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<v Speaker 1>Baby, I'm a game statue.

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<v Speaker 2>It takes a lot of tangle. You don't want mess

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<v Speaker 2>with me.

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<v Speaker 1>Mess with me baby a gangstato.

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<v Speaker 3>Pouch.

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<v Speaker 1>Baby, You're a game statoo.

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<v Speaker 4>For Good Warner.

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<v Speaker 5>This podcast is designed to take you outside of your

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<v Speaker 5>comfort zone and make you question reality.

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<v Speaker 4>Listener Discretion is a vibe.

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<v Speaker 3>Talk with the fellas.

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<v Speaker 1>This ain't my first time at the rodeos.

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<v Speaker 4>Howady, folks, your host double jback here coming at you

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<v Speaker 4>live slash live from my studio slash RV dining room

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<v Speaker 4>located directly inside America. Welcome back, folks of the airwebs

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<v Speaker 4>once again, JJ Vance here host of Operation GCD, but

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<v Speaker 4>perhaps more notably not the Vice President. I will be

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<v Speaker 4>your pilot navigator here tonight, folks, for this shenani and

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<v Speaker 4>infused journey into the mind of this particular garbage can. Dude,

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<v Speaker 4>got a real barn burger on deck for your for

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<v Speaker 4>you folks of the innerwebs here tonight. So appreciate you, folks. Uh,

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<v Speaker 4>you know, thanks for joining us here again to get

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<v Speaker 4>a little GC because we got a cult. An s

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<v Speaker 4>O Terror review of the nineteen eighty five cinematic masterpiece

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<v Speaker 4>Back to the Future with an entire Occult Rejects lineup,

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<v Speaker 4>including Nick Host of The Occult Rejects.

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<v Speaker 6>Welcome, Nick, thank you, Welcome sir. You know I would

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<v Speaker 6>have been really upset if you didn't consider this one

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<v Speaker 6>a barn burner. I swear to god, I even had

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<v Speaker 6>that in my head. If he does not use barm

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<v Speaker 6>burner for this, I'm gonna say something.

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<v Speaker 4>No, this is definitely this is definitely a barn burger.

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<v Speaker 4>This is definitely a barn Burger.

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<v Speaker 7>Yeah.

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<v Speaker 4>And we got a whole, like I said, a whole

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<v Speaker 4>Occult Rejects line up. So to GCD, we got Jen

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<v Speaker 4>Ope that's not Jen the Ninja wrong one and Jen

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<v Speaker 4>the Ninja Welcome, Welcome Jen.

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<v Speaker 2>Thank you so muchj and Nick for having me on.

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<v Speaker 2>And I absolutely love doing these episodes. I know people

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<v Speaker 2>on Twitter are always so excited when it's like a

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<v Speaker 2>group of us. I think it's like the five for me.

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<v Speaker 2>I know I won't give your secret away, Nick, but

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<v Speaker 2>I know on the Carl what episode we use a

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<v Speaker 2>different hormatic number. I should say we but someone, but

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<v Speaker 2>five for me is a perfect traumatic number. So I

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<v Speaker 2>appreciate that we can do these kind of roundtable aesotopic

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<v Speaker 2>reviews and I think they're really hot and people love them.

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<v Speaker 2>So thank you so much for guys for having me on.

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<v Speaker 4>Oh for sure, host of the Threshold Saints and the

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<v Speaker 4>fellow occult reject there, and I definitely appreciate your all

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<v Speaker 4>insight in the last one. We did well, We've done

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<v Speaker 4>a couple of good ones recently, right, we did a

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<v Speaker 4>little uh, Big Trouble, Little China, and we also did

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<v Speaker 4>a little Golden Child, So those are great ones. I

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<v Speaker 4>certainly enjoyed those myself. Next time we got I do

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<v Speaker 4>you Love, host of the Unfiltered Rise podcast and fellow

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<v Speaker 4>a cult reject. How you doing, Heidi, welcome. I'm happy

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<v Speaker 4>for joining Mellow GCD here your first appearance, by the way.

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<v Speaker 8>Yeah, I'm excited to be here and on operation at GCD.

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<v Speaker 3>That is right, right, because we've done Fridays, this is

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<v Speaker 3>a different one and we're just always together.

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<v Speaker 4>It's so fun countless other cult reject shows, right, So

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<v Speaker 4>if you can introduce the Unfiltered Rise podcast to the

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<v Speaker 4>Operation GCD that perhaps is not familiar.

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<v Speaker 3>Absolutely so, I'm Heidi Love of the Unfiltered Rise. I'm

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<v Speaker 3>also an ex Mormon just like JJ and I talk

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<v Speaker 3>a lot about that on my show, but I also

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<v Speaker 3>do kind of a whole multitude of different things, anything

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<v Speaker 3>that strikes my fancy, especially like Mormon Mafia, weird stuff

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<v Speaker 3>like that, you know, it's a garbage can.

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<v Speaker 4>Too, and some great parapolitics stuff, especially relative to the

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<v Speaker 4>from JFK to Whitewater, et cetera. And I think, you know,

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<v Speaker 4>I have a general annoised theory that everything kind of

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<v Speaker 4>goes back through that Whitewater threading to JFK. So what

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<v Speaker 4>we're dealing with today that.

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<v Speaker 3>Is absolutely absolutely Well, thank you guys for being here.

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<v Speaker 3>I love everyone here, all the rejects and boss, thank you.

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<v Speaker 4>Well, there you go, thank you, last but not least,

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<v Speaker 4>and then particular order at cos me Pete. Julia, welcome

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<v Speaker 4>to Operation GCD. Your first appearance as well. Much like Heidi,

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<v Speaker 4>we've done some Fridays and plenty of O cult reject shows,

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<v Speaker 4>but thanks for joining me yet PCD. There Julia, looking

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<v Speaker 4>forward to We did.

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<v Speaker 1>The Golden Child together, right.

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<v Speaker 4>Holy smokes, you were on the gold See now here

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<v Speaker 4>we go. I was just telling Hidi yesterday about that

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<v Speaker 4>Ed Cassis show we were doing ocult rejects. I thought

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<v Speaker 4>she was there, So I keep I keep replacing who

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<v Speaker 4>was in these shows, so I do apology.

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<v Speaker 6>Everybody here could probably in a test. How many times

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<v Speaker 6>I'll text him be like, did I ask you for

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<v Speaker 6>this show? I can't even remember. You're gonna have write

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<v Speaker 6>it down.

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<v Speaker 1>I forget there.

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<v Speaker 4>I mean, not just one second there, Julia. Yesterday I

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<v Speaker 4>was in a podcast with doing some Mormon parapolitics and

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<v Speaker 4>society Cincinnati conversations on the sixth Censury podcast with Heidi.

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<v Speaker 4>There was a fellow guest and I kept referencing in

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<v Speaker 4>the show that that show we did with Ed Cassis,

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<v Speaker 4>and she kept and she finally says, I wasn't there.

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<v Speaker 4>I was like, oh, shoot, you weren't there, Like, how

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<v Speaker 4>long do I play along with this?

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<v Speaker 8>This is my favorite thing? He said in my brain,

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<v Speaker 8>you were there, you should have been there, And I'm like,

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<v Speaker 8>I was off of work.

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<v Speaker 4>I just didn't know. Oh yeah, shoot I was. I apologize, Julia.

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<v Speaker 1>No, It's it's all good in the hood. I'm just

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<v Speaker 1>happy to be here. I'm excited for this movie. I

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<v Speaker 1>got a lot of cool notes, and what the fuck's up, everybody,

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<v Speaker 1>I'm excited, what's the.

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<v Speaker 4>What's what's going on? The Cosmic Peach podcast as of late,

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<v Speaker 4>what's the focus. I'm actually the subjects you've been interested

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<v Speaker 4>as a late.

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<v Speaker 1>I'm working on a I don't know if I'm gonna

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<v Speaker 1>do three or four parts, because I always try to

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<v Speaker 1>do four parts, but this one might be three parts.

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<v Speaker 1>But I'm working on a new series about sleep paralysis

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<v Speaker 1>and uh, demonic and paranormal experiences. So that's a new

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<v Speaker 1>focus right now, and that that series should be dropping

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<v Speaker 1>next month. So I'm actually really excited about that.

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<v Speaker 4>That's so exciting for you. Again, I appreciate y'all joining me.

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<v Speaker 4>I got to one plug real quick, real fast before

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<v Speaker 4>we get started, and that's my upcoming Sunday show eight

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<v Speaker 4>pm on Sundays, Operation GCD Live Sundays. In the first

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<v Speaker 4>first episode this Sunday, the Curse of Robert the Doll.

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<v Speaker 4>So this is my uh Patreon my new Patreon series

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<v Speaker 4>here on Sunday. So that'll be in the show notes

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<v Speaker 4>along with all your l's links as well.

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<v Speaker 6>You know, what the hell is he?

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<v Speaker 8>Where you scared?

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<v Speaker 1>Though?

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<v Speaker 8>Are you scared to start that crap up over there?

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<v Speaker 4>I don't. I don't like looking at a photo of Robert.

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<v Speaker 4>That's why I muppetize him in the first place, even

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<v Speaker 4>though I've been on a real muppet trend as of late.

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<v Speaker 4>But yeah, I don't.

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<v Speaker 1>Uh.

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<v Speaker 4>I sleep well at night, but thinking about this damn

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<v Speaker 4>thing and the curse, I don't know if I sleep

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<v Speaker 4>that great the last couple of nights. But maybe I'm

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<v Speaker 4>looking at this. I was about to say, speaking of

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<v Speaker 4>sleep for Alicis, Robert might be haunting me in that too. No,

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<v Speaker 4>I'm trying to approach this more of a cathartic experience.

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<v Speaker 3>I know.

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<v Speaker 4>Uh, Julia had it invited me onto her show to

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<v Speaker 4>discuss the matter. I'm like, all right, well, let me

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<v Speaker 4>get all my thoughts on it firstly, put it down

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<v Speaker 4>in order, and then I'll be happy. I'll be happy

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<v Speaker 4>to join you there, Julie. After the Sunday's The Curse

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<v Speaker 4>of the Robert Doll operations sounds.

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<v Speaker 3>So.

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<v Speaker 4>But tonight we're talking about the nineteen eighty five cinematic masterpiece,

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<v Speaker 4>Back to the Future, And I believe this really started,

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<v Speaker 4>uh to a conversation. I mean, we've been doing these

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<v Speaker 4>occult esoterical views here. I'm a big fan of film

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<v Speaker 4>and just telling stories and the way stories are told

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<v Speaker 4>in the first place, and you know, and kind of uh,

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<v Speaker 4>you know these I love the ideas of time. So

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<v Speaker 4>this this, you know, this movie has always been a big,

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<v Speaker 4>big interest of mine. But this really started off with

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<v Speaker 4>a conversation Nick and I had, I think we were

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<v Speaker 4>doing some disc golfing, and he was making a reference

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<v Speaker 4>to how how often or the the use of the

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<v Speaker 4>term spooky that I that I was, I often call

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<v Speaker 4>the la you know, the intelligent sagancies or lack of

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<v Speaker 4>intelligence agencies, the I call them, you know, spooky, you know,

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<v Speaker 4>spooky operations, et cetera. And uh, Nick, you know, Nick

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<v Speaker 4>thought I was you know, at first, when we heard

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<v Speaker 4>me saying that, he was telling me that he thought

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<v Speaker 4>I was making some sort of auditory and racial reference

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<v Speaker 4>of summer.

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<v Speaker 6>Right, was like when I was a kid and I

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<v Speaker 6>heard my whatever grown ups say that it was that was.

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<v Speaker 4>A common note nomenclature there a few decades ago for

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<v Speaker 4>you know, for some you know, but I guess I

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<v Speaker 4>suppose about the same as the N word, right.

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<v Speaker 3>Yeah.

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<v Speaker 4>So as soon as he said that to me, I

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<v Speaker 4>thought of the film Back to the Future. So I

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<v Speaker 4>was like, oh, well, yea, just like Back to the Future, right,

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<v Speaker 4>So that's kind of that's kind of what where he

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<v Speaker 4>and I first started talking about the Uh, there's a cult,

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<v Speaker 4>n esoteric review of the film, But I'd like to

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<v Speaker 4>hear where we're y'all were first interested in in this,

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<v Speaker 4>you know, starting off Nick, where where did uh you know,

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<v Speaker 4>was this a film you were always a big fan

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<v Speaker 4>of since you were a child, or did you see

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<v Speaker 4>this in the theaters?

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<v Speaker 6>I don't think I saw it in the theaters, but no,

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<v Speaker 6>I mean it was definitely a movie that I had,

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<v Speaker 6>like on a VHS tape that I watched multiple times.

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<v Speaker 6>You know, Yeah, it was a classic for me. Yeah, yeah,

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<v Speaker 6>that that in the second one I did. I did

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<v Speaker 6>enjoy it. Everyone was a little because of the train,

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<v Speaker 6>but I did. Uh yeah, it was. It was huge.

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<v Speaker 6>I mean I feel like maybe what was that eighty five,

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<v Speaker 6>so I was seven. I mean around that time. I

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<v Speaker 6>think it's kind of silly how I felt like at

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<v Speaker 6>that time you were kind of seeing the world spring

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<v Speaker 6>I think forward in a sense too, Like it's hard

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<v Speaker 6>to explain, but around that time, I even feel like

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<v Speaker 6>with music and just what was going on in the world,

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<v Speaker 6>it was changing as well. So I guess like that

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<v Speaker 6>was like oh this is what's the come in the future.

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<v Speaker 6>I don't know, it just seemed very nostalgic, you know,

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<v Speaker 6>at the time, even watching it then. But yeah, that's

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<v Speaker 6>all I got.

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<v Speaker 4>I think JJ frows I cut out. Yeah, yeah, No.

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<v Speaker 4>There was a very sci fi futuristic aspect to this.

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<v Speaker 4>I remember as a child thinking, like, especially with the

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<v Speaker 4>second one, I'm gonna I'm gonna need be one of

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<v Speaker 4>those hover boards, you know what I mean, Like, you

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<v Speaker 4>know those things will be around in the future, right,

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<v Speaker 4>you know what I mean. It's kind of funny because

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<v Speaker 4>twenty fifteen is much like the I don't think we've

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<v Speaker 4>really gotten that more technologically advanced outside of some cell

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<v Speaker 4>phone right technologies, right, some little stuff.

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<v Speaker 8>Exactly. Yeah, it's not like we thought.

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<v Speaker 4>Yeah no, I said, I think this was the first

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<v Speaker 4>film that I ever saw at the theater. I know,

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<v Speaker 4>I know, I saw the second one in the theater,

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<v Speaker 4>and like you were saying, I wore the VHS out

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<v Speaker 4>on this one for sure. I'm pretty sure this was

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<v Speaker 4>the first film I saw at the theater, but I

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<v Speaker 4>would have been I would have been almost six. So Jen, Jen,

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<v Speaker 4>when did when did you first find out you're a big,

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<v Speaker 4>big fan of Back to the Future. Is this something

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<v Speaker 4>you've been a big fan of, is you know your

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<v Speaker 4>whole life as a child or what are you talking

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<v Speaker 4>about here?

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<v Speaker 2>So I'm a nineties kid obviously, and I sure watched

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<v Speaker 2>it in the nineties, and I think I liked it,

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<v Speaker 2>Like it's to me. I wasn't sure like when you

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<v Speaker 2>were like, do you want to do this? Of course

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<v Speaker 2>I want to do our movie reviews. It's like the

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<v Speaker 2>most fun thing we do pretty much everybody, right, So

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<v Speaker 2>you know, of course I want to do it. But

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<v Speaker 2>I didn't know how much I could add to it

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<v Speaker 2>for through this film, simply because of my unfamiliarity with it.

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<v Speaker 2>But then Nick, being the great boss that he is,

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<v Speaker 2>sent me his great notes and I was like, oh, okay,

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<v Speaker 2>You're like yeah, okay, And then I was like, yeah,

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<v Speaker 2>this actually totally makes sense. This is like I can

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<v Speaker 2>follow his holistic logic from like beginning to end. And

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<v Speaker 2>I was like, yeah, these are the same things that

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<v Speaker 2>I thought were really interesting. So I mean, I feel

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<v Speaker 2>like I'll just be more riffing tonight and like let

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<v Speaker 2>everybody else who is really into the film that go,

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<v Speaker 2>But I definitely will like how I'll add where I

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<v Speaker 2>have to add, and so for me back to the

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<v Speaker 2>future is we'll call it true Chino because I know

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<v Speaker 2>you love that JJ for this you know esoteric or

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<v Speaker 2>cult review. But I'm not sure if it's a true

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<v Speaker 2>Chino for me. But I really liked it, I have

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<v Speaker 2>to say in rewatch, which is just yesterday, So I

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<v Speaker 2>enjoyed it. I thought it was weird and as eighties

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<v Speaker 2>as I remember, right, and maybe sorry.

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<v Speaker 4>JJ, no, I'll say, so when did you persue? So

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<v Speaker 4>you saw kind of the whole trilogy? Then maybe you

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<v Speaker 4>know all at once then, right, you didn't have to

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<v Speaker 4>wait between the trilogies.

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<v Speaker 2>Then it's interesting because I even watched the trilogy in

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<v Speaker 2>anticipation for this episode because I was like I needed

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<v Speaker 2>to kind of know, like I have to know the cannon,

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<v Speaker 2>like have a familiarity with like the text. Right, So

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<v Speaker 2>I guess I must have watched them on VHS or DVD,

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<v Speaker 2>because like I'm more DVD E era. But yeah, we definitely,

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<v Speaker 2>I definitely had VHS. I'm kidding, so, but I must

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<v Speaker 2>have watched.

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<v Speaker 4>But there was no antist You didn't have to wait

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<v Speaker 4>like anticipating the next one coming out there, right, because

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<v Speaker 4>there was always the to be continued with a like

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<v Speaker 4>a cliffhanger scene.

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<v Speaker 2>Right, No, so I'm I'm not. I'm not old enough

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<v Speaker 2>to yet be like affected by the cliffhanger.

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<v Speaker 3>Right.

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<v Speaker 4>That was very pactful on my childhood, and I'm not

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<v Speaker 4>that was very hyped, very hyped. So I appreciate that.

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<v Speaker 1>Jen.

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<v Speaker 4>So, Julia, when did you first discover the Back to

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<v Speaker 4>the Future and were you in a similar situation as

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<v Speaker 4>Jen where you weren't left with a bunch of cliffhangers?

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<v Speaker 4>Because I'd ask the same to hide a yeah, I

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<v Speaker 4>think I know the answer.

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<v Speaker 1>Well, shit, I just turned thirty, but I still identify

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<v Speaker 1>as twenty nine.

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<v Speaker 9>My pronouns are forever and young.

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<v Speaker 3>And so.

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<v Speaker 1>My brother and sister grew up in the eighties, and

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<v Speaker 1>so when I was really little, they would play like

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<v Speaker 1>all the great eighties movies For me. I didn't have

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<v Speaker 1>to wait. I just watched them all, back to back

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<v Speaker 1>to back, Back to the Future, Back to the Future two,

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<v Speaker 1>Back to the Future three. My favorite is actually probably no,

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<v Speaker 1>it's the first one. In the third one, actually, did

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<v Speaker 1>you see what.

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<v Speaker 4>Did you grow up with that? There was?

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<v Speaker 3>That?

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<v Speaker 4>Was that a cartoon in your childhood?

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<v Speaker 3>Too?

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00:14:53.399 --> 00:14:55.639
<v Speaker 4>What the cartoon version of Back to the Future.

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<v Speaker 1>I never fucked with it, but I will say I

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<v Speaker 1>was soon obsessed with the movies. And actually I kind

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<v Speaker 1>of had like a little bit of a crush on

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<v Speaker 1>Michael J. Fox there for a minute because it was

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<v Speaker 1>like teen Wolf and like some of those other like

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<v Speaker 1>really cool eighties movies that he was doing. And so yeah,

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<v Speaker 1>Gane for sure, And I actually have a little bit

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<v Speaker 1>of a story about that when we get into like

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<v Speaker 1>stuff about the movie with Michael J.

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<v Speaker 8>Fox.

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<v Speaker 1>But yeah, no, dude, I loved Back to the Future,

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<v Speaker 1>the first one, in the third one, like I said,

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<v Speaker 1>my fave. I didn't grow up in the eighties, but

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<v Speaker 1>I definitely fuck with it heavy. I love all the

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<v Speaker 1>eighties stuff.

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<v Speaker 4>Nice, nice, well, last but not least hide He went,

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<v Speaker 4>when did you discover the Back to the futures? And

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<v Speaker 4>were you as affected by these cliffhangers as I was?

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<v Speaker 8>Oh, definitely. I think I'm the oldest one on the panel.

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<v Speaker 8>So I was like this is crazy cool.

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<v Speaker 3>And like, oh, I hope we have flying cars and

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<v Speaker 3>all this from the second one, like it was just yeah,

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<v Speaker 3>the third one, you're right, it's just not it doesn't

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<v Speaker 3>have the third one love me anyway.

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<v Speaker 4>Yeah so, but it was so I appreciate it more

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<v Speaker 4>than I like other sequels. But I agree with you.

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<v Speaker 4>I think the first two or they were more of

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<v Speaker 4>a home run. I think, yeah, so good.

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<v Speaker 9>How can you not like the third one?

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<v Speaker 1>It's like the perfect.

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<v Speaker 8>Ending, the good one?

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<v Speaker 6>About that?

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<v Speaker 3>Do they?

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<v Speaker 1>I mean they ended it enough for me to be

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<v Speaker 1>satisfied with their not being a fourth one.

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<v Speaker 6>They're making a remake, supposedly.

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<v Speaker 1>I'm not interested in a remake. They ruin everything and

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00:16:39.799 --> 00:16:42.519
<v Speaker 1>they put their woke bullshit in it. When they make remakes,

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<v Speaker 1>they're going to cast a black guy to play Marty

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<v Speaker 1>McFly and they're gonna have some tranny playing.

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<v Speaker 8>Doc and I don't want it.

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<v Speaker 1>I just don't want it.

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<v Speaker 4>Leave it alone. It's funny you mentioned that. It's funny

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<v Speaker 4>you mentioned that, Julie. Have you you all familiar with

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<v Speaker 4>the Back to the Future musical. That's that has been

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<v Speaker 4>a big thing, is.

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00:17:02.200 --> 00:17:05.440
<v Speaker 9>Harry Tranny playing Doc Brown because they don't want.

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<v Speaker 4>To know now. But much like in this film we've

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<v Speaker 4>discussed in the Back to the Future film, you know,

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00:17:10.599 --> 00:17:12.799
<v Speaker 4>it's weird that Marty McFly goes back in time and

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<v Speaker 4>he's kind of like got a thing with his mother's

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<v Speaker 4>got falls in love with him, and so there's this

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<v Speaker 4>kind of incestual thing. Well in the Broadway musical version

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<v Speaker 4>and the Broadway Musical version, I think he went back

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<v Speaker 4>in time and his dad had a thing for him again.

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<v Speaker 1>Oh no, said that.

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<v Speaker 4>It's not overtly that way, but like I mean, I'll

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<v Speaker 4>show you a clip here just you know, stand By

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<v Speaker 4>Police one second, I got, I got a clip of

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<v Speaker 4>exactly Fly is not gay. Well, well, the Broadway version

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00:17:41.759 --> 00:17:44.119
<v Speaker 4>probably is, but I hear what you're saying, so, isn't

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00:17:44.160 --> 00:17:46.119
<v Speaker 4>it it is? It is kind of fascinating how much

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<v Speaker 4>this is spawn a cultural phenomenon there, right, like this

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00:17:48.599 --> 00:17:51.839
<v Speaker 4>this film you know here it is you know, forty

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<v Speaker 4>years you know later, right almost right, I think was

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<v Speaker 4>July third of nineteen eighty five, right that they released

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<v Speaker 4>this film. So you know, it's crazy still, right, and

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<v Speaker 4>it's still it's still very impactful because, like I said,

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<v Speaker 4>they're doing Broadway musicals. You know, if you all recall

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<v Speaker 4>in the film, you know, in the in the sequels,

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<v Speaker 4>they go to October fifteenth, twenty fifteen, right.

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<v Speaker 1>Which everybody freaked out on that dread out life on Instagram.

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<v Speaker 4>Oh it's October fifteen, two thousand fifty. Well, they even

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00:18:25.079 --> 00:18:26.640
<v Speaker 4>did things like I Got a clipper. They even did

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00:18:26.720 --> 00:18:28.799
<v Speaker 4>things like this on the Jimmy Kimmel Show on that date.

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<v Speaker 7>WHOA.

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<v Speaker 6>Of course, of my calculations, this is the year two

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<v Speaker 6>thousan fifteen May the Future.

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<v Speaker 4>That's so, I mean, you know this was you know,

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00:18:49.720 --> 00:18:52.240
<v Speaker 4>it's right, wrong or different whenever you think of Jimmy Kimmel.

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00:18:52.279 --> 00:18:54.119
<v Speaker 4>That's a big audience. They are doing this on, you know,

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00:18:54.240 --> 00:18:57.119
<v Speaker 4>as a you know, tribute to this culture that was

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00:18:57.160 --> 00:19:00.359
<v Speaker 4>created I think, and it is the sci fi culture general,

386
00:19:00.440 --> 00:19:02.359
<v Speaker 4>but I mean it is specifically this film. I think.

387
00:19:02.880 --> 00:19:04.960
<v Speaker 4>I think the esoteric elements that we're going to be

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00:19:05.039 --> 00:19:07.480
<v Speaker 4>discussing here this evening, some of these occult and or

389
00:19:07.640 --> 00:19:10.920
<v Speaker 4>esoteric elements is these these things that are embedded in

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00:19:11.000 --> 00:19:13.039
<v Speaker 4>the storyline of the film is what makes it so

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00:19:13.799 --> 00:19:15.880
<v Speaker 4>time you know time, you know, standing through time, as

392
00:19:15.920 --> 00:19:18.880
<v Speaker 4>far as being a good story, great you know, told

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00:19:18.920 --> 00:19:23.119
<v Speaker 4>in a great film. Right, And yeah, I mean, I

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00:19:23.160 --> 00:19:25.559
<v Speaker 4>don't know what, uh, I don't know. I've ever met

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00:19:25.599 --> 00:19:27.279
<v Speaker 4>someone who's like, oh, yeah, back to the I've seen

396
00:19:27.319 --> 00:19:28.839
<v Speaker 4>Back to Future and it's super dumb, you know what

397
00:19:28.839 --> 00:19:30.480
<v Speaker 4>I mean, like, because I think you see that with

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00:19:30.559 --> 00:19:31.920
<v Speaker 4>some of the air sci fi stuff. But I mean

399
00:19:31.960 --> 00:19:33.559
<v Speaker 4>it is a very wide What I'm saying is has

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00:19:33.599 --> 00:19:36.839
<v Speaker 4>a wide ranging audience for sci fi folks, right, Like

401
00:19:37.319 --> 00:19:38.960
<v Speaker 4>you don't have to be a Star Wars person or

402
00:19:38.960 --> 00:19:41.000
<v Speaker 4>a Star Trek person to be kind of, you know,

403
00:19:41.559 --> 00:19:44.160
<v Speaker 4>into this I think, into this idea of back to

404
00:19:44.200 --> 00:19:45.519
<v Speaker 4>the future and time travel.

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00:19:45.839 --> 00:19:49.920
<v Speaker 9>And it's so embedded in pop culture. Oh sorry, no,

406
00:19:50.119 --> 00:19:51.359
<v Speaker 9>that's okay, please.

407
00:19:52.559 --> 00:19:54.359
<v Speaker 1>Oh I was just gonna say it's so embedded in

408
00:19:54.440 --> 00:19:57.680
<v Speaker 1>pop culture, you know, like a lot of movies still

409
00:19:57.839 --> 00:20:02.720
<v Speaker 1>reference things from Back to the Future. So yeah, it's

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00:20:02.920 --> 00:20:06.519
<v Speaker 1>it's definitely timeless for sure.

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00:20:07.319 --> 00:20:10.119
<v Speaker 2>Jim, what we what we're gonna say there basically just

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00:20:10.200 --> 00:20:12.759
<v Speaker 2>echoing both you and Julia's thing that it was. It's

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00:20:12.920 --> 00:20:15.240
<v Speaker 2>it's a cultural phenomenon. Like, and I agree with you,

414
00:20:15.400 --> 00:20:18.400
<v Speaker 2>this film has such wide ranging appeal. But I didn't

415
00:20:18.400 --> 00:20:20.799
<v Speaker 2>actually think of it as a sci fi film really

416
00:20:20.839 --> 00:20:23.680
<v Speaker 2>what I was thinking of, and but it is. But

417
00:20:23.759 --> 00:20:26.759
<v Speaker 2>it really is a science speculative fiction film. Maybe not

418
00:20:26.880 --> 00:20:30.079
<v Speaker 2>a science fiction film as we would like normally think

419
00:20:30.119 --> 00:20:32.480
<v Speaker 2>of it, maybe not like total recall science fiction but

420
00:20:32.599 --> 00:20:35.519
<v Speaker 2>it is a speculative fiction so from that angle, actually,

421
00:20:35.720 --> 00:20:39.640
<v Speaker 2>now I'm like very like, oh, okay, can like that.

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00:20:41.759 --> 00:20:44.039
<v Speaker 4>I'm back, Yeah, you're back.

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00:20:44.160 --> 00:20:45.480
<v Speaker 1>Did you hear what Jin said?

424
00:20:46.480 --> 00:20:48.920
<v Speaker 4>Yeah? No, it just started storming here, real, real bad.

425
00:20:49.079 --> 00:20:50.799
<v Speaker 4>What were you saying, Jim? Can you can you repeat

426
00:20:50.799 --> 00:20:51.160
<v Speaker 4>that for me?

427
00:20:51.680 --> 00:20:51.799
<v Speaker 6>Oh?

428
00:20:51.880 --> 00:20:53.880
<v Speaker 2>Yeah, no problem, JJ. I just was saying, it is

429
00:20:53.960 --> 00:20:56.559
<v Speaker 2>a sci fi film, but it's more of a speculative

430
00:20:56.599 --> 00:21:00.759
<v Speaker 2>fiction film. Then it's like a total re call, which

431
00:21:00.799 --> 00:21:03.319
<v Speaker 2>would be like a high science fiction because of sudden

432
00:21:03.319 --> 00:21:07.119
<v Speaker 2>space Okay, Dick travel, right, So this is really a

433
00:21:07.160 --> 00:21:09.920
<v Speaker 2>speculative fiction film, so people don't You're totally right. And

434
00:21:10.039 --> 00:21:12.440
<v Speaker 2>when you said that, people don't have to enjoy science

435
00:21:12.480 --> 00:21:15.359
<v Speaker 2>fiction to go watch this film. But the film really

436
00:21:15.519 --> 00:21:18.759
<v Speaker 2>is oxial, like science fiction is oxial to the whole film.

437
00:21:20.079 --> 00:21:23.160
<v Speaker 4>Absolutely. I'm glad to pointed that out, because because we're

438
00:21:23.200 --> 00:21:25.400
<v Speaker 4>not before before we get into the actual you know,

439
00:21:25.720 --> 00:21:28.680
<v Speaker 4>characters and plotline of the film, I'm gonna I would

440
00:21:28.680 --> 00:21:30.359
<v Speaker 4>like to take on our own little trip back to

441
00:21:30.440 --> 00:21:33.079
<v Speaker 4>the future and go over how this sci fi stuff

442
00:21:33.119 --> 00:21:35.160
<v Speaker 4>began and how this stuff was impacted in which to

443
00:21:35.720 --> 00:21:37.599
<v Speaker 4>the culture which to even create this film, right, what

444
00:21:37.759 --> 00:21:39.240
<v Speaker 4>what's the backstory on that?

445
00:21:39.400 --> 00:21:39.519
<v Speaker 5>Right?

446
00:21:39.599 --> 00:21:39.720
<v Speaker 3>How?

447
00:21:40.160 --> 00:21:43.319
<v Speaker 4>How did the how did the nature of these tales

448
00:21:43.359 --> 00:21:45.480
<v Speaker 4>even come about? Where? Where's the root of science fiction?

449
00:21:46.200 --> 00:21:48.519
<v Speaker 4>Where's the root of these ideas of time travel? And

450
00:21:48.599 --> 00:21:53.279
<v Speaker 4>strangely enough, it largely revolves around a fellow that I

451
00:21:53.400 --> 00:21:56.680
<v Speaker 4>described last week in Operation GCD Live in My In

452
00:21:56.759 --> 00:22:00.319
<v Speaker 4>My Tales of Cocaine, Bob Evans meets Marvel Comics is

453
00:22:00.440 --> 00:22:03.079
<v Speaker 4>DC and Marvel Comics to leave the fan fiction that

454
00:22:03.240 --> 00:22:05.079
<v Speaker 4>was all focused around a fellow by the name of

455
00:22:05.160 --> 00:22:08.480
<v Speaker 4>Forrest j Ackerman. He's actually known as mister science Fiction,

456
00:22:09.160 --> 00:22:11.839
<v Speaker 4>and he's the guy who coined the term science fiction.

457
00:22:12.000 --> 00:22:14.359
<v Speaker 4>So I'm glad you pointed that out, because we're gonna

458
00:22:14.359 --> 00:22:17.960
<v Speaker 4>be getting into little bit of that. Did anyone else

459
00:22:18.000 --> 00:22:20.839
<v Speaker 4>have any more any more opening comments or statements here?

460
00:22:20.839 --> 00:22:25.039
<v Speaker 4>Before we do a quick quick clip of the trailer

461
00:22:25.160 --> 00:22:27.519
<v Speaker 4>to the film, you know, just to get folks that

462
00:22:27.559 --> 00:22:30.720
<v Speaker 4>are refreshed on the I mean, who doesn't know back

463
00:22:30.759 --> 00:22:32.880
<v Speaker 4>to the future, But if folks have the interwebs are

464
00:22:32.880 --> 00:22:35.039
<v Speaker 4>out there, who don't I have a brief clip in

465
00:22:35.079 --> 00:22:39.720
<v Speaker 4>which to refresh folks memories. But if anyone else has

466
00:22:39.720 --> 00:22:42.599
<v Speaker 4>any other comments before we do that please feel free.

467
00:22:45.240 --> 00:22:49.319
<v Speaker 4>We're good all right. Actually, you know what, I'm glad

468
00:22:49.359 --> 00:22:51.920
<v Speaker 4>I stopped myself there for a second, because once again,

469
00:22:52.000 --> 00:22:54.079
<v Speaker 4>this is how this whole conversation began. I have a

470
00:22:54.119 --> 00:22:55.160
<v Speaker 4>clip of that first.

471
00:22:58.799 --> 00:22:59.599
<v Speaker 7>Messing up my hood?

472
00:23:00.839 --> 00:23:03.200
<v Speaker 4>The hell are you doing in my car? Hey? Be

473
00:23:03.400 --> 00:23:09.240
<v Speaker 4>it spoof? This don't concern you who you call it spook?

474
00:23:09.359 --> 00:23:09.960
<v Speaker 4>Take a wood?

475
00:23:11.960 --> 00:23:12.119
<v Speaker 6>Hey?

476
00:23:12.160 --> 00:23:14.519
<v Speaker 1>Hey, listen, guys, look, I don't want to mess with

477
00:23:14.599 --> 00:23:15.440
<v Speaker 1>no reforatis.

478
00:23:15.480 --> 00:23:16.519
<v Speaker 4>Okay, you'll.

479
00:23:20.279 --> 00:23:20.559
<v Speaker 2>I met.

480
00:23:22.359 --> 00:23:23.400
<v Speaker 6>Do you ever hear that? Do you ever hear the

481
00:23:23.400 --> 00:23:24.200
<v Speaker 6>Peckerwoods before?

482
00:23:25.680 --> 00:23:25.720
<v Speaker 7>No?

483
00:23:25.920 --> 00:23:26.519
<v Speaker 4>I'm not now.

484
00:23:27.000 --> 00:23:29.000
<v Speaker 6>Yeah. Yeah, they're a group I met in prison as well.

485
00:23:29.039 --> 00:23:30.079
<v Speaker 6>They hung out with the Odinis.

486
00:23:30.319 --> 00:23:32.319
<v Speaker 1>They all have like themselves.

487
00:23:33.240 --> 00:23:35.920
<v Speaker 6>Yeah they have like what wood? Yeah, they have like

488
00:23:35.960 --> 00:23:38.559
<v Speaker 6>white pecker whatdy woodpecker tattoos and ship.

489
00:23:40.440 --> 00:23:44.799
<v Speaker 4>Out of here. Oh my god, I'd never heard of that.

490
00:23:45.400 --> 00:23:47.480
<v Speaker 4>I just got cracked up because you know, that is uh,

491
00:23:48.000 --> 00:23:50.400
<v Speaker 4>you know, the term spoo because obviously you don't know

492
00:23:50.440 --> 00:23:52.599
<v Speaker 4>how long it goes back to with intelligence operations. I

493
00:23:52.680 --> 00:23:55.119
<v Speaker 4>presume that back that far. But it's that's the term

494
00:23:55.200 --> 00:23:58.000
<v Speaker 4>I know for intelligence operations, not the you know, the

495
00:23:58.319 --> 00:23:59.839
<v Speaker 4>reference from Back to the Future. But it cracks me

496
00:23:59.920 --> 00:24:02.319
<v Speaker 4>up up and that seems very kind of important and

497
00:24:02.400 --> 00:24:05.359
<v Speaker 4>the whole narrative because you know, Michael J. Fox's character

498
00:24:05.839 --> 00:24:08.400
<v Speaker 4>Marty McFly gets locked in that trunk, and it is

499
00:24:08.519 --> 00:24:10.480
<v Speaker 4>that trunk that's an epicoite. That being locked in that

500
00:24:10.519 --> 00:24:13.000
<v Speaker 4>trunk's an epicenter of activity that you know, I don't

501
00:24:13.000 --> 00:24:15.440
<v Speaker 4>want to I don't want to confuse mess folks. Brain

502
00:24:15.480 --> 00:24:17.519
<v Speaker 4>holds up at the moment trying to, you know, explain

503
00:24:17.880 --> 00:24:20.680
<v Speaker 4>time and how this you know, that seems imperative to

504
00:24:20.799 --> 00:24:23.079
<v Speaker 4>this whole circular nature of time in this film, because

505
00:24:23.079 --> 00:24:25.359
<v Speaker 4>I'm sure we'll get into that at some point. But I,

506
00:24:25.839 --> 00:24:27.440
<v Speaker 4>you know, I think that is a very important scene.

507
00:24:27.440 --> 00:24:28.960
<v Speaker 4>It's not just comical to me in that regard. I

508
00:24:29.000 --> 00:24:31.680
<v Speaker 4>think it's an important scene in the whole the whole business.

509
00:24:31.759 --> 00:24:34.400
<v Speaker 4>But I got a quick clip here for the uh,

510
00:24:35.200 --> 00:24:37.640
<v Speaker 4>you know, just to describe the storyline from the original

511
00:24:37.759 --> 00:24:41.400
<v Speaker 4>the original trailer, steven s field Berg.

512
00:24:41.279 --> 00:24:45.240
<v Speaker 7>Perssts back to the future Roberts the Mecher's film, Marty

513
00:24:45.319 --> 00:24:46.440
<v Speaker 7>leads an ordinary life.

514
00:24:46.559 --> 00:24:47.759
<v Speaker 4>He will must lie ever.

515
00:24:47.720 --> 00:24:50.079
<v Speaker 7>Amount of to anything in the history of Ill Valley,

516
00:24:50.400 --> 00:24:55.319
<v Speaker 7>you know, change and nineteen eighty five is not He

517
00:24:55.480 --> 00:24:59.039
<v Speaker 7>is a year, but Doctor Brown is about to change

518
00:24:59.079 --> 00:24:59.279
<v Speaker 7>all that.

519
00:25:00.039 --> 00:25:03.079
<v Speaker 1>Can you tell me you got the time machine at.

520
00:25:02.880 --> 00:25:08.400
<v Speaker 2>Warriant, He's sending Mary thirty years back in time.

521
00:25:11.000 --> 00:25:13.160
<v Speaker 4>So I figured that was a good encapsulation of what

522
00:25:13.279 --> 00:25:16.160
<v Speaker 4>at least the baseline of the film is. The folks

523
00:25:16.200 --> 00:25:19.000
<v Speaker 4>that they are not familiar with it, but it is

524
00:25:19.200 --> 00:25:22.000
<v Speaker 4>still us still one of my favorite films. I'm not Claudia.

525
00:25:22.920 --> 00:25:25.400
<v Speaker 4>I get excited the Triller me too.

526
00:25:26.119 --> 00:25:28.799
<v Speaker 1>And I've watched it twice within the last twenty four

527
00:25:28.880 --> 00:25:32.160
<v Speaker 1>hours preparing for this and love every moment of it.

528
00:25:32.279 --> 00:25:35.720
<v Speaker 1>But I don't know what it means by Steven Spielberg

529
00:25:35.920 --> 00:25:40.839
<v Speaker 1>presents a robbery mechas film, but that means he was

530
00:25:40.960 --> 00:25:42.079
<v Speaker 1>in some way.

531
00:25:43.680 --> 00:25:48.119
<v Speaker 9>Tied into what the production of it, or was.

532
00:25:48.079 --> 00:25:51.519
<v Speaker 4>Produced by Amble and Entertainment, which was owned by Spielberg

533
00:25:51.599 --> 00:25:53.319
<v Speaker 4>with a minority as the Mechas.

534
00:25:54.160 --> 00:26:00.279
<v Speaker 3>Okay, okay, Meccas hides in every film he's in period exactly.

535
00:26:00.039 --> 00:26:02.519
<v Speaker 4>Is the Meccas. Yeah, he was. He was Spielberg's protege

536
00:26:02.720 --> 00:26:04.960
<v Speaker 4>and Bob Gail was best friends. Was a mecchas because

537
00:26:05.039 --> 00:26:07.680
<v Speaker 4>Bob Gail, much like some of the actors in this film,

538
00:26:07.759 --> 00:26:10.559
<v Speaker 4>Bob Gaile seems to have distance himself from Hollywood, away

539
00:26:10.559 --> 00:26:13.680
<v Speaker 4>from zam Mecchas and Spielberg, just like Crispin Glover, the

540
00:26:13.720 --> 00:26:17.680
<v Speaker 4>actor who played George McFly and the female actress that

541
00:26:17.880 --> 00:26:22.640
<v Speaker 4>played Martin McFly's love interest to Jennifer who whose name

542
00:26:22.720 --> 00:26:24.640
<v Speaker 4>I can't think of at the moment. They both left

543
00:26:24.680 --> 00:26:27.319
<v Speaker 4>after the first one, and years later we'll get into

544
00:26:27.559 --> 00:26:29.079
<v Speaker 4>some of this in a little bit here. Years later,

545
00:26:29.160 --> 00:26:33.240
<v Speaker 4>it would be alleged by the Crazy Days and Nights

546
00:26:33.960 --> 00:26:38.039
<v Speaker 4>Entertainment lawyer Fellow that it was all revolving around kids

547
00:26:38.079 --> 00:26:42.200
<v Speaker 4>stuff and we're ambling entertainment and Spielberg were having a

548
00:26:42.240 --> 00:26:44.640
<v Speaker 4>bunch of children audition for the film when there wasn't

549
00:26:44.640 --> 00:26:48.119
<v Speaker 4>any children parts. So and Chrispin Glover made a bit

550
00:26:48.160 --> 00:26:51.160
<v Speaker 4>of it, an issue of it on set, and et cetera,

551
00:26:51.200 --> 00:26:53.640
<v Speaker 4>et cetera. But there's that's a whole that's a whole,

552
00:26:53.680 --> 00:26:55.799
<v Speaker 4>big narrative there. But yeah, that's actually.

553
00:26:57.200 --> 00:26:59.720
<v Speaker 1>That was my first note that I have is that

554
00:27:00.160 --> 00:27:03.599
<v Speaker 1>spin Glover actually wrote a letter that you can go

555
00:27:03.799 --> 00:27:06.680
<v Speaker 1>and read. Anybody can go and read it. He wrote

556
00:27:06.720 --> 00:27:10.680
<v Speaker 1>a letter to Steven Spielberg, and I'm assuming it was

557
00:27:10.839 --> 00:27:14.519
<v Speaker 1>after back to the future about the kids stuff and

558
00:27:14.599 --> 00:27:15.279
<v Speaker 1>the weirdness.

559
00:27:16.200 --> 00:27:18.440
<v Speaker 4>Well, yeah, you you got to look long and hard

560
00:27:18.480 --> 00:27:19.880
<v Speaker 4>for that letter because I thought you could read it.

561
00:27:19.960 --> 00:27:21.079
<v Speaker 4>Took me a meant to find out how to go

562
00:27:21.160 --> 00:27:24.920
<v Speaker 4>to the web archive. Yeah, I mean it's nice website

563
00:27:25.000 --> 00:27:26.079
<v Speaker 4>back in two thousand and five.

564
00:27:26.759 --> 00:27:29.880
<v Speaker 1>It's not easily accessible, but it is out there, and

565
00:27:30.160 --> 00:27:34.640
<v Speaker 1>he did notes. You have it in the show notes

566
00:27:35.559 --> 00:27:35.880
<v Speaker 1>I will.

567
00:27:36.000 --> 00:27:37.839
<v Speaker 4>I haven't put it there yet. I've been really lazy

568
00:27:37.880 --> 00:27:39.799
<v Speaker 4>about that today, but I haven't. I haven't available. I'm

569
00:27:39.799 --> 00:27:43.240
<v Speaker 4>gonna put it in after the show. Oh, I haven't available.

570
00:27:44.920 --> 00:27:47.440
<v Speaker 1>I've talked about that before, and so is Sean McCann

571
00:27:47.720 --> 00:27:52.799
<v Speaker 1>about how Crispin Glover wrote this letter to to Steven

572
00:27:52.880 --> 00:27:55.240
<v Speaker 1>Spielberg about this kind of stuff. And I really like

573
00:27:55.359 --> 00:27:58.920
<v Speaker 1>Crispin Glover. I think he's hilarious for sure.

574
00:27:58.960 --> 00:28:01.519
<v Speaker 4>I just watched it all, didn't that very I'll go ahead.

575
00:28:02.119 --> 00:28:04.000
<v Speaker 1>Oh, I was just gonna say I watched another movie

576
00:28:04.079 --> 00:28:05.960
<v Speaker 1>recently with him in it, and it just made me

577
00:28:06.119 --> 00:28:08.640
<v Speaker 1>love him even more. Like I feel like he's a

578
00:28:08.720 --> 00:28:10.000
<v Speaker 1>no nonsense kind of guy.

579
00:28:11.160 --> 00:28:13.160
<v Speaker 4>He seems that way, right. He seems that way because

580
00:28:13.200 --> 00:28:16.599
<v Speaker 4>he really diships himself from Hollywood in the whole Spielberg franchise.

581
00:28:16.680 --> 00:28:20.000
<v Speaker 4>So to that note again, and we'll go into some

582
00:28:20.079 --> 00:28:22.160
<v Speaker 4>more that here in a minute. But the you know,

583
00:28:22.319 --> 00:28:25.880
<v Speaker 4>Crispin Glover really ute. He was responsible for a landmark

584
00:28:25.960 --> 00:28:29.200
<v Speaker 4>lawsuit for actors' rights there in Hollywood as far as

585
00:28:29.599 --> 00:28:31.319
<v Speaker 4>the Back of the Future too went because he used

586
00:28:31.359 --> 00:28:34.960
<v Speaker 4>his likeness against against without any permission. So this that's

587
00:28:34.960 --> 00:28:37.759
<v Speaker 4>a whole nother matter as well, but again involves these producers, right,

588
00:28:38.319 --> 00:28:42.039
<v Speaker 4>involves this trio of folks, Bob Gail, you know, Roberts, Mechas,

589
00:28:42.039 --> 00:28:44.720
<v Speaker 4>Steven Spielberg, and really you can toss George Lucas into that,

590
00:28:44.759 --> 00:28:46.799
<v Speaker 4>even though he's not involved in this film, he is

591
00:28:46.880 --> 00:28:49.960
<v Speaker 4>kind of the third wheel there with some Mechas and Spielberg.

592
00:28:50.039 --> 00:28:53.640
<v Speaker 4>They're all kind of a trio. So interesting stuff because

593
00:28:53.640 --> 00:28:55.920
<v Speaker 4>then you're dealing with Star Wars, right with with the Spielberg,

594
00:28:56.000 --> 00:28:59.880
<v Speaker 4>Lucas and stuff, right, and then you know that's, uh,

595
00:29:00.240 --> 00:29:01.799
<v Speaker 4>that's kind of all interesting to me in the sci

596
00:29:01.880 --> 00:29:07.119
<v Speaker 4>fi in these sci fi respects. So the I guess

597
00:29:07.160 --> 00:29:08.960
<v Speaker 4>we could start off there, right some of that sci

598
00:29:09.039 --> 00:29:09.559
<v Speaker 4>fi stuff.

599
00:29:10.279 --> 00:29:15.440
<v Speaker 2>Well, let me just when you were saying that sci

600
00:29:15.519 --> 00:29:18.079
<v Speaker 2>fi stuff because that's obviously very interesting to me from

601
00:29:18.079 --> 00:29:22.440
<v Speaker 2>a metafiction perspective, is that I never really thought of

602
00:29:22.519 --> 00:29:24.200
<v Speaker 2>it before, and I don't know why. I guess I'm

603
00:29:24.240 --> 00:29:26.519
<v Speaker 2>not a true Star Wars enjoyer, which is fully true.

604
00:29:26.519 --> 00:29:30.119
<v Speaker 2>I actually don't really like Star Wars. But you can

605
00:29:30.200 --> 00:29:33.039
<v Speaker 2>actually look at Star Wars in a really interesting cabalistic

606
00:29:33.160 --> 00:29:36.680
<v Speaker 2>way and the like dualities like that, how dualistic.

607
00:29:36.279 --> 00:29:37.240
<v Speaker 3>It is, and how.

608
00:29:40.000 --> 00:29:43.000
<v Speaker 2>Like it's very it's very like copathic and like Tree

609
00:29:43.079 --> 00:29:46.039
<v Speaker 2>of Life at the same time. It's like showing you both,

610
00:29:46.119 --> 00:29:48.440
<v Speaker 2>but it's showing you kind of like the retard version.

611
00:29:49.519 --> 00:29:53.960
<v Speaker 4>Okay, can you explain it? Not really, I guess.

612
00:29:56.720 --> 00:29:59.799
<v Speaker 2>It's like it's like very fastile it's like, oh you

613
00:30:00.480 --> 00:30:03.079
<v Speaker 2>you get there through this, Like it's kind of syncretic, right,

614
00:30:03.200 --> 00:30:05.759
<v Speaker 2>Like he the joke is that he was reading the

615
00:30:05.839 --> 00:30:09.680
<v Speaker 2>Ea Chang as he wrote that film, right, but they

616
00:30:09.680 --> 00:30:13.000
<v Speaker 2>were obviously they were obviously reading other things. And give

617
00:30:13.039 --> 00:30:15.640
<v Speaker 2>me a break, it's not just the eaching, but you know,

618
00:30:15.839 --> 00:30:18.799
<v Speaker 2>so the reality is it has these metaghysical themes like

619
00:30:18.920 --> 00:30:21.839
<v Speaker 2>absolutely people will fight me about it, but it really does.

620
00:30:22.359 --> 00:30:26.920
<v Speaker 2>But it's not very deep. It's not like truly deep

621
00:30:26.960 --> 00:30:29.759
<v Speaker 2>it's not like actually studying like I think you can.

622
00:30:30.000 --> 00:30:32.359
<v Speaker 4>Are you talking the journey that Marty McFly goes on.

623
00:30:33.680 --> 00:30:35.599
<v Speaker 2>No, I'm sorry, I'm talking about Star Wars and just

624
00:30:35.680 --> 00:30:38.519
<v Speaker 2>how that is interesting. You were making like the thing

625
00:30:38.559 --> 00:30:40.240
<v Speaker 2>where it's like a parallel.

626
00:30:40.440 --> 00:30:42.079
<v Speaker 4>What's kind of similar? Right, because there's kind of a

627
00:30:42.240 --> 00:30:46.440
<v Speaker 4>hero theory between the two characters, right, Skywalker and Marty McFly, And.

628
00:30:46.920 --> 00:30:50.440
<v Speaker 2>Marty McFly is a more interesting hero because he's a

629
00:30:50.720 --> 00:30:57.200
<v Speaker 2>little I agree with that, he's more American, right, He's

630
00:30:57.319 --> 00:30:59.839
<v Speaker 2>just something much more interesting about him, much more real.

631
00:31:00.960 --> 00:31:04.200
<v Speaker 2>There's nothing really relatable about Luke Skywalker to anyone. It's like,

632
00:31:04.319 --> 00:31:05.920
<v Speaker 2>that's what I was trying to get out. I'm sorry,

633
00:31:05.920 --> 00:31:07.319
<v Speaker 2>I went on the town now you're good.

634
00:31:08.039 --> 00:31:08.279
<v Speaker 3>It was.

635
00:31:08.480 --> 00:31:12.880
<v Speaker 2>It's that the Luke Skywalker is kind of the messianic figure, right,

636
00:31:13.720 --> 00:31:15.880
<v Speaker 2>no one can ever live up to that because it's

637
00:31:15.920 --> 00:31:19.880
<v Speaker 2>too pristine from the beginning. So Marty McFly, he has

638
00:31:19.920 --> 00:31:22.880
<v Speaker 2>a girlfriend. He's probably at sadly, you know, like he's

639
00:31:22.960 --> 00:31:27.160
<v Speaker 2>lived his life, and it's like that's much more it's

640
00:31:27.240 --> 00:31:28.319
<v Speaker 2>just much more relatable, I.

641
00:31:28.359 --> 00:31:36.920
<v Speaker 8>Think, right, Right, girlfriend's not his sister, so well, that's that's.

642
00:31:36.799 --> 00:31:39.079
<v Speaker 4>A good kind of analysis and what we're getting into here,

643
00:31:39.119 --> 00:31:40.799
<v Speaker 4>Does anyone else have anything to share a kind in

644
00:31:40.839 --> 00:31:42.960
<v Speaker 4>that regard kind of just your overview of what you

645
00:31:43.079 --> 00:31:45.519
<v Speaker 4>saw in these things, just not the particular necessarily, but

646
00:31:45.599 --> 00:31:48.119
<v Speaker 4>you know, kind of a meta analysis of what you

647
00:31:48.160 --> 00:31:48.480
<v Speaker 4>looked at.

648
00:31:50.519 --> 00:31:53.680
<v Speaker 3>I definitely see a mystical journey, like a heroes journey.

649
00:31:54.119 --> 00:31:56.440
<v Speaker 3>I'm seeing, you know, with the time travel, a lot

650
00:31:56.480 --> 00:32:00.880
<v Speaker 3>of NASA like stuff. Their space stuff's gonna pop in

651
00:32:01.119 --> 00:32:03.960
<v Speaker 3>big time with the Dad and the book. I don't

652
00:32:04.000 --> 00:32:05.799
<v Speaker 3>know if you guys saw when he comes back, but

653
00:32:06.359 --> 00:32:09.519
<v Speaker 3>when he comes back and everything changes the books about

654
00:32:10.039 --> 00:32:13.160
<v Speaker 3>space and how he met his wife, it's like space

655
00:32:13.319 --> 00:32:17.279
<v Speaker 3>lovers or something. And I'm seeing like divine, a lot

656
00:32:17.359 --> 00:32:22.759
<v Speaker 3>of divine you know, intervention. So yeah, I don't want.

657
00:32:22.599 --> 00:32:22.759
<v Speaker 8>To go.

658
00:32:24.759 --> 00:32:27.200
<v Speaker 4>I got that's you're definitely reading my mind there, because

659
00:32:27.200 --> 00:32:28.799
<v Speaker 4>I got some massive stuff on deck for us here

660
00:32:28.880 --> 00:32:30.960
<v Speaker 4>on the sci fi background of this film.

661
00:32:31.759 --> 00:32:34.799
<v Speaker 1>I put down a lot of like about the predictive

662
00:32:34.920 --> 00:32:41.720
<v Speaker 1>programming type stuff that they snuck in there, yeah for sure,

663
00:32:41.920 --> 00:32:44.119
<v Speaker 1>And I have like a few notes on that, and

664
00:32:44.240 --> 00:32:51.000
<v Speaker 1>then I have a few notes of like how how

665
00:32:51.079 --> 00:32:57.920
<v Speaker 1>they chose specific times and even stuff in the background

666
00:32:58.039 --> 00:33:02.400
<v Speaker 1>to me looked a little bit on purpose, so sure,

667
00:33:03.400 --> 00:33:06.400
<v Speaker 1>But I did want to say they took a lot

668
00:33:06.480 --> 00:33:09.359
<v Speaker 1>of time to make sure that this movie was perfect,

669
00:33:10.079 --> 00:33:14.839
<v Speaker 1>and everything was very much on purpose. And something a

670
00:33:14.920 --> 00:33:18.880
<v Speaker 1>lot of people don't know is that another actor besides

671
00:33:19.039 --> 00:33:21.519
<v Speaker 1>Michael J. Fox filmed half.

672
00:33:21.400 --> 00:33:23.160
<v Speaker 9>Of this movie and.

673
00:33:24.960 --> 00:33:27.920
<v Speaker 1>Was on the way to finishing the movie before they

674
00:33:28.000 --> 00:33:30.960
<v Speaker 1>said you chuck Dicks, we hate you, fuck off and

675
00:33:31.079 --> 00:33:33.039
<v Speaker 1>they recasted him with Michael J.

676
00:33:33.200 --> 00:33:33.440
<v Speaker 6>Fox.

677
00:33:34.640 --> 00:33:35.839
<v Speaker 4>An you talking about Eric Stoltz?

678
00:33:36.440 --> 00:33:45.200
<v Speaker 1>Yeah, yeah, yeah, so I don't know, Yeah, yeah, another

679
00:33:45.279 --> 00:33:48.079
<v Speaker 1>big eighties movie, some kind of wonderful. I don't know

680
00:33:48.119 --> 00:33:51.480
<v Speaker 1>if you guys watched that, but he's he's the main

681
00:33:51.599 --> 00:33:55.519
<v Speaker 1>guy in some kind of wonderful And he was supposed

682
00:33:55.519 --> 00:33:56.480
<v Speaker 1>to be Marty McFly.

683
00:33:58.000 --> 00:33:59.200
<v Speaker 4>This one was masked, right.

684
00:34:00.519 --> 00:34:04.839
<v Speaker 8>Yes, mask line on that show. Yes, yes, Rocky mask.

685
00:34:05.799 --> 00:34:09.159
<v Speaker 1>Yeah, so he was supposed to be Marty McFly. He

686
00:34:09.239 --> 00:34:11.800
<v Speaker 1>got like halfway through making the movie before they told

687
00:34:11.880 --> 00:34:15.079
<v Speaker 1>him he sucked Dix and got rid of him and

688
00:34:15.360 --> 00:34:16.840
<v Speaker 1>recasted him with Michael J.

689
00:34:17.000 --> 00:34:17.239
<v Speaker 8>Fox.

690
00:34:17.360 --> 00:34:20.480
<v Speaker 1>But like, everything they did was very intentional, It was

691
00:34:20.639 --> 00:34:21.519
<v Speaker 1>very on purpose.

692
00:34:22.920 --> 00:34:24.480
<v Speaker 4>You sure was the suckingd deck thing. He looks a

693
00:34:24.480 --> 00:34:26.079
<v Speaker 4>little along in the face to me, maybe that's why

694
00:34:26.079 --> 00:34:26.800
<v Speaker 4>they recast him.

695
00:34:29.800 --> 00:34:32.559
<v Speaker 1>But I only say that to say every move that

696
00:34:32.679 --> 00:34:35.719
<v Speaker 1>they made was very purposeful and they had to get

697
00:34:35.719 --> 00:34:37.599
<v Speaker 1>it right, they had to make it perfect.

698
00:34:37.800 --> 00:34:40.800
<v Speaker 9>So I think that's also really interesting.

699
00:34:41.960 --> 00:34:43.519
<v Speaker 4>Well I'd like to put a pin in that note

700
00:34:43.599 --> 00:34:45.320
<v Speaker 4>that were real quick, Julia and have you what are

701
00:34:45.320 --> 00:34:46.800
<v Speaker 4>you what are your thoughts on this? You're talking about

702
00:34:46.800 --> 00:34:50.320
<v Speaker 4>predictive programming they did. Now it's technically it's number two.

703
00:34:50.400 --> 00:34:53.360
<v Speaker 4>You see this really manifested in in the film series

704
00:34:53.440 --> 00:34:55.960
<v Speaker 4>the trilogy. But Beth was written on Donald Trump future

705
00:34:56.000 --> 00:34:59.159
<v Speaker 4>Biff Oh right, yeah, yeah.

706
00:34:59.239 --> 00:35:01.159
<v Speaker 1>I mean a lot of that comes in with the

707
00:35:01.320 --> 00:35:06.039
<v Speaker 1>second movie because that going back to the past is

708
00:35:06.519 --> 00:35:08.519
<v Speaker 1>but they still ended up putting a lot of stuff

709
00:35:08.559 --> 00:35:10.920
<v Speaker 1>in the first one. But you know, there was a

710
00:35:11.000 --> 00:35:14.400
<v Speaker 1>lot in Back to the Future too that just screams

711
00:35:14.559 --> 00:35:17.159
<v Speaker 1>like oh fuck yeah and.

712
00:35:17.159 --> 00:35:19.320
<v Speaker 4>Same a number three. But that begs the question of

713
00:35:19.440 --> 00:35:21.679
<v Speaker 4>what is time? When did all these things happen? Because

714
00:35:21.840 --> 00:35:24.880
<v Speaker 4>you know the things, did these things always happen? Did

715
00:35:24.960 --> 00:35:27.440
<v Speaker 4>Marty's parents only meet because he went back in time?

716
00:35:27.519 --> 00:35:29.440
<v Speaker 4>You know what I mean? Shame or meet it?

717
00:35:29.519 --> 00:35:31.519
<v Speaker 8>In a sequel, the chicken thing.

718
00:35:31.960 --> 00:35:33.440
<v Speaker 9>It's the chicken or the thing.

719
00:35:34.000 --> 00:35:35.719
<v Speaker 4>Bill Clinton or the blue dress exactly.

720
00:35:35.800 --> 00:35:38.400
<v Speaker 6>There's actually in that movie if you pay attention to it,

721
00:35:38.480 --> 00:35:40.679
<v Speaker 6>actually he's telling you that this has already happened already

722
00:35:41.440 --> 00:35:43.360
<v Speaker 6>I have stuff in there. He's actually telling you that

723
00:35:44.599 --> 00:35:45.440
<v Speaker 6>it's already changed.

724
00:35:47.880 --> 00:35:49.559
<v Speaker 1>Like there, you know, I like where you're at, Nick On,

725
00:35:49.639 --> 00:35:53.840
<v Speaker 1>That is Marty only friends with Doc Brown because he

726
00:35:53.960 --> 00:35:56.159
<v Speaker 1>went back in the past and Doc Brown knew who

727
00:35:56.239 --> 00:35:59.400
<v Speaker 1>he was. Or how the fuck did Marty become friends

728
00:35:59.440 --> 00:36:02.400
<v Speaker 1>with the disc grace nuclear physicist while he's in high

729
00:36:02.400 --> 00:36:03.719
<v Speaker 1>school the tourist.

730
00:36:04.840 --> 00:36:08.039
<v Speaker 4>Oh, oh, I'm glad you brought that. I'm glad you

731
00:36:08.079 --> 00:36:10.000
<v Speaker 4>brought that up. Am I cutting out here? Can you

732
00:36:10.039 --> 00:36:10.400
<v Speaker 4>all hear me?

733
00:36:10.480 --> 00:36:11.480
<v Speaker 8>No, you can hear you.

734
00:36:11.599 --> 00:36:11.960
<v Speaker 1>You're good.

735
00:36:13.239 --> 00:36:14.960
<v Speaker 4>I got some bad storms that keeps cutting out. No,

736
00:36:15.079 --> 00:36:18.639
<v Speaker 4>that's a great point, Julia, because that physicist that you know,

737
00:36:18.800 --> 00:36:21.840
<v Speaker 4>renowned kind of disgraced physicists and the high school student

738
00:36:21.920 --> 00:36:24.840
<v Speaker 4>being friends. I think that's a nod to Warner von

739
00:36:24.960 --> 00:36:27.840
<v Speaker 4>Braun and Jack Parsons, who had a pen pal and

740
00:36:27.920 --> 00:36:31.280
<v Speaker 4>phone call relationship in the nineteen twenties. As Parsons was

741
00:36:31.320 --> 00:36:32.480
<v Speaker 4>a teenager.

742
00:36:32.639 --> 00:36:34.960
<v Speaker 2>So I shouldn't have said this before, but I wrote

743
00:36:35.000 --> 00:36:39.639
<v Speaker 2>down Personian as my primary talking point for the entire

744
00:36:39.760 --> 00:36:45.199
<v Speaker 2>face because exactly I didn't know that factory. So thank

745
00:36:45.239 --> 00:36:49.760
<v Speaker 2>you JJ. Obviously rely yes, sir, those but it makes

746
00:36:49.840 --> 00:36:52.159
<v Speaker 2>perfect sense, right because that's exactly what it is. And

747
00:36:52.239 --> 00:36:54.159
<v Speaker 2>you can even say in like a hero's journey, like

748
00:36:54.599 --> 00:36:58.800
<v Speaker 2>he was saying, he is like the Gondolf figure. He is,

749
00:36:59.360 --> 00:37:02.920
<v Speaker 2>you know, the through the teacher the ones take him

750
00:37:02.960 --> 00:37:04.800
<v Speaker 2>under the wing. And I also think it's really interesting

751
00:37:04.840 --> 00:37:08.079
<v Speaker 2>about the time paradox because it's something like we discussed

752
00:37:08.159 --> 00:37:11.280
<v Speaker 2>on the Carl what episodes, like what kind of universe

753
00:37:11.320 --> 00:37:14.679
<v Speaker 2>do you believe in, like if there's a closed universe

754
00:37:14.840 --> 00:37:18.760
<v Speaker 2>or a fixed universe. So I'm going off when when

755
00:37:18.840 --> 00:37:22.159
<v Speaker 2>Nick sent me in notewise, but in my this is

756
00:37:22.199 --> 00:37:24.519
<v Speaker 2>all I also agree with it is. I actually think

757
00:37:24.559 --> 00:37:29.039
<v Speaker 2>it's more of an infinity universe kind of world, where

758
00:37:29.960 --> 00:37:33.840
<v Speaker 2>like the connections are kind of infinitely possible, so it

759
00:37:33.960 --> 00:37:37.280
<v Speaker 2>doesn't really it's sort of like when we see them together,

760
00:37:37.360 --> 00:37:40.320
<v Speaker 2>it doesn't really matter. It's just like the universe's causal

761
00:37:40.440 --> 00:37:43.880
<v Speaker 2>that way, like everything that they've done up to this

762
00:37:44.079 --> 00:37:46.239
<v Speaker 2>point in time, they only exist now.

763
00:37:47.679 --> 00:37:49.440
<v Speaker 4>I totally agree with you, and I think so does

764
00:37:49.519 --> 00:37:50.360
<v Speaker 4>doctor mct brown.

765
00:37:51.639 --> 00:37:52.000
<v Speaker 3>Scott.

766
00:37:53.159 --> 00:37:54.320
<v Speaker 8>Oh, sorry, go ahead.

767
00:37:56.039 --> 00:37:58.679
<v Speaker 4>The uh so, now, I like, I like the ideas

768
00:37:58.719 --> 00:38:00.880
<v Speaker 4>that you and Nicker both point out here with these times,

769
00:38:00.960 --> 00:38:04.679
<v Speaker 4>these time these time loops, the what is time and when? When?

770
00:38:04.880 --> 00:38:06.840
<v Speaker 4>When do these things happen? And what is really cause

771
00:38:06.880 --> 00:38:11.559
<v Speaker 4>and effect there? But you know, before we get it, yeah,

772
00:38:11.760 --> 00:38:12.599
<v Speaker 4>is it real?

773
00:38:12.719 --> 00:38:14.039
<v Speaker 8>Because the dream world?

774
00:38:14.239 --> 00:38:16.559
<v Speaker 3>Okay, So when he enters in from the past and

775
00:38:16.599 --> 00:38:19.519
<v Speaker 3>he goes to town, the song that's playing is Mister Sandman,

776
00:38:20.440 --> 00:38:20.840
<v Speaker 3>and so.

777
00:38:21.239 --> 00:38:24.400
<v Speaker 4>I heard, I've heard that song, very familiar with That's

778
00:38:24.400 --> 00:38:26.000
<v Speaker 4>the first time ever heard this song was this film?

779
00:38:26.719 --> 00:38:29.400
<v Speaker 3>Right, And then the mom walks up at the same time,

780
00:38:29.480 --> 00:38:32.039
<v Speaker 3>and she's like, oh my gosh, she's such a dream.

781
00:38:32.280 --> 00:38:35.320
<v Speaker 3>And he's meanwhile saying, this is a nightmare. This is

782
00:38:35.360 --> 00:38:38.360
<v Speaker 3>a nightmare, and this is all happening at the same time.

783
00:38:38.519 --> 00:38:41.280
<v Speaker 3>So I'm like, is this even reality?

784
00:38:41.519 --> 00:38:44.559
<v Speaker 4>You're employing a kind of a like a kind of

785
00:38:44.599 --> 00:38:46.880
<v Speaker 4>a meta analysis of a Wizard of Oz effect to

786
00:38:46.880 --> 00:38:47.360
<v Speaker 4>the whole matter.

787
00:38:47.679 --> 00:38:51.320
<v Speaker 3>Very very that part, yeah, just that part right there

788
00:38:51.760 --> 00:38:54.480
<v Speaker 3>definitely makes you go, Okay, is this real?

789
00:38:54.719 --> 00:38:56.239
<v Speaker 8>Is it a dream? Did he have a dream.

790
00:38:56.280 --> 00:38:59.880
<v Speaker 4>I don't know, you know, sure, Nick, what was it?

791
00:39:00.280 --> 00:39:02.039
<v Speaker 4>What was kind of your meta analysis besides some of

792
00:39:02.079 --> 00:39:03.840
<v Speaker 4>these time things we're pointing out there? Or do you

793
00:39:03.920 --> 00:39:05.400
<v Speaker 4>have any other comments on that?

794
00:39:06.000 --> 00:39:09.119
<v Speaker 6>Well, I can tell you, like.

795
00:39:09.519 --> 00:39:11.320
<v Speaker 4>I know you have a deep analysis of these things.

796
00:39:11.440 --> 00:39:13.119
<v Speaker 4>I was to say, do you have an like when

797
00:39:13.159 --> 00:39:14.840
<v Speaker 4>you when you when you were approaching that, was there

798
00:39:14.920 --> 00:39:18.079
<v Speaker 4>something like overall besides maybe it was the Masonic stuff,

799
00:39:18.199 --> 00:39:20.199
<v Speaker 4>like maybe was the time stuff? What was what was

800
00:39:20.280 --> 00:39:22.159
<v Speaker 4>jumping out to you specifically.

801
00:39:21.920 --> 00:39:26.119
<v Speaker 6>The hero's journey? Uh, especially with like you know time

802
00:39:26.159 --> 00:39:30.039
<v Speaker 6>and the electricity, uh, you know, on the clock all

803
00:39:30.119 --> 00:39:30.920
<v Speaker 6>that stuff.

804
00:39:30.760 --> 00:39:34.719
<v Speaker 4>And uh just big into the lightning aspects. I figured

805
00:39:34.760 --> 00:39:36.840
<v Speaker 4>that was gonna hit him with you in some regard.

806
00:39:36.599 --> 00:39:39.400
<v Speaker 6>For sure, for sure. Yeah, yeah, yeah, I definitely thought

807
00:39:39.440 --> 00:39:41.440
<v Speaker 6>it was more of like possibly like you know, crossing

808
00:39:41.519 --> 00:39:44.360
<v Speaker 6>the abyss or showing the hero's journey to having that experience.

809
00:39:45.039 --> 00:39:47.960
<v Speaker 6>And I did eventually at one point started catching a

810
00:39:48.000 --> 00:39:51.519
<v Speaker 6>little tons of my opinion, tons and tons of Masonic stuff.

811
00:39:52.119 --> 00:39:53.599
<v Speaker 6>So that's kind of where I'm going there you go,

812
00:39:53.679 --> 00:39:55.719
<v Speaker 6>I'll get into my stuff. But I mean there's a

813
00:39:55.880 --> 00:39:58.000
<v Speaker 6>lot of a lot. I mean I even ran Jamatia

814
00:39:58.000 --> 00:39:59.039
<v Speaker 6>and stuff. I mean, you still have.

815
00:40:02.079 --> 00:40:03.800
<v Speaker 4>Now you took it in depth study. I'm looking forward

816
00:40:03.800 --> 00:40:05.480
<v Speaker 4>to get into some of those notes. So I appreciate

817
00:40:05.519 --> 00:40:07.679
<v Speaker 4>everyone's kind of mad at analysis there. And as I

818
00:40:07.800 --> 00:40:09.639
<v Speaker 4>was looking at it, I saw a little bit of

819
00:40:09.800 --> 00:40:11.800
<v Speaker 4>kind of everything. What y'all are saying is, you know

820
00:40:11.840 --> 00:40:13.320
<v Speaker 4>a lot of my focus. I think when I was

821
00:40:13.360 --> 00:40:17.599
<v Speaker 4>watching it again yesterday, was looking back seeing all this,

822
00:40:17.800 --> 00:40:20.360
<v Speaker 4>you know, I guess I was looking at through more

823
00:40:20.360 --> 00:40:23.199
<v Speaker 4>of a parapolitical lens. You know, I could see a

824
00:40:23.280 --> 00:40:25.119
<v Speaker 4>lot of the politics so that they were written into

825
00:40:25.159 --> 00:40:29.079
<v Speaker 4>the film, like hardcore propaganda, like against the Libyans that

826
00:40:29.239 --> 00:40:32.000
<v Speaker 4>was at a peak time when you know, the the

827
00:40:32.079 --> 00:40:36.000
<v Speaker 4>Libyan disaster in America was, you know, they were they

828
00:40:36.039 --> 00:40:37.519
<v Speaker 4>were hyping that up. And I got I got some

829
00:40:37.599 --> 00:40:39.920
<v Speaker 4>stuff on that here later for the parapolitics section of

830
00:40:39.960 --> 00:40:43.199
<v Speaker 4>our discussion this evening. But besides that, you know this

831
00:40:43.280 --> 00:40:47.760
<v Speaker 4>predictive programming aspect I suppose with and to a certain

832
00:40:47.800 --> 00:40:49.880
<v Speaker 4>degree just the nature of time, these things wrap up

833
00:40:49.920 --> 00:40:52.199
<v Speaker 4>on this one subject of this Donald Trump matter, and

834
00:40:52.599 --> 00:40:55.719
<v Speaker 4>is that being the Biff Tannic character, right, because you know,

835
00:40:55.880 --> 00:40:59.400
<v Speaker 4>it's it's not just that he's the Biff Tanning character. Right.

836
00:40:59.480 --> 00:41:04.320
<v Speaker 4>He he ends up buying the property from from John DeLorean,

837
00:41:04.840 --> 00:41:07.199
<v Speaker 4>the guy who makes the Delirium vehicle that's used in

838
00:41:07.239 --> 00:41:11.079
<v Speaker 4>the film. Trump buys that Bedminster, New Jersey property, and

839
00:41:11.159 --> 00:41:13.639
<v Speaker 4>that is where he primarily resides from the months of

840
00:41:14.119 --> 00:41:17.920
<v Speaker 4>I believe May through through August. That's his primary residence

841
00:41:17.960 --> 00:41:20.960
<v Speaker 4>there in Bedminster, New Jersey. So that's the other that.

842
00:41:22.280 --> 00:41:23.400
<v Speaker 4>Oh yeah, how weird is that?

843
00:41:23.559 --> 00:41:23.719
<v Speaker 3>Right?

844
00:41:24.639 --> 00:41:26.559
<v Speaker 6>There was actually I wish I would have saved it now,

845
00:41:26.800 --> 00:41:29.000
<v Speaker 6>but there was a lot of Trump and Elon stuff

846
00:41:29.039 --> 00:41:33.119
<v Speaker 6>popping up in Jamatria. But it's just like it wasn't

847
00:41:33.599 --> 00:41:35.360
<v Speaker 6>my opinion for what I was looking for. It wasn't

848
00:41:35.400 --> 00:41:37.519
<v Speaker 6>going along with that, because then I started one thing

849
00:41:37.559 --> 00:41:39.440
<v Speaker 6>I did together, I'm sorry, mating it in and out

850
00:41:39.679 --> 00:41:43.119
<v Speaker 6>something I found running Jamatria. Tons of Russian connections, stuff

851
00:41:43.119 --> 00:41:46.239
<v Speaker 6>with Russia, and even with the pin he's wearing on

852
00:41:46.360 --> 00:41:49.280
<v Speaker 6>his jacket goes back to a Russian thing. So I

853
00:41:50.079 --> 00:41:51.119
<v Speaker 6>might actually be on purpose.

854
00:41:53.639 --> 00:41:55.039
<v Speaker 4>I'm sure it is. I think a lot of these

855
00:41:55.039 --> 00:41:56.679
<v Speaker 4>things in this film are very well plot in and

856
00:41:56.800 --> 00:41:59.159
<v Speaker 4>to that point as well, as Julia was saying, so like,

857
00:41:59.719 --> 00:42:01.320
<v Speaker 4>that's thing I appreciate about that. I don't like a

858
00:42:01.360 --> 00:42:02.960
<v Speaker 4>lot of sci fi films. I mean, I do like

859
00:42:03.000 --> 00:42:04.760
<v Speaker 4>Star Wars, but I don't I don't do Star Trek

860
00:42:04.800 --> 00:42:06.679
<v Speaker 4>and a lot of other sci fi stuff. And it's

861
00:42:06.760 --> 00:42:09.599
<v Speaker 4>largely because of the special effects. You're into all the

862
00:42:09.639 --> 00:42:10.159
<v Speaker 4>space stuff.

863
00:42:11.039 --> 00:42:11.760
<v Speaker 9>I love it all.

864
00:42:12.639 --> 00:42:15.360
<v Speaker 8>Did you see that hat tip? Speaking of space, did

865
00:42:15.440 --> 00:42:17.639
<v Speaker 8>you see the hat tip to Kubrick?

866
00:42:19.599 --> 00:42:19.639
<v Speaker 3>No?

867
00:42:19.800 --> 00:42:20.400
<v Speaker 4>I didn't you.

868
00:42:21.760 --> 00:42:25.519
<v Speaker 8>Yeah, So there's there's a little hat tip to Cubrick

869
00:42:25.599 --> 00:42:29.039
<v Speaker 8>in there when they have the original.

870
00:42:30.000 --> 00:42:32.480
<v Speaker 3>The amplifier at the very beginning of the movie, he

871
00:42:32.599 --> 00:42:35.440
<v Speaker 3>goes to plug in and there's a little tiny tag

872
00:42:35.599 --> 00:42:39.400
<v Speaker 3>on it and it says c RM one fourteen on

873
00:42:39.559 --> 00:42:43.360
<v Speaker 3>the amplifier, which is a total nod from one of

874
00:42:43.480 --> 00:42:47.639
<v Speaker 3>his destroyed messages decoded in the nineteen sixty four Doctor

875
00:42:47.719 --> 00:42:50.679
<v Speaker 3>Strand Love and Jupiter Explorer and Space Odyssey.

876
00:42:51.280 --> 00:42:54.599
<v Speaker 4>So I found that on my own.

877
00:42:54.920 --> 00:42:57.760
<v Speaker 8>I didn't. Yeah, I just looked that up.

878
00:43:00.800 --> 00:43:02.679
<v Speaker 4>To that, to that note of all the science fiction

879
00:43:02.760 --> 00:43:05.239
<v Speaker 4>of this film, and like that that. I think everything

880
00:43:05.320 --> 00:43:07.119
<v Speaker 4>is well plotted out in this film, like that is

881
00:43:07.880 --> 00:43:10.039
<v Speaker 4>you know that? To that note, they really focus on

882
00:43:10.079 --> 00:43:12.000
<v Speaker 4>those things. There's not a lot of special effects scenes,

883
00:43:12.079 --> 00:43:13.960
<v Speaker 4>most of the special effects scenes you've seen in this film,

884
00:43:14.280 --> 00:43:16.960
<v Speaker 4>or the lightning scenes, they really dedicated a lot of

885
00:43:17.000 --> 00:43:20.280
<v Speaker 4>times that lightning very pop out. They want to make

886
00:43:20.320 --> 00:43:20.920
<v Speaker 4>a pop for you.

887
00:43:21.159 --> 00:43:24.760
<v Speaker 1>Right, more like when when the DeLorean takes off and

888
00:43:24.840 --> 00:43:28.320
<v Speaker 1>there's the two little streaks of fire and stuff like that.

889
00:43:28.639 --> 00:43:29.519
<v Speaker 9>That's about it.

890
00:43:30.480 --> 00:43:31.800
<v Speaker 1>But I was gonna say, everything.

891
00:43:31.599 --> 00:43:33.280
<v Speaker 4>Else is very well plotted out, and I think there's

892
00:43:33.280 --> 00:43:35.840
<v Speaker 4>really they really only shot like about three or four

893
00:43:36.239 --> 00:43:38.199
<v Speaker 4>like less than four dozen. I think it was about

894
00:43:38.239 --> 00:43:40.920
<v Speaker 4>thirty five different scenes. This film is very you know,

895
00:43:41.079 --> 00:43:43.079
<v Speaker 4>very it's not a very complex shot film, but it's

896
00:43:43.079 --> 00:43:46.639
<v Speaker 4>a great storyline. It's very It really grasps your attention

897
00:43:46.679 --> 00:43:48.960
<v Speaker 4>throughout the whole film. Even when I watched it yesterday,

898
00:43:48.960 --> 00:43:51.719
<v Speaker 4>I was still very much involved in watching the film

899
00:43:51.800 --> 00:43:54.280
<v Speaker 4>and not like you know, doing other things while you

900
00:43:54.320 --> 00:43:56.159
<v Speaker 4>know what I mean, And I don't know. I think

901
00:43:56.199 --> 00:43:59.639
<v Speaker 4>that speaks again to this the esoteric secrets they're embedded

902
00:43:59.679 --> 00:44:02.920
<v Speaker 4>in the film as it really grabs your subconscious but

903
00:44:03.599 --> 00:44:05.920
<v Speaker 4>and and on that nature of subconscious and time, like

904
00:44:06.039 --> 00:44:09.039
<v Speaker 4>when when I when when there's a really surface way

905
00:44:09.039 --> 00:44:11.159
<v Speaker 4>to look at the Donald Trump situation, But again I

906
00:44:11.199 --> 00:44:12.800
<v Speaker 4>look at it through like what is time? And like

907
00:44:12.880 --> 00:44:15.280
<v Speaker 4>did the writers of this film did they did?

908
00:44:15.480 --> 00:44:15.639
<v Speaker 3>You know?

909
00:44:15.840 --> 00:44:17.880
<v Speaker 4>There's a concept of that I like to consider of

910
00:44:18.000 --> 00:44:21.239
<v Speaker 4>a guy by the name J. W. Dunn about the

911
00:44:21.360 --> 00:44:23.920
<v Speaker 4>dream state. As you know, we're talking about the dream

912
00:44:23.960 --> 00:44:26.400
<v Speaker 4>states being better in this film in the Nature of Time,

913
00:44:26.440 --> 00:44:28.559
<v Speaker 4>and the dream state is your subconscious can kind of

914
00:44:29.199 --> 00:44:31.920
<v Speaker 4>remember the future in a sense whereas it doesn't operate

915
00:44:32.039 --> 00:44:34.559
<v Speaker 4>in a linear timeline like we do in in uh

916
00:44:34.719 --> 00:44:37.440
<v Speaker 4>in our in our waken state, and you know, then

917
00:44:37.519 --> 00:44:40.239
<v Speaker 4>that way you can almost remember the future. This would

918
00:44:40.239 --> 00:44:45.039
<v Speaker 4>explain some deje vou elements, but also would explain incidents

919
00:44:45.039 --> 00:44:48.159
<v Speaker 4>of recognition. And JW. Dunn wrote a pamphlet on this

920
00:44:48.280 --> 00:44:51.000
<v Speaker 4>back in the nineteen twenties called an Experiment in Time,

921
00:44:51.119 --> 00:44:53.559
<v Speaker 4>and it was one of the most fascinating things I've

922
00:44:53.559 --> 00:44:58.199
<v Speaker 4>ever read. So really really big question. Are they just

923
00:44:58.320 --> 00:45:01.119
<v Speaker 4>coming up with this idea from something that they possibly

924
00:45:01.119 --> 00:45:03.199
<v Speaker 4>got into a dream state, you know, that's where the

925
00:45:03.280 --> 00:45:05.920
<v Speaker 4>idea came from. And it's really they're just seeing something

926
00:45:05.960 --> 00:45:07.519
<v Speaker 4>in the future in their dream state, and they're just

927
00:45:08.000 --> 00:45:10.280
<v Speaker 4>in their current time. They're just you know, transcribing a

928
00:45:10.360 --> 00:45:13.039
<v Speaker 4>matter where it looks very similar rights you know, they

929
00:45:13.079 --> 00:45:15.079
<v Speaker 4>do predict a lot of things relative to Donald Trump.

930
00:45:15.239 --> 00:45:19.960
<v Speaker 2>Right, go ahead, jen No, I just wanted to say

931
00:45:20.000 --> 00:45:22.920
<v Speaker 2>that I totally agree with that writer that you're citing, JJ,

932
00:45:23.119 --> 00:45:27.239
<v Speaker 2>because it's very interesting because it actually correlates really well

933
00:45:27.280 --> 00:45:29.800
<v Speaker 2>the Buddhism. Time is of the mind. Time is of

934
00:45:29.880 --> 00:45:34.679
<v Speaker 2>the nine expressed in nine. So exactly what you're saying,

935
00:45:34.760 --> 00:45:40.360
<v Speaker 2>it's like the the you are the chronopoetic master, you

936
00:45:40.519 --> 00:45:43.199
<v Speaker 2>are the time king of your own timeline kind of thing.

937
00:45:43.679 --> 00:45:46.239
<v Speaker 2>So there's something really interesting about that. And then also

938
00:45:46.880 --> 00:45:49.360
<v Speaker 2>you were saying, like the dreaming state, Well what if

939
00:45:49.400 --> 00:45:52.079
<v Speaker 2>I told you, like the the dreaming mind is the

940
00:45:52.159 --> 00:45:55.840
<v Speaker 2>color of turquoise, but the waking mind is the color

941
00:45:55.880 --> 00:45:58.679
<v Speaker 2>of lapis. So when you were saying, like what is

942
00:45:58.760 --> 00:46:02.559
<v Speaker 2>the color of light, lightning is actually considered to be

943
00:46:02.719 --> 00:46:06.360
<v Speaker 2>both of those things, because it's also clear, very.

944
00:46:06.239 --> 00:46:10.320
<v Speaker 3>Scientific, I know. And to your point, his address when

945
00:46:10.360 --> 00:46:13.559
<v Speaker 3>he makes it back home to Hill Valley, which is

946
00:46:13.800 --> 00:46:17.159
<v Speaker 3>an oxymoron by them, you can't hill Valley, okay, whatever,

947
00:46:17.599 --> 00:46:21.960
<v Speaker 3>but his address is nine three zero three, and so

948
00:46:22.800 --> 00:46:25.679
<v Speaker 3>three times three is nine or we have thirty three

949
00:46:26.199 --> 00:46:26.800
<v Speaker 3>right there too.

950
00:46:27.360 --> 00:46:30.519
<v Speaker 8>So I found that really interesting. That was on the house.

951
00:46:30.599 --> 00:46:34.000
<v Speaker 3>So nine three zero three, And that's exactly what you're saying. Jin,

952
00:46:34.360 --> 00:46:35.679
<v Speaker 3>It's it's all nine.

953
00:46:35.920 --> 00:46:38.960
<v Speaker 8>It's the nine and then three zero three three times

954
00:46:38.960 --> 00:46:40.760
<v Speaker 8>three is nine or thirty three?

955
00:46:40.840 --> 00:46:42.480
<v Speaker 6>Would you say the nine zero three?

956
00:46:42.679 --> 00:46:44.960
<v Speaker 8>Well, would you say that was on his house? That's

957
00:46:45.039 --> 00:46:46.679
<v Speaker 8>his address when he's coming up?

958
00:46:47.440 --> 00:46:47.800
<v Speaker 6>M hm.

959
00:46:48.079 --> 00:46:50.039
<v Speaker 8>And so that was really interesting.

960
00:46:50.159 --> 00:46:53.159
<v Speaker 3>And if we move past him coming home to his house,

961
00:46:53.599 --> 00:46:55.199
<v Speaker 3>I have something to say about that, but I don't

962
00:46:55.239 --> 00:46:56.000
<v Speaker 3>know if we're there yet.

963
00:46:56.159 --> 00:46:58.760
<v Speaker 4>So yeah, we can jump into that here shortly when

964
00:46:58.760 --> 00:47:00.519
<v Speaker 4>we go through the film and the characters in a minute.

965
00:47:00.519 --> 00:47:04.599
<v Speaker 4>But no, I well, I got I just got lost

966
00:47:04.599 --> 00:47:06.400
<v Speaker 4>in like three different things at the same time. Again,

967
00:47:08.000 --> 00:47:11.559
<v Speaker 4>the uh, the uh? Where was I? I forget where

968
00:47:11.599 --> 00:47:15.920
<v Speaker 4>I was at? Now I apologize there, what's let's uh,

969
00:47:16.079 --> 00:47:18.639
<v Speaker 4>I guess let's jump Have any any other comments on

970
00:47:18.719 --> 00:47:20.760
<v Speaker 4>time or some of these other concepts before we jump

971
00:47:20.800 --> 00:47:21.559
<v Speaker 4>into the back.

972
00:47:21.679 --> 00:47:28.199
<v Speaker 1>I had one thing that I noticed to do with

973
00:47:28.320 --> 00:47:30.840
<v Speaker 1>the time thing that I wanted to say, or.

974
00:47:30.880 --> 00:47:32.639
<v Speaker 4>Dream stuff, because I think that's very interesting too that

975
00:47:32.679 --> 00:47:33.239
<v Speaker 4>Hotty brought up.

976
00:47:33.280 --> 00:47:36.039
<v Speaker 1>I didn't I didn't get I didn't put anything down

977
00:47:36.079 --> 00:47:38.480
<v Speaker 1>about the dream stuff because I was so fixated on

978
00:47:38.599 --> 00:47:42.360
<v Speaker 1>this other aspect. But at the very beginning of the movie,

979
00:47:42.480 --> 00:47:45.440
<v Speaker 1>when it's showing all the clocks and there's like a

980
00:47:45.559 --> 00:47:49.280
<v Speaker 1>million clocks in Doc Brown's house, even down to like

981
00:47:49.400 --> 00:47:51.559
<v Speaker 1>one of the clocks is like a guy hanging off

982
00:47:51.599 --> 00:47:56.360
<v Speaker 1>of a clock tower, like everything in every little scene,

983
00:47:56.639 --> 00:48:00.400
<v Speaker 1>every you know, it's it's like it's so on purpose

984
00:48:01.320 --> 00:48:05.159
<v Speaker 1>to predict what's gonna come later in the film, but

985
00:48:05.800 --> 00:48:09.400
<v Speaker 1>also what's to come later in like reality too.

986
00:48:09.639 --> 00:48:11.719
<v Speaker 9>And I'm I'm sure you know where I'm going with.

987
00:48:11.840 --> 00:48:17.440
<v Speaker 4>That, but is there any difference? And then I did

988
00:48:17.599 --> 00:48:18.079
<v Speaker 4>do the.

989
00:48:18.199 --> 00:48:21.400
<v Speaker 1>Name Marty and I did the name Emmitt to see

990
00:48:21.480 --> 00:48:29.360
<v Speaker 1>what they mean. And so Marty means warlike or of Mars,

991
00:48:30.119 --> 00:48:33.480
<v Speaker 1>and it refers to the Roman god of war, Mars.

992
00:48:34.280 --> 00:48:40.679
<v Speaker 1>And then Emmitt, doctor Emmett Brown, his name means universal

993
00:48:41.000 --> 00:48:45.000
<v Speaker 1>or truth. So both I think both of those names

994
00:48:45.239 --> 00:48:48.039
<v Speaker 1>are very interesting for the two main characters there.

995
00:48:48.400 --> 00:48:51.400
<v Speaker 3>Oh yeah, well, and Jennifer means so if we're gonna

996
00:48:51.440 --> 00:48:53.360
<v Speaker 3>do characters, I do have something a couple of things,

997
00:48:53.480 --> 00:48:54.760
<v Speaker 3>but I can bring it back in later.

998
00:48:54.880 --> 00:48:58.119
<v Speaker 4>For the time you mentioned Hill Valley is an oxymoron.

999
00:48:58.199 --> 00:49:00.360
<v Speaker 4>That's where I got stuck there a moment ago. That

1000
00:49:00.480 --> 00:49:02.360
<v Speaker 4>is a good point, Like there's got to be some

1001
00:49:02.480 --> 00:49:05.480
<v Speaker 4>meaning to that. Why are they using such an obscure name? Then, right, so.

1002
00:49:07.079 --> 00:49:09.239
<v Speaker 8>I'll go back I'll go backward, Sergeant.

1003
00:49:09.360 --> 00:49:12.480
<v Speaker 3>I'll just say really quickly that I think that when

1004
00:49:12.920 --> 00:49:17.840
<v Speaker 3>they're talking about this time part, when they're not in reality,

1005
00:49:18.320 --> 00:49:20.920
<v Speaker 3>the time is running on the clock, but when they're

1006
00:49:21.039 --> 00:49:24.280
<v Speaker 3>in reality, the time is fixed because the clock is broken.

1007
00:49:24.960 --> 00:49:28.079
<v Speaker 3>So we have to look at this like Doc Brown

1008
00:49:28.480 --> 00:49:33.800
<v Speaker 3>is almost like Zeus, you know, and they've got you know,

1009
00:49:33.960 --> 00:49:36.239
<v Speaker 3>Poseidon there and all that. But I'll do that when

1010
00:49:36.239 --> 00:49:39.039
<v Speaker 3>we get into characters. But what I'm saying is is

1011
00:49:39.239 --> 00:49:44.559
<v Speaker 3>also you've got like the flux capacitor, which is chaos, right,

1012
00:49:44.840 --> 00:49:45.599
<v Speaker 3>it's the why.

1013
00:49:45.880 --> 00:49:51.519
<v Speaker 8>Yes, And so when they're using it and they're in wherever.

1014
00:49:51.239 --> 00:49:55.280
<v Speaker 3>They've traveled to, like whether it's past their future, whatever it's,

1015
00:49:55.440 --> 00:49:58.840
<v Speaker 3>it's again chaotic because it's not in sync with reality.

1016
00:49:59.159 --> 00:50:00.320
<v Speaker 8>That's all I was going to say say on the

1017
00:50:00.400 --> 00:50:03.960
<v Speaker 8>timing part. But but I'm weird.

1018
00:50:04.199 --> 00:50:07.159
<v Speaker 2>No, that was great. That was really great, legit.

1019
00:50:08.400 --> 00:50:09.199
<v Speaker 8>I'm sorry, Jenny.

1020
00:50:10.000 --> 00:50:13.079
<v Speaker 2>No, the Marty. The Marty thing was really interesting because

1021
00:50:13.119 --> 00:50:16.280
<v Speaker 2>then you'd have to say he's a governratic hero, right,

1022
00:50:16.400 --> 00:50:19.559
<v Speaker 2>Like he's coming from Mars, he's coming from Govera. But

1023
00:50:19.760 --> 00:50:22.159
<v Speaker 2>he has to travel on the lightning path. So that's

1024
00:50:22.199 --> 00:50:26.119
<v Speaker 2>something that Lighty said that was really interesting about Hill Valley.

1025
00:50:26.199 --> 00:50:27.639
<v Speaker 2>And I think I know why you got suck on

1026
00:50:27.719 --> 00:50:28.880
<v Speaker 2>it because it is a paradox.

1027
00:50:29.000 --> 00:50:29.199
<v Speaker 3>JJ.

1028
00:50:29.639 --> 00:50:31.960
<v Speaker 4>It doesn't make I never really considered it, but it

1029
00:50:32.000 --> 00:50:33.400
<v Speaker 4>makes no sense until you just said. I was to

1030
00:50:33.440 --> 00:50:34.000
<v Speaker 4>wait a second.

1031
00:50:34.719 --> 00:50:37.559
<v Speaker 2>But it's a cabalistic paradox that's resolved in the center

1032
00:50:37.880 --> 00:50:38.880
<v Speaker 2>the hidden pillar.

1033
00:50:41.519 --> 00:50:44.360
<v Speaker 4>It's all about a time paradox, right, They're all they're saying, Oh,

1034
00:50:44.440 --> 00:50:47.039
<v Speaker 4>that's a paradox, and this is a paradox, and yeah.

1035
00:50:47.039 --> 00:50:50.519
<v Speaker 3>Well he and he lives in Lions Estate and you

1036
00:50:50.719 --> 00:50:53.599
<v Speaker 3>see this Lion's estate with the two pillars, but you

1037
00:50:53.719 --> 00:50:58.519
<v Speaker 3>go in between the lions Gate and then what does

1038
00:50:58.599 --> 00:50:59.000
<v Speaker 3>that do?

1039
00:50:59.639 --> 00:51:02.199
<v Speaker 8>You know what we know about Lions Gate?

1040
00:51:02.400 --> 00:51:02.559
<v Speaker 6>Right?

1041
00:51:03.239 --> 00:51:05.639
<v Speaker 3>And with eighty eight did that eighty eight miles per

1042
00:51:05.679 --> 00:51:09.760
<v Speaker 3>hour charge the lions Gate? And with double infinity where

1043
00:51:09.800 --> 00:51:10.679
<v Speaker 3>it's not even real.

1044
00:51:11.000 --> 00:51:12.920
<v Speaker 1>You know what I'm saying, I have something on the

1045
00:51:13.039 --> 00:51:16.800
<v Speaker 1>Lions if I if we're getting into that, I have

1046
00:51:16.960 --> 00:51:19.559
<v Speaker 1>something about the Lions. Can I should I save it?

1047
00:51:20.920 --> 00:51:22.480
<v Speaker 4>Can we table that for a moment we started getting

1048
00:51:22.480 --> 00:51:24.119
<v Speaker 4>into the film, will discuss the settings a little bit

1049
00:51:24.159 --> 00:51:26.599
<v Speaker 4>like that, because I want to do a quick background

1050
00:51:27.679 --> 00:51:29.880
<v Speaker 4>signed to these names. Y'all were just saying, do a

1051
00:51:29.960 --> 00:51:33.559
<v Speaker 4>quick background the sci fi and the predictive programming aspect

1052
00:51:33.559 --> 00:51:37.760
<v Speaker 4>of that, real quick with Donald Trump, that is, and

1053
00:51:37.800 --> 00:51:40.039
<v Speaker 4>then we'll get into the entire film here after that.

1054
00:51:40.079 --> 00:51:41.719
<v Speaker 4>If youn't be all, don't mind bearing with me here

1055
00:51:41.760 --> 00:51:44.119
<v Speaker 4>for a moment, because we already brought some of these names.

1056
00:51:44.199 --> 00:51:46.000
<v Speaker 4>Someone to kind of jump into this point real quick,

1057
00:51:46.440 --> 00:51:48.119
<v Speaker 4>and it goes right to the sci fi stuff. So

1058
00:51:48.519 --> 00:51:50.480
<v Speaker 4>we were talking about how the meaning of these names

1059
00:51:50.519 --> 00:51:53.119
<v Speaker 4>and some of the background there well, jumping ahead to

1060
00:51:53.199 --> 00:51:54.960
<v Speaker 4>back to the future. Three we learned we learned this

1061
00:51:55.079 --> 00:51:56.199
<v Speaker 4>about Doc Brown.

1062
00:51:58.599 --> 00:52:00.800
<v Speaker 1>Maybe it was maybe they wasn't yours.

1063
00:52:00.840 --> 00:52:02.239
<v Speaker 10>That could have been another A Brown Back.

1064
00:52:02.159 --> 00:52:05.679
<v Speaker 1>In eighteen eighty five relatives here back then. The brothers

1065
00:52:05.719 --> 00:52:07.400
<v Speaker 1>didn't come to the Hill Valleand until nineteen o eight,

1066
00:52:07.639 --> 00:52:08.960
<v Speaker 1>and then they were the von Brons.

1067
00:52:09.559 --> 00:52:10.519
<v Speaker 2>I want to change our name.

1068
00:52:10.639 --> 00:52:20.039
<v Speaker 4>During the First World War, von Braun, like Werner, how

1069
00:52:20.119 --> 00:52:20.960
<v Speaker 4>can you say?

1070
00:52:21.400 --> 00:52:22.159
<v Speaker 1>How can you say?

1071
00:52:22.239 --> 00:52:24.440
<v Speaker 9>The first and the third one aren't the best when

1072
00:52:24.480 --> 00:52:26.480
<v Speaker 9>they put ship like that in the third one.

1073
00:52:27.559 --> 00:52:31.400
<v Speaker 4>Oh, I mean it's good, won't get me wrong. I

1074
00:52:31.559 --> 00:52:34.239
<v Speaker 4>enjoy these things. There's there's nuggets of information all around

1075
00:52:34.280 --> 00:52:36.760
<v Speaker 4>there and they even have some Meelamites in the third one.

1076
00:52:36.840 --> 00:52:38.519
<v Speaker 4>Right with Flea, he's a member of the Red How

1077
00:52:38.559 --> 00:52:38.840
<v Speaker 4>do you look?

1078
00:52:39.119 --> 00:52:39.199
<v Speaker 3>Right?

1079
00:52:40.480 --> 00:52:43.400
<v Speaker 2>I wouldn't totally make sense because like you can consider,

1080
00:52:43.599 --> 00:52:46.320
<v Speaker 2>like now, I call it nasau space. Kabala is how

1081
00:52:46.360 --> 00:52:48.840
<v Speaker 2>they referred to it before, but it's the way they

1082
00:52:49.360 --> 00:52:52.119
<v Speaker 2>put it because for the way they teach the planets

1083
00:52:52.199 --> 00:52:55.079
<v Speaker 2>is actually Cabala. You could understand it like that, so

1084
00:52:55.239 --> 00:53:00.280
<v Speaker 2>the first introduction to what people think of, but it's

1085
00:53:00.320 --> 00:53:03.960
<v Speaker 2>actually the inverse because it's the physical densities, so it's

1086
00:53:04.000 --> 00:53:06.280
<v Speaker 2>actually not Cabala. But you could say that it's the

1087
00:53:06.440 --> 00:53:10.280
<v Speaker 2>first way, the first layer that people understand. So it

1088
00:53:10.320 --> 00:53:13.360
<v Speaker 2>would make sense if they're doing all these von Braun references,

1089
00:53:13.440 --> 00:53:17.360
<v Speaker 2>because obviously that's what he was also talking about by.

1090
00:53:17.280 --> 00:53:20.360
<v Speaker 4>The way he ties in, right, it just ties into

1091
00:53:20.360 --> 00:53:22.480
<v Speaker 4>the whole sci fi background, and these rockets and nasts

1092
00:53:22.519 --> 00:53:24.639
<v Speaker 4>are right with with a reference like that, right.

1093
00:53:26.280 --> 00:53:30.800
<v Speaker 8>Absolutely, Oh, I said, Von Broun just was definitely in

1094
00:53:31.239 --> 00:53:32.719
<v Speaker 8>the good with the Marmons.

1095
00:53:32.800 --> 00:53:36.159
<v Speaker 3>He made a theological film with them that nobody else

1096
00:53:36.280 --> 00:53:41.079
<v Speaker 3>was allowed in, only Von Braun. Yeah, so it was weird.

1097
00:53:41.480 --> 00:53:45.559
<v Speaker 3>I think that's very interesting, you know. And what we

1098
00:53:45.679 --> 00:53:48.639
<v Speaker 3>know about Parsons and his mother, well we'll save that

1099
00:53:48.719 --> 00:53:49.559
<v Speaker 3>for later, but.

1100
00:53:50.280 --> 00:53:53.880
<v Speaker 4>Yeah, Parsons and about his Parsons, right, because he's just

1101
00:53:53.920 --> 00:53:56.000
<v Speaker 4>such an interesting character with his whole background, right.

1102
00:53:57.119 --> 00:54:01.000
<v Speaker 8>Absolutely, So that guy there for re.

1103
00:54:01.039 --> 00:54:04.280
<v Speaker 4>Ackerman meet for he he's the fellow that I used

1104
00:54:04.280 --> 00:54:07.519
<v Speaker 4>as a center point in this narrative of Cocaine Bob

1105
00:54:07.639 --> 00:54:11.400
<v Speaker 4>meets Marvel Comics my operation GCD Live last week. Fory

1106
00:54:11.480 --> 00:54:14.599
<v Speaker 4>Ackerman is the guy mister science fiction. He's the guy

1107
00:54:14.639 --> 00:54:18.559
<v Speaker 4>who coins the term sci fi. Right, He's a literary

1108
00:54:18.639 --> 00:54:21.440
<v Speaker 4>agent for all these folks. He knew Parsons, he knew Hubbard,

1109
00:54:21.480 --> 00:54:24.199
<v Speaker 4>he was an oto guy at Parsons Lodge. Apparently, he

1110
00:54:24.320 --> 00:54:27.400
<v Speaker 4>was an early scientologist. He knew all the Marvel stuff.

1111
00:54:27.480 --> 00:54:31.000
<v Speaker 4>He knew Cocaine Bob of course, well with all these characters,

1112
00:54:31.039 --> 00:54:33.519
<v Speaker 4>and that's Sane Lee of Marvel Comics, who was a

1113
00:54:33.639 --> 00:54:36.239
<v Speaker 4>good friend of fory Ackerman as well. So fory Ackerman,

1114
00:54:37.159 --> 00:54:40.239
<v Speaker 4>for a quick rehash on that he's a legendary figure

1115
00:54:40.280 --> 00:54:43.519
<v Speaker 4>in Hollywood. I decided to muppetize him like like anyone

1116
00:54:43.559 --> 00:54:45.440
<v Speaker 4>else these days, because he actually is a muppet two

1117
00:54:45.519 --> 00:54:48.599
<v Speaker 4>just this guy in general, he's he's a legendary dude.

1118
00:54:48.599 --> 00:54:51.199
<v Speaker 4>Like I said, sci fi stuff, literary agent for every

1119
00:54:51.280 --> 00:54:55.159
<v Speaker 4>sci fi writer you can think of, Isaac Asimov, Bradbury, Hubbard,

1120
00:54:55.679 --> 00:54:58.519
<v Speaker 4>you know all these guys. Arthur C. Clark, he ran

1121
00:54:58.559 --> 00:55:00.760
<v Speaker 4>their little sci fi club and lost Angelus. He was

1122
00:55:00.840 --> 00:55:04.280
<v Speaker 4>there the head of that again, big time of cultists,

1123
00:55:04.360 --> 00:55:07.840
<v Speaker 4>ran the thing called monsters and magazines a monstras a

1124
00:55:08.719 --> 00:55:12.599
<v Speaker 4>famous monsters magazine. And the actual picture of him is

1125
00:55:13.480 --> 00:55:15.679
<v Speaker 4>not nearly as funny as that. But if you look

1126
00:55:15.679 --> 00:55:18.760
<v Speaker 4>at kind of the onset of these stories of where

1127
00:55:18.840 --> 00:55:20.840
<v Speaker 4>these film like Back to the Future comes from, it

1128
00:55:21.280 --> 00:55:25.639
<v Speaker 4>goes back to FORI, so the idea, this is Wikipedia,

1129
00:55:25.880 --> 00:55:28.599
<v Speaker 4>the source of all information on the interwebs. It's a

1130
00:55:28.639 --> 00:55:30.360
<v Speaker 4>good jumping off point. Times. I do like to see

1131
00:55:30.400 --> 00:55:33.679
<v Speaker 4>what the normative view on subjects are too. But here's

1132
00:55:33.719 --> 00:55:37.440
<v Speaker 4>a good quote here regarding time travel and fiction article here,

1133
00:55:38.119 --> 00:55:42.079
<v Speaker 4>and like I said, it goes to fory Ackerman. So

1134
00:55:42.800 --> 00:55:46.159
<v Speaker 4>fory Ackerman noted in his nineteen seventy three anthology of

1135
00:55:46.239 --> 00:55:48.199
<v Speaker 4>the Best Fiction of the Year that the theme of

1136
00:55:48.280 --> 00:55:51.800
<v Speaker 4>getting hold of Tomorrow's newspaper is a recurrent one, you know,

1137
00:55:51.880 --> 00:55:56.440
<v Speaker 4>in regards to science fiction and these matters of time travel. Right,

1138
00:55:56.599 --> 00:55:59.880
<v Speaker 4>So this is the first, to my understanding, this is

1139
00:56:00.039 --> 00:56:03.079
<v Speaker 4>the first time travel story in fiction. HG. Will's Time

1140
00:56:03.159 --> 00:56:05.400
<v Speaker 4>Machine not really the same thing we're talking about here,

1141
00:56:05.960 --> 00:56:08.280
<v Speaker 4>but this is the early onset of kind of the subject, right,

1142
00:56:08.519 --> 00:56:10.119
<v Speaker 4>Is that you all agree on that? Is there an

1143
00:56:10.639 --> 00:56:16.960
<v Speaker 4>earlier piece that I'll remember, Not that I can think of, Yeah,

1144
00:56:17.000 --> 00:56:20.320
<v Speaker 4>because that's eighteen ninety five, and shortly thereafter we see

1145
00:56:20.400 --> 00:56:23.000
<v Speaker 4>things it's not really time travel, but we see this

1146
00:56:23.159 --> 00:56:26.320
<v Speaker 4>story by Mark Twain at Connecticut Yankee in King Arthur's Court,

1147
00:56:27.239 --> 00:56:29.119
<v Speaker 4>And I saw a comment earlier on in the chat

1148
00:56:29.159 --> 00:56:30.960
<v Speaker 4>before I lost all side of what was going on

1149
00:56:31.079 --> 00:56:33.719
<v Speaker 4>there regarding time slips. This is a time slip, right.

1150
00:56:33.800 --> 00:56:36.360
<v Speaker 4>We kind of talked about time slips recently on the

1151
00:56:36.480 --> 00:56:37.440
<v Speaker 4>Cult Rejects as well.

1152
00:56:37.400 --> 00:56:43.119
<v Speaker 6>Right, Nick, Yes, sir, Yeah, that was with Ride right, Yeah,

1153
00:56:43.480 --> 00:56:44.000
<v Speaker 6>that was It's.

1154
00:56:43.960 --> 00:56:46.599
<v Speaker 4>Kind of like it's time travel and you don't have

1155
00:56:46.639 --> 00:56:48.960
<v Speaker 4>a DeLorean, right, But I mean it's it's the same

1156
00:56:49.039 --> 00:56:49.840
<v Speaker 4>concept though, right.

1157
00:56:49.880 --> 00:56:51.000
<v Speaker 6>Yeah, pretty much.

1158
00:56:53.159 --> 00:56:57.559
<v Speaker 8>Well, y'all familiar with the story, I'm not.

1159
00:56:57.840 --> 00:57:01.639
<v Speaker 2>I'm not man i am, but but I think there

1160
00:57:01.719 --> 00:57:04.239
<v Speaker 2>is something interesting that you're picking up on JJ is

1161
00:57:04.280 --> 00:57:06.679
<v Speaker 2>that there is a difference in a way. But the

1162
00:57:07.679 --> 00:57:09.760
<v Speaker 2>because the DeLorean is the heck a lot, So it's

1163
00:57:09.840 --> 00:57:11.519
<v Speaker 2>like the vehicle. Like I talked a lot about this

1164
00:57:12.159 --> 00:57:14.800
<v Speaker 2>on our episode. It's like the you know, the Mormons

1165
00:57:14.880 --> 00:57:17.639
<v Speaker 2>have this idea. They're more into the palace architecture, the

1166
00:57:17.719 --> 00:57:20.920
<v Speaker 2>temple architecture. They're into bringing things back down into the

1167
00:57:21.000 --> 00:57:23.519
<v Speaker 2>diamonds and nets. That's what they're all about, right, Like

1168
00:57:23.880 --> 00:57:27.440
<v Speaker 2>Mormon money magic. Well that's Mormon money magic, yes, sir.

1169
00:57:27.559 --> 00:57:31.760
<v Speaker 2>But the this actually, and I even texted Nick this

1170
00:57:32.440 --> 00:57:34.559
<v Speaker 2>as I said, yeah, absolutely, I agree with you. This

1171
00:57:34.760 --> 00:57:39.760
<v Speaker 2>is like a hode maxing like double dragon because the Chinese, interestingly,

1172
00:57:39.880 --> 00:57:42.639
<v Speaker 2>eight is a dragon number, so it's like eighty eight

1173
00:57:42.840 --> 00:57:43.599
<v Speaker 2>double dragons.

1174
00:57:43.679 --> 00:57:44.719
<v Speaker 4>Let's fucking go like.

1175
00:57:46.519 --> 00:57:49.639
<v Speaker 6>That's like the yep, maybe, yep, I think that has

1176
00:57:49.639 --> 00:57:52.119
<v Speaker 6>a do it even parts of your brain too, I'm

1177
00:57:52.159 --> 00:57:52.960
<v Speaker 6>not gonna take it that far.

1178
00:57:55.039 --> 00:57:57.119
<v Speaker 3>Well, and did you think it was weird at the

1179
00:57:57.400 --> 00:57:59.679
<v Speaker 3>at the mall parking lot before they're taking off that

1180
00:58:00.079 --> 00:58:03.360
<v Speaker 3>that you see the visual of JC so like Jesus

1181
00:58:03.440 --> 00:58:05.920
<v Speaker 3>Christ and then Penny like Copper.

1182
00:58:06.400 --> 00:58:08.559
<v Speaker 8>And that was that stood out to me so much,

1183
00:58:08.719 --> 00:58:11.039
<v Speaker 8>and I mean I was like, is this charging?

1184
00:58:11.599 --> 00:58:11.800
<v Speaker 6>Yeah?

1185
00:58:12.119 --> 00:58:15.280
<v Speaker 8>Is this like charging? This situation? And then the guns

1186
00:58:15.360 --> 00:58:17.199
<v Speaker 8>come with iron their shoes.

1187
00:58:17.280 --> 00:58:19.079
<v Speaker 4>Oh, I'm glad you said that. I got that clip

1188
00:58:19.119 --> 00:58:22.280
<v Speaker 4>on deck here. Yeah, yeah, director predictive programming because that

1189
00:58:22.400 --> 00:58:25.000
<v Speaker 4>was the Libyans, right, that was the Libyans assaulting them

1190
00:58:25.000 --> 00:58:27.320
<v Speaker 4>in the parking lot. And that was a great time

1191
00:58:27.559 --> 00:58:30.760
<v Speaker 4>where will Mark Adolphie was was the bin Laden of

1192
00:58:30.800 --> 00:58:33.159
<v Speaker 4>that era, right, that was the time.

1193
00:58:34.000 --> 00:58:39.039
<v Speaker 3>Doc is wearing the biohazard sign behind on his jumper.

1194
00:58:39.639 --> 00:58:41.920
<v Speaker 3>And that can also be the school on Crossbones.

1195
00:58:42.039 --> 00:58:46.119
<v Speaker 4>So is he Oh that's you know, I mean, do

1196
00:58:46.199 --> 00:58:48.280
<v Speaker 4>they want to scare everybody about the Libyans and nuclear

1197
00:58:48.360 --> 00:58:49.920
<v Speaker 4>war at the time? Right, this was the era of

1198
00:58:50.000 --> 00:58:53.440
<v Speaker 4>the mid eighties, right, it was a nuclear scare terrorism

1199
00:58:53.519 --> 00:58:55.679
<v Speaker 4>of the Olypyans. And while we're on that note, I

1200
00:58:55.719 --> 00:58:56.920
<v Speaker 4>got a clip here force.

1201
00:59:02.639 --> 00:59:04.639
<v Speaker 11>Oh my god, they found me.

1202
00:59:04.719 --> 00:59:08.079
<v Speaker 10>I don't know how they found me, look hard on it.

1203
00:59:08.360 --> 00:59:09.119
<v Speaker 5>Whoo whoo.

1204
00:59:09.760 --> 00:59:10.400
<v Speaker 3>What do you think?

1205
00:59:16.320 --> 00:59:19.400
<v Speaker 4>It was a Livian's they did it. And now I

1206
00:59:19.840 --> 00:59:21.960
<v Speaker 4>know I wasn't really old enough to really understand what's

1207
00:59:22.000 --> 00:59:24.000
<v Speaker 4>going on. I do remember kind of the whole Avian

1208
00:59:24.079 --> 00:59:28.599
<v Speaker 4>scare there around that time, right in the media on

1209
00:59:28.800 --> 00:59:31.719
<v Speaker 4>it again. It was a very bit load uh situation,

1210
00:59:31.840 --> 00:59:33.880
<v Speaker 4>but I don't want to I got a different clip

1211
00:59:33.920 --> 00:59:35.480
<v Speaker 4>to kind of explain that to folks real quick, to

1212
00:59:35.519 --> 00:59:38.119
<v Speaker 4>emphasize that point from comedian Jim Brewer.

1213
00:59:40.639 --> 00:59:43.360
<v Speaker 12>All Right, and I took his I took his newspaper.

1214
00:59:43.400 --> 00:59:45.679
<v Speaker 12>It was a newspaper on his little desk. I'm like, yeah, right,

1215
00:59:45.880 --> 00:59:49.800
<v Speaker 12>he took his newspaper and show him. Now a little

1216
00:59:49.840 --> 00:59:50.639
<v Speaker 12>part of history.

1217
00:59:51.880 --> 00:59:57.159
<v Speaker 5>At that time, America was in a serious situation with Libya.

1218
00:59:58.000 --> 01:00:00.480
<v Speaker 10>Huge before been Aladdin.

1219
01:00:01.239 --> 01:00:07.760
<v Speaker 5>There is Muma Koduffy and he was huge in news

1220
01:00:08.440 --> 01:00:15.760
<v Speaker 5>because he shot six missiles at a US plane he missed,

1221
01:00:20.079 --> 01:00:21.119
<v Speaker 5>and then the next.

1222
01:00:21.039 --> 01:00:25.880
<v Speaker 10>Day we bombed his tent. That's what happened, and it

1223
01:00:25.960 --> 01:00:28.840
<v Speaker 10>was huge news. It was right on. If you when

1224
01:00:28.880 --> 01:00:31.440
<v Speaker 10>you went home, you only had four channels watching TV.

1225
01:00:31.559 --> 01:00:32.800
<v Speaker 4>It was before it was even remote.

1226
01:00:32.880 --> 01:00:36.519
<v Speaker 10>It's just your father, go hey Derney and channel four.

1227
01:00:36.400 --> 01:00:37.239
<v Speaker 2>And you have to get up.

1228
01:00:42.079 --> 01:00:46.519
<v Speaker 10>And so everything was next on the news. Mumah Kadaffi's America,

1229
01:00:46.599 --> 01:00:47.440
<v Speaker 10>Muma Kadaffi.

1230
01:00:48.079 --> 01:00:51.159
<v Speaker 5>Mumah Kadaffi shoes six missiles, Muma Kodofi.

1231
01:00:52.320 --> 01:00:53.360
<v Speaker 4>I think we get the point there.

1232
01:00:55.119 --> 01:00:57.480
<v Speaker 1>So that's what the whole Libya thing was about.

1233
01:00:58.320 --> 01:01:00.320
<v Speaker 4>Yeah, so that was the height of that actual anyone

1234
01:01:00.320 --> 01:01:02.440
<v Speaker 4>he's talking about. So Jim Burger is telling a story

1235
01:01:02.519 --> 01:01:04.760
<v Speaker 4>there on one of those Comedy Central. This is not happening,

1236
01:01:04.800 --> 01:01:07.119
<v Speaker 4>I think. And he actually is talking about working at

1237
01:01:07.159 --> 01:01:10.039
<v Speaker 4>that Valley Spree mall Nicknasse I'm talking about and out

1238
01:01:10.079 --> 01:01:11.800
<v Speaker 4>Long Island and he was working at the Seers. He

1239
01:01:11.880 --> 01:01:13.880
<v Speaker 4>was playing a prank on a fellow coworker of this

1240
01:01:13.960 --> 01:01:15.840
<v Speaker 4>old dude who was giving him shit as a teenager,

1241
01:01:16.320 --> 01:01:18.199
<v Speaker 4>and he called a dude, you know, across to a

1242
01:01:18.199 --> 01:01:20.320
<v Speaker 4>different department, was just telling him that was he was

1243
01:01:20.360 --> 01:01:22.239
<v Speaker 4>claiming to be Mo Mar Godolphie on the phone and

1244
01:01:22.320 --> 01:01:24.480
<v Speaker 4>he's going to bomb the mall there or drop six

1245
01:01:24.559 --> 01:01:26.760
<v Speaker 4>missiles on the mall, because that's what all the media

1246
01:01:26.840 --> 01:01:30.719
<v Speaker 4>kept saying, six missiles, six missiles. So they they ended

1247
01:01:30.800 --> 01:01:33.079
<v Speaker 4>up evacuating the whole mall and called the FBI. And

1248
01:01:33.199 --> 01:01:36.760
<v Speaker 4>it's a funny story, but yeah, it's that was Goodelphia

1249
01:01:36.800 --> 01:01:44.119
<v Speaker 4>era of the eighties. I never knew that it's some yeah,

1250
01:01:44.199 --> 01:01:46.800
<v Speaker 4>some wild stuff, right that that story cracks me up there.

1251
01:01:46.800 --> 01:01:50.360
<v Speaker 4>That's unfortunately circumstances finding in playing a prank and suddenly

1252
01:01:50.400 --> 01:01:52.400
<v Speaker 4>the FBI gets called, you know, because some idiot can't

1253
01:01:52.440 --> 01:01:56.840
<v Speaker 4>realize that it was a prank. He actually thinks, momar

1254
01:01:56.920 --> 01:01:59.199
<v Speaker 4>cud Off, he's calling the paint department at Sears and

1255
01:01:59.239 --> 01:02:07.000
<v Speaker 4>telling him he's it's ridiculous. So, yeah, back to this,

1256
01:02:07.320 --> 01:02:09.960
<v Speaker 4>these matters of the backstory of kind of how how

1257
01:02:10.039 --> 01:02:12.000
<v Speaker 4>Back to the Future came to be through these matters

1258
01:02:12.039 --> 01:02:15.400
<v Speaker 4>of science fiction and whatnot. So you see the reference

1259
01:02:15.480 --> 01:02:17.079
<v Speaker 4>Jules Verne a lot in the film, and in fact,

1260
01:02:17.119 --> 01:02:20.119
<v Speaker 4>I believe he later names his kids Jewels and vern

1261
01:02:20.239 --> 01:02:22.079
<v Speaker 4>right and number three Doc Brown.

1262
01:02:21.880 --> 01:02:29.679
<v Speaker 13>That is, yes, I know he named this dog Einstein,

1263
01:02:29.920 --> 01:02:32.599
<v Speaker 13>and you want to talk about Mason's.

1264
01:02:33.719 --> 01:02:35.880
<v Speaker 4>And the other one was Copernicus, right, the other dog

1265
01:02:35.960 --> 01:02:39.800
<v Speaker 4>was Copernicus, right, yes, yes, So it's a lot of

1266
01:02:39.800 --> 01:02:43.039
<v Speaker 4>space stuff, science stuff, and then Jules and vern is

1267
01:02:43.119 --> 01:02:45.840
<v Speaker 4>reference to Jules Verna. Obviously he didn't do any time

1268
01:02:45.920 --> 01:02:48.760
<v Speaker 4>travel stuff, you know, around the world. Eighty days twenty

1269
01:02:48.800 --> 01:02:49.920
<v Speaker 4>thousand leagues under the sea.

1270
01:02:50.840 --> 01:02:53.079
<v Speaker 1>He did Journey to the Center of the Earth, which

1271
01:02:53.159 --> 01:02:55.119
<v Speaker 1>I think is like a real fucking thing.

1272
01:02:56.000 --> 01:02:57.599
<v Speaker 4>That's the that's the one, that's the big one. I

1273
01:02:57.679 --> 01:03:00.199
<v Speaker 4>was missing this one. He's not as known for, but

1274
01:03:00.239 --> 01:03:01.960
<v Speaker 4>thank you Julia for that when I was stuck there

1275
01:03:02.000 --> 01:03:04.679
<v Speaker 4>on the other title, from the Earth to the Moon.

1276
01:03:05.119 --> 01:03:06.559
<v Speaker 4>So this is a this is an idea of this

1277
01:03:06.639 --> 01:03:07.800
<v Speaker 4>is one of the early I think this is the

1278
01:03:07.880 --> 01:03:10.800
<v Speaker 4>earliest idea of rockets, right, and even talking about a

1279
01:03:10.840 --> 01:03:12.880
<v Speaker 4>moon landing and a projectile that looks a lot like

1280
01:03:13.000 --> 01:03:16.000
<v Speaker 4>what Warner von Braun would develop as a rocket, this

1281
01:03:16.159 --> 01:03:20.800
<v Speaker 4>obelisk looking object, right, see what I'm saying here on

1282
01:03:20.880 --> 01:03:24.440
<v Speaker 4>the cover, right, and it is read in eighteen sixty five,

1283
01:03:24.639 --> 01:03:27.679
<v Speaker 4>and it's talking about he wrote a sequel to it

1284
01:03:27.760 --> 01:03:29.639
<v Speaker 4>around the Moon, but it's talking about landing with a

1285
01:03:29.679 --> 01:03:31.880
<v Speaker 4>projectile with a goal of landing on the Moon. So

1286
01:03:32.880 --> 01:03:35.360
<v Speaker 4>you know, I think that's interesting because again we go

1287
01:03:35.480 --> 01:03:37.679
<v Speaker 4>back to that von Braun reference. Right now, we got

1288
01:03:38.039 --> 01:03:41.880
<v Speaker 4>the earliest version. So everything I covered that in the

1289
01:03:41.960 --> 01:03:44.440
<v Speaker 4>last show I did last week on this Telemite science

1290
01:03:44.599 --> 01:03:48.159
<v Speaker 4>or fan fiction ideas of Marvel and DC Comics, because

1291
01:03:48.199 --> 01:03:50.480
<v Speaker 4>all of these ideas of science and space that we

1292
01:03:50.599 --> 01:03:54.400
<v Speaker 4>know from revolving around rocketry and space travel, revolves around

1293
01:03:54.480 --> 01:03:59.119
<v Speaker 4>that they're written in fiction first by writers who was

1294
01:03:59.199 --> 01:04:03.559
<v Speaker 4>literary agent was for Reakermen and who for Reackerman was

1295
01:04:03.599 --> 01:04:05.400
<v Speaker 4>the head of that sci fi writers club in which

1296
01:04:05.440 --> 01:04:07.320
<v Speaker 4>all of these writers were also a part of. So

1297
01:04:07.440 --> 01:04:11.000
<v Speaker 4>and they also were all apparently involved, by forty Ackerman's

1298
01:04:11.039 --> 01:04:14.159
<v Speaker 4>own admission, they were all involved in first the OTO

1299
01:04:14.280 --> 01:04:16.920
<v Speaker 4>and then later scientology. And four he stuck around in

1300
01:04:17.000 --> 01:04:19.440
<v Speaker 4>scientology for a while. He didn't leave until the late

1301
01:04:19.800 --> 01:04:24.280
<v Speaker 4>early fifties, so he was seemed pretty dedicated in these matters.

1302
01:04:24.320 --> 01:04:26.719
<v Speaker 4>But you know, we learn about these ideas of space

1303
01:04:26.840 --> 01:04:29.119
<v Speaker 4>first through these through these matters of science fiction, and

1304
01:04:29.159 --> 01:04:34.400
<v Speaker 4>then later supposedly you know, supposedly science right, and then

1305
01:04:35.079 --> 01:04:36.840
<v Speaker 4>it really impacts a lot of stuff. I don't want

1306
01:04:36.840 --> 01:04:38.360
<v Speaker 4>to go too far here, but it really impacts a

1307
01:04:38.360 --> 01:04:40.280
<v Speaker 4>lot of stuff just outside of what we're thinking of

1308
01:04:41.000 --> 01:04:44.320
<v Speaker 4>regarding occultism or modern day with these science fiction notions.

1309
01:04:44.880 --> 01:04:48.039
<v Speaker 4>So I learned this from this book Operation Mind Control

1310
01:04:48.159 --> 01:04:51.719
<v Speaker 4>from Walter bow Art. Great book. Highly recommend if anyone

1311
01:04:52.280 --> 01:04:55.920
<v Speaker 4>folks in the interwebs want anything to do with matters

1312
01:04:55.960 --> 01:04:59.920
<v Speaker 4>of mind control operations, not just the mk ulture style experimentals.

1313
01:05:00.599 --> 01:05:03.679
<v Speaker 4>Boart writes a whole book in nineteen seventy circus seventy

1314
01:05:03.719 --> 01:05:07.280
<v Speaker 4>eight describing how it's operational. So but he puts here

1315
01:05:07.280 --> 01:05:11.320
<v Speaker 4>in this book how Michael Akino Old Temple sat. Michael

1316
01:05:11.360 --> 01:05:16.159
<v Speaker 4>Akino wrote three different Star Wars fan fiction and used

1317
01:05:16.159 --> 01:05:20.000
<v Speaker 4>to He was reported as having been identified standing outside

1318
01:05:20.039 --> 01:05:24.079
<v Speaker 4>the gate at Skywalker Ranch forcing copies of these manuscripts

1319
01:05:24.159 --> 01:05:27.719
<v Speaker 4>upon people who employed by George Lucas, friends with Zemachus

1320
01:05:27.880 --> 01:05:33.239
<v Speaker 4>and and Spielberg. Since Lucas does not received on solicited manuscripts,

1321
01:05:33.280 --> 01:05:37.679
<v Speaker 4>the manuscripts were returned unopened upon several occasions. One was

1322
01:05:37.719 --> 01:05:43.519
<v Speaker 4>sub subsequently published in a monster magazine. I'll uh let

1323
01:05:43.599 --> 01:05:45.320
<v Speaker 4>you know which Monster magazine that was. That was the

1324
01:05:45.400 --> 01:05:52.960
<v Speaker 4>one of achron Razy. Yeah, but you know back around,

1325
01:05:54.159 --> 01:05:54.480
<v Speaker 4>are you.

1326
01:05:54.599 --> 01:05:58.320
<v Speaker 1>Familiar with Fritz Springmeier at all? He wrote a lot

1327
01:05:58.360 --> 01:06:02.679
<v Speaker 1>of stuff about you know, underground programs and stuff like that.

1328
01:06:03.000 --> 01:06:03.199
<v Speaker 3>Yeah.

1329
01:06:04.039 --> 01:06:07.000
<v Speaker 1>He talks about how they use star Trek in a

1330
01:06:07.079 --> 01:06:10.280
<v Speaker 1>lot of the programs, and there's a lot of weird

1331
01:06:10.360 --> 01:06:13.880
<v Speaker 1>stuff with Star Trek in general. I love Star Trek,

1332
01:06:14.079 --> 01:06:18.960
<v Speaker 1>but that's beside the point. And there was an actress

1333
01:06:19.280 --> 01:06:22.239
<v Speaker 1>in Star Trek, the first one, the original one. Her

1334
01:06:22.400 --> 01:06:25.079
<v Speaker 1>brother was a member of the Heaven's Gate Cult.

1335
01:06:25.719 --> 01:06:29.840
<v Speaker 9>Come on, so I'm telling you this is all fuck.

1336
01:06:30.119 --> 01:06:33.639
<v Speaker 4>Come on, I did not know that. I love.

1337
01:06:36.480 --> 01:06:36.679
<v Speaker 3>You know.

1338
01:06:38.760 --> 01:06:41.039
<v Speaker 1>Yeah, he killed himself in the Heaven's Gate Cult.

1339
01:06:41.079 --> 01:06:43.400
<v Speaker 4>We got it. I just put a pan in my

1340
01:06:43.440 --> 01:06:45.039
<v Speaker 4>brain on that one. We're definitely gonna be talking about

1341
01:06:45.039 --> 01:06:46.599
<v Speaker 4>that in the future here, Julie, because that's uh.

1342
01:06:47.239 --> 01:06:49.840
<v Speaker 1>You know, man, I love subjects like this, because I

1343
01:06:49.960 --> 01:06:53.800
<v Speaker 1>love science fiction stuff. I think Jules Verne actually inspired

1344
01:06:53.920 --> 01:06:56.360
<v Speaker 1>all of the Inner Earth talk and like the new

1345
01:06:56.440 --> 01:07:00.599
<v Speaker 1>Godzilla calling movies with like the interview, that all comes

1346
01:07:00.639 --> 01:07:01.559
<v Speaker 1>from Jules Verne.

1347
01:07:01.639 --> 01:07:04.360
<v Speaker 4>Dude, I'm glad you said that. So just like that

1348
01:07:04.480 --> 01:07:06.280
<v Speaker 4>all comes from Jules Verne. And then we get these

1349
01:07:06.320 --> 01:07:08.280
<v Speaker 4>ideas of what we're supposed to accept space as from

1350
01:07:08.320 --> 01:07:11.199
<v Speaker 4>folks like Arthur C. Clark and Isaac asim Off for

1351
01:07:11.320 --> 01:07:14.800
<v Speaker 4>Reacherman's buddies, and you know, he's a literary agent. The

1352
01:07:14.920 --> 01:07:17.400
<v Speaker 4>idea that dinosaurs may still run the Earth comes from

1353
01:07:17.440 --> 01:07:21.199
<v Speaker 4>this guy, Willie Lay. He's a German fellow scientists fell

1354
01:07:21.280 --> 01:07:24.320
<v Speaker 4>and sci fi writer who was also part of that

1355
01:07:24.360 --> 01:07:26.880
<v Speaker 4>same sci fi club in Los Angeles, whose literary agent

1356
01:07:26.960 --> 01:07:30.719
<v Speaker 4>was also for reachermen. So that you know, these ideas

1357
01:07:30.760 --> 01:07:33.679
<v Speaker 4>that we that are getting created through cryptozoology and whatnot.

1358
01:07:33.800 --> 01:07:36.000
<v Speaker 4>This dude is the one who literally started the idea

1359
01:07:36.079 --> 01:07:39.000
<v Speaker 4>that disor still exists on the planet in nineteen forty nine.

1360
01:07:40.119 --> 01:07:41.599
<v Speaker 9>And then what did he help?

1361
01:07:41.920 --> 01:07:44.480
<v Speaker 4>This dude also wrote a book in nineteen what's that

1362
01:07:45.280 --> 01:07:45.519
<v Speaker 4>did he.

1363
01:07:45.559 --> 01:07:48.159
<v Speaker 1>Help with Spielsberg on fucking Jurassic Park?

1364
01:07:48.920 --> 01:07:50.559
<v Speaker 4>Well, look, I mean we're not that far off from

1365
01:07:50.599 --> 01:07:52.440
<v Speaker 4>this whole crew, right, So like it's Spielberg kind of

1366
01:07:52.480 --> 01:07:54.840
<v Speaker 4>the next generation of the same kind of club, Right,

1367
01:07:54.960 --> 01:07:58.239
<v Speaker 4>That's kind of how I'm almost looking at it, right. Sure,

1368
01:07:58.239 --> 01:08:01.280
<v Speaker 4>So Willy lay right a book in nineteen twelve called

1369
01:08:01.360 --> 01:08:04.559
<v Speaker 4>Conquest on the Moon with other than Werner von Braun

1370
01:08:06.480 --> 01:08:09.199
<v Speaker 4>again Warner von Braun by this Shortly thereafter starts a

1371
01:08:09.280 --> 01:08:12.880
<v Speaker 4>pen pal and telephone call relationship with Jack Parsons old

1372
01:08:12.920 --> 01:08:17.840
<v Speaker 4>Marvel Jack Parsons, right, von Braun's in Germany, Parsons is

1373
01:08:17.920 --> 01:08:20.760
<v Speaker 4>in Pasadena. You know, what are these two? How do

1374
01:08:20.840 --> 01:08:23.319
<v Speaker 4>these two link up? Right? And why are they talking

1375
01:08:23.359 --> 01:08:25.720
<v Speaker 4>on the phone? Their international calls are not that you

1376
01:08:25.760 --> 01:08:30.239
<v Speaker 4>know common back then, right. How weird is that?

1377
01:08:31.960 --> 01:08:35.279
<v Speaker 1>I wonder if I wonder if this guy was friends

1378
01:08:35.359 --> 01:08:38.520
<v Speaker 1>with Cubrick at all, because Kubrick and von Baron were friends,

1379
01:08:41.560 --> 01:08:42.039
<v Speaker 1>and he did.

1380
01:08:45.159 --> 01:08:47.039
<v Speaker 4>Now he just hit me with a different one, because

1381
01:08:47.960 --> 01:08:50.199
<v Speaker 4>I don't know who the intersection of Akerman and Kubrick is,

1382
01:08:50.239 --> 01:08:54.359
<v Speaker 4>because definitely Isaac Asimov and Clark were because they were

1383
01:08:55.039 --> 01:08:57.680
<v Speaker 4>on not only on the set, they are also involved

1384
01:08:57.840 --> 01:09:00.800
<v Speaker 4>with the Pall eleven missions the time as far as

1385
01:09:00.960 --> 01:09:02.960
<v Speaker 4>tech they were quote unquote technical advisors.

1386
01:09:03.479 --> 01:09:05.359
<v Speaker 1>Well, then Kubrick's got to be in there.

1387
01:09:06.079 --> 01:09:07.560
<v Speaker 4>Yeah, they got to be in there. Something old Jack

1388
01:09:07.600 --> 01:09:10.319
<v Speaker 4>Kirby too, Right, So two thousand and one of Space Odyssey,

1389
01:09:10.399 --> 01:09:12.119
<v Speaker 4>they had a comic book from Marvel Comics that was

1390
01:09:12.119 --> 01:09:15.520
<v Speaker 4>supposed to come out simultaneously. That was from Jack Kirby. Again,

1391
01:09:16.119 --> 01:09:18.479
<v Speaker 4>Cocaine Bob meets Marvel Comics. Right, we're talking about the

1392
01:09:18.520 --> 01:09:20.800
<v Speaker 4>same club of folks, right, Jack Kirby's want of stan

1393
01:09:20.920 --> 01:09:21.560
<v Speaker 4>Lee's associates.

1394
01:09:21.600 --> 01:09:24.159
<v Speaker 9>Obviously they're all in there.

1395
01:09:24.319 --> 01:09:25.079
<v Speaker 4>They have to be.

1396
01:09:25.960 --> 01:09:27.359
<v Speaker 1>They absolutely have to be.

1397
01:09:29.479 --> 01:09:31.840
<v Speaker 4>So I appreciate y'all joined me here on that quick

1398
01:09:31.920 --> 01:09:33.720
<v Speaker 4>journey and how we got to the story of Back

1399
01:09:33.800 --> 01:09:36.000
<v Speaker 4>to the Future, and again how it revolves around I

1400
01:09:36.079 --> 01:09:37.680
<v Speaker 4>took you all on a back to the future yourself

1401
01:09:37.800 --> 01:09:40.680
<v Speaker 4>talking about how I was just discussing these things last

1402
01:09:40.720 --> 01:09:43.960
<v Speaker 4>week inadvertently did not even consider at the time how

1403
01:09:44.039 --> 01:09:46.399
<v Speaker 4>much this tied into this future one we already had

1404
01:09:46.479 --> 01:09:48.840
<v Speaker 4>planned because I didn't really consider how much of the

1405
01:09:48.880 --> 01:09:52.359
<v Speaker 4>sci fi connections I really were. But it's obviously pretty deep.

1406
01:09:53.720 --> 01:09:55.199
<v Speaker 4>So onto the film.

1407
01:09:55.359 --> 01:09:57.279
<v Speaker 2>Onto the film, JJ, I'm just going to jump in

1408
01:09:57.399 --> 01:10:01.119
<v Speaker 2>really quick, which promise shoot yet. Well, okay, So the

1409
01:10:01.479 --> 01:10:04.359
<v Speaker 2>Michael Aquino thing, since I've read a lot of his writings,

1410
01:10:04.399 --> 01:10:06.720
<v Speaker 2>it totally makes sense to me he did identify as

1411
01:10:06.720 --> 01:10:09.199
<v Speaker 2>as Seth. I think he even has a fucking story.

1412
01:10:09.319 --> 01:10:12.279
<v Speaker 4>Yeah's you're telling me it's a ZIZI is a zip lord.

1413
01:10:13.640 --> 01:10:15.960
<v Speaker 2>I mean he look at the colors, It's like it's

1414
01:10:16.039 --> 01:10:19.880
<v Speaker 2>his banah thing. It's like very like, you know, sapphire tablet,

1415
01:10:20.119 --> 01:10:24.039
<v Speaker 2>like flashing red. It's like just like he was just

1416
01:10:24.159 --> 01:10:27.279
<v Speaker 2>obsessed with like Cabala and obsessed with the sufferer and

1417
01:10:27.359 --> 01:10:30.520
<v Speaker 2>obsessed with like trying to deify them and make them

1418
01:10:30.600 --> 01:10:33.560
<v Speaker 2>into like real things. And that goes to your point

1419
01:10:33.600 --> 01:10:36.880
<v Speaker 2>about Warner Ron braun making like the dick shaped rocket.

1420
01:10:37.399 --> 01:10:41.319
<v Speaker 2>It's like that is like very right. If you're like Marty,

1421
01:10:41.680 --> 01:10:45.359
<v Speaker 2>he's the Marsian Marshall Martian maybe, but he's like a

1422
01:10:45.439 --> 01:10:48.000
<v Speaker 2>martial figure, so he's like erect. He's itth o fail

1423
01:10:48.039 --> 01:10:51.159
<v Speaker 2>like we would call it in our history. So he's

1424
01:10:51.319 --> 01:10:54.600
<v Speaker 2>it's like the projections, like the projecting off the earth

1425
01:10:55.039 --> 01:10:58.119
<v Speaker 2>with fire. Just like Julia said, the car has fire

1426
01:10:58.319 --> 01:11:00.600
<v Speaker 2>behind it. It needs fire for like Heidi and I

1427
01:11:00.680 --> 01:11:03.520
<v Speaker 2>were talking about the chat, it needs fire for transmutation.

1428
01:11:04.520 --> 01:11:06.720
<v Speaker 2>But it's not the only thing that happens. Like we said,

1429
01:11:06.760 --> 01:11:09.640
<v Speaker 2>there's a lot of mercurial elements in it. And Heidi

1430
01:11:09.800 --> 01:11:13.720
<v Speaker 2>caught that amazing point about Jacy Penny, because you need

1431
01:11:13.840 --> 01:11:17.079
<v Speaker 2>copper to transmute gold. So one thing I was interested in,

1432
01:11:17.560 --> 01:11:21.720
<v Speaker 2>independent of Nick's amazing notepack, was what is the composition

1433
01:11:21.800 --> 01:11:25.119
<v Speaker 2>of a Dolorean and like, how could you sort of

1434
01:11:25.159 --> 01:11:30.479
<v Speaker 2>cabalistically mapped steel and specifically the steel that was used

1435
01:11:30.520 --> 01:11:34.880
<v Speaker 2>to make Deloreans. So it is actually an interesting kind

1436
01:11:34.920 --> 01:11:36.560
<v Speaker 2>of question if you're looking at it from like an

1437
01:11:36.560 --> 01:11:40.000
<v Speaker 2>outchemic color cobalistic loans, So you would have to consider

1438
01:11:40.640 --> 01:11:44.199
<v Speaker 2>it to be to Ferradic that lions Gate sort of

1439
01:11:44.279 --> 01:11:50.239
<v Speaker 2>element but becoming from Mars because the content is largely Iron,

1440
01:11:51.039 --> 01:11:55.479
<v Speaker 2>so it's a majority. So that's really interesting, I think

1441
01:11:55.520 --> 01:11:57.600
<v Speaker 2>to think about, like there's a lot of Marshall stuff.

1442
01:11:57.680 --> 01:12:00.319
<v Speaker 2>Elon like to bring up something Nick said, Yeah, there

1443
01:12:00.359 --> 01:12:03.359
<v Speaker 2>is kind of an Elon thing because he's obsessed with Mars.

1444
01:12:04.960 --> 01:12:07.920
<v Speaker 2>And obviously Werner Vroon Brown is obsessed with Mars because

1445
01:12:08.359 --> 01:12:10.840
<v Speaker 2>there's that. It's that question in modern occult to some

1446
01:12:10.960 --> 01:12:13.319
<v Speaker 2>do men come from Mars or do they come from Mercury?

1447
01:12:14.000 --> 01:12:17.199
<v Speaker 2>But I think that Euro's journey makes room four. They

1448
01:12:17.239 --> 01:12:20.560
<v Speaker 2>can come from both, or they can maybe grow through

1449
01:12:20.600 --> 01:12:23.840
<v Speaker 2>the paths and come out you know, through the fire

1450
01:12:24.000 --> 01:12:27.319
<v Speaker 2>if you want to call that, and you know, enter

1451
01:12:27.359 --> 01:12:28.439
<v Speaker 2>the pathiosis whatever.

1452
01:12:30.239 --> 01:12:32.159
<v Speaker 4>Fair enough, But that is that is the story I like,

1453
01:12:32.279 --> 01:12:34.079
<v Speaker 4>I like your heads, and that is the story where

1454
01:12:34.159 --> 01:12:38.079
<v Speaker 4>we we are at the moment right with the storyline

1455
01:12:38.079 --> 01:12:40.560
<v Speaker 4>here back to the Future revolves around this, the transport

1456
01:12:40.640 --> 01:12:43.920
<v Speaker 4>of Marty McFly Michael J. Fox's character through this here

1457
01:12:44.880 --> 01:12:47.600
<v Speaker 4>fancy car that I well, we can get into more

1458
01:12:47.600 --> 01:12:49.199
<v Speaker 4>of this discussion on the car here because you know,

1459
01:12:49.319 --> 01:12:51.680
<v Speaker 4>after we you know, develop more of this tale here.

1460
01:12:51.840 --> 01:12:54.319
<v Speaker 4>But see, I find it very unique that for many

1461
01:12:54.359 --> 01:12:56.720
<v Speaker 4>reasons they chose this car. But so he meets Doc Brown,

1462
01:12:56.800 --> 01:12:59.760
<v Speaker 4>and you know, they get they start doing this seemingly

1463
01:13:00.039 --> 01:13:02.960
<v Speaker 4>our interrupting time right and disrupting reality. But really I

1464
01:13:02.960 --> 01:13:05.399
<v Speaker 4>would argue, that's just the nature of reality was always

1465
01:13:05.399 --> 01:13:08.479
<v Speaker 4>gonna happen that way. But what are your all thoughts

1466
01:13:08.520 --> 01:13:10.479
<v Speaker 4>here on the characters that we we lay out the

1467
01:13:10.520 --> 01:13:12.880
<v Speaker 4>story here back to the future, right, we got a

1468
01:13:12.960 --> 01:13:16.279
<v Speaker 4>teenager meeting the old scientists right again, I would argue

1469
01:13:16.319 --> 01:13:19.880
<v Speaker 4>that's a Marvel Jack Parsons Warner von Braun, right doctor

1470
01:13:20.560 --> 01:13:21.880
<v Speaker 4>von Braun relationship.

1471
01:13:24.399 --> 01:13:27.520
<v Speaker 3>I I definitely saw this in a different weird I

1472
01:13:27.680 --> 01:13:30.079
<v Speaker 3>was telling Jin in the chat just that I saw

1473
01:13:30.159 --> 01:13:34.640
<v Speaker 3>it as he was like a Zeus type character because he's,

1474
01:13:34.960 --> 01:13:37.920
<v Speaker 3>you know, gonna be messing with the lightning later.

1475
01:13:38.479 --> 01:13:41.359
<v Speaker 8>There's more. I don't want to give it all right now, but.

1476
01:13:41.560 --> 01:13:44.319
<v Speaker 4>Like, oh, go ahead, please please describe the character that's

1477
01:13:44.359 --> 01:13:45.560
<v Speaker 4>that sounds I like words.

1478
01:13:46.399 --> 01:13:49.520
<v Speaker 3>Sure, so he's gonna you know, overthrow Cronus, but but

1479
01:13:49.640 --> 01:13:52.279
<v Speaker 3>we also have Pluto, we have plutonium.

1480
01:13:53.000 --> 01:13:55.479
<v Speaker 4>So he's gonna throw Cronus by defeating time or by

1481
01:13:55.560 --> 01:13:57.479
<v Speaker 4>traveling through time. That's like a defeat of Chronos.

1482
01:13:57.560 --> 01:14:00.079
<v Speaker 8>Is ever saying, well, he's gonna he's gonna get.

1483
01:14:00.239 --> 01:14:03.560
<v Speaker 3>Him out of the unreality to send Marty back through

1484
01:14:04.520 --> 01:14:10.560
<v Speaker 3>to reality by harnessing with his rod that's wrapped like

1485
01:14:10.640 --> 01:14:15.359
<v Speaker 3>a kundalini and he's gonna harness the energy to hook

1486
01:14:15.439 --> 01:14:16.359
<v Speaker 3>it onto the car.

1487
01:14:16.840 --> 01:14:17.680
<v Speaker 8>That's what I see.

1488
01:14:17.800 --> 01:14:20.960
<v Speaker 3>And then Neptune post Sidon's there at the Under the

1489
01:14:21.039 --> 01:14:23.600
<v Speaker 3>Seed Dance. There's a statue of him. If you catch that,

1490
01:14:24.279 --> 01:14:29.199
<v Speaker 3>he's there, Pluto's there, Plutonium. It's the tale of you know,

1491
01:14:29.560 --> 01:14:31.159
<v Speaker 3>them defeating Chronos.

1492
01:14:32.520 --> 01:14:36.319
<v Speaker 4>Eh, Yeah, the Under the Seed Dance. It certainly seems

1493
01:14:36.359 --> 01:14:37.880
<v Speaker 4>very chilling because it was a very that was one

1494
01:14:37.880 --> 01:14:39.319
<v Speaker 4>of the scenes. Like I said, there's not a lot

1495
01:14:39.359 --> 01:14:41.279
<v Speaker 4>of scenes filmed here, and they put a lot of

1496
01:14:41.319 --> 01:14:43.319
<v Speaker 4>effort into really decorating that.

1497
01:14:43.439 --> 01:14:48.199
<v Speaker 1>I feel like, yeah, they really put Yeah I put

1498
01:14:48.239 --> 01:14:50.239
<v Speaker 1>that in my notes too, that they spent a lot

1499
01:14:50.279 --> 01:14:51.359
<v Speaker 1>of time decorating that.

1500
01:14:52.119 --> 01:14:55.800
<v Speaker 3>And really it's and all that like on and on

1501
01:14:55.920 --> 01:14:57.920
<v Speaker 3>about this Under the Seed Dance. It was like over

1502
01:14:58.000 --> 01:15:00.319
<v Speaker 3>and over and you know, it was lot.

1503
01:15:00.960 --> 01:15:03.199
<v Speaker 4>Well to that same nature. Is that, like, why do

1504
01:15:03.239 --> 01:15:07.159
<v Speaker 4>you think Marty McFly is always wearing uh this life

1505
01:15:07.199 --> 01:15:14.239
<v Speaker 4>preserver preserver there right, So yeah, they joke on him, right,

1506
01:15:14.319 --> 01:15:16.560
<v Speaker 4>he gets flound on about it.

1507
01:15:16.800 --> 01:15:19.119
<v Speaker 6>Yeah, when he walks into the until they get the

1508
01:15:19.159 --> 01:15:20.920
<v Speaker 6>place to get wherever at the.

1509
01:15:21.000 --> 01:15:23.520
<v Speaker 4>Diner, what you would you fall overboard?

1510
01:15:23.560 --> 01:15:24.079
<v Speaker 6>Is that what he said?

1511
01:15:24.960 --> 01:15:27.720
<v Speaker 9>And then when he gets hit by the car and

1512
01:15:28.000 --> 01:15:30.079
<v Speaker 9>and Lorraine's parents.

1513
01:15:29.960 --> 01:15:32.399
<v Speaker 1>Take him in and she's like, I figured you're a

1514
01:15:32.479 --> 01:15:36.199
<v Speaker 1>sailor because you have the life preserver on.

1515
01:15:38.399 --> 01:15:40.239
<v Speaker 4>What's the use of Calvin Klein in that? In that

1516
01:15:40.439 --> 01:15:43.359
<v Speaker 4>aspect too, right? Because they he's wearing Calvin Kline underwear.

1517
01:15:43.359 --> 01:15:44.560
<v Speaker 4>So he starts going by the name.

1518
01:15:46.720 --> 01:15:49.720
<v Speaker 3>That's Mormons, because he got his new name, and he

1519
01:15:49.800 --> 01:15:52.680
<v Speaker 3>got his underwear and got his underwear, he got his

1520
01:15:52.800 --> 01:15:53.279
<v Speaker 3>new name.

1521
01:15:54.520 --> 01:15:57.920
<v Speaker 8>Consider he went through the veil and he has his

1522
01:15:58.199 --> 01:16:03.520
<v Speaker 8>he's a new specific. Yeah, but I mean like in general,

1523
01:16:03.960 --> 01:16:05.199
<v Speaker 8>well in general.

1524
01:16:04.960 --> 01:16:09.560
<v Speaker 6>Any magician would taken him name. I mean, it's not

1525
01:16:09.800 --> 01:16:10.520
<v Speaker 6>just a Morman thing.

1526
01:16:11.159 --> 01:16:13.199
<v Speaker 4>So you're saying, that's an oto aspect to.

1527
01:16:13.359 --> 01:16:18.479
<v Speaker 3>That's any magician, Masons and Masons ceremony magician.

1528
01:16:19.319 --> 01:16:23.800
<v Speaker 1>Yes, yes, is this terrificant that they're purple and that

1529
01:16:23.960 --> 01:16:26.119
<v Speaker 1>they bring that up. I've never seen purple.

1530
01:16:26.359 --> 01:16:28.720
<v Speaker 6>Be royalty, there would be probably more of like making

1531
01:16:28.800 --> 01:16:31.119
<v Speaker 6>a claim that you've actually seen both sides.

1532
01:16:32.000 --> 01:16:33.880
<v Speaker 8>Yeah, red is both life and death.

1533
01:16:34.199 --> 01:16:38.960
<v Speaker 2>Yeah, the red resolution of paradox, bringing the blue and

1534
01:16:39.000 --> 01:16:42.039
<v Speaker 2>the red together, the material spiritual And.

1535
01:16:42.600 --> 01:16:45.199
<v Speaker 3>Even when he goes to the dance, Yeah, he's in

1536
01:16:45.560 --> 01:16:48.000
<v Speaker 3>a reddish jacket again, even at the.

1537
01:16:48.039 --> 01:16:52.479
<v Speaker 2>Dance, So they keep I thought that was an amazing point.

1538
01:16:52.520 --> 01:16:55.960
<v Speaker 8>Sorry, no, no, I was just saying they keep him

1539
01:16:55.960 --> 01:16:56.279
<v Speaker 8>in red.

1540
01:16:57.800 --> 01:16:59.720
<v Speaker 2>See, this is really interesting. But I want to say

1541
01:16:59.800 --> 01:17:02.119
<v Speaker 2>that thing really quick about what Heidi was saying, just

1542
01:17:02.199 --> 01:17:06.720
<v Speaker 2>to build off that was joked in Vida astrology, Jupiter

1543
01:17:06.920 --> 01:17:09.600
<v Speaker 2>is the planet of the teacher, so it's but it's

1544
01:17:09.720 --> 01:17:14.039
<v Speaker 2>the spiritual teacher, not the not necessarily the material teacher,

1545
01:17:14.079 --> 01:17:17.000
<v Speaker 2>which is actually more gevrotic in Hebrew. Balls. That's actually

1546
01:17:17.079 --> 01:17:21.520
<v Speaker 2>really interesting as well. And but I agree with what

1547
01:17:21.720 --> 01:17:25.199
<v Speaker 2>Heidi's saying in like, I don't use obviously the Greek cosmology,

1548
01:17:25.279 --> 01:17:28.000
<v Speaker 2>but I understand what she's saying, and it makes a

1549
01:17:28.079 --> 01:17:31.680
<v Speaker 2>lot of sense because there's this third idea of So

1550
01:17:32.159 --> 01:17:36.079
<v Speaker 2>we spoke a little bit yesterday about the hyper Uranian

1551
01:17:36.479 --> 01:17:39.600
<v Speaker 2>the trans Plutonian obviously that's though both of those ideas

1552
01:17:39.640 --> 01:17:42.199
<v Speaker 2>are in this film. But then there's like the third idea,

1553
01:17:42.319 --> 01:17:47.399
<v Speaker 2>which is the trans Neptunian. So it goes exactly with

1554
01:17:47.680 --> 01:17:51.199
<v Speaker 2>this under the sea, the dreaming God. That's even one

1555
01:17:51.239 --> 01:17:53.199
<v Speaker 2>of the names for a Vishnu. And if you map

1556
01:17:53.399 --> 01:17:54.960
<v Speaker 2>him to the tree, he'd be like that choked ma,

1557
01:17:55.199 --> 01:17:59.560
<v Speaker 2>so a very Neptunian figure. He's dreaming under the superno ocean,

1558
01:18:00.119 --> 01:18:03.760
<v Speaker 2>sleeping on his back and his serpent like a deis

1559
01:18:03.840 --> 01:18:06.399
<v Speaker 2>I guess you could say. So, yeah, it's like this

1560
01:18:06.680 --> 01:18:10.119
<v Speaker 2>the dreaming God. He's sleeping reality into existence. And then

1561
01:18:10.159 --> 01:18:14.000
<v Speaker 2>there's this last idea and that but the idea of

1562
01:18:14.640 --> 01:18:17.760
<v Speaker 2>space versus time, and this goes perfectly along with that

1563
01:18:17.880 --> 01:18:22.800
<v Speaker 2>because Vishnu is assigned space whereas like as Heidi said,

1564
01:18:22.840 --> 01:18:25.399
<v Speaker 2>she called him Kronos, I'm gonna call him Shiva, but

1565
01:18:25.600 --> 01:18:28.600
<v Speaker 2>he is time at least in one version.

1566
01:18:29.359 --> 01:18:30.560
<v Speaker 3>So too.

1567
01:18:30.920 --> 01:18:33.359
<v Speaker 8>Yeah, the women, we can't forget the women too.

1568
01:18:34.239 --> 01:18:37.079
<v Speaker 2>So it's always this battle. It's always this battle in

1569
01:18:37.319 --> 01:18:41.079
<v Speaker 2>like sort of occult thinking like do you master space,

1570
01:18:41.239 --> 01:18:44.119
<v Speaker 2>do you master time? Like which one is it? Which

1571
01:18:44.119 --> 01:18:48.840
<v Speaker 2>one is superior? And it's because it's both poles, right,

1572
01:18:48.960 --> 01:18:51.239
<v Speaker 2>It's really it's it's a Hopemah and bin Off. So

1573
01:18:51.399 --> 01:18:54.760
<v Speaker 2>it's both of those things and they're like it's like electric,

1574
01:18:55.079 --> 01:18:58.600
<v Speaker 2>like very lightning. So but that's how they kind of

1575
01:18:58.640 --> 01:18:59.680
<v Speaker 2>spark off each other.

1576
01:19:01.439 --> 01:19:04.800
<v Speaker 4>Interesting. We have any more thoughts here on on the

1577
01:19:05.000 --> 01:19:06.760
<v Speaker 4>uh Marty flies a character?

1578
01:19:07.359 --> 01:19:10.199
<v Speaker 8>Oh not Marty, No, sorry, his girlfriend.

1579
01:19:10.239 --> 01:19:11.399
<v Speaker 4>You want to get to his girlfriend next?

1580
01:19:12.079 --> 01:19:15.039
<v Speaker 3>Yeah? Yeah, I just think at the very beginning when

1581
01:19:15.119 --> 01:19:17.600
<v Speaker 3>she's coming out of the school, Well, first of all,

1582
01:19:17.680 --> 01:19:20.720
<v Speaker 3>Jennifer is white wave and so she that's represented with

1583
01:19:20.880 --> 01:19:24.239
<v Speaker 3>Venus absolutely, and she's at the top of the stairs

1584
01:19:24.279 --> 01:19:27.359
<v Speaker 3>and he never ascends up, but she starts coming down

1585
01:19:27.600 --> 01:19:30.079
<v Speaker 3>and she meets him, but he doesn't go up, which

1586
01:19:30.159 --> 01:19:31.039
<v Speaker 3>makes total sense.

1587
01:19:31.680 --> 01:19:33.479
<v Speaker 8>And then we've got the mom too.

1588
01:19:33.760 --> 01:19:37.800
<v Speaker 3>But you know, her name is Lorraine, which doesn't translate

1589
01:19:37.840 --> 01:19:42.600
<v Speaker 3>into much but La rain like queen and isis and

1590
01:19:42.680 --> 01:19:44.880
<v Speaker 3>then we get into you know, I'm gonna marry my

1591
01:19:44.960 --> 01:19:45.640
<v Speaker 3>son things, so.

1592
01:19:46.039 --> 01:19:48.880
<v Speaker 4>That you were you were saying it doesn't relate to much,

1593
01:19:48.920 --> 01:19:51.119
<v Speaker 4>but I think Nick was talking about it released to Kronos, right,

1594
01:19:51.239 --> 01:19:51.600
<v Speaker 4>the Rain.

1595
01:19:53.039 --> 01:19:56.399
<v Speaker 6>Oh yeah, yeah, it's some of the uh the jamati

1596
01:19:56.439 --> 01:19:57.840
<v Speaker 6>when I get to it, yeah.

1597
01:20:00.159 --> 01:20:03.079
<v Speaker 4>Right, oh yeah, and that's that's what ott he was

1598
01:20:03.119 --> 01:20:04.600
<v Speaker 4>just saying, too. Right, So you came up with some

1599
01:20:04.680 --> 01:20:08.600
<v Speaker 4>Jamatria conclusions concluding what Hatty was just saying without you know,

1600
01:20:08.640 --> 01:20:10.960
<v Speaker 4>from two separate angles. It sounds like, yeah, yeah, I

1601
01:20:11.119 --> 01:20:11.359
<v Speaker 4>have to.

1602
01:20:12.920 --> 01:20:13.720
<v Speaker 6>Look for that specific.

1603
01:20:14.000 --> 01:20:15.960
<v Speaker 4>That's pretty interesting. I know what you were saying that, Heidi.

1604
01:20:16.000 --> 01:20:17.800
<v Speaker 4>I was just and I was like, wait a second,

1605
01:20:17.880 --> 01:20:20.119
<v Speaker 4>I've heard these I've heard some similar things before, and

1606
01:20:20.159 --> 01:20:22.680
<v Speaker 4>I was looking back at Next Night some yep, ye Nick,

1607
01:20:23.119 --> 01:20:24.239
<v Speaker 4>Nick already reaches inclusion.

1608
01:20:24.279 --> 01:20:27.920
<v Speaker 6>There's no, no, no, no, no, totally think I think

1609
01:20:27.920 --> 01:20:29.680
<v Speaker 6>it's interesting because I think it's great.

1610
01:20:29.720 --> 01:20:31.920
<v Speaker 4>You're saying it from one perspective he's doing jamatry and

1611
01:20:31.920 --> 01:20:34.600
<v Speaker 4>come up with that same conclusion. It's reaching these things.

1612
01:20:34.640 --> 01:20:36.159
<v Speaker 4>That's that's interesting.

1613
01:20:35.800 --> 01:20:38.279
<v Speaker 2>Because there's a there's a there's a deeper launch.

1614
01:20:38.159 --> 01:20:43.079
<v Speaker 6>Even with too Yeah, yeah, okay, I like this.

1615
01:20:43.239 --> 01:20:43.920
<v Speaker 4>That's interesting.

1616
01:20:45.079 --> 01:20:48.800
<v Speaker 2>When the prince is at Mercury, like Marty's at Mercury

1617
01:20:49.279 --> 01:20:54.199
<v Speaker 2>before he leaves on his magic journey. Okay, the mother

1618
01:20:54.640 --> 01:20:57.239
<v Speaker 2>the Venus sprangmp what Heidi said. So we're kind of

1619
01:20:57.319 --> 01:21:02.239
<v Speaker 2>synthesizing Nick and Heidi his ideas. She's attracted to him.

1620
01:21:02.840 --> 01:21:06.199
<v Speaker 2>That's kind of the idea. But it's really it's like electromagnetic,

1621
01:21:06.319 --> 01:21:11.119
<v Speaker 2>that's really what it is. But it gets a confusing feeling, right,

1622
01:21:11.399 --> 01:21:14.880
<v Speaker 2>it's it's easily confused. That's very hermetic, that's very mercurial.

1623
01:21:15.680 --> 01:21:17.680
<v Speaker 2>It's like kind of entwined.

1624
01:21:18.399 --> 01:21:22.920
<v Speaker 3>So because father and he took his father's place when

1625
01:21:23.000 --> 01:21:25.800
<v Speaker 3>he got hit by the car, so he becomes the

1626
01:21:25.920 --> 01:21:30.000
<v Speaker 3>father's journey, and it's it's linear than and like just

1627
01:21:30.159 --> 01:21:32.680
<v Speaker 3>like when I say isis and stuff like I'm talking

1628
01:21:32.720 --> 01:21:35.119
<v Speaker 3>about like with the isis horse, what does she do?

1629
01:21:35.279 --> 01:21:39.560
<v Speaker 3>She says he's the reincarnation of her husband, So that

1630
01:21:39.760 --> 01:21:41.359
<v Speaker 3>combination makes total sense.

1631
01:21:41.680 --> 01:21:47.520
<v Speaker 6>You know, yes, oh real quick, uh JJ, if you

1632
01:21:47.560 --> 01:21:51.279
<v Speaker 6>don't mind, Yeah, I was, I did. I wasn't speaking

1633
01:21:51.359 --> 01:21:53.279
<v Speaker 6>up fast enough before we left off a Martin McFly.

1634
01:21:53.399 --> 01:21:55.159
<v Speaker 6>I did actually have some things just real quick. I

1635
01:21:55.159 --> 01:21:57.359
<v Speaker 6>didn want to try with him because I did have

1636
01:21:57.399 --> 01:21:58.000
<v Speaker 6>a section.

1637
01:21:57.880 --> 01:22:01.680
<v Speaker 4>Just at least do going on with his character, right, yes,

1638
01:22:01.960 --> 01:22:04.399
<v Speaker 4>kind of the he's kind of that that not only

1639
01:22:04.479 --> 01:22:07.359
<v Speaker 4>the hero's journey, but he's kind of that Masonic kind

1640
01:22:07.399 --> 01:22:10.239
<v Speaker 4>of uh what do they call it? Like sun god

1641
01:22:10.399 --> 01:22:10.760
<v Speaker 4>kind of thing.

1642
01:22:10.840 --> 01:22:15.600
<v Speaker 6>Right, Well, see this is this is something that I've

1643
01:22:15.640 --> 01:22:18.239
<v Speaker 6>said before, and Horace would fit in there, just with

1644
01:22:18.399 --> 01:22:19.000
<v Speaker 6>total us.

1645
01:22:19.239 --> 01:22:21.479
<v Speaker 4>That's what I was thinking, kind of a horror situation.

1646
01:22:21.680 --> 01:22:24.680
<v Speaker 6>Well, the thing is my opinion, the hero's journey. I mean,

1647
01:22:24.720 --> 01:22:28.119
<v Speaker 6>you're gonna have different characters for the same exact person

1648
01:22:28.279 --> 01:22:30.880
<v Speaker 6>or energy. It's just gonna have a different name. Like

1649
01:22:30.920 --> 01:22:33.800
<v Speaker 6>I've said before, I think like to and Horace and Raw.

1650
01:22:33.960 --> 01:22:37.560
<v Speaker 6>It is all the same technically, I guess energy or thing.

1651
01:22:37.640 --> 01:22:40.199
<v Speaker 6>It's just during a different time in space. It's something else.

1652
01:22:40.880 --> 01:22:43.079
<v Speaker 4>But uh, right, that's well, that's what that's the term

1653
01:22:43.079 --> 01:22:47.800
<v Speaker 4>of hermetic, right, that's thought and and another character, right.

1654
01:22:47.800 --> 01:22:50.159
<v Speaker 6>Very chemical. Yeah, you from going from one character to

1655
01:22:50.239 --> 01:22:50.800
<v Speaker 6>the next.

1656
01:22:51.239 --> 01:22:53.680
<v Speaker 4>And they matched me together and then the maybe become

1657
01:22:53.760 --> 01:22:58.640
<v Speaker 4>Hermi's trist magistus. Right, yeah, but with Marty McFly as,

1658
01:22:58.840 --> 01:23:01.039
<v Speaker 4>uh that is the nature of as it seems.

1659
01:23:00.960 --> 01:23:06.079
<v Speaker 6>Yes, Mary McFly as Mercury and Hermes kind of like

1660
01:23:06.119 --> 01:23:09.079
<v Speaker 6>an archetype. But I did I did have in there too,

1661
01:23:09.239 --> 01:23:14.960
<v Speaker 6>But Kuser Beach mentioned his name is Mars though too. Yeah,

1662
01:23:15.039 --> 01:23:20.880
<v Speaker 6>Martian right, yeah, Mars, Yeah, like war forced.

1663
01:23:19.520 --> 01:23:21.760
<v Speaker 4>He's kind of this this chaos effect, right is that

1664
01:23:21.840 --> 01:23:23.640
<v Speaker 4>what that means is like a chaos effort.

1665
01:23:23.439 --> 01:23:31.560
<v Speaker 6>Or chaos any chaos to create change regardless, right, someone's messenger.

1666
01:23:31.640 --> 01:23:33.760
<v Speaker 6>I looked at him as a messenger between both worlds.

1667
01:23:34.079 --> 01:23:36.720
<v Speaker 6>I even looked at it like in the beginning when

1668
01:23:36.760 --> 01:23:39.119
<v Speaker 6>he plays the guitar, kind of like the like the

1669
01:23:39.199 --> 01:23:43.199
<v Speaker 6>logos of Thunder, Hermes invents the lyre. So I mean

1670
01:23:43.239 --> 01:23:45.479
<v Speaker 6>I did wonder if there was like somewhere a connection

1671
01:23:45.600 --> 01:23:48.960
<v Speaker 6>with that. He's kind of a trickster again, even playing

1672
01:23:49.000 --> 01:23:54.840
<v Speaker 6>the guitar. That's vibration and sound, you know, to right to.

1673
01:23:54.880 --> 01:23:57.079
<v Speaker 4>The loudest degree, right, So that's a very trickster element

1674
01:23:57.119 --> 01:23:57.479
<v Speaker 4>to that. Right.

1675
01:23:58.399 --> 01:24:01.079
<v Speaker 6>Technically, he does go to the future and brings back knowledge.

1676
01:24:01.119 --> 01:24:03.239
<v Speaker 6>I mean he knows of what's his face's death, So

1677
01:24:03.319 --> 01:24:05.840
<v Speaker 6>I mean he is somewhere who was going back and

1678
01:24:05.960 --> 01:24:10.880
<v Speaker 6>forth with bringing knowledge Hermes or I could be wrong

1679
01:24:10.920 --> 01:24:15.119
<v Speaker 6>about the exact person. He had. What wings on his shoes?

1680
01:24:15.720 --> 01:24:19.520
<v Speaker 4>This guy's got to right, he's got a skateboard with wings, right, He's.

1681
01:24:19.359 --> 01:24:21.439
<v Speaker 6>Got a skateboard and a hovering skateboard. So I mean

1682
01:24:21.479 --> 01:24:23.720
<v Speaker 6>he does kind of got like traveling feet in the sense.

1683
01:24:25.119 --> 01:24:26.760
<v Speaker 4>Yeah, I was I was going to ask you about

1684
01:24:26.760 --> 01:24:29.920
<v Speaker 4>that because that is the hermit real quick with the wings, right.

1685
01:24:31.159 --> 01:24:35.119
<v Speaker 1>Do you know how much? Go ahead, I was just

1686
01:24:35.239 --> 01:24:39.279
<v Speaker 1>gonna say, because I love sneakers and I have a

1687
01:24:39.359 --> 01:24:40.159
<v Speaker 1>lot of Nikes.

1688
01:24:40.239 --> 01:24:44.479
<v Speaker 9>Do you know how much that Marty mcflies are. Dude,

1689
01:24:44.600 --> 01:24:46.359
<v Speaker 9>don't even fucking try to.

1690
01:24:48.079 --> 01:24:50.359
<v Speaker 4>But is it isn't Nike. It's a good point because

1691
01:24:50.399 --> 01:24:52.159
<v Speaker 4>isn't Nike an ancient Greek god as well?

1692
01:24:52.800 --> 01:24:55.279
<v Speaker 1>Yeah, that's why I bring it up because I also

1693
01:24:55.479 --> 01:25:00.399
<v Speaker 1>own the Forest Gump running shoes. How much the other

1694
01:25:00.479 --> 01:25:04.000
<v Speaker 1>film for us gun right, I won't tell you how

1695
01:25:04.079 --> 01:25:06.600
<v Speaker 1>much I paid for him. But anyways, Nike is very

1696
01:25:06.640 --> 01:25:12.520
<v Speaker 1>important because we got like this whole Poseidon Mars Chronos

1697
01:25:12.920 --> 01:25:16.520
<v Speaker 1>and he wears those Nikes throughout almost the entire movie

1698
01:25:16.720 --> 01:25:19.479
<v Speaker 1>except for when he changes over to the black converse.

1699
01:25:19.880 --> 01:25:23.199
<v Speaker 1>But anyways, the Marty McFly nikes are like a couple

1700
01:25:23.359 --> 01:25:26.560
<v Speaker 1>grand They don't even make that style anymore.

1701
01:25:27.239 --> 01:25:29.359
<v Speaker 9>But anyways, go ahead.

1702
01:25:31.880 --> 01:25:34.119
<v Speaker 6>Uh one other thing that I had to I mean,

1703
01:25:34.159 --> 01:25:36.399
<v Speaker 6>Marty McFly, you get the m m you know that's

1704
01:25:36.520 --> 01:25:40.359
<v Speaker 6>very Masonic. You have McFly, you already have like the

1705
01:25:40.640 --> 01:25:43.319
<v Speaker 6>fly in there. And this one could be a stretch,

1706
01:25:43.359 --> 01:25:46.039
<v Speaker 6>but he did find it interesting that in the movie

1707
01:25:46.079 --> 01:25:48.560
<v Speaker 6>he does get I think aggravated it maybe more than

1708
01:25:48.640 --> 01:25:52.000
<v Speaker 6>once being called a chicken. Nobody calls me a chicken.

1709
01:25:53.079 --> 01:25:55.520
<v Speaker 4>Call him red too later, right, So that's another kind

1710
01:25:55.520 --> 01:25:56.239
<v Speaker 4>of Mars reference.

1711
01:25:56.520 --> 01:26:00.960
<v Speaker 6>Right, And Mercury's animal was a rooster, So maybe that's

1712
01:26:00.960 --> 01:26:02.960
<v Speaker 6>why they want to be the chicken, because no, I'm

1713
01:26:02.960 --> 01:26:03.359
<v Speaker 6>a rooster.

1714
01:26:03.479 --> 01:26:03.760
<v Speaker 2>I don't know.

1715
01:26:04.920 --> 01:26:07.399
<v Speaker 4>So it sounds like they're covering the whole basis of

1716
01:26:07.439 --> 01:26:09.239
<v Speaker 4>the planetary system here with one character.

1717
01:26:13.439 --> 01:26:16.359
<v Speaker 6>Yeah, exactly, he's gonna he's gonna any any male energy

1718
01:26:16.439 --> 01:26:18.439
<v Speaker 6>in that cabalistic tree is going to be all him

1719
01:26:18.680 --> 01:26:22.199
<v Speaker 6>and every female energy and that cabalistic tree. That's probably

1720
01:26:22.239 --> 01:26:25.000
<v Speaker 6>why you have the girlfriend in the beginning. In order

1721
01:26:25.079 --> 01:26:27.119
<v Speaker 6>for him, to my opinion, in order for you to

1722
01:26:27.159 --> 01:26:29.840
<v Speaker 6>cross the abyss, you have to kind of untangle the

1723
01:26:29.960 --> 01:26:32.680
<v Speaker 6>feminine energy. That's why he doesn't bang his girlfriend. Now

1724
01:26:32.760 --> 01:26:35.640
<v Speaker 6>on the other side, if he would have banged his

1725
01:26:35.720 --> 01:26:37.279
<v Speaker 6>mom things, you know what I'm just saying, like, now

1726
01:26:37.319 --> 01:26:39.520
<v Speaker 6>you have the total opposite. Like it's just.

1727
01:26:43.399 --> 01:26:48.199
<v Speaker 4>So the hero's journey, this travel through the cabalistic tree,

1728
01:26:48.800 --> 01:26:52.560
<v Speaker 4>this is all this is all represented by traveling, by

1729
01:26:52.640 --> 01:26:54.800
<v Speaker 4>traveling through these different planets of his character. Right, he's

1730
01:26:54.840 --> 01:26:59.199
<v Speaker 4>representing Mercury went one time he's representing you know what

1731
01:26:59.319 --> 01:27:00.239
<v Speaker 4>was the purple want to was?

1732
01:27:00.279 --> 01:27:00.319
<v Speaker 10>That?

1733
01:27:00.680 --> 01:27:02.000
<v Speaker 4>Was that Pluto.

1734
01:27:04.800 --> 01:27:05.159
<v Speaker 6>Saturday?

1735
01:27:05.279 --> 01:27:08.960
<v Speaker 3>But the next point braxis too. I was thinking of

1736
01:27:09.039 --> 01:27:11.079
<v Speaker 3>Braxis with the chicken things.

1737
01:27:11.159 --> 01:27:13.000
<v Speaker 4>Are these Are these all the same things though?

1738
01:27:13.239 --> 01:27:15.000
<v Speaker 2>Like the heroes the Gate?

1739
01:27:15.600 --> 01:27:18.720
<v Speaker 4>Yeah, so the chicken representing all thetary travels.

1740
01:27:19.680 --> 01:27:23.000
<v Speaker 2>Yeah, he's starting from position A you could say, jumps

1741
01:27:23.039 --> 01:27:27.680
<v Speaker 2>in the Dolorean, then ends up he travels through time.

1742
01:27:27.840 --> 01:27:31.359
<v Speaker 2>But the Wikipedia was very specific to say not through space.

1743
01:27:31.960 --> 01:27:34.800
<v Speaker 2>There you go, space is there? There's spot right now?

1744
01:27:35.279 --> 01:27:36.159
<v Speaker 2>Space caball all right?

1745
01:27:36.239 --> 01:27:41.520
<v Speaker 3>There? Well one point one point one gigawatts to charge

1746
01:27:41.560 --> 01:27:45.000
<v Speaker 3>it is for? So think about I don't know if

1747
01:27:45.199 --> 01:27:47.439
<v Speaker 3>you know I have that.

1748
01:27:48.319 --> 01:27:50.000
<v Speaker 4>Did you say one point? Did you say one point

1749
01:27:50.079 --> 01:27:52.039
<v Speaker 4>twats one point.

1750
01:27:51.920 --> 01:27:53.239
<v Speaker 8>Twenty one chigawatts?

1751
01:27:54.760 --> 01:27:56.960
<v Speaker 6>But I need a nuclear reaction to generate.

1752
01:27:56.680 --> 01:27:57.000
<v Speaker 4>The one point.

1753
01:28:09.880 --> 01:28:11.960
<v Speaker 9>I definitely have something on that.

1754
01:28:13.880 --> 01:28:15.760
<v Speaker 4>So before we get to the one point twenty one,

1755
01:28:15.840 --> 01:28:17.920
<v Speaker 4>Jacob watch what was this a Praxis and chicken business?

1756
01:28:18.479 --> 01:28:18.800
<v Speaker 4>I don't know.

1757
01:28:19.319 --> 01:28:22.960
<v Speaker 8>Just when Nick says that's what first came to my

1758
01:28:23.079 --> 01:28:24.159
<v Speaker 8>mind was a braxtic.

1759
01:28:24.439 --> 01:28:25.319
<v Speaker 4>What's the connection there?

1760
01:28:25.359 --> 01:28:25.399
<v Speaker 3>What?

1761
01:28:25.479 --> 01:28:27.319
<v Speaker 4>I'm not familiar with them with a Braxism.

1762
01:28:27.039 --> 01:28:28.800
<v Speaker 9>Because he doesn't want to be called chicken.

1763
01:28:29.760 --> 01:28:32.760
<v Speaker 8>No, no, what is a Braxis though, Jim, you want

1764
01:28:32.840 --> 01:28:33.880
<v Speaker 8>to go on a Braxis?

1765
01:28:34.239 --> 01:28:37.520
<v Speaker 2>So, Braxis is a goetic spirit who's often associated with

1766
01:28:37.600 --> 01:28:39.680
<v Speaker 2>Saint Peter. If you're looking at it through more like

1767
01:28:39.800 --> 01:28:42.920
<v Speaker 2>left hand paths, falsest and lens like how I used

1768
01:28:42.960 --> 01:28:46.640
<v Speaker 2>to and so it was, he's like a guardian of gates,

1769
01:28:46.720 --> 01:28:48.840
<v Speaker 2>you could say, if he serves the same function in

1770
01:28:48.920 --> 01:28:51.319
<v Speaker 2>the goa as Sam Peter does in like the normative,

1771
01:28:51.960 --> 01:28:53.319
<v Speaker 2>because they're all all.

1772
01:28:53.680 --> 01:28:57.680
<v Speaker 8>Colonel chicken Colonel he has, he's the chicken headed.

1773
01:28:58.399 --> 01:29:03.760
<v Speaker 2>Right here, and then his feet are snakes. There we

1774
01:29:03.840 --> 01:29:05.960
<v Speaker 2>go and he holds in his sigil is like a

1775
01:29:06.039 --> 01:29:08.920
<v Speaker 2>key and like an a and some other things.

1776
01:29:09.119 --> 01:29:12.079
<v Speaker 8>But yeah, like remember that left hand path business.

1777
01:29:12.359 --> 01:29:14.840
<v Speaker 3>Remember what he just said about that because later later

1778
01:29:15.199 --> 01:29:17.279
<v Speaker 3>that's going to be something I'm going to talk about later.

1779
01:29:17.720 --> 01:29:20.640
<v Speaker 4>So it's the chicken headed snake got eating itself there, right,

1780
01:29:20.720 --> 01:29:23.239
<v Speaker 4>That's what we're talking about with the Braxis. Well, not

1781
01:29:23.359 --> 01:29:26.800
<v Speaker 4>the it's not the That's what I was getting confused with.

1782
01:29:26.840 --> 01:29:28.479
<v Speaker 4>I couldn't think of the names I was getting them.

1783
01:29:29.199 --> 01:29:32.520
<v Speaker 2>Think just think of him in the positive polarity. So

1784
01:29:32.680 --> 01:29:35.560
<v Speaker 2>he's like the guardian of the gate. He's standing at Mercury.

1785
01:29:35.680 --> 01:29:38.560
<v Speaker 2>He the guy has to Marty has to go through.

1786
01:29:39.079 --> 01:29:40.640
<v Speaker 2>Where does he go through? He has to go through

1787
01:29:40.680 --> 01:29:42.880
<v Speaker 2>a eyisode, so he has to pass through the Truth

1788
01:29:43.000 --> 01:29:47.359
<v Speaker 2>or the world. Someone said like the Doctor Brown was

1789
01:29:47.479 --> 01:29:49.720
<v Speaker 2>the sort of like the working next set it. I

1790
01:29:49.840 --> 01:29:52.279
<v Speaker 2>was like, there's a tre mantrial link to like the world.

1791
01:29:52.119 --> 01:29:56.479
<v Speaker 8>Or the truth with the His name is is everything.

1792
01:29:56.720 --> 01:29:58.600
<v Speaker 8>Emma means everything.

1793
01:29:58.600 --> 01:30:01.760
<v Speaker 2>Everything, so it's everything that we see. So it's that

1794
01:30:02.039 --> 01:30:05.720
<v Speaker 2>path between like he has to go from householder to

1795
01:30:06.279 --> 01:30:10.039
<v Speaker 2>like magician. So he's a chicken because he's a householder,

1796
01:30:10.159 --> 01:30:12.720
<v Speaker 2>meaning that he doesn't know what the outside world is like.

1797
01:30:13.239 --> 01:30:16.159
<v Speaker 2>But once he's a rooster, the broxis he has to

1798
01:30:16.239 --> 01:30:18.479
<v Speaker 2>pass through that gate. It's like passing through the gate

1799
01:30:18.560 --> 01:30:24.560
<v Speaker 2>to adulthood. So he passed exactly looks like a rooster. Yeah, yeah,

1800
01:30:24.600 --> 01:30:28.880
<v Speaker 2>you're too right. It's like a hard rocket passing through

1801
01:30:29.119 --> 01:30:29.880
<v Speaker 2>negative space.

1802
01:30:31.399 --> 01:30:34.479
<v Speaker 4>It kind of seems like people are calling him chicken

1803
01:30:34.560 --> 01:30:36.239
<v Speaker 4>or people are calling him red. It seems like he's

1804
01:30:36.239 --> 01:30:38.800
<v Speaker 4>popping off like he's a cock. Right, kind of kacky

1805
01:30:38.840 --> 01:30:39.119
<v Speaker 4>about it.

1806
01:30:41.319 --> 01:30:45.920
<v Speaker 8>Nick's already laugh and not set up, yes to all

1807
01:30:45.960 --> 01:30:46.159
<v Speaker 8>of that.

1808
01:30:48.359 --> 01:30:50.159
<v Speaker 4>So do we have any Nick does anything else on

1809
01:30:50.239 --> 01:30:53.279
<v Speaker 4>Martin McFly before we cruise over to Doctor Everything, Von Brown?

1810
01:30:54.399 --> 01:30:56.199
<v Speaker 6>Yeah, sure, yeah, I'm good. Yes.

1811
01:30:57.840 --> 01:31:03.640
<v Speaker 8>So Julie something about one point twenty one gigawatts.

1812
01:31:04.079 --> 01:31:05.960
<v Speaker 4>Yeah, well I was want to say, I figure we

1813
01:31:06.000 --> 01:31:07.520
<v Speaker 4>get into that since he's the one point twenty one

1814
01:31:07.600 --> 01:31:08.199
<v Speaker 4>jigawat guy.

1815
01:31:08.319 --> 01:31:10.000
<v Speaker 8>Right, Okay, so that's that.

1816
01:31:10.319 --> 01:31:12.600
<v Speaker 4>That is how he feels this time machine is through

1817
01:31:12.640 --> 01:31:16.359
<v Speaker 4>this immense amount of power, and and it's uh, he

1818
01:31:16.479 --> 01:31:19.880
<v Speaker 4>needs this exit. I think they you know, obviously created

1819
01:31:19.920 --> 01:31:23.039
<v Speaker 4>through this you know, nuclear reaction with plutonium. But these

1820
01:31:23.079 --> 01:31:26.119
<v Speaker 4>are all elements of you know, real science, kind of

1821
01:31:26.239 --> 01:31:28.399
<v Speaker 4>rooted in some science fiction aspects to it, right, and

1822
01:31:28.960 --> 01:31:31.000
<v Speaker 4>this one point twenty one jigawats is probably rooted in

1823
01:31:31.079 --> 01:31:33.000
<v Speaker 4>some occultism, right, Is that? Is that what I'm here?

1824
01:31:34.640 --> 01:31:37.119
<v Speaker 1>Well, I don't know what anybody else got out of it,

1825
01:31:37.319 --> 01:31:41.079
<v Speaker 1>but I'll just give you kind of my very limited

1826
01:31:41.560 --> 01:31:47.960
<v Speaker 1>knowledge and what it means to me. Because before before

1827
01:31:48.039 --> 01:31:53.000
<v Speaker 1>he says the thing about the jigawats, he sends Einstein

1828
01:31:53.239 --> 01:31:56.439
<v Speaker 1>into the future, right, and when he gets back, it's

1829
01:31:57.159 --> 01:32:02.279
<v Speaker 1>one twenty one a m yo. And then he says

1830
01:32:02.479 --> 01:32:08.680
<v Speaker 1>one point twenty one, jigawats And this to me stood

1831
01:32:08.720 --> 01:32:10.880
<v Speaker 1>out because it's like, why did they one two one

1832
01:32:11.079 --> 01:32:13.520
<v Speaker 1>one two one? Why they keep using this one to one?

1833
01:32:14.479 --> 01:32:18.720
<v Speaker 1>And I mean, I just I don't remember was JJ

1834
01:32:18.920 --> 01:32:20.840
<v Speaker 1>on the Gamatria episode or not.

1835
01:32:22.000 --> 01:32:23.239
<v Speaker 4>I'm glad I'm not the only one, Joe.

1836
01:32:23.399 --> 01:32:24.239
<v Speaker 8>No, Okay.

1837
01:32:24.880 --> 01:32:28.439
<v Speaker 1>So me and Nick were talking about on the Gamatria

1838
01:32:28.479 --> 01:32:34.079
<v Speaker 1>episode the significance of four and the significance of eight,

1839
01:32:35.039 --> 01:32:37.720
<v Speaker 1>and there are plenty of eighth in here, but the

1840
01:32:37.840 --> 01:32:42.199
<v Speaker 1>one point one, right, the one point twenty one is

1841
01:32:42.239 --> 01:32:44.960
<v Speaker 1>also the four. So I feel like, you know, and

1842
01:32:45.039 --> 01:32:47.840
<v Speaker 1>they're they're using that over and over again. One point

1843
01:32:47.880 --> 01:32:51.760
<v Speaker 1>twenty one jigawats? What one twenty one a m? And

1844
01:32:51.920 --> 01:32:56.199
<v Speaker 1>it's very specific at like to me that that would

1845
01:32:56.239 --> 01:33:01.560
<v Speaker 1>be something they want to catch her as. So I

1846
01:33:01.600 --> 01:33:03.239
<v Speaker 1>don't what did you guys get out of that?

1847
01:33:04.239 --> 01:33:06.439
<v Speaker 3>Before I say, I'm gonna have Nick go because he's

1848
01:33:06.439 --> 01:33:08.119
<v Speaker 3>got the Jamatria I think he might have.

1849
01:33:08.520 --> 01:33:11.199
<v Speaker 6>Yeah, you know what the thing is is it pops

1850
01:33:11.279 --> 01:33:16.560
<v Speaker 6>up as if I was to go through my notes, Yeah, uh,

1851
01:33:17.039 --> 01:33:19.079
<v Speaker 6>there was a lot of eights that is for sure.

1852
01:33:19.119 --> 01:33:21.079
<v Speaker 6>There was even there was even a picture that I

1853
01:33:21.239 --> 01:33:24.319
<v Speaker 6>had that even shows an eight like one of the

1854
01:33:24.960 --> 01:33:27.399
<v Speaker 6>roads is like a route or something. It shows out

1855
01:33:27.439 --> 01:33:28.840
<v Speaker 6>with Martin with the frame.

1856
01:33:29.119 --> 01:33:30.880
<v Speaker 4>Which when he got there, Bud, we got Hills, Free

1857
01:33:31.920 --> 01:33:35.520
<v Speaker 4>Hill and Maine. Do you have control of this because

1858
01:33:35.600 --> 01:33:38.279
<v Speaker 4>or do I? You got it nice.

1859
01:33:44.199 --> 01:33:44.560
<v Speaker 6>Right there?

1860
01:33:48.159 --> 01:33:48.720
<v Speaker 8>Mm hmmm.

1861
01:33:49.800 --> 01:33:52.159
<v Speaker 4>And this was obviously very intentional because this is a set.

1862
01:33:52.199 --> 01:33:53.600
<v Speaker 4>They all did this on right, So this is.

1863
01:33:53.680 --> 01:33:54.000
<v Speaker 3>Not like.

1864
01:33:56.159 --> 01:34:03.119
<v Speaker 8>Add the numbers three, nine to five to like it's

1865
01:34:03.159 --> 01:34:04.880
<v Speaker 8>eight eight eight.

1866
01:34:06.119 --> 01:34:10.359
<v Speaker 1>Well, so also also just really quick, the clock tower

1867
01:34:10.560 --> 01:34:14.880
<v Speaker 1>has a lion on either side or a lion s yeah,

1868
01:34:15.920 --> 01:34:19.720
<v Speaker 1>and then he lives in lion estate, which is two lions,

1869
01:34:20.760 --> 01:34:24.119
<v Speaker 1>and the lion is Leo, which is the eighth month

1870
01:34:24.199 --> 01:34:26.760
<v Speaker 1>of the year. So you're getting double eights on the

1871
01:34:26.840 --> 01:34:30.560
<v Speaker 1>clock tower and double eight's on the estate that he

1872
01:34:30.720 --> 01:34:31.079
<v Speaker 1>lives in.

1873
01:34:31.399 --> 01:34:34.880
<v Speaker 4>Soa is that what you're saying?

1874
01:34:36.840 --> 01:34:41.079
<v Speaker 1>Because the lion is is Leo the eighth month. So

1875
01:34:41.159 --> 01:34:43.079
<v Speaker 1>if you look at it, it's eighty eight on the

1876
01:34:43.119 --> 01:34:46.640
<v Speaker 1>clock tower and eighty eight on lion estates and then

1877
01:34:46.760 --> 01:34:50.079
<v Speaker 1>one point twenty one jigawatts and one twenty one a

1878
01:34:50.399 --> 01:34:54.119
<v Speaker 1>m is four and so if you added that that's

1879
01:34:54.279 --> 01:34:58.159
<v Speaker 1>eight again. But anyways, a lot of eights, a lot

1880
01:34:58.239 --> 01:35:01.640
<v Speaker 1>of fours, a lot of a lot of significance on

1881
01:35:02.399 --> 01:35:03.439
<v Speaker 1>time and numbers.

1882
01:35:03.600 --> 01:35:06.680
<v Speaker 3>For sure, the four for sure, because it's all of

1883
01:35:06.760 --> 01:35:11.079
<v Speaker 3>the elements together and so you're right, yeah, charging it

1884
01:35:11.199 --> 01:35:12.000
<v Speaker 3>with everything.

1885
01:35:12.359 --> 01:35:13.279
<v Speaker 8>And think of Emmett.

1886
01:35:13.359 --> 01:35:16.720
<v Speaker 3>What is he He's everything, He's the universe and he's

1887
01:35:16.800 --> 01:35:19.800
<v Speaker 3>the one that's always talking about this for because it

1888
01:35:19.920 --> 01:35:21.279
<v Speaker 3>makes sense because he's everything.

1889
01:35:22.479 --> 01:35:25.000
<v Speaker 4>So goodness, these.

1890
01:35:24.880 --> 01:35:27.800
<v Speaker 6>Lines, yeah, yeah, pretty much.

1891
01:35:27.880 --> 01:35:32.319
<v Speaker 4>Yeah, look, these are some pretty interesting little uh I

1892
01:35:32.399 --> 01:35:33.880
<v Speaker 4>mean again, taking into.

1893
01:35:33.760 --> 01:35:36.159
<v Speaker 6>Note that this is all that's a Russian pin.

1894
01:35:38.279 --> 01:35:40.560
<v Speaker 4>This, you know, this is all very well designed, you know,

1895
01:35:40.680 --> 01:35:42.920
<v Speaker 4>for purpose here this is the strange enough. This is

1896
01:35:42.960 --> 01:35:44.479
<v Speaker 4>I believe this is the same set they use for

1897
01:35:44.520 --> 01:35:47.079
<v Speaker 4>Gremlins the year prior to years prior maybe.

1898
01:35:47.439 --> 01:35:51.560
<v Speaker 9>As far as the Badass I Loves.

1899
01:35:52.600 --> 01:35:54.880
<v Speaker 4>Have you watched Gremlins and you watched you know, back

1900
01:35:54.920 --> 01:35:56.479
<v Speaker 4>to future, You'll be like, wait a second, I've seen

1901
01:35:56.520 --> 01:36:00.960
<v Speaker 4>this town square before the But these lines are very

1902
01:36:01.000 --> 01:36:03.479
<v Speaker 4>interesting because you obviously you see them like very prominently

1903
01:36:03.600 --> 01:36:06.279
<v Speaker 4>between you know, him and Brown in the middle of

1904
01:36:06.319 --> 01:36:09.399
<v Speaker 4>the clock, and it's very it's a very scene that

1905
01:36:09.439 --> 01:36:12.439
<v Speaker 4>you recalled. It gets, you know, very long lasting a

1906
01:36:12.520 --> 01:36:13.279
<v Speaker 4>scene in your memory.

1907
01:36:13.279 --> 01:36:15.640
<v Speaker 1>I feel like there is a clock at the beginning

1908
01:36:15.880 --> 01:36:19.920
<v Speaker 1>the very opening scene though, JJ of that, a guy

1909
01:36:20.119 --> 01:36:22.800
<v Speaker 1>hanging off of the clock tower, just like that.

1910
01:36:23.439 --> 01:36:24.319
<v Speaker 9>It's it's so sting.

1911
01:36:24.399 --> 01:36:25.720
<v Speaker 4>You got to find an image of that. I'm gonna

1912
01:36:25.720 --> 01:36:27.239
<v Speaker 4>have to go back and watch it though and find that.

1913
01:36:27.560 --> 01:36:27.800
<v Speaker 3>Do it.

1914
01:36:28.239 --> 01:36:28.840
<v Speaker 1>It's in there.

1915
01:36:28.880 --> 01:36:31.479
<v Speaker 9>It's an opening scene, opening scene.

1916
01:36:32.880 --> 01:36:35.760
<v Speaker 2>It's interesting that errows like it's almost pointing onto like

1917
01:36:35.880 --> 01:36:40.960
<v Speaker 2>the paths that the magicians should take, like which way

1918
01:36:41.000 --> 01:36:41.439
<v Speaker 2>he should go?

1919
01:36:41.800 --> 01:36:44.119
<v Speaker 3>Like I know that I have some things that I

1920
01:36:44.199 --> 01:36:45.600
<v Speaker 3>want to say, but I don't want to say it

1921
01:36:45.680 --> 01:36:48.119
<v Speaker 3>yet because it'll wreck stuff because we're not there yet.

1922
01:36:48.159 --> 01:36:53.439
<v Speaker 8>But yes, absolutely, or should I wreck it?

1923
01:36:57.119 --> 01:36:57.800
<v Speaker 3>What? Nick?

1924
01:36:57.880 --> 01:37:00.600
<v Speaker 4>Did you have anything else on that pen talking about?

1925
01:37:01.079 --> 01:37:01.560
<v Speaker 6>Excuse me?

1926
01:37:01.640 --> 01:37:03.920
<v Speaker 4>On the what that you were talking about? A pin

1927
01:37:04.439 --> 01:37:05.079
<v Speaker 4>on your slides?

1928
01:37:05.079 --> 01:37:05.239
<v Speaker 3>Here?

1929
01:37:07.000 --> 01:37:08.560
<v Speaker 4>Pin somebody who's somebody?

1930
01:37:09.159 --> 01:37:11.960
<v Speaker 6>Oh yeah, yeah, wow, my bad, my bad? Yeah yeah,

1931
01:37:12.000 --> 01:37:13.920
<v Speaker 6>that was the pin that I mentioned before. You can't

1932
01:37:13.920 --> 01:37:15.840
<v Speaker 6>really see it too well, but it is a it's

1933
01:37:15.840 --> 01:37:19.399
<v Speaker 6>a pin that goes back to uh some Russian stuff. Again.

1934
01:37:19.479 --> 01:37:21.279
<v Speaker 6>It's just when when I get into it, it's just

1935
01:37:21.359 --> 01:37:25.800
<v Speaker 6>a lot of stuff rocket stuff Jamatria. Uh yeah, let

1936
01:37:25.880 --> 01:37:27.000
<v Speaker 6>me pull up my notes.

1937
01:37:27.279 --> 01:37:29.479
<v Speaker 4>Wouldn't that be ware of its Russian rocket stuff? It connects.

1938
01:37:29.479 --> 01:37:34.680
<v Speaker 6>Besides, it was something with like art art gallery okay, yeah,

1939
01:37:34.760 --> 01:37:37.319
<v Speaker 6>place of Uh Marty wears a souvenir. It's a souvenir

1940
01:37:37.399 --> 01:37:40.800
<v Speaker 6>button from the Art and Revolution Soviet art and designed

1941
01:37:40.800 --> 01:37:45.880
<v Speaker 6>from nineteen seventeen to nineteen thirty five, exhibition that toured

1942
01:37:45.920 --> 01:37:49.680
<v Speaker 6>the UK in the late nineteen seventies early eighties, mostly

1943
01:37:49.800 --> 01:37:51.840
<v Speaker 6>known at Liverpool's Walker Art Gallery.

1944
01:37:52.920 --> 01:37:54.960
<v Speaker 4>Well, that's a weird thing to incorporate in this film,

1945
01:37:55.039 --> 01:37:55.479
<v Speaker 4>notes think.

1946
01:37:55.640 --> 01:37:59.399
<v Speaker 6>Well, there's tons of like weird Russian shit kster eggs.

1947
01:38:00.680 --> 01:38:02.800
<v Speaker 9>That was very red dawn of them.

1948
01:38:03.920 --> 01:38:07.479
<v Speaker 4>Okay, there you get more more embedding in the communism,

1949
01:38:07.600 --> 01:38:10.079
<v Speaker 4>the era of the of the times, right, Nansi communism.

1950
01:38:10.119 --> 01:38:15.840
<v Speaker 6>Mara's one thing I can bring up I have in

1951
01:38:15.880 --> 01:38:18.720
<v Speaker 6>front of me, now, sure if you don't. It goes

1952
01:38:18.760 --> 01:38:20.880
<v Speaker 6>with the seventeen in the eight It's kind of like.

1953
01:38:21.600 --> 01:38:23.479
<v Speaker 4>What I say, I'm around a roll with these numbers,

1954
01:38:23.520 --> 01:38:24.600
<v Speaker 4>please yeah, please keep going?

1955
01:38:26.720 --> 01:38:29.640
<v Speaker 6>All right? All right? Yeah, when Marty leaves the house,

1956
01:38:30.079 --> 01:38:34.000
<v Speaker 6>he is the address. It's sixteen forty six at equal seventeen,

1957
01:38:34.439 --> 01:38:39.119
<v Speaker 6>and then you can turn that into eight again. Then

1958
01:38:39.199 --> 01:38:41.560
<v Speaker 6>you also get I don't know what made me think

1959
01:38:41.560 --> 01:38:45.560
<v Speaker 6>about it, that is a date, and I looked that

1960
01:38:45.680 --> 01:38:48.760
<v Speaker 6>up for like anything to go with me sonic stuff,

1961
01:38:50.359 --> 01:38:58.399
<v Speaker 6>and back in October twenties, well, October sixteenth, sixteen forty six,

1962
01:38:59.279 --> 01:39:03.680
<v Speaker 6>going by the old calendar, which would be October twenty sixth,

1963
01:39:03.960 --> 01:39:08.319
<v Speaker 6>sixteen forty six. Elias Ashmole, who's a a Brosa Crucian too.

1964
01:39:08.359 --> 01:39:12.239
<v Speaker 6>We've covered him on the Occult Rejects with Absidia Mott,

1965
01:39:13.119 --> 01:39:21.960
<v Speaker 6>and he got initiated into freemasonry. And that is the

1966
01:39:22.079 --> 01:39:25.399
<v Speaker 6>very moment Doc and Marty fire up at the Loren.

1967
01:39:26.199 --> 01:39:28.960
<v Speaker 6>It is October twenty six, nineteen eighty five.

1968
01:39:30.359 --> 01:39:33.399
<v Speaker 4>Interesting, it looks like Marty's address is sixteen forty six.

1969
01:39:34.000 --> 01:39:36.000
<v Speaker 6>Yes, that's why. Yeah, the first.

1970
01:39:35.840 --> 01:39:39.600
<v Speaker 4>Yet, these things are a lot of these things are

1971
01:39:39.600 --> 01:39:41.199
<v Speaker 4>deeply better than what you're telling me. H.

1972
01:39:41.199 --> 01:39:46.000
<v Speaker 6>In sixteen forty six, the Saint John that there was

1973
01:39:46.000 --> 01:39:48.119
<v Speaker 6>a Masonic Wait, hold on one second, there was one

1974
01:39:48.119 --> 01:39:49.800
<v Speaker 6>thing that I wanted to just mention. Anything is interesting.

1975
01:39:50.720 --> 01:39:54.079
<v Speaker 6>Thomas Brown's he has a book that comes out that

1976
01:39:54.319 --> 01:39:58.800
<v Speaker 6>coins in sixteen forty six as well coins the word electricity,

1977
01:39:59.720 --> 01:40:02.479
<v Speaker 6>so the where electricity even comes out in sixteen forty

1978
01:40:02.560 --> 01:40:05.000
<v Speaker 6>six and somebody else that I have mentioned multiple times,

1979
01:40:05.920 --> 01:40:10.439
<v Speaker 6>and I've said about like being able to move you know,

1980
01:40:10.560 --> 01:40:13.960
<v Speaker 6>spirits of demons through light and crystals. Anthony SIUs Kircher

1981
01:40:14.119 --> 01:40:17.479
<v Speaker 6>in sixteen forty six put out a book saying that

1982
01:40:17.600 --> 01:40:21.119
<v Speaker 6>he thinks that you can project moving images with light.

1983
01:40:22.600 --> 01:40:24.880
<v Speaker 4>That's very interesting thing, because that's really what we're talking

1984
01:40:24.880 --> 01:40:27.560
<v Speaker 4>about here, is the magic through the moving images of light.

1985
01:40:27.600 --> 01:40:30.920
<v Speaker 3>Who Yeah, and I should have clarified on my address,

1986
01:40:31.000 --> 01:40:34.199
<v Speaker 3>it's the real address of the real house. So nine

1987
01:40:34.239 --> 01:40:37.039
<v Speaker 3>three zero threw that might be happen because I think

1988
01:40:37.079 --> 01:40:41.359
<v Speaker 3>it does change. I think that's just the actual reel

1989
01:40:41.840 --> 01:40:44.000
<v Speaker 3>at like where they film Oka and I.

1990
01:40:44.119 --> 01:40:45.439
<v Speaker 4>Was just looking at that too hot, do you right?

1991
01:40:45.479 --> 01:40:47.800
<v Speaker 4>There is the idea of they made a fictional address

1992
01:40:47.840 --> 01:40:50.239
<v Speaker 4>for these buildings versus the real locations even the numbers.

1993
01:40:51.079 --> 01:40:52.760
<v Speaker 4>Once again, this because.

1994
01:40:52.520 --> 01:40:58.840
<v Speaker 8>You would purpose right, no reality, Yeah, well there you go,

1995
01:40:59.159 --> 01:40:59.479
<v Speaker 8>there you go.

1996
01:40:59.560 --> 01:41:02.680
<v Speaker 4>That's a good look at it too. Go ahead and.

1997
01:41:02.680 --> 01:41:06.479
<v Speaker 2>Bringing the polls together, you're layering it, you're using you're

1998
01:41:06.560 --> 01:41:08.920
<v Speaker 2>choosing a house that has a magic number to begin with.

1999
01:41:09.119 --> 01:41:12.119
<v Speaker 2>There's lots of houses that do. Then you're going to

2000
01:41:12.199 --> 01:41:16.159
<v Speaker 2>add in your fi metafictional. Very all magicians do this.

2001
01:41:16.319 --> 01:41:19.239
<v Speaker 2>They kind of create like a fake narrative. We could say,

2002
01:41:19.520 --> 01:41:21.359
<v Speaker 2>it's not that it's a lie, it's just that it's

2003
01:41:21.720 --> 01:41:24.119
<v Speaker 2>it's like a movie. It's like kind of fictional, so

2004
01:41:24.640 --> 01:41:26.520
<v Speaker 2>but it's kind of real at the same time, because

2005
01:41:26.560 --> 01:41:29.239
<v Speaker 2>there's like real it's a real underlying truth. Like I'm

2006
01:41:29.279 --> 01:41:32.600
<v Speaker 2>really impressed by everybody. Let me just say, like how

2007
01:41:32.680 --> 01:41:35.800
<v Speaker 2>good like Nick is, Heidi is, Julia is, you are

2008
01:41:35.880 --> 01:41:38.359
<v Speaker 2>JJ Like I didn't know any of this coming into this,

2009
01:41:38.479 --> 01:41:40.800
<v Speaker 2>Like I didn't really have that deep of a thought,

2010
01:41:41.319 --> 01:41:43.119
<v Speaker 2>but I I and I have to say that the

2011
01:41:43.319 --> 01:41:46.960
<v Speaker 2>thing about Jupiter, that height he keeps saying is really

2012
01:41:47.000 --> 01:41:51.319
<v Speaker 2>important because there's the saying call that the spark, the

2013
01:41:51.439 --> 01:41:56.399
<v Speaker 2>mercurial element, that the starting point of the prince is

2014
01:41:56.520 --> 01:42:00.479
<v Speaker 2>the heart of that Jupiter character or the Zeus character.

2015
01:42:00.800 --> 01:42:03.000
<v Speaker 2>It's the heart of hes said. So it has to

2016
01:42:03.199 --> 01:42:07.159
<v Speaker 2>go through his journey in order to be expansive, like lightning,

2017
01:42:07.600 --> 01:42:11.000
<v Speaker 2>to travel through space. That's the whole thing, is to

2018
01:42:11.039 --> 01:42:14.199
<v Speaker 2>become lightning. Then he reflects off the water like a

2019
01:42:14.279 --> 01:42:17.399
<v Speaker 2>mirror and the lightning goes everywhere else and then can

2020
01:42:17.600 --> 01:42:19.640
<v Speaker 2>energize like everything else.

2021
01:42:20.520 --> 01:42:23.600
<v Speaker 4>There's just so much lightning stuff here, right, Oh.

2022
01:42:24.159 --> 01:42:27.479
<v Speaker 3>There's some exactly what he said, and then I'm going

2023
01:42:27.560 --> 01:42:29.640
<v Speaker 3>to say something at that towards the end, and it's

2024
01:42:29.720 --> 01:42:32.800
<v Speaker 3>gonna all come together exactly what he said. Like that's

2025
01:42:32.840 --> 01:42:37.560
<v Speaker 3>how I interpreted it anyway. But I like everybody's stuff

2026
01:42:37.560 --> 01:42:41.520
<v Speaker 3>because it's all different, you know. But it's a duality movie.

2027
01:42:41.960 --> 01:42:42.880
<v Speaker 3>Oh yeah, for sure.

2028
01:42:43.319 --> 01:42:45.359
<v Speaker 4>I think a duality to all of it.

2029
01:42:45.520 --> 01:42:47.439
<v Speaker 6>Right, it's right, dar in Hill Valley, you're getting a

2030
01:42:47.520 --> 01:42:53.359
<v Speaker 6>duality exactly. That's even another thing you Yeah, November fifth

2031
01:42:53.439 --> 01:42:54.239
<v Speaker 6>is one of the dates.

2032
01:42:54.039 --> 01:42:58.119
<v Speaker 4>In the movie, right, November fifth, nineteen fifty five was

2033
01:42:58.119 --> 01:42:59.439
<v Speaker 4>the actual day. I think that's when we developed a

2034
01:42:59.479 --> 01:42:59.880
<v Speaker 4>flux cap.

2035
01:43:00.600 --> 01:43:04.840
<v Speaker 6>That's guy folks, they too, right, Oh yeah, yeah, Hill

2036
01:43:04.960 --> 01:43:06.479
<v Speaker 6>Valley matches Guy Fokes.

2037
01:43:07.720 --> 01:43:08.199
<v Speaker 4>New ship.

2038
01:43:08.439 --> 01:43:08.560
<v Speaker 6>Yes.

2039
01:43:10.159 --> 01:43:14.680
<v Speaker 3>Well, And you mentioned Germany before and Einstein's Freemasons stuff.

2040
01:43:15.920 --> 01:43:20.319
<v Speaker 3>The Freemason lodge that he was reportedly associated with is

2041
01:43:20.439 --> 01:43:23.680
<v Speaker 3>the Theodore ding new Hoff number one.

2042
01:43:23.680 --> 01:43:28.039
<v Speaker 8>One one in Berlin, Germany. I thought that was weird.

2043
01:43:28.880 --> 01:43:34.119
<v Speaker 6>Nice, No, Hill Valley just even throw in the two

2044
01:43:34.159 --> 01:43:37.560
<v Speaker 6>which I thought was weird because as I go along,

2045
01:43:37.680 --> 01:43:39.439
<v Speaker 6>like when we talk about things all at the Jamacia,

2046
01:43:39.479 --> 01:43:41.720
<v Speaker 6>as I follow it in my notes, you get a

2047
01:43:41.760 --> 01:43:44.159
<v Speaker 6>lot of twins stuff coming up, and you even have

2048
01:43:44.359 --> 01:43:46.880
<v Speaker 6>twin pines. You don't know a lot of stuff. It

2049
01:43:46.960 --> 01:43:50.880
<v Speaker 6>does match the twins in twin peaks and two keys.

2050
01:43:51.840 --> 01:43:53.800
<v Speaker 6>I thought that was maybe interesting because I think I

2051
01:43:54.039 --> 01:43:57.520
<v Speaker 6>started getting uh, all right, just real quick. It is

2052
01:43:57.600 --> 01:43:59.840
<v Speaker 6>the next thing I have anyway at mayor Goldie Wilson.

2053
01:44:00.159 --> 01:44:03.520
<v Speaker 6>I looked up, you know, Goldie Wilson. His his name

2054
01:44:03.600 --> 01:44:07.479
<v Speaker 6>matches twin dragons, the Secret Key, and Wilson equals the

2055
01:44:07.560 --> 01:44:12.520
<v Speaker 6>Joker and the Dragon, and Valley equals like Martister USSR

2056
01:44:12.560 --> 01:44:13.800
<v Speaker 6>and Caduces.

2057
01:44:14.760 --> 01:44:15.159
<v Speaker 4>How do you like?

2058
01:44:16.560 --> 01:44:18.359
<v Speaker 8>And man the Caducers too.

2059
01:44:19.199 --> 01:44:22.199
<v Speaker 6>You will get an excluppius later on, which is, you know,

2060
01:44:22.439 --> 01:44:25.720
<v Speaker 6>the same thing, just man minus one of the one

2061
01:44:25.760 --> 01:44:27.800
<v Speaker 6>of the snakes. Right.

2062
01:44:27.920 --> 01:44:32.560
<v Speaker 1>Also, if you add eleven plus five plus fifty five

2063
01:44:32.760 --> 01:44:36.560
<v Speaker 1>is seventy one some plus one, you get.

2064
01:44:36.479 --> 01:44:40.439
<v Speaker 6>Another eight holy smokes eleven times eleven one twenty one.

2065
01:44:41.760 --> 01:44:43.359
<v Speaker 4>The eights are really everywhere in this film. I mean

2066
01:44:43.399 --> 01:44:46.800
<v Speaker 4>they went really hard tocore on that. Huh Yeah, old Maxing. Yeah,

2067
01:44:46.880 --> 01:44:49.119
<v Speaker 4>for sure, shooting Max and I like that. I like

2068
01:44:49.199 --> 01:44:52.560
<v Speaker 4>the Maxing terminology of the I'm trying to the zoo

2069
01:44:52.680 --> 01:44:54.199
<v Speaker 4>the Zoomers. That's more of a Zoomer term.

2070
01:44:54.239 --> 01:44:57.600
<v Speaker 2>I feel like, Yeah, but if you're very online, like

2071
01:44:57.640 --> 01:44:58.119
<v Speaker 2>if you're.

2072
01:44:58.560 --> 01:45:02.279
<v Speaker 4>Now, is that a keynote term where we that's from the.

2073
01:45:02.319 --> 01:45:05.000
<v Speaker 2>Zoomers, but it's it's kidding by Millennial Saturday.

2074
01:45:05.000 --> 01:45:05.560
<v Speaker 3>It's cool.

2075
01:45:06.039 --> 01:45:08.000
<v Speaker 6>Yo. I had that stuff on Jennifer.

2076
01:45:08.159 --> 01:45:10.159
<v Speaker 4>It kind of cracks me up, right, like the whole

2077
01:45:10.159 --> 01:45:13.560
<v Speaker 4>idea of MAXI right this, you go ahead, nic what

2078
01:45:13.600 --> 01:45:13.960
<v Speaker 4>we're saying.

2079
01:45:14.000 --> 01:45:14.840
<v Speaker 6>Yes, I didn't throw up.

2080
01:45:14.880 --> 01:45:15.119
<v Speaker 4>I had that.

2081
01:45:15.159 --> 01:45:17.279
<v Speaker 6>I finally looked at that stuff with the Jennifer the

2082
01:45:17.880 --> 01:45:21.800
<v Speaker 6>jamacho U asked me to talk about Yeah, that equals

2083
01:45:21.880 --> 01:45:28.680
<v Speaker 6>in simple Venus Horus Mason's square tower the fool. Her

2084
01:45:28.720 --> 01:45:32.840
<v Speaker 6>phone number is five five five four eight two seven. Now,

2085
01:45:33.000 --> 01:45:34.359
<v Speaker 6>I mean I just kind of took out the five

2086
01:45:34.359 --> 01:45:36.439
<v Speaker 6>to five. No, I'm sorry, four eight two three. I

2087
01:45:36.520 --> 01:45:38.760
<v Speaker 6>took out the five five five because that's like on everything,

2088
01:45:39.359 --> 01:45:42.039
<v Speaker 6>and the last four would equal seventeen. You can add

2089
01:45:42.079 --> 01:45:47.520
<v Speaker 6>to eight again, damn. And he lives in Lion in

2090
01:45:47.520 --> 01:45:50.840
<v Speaker 6>the States. And then simple that equals twin and lion

2091
01:45:50.920 --> 01:45:52.119
<v Speaker 6>and Hebrew equals Russian.

2092
01:45:54.159 --> 01:45:56.319
<v Speaker 8>Well there the twin pillars, don't you think?

2093
01:45:56.920 --> 01:45:59.359
<v Speaker 4>Yeah? And they were back to the duality here too, right,

2094
01:45:59.479 --> 01:46:01.960
<v Speaker 4>we got the the different versions of the mall during

2095
01:46:02.000 --> 01:46:06.359
<v Speaker 4>different times. Right with this, like you're saying, Julia with

2096
01:46:06.439 --> 01:46:09.560
<v Speaker 4>the with the nine to eleven predicted programming aspects to you,

2097
01:46:09.800 --> 01:46:11.680
<v Speaker 4>you also have the single tower now too. Right.

2098
01:46:12.600 --> 01:46:14.319
<v Speaker 1>Well, I was going to say, I think this would

2099
01:46:14.359 --> 01:46:17.239
<v Speaker 1>be a good time if if you could jj to

2100
01:46:17.319 --> 01:46:21.680
<v Speaker 1>play my clip. If not, I can he text it

2101
01:46:21.800 --> 01:46:24.319
<v Speaker 1>to Nick and see if he can get it pulled

2102
01:46:24.399 --> 01:46:26.359
<v Speaker 1>up on his But I did email it to you.

2103
01:46:27.119 --> 01:46:30.520
<v Speaker 4>Well, well, let's uh, you know, I I'll work on

2104
01:46:30.600 --> 01:46:33.760
<v Speaker 4>that here. Let's let's start talking about some of your

2105
01:46:33.800 --> 01:46:35.439
<v Speaker 4>thoughts here on the mall. Well, I get that clip

2106
01:46:35.520 --> 01:46:36.439
<v Speaker 4>up here for us please.

2107
01:46:36.760 --> 01:46:40.239
<v Speaker 3>I mean the twin twin turns to the loan because

2108
01:46:40.279 --> 01:46:41.399
<v Speaker 3>he's finished the journey.

2109
01:46:41.399 --> 01:46:44.279
<v Speaker 8>He's not he's coming out, he's not going in. So

2110
01:46:45.319 --> 01:46:46.680
<v Speaker 8>it's completion type.

2111
01:46:47.600 --> 01:46:48.079
<v Speaker 3>Is it? One?

2112
01:46:48.239 --> 01:46:49.880
<v Speaker 9>Thirty four am eight?

2113
01:46:50.159 --> 01:46:50.560
<v Speaker 1>As well?

2114
01:46:50.720 --> 01:46:52.800
<v Speaker 8>It's all eight mm hmm.

2115
01:46:53.079 --> 01:46:56.600
<v Speaker 2>There, but never reduced. You should really never reduce a

2116
01:46:56.680 --> 01:46:59.359
<v Speaker 2>prime number. I'm not saying you're wrong it's not it's

2117
01:46:59.399 --> 01:47:01.920
<v Speaker 2>not like that. You're right, it's eight, but it's all

2118
01:47:02.119 --> 01:47:05.520
<v Speaker 2>it should be seventeen. But Heidi's right because it is.

2119
01:47:05.760 --> 01:47:08.359
<v Speaker 2>It's showing a different path on the tree. So it's

2120
01:47:08.439 --> 01:47:10.680
<v Speaker 2>the one plus the thirty four. Thirty four is the

2121
01:47:10.760 --> 01:47:14.359
<v Speaker 2>number of apotheosis. So you've gone through the whole tree

2122
01:47:14.720 --> 01:47:18.119
<v Speaker 2>and then you've exactly like Heidi said, you've come back

2123
01:47:18.319 --> 01:47:23.439
<v Speaker 2>into the kingdom. But the twin pines mall you've split off.

2124
01:47:23.640 --> 01:47:26.319
<v Speaker 2>You are the hero on the dragon, you are the

2125
01:47:26.439 --> 01:47:29.960
<v Speaker 2>beast and the hero both, and then you've just gone

2126
01:47:30.039 --> 01:47:32.560
<v Speaker 2>up straight to tiffer it. So you have to the son,

2127
01:47:33.000 --> 01:47:35.760
<v Speaker 2>which is again to your point about the lions, Julia, like,

2128
01:47:35.840 --> 01:47:38.640
<v Speaker 2>that's what the symbol is. Leo is the son, so

2129
01:47:39.880 --> 01:47:41.840
<v Speaker 2>that's why you see that there. So it's like, that's

2130
01:47:41.880 --> 01:47:44.479
<v Speaker 2>also the beast. That's why it's a noble animal, but

2131
01:47:44.600 --> 01:47:45.880
<v Speaker 2>it's also a beast.

2132
01:47:46.840 --> 01:47:49.560
<v Speaker 3>And also the son. It is the son doing the

2133
01:47:49.680 --> 01:47:52.640
<v Speaker 3>journey for the father because he takes his place and

2134
01:47:52.800 --> 01:47:56.159
<v Speaker 3>kicks him out of his place where he should be

2135
01:47:56.399 --> 01:47:58.439
<v Speaker 3>because he's the one that gets hit by the car.

2136
01:47:59.199 --> 01:48:01.159
<v Speaker 8>So therefore, once again, can.

2137
01:48:01.079 --> 01:48:05.720
<v Speaker 1>We just say the fact that George McFly was a

2138
01:48:05.840 --> 01:48:07.279
<v Speaker 1>peeping creep in to.

2139
01:48:09.359 --> 01:48:15.359
<v Speaker 8>Weird, so weird, I'm a sexual sex magic again.

2140
01:48:15.520 --> 01:48:19.399
<v Speaker 4>You're getting, yeah, that's all that gets super creepy, really

2141
01:48:19.920 --> 01:48:23.439
<v Speaker 4>circunsidering all those aspects, it is dark. So you're saying

2142
01:48:23.439 --> 01:48:26.279
<v Speaker 4>there's some sex magic aspects the numerology of that.

2143
01:48:27.199 --> 01:48:31.640
<v Speaker 8>There's some like actual like outward ones at the end too.

2144
01:48:31.800 --> 01:48:35.000
<v Speaker 3>And with George McFly, I I dare say, when we

2145
01:48:35.079 --> 01:48:36.960
<v Speaker 3>get to him, it'll make a lot more sense. I'm

2146
01:48:37.000 --> 01:48:38.560
<v Speaker 3>going to hold onto it so I don't mess you

2147
01:48:38.600 --> 01:48:40.199
<v Speaker 3>guys up, because we're going to play the clip.

2148
01:48:40.279 --> 01:48:42.479
<v Speaker 2>And I don't know if Nick said this, but maybe

2149
01:48:42.520 --> 01:48:43.560
<v Speaker 2>he is the fool.

2150
01:48:45.319 --> 01:48:46.800
<v Speaker 4>We're gonna have to take a moment on that clip

2151
01:48:46.840 --> 01:48:49.880
<v Speaker 4>because I couldn't quiet download, but I didn't forward. He

2152
01:48:49.920 --> 01:48:52.880
<v Speaker 4>can handle it. My connections to the moment and the

2153
01:48:52.920 --> 01:48:53.720
<v Speaker 4>file was too big?

2154
01:48:55.359 --> 01:48:56.159
<v Speaker 1>Can I text?

2155
01:48:57.720 --> 01:48:58.520
<v Speaker 6>I got it right now?

2156
01:48:59.680 --> 01:49:00.000
<v Speaker 8>Perfect?

2157
01:49:00.279 --> 01:49:02.439
<v Speaker 1>If you can, if you're if you're able to play,

2158
01:49:02.520 --> 01:49:08.640
<v Speaker 1>that would be super helpful. It wouldn't It wouldn't let

2159
01:49:08.760 --> 01:49:10.199
<v Speaker 1>me share it all on my end.

2160
01:49:11.399 --> 01:49:14.600
<v Speaker 3>I can say one thing, why we're going and talking

2161
01:49:14.640 --> 01:49:17.439
<v Speaker 3>about this about George, If you guys want so.

2162
01:49:18.199 --> 01:49:21.279
<v Speaker 4>I truly done with everything von Braun here is ever

2163
01:49:21.359 --> 01:49:21.640
<v Speaker 4>telling me?

2164
01:49:22.000 --> 01:49:26.439
<v Speaker 8>I think, well, yeah, yeah, I think okay, the.

2165
01:49:26.479 --> 01:49:29.319
<v Speaker 2>Whole film, that's just the whole The whole film is

2166
01:49:29.439 --> 01:49:31.840
<v Speaker 2>you can consider like a von Braun Parson.

2167
01:49:33.159 --> 01:49:35.039
<v Speaker 4>Yeah, I think so, yeah, I think so.

2168
01:49:35.800 --> 01:49:38.520
<v Speaker 2>Even this image that you pulled up, it's call a

2169
01:49:38.640 --> 01:49:41.960
<v Speaker 2>sec exactly like what Nick said, most people don't pick

2170
01:49:42.039 --> 01:49:44.840
<v Speaker 2>up the purple density I've been on. Most people don't.

2171
01:49:44.920 --> 01:49:47.920
<v Speaker 2>They'll associate black like deep black, but there's actually a

2172
01:49:48.039 --> 01:49:49.800
<v Speaker 2>flashing blue and a purple there.

2173
01:49:50.520 --> 01:49:53.560
<v Speaker 6>Purple purple is basically saturn.

2174
01:49:54.880 --> 01:49:57.840
<v Speaker 2>That's right, that's a right When Nick said, like, that's

2175
01:49:57.880 --> 01:50:00.760
<v Speaker 2>like that's more deep knowledge, Like most people wouldn't say that,

2176
01:50:00.960 --> 01:50:04.560
<v Speaker 2>they would say black or whatever. So that's what I mean,

2177
01:50:05.680 --> 01:50:08.479
<v Speaker 2>like a little more you'd have to have a little

2178
01:50:08.520 --> 01:50:13.640
<v Speaker 2>more magic knowledge maybe to like pick that specific thing

2179
01:50:13.800 --> 01:50:16.600
<v Speaker 2>rather than just pick Like if you're picking from a book,

2180
01:50:16.640 --> 01:50:18.680
<v Speaker 2>you're going to pick black because that's what the books

2181
01:50:18.680 --> 01:50:22.159
<v Speaker 2>would tell you. But if you're picking from experience, you'd

2182
01:50:22.199 --> 01:50:26.960
<v Speaker 2>pick purple with the flashing gold and the lightning in between,

2183
01:50:27.039 --> 01:50:28.479
<v Speaker 2>because that's like the luminosity.

2184
01:50:29.319 --> 01:50:32.880
<v Speaker 1>Do you think that it's significant The mayor's name is

2185
01:50:33.159 --> 01:50:41.159
<v Speaker 1>Goldie whatever, whatever, Goldie Wilson. Wilson, Yeah, Goldie Wilson, Like

2186
01:50:41.359 --> 01:50:43.399
<v Speaker 1>because you mentioned the J. C.

2187
01:50:43.680 --> 01:50:46.520
<v Speaker 9>Penny and like the other stuff, and then like the

2188
01:50:46.640 --> 01:50:48.520
<v Speaker 9>mayor's name is Goldie.

2189
01:50:49.920 --> 01:50:50.680
<v Speaker 8>That's interesting.

2190
01:50:50.920 --> 01:50:55.199
<v Speaker 1>Could be also inspired by Marty because Marty says, oh,

2191
01:50:55.279 --> 01:50:58.800
<v Speaker 1>you should run for mayor. So it's like he impacted

2192
01:50:58.880 --> 01:50:59.920
<v Speaker 1>that outcome as well.

2193
01:51:01.560 --> 01:51:05.880
<v Speaker 4>His will a very gump experience, you know before Zamicas

2194
01:51:05.920 --> 01:51:07.880
<v Speaker 4>is Forest Gump. I mean, Marty McFly did a lot

2195
01:51:07.920 --> 01:51:15.159
<v Speaker 4>a lot of Yeah, we're saying, Jane, apologize, I stepped

2196
01:51:15.159 --> 01:51:15.279
<v Speaker 4>on you.

2197
01:51:15.399 --> 01:51:17.319
<v Speaker 2>Well, no, no, that's okay. I just think that that

2198
01:51:17.760 --> 01:51:21.039
<v Speaker 2>was a really interesting point Julia made, like about the mayor,

2199
01:51:21.119 --> 01:51:23.279
<v Speaker 2>and then Nick said, like a bunch of amazing points

2200
01:51:23.279 --> 01:51:27.000
<v Speaker 2>about the mayor's name, like the double keys. That's very

2201
01:51:27.039 --> 01:51:29.560
<v Speaker 2>Saint Peter, Like we're talking about a braxis part of

2202
01:51:29.600 --> 01:51:33.039
<v Speaker 2>his sigil is a key. Saint Peter holds the double keys,

2203
01:51:33.119 --> 01:51:35.239
<v Speaker 2>but there was actually more than two keys to get

2204
01:51:35.279 --> 01:51:37.479
<v Speaker 2>into the gate of habit in a more esoteric greeting.

2205
01:51:38.159 --> 01:51:42.039
<v Speaker 2>So that's really interesting, right, And so yeah, maybe he's

2206
01:51:42.119 --> 01:51:44.880
<v Speaker 2>like the he's the grand master of the town. He's

2207
01:51:44.920 --> 01:51:47.920
<v Speaker 2>like the grand master mason of their little lodge in

2208
01:51:47.960 --> 01:51:50.960
<v Speaker 2>the middle of wherever they are. So that's what I

2209
01:51:51.000 --> 01:51:53.800
<v Speaker 2>would see him as. He's the tifferatic in nature. He's

2210
01:51:53.840 --> 01:51:56.840
<v Speaker 2>a thirty three even has like his one of his

2211
01:51:56.960 --> 01:51:59.560
<v Speaker 2>billboards had magic numbers. I don't remember what it was.

2212
01:51:59.600 --> 01:52:03.520
<v Speaker 2>I'm sure wrote it in his notes, but I just

2213
01:52:03.720 --> 01:52:07.760
<v Speaker 2>I that's like immediately what I thought, like Goldie Wilson tifferatic,

2214
01:52:08.039 --> 01:52:10.560
<v Speaker 2>like Okay, he's going to be the boss. But he

2215
01:52:10.680 --> 01:52:13.079
<v Speaker 2>was projected outwards so that it was like a very

2216
01:52:13.520 --> 01:52:15.680
<v Speaker 2>I consider this film like very plus ultra like it's

2217
01:52:15.760 --> 01:52:19.239
<v Speaker 2>very like magicians wrote it. Magicians kind of inserted their

2218
01:52:19.279 --> 01:52:25.279
<v Speaker 2>little you know, little like little tricks and interesting little

2219
01:52:25.319 --> 01:52:27.439
<v Speaker 2>points to the East Eggs as I do you call them.

2220
01:52:27.479 --> 01:52:30.159
<v Speaker 2>That's a perfect way to describe it. So they inserted

2221
01:52:30.239 --> 01:52:32.840
<v Speaker 2>it in and they're like, oh, how deep? How many

2222
01:52:32.960 --> 01:52:36.520
<v Speaker 2>layers can you go? Because interestingly, this is considered a

2223
01:52:36.600 --> 01:52:41.119
<v Speaker 2>perfect film, like there's no technical errors. The editing is

2224
01:52:41.239 --> 01:52:45.600
<v Speaker 2>considered like really really good, right, So it's a perfect

2225
01:52:45.680 --> 01:52:51.920
<v Speaker 2>hermeneutic to carry the magicians East Eggs seeds forward into

2226
01:52:51.960 --> 01:52:56.319
<v Speaker 2>the future, because what travels through space and time but

2227
01:52:56.800 --> 01:52:58.640
<v Speaker 2>flashing light and moving images?

2228
01:53:01.640 --> 01:53:03.600
<v Speaker 4>Ye, yeah, for sure, I got. I finally got your

2229
01:53:03.680 --> 01:53:06.039
<v Speaker 4>video cued up here, Julia. I was able to finally

2230
01:53:06.079 --> 01:53:07.840
<v Speaker 4>download it here. My connection got.

2231
01:53:07.680 --> 01:53:10.000
<v Speaker 6>Better, but I just concarting it.

2232
01:53:10.079 --> 01:53:15.439
<v Speaker 4>I couldn't get it, but no, I don't. I couldn't

2233
01:53:15.479 --> 01:53:17.319
<v Speaker 4>get I got have to share it from a different app.

2234
01:53:17.439 --> 01:53:20.640
<v Speaker 4>But do we have any more commentary here on some

2235
01:53:20.800 --> 01:53:23.880
<v Speaker 4>of the this George rook Flaud before we jump into

2236
01:53:23.920 --> 01:53:25.079
<v Speaker 4>that George.

2237
01:53:25.159 --> 01:53:28.000
<v Speaker 8>Yeah, I have lots on George, but I can wait until.

2238
01:53:27.760 --> 01:53:32.079
<v Speaker 3>You know it's got them up right now, Okay, I

2239
01:53:32.399 --> 01:53:35.640
<v Speaker 3>just think that George, there's a couple of things that

2240
01:53:35.720 --> 01:53:39.239
<v Speaker 3>were Easter eggs that I found, and that's that. He

2241
01:53:39.520 --> 01:53:42.960
<v Speaker 3>he mentioned that he was a left handed person, but

2242
01:53:43.119 --> 01:53:46.680
<v Speaker 3>he's writing right handed for some most of it.

2243
01:53:46.800 --> 01:53:47.920
<v Speaker 8>And they used to push this on.

2244
01:53:47.960 --> 01:53:51.439
<v Speaker 3>People because it was very seen as negative. And I

2245
01:53:51.560 --> 01:53:55.199
<v Speaker 3>dare say this whole thing is about how George's life

2246
01:53:55.439 --> 01:53:59.199
<v Speaker 3>is going to be changed if he continues on right

2247
01:53:59.279 --> 01:54:01.439
<v Speaker 3>hand path or the left hand path right and they're

2248
01:54:01.600 --> 01:54:03.840
<v Speaker 3>forcing him to be on the right hand path, but

2249
01:54:03.960 --> 01:54:04.800
<v Speaker 3>we don't really.

2250
01:54:04.720 --> 01:54:09.079
<v Speaker 8>Know if that's what he would decide. And so we

2251
01:54:09.239 --> 01:54:14.279
<v Speaker 8>also have his name means earthworker or farmer, and or

2252
01:54:14.520 --> 01:54:17.479
<v Speaker 8>it means works with the dirt, which we get back

2253
01:54:17.479 --> 01:54:20.399
<v Speaker 8>to Adam. Adam means ready we get into the whole

2254
01:54:20.640 --> 01:54:25.079
<v Speaker 8>Adam you know Mason type stuff there when we're talking

2255
01:54:25.119 --> 01:54:25.920
<v Speaker 8>about creation.

2256
01:54:26.680 --> 01:54:31.159
<v Speaker 3>So where George is concerned. I think it's pretty interesting

2257
01:54:31.359 --> 01:54:34.520
<v Speaker 3>that eventually, when he's had enough of enough and he

2258
01:54:34.760 --> 01:54:41.720
<v Speaker 3>punches the guy, he does it with his left hand,

2259
01:54:41.920 --> 01:54:45.000
<v Speaker 3>even though he's been using his right hand the whole.

2260
01:54:44.880 --> 01:54:50.439
<v Speaker 8>Time, and so it's kind yeah, and then what happens

2261
01:54:50.560 --> 01:54:51.439
<v Speaker 8>is he goes home.

2262
01:54:51.720 --> 01:54:55.479
<v Speaker 3>And also we have to remember the lightning path is

2263
01:54:55.760 --> 01:54:58.119
<v Speaker 3>a direct ascension, and it's fast and it works, but

2264
01:54:58.279 --> 01:55:02.720
<v Speaker 3>also it's not always the best way. It's very magical.

2265
01:55:02.760 --> 01:55:07.000
<v Speaker 3>It's very left hand path to choose lightning, and you

2266
01:55:07.119 --> 01:55:09.880
<v Speaker 3>go back and his life is completely not hard anymore.

2267
01:55:10.399 --> 01:55:13.720
<v Speaker 3>He's got all the comforts which would be very Luciferian,

2268
01:55:13.880 --> 01:55:17.560
<v Speaker 3>very left hand pathy, like, okay, you know, it's much

2269
01:55:17.600 --> 01:55:20.560
<v Speaker 3>better now. Now he's bossing people around. Now he's the

2270
01:55:20.640 --> 01:55:25.000
<v Speaker 3>boss of his own universe, and he's chosen. That one

2271
01:55:25.159 --> 01:55:28.560
<v Speaker 3>thing changed everything for George, that punch.

2272
01:55:28.560 --> 01:55:32.640
<v Speaker 4>Sure, so I can go on the left handed path, huh,

2273
01:55:33.600 --> 01:55:34.800
<v Speaker 4>That's how I felt about it.

2274
01:55:36.600 --> 01:55:40.439
<v Speaker 2>Interesting, that was an incredible point. I have to say, like, honestly,

2275
01:55:40.560 --> 01:55:43.399
<v Speaker 2>I didn't touch on it all, but it's like sounds

2276
01:55:43.439 --> 01:55:46.159
<v Speaker 2>so obvious when Heidi's singing, and I'm like, oh fuck,

2277
01:55:46.199 --> 01:55:46.680
<v Speaker 2>why did I?

2278
01:55:47.399 --> 01:55:49.840
<v Speaker 8>Why did I had help with the punch? But the

2279
01:55:50.520 --> 01:55:51.880
<v Speaker 8>thoughts were mine on the rest.

2280
01:55:53.319 --> 01:55:55.000
<v Speaker 4>I think the folks of the chat and the interwews

2281
01:55:55.000 --> 01:55:58.039
<v Speaker 4>you're agree with you, HOWI that's an excellent point, Thank you.

2282
01:55:58.279 --> 01:56:00.880
<v Speaker 8>Thank you. I think that that's all all you know.

2283
01:56:01.000 --> 01:56:04.000
<v Speaker 3>And so when we think about Marty, why is he

2284
01:56:04.159 --> 01:56:07.800
<v Speaker 3>the one going through this path right because he took

2285
01:56:07.920 --> 01:56:11.319
<v Speaker 3>the Dad's place. We're back to isis what happens with

2286
01:56:11.520 --> 01:56:15.319
<v Speaker 3>Horace is the son is the father, and the father

2287
01:56:15.479 --> 01:56:17.920
<v Speaker 3>is the son. The son is the recreation of the father.

2288
01:56:18.079 --> 01:56:20.840
<v Speaker 3>So he takes over the journey to fix it for

2289
01:56:21.079 --> 01:56:23.560
<v Speaker 3>him because he's too much of a goofball really to

2290
01:56:23.640 --> 01:56:26.079
<v Speaker 3>do this right, Like he's just not doing it correctly.

2291
01:56:26.439 --> 01:56:29.039
<v Speaker 3>So the son is fixing it all the way. And

2292
01:56:29.199 --> 01:56:32.359
<v Speaker 3>then he ultimately gets the choice with the hit and

2293
01:56:32.560 --> 01:56:36.079
<v Speaker 3>he chooses which way he goes there, and then his

2294
01:56:36.159 --> 01:56:38.039
<v Speaker 3>whole life is completely changed after that.

2295
01:56:39.039 --> 01:56:41.479
<v Speaker 4>So that's fascinating when to look at.

2296
01:56:41.399 --> 01:56:45.840
<v Speaker 2>That, and he's able to reconcile sort of the changes

2297
01:56:45.960 --> 01:56:49.600
<v Speaker 2>in his life. So he's like the true hermetic character

2298
01:56:49.760 --> 01:56:50.279
<v Speaker 2>of the movie.

2299
01:56:51.239 --> 01:56:54.039
<v Speaker 3>Yes, and they're one and the same because you know,

2300
01:56:54.399 --> 01:56:56.560
<v Speaker 3>the son is the father for a brief time until

2301
01:56:56.600 --> 01:57:01.720
<v Speaker 3>he returns to reality, which is why it's not reality,

2302
01:57:01.920 --> 01:57:04.840
<v Speaker 3>because it's you know, he's fixing past.

2303
01:57:05.199 --> 01:57:08.560
<v Speaker 4>So what's the show on it? What's the show on

2304
01:57:08.720 --> 01:57:09.199
<v Speaker 4>the background?

2305
01:57:09.239 --> 01:57:09.359
<v Speaker 3>Here?

2306
01:57:09.399 --> 01:57:12.399
<v Speaker 4>There's a good question from Dolan Ferguson. It's it's Ralph Cramdon,

2307
01:57:12.479 --> 01:57:14.720
<v Speaker 4>right and the honeymooner's right? Is it?

2308
01:57:15.000 --> 01:57:15.800
<v Speaker 8>I can't e would tell.

2309
01:57:17.319 --> 01:57:19.479
<v Speaker 4>Doesn't Ralph always want to send his wife to the moon?

2310
01:57:21.000 --> 01:57:21.159
<v Speaker 3>Oh?

2311
01:57:21.319 --> 01:57:21.720
<v Speaker 11>I think so?

2312
01:57:22.000 --> 01:57:24.960
<v Speaker 4>Yeah, yeah, he's always send his wife to the moon.

2313
01:57:25.000 --> 01:57:26.680
<v Speaker 4>I mean it's a little domestic violence, but I mean

2314
01:57:26.720 --> 01:57:28.720
<v Speaker 4>he's always trying to send his wife to the moon

2315
01:57:28.760 --> 01:57:32.600
<v Speaker 4>by hitting her, right.

2316
01:57:34.239 --> 01:57:37.560
<v Speaker 2>Heid he said a really great plaint about how like, yeah,

2317
01:57:37.640 --> 01:57:40.399
<v Speaker 2>he's rectifying the past. She didn't use that exact phrase,

2318
01:57:40.479 --> 01:57:42.479
<v Speaker 2>but it does exactly what she. I mean, we're all

2319
01:57:42.520 --> 01:57:44.840
<v Speaker 2>speaking the same language, so that's what she's talking about, shering.

2320
01:57:45.079 --> 01:57:48.640
<v Speaker 2>You bring both hands into synthesis. You're fixing the sins

2321
01:57:48.720 --> 01:57:51.479
<v Speaker 2>of the father. Yes, it is in the dream of

2322
01:57:51.600 --> 01:57:54.760
<v Speaker 2>the magician, dream of the you know, person traveling. We're

2323
01:57:54.800 --> 01:57:57.960
<v Speaker 2>saying Marty. So it's like in his dream. But for

2324
01:57:58.159 --> 01:58:00.800
<v Speaker 2>the even in that dream he is though he is

2325
01:58:00.960 --> 01:58:04.039
<v Speaker 2>those people. That's tarycromatically correct. That sounds weird.

2326
01:58:04.560 --> 01:58:07.840
<v Speaker 4>I'm sorry, No, that's a good Now, I'm appreciate. That's

2327
01:58:07.840 --> 01:58:09.680
<v Speaker 4>a good point there. I just want to one cavet

2328
01:58:09.720 --> 01:58:11.800
<v Speaker 4>on the show. So that was the show. Later when

2329
01:58:11.800 --> 01:58:13.640
<v Speaker 4>he goes back in nineteen fifty five, the one there

2330
01:58:13.680 --> 01:58:16.119
<v Speaker 4>with George McFly, we see in the background him watching

2331
01:58:16.199 --> 01:58:19.960
<v Speaker 4>eight nineteen eighty five is Science Fiction Theater, which was

2332
01:58:20.000 --> 01:58:22.199
<v Speaker 4>a show from nineteen fifty five. It was his favorite

2333
01:58:22.239 --> 01:58:24.319
<v Speaker 4>show apparently as a child or whatever they're you know,

2334
01:58:24.439 --> 01:58:26.439
<v Speaker 4>as a teenager. So it's a little you know, it's

2335
01:58:26.439 --> 01:58:28.119
<v Speaker 4>a little interesting, right, a little. The show in the

2336
01:58:28.159 --> 01:58:31.039
<v Speaker 4>background is Science Fiction Theater. And then again they're doing

2337
01:58:31.119 --> 01:58:34.000
<v Speaker 4>some you know that more space stuff, right, more.

2338
01:58:33.840 --> 01:58:38.439
<v Speaker 3>Space space yep, not that more many though, No Mason

2339
01:58:39.760 --> 01:58:42.119
<v Speaker 3>Mason's and a could tea today.

2340
01:58:45.520 --> 01:58:48.439
<v Speaker 4>So do we have anything else here on mister McFly,

2341
01:58:49.039 --> 01:58:50.479
<v Speaker 4>and before we kind of go over some of the

2342
01:58:50.640 --> 01:58:53.600
<v Speaker 4>esoteric aspects and the cold aspects of the journey that

2343
01:58:54.119 --> 01:58:56.439
<v Speaker 4>they go on here, No, but I.

2344
01:58:56.479 --> 01:58:59.039
<v Speaker 3>Have a funny little piece because you know, I love

2345
01:58:59.119 --> 01:59:01.800
<v Speaker 3>JFK so much when he goes back to the Ronald

2346
01:59:01.880 --> 01:59:04.680
<v Speaker 3>Reagan thing and and he blows Doc's mind and he's.

2347
01:59:04.560 --> 01:59:07.239
<v Speaker 8>Like, well, who's the president then? And he's like Ronald

2348
01:59:07.319 --> 01:59:11.000
<v Speaker 8>Reagan and he and he says, why you have got

2349
01:59:11.039 --> 01:59:13.279
<v Speaker 8>an actor? Like does he need to look good on TV?

2350
01:59:13.479 --> 01:59:17.239
<v Speaker 3>That's a hat tip to JFK because JFK once time

2351
01:59:17.359 --> 01:59:18.800
<v Speaker 3>got on a speech.

2352
01:59:18.880 --> 01:59:21.000
<v Speaker 8>Yeah, and he was like, I'm just gonna win because

2353
01:59:21.039 --> 01:59:21.560
<v Speaker 8>I look good.

2354
01:59:22.720 --> 01:59:25.399
<v Speaker 4>That's interesting because I have that clip right here. Roady, Doc,

2355
01:59:25.520 --> 01:59:26.359
<v Speaker 4>you gotta believe me?

2356
01:59:26.760 --> 01:59:31.760
<v Speaker 2>Then tell me, suture boy, who's president of the United

2357
01:59:31.800 --> 01:59:33.520
<v Speaker 2>States in nineteen eighty five?

2358
01:59:34.319 --> 01:59:39.920
<v Speaker 6>Ronald Reagan, Ronald Reagan the actor, it's dot you gotta

2359
01:59:40.000 --> 01:59:41.359
<v Speaker 6>believe me that tell me?

2360
01:59:42.640 --> 01:59:44.560
<v Speaker 4>I think that all. I think that also ties into

2361
01:59:44.560 --> 01:59:47.319
<v Speaker 4>the Donald Trump aspects that we see that introduced back

2362
01:59:47.319 --> 01:59:49.319
<v Speaker 4>to the future too and kind of that kind of

2363
01:59:49.359 --> 01:59:51.600
<v Speaker 4>predictive nature as I was referring to, where did these

2364
01:59:51.640 --> 01:59:54.159
<v Speaker 4>ideas come from? But that is an interesting aspect of

2365
01:59:54.239 --> 01:59:55.560
<v Speaker 4>JFK too, perspective.

2366
01:59:55.680 --> 01:59:59.720
<v Speaker 1>Did you notice when Marty gets to nineteen fifty five

2367
02:00:00.520 --> 02:00:03.239
<v Speaker 1>and he's walking through town Square, the movie that's on

2368
02:00:03.399 --> 02:00:05.039
<v Speaker 1>it the movies is a Ronald Reagan.

2369
02:00:06.159 --> 02:00:09.000
<v Speaker 6>No shit, well I know what one it is when

2370
02:00:09.039 --> 02:00:11.960
<v Speaker 6>they get yeah, yeah, yeah, it's up on the Yeah

2371
02:00:12.079 --> 02:00:13.920
<v Speaker 6>the first thing, Yeah what wait what you just said?

2372
02:00:13.960 --> 02:00:16.920
<v Speaker 9>You on the movie zooms in on it. Yeah, it

2373
02:00:16.960 --> 02:00:18.319
<v Speaker 9>says Ronald Reagan.

2374
02:00:18.319 --> 02:00:21.000
<v Speaker 6>And that's awesome.

2375
02:00:22.079 --> 02:00:24.880
<v Speaker 2>It's a meta movie. Before the meta movie, I never

2376
02:00:24.960 --> 02:00:27.319
<v Speaker 2>really thought about it like that because this never really

2377
02:00:27.359 --> 02:00:29.680
<v Speaker 2>gets considered to be like a meta film. The first

2378
02:00:30.039 --> 02:00:32.520
<v Speaker 2>meta film was Thesis, which is a Spanish film from

2379
02:00:33.000 --> 02:00:35.960
<v Speaker 2>like nineteen ninety five. So we're talking about like pretty

2380
02:00:36.119 --> 02:00:40.199
<v Speaker 2>late like past this film. But this film really actually

2381
02:00:40.279 --> 02:00:43.279
<v Speaker 2>has it all. It's really telling you. It's like everything's

2382
02:00:43.479 --> 02:00:47.000
<v Speaker 2>not in a wink to the outside reality, to the

2383
02:00:47.039 --> 02:00:48.680
<v Speaker 2>outside world. So it's very interesting.

2384
02:00:51.840 --> 02:00:54.279
<v Speaker 4>Yeah, well, I totally agree, and I think that's a

2385
02:00:54.319 --> 02:00:56.880
<v Speaker 4>good point. It's good jumping off point for the video

2386
02:00:56.960 --> 02:00:58.560
<v Speaker 4>that that Julian wants to share with this year, which

2387
02:00:58.560 --> 02:01:01.119
<v Speaker 4>I've I've kind of it down here. It's the name

2388
02:01:01.159 --> 02:01:03.439
<v Speaker 4>of the video. I apologize, Julie, but I've kind of

2389
02:01:03.520 --> 02:01:05.239
<v Speaker 4>keyed it down to these aspects of what we're just

2390
02:01:05.279 --> 02:01:07.800
<v Speaker 4>talking about there and the Twin Pines, mall the nine

2391
02:01:07.800 --> 02:01:10.439
<v Speaker 4>to eleven predictive programming. I am familiar with this clip.

2392
02:01:10.520 --> 02:01:11.800
<v Speaker 4>Is is this true? Stream media?

2393
02:01:11.920 --> 02:01:12.039
<v Speaker 3>Is that?

2394
02:01:12.079 --> 02:01:13.720
<v Speaker 4>Who is that? Who originated this clip?

2395
02:01:14.479 --> 02:01:17.680
<v Speaker 1>So Colby found it and he talked about it on

2396
02:01:17.920 --> 02:01:22.000
<v Speaker 1>his podcast, which is where this clip is from. If

2397
02:01:22.039 --> 02:01:24.000
<v Speaker 1>we can't play the whole thing, that's fine because I

2398
02:01:24.039 --> 02:01:27.920
<v Speaker 1>can sum it all up however much we watch. If

2399
02:01:28.000 --> 02:01:30.039
<v Speaker 1>we don't get the rest of it, I can sum

2400
02:01:30.119 --> 02:01:34.560
<v Speaker 1>it up. But the video that is in this clip

2401
02:01:34.680 --> 02:01:38.239
<v Speaker 1>is no longer available. It got removed. You can't find

2402
02:01:38.279 --> 02:01:42.560
<v Speaker 1>it on YouTube, you can't find it anywhere. So that's

2403
02:01:42.600 --> 02:01:45.960
<v Speaker 1>why I had to get the clip from his podcast episode,

2404
02:01:46.000 --> 02:01:48.680
<v Speaker 1>because you can't even go find the actual clip itself.

2405
02:01:48.840 --> 02:01:51.439
<v Speaker 9>So it's one of those things.

2406
02:01:54.000 --> 02:01:55.359
<v Speaker 4>I think I've seen a long time ago. I think

2407
02:01:55.359 --> 02:01:57.079
<v Speaker 4>it was. I didn't realize it had been. It had

2408
02:01:57.119 --> 02:01:59.880
<v Speaker 4>been memory hold with the way Houdini here because that, Yeah,

2409
02:02:00.000 --> 02:02:02.319
<v Speaker 4>think it was true stream media that made that up originally.

2410
02:02:02.520 --> 02:02:04.560
<v Speaker 9>Yeah, they've removed it from everywhere.

2411
02:02:05.880 --> 02:02:11.199
<v Speaker 4>Interesting, Yeah, No, I think there's some great points brought

2412
02:02:11.239 --> 02:02:13.520
<v Speaker 4>up in here with even additional layering of this whole

2413
02:02:14.600 --> 02:02:18.439
<v Speaker 4>you know, this whole nine to eleven twenty hours business, right,

2414
02:02:18.520 --> 02:02:21.479
<v Speaker 4>you know again, it's I don't know if I don't

2415
02:02:21.479 --> 02:02:23.000
<v Speaker 4>know if that's the true stream media. The name, the

2416
02:02:23.840 --> 02:02:25.760
<v Speaker 4>name of that one, well, I don't remember all these names,

2417
02:02:25.800 --> 02:02:28.039
<v Speaker 4>too many names, but yeah, I have come across this clip.

2418
02:02:28.079 --> 02:02:29.760
<v Speaker 4>But it's interesting they would memory hole it there, right,

2419
02:02:29.800 --> 02:02:33.720
<v Speaker 4>because it's almost like it provides validity to the fact

2420
02:02:33.720 --> 02:02:35.520
<v Speaker 4>that there's something way, way deeper going on here.

2421
02:02:35.600 --> 02:02:36.880
<v Speaker 8>Huh Yeah, yeah.

2422
02:02:39.119 --> 02:02:41.279
<v Speaker 4>Do we have anything other commentary there before we start

2423
02:02:41.319 --> 02:02:43.239
<v Speaker 4>the clip? I think you were gonna say something.

2424
02:02:45.640 --> 02:02:49.359
<v Speaker 6>Yeah, I think should already moved my notes. Yeah, there

2425
02:02:49.399 --> 02:02:51.399
<v Speaker 6>was something I was gonna say about George mcfl about

2426
02:02:51.399 --> 02:02:58.239
<v Speaker 6>the stuff that is. Yeah, sorry, George mcflight again when

2427
02:02:58.279 --> 02:03:01.319
<v Speaker 6>you get i'd already mentioned dragging the keys. His name

2428
02:03:01.479 --> 02:03:05.319
<v Speaker 6>equals three keys and wood dragon, and George does equal magician,

2429
02:03:05.520 --> 02:03:16.079
<v Speaker 6>pineal Rose and Saturnalia. Yeah, and Lorraine his mother and

2430
02:03:16.159 --> 02:03:18.279
<v Speaker 6>his Lorraine his mother's name equals Kronos.

2431
02:03:19.640 --> 02:03:21.880
<v Speaker 4>And there's the what's you know? Is there any reference

2432
02:03:21.880 --> 02:03:23.560
<v Speaker 4>to the Cross of the Lorraine with the name with

2433
02:03:23.680 --> 02:03:26.279
<v Speaker 4>the use of the name Lorraine, Yeah.

2434
02:03:28.079 --> 02:03:31.520
<v Speaker 2>Yeah, because if if to go with what Heidi had

2435
02:03:31.600 --> 02:03:34.920
<v Speaker 2>pointed out, like it's it can be also translated as

2436
02:03:34.960 --> 02:03:37.800
<v Speaker 2>the Queen, so Lorraine is also a region in France,

2437
02:03:38.359 --> 02:03:41.159
<v Speaker 2>so all of like people with that name that would

2438
02:03:41.199 --> 02:03:44.479
<v Speaker 2>have originated in that region of France. So yeah, it's

2439
02:03:44.520 --> 02:03:48.760
<v Speaker 2>like a very templar Rosicrucian, you know, very like it's

2440
02:03:48.800 --> 02:03:52.039
<v Speaker 2>a very magician's nod to something like waing quain like

2441
02:03:52.279 --> 02:03:52.920
<v Speaker 2>look over here.

2442
02:03:55.359 --> 02:03:58.079
<v Speaker 3>Well, and to your point, Nick put to the pineal

2443
02:03:58.720 --> 02:04:01.760
<v Speaker 3>the twin pines. I mean, we've got pines, pine cones

2444
02:04:02.399 --> 02:04:06.279
<v Speaker 3>a neil, so that's all gonna be pressing.

2445
02:04:09.119 --> 02:04:12.039
<v Speaker 4>Yeah, with the twin pines, that's very that's very much

2446
02:04:12.079 --> 02:04:13.560
<v Speaker 4>a nod of that high with the pine cones.

2447
02:04:14.800 --> 02:04:15.720
<v Speaker 9>I was gonna say that.

2448
02:04:18.000 --> 02:04:19.560
<v Speaker 1>Pine cone.

2449
02:04:21.159 --> 02:04:23.600
<v Speaker 4>All right, Well on that day, we'll we'll uh, we'll

2450
02:04:23.640 --> 02:04:33.880
<v Speaker 4>get started here on this journey on this video. Maybe

2451
02:04:35.880 --> 02:04:37.520
<v Speaker 4>I gotta get some sound going for us here.

2452
02:04:39.439 --> 02:04:47.279
<v Speaker 1>Yeah, oh, I don't think the sound is coming through?

2453
02:04:51.439 --> 02:04:52.560
<v Speaker 4>Is the sound not coming through?

2454
02:04:53.159 --> 02:04:53.199
<v Speaker 3>No?

2455
02:04:55.279 --> 02:04:57.840
<v Speaker 4>Shoot, I was afraid of that.

2456
02:05:00.479 --> 02:05:03.640
<v Speaker 8>Well, can you walk through it with your analysis? Why

2457
02:05:03.720 --> 02:05:05.039
<v Speaker 8>we watched the visual.

2458
02:05:05.159 --> 02:05:08.159
<v Speaker 4>Julia, do you mind telling us what's going on here?

2459
02:05:11.720 --> 02:05:11.800
<v Speaker 8>Oh?

2460
02:05:12.039 --> 02:05:15.039
<v Speaker 9>She muted, Sorry, I can definitely do that.

2461
02:05:16.119 --> 02:05:18.359
<v Speaker 1>If you back it up to the beginning, we can

2462
02:05:18.479 --> 02:05:21.720
<v Speaker 1>speak through the whole eight minute thing. In like two seconds,

2463
02:05:21.760 --> 02:05:27.920
<v Speaker 1>because I can break it down for you myself. But yeah,

2464
02:05:28.039 --> 02:05:30.600
<v Speaker 1>take it all the way back and I'll tell you

2465
02:05:30.760 --> 02:05:34.640
<v Speaker 1>when to fast forward it or whatever. So this guy

2466
02:05:34.760 --> 02:05:38.920
<v Speaker 1>is basically talking about how Back to the Future is

2467
02:05:39.119 --> 02:05:47.239
<v Speaker 1>predicting the nine to eleven terif attacks, and he starts

2468
02:05:47.279 --> 02:05:50.279
<v Speaker 1>with this letter because in the background here if you

2469
02:05:50.359 --> 02:05:52.880
<v Speaker 1>can see us, he's writing this letter to Doc Brown,

2470
02:05:53.000 --> 02:05:54.800
<v Speaker 1>there's this there's a sign in the back with the

2471
02:05:54.880 --> 02:05:57.800
<v Speaker 1>big nine on it and it's set.

2472
02:05:57.680 --> 02:06:00.119
<v Speaker 4>Same intersection with was that an eight? Was that at

2473
02:06:00.159 --> 02:06:02.760
<v Speaker 4>eight and three? The same when we saw the four Bloods.

2474
02:06:03.720 --> 02:06:05.159
<v Speaker 6>I thought I was the ship, putting the ship in

2475
02:06:05.239 --> 02:06:05.600
<v Speaker 6>my nose.

2476
02:06:07.000 --> 02:06:11.560
<v Speaker 1>Well, this right here he's saying like twin pines and

2477
02:06:12.199 --> 02:06:17.199
<v Speaker 1>actually the the terrorist attack with the twin pines, And

2478
02:06:17.560 --> 02:06:21.680
<v Speaker 1>if you flip the time upside down, it's nine to eleven.

2479
02:06:23.079 --> 02:06:28.119
<v Speaker 1>And so we got nine eleven at Twin Pines Mall

2480
02:06:29.439 --> 02:06:34.319
<v Speaker 1>with the terrorist attack, and then the pines are representing

2481
02:06:34.359 --> 02:06:38.039
<v Speaker 1>the towers whatever. And then at the end of the

2482
02:06:38.479 --> 02:06:42.520
<v Speaker 1>movie it's lone Pine representing the single.

2483
02:06:44.199 --> 02:06:47.640
<v Speaker 9>What do they call it, the One World Tower.

2484
02:06:48.840 --> 02:06:52.520
<v Speaker 8>Whatever it is, Yeah, Trade Center.

2485
02:06:53.279 --> 02:06:57.600
<v Speaker 1>And then again Doc Brown on his clock, he sends

2486
02:06:57.720 --> 02:07:02.720
<v Speaker 1>ay into the future one nineteen that's another nine to eleven.

2487
02:07:03.199 --> 02:07:05.560
<v Speaker 1>But in the second back to the future, they got

2488
02:07:05.640 --> 02:07:08.880
<v Speaker 1>the Twin Pines on the TV and they changed the

2489
02:07:09.039 --> 02:07:14.920
<v Speaker 1>channel and it immediately becomes a visual of the Twin

2490
02:07:15.079 --> 02:07:22.000
<v Speaker 1>Towers right there. Yeah, so it's like they're tin pines,

2491
02:07:22.199 --> 02:07:23.640
<v Speaker 1>just like in the first one. Then it goes to

2492
02:07:23.720 --> 02:07:26.359
<v Speaker 1>the Twin Towers. This is supposed to be in twenty fifteen,

2493
02:07:26.520 --> 02:07:32.840
<v Speaker 1>right into the future, and the he's shown the nine

2494
02:07:32.880 --> 02:07:36.880
<v Speaker 1>to eleven thing again, the terrorist attacks the Libyans.

2495
02:07:37.800 --> 02:07:40.199
<v Speaker 9>Uh huh, and he talks about how.

2496
02:07:40.119 --> 02:07:43.039
<v Speaker 1>This guy right here, I think it's Georg McFly, he's

2497
02:07:43.079 --> 02:07:46.920
<v Speaker 1>hanging upside down right oh, in the Statue of Liberty Torch,

2498
02:07:47.720 --> 02:07:50.279
<v Speaker 1>which also is like the New York reference with the

2499
02:07:50.720 --> 02:07:57.000
<v Speaker 1>twin Towers there, But uh, is it George McFly in

2500
02:07:57.079 --> 02:07:59.239
<v Speaker 1>the second one that's hanging upside down in this scene.

2501
02:07:59.279 --> 02:08:02.560
<v Speaker 4>I can't remember or is it market it's George, but

2502
02:08:02.640 --> 02:08:05.760
<v Speaker 4>it's not Crispin Glover. It is George the character Georgeman play.

2503
02:08:06.039 --> 02:08:09.880
<v Speaker 1>Right, So if you look at it from his perspective,

2504
02:08:10.039 --> 02:08:14.279
<v Speaker 1>basically with him hanging upside down, he'll flip it and

2505
02:08:14.439 --> 02:08:18.479
<v Speaker 1>it'll show like this is a projection of the towers

2506
02:08:18.600 --> 02:08:21.560
<v Speaker 1>falling in back to the future too.

2507
02:08:24.479 --> 02:08:27.720
<v Speaker 4>But if you act Jerio Hangman, is that what you said?

2508
02:08:28.960 --> 02:08:29.560
<v Speaker 2>It's very.

2509
02:08:31.560 --> 02:08:33.760
<v Speaker 1>But if you speed it up just a little bit,

2510
02:08:34.079 --> 02:08:38.560
<v Speaker 1>because we already talked about this part. It's in towers

2511
02:08:38.640 --> 02:08:41.680
<v Speaker 1>Da Da Da nine to eleven hanging upside down.

2512
02:08:41.880 --> 02:08:45.520
<v Speaker 6>We talked about all the Libyans where the pharaohs like military.

2513
02:08:46.800 --> 02:08:49.239
<v Speaker 6>I did not know that, yes, yeah, yeah, And and

2514
02:08:49.560 --> 02:08:51.600
<v Speaker 6>in this uh, this bit, I just all since you

2515
02:08:51.920 --> 02:08:54.199
<v Speaker 6>waiting for it fast forward, they do they do, they

2516
02:08:54.279 --> 02:08:56.760
<v Speaker 6>do specify it's in a K forty seven and they said,

2517
02:08:57.239 --> 02:09:00.279
<v Speaker 6>damn Russian guns or some shit like that, because I

2518
02:09:00.279 --> 02:09:02.000
<v Speaker 6>do have tons of stuff that points to Russia. So

2519
02:09:02.000 --> 02:09:04.760
<v Speaker 6>I'm even trying to show that with this part two.

2520
02:09:06.479 --> 02:09:09.840
<v Speaker 1>So in this part he's talking about how it says

2521
02:09:10.119 --> 02:09:17.880
<v Speaker 1>tower strike on the newspaper, tower struck like twin towers,

2522
02:09:18.039 --> 02:09:21.920
<v Speaker 1>tower struck, and how in this scene it cuts it off,

2523
02:09:22.000 --> 02:09:26.600
<v Speaker 1>but it goes nine eleven with the fire nine one one.

2524
02:09:27.880 --> 02:09:30.680
<v Speaker 1>And then in the background is they all seeing eye

2525
02:09:32.159 --> 02:09:35.680
<v Speaker 1>that is that is looking at them, And so Robert

2526
02:09:36.000 --> 02:09:39.640
<v Speaker 1>zemeckis this is the date when they go back into

2527
02:09:39.680 --> 02:09:46.000
<v Speaker 1>the future, right, October twenty for twenty fifteen. So Robert

2528
02:09:46.079 --> 02:09:50.039
<v Speaker 1>Zemeckis would later go on to direct a film called

2529
02:09:50.199 --> 02:09:55.880
<v Speaker 1>The Wire October twenty first, twenty fifteen about a guy

2530
02:09:56.680 --> 02:10:01.479
<v Speaker 1>stringing a wire between the Twin Tower and walking across it.

2531
02:10:02.279 --> 02:10:07.079
<v Speaker 1>So he's literally referencing the date of the movie he's

2532
02:10:07.159 --> 02:10:10.159
<v Speaker 1>gonna make in twenty fifteen, So from nineteen eighty five

2533
02:10:10.279 --> 02:10:12.439
<v Speaker 1>Back to the Future twenty fifteen when he comes out

2534
02:10:12.479 --> 02:10:15.000
<v Speaker 1>with the Wire on the day that he put in

2535
02:10:15.239 --> 02:10:18.680
<v Speaker 1>Back to the Future, Too, is another movie about the

2536
02:10:18.760 --> 02:10:20.840
<v Speaker 1>World Trade Center, which.

2537
02:10:20.720 --> 02:10:23.239
<v Speaker 4>Is wild because they made a documentary when that dude

2538
02:10:23.279 --> 02:10:25.079
<v Speaker 4>did that at the time in the late seventies, right

2539
02:10:25.079 --> 02:10:28.319
<v Speaker 4>after they built the trade centers, he made a documentary about.

2540
02:10:28.079 --> 02:10:30.920
<v Speaker 1>It, I believe, right, And so like in Back to

2541
02:10:31.000 --> 02:10:33.720
<v Speaker 1>the Future, they're like, what's with the wire? What's with

2542
02:10:33.880 --> 02:10:36.960
<v Speaker 1>the wire? Talking about the wire from the clock tower

2543
02:10:37.239 --> 02:10:40.680
<v Speaker 1>to the DeLorean, And then roberts Mechis goes on to

2544
02:10:40.760 --> 02:10:44.319
<v Speaker 1>make a movie called The Wire about a guy stringing

2545
02:10:44.359 --> 02:10:48.119
<v Speaker 1>a wire between the twin towers and walking across it,

2546
02:10:48.520 --> 02:10:52.960
<v Speaker 1>right the walk, Yeah, it's called And the craziest part

2547
02:10:53.039 --> 02:10:58.119
<v Speaker 1>about it is actually the way that he dresses the

2548
02:10:58.319 --> 02:11:03.760
<v Speaker 1>character in the Walk is the last outfit Marty McFly

2549
02:11:04.000 --> 02:11:07.199
<v Speaker 1>has on right here, it'll show it. Yeah, so Marty

2550
02:11:07.279 --> 02:11:10.600
<v Speaker 1>McFly has on the black leather jacket, the red shirt,

2551
02:11:10.880 --> 02:11:13.000
<v Speaker 1>and I don't know, I guess like some kind of

2552
02:11:13.079 --> 02:11:18.279
<v Speaker 1>blue jeans or something. Literally, that's the exact outfit that

2553
02:11:18.479 --> 02:11:22.159
<v Speaker 1>he puts on the Guy in the Walk twin Time.

2554
02:11:22.840 --> 02:11:25.079
<v Speaker 4>Gordon Levitt, ma'am, that's jg L. What are you talking

2555
02:11:25.079 --> 02:11:25.359
<v Speaker 4>about it?

2556
02:11:25.720 --> 02:11:28.760
<v Speaker 1>I never I never really liked him after ten Things

2557
02:11:28.760 --> 02:11:29.439
<v Speaker 1>I Hate about you.

2558
02:11:30.399 --> 02:11:34.159
<v Speaker 4>He's definitely anent alien cargo cult you know, Rock red Son,

2559
02:11:34.600 --> 02:11:36.000
<v Speaker 4>he plays in the Batman films.

2560
02:11:36.920 --> 02:11:39.640
<v Speaker 1>But yeah, so, I mean it's it's literally kind of

2561
02:11:39.760 --> 02:11:44.960
<v Speaker 1>like this weird Twin Towers pictive programming thing between the

2562
02:11:45.079 --> 02:11:47.479
<v Speaker 1>first two Back to the Future movies and then a

2563
02:11:47.560 --> 02:11:52.079
<v Speaker 1>movie he literally directed exactly thirty years later, to the

2564
02:11:52.239 --> 02:11:55.279
<v Speaker 1>Date and Back to the Future too. October twenty first,

2565
02:11:55.319 --> 02:12:00.159
<v Speaker 1>twenty fifteen, he releases another movie about the Twin Towers. So,

2566
02:12:01.239 --> 02:12:04.319
<v Speaker 1>I mean, it just makes you wonder how much of

2567
02:12:04.520 --> 02:12:05.920
<v Speaker 1>this is purposeful?

2568
02:12:06.760 --> 02:12:06.960
<v Speaker 3>You know?

2569
02:12:08.199 --> 02:12:10.079
<v Speaker 4>And it also kind of makes me wonder, where does

2570
02:12:10.199 --> 02:12:12.199
<v Speaker 4>where does ideas come from? And how does time work?

2571
02:12:12.239 --> 02:12:15.560
<v Speaker 4>Because how does that get plan to do all those things, like.

2572
02:12:15.680 --> 02:12:18.159
<v Speaker 1>How did he know in nineteen eighty five to talk

2573
02:12:18.199 --> 02:12:21.439
<v Speaker 1>about October twenty first, twenty fifteen about a movie he

2574
02:12:21.560 --> 02:12:22.560
<v Speaker 1>hadn't even made yet?

2575
02:12:23.279 --> 02:12:25.119
<v Speaker 4>And how does he know that some looney tune French

2576
02:12:25.159 --> 02:12:26.920
<v Speaker 4>fella is going to go to a trapeez act on

2577
02:12:27.000 --> 02:12:28.840
<v Speaker 4>top of the Twin Towers back in seventy eight? You

2578
02:12:28.880 --> 02:12:30.399
<v Speaker 4>know what I mean? You can't play these things.

2579
02:12:30.439 --> 02:12:37.119
<v Speaker 2>I feel like, well, maybe he can. Maybe that's an interesting.

2580
02:12:36.800 --> 02:12:38.960
<v Speaker 4>Way to I'm open to it. I'm open to it.

2581
02:12:39.720 --> 02:12:43.720
<v Speaker 9>Maybe how that news how he's got a doc brown

2582
02:12:43.840 --> 02:12:45.199
<v Speaker 9>of his own somewhere.

2583
02:12:45.119 --> 02:12:47.520
<v Speaker 2>Right, Maybe that's what it is, because like one of

2584
02:12:47.560 --> 02:12:50.600
<v Speaker 2>the masteries of time is the knowledge of your own

2585
02:12:51.439 --> 02:12:56.720
<v Speaker 2>astrological chart, so that that's demarcations of time in space, right,

2586
02:12:57.600 --> 02:13:02.000
<v Speaker 2>like very practical demarcations of time space. So someone But

2587
02:13:02.239 --> 02:13:04.720
<v Speaker 2>there's also the idea of the magician who's going to

2588
02:13:04.840 --> 02:13:07.560
<v Speaker 2>like plan in the future like every what we call

2589
02:13:07.680 --> 02:13:13.479
<v Speaker 2>chrono poetic where we put like the seed, like he

2590
02:13:13.600 --> 02:13:15.960
<v Speaker 2>plants the seed in the film, and then he's like,

2591
02:13:16.119 --> 02:13:19.359
<v Speaker 2>I'm going to see this work to completion because like

2592
02:13:19.439 --> 02:13:21.880
<v Speaker 2>I've never even heard of that movie with like Gordon

2593
02:13:21.920 --> 02:13:24.119
<v Speaker 2>love It or whatever his name is, Like, I've never

2594
02:13:24.199 --> 02:13:26.359
<v Speaker 2>heard of it. I've never seen it, and I like

2595
02:13:26.399 --> 02:13:28.880
<v Speaker 2>a lot of Kenos, So I'm not saying that I

2596
02:13:28.960 --> 02:13:30.680
<v Speaker 2>know all the films. So I'm just saying that it's

2597
02:13:30.720 --> 02:13:35.119
<v Speaker 2>like it seems very forgettable. So I'm saying that, yeah,

2598
02:13:35.239 --> 02:13:39.279
<v Speaker 2>maybe he manifested it, but like, what was it? It's

2599
02:13:39.359 --> 02:13:42.439
<v Speaker 2>just like some film about the why, right, Like he can,

2600
02:13:42.600 --> 02:13:44.560
<v Speaker 2>he can do the great work, but what is he

2601
02:13:44.800 --> 02:13:47.039
<v Speaker 2>really like bringing forth into reality?

2602
02:13:47.520 --> 02:13:51.399
<v Speaker 3>We're talking about von Braun in space and all that too,

2603
02:13:51.720 --> 02:13:52.640
<v Speaker 3>and time travel.

2604
02:13:52.800 --> 02:13:55.079
<v Speaker 8>I mean, I'm just saying, like that gets weird.

2605
02:13:55.159 --> 02:13:57.800
<v Speaker 4>I'm glad you said. I'm glad you said manifesting also

2606
02:13:57.880 --> 02:13:59.520
<v Speaker 4>on top of the Von Braun stuff, which I think

2607
02:13:59.600 --> 02:14:01.319
<v Speaker 4>is just very fascinating. That is, you know that this

2608
02:14:01.399 --> 02:14:04.199
<v Speaker 4>is all inbedded with that again, the whole Parsons relationship, right,

2609
02:14:04.279 --> 02:14:08.119
<v Speaker 4>but with regard to the reality, and Simon went on like, well,

2610
02:14:08.119 --> 02:14:10.239
<v Speaker 4>where are these ideas coming from? You know, is somebody

2611
02:14:10.680 --> 02:14:12.920
<v Speaker 4>are they? Are they manifesting some of these ideas through

2612
02:14:13.000 --> 02:14:16.000
<v Speaker 4>some sort of you know, external sources, communicating these soon

2613
02:14:16.199 --> 02:14:20.359
<v Speaker 4>you know, a plan or even the ideas generally through

2614
02:14:20.399 --> 02:14:23.439
<v Speaker 4>these rigs the space stick right as we call it

2615
02:14:23.760 --> 02:14:25.000
<v Speaker 4>the space stick, right.

2616
02:14:27.119 --> 02:14:27.239
<v Speaker 3>Right.

2617
02:14:27.239 --> 02:14:30.640
<v Speaker 2>It's very like me and like exactly like what heid

2618
02:14:30.680 --> 02:14:32.439
<v Speaker 2>he's been saying the whole time. It's like it's a

2619
02:14:32.520 --> 02:14:36.279
<v Speaker 2>sleeping god and he has to be erect to travel

2620
02:14:36.359 --> 02:14:41.760
<v Speaker 2>through space. So the rocket is like the perfect vehicle,

2621
02:14:42.479 --> 02:14:45.760
<v Speaker 2>very heck a lot right to travel through space and

2622
02:14:45.960 --> 02:14:49.840
<v Speaker 2>to penetrate your mother because the sepherer actually are feminine

2623
02:14:49.880 --> 02:14:53.000
<v Speaker 2>in quality. It's kind of an interesting way to think

2624
02:14:53.000 --> 02:14:56.439
<v Speaker 2>about it too. It's like exactly what Marty is doing

2625
02:14:56.560 --> 02:14:59.239
<v Speaker 2>in the whole film. It's like, is he going to

2626
02:14:59.439 --> 02:15:02.960
<v Speaker 2>because it I'm pretty close. It's like, that's very weird.

2627
02:15:05.920 --> 02:15:10.680
<v Speaker 4>Jen, I like that one. So do we have any

2628
02:15:10.800 --> 02:15:13.439
<v Speaker 4>any notes here on this the odometer on there? Because

2629
02:15:13.439 --> 02:15:15.000
<v Speaker 4>it all seems to be rooted in the eights again?

2630
02:15:15.119 --> 02:15:19.239
<v Speaker 6>Huh oh yeah yeah yeah, oh you have it up

2631
02:15:19.239 --> 02:15:20.920
<v Speaker 6>on the screen. I'm sorry, was the notes?

2632
02:15:21.079 --> 02:15:21.279
<v Speaker 3>Yeah?

2633
02:15:22.479 --> 02:15:25.399
<v Speaker 6>Yeah? I thought that was interesting, like when when they're uh,

2634
02:15:25.439 --> 02:15:28.720
<v Speaker 6>because we were talking about like the male and the Libyans,

2635
02:15:29.600 --> 02:15:31.680
<v Speaker 6>it made me think about the odometer when he wants

2636
02:15:31.720 --> 02:15:34.119
<v Speaker 6>to go jump and he you know, did you again

2637
02:15:34.159 --> 02:15:35.800
<v Speaker 6>you have the eight on there? You have thirty three

2638
02:15:35.840 --> 02:15:38.920
<v Speaker 6>oh six? I do find it interesting if you leave

2639
02:15:38.920 --> 02:15:43.720
<v Speaker 6>it up, though, it does change as he's driving somehow

2640
02:15:43.760 --> 02:15:44.479
<v Speaker 6>it goes backwards.

2641
02:15:46.640 --> 02:15:48.439
<v Speaker 9>The bottom's ninth interesting.

2642
02:15:49.199 --> 02:15:55.079
<v Speaker 4>And then what do you mean the mileage goes backwards? Huh? Yeah? Wow?

2643
02:15:57.359 --> 02:15:58.920
<v Speaker 6>Is that even a nott the time travel? I don't know.

2644
02:16:00.039 --> 02:16:01.560
<v Speaker 6>Thirty three and then it goes back to thirty three

2645
02:16:01.640 --> 02:16:03.279
<v Speaker 6>oh six and you can see the two seven right

2646
02:16:03.319 --> 02:16:06.960
<v Speaker 6>there also, and then this is zero eight. Is this

2647
02:16:07.159 --> 02:16:10.960
<v Speaker 6>after or before before he jumps? That's before he jumps.

2648
02:16:11.840 --> 02:16:14.399
<v Speaker 3>So he goes back okay, and then he fixes everything.

2649
02:16:14.479 --> 02:16:17.920
<v Speaker 3>If you look backward on that, if you add the

2650
02:16:18.000 --> 02:16:23.960
<v Speaker 3>numbers on the on the other picture with the odometer,

2651
02:16:24.159 --> 02:16:26.479
<v Speaker 3>it goes back to a one on the bottom.

2652
02:16:28.399 --> 02:16:32.280
<v Speaker 8>Back to what I was saying on the completion. It's

2653
02:16:32.319 --> 02:16:35.280
<v Speaker 8>on the other a doometer on the changed one. When

2654
02:16:35.360 --> 02:16:35.840
<v Speaker 8>they fix it.

2655
02:16:39.280 --> 02:16:42.040
<v Speaker 6>When when he hits you know, when he crosses over

2656
02:16:42.079 --> 02:16:43.440
<v Speaker 6>you remember how like he hits a scarecrow in that

2657
02:16:43.479 --> 02:16:48.680
<v Speaker 6>guy's property. Hey, yeah, yeah, scarecrow equals as scluppy as

2658
02:16:49.479 --> 02:16:54.079
<v Speaker 6>and Francis Bacon masonry and the letters nine to eleven

2659
02:16:54.879 --> 02:16:57.520
<v Speaker 6>and April eighth and April eight is also the first

2660
02:16:57.559 --> 02:17:01.520
<v Speaker 6>writing of the Book of the Law. The speed the

2661
02:17:01.600 --> 02:17:04.600
<v Speaker 6>speed when hitting the scarecrow you'll see on the screen

2662
02:17:04.879 --> 02:17:06.680
<v Speaker 6>is like, h if I let me see if I

2663
02:17:06.719 --> 02:17:07.280
<v Speaker 6>can move over.

2664
02:17:08.479 --> 02:17:09.879
<v Speaker 4>If you don't have that, bring it up.

2665
02:17:09.920 --> 02:17:13.879
<v Speaker 6>But right there he hits it at seventy seven. Seventy

2666
02:17:13.959 --> 02:17:19.680
<v Speaker 6>seven is conduces Valley Jester USSR silly.

2667
02:17:20.639 --> 02:17:23.959
<v Speaker 1>Damn Nick, I wouldn't expecting you to hit.

2668
02:17:23.920 --> 02:17:24.680
<v Speaker 3>Me with that one.

2669
02:17:24.920 --> 02:17:29.360
<v Speaker 6>And then when he's leaving, you'll hear at some point

2670
02:17:29.399 --> 02:17:33.360
<v Speaker 6>in the movie, Doc says, uh, he was at mister

2671
02:17:33.440 --> 02:17:35.920
<v Speaker 6>Peabody's house. And Doc does say at some point he's like,

2672
02:17:36.239 --> 02:17:37.799
<v Speaker 6>the guy was supposed to be building a pine farm.

2673
02:17:37.920 --> 02:17:41.520
<v Speaker 6>I wonder why he never did. And as yes, and

2674
02:17:41.680 --> 02:17:45.760
<v Speaker 6>as he's leaving Peabody's yard, you hear him yell, you

2675
02:17:46.040 --> 02:17:47.159
<v Speaker 6>killed my pines.

2676
02:17:48.159 --> 02:17:48.719
<v Speaker 4>Well, there you go.

2677
02:17:48.799 --> 02:17:51.040
<v Speaker 6>That's why I never got built, because Marty ran it over.

2678
02:17:52.680 --> 02:17:55.319
<v Speaker 1>I think that's also why it goes from twin pines

2679
02:17:55.360 --> 02:17:59.559
<v Speaker 1>to lone Pine, because Marty runs over just the one

2680
02:17:59.799 --> 02:18:02.200
<v Speaker 1>and and then there's only one left standing.

2681
02:18:03.360 --> 02:18:06.280
<v Speaker 3>Well, and he also fixes his dad's life and then

2682
02:18:06.479 --> 02:18:09.840
<v Speaker 3>completes the wholeness of the whole thing, so it changes

2683
02:18:09.959 --> 02:18:12.360
<v Speaker 3>to one like he.

2684
02:18:12.440 --> 02:18:14.920
<v Speaker 4>Was a loser and becomes a successful author who's kind

2685
02:18:14.959 --> 02:18:16.840
<v Speaker 4>of a winner there when he comes back right after

2686
02:18:16.920 --> 02:18:21.159
<v Speaker 4>all that. Yeah, yeah, I like, I like, I like

2687
02:18:21.200 --> 02:18:23.000
<v Speaker 4>you picked up on all the rotary signs. And this

2688
02:18:23.079 --> 02:18:24.959
<v Speaker 4>is when you go into a town. I always folks,

2689
02:18:26.000 --> 02:18:27.600
<v Speaker 4>you know, if you go to a town, you see

2690
02:18:27.639 --> 02:18:29.040
<v Speaker 4>all these signs. When you pull into a town, that's

2691
02:18:29.040 --> 02:18:35.319
<v Speaker 4>who runs that town and runs Hill Valley, right, the Lions.

2692
02:18:35.360 --> 02:18:38.600
<v Speaker 1>I'm surprised that the Masons aren't on there, because all

2693
02:18:38.680 --> 02:18:43.120
<v Speaker 1>of the town signs in Oklahoma have the Masons on them.

2694
02:18:43.840 --> 02:18:51.440
<v Speaker 8>Is yeah, they are the Lions Club and the Rotary Club.

2695
02:18:51.840 --> 02:18:54.559
<v Speaker 1>Yeah, I guess I was for I was talking about

2696
02:18:54.639 --> 02:18:58.799
<v Speaker 1>right then, the old compass one, the compass.

2697
02:18:58.879 --> 02:19:02.319
<v Speaker 2>What if the person to draw to what Julia is saying,

2698
02:19:02.360 --> 02:19:04.639
<v Speaker 2>what if the person making the film is a Mason.

2699
02:19:05.159 --> 02:19:08.159
<v Speaker 4>That's what I'm That's what I'm saying. That's that's the one.

2700
02:19:08.200 --> 02:19:09.600
<v Speaker 4>That's the will.

2701
02:19:09.920 --> 02:19:12.600
<v Speaker 2>They don't need to put the this, they don't need

2702
02:19:12.639 --> 02:19:15.239
<v Speaker 2>to put the sigil on the thing because they're wearing it.

2703
02:19:16.440 --> 02:19:18.879
<v Speaker 4>They also don't want to flag their own business necessarily

2704
02:19:18.959 --> 02:19:21.959
<v Speaker 4>too so symbolic, so overtly right, And it's kind of

2705
02:19:22.000 --> 02:19:24.239
<v Speaker 4>a to me, it almost seems like a nod like, Hey,

2706
02:19:24.280 --> 02:19:26.760
<v Speaker 4>the Masons aren't involved, they're trying to a trickster nod

2707
02:19:26.879 --> 02:19:29.120
<v Speaker 4>right because they're not including the sign on on the

2708
02:19:29.239 --> 02:19:30.879
<v Speaker 4>hill valley sign right, the symbol.

2709
02:19:32.280 --> 02:19:35.559
<v Speaker 6>And real quick, I could actually connect all these too Freemasonry.

2710
02:19:36.319 --> 02:19:36.840
<v Speaker 4>Well there you go.

2711
02:19:37.799 --> 02:19:40.840
<v Speaker 6>Gustaf Laurace ate it wrong was one of the rotary

2712
02:19:40.920 --> 02:19:44.719
<v Speaker 6>cubs for founders. He was a Mason. The National Range

2713
02:19:44.760 --> 02:19:47.399
<v Speaker 6>founder Oliver Kelly was a Mason and used those ties

2714
02:19:47.440 --> 02:19:51.000
<v Speaker 6>to recruit farmers after the Civil War. Daniel Carter Beard

2715
02:19:51.079 --> 02:19:54.719
<v Speaker 6>boy Scout pioneer who helped launch Campfire Girls, was a

2716
02:19:54.879 --> 02:19:58.920
<v Speaker 6>Mason as well. The Grange borrowed in It's an explicit

2717
02:19:59.239 --> 02:20:03.680
<v Speaker 6>harvest ree system for Masonic virtual handbooks. Future Farmers of

2718
02:20:03.760 --> 02:20:06.760
<v Speaker 6>America built its opening and closing ceremony on the same

2719
02:20:07.280 --> 02:20:11.360
<v Speaker 6>Orfico pole format used in Masonic lodges. The American Legion

2720
02:20:11.440 --> 02:20:15.120
<v Speaker 6>has a short initiatory right, and nineteen nineties Fraternal survey

2721
02:20:15.239 --> 02:20:19.959
<v Speaker 6>noted some posts whose memberships were entirely Masonic. So like,

2722
02:20:20.079 --> 02:20:23.600
<v Speaker 6>what that's getting at is, basically some American Legion places

2723
02:20:23.680 --> 02:20:28.479
<v Speaker 6>were only like Masons basically that were members. Many small

2724
02:20:28.760 --> 02:20:33.959
<v Speaker 6>Kawanas or Optimist clubs rent local Masonic holes to do things.

2725
02:20:35.639 --> 02:20:42.920
<v Speaker 6>The civic freemasonries nineteenth century stress on philanthropy and networking

2726
02:20:43.040 --> 02:20:46.879
<v Speaker 6>inspired the progressive era in the servicing clubs, which was

2727
02:20:46.920 --> 02:20:52.239
<v Speaker 6>the Kawanis, the Optimist, and the Rotary. The Kawanis International

2728
02:20:52.600 --> 02:20:58.319
<v Speaker 6>sometimes uses Masonic lodges. The Rotary International will sometimes use

2729
02:20:58.399 --> 02:21:00.760
<v Speaker 6>Masonic lodges. And one of the found is, Gus Lore,

2730
02:21:01.000 --> 02:21:06.840
<v Speaker 6>was a Mason in Nazi Germany. I mean the American

2731
02:21:06.920 --> 02:21:11.479
<v Speaker 6>Legion again also has initiatorial things for that, the Grange,

2732
02:21:12.120 --> 02:21:16.639
<v Speaker 6>the Agricultural Degree. The Optimist International will also rent out

2733
02:21:16.799 --> 02:21:19.760
<v Speaker 6>Masonic places to do their things at. So they were

2734
02:21:19.840 --> 02:21:23.440
<v Speaker 6>all either like somehow one of the founders was involved,

2735
02:21:23.479 --> 02:21:26.200
<v Speaker 6>they're renting that space, or they're actually including some of

2736
02:21:26.239 --> 02:21:30.040
<v Speaker 6>their initiatory stuff into their crap, every single one of them.

2737
02:21:30.200 --> 02:21:32.879
<v Speaker 6>I didn't cover the j CS. I actually forgot that

2738
02:21:33.000 --> 02:21:33.479
<v Speaker 6>that was there.

2739
02:21:33.799 --> 02:21:37.360
<v Speaker 8>Yeah, but the j didn't cover this.

2740
02:21:37.600 --> 02:21:39.479
<v Speaker 6>I didn't throw the j c's in there. But I mean,

2741
02:21:39.959 --> 02:21:41.760
<v Speaker 6>that's who the fuck was in the j c's that

2742
02:21:41.879 --> 02:21:42.920
<v Speaker 6>killed count clown.

2743
02:21:42.719 --> 02:21:44.920
<v Speaker 9>Killer John Wayne Gacy.

2744
02:21:45.120 --> 02:21:48.559
<v Speaker 6>Yeah, the JA Yeah, there's something weird with that.

2745
02:21:48.920 --> 02:21:50.639
<v Speaker 4>He was National jay C of the Year, wasn't he.

2746
02:21:50.680 --> 02:21:52.600
<v Speaker 4>That's why he got photographs with Roslynd Carter.

2747
02:21:52.680 --> 02:21:54.600
<v Speaker 8>I believe, yes he was.

2748
02:21:54.799 --> 02:21:59.479
<v Speaker 1>That was in Program to Kill. Actually, Dave McGowan wrote

2749
02:21:59.479 --> 02:22:03.680
<v Speaker 1>about that. There was a comment it was McGowan. There

2750
02:22:03.799 --> 02:22:05.120
<v Speaker 1>was a comment that popped up.

2751
02:22:05.200 --> 02:22:06.079
<v Speaker 8>I don't remember.

2752
02:22:06.200 --> 02:22:10.719
<v Speaker 1>I think the user name was oak Tree sixty nine.

2753
02:22:11.600 --> 02:22:13.319
<v Speaker 4>I fine, you must see this one right here.

2754
02:22:14.200 --> 02:22:16.520
<v Speaker 1>Yeah, okay, I don't know if they noticed this, because

2755
02:22:16.520 --> 02:22:19.959
<v Speaker 1>they say twin Pines Loan Pine upside down, V and

2756
02:22:20.440 --> 02:22:25.000
<v Speaker 1>W and the terrorists were in a v W bug

2757
02:22:25.719 --> 02:22:30.799
<v Speaker 1>van or whatever they call him of old swaggen hippie van,

2758
02:22:31.319 --> 02:22:33.719
<v Speaker 1>you know, which I thought was an interesting selection.

2759
02:22:34.159 --> 02:22:35.079
<v Speaker 4>And you actually.

2760
02:22:36.399 --> 02:22:39.479
<v Speaker 1>Yeah, and you actually see that same van at the

2761
02:22:39.680 --> 02:22:42.760
<v Speaker 1>end of the movie when they're blasting off where we're

2762
02:22:42.879 --> 02:22:46.440
<v Speaker 1>going we don't need roads. That same van is parked

2763
02:22:46.799 --> 02:22:50.440
<v Speaker 1>on this on the street in front of the mcflyes household.

2764
02:22:51.120 --> 02:22:53.079
<v Speaker 9>So I thought that was interesting too.

2765
02:22:54.200 --> 02:22:55.959
<v Speaker 4>Here's a great that is very interesting. Here's a great

2766
02:22:56.000 --> 02:22:58.840
<v Speaker 4>comment about Darth Vader making that scene in there right

2767
02:22:58.920 --> 02:23:02.719
<v Speaker 4>when he does the the alien you know, invasion into

2768
02:23:02.799 --> 02:23:07.159
<v Speaker 4>his father's bedroom there nineteen for nuclear Suit.

2769
02:23:07.520 --> 02:23:09.239
<v Speaker 1>He mixes it with Star Trek too.

2770
02:23:10.000 --> 02:23:12.440
<v Speaker 4>Yeah, but it goes back again to all these you

2771
02:23:12.520 --> 02:23:15.120
<v Speaker 4>know rockets, the nast of the von Braun, the ancient

2772
02:23:15.159 --> 02:23:17.719
<v Speaker 4>alien cargo cult stories you knew of the you know,

2773
02:23:17.840 --> 02:23:20.280
<v Speaker 4>long time ago in a galaxy far far away with

2774
02:23:20.680 --> 02:23:23.000
<v Speaker 4>Star Wars right, couldn't get any more ancient alien than that.

2775
02:23:25.399 --> 02:23:28.200
<v Speaker 4>That's awesome stuff, though I appreciate the comments on those

2776
02:23:28.239 --> 02:23:31.639
<v Speaker 4>things as well. Did you have any any more points

2777
02:23:31.680 --> 02:23:32.760
<v Speaker 4>here on these slides?

2778
02:23:37.440 --> 02:23:39.319
<v Speaker 2>Oh? No, I just want to say that Julia made

2779
02:23:39.319 --> 02:23:41.799
<v Speaker 2>a really good comment, and I also noticed that comment

2780
02:23:42.040 --> 02:23:44.680
<v Speaker 2>that you pulled up jj because it's very the whole

2781
02:23:44.760 --> 02:23:47.600
<v Speaker 2>film is very plus ultray, even Hill Valley. It's like

2782
02:23:47.959 --> 02:23:50.360
<v Speaker 2>two poles of a magnet with a bridge between. Then

2783
02:23:50.399 --> 02:23:53.200
<v Speaker 2>you have the valley, the point of the star coming

2784
02:23:53.280 --> 02:23:58.239
<v Speaker 2>down very eastern star righting into manifestation. That's seventeen, the

2785
02:23:58.719 --> 02:24:04.120
<v Speaker 2>seventeenth path of Venus into your soad. It's coming into formation.

2786
02:24:04.639 --> 02:24:08.200
<v Speaker 2>So you're drawing like the Venus down the wealth, you know,

2787
02:24:08.399 --> 02:24:12.360
<v Speaker 2>all the magic that is that is light really and

2788
02:24:12.440 --> 02:24:15.319
<v Speaker 2>you're drawing it in. So it's something really interesting about

2789
02:24:15.520 --> 02:24:18.639
<v Speaker 2>like what everybody's saying, and just like the kind of

2790
02:24:18.920 --> 02:24:22.120
<v Speaker 2>meta narrative of the whole film. Because you could also

2791
02:24:22.239 --> 02:24:25.879
<v Speaker 2>say that they're kind of telling you that, yeah, they

2792
02:24:26.000 --> 02:24:29.760
<v Speaker 2>use we use plutonium, this is our cover story. But

2793
02:24:29.879 --> 02:24:31.840
<v Speaker 2>then when he goes back in the past, he has

2794
02:24:31.920 --> 02:24:35.200
<v Speaker 2>to use lightning. So they're saying, you can actually recreate

2795
02:24:35.239 --> 02:24:39.639
<v Speaker 2>it totally on your own through lightning, because like what

2796
02:24:39.760 --> 02:24:42.760
<v Speaker 2>Heidi said, it's all the dream, right, So the plutonium

2797
02:24:42.920 --> 02:24:47.200
<v Speaker 2>was just the trial in that time and space, but

2798
02:24:47.360 --> 02:24:52.120
<v Speaker 2>once they moved through time into a different space, they

2799
02:24:52.280 --> 02:24:55.440
<v Speaker 2>used a different method. I don't know, there's something really

2800
02:24:55.520 --> 02:24:58.200
<v Speaker 2>metaphysically interesting now that we're all talking about this, because

2801
02:24:58.239 --> 02:25:00.600
<v Speaker 2>I honestly did not catch all of this that I'm saying.

2802
02:25:01.000 --> 02:25:04.280
<v Speaker 2>So don't like this is just like free range me

2803
02:25:04.520 --> 02:25:05.319
<v Speaker 2>just totally.

2804
02:25:08.840 --> 02:25:11.600
<v Speaker 4>Well that goes conversations, right, you know what I mean?

2805
02:25:13.680 --> 02:25:17.120
<v Speaker 3>Yeah, to the two pines splitting apart because they go

2806
02:25:17.239 --> 02:25:19.799
<v Speaker 3>on the journey together to try and fix the dad's life.

2807
02:25:19.920 --> 02:25:22.600
<v Speaker 3>Like I've said, it's linear the whole time. And then

2808
02:25:22.719 --> 02:25:26.200
<v Speaker 3>as he returns, he's the only one returning to the

2809
02:25:26.280 --> 02:25:30.000
<v Speaker 3>one back to one. Same with the speedometer going back.

2810
02:25:30.639 --> 02:25:33.479
<v Speaker 3>It went to one when you added him. So I

2811
02:25:33.600 --> 02:25:36.319
<v Speaker 3>think I mean, for me, it's a hero's journey, all

2812
02:25:36.360 --> 02:25:38.120
<v Speaker 3>of this, you know, Greek stuff, But I mean, I

2813
02:25:38.239 --> 02:25:40.000
<v Speaker 3>see every other point too, So.

2814
02:25:43.360 --> 02:25:46.799
<v Speaker 2>Yeah, he's the true he's like doing the Joe. I'll

2815
02:25:46.840 --> 02:25:49.879
<v Speaker 2>make a warming joke, Heidi for you. He suggest of

2816
02:25:49.959 --> 02:25:53.920
<v Speaker 2>the journey, right, it travels through the arc. That's what

2817
02:25:54.040 --> 02:25:57.200
<v Speaker 2>the DeLorean is. It's his arc, right. Yeah, So like

2818
02:25:57.719 --> 02:26:00.760
<v Speaker 2>he puts in the plutonium, like you said, is kind

2819
02:26:00.799 --> 02:26:03.040
<v Speaker 2>of like the Dead Father, the corpse of the Father,

2820
02:26:03.159 --> 02:26:05.920
<v Speaker 2>maybe you could say. And so they spend it. So

2821
02:26:06.000 --> 02:26:09.639
<v Speaker 2>they spend his seed and then they wind up with nothing,

2822
02:26:09.719 --> 02:26:11.799
<v Speaker 2>so he kind of like burns out the arc and

2823
02:26:11.879 --> 02:26:14.559
<v Speaker 2>then he has to go get his friend who's the

2824
02:26:14.639 --> 02:26:19.120
<v Speaker 2>god of infinite giving Jupiter Zeus, and yes, rectify it with.

2825
02:26:19.799 --> 02:26:25.200
<v Speaker 3>Lightning, yes, exactly, and then they win against Kronos in time.

2826
02:26:25.760 --> 02:26:28.959
<v Speaker 3>And then at the end when when they come back, well,

2827
02:26:29.079 --> 02:26:30.639
<v Speaker 3>I don't know if you want me to tell this

2828
02:26:30.840 --> 02:26:32.200
<v Speaker 3>now or well I was going.

2829
02:26:32.200 --> 02:26:34.040
<v Speaker 4>To say, yeah, we can if we want to wrap

2830
02:26:34.159 --> 02:26:37.159
<v Speaker 4>up the storyline before we get into the actual time

2831
02:26:37.239 --> 02:26:40.040
<v Speaker 4>traveling device here, the Delorian, before we you know, I'm

2832
02:26:40.040 --> 02:26:42.159
<v Speaker 4>going to close up some stuff around the DeLorean subject.

2833
02:26:42.200 --> 02:26:44.319
<v Speaker 4>But if you want to finish up the the cult

2834
02:26:44.360 --> 02:26:46.040
<v Speaker 4>stuff we're seeing the narrative, that's great.

2835
02:26:46.680 --> 02:26:47.719
<v Speaker 8>So when they re enter.

2836
02:26:47.959 --> 02:26:51.040
<v Speaker 3>When he comes back through, you'll see him come in

2837
02:26:51.479 --> 02:26:54.440
<v Speaker 3>and the scene she showed with the fire makes a

2838
02:26:54.479 --> 02:26:55.479
<v Speaker 3>piscy sign.

2839
02:26:56.120 --> 02:26:59.440
<v Speaker 8>As they're coming through. And then on top of it,

2840
02:26:59.760 --> 02:27:01.159
<v Speaker 8>up in the cinema.

2841
02:27:00.959 --> 02:27:05.959
<v Speaker 3>Area, you'll see green lights and it's glowing, so you know,

2842
02:27:06.440 --> 02:27:10.000
<v Speaker 3>with the green and the heart chakra re entrance, and

2843
02:27:10.120 --> 02:27:13.879
<v Speaker 3>then on the town theater when they come back, you'll

2844
02:27:13.959 --> 02:27:17.360
<v Speaker 3>see the movie has changed to an American orgy.

2845
02:27:17.479 --> 02:27:19.399
<v Speaker 8>It's a sex film, so sex magic.

2846
02:27:20.319 --> 02:27:22.920
<v Speaker 3>And then to the other side of it, it has

2847
02:27:23.079 --> 02:27:27.479
<v Speaker 3>Jesus saves signs and all these salvation signs. So there

2848
02:27:27.639 --> 02:27:31.360
<v Speaker 3>was his choice to go either again right right hand path,

2849
02:27:31.479 --> 02:27:33.920
<v Speaker 3>left hand past sex magic. Are you going to be

2850
02:27:34.000 --> 02:27:36.200
<v Speaker 3>the magician of your own life and creation? Or are

2851
02:27:36.280 --> 02:27:38.559
<v Speaker 3>you gonna, you know, put your faith in something else?

2852
02:27:39.120 --> 02:27:41.760
<v Speaker 3>And then it's it's surrounding the hole that he comes

2853
02:27:41.840 --> 02:27:43.399
<v Speaker 3>to like the wa.

2854
02:27:44.000 --> 02:27:45.920
<v Speaker 8>Yeah, so that's what I saw.

2855
02:27:46.120 --> 02:27:48.120
<v Speaker 4>I didn't catch the I didn't catch the Mavie title

2856
02:27:48.239 --> 02:27:50.639
<v Speaker 4>with that, that is very much a reference to such

2857
02:27:50.760 --> 02:27:53.600
<v Speaker 4>things as sex magic, which is interesting. So back to

2858
02:27:53.680 --> 02:27:56.120
<v Speaker 4>for Reacerman real quick, you just spawned a thought of mine.

2859
02:27:57.000 --> 02:27:59.840
<v Speaker 4>For Reackerman, he was a literary agent for ed Wood,

2860
02:28:00.559 --> 02:28:02.680
<v Speaker 4>you know, uh kind of. He was the pioneer of

2861
02:28:02.760 --> 02:28:05.200
<v Speaker 4>exploit exploitation films, which was largely wow.

2862
02:28:05.639 --> 02:28:09.520
<v Speaker 1>Yeah, so he uh you know, there you go with

2863
02:28:09.680 --> 02:28:13.040
<v Speaker 1>these these the one from the Johnny Depp.

2864
02:28:12.920 --> 02:28:17.239
<v Speaker 4>Movie, that's the precise same one, and again depth depths

2865
02:28:17.399 --> 02:28:19.959
<v Speaker 4>deeply involved in the neo process and the processes who

2866
02:28:20.079 --> 02:28:24.000
<v Speaker 4>popular popularized exploitation films in the seventies, such as Processed

2867
02:28:24.040 --> 02:28:26.600
<v Speaker 4>Church member John Waters, Hollywood director.

2868
02:28:27.559 --> 02:28:27.959
<v Speaker 8>M hmm.

2869
02:28:29.440 --> 02:28:33.600
<v Speaker 1>Isn't it crazy how it's like literally every time with

2870
02:28:33.879 --> 02:28:39.120
<v Speaker 1>each new episode, I learn a plethora of fucking information.

2871
02:28:39.959 --> 02:28:42.319
<v Speaker 4>That's why I listen. I listened all of a cult

2872
02:28:42.360 --> 02:28:44.520
<v Speaker 4>rejects when we get together, because I I know things

2873
02:28:44.559 --> 02:28:46.440
<v Speaker 4>when we're talking about I'm like, I always pick up

2874
02:28:46.440 --> 02:28:47.959
<v Speaker 4>other things I didn't know when I re listened to

2875
02:28:48.000 --> 02:28:48.280
<v Speaker 4>it too.

2876
02:28:48.399 --> 02:28:56.000
<v Speaker 2>Yeah, you selected a very s So I'll just say.

2877
02:28:55.920 --> 02:28:59.239
<v Speaker 4>That now that we're talking about that scene, what are

2878
02:28:59.280 --> 02:29:01.239
<v Speaker 4>your thoughts in the hope? Here go ahead, Jen.

2879
02:29:02.200 --> 02:29:04.639
<v Speaker 2>No, it's just a super calistic image and it actually

2880
02:29:04.920 --> 02:29:08.639
<v Speaker 2>fits really well with our discussions on Mormon magic because

2881
02:29:08.760 --> 02:29:12.520
<v Speaker 2>it really is like a very good nuts ofc color.

2882
02:29:12.639 --> 02:29:14.639
<v Speaker 2>But then there's also a quality of green that can

2883
02:29:14.719 --> 02:29:17.120
<v Speaker 2>be hoed. This is where a lot of people get

2884
02:29:17.159 --> 02:29:20.079
<v Speaker 2>confused because there's like a blue green quality also there,

2885
02:29:20.760 --> 02:29:23.079
<v Speaker 2>So it can either be described as like emerald with

2886
02:29:23.200 --> 02:29:26.159
<v Speaker 2>light passing through, but it can also be described as

2887
02:29:26.239 --> 02:29:29.200
<v Speaker 2>blue green like turquoise. But that's really the reflection of hesse.

2888
02:29:29.440 --> 02:29:34.360
<v Speaker 2>That's how it's described. So it's interesting because that's kind

2889
02:29:34.399 --> 02:29:37.760
<v Speaker 2>of the hermetic journey of the whole film, right, So

2890
02:29:37.959 --> 02:29:41.280
<v Speaker 2>it's kind of in one image, it kind of relays

2891
02:29:42.079 --> 02:29:44.600
<v Speaker 2>a hero's journey, like does he go through the mother

2892
02:29:45.280 --> 02:29:48.600
<v Speaker 2>the diamond into the splendors of light? Or does he

2893
02:29:48.719 --> 02:29:50.760
<v Speaker 2>travel through the fire into the path of the Father.

2894
02:29:52.680 --> 02:29:54.840
<v Speaker 4>And so you're saying he's kind of a messenger then,

2895
02:29:54.840 --> 02:29:56.799
<v Speaker 4>because I was thinking, this guy's kind of a messenger

2896
02:29:56.840 --> 02:29:59.120
<v Speaker 4>between all these worlds. He's always run into this dude.

2897
02:29:59.120 --> 02:29:59.680
<v Speaker 2>In town.

2898
02:30:01.159 --> 02:30:02.360
<v Speaker 8>Yep, yep.

2899
02:30:03.360 --> 02:30:05.719
<v Speaker 3>And then in that by the cinema, it's a clearer

2900
02:30:05.840 --> 02:30:08.280
<v Speaker 3>green instead of a turquoise green. It's more of a

2901
02:30:09.239 --> 02:30:12.360
<v Speaker 3>brighter green where you can see the American Orgy sign

2902
02:30:13.280 --> 02:30:16.799
<v Speaker 3>and the Jesus saves and all that signs. And also

2903
02:30:16.959 --> 02:30:20.200
<v Speaker 3>we've got Biff before we leave him out, like Hiram

2904
02:30:20.239 --> 02:30:22.399
<v Speaker 3>a Biff Well.

2905
02:30:22.680 --> 02:30:24.520
<v Speaker 4>Then I was going to close out with Biff once

2906
02:30:24.559 --> 02:30:26.600
<v Speaker 4>we're done with the storyline here, because he ties it

2907
02:30:26.639 --> 02:30:28.799
<v Speaker 4>into the stuff with the Glorian after when we talk

2908
02:30:28.840 --> 02:30:29.959
<v Speaker 4>the Glorian stuff as well.

2909
02:30:30.879 --> 02:30:32.680
<v Speaker 3>Yeah, I just wanted to mention that, and that the

2910
02:30:32.760 --> 02:30:35.760
<v Speaker 3>brother when you look at the photo when they're looking

2911
02:30:35.840 --> 02:30:38.399
<v Speaker 3>at the picture of them disappearing, the brother's wearing a

2912
02:30:38.520 --> 02:30:39.799
<v Speaker 3>Disney Mickey Mouse shirt.

2913
02:30:40.000 --> 02:30:42.040
<v Speaker 8>I just had to say that since we've been talking about.

2914
02:30:43.360 --> 02:30:49.000
<v Speaker 4>Yeah, well there's the m M right, Mickey Mouse, Marty mcfla, and.

2915
02:30:49.319 --> 02:30:51.239
<v Speaker 8>That's all I have. I'll be quiet now. Sorry, I

2916
02:30:51.360 --> 02:30:52.079
<v Speaker 8>nerd it out on this.

2917
02:30:52.440 --> 02:30:52.719
<v Speaker 3>Sorry.

2918
02:30:52.840 --> 02:30:58.479
<v Speaker 4>That's great, that's great and I like it. Do we

2919
02:30:58.520 --> 02:31:00.520
<v Speaker 4>have any other closing commentary on the journey that he

2920
02:31:00.559 --> 02:31:02.719
<v Speaker 4>took before we started closing out with bif Tain and

2921
02:31:03.040 --> 02:31:03.639
<v Speaker 4>the DeLorean?

2922
02:31:04.079 --> 02:31:05.920
<v Speaker 6>Oh, Dolourian, I have some stuff I could talk about

2923
02:31:05.959 --> 02:31:06.319
<v Speaker 6>real quick.

2924
02:31:07.600 --> 02:31:10.079
<v Speaker 4>Yeah, let's do the Dolorium. We'll roll it into fifteen

2925
02:31:10.120 --> 02:31:12.000
<v Speaker 4>and how does that sound? Yeah, and we'll call and

2926
02:31:12.239 --> 02:31:13.639
<v Speaker 4>and we'll call it in here after that.

2927
02:31:14.840 --> 02:31:15.319
<v Speaker 6>All right?

2928
02:31:15.719 --> 02:31:16.079
<v Speaker 1>What uh?

2929
02:31:16.200 --> 02:31:17.319
<v Speaker 4>What are your thoughts on Deloria?

2930
02:31:17.399 --> 02:31:17.559
<v Speaker 8>Nick?

2931
02:31:18.879 --> 02:31:19.000
<v Speaker 3>Oh?

2932
02:31:19.079 --> 02:31:21.879
<v Speaker 6>The DeLorean? Well, I mean it's more like silver, so

2933
02:31:22.000 --> 02:31:24.079
<v Speaker 6>I kind of put that more with mercury lake kind

2934
02:31:24.079 --> 02:31:28.479
<v Speaker 6>of like quicksilver, Uh, symbolic of the albedo stage in alchemy.

2935
02:31:29.479 --> 02:31:32.680
<v Speaker 6>It's plowered by powered like Heidi had even mentioned before,

2936
02:31:32.719 --> 02:31:34.639
<v Speaker 6>the plutonium Pluto god of the underworld.

2937
02:31:35.760 --> 02:31:38.159
<v Speaker 4>And what was the why situation with the flex capacitor,

2938
02:31:38.200 --> 02:31:40.479
<v Speaker 4>what was the significance there in to me?

2939
02:31:40.680 --> 02:31:43.239
<v Speaker 6>I mean, it's the shape of the rising beast and uh,

2940
02:31:43.319 --> 02:31:49.760
<v Speaker 6>when you're doing the l v X formula and uh interesting, yeah,

2941
02:31:49.959 --> 02:31:52.719
<v Speaker 6>when you're actually yeah, when you're doing a ritual, there's

2942
02:31:52.760 --> 02:31:56.799
<v Speaker 6>certain things that you make a y and uh yeah,

2943
02:31:56.799 --> 02:31:57.600
<v Speaker 6>it's supposed.

2944
02:31:59.200 --> 02:32:00.680
<v Speaker 4>Of some regards with saying yeah.

2945
02:32:00.520 --> 02:32:02.360
<v Speaker 6>It's something that you will make when you're doing a ritual.

2946
02:32:04.959 --> 02:32:06.920
<v Speaker 6>Then I have I mean he needs one point twenty

2947
02:32:06.920 --> 02:32:09.120
<v Speaker 6>when jigawats I just found it interesting with eleven times

2948
02:32:09.159 --> 02:32:12.600
<v Speaker 6>eleven does get that, you know, very gious like or

2949
02:32:12.719 --> 02:32:16.680
<v Speaker 6>double poles or twin pines. I guess again, I don't know, yeah,

2950
02:32:16.840 --> 02:32:21.399
<v Speaker 6>uh again, uh standles still body kind of uh you know,

2951
02:32:21.959 --> 02:32:26.399
<v Speaker 6>even that look purifying mercury stage reflex reality a mirror

2952
02:32:26.520 --> 02:32:30.600
<v Speaker 6>or portal I did, I mean, maybe going too far,

2953
02:32:30.719 --> 02:32:33.959
<v Speaker 6>but even with the wings opening up, it's very like

2954
02:32:34.319 --> 02:32:37.680
<v Speaker 6>scarblike or you know, the soul, the.

2955
02:32:37.680 --> 02:32:40.319
<v Speaker 4>Gold the gold wing style. I mean, that's a very unique,

2956
02:32:40.680 --> 02:32:43.319
<v Speaker 4>very neat even I mean and to all automobiles, that's

2957
02:32:43.360 --> 02:32:45.920
<v Speaker 4>not a very common feature, right, So what do you

2958
02:32:45.959 --> 02:32:47.879
<v Speaker 4>think the nature of that is as far as oc

2959
02:32:47.920 --> 02:32:49.159
<v Speaker 4>cultism goes, I have like.

2960
02:32:49.239 --> 02:32:52.559
<v Speaker 6>Horses ring or rings, the Egyptian like solar, the solar

2961
02:32:52.639 --> 02:32:55.399
<v Speaker 6>disc scarrowlike kind of resurrection.

2962
02:32:56.760 --> 02:33:00.159
<v Speaker 8>That's even a fallen angel, even fallen angel.

2963
02:33:00.159 --> 02:33:05.600
<v Speaker 6>Clip you know, yeah, yeah, that would that would coming back, Yeah,

2964
02:33:05.639 --> 02:33:11.920
<v Speaker 6>that would make sense. Yeah, yes, exactly, Yeah, totally, the

2965
02:33:12.000 --> 02:33:15.399
<v Speaker 6>plutonium core against Pluto when you give the descendant to

2966
02:33:15.479 --> 02:33:22.200
<v Speaker 6>the yeah, and then the flex capacitor, the y shaped sigil. Again,

2967
02:33:22.200 --> 02:33:25.479
<v Speaker 6>I think the rising beast, and I've always like I

2968
02:33:25.559 --> 02:33:27.159
<v Speaker 6>said that, I think the beasts without a leash is

2969
02:33:27.159 --> 02:33:29.120
<v Speaker 6>pretty much just like electricity on its.

2970
02:33:29.040 --> 02:33:32.319
<v Speaker 4>Own, right right, that's very that's an interesting way to

2971
02:33:32.360 --> 02:33:34.719
<v Speaker 4>look at that. I guess it looks like the etymology

2972
02:33:34.719 --> 02:33:37.120
<v Speaker 4>of DeLorean is related to these hills right hillside.

2973
02:33:37.159 --> 02:33:40.600
<v Speaker 8>It says, think of think of what you just said, Nick,

2974
02:33:40.719 --> 02:33:43.120
<v Speaker 8>electricity on its own. That's exactly what the.

2975
02:33:43.159 --> 02:33:44.520
<v Speaker 6>Lighting was, yeah, exactly.

2976
02:33:44.600 --> 02:33:48.760
<v Speaker 8>Yeah, so I didn't need the plutonium. It was on

2977
02:33:48.959 --> 02:33:49.319
<v Speaker 8>its own.

2978
02:33:49.559 --> 02:33:53.520
<v Speaker 6>Yeah, and you see that supposedly that that amount of

2979
02:33:53.680 --> 02:33:56.239
<v Speaker 6>energy does equal electric bolt. I don't know if that's

2980
02:33:56.280 --> 02:33:56.639
<v Speaker 6>true or not.

2981
02:33:57.799 --> 02:34:00.239
<v Speaker 8>Hmm yeah yeah.

2982
02:34:01.520 --> 02:34:06.639
<v Speaker 6>And even another thing, uh, the Masonic the eighth letter

2983
02:34:07.520 --> 02:34:09.399
<v Speaker 6>is H, you know, and you do see that a

2984
02:34:09.479 --> 02:34:12.479
<v Speaker 6>lie like with the number eighty eight, that would be

2985
02:34:12.600 --> 02:34:14.559
<v Speaker 6>like h h again and that you're not even going

2986
02:34:14.600 --> 02:34:16.520
<v Speaker 6>to so much with hal Hitler, but I would even

2987
02:34:16.559 --> 02:34:20.120
<v Speaker 6>say that it would be like maybe the the double

2988
02:34:20.200 --> 02:34:23.200
<v Speaker 6>pillars and like the pines again, the twin pines, like

2989
02:34:23.319 --> 02:34:26.959
<v Speaker 6>just showing like double double stuff, and even the twin towers.

2990
02:34:27.120 --> 02:34:29.440
<v Speaker 6>I even thought that that might have somehow fit in there.

2991
02:34:31.760 --> 02:34:33.799
<v Speaker 6>That's a little just happy to be in my face.

2992
02:34:33.920 --> 02:34:37.600
<v Speaker 2>Yeah, No, I think that makes sense. Sick because you're

2993
02:34:37.680 --> 02:34:42.200
<v Speaker 2>doubling the blessings from Mercury or from Hoe to Hasse.

2994
02:34:43.040 --> 02:34:45.399
<v Speaker 2>That's exactly what you're doing. You're throwing the lightning at

2995
02:34:45.440 --> 02:34:49.399
<v Speaker 2>the ocean, staying and stubbling and stubling double a double

2996
02:34:49.440 --> 02:34:53.559
<v Speaker 2>a double eight. Right, But it's really a reflection. So

2997
02:34:53.680 --> 02:34:56.159
<v Speaker 2>are you're gonna transmute the water like you were saying

2998
02:34:56.159 --> 02:35:00.760
<v Speaker 2>about alchemy? Because the film is extremely outcomical. Everything in

2999
02:35:00.799 --> 02:35:05.040
<v Speaker 2>the film even flux. Flux can be alchemically linked to

3000
02:35:05.120 --> 02:35:09.040
<v Speaker 2>hod or hoke ma is it is it before it's

3001
02:35:09.200 --> 02:35:14.719
<v Speaker 2>used or after it's used, because actually you can reconstitute flux.

3002
02:35:15.079 --> 02:35:18.399
<v Speaker 2>So that's another really interesting thing. I also nested an

3003
02:35:18.479 --> 02:35:21.680
<v Speaker 2>image of that of the Deity with the serpent, which

3004
02:35:21.799 --> 02:35:24.440
<v Speaker 2>reminds me of that image that Nick makes, like the

3005
02:35:24.639 --> 02:35:28.840
<v Speaker 2>the why because it he also makes that, And then

3006
02:35:28.879 --> 02:35:32.120
<v Speaker 2>you can also explain it with like the serpent crown

3007
02:35:32.280 --> 02:35:36.120
<v Speaker 2>behind him, it's like kind of exploding into view, and

3008
02:35:36.239 --> 02:35:40.760
<v Speaker 2>his body is blue, so it's kind of stainless, kind

3009
02:35:40.760 --> 02:35:44.760
<v Speaker 2>of adamantine. You could say. It's interesting. I think that

3010
02:35:44.879 --> 02:35:46.879
<v Speaker 2>you could make a case that, like their God is

3011
02:35:46.959 --> 02:35:49.280
<v Speaker 2>really space. However you want to conceptualize that.

3012
02:35:50.239 --> 02:35:52.559
<v Speaker 3>What if it's like the father's son too, Like what

3013
02:35:52.639 --> 02:35:56.399
<v Speaker 3>if it's representing the two that become one because the

3014
02:35:56.520 --> 02:35:57.280
<v Speaker 3>kid goes home.

3015
02:35:57.920 --> 02:35:59.879
<v Speaker 6>That's why I think I have that Marty has thee

3016
02:36:00.239 --> 02:36:03.319
<v Speaker 6>and the yellow at some points in my opinion, if

3017
02:36:03.360 --> 02:36:05.360
<v Speaker 6>you look at Marty in the street and look at

3018
02:36:05.360 --> 02:36:07.680
<v Speaker 6>a red car, it is an orange kind of looking

3019
02:36:07.799 --> 02:36:10.920
<v Speaker 6>vest that really read the orange and hod and then

3020
02:36:10.959 --> 02:36:14.719
<v Speaker 6>the blue. The blue close shows the prince and the

3021
02:36:14.799 --> 02:36:17.600
<v Speaker 6>King at the same time, sex.

3022
02:36:17.680 --> 02:36:27.559
<v Speaker 3>Sex, sex power too with orange right, passion, perfection, Yeah, I.

3023
02:36:29.440 --> 02:36:29.760
<v Speaker 2>Think so.

3024
02:36:31.520 --> 02:36:33.639
<v Speaker 4>Yeah, So why do y'all think they Aside from these

3025
02:36:33.639 --> 02:36:35.440
<v Speaker 4>are all great details, why do you think they chose

3026
02:36:35.559 --> 02:36:37.120
<v Speaker 4>this car? I mean they said it was kind of

3027
02:36:37.120 --> 02:36:39.159
<v Speaker 4>because it's futuristic look, and I guess I can buy

3028
02:36:39.200 --> 02:36:41.559
<v Speaker 4>that to a certain extent, But I would say.

3029
02:36:41.399 --> 02:36:45.479
<v Speaker 1>It's futuristic looking, especially with the doors opening like that.

3030
02:36:45.760 --> 02:36:49.639
<v Speaker 4>Sure, but I definitely lookistic. But why couldn't they just,

3031
02:36:49.760 --> 02:36:51.680
<v Speaker 4>you know, church up another car that they only know

3032
02:36:51.719 --> 02:36:54.000
<v Speaker 4>what I'm getting, as this was a very unique automobile.

3033
02:36:54.120 --> 02:36:57.239
<v Speaker 4>Not only that was John Dolorian was not like they

3034
02:36:57.399 --> 02:36:59.719
<v Speaker 4>chose this car after a time where he was already

3035
02:37:00.120 --> 02:37:04.159
<v Speaker 4>he just got acquitted of those cocaine trafficking charges, right

3036
02:37:04.639 --> 02:37:07.200
<v Speaker 4>this is nineteen eighty four, just gets acquitted, so he,

3037
02:37:07.479 --> 02:37:09.799
<v Speaker 4>you know, right when the movies just about long. So

3038
02:37:09.840 --> 02:37:12.399
<v Speaker 4>that means they wrote the film while he's on trial

3039
02:37:12.479 --> 02:37:18.879
<v Speaker 4>for cocaine trafficking charges and the car me question of

3040
02:37:19.559 --> 02:37:20.079
<v Speaker 4>just very.

3041
02:37:25.559 --> 02:37:28.959
<v Speaker 9>JJ you cut out, Oh shoot, yes.

3042
02:37:29.280 --> 02:37:32.680
<v Speaker 4>So I was saying, it's very bizarre circumstances. John Deloorian's

3043
02:37:32.719 --> 02:37:35.360
<v Speaker 4>on trial while they're writing this film and getting ready

3044
02:37:35.399 --> 02:37:38.479
<v Speaker 4>to start filming it. It's on trial for cocaine trafficking

3045
02:37:38.600 --> 02:37:41.600
<v Speaker 4>charges that he's on trumped up charges by the FBI

3046
02:37:41.680 --> 02:37:44.159
<v Speaker 4>and the DEA, So they set him up for these

3047
02:37:44.200 --> 02:37:46.719
<v Speaker 4>things on a sting operation. He gets acquitted, but he

3048
02:37:46.760 --> 02:37:49.319
<v Speaker 4>gets acquitted just shortly before they start filming. But meaning

3049
02:37:49.879 --> 02:37:52.399
<v Speaker 4>they used a vehicle of a dude who's on trial

3050
02:37:52.479 --> 02:37:55.520
<v Speaker 4>for cocaine trafficking charges in a vehicle. He only made

3051
02:37:55.600 --> 02:37:58.120
<v Speaker 4>nine thousand of them, which I had already ceased production,

3052
02:37:58.360 --> 02:38:00.879
<v Speaker 4>so just it seemed like an odd vehicle choice to me.

3053
02:38:01.479 --> 02:38:05.000
<v Speaker 9>Well, also, you know what the last name Delarean means.

3054
02:38:05.799 --> 02:38:07.680
<v Speaker 4>Hill Thought apparently, which is wild man.

3055
02:38:07.840 --> 02:38:13.200
<v Speaker 1>From the Hills. Yeah, from the Hills Hill Valley. That's

3056
02:38:13.399 --> 02:38:15.879
<v Speaker 1>that's why I put that in my notes.

3057
02:38:16.079 --> 02:38:19.079
<v Speaker 4>But I mean, oh, I just tell that in the chat.

3058
02:38:19.239 --> 02:38:21.239
<v Speaker 4>I'm going to go. But no, that's great stuff, Julia.

3059
02:38:21.200 --> 02:38:25.479
<v Speaker 6>JJ, real quick before you move on. Uh, I thought

3060
02:38:25.479 --> 02:38:28.639
<v Speaker 6>of the mirroring with the the Laurian. I forgot like

3061
02:38:28.680 --> 02:38:30.559
<v Speaker 6>the first thing of my notes, which really made me

3062
02:38:30.879 --> 02:38:33.680
<v Speaker 6>start to think. Besides Martin McFly with the MM obviously

3063
02:38:33.760 --> 02:38:34.360
<v Speaker 6>for the measons.

3064
02:38:35.239 --> 02:38:35.360
<v Speaker 1>Uh.

3065
02:38:35.559 --> 02:38:37.719
<v Speaker 6>He wakes up at seven fifty three and back. I

3066
02:38:37.840 --> 02:38:40.200
<v Speaker 6>started thinking mirroring, and I really wish I would have

3067
02:38:40.200 --> 02:38:41.760
<v Speaker 6>done this with more stuff. I didn't really get a

3068
02:38:41.879 --> 02:38:45.840
<v Speaker 6>chance to run everything backwards. Yeah, but three fifty seven

3069
02:38:45.959 --> 02:38:48.879
<v Speaker 6>is a Masonic rich write in a ritual that William

3070
02:38:48.959 --> 02:38:52.440
<v Speaker 6>Preston and Thomas Smith Webb do use in like their areas,

3071
02:38:52.479 --> 02:38:55.200
<v Speaker 6>and that kind of starts getting into the Scottish rite

3072
02:38:55.239 --> 02:38:55.719
<v Speaker 6>type stuff.

3073
02:38:58.239 --> 02:39:01.399
<v Speaker 3>And to Julia's point or who made the point about

3074
02:39:01.399 --> 02:39:06.600
<v Speaker 3>the hill Julia? And where do they build the altars

3075
02:39:06.680 --> 02:39:12.479
<v Speaker 3>to their fallen angels at the high point, I mean,

3076
02:39:12.559 --> 02:39:13.120
<v Speaker 3>I think.

3077
02:39:13.000 --> 02:39:15.360
<v Speaker 1>They chose it for a reason. I mean the doors

3078
02:39:15.479 --> 02:39:17.719
<v Speaker 1>do look futuristic, Don't get me wrong.

3079
02:39:17.760 --> 02:39:19.280
<v Speaker 4>That's what I'm saying. We like that is an easy

3080
02:39:19.319 --> 02:39:21.120
<v Speaker 4>cop out there, right, there's more to it, much like

3081
02:39:21.200 --> 02:39:25.559
<v Speaker 4>the film. There's more of an esoteric or I think, well,

3082
02:39:25.600 --> 02:39:28.000
<v Speaker 4>the pr natural and the dudes on the dudes on

3083
02:39:28.120 --> 02:39:30.840
<v Speaker 4>trial for cocaine? What if what if he gets found guilty?

3084
02:39:30.840 --> 02:39:33.200
<v Speaker 4>They're going to have his car in a big budget film?

3085
02:39:33.479 --> 02:39:34.159
<v Speaker 4>I don't think so.

3086
02:39:34.879 --> 02:39:37.639
<v Speaker 1>Yeah, but what if was he found guilty?

3087
02:39:38.840 --> 02:39:40.680
<v Speaker 4>No, but that's what I'm saying. They wrote the film

3088
02:39:40.719 --> 02:39:46.159
<v Speaker 4>while he was on trial. Okay, but well they started

3089
02:39:46.159 --> 02:39:48.680
<v Speaker 4>filming at weeks like two maybe we'll call it ten

3090
02:39:48.719 --> 02:39:50.000
<v Speaker 4>weeks after the trial ended.

3091
02:39:51.079 --> 02:39:53.760
<v Speaker 1>Okay, well, what if they knew he wasn't going to

3092
02:39:54.360 --> 02:39:58.120
<v Speaker 1>get convicted of anything? I know that, what if he

3093
02:39:58.280 --> 02:40:01.239
<v Speaker 1>was running? What if he was read because they let

3094
02:40:01.319 --> 02:40:03.760
<v Speaker 1>him off just like they did with like literally a

3095
02:40:03.840 --> 02:40:04.440
<v Speaker 1>bunch of hereies.

3096
02:40:04.639 --> 02:40:08.520
<v Speaker 4>Yes, but I mean whatever, they were really this guy.

3097
02:40:08.520 --> 02:40:10.879
<v Speaker 4>I don't know who he pissed off, but the Feds

3098
02:40:10.959 --> 02:40:12.760
<v Speaker 4>literally set him up. They brought him the deal and

3099
02:40:12.920 --> 02:40:15.040
<v Speaker 4>then they videotaped him doing the deal, and that's why

3100
02:40:15.079 --> 02:40:16.799
<v Speaker 4>he got off. But then a couple of years later

3101
02:40:17.120 --> 02:40:19.799
<v Speaker 4>they busted in for tax evasion, so they were really

3102
02:40:19.879 --> 02:40:21.479
<v Speaker 4>after old JD.

3103
02:40:21.639 --> 02:40:22.040
<v Speaker 2>Here John.

3104
02:40:22.200 --> 02:40:25.159
<v Speaker 1>Maybe maybe he pissed them off in some kind of way,

3105
02:40:25.200 --> 02:40:28.399
<v Speaker 1>because like if you were trying to buy a Dolorean,

3106
02:40:28.559 --> 02:40:30.639
<v Speaker 1>now you can't.

3107
02:40:35.280 --> 02:40:37.479
<v Speaker 4>Yeah. Strangely enough, Julia, there's a he made a very

3108
02:40:37.520 --> 02:40:40.239
<v Speaker 4>fine automobile apparently, because out of the nine thousand or

3109
02:40:40.239 --> 02:40:42.440
<v Speaker 4>so was produced, about sixty percent are still still on

3110
02:40:42.479 --> 02:40:42.799
<v Speaker 4>the road.

3111
02:40:43.760 --> 02:40:46.639
<v Speaker 1>Well, what I'm saying though, is unless you're a millionaire,

3112
02:40:46.680 --> 02:40:49.319
<v Speaker 1>you're not probably going to be able to just afford

3113
02:40:49.399 --> 02:40:50.760
<v Speaker 1>this to ride around it.

3114
02:40:51.639 --> 02:40:53.879
<v Speaker 4>No, I know, I that's a great point. I wasn't

3115
02:40:53.879 --> 02:40:55.479
<v Speaker 4>saying you wrong. Yeah, it's a great point because there's

3116
02:40:55.520 --> 02:40:57.639
<v Speaker 4>only nine thousand that were ever produced, and you know,

3117
02:40:57.719 --> 02:40:59.799
<v Speaker 4>only about six thousand I believe exists today. But yeah,

3118
02:40:59.799 --> 02:41:01.600
<v Speaker 4>you're you're paying money because of the lack of a

3119
02:41:01.719 --> 02:41:02.600
<v Speaker 4>you know, supplying man.

3120
02:41:02.719 --> 02:41:05.959
<v Speaker 1>Right, So well, you're paying money because everybody loves back

3121
02:41:06.000 --> 02:41:08.879
<v Speaker 1>to the future, you know what I mean.

3122
02:41:10.639 --> 02:41:12.239
<v Speaker 4>Everyone wants a Delarey and they want to pamp it

3123
02:41:12.319 --> 02:41:13.079
<v Speaker 4>out right.

3124
02:41:13.360 --> 02:41:17.280
<v Speaker 9>Yeah, they want to put the led freak light strips

3125
02:41:17.360 --> 02:41:17.559
<v Speaker 9>on it.

3126
02:41:17.799 --> 02:41:21.600
<v Speaker 2>Yet, what if Delaurian guy was a member of their lodge.

3127
02:41:21.680 --> 02:41:24.920
<v Speaker 2>I'm just thinking totally hypothetically, okay, and so or he

3128
02:41:25.079 --> 02:41:27.239
<v Speaker 2>was like a member of their faction. You could say, like,

3129
02:41:27.319 --> 02:41:28.719
<v Speaker 2>I know, JJ likes that word.

3130
02:41:28.799 --> 02:41:31.600
<v Speaker 4>So yeah, you're reading my mind there, Jen, I'll be

3131
02:41:31.680 --> 02:41:33.680
<v Speaker 4>using your wizard skills over here, buddy. You're reading my

3132
02:41:33.760 --> 02:41:35.280
<v Speaker 4>mind though, so.

3133
02:41:35.959 --> 02:41:39.360
<v Speaker 2>Well, thank you. So yeah, he's a member of their fashion.

3134
02:41:39.479 --> 02:41:41.639
<v Speaker 2>It doesn't matter if he gets convicted or not convicted,

3135
02:41:41.680 --> 02:41:43.719
<v Speaker 2>because they're going to like give their little wink in

3136
02:41:43.760 --> 02:41:48.360
<v Speaker 2>their nod to him. It's also interesting that like Delaian

3137
02:41:48.440 --> 02:41:52.520
<v Speaker 2>Motor Company d m C. De lette them cough, I

3138
02:41:52.559 --> 02:41:55.959
<v Speaker 2>don't know, there's something kind of interesting about that because

3139
02:41:55.959 --> 02:41:57.600
<v Speaker 2>if you write it out in Hebrew, it looks like

3140
02:41:57.719 --> 02:42:02.000
<v Speaker 2>seven O seven. Just saying sure is an additional way

3141
02:42:02.079 --> 02:42:04.239
<v Speaker 2>to do the tamata. I'm not saying that's the proper way,

3142
02:42:04.280 --> 02:42:06.680
<v Speaker 2>and just just like you know, just riffing.

3143
02:42:07.520 --> 02:42:09.639
<v Speaker 4>That's good stuff. And to this comment here, that's a

3144
02:42:09.639 --> 02:42:11.440
<v Speaker 4>great comment. The car turned out to suck, but it's

3145
02:42:11.760 --> 02:42:12.360
<v Speaker 4>the collectors.

3146
02:42:12.399 --> 02:42:12.760
<v Speaker 3>I know it.

3147
02:42:13.040 --> 02:42:15.479
<v Speaker 4>Apparently mechanically it did not function well. But what I

3148
02:42:15.559 --> 02:42:17.719
<v Speaker 4>was getting at was the durability and long lasting nature

3149
02:42:17.760 --> 02:42:19.559
<v Speaker 4>of the body style and everything. The way they did

3150
02:42:19.600 --> 02:42:22.159
<v Speaker 4>it kind of reminds me. I think Elon Musk copied

3151
02:42:22.159 --> 02:42:24.239
<v Speaker 4>it for a cyber truck, right. It is like that

3152
02:42:24.360 --> 02:42:26.559
<v Speaker 4>same kind of steel or whatever, or that same kind

3153
02:42:26.600 --> 02:42:28.200
<v Speaker 4>of production of the body style.

3154
02:42:29.440 --> 02:42:30.879
<v Speaker 2>They think they're plus ultra dude.

3155
02:42:32.239 --> 02:42:35.719
<v Speaker 4>Think they're talking about factions and cults, right, Yeah, talking

3156
02:42:35.719 --> 02:42:37.639
<v Speaker 4>about factions and cults right there you go, right, I

3157
02:42:37.680 --> 02:42:39.399
<v Speaker 4>mean that sounds like a nice connection right there with

3158
02:42:39.520 --> 02:42:42.239
<v Speaker 4>just having the same aesthetic to these automobiles they're designing.

3159
02:42:44.920 --> 02:42:49.879
<v Speaker 8>Yep, they think they're the gay GAO t U right,

3160
02:42:50.040 --> 02:42:51.360
<v Speaker 8>like we talked about last night.

3161
02:42:53.239 --> 02:42:56.079
<v Speaker 4>For sure, so just a quick rundown on Old Dolaurian.

3162
02:42:56.120 --> 02:42:58.680
<v Speaker 4>Here he gets charged October nineteenth of nineteen eighty two

3163
02:43:00.000 --> 02:43:02.760
<v Speaker 4>ft nine pounds of coke. That's a lot. That's a lot.

3164
02:43:02.840 --> 02:43:04.520
<v Speaker 4>He wanted to sell two hundred and twenty of them though,

3165
02:43:04.600 --> 02:43:07.079
<v Speaker 4>so he was even into more of that. So again

3166
02:43:07.120 --> 02:43:09.000
<v Speaker 4>the FEDS brought it to him, and the FED busted him.

3167
02:43:09.239 --> 02:43:11.399
<v Speaker 4>He was pissing off to Troy by making this vehicles,

3168
02:43:11.399 --> 02:43:12.959
<v Speaker 4>I think, is what it really boiled down to him

3169
02:43:13.200 --> 02:43:15.479
<v Speaker 4>in one aspect at least. You know, he he was

3170
02:43:15.520 --> 02:43:17.520
<v Speaker 4>a former Detroit Guy's like, I'm gonna make my own car,

3171
02:43:17.559 --> 02:43:20.280
<v Speaker 4>and they're like, the hell you are, buddy. So he

3172
02:43:20.360 --> 02:43:24.000
<v Speaker 4>gets to quit it on that on let's see here

3173
02:43:24.719 --> 02:43:28.120
<v Speaker 4>some September twenty first, nineteen eighty five, So this movie

3174
02:43:28.200 --> 02:43:32.360
<v Speaker 4>comes out, comes out. I guess really what started filming.

3175
02:43:32.399 --> 02:43:36.040
<v Speaker 4>I guess in December I believe, so about three months later.

3176
02:43:36.479 --> 02:43:38.520
<v Speaker 4>So you know, I think that's very interesting. And again

3177
02:43:38.840 --> 02:43:40.520
<v Speaker 4>I'm sorry that we'd know. That's when he got charged

3178
02:43:40.559 --> 02:43:44.159
<v Speaker 4>with the fraud stuff. He gets a quitted on August sixteenth,

3179
02:43:44.399 --> 02:43:46.639
<v Speaker 4>that's right, because the movie came out July third, twenty

3180
02:43:46.760 --> 02:43:49.559
<v Speaker 4>or nineteen eighty five. That makes sense. So he gets

3181
02:43:49.559 --> 02:43:52.639
<v Speaker 4>a quitted on August sixteenth, nineteen eighty four, and then

3182
02:43:53.040 --> 02:43:55.760
<v Speaker 4>he's charged again in September of eighty five, So they

3183
02:43:55.760 --> 02:43:57.520
<v Speaker 4>were after Delaurien, right, you know what I mean, like

3184
02:43:57.639 --> 02:44:00.479
<v Speaker 4>whatever this dude? Did you know? There was some some

3185
02:44:00.840 --> 02:44:04.159
<v Speaker 4>uh lawfare if you will, being executed against him.

3186
02:44:04.239 --> 02:44:09.120
<v Speaker 9>But what I find he was acquitted of all charges.

3187
02:44:09.840 --> 02:44:11.879
<v Speaker 4>Well, yeah, they had it on videotape and there was

3188
02:44:11.920 --> 02:44:13.799
<v Speaker 4>so much evidence that he was all it was all

3189
02:44:13.799 --> 02:44:15.799
<v Speaker 4>in trapman, and he had some good attorneys. But then

3190
02:44:15.799 --> 02:44:18.360
<v Speaker 4>and then, but did he win because then they came

3191
02:44:18.440 --> 02:44:20.399
<v Speaker 4>after him, right, and then they're like, yeah, we got

3192
02:44:20.479 --> 02:44:22.639
<v Speaker 4>you for fraud like months after, you know, a year

3193
02:44:22.719 --> 02:44:25.479
<v Speaker 4>or so after he gets acquitted, right, So you know.

3194
02:44:26.000 --> 02:44:29.760
<v Speaker 1>He said he was he was acquitted even after this

3195
02:44:29.920 --> 02:44:31.639
<v Speaker 1>September nineteen eighty five.

3196
02:44:32.399 --> 02:44:33.920
<v Speaker 4>No, that's a great point, That's what I'm getting at.

3197
02:44:33.920 --> 02:44:35.479
<v Speaker 4>So do you really win because he's spending all this

3198
02:44:35.559 --> 02:44:38.840
<v Speaker 4>money on attorneys to buy two thousand, he's got he's

3199
02:44:38.879 --> 02:44:41.719
<v Speaker 4>financially bankrupt, and he's got to sell mansion.

3200
02:44:42.239 --> 02:44:44.680
<v Speaker 9>It's all in who you know, right, right?

3201
02:44:45.280 --> 02:44:45.399
<v Speaker 3>Right?

3202
02:44:45.479 --> 02:44:48.479
<v Speaker 4>But what I'm getting is there after someone's after bankrupting

3203
02:44:48.520 --> 02:44:51.520
<v Speaker 4>glory and he sells his mansion in two thousands as

3204
02:44:51.600 --> 02:44:53.879
<v Speaker 4>a result of this bankruptcy. Right, we're gonna get into

3205
02:44:53.879 --> 02:44:55.879
<v Speaker 4>the fIF tan and here's when I'm I'm heading here.

3206
02:44:55.959 --> 02:44:58.239
<v Speaker 2>So the day he got acquitted was magic.

3207
02:44:58.280 --> 02:45:00.559
<v Speaker 4>I just want to say that seven twenty one.

3208
02:45:01.879 --> 02:45:07.000
<v Speaker 2>The August sixteenth, nineteen eighty four, nineteeny four is twenty two,

3209
02:45:07.639 --> 02:45:09.319
<v Speaker 2>super much? Right?

3210
02:45:09.360 --> 02:45:11.440
<v Speaker 4>How about September twenty first, nineteen eighty five.

3211
02:45:15.760 --> 02:45:18.239
<v Speaker 6>Well, August is also the eight did you say them?

3212
02:45:19.360 --> 02:45:25.000
<v Speaker 4>Yeah, eighteen sixteen, you got two eights, right, yeah, how

3213
02:45:25.040 --> 02:45:27.399
<v Speaker 4>about September twenty first, nineteen eighty five.

3214
02:45:30.840 --> 02:45:36.360
<v Speaker 6>I don't optional.

3215
02:45:34.200 --> 02:45:35.559
<v Speaker 4>Any commentary.

3216
02:45:37.200 --> 02:45:42.280
<v Speaker 2>Math, Yeah, well ninety three right right away? Yeah, and

3217
02:45:42.479 --> 02:45:49.600
<v Speaker 2>what'd you say nineteen eighty five? Yes, sir, well you

3218
02:45:49.760 --> 02:45:52.840
<v Speaker 2>have I mean you would be like a perfect five, right.

3219
02:45:52.879 --> 02:45:56.280
<v Speaker 2>It would be like the completion of like something that

3220
02:45:56.399 --> 02:45:59.760
<v Speaker 2>you've done, maybe to do some greater thing, because you

3221
02:45:59.799 --> 02:46:01.920
<v Speaker 2>all want to try and go up to seven. That's

3222
02:46:01.959 --> 02:46:05.120
<v Speaker 2>the idea, so you use like maybe a launching pad.

3223
02:46:06.360 --> 02:46:08.000
<v Speaker 2>That'd be a good date for like some of the

3224
02:46:08.120 --> 02:46:09.479
<v Speaker 2>new venture. You could say.

3225
02:46:10.680 --> 02:46:17.280
<v Speaker 4>Yeah, so so that's uh, that former estate there you

3226
02:46:17.360 --> 02:46:19.920
<v Speaker 4>see now is the clubhouse of the Trump National Bedminster

3227
02:46:20.040 --> 02:46:23.079
<v Speaker 4>golf Course and the Prime Residency. Trump calls it his

3228
02:46:23.120 --> 02:46:26.600
<v Speaker 4>summer white House Prime Residency that he established there in

3229
02:46:26.639 --> 02:46:28.959
<v Speaker 4>his first term between May and September. That's where he

3230
02:46:29.040 --> 02:46:31.799
<v Speaker 4>normally lives during those months. But I'm saying that's that's

3231
02:46:31.920 --> 02:46:34.719
<v Speaker 4>what he called the summer white House there. That house

3232
02:46:34.799 --> 02:46:40.120
<v Speaker 4>right there used to be John Delauriance. So after getting now,

3233
02:46:40.200 --> 02:46:41.879
<v Speaker 4>I can't make this ship up. It's for all those

3234
02:46:41.920 --> 02:46:44.799
<v Speaker 4>damn UFO sidings in New Jersey. I mean to holler

3235
02:46:44.879 --> 02:46:46.959
<v Speaker 4>there as well. I'm getting a little a little too

3236
02:46:47.040 --> 02:46:49.239
<v Speaker 4>wild there. This is where all those UFO sidings in

3237
02:46:49.319 --> 02:46:53.120
<v Speaker 4>New Jersey were over Trump's, over Delorian's property, which is

3238
02:46:53.200 --> 02:46:54.120
<v Speaker 4>now Trump's property.

3239
02:46:54.840 --> 02:46:55.719
<v Speaker 9>Are you serious?

3240
02:46:56.520 --> 02:46:58.360
<v Speaker 4>Right right over right over it?

3241
02:46:58.879 --> 02:47:00.959
<v Speaker 1>Not all that FOE sidings.

3242
02:47:01.559 --> 02:47:03.680
<v Speaker 4>Well, those drone those weird drone startings, there was a

3243
02:47:03.760 --> 02:47:05.799
<v Speaker 4>high concentration of them in New Jersey that were going

3244
02:47:05.879 --> 02:47:08.879
<v Speaker 4>over Bedminster, the former property of the Dory in the

3245
02:47:08.920 --> 02:47:09.920
<v Speaker 4>current property of Trump.

3246
02:47:10.799 --> 02:47:15.319
<v Speaker 1>Wow, Yeah, it was weird.

3247
02:47:16.799 --> 02:47:18.559
<v Speaker 2>So it makes sense from the numbers.

3248
02:47:19.559 --> 02:47:21.799
<v Speaker 4>What's that gening makes sense to what the numbers.

3249
02:47:21.559 --> 02:47:24.399
<v Speaker 2>Summoning that, Like Heidi always says, like there's some they're

3250
02:47:24.440 --> 02:47:27.000
<v Speaker 2>playing with angels. That's that's exactly what it is, and

3251
02:47:27.120 --> 02:47:30.360
<v Speaker 2>that like or they or they're playing with going away

3252
02:47:30.719 --> 02:47:33.879
<v Speaker 2>like an angel, like how the movie describes it's like

3253
02:47:34.000 --> 02:47:36.399
<v Speaker 2>the same. It's like two different ideas, like do you

3254
02:47:36.440 --> 02:47:38.239
<v Speaker 2>believe in the other power or do you believe in

3255
02:47:38.280 --> 02:47:40.639
<v Speaker 2>the self power? Exactly what Heidi said. I'm just seeing

3256
02:47:40.639 --> 02:47:43.559
<v Speaker 2>a different way to describe it. So it is exactly

3257
02:47:43.639 --> 02:47:45.440
<v Speaker 2>do you believe in the angels or do you believe

3258
02:47:45.479 --> 02:47:49.799
<v Speaker 2>in yourself? There's two different schools of thinking, two different factions.

3259
02:47:50.360 --> 02:47:53.920
<v Speaker 2>So that that's an interesting idea because it's like the

3260
02:47:54.040 --> 02:47:57.360
<v Speaker 2>Trump connection is really interesting. The just all of this,

3261
02:47:57.559 --> 02:48:00.639
<v Speaker 2>it's just so fascinating, Like the whole whole film is

3262
02:48:00.799 --> 02:48:05.680
<v Speaker 2>like very much deeper than its outer presentation. And maybe

3263
02:48:05.799 --> 02:48:09.239
<v Speaker 2>that's also like a credit to its success because it

3264
02:48:10.120 --> 02:48:14.239
<v Speaker 2>it it's not like, you know, sometimes the magical works,

3265
02:48:14.319 --> 02:48:16.760
<v Speaker 2>they work and sometimes they don't. That's kind of the idea,

3266
02:48:16.840 --> 02:48:19.600
<v Speaker 2>so that sometimes they are successful and bear fruit and

3267
02:48:19.680 --> 02:48:22.840
<v Speaker 2>sometimes they don't. But like this film sort of bears

3268
02:48:23.040 --> 02:48:27.159
<v Speaker 2>endless fruit in a way very double hates that's right,

3269
02:48:27.239 --> 02:48:29.760
<v Speaker 2>because it kind of like it keeps Michael J. Fox

3270
02:48:29.879 --> 02:48:33.559
<v Speaker 2>perpetually famous even though he retired like twenty years ago.

3271
02:48:34.000 --> 02:48:38.360
<v Speaker 2>He's perpetually. He'll be famous long after he's like an

3272
02:48:38.440 --> 02:48:40.440
<v Speaker 2>old man because of his film.

3273
02:48:41.399 --> 02:48:44.879
<v Speaker 1>Yeah, it's definitely not because of Teen Wolf. I'm telling

3274
02:48:44.959 --> 02:48:45.639
<v Speaker 1>you that right now.

3275
02:48:48.719 --> 02:48:49.120
<v Speaker 2>I don't.

3276
02:48:49.479 --> 02:48:52.120
<v Speaker 1>I'm just saying to the Back to the Future is

3277
02:48:52.559 --> 02:48:57.520
<v Speaker 1>is like what it put saled him off into infamy?

3278
02:48:58.120 --> 02:49:00.399
<v Speaker 4>Oh it does. It doesn't compare between the city and

3279
02:49:00.440 --> 02:49:02.399
<v Speaker 4>doesn't compare. But still a fine film.

3280
02:49:02.920 --> 02:49:03.840
<v Speaker 1>You do find the.

3281
02:49:04.000 --> 02:49:08.280
<v Speaker 3>FBI informant on the Dolorean case thing. His last name

3282
02:49:08.399 --> 02:49:10.000
<v Speaker 3>was Hoffman, which made me giggle.

3283
02:49:10.239 --> 02:49:13.239
<v Speaker 4>Oh, well, that's yeah, I've dug into that dude's past.

3284
02:49:13.280 --> 02:49:15.319
<v Speaker 4>He was doing some I ran concerence spoking for the

3285
02:49:15.360 --> 02:49:17.239
<v Speaker 4>FEDS and the DA back in the mid seventies. So

3286
02:49:17.280 --> 02:49:19.719
<v Speaker 4>that's how he became an informant. So I got a

3287
02:49:19.760 --> 02:49:21.600
<v Speaker 4>lot to unpack with that because I got some cocaine

3288
02:49:21.639 --> 02:49:24.280
<v Speaker 4>Bob connections involved in that. Next month, Oh boy, topic

3289
02:49:24.399 --> 02:49:27.920
<v Speaker 4>for a different day, Yeah, for sure, for a different day.

3290
02:49:28.920 --> 02:49:32.360
<v Speaker 2>The well, cocaine, like you say, JJ, cocaine seems to

3291
02:49:32.520 --> 02:49:36.079
<v Speaker 2>drive a lot of these kinds of protects, and cocaine

3292
02:49:36.360 --> 02:49:38.799
<v Speaker 2>is a very mercurial substance, Like if you were to

3293
02:49:38.959 --> 02:49:41.520
<v Speaker 2>mop it out in Kabala would be a very hard

3294
02:49:41.600 --> 02:49:47.520
<v Speaker 2>substance because it requires fire from government, don't.

3295
02:49:47.639 --> 02:49:49.920
<v Speaker 4>You ain't kidding? I mean that's for sure. So uh

3296
02:49:50.440 --> 02:49:52.959
<v Speaker 4>we can transition here on the fifteen and who is

3297
02:49:53.040 --> 02:49:56.079
<v Speaker 4>based on Donald Trump as the man who was owning

3298
02:49:56.280 --> 02:49:58.719
<v Speaker 4>the owner now of the old Dolorian estate the five

3299
02:49:58.840 --> 02:50:03.159
<v Speaker 4>hundred and thirty five acres a formerly known as as

3300
02:50:03.200 --> 02:50:06.440
<v Speaker 4>the Delarey in the state. Again, it's a fantastic place,

3301
02:50:06.520 --> 02:50:09.959
<v Speaker 4>the summer White House where Trump uh trump uh In fact,

3302
02:50:10.440 --> 02:50:13.319
<v Speaker 4>moments after he left Pennsylvania there in July was at

3303
02:50:13.319 --> 02:50:16.559
<v Speaker 4>fourteenth twenty twenty four when he got the assassination attempted

3304
02:50:16.639 --> 02:50:21.360
<v Speaker 4>Butler Pa. He went directly to his Badminster property, just

3305
02:50:21.440 --> 02:50:25.399
<v Speaker 4>saying he likes he likes that place.

3306
02:50:26.280 --> 02:50:30.000
<v Speaker 8>Maybe that the fallen angels held his ear there you go.

3307
02:50:30.799 --> 02:50:33.120
<v Speaker 4>Maybe the drone UFO aliens got him, maybe they helped

3308
02:50:33.200 --> 02:50:38.399
<v Speaker 4>him out them in JFK Junior, you.

3309
02:50:38.399 --> 02:50:40.200
<v Speaker 6>Know, there was somebody who showed that those things like

3310
02:50:40.319 --> 02:50:42.280
<v Speaker 6>flew out like right near like a Boeing plan.

3311
02:50:44.159 --> 02:50:44.360
<v Speaker 3>Yeah.

3312
02:50:45.000 --> 02:50:47.799
<v Speaker 4>No, for sure, there's some weird stuff. I mean it

3313
02:50:47.879 --> 02:50:49.840
<v Speaker 4>was all hot news and then now it's not. And no,

3314
02:50:49.879 --> 02:50:51.920
<v Speaker 4>one really explained it. It was shining, it was Iran,

3315
02:50:52.000 --> 02:50:54.280
<v Speaker 4>it was nothing, it was ours. I mean, I mean,

3316
02:50:54.280 --> 02:50:56.280
<v Speaker 4>I think that's all part of a distraction from whatever

3317
02:50:56.399 --> 02:50:58.280
<v Speaker 4>what it really was, right in which we don't really

3318
02:50:58.360 --> 02:51:01.840
<v Speaker 4>know and did it didn't not. Again, it was over

3319
02:51:01.920 --> 02:51:03.959
<v Speaker 4>a lot, over different parts of New Jersey, but there

3320
02:51:04.040 --> 02:51:07.399
<v Speaker 4>was a pocket where the concentration was for weeks. Donald

3321
02:51:07.399 --> 02:51:09.399
<v Speaker 4>Trump did a press conference about it during the election

3322
02:51:09.479 --> 02:51:11.920
<v Speaker 4>and during his campaign, like, you know, someone really needs

3323
02:51:11.920 --> 02:51:14.159
<v Speaker 4>to check this out. I've had these drones over my

3324
02:51:14.239 --> 02:51:16.079
<v Speaker 4>property for two weeks. This seems to be a national

3325
02:51:16.120 --> 02:51:22.360
<v Speaker 4>security issue or something. He says, so very very wild stuff.

3326
02:51:22.399 --> 02:51:25.360
<v Speaker 4>If you asked me so Bif Tanner, based on Donald

3327
02:51:25.399 --> 02:51:28.159
<v Speaker 4>Trump there, what what are your thoughts on him as

3328
02:51:28.159 --> 02:51:28.600
<v Speaker 4>a character.

3329
02:51:31.520 --> 02:51:33.239
<v Speaker 9>Well, he's just a dick.

3330
02:51:34.399 --> 02:51:37.280
<v Speaker 4>He's just that's true. That's true.

3331
02:51:37.360 --> 02:51:40.360
<v Speaker 1>And he's not and he's like the proverbi. He's like

3332
02:51:40.520 --> 02:51:44.120
<v Speaker 1>not even a smart dick. He's just a retarded dick.

3333
02:51:44.639 --> 02:51:47.479
<v Speaker 1>And he's like a tree and get out of.

3334
02:51:47.559 --> 02:51:50.879
<v Speaker 4>Here, right, And he's kind of that's right, and he's

3335
02:51:50.959 --> 02:51:54.520
<v Speaker 4>kind of like he's like quantum entangled with Marty mcflys. Uh,

3336
02:51:54.840 --> 02:51:59.520
<v Speaker 4>you know, a family tree, right, yeah, that's.

3337
02:51:59.440 --> 02:52:01.399
<v Speaker 2>Just like what I high do you mix that that

3338
02:52:01.520 --> 02:52:04.239
<v Speaker 2>they have to play each other's like opposing role.

3339
02:52:04.799 --> 02:52:06.959
<v Speaker 4>Because every time he goes back before it in time,

3340
02:52:07.000 --> 02:52:08.360
<v Speaker 4>he's got a new Biff, and he's got a new

3341
02:52:08.399 --> 02:52:09.000
<v Speaker 4>Biff to handle.

3342
02:52:09.639 --> 02:52:10.760
<v Speaker 8>Mm hmmm hmm.

3343
02:52:12.559 --> 02:52:16.559
<v Speaker 1>Kind of reminds me of the Butterfly effect. That's another

3344
02:52:16.639 --> 02:52:21.319
<v Speaker 1>movie I really love and uh, would you.

3345
02:52:21.319 --> 02:52:22.680
<v Speaker 6>Say nicked Out?

3346
02:52:24.239 --> 02:52:26.639
<v Speaker 1>Oh yeah, no, dude, that that's that could be another

3347
02:52:26.719 --> 02:52:28.200
<v Speaker 1>episode in itself.

3348
02:52:28.360 --> 02:52:31.959
<v Speaker 9>But it's like every time Marty goes back or forward, he.

3349
02:52:32.000 --> 02:52:34.680
<v Speaker 1>Gets a new Biff and it's like he's still just

3350
02:52:34.799 --> 02:52:37.520
<v Speaker 1>as awful as ever, but just in different ways. He

3351
02:52:37.680 --> 02:52:42.159
<v Speaker 1>Butterfly affects him throughout. It's like he's still a dick,

3352
02:52:42.520 --> 02:52:46.040
<v Speaker 1>it's just different variations of what kind of dicky is like.

3353
02:52:46.239 --> 02:52:49.799
<v Speaker 4>Through just too McFly. It's to his parents, right, he's

3354
02:52:49.840 --> 02:52:53.399
<v Speaker 4>got a whole thing with the Antagon, this thing with

3355
02:52:53.479 --> 02:52:56.559
<v Speaker 4>George McFly, So he's like he's just the dude. He's

3356
02:52:56.559 --> 02:52:59.319
<v Speaker 4>always there, you know, beefing mm hmmmm.

3357
02:53:00.840 --> 02:53:03.719
<v Speaker 1>I will say though, in the second movie, the old

3358
02:53:03.879 --> 02:53:08.280
<v Speaker 1>Man Biff is a lot more intelligent than this one

3359
02:53:08.360 --> 02:53:10.840
<v Speaker 1>that we got pulled up because he's like he wants

3360
02:53:10.959 --> 02:53:14.520
<v Speaker 1>to rig the sports and stuff like that, so he

3361
02:53:14.600 --> 02:53:15.799
<v Speaker 1>becomes the billionaire.

3362
02:53:17.639 --> 02:53:19.840
<v Speaker 4>Of course, there's the masonic nature of Hira a Biff, right,

3363
02:53:19.920 --> 02:53:20.879
<v Speaker 4>Like how he was saying.

3364
02:53:20.639 --> 02:53:26.040
<v Speaker 1>Before, mm hmmm, Well, isn't there something about like Trump's

3365
02:53:26.239 --> 02:53:29.360
<v Speaker 1>family being connected with Tesla and they were working on

3366
02:53:29.479 --> 02:53:31.040
<v Speaker 1>some kind of time travel thing?

3367
02:53:32.120 --> 02:53:38.239
<v Speaker 3>Like I love that. Yeah, so that's to go with

3368
02:53:38.680 --> 02:53:43.239
<v Speaker 3>So Tesla uncle John was his understudy, and then you

3369
02:53:43.399 --> 02:53:45.559
<v Speaker 3>get to Van olver Bush and this goes into a

3370
02:53:45.639 --> 02:53:48.639
<v Speaker 3>hole like I'll be short because I've talked way too

3371
02:53:48.680 --> 02:53:53.520
<v Speaker 3>much tonight. But yes, he supposedly possibly got Tesla's papers. However,

3372
02:53:54.120 --> 02:53:56.559
<v Speaker 3>there's an argument whether he ever wrote a paper because

3373
02:53:56.639 --> 02:53:57.719
<v Speaker 3>he memorized everything.

3374
02:53:57.879 --> 02:54:01.200
<v Speaker 8>So it's a little shady there, but that that's basically

3375
02:54:01.799 --> 02:54:03.920
<v Speaker 8>you know, they talked Maro Largo and they were looking

3376
02:54:04.000 --> 02:54:06.840
<v Speaker 8>for something. So I'm just saying, I don't know.

3377
02:54:06.920 --> 02:54:09.879
<v Speaker 1>I had only heard about it, like on on a

3378
02:54:10.200 --> 02:54:14.479
<v Speaker 1>very surface level, that there was something about Trump and Tesla.

3379
02:54:15.040 --> 02:54:19.000
<v Speaker 1>And then if that's true and this character is based

3380
02:54:19.079 --> 02:54:25.280
<v Speaker 1>off of like his archetype, the Trump archetype, it makes

3381
02:54:25.399 --> 02:54:27.440
<v Speaker 1>it would make a lot of sense, especially like in

3382
02:54:27.559 --> 02:54:30.360
<v Speaker 1>the second movie with like the Biff Tower or whatever,

3383
02:54:30.639 --> 02:54:32.959
<v Speaker 1>and the sure the weirdness with that.

3384
02:54:33.760 --> 02:54:35.000
<v Speaker 4>No, it's and it's definitely true.

3385
02:54:35.040 --> 02:54:35.239
<v Speaker 3>It was.

3386
02:54:35.360 --> 02:54:39.159
<v Speaker 4>It was Uh, it was not unclassified for four years,

3387
02:54:39.200 --> 02:54:41.799
<v Speaker 4>but it was a John G. Trump was the top

3388
02:54:41.920 --> 02:54:44.520
<v Speaker 4>physicist at m I t was the longest serving professor.

3389
02:54:44.760 --> 02:54:46.479
<v Speaker 4>You know, and him and you will see plenty of

3390
02:54:47.079 --> 02:54:49.799
<v Speaker 4>interviews where Trump talks about his relationship with his uncle.

3391
02:54:50.440 --> 02:54:54.559
<v Speaker 8>Oh, he flexes on that hardcore. He's like my uncle John.

3392
02:54:54.680 --> 02:54:57.399
<v Speaker 3>Whenever he wants to push something and f with everybody,

3393
02:54:57.479 --> 02:55:00.680
<v Speaker 3>He's like my uncle John and papers.

3394
02:55:01.399 --> 02:55:03.600
<v Speaker 4>He knows what buttons to push, he knows what he's doing.

3395
02:55:04.600 --> 02:55:07.399
<v Speaker 1>I hate to say it, but I give him an

3396
02:55:07.559 --> 02:55:12.840
<v Speaker 1>A plus A plus for disgrace nuclear physicist.

3397
02:55:13.280 --> 02:55:14.799
<v Speaker 9>He's the best you've ever seen.

3398
02:55:16.040 --> 02:55:19.440
<v Speaker 4>And do we know that's that's a good does a

3399
02:55:19.479 --> 02:55:21.920
<v Speaker 4>good trouve repression. But I just want to I just

3400
02:55:22.040 --> 02:55:24.040
<v Speaker 4>wanted to ask if you all any more commentary here

3401
02:55:24.040 --> 02:55:26.920
<v Speaker 4>on Biff before we get too long in the matters.

3402
02:55:27.200 --> 02:55:32.959
<v Speaker 1>Yeah, I do fuck Biff his character and get out

3403
02:55:33.000 --> 02:55:35.719
<v Speaker 1>of here. Yeah, I want. I want Biff to make

3404
02:55:35.840 --> 02:55:37.440
<v Speaker 1>like a tree and get out of here.

3405
02:55:38.120 --> 02:55:40.680
<v Speaker 3>Believe well, I did think it was funny that they

3406
02:55:40.799 --> 02:55:42.920
<v Speaker 3>covered him in ship and I do think that the

3407
02:55:43.000 --> 02:55:45.319
<v Speaker 3>whole darkness I could have gone into a whole thing.

3408
02:55:45.399 --> 02:55:46.799
<v Speaker 8>But I talked a lot tonight, so.

3409
02:55:48.680 --> 02:55:52.600
<v Speaker 2>That's good. The ship thing isn't is honest, legit interesting

3410
02:55:52.639 --> 02:55:55.559
<v Speaker 2>From a metaphysical perspective, it's kind of it was like

3411
02:55:55.680 --> 02:56:00.520
<v Speaker 2>public humiliation almost. I'm not saying humiliation ritual nick I

3412
02:56:00.639 --> 02:56:04.239
<v Speaker 2>was saying. I'm saying that it was like a public humiliation.

3413
02:56:04.479 --> 02:56:07.520
<v Speaker 2>Like it was like he's tard and feathered. He is

3414
02:56:07.559 --> 02:56:11.120
<v Speaker 2>the chicken, he has to start again. And Biff is

3415
02:56:11.239 --> 02:56:14.760
<v Speaker 2>never like there's nothing redeemable about him in any of

3416
02:56:14.840 --> 02:56:18.920
<v Speaker 2>the films, in any moment. Like he's not funny, he's

3417
02:56:19.000 --> 02:56:22.559
<v Speaker 2>not charming, he's not like the Trump.

3418
02:56:22.399 --> 02:56:24.840
<v Speaker 9>That we see right, like that he's a rapist.

3419
02:56:25.840 --> 02:56:28.639
<v Speaker 2>Yeah well yeah, he's an attempted like assaulter.

3420
02:56:29.520 --> 02:56:33.959
<v Speaker 3>And he's gigantic like back at like possible following angel stuff,

3421
02:56:34.000 --> 02:56:35.040
<v Speaker 3>but like yeah.

3422
02:56:37.399 --> 02:56:41.360
<v Speaker 2>Plus ultra right, Like they believe that Tesla was like

3423
02:56:41.479 --> 02:56:46.799
<v Speaker 2>the one magician to follow. He was like there, I'm sorry, Heidi,

3424
02:56:46.840 --> 02:56:47.319
<v Speaker 2>I forget that.

3425
02:56:48.920 --> 02:56:51.120
<v Speaker 4>You're telling me, Jim, Yeah yeah.

3426
02:56:51.120 --> 02:56:54.159
<v Speaker 2>Like and they're going in different directions, different factions, they

3427
02:56:54.280 --> 02:56:58.959
<v Speaker 2>follow different leaders. One follows Crowley one follows. You know,

3428
02:56:59.000 --> 02:57:00.000
<v Speaker 2>there's the weight.

3429
02:57:01.360 --> 02:57:04.120
<v Speaker 3>Well, and he has always the people behind him backing him,

3430
02:57:04.239 --> 02:57:06.559
<v Speaker 3>like you know Trump has had the Mob and Cone

3431
02:57:06.680 --> 02:57:09.639
<v Speaker 3>and you know, lots of people that helped him get

3432
02:57:09.680 --> 02:57:12.000
<v Speaker 3>where he is. I mean, he came up from the

3433
02:57:12.120 --> 02:57:15.040
<v Speaker 3>depths of shit, is what you know.

3434
02:57:15.799 --> 02:57:17.600
<v Speaker 4>Well, I'm glad you point out the rape, the rape

3435
02:57:17.639 --> 02:57:19.879
<v Speaker 4>part two with this character. He's kind of rapial Biff

3436
02:57:20.079 --> 02:57:24.479
<v Speaker 4>and there is an element to it, right with this

3437
02:57:24.639 --> 02:57:27.079
<v Speaker 4>with his character, but there's an underlying kind of rape

3438
02:57:27.079 --> 02:57:28.920
<v Speaker 4>element to the whole film if you asked me. And

3439
02:57:29.000 --> 02:57:31.760
<v Speaker 4>that was one of the apparent contentions as we mentioned earlier,

3440
02:57:31.879 --> 02:57:34.760
<v Speaker 4>with Crispin Glover not returning to the film there in

3441
02:57:34.879 --> 02:57:37.559
<v Speaker 4>number two and suing them when they use his likeness,

3442
02:57:37.600 --> 02:57:39.360
<v Speaker 4>and he's got a big beef about all those things.

3443
02:57:40.040 --> 02:57:42.440
<v Speaker 4>But that really does kind of there is kind of

3444
02:57:42.479 --> 02:57:46.040
<v Speaker 4>that esoteric understanding to this whole situation based if his

3445
02:57:46.120 --> 02:57:50.799
<v Speaker 4>statements are true, which I'll do a quick recap on

3446
02:57:50.920 --> 02:57:53.280
<v Speaker 4>that here. If we're done with the character of Biff

3447
02:57:56.959 --> 02:57:59.760
<v Speaker 4>so on crazy days and nights, which you know, take

3448
02:57:59.799 --> 02:58:01.600
<v Speaker 4>it for much you will. This guy's got a lot

3449
02:58:01.680 --> 02:58:03.239
<v Speaker 4>of He's got a long record of being right on

3450
02:58:03.239 --> 02:58:06.479
<v Speaker 4>a lot of things before it's public, this entertainment lawyer fellow,

3451
02:58:07.440 --> 02:58:13.280
<v Speaker 4>but back in twenty eighteen August seventeenth, twenty eighteen, he's

3452
02:58:13.639 --> 02:58:19.360
<v Speaker 4>discussing the why the Chrispin Glover and the actress who

3453
02:58:19.360 --> 02:58:22.479
<v Speaker 4>played Jennifer there did not return to the film. This actor,

3454
02:58:22.559 --> 02:58:26.840
<v Speaker 4>who has never probably eclipsed B plus lists, was portrayed

3455
02:58:26.840 --> 02:58:30.040
<v Speaker 4>as a troublemaker for spreading the truth. He was effectively

3456
02:58:30.120 --> 02:58:32.959
<v Speaker 4>blacklisted by any and all people who were friends with

3457
02:58:33.040 --> 02:58:37.120
<v Speaker 4>the producers. Again, Lucas Spielberg semechis, I mean that's most

3458
02:58:37.159 --> 02:58:40.239
<v Speaker 4>of Hollywood, and the entertainment lawyer says, that's seventy five percent.

3459
02:58:41.319 --> 02:58:44.079
<v Speaker 4>That sounds about right. There was a group through though,

3460
02:58:44.159 --> 02:58:46.600
<v Speaker 4>that were not friends with those producers. They have kept

3461
02:58:46.639 --> 02:58:48.639
<v Speaker 4>the actor at least earning enough to make a living,

3462
02:58:48.719 --> 02:58:50.840
<v Speaker 4>and that's accurate. He played some bit roles in smaller

3463
02:58:50.920 --> 02:58:54.040
<v Speaker 4>roles in things including the antagonist or the villain, and

3464
02:58:54.120 --> 02:58:55.920
<v Speaker 4>Charlie's Angels being one of the bigger ones that he

3465
02:58:56.040 --> 02:58:59.440
<v Speaker 4>was offered, you know, many years after, you know, back

3466
02:58:59.440 --> 02:59:01.559
<v Speaker 4>to future, I would say he's a pretty good actor, right, I.

3467
02:59:01.760 --> 02:59:02.799
<v Speaker 9>Tend to like I love him.

3468
02:59:03.840 --> 02:59:04.399
<v Speaker 1>I love him.

3469
02:59:04.520 --> 02:59:05.639
<v Speaker 9>I think he's so funny.

3470
02:59:06.639 --> 02:59:08.319
<v Speaker 4>Kind of annoyed him now when he started the Smiley

3471
02:59:08.360 --> 02:59:12.120
<v Speaker 4>Face Killer film by Brendyson Ellis, who wrote American Psychode.

3472
02:59:12.120 --> 02:59:16.920
<v Speaker 4>But that's a different story altogether. So it says the

3473
02:59:17.120 --> 02:59:19.079
<v Speaker 4>entertaining tament. Lawyer goes on to say, I can't even

3474
02:59:19.120 --> 02:59:20.920
<v Speaker 4>watch the film any longer because of what I know

3475
02:59:21.079 --> 02:59:23.479
<v Speaker 4>what was happening on the set. The actor said the

3476
02:59:23.600 --> 02:59:25.719
<v Speaker 4>multiple bedrooms used in scenes in the film, so the

3477
02:59:25.920 --> 02:59:28.040
<v Speaker 4>scenes from the film would often smell of cigars and

3478
02:59:28.120 --> 02:59:30.840
<v Speaker 4>booze because that is often where the producers would take

3479
02:59:30.840 --> 02:59:33.520
<v Speaker 4>the boys after their tour of the set, and they're

3480
02:59:33.600 --> 02:59:36.920
<v Speaker 4>quote their jan Waite for quote unquote tour of the set.

3481
02:59:37.600 --> 02:59:40.079
<v Speaker 4>Our actor also says that every other actor on that

3482
02:59:40.200 --> 02:59:42.559
<v Speaker 4>film set knew what was going on, but they valued

3483
02:59:42.600 --> 02:59:46.639
<v Speaker 4>their careers more than the horrors taking place. So that's

3484
02:59:46.680 --> 02:59:49.360
<v Speaker 4>why apparently those two decided not to leave. Again, this

3485
02:59:49.600 --> 02:59:52.200
<v Speaker 4>was made by you. We were mentioning the Steven Spielberg

3486
02:59:52.239 --> 02:59:54.120
<v Speaker 4>gets ambling entertainment. So he was in charge of this

3487
02:59:54.239 --> 02:59:58.360
<v Speaker 4>operation along with Zamechus and Lucas wasn't necessiately involved, but

3488
02:59:58.360 --> 02:59:59.760
<v Speaker 4>he's you know, he's part of their same mix with

3489
02:59:59.799 --> 03:00:03.319
<v Speaker 4>these I don't know where he was necessarily, but I'm

3490
03:00:03.399 --> 03:00:05.399
<v Speaker 4>just saying they socially speaking, they were probably hanging out

3491
03:00:05.440 --> 03:00:08.520
<v Speaker 4>still even while the film was going right. But you know,

3492
03:00:08.559 --> 03:00:11.000
<v Speaker 4>it's a very very odd environment. We see Crispin Glover.

3493
03:00:11.200 --> 03:00:12.840
<v Speaker 4>I got a quick clip to show you kind of

3494
03:00:12.879 --> 03:00:14.719
<v Speaker 4>how he feels about this stuff today.

3495
03:00:15.959 --> 03:00:18.680
<v Speaker 8>I did not do anything illegal. Bob Gail did something like,

3496
03:00:19.040 --> 03:00:21.600
<v Speaker 8>we didn't do anything that was illegal. In the ever

3497
03:00:21.680 --> 03:00:25.280
<v Speaker 8>twisting corridors of Hollywood history, one of tinsel Town's most

3498
03:00:25.360 --> 03:00:29.000
<v Speaker 8>intriguing tales is the legal drama surrounding Crispin Glover and

3499
03:00:29.159 --> 03:00:30.479
<v Speaker 8>Back to the Future Part two.

3500
03:00:33.719 --> 03:00:35.799
<v Speaker 4>So obviously he's talking about using his likeness where he

3501
03:00:35.840 --> 03:00:38.559
<v Speaker 4>fantasy sued them and was successful in that effort, and

3502
03:00:38.600 --> 03:00:40.680
<v Speaker 4>that was kind of a landmark issue. But with the

3503
03:00:40.799 --> 03:00:43.879
<v Speaker 4>anger in Visrael, you see Crispin Glover in an interview

3504
03:00:43.920 --> 03:00:46.639
<v Speaker 4>from recent years. I think it's rooted more in that

3505
03:00:46.799 --> 03:00:49.479
<v Speaker 4>letter you were talking about it earlier, Julia, which is hmm,

3506
03:00:49.799 --> 03:00:51.520
<v Speaker 4>I will include in the show notes. But I had

3507
03:00:51.559 --> 03:00:53.920
<v Speaker 4>to go back to locate. I had to go back

3508
03:00:53.920 --> 03:00:54.840
<v Speaker 4>to the wayback machine.

3509
03:00:55.559 --> 03:00:58.799
<v Speaker 1>Mm hmmm, yeah, I mean it's it's buried and he

3510
03:00:58.920 --> 03:01:05.479
<v Speaker 1>talks about Steven Spielberg on, he goes, he goes, he.

3511
03:01:05.520 --> 03:01:08.639
<v Speaker 4>Goes pretty, he goes pretty tough on Spielberg, here.

3512
03:01:08.559 --> 03:01:12.040
<v Speaker 1>Doesn't he Yeah, he does, he does, he does, he does.

3513
03:01:12.200 --> 03:01:15.040
<v Speaker 3>If you ever saw the picture of Steven Spielberg with

3514
03:01:15.280 --> 03:01:16.879
<v Speaker 3>the little Poultergeist girl on.

3515
03:01:16.959 --> 03:01:21.120
<v Speaker 11>His lap, you will have no questions, right right, And

3516
03:01:21.280 --> 03:01:28.239
<v Speaker 11>she died like a bell obstruction. Yeah, that's what they said.

3517
03:01:28.479 --> 03:01:29.719
<v Speaker 11>That's what they said.

3518
03:01:30.440 --> 03:01:34.879
<v Speaker 8>Well, if there was traumatic injury there where.

3519
03:01:34.719 --> 03:01:38.000
<v Speaker 1>She couldn't yeah, but that they said that she that

3520
03:01:38.200 --> 03:01:42.760
<v Speaker 1>she had like a congested colon and that way that

3521
03:01:42.959 --> 03:01:45.120
<v Speaker 1>she got backed up, and that's what But it's like,

3522
03:01:45.239 --> 03:01:48.799
<v Speaker 1>come on, now, I agree.

3523
03:01:48.479 --> 03:01:51.680
<v Speaker 4>And I and Steven Spielberg got so many dark tales.

3524
03:01:51.680 --> 03:01:53.440
<v Speaker 4>I was, you know, I was gonna say, maybe we'll

3525
03:01:53.479 --> 03:01:56.040
<v Speaker 4>have to discuss that one, you know, collectively here in

3526
03:01:56.079 --> 03:01:57.680
<v Speaker 4>the future, because I think we all have some. But

3527
03:01:57.760 --> 03:02:03.520
<v Speaker 4>it sounds like, well, I think it's I think, well,

3528
03:02:03.680 --> 03:02:04.920
<v Speaker 4>hold on, when I think of well, when I think

3529
03:02:04.959 --> 03:02:08.159
<v Speaker 4>it's Drew Barrymore, this is also my same reaction Scott

3530
03:02:10.079 --> 03:02:13.479
<v Speaker 4>Drew Barrymore was doing coke and drinking at Studio fifty nine.

3531
03:02:13.840 --> 03:02:15.760
<v Speaker 4>I mean, yeah, I don't know Spielberg was there, but

3532
03:02:16.520 --> 03:02:19.600
<v Speaker 4>some of the other characters in this old Donald Trump, right.

3533
03:02:20.120 --> 03:02:22.319
<v Speaker 8>Yeah, some girls person was there for sure.

3534
03:02:22.360 --> 03:02:25.479
<v Speaker 4>Shed This is this is the era of when Rokee

3535
03:02:25.559 --> 03:02:28.719
<v Speaker 4>Roy cohnees basically running Studio fifty four because the owners

3536
03:02:28.719 --> 03:02:31.600
<v Speaker 4>are so in debt to him for legal services to

3537
03:02:31.639 --> 03:02:33.319
<v Speaker 4>stay out of jail and keep the place open that

3538
03:02:33.399 --> 03:02:35.520
<v Speaker 4>he's kind of running that spot by that point.

3539
03:02:35.639 --> 03:02:36.120
<v Speaker 8>Oh yeah.

3540
03:02:36.360 --> 03:02:38.799
<v Speaker 1>The only reason I bring her up is because a

3541
03:02:38.879 --> 03:02:43.040
<v Speaker 1>fire starter in et both Steven Spielberg.

3542
03:02:43.280 --> 03:02:45.479
<v Speaker 4>Right, And that's what I'm saying. They got up seventy

3543
03:02:45.520 --> 03:02:47.840
<v Speaker 4>eight back there Studio fifty four on some coke and

3544
03:02:47.920 --> 03:02:50.280
<v Speaker 4>some benzos and some alcohol and whatnot. By the time

3545
03:02:50.799 --> 03:02:53.879
<v Speaker 4>she met Spielberg, he was like, He's like, yep, Jack thought,

3546
03:02:54.559 --> 03:02:57.440
<v Speaker 4>mm hmmmmm, sad.

3547
03:02:58.600 --> 03:03:04.040
<v Speaker 1>Do you have drums? By the way, the clip, the clip.

3548
03:03:05.639 --> 03:03:06.120
<v Speaker 4>I enjoyed.

3549
03:03:07.319 --> 03:03:08.680
<v Speaker 8>It was better without the sound.

3550
03:03:09.040 --> 03:03:09.479
<v Speaker 3>I think that.

3551
03:03:10.200 --> 03:03:11.680
<v Speaker 2>I think Julian narrating it was.

3552
03:03:11.799 --> 03:03:14.239
<v Speaker 8>Actually thank you.

3553
03:03:14.399 --> 03:03:15.280
<v Speaker 1>I appreciate that.

3554
03:03:15.559 --> 03:03:18.959
<v Speaker 4>I appreciate that. Let me make one more note on it.

3555
03:03:19.040 --> 03:03:19.920
<v Speaker 4>We'll go ahead, go ahead.

3556
03:03:20.479 --> 03:03:22.559
<v Speaker 1>Oh, I was gonna say I had I had just

3557
03:03:22.680 --> 03:03:26.200
<v Speaker 1>a funny pop culture reference to Back to the Future.

3558
03:03:26.280 --> 03:03:32.120
<v Speaker 1>You guys might remember did. Have you guys watched Knocked Up?

3559
03:03:32.680 --> 03:03:36.920
<v Speaker 1>It's it's got like seth Rogen and what's her face

3560
03:03:37.000 --> 03:03:40.879
<v Speaker 1>in it? Where she gets pregnant and whatever. Paul Redd

3561
03:03:40.959 --> 03:03:44.959
<v Speaker 1>is in it and they go to like this dinner whatever,

3562
03:03:45.280 --> 03:03:47.639
<v Speaker 1>and Paul Redd is like, you know, if Doc Brown

3563
03:03:47.760 --> 03:03:50.520
<v Speaker 1>screeched up in the Dolorean right now, would you go

3564
03:03:50.680 --> 03:03:53.479
<v Speaker 1>back and put a condom on Ben's stick? And they

3565
03:03:53.600 --> 03:03:56.719
<v Speaker 1>act like Catherine Heigel and the other chick don't know

3566
03:03:56.840 --> 03:03:58.639
<v Speaker 1>what Back to the Future is. They were like, you

3567
03:03:58.680 --> 03:03:59.360
<v Speaker 1>don't know who.

3568
03:03:59.319 --> 03:04:00.479
<v Speaker 9>Doc Brown is?

3569
03:04:01.040 --> 03:04:04.920
<v Speaker 1>And yeah, I was like, who the fuck wouldn't know

3570
03:04:05.639 --> 03:04:08.440
<v Speaker 1>what back to Like, I'm not believing that for a

3571
03:04:08.600 --> 03:04:10.840
<v Speaker 1>fucking second that they didn't know what Back to the

3572
03:04:10.920 --> 03:04:11.479
<v Speaker 1>Future was.

3573
03:04:12.239 --> 03:04:14.719
<v Speaker 4>But that's a good example of how culturally impactful this

3574
03:04:14.840 --> 03:04:15.959
<v Speaker 4>has been, right M.

3575
03:04:17.680 --> 03:04:19.159
<v Speaker 9>Yeah, yeah, for sure.

3576
03:04:19.319 --> 03:04:22.200
<v Speaker 1>I just mentioned that because I watched that movie the

3577
03:04:22.280 --> 03:04:24.040
<v Speaker 1>other day and then you asked me to do this

3578
03:04:24.159 --> 03:04:26.639
<v Speaker 1>and I was like, dude, everybody loves Back to the Future.

3579
03:04:26.559 --> 03:04:30.280
<v Speaker 4>Right, So well, I mean, I don't know if Christin

3580
03:04:30.319 --> 03:04:33.280
<v Speaker 4>Glover does, but I do love the film. I know,

3581
03:04:33.479 --> 03:04:35.159
<v Speaker 4>I know what you mean. I know what you mean.

3582
03:04:35.559 --> 03:04:37.719
<v Speaker 4>So on this nature though of this, Christin Glover in

3583
03:04:37.760 --> 03:04:42.120
<v Speaker 4>Spielberg situations and the parent kduling situations. There's in the

3584
03:04:42.239 --> 03:04:44.639
<v Speaker 4>rapist you know, rape ee qualities of old beif tain

3585
03:04:44.719 --> 03:04:46.920
<v Speaker 4>and you know there's a there's a nature of again

3586
03:04:47.000 --> 03:04:49.639
<v Speaker 4>still underlying in this film that continues to perpetrate these

3587
03:04:49.639 --> 03:04:51.719
<v Speaker 4>same ideas. If you ask me, and I'll play this

3588
03:04:51.799 --> 03:05:01.680
<v Speaker 4>clip to demonstrate that point, because it is Barry.

3589
03:05:02.479 --> 03:05:06.399
<v Speaker 7>You know that no sound to me.

3590
03:05:11.040 --> 03:05:13.840
<v Speaker 4>So that cousin obviously being Chuck Berry. The song that

3591
03:05:13.959 --> 03:05:17.079
<v Speaker 4>old Johnny be Good? Then Michael J. Fox was playing

3592
03:05:17.159 --> 03:05:19.719
<v Speaker 4>right so in a forest Gump effect, and another's is

3593
03:05:19.760 --> 03:05:22.280
<v Speaker 4>some Becca style there he events the song Johnny be Good?

3594
03:05:23.799 --> 03:05:27.719
<v Speaker 1>Uh yeah, Chuck Berry infamous for the taco bellfarts.

3595
03:05:28.639 --> 03:05:31.559
<v Speaker 4>Uh well, that's that's only later in his life, mame.

3596
03:05:31.639 --> 03:05:33.840
<v Speaker 4>He has a lot of accolades in this nature previous

3597
03:05:33.920 --> 03:05:35.319
<v Speaker 4>to that. If you will, I'll never.

3598
03:05:35.280 --> 03:05:38.479
<v Speaker 1>Forget that after you told me that I can't even

3599
03:05:38.559 --> 03:05:41.280
<v Speaker 1>drive past the taco bell without playing Johnny be Good.

3600
03:05:41.840 --> 03:05:44.920
<v Speaker 8>There you go, that's Taco bellfarts.

3601
03:05:45.879 --> 03:05:48.079
<v Speaker 4>So Chuck Berry was convicted under the Main Act in

3602
03:05:48.159 --> 03:05:50.799
<v Speaker 4>nineteen fifty nine for transporting a fourteen year old girl

3603
03:05:50.840 --> 03:05:54.840
<v Speaker 4>across state lines for the purposes of prostitutionals or sexual exploitation.

3604
03:05:55.840 --> 03:05:57.479
<v Speaker 4>The record company is the one who got him out

3605
03:05:57.520 --> 03:05:59.639
<v Speaker 4>of prison, so, which is kind of funny. So he's

3606
03:05:59.639 --> 03:06:02.319
<v Speaker 4>a convict sex offender. And then in nineteen seventy two

3607
03:06:02.440 --> 03:06:05.360
<v Speaker 4>he records this song tours nationally on number one hit

3608
03:06:05.399 --> 03:06:11.120
<v Speaker 4>on the billboards. My dingling, that's kind of weird. So

3609
03:06:11.280 --> 03:06:15.000
<v Speaker 4>then so then in nineteen ninety two he gets rated

3610
03:06:15.079 --> 03:06:17.760
<v Speaker 4>for all sorts of drugs in Saint Louis, which becomes

3611
03:06:17.799 --> 03:06:21.079
<v Speaker 4>in another incident later as Julia he just pointed out.

3612
03:06:21.520 --> 03:06:24.719
<v Speaker 4>And in this incident they raid his home there in

3613
03:06:24.760 --> 03:06:27.280
<v Speaker 4>Saint Louis, and he they raid a bunch of videotapes

3614
03:06:27.280 --> 03:06:29.879
<v Speaker 4>the later get leaked to tabloids of him farting in

3615
03:06:29.920 --> 03:06:32.760
<v Speaker 4>hooker's mouse. Apparently that was his favorite thing to do

3616
03:06:32.920 --> 03:06:36.879
<v Speaker 4>higher hooker and then fart in her mouth, so he

3617
03:06:36.959 --> 03:06:39.239
<v Speaker 4>would and then he would, so you know, he would

3618
03:06:39.280 --> 03:06:42.600
<v Speaker 4>later be arrested for or payoff a lot of women

3619
03:06:42.680 --> 03:06:44.399
<v Speaker 4>in civil lawsuits. I don't know if they think they

3620
03:06:44.479 --> 03:06:47.760
<v Speaker 4>dropped the criminal charges for installing video cameras and the

3621
03:06:47.799 --> 03:06:51.200
<v Speaker 4>toilets of women's bathrooms, of the Taco Bells and KFCs

3622
03:06:51.200 --> 03:06:53.559
<v Speaker 4>that he owned about you know, a couple dozen I believe,

3623
03:06:55.559 --> 03:06:58.879
<v Speaker 4>so Chuck Berry kind of was. I mean, he hadn't

3624
03:06:58.920 --> 03:07:01.920
<v Speaker 4>got he'd been know he was, Oh, he's just sick. Fuck,

3625
03:07:01.959 --> 03:07:03.399
<v Speaker 4>but he you know, he was. He was convicted of

3626
03:07:03.440 --> 03:07:05.479
<v Speaker 4>the man next stuff by that point. And then weird

3627
03:07:05.520 --> 03:07:07.879
<v Speaker 4>that he did the whole dangling thing, but that you know,

3628
03:07:07.959 --> 03:07:09.520
<v Speaker 4>it was after it was after the Back of the

3629
03:07:09.559 --> 03:07:11.440
<v Speaker 4>Future stuff they got on for the partner in the

3630
03:07:11.440 --> 03:07:13.520
<v Speaker 4>Hooker's Mouse, which is not obviously not the charge, but

3631
03:07:13.959 --> 03:07:16.200
<v Speaker 4>so's so ridiculous. And then you know then of course

3632
03:07:16.239 --> 03:07:18.079
<v Speaker 4>the camera stuff I think was more like nineteen ninety

3633
03:07:18.079 --> 03:07:18.799
<v Speaker 4>eight or ninety nine.

3634
03:07:19.760 --> 03:07:21.399
<v Speaker 1>Well you want.

3635
03:07:22.920 --> 03:07:24.159
<v Speaker 9>You want a full circle movement?

3636
03:07:24.559 --> 03:07:24.840
<v Speaker 4>Please?

3637
03:07:24.920 --> 03:07:27.959
<v Speaker 1>Do you remember I said, nobody gets out of this

3638
03:07:28.079 --> 03:07:29.680
<v Speaker 1>place without farting in my mouth?

3639
03:07:30.319 --> 03:07:33.079
<v Speaker 9>The adventures in babysitting.

3640
03:07:32.840 --> 03:07:35.319
<v Speaker 4>So adventures in leaving the stage unless you play the

3641
03:07:35.360 --> 03:07:36.760
<v Speaker 4>blues right, but.

3642
03:07:36.959 --> 03:07:40.959
<v Speaker 1>Adventures in babysitting and back to the Future to Elizabeth Shoe,

3643
03:07:42.000 --> 03:07:42.760
<v Speaker 1>Oh shit.

3644
03:07:42.600 --> 03:07:45.959
<v Speaker 4>You're right, yep, you are correct, man.

3645
03:07:46.000 --> 03:07:47.399
<v Speaker 9>That's the full circle moment.

3646
03:07:47.520 --> 03:07:49.399
<v Speaker 4>That is full that is full circle. And if I

3647
03:07:49.479 --> 03:07:51.040
<v Speaker 4>if I may close this, if anyone else has any

3648
03:07:51.040 --> 03:07:53.360
<v Speaker 4>other commentary here, we we'll do some closing statements, but

3649
03:07:53.440 --> 03:07:55.840
<v Speaker 4>I want to kind of go full circle here myself

3650
03:07:55.920 --> 03:07:58.719
<v Speaker 4>here with going back to the future on some operations

3651
03:07:58.799 --> 03:08:01.840
<v Speaker 4>GCD shows relative to these topics here, relative of the

3652
03:08:01.920 --> 03:08:05.239
<v Speaker 4>character bif taining, the you know, Jnald Trump, who was

3653
03:08:05.760 --> 03:08:08.120
<v Speaker 4>you know that based on biftaining kind of the predictive

3654
03:08:08.159 --> 03:08:11.200
<v Speaker 4>programming natures of that stuff, and the fact that he's

3655
03:08:11.200 --> 03:08:14.000
<v Speaker 4>connected to the Delirium property. I find it all very fascinating.

3656
03:08:14.120 --> 03:08:17.280
<v Speaker 4>So we'll do some closing stuff here after this clip

3657
03:08:17.319 --> 03:08:19.440
<v Speaker 4>if I just want to go back to the future

3658
03:08:19.440 --> 03:08:21.879
<v Speaker 4>here on this one and go full circle as you

3659
03:08:21.959 --> 03:08:58.600
<v Speaker 4>were just saying there, Julia. So that's some interesting aspects.

3660
03:08:58.639 --> 03:09:00.600
<v Speaker 4>You know, Deanni does use a cae you know, money

3661
03:09:00.639 --> 03:09:03.559
<v Speaker 4>and shakes out the Republican Party in the movie. Did

3662
03:09:03.719 --> 03:09:07.239
<v Speaker 4>almost get right? They winning the Chicago Cubs winning the

3663
03:09:07.319 --> 03:09:07.959
<v Speaker 4>World Series?

3664
03:09:08.040 --> 03:09:08.159
<v Speaker 3>Right?

3665
03:09:08.920 --> 03:09:09.399
<v Speaker 4>They were off?

3666
03:09:09.719 --> 03:09:10.120
<v Speaker 7>Ye? Right?

3667
03:09:11.159 --> 03:09:13.399
<v Speaker 4>Well they were off by year they won in twenty sixteen.

3668
03:09:14.639 --> 03:09:17.000
<v Speaker 4>They were in twenty sixteen. So well, that's what I'm saying.

3669
03:09:17.040 --> 03:09:19.760
<v Speaker 4>It's creepy enough, right, And that whole incident of the

3670
03:09:19.879 --> 03:09:24.479
<v Speaker 4>Cubs winning the World Series, that incident's real creepy to me.

3671
03:09:24.639 --> 03:09:27.760
<v Speaker 4>So it was called the Curse of the Goat was

3672
03:09:27.920 --> 03:09:29.360
<v Speaker 4>this was this curse of the Goat was like one

3673
03:09:29.399 --> 03:09:33.479
<v Speaker 4>of the most infamous curses and in any major sports right,

3674
03:09:34.440 --> 03:09:38.280
<v Speaker 4>haunting the Cubs for nearly one hundred years. Well, the

3675
03:09:38.360 --> 03:09:40.760
<v Speaker 4>folks that are credited for breaking the Curse of the

3676
03:09:40.840 --> 03:09:45.600
<v Speaker 4>Goat is the Revisa sports hypnosis and sports psychotherapist family

3677
03:09:46.200 --> 03:09:55.479
<v Speaker 4>family business as in Buffalo Jered. Yeah, that man my

3678
03:09:55.639 --> 03:09:58.760
<v Speaker 4>former stocker. He his dad and uncle. He was actually

3679
03:09:58.799 --> 03:10:01.799
<v Speaker 4>part of the family business too. Uh, were the folks

3680
03:10:01.840 --> 03:10:04.479
<v Speaker 4>who broke the Curse of the Goat. The Chicago Cubs

3681
03:10:04.520 --> 03:10:07.959
<v Speaker 4>officially recognized Ken Revisa as the person who broke the

3682
03:10:08.040 --> 03:10:11.680
<v Speaker 4>Curse of the Goat. So that aspect of the Back

3683
03:10:11.719 --> 03:10:14.680
<v Speaker 4>to the Future series, it's a little close to home.

3684
03:10:15.680 --> 03:10:17.600
<v Speaker 2>What if the come thing was a year and a day,

3685
03:10:19.600 --> 03:10:22.680
<v Speaker 2>Like it was like like an HGA ritual, Like it

3686
03:10:22.840 --> 03:10:26.959
<v Speaker 2>was like intentionally off by a year. It was like,

3687
03:10:27.520 --> 03:10:29.399
<v Speaker 2>it was like to I don't know that that would

3688
03:10:29.440 --> 03:10:30.639
<v Speaker 2>be a funny little game.

3689
03:10:31.520 --> 03:10:33.479
<v Speaker 4>I enjoy your perspective on these things because it's not

3690
03:10:33.760 --> 03:10:36.079
<v Speaker 4>it's totally unique from what I way I look at things.

3691
03:10:36.120 --> 03:10:41.319
<v Speaker 4>So I like, like we were saying, so I appreciate it.

3692
03:10:41.440 --> 03:10:43.360
<v Speaker 4>I appreciate you all join me here tonight to gild

3693
03:10:43.440 --> 03:10:46.799
<v Speaker 4>GCD and discussed this occult esoteric review of the nineteen

3694
03:10:46.840 --> 03:10:49.719
<v Speaker 4>eighty five cinematic masterpiece Back to the Future. And I

3695
03:10:49.760 --> 03:10:52.520
<v Speaker 4>appreciate the folks with the interwebs staying with us. We

3696
03:10:52.559 --> 03:10:54.799
<v Speaker 4>got we folks seem to be enjoying the conversation.

3697
03:10:54.879 --> 03:10:55.040
<v Speaker 3>I know.

3698
03:10:55.159 --> 03:10:57.440
<v Speaker 4>I am so like to go on a round table

3699
03:10:57.479 --> 03:11:00.360
<v Speaker 4>here and uh give everyone, you know, any closing statements,

3700
03:11:00.399 --> 03:11:02.360
<v Speaker 4>any plugs you want to do by all me to

3701
03:11:02.399 --> 03:11:05.559
<v Speaker 4>take your time, not trying to rush anybody, but you

3702
03:11:05.639 --> 03:11:09.360
<v Speaker 4>know who We'll start off with, Heidi, since you're down

3703
03:11:09.360 --> 03:11:10.920
<v Speaker 4>there in the bottom right, let's start down there.

3704
03:11:11.920 --> 03:11:13.920
<v Speaker 8>Well, thank you so much for putting up with me tonight.

3705
03:11:13.959 --> 03:11:15.479
<v Speaker 8>You guys, I'm I nerd it out.

3706
03:11:15.600 --> 03:11:16.440
<v Speaker 1>I'm so sorry.

3707
03:11:16.920 --> 03:11:20.959
<v Speaker 8>Good me to I was, Yeah, it was fun. I

3708
03:11:21.120 --> 03:11:23.239
<v Speaker 8>love the show. I love I love the second one

3709
03:11:23.280 --> 03:11:28.120
<v Speaker 8>almost as much. So it was just this series right, yes,

3710
03:11:28.399 --> 03:11:29.280
<v Speaker 8>always always a.

3711
03:11:29.360 --> 03:11:32.520
<v Speaker 3>Great time to be a colt rejects And anytime I

3712
03:11:32.559 --> 03:11:34.319
<v Speaker 3>can come on and be on a show with JJ

3713
03:11:34.639 --> 03:11:35.120
<v Speaker 3>is amazing.

3714
03:11:35.239 --> 03:11:38.840
<v Speaker 8>So thank you, guys, you ma'am, thank you, thank you.

3715
03:11:39.040 --> 03:11:43.120
<v Speaker 3>Find me anywhere podcasts are served Unfiltered Rise podcast dot com.

3716
03:11:43.360 --> 03:11:45.559
<v Speaker 3>I also know if you watch me on YouTube it's

3717
03:11:45.600 --> 03:11:49.920
<v Speaker 3>only once a week drop versus twice or more on Spotify,

3718
03:11:50.120 --> 03:11:51.879
<v Speaker 3>just because they dig me so much.

3719
03:11:51.959 --> 03:11:57.399
<v Speaker 8>Love to all of you, Thank you for watching, Julia.

3720
03:11:57.520 --> 03:12:00.200
<v Speaker 4>Appreciate you joining us ma'am as always since I got

3721
03:12:00.200 --> 03:12:01.920
<v Speaker 4>about you joining us in Golden Child, I'm glad you

3722
03:12:01.959 --> 03:12:04.120
<v Speaker 4>could make it back around too. We'll have to do

3723
03:12:04.479 --> 03:12:07.760
<v Speaker 4>a non occult necessary review and talk to some other

3724
03:12:07.879 --> 03:12:10.959
<v Speaker 4>parapolitics as we often cross over in a lot of

3725
03:12:11.000 --> 03:12:13.520
<v Speaker 4>our ideas and subjects we we enjoy, not not the

3726
03:12:13.600 --> 03:12:14.920
<v Speaker 4>least of which Tuesday Wild.

3727
03:12:15.719 --> 03:12:17.760
<v Speaker 1>Hey, you know what would be a nice follow up

3728
03:12:17.799 --> 03:12:21.159
<v Speaker 1>to Tuesday Weld. We we could really throw down on JFK.

3729
03:12:21.360 --> 03:12:26.280
<v Speaker 1>Junior because that's another one of my faiths that I'm doing.

3730
03:12:26.200 --> 03:12:29.319
<v Speaker 4>Kids once again. Once again, like I said, a lot

3731
03:12:29.319 --> 03:12:31.040
<v Speaker 4>of cross every You may have well just read my

3732
03:12:31.120 --> 03:12:33.319
<v Speaker 4>mind because Heidi and I were on the sixth Census

3733
03:12:33.440 --> 03:12:36.559
<v Speaker 4>since a sixth Sensory podcast last night, and I came

3734
03:12:36.559 --> 03:12:39.319
<v Speaker 4>to the revelation when we were talking Society of Cincinnati

3735
03:12:39.399 --> 03:12:42.360
<v Speaker 4>that JFK. Junior was likely a dual member of the

3736
03:12:42.520 --> 03:12:46.000
<v Speaker 4>Society of Cincinnati won the French chapter and won the

3737
03:12:46.079 --> 03:12:48.959
<v Speaker 4>Maryland chapter and that's a longer tail, but it's wow.

3738
03:12:49.319 --> 03:12:52.079
<v Speaker 1>No, yeah, I would. I'd love to pick your guys'

3739
03:12:52.239 --> 03:12:55.600
<v Speaker 1>brain on him, because that's that's another topic I could

3740
03:12:55.719 --> 03:12:57.959
<v Speaker 1>just talk about forever. But thanks so much for having

3741
03:12:58.040 --> 03:12:59.959
<v Speaker 1>me on this one. I love back to the few.

3742
03:13:00.239 --> 03:13:02.360
<v Speaker 1>I love the third one. You can skip me on

3743
03:13:02.479 --> 03:13:04.680
<v Speaker 1>the esoteric review of the second one because I think

3744
03:13:04.760 --> 03:13:06.840
<v Speaker 1>it sucks sticks, but the first one.

3745
03:13:06.920 --> 03:13:08.520
<v Speaker 9>In the third one, I'm down.

3746
03:13:08.879 --> 03:13:09.760
<v Speaker 4>You think it's garbage.

3747
03:13:09.840 --> 03:13:10.680
<v Speaker 9>Jay, Yeah, I.

3748
03:13:10.760 --> 03:13:11.280
<v Speaker 11>Don't like it.

3749
03:13:11.840 --> 03:13:15.719
<v Speaker 1>And you know, it's funny to think where they thought

3750
03:13:15.760 --> 03:13:18.200
<v Speaker 1>we would be in twenty fifteen and we're still just

3751
03:13:18.959 --> 03:13:24.440
<v Speaker 1>lame weirdos. No flying cars, no hoverboards, no self tying shoes.

3752
03:13:24.680 --> 03:13:27.440
<v Speaker 1>I mean, I don't like the second one. But thanks

3753
03:13:27.479 --> 03:13:30.000
<v Speaker 1>so much for having me. This was really fun. Jen,

3754
03:13:30.200 --> 03:13:33.559
<v Speaker 1>n Heidi JJ, You're all awesome. I love working with you.

3755
03:13:34.200 --> 03:13:36.479
<v Speaker 1>I think we covered a lot of ground on this one.

3756
03:13:39.239 --> 03:13:39.639
<v Speaker 4>For sure.

3757
03:13:40.879 --> 03:13:41.040
<v Speaker 3>Jen.

3758
03:13:41.239 --> 03:13:44.280
<v Speaker 4>Greeting, sir, how about you share some more wizard skills

3759
03:13:44.319 --> 03:13:48.559
<v Speaker 4>with us this evening. I appreciate your reviews. Yay, I'm

3760
03:13:48.639 --> 03:13:50.760
<v Speaker 4>convinced of it. Man, you've always you're always having some

3761
03:13:50.879 --> 03:13:51.600
<v Speaker 4>wizardry on me.

3762
03:13:52.719 --> 03:13:55.360
<v Speaker 2>You know, I I love to play the hermestissis one

3763
03:13:55.440 --> 03:13:58.399
<v Speaker 2>I had when he lies, it's like Nick already knows

3764
03:13:58.440 --> 03:14:00.959
<v Speaker 2>how he also knows just because she's into it like that,

3765
03:14:01.120 --> 03:14:03.360
<v Speaker 2>but Nick actually knows because there's that it's him.

3766
03:14:03.399 --> 03:14:03.719
<v Speaker 7>I love.

3767
03:14:04.079 --> 03:14:07.000
<v Speaker 2>It's my favorite thing to play plus ultra on on live.

3768
03:14:07.159 --> 03:14:11.799
<v Speaker 2>So there you go. There's I'm admitting it. No, I

3769
03:14:11.879 --> 03:14:13.959
<v Speaker 2>want to thank you guys obviously, Thank you JJ so

3770
03:14:14.079 --> 03:14:16.120
<v Speaker 2>much for inviting me, including me on this years. I

3771
03:14:16.200 --> 03:14:18.360
<v Speaker 2>know that we get a lot of cool people liking

3772
03:14:18.440 --> 03:14:20.719
<v Speaker 2>my posts about this, so it's like it's it's a

3773
03:14:20.760 --> 03:14:23.959
<v Speaker 2>big It's interesting for me to like see these people

3774
03:14:24.000 --> 03:14:26.520
<v Speaker 2>who I think are like cooler than me and they're

3775
03:14:26.639 --> 03:14:29.479
<v Speaker 2>kind of into it. So that's great. And thank you obviously, boss,

3776
03:14:29.600 --> 03:14:32.399
<v Speaker 2>thank you Nick so much, thank you Heidi so much,

3777
03:14:32.600 --> 03:14:35.000
<v Speaker 2>thank you Julia so much. And I just want to

3778
03:14:35.040 --> 03:14:37.520
<v Speaker 2>say thank you. I want to keep it light tonight,

3779
03:14:37.600 --> 03:14:40.760
<v Speaker 2>but the Carl Wood interview was like a really cathartic

3780
03:14:40.879 --> 03:14:43.200
<v Speaker 2>moment for me, and I just want to dedicate this

3781
03:14:43.319 --> 03:14:46.559
<v Speaker 2>one to my co host for the Twynement series, Zach

3782
03:14:46.680 --> 03:14:50.520
<v Speaker 2>Schumer and of course Zach third Eye Homuncula, who passed away.

3783
03:14:50.760 --> 03:14:53.600
<v Speaker 2>So thank you guys so much. It meant like a huge,

3784
03:14:53.760 --> 03:14:57.040
<v Speaker 2>a great deal to me. So it's like a really

3785
03:14:57.200 --> 03:14:58.799
<v Speaker 2>beautiful way to close that chapter.

3786
03:15:01.239 --> 03:15:02.959
<v Speaker 6>Oh yeah, that was awesome.

3787
03:15:05.079 --> 03:15:05.280
<v Speaker 3>Nick.

3788
03:15:05.360 --> 03:15:07.440
<v Speaker 4>As always, I appreciate your time as always, sir, and

3789
03:15:07.840 --> 03:15:10.360
<v Speaker 4>look forward to our Friday conversation. Come up with as

3790
03:15:10.360 --> 03:15:14.440
<v Speaker 4>always with our cars Fridays together. Yes, yeah, Austin, wait

3791
03:15:14.479 --> 03:15:14.680
<v Speaker 4>the car.

3792
03:15:14.760 --> 03:15:15.120
<v Speaker 6>But what else?

3793
03:15:15.280 --> 03:15:17.399
<v Speaker 4>What else? Your thoughts on closing statements tonight and anything

3794
03:15:17.440 --> 03:15:18.159
<v Speaker 4>else you want to plug?

3795
03:15:18.799 --> 03:15:24.120
<v Speaker 6>Oh well, I think well, first off, I'm thankfully after

3796
03:15:24.239 --> 03:15:27.200
<v Speaker 6>posting it was gonna be the most comprehensive covering of

3797
03:15:27.719 --> 03:15:30.680
<v Speaker 6>Back to the Future. That's what exactly happened, So thank

3798
03:15:30.719 --> 03:15:33.639
<v Speaker 6>you everybody. I think that was amazing. It was three

3799
03:15:33.680 --> 03:15:35.040
<v Speaker 6>hours long. There was a lot, a lot of a

3800
03:15:35.040 --> 03:15:38.760
<v Speaker 6>lot of stuff in there. That's what's yes, Yeah, it was.

3801
03:15:38.959 --> 03:15:42.600
<v Speaker 6>That was called recheck style. So and I will just

3802
03:15:42.680 --> 03:15:44.639
<v Speaker 6>one thing I just want to add. I do think,

3803
03:15:44.840 --> 03:15:46.760
<v Speaker 6>and I think we've all kind of said it as

3804
03:15:46.799 --> 03:15:50.000
<v Speaker 6>somebody said it earlier. It might have been Julia or

3805
03:15:50.200 --> 03:15:50.840
<v Speaker 6>maybe it was Heidi.

3806
03:15:51.399 --> 03:15:51.520
<v Speaker 7>Uh.

3807
03:15:51.799 --> 03:15:53.559
<v Speaker 6>I do think if you look at everything that we

3808
03:15:53.680 --> 03:15:56.239
<v Speaker 6>talked about, in my opinion, all that stuff is in

3809
03:15:56.360 --> 03:15:59.879
<v Speaker 6>that movie on purpose. It's all been added to the scene.

3810
03:16:00.040 --> 03:16:03.040
<v Speaker 6>It's all there for a reason. I think the way

3811
03:16:03.120 --> 03:16:04.920
<v Speaker 6>we all looked at it and pretty much came to

3812
03:16:05.000 --> 03:16:08.040
<v Speaker 6>the same stuff, I think you can kind of see

3813
03:16:08.079 --> 03:16:11.239
<v Speaker 6>that that's the choreographed that doesn't happen by Actually I

3814
03:16:11.280 --> 03:16:11.680
<v Speaker 6>don't think.

3815
03:16:11.959 --> 03:16:13.239
<v Speaker 1>I mean, there it is, JJ.

3816
03:16:13.440 --> 03:16:14.600
<v Speaker 9>You finally found it.

3817
03:16:14.719 --> 03:16:16.920
<v Speaker 4>For that yep, to that point you were making it

3818
03:16:17.040 --> 03:16:19.959
<v Speaker 4>and to Julius Common earlier. There you go. That's the

3819
03:16:20.040 --> 03:16:22.280
<v Speaker 4>opening scene, and there's Doc Brown hanging from a clock

3820
03:16:22.360 --> 03:16:24.120
<v Speaker 4>tower in the background of that opening scene.

3821
03:16:25.559 --> 03:16:31.559
<v Speaker 1>Everything is on purpose, dude, Every little thing is on purpose.

3822
03:16:32.200 --> 03:16:34.000
<v Speaker 4>Even me bringing this up right now is on purpose.

3823
03:16:34.000 --> 03:16:35.000
<v Speaker 4>I was waiting for this moment.

3824
03:16:38.000 --> 03:16:38.440
<v Speaker 6>I love it.

3825
03:16:38.959 --> 03:16:42.200
<v Speaker 8>Yeah, man, I love that was on the clock it

3826
03:16:42.319 --> 03:16:43.200
<v Speaker 8>says axis.

3827
03:16:45.159 --> 03:16:50.399
<v Speaker 2>Oh yeah, that's a room too. The kid hanging from anything.

3828
03:16:50.440 --> 03:16:53.760
<v Speaker 2>It's thorn. Actually, I don't really know the rooms. I

3829
03:16:53.840 --> 03:16:54.680
<v Speaker 2>hate the Norse stuff.

3830
03:16:54.719 --> 03:17:02.600
<v Speaker 4>I'm like, you need, I'm all. Julie's even got the

3831
03:17:02.639 --> 03:17:04.120
<v Speaker 4>same hat on. He's got that hat on.

3832
03:17:05.399 --> 03:17:06.840
<v Speaker 1>That's what I'm telling you, dude.

3833
03:17:07.840 --> 03:17:11.760
<v Speaker 4>It's Doc Brown for sure. Dude. That's crazy.

3834
03:17:12.479 --> 03:17:14.920
<v Speaker 8>The shadow doesn't match and it's very phallic looking.

3835
03:17:15.040 --> 03:17:19.559
<v Speaker 4>Sorry, you're good. No, by all means. But I mean,

3836
03:17:19.600 --> 03:17:21.280
<v Speaker 4>this is what we're talking about here, right, we're closing

3837
03:17:21.280 --> 03:17:23.840
<v Speaker 4>it out here with exactly this is the great great

3838
03:17:23.879 --> 03:17:26.000
<v Speaker 4>closing m hm. It's like the.

3839
03:17:26.040 --> 03:17:31.680
<v Speaker 8>Amazon sign almost, right, yeah, dude, Or.

3840
03:17:31.760 --> 03:17:34.120
<v Speaker 1>Like if you look at it maybe from the side,

3841
03:17:34.159 --> 03:17:36.280
<v Speaker 1>it kind of looks like the whole compass thing.

3842
03:17:37.040 --> 03:17:39.120
<v Speaker 4>I don't know, right, right, well, why is there a

3843
03:17:39.200 --> 03:17:41.239
<v Speaker 4>pretty aspect to a two D object here?

3844
03:17:41.360 --> 03:17:41.479
<v Speaker 3>Right?

3845
03:17:42.719 --> 03:17:43.239
<v Speaker 6>Exactly?

3846
03:17:43.639 --> 03:17:44.920
<v Speaker 1>Well, I think it might be.

3847
03:17:45.639 --> 03:17:48.120
<v Speaker 9>I think it might be three D though I think like.

3848
03:17:48.280 --> 03:17:50.399
<v Speaker 4>The guy I thought I was painted on, Okay, no,

3849
03:17:50.559 --> 03:17:53.120
<v Speaker 4>I don't. Is this more of that duality.

3850
03:17:54.239 --> 03:17:54.479
<v Speaker 3>It is?

3851
03:17:57.799 --> 03:17:59.319
<v Speaker 1>I mean, I see the shadow I thought it was

3852
03:17:59.399 --> 03:18:02.559
<v Speaker 1>because it was like as the clockhand moves, the little

3853
03:18:02.639 --> 03:18:03.639
<v Speaker 1>guy moves with it.

3854
03:18:03.920 --> 03:18:05.959
<v Speaker 4>You know, you may be right, you may be right.

3855
03:18:06.000 --> 03:18:07.799
<v Speaker 4>I was just being painted on there with that kind

3856
03:18:07.799 --> 03:18:09.879
<v Speaker 4>of shadow of it as well. Like the duality nature

3857
03:18:09.879 --> 03:18:10.559
<v Speaker 4>of it's still.

3858
03:18:11.360 --> 03:18:14.760
<v Speaker 2>M yeah, because then is he who travels through time?

3859
03:18:15.520 --> 03:18:18.120
<v Speaker 2>It's not. It's not someone who's matten right, Like they're

3860
03:18:18.200 --> 03:18:22.399
<v Speaker 2>out to master traveling, right like they they they they

3861
03:18:22.559 --> 03:18:25.440
<v Speaker 2>solved time travel, They solve that paradox, they solve that

3862
03:18:25.680 --> 03:18:28.840
<v Speaker 2>area between the hill and the valley. That's done. Now

3863
03:18:28.920 --> 03:18:31.559
<v Speaker 2>the next thing is that you did is conquer space.

3864
03:18:33.319 --> 03:18:35.360
<v Speaker 2>It's just a metaphor for the whole film. It's like

3865
03:18:35.440 --> 03:18:36.840
<v Speaker 2>the hermetic journey.

3866
03:18:37.840 --> 03:18:43.479
<v Speaker 4>And again and again my response, don't you again?

3867
03:18:43.600 --> 03:18:44.239
<v Speaker 8>Almost innate.

3868
03:18:44.319 --> 03:18:46.520
<v Speaker 3>It's almost like he's trying to hold it back from

3869
03:18:46.600 --> 03:18:47.799
<v Speaker 3>being an eight once again.

3870
03:18:48.959 --> 03:18:52.879
<v Speaker 6>Here, Yeah, the bottom it will look like the bottom

3871
03:18:52.920 --> 03:18:54.000
<v Speaker 6>one would be on an eight anyway.

3872
03:18:54.079 --> 03:18:55.799
<v Speaker 4>Right, I was gonna say, I think you have this

3873
03:18:55.959 --> 03:18:56.760
<v Speaker 4>all hands on the eight.

3874
03:18:57.479 --> 03:19:01.879
<v Speaker 8>Yeah, but it's it's not quite right, right, it's.

3875
03:19:01.760 --> 03:19:03.920
<v Speaker 4>Not it's almost it's almost eight am, right, yeah, it's

3876
03:19:03.959 --> 03:19:05.680
<v Speaker 4>seven fifty.

3877
03:19:05.000 --> 03:19:09.239
<v Speaker 3>Four, right, So he's holding back time, so there can't

3878
03:19:09.360 --> 03:19:13.040
<v Speaker 3>be a complete, a completeness of infinity.

3879
03:19:13.360 --> 03:19:16.000
<v Speaker 4>Well, I think all those clocks here on that same time, right,

3880
03:19:16.040 --> 03:19:16.920
<v Speaker 4>there's this one, right.

3881
03:19:16.920 --> 03:19:17.280
<v Speaker 2>Is that right?

3882
03:19:17.360 --> 03:19:17.680
<v Speaker 4>Chelieu?

3883
03:19:18.200 --> 03:19:21.319
<v Speaker 1>Yeah, they're all on the same time exactly, remember from

3884
03:19:21.360 --> 03:19:24.159
<v Speaker 1>the phone call exactly twenty five minutes late?

3885
03:19:24.920 --> 03:19:29.280
<v Speaker 8>Right, Yeah, that's right?

3886
03:19:29.479 --> 03:19:34.559
<v Speaker 4>Okay, nice, nice. Now I don't remember where I was

3887
03:19:34.600 --> 03:19:36.959
<v Speaker 4>going with that before, but I like those points. That's

3888
03:19:37.000 --> 03:19:37.479
<v Speaker 4>good stuff.

3889
03:19:38.680 --> 03:19:38.799
<v Speaker 3>Oh.

3890
03:19:38.879 --> 03:19:40.799
<v Speaker 4>My response to all this, my response to all this

3891
03:19:41.639 --> 03:19:46.239
<v Speaker 4>scot there you go. So now I I appreciate everyone's time,

3892
03:19:46.360 --> 03:19:48.760
<v Speaker 4>and uh if I if I can offer a couple

3893
03:19:48.879 --> 03:19:51.440
<v Speaker 4>quick plugs. Like I said, I got Operation GCD Live

3894
03:19:51.559 --> 03:19:54.680
<v Speaker 4>Sundays coming up here eight pm Patreon only with links

3895
03:19:54.719 --> 03:19:57.040
<v Speaker 4>in the show notes, along with links for all of

3896
03:19:57.079 --> 03:19:59.520
<v Speaker 4>our wonderful guests here in the Occult Rejects panel. Here

3897
03:19:59.600 --> 03:20:02.879
<v Speaker 4>this evening full blown a cult Rejects panel. And I

3898
03:20:02.959 --> 03:20:05.159
<v Speaker 4>got this Sunday at eight pm Eastern time. I got

3899
03:20:05.360 --> 03:20:08.040
<v Speaker 4>the Curse of Robert the Doll. That's gonna be a

3900
03:20:08.079 --> 03:20:10.760
<v Speaker 4>scary one, more so for me than anyone else. And

3901
03:20:10.799 --> 03:20:13.680
<v Speaker 4>then the following Sunday, as I just mentioned, the Revisa

3902
03:20:13.760 --> 03:20:15.520
<v Speaker 4>family and the Curse of the Goat, which is a great,

3903
03:20:15.680 --> 03:20:18.639
<v Speaker 4>great tie in here because I got the Legends of

3904
03:20:18.680 --> 03:20:23.040
<v Speaker 4>Buffalo Jared Revisa. This is my former stalker, slash almost

3905
03:20:23.239 --> 03:20:24.959
<v Speaker 4>he wanted me to hire him as my PR guy,

3906
03:20:24.959 --> 03:20:27.319
<v Speaker 4>and then he pretty sure he wanted to murder me

3907
03:20:27.360 --> 03:20:29.000
<v Speaker 4>and wear my skin as a coat because he later

3908
03:20:29.040 --> 03:20:31.799
<v Speaker 4>went out to multi state killing spree. And I think

3909
03:20:31.840 --> 03:20:35.200
<v Speaker 4>he's I suspected some sort of mind controlled situation. So

3910
03:20:35.239 --> 03:20:37.079
<v Speaker 4>that'll be a fun tale again, not so much for me,

3911
03:20:37.200 --> 03:20:41.440
<v Speaker 4>but probably for other people. For you, just ptsc Yeah,

3912
03:20:41.840 --> 03:20:44.040
<v Speaker 4>for me, just drudging out some nasty memories. But you know,

3913
03:20:44.079 --> 03:20:45.440
<v Speaker 4>I try to make some humor out of it. That's

3914
03:20:45.440 --> 03:20:46.799
<v Speaker 4>how that's how I get by in life.

3915
03:20:47.280 --> 03:20:49.520
<v Speaker 1>He wanted to wear you like an Edgar suit.

3916
03:20:50.639 --> 03:20:53.000
<v Speaker 4>Yeah, he was like. He told me to put the

3917
03:20:53.040 --> 03:20:55.000
<v Speaker 4>lotion on the skin, and you know, I was like, wait,

3918
03:20:55.079 --> 03:20:55.600
<v Speaker 4>what's wrang?

3919
03:20:57.440 --> 03:21:00.639
<v Speaker 1>Yeah, dude, about what.

3920
03:21:00.639 --> 03:21:01.399
<v Speaker 4>Are you talking about? Lotion?

3921
03:21:01.840 --> 03:21:07.639
<v Speaker 9>Fatten you up so you could hibernate together, all right, right?

3922
03:21:08.360 --> 03:21:11.000
<v Speaker 4>Well, strangely enough, the man he murdered, he actually hired

3923
03:21:11.079 --> 03:21:15.760
<v Speaker 4>him to be his pr rep heed. So again, this

3924
03:21:15.920 --> 03:21:17.799
<v Speaker 4>is the life and times of that I have to

3925
03:21:17.879 --> 03:21:20.360
<v Speaker 4>deal with here in the circumstances and whatnot. But I

3926
03:21:20.440 --> 03:21:22.639
<v Speaker 4>appreciate all folks at the innerwebs tonight and tune in

3927
03:21:22.719 --> 03:21:25.280
<v Speaker 4>and chatting and seem to be fairly well engaged in

3928
03:21:25.280 --> 03:21:27.360
<v Speaker 4>and joining the things I like to see that I

3929
03:21:27.639 --> 03:21:30.200
<v Speaker 4>always aim to entertain here, and I believe many of

3930
03:21:30.479 --> 03:21:32.079
<v Speaker 4>most of the rest of the panel here does, except

3931
03:21:32.079 --> 03:21:35.040
<v Speaker 4>for Jen. He just intends to do wizardry around everywhere.

3932
03:21:35.159 --> 03:21:39.000
<v Speaker 4>So for that much I also appreciate. But I think

3933
03:21:39.159 --> 03:21:41.360
<v Speaker 4>thanks to all the occult rejects here for joining us

3934
03:21:41.399 --> 03:21:43.879
<v Speaker 4>and any any final comments from anyone.

3935
03:21:45.639 --> 03:21:48.440
<v Speaker 9>Where we're going, we don't need roads.

3936
03:21:48.879 --> 03:22:17.040
<v Speaker 4>That's great. Scott Batt
