologize, I've been I've been going as in depth

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<v Speaker 1>as I can to give you all the info you

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<v Speaker 1>need on hanging stuff on your home, and I did

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<v Speaker 1>not get a chance to get back to the phones

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<v Speaker 1>if we left you on the line and you want

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<v Speaker 1>to call back next week, you get a free pass

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<v Speaker 1>to the front of the line. You just let our

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<v Speaker 1>producer know that you were on hold, left left, neglected

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<v Speaker 1>by Dean last week, and you know we'll put you

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<v Speaker 1>to the front of the line. See, we're, we're, we're

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<v Speaker 1>for everybody here. All right, let's let's get into the

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<v Speaker 1>final steps. Here. I've covered all the anchors. Now let's

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<v Speaker 1>talk about just a couple of items of the actual

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<v Speaker 1>process of hanging stuff on your wall. How high do

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<v Speaker 1>you hang a thing? Well, if it's a large, significant

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<v Speaker 1>kind of painting or piece of artwork or a photo.

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<v Speaker 1>Here's the Now, these are all guidelines, not rules, not laws,

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<v Speaker 1>not inviolable laws, just guidelines. Okay. This is how, for instance,

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<v Speaker 1>things are hung in art galleries to maximize your viewing

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<v Speaker 1>of said object. And that is very simply the center

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<v Speaker 1>of the item, from top to bottom, the center of

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<v Speaker 1>the item. You try and target it at eye level,

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<v Speaker 1>not your height, okay, eye level, eye level of those

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<v Speaker 1>So and if you live in a home with height

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<v Speaker 1>challenged people, we'll just put it that way. Shorties like

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<v Speaker 1>my wife's entire family, or taller people, and you want

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<v Speaker 1>to maximize the viewing pleasure of you said people in

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<v Speaker 1>your family, then you know what, measure everybody's height and

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<v Speaker 1>take an average and say, okay, this is where we're going.

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<v Speaker 1>But typically eye level for the average adult human being

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<v Speaker 1>is right about sixty inches, right in the high fifties,

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<v Speaker 1>right about sixty inches to the center of the item.

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<v Speaker 1>So there you go optimal viewing level. Now, if you're

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<v Speaker 1>doing a collage of a bunch of different frames and

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<v Speaker 1>photos all together in one clump, then try and get

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<v Speaker 1>the clump centered at eye level right, So it works

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<v Speaker 1>either way, whether it's just one item or a grouping

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<v Speaker 1>of items, try and get the grouping roughly at eye

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<v Speaker 1>level when you can. Now. The exception to this. One

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<v Speaker 1>of the exceptions to this is if you've got a

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<v Speaker 1>wall that the item is sharing with, maybe a door

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<v Speaker 1>or a window, right, so you may want to consider

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<v Speaker 1>may and again not a rule, but you may want

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<v Speaker 1>to consider hanging that item with its top level to

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<v Speaker 1>the top of the other elements, like level to the

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<v Speaker 1>height of the window or the door. Or if there's

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<v Speaker 1>a pair of scance lights in the room, you may

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<v Speaker 1>want to align it to one of those immovable permanent features.

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<v Speaker 1>The key is you know, take a look at it

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<v Speaker 1>and see how it looks. And the most important part

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<v Speaker 1>of this is a rule that I've told you again

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<v Speaker 1>and again, and I'm going to apply it here as well.

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<v Speaker 1>From a design perspective. In the world of design and craftsmanship,

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<v Speaker 1>when it comes to aesthetics, you either want to get

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<v Speaker 1>it right on the money or miss it by a mile. Okay.

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<v Speaker 1>So in other words, if you're going to hang it

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<v Speaker 1>at the height of the door, like you've got a

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<v Speaker 1>frame that's going to go right next to a door,

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<v Speaker 1>and you're like, you know, I think it would be,

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<v Speaker 1>then get it right at the top of that doorcasing

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<v Speaker 1>right where that door's line is on the wall. Make

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<v Speaker 1>sure you get it boom right on the money, or

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<v Speaker 1>don't get close, miss it by several inches, lower, higher, whatever.

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<v Speaker 1>A near miss always looks like a mistake. So right

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<v Speaker 1>next to a door or a window and down a

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<v Speaker 1>half an inch or up one inch too high, that

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00:20:28.319 --> 00:20:31.839
<v Speaker 1>looks like it's something wrong misaligned. So either hit it

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<v Speaker 1>right on the money or miss it by a mile.

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<v Speaker 1>Either is totally acceptable. Near misses always always look like

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<v Speaker 1>mistakes in colors, textures, in alignment of things. We just

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<v Speaker 1>don't close only is good for horseshoes, not for decor

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<v Speaker 1>inside a house. So miss it by a mile or

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<v Speaker 1>hit it right on the money. Okay. How to measure

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00:20:59.240 --> 00:21:02.319
<v Speaker 1>is challenge because it all has to do with where

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00:21:02.359 --> 00:21:06.359
<v Speaker 1>the hanging exists on the back of the item. But basically,

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<v Speaker 1>have a good tape measure or a ruler on hands

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<v Speaker 1>so that you can estimate properly where the hanging point

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<v Speaker 1>is in relationship to the top, bottom, or sides of

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<v Speaker 1>the item, and then account for that when you're actually

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<v Speaker 1>making marks on the wall. But I got to tell

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<v Speaker 1>you this, as far as the tools, okay, go here

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<v Speaker 1>is the very best hanging tool that you can acquire

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<v Speaker 1>for putting stuff up on your walls is a friend,

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<v Speaker 1>all right, somebody standing back giving them giving you their perspective,

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<v Speaker 1>or you standing back and them holding it on the

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<v Speaker 1>wall so that you can see how it works out right,

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<v Speaker 1>and you can make that that's just the best. Tina

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00:21:52.839 --> 00:21:56.000
<v Speaker 1>and I always work together when we're hanging stuff in

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<v Speaker 1>a client's home or in our own home, right, So

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<v Speaker 1>the best tool you can acquire for the day that

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<v Speaker 1>you're hanging important stuff is a friend. The second best

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00:22:05.839 --> 00:22:10.759
<v Speaker 1>tool is blue masking tape. Blue masking tape is in

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<v Speaker 1>fact the thing that it has all the qualities that

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<v Speaker 1>I talked against when it came to surface anchors. Blue

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<v Speaker 1>masking tape does not have a strong adhesive. It does

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<v Speaker 1>not easily do damage to walls, nor does it stick

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<v Speaker 1>for very long. But that's to your advantage. Blue masking tape.

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<v Speaker 1>We use it all the time to draw out frames, pictures, doorways,

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<v Speaker 1>all sorts of stuff that we use to emulate shapes

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<v Speaker 1>on walls. And then we stand back and look at

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<v Speaker 1>it and we're like, yeah, I think that'll work. No,

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<v Speaker 1>let's lower it down by about three inches. And then

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<v Speaker 1>you grab the tape and you pull it off, and

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<v Speaker 1>you lower it three inches down. You move it left

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<v Speaker 1>or right. Blue masking tape is your friend when it

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<v Speaker 1>comes to planning this out. Here's what you don't do, okay,

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<v Speaker 1>what you don't do is take a guess at it.

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<v Speaker 1>Put all the holes in the walls, put all the

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<v Speaker 1>hangers in place, hang all the stuff by yourself without

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<v Speaker 1>giving it any consideration as to whether or not you're

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<v Speaker 1>exactly where you should be, and then stand back and say, hey, babe,

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<v Speaker 1>come on in here, tell me if this is okay.

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<v Speaker 1>You've already made all these holes. What are you doing?

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<v Speaker 1>Use and a simulation first, that's the point. So if

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<v Speaker 1>you have a friend or a partner with you, they

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<v Speaker 1>can hold it up. And if it's not too big,

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00:23:32.240 --> 00:23:34.319
<v Speaker 1>they can hold these things in place. If it's a

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<v Speaker 1>lot of stuff, use the blue masking tape, or if

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<v Speaker 1>it's a big thing like a big screen TV or something,

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00:23:40.200 --> 00:23:43.039
<v Speaker 1>use the blue masking tape on the wall and get

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<v Speaker 1>your concepts down so that you know, yeah, this is

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<v Speaker 1>where it's going. It's going right here, and then you

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00:23:48.400 --> 00:23:51.359
<v Speaker 1>put your hangers in place properly measured from the top

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<v Speaker 1>of the tape and from the sides, and you're good

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<v Speaker 1>to go. All right, So a little planning, a little simulation,

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<v Speaker 1>a little emulation first before you commit to the hanging itself.

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<v Speaker 1>And if there's multiple things being hung all the way

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00:24:07.279 --> 00:24:09.799
<v Speaker 1>across the room and you want to get them all

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00:24:09.839 --> 00:24:15.920
<v Speaker 1>at the same level, then an inexpensive laser would would

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<v Speaker 1>be really really useful as well. And nowadays an inexpensive

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<v Speaker 1>interior room leveling laser level you know, you can pick

399
00:24:25.240 --> 00:24:27.519
<v Speaker 1>those up for less than fifty bucks. And what they

400
00:24:27.519 --> 00:24:31.680
<v Speaker 1>do is they cast a beautifully level horizontal line all

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00:24:31.759 --> 00:24:34.839
<v Speaker 1>the way around a room, on every surface without marking

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00:24:34.960 --> 00:24:37.200
<v Speaker 1>or marring anything. And even if the line is not

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00:24:37.319 --> 00:24:40.200
<v Speaker 1>exactly at the level where the image is going to

404
00:24:40.279 --> 00:24:43.079
<v Speaker 1>go where the thing that you're hanging on the wall is,

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00:24:43.480 --> 00:24:46.839
<v Speaker 1>then everything measures up from that level or down from

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00:24:46.880 --> 00:24:50.079
<v Speaker 1>that level perfectly to that same spot. And so laser

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00:24:50.160 --> 00:24:54.359
<v Speaker 1>levels are fantastic little tools. But the tool that you

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00:24:54.440 --> 00:24:59.160
<v Speaker 1>don't need is very likely that specialty wonder tool at

409
00:24:59.160 --> 00:25:02.400
<v Speaker 1>the hardware store or that claims that to buy this

410
00:25:02.519 --> 00:25:05.559
<v Speaker 1>thing and it will magically get all of your hanging right.

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00:25:05.599 --> 00:25:07.640
<v Speaker 1>You don't need to do that. Don't waste your money

412
00:25:07.680 --> 00:25:11.559
<v Speaker 1>on that. Just understand the item that you're hanging, have

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<v Speaker 1>a friend or a partner with you, maybe a laser

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<v Speaker 1>level and some blue tape, and guess what, you're gonna

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<v Speaker 1>get it all done right. I guarantee it all right,

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00:25:22.920 --> 00:25:25.960
<v Speaker 1>y'all when we come back. A couple of final thoughts

417
00:25:26.000 --> 00:25:28.440
<v Speaker 1>for that and a closing thought for you for the day.

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00:25:28.599 --> 00:25:31.359
<v Speaker 1>So hang with us your Home with Dean Sharp the

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00:25:31.400 --> 00:25:32.119
<v Speaker 1>house whisper.

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<v Speaker 2>You're listening to Home with Dean Sharp on demand from

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00:25:36.200 --> 00:25:37.640
<v Speaker 2>KFI AM six forty.

422
00:25:37.920 --> 00:25:41.079
<v Speaker 1>Here we are at the end of another three hours

423
00:25:41.119 --> 00:25:44.680
<v Speaker 1>together I hope it has been useful to you. It

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00:25:44.759 --> 00:25:47.759
<v Speaker 1>has been fun for us as well to have you

425
00:25:47.839 --> 00:25:50.319
<v Speaker 1>here with us. I hope you've learned some things about

426
00:25:50.359 --> 00:25:52.519
<v Speaker 1>what to do and what not to do when it

427
00:25:52.519 --> 00:25:55.599
<v Speaker 1>comes to hanging stuff inside your home. I know it's

428
00:25:55.640 --> 00:25:58.000
<v Speaker 1>just a small light thing, you know. We're not talking

429
00:25:58.000 --> 00:26:02.160
<v Speaker 1>about your concrete foundations or your roof or major architectural

430
00:26:02.359 --> 00:26:06.319
<v Speaker 1>design elements. The fact of the matter is the way

431
00:26:06.319 --> 00:26:08.400
<v Speaker 1>that we decorate our homes at the end of the

432
00:26:08.480 --> 00:26:12.000
<v Speaker 1>day is the stuff that we interact with constantly, and

433
00:26:12.000 --> 00:26:15.279
<v Speaker 1>it's no guarantee that people get it right just because

434
00:26:15.599 --> 00:26:18.880
<v Speaker 1>it's a lighter subject to deal with. So I'm glad

435
00:26:18.920 --> 00:26:21.359
<v Speaker 1>to spend the time with you doing that. Couple of

436
00:26:21.519 --> 00:26:25.319
<v Speaker 1>last things to talk to you about in regards to

437
00:26:25.440 --> 00:26:31.960
<v Speaker 1>this particular topic, and that is this, there are some

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00:26:32.119 --> 00:26:36.960
<v Speaker 1>classic approaches to displaying things in your home that we

439
00:26:37.039 --> 00:26:39.519
<v Speaker 1>haven't mentioned that have nothing to do with making wall

440
00:26:39.799 --> 00:26:43.000
<v Speaker 1>holes in your wall. If you have a classic home,

441
00:26:44.640 --> 00:26:48.359
<v Speaker 1>a home that you're really really wanting to create that

442
00:26:48.440 --> 00:26:51.759
<v Speaker 1>classic ambiance with, if you've got a century home, an

443
00:26:51.799 --> 00:26:55.039
<v Speaker 1>older home, one hundred year old home with plaster walls,

444
00:26:55.079 --> 00:26:58.200
<v Speaker 1>and you know how hard it is to commit to

445
00:26:58.680 --> 00:27:00.599
<v Speaker 1>making holes in those walls, even if you do it

446
00:27:00.680 --> 00:27:04.279
<v Speaker 1>the right way. Okay, then how about this, how about

447
00:27:04.920 --> 00:27:07.559
<v Speaker 1>at the end of the day doing it old school?

448
00:27:07.680 --> 00:27:10.160
<v Speaker 1>And what do I mean by old school? I mean

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00:27:10.559 --> 00:27:14.759
<v Speaker 1>that you install a molding in a room that is

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00:27:14.799 --> 00:27:17.920
<v Speaker 1>in fact called a picture rail. What is a picture

451
00:27:18.000 --> 00:27:20.359
<v Speaker 1>rail molding? It goes near the top of the wall.

452
00:27:20.440 --> 00:27:24.480
<v Speaker 1>Sometimes it is in fact incorporated into crown molding. Sometimes

453
00:27:24.480 --> 00:27:26.799
<v Speaker 1>it's a few inches just below the crown molding. It's

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00:27:26.799 --> 00:27:29.519
<v Speaker 1>a decorative molding, but it is shaped in such a

455
00:27:29.559 --> 00:27:32.319
<v Speaker 1>way that a hook can be placed over the edge

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00:27:32.359 --> 00:27:38.880
<v Speaker 1>of that molding, and then from there a silk rope,

457
00:27:39.759 --> 00:27:45.880
<v Speaker 1>or in a contemporary home, a wire cable coming down

458
00:27:46.319 --> 00:27:49.640
<v Speaker 1>that actually hangs the object on the wall. In other words,

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00:27:49.680 --> 00:27:53.599
<v Speaker 1>all objects on the wall are being hung from the

460
00:27:53.640 --> 00:27:56.799
<v Speaker 1>picture rail. And this is something that is as old

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00:27:57.039 --> 00:28:04.079
<v Speaker 1>as colonial and Victorian architecture. Knowing that expensive wallpapers back

462
00:28:04.079 --> 00:28:07.920
<v Speaker 1>in the day and thick, hard plaster walls are not

463
00:28:08.160 --> 00:28:12.160
<v Speaker 1>the ideal places to put holes in picture rail at

464
00:28:12.160 --> 00:28:15.359
<v Speaker 1>the top of the wall ensured that these things were

465
00:28:15.359 --> 00:28:19.400
<v Speaker 1>not being marred or damaged at all, because everything was

466
00:28:19.440 --> 00:28:23.880
<v Speaker 1>hanging down on its own attractive hangar from that rail

467
00:28:24.000 --> 00:28:26.559
<v Speaker 1>that is just as classic as it gets. And if

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00:28:26.559 --> 00:28:28.599
<v Speaker 1>you think it has to be an older home, we

469
00:28:28.720 --> 00:28:32.519
<v Speaker 1>do it in ultra modern contemporary homes. In fact, galleries

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00:28:32.680 --> 00:28:35.960
<v Speaker 1>will use picture rail. Now it's a metal rail. It

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00:28:36.000 --> 00:28:38.440
<v Speaker 1>may be brass, it may be black. It may be

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00:28:39.440 --> 00:28:45.079
<v Speaker 1>you know, some cool brushed stainless steel, very low profile

473
00:28:45.319 --> 00:28:49.119
<v Speaker 1>with wire or cable hangers coming down. Or it can

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00:28:49.160 --> 00:28:53.559
<v Speaker 1>be all froofy and beautiful and ornate and victorian with

475
00:28:54.240 --> 00:29:00.960
<v Speaker 1>twisted you know, silk rods and little angry things, little

476
00:29:00.960 --> 00:29:03.400
<v Speaker 1>pump pums on the edge. It can all get really

477
00:29:03.440 --> 00:29:07.559
<v Speaker 1>really fancy or very very streamlined. But it is one solution.

478
00:29:07.680 --> 00:29:11.240
<v Speaker 1>And if it's your place and you want something super secure,

479
00:29:11.319 --> 00:29:14.279
<v Speaker 1>the other advantage of using a higher molding like that

480
00:29:14.480 --> 00:29:17.279
<v Speaker 1>is that the molding is definitely going to get attached

481
00:29:17.319 --> 00:29:21.000
<v Speaker 1>to the studs through the wall very very securely, and

482
00:29:21.039 --> 00:29:23.920
<v Speaker 1>it holds an awful lot of weight and so you

483
00:29:23.960 --> 00:29:27.160
<v Speaker 1>never have to worry about having something fall on you

484
00:29:27.240 --> 00:29:31.319
<v Speaker 1>in that regard. And then the last thing is sometimes

485
00:29:32.000 --> 00:29:35.440
<v Speaker 1>something super special just deserves to go on the mantle,

486
00:29:35.680 --> 00:29:38.799
<v Speaker 1>or buy an easel for it. If you've got room

487
00:29:38.839 --> 00:29:42.039
<v Speaker 1>in a room to display something that truly is a

488
00:29:42.039 --> 00:29:45.960
<v Speaker 1>focal point of attention, a beautiful painting or a family

489
00:29:46.000 --> 00:29:49.640
<v Speaker 1>photo or somebody special. Then place it on an easel

490
00:29:50.119 --> 00:29:52.559
<v Speaker 1>and make it a piece of furniture in the room.

491
00:29:52.880 --> 00:29:56.079
<v Speaker 1>All Right, there you go. That's what I got for

492
00:29:56.160 --> 00:29:59.359
<v Speaker 1>you today. And I thought I would leave you with

493
00:29:59.839 --> 00:30:04.599
<v Speaker 1>a closing thought. I, for whatever reason, have been thinking

494
00:30:04.640 --> 00:30:09.720
<v Speaker 1>a lot about being overwhelmed with information and distractions. And

495
00:30:10.000 --> 00:30:12.720
<v Speaker 1>maybe it's just it's a combination of the fact that

496
00:30:12.839 --> 00:30:15.440
<v Speaker 1>the world that we live in now, it's these phones

497
00:30:15.480 --> 00:30:18.839
<v Speaker 1>that we carry around with us constantly screaming at us,

498
00:30:19.039 --> 00:30:22.559
<v Speaker 1>every form of advertisement in media constantly coming at us.

499
00:30:23.319 --> 00:30:26.559
<v Speaker 1>And it's probably also election season and the fact that

500
00:30:26.599 --> 00:30:29.759
<v Speaker 1>it's all been ramped up that much more, and just

501
00:30:29.880 --> 00:30:35.079
<v Speaker 1>looking for quiet and centeredness. That's probably what led me

502
00:30:35.119 --> 00:30:37.759
<v Speaker 1>this morning as I was sitting by the fire pit,

503
00:30:37.960 --> 00:30:40.640
<v Speaker 1>just thinking about if there was anything I wanted to

504
00:30:40.680 --> 00:30:43.680
<v Speaker 1>say today to this thought. So based on that, I'm

505
00:30:43.680 --> 00:30:47.880
<v Speaker 1>going to leave you with this thought today. The greatest

506
00:30:47.920 --> 00:30:54.359
<v Speaker 1>gift any human has to give is their time and attention.

507
00:30:55.319 --> 00:30:59.640
<v Speaker 1>Think about that. That's because time and attention are what

508
00:30:59.680 --> 00:31:03.480
<v Speaker 1>we have the least of what we need the most.

509
00:31:03.680 --> 00:31:09.279
<v Speaker 1>And what we are all running out of things. Take time,

510
00:31:09.559 --> 00:31:14.480
<v Speaker 1>We give our time, We invest our time. We don't

511
00:31:14.480 --> 00:31:19.240
<v Speaker 1>want anything or anyone to waste our time. People want

512
00:31:19.400 --> 00:31:22.920
<v Speaker 1>our attention. They beg for our attention, they compete for it,

513
00:31:23.000 --> 00:31:27.400
<v Speaker 1>they fight for it. And to whomoever wins or earns

514
00:31:27.720 --> 00:31:32.759
<v Speaker 1>our attention, we will pay attention. Now listen to those

515
00:31:32.799 --> 00:31:39.000
<v Speaker 1>words take, give, invest, waste, want, beg for, compete for,

516
00:31:39.279 --> 00:31:44.079
<v Speaker 1>fight for win, earn pay. These are the words we

517
00:31:44.279 --> 00:31:50.880
<v Speaker 1>use around costly things. But here's another word, a devaluing,

518
00:31:51.079 --> 00:31:55.000
<v Speaker 1>losing word, perhaps right now, the most terrible word of

519
00:31:55.079 --> 00:32:02.240
<v Speaker 1>all distraction. So today, right now, you are in sole

520
00:32:02.400 --> 00:32:07.960
<v Speaker 1>possession and in control of a limited and dwindling resource

521
00:32:08.480 --> 00:32:12.400
<v Speaker 1>that the whole world wants a piece of your time

522
00:32:12.839 --> 00:32:16.880
<v Speaker 1>and attention. Or perhaps I've overspoken. Perhaps you're not in

523
00:32:17.000 --> 00:32:20.759
<v Speaker 1>control of it. Perhaps the endless assault on your time

524
00:32:20.799 --> 00:32:24.200
<v Speaker 1>and attention has you lost and adrift in a sea

525
00:32:24.279 --> 00:32:28.599
<v Speaker 1>of distractions. How are you going to find your way home?

526
00:32:29.519 --> 00:32:33.079
<v Speaker 1>There's no sense in hoping or waiting for the world

527
00:32:33.079 --> 00:32:37.799
<v Speaker 1>to quiet down. That ship has sailed. You're going to

528
00:32:37.880 --> 00:32:42.160
<v Speaker 1>have to take back your time, guard your time like

529
00:32:42.200 --> 00:32:44.400
<v Speaker 1>the precious thing that it is. You're going to have

530
00:32:44.480 --> 00:32:49.559
<v Speaker 1>to start giving great intention to who or what receives

531
00:32:49.680 --> 00:32:53.920
<v Speaker 1>your attention, and it's not going to be easy. You

532
00:32:54.000 --> 00:32:57.079
<v Speaker 1>might even discover you're addicted to being distracted. You might

533
00:32:57.160 --> 00:33:00.200
<v Speaker 1>discover you don't like the company of your own thought

534
00:33:00.680 --> 00:33:04.119
<v Speaker 1>and feelings. Once you get there, I get it, I

535
00:33:04.160 --> 00:33:09.200
<v Speaker 1>feel you. But I'm here to remind you you possess

536
00:33:09.400 --> 00:33:16.039
<v Speaker 1>nothing more valuable, nothing more valuable. I write this for

537
00:33:16.160 --> 00:33:20.519
<v Speaker 1>you and for me. We all need reminding. No one

538
00:33:20.599 --> 00:33:24.680
<v Speaker 1>masters this. All you can do is keep fighting for it.

539
00:33:25.359 --> 00:33:29.400
<v Speaker 1>And those who do choose to fight for and compete

540
00:33:29.519 --> 00:33:34.200
<v Speaker 1>for and win back their own time and their own attention.

541
00:33:34.799 --> 00:33:39.319
<v Speaker 1>Those people, and only those people, are gonna be the

542
00:33:39.359 --> 00:33:42.519
<v Speaker 1>ones that can find their way back home. Those people,

543
00:33:42.559 --> 00:33:47.519
<v Speaker 1>and only those people, have the resources to build themselves

544
00:33:47.880 --> 00:33:50.279
<v Speaker 1>a beautiful life. And I'm gonna leave you with that

545
00:33:50.319 --> 00:33:54.359
<v Speaker 1>thought today, Give it some thought, enjoy this beautiful day

546
00:33:54.400 --> 00:33:56.640
<v Speaker 1>ahead of you, and we will see you right back

547
00:33:56.680 --> 00:34:04.440
<v Speaker 1>here next weekend. This has been Home with Dean Sharp

548
00:34:04.720 --> 00:34:07.640
<v Speaker 1>the House Whisper. Tune into the live broadcast on KFI

549
00:34:07.759 --> 00:34:10.880
<v Speaker 1>AM six forty every Saturday morning from six to eight

550
00:34:10.920 --> 00:34:14.119
<v Speaker 1>Pacific time, and every Sunday morning from nine to noon

551
00:34:14.159 --> 00:34:18.679
<v Speaker 1>Pacific time, or anytime on demand on the iHeartRadio app.
