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Speaker 1: There are more than one thousand paranormal events reported around

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the world every month. Most of them can be explained

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as natural phenomena, but about ten percent cannot. UFOs, ghosts, cryptids, monsters, coincidences,

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abductions of remote viewing Mothman, dog Man, Bigfoot and the

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Space Brothers, mysterious wounds, weeping statues, miracles on high, and

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voices beyond the grain. All these things and more are

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revealed every week on Mac maloney's Military X Files and

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the Rest of the Game One one Switchy club Susan

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Kay and Uncle Lao Brandy X an Aged X as

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they delve into the ultimate mysteries of time and space.

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This is mac maloney's Military X Files and now here's.

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Speaker 2: Mac oh Welcome. We went to mc maloney's Military Style

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show here on the distance under Radio Nagrav. This is

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Mac maloney broadcasting live from the Stopped Galley Restaurant on

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fifty five Wata Street, New Reploy, Massachusetts, Great Seafood Restaurant,

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Great Hamburger's in a great steak and cheese Sammy.

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Speaker 3: You know it.

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Speaker 2: One was consumed right in front of us. Hell Wiley,

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We have quite a shoe for you tonight. A special show,

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special music show. We're we're going to be discussing soon

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to be released album by a van called sky Club.

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The name of the album is Uphology and all the

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songs about UFOs and so on. So hopefully it'll be

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an interesting night. We'll see. But first, let me introduce

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you to members of the posse. Girls. You will you

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might have get your fill of them last night, whenever

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the last time you heard.

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Speaker 3: I doubt it. I doubt they get the fill.

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Speaker 2: But it's time to sit yourself down, start fanning yourself,

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get your big box of Kleenics, your big bikes and wipes,

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your squeegee, and you lou because the very famous one

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one is here.

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Speaker 3: Hello everybody, Hello girls and all ships at sea. Everybody

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is invited to the show. And I'm glad to be here,

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glad to entertain everybody, especially my buddy on my right,

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mister mc maloney, because if I don't entertain him, I'm

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out of business.

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Speaker 2: On your left, hon, I, oh no, yes, you're on

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my right. All right, Well, thank you?

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Speaker 3: Right your left, she's gone. Well who did that song?

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Oh no no, we'll give them drum roll anyway. So

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special show tonight, music show. We do them every once

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in a while. And tonight's theme is this Bean Sky

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Sky Club. Will introduce the members of it in a minute,

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but we're trying to play music in between segments tonight.

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So this has been a it's like NASA in here today.

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Oh yeah, you have to see the place, but you're

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handling it correct. Yeah, it's like Abbey Road, just more complicated.

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Also here without George Martin. And who's the engineer, Jeff Emeric.

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Speaker 2: Jeff Emeric also sitting here already bloored to tears is

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uncle ally Kiddy spell? Well, how are you doing? No microphone?

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All right, he's all right, He's give me the peace sign,

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but there's only one finger. Okay. Well, thanks and joining

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us from zoom from North Carolina. You sent me a

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picture today. Were you riding your horses and just posing

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with your horses?

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Speaker 4: No, I actually rode this morning. I had a wonderful morning.

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It was pretty out. The sun was shining, but it

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was a little chilly out. It was it was nice.

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That was my friend and I riding. We were both

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on our horses, but we couldn't get in the same photo.

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Speaker 2: It's a super fan Susan Kay down there in North Carolina, Susan,

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what's chili to you? What's chili to you?

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Speaker 4: I am I think it was fifty nine.

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Speaker 3: That's chili.

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Speaker 4: So when the wind's blowing and the sun's not out,

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you know, and I'm in a T shirt, it's a

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little chilly.

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Speaker 2: Yeah, okay, okay, thanks for joining us tonight. You're a shirt.

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It's okay, that's another show.

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Speaker 4: Thank you so much for having me.

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Speaker 2: And also with us is Mike Pohlan, who we're gonna

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give him around of applause now we are scattering of applause.

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He's trained us uh many other times under the alias

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uh no belly button man. It's one of them, right

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yet I'm still looking right, okay. And you used to

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get a lot of jokes about you don't naval exercises

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and all that kind of stuff right now, so U

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But and Myke's wife denied to see it too. Let's

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give her a you know why, because she has to

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put up with him, and I know it's brutal with

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sending a letter to the Vatican when the time comes

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to canonize her. Anyway, So mac is, we've known each

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other for a long time. You're a musician, You've been

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a musician ever since you're a little kid, right, basically,

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and been in a lot of bands. You're on MTV.

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You want a contest on MTV at one point, right,

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what was that like cocin Hookers rock and roll?

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Speaker 3: Sorry, when was that?

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Speaker 5: Eighty two?

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Speaker 3: Wow?

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Speaker 2: The band was Limbo Race, that's correct.

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Speaker 6: Yeah, kind of post punk, kind of angry, loud fast,

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you know, kind of deal.

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Speaker 2: What were you wear Angry at the world?

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Speaker 5: Yeah, okay, lack of money too.

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Speaker 3: So we were on the show and it was aired

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and everything else right on TV?

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Speaker 6: Yeah, yeah, yeah, probably three o'clock some Sunday morning once.

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Speaker 2: But you met Nina Blackwood. She lived in newby Port

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from that's right, yeah, said so, but you've been in

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a number of bands. Uh, you can play the drums

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and guitar, which is a very very rare in bass.

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But all I can think is Dave Grohl can do it,

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and he plays guitar too. Yeah, he's in Full Fighters. Yeah.

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I know he played drums, so, but that's usually people

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drummers can't play guitars, you know. Yeah, So anyway, so

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I don't know even if it's not I tell you

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the truth. But at one point, way back when we

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recorded an album called Sky Club and that was the

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name of the album, and so it was. It was

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mock myself, Omnie Castinell, saxophone player, great Guy, and Chris

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Billius was the producer and piano player, and we had

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a few guest musicians on. Richie Kennedy, Lois's brother, played

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a number of them, and Matt Maley from Tommy Crows

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plays based on the number of them. So that Bracon

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came out.

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Speaker 5: And do you remember when we started working on that.

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Speaker 2: Boy don't. We don't want to mention dates on here,

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but it was a while ago. Yeah, it was, yes,

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and to do it, we should through a whole show

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on that. But what we used to do, we we

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could it in this. We did them, not the demos,

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but the preliminary recording in this guy's house and he

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is an old house and he he would be in

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like the control room and to get into the recording

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studio you had to go through a hallway and then

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into another room so he couldn't see us. We'd go

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in there and we'd be in there for two three hours.

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We wouldn't see them, we'd hear them. You know, you're

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not supposed to drink in the recording the studio. So

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when we would do the instruments, usually we would do

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it during the day. We'd have double sessions. I remember

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we did that a lot, and do the instruments during

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the day and you have to be really on top

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of it, especially me to do it. But then at

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night we do the vocals really loaded, and I know

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that a lot of the vocals on that album. You know,

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you run to the influence when drunk, all right, So

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that album came out really good. It was kind of

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a throwback to the fifties at Progressive and at the time,

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we were all the different angles of this at the time.

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I mean it goes back to a guy named Patrick Maraz.

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That's where we should say is because this guy used

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to play keyboards and yes and the Moody Blues. We

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got to know him when he was doing a solo tour.

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I kind of signed Don Volunteer to be his pr guy,

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and then he got signed to a company in London

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called Voiceprint Records. And the thing with him was that

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he had had so many record companies, He had had

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so many contracts it was impossible to bring them all together,

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you know. I mean really there was probably twelve different

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Crystalist was one of them. He we coud on Lamborghini Records,

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and everyone who signed a contract got a Lamborghini. That

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so anyway, and then he was on Atlantic, he was

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on whatever the Moody Blues label was. So but these

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people and they would always say to me, well, why

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can't he come out with the greatest hits album? But

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it was just like too complicated legal wise, but Voiceprint

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for whatever reason, it don't work that way through it,

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and they started up putting out other stuff by him.

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I got to know the owner. I said to you,

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I think if we recorded a couple of songs and

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we played it for this guy, I think he'd go

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us a contract. And that's kind of what happened, right,

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And then we wound up down and then came out

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and we finished at Bristol Recruiting Studios in Boston, and

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that's why it sounds so good, and because it's a

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very famous place and they were nice to us there

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and so anyway, so the CD came out, it did well,

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did a lot of promotion for art. This is right

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around the time that you were downloading songs for a dollar.

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Speaker 3: Remember that I do remember that, And I also remember

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them downloading him for nothing. Yeah, well you know about

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napster and yeah, all that and all these other things.

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Speaker 2: So we signed a contract with a company in LA

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called Cleopatrick Records and basically sold way O soulds to them.

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But you know, it was a record deal and they

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put it out and probably six months later I started

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getting residual checks. I'm going, you're kidding me because they

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were downloading this one song called Kenny hamm Me by

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Mike and the mccannics cover song, and that lasted for

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about a year and not really big worldy checks. But

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you know, I was always I think we were always

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ahead of the game. I never cashed them.

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Speaker 3: And and then in that you still haven't cashed, no,

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and that it's.

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Speaker 2: It's only like a few hundred bucks. But but I

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thought they were making a mistake. I didn't want to

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cash and they have to give the money back something.

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But then in that and then from that second to

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the next it was streaming okay, And then that was

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the end of that whole downloading thing. Nscd's everything. So

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now time goes by and I'm just on Spotify. Just

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a month ago and there's the album on Spotify. And

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we didn't put it on there exactly. Cleo Patrick must

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have put it on in there. And I look at

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this one song that had been had had twenty thousand

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downloads all right for buck each they over the years

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had already accumulated ten thousand downloads. So people liked that song.

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Too bad. We didn't have it tonight, but you can

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go on you can go on YouTube. It's mcloney sky Club.

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It's called Silent Running. Can you hear me? It's a

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good song. I mean, you know, I remember working on it.

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Took us a while to do it. But so anyway,

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after all that happened, we said, well, I said to

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directing company, you know, you always have to give them

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a second record. So that's what we started. And I

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thought that it'd be good because we're doing the UFO

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Show and everything that we do a bunch of songs

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about UFOs. Do you remember any of this mock you

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may tell me, storry, Right, So we started a second album,

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and you know, I guess we finally finished it and

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we're going to release it, you know, sometime soon. I

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was just talking to Chris bill Yas, who was the

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producer at Crystal Records the other day, What.

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Speaker 3: Song on sky Club did you want to listen to?

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Speaker 2: We could listen to. It's called Silent Run? Can you

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do that? All right? So when we start off, uh,

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when we start to start this show off, so this

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we're gonna be talking about the Sky's Club songs, how

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we put them together and stuff like that. And I'm

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not doing this solely for tax purposes. But okay, here

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we go. That's the I R s already my timing.

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Speaker 3: That's Mike for making the mechanics look at.

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Speaker 2: For his three cents of play. Okay, I want to

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give it a shot. Ready, there we go, Take.

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Speaker 7: The children and yourself and hide out in the cellar.

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But now the fine we'll be close in here. Don't

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believe in church state and everything they tell you.

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Speaker 8: Believe in me.

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Speaker 9: I'm with the High Command.

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Speaker 10: Can you hear you? Bag?

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Speaker 9: Can you hear me running ahead?

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Speaker 8: Can you hear me running?

236
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Speaker 9: Can you be hear me calling you?

237
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Speaker 11: Can you hear me? Can you hear me?

238
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Speaker 12: Run?

239
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Speaker 11: Head?

240
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Speaker 8: Can you hear me running?

241
00:14:25,519 --> 00:14:30,960
Speaker 11: Can you hear me calling you?

242
00:14:31,840 --> 00:14:36,679
Speaker 9: There's a kind of a munition just inside.

243
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Speaker 12: The doy.

244
00:14:39,120 --> 00:14:48,000
Speaker 9: Use the only emagency. Then you should pray.

245
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Speaker 11: The God, the Father and the spirit you got you.

246
00:14:53,759 --> 00:15:01,200
Speaker 9: Have ptag do from here? Can you hear bag?

247
00:15:03,320 --> 00:15:04,399
Speaker 11: Can you hear me?

248
00:15:04,759 --> 00:15:05,279
Speaker 8: Run ahead?

249
00:15:06,960 --> 00:15:07,919
Speaker 11: Can you hear me?

250
00:15:08,039 --> 00:15:09,679
Speaker 9: And running? Can you hear me?

251
00:15:10,120 --> 00:15:11,000
Speaker 8: Call you?

252
00:15:14,120 --> 00:15:15,519
Speaker 9: Can you hear bag?

253
00:15:17,759 --> 00:15:23,080
Speaker 8: Can you hear me ring? Can you hear me running?

254
00:15:23,200 --> 00:15:25,039
Speaker 11: Could you hear me calling?

255
00:15:25,200 --> 00:15:58,879
Speaker 9: You swear with me?

256
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Speaker 7: It's just too bad?

257
00:16:01,200 --> 00:16:03,879
Speaker 13: Whatever badda waving.

258
00:16:05,039 --> 00:16:08,360
Speaker 11: Hello here and watch you release me?

259
00:16:12,679 --> 00:16:14,039
Speaker 8: Feature Chilly.

260
00:16:15,840 --> 00:16:18,360
Speaker 11: Sunday Sounds another.

261
00:16:19,480 --> 00:16:23,000
Speaker 9: Ride something I wis nasty?

262
00:16:54,960 --> 00:16:56,120
Speaker 11: Can you hear me?

263
00:16:58,600 --> 00:16:59,679
Speaker 9: Can you hear me?

264
00:17:02,200 --> 00:17:06,039
Speaker 11: Can you hear me? Let me call you?

265
00:17:09,400 --> 00:17:10,319
Speaker 9: Can you hear.

266
00:17:12,960 --> 00:17:17,559
Speaker 11: Can you hear me? Can you hear this?

267
00:17:17,960 --> 00:17:20,200
Speaker 12: Love? Come? Like?

268
00:17:52,559 --> 00:17:58,039
Speaker 11: Can you heard? Can you hear me your name?

269
00:17:59,759 --> 00:18:03,160
Speaker 9: Can you hear me running? You hear me coming?

270
00:18:03,759 --> 00:18:03,799
Speaker 12: You?

271
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Speaker 11: Can you?

272
00:18:14,240 --> 00:18:17,799
Speaker 8: Did you hear me running? Hear me coming?

273
00:18:45,240 --> 00:18:48,279
Speaker 2: Wow? Oh yeah, there's a trip down memory lane. A

274
00:18:48,400 --> 00:18:54,119
lot going on there, man. I am lavish production, yes,

275
00:18:55,200 --> 00:18:58,759
very lavish, you know, through all the wires and everything.

276
00:18:58,759 --> 00:19:02,240
I'm not sure that it's I mean, your voices when

277
00:19:02,240 --> 00:19:04,160
you hear the original wracky your voice is like really

278
00:19:04,160 --> 00:19:04,759
out there.

279
00:19:04,599 --> 00:19:06,279
Speaker 3: You know, which is really good?

280
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Speaker 2: And this this is live drums too, which is I

281
00:19:10,680 --> 00:19:13,279
mean real drums. And I just remember from.

282
00:19:13,200 --> 00:19:16,720
Speaker 3: There you say real drums, you mean brought him in there,

283
00:19:16,759 --> 00:19:19,319
and brought him in there and played the take.

284
00:19:19,880 --> 00:19:22,680
Speaker 2: Yeah I'm not during the take along went the tape. Yeah,

285
00:19:23,079 --> 00:19:24,559
I think we have a click. We had to click

286
00:19:24,599 --> 00:19:30,079
the beginning. Yeah. So the story of Vinmony is too

287
00:19:30,079 --> 00:19:32,680
bad man, because he's a great guy. He died about

288
00:19:32,680 --> 00:19:37,559
a year ago, and he was a brother from New Orleans.

289
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And this other guy who ran the studio, Roger knew

290
00:19:41,079 --> 00:19:44,480
him and we were just planning to this album, the

291
00:19:44,680 --> 00:19:48,920
previous album, you know, yes, Moody Blues whatever, and he

292
00:19:49,079 --> 00:19:51,039
just said, one day, you know, you should have a

293
00:19:51,079 --> 00:19:53,759
guy play sax on this. I know this saxophone player.

294
00:19:54,440 --> 00:19:57,200
And he came in, he played, and I just remember

295
00:19:57,200 --> 00:20:00,279
everything kind of changed then because it was was like,

296
00:20:00,319 --> 00:20:02,240
all of a sudden, this sounded really good, you know,

297
00:20:02,480 --> 00:20:03,519
because he was so good.

298
00:20:03,839 --> 00:20:03,960
Speaker 3: Oh.

299
00:20:05,160 --> 00:20:06,839
Speaker 2: But I remember going in the room with him, and

300
00:20:07,200 --> 00:20:10,319
I was very cool at this point, and I told

301
00:20:10,359 --> 00:20:12,960
him what to play on a keyboard because it was

302
00:20:13,000 --> 00:20:14,640
in my mind. I remember running said, well, you know,

303
00:20:14,680 --> 00:20:17,039
you know, you don't really do that with these guys,

304
00:20:17,119 --> 00:20:19,799
you know, because you play with Paul Mccarttney and the Eagles,

305
00:20:21,000 --> 00:20:21,599
you name it.

306
00:20:22,119 --> 00:20:24,960
Speaker 3: How did you describe what you wanted him to play?

307
00:20:25,240 --> 00:20:27,119
Speaker 2: Just there was a keyboard in there and I played

308
00:20:27,119 --> 00:20:31,200
the notes. And then afterwards we had just met him

309
00:20:31,200 --> 00:20:35,480
that day and he said, you know you and something

310
00:20:35,480 --> 00:20:37,720
like you made me work harder than I've worked before.

311
00:20:37,799 --> 00:20:41,160
Because from that point on you realize, okay, you leave

312
00:20:41,200 --> 00:20:42,920
a place for how many to play and then he

313
00:20:43,000 --> 00:20:45,039
just goes in there and play it, and then you

314
00:20:45,039 --> 00:20:47,279
have like four things you have to pick from. Which

315
00:20:47,319 --> 00:20:48,680
is the thing?

316
00:20:48,720 --> 00:20:48,880
Speaker 14: You know?

317
00:20:48,920 --> 00:20:51,119
Speaker 2: Because he was he was just that good. He was

318
00:20:51,160 --> 00:20:53,000
a great guy. He was one of these guys you know,

319
00:20:53,000 --> 00:20:54,599
he'd walk in the room and it would just be

320
00:20:55,559 --> 00:20:57,559
you know, I don't know, a body or something. He

321
00:20:57,640 --> 00:21:00,000
was just a very gregorious guy. Had a lot of

322
00:21:00,599 --> 00:21:03,559
great stories. And like I said, he was with Elvis

323
00:21:03,599 --> 00:21:05,920
Cussole I think the longest for like ten years. He

324
00:21:06,039 --> 00:21:09,880
was in his band and the play with McCartney the Eagles.

325
00:21:10,920 --> 00:21:13,440
He was from New Orleans. He was you know, definitely

326
00:21:13,480 --> 00:21:16,559
with those guys. But a funny guy and a great guy,

327
00:21:16,759 --> 00:21:19,279
really good guy. You know who was his name again,

328
00:21:19,599 --> 00:21:24,759
Omedie Castane And he you know, he walks in the

329
00:21:24,839 --> 00:21:27,279
room and I'm sorry, but you know, Mac and I

330
00:21:27,319 --> 00:21:29,440
prow the whitest guys on the planet, would you agree with?

331
00:21:32,200 --> 00:21:36,599
And you know somehow it kind of works. So yeah, yeah,

332
00:21:36,799 --> 00:21:40,400
so too bad, really really good guy, good guy. So anyway,

333
00:21:40,400 --> 00:21:42,480
that was the first album. That's how that all happened.

334
00:21:42,519 --> 00:21:45,200
And then you know, it had those downloads and now

335
00:21:45,240 --> 00:21:48,799
we see that, you know, ten thousands people have downloaded.

336
00:21:48,839 --> 00:21:52,480
I'll listen to it on Spotify, so uh, that's good.

337
00:21:52,519 --> 00:21:54,680
So anyway, so if we made that album, we're making

338
00:21:54,680 --> 00:21:57,480
our second album, and that's when we said, well, when

339
00:21:57,480 --> 00:21:59,599
do we make it all about UFOs or UFO We

340
00:21:59,720 --> 00:22:03,000
laid it stuff and we probably did that about a

341
00:22:03,039 --> 00:22:05,720
year after that, maybe a year or two after we

342
00:22:05,759 --> 00:22:08,640
started that, And that was right down. That was all

343
00:22:08,640 --> 00:22:13,960
down at Bristol Studios in Boston, and I don't know,

344
00:22:14,000 --> 00:22:15,720
we had a lot of fun down there, was you know,

345
00:22:15,880 --> 00:22:18,160
there was always anytime we do it, there was always

346
00:22:18,160 --> 00:22:20,119
something going on there. The cool thing about it is

347
00:22:20,160 --> 00:22:22,160
there were people just walking through the place, you know,

348
00:22:22,359 --> 00:22:25,880
trombone players and violin players and you know, singers and stuff,

349
00:22:25,920 --> 00:22:27,359
and you could just pull them in and they would,

350
00:22:27,440 --> 00:22:30,880
you know, sing on it and stuff. So Steah Berkeley

351
00:22:31,160 --> 00:22:32,799
School of Music was right across the street.

352
00:22:32,880 --> 00:22:34,680
Speaker 3: So there's a lot of people remembers of the Boston

353
00:22:34,759 --> 00:22:36,960
Pops just drop by and trying.

354
00:22:36,720 --> 00:22:38,440
Speaker 2: To It was I don't know about the West and

355
00:22:38,480 --> 00:22:40,920
pots and practice. There was a guy on one of

356
00:22:40,920 --> 00:22:46,279
the songs. His name was Mohammed Ala Trash. You can't

357
00:22:46,319 --> 00:22:49,119
forget it, right, like, he's six foot five here from

358
00:22:49,400 --> 00:22:53,599
He's from Gaza and uh his parents this is before

359
00:22:53,640 --> 00:22:56,279
they had all these problems obviously, and his parents had

360
00:22:56,359 --> 00:23:01,079
him take violin lessons and then they bombed it and

361
00:23:01,240 --> 00:23:05,079
his violin teacher went back to Sweden. So he switched

362
00:23:05,119 --> 00:23:07,640
to cello. That's all he knew how to play cello.

363
00:23:08,000 --> 00:23:13,759
He was great, Yeah, yeah, and yeah so yeah, right,

364
00:23:13,920 --> 00:23:15,000
all right, Mark, hang on.

365
00:23:15,000 --> 00:23:17,480
Speaker 5: He's right.

366
00:23:17,519 --> 00:23:21,519
Speaker 3: There's never enough cello, so yeah, these days.

367
00:23:21,400 --> 00:23:23,319
Speaker 2: And I think he played. He was a backup guy

368
00:23:23,400 --> 00:23:26,039
for not the Pops, but you know, one of them.

369
00:23:26,839 --> 00:23:28,599
I don't know what it was, but anyway, he was good.

370
00:23:29,519 --> 00:23:33,519
So anyway, So for this second album called Uphology, we

371
00:23:33,839 --> 00:23:35,880
as I said, we put together some cover songs but

372
00:23:35,960 --> 00:23:40,279
also has some original songs about Ufoo. So the first

373
00:23:40,319 --> 00:23:44,200
one is called hypnotize and it's is a cover by

374
00:23:45,720 --> 00:23:52,839
Pleetwood Mac put it out years ago. It's a I

375
00:23:52,839 --> 00:23:54,480
think the way we did is you're going to agree

376
00:23:54,519 --> 00:23:56,599
with a completely different song, but you know, the bones

377
00:23:56,640 --> 00:23:58,480
are still there and I just remember doing it the

378
00:23:58,519 --> 00:24:01,640
regular way, and then Chris was able to put it

379
00:24:01,680 --> 00:24:03,559
in you know, his magic machine down there when he

380
00:24:03,599 --> 00:24:07,440
came out, you almost like a dance thing. But the

381
00:24:07,480 --> 00:24:11,680
singing is great, guitar playing is great, so it's a

382
00:24:11,680 --> 00:24:14,119
good way to kick off the album. So without further ado,

383
00:24:15,559 --> 00:24:18,880
this is hypnotized from Skyclumbs coming out and called you

384
00:24:19,000 --> 00:24:21,039
follow please one one.

385
00:24:42,359 --> 00:24:48,200
Speaker 15: Bown down down down conn track down, turn.

386
00:24:47,839 --> 00:24:53,519
Speaker 13: Turn down, buck down bun bun cown connun down boundown

387
00:24:53,559 --> 00:24:55,720
cown concownwn down, Downtown.

388
00:25:00,119 --> 00:25:00,279
Speaker 12: Out.

389
00:25:11,079 --> 00:25:14,000
Speaker 16: It's the same kind of story that seems to come

390
00:25:14,119 --> 00:25:19,200
down from a long ago, and I think that two

391
00:25:19,279 --> 00:25:22,680
friends haven't conte and sometimes.

392
00:25:26,680 --> 00:25:30,359
Speaker 5: It might be done on thelone, which is why at.

393
00:25:30,319 --> 00:25:37,480
Speaker 16: Least have the play, because there ain't no rated. Your

394
00:25:37,720 --> 00:25:47,480
imagination seems.

395
00:25:43,839 --> 00:25:44,359
Speaker 11: Like a dream.

396
00:25:55,039 --> 00:25:55,960
Speaker 9: No, it's not a beating.

397
00:25:56,000 --> 00:25:59,359
Speaker 17: The question is able to ask if they been is gone.

398
00:26:02,960 --> 00:26:06,240
I remember talking about hom Helen had.

399
00:26:06,119 --> 00:26:11,200
Speaker 9: A strange drange palm. You see the.

400
00:26:11,279 --> 00:26:15,920
Speaker 17: Side feel like class of course no Longe roll.

401
00:26:18,960 --> 00:26:20,480
Speaker 11: In a many mans pair.

402
00:26:20,400 --> 00:26:23,799
Speaker 14: Never made that plad and I begets what shir.

403
00:26:27,200 --> 00:26:28,599
Speaker 3: See he's trying to bring him.

404
00:26:38,519 --> 00:26:41,599
Speaker 17: They say this is the place county missing or a

405
00:26:41,680 --> 00:26:44,319
man in five of the mountains and hills.

406
00:26:46,920 --> 00:26:51,799
Speaker 5: Anyone he's there, played from the collevision and he DEVI did.

407
00:26:54,920 --> 00:26:59,079
Speaker 9: Ninety's a meeting this question hunt asked for school or so.

408
00:27:02,680 --> 00:27:07,880
Speaker 11: Not? B mad and bore you time.

409
00:27:11,319 --> 00:27:12,599
Speaker 12: Means like a dream.

410
00:27:20,440 --> 00:29:08,119
Speaker 14: He attatattattta.

411
00:28:19,880 --> 00:28:56,880
Speaker 11: And state stattatt state stattattattattt.

412
00:29:25,200 --> 00:29:27,119
Speaker 2: Wow, that's a trip.

413
00:29:29,279 --> 00:29:32,799
Speaker 3: Who's the You're on the vocals in this? Yeah, you're

414
00:29:32,839 --> 00:29:33,319
the vocals.

415
00:29:35,480 --> 00:29:35,960
Speaker 9: Who was that?

416
00:29:37,319 --> 00:29:37,599
Speaker 14: You know?

417
00:29:38,000 --> 00:29:39,799
Speaker 2: There was one of those things there was at Bristol

418
00:29:39,839 --> 00:29:42,960
when she was walking around and she came in saying

419
00:29:43,000 --> 00:29:43,799
the hommony.

420
00:29:44,319 --> 00:29:48,440
Speaker 5: You remember, I'd get tracks without vocal and I do

421
00:29:48,519 --> 00:29:49,319
the vocal at home.

422
00:29:49,559 --> 00:29:53,640
Speaker 6: Yeah, we send it in the pipes and wailed it

423
00:29:53,880 --> 00:29:55,240
as they say, right, Yeah, pretty much.

424
00:29:56,039 --> 00:29:59,319
Speaker 2: It was at the time there was a Bristol studio

425
00:29:59,400 --> 00:30:02,920
had this an in house girl being named Jada, and

426
00:30:03,000 --> 00:30:05,519
they used to sing the national anthemate Patriots games and

427
00:30:05,559 --> 00:30:08,319
stuff like that when they were Yeah, they were and

428
00:30:08,559 --> 00:30:13,000
just for beautiful girls, and and one day one was

429
00:30:13,079 --> 00:30:15,160
walking around and say, hey, can you come in and

430
00:30:15,240 --> 00:30:17,839
sing this pot And that's how it was there, you know.

431
00:30:18,000 --> 00:30:21,039
So Susan, that's the first time you heard that song, right?

432
00:30:22,440 --> 00:30:26,119
Speaker 4: I think it's amazing. I love Skyclub anyways. So it's

433
00:30:26,160 --> 00:30:29,319
got a real catchy tune. I just I think it's

434
00:30:30,039 --> 00:30:30,480
it's great.

435
00:30:32,000 --> 00:30:35,720
Speaker 3: Reminds me of a Dick Clark's rated record on Is

436
00:30:35,759 --> 00:30:39,279
It Going On? That was Hard Day's Night by the Beatles.

437
00:30:39,319 --> 00:30:41,720
Though we just think of that. Well, I can't really

438
00:30:41,799 --> 00:30:45,000
dance to it. Yeah, I think it's got a good

439
00:30:45,039 --> 00:30:46,000
beat and we can dance to it.

440
00:30:46,240 --> 00:30:47,640
Speaker 2: But you've heard it for the first time. What do

441
00:30:47,680 --> 00:30:48,079
you think of it?

442
00:30:48,720 --> 00:30:53,039
Speaker 3: But this fantastic the mix? How did you get all

443
00:30:53,079 --> 00:30:56,839
the effects in that mix? How many how many attempts

444
00:30:57,559 --> 00:30:59,440
did it take to really get that sound you were

445
00:30:59,480 --> 00:30:59,759
looking for?

446
00:31:00,119 --> 00:31:04,799
Speaker 2: Chris was a real wizard, Yeah, yeah, was the producer.

447
00:31:04,920 --> 00:31:08,319
Speaker 3: He but the source source songs where they come from.

448
00:31:09,000 --> 00:31:11,799
Speaker 2: Just these playing like a demo, you know, and then

449
00:31:11,960 --> 00:31:14,559
just taking it and twisting it. Yeah, did you have

450
00:31:14,640 --> 00:31:17,839
a melotron in there or something? Just sound of the keyboards. Yeah,

451
00:31:17,839 --> 00:31:19,759
I know, I look back on the keyboards. If I

452
00:31:19,799 --> 00:31:21,599
could do it again, I think I would probably, you know,

453
00:31:22,279 --> 00:31:24,759
kind of go a little more down downloading them. But

454
00:31:24,839 --> 00:31:28,519
if you notice that whenever, whenever, because I'm not a

455
00:31:28,599 --> 00:31:31,519
musician at all, but anyone can play these synthesizers to

456
00:31:31,599 --> 00:31:36,079
make them sound like violins and stuff. And what I really,

457
00:31:36,119 --> 00:31:39,720
what I realized earlier is whenever Amedy is playing, if

458
00:31:39,759 --> 00:31:41,759
you can play something behind that, it makes it sound

459
00:31:41,839 --> 00:31:44,440
really just makes it sound what you're playing good because

460
00:31:44,480 --> 00:31:46,880
he's so good, you know, so you hear me in

461
00:31:46,920 --> 00:31:49,079
the background when he was doing like solos and stuff

462
00:31:49,119 --> 00:31:49,279
like that.

463
00:31:49,559 --> 00:31:50,839
Speaker 3: Who were you doing in the background?

464
00:31:51,559 --> 00:31:54,079
Speaker 2: You just playing the like the keys like the melotron,

465
00:31:54,200 --> 00:31:57,279
or it's not literally the melotron, but actually what it

466
00:31:57,400 --> 00:32:01,680
is was I got a I got a Corg Triton,

467
00:32:01,880 --> 00:32:04,000
which is worth about five grand. I got it on

468
00:32:04,200 --> 00:32:08,440
the reduced price, and and I get a Yamaha one

469
00:32:08,519 --> 00:32:11,799
hundred dollars, a personal keyboard that has like come Home,

470
00:32:11,839 --> 00:32:14,480
Bill Bailey and stuff. I already entering. But the string

471
00:32:14,640 --> 00:32:17,160
sound in that was so good that we use that

472
00:32:17,319 --> 00:32:17,599
a lot.

473
00:32:17,720 --> 00:32:23,319
Speaker 5: Yeah, yeah, yeah, yeah, retro sometimes, Yeah.

474
00:32:23,720 --> 00:32:25,839
Speaker 2: The whole idea is kind of like a little retro now.

475
00:32:26,079 --> 00:32:32,599
So so yeah, so that was hymnotized, and so what's next?

476
00:32:32,759 --> 00:32:33,920
Speaker 3: Who's the player in there?

477
00:32:34,480 --> 00:32:38,839
Speaker 2: Omity? Casting outmy cast? He would tell us stories that

478
00:32:38,920 --> 00:32:40,799
I can't repeat now, but he would, he would. He

479
00:32:40,920 --> 00:32:45,799
was very funny and he liked everyone except the one

480
00:32:45,920 --> 00:32:48,279
oddist that he played with. He says, Paul mc and

481
00:32:48,359 --> 00:32:50,720
Paul and Lynda McCain with like the nicest people you've

482
00:32:50,759 --> 00:32:54,640
ever ever met, treated the band great, everything was first class.

483
00:32:56,039 --> 00:32:56,960
Got a problem and.

484
00:32:59,799 --> 00:33:01,440
Speaker 5: That point? Are they vegan yet?

485
00:33:01,519 --> 00:33:01,720
Speaker 2: You know?

486
00:33:02,240 --> 00:33:02,440
Speaker 3: Yeah?

487
00:33:02,440 --> 00:33:04,000
Speaker 2: I think so right around the time they were this

488
00:33:04,160 --> 00:33:07,119
is like around Junior's farm and Myas and Maas and

489
00:33:07,240 --> 00:33:12,319
Venus in that era, you know, the wings and play

490
00:33:12,359 --> 00:33:13,759
with a lot of other people. But he said the

491
00:33:13,880 --> 00:33:17,000
one person he couldn't stand was Paul Simon. Really he

492
00:33:17,079 --> 00:33:21,039
was just like a little a hole. Yeah, treated everyone badly,

493
00:33:21,400 --> 00:33:24,039
and you know it was just I couldn't get over

494
00:33:24,079 --> 00:33:28,000
that Napoleon complex, you know. So but anything, you know,

495
00:33:28,079 --> 00:33:30,799
it's too I kind of miss him. He was just

496
00:33:30,839 --> 00:33:34,599
fun to hang around with and yeah, yeah, a good guy.

497
00:33:34,720 --> 00:33:38,039
How many casts to know? So what's next? There? Around

498
00:33:38,039 --> 00:33:39,200
the hip parade?

499
00:33:39,200 --> 00:33:42,839
Speaker 3: There well we got Roswell two O seven.

500
00:33:43,079 --> 00:33:47,079
Speaker 2: Okay, so is that five percent? Say five percent?

501
00:33:47,519 --> 00:33:47,720
Speaker 3: It does?

502
00:33:50,000 --> 00:33:54,000
Speaker 2: What's the It was just sped up five percent? Okay.

503
00:33:55,039 --> 00:33:58,640
The only thing I remember about this song is I

504
00:33:58,839 --> 00:34:02,039
I had bought this kind of studio thing online where

505
00:34:02,039 --> 00:34:03,880
you can make up your own music and punch it in.

506
00:34:04,400 --> 00:34:06,480
It only worked once, but I got the like basics

507
00:34:06,519 --> 00:34:11,280
for this song, and I'd given you, I think, the

508
00:34:12,159 --> 00:34:15,320
whole lyrics. But I don't know whatever happened. But so

509
00:34:15,719 --> 00:34:19,239
Cherson I rea at the studio one day and and

510
00:34:19,320 --> 00:34:21,599
a guy came in. His name was just a rapper

511
00:34:21,719 --> 00:34:25,519
named n I l Nil next in line and looked

512
00:34:25,559 --> 00:34:30,239
like mova on. So he comes in and and he's

513
00:34:30,320 --> 00:34:31,920
just kind of getting a tour of the studio and

514
00:34:32,000 --> 00:34:34,159
then he leaves, and I just look at Chris and

515
00:34:34,199 --> 00:34:35,400
I said, you know, what wouldn't be funy if we

516
00:34:35,480 --> 00:34:37,320
had that guy sing this song, you know, like a

517
00:34:37,679 --> 00:34:41,400
hip hop guy. So he came in and he did

518
00:34:41,440 --> 00:34:44,440
it like one of two takes. He was were you

519
00:34:44,519 --> 00:34:45,559
the other day? And you remember?

520
00:34:45,760 --> 00:34:45,800
Speaker 14: No?

521
00:34:46,920 --> 00:34:49,360
Speaker 2: And he was the whole. He was the whole, the

522
00:34:49,440 --> 00:34:49,800
whole thing.

523
00:34:49,880 --> 00:34:50,000
Speaker 14: Man.

524
00:34:50,039 --> 00:34:52,960
Speaker 2: He had that Russian kind of hat on. He really

525
00:34:53,079 --> 00:34:55,920
he had a little anthemaged and and he just hit it.

526
00:34:56,000 --> 00:34:56,519
He nailed it.

527
00:34:56,639 --> 00:34:57,559
Speaker 3: Yeah, I love people.

528
00:34:58,760 --> 00:35:01,280
Speaker 2: So we took this kind of frog song and we

529
00:35:01,400 --> 00:35:05,159
had a rapper on it, and then Lax says sings

530
00:35:05,199 --> 00:35:08,519
the verses and then plays the guitar on it. Richie

531
00:35:08,639 --> 00:35:12,400
also plays the guitar on it. And then for the

532
00:35:12,480 --> 00:35:14,800
guitar song, I remember, we're figuring, trying to figure out

533
00:35:14,800 --> 00:35:17,480
what to do, and somehow Chris did something and he

534
00:35:17,599 --> 00:35:20,760
makes the guitar sound like an alien talking. So and

535
00:35:20,960 --> 00:35:25,679
the story is this roswell story told from the alien's

536
00:35:25,719 --> 00:35:29,280
point of view. That's what the whole song is about.

537
00:35:29,840 --> 00:35:30,480
So you want to.

538
00:35:31,960 --> 00:35:37,760
Speaker 3: Appear that forty five on the turntable and you know

539
00:35:38,000 --> 00:35:39,280
sixteen ready?

540
00:36:35,280 --> 00:36:38,880
Speaker 9: Yeah, I was talking to a.

541
00:36:38,960 --> 00:36:41,559
Speaker 13: Friend of mine here another fellow would travel look on

542
00:36:41,679 --> 00:36:44,880
in time. He said, our old friend number eleven SI

543
00:36:45,079 --> 00:36:46,320
back in forty seven.

544
00:36:46,559 --> 00:36:47,519
Speaker 9: They found his body.

545
00:36:47,599 --> 00:36:51,039
Speaker 13: They said, what, They checked his boss, They checked his head, okay,

546
00:36:51,280 --> 00:36:53,920
They locked him in a use flocks and then they

547
00:36:54,000 --> 00:36:57,039
lees to the bots, got lost, thirty kids went flying

548
00:36:57,079 --> 00:37:01,159
a flash. Everyone forgot his crash. Then things got a

549
00:37:01,199 --> 00:37:03,239
little messy him when they talk to.

550
00:37:03,320 --> 00:37:04,280
Speaker 8: That guy named chess.

551
00:37:04,639 --> 00:37:07,840
Speaker 13: He said he's seen his face, this distinguished man from

552
00:37:07,920 --> 00:37:09,440
out of space and face.

553
00:37:09,280 --> 00:37:10,960
Speaker 11: When he saw his black guys.

554
00:37:11,639 --> 00:37:13,360
Speaker 15: He knew that rainy guy.

555
00:37:30,400 --> 00:37:31,559
Speaker 12: He call.

556
00:37:49,440 --> 00:37:50,559
Speaker 15: Now to get it too, chests.

557
00:37:50,599 --> 00:37:51,880
Speaker 9: You feel Medo behind.

558
00:37:52,119 --> 00:37:54,760
Speaker 13: It wasn't leven really because I heard him back here

559
00:37:54,760 --> 00:37:55,480
in forty seven.

560
00:37:56,239 --> 00:37:57,639
Speaker 9: I never went back to heaven.

561
00:37:57,679 --> 00:38:00,840
Speaker 8: And then that guy's wondering why if he.

562
00:38:00,880 --> 00:38:03,719
Speaker 13: Knew what it's like to die and where what it's

563
00:38:03,760 --> 00:38:06,639
all right now, can because he's still with the somehow,

564
00:38:45,320 --> 00:38:48,159
I'm ut to the story worth my my my friend.

565
00:38:48,000 --> 00:38:48,960
Speaker 15: Who fell to earth.

566
00:38:49,519 --> 00:38:52,280
Speaker 9: He used to sell among the stars, you would its.

567
00:38:52,239 --> 00:38:55,880
Speaker 11: Game or candy box, but then you haven race.

568
00:38:56,360 --> 00:38:57,840
Speaker 8: The samesh man from out.

569
00:38:57,719 --> 00:38:59,760
Speaker 9: Of space, and because he knew he was one of the.

570
00:39:12,320 --> 00:39:12,519
Speaker 2: Yeah.

571
00:39:12,920 --> 00:39:15,199
Speaker 6: I love the code progression because it takes you somewhere

572
00:39:15,280 --> 00:39:17,679
and it throws a curve go somewhere else.

573
00:39:17,719 --> 00:39:19,320
Speaker 5: Yeah yeah, yeah, that's pretty good.

574
00:39:19,480 --> 00:39:20,079
Speaker 2: Yeah yeah.

575
00:39:20,320 --> 00:39:25,719
Speaker 3: Who's the primary songwriter on this? I guess us really yeah.

576
00:39:26,559 --> 00:39:28,920
Speaker 2: Yeah, it's just like I said, I just got this

577
00:39:29,800 --> 00:39:31,960
the thing that I crapped out like two months later.

578
00:39:32,159 --> 00:39:34,960
But you could have this own little recluion studio on

579
00:39:35,079 --> 00:39:38,400
your on your computer and put in the drums here,

580
00:39:38,480 --> 00:39:41,920
put in and work on. That's how that melody came out.

581
00:39:41,960 --> 00:39:43,840
And I just took that and that worked as the demo.

582
00:39:44,679 --> 00:39:47,960
You put everything else on it. But there's great guitar

583
00:39:48,119 --> 00:39:50,159
playing there at the end. It has that kind of

584
00:39:50,199 --> 00:39:53,199
southern twang, and I know Richie's playing the wuah wa

585
00:39:53,280 --> 00:39:56,840
ga time on it. And then get when it gets

586
00:39:56,840 --> 00:39:59,639
to that verse and you can actually hear the alien

587
00:39:59,719 --> 00:40:01,880
saying take me home. I think that's kind of a

588
00:40:01,960 --> 00:40:06,239
cool song, you know. Yeah, So that's Riisewell.

589
00:40:07,000 --> 00:40:10,239
Speaker 3: Just curious how many it takes to take to put

590
00:40:10,360 --> 00:40:11,320
something like that together.

591
00:40:12,679 --> 00:40:15,800
Speaker 2: It's the take is you know, getting the foundation usually

592
00:40:15,840 --> 00:40:18,239
wouldn't take long at all, but it's it's the screwing

593
00:40:18,320 --> 00:40:20,239
around with all the effects and stuff like that that

594
00:40:20,400 --> 00:40:23,320
would take a long time. And then and you do

595
00:40:23,480 --> 00:40:24,960
it and you have to and then you listen to

596
00:40:25,000 --> 00:40:26,199
it and you go, it's not quite right. You've got

597
00:40:26,280 --> 00:40:28,480
to do this. You go back and and it's a

598
00:40:28,559 --> 00:40:31,079
lot of times it's so tightly woven that if you

599
00:40:31,239 --> 00:40:33,079
just let one string go, the whole thing, you know,

600
00:40:33,239 --> 00:40:35,880
tends to fall apot and and it's a there's also

601
00:40:35,960 --> 00:40:38,159
a thing a rule of thumb. That's true. And we're

602
00:40:38,199 --> 00:40:41,199
different about this because you know, we're a studio band.

603
00:40:41,360 --> 00:40:43,599
You know, we've never really played out live or anything

604
00:40:43,719 --> 00:40:47,320
like that. But mm hmm, it's true. You know, if

605
00:40:47,599 --> 00:40:50,920
it doesn't happen the first or second time, it's it's

606
00:40:50,960 --> 00:40:53,079
not going to happen, you know. So you want to

607
00:40:53,119 --> 00:40:53,559
get these.

608
00:40:54,559 --> 00:40:57,400
Speaker 3: Leave alone for a couple of days working on something else, right, yeah,

609
00:40:58,280 --> 00:40:58,719
look at it?

610
00:40:59,719 --> 00:41:03,199
Speaker 2: So yeah, yeah, but yeah, that one that came out good.

611
00:41:03,199 --> 00:41:05,280
I like that song a lot. You know, it's Matt

612
00:41:05,320 --> 00:41:09,199
Manley playing the bass on it too. Really, so a

613
00:41:09,239 --> 00:41:11,400
lot of people involved, please, Susan.

614
00:41:12,800 --> 00:41:16,639
Speaker 4: So I don't have a creative fiber in my body.

615
00:41:17,360 --> 00:41:21,760
So it fascinates me when you say you all collaborated

616
00:41:22,320 --> 00:41:27,360
to you know, basically write the song. Can you elaborate

617
00:41:27,639 --> 00:41:30,719
on that a little bit and just explain to me?

618
00:41:30,840 --> 00:41:33,480
I mean, what's that like? I mean, do you just

619
00:41:34,000 --> 00:41:36,039
riding in the car and you're like, oh, write this

620
00:41:36,239 --> 00:41:38,000
down or how does that work?

621
00:41:40,400 --> 00:41:43,639
Speaker 2: Just the original song? So you know, one of us

622
00:41:43,679 --> 00:41:45,639
would come up with it and then you know, basically

623
00:41:45,719 --> 00:41:47,400
I would come up maybe with the melody, send it

624
00:41:47,480 --> 00:41:49,239
to Mac and Mac wing to create a song. From

625
00:41:49,280 --> 00:41:52,119
it a really good working demo, and then we'd send

626
00:41:52,199 --> 00:41:54,840
that down to the studio and work off of that

627
00:41:55,079 --> 00:41:59,119
is usually how it work, right, Yeah, making a pie

628
00:41:59,199 --> 00:42:02,639
almost okay, keep it on the layers onto it. But

629
00:42:03,239 --> 00:42:04,679
a lot of it just count, you know, as far

630
00:42:04,719 --> 00:42:06,440
as the lyrics and stuff like that, and how they

631
00:42:06,480 --> 00:42:07,599
say they come from nowhere.

632
00:42:07,800 --> 00:42:12,440
Speaker 3: Yeah, there's a lot of bands say that. Some bands

633
00:42:12,760 --> 00:42:15,639
they go down to the studio book all kinds of time,

634
00:42:15,760 --> 00:42:17,320
or maybe they don't have all kinds of time. They

635
00:42:17,400 --> 00:42:19,840
got three hours and they get kicked out. You get

636
00:42:20,039 --> 00:42:23,039
you get only so much time to flush something out

637
00:42:24,320 --> 00:42:25,480
right there in the studio.

638
00:42:26,480 --> 00:42:28,519
Speaker 2: You should have everything appeared before you go in there.

639
00:42:28,880 --> 00:42:31,519
It's very expensive. You know, you're trying to make it

640
00:42:31,639 --> 00:42:33,519
up as you go along in the studio.

641
00:42:33,679 --> 00:42:37,559
Speaker 6: But unless in the studio, sometimes you get the melody

642
00:42:37,559 --> 00:42:39,280
and you're just saying gibberish.

643
00:42:39,519 --> 00:42:43,079
Speaker 2: Yeah on top of it, yeah for sure. Yeah, and

644
00:42:44,159 --> 00:42:45,800
then it's you know, and then you just you you

645
00:42:46,000 --> 00:42:49,639
you kind of nurse it along or ever until everyone's

646
00:42:49,639 --> 00:42:51,800
happy with it, what everything sounds like, and then you

647
00:42:51,920 --> 00:42:52,440
know that's it.

648
00:42:54,199 --> 00:42:56,159
Speaker 3: So yeah, that's the part, and there you go.

649
00:42:57,280 --> 00:42:58,239
Speaker 5: You a song.

650
00:42:59,679 --> 00:43:05,400
Speaker 3: It's That's how the Beatles did it. It's the business

651
00:43:05,480 --> 00:43:09,159
model when scrambled eggs. While we're working on So, what's

652
00:43:09,159 --> 00:43:12,519
the next one. The next one is tea cups and saucress.

653
00:43:12,800 --> 00:43:14,679
Speaker 2: This is a great story, so.

654
00:43:16,440 --> 00:43:17,920
Speaker 3: We want to introduce it a little bit.

655
00:43:18,119 --> 00:43:22,599
Speaker 2: Yeah. So I'm not a musician. I can't play anything. Really,

656
00:43:22,719 --> 00:43:25,559
you play keyboards, yeah, but anyone can do it these days.

657
00:43:25,880 --> 00:43:28,400
I believe that when you listen to these songs, if

658
00:43:28,400 --> 00:43:30,800
you hear something that sounds like a violins and stuff like,

659
00:43:31,760 --> 00:43:33,880
that's me playing like one note at a time, one

660
00:43:33,960 --> 00:43:34,880
finger at a time.

661
00:43:34,760 --> 00:43:36,440
Speaker 3: With the violin button pressed right.

662
00:43:36,920 --> 00:43:39,400
Speaker 2: If you hear a really good part piano, that's Chris

663
00:43:39,519 --> 00:43:41,840
playing it, you know, because there's a really good piano player.

664
00:43:41,920 --> 00:43:45,920
So search and So we were on uh Lois and

665
00:43:46,000 --> 00:43:50,400
I had moved from our condo. We'd sold it and

666
00:43:50,800 --> 00:43:53,159
we hadn't bought another house yet. So we were staying

667
00:43:53,199 --> 00:43:57,079
at a cottage up on Rye Beach, right on the

668
00:43:57,159 --> 00:44:00,320
middle of freaking nowhere, no phones or any thing, and

669
00:44:00,440 --> 00:44:02,440
I just, you know, this song kept coming to me

670
00:44:03,159 --> 00:44:05,280
and I'm just like sitting there one day and I started,

671
00:44:05,480 --> 00:44:08,119
you know, writing down The lyrics are getting the melody,

672
00:44:09,159 --> 00:44:12,480
but I can't call him because I don't have the phone.

673
00:44:12,639 --> 00:44:16,079
So I called your answer machine and I whistled it

674
00:44:16,320 --> 00:44:19,199
into the answer machine and I said, you know, just

675
00:44:19,280 --> 00:44:20,599
come up, you know, if we can come up with

676
00:44:20,639 --> 00:44:23,920
the foundation of this, right and and that's how this

677
00:44:24,039 --> 00:44:26,239
hot happened. And this is supposed to be like a

678
00:44:26,559 --> 00:44:29,960
live recording. And the tea cups and sauces are you

679
00:44:30,039 --> 00:44:33,119
know what UFOs that you know, when they were first

680
00:44:33,360 --> 00:44:36,320
seeing they were described as tea cups on sauces. So

681
00:44:37,239 --> 00:44:39,119
that's what the song. So this is kind of a

682
00:44:40,039 --> 00:44:44,000
fifties kind you know, retro, you know, dance.

683
00:44:43,840 --> 00:44:46,760
Speaker 3: Hall, inspired by being in between homes.

684
00:44:47,880 --> 00:44:50,360
Speaker 2: Yeah, yeah, just laying on the beach and Rye going,

685
00:44:51,400 --> 00:44:53,159
I'll no it was.

686
00:44:53,239 --> 00:44:55,079
Speaker 3: What was cool about ry at the time, I think,

687
00:44:55,239 --> 00:44:57,280
is that you hardly had any cell service in that.

688
00:44:57,360 --> 00:45:00,679
Speaker 2: Area, right yah. We had to go through absolutely how

689
00:45:00,719 --> 00:45:03,199
to go through your dead areas back then and everything

690
00:45:03,320 --> 00:45:06,159
right true, So this is teacups and slices.

691
00:45:18,960 --> 00:45:20,480
Speaker 11: Then go every morning in.

692
00:45:22,800 --> 00:45:28,920
Speaker 9: Red I was wall, here's.

693
00:45:26,639 --> 00:45:28,519
Speaker 8: Something on the barrier way.

694
00:45:30,039 --> 00:45:32,440
Speaker 1: No weeds and no gas tank.

695
00:45:33,679 --> 00:45:33,719
Speaker 12: A.

696
00:45:33,800 --> 00:45:35,880
Speaker 11: Yeah, they gone, yeah, they gone.

697
00:45:35,719 --> 00:45:38,119
Speaker 9: Yeah, they come ahead, they come again.

698
00:45:41,239 --> 00:45:44,639
Speaker 11: Yeah they coneyn they come ahead, they come here.

699
00:45:44,559 --> 00:45:46,039
Speaker 5: They calling again.

700
00:45:49,480 --> 00:45:53,559
Speaker 8: Sides in the sky. I was wondering why and ing here.

701
00:45:57,199 --> 00:46:01,880
Speaker 11: Won't shooting spe shine. What's the first half of the

702
00:46:02,039 --> 00:46:05,159
day show to find?

703
00:46:05,239 --> 00:46:06,960
Speaker 8: What was it? Ann small.

704
00:46:08,679 --> 00:46:10,360
Speaker 9: Check ups and sonsets.

705
00:46:11,760 --> 00:46:15,079
Speaker 11: But here they come here, they come here, they come here,

706
00:46:15,159 --> 00:46:21,760
they gone on again. Here they come here, they come here,

707
00:46:21,840 --> 00:46:23,920
they gone here, they gone on again.

708
00:46:26,840 --> 00:46:28,719
Speaker 9: H s sa in the sky.

709
00:46:29,159 --> 00:46:31,519
Speaker 8: All it's wondering why in looking in.

710
00:46:34,920 --> 00:46:38,639
Speaker 9: I wanna spoke about about a thing. Go truck and

711
00:46:38,719 --> 00:46:45,199
refoot if you believe, don't you mound in this fill?

712
00:46:45,440 --> 00:46:47,400
Speaker 8: Be they in June.

713
00:46:50,559 --> 00:46:52,559
Speaker 9: Or something's going on out.

714
00:46:52,440 --> 00:46:54,679
Speaker 8: The bath every fall over the closs.

715
00:46:57,639 --> 00:46:58,800
Speaker 9: It's why I'm being there.

716
00:46:59,119 --> 00:47:44,199
Speaker 11: Back can come in back to say you don't know anymore? Weed, No,

717
00:47:44,400 --> 00:47:45,360
it sounds.

718
00:47:45,119 --> 00:47:48,119
Speaker 9: Crazy, mot it comes as no surprise.

719
00:47:51,159 --> 00:47:56,320
Speaker 7: The la Sam says the saucers I spy mans in disguise.

720
00:47:59,239 --> 00:48:00,599
Speaker 8: Hes uller ship.

721
00:48:00,840 --> 00:48:03,400
Speaker 9: They have been made us little thousands of years.

722
00:48:06,599 --> 00:48:10,960
Speaker 8: Tell you time grade. Then we made the mistake. Then

723
00:48:11,400 --> 00:48:16,639
the on in apating she six of otildren.

724
00:48:18,599 --> 00:48:20,400
Speaker 12: No up the border.

725
00:48:22,280 --> 00:48:24,400
Speaker 9: Shame how machinan.

726
00:48:25,719 --> 00:48:27,960
Speaker 8: One of the nose that the main gain.

727
00:48:29,480 --> 00:48:30,920
Speaker 9: Here they come here, they.

728
00:48:30,960 --> 00:48:33,800
Speaker 11: Come there, they come here, they come on again.

729
00:48:37,159 --> 00:48:38,559
Speaker 9: Here, they come here, they.

730
00:48:38,599 --> 00:48:41,480
Speaker 8: Come there, they come there, they come on again.

731
00:48:45,280 --> 00:48:46,199
Speaker 9: Ls in the sky.

732
00:48:46,679 --> 00:48:49,239
Speaker 8: I just wondering why the here.

733
00:48:52,840 --> 00:48:56,800
Speaker 11: Flys in the sky. I wonder and wins in here.

734
00:49:15,159 --> 00:49:16,880
Speaker 2: That swing of what swing that.

735
00:49:18,559 --> 00:49:21,480
Speaker 3: Ar Quy Club Charlie Watts on drums.

736
00:49:21,679 --> 00:49:23,519
Speaker 5: Yeah, how many gets that?

737
00:49:23,960 --> 00:49:24,559
Speaker 3: That's a nice.

738
00:49:26,079 --> 00:49:26,239
Speaker 14: Yeah?

739
00:49:26,320 --> 00:49:26,920
Speaker 2: Yeah for sure.

740
00:49:27,199 --> 00:49:29,079
Speaker 3: Is that what you call a twelve bar blues kind

741
00:49:29,119 --> 00:49:33,039
of yea with the two involved, Yeah, with the two chord.

742
00:49:34,119 --> 00:49:38,559
Mm hmmm, with a two chord ladies and gentlemen, you

743
00:49:38,639 --> 00:49:42,079
can look up what that means. Yes, So wow, Wow,

744
00:49:44,079 --> 00:49:48,760
I'm a one four and five man. You two one

745
00:49:48,840 --> 00:49:54,320
four five two get that and accent? George Thompson did

746
00:49:54,360 --> 00:49:56,400
that a lot. So when we do this, I'm gonna

747
00:49:56,400 --> 00:49:58,360
want to suggest we take a break down. Calm down,

748
00:49:58,719 --> 00:50:01,840
all right. You'll listening to mcloney's milit track style show

749
00:50:01,880 --> 00:50:04,840
here in the Distant Thunder Radio Network special music show.

750
00:50:04,960 --> 00:50:09,880
Speaker 2: Tonight, we're hearing for the first time in many cases,

751
00:50:10,199 --> 00:50:14,599
the new album by sky Clumb called Uphology one O

752
00:50:14,719 --> 00:50:52,039
one and we'll be right back after this. Please stay tuned. Wow,

753
00:50:52,320 --> 00:50:55,119
welcome back, and we went to macloney's Military Style show.

754
00:50:55,159 --> 00:50:59,559
Here in the distant thunder or Radio Network, this is mccloney.

755
00:50:59,639 --> 00:51:02,800
This is mc maloney's Musical X Files show. Right then

756
00:51:02,840 --> 00:51:06,079
they started at the beginning, I've got mc maloney's music show.

757
00:51:06,199 --> 00:51:09,400
Theres so one ago some musical X Files. We even

758
00:51:09,480 --> 00:51:10,719
have a bumper for that somewhere.

759
00:51:11,039 --> 00:51:13,400
Speaker 3: Yeah, for musical X Files, you have a bumper.

760
00:51:13,519 --> 00:51:16,519
Speaker 2: Yeah. Yeah, So it us about forty hours to put

761
00:51:16,559 --> 00:51:20,400
it together. One oh, that one. We're broadcasting live from

762
00:51:20,440 --> 00:51:23,679
the Stobby Gallley Restaurant, fifty five Water Street, New Epoint, Massachusetts,

763
00:51:24,039 --> 00:51:28,400
Great seafood restaurant, Great Hamburgers, great steak and see Sammy.

764
00:51:28,440 --> 00:51:30,519
And there are two people of the four people sitting

765
00:51:30,599 --> 00:51:33,360
in the studio with us here who have had one tonight, right,

766
00:51:33,480 --> 00:51:39,239
so they were that good. And yeah, Stobbi Gallley Restaurant,

767
00:51:39,519 --> 00:51:43,239
great place, lots of parking and the time we're talking

768
00:51:43,480 --> 00:51:45,800
is where people like shoot each other. We're parking. There's

769
00:51:45,880 --> 00:51:48,000
a huge parking lot in back of this place, which

770
00:51:48,079 --> 00:51:51,679
is cool. So anyway, so we're doing a special show tonight.

771
00:51:51,719 --> 00:51:54,079
We're talking about the music of the bands Sky Club

772
00:51:55,239 --> 00:51:58,039
and a couple of the members are here myself and

773
00:51:58,199 --> 00:52:01,599
Mike Poland, who was really nice. Percent of the whole

774
00:52:01,639 --> 00:52:03,960
idea we should clamp for him, and I'll tell you why.

775
00:52:06,079 --> 00:52:06,599
Speaker 9: Give it up.

776
00:52:09,000 --> 00:52:10,800
Speaker 2: I'll think of something and i'll let you know later.

777
00:52:10,880 --> 00:52:13,440
Speaker 5: Okay, yeah, yeah, yeah, same here.

778
00:52:13,800 --> 00:52:16,159
Speaker 2: We've put we've put a bunch of songs together. We've

779
00:52:16,199 --> 00:52:19,239
had a couple of albums out. He'll me talk about

780
00:52:19,280 --> 00:52:20,719
it on the show every once in a while. But

781
00:52:22,119 --> 00:52:24,559
there's a lot of funny things that happened when you're

782
00:52:24,880 --> 00:52:27,159
you know, doing stuff like this, and it's happened to

783
00:52:27,199 --> 00:52:32,480
Wise And I remember at one point anyway, before you

784
00:52:32,639 --> 00:52:35,679
meet that the girls, I'm sure you're wondering, you know,

785
00:52:35,960 --> 00:52:37,960
where is it? The very famous one one is want

786
00:52:38,320 --> 00:52:41,480
I'm here, glad to be here, of course. Okay, you

787
00:52:41,559 --> 00:52:46,400
feel like a groupie. Yeah, but I may have to

788
00:52:46,440 --> 00:52:48,079
take some time off and we'll see.

789
00:52:49,480 --> 00:52:52,159
Speaker 5: Kind of lot to be a road be already move

790
00:52:52,239 --> 00:52:52,719
up to already.

791
00:52:52,840 --> 00:52:56,000
Speaker 2: I really liked that job also with us as a

792
00:52:56,079 --> 00:52:58,360
good friend down there in North Carolina. Susan Ka.

793
00:53:00,840 --> 00:53:03,599
Speaker 4: Super fan, I'm thank you so much for having me.

794
00:53:03,760 --> 00:53:07,480
Speaker 2: All right, So it's three hushes, one dog, and fourteen cats,

795
00:53:07,760 --> 00:53:08,239
Is that right?

796
00:53:08,519 --> 00:53:08,880
Speaker 14: Correct?

797
00:53:09,119 --> 00:53:09,320
Speaker 3: Wow?

798
00:53:09,400 --> 00:53:10,039
Speaker 4: That is correct.

799
00:53:10,159 --> 00:53:11,559
Speaker 2: I'll think about that for a second.

800
00:53:13,039 --> 00:53:16,039
Speaker 4: Now you know why I work one full time job and.

801
00:53:16,320 --> 00:53:19,440
Speaker 2: Two part time jobs and one really bad snake too.

802
00:53:19,599 --> 00:53:21,920
Is now he a pet? Since he bit you?

803
00:53:22,280 --> 00:53:23,280
Speaker 4: I wish I could find it.

804
00:53:23,320 --> 00:53:31,800
Speaker 3: It'd be a dead snake, okay, that poor snake. Fourteen cats, though,

805
00:53:32,760 --> 00:53:35,760
I can't imagine it. Okay, well, you know I been

806
00:53:35,800 --> 00:53:39,119
at the viruate where my daughter had five cats and

807
00:53:39,239 --> 00:53:42,880
I cats, cats sat and it was pet sitting the

808
00:53:42,960 --> 00:53:47,239
cats and a couple of dogs. But fourteen cats, I

809
00:53:47,280 --> 00:53:48,320
can't imagine it.

810
00:53:48,519 --> 00:53:49,639
Speaker 5: You must have a separate room.

811
00:53:50,840 --> 00:53:52,920
Speaker 4: I was just gonna say, so, don't picture me as

812
00:53:53,159 --> 00:53:55,760
like the old cat lady. I'm kind of them, but

813
00:53:55,960 --> 00:53:58,840
not they're not all. There's five in the house. I

814
00:53:58,960 --> 00:54:02,480
have two cats wwheets that are in my detached garage

815
00:54:02,559 --> 00:54:05,880
to like cat enclosures. They have a balcony and a cadio,

816
00:54:06,159 --> 00:54:10,360
and so there's four out there. And then there's several

817
00:54:10,519 --> 00:54:12,239
that just live on the property.

818
00:54:11,920 --> 00:54:15,400
Speaker 2: That I don't want to prolong this, but did you

819
00:54:15,519 --> 00:54:17,119
say cats sweets cats?

820
00:54:17,119 --> 00:54:17,760
Speaker 3: Sweet? Yeah?

821
00:54:18,119 --> 00:54:18,639
Speaker 12: What is that like?

822
00:54:18,800 --> 00:54:20,079
Speaker 2: Little houses? The cats?

823
00:54:20,880 --> 00:54:21,079
Speaker 3: Yeah?

824
00:54:23,440 --> 00:54:28,360
Speaker 2: I know everyone in this room loves cats. Okay, I

825
00:54:28,519 --> 00:54:31,639
just don't get it. You know, you know any cat

826
00:54:31,679 --> 00:54:34,599
I've been around ever, it's.

827
00:54:34,599 --> 00:54:37,559
Speaker 3: Just cats can be very mystical. Sleep the cat would

828
00:54:37,599 --> 00:54:41,639
be right up here. Eat, We'll feed me, sleep, eat

829
00:54:41,719 --> 00:54:42,760
and repeat that.

830
00:54:43,119 --> 00:54:44,599
Speaker 2: It just it's for years.

831
00:54:45,079 --> 00:54:47,000
Speaker 3: And pick up my poop out of the sandbox, and

832
00:54:47,159 --> 00:54:49,119
you know, and every once in a while, yeah do that.

833
00:54:50,599 --> 00:54:52,639
Speaker 4: And every once in a while you put your shoes

834
00:54:52,719 --> 00:54:55,840
on and they're wet inside because they left you a gift.

835
00:54:57,159 --> 00:54:58,920
Speaker 2: Why would they do that only because they like you?

836
00:54:59,400 --> 00:55:05,000
That's all. Yeah. I can't get into cats now. But anyway,

837
00:55:07,159 --> 00:55:08,400
what we're talking about tonight.

838
00:55:08,199 --> 00:55:11,599
Speaker 4: And actually animals in general, so it's not it just

839
00:55:11,760 --> 00:55:15,320
happens to be everyone that shows up on the property,

840
00:55:15,679 --> 00:55:18,719
any animal that needs help. I take it in.

841
00:55:18,840 --> 00:55:20,639
Speaker 2: Yeah, I can see that. Yeah, I love that. I

842
00:55:20,719 --> 00:55:25,639
think that's great for people who do that. Very cool anyway.

843
00:55:25,760 --> 00:55:30,679
But also with pot to my pooling, is here a

844
00:55:30,800 --> 00:55:35,599
k a nobility button man musician extraord in there it's

845
00:55:35,639 --> 00:55:38,960
a player bass drums, you know, just.

846
00:55:39,679 --> 00:55:40,840
Speaker 3: Do you play cowbell? Also?

847
00:55:41,400 --> 00:55:42,880
Speaker 5: Oh, what to Berkeley?

848
00:55:44,639 --> 00:55:46,840
Speaker 2: Maybe you go to Berkeley for triangle? I mean so,

849
00:55:46,920 --> 00:55:52,159
but someone does, right, they must write. So Mick and

850
00:55:52,239 --> 00:55:55,119
I we were talking about we're talking about the signs

851
00:55:55,119 --> 00:55:59,039
of Sky Club, which is this band, the studio band

852
00:55:59,119 --> 00:56:02,280
that we're kind of part of, and the new album

853
00:56:02,280 --> 00:56:06,920
will be coming home soon. Finally is Ufoul your followed

854
00:56:06,960 --> 00:56:10,039
you one on one and it's all songs about I

855
00:56:10,119 --> 00:56:12,760
relating to your folks. Been talking about all night. So

856
00:56:14,679 --> 00:56:17,119
one more talking about Now you're going to say something before?

857
00:56:18,519 --> 00:56:25,079
Was that Off the Ears that I've seen? Uh ago? Okay,

858
00:56:27,760 --> 00:56:29,840
So so just basically just talk about the band a

859
00:56:29,880 --> 00:56:32,039
little bit. It is just like just your friends who

860
00:56:32,119 --> 00:56:34,320
are musicians also who you don't get the time to

861
00:56:34,360 --> 00:56:38,679
get together and do stuff, you know, uh, and just

862
00:56:38,800 --> 00:56:41,559
have fun doing it and running into a lot of

863
00:56:41,599 --> 00:56:45,400
interesting people while doing it. I remember once we were

864
00:56:45,440 --> 00:56:47,639
doing a session, you were running down to the guitar

865
00:56:47,760 --> 00:56:50,079
shop because your son in law had given you a

866
00:56:50,159 --> 00:56:52,840
guitar that you broke or something. Remember that, you get

867
00:56:52,920 --> 00:56:55,719
it fixed and your whole time thing and.

868
00:56:55,920 --> 00:56:59,440
Speaker 5: Yeah, yeah, the clock is ticking in the studio.

869
00:57:00,039 --> 00:57:06,159
Speaker 2: Yeah right, yeah, yeah funny. But anyway, so we're going

870
00:57:06,199 --> 00:57:08,679
to play another song there right down. Wannie one is

871
00:57:08,679 --> 00:57:11,760
the DJ Wani. What's the next song?

872
00:57:12,760 --> 00:57:15,440
Speaker 3: The next song is entitled as tech Crash Song.

873
00:57:15,559 --> 00:57:19,039
Speaker 2: Okay, as ash. I think for you to say as

874
00:57:19,159 --> 00:57:22,960
tech as tech crash love song, it's kind of like

875
00:57:25,159 --> 00:57:31,320
into content. What's a s CP song, stone table pilots.

876
00:57:31,400 --> 00:57:35,079
It's a state love song, that's the interstate love song.

877
00:57:36,880 --> 00:57:39,360
And I met these people. There were very nice people.

878
00:57:40,840 --> 00:57:44,639
Scott and Suzanne Ramsey, very nice people. They were they're married,

879
00:57:44,679 --> 00:57:49,159
and they did UFO research together. They had already written

880
00:57:49,159 --> 00:57:52,320
about two books, two or three books, and they were

881
00:57:52,360 --> 00:57:56,159
really specialists on this crash and as Tech New Mexico,

882
00:57:56,960 --> 00:58:00,440
which predated the Roswell where there. It's just like so

883
00:58:00,519 --> 00:58:03,679
many witnesses. It's so weird that this particular crash doesn't

884
00:58:03,679 --> 00:58:06,960
get the the press that roswelld does. But I mean

885
00:58:07,039 --> 00:58:11,599
there were at least fifteen witnesses there. Saw this thing crash,

886
00:58:11,800 --> 00:58:14,880
looked inside, saw the little beings, and there were oil workers.

887
00:58:14,920 --> 00:58:17,599
It crashed in an oil Derrek place in only an

888
00:58:18,039 --> 00:58:21,599
oil film, and there was a minister there, there was

889
00:58:21,679 --> 00:58:24,039
a doctor there. There were like real credible people. And

890
00:58:24,159 --> 00:58:26,239
then the army came and they kicked everyone out and

891
00:58:26,280 --> 00:58:27,800
picked this thing up, put it on a truck and

892
00:58:27,880 --> 00:58:32,440
boom that was it. Okay, And it just kind of

893
00:58:32,440 --> 00:58:35,320
a fascinating story, and the fact that anyone knows about

894
00:58:35,320 --> 00:58:37,280
it is really kind of fascinating. Anyway, they were nice

895
00:58:37,360 --> 00:58:40,599
people and they told me how they got together. She

896
00:58:41,000 --> 00:58:43,480
interviewed him on this little radio station down in New

897
00:58:43,519 --> 00:58:46,719
Mexico and that's how they got together. So a mutual

898
00:58:46,760 --> 00:58:50,599
friend of OZ Mike is Cynthia Smith, who's a songwriter

899
00:58:51,159 --> 00:58:53,960
and comes up with some great melodies or whatever. And

900
00:58:54,519 --> 00:58:56,480
we were helping her with her album at the time,

901
00:58:57,239 --> 00:59:02,840
and she had this tune and I just said, let

902
00:59:02,880 --> 00:59:05,920
me just give me the music to it and wrote

903
00:59:05,960 --> 00:59:08,480
these lyrics and just talk about it. Weird in the shower.

904
00:59:08,519 --> 00:59:11,760
I remember just she was in the shower. No, I was, well,

905
00:59:11,880 --> 00:59:16,159
she was, I can remember, and the words just coming

906
00:59:16,239 --> 00:59:17,440
to me, you know what I mean. I mean I

907
00:59:17,519 --> 00:59:19,360
really do say and I'm not even I don't do

908
00:59:19,519 --> 00:59:21,480
this often, but it was just like, oh, this is

909
00:59:21,679 --> 00:59:25,880
and everything leads to them. Anyway, This is uh, this

910
00:59:26,079 --> 00:59:30,880
is us going for the yart rock, for the really

911
00:59:31,079 --> 00:59:36,039
deep deep FM plays. This is as hech crash love song.

912
00:59:38,639 --> 00:59:40,679
Speaker 3: Here on the Mac maloney Music show.

913
00:59:42,960 --> 00:59:50,159
Speaker 18: In this cornvo the West where Toly tastes the best.

914
00:59:51,719 --> 00:59:53,840
Speaker 9: Sixteen nights it scene.

915
00:59:55,400 --> 00:59:57,320
Speaker 5: But we can't touch up.

916
01:00:00,159 --> 01:00:02,280
Speaker 18: Sits from long High.

917
01:00:03,719 --> 01:00:05,039
Speaker 10: That we don't own.

918
01:00:05,440 --> 01:00:14,159
Speaker 18: The sky fell from heavenstone, and yet the desert flow.

919
01:00:15,880 --> 01:00:22,679
I met you stand there on that night, so very clear.

920
01:00:24,000 --> 01:00:29,320
Speaker 9: I could see the milky way to your lips got

921
01:00:29,519 --> 01:00:30,599
in the way.

922
01:00:33,239 --> 01:00:35,800
Speaker 14: You and I like.

923
01:00:37,440 --> 01:00:45,480
Speaker 7: Corful spies, laughing in the rain till the sun.

924
01:00:45,519 --> 01:00:55,519
Speaker 10: Comes out again, assuming long by fly oh so high.

925
01:00:57,320 --> 01:01:01,599
Cuepi Gance's ball shoots.

926
01:01:01,239 --> 01:01:03,400
Speaker 9: An arrow when us below.

927
01:01:05,519 --> 01:01:11,679
Speaker 18: Nothing's been the same since the radio spoke your name.

928
01:01:13,239 --> 01:01:15,000
Speaker 9: By two gifts.

929
01:01:14,719 --> 01:01:15,800
Speaker 19: From the barn.

930
01:01:17,280 --> 01:01:18,599
Speaker 12: Are the stars in you?

931
01:01:19,079 --> 01:01:19,840
Speaker 4: By love?

932
01:01:21,360 --> 01:01:27,320
Speaker 18: We'll be there at the end because my very special

933
01:01:27,760 --> 01:01:33,039
friend did you never disagreed.

934
01:01:33,920 --> 01:01:36,039
Speaker 3: That we were meant to be.

935
01:01:38,880 --> 01:01:48,119
Speaker 18: You and I high of col spies, laughing in the

936
01:01:48,400 --> 01:01:51,119
rain till the sun.

937
01:01:51,159 --> 01:02:01,199
Speaker 9: Comes out again, sue me on by time, oh so high.

938
01:02:02,920 --> 01:02:08,920
Cutey gets his ball shoots a narrow wear Asben go.

939
01:02:44,519 --> 01:02:47,239
Speaker 15: You and Gunning had.

940
01:02:48,639 --> 01:02:54,119
Speaker 11: Kind of spot in the page just from my book.

941
01:02:55,639 --> 01:02:57,480
Speaker 12: One look was on it.

942
01:02:57,760 --> 01:03:06,599
Speaker 9: To zooming on by time only show on.

943
01:03:08,559 --> 01:03:14,639
Speaker 7: Cute begins his bone shoots a narrow spinow.

944
01:04:00,679 --> 01:04:01,920
Speaker 2: It's a really nice size.

945
01:04:02,039 --> 01:04:04,079
Speaker 5: But you know how we work together. She'd have the

946
01:04:04,119 --> 01:04:09,239
melody I'd find the chords to go around it, right, Yeah,

947
01:04:09,320 --> 01:04:11,320
and then you guys did the rest and made it.

948
01:04:12,039 --> 01:04:16,480
Speaker 2: Yeah, the melody that the the the bridges killer. I

949
01:04:16,559 --> 01:04:20,679
mean it's really hits it and he's playing as great

950
01:04:20,760 --> 01:04:23,480
and it's it's it's basically it's you, Domeny and Chris

951
01:04:24,880 --> 01:04:28,960
and he's playing one of those It's like a real

952
01:04:29,039 --> 01:04:34,920
advanced mellotron beast know something. But it's it's all just Augusta.

953
01:04:35,079 --> 01:04:37,159
You know, I just sat down and played it. I

954
01:04:39,000 --> 01:04:41,800
was just like so envious of someone who could do that.

955
01:04:41,960 --> 01:04:45,239
Speaker 5: You know, that's a trained musician. He probably just came

956
01:04:45,280 --> 01:04:46,039
back from Berkeley.

957
01:04:46,599 --> 01:04:50,599
Speaker 2: Yeah, you know, yeah, but that was nice, Susan, are

958
01:04:50,639 --> 01:04:54,880
you Oh, there's the there's the there's the either the

959
01:04:54,960 --> 01:04:58,559
big cat or the big dog, the only dog dog.

960
01:04:59,400 --> 01:05:02,280
Speaker 4: So this is Doppler Dog. So he's running here and

961
01:05:02,599 --> 01:05:06,719
he's shaking. So I put his little thundershirt on. So

962
01:05:07,000 --> 01:05:09,920
it must be going to rain or thunder or something,

963
01:05:10,079 --> 01:05:12,079
because he's never wrong.

964
01:05:13,039 --> 01:05:14,079
Speaker 2: He just wants to get hugged.

965
01:05:15,599 --> 01:05:19,159
Speaker 3: Yeah, Susan, they can sense it for miles. You know,

966
01:05:19,280 --> 01:05:21,320
It's it's easy for them, that's what they do. But

967
01:05:21,440 --> 01:05:22,599
you said Doppler Dog.

968
01:05:24,280 --> 01:05:27,440
Speaker 4: His name is Benton. He's a rescue but so I

969
01:05:27,559 --> 01:05:30,039
call him Doppler Dog because he if he comes in

970
01:05:30,159 --> 01:05:32,199
and he's acting like this, it's gonna rain.

971
01:05:32,400 --> 01:05:33,800
Speaker 2: Oh Doppler Weather.

972
01:05:33,920 --> 01:05:34,119
Speaker 18: Get it?

973
01:05:34,199 --> 01:05:34,960
Speaker 3: Does he balk like.

974
01:05:39,280 --> 01:05:39,639
Speaker 2: Gobbler?

975
01:05:41,079 --> 01:05:43,440
Speaker 4: That's a different type of Doppler. I get it. Okay,

976
01:05:43,800 --> 01:05:46,039
it would be about Doppler Weather.

977
01:05:47,119 --> 01:05:48,320
Speaker 18: That you know.

978
01:05:48,360 --> 01:05:50,840
Speaker 2: It would be uh woo woo woo woo woo wooo,

979
01:05:51,159 --> 01:05:56,079
you know, like a you're like a French siren or something. Okay,

980
01:05:56,880 --> 01:05:59,480
So the next song is, uh, we only.

981
01:05:59,320 --> 01:06:02,159
Speaker 3: Get two more to go? Oh I think mushroom mushroom man.

982
01:06:02,280 --> 01:06:06,079
Speaker 2: Oh no, okay, we go Now this is the Sigeant

983
01:06:06,079 --> 01:06:11,480
Pepper of novelty song is the I mean this took

984
01:06:12,480 --> 01:06:17,480
easily eighty hours. Everyone is involved, the guy from Gaza City,

985
01:06:17,760 --> 01:06:23,239
Pistol Pete, people from Channel four. Uh crazy, And this

986
01:06:23,400 --> 01:06:25,480
is this is the soul you were doing when you're

987
01:06:25,559 --> 01:06:28,679
running back and forth to get the guitar's sorry. Remember

988
01:06:29,159 --> 01:06:31,679
a lot of music in this, a lot of production

989
01:06:32,679 --> 01:06:36,000
and mushroom men from Mars. I don't know it had

990
01:06:36,039 --> 01:06:38,639
the titles and I had the had the melody somehow

991
01:06:38,679 --> 01:06:43,039
on my little Yamaha. And then I saw the cover

992
01:06:43,159 --> 01:06:47,280
of like an old sci fi magazine and said mushroom

993
01:06:47,320 --> 01:06:51,360
in from myles. I said, well, that's filthy, but then

994
01:06:51,639 --> 01:06:53,800
I thought, well that it sounds like something, you know

995
01:06:53,840 --> 01:06:56,599
what I mean? So, uh, you put it together and

996
01:06:58,159 --> 01:07:02,679
and Richie plays on this, and also Matt Malley, Dominie, Chris,

997
01:07:02,840 --> 01:07:07,800
myself and the voices are various people. So this is

998
01:07:08,920 --> 01:07:10,840
back that we should say in the fifties. In the

999
01:07:10,920 --> 01:07:13,760
sixties they had these things called novelty songs. It was

1000
01:07:14,320 --> 01:07:20,840
Ali Oop right, the Purple People Leaders, the One Guy.

1001
01:07:21,000 --> 01:07:24,039
Speaker 3: It was even these two guys Buchanan and Goodman did

1002
01:07:24,159 --> 01:07:26,280
novelty songs, made a career out of it.

1003
01:07:26,679 --> 01:07:26,880
Speaker 2: Yep.

1004
01:07:27,239 --> 01:07:30,119
Speaker 3: A number of their novelty songs had this had a

1005
01:07:30,199 --> 01:07:34,719
theme about flying saucers and coming in for a landing

1006
01:07:34,840 --> 01:07:37,480
and well that's and they'd be interviewing people and as

1007
01:07:37,519 --> 01:07:40,719
they interviewing somebody, the answer would be part of a

1008
01:07:40,800 --> 01:07:44,079
snippet of a pop sovice in the time, yeah, yeah, yeah.

1009
01:07:44,119 --> 01:07:46,159
That was the cleverness of them is a lot of

1010
01:07:46,199 --> 01:07:50,800
the dialogue was basically an insert a snippet from a

1011
01:07:50,840 --> 01:07:52,760
pop song that that you were hearing on the radio

1012
01:07:52,840 --> 01:07:53,599
around the same time.

1013
01:07:53,960 --> 01:07:56,280
Speaker 2: So if someone went to Abbey Road and gave someone

1014
01:07:56,360 --> 01:07:58,280
a million dollars, this would be the song that would

1015
01:07:58,320 --> 01:08:00,880
come out. Right there you go. This is mushroom men

1016
01:08:00,960 --> 01:08:01,639
from us.

1017
01:08:03,679 --> 01:08:04,440
Speaker 19: Coming up next.

1018
01:08:04,760 --> 01:08:09,039
Speaker 9: Channel eight News East Side, West Side. We've got you covered.

1019
01:08:10,800 --> 01:08:11,360
Speaker 4: You're coming here.

1020
01:08:11,480 --> 01:08:14,119
Speaker 20: Number one, don't bring any fliquor with me because police

1021
01:08:14,320 --> 01:08:16,640
are on today mornings, so we can't.

1022
01:08:16,520 --> 01:08:17,960
Speaker 18: Join the party right now with our e which is

1023
01:08:18,279 --> 01:08:19,359
entertainment reporter.

1024
01:08:19,119 --> 01:08:19,840
Speaker 9: Who is live?

1025
01:08:20,560 --> 01:08:23,840
Speaker 15: Can you, oh joy, you're making it for me right

1026
01:08:24,000 --> 01:08:25,520
now the little.

1027
01:08:25,319 --> 01:08:27,920
Speaker 3: Part of today showing the partiness off to our south.

1028
01:08:27,960 --> 01:08:32,039
Speaker 6: And look at this invisible man from Irvine, California University

1029
01:08:32,119 --> 01:08:33,239
Research State says.

1030
01:08:33,039 --> 01:08:36,000
Speaker 9: About fourteen percent of the female.

1031
01:08:35,680 --> 01:08:38,520
Speaker 6: Seamlls on an island off the California coast.

1032
01:08:38,760 --> 01:08:43,319
Speaker 19: Our lesbions get other news tonight. We can't go delight

1033
01:08:43,800 --> 01:08:47,279
to tell you flight saucers that have been seen overing

1034
01:08:47,359 --> 01:08:49,520
outside women's bedroom windows.

1035
01:08:50,479 --> 01:08:51,840
Speaker 7: That's six choice.

1036
01:08:51,840 --> 01:08:53,800
Speaker 18: You're on your team check.

1037
01:08:55,119 --> 01:08:58,680
Speaker 19: So if you see them, report these creeps the little

1038
01:08:58,720 --> 01:09:00,680
green men who like to beat.

1039
01:09:02,479 --> 01:09:03,119
Speaker 2: And ladies.

1040
01:09:03,399 --> 01:09:04,000
Speaker 9: Take it from me.

1041
01:09:04,680 --> 01:09:08,560
Speaker 19: Keep those bedroom curtains closed. You don't want to run

1042
01:09:08,600 --> 01:09:19,840
the risk of spokes.

1043
01:09:29,479 --> 01:09:46,880
Speaker 21: Res put our mission in distress when you saw your

1044
01:09:47,039 --> 01:09:52,600
change into that tight dress. Our circuits busted, three little

1045
01:09:52,680 --> 01:09:54,079
red hearts beating for you.

1046
01:09:55,720 --> 01:09:58,800
Speaker 12: Who is the You know how it works.

1047
01:09:58,640 --> 01:10:01,520
Speaker 14: Because we've seen your TV. A couple of drinks.

1048
01:10:01,760 --> 01:10:03,840
Speaker 22: I wake your eyes or drinking.

1049
01:10:04,720 --> 01:10:07,560
Speaker 14: I can take your dancing. Dancing must have stop.

1050
01:10:11,000 --> 01:11:17,920
Speaker 22: Maybe you'll contt our place. I d what do you

1051
01:11:18,000 --> 01:11:20,479
mean we have an experience to read them?

1052
01:11:21,000 --> 01:11:23,159
Speaker 6: No, he said fantom.

1053
01:11:23,399 --> 01:11:24,680
Speaker 14: They've got to see you online.

1054
01:11:25,560 --> 01:11:26,439
Speaker 22: Yeah, I get them.

1055
01:11:27,000 --> 01:11:27,600
Speaker 17: What are you gonna do?

1056
01:11:27,800 --> 01:11:28,279
Speaker 8: I I don't know.

1057
01:11:28,680 --> 01:11:29,520
Speaker 22: It might be exciting.

1058
01:11:29,960 --> 01:11:31,680
Speaker 14: I think it's telling me back. Hey.

1059
01:11:31,760 --> 01:11:32,520
Speaker 8: You you.

1060
01:12:06,119 --> 01:12:10,359
Speaker 21: Know it's like you're the best two arms, two legs,

1061
01:12:10,439 --> 01:12:11,039
and two.

1062
01:12:11,119 --> 01:12:15,479
Speaker 22: Lovely breasts, not at all like the girls back home.

1063
01:12:16,439 --> 01:12:19,319
Speaker 21: They're shaped like light bulbs and don't like meat on

1064
01:12:19,439 --> 01:12:23,000
the boat. If you need a boyfriend and have three

1065
01:12:23,760 --> 01:12:28,199
x forty one, forty two and forty three, stay true

1066
01:12:28,279 --> 01:12:28,840
and be with.

1067
01:12:28,920 --> 01:12:30,279
Speaker 12: You every single night.

1068
01:12:30,960 --> 01:12:33,840
Speaker 21: Just look for the gloak and the flashing red light.

1069
01:13:30,800 --> 01:13:34,319
Speaker 2: Oh I saw that thing. I saw that thing. That

1070
01:13:34,520 --> 01:13:39,159
was our friend Mohammad. Yeah, we couldn't cook. So that

1071
01:13:39,319 --> 01:13:42,439
that's Chris bilious in his glory. That's production. It was

1072
01:13:42,720 --> 01:13:45,039
like you wouldn't believe that it sounds like a big band.

1073
01:13:45,159 --> 01:13:47,039
You know, it sounds who's the guitar player in it?

1074
01:13:47,359 --> 01:13:49,720
Mike's playing all the time, really and.

1075
01:13:49,920 --> 01:13:51,600
Speaker 3: All those leads stuff, that lead stuff too.

1076
01:13:51,680 --> 01:13:55,840
Speaker 2: Yeah, he said, I can remember the day. He's sitting

1077
01:13:55,880 --> 01:13:56,720
there and I'm going uh.

1078
01:13:57,239 --> 01:13:57,560
Speaker 3: And it was.

1079
01:13:57,680 --> 01:13:59,640
Speaker 2: It was kind of not a rip up kind of

1080
01:13:59,680 --> 01:14:02,239
in this a being as the as the end and

1081
01:14:02,319 --> 01:14:04,520
the beatles at the end of the Abbey Road where

1082
01:14:04,520 --> 01:14:09,359
you just played different and I said, to play like

1083
01:14:09,520 --> 01:14:13,560
Lennon does at the end is you know, it's just

1084
01:14:13,720 --> 01:14:18,359
everything fit immy first take a lot of that. I mean,

1085
01:14:18,520 --> 01:14:20,680
just go in and play, Are you kidding me? And

1086
01:14:20,960 --> 01:14:24,520
Pistol Pete is the announcer, Chris Billis is in there,

1087
01:14:24,680 --> 01:14:29,399
is one of the news people. My sister in law

1088
01:14:29,640 --> 01:14:31,560
is one of the voices. I mean, it was a

1089
01:14:31,600 --> 01:14:33,199
big thing, great together.

1090
01:14:33,520 --> 01:14:33,920
Speaker 3: What was it?

1091
01:14:34,479 --> 01:14:40,119
Speaker 2: The two girls mean, one was my sister in law

1092
01:14:40,159 --> 01:14:47,560
and one is Chris's daughter. And then the vocal right

1093
01:14:47,680 --> 01:14:52,319
that was the female singers that you hear is Jada Jada,

1094
01:14:52,439 --> 01:14:55,079
that band that we talked about. They did that and

1095
01:14:56,479 --> 01:14:59,840
we were trying to we we took a long time

1096
01:15:00,520 --> 01:15:04,359
to figure out like the alien voice because it's an

1097
01:15:04,399 --> 01:15:07,439
alien voice kind of talking to the women. And I

1098
01:15:07,479 --> 01:15:12,920
mean it's about aliens who are peeping Tom's basically okay, bravo.

1099
01:15:13,479 --> 01:15:18,199
And and we had a couple of women come in

1100
01:15:18,319 --> 01:15:20,720
and theyde you know, saying it. And then we had

1101
01:15:20,760 --> 01:15:25,000
this guy come in. It sounded like a Seinfeld thing,

1102
01:15:25,039 --> 01:15:28,199
but he actually directed an orgestra at like Rust Holmes

1103
01:15:28,239 --> 01:15:33,800
and stuff like that, and nice guy and saying in

1104
01:15:33,880 --> 01:15:37,079
a kind of alien voice, and it was terrible. Right,

1105
01:15:37,199 --> 01:15:41,039
So but just being you know, Chris basically and how

1106
01:15:41,119 --> 01:15:43,840
I guess how we are. We didn't want to heard

1107
01:15:43,960 --> 01:15:47,560
Edmond's feelings. So he actually married the male voice to

1108
01:15:47,640 --> 01:15:50,039
the two female voices, and that he came out with

1109
01:15:50,119 --> 01:15:53,279
that alien voice. I mean insane, you know. Yeah, class

1110
01:15:53,279 --> 01:15:56,199
about five grand to do it. But I mean he

1111
01:15:56,279 --> 01:15:59,000
did it, and you never know it, you know what

1112
01:15:59,039 --> 01:16:02,159
I mean, so it up or anything. Yeah, he did

1113
01:16:02,199 --> 01:16:04,319
everything to it and leave me. Yeah, he did every

1114
01:16:04,680 --> 01:16:07,800
possible thing you can imagine to it. But but he

1115
01:16:08,000 --> 01:16:10,000
is a big foot production and he really hit it

1116
01:16:10,079 --> 01:16:12,840
with that. I mean, that's that soundsible to me.

1117
01:16:13,000 --> 01:16:16,479
Speaker 6: And you had you had that idea years before we

1118
01:16:16,600 --> 01:16:19,880
did it, right, you used to. Yeah, yeah, Homie keyboards

1119
01:16:19,920 --> 01:16:22,119
and that ship.

1120
01:16:22,600 --> 01:16:26,600
Speaker 2: Absolutely. Yeah. Yeah, the Yamaha you could record five different songs,

1121
01:16:26,680 --> 01:16:30,439
you know, so if you remembered like a riff or whatever,

1122
01:16:30,560 --> 01:16:33,119
you know, just some melody, just put it in there

1123
01:16:33,199 --> 01:16:35,119
and then go back to it. You can play along

1124
01:16:35,199 --> 01:16:38,039
with it. That's what a lot of those songs shame from. Yeah,

1125
01:16:38,079 --> 01:16:39,800
you know, I wouldn't have been able to do without it.

1126
01:16:41,239 --> 01:16:44,520
One hundred bus literally one hundred dollars used. Okay, so

1127
01:16:45,319 --> 01:16:47,119
Yeahmaha one on one or something.

1128
01:16:47,560 --> 01:16:50,039
Speaker 5: Yeah, well offset the studio cost.

1129
01:16:52,319 --> 01:16:55,319
Speaker 2: Yeah, but I remember lugging that thing in back and forth,

1130
01:16:55,399 --> 01:16:58,560
you know, the trite and weighs about fifty pounds. Sounds

1131
01:16:58,640 --> 01:17:05,039
great almost in pre artificial intelligence. Incredible, But use the

1132
01:17:05,119 --> 01:17:07,560
Yamaha probably eighty percent of the times.

1133
01:17:08,079 --> 01:17:10,920
Speaker 5: Yeah, yeah, it's almost like an effects the other one.

1134
01:17:11,000 --> 01:17:13,880
Speaker 2: Yeah right, yeah, absolutely, yep. So anyway, but most that

1135
01:17:14,119 --> 01:17:17,079
is Chris playing and and my playing the guitar. I

1136
01:17:17,319 --> 01:17:20,840
was singing, and no, not singing. You didn't sing in that.

1137
01:17:21,039 --> 01:17:24,680
It was a lot of guitar. You played bass in

1138
01:17:24,760 --> 01:17:26,039
that too, I believe, I.

1139
01:17:26,159 --> 01:17:31,199
Speaker 5: Believe, And yeah, wasn't Maybe Matt might have played the.

1140
01:17:31,159 --> 01:17:34,520
Speaker 3: Bass yet, So when he was playing the bass. Was

1141
01:17:34,600 --> 01:17:37,000
he playing along from remote control? Or was he in

1142
01:17:37,039 --> 01:17:37,640
the studio with it?

1143
01:17:37,960 --> 01:17:38,000
Speaker 15: No?

1144
01:17:38,199 --> 01:17:40,960
Speaker 2: No, he suddenly tape to him and he send it

1145
01:17:41,079 --> 01:17:43,319
back to us. How they do it these days? Yeah,

1146
01:17:44,159 --> 01:17:47,720
so uh, and actually Matt and Micro a lot of

1147
01:17:47,880 --> 01:17:49,720
like I think you're like the same kind of musician,

1148
01:17:49,840 --> 01:17:54,159
you know what. So it all fit. You know, it

1149
01:17:54,319 --> 01:17:57,960
was good. So anyway, we're counting down the new we're

1150
01:17:58,039 --> 01:18:00,800
trying to the new sky Club album. Who follows you?

1151
01:18:00,880 --> 01:18:01,359
Speaker 12: One on one?

1152
01:18:01,720 --> 01:18:03,640
Speaker 2: And we have a couple more songs. You what were

1153
01:18:03,680 --> 01:18:07,640
you as, Susan? You probably didn't hear that, but you probably.

1154
01:18:07,399 --> 01:18:12,359
Speaker 4: Loved it, right, I'm sure I did because I love Skyclubs.

1155
01:18:13,479 --> 01:18:16,319
Speaker 2: All right, Well, you can bring one more cat into

1156
01:18:16,399 --> 01:18:17,640
the uh, into the frame.

1157
01:18:17,720 --> 01:18:21,199
Speaker 3: Make sure she gets the first release, the first pressing. Okay, okay,

1158
01:18:21,279 --> 01:18:25,800
all right, okay, up next. I was only kid about

1159
01:18:25,840 --> 01:18:28,760
the cat, but then I opened my mouth and look

1160
01:18:28,800 --> 01:18:34,039
at that cat. One of four one of fourteen. Okay,

1161
01:18:34,119 --> 01:18:40,880
on next song, uh, next to last song, Starman bringing

1162
01:18:41,000 --> 01:18:41,600
Johnny Back.

1163
01:18:41,800 --> 01:18:44,800
Speaker 2: So I think it's called Peter and Underston Forest, the

1164
01:18:44,800 --> 01:18:47,680
one that you said on uh, You're.

1165
01:18:49,279 --> 01:18:51,520
Speaker 3: You're right, Peter, Peter renders some forest.

1166
01:18:51,920 --> 01:18:55,199
Speaker 2: Okay, this is an instrumental, as the kids used to say,

1167
01:18:55,960 --> 01:18:59,159
and once again I get ahead this riff, you know,

1168
01:18:59,279 --> 01:19:04,239
I think is actually on the corgue and it sounded

1169
01:19:04,399 --> 01:19:07,279
like I'm gonna sound high flute here now. But there

1170
01:19:07,399 --> 01:19:12,319
was a movie way back when called that KERSH Howard did.

1171
01:19:14,119 --> 01:19:16,399
I don't know forget that. It was like a like

1172
01:19:16,479 --> 01:19:21,199
a shogun movie at Rahaman his name, and it's basically

1173
01:19:21,399 --> 01:19:23,880
there's a guy walking through the woods, he's an axeman

1174
01:19:24,239 --> 01:19:25,920
and the music goes along with him.

1175
01:19:27,279 --> 01:19:27,479
Speaker 12: Like that.

1176
01:19:27,760 --> 01:19:30,640
Speaker 2: Okay, so that's the rash moon effect. So I had

1177
01:19:30,680 --> 01:19:34,920
that idea. And then so Peter Robbins, this person that

1178
01:19:35,000 --> 01:19:37,640
we've run into, the guy that runs the exitu Ufo

1179
01:19:37,800 --> 01:19:40,439
festival that we've been disinvited to for three years now.

1180
01:19:42,960 --> 01:19:45,479
He spent twenty years writing a book about the random

1181
01:19:45,560 --> 01:19:50,359
Sham random Sham forest incident in Base. That was nineteen eighty.

1182
01:19:51,199 --> 01:19:54,399
There's a base, very secret based us F was base

1183
01:19:54,520 --> 01:19:59,239
in England and these people at these the gods at

1184
01:19:59,239 --> 01:20:02,560
the gates are you land in the woods nearby? They

1185
01:20:02,640 --> 01:20:04,920
go investigated. But what was strange about it? They did

1186
01:20:05,119 --> 01:20:08,439
two nights. A major went with them one night and

1187
01:20:08,560 --> 01:20:11,000
he had a tape recorder with him and he taped

1188
01:20:11,159 --> 01:20:14,119
what happened his voice and they see this ufon and

1189
01:20:14,159 --> 01:20:17,359
they're freaking out there. I mean, it's it's it's it's real.

1190
01:20:18,199 --> 01:20:20,840
And so we take that then we put this into

1191
01:20:20,920 --> 01:20:24,640
this song. And so this is if you imagine in

1192
01:20:24,880 --> 01:20:28,399
this guy Peter Robbins, who spent twenty years there. I

1193
01:20:28,520 --> 01:20:31,239
just imagined him him walking through the forest looking for

1194
01:20:31,560 --> 01:20:34,640
something else after twenty years, and the music goes along

1195
01:20:34,680 --> 01:20:38,000
with how about that the same Peter Robbins that we know, Yeah,

1196
01:20:38,039 --> 01:20:39,720
the same yeah really, yeah, yeah, I know.

1197
01:20:40,239 --> 01:20:44,560
Speaker 3: What yeah, yeah, I know. I can't imagine it. I

1198
01:20:44,600 --> 01:20:47,720
can imagine being a fabulous author, but I can't imagine

1199
01:20:47,800 --> 01:20:48,840
doing what you just described.

1200
01:20:48,920 --> 01:20:51,079
Speaker 2: Well, he was there for twenty years and you know,

1201
01:20:51,840 --> 01:20:56,439
they found alien you know, subterranean stuff, and he really

1202
01:20:56,479 --> 01:20:59,159
got that bad. But anyway, something did happen there. Good

1203
01:20:59,239 --> 01:21:04,000
line on notes, right, let's say again, I'm sorry, yeah, right, yeah,

1204
01:21:04,279 --> 01:21:08,000
go on. Anyway, we should do a show just on Peter. Anyway,

1205
01:21:09,960 --> 01:21:12,159
he was kind of the inspiration for the song. So

1206
01:21:12,279 --> 01:21:15,319
this is called Peter and Rendersham Parrus and if you

1207
01:21:15,600 --> 01:21:18,399
uh hear the organ solo at the end that Jimmy

1208
01:21:18,479 --> 01:21:21,800
Smith kind of thing. Yeah, that was Mac playing that. Okay,

1209
01:21:21,800 --> 01:21:24,079
I took him like six months. When you hear it,

1210
01:21:24,920 --> 01:21:27,119
you'll know what I mean. Okay, please and.

1211
01:21:40,239 --> 01:21:41,479
Speaker 14: Mechanical problem.

1212
01:22:04,399 --> 01:22:45,560
Speaker 12: I do.

1213
01:22:50,880 --> 01:22:54,000
Speaker 11: I know about without.

1214
01:23:02,720 --> 01:23:43,720
Speaker 12: Die not.

1215
01:24:26,720 --> 01:24:29,000
Speaker 8: If if.

1216
01:24:30,439 --> 01:25:08,479
Speaker 11: If your.

1217
01:25:10,560 --> 01:25:23,760
Speaker 14: Questions back track your your name, bring up the track name.

1218
01:25:49,800 --> 01:26:12,279
Speaker 15: Whatever you gotta buy to where drink after? Like, okay,

1219
01:26:12,439 --> 01:26:14,800
I when can have you come on the side to side?

1220
01:26:15,359 --> 01:26:18,439
I put the side go on, but you don't run

1221
01:26:18,560 --> 01:26:20,560
home over the side that you don't stop back.

1222
01:26:28,560 --> 01:26:29,039
Speaker 8: You don't know.

1223
01:26:29,159 --> 01:26:30,800
Speaker 15: I don't about to make your come out when.

1224
01:26:30,760 --> 01:28:17,720
Speaker 12: That's but fayne b m hm.

1225
01:28:23,600 --> 01:28:27,439
Speaker 15: Half that going away, definitely going that way.

1226
01:28:32,119 --> 01:28:36,800
Speaker 2: We've faded out the wow wow, there you go. You

1227
01:28:36,880 --> 01:28:40,119
know this is by Chris Billios because man, he can

1228
01:28:40,239 --> 01:28:44,840
put the production is incredible. Of the mgs near the end,

1229
01:28:45,760 --> 01:28:50,119
Jimmy Spiker, that took us nine hours to get that straight.

1230
01:28:50,159 --> 01:28:54,119
But anyway, but just the whole idea that you.

1231
01:28:54,159 --> 01:28:57,600
Speaker 3: Say nine hours, did you spend actually nine contiguous hours

1232
01:28:57,640 --> 01:29:01,800
in the studio one night you was it like exile

1233
01:29:01,920 --> 01:29:03,199
on Main Street kind of Uh?

1234
01:29:03,960 --> 01:29:07,800
Speaker 2: Some of the Rogers read not these these we all done? Uh,

1235
01:29:08,159 --> 01:29:12,079
you know, remotely, not all of them, but a lot

1236
01:29:12,119 --> 01:29:18,680
of stuff was done remote right, But yeah, anyway, that's

1237
01:29:18,760 --> 01:29:21,920
the story and uh, Peter at renders from Forest, I

1238
01:29:21,960 --> 01:29:24,279
think it might change the title of that. And it's

1239
01:29:24,279 --> 01:29:26,479
about this guy, you know, looking and you the voices

1240
01:29:26,560 --> 01:29:29,000
you hear is actually that major who is talking to

1241
01:29:29,079 --> 01:29:32,720
his recorder that night when they saw something and it's

1242
01:29:32,840 --> 01:29:37,600
kind of you never explained and uh still and it

1243
01:29:37,720 --> 01:29:40,520
was a secret u s bace next to a secret

1244
01:29:40,560 --> 01:29:45,960
British space next to a NSA listening post getting better

1245
01:29:46,439 --> 01:29:48,520
and the UFO lands in front of these guys and

1246
01:29:48,640 --> 01:29:53,119
going looks like a winking eye you really yeah crazy.

1247
01:29:54,039 --> 01:29:57,119
So anyway, you're listening to Macaloney's music lex files here

1248
01:29:57,239 --> 01:29:59,760
on the Distant Thunder Radio netwhere we're going to certainly

1249
01:29:59,800 --> 01:30:03,720
a the new Sky Club album Uphology one on one

1250
01:30:04,319 --> 01:30:08,199
soon to be released, and we're just Mirk pulling is

1251
01:30:08,239 --> 01:30:11,359
here the drummer and guitar player, bass player, singer throughout,

1252
01:30:12,159 --> 01:30:14,640
and we're just talking about what was like to put

1253
01:30:14,640 --> 01:30:17,640
the album together and so on and so forth. So

1254
01:30:17,720 --> 01:30:21,359
we have the final song on the album.

1255
01:30:21,319 --> 01:30:23,399
Speaker 3: That's Starman bringing Johnny back.

1256
01:30:23,279 --> 01:30:27,840
Speaker 2: Home, and it's actually two songs, you know, melding into

1257
01:30:27,920 --> 01:30:33,239
one the David Bowie song star Man, and then we

1258
01:30:33,399 --> 01:30:35,479
kind of put our own end on the end of

1259
01:30:35,520 --> 01:30:38,359
it and we called it bring Him Johnny Back Home,

1260
01:30:38,520 --> 01:30:45,880
and once again Dominie castingel uh incredible on on saxophone,

1261
01:30:46,000 --> 01:30:50,800
Mike incredible on kind of like a reverb guitar. Yeah,

1262
01:30:51,000 --> 01:30:53,319
just a lot of good players. Luckily, I know these

1263
01:30:53,359 --> 01:30:55,479
people we put this together, have a lot of fun

1264
01:30:55,560 --> 01:30:58,760
doing this. And excuse me.

1265
01:30:59,119 --> 01:31:05,880
Speaker 5: So the slamming slamming, yes, yeah, yeah, So.

1266
01:31:06,000 --> 01:31:10,119
Speaker 2: This is Stimming by David Bowie and then Bring Johnny

1267
01:31:10,199 --> 01:31:12,319
Back Home by Sky Club. This is the last song

1268
01:31:12,399 --> 01:31:15,920
on the album. Please one one.

1269
01:31:37,680 --> 01:31:41,000
Speaker 9: I didn't know what time it was. The lights wallow.

1270
01:31:42,760 --> 01:31:45,760
Speaker 20: I lean back on my readio.

1271
01:31:47,640 --> 01:31:51,079
Speaker 7: Some cat was laying down sound and rock and roll

1272
01:31:51,199 --> 01:31:56,159
a lot s he said, then little loud.

1273
01:31:56,079 --> 01:32:00,760
Speaker 9: Sound that it seemed to fade him back on a

1274
01:32:00,840 --> 01:32:02,479
slow voice like a flame.

1275
01:32:02,760 --> 01:32:09,239
Speaker 7: A flame that weren't no gj that was hazy cosmic jib.

1276
01:32:13,880 --> 01:32:19,640
There's a star man awaiting in the sky. He'd like

1277
01:32:19,840 --> 01:32:21,159
to come and meet us.

1278
01:32:21,359 --> 01:32:23,319
Speaker 10: But he thinks he'd blow her mines.

1279
01:32:23,720 --> 01:32:29,520
Speaker 7: There's a star man waiting in the sky, he told

1280
01:32:29,640 --> 01:32:32,439
us not to blow him, because he knows it's.

1281
01:32:32,279 --> 01:32:33,239
Speaker 11: All worth my mon.

1282
01:32:33,359 --> 01:32:37,680
Speaker 7: He told me let the children his ad left.

1283
01:32:37,560 --> 01:32:41,800
Speaker 8: The children use it and all the children's book game.

1284
01:32:59,119 --> 01:33:00,119
Speaker 15: At the moment.

1285
01:33:00,079 --> 01:33:02,199
Speaker 9: Someone so up picked on you.

1286
01:33:04,000 --> 01:33:07,079
Speaker 8: And that's far out so you heard, and to.

1287
01:33:08,840 --> 01:33:10,159
Speaker 2: Switch on the TV.

1288
01:33:10,439 --> 01:33:13,439
Speaker 22: We may pick up my barm channel too.

1289
01:33:16,359 --> 01:33:17,680
Speaker 8: Look, got chill window.

1290
01:33:17,920 --> 01:33:22,840
Speaker 7: I can see his nice if we can sparkle, he

1291
01:33:23,039 --> 01:33:28,239
may and to nice. Don't tell your papa or he'll

1292
01:33:28,359 --> 01:33:30,439
get us slumped up in fright.

1293
01:33:35,159 --> 01:33:36,319
Speaker 14: There's a style.

1294
01:33:38,560 --> 01:33:42,239
Speaker 20: Seeing him the sky in nights ago and beat us

1295
01:33:42,560 --> 01:33:47,079
money takes he will our man, says a style man,

1296
01:33:48,319 --> 01:33:52,800
see that sky. You tell us not to bruins. He

1297
01:33:52,960 --> 01:33:56,800
knows it's all my time. Tell me at the chill.

1298
01:33:58,520 --> 01:34:05,159
Speaker 7: Let the children the children bookay, bookay.

1299
01:34:34,800 --> 01:36:29,199
Speaker 11: Do this, sister, this is the childrens chistus discust stay.

1300
01:36:54,359 --> 01:36:57,800
Speaker 2: You can play the sacks man Jesus christ Man's squeak

1301
01:36:57,840 --> 01:37:05,279
Claire unbelievable And that was first take. That was actually

1302
01:37:05,479 --> 01:37:07,680
first or second take. He just go in and hear

1303
01:37:07,800 --> 01:37:10,880
the song and play it. Wow, what what a what

1304
01:37:11,039 --> 01:37:13,119
a gift that guy had omni casting, no.

1305
01:37:13,319 --> 01:37:16,479
Speaker 5: Great sectually, not a single clunker note.

1306
01:37:16,600 --> 01:37:20,520
Speaker 2: Nothing, nothing, nothing and Mike singing, doing all the times.

1307
01:37:20,600 --> 01:37:26,359
And I remember one point as we were mixing, you know,

1308
01:37:26,479 --> 01:37:30,520
doing the final mix, Chris put everyone's voice through a

1309
01:37:32,560 --> 01:37:38,439
column that share uses that know, the right right, just

1310
01:37:38,479 --> 01:37:41,560
to make sure you're in tune, you know, auto tune.

1311
01:37:42,079 --> 01:37:44,239
And he was always in tune. They had They didn't

1312
01:37:44,279 --> 01:37:45,880
have to figure it, you know, I didn't have to.

1313
01:37:46,239 --> 01:37:48,640
He was always on key, always on key, always on tune.

1314
01:37:48,720 --> 01:37:51,640
Speaker 5: Yet yeah, all right, well that's.

1315
01:37:54,079 --> 01:37:56,720
Speaker 2: So anyway. Yeah, yeah, so that was the That was

1316
01:37:56,720 --> 01:37:57,960
the end of the album. That's the last time on

1317
01:37:58,000 --> 01:38:02,359
the album. And that's that's it. Your whole ology, one

1318
01:38:02,399 --> 01:38:02,600
on one.

1319
01:38:03,000 --> 01:38:05,319
Speaker 3: It's not only a sneak peek, but you got the

1320
01:38:06,000 --> 01:38:09,439
the whole ancelotta here right yeah, now I'm hungry the

1321
01:38:09,520 --> 01:38:13,319
whole Tahita, the one one. You have an objective voice.

1322
01:38:13,960 --> 01:38:20,079
Please tell us your review. First off, when I listened

1323
01:38:20,119 --> 01:38:23,960
to the songs, I listened to them individually and technically.

1324
01:38:24,640 --> 01:38:28,600
What I'd like to do, though, is just before I'm

1325
01:38:28,600 --> 01:38:30,079
ready to go to bed, is thissten to the whole

1326
01:38:30,399 --> 01:38:33,159
whole album in sequence. But I found that each song

1327
01:38:34,000 --> 01:38:38,479
is a good standalone, a piece of material that I

1328
01:38:38,560 --> 01:38:42,319
thought was amazing. Every song painted like a portrait of

1329
01:38:44,520 --> 01:38:46,840
We got the benefit of a little bit of introduction

1330
01:38:46,960 --> 01:38:49,439
from you, but what the direction of the song was.

1331
01:38:49,880 --> 01:38:54,000
But I enjoyed listening to it so much so that

1332
01:38:54,039 --> 01:38:55,520
I said, I can't wait for the next one.

1333
01:38:55,760 --> 01:38:56,000
Speaker 2: Wow.

1334
01:38:58,319 --> 01:39:02,119
Speaker 3: Really, I've known you a long time and I had this.

1335
01:39:02,359 --> 01:39:05,119
I have the first sky Club record, and I did

1336
01:39:05,199 --> 01:39:08,359
listen to the whole thing, and like maybe some of

1337
01:39:08,399 --> 01:39:15,279
your books, wow, I just get don't get around to it,

1338
01:39:15,640 --> 01:39:18,840
but record the records that you put out, the way

1339
01:39:18,880 --> 01:39:22,560
you describe how it's done. It's impressive because I read

1340
01:39:22,560 --> 01:39:24,039
a lot of rock and roll books and how some

1341
01:39:24,159 --> 01:39:26,239
of these great artists like the Stones and the Beatles

1342
01:39:26,319 --> 01:39:29,319
did things, and you know, it's it's It can be complicated,

1343
01:39:29,399 --> 01:39:32,479
but it could be simple too, and sometimes the simplest

1344
01:39:32,520 --> 01:39:35,319
ones are the best ones. But you guys really made

1345
01:39:35,359 --> 01:39:38,840
it sound, you know, not complicated, but it was. It

1346
01:39:38,960 --> 01:39:41,159
was easy for you. But there were a lot of

1347
01:39:41,239 --> 01:39:43,760
parts to it. Those a cake mix that had a

1348
01:39:43,760 --> 01:39:49,399
lot of ingredients, but baking it baking, yes, yeah, just

1349
01:39:49,439 --> 01:39:51,720
don't leave the It took so long to make it.

1350
01:39:54,199 --> 01:39:56,119
So I'll tell you what one I really liked. It

1351
01:39:56,359 --> 01:40:03,560
only clap for our soulens on that and soon hopefully

1352
01:40:04,079 --> 01:40:06,960
you know, well very soon on Spotify anyway, the new

1353
01:40:07,359 --> 01:40:11,840
Sky Club album your fog Ifology one on one, and

1354
01:40:12,199 --> 01:40:14,039
we'll announce that on the show and for sure. So

1355
01:40:14,159 --> 01:40:16,439
I want to thank everyone for joining us tonight. Thank

1356
01:40:16,479 --> 01:40:18,359
you Susan Cave for hanging in with us.

1357
01:40:18,920 --> 01:40:22,720
Speaker 4: Yes, Susan, it's always a pleasure. And to get to

1358
01:40:23,479 --> 01:40:26,800
spend time with you twice in one week.

1359
01:40:26,960 --> 01:40:27,199
Speaker 2: Cool.

1360
01:40:28,279 --> 01:40:29,000
Speaker 4: I can't top that.

1361
01:40:31,000 --> 01:40:35,039
Speaker 2: Okay, we'll leave that at that, Okay, thank you, Susan,

1362
01:40:35,119 --> 01:40:38,079
and thank all your animals you did regular nose O.

1363
01:40:39,600 --> 01:40:42,920
Thank you, thank you. We'll talk to you very soon, Susan.

1364
01:40:43,000 --> 01:40:47,199
Speaker 3: I'll probably give it a shot of uploading the songs

1365
01:40:47,279 --> 01:40:49,680
to my Google Driver then send you a link to

1366
01:40:49,680 --> 01:40:51,319
see if you can get them something.

1367
01:40:51,479 --> 01:40:52,199
Speaker 4: And we love that.

1368
01:40:52,319 --> 01:40:55,399
Speaker 3: All right, we'll do something, all right. Let me not

1369
01:40:55,479 --> 01:40:56,880
get to it tomorrow, but I'll get to it.

1370
01:40:58,000 --> 01:41:04,000
Speaker 2: Thank you, Mike Collen, Thank you on the commentary, your anecdotes,

1371
01:41:04,079 --> 01:41:09,880
your remembrances what we can remember right and thanks stopping by.

1372
01:41:09,960 --> 01:41:12,279
Speaker 5: You should thank Magnificent Journey.

1373
01:41:13,199 --> 01:41:18,079
Speaker 2: Thank Chris Bilious, the producer who produced all these songs

1374
01:41:18,720 --> 01:41:21,840
and you know, really has a touch, all right. Thanks

1375
01:41:21,880 --> 01:41:25,279
Cynthia Smith for writing like great melody for a song,

1376
01:41:26,800 --> 01:41:28,840
and thank you one one for joining us.

1377
01:41:28,920 --> 01:41:30,800
Speaker 3: You're welcomes.

1378
01:41:31,520 --> 01:41:35,000
Speaker 2: And so this is McAloney a special edition of mccloney's

1379
01:41:35,079 --> 01:41:38,640
musical X Files. So if this is macne the entire

1380
01:41:38,720 --> 01:41:41,760
gang and you hear us again, please be safe, be happy,

1381
01:41:41,880 --> 01:41:42,960
and bye bye