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Speaker 1: But right now joining us live in studio. Let me

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get these mics up. We've got replaced by robots. This here. Welcome,

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thanks for having us, and hello, and there's an actual oh,

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let me get that hamra on you for those watching online.

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And we have an actual robot in studio with us too. Here.

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Speaker 2: Oh, I am mad.

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Speaker 3: He is to this planet.

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Speaker 1: Wow is a robot an official member of the band

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or oh Wow? Okay, excellent, So you're actually a four piece.

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Speaker 4: Yes, Gulcasan will drive back home if he forgets him

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at our gig.

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Speaker 1: So we have uh so the the three primary members

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are Gulcazi and Heather Joy Morgan and Adam Wade, who

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are all here in studio with us, and of course

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the robot. What's the robot's name? I assume the robot. Oh,

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what's the matter. Oh your MIC's not working? My MIC's

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Oh I hear it?

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Speaker 5: Hi?

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Speaker 1: Oh you were just and the you're low apologize. I

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can hear it now? Yeah you now, now I can

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hear you?

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Speaker 6: Can you hear me?

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Speaker 7: Now?

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Speaker 1: We've got we've got an extra mic set up because

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these guys are gonna play live for us in a

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few minutes and really looking forward to that because you

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know what I'm interested in is because listening to the

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tracks and I love these songs, but I'm very curious

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to hear how you sound with an acoustic guitar. After

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after hearing these studio tracks, you know.

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Speaker 2: Yeah, we are too at it. And it was like, yeah,

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let's do this, and I was like for really everything.

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Speaker 1: So this is this is an unusual uh scenario here

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with the first really Oh we love yes, yes, we

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do like that very much, very much.

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Speaker 3: I have so few firsts left.

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Speaker 1: Now, that's never true. There's always something good. And uh,

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where are you all from? I assume you're you're probably

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a little bit scattered, right, but you're based where where

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are you? Where do you say? You're based out of Sportsmouth? Sportsmouth? Yeah, great,

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great music scene there, Portsmith.

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Speaker 3: I feel we're the best of it.

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Speaker 1: I mean as far as as far as New Hampshire goes,

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I think I think Portsmouth is kind of in terms

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of the music, see the coolest, the hippest place in

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the state, really coolest, well in terms of music, Yeah,

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just just in like like Portsmouth. To me, I've always

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kind of thought of it as like Boston North you

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know what, I mean, it's like North. I don't know

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that Portsmouth would agree. That's that's you know. I certainly

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mean it as a compliment, I know.

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Speaker 4: But their Way Through Ride did come by there and

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play who did the British shoegaze bend?

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Speaker 2: Uh?

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Speaker 3: Yeah?

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Speaker 1: Well there you go. Yeah, they didn't come to Manchester,

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did they?

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Speaker 8: No?

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Speaker 3: They did not.

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Speaker 1: Well let's let's I'm gonna let you all pick what

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should we play for a studio track, and then we'll

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you send me I love these songs, and then we'll

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actually maybe can I pick? Can I be Selfish? And

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can we play Lonely Nights?

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Speaker 9: Yeah?

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Speaker 1: Yeah, okay, because that's my favor I usually let the

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guests pick, but that's my personal favorite. I love this

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song so much. It as catchy as hell?

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Speaker 3: Wasn't that what we were going to play on the

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and the acoustic?

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Speaker 10: Yeah that's okay, that's a bit.

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Speaker 8: Maybe.

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Speaker 1: Well I don't know, all right, Well we can we

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can play something else?

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Speaker 6: So confusing?

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Speaker 1: We could?

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Speaker 2: We could?

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Speaker 1: Yeah, that's true, we could. We could play the Ouiji

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board song. What's the full title of that?

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Speaker 3: Since you broke my wija board?

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Speaker 1: I have a question too. Before we play this now,

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I've always heard of pronounced, but you pronounce it more

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like it's actually spelled.

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Speaker 3: Yes, that's because I actually speak German.

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Speaker 1: Probably Oh, no, kidding, Okay, so that is so so

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the way you're saying it is the correct pronunciation osia.

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Speaker 3: Yeah.

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Speaker 1: I always wondered because growing up, so my mother had one,

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and we in the summer when I would would spend

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the summers with her because she lives in another part

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of the country, and she would she would pull out

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the wigi board or oija. I don't know if I

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can get used to say, well, I can't pronounce it

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exactly the way you say it anyway, because I can't

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do the accent. But much to the consternation of my father,

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who found out many years later that that we were

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doing that, my great devout Catholic father did not approve.

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But but then so that was what I thought about

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the first time I saw that song title, and then

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I played it and I was like, oh, she pronounces

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it differently, but the way she pronounces it is it

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looks like the way it's actually spelled. Because I always wondered,

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are we saying it wrong.

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Speaker 3: Because well, it's just yes in French and yes in German.

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We oh yeah, no kidding, yes, so I re knew that.

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Speaker 4: Yeah, actually, if you were pronouncing it then it would

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be we yah. But that's that's not for an english

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person to get involved with.

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Speaker 3: So just stop at wija wow.

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Speaker 1: Okay, all right, let's give this a spin and then

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we're going to come back and talk a little bit.

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And here it is, and the band is replaced by robots.

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Speaker 8: They told me nice, they gave me advice. They do

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so must someone nice never lead the.

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Speaker 11: Side set wija b w I can't talk to these numb.

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Speaker 1: She see a route uigian.

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Speaker 10: Bog and I can't talk to look us No.

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Speaker 6: Un, says you.

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Speaker 8: A route ouija boat.

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Speaker 7: Sad so sad.

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Speaker 2: So sad, the s.

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Speaker 7: S smass, the game advice, the evening guest so.

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Speaker 8: Summers. So that's now.

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Speaker 1: So that heart at the end is such a cool touch.

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Not not what you were doing, gree Casian, but the.

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Speaker 2: That little pre Adams Adams insane piano.

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Speaker 1: Yeah, yeah, that that's that's really cool. I like the

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way it because it's kind of it's kind of a surprise.

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You don't expect to hear that at the end. But

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if it's a perfectly. The band, of course, is replaced

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by robots. We are here with us live in studio,

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and the song Heather, how do you pronounce it correctly? Again?

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Speaker 3: Weija oija since you broke my wija board.

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Speaker 1: Since you broke my wija board. All right, So do

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you want to tell that you were telling it off?

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Are you want to tell?

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Speaker 12: Yeah?

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Speaker 4: Well, we were in the middle of a rehearsal, and

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then I went into the little terror room on the

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side where we used to where we record, and I've

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got all my little relics and oddities laying around there,

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and I noticed that Gucasian had taken my antique oija board, yeah, and.

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Speaker 3: Stuffed it into a bag and he broke it.

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Speaker 4: And I was so upset, and I went back into

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the room, and you know, we're all just kind of

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jamming and and they're like lyrics Morgan. So then I

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just started singing, since you broke my oija board, I

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can't talk to the ghost no more. And we just

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kept going. We just wrote the whole thing right there.

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That's cool, channeling my marital rage.

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Speaker 1: Yeah. Sure, are you sure it was him? You sure

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it wasn't It was It wasn't The robots.

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Speaker 6: It's not really broke.

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Speaker 3: It's broken.

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Speaker 2: It was it's like a little like a little ding

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in the side of it.

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Speaker 1: Well that's what I was wondering.

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Speaker 4: Yeah, it was perfect before I met you. It was

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perfect since nineteen nineteen.

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Speaker 1: Oh wow, it really is. Oh wow?

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Speaker 13: Yeah?

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Speaker 1: And then so what it's good? So it's just got

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a ding in it or a crack or.

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Speaker 2: What broken is a little overly dramatic?

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Speaker 1: Okay, okay?

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Speaker 6: Yeah great for song lyrics?

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Speaker 1: Yeah, absolutely, absolutely, very cool. Well, I'm dying to hear

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you all play live. If you are just joining your

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nest replaced by robots? Is here with us live in studio?

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Speaker 3: And uh and we're somewhat alive?

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Speaker 1: Yeah it is.

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Speaker 14: Uh.

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Speaker 1: Is this the earliest uh you as a band have

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ever played live?

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Speaker 8: Yes?

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Speaker 1: Yes, but we and also ja okay, gotcha, well done,

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We've got Adam brought his guitar so which which was

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a surprise. I didn't know you're gonna play live, but

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I'm very happy about it. So, so what are you

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gonna What are you gonna play for us?

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Speaker 6: I think we'll play Lonely Night, a little song called

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Lonely Nights.

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Speaker 1: Awesome. I love this song. And I'm very excited to

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hear it play it acoustic live in studio.

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Speaker 2: So here we are, ye cruel morning for a long

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Adam sprung this on us at like seven.

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Speaker 1: Oh wow.

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Speaker 2: I was still asleep and basically responded, okay, yeah, here

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I am.

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Speaker 1: Yeah, yeah.

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Speaker 3: You were having a dream, gloulecase in you were punching

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a lamp.

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Speaker 1: Oh my goodness, what he does? Okay, all right, well,

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fair enough, whatever, whenever you're ready.

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Speaker 6: All right.

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Speaker 9: Lonely, lonely, lonely, lonely, nice, lone heallly lonely, lone lady, nice.

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Speaker 2: Smoke a funny cigarette. Walked into the discothech, trying not

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to act strange, dancing like a freak. I'm trying to

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be discreek hass, trying to catch you nen.

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Speaker 14: Lo la lo let lonely, lonely nice, hol lo let

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looneyt loon let lonely nice.

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Speaker 8: The tons and the tons and guns a line.

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Speaker 4: I couldn't find you anywhere, foundedly so fine circles getting smaller,

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running out of time, the kind of hazard I want

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you to be mine.

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Speaker 8: Low there, lone man, lonely, lordly nights.

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Speaker 15: On the lolay lord man, loely Lonely Nice, Lonely, running.

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Speaker 16: Out of time, Lola lone Man, lor La lonely Nice,

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Mola lor Man, lol Lonly Nights.

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Speaker 13: Yeah, Lolyly Loly Nice, Loly Loly, Loly, lonely Nice, Loly Loly, Loly,

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lonly Nice.

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Speaker 1: Oh my god, I love it. That was awesome. That

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was awesome. Wow.

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Speaker 3: I can't wait for you guys to.

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Speaker 1: Hear your souls on playback. Yeah, like that was really awful.

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Speaker 12: Thank you.

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Speaker 1: Yeah, yeah, that was great, well done. If you are

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just joining us, we have replaced by robots here with

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us live in studio on this Saturday morning, and that

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sounded fantastic.

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Speaker 3: I put my toe out of line. I'm gonna get

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it later.

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Speaker 1: Oh my well, no, no, no worries. So now how

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do you Everyone always say it's this question, but how

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do you describe your music to people who haven't heard it?

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Because there's obviously a tremendous mix of influences and you

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have you know, you've all played in other bands and

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have different backgrounds and earliest I assume so. And by

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the way, Heather, are you you're also an oil painter? Correct?

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Speaker 3: Yes, I am trained, Yeah, trained trained.

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Speaker 1: Jenny's an artist and I am not trained.

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Speaker 8: I am.

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Speaker 1: But so curious. So how do you describe your or

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do you even try? Or do you just play it

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and say?

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Speaker 4: When I spam, when I send out males about our

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about our upcoming shows, I always say the world's most

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prominent rock band, if you're interested in in that. But

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usually I say, you can tell what we love. You

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can tell that we love nineties alternative. You can tell

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we like the Pixies, the Cure and and Girl Group.

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I gotta ask punk rock.

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Speaker 1: Are you influenced by Blondie?

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Speaker 15: Oh?

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Speaker 3: Absolutely, because I'm like I thought, I'm like.

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Speaker 10: She's gotta be I was a Blondie fanily Oh yeah,

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And I can hear with you like.

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Speaker 3: That is so called first concert I ever went to?

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Speaker 8: Was really?

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Speaker 4: Was it Meadow Lens brendan Burn Arena? It was ever

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Under an opening for Blondie. Yeah, of course, yeah, I

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was like nine, Yes, of course?

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Speaker 1: So did we ever? Yeah? So I mean, what do

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you so? What do you call it?

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Speaker 2: Like?

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Speaker 1: Do you try to put a label on what you do.

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Speaker 4: Or well that's usually what we hear in our reviews

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is kind of genre busting. But you can tell what

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we like, you know, if you if you like the

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uh you know Bauhaus, You're like, oh, you know, I

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hear a little of that. I mean, Adam over here

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is an encyclopedia of underground music, so he can just

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pop in.

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Speaker 3: Whatever influences we're thinking about that day.

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Speaker 6: Nice, nice kind of pop goth. Yeah, dance dance pop.

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Speaker 1: God dance pop goth. I like that. Yeah.

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Speaker 2: And one of the things that when we came up

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with the name Replaced by Robots, what we kind of

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loved about it was like it didn't hidge and hold

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us into anything because it and like we'll write songs

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and then we're like, this is not like what we do,

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but it fits in. Like everything fits in with that name, you.

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Speaker 1: Know what I mean?

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Speaker 3: I love it A good pigeonhole.

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Speaker 1: Well, where so where does the name come from? Replaced

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by Robots?

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Speaker 4: I mean, I Uh, we were tossing around ideas and uh,

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I just came up with that out of the kind

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of out of the blue. But uh, it had something

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to do with a kind of disappointment in the algorithm

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driven of todayis of music and uh, you know, and

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also people's livelihoods and just everything. Yeah, and uh and

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to me that was I mean, it could be a

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way of saying that we're robots, or it could be

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a way of saying we are obsolete bohemians, and you know,

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maybe a little of both. Sure, we play with we

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play with all of those ideas, and once we uh

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picked up on that concept, it became so much fun

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to play with with our videos, with our writing, and

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so yeah, yeah, right guys, Yeah, absolutely, And and.

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Speaker 1: What about the themes, like lyrical themes in your songs?

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I mean, is there anything specific that you're trying to

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convey or are you trying to I saw, you know,

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the word when I was reading about the band, the

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word futuristic came up quite a bit. But I don't

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know if I mean a song like Lonely Nights that's

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not that's not anything futuristic. That's just something relatable. Maybe

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that's why I like that song so much. Aside from that,

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it's very catchy. It's something everyone can relate to, right.

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Speaker 3: But well, yeah, Heartbreak and the Apocalypse go.

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Speaker 2: Yeah, Like I feel like at a core always like

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very emotional, you know, like like I love soul music,

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but I don't like listening to it. But I like

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the concept.

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Speaker 1: Oh okay, very interesting, very interesting, what's your what's your

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live show? Alike? Because because what you do lends itself

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to I assume the robot is big.

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Speaker 2: He's like, we put him out front and he just

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kind of dances, yeah, and then people kind of want

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to come dance with him.

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Speaker 1: Oh that's cool.

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Speaker 2: Yeah, but we just have fun.

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Speaker 3: Man, we're very high energy.

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Speaker 4: Yeah, it's spectral and uh and and uh and luminous, mesmerizing.

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We've been told little things mesmerizing and uh and I

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mean we're we're a tough actor. Follow Literally, bands who

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have to go on after us are like, oh, man,

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like what what am I going to do? Those guys

319
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that they're weird and they're also like so driving that

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it may take a couple of songs for for a

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person to reclaim the space.

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Speaker 1: Sure, and that's cool. Ooh yeah, that's that's very cool. Yeah.

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Speaker 2: Both Adam and I come from really intense like uh,

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like punk rock band.

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Speaker 1: Yeah. So you were in the Elevator Drop, okay, because

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I remember that band?

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Speaker 2: Yeah yeah, and oh go ahead, yeah, and Adam was

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in a funeral party, which was and we knew each

329
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other in Boston. Oh no, kidding can make the whole

330
00:20:13,279 --> 00:20:16,559
thing makes no sense. We shared a rehearsal space and

331
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he reminded me, I I have like the worst memory.

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Speaker 1: Yeah, and I was like, oh my god.

333
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Speaker 2: So we were like, like we shared a rehearsal space

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together in Boston. Then he was like, my neighbor up here.

335
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Speaker 1: Oh wow, so this is there is an element of

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fate to this, right. We were destined. We had a

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band together.

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Speaker 4: We all came together at a we we hosted the

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Chameleons in their kind of acoustic form a Chameleons Box,

340
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play a show at our house and uh, and we

341
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invited Adam to the party. He's a huge band, and

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it was it was a great night. It was a

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it was a great show. And then we ended up

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deciding to play together at that show.

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Speaker 1: Okay, okay. And then how long after you decided to

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play together, how long did it take to get the project?

347
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And not too long?

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Speaker 3: No, like a month?

349
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Speaker 1: Really that's quick, Yeah, that's quick. But that's when you

350
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know you've got something right. I always say this when

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you when you have something that you know, gels quickly,

352
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you know, and it's not a lot of effort, you know,

353
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to try to put something together. It just kind of happens,

354
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and you know, you've really got something totally.

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Speaker 6: I think it's forty three days, three days.

356
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Speaker 4: Yeah, yeah, unlike Loukas and Adam has a very good

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memory apparently.

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Speaker 1: Yeah.

359
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Speaker 3: And it's like a soup. Everything is all mixed together.

360
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Speaker 4: He just dips the ladle in and spills it out

361
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and yeah, all years intermingled, all the fact.

362
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Speaker 6: How this is the spoon on the bowl.

363
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Speaker 1: Yeah, I see soup, I see, I see.

364
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Speaker 3: We are for his madness.

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Speaker 1: Okay, okay, well I think we should play another studio track.

366
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So we talked off air about this, so this is

367
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not one of the ones you sent me, but I

368
00:21:58,319 --> 00:22:00,599
do have a queue up right. Where do you get here?

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Speaker 12: It is?

370
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Speaker 1: Are we falling in love? Or am I just losing

371
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my mind? I really like this song too, And this

372
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is of course we haven't talked about this yet. We'll

373
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talk about the experiment, the EP that you've released a

374
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little bit on the other side of this. But but

375
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let's give this a listen, because I really like this

376
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song a lot. And if you are just joining us,

377
00:22:15,000 --> 00:22:19,640
we do have replaced replaced by robots here with us

378
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in studio and uh, let's uh, let's give this a spend.

379
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This is called are we falling in love? Or am

380
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I just losing my mind?

381
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Speaker 12: Jesse spending a lone out the altar case goud it's

382
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such a beautiful nice sometimes.

383
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Speaker 5: A list of the sector, the lasting times, the sensors.

384
00:24:09,000 --> 00:24:09,720
Speaker 7: As were porn.

385
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Speaker 3: Sure know the difecious shot?

386
00:24:17,400 --> 00:24:45,680
Speaker 1: Oh are we falling in love? Am I just losing

387
00:24:45,759 --> 00:24:48,119
my mind? The band is replaced by robots, and we

388
00:24:48,240 --> 00:24:50,720
have replaced by robots here with us live in studio.

389
00:24:50,799 --> 00:24:53,079
What are you gonna say, Jenny? Oh, I'm sorry.

390
00:24:53,200 --> 00:24:54,119
Speaker 2: I wasn't gonna say anything.

391
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Speaker 1: Oh okay.

392
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Speaker 10: I thought about it for a moment and then went down.

393
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Speaker 1: Oh okay. It was like it was a fleeting thing.

394
00:24:58,960 --> 00:25:02,319
I understood, understood, okay, I was going to That sounds

395
00:25:02,400 --> 00:25:03,200
nice when you say things.

396
00:25:03,240 --> 00:25:05,720
Speaker 2: Well, were you going to say, I'm not telling you?

397
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Speaker 1: Okay?

398
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Speaker 2: Fine, nobody say it to you.

399
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Speaker 3: You promised you would behaved surprises that he.

400
00:25:15,240 --> 00:25:15,960
Speaker 6: Doesn't talk about.

401
00:25:16,119 --> 00:25:25,519
Speaker 3: Oh my goodness, you're shortening. Yes, oh you may growl now.

402
00:25:25,480 --> 00:25:32,759
Speaker 1: But you will see. So tell us about the the

403
00:25:32,839 --> 00:25:36,200
ep uh the experiment? Where did where did you record this?

404
00:25:36,359 --> 00:25:38,400
And how did you record it? And it sounds great?

405
00:25:38,839 --> 00:25:42,720
We recorded it at our house, okay.

406
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Speaker 2: But then like, uh, it was really good. So like

407
00:25:46,319 --> 00:25:50,960
we had certain songs where we we brought that song

408
00:25:51,440 --> 00:25:56,000
that you just played to uh Hagar that Uh he

409
00:25:56,079 --> 00:26:00,200
was in Elevator Drops. He's in Devo now really he's right,

410
00:26:00,200 --> 00:26:04,640
he's a producer. His brother's nuts he Uh he does

411
00:26:04,720 --> 00:26:08,799
like all the Miley Cyrus records and Josh's is his brother.

412
00:26:09,079 --> 00:26:11,880
And we were, you know, Elevator ups forever and so

413
00:26:12,440 --> 00:26:18,480
we mixed that there, and then we mixed Lonely Nights

414
00:26:19,039 --> 00:26:24,200
with Colderry, who's amazing. He does not all the Pixies

415
00:26:24,319 --> 00:26:28,079
records and the Go Gos and yeah, and there. It's

416
00:26:28,119 --> 00:26:31,400
funny because there was one part originally in that song

417
00:26:31,960 --> 00:26:34,640
which there was a little snippet of a Go Go song,

418
00:26:35,039 --> 00:26:37,119
didn't we didn't know what it was. Adam was playing

419
00:26:37,119 --> 00:26:39,759
it and we knew or he probably knew, and he

420
00:26:39,920 --> 00:26:42,599
pulled it out and and I found out later that

421
00:26:42,720 --> 00:26:44,359
he also uh produced.

422
00:26:47,079 --> 00:26:49,920
Speaker 17: Oh wow, So he wanted to bury it was my

423
00:26:50,240 --> 00:26:53,319
intentional nod to the Go Gos, and he kind of

424
00:26:53,359 --> 00:26:56,200
wanted to bury in the mix as to avoid any litigation.

425
00:26:56,400 --> 00:26:59,440
Speaker 4: Oh really, Actually I think it was more like, hey,

426
00:26:59,440 --> 00:27:02,359
he didn't want to whole focus off our amazing tune.

427
00:27:02,200 --> 00:27:05,279
Speaker 3: And suddenly being like, oh, I want to listen to

428
00:27:05,319 --> 00:27:05,519
the Go.

429
00:27:05,599 --> 00:27:07,839
Speaker 6: Gos right right, the Go Go effect.

430
00:27:08,240 --> 00:27:12,279
Speaker 2: Yeah, because I for for a lot of years I

431
00:27:13,039 --> 00:27:18,279
would always pull in quotes from other songs and it

432
00:27:18,480 --> 00:27:21,480
was really enlightening. I was, you know, like you learned

433
00:27:21,519 --> 00:27:25,039
from a producer. And I really like that that input

434
00:27:25,160 --> 00:27:30,720
because like it makes you strive to stay original, which

435
00:27:30,799 --> 00:27:32,400
is hard in this day and age with all the

436
00:27:32,519 --> 00:27:38,160
influences of other music around you. So it's awesome. It's like,

437
00:27:38,480 --> 00:27:40,759
especially with what we do, we definitely have a lot

438
00:27:40,839 --> 00:27:43,480
of influences, but we do we work hard to make

439
00:27:43,559 --> 00:27:46,039
it still be you know.

440
00:27:46,319 --> 00:27:49,359
Speaker 1: Right right, Yeah, yeah, that can be a challenge, of course. Yeah,

441
00:27:49,599 --> 00:27:53,119
absolutely absolutely. And you've got a lot of shows coming

442
00:27:53,200 --> 00:27:54,680
up too. You're talking about that off here, right, You

443
00:27:54,759 --> 00:27:55,480
got some uh.

444
00:27:55,799 --> 00:28:00,480
Speaker 4: Yeah, we're playing September eighteenth at the stone Church excellent,

445
00:28:01,079 --> 00:28:03,880
and we're playing in October on the tenth at the

446
00:28:03,960 --> 00:28:05,240
Appohadian in Portland.

447
00:28:05,480 --> 00:28:05,680
Speaker 1: Yeah.

448
00:28:05,839 --> 00:28:09,079
Speaker 2: And the the one that's coming up in stone Church,

449
00:28:09,200 --> 00:28:12,359
we've got like the Glimmer Stars. It's their first date

450
00:28:12,960 --> 00:28:17,240
of their tour. They're from l A Hollywood area and

451
00:28:17,319 --> 00:28:19,720
they're coming out here and that's the first date, and

452
00:28:19,839 --> 00:28:21,799
so we're kind of psyched and we're playing with us

453
00:28:22,599 --> 00:28:24,839
versus the Man Polana versus the Man.

454
00:28:24,880 --> 00:28:26,519
Speaker 1: Okay, and the.

455
00:28:28,160 --> 00:28:30,839
Speaker 2: The Cretans who are like they have there's some like

456
00:28:30,960 --> 00:28:32,960
they're like a punk rock they're they're friends with the

457
00:28:33,079 --> 00:28:40,240
queers and all that that that whole old Boston Hampshire,

458
00:28:40,279 --> 00:28:41,640
Boston scene.

459
00:28:41,680 --> 00:28:44,880
Speaker 3: So it's it's gonna be David Paint like.

460
00:28:46,640 --> 00:28:46,680
Speaker 12: This.

461
00:28:47,960 --> 00:28:50,559
Speaker 3: This is a new rasp that we don't usually.

462
00:28:50,400 --> 00:28:53,640
Speaker 1: Have, well, but it is. It is nine am on

463
00:28:54,319 --> 00:28:56,359
on a Saturday morning. It's something to get you going

464
00:28:56,400 --> 00:28:59,240
in the morning. That's right. There you go, there you go.

465
00:28:59,599 --> 00:29:02,960
Speaker 3: I just this guy up at a truck stops, not the.

466
00:29:03,160 --> 00:29:06,640
Speaker 6: Actual Dave, the real Dave actually coming by.

467
00:29:06,880 --> 00:29:18,279
Speaker 10: Yeah, boy, Pat sorry, I can help it. You got

468
00:29:18,400 --> 00:29:20,000
to blame retro, right, right?

469
00:29:20,599 --> 00:29:23,920
Speaker 1: So are there are there plans to record new more

470
00:29:24,039 --> 00:29:26,359
music sooner? This hasn't been out for very long actually, right,

471
00:29:26,400 --> 00:29:27,640
so you're probably still.

472
00:29:28,279 --> 00:29:30,200
Speaker 6: Yeah, we'll got some new stuff in the works.

473
00:29:30,759 --> 00:29:33,480
Speaker 2: We're super excited that we have a couple of tracks

474
00:29:33,559 --> 00:29:36,599
already done and we might we're trying to figure out

475
00:29:36,599 --> 00:29:39,359
what this day and age is so like bonkers. We

476
00:29:39,519 --> 00:29:43,640
might just release like a single, because putting out a

477
00:29:43,720 --> 00:29:46,000
record is so weird it doesn't even make sense. No

478
00:29:46,119 --> 00:29:50,680
one wants records. They want like they want song and

479
00:29:50,720 --> 00:29:53,200
they want another one. So we might just put them

480
00:29:53,240 --> 00:29:58,319
out and then them into a bin and put the

481
00:29:58,480 --> 00:30:03,440
bin out side and package it and make a record.

482
00:30:03,559 --> 00:30:06,400
Speaker 6: Yeah, dump it out all over the street. Yeah, I

483
00:30:06,599 --> 00:30:07,279
get at kids.

484
00:30:09,559 --> 00:30:11,720
Speaker 1: Well, that is though, I mean, that's how a lot

485
00:30:11,759 --> 00:30:13,000
of I mean, there's so many different ways you can

486
00:30:13,079 --> 00:30:15,559
release music now, right, But but that but that approach

487
00:30:15,640 --> 00:30:17,960
of kind of the inverse of what it used to be, right,

488
00:30:18,000 --> 00:30:19,160
because it used to be you know, you have an

489
00:30:19,160 --> 00:30:20,599
album and then you have a bunch of singles from

490
00:30:20,599 --> 00:30:22,079
the album. And now a lot of artists who they

491
00:30:22,079 --> 00:30:24,480
put out a series of singles and eventually coal less

492
00:30:24,519 --> 00:30:25,119
into an album.

493
00:30:25,200 --> 00:30:27,559
Speaker 17: And yeah, it's really retro too, because that's really you know,

494
00:30:27,640 --> 00:30:29,880
the old fifties rock and roll, it was all about singles.

495
00:30:30,039 --> 00:30:30,519
Speaker 6: That's true.

496
00:30:30,559 --> 00:30:31,720
Speaker 1: You know, I hadn't even thought.

497
00:30:31,680 --> 00:30:33,519
Speaker 6: About a full circle back to the beginning.

498
00:30:33,759 --> 00:30:35,599
Speaker 1: Yeah that's a good point. Yeah, that's true.

499
00:30:35,720 --> 00:30:38,880
Speaker 3: Grab our dollar and go into the studio box music,

500
00:30:39,000 --> 00:30:40,519
walk out in our little forty five.

501
00:30:40,759 --> 00:30:44,799
Speaker 1: Yeah, yeah, no, that makes sense. And then do you

502
00:30:44,839 --> 00:30:46,799
have any have you done any videos yet for any

503
00:30:46,839 --> 00:30:49,640
of these songs? Oh, they all have videos. I'm gonna

504
00:30:49,839 --> 00:30:51,880
I'm gonna have to go check those out. Yeah yeah,

505
00:30:51,880 --> 00:30:53,400
because I'm really curious about that.

506
00:30:53,640 --> 00:30:57,240
Speaker 2: You can see all of them that replaced by robots

507
00:30:57,680 --> 00:31:01,200
do space. We couldn't afford dot com.

508
00:31:01,759 --> 00:31:03,839
Speaker 6: Oh, I had my son's dress up as ghosts for

509
00:31:03,920 --> 00:31:04,920
the Ouiji board video.

510
00:31:05,079 --> 00:31:07,079
Speaker 1: Oh really, yeah, Oh, I got to check that out.

511
00:31:07,160 --> 00:31:09,680
I gotta check that out. Let's play another one. I

512
00:31:09,720 --> 00:31:11,079
want to get these all in before we run out

513
00:31:11,079 --> 00:31:12,839
of time, because, like I said, I love your sound.

514
00:31:13,960 --> 00:31:16,920
The title track, Oh no, it's not the title track.

515
00:31:16,960 --> 00:31:19,079
I'm sorry, but laboratory. I don't know why. No, the

516
00:31:19,319 --> 00:31:20,920
the EV has called the experiment. I don't know why

517
00:31:20,920 --> 00:31:22,599
I was thinking this was the title track. See I

518
00:31:22,720 --> 00:31:24,480
also at you know, nine am on a Saturday. I

519
00:31:24,519 --> 00:31:30,079
have issues on my own, but but plus I only

520
00:31:30,119 --> 00:31:32,160
had like two SIPs of my Monster Energy drink so far.

521
00:31:32,279 --> 00:31:34,839
That's that's my issue. But let's give this a listen.

522
00:31:34,920 --> 00:31:36,960
This is a short song, this is under two minutes,

523
00:31:37,000 --> 00:31:39,799
but but it's it's good stuff. And then we'll come

524
00:31:39,839 --> 00:31:41,119
back and talk a little more. If you are just

525
00:31:41,160 --> 00:31:43,519
joining us. We have replaced by Robots here with us

526
00:31:43,599 --> 00:31:46,759
a live in studio on this Saturday morning on Matt

527
00:31:46,799 --> 00:31:50,240
Connorton Unleashed Here it is laboratory by Replaced by Robots.

528
00:32:05,319 --> 00:32:10,160
Speaker 5: Stops stop.

529
00:33:43,759 --> 00:33:45,440
Speaker 1: That is a short song. The Indians knock up on

530
00:33:45,519 --> 00:33:48,720
me there, but I like it laboratory And so what

531
00:33:49,039 --> 00:33:49,880
what are you saying?

532
00:33:50,240 --> 00:33:50,480
Speaker 2: In those?

533
00:33:50,720 --> 00:33:52,200
Speaker 1: Because we were talking off there about this, This is

534
00:33:52,240 --> 00:33:53,880
a common question. What are you What are you saying there?

535
00:33:54,039 --> 00:34:01,440
Speaker 4: Either in those I'm saying ha ha ha okay, because

536
00:34:01,480 --> 00:34:04,839
it is funny, yes to say ha ha ha.

537
00:34:06,640 --> 00:34:10,320
Speaker 1: We were talking about yeah, how people people always wonder

538
00:34:10,360 --> 00:34:12,199
what it is that you're saying. I wondered it too

539
00:34:12,239 --> 00:34:13,840
when I was listening to it. I thought, when I

540
00:34:13,880 --> 00:34:15,159
listened to it the first time, I thought, it sounds

541
00:34:15,159 --> 00:34:16,599
like she's just saying ha ha ha. But I'm not

542
00:34:16,719 --> 00:34:19,599
sure you know that thing, and my ears don't always

543
00:34:19,639 --> 00:34:20,440
hear everything correctly.

544
00:34:20,519 --> 00:34:26,639
Speaker 3: Either, experience mirth with me, see as you are doing. Yes,

545
00:34:28,119 --> 00:34:29,360
we are all very happy.

546
00:34:29,719 --> 00:34:36,679
Speaker 1: Yeah, Replaced by Robots is here with us, live in

547
00:34:36,800 --> 00:34:40,320
studio and where should people go online? We want to

548
00:34:40,360 --> 00:34:42,519
make sure everybody knows where's the best place to find

549
00:34:42,519 --> 00:34:45,119
you online for to keep up with everything that you're doing.

550
00:34:45,400 --> 00:34:52,400
Speaker 2: Replaced by robots, that's space space. I actually we did

551
00:34:52,519 --> 00:34:55,360
try to buy dot com, but he wasn't at it

552
00:34:55,480 --> 00:34:57,719
was like six seven dollars more, but that ends up

553
00:34:57,840 --> 00:34:59,039
every month, well.

554
00:34:58,920 --> 00:35:01,079
Speaker 1: Not only that year, not only that. But I think

555
00:35:01,119 --> 00:35:03,239
because you've got kind of a futuristic vibe, right, I

556
00:35:03,320 --> 00:35:06,440
think space is better anyway? Right, I agree, Yeah, yeah,

557
00:35:07,000 --> 00:35:07,599
you know, why not?

558
00:35:09,039 --> 00:35:09,400
Speaker 5: I like that?

559
00:35:09,559 --> 00:35:11,280
Speaker 1: And I yeah, I like that song a lot too.

560
00:35:11,360 --> 00:35:13,119
I was saying, it's got got a little bit of

561
00:35:13,159 --> 00:35:15,280
a surf punk vibe there with the guitar and everything

562
00:35:15,280 --> 00:35:16,559
in the whole vibe of it. I really like that

563
00:35:16,599 --> 00:35:18,199
a lot. That must go over well live. Do you

564
00:35:18,239 --> 00:35:18,880
play that one live?

565
00:35:19,000 --> 00:35:19,119
Speaker 2: Oh?

566
00:35:19,280 --> 00:35:21,519
Speaker 3: Yeah, yeah, yeah, it's an opener often.

567
00:35:22,079 --> 00:35:24,400
Speaker 1: Oh no, no kidding, okay, yeah, that's like three or

568
00:35:24,440 --> 00:35:27,440
four times. And I said, yeah, oh my, do you

569
00:35:27,800 --> 00:35:32,199
well it is? It is a short song. One more time.

570
00:35:33,599 --> 00:35:37,360
I reminds me of a do you remember This is

571
00:35:37,519 --> 00:35:39,840
totally off subject, but do you remember lou Bega Mamo

572
00:35:39,960 --> 00:35:40,400
number five?

573
00:35:40,679 --> 00:35:40,880
Speaker 5: Yeah?

574
00:35:41,239 --> 00:35:41,679
Speaker 2: I love that.

575
00:35:42,119 --> 00:35:45,199
Speaker 1: I saw lou Bega one time at at the time,

576
00:35:45,239 --> 00:35:48,400
I was working at a record store and I got

577
00:35:48,440 --> 00:35:50,199
invited to go to one of those all day radio

578
00:35:50,280 --> 00:35:52,440
station shows one of the Boston stations was doing. This

579
00:35:52,599 --> 00:35:54,280
was a long time ago. This was this was when

580
00:35:54,320 --> 00:35:57,079
Mamo number five was on the radio. And uh so

581
00:35:57,199 --> 00:36:00,280
it's like, you know, like fifteen different artists throughout the day,

582
00:36:00,280 --> 00:36:02,280
and they've all got really short, like twenty minute sets

583
00:36:02,280 --> 00:36:05,280
because of so many of them. And lou Bega was

584
00:36:05,320 --> 00:36:08,079
one of the one of the performers, and he actually

585
00:36:08,320 --> 00:36:13,159
played Mamo number five twice. He opened with it, and

586
00:36:13,320 --> 00:36:15,760
I thought, well, he's opening with his big hit. This

587
00:36:15,920 --> 00:36:19,039
is a bold move. And then I thought, oh, maybe

588
00:36:19,079 --> 00:36:21,559
he's closing with a cover. That's the one time. That's

589
00:36:21,599 --> 00:36:23,360
the only way that makes sense. He must be closing

590
00:36:23,400 --> 00:36:25,519
with a cover that goes over really well. So he's

591
00:36:25,559 --> 00:36:27,679
going to open with his big hit. He didn't he

592
00:36:28,199 --> 00:36:30,360
So he opens with Mamo number five, then he plays

593
00:36:30,480 --> 00:36:33,320
like one other song from his album, and then he

594
00:36:33,519 --> 00:36:36,360
closes with Mamo number five. He actually played it twice

595
00:36:36,400 --> 00:36:38,760
and I and it was like, it was kind of weird,

596
00:36:38,840 --> 00:36:41,320
but but I also remember thinking, I respect it in

597
00:36:41,360 --> 00:36:44,199
a way that he understands, he knows he's a one

598
00:36:44,280 --> 00:36:47,400
hit wonder. He understands he's on the you know, thirteenth

599
00:36:47,440 --> 00:36:49,320
or fourteenth of his fifteen minutes.

600
00:36:49,360 --> 00:36:49,920
Speaker 14: You know what I mean.

601
00:36:50,039 --> 00:36:52,039
Speaker 17: I saw Men Without Hats a couple of years ago,

602
00:36:52,119 --> 00:36:53,800
and they opened with safety Dance.

603
00:36:53,960 --> 00:36:57,760
Speaker 1: Yeah, they ended with no kidding? Yeah, all right, you

604
00:36:57,840 --> 00:36:58,159
don't have.

605
00:36:58,239 --> 00:36:59,079
Speaker 5: To do that, guys.

606
00:36:59,199 --> 00:37:03,039
Speaker 3: They have a lot of good songs, come on, I but.

607
00:37:03,159 --> 00:37:04,760
Speaker 1: That's their only hit, right yeah? Yeah?

608
00:37:06,599 --> 00:37:11,599
Speaker 3: Oh no, Actually, what was that one? The apocalypse one.

609
00:37:13,880 --> 00:37:16,079
Speaker 1: From Men Without Yeah, I don't even remember that.

610
00:37:16,559 --> 00:37:17,119
Speaker 8: The world.

611
00:37:18,519 --> 00:37:19,679
Speaker 1: Oh that's kind of familiar.

612
00:37:19,840 --> 00:37:20,800
Speaker 3: It's a tear jerker.

613
00:37:21,239 --> 00:37:23,159
Speaker 1: Okay, yeah, all right, yeah.

614
00:37:23,159 --> 00:37:26,559
Speaker 6: I think they did that twice too, because they got to.

615
00:37:26,519 --> 00:37:29,480
Speaker 1: Fill that time. Get that get that check. Yeah. Oh

616
00:37:29,559 --> 00:37:33,000
that's funny. So when's just remind people too. I know

617
00:37:33,039 --> 00:37:34,639
we just talked about it, but for people just joining us,

618
00:37:34,639 --> 00:37:36,519
when is your next show? When is the next opportunity?

619
00:37:36,599 --> 00:37:41,280
Speaker 4: Stember eighteenth September eighteen, Slimmer.

620
00:37:40,159 --> 00:37:43,199
Speaker 6: Stars Plana Versus the Man, the Cretans.

621
00:37:43,760 --> 00:37:47,920
Speaker 1: And us and you and very good, very good, by

622
00:37:47,960 --> 00:37:50,480
the way, So and then all the how do you

623
00:37:50,719 --> 00:37:52,960
how do you handle the percussion and everything in the

624
00:37:53,159 --> 00:37:55,480
when you're on stage? Is that is that programmed or

625
00:37:55,519 --> 00:37:56,239
how do you approach that?

626
00:37:56,360 --> 00:38:00,840
Speaker 2: Michael Mike Walsh who is uh as virtual.

627
00:38:01,000 --> 00:38:06,880
Speaker 1: So yeah, he plays excellent, excellent and.

628
00:38:07,039 --> 00:38:10,360
Speaker 2: Uh and Adam. What the funniest part of all this

629
00:38:10,519 --> 00:38:12,639
is Adam you know, he's been playing the guitar is

630
00:38:12,800 --> 00:38:15,440
you know, fantastic And then one day we're at practice

631
00:38:16,199 --> 00:38:18,639
and we had a drummer time and he's like, hey,

632
00:38:18,760 --> 00:38:20,199
let me, let me just show you this part and

633
00:38:20,239 --> 00:38:24,880
Adam sat behind the drums. Yeah, like, Adam, it might

634
00:38:24,960 --> 00:38:27,960
be the best, one of the best drummers that I've seen.

635
00:38:28,480 --> 00:38:34,760
And it's like a secret, secret idea. So Adam played

636
00:38:34,960 --> 00:38:36,320
the recording.

637
00:38:36,639 --> 00:38:39,360
Speaker 4: Never heard him drummer his fingers on the table before.

638
00:38:40,000 --> 00:38:41,760
Then he just yeah, busted out.

639
00:38:41,920 --> 00:38:42,599
Speaker 1: Oh that's cool.

640
00:38:42,719 --> 00:38:42,880
Speaker 6: Yeah.

641
00:38:42,920 --> 00:38:45,679
Speaker 17: It's been easy too, because like we can just late,

642
00:38:45,920 --> 00:38:47,880
we don't have to. The three of us can just

643
00:38:48,039 --> 00:38:52,480
write and record and play everything. And you know, Michael

644
00:38:52,559 --> 00:38:54,519
Mike will probably start great now.

645
00:38:54,960 --> 00:38:57,719
Speaker 3: Yeah, he can do he can do anything that you

646
00:38:57,840 --> 00:38:58,360
point him at.

647
00:38:58,559 --> 00:39:02,320
Speaker 1: Yeah, yeah, excellent, excellent, very good, very good. Well listen,

648
00:39:02,440 --> 00:39:04,360
I want to thank you, thank the three of you

649
00:39:04,440 --> 00:39:06,199
for joining us here today, all the four of you,

650
00:39:06,280 --> 00:39:09,000
because the robots here as well. Yeah, I forget. I

651
00:39:09,039 --> 00:39:10,440
asked you if the robot had a name. I can't

652
00:39:10,440 --> 00:39:11,920
remember what you said. Does the robot have a name?

653
00:39:12,159 --> 00:39:14,880
Speaker 2: Boris Boris Excel two four.

654
00:39:15,039 --> 00:39:17,519
Speaker 1: XL two four? Yes, I had a Do you remember

655
00:39:17,559 --> 00:39:20,360
to excel? I had a two XL when I was

656
00:39:20,400 --> 00:39:21,880
like kid played the A track you put the A

657
00:39:22,000 --> 00:39:24,559
tractapes in? Was I am to excel?

658
00:39:24,800 --> 00:39:27,679
Speaker 2: One thing I'll put out there that our sort of

659
00:39:27,840 --> 00:39:31,440
secret hope that we have is eventually people will come

660
00:39:31,559 --> 00:39:34,039
to our shows and bring their robots so that they

661
00:39:34,119 --> 00:39:36,039
can all dance in the front together.

662
00:39:36,280 --> 00:39:39,400
Speaker 1: That's that's such a cool idea, the robots together.

663
00:39:39,760 --> 00:39:42,559
Speaker 2: If you come to the Stone Church, bring a robot

664
00:39:43,000 --> 00:39:44,480
and we'll give you free.

665
00:39:46,079 --> 00:39:49,000
Speaker 1: That's a very cool idea, world of robots. Does it

666
00:39:49,079 --> 00:39:49,840
have to be a robot?

667
00:39:49,920 --> 00:39:51,840
Speaker 2: What if it's like like, like what can what a

668
00:39:52,480 --> 00:39:54,119
robotic like like a roomba?

669
00:39:54,320 --> 00:39:56,119
Speaker 1: Is that that would be that works?

670
00:39:57,159 --> 00:39:59,800
Speaker 2: That would be pretty hilarious because I think, actually it's

671
00:39:59,840 --> 00:40:01,639
my you say that because I want to think.

672
00:40:04,639 --> 00:40:07,440
Speaker 4: It was like, it'll be a motor It'll be like

673
00:40:07,559 --> 00:40:10,840
survival research laboratories, only without the fighting.

674
00:40:11,079 --> 00:40:13,760
Speaker 2: Yeah, it's funny you say that because one of the

675
00:40:13,800 --> 00:40:17,079
new videos that we're working on. Like, I'm always like

676
00:40:17,159 --> 00:40:19,480
trying to find something it's a little different, and I

677
00:40:19,639 --> 00:40:23,920
was looking at roomba uh footage and it's it's gonna

678
00:40:23,920 --> 00:40:26,480
make it in there and it has nothing to do

679
00:40:26,599 --> 00:40:29,639
with this song. The next song that we're releasing is

680
00:40:29,679 --> 00:40:32,119
really organic and beautiful.

681
00:40:32,280 --> 00:40:33,679
Speaker 1: But it is yeah.

682
00:40:33,920 --> 00:40:39,119
Speaker 2: Oh oh, it's not on the it's not no, We're done.

683
00:40:39,199 --> 00:40:44,000
It's recorded. It's a masterpiece, Adam. The guitar is I

684
00:40:44,079 --> 00:40:49,840
feel like I'm like stroking the guitars. It's the guitar.

685
00:40:50,440 --> 00:40:52,400
It's a guitar like show piece.

686
00:40:53,360 --> 00:40:57,199
Speaker 1: Nice. Nice. When's it coming out? I don't know. All right,

687
00:40:57,400 --> 00:41:00,800
well tell us when it's ready. All do a world

688
00:41:00,840 --> 00:41:01,239
premiere for.

689
00:41:01,320 --> 00:41:03,000
Speaker 6: It, have some surprises in the fall.

690
00:41:03,119 --> 00:41:07,280
Speaker 1: Absolutely awesome, awesome, excellent, excellent. Well again, thank thank you all,

691
00:41:07,400 --> 00:41:08,960
all three of you. And I think we'll close the

692
00:41:09,000 --> 00:41:12,599
segment with the studio version of Lonely Nights again. This

693
00:41:12,760 --> 00:41:15,440
is my favorite. It's just so catchy. But I really

694
00:41:15,480 --> 00:41:16,960
appreciate you all coming in this morning.

695
00:41:17,159 --> 00:41:18,239
Speaker 3: Thanks for having us.

696
00:41:18,280 --> 00:41:20,960
Speaker 1: Oh absolutely absolutely. We will do it again in the future.

697
00:41:21,199 --> 00:41:23,840
And if you are listening live on Saturday, we have

698
00:41:24,199 --> 00:41:26,920
are they in the building, Jenny, Silent season. Silent Season

699
00:41:27,039 --> 00:41:30,000
is coming up in the second hour, but we will

700
00:41:30,079 --> 00:41:32,760
close out this segment again. This is Lonely Nights and

701
00:41:32,920 --> 00:41:34,679
this is replaced by robots.

702
00:41:39,119 --> 00:41:41,760
Speaker 5: Loly nights.

703
00:41:48,280 --> 00:42:01,519
Speaker 18: Nights A cigarette look down to the trying not to

704
00:42:01,760 --> 00:42:05,639
act to strange, dancing like a freak.

705
00:42:06,039 --> 00:42:07,480
Speaker 8: We're trying to be the street.

706
00:42:08,199 --> 00:42:11,920
Speaker 18: Is I trying to catch the noise hol.

707
00:42:33,280 --> 00:42:37,199
Speaker 4: Sns in Inspiger the hans and guns alge I couldn't

708
00:42:37,239 --> 00:42:41,880
find you anywhere fun fin so because heading saw them

709
00:42:42,360 --> 00:42:45,480
running out of time in the a China houser.

710
00:42:45,760 --> 00:42:46,480
Speaker 5: I want you to.

711
00:43:05,239 --> 00:43:12,920
Speaker 1: Saying thing

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00:44:01,920 --> 00:44:03,840
Speaker 3: Many only nights