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<v Speaker 1>Joe Wescalante live from Hollywood. We will be doing two

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<v Speaker 1>hours of the business end of show business, like we

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<v Speaker 1>do every Sunday from five to seven here on k E.

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<v Speaker 1>I B. Sam, Engineer Sam. You are here with me.

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<v Speaker 1>Everything good. I'm coming to you from Boston on across

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<v Speaker 1>the street from Fenway Park. Sublime is playing at a

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<v Speaker 1>concert called Boston Calling tonight and that's over at Harvard,

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<v Speaker 1>a big festival on their athletic field. And then we

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<v Speaker 1>will first I'll probably go to a baseball game across

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<v Speaker 1>the street, but very first, I'm coming to you from Boston. Hey,

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<v Speaker 1>I'm three hours ahead. Okay, let's start with the Sean

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<v Speaker 1>Diddy trial. Over the past week, this high profile federal

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<v Speaker 1>trial seen some significant developments, primarily focusing on testimony from

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<v Speaker 1>key witnesses. They put that girl, Cassie Ventura, you know

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<v Speaker 1>who she is. She's the one that got kicked in

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<v Speaker 1>the video.

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<v Speaker 2>Yeah. Yeah, she's the one that swung like the star

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<v Speaker 2>witnesses against him.

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<v Speaker 1>Yeah. So she's got she has the she wrapped up

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<v Speaker 1>her thing, you know talking about She says she was raped, abused,

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<v Speaker 1>coerced into these freak offs. So far on the Sublime

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<v Speaker 1>weekend tour. There's been no freakoffs and but basically Combs

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<v Speaker 1>is facing a racketeering conspiracy, sex trafficking by force, fraud

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<v Speaker 1>or coersion transportation for the purposes of prostitution. I assume

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<v Speaker 1>that's across state lines, and the prosecutors are areing that

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<v Speaker 1>he used his business empire to facilitate and hide criminal activities.

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<v Speaker 1>This trial will probably go on through late June. H

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<v Speaker 1>They you know, they show that video of the girl

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<v Speaker 1>getting beat up, showing that this is you know, what

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<v Speaker 1>he does. But it, I mean, that's just that's a

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<v Speaker 1>simple assault case. A They have to prove in this

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<v Speaker 1>thing that he used his business to do this, and

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<v Speaker 1>there was a conspiracy and a lot of people are

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<v Speaker 1>in on it. It's gonna be hard. So you know,

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<v Speaker 1>I'm not entirely sure he'll be convicted in this case

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<v Speaker 1>even though, but they and if he is convicted, I mean,

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<v Speaker 1>they're you know, I think he might get the bill

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<v Speaker 1>Cosby appeal situation from you know, appeelable issues at trial

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<v Speaker 1>because they're just throwing everything at him. So many people testifying.

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<v Speaker 1>One of the people testified this week was Kid Cuddy.

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<v Speaker 1>Are you a fan of Kid Cutty Sam.

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<v Speaker 2>I've seen him play live at Coachella a while ago.

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<v Speaker 2>He's got some decent songs. I know. The relationship between

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<v Speaker 2>he and Diddy is pretty turbulent.

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<v Speaker 1>Yeah, he used to have a decent car, but then

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<v Speaker 1>it was destroyed by a Molotov cocktail after he started

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<v Speaker 1>dating Cassie Ventura. And he's suggesting that Combs was involved

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<v Speaker 1>in this in a prior home invasion. So that's what

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<v Speaker 1>he's up there saying Combs basically threw a Molotov cocktail

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<v Speaker 1>at my car. And they had former personal assistants testifying

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<v Speaker 1>this week describing buying supplies for alleged sex parties. That's

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<v Speaker 1>the Babo oil and other stuff we heard about. And

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<v Speaker 1>then people who were in charge of cleaning up hotel

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<v Speaker 1>rooms after the freak offs and people testifying to Combs's

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<v Speaker 1>abusive behavior. And then though the girl, Cassie Ventura's mother testified.

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<v Speaker 1>She said that she was extorted for twenty thousand dollars

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<v Speaker 1>and they said they were going to threaten to release

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<v Speaker 1>explicit videos of Cassie after she began dating Kid Cuddy.

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<v Speaker 1>Now the defense, what's Diddy's defense? They are challenging Cassie

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<v Speaker 1>Venture's credibility, portraying her as a willing participant in a

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<v Speaker 1>toxic relationship and questioning her motivations, particularly regarding the twenty

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<v Speaker 1>million dollars settlement she received from Colmbs. Now, it is

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<v Speaker 1>very strange how she got this settlement from Comps for

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<v Speaker 1>twenty million dollars and then here she is. You know,

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<v Speaker 1>I don't know what the settlement was for. Well, I

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<v Speaker 1>guess in those settlements that you sign, like, they'll say,

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<v Speaker 1>here's twenty million dollars. You can't say anything about me. Ever,

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<v Speaker 1>unless the court of law tells you you have to

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<v Speaker 1>say something about me. So they usually have a sentence

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<v Speaker 1>in there too, saying unless you're like testifying in court

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<v Speaker 1>and you're compelled to, then then you have to do it. Ah.

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<v Speaker 1>Other news, Aaron Rodgers has weighed in did you hear

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<v Speaker 1>about this? An?

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<v Speaker 2>No, I haven't. I got to hear about this though.

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<v Speaker 1>Yeah, he was. He was on Joe Rogan and he

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<v Speaker 1>openly questioned the silence of numerous A list celebrities, including

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<v Speaker 1>Lebron James and Aston Kutcher, who were known for having

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<v Speaker 1>attended these parties. I guess uh uh. His main point

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<v Speaker 1>is not to necessarily accuse his individuals of any wronging themselves,

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<v Speaker 1>but highlighting this like what he calls a culture of

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<v Speaker 1>complicity among the Hollywood elites that influential figures avoid speaking

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<v Speaker 1>out as serious allegations against did He mount and he

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<v Speaker 1>specifically names Lebron James because there was a resurface video

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<v Speaker 1>where James once stated it ain't no party like a

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<v Speaker 1>did He party, but he wishes he could take that back.

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<v Speaker 2>I get the feeling though a lot of times wherever

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<v Speaker 2>Lebron goes, his wife tends to go with him. So

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<v Speaker 2>if anything, if it may not be the act that

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<v Speaker 2>they engage in, but it's the act that they may

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<v Speaker 2>be aware of and aren't saying anything that Rogers is

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<v Speaker 2>bringing up now, I'm I think Rogers also has this

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<v Speaker 2>kind of proclivity to want to get as much attention

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<v Speaker 2>on himself as possible, So him mentioning Lebron James's name

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<v Speaker 2>is going to make a splash in the media. So,

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<v Speaker 2>oh yeah, that's clickbait right there.

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<v Speaker 1>Yeah, it caught my eye. He he doesn't care. He

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<v Speaker 1>just doesn't give a dame.

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<v Speaker 2>Oh no, he doesn't need to. He has he's rich.

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<v Speaker 1>Yeah. Is he still playing? Is he gonna play this season.

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<v Speaker 2>I think he might be done. I think he might

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<v Speaker 2>be done. He might try to miss the amount of

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<v Speaker 2>comeback but diminished returns at this point.

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<v Speaker 1>Maybe that's why he spoke up.

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<v Speaker 2>Well, he tends he has a reputation for speaking up

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<v Speaker 2>in the media and saying things that end up becoming controversial.

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<v Speaker 2>So this is part for the course for Rogers. It

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<v Speaker 2>sounds like there's a reason why he continually has a

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<v Speaker 2>microphone put in front of him, because he's known for

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<v Speaker 2>saying stuff.

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<v Speaker 1>Okay, Joe Rogan, that's the big one of the biggest

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<v Speaker 1>microphones in the world. Yes, okay, So we'll in the

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<v Speaker 1>coming up in a little bit, we're gonna talk about

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<v Speaker 1>the can Film Festival. And the can Film Festival is

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<v Speaker 1>where you know, the all the prestige films go to

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<v Speaker 1>get awards, and you know, there's a lot of it's

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<v Speaker 1>a movie market. Also people go there to to buy

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<v Speaker 1>and sell films for the upcoming year and they just

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<v Speaker 1>wrapped up. And so we'll talk about who won, who

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<v Speaker 1>are the big winners, and then we'll go to the

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<v Speaker 1>top movies for this week and see what Sam saw

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<v Speaker 1>and what I saw or what we didn't see. And

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<v Speaker 1>ready for traffic. Am I correct? Sam?

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<v Speaker 2>Yeah, we got a minute or two, but we can

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<v Speaker 2>go early.

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<v Speaker 1>Okay, Well we'll just go early and then we come back.

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<v Speaker 1>We will, we'll do those things. Joe Escalante Live this

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<v Speaker 1>time from Boston, not Hollywood. But I'm still I'm still

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<v Speaker 1>phoning it in Scalanta live from Hollywood. By Hollywood, you

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<v Speaker 1>mean Burbank, but right now I'm really in Boston. This

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<v Speaker 1>week we wrapped up the seventy eighth Annual Can Film Festival, Sam,

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<v Speaker 1>were you there?

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<v Speaker 2>No? Unfortunately I missed it.

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<v Speaker 1>Yes, I wasn't there either. But if you want to

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<v Speaker 1>celebrate a bunch of films you're never going to see,

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<v Speaker 1>it's a great place to go. And they had a

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<v Speaker 1>little sabotage. There was some kind of sabotage that it

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<v Speaker 1>shut off the power for the festival.

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<v Speaker 2>Really, yeah, like that, like somebody went and on like

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<v Speaker 2>hold the plug on it or what happened?

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<v Speaker 1>Yeah, I mean I felt like doing that a bunch

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<v Speaker 1>of times after seeing movies like The Surfer. But I

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<v Speaker 1>was isn't me.

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<v Speaker 2>Have you ever been to can at all?

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<v Speaker 1>I haven't been to the festival. But they had a

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<v Speaker 1>music festival. There's there's a music festival they do during January, okay,

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<v Speaker 1>and I and I went to that a bunch. It's

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<v Speaker 1>called the Meet Him Festival. So you know, I've stayed

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<v Speaker 1>in all those hotels, I've uh, you know, been around

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<v Speaker 1>the exhibit hall. I actually I had an exhibit there

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<v Speaker 1>for for Kung Fu Records. And here's a kind of

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<v Speaker 1>funny story. One time I was at the Meet Them

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<v Speaker 1>Festival and you know, I'm built up my record label.

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<v Speaker 1>It's pretty big internationally. We got our big booth. You know,

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<v Speaker 1>people are coming by having meetings. We've got all their

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<v Speaker 1>you know, banners and displays, and and then on Sunday,

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<v Speaker 1>you know, I have my employees are manning the booth

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<v Speaker 1>and I'm you know, hopping on a plane to get

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<v Speaker 1>out of town. I think I had a plane to

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<v Speaker 1>go fly somewhere to to you know, like continue to

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<v Speaker 1>meet my wife or something, to do some traveling. And

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<v Speaker 1>as I was leaving, some French authority said where are

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<v Speaker 1>you going. I go, I'm going to catch a plane.

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<v Speaker 1>And I had a tag that said I was an exhibitor.

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<v Speaker 1>I had a badge that said exhibitor. And he goes,

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<v Speaker 1>you can't leave because the exhibit. The festival is not

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<v Speaker 1>over until four pm tonight or something at Sunday, and

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<v Speaker 1>I go, yeah, but I'm catching a plane. My employees

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<v Speaker 1>are manning the booth. Don't worry about it. And he's like, no,

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<v Speaker 1>you know, there's a little language situation going on. And

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<v Speaker 1>they put me in a room for like forty minutes

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<v Speaker 1>and interrogated me and kept bringing all these people saying

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<v Speaker 1>you cannot leave. I mean, it's this is what this

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<v Speaker 1>is what countries without like a bill of rights are.

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<v Speaker 1>They just like they will throw you in a room

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<v Speaker 1>and lock you there and tell you tell them the

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<v Speaker 1>information they need to have. And I was, I was,

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<v Speaker 1>you know, I'm going to miss my flight, so I'm

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<v Speaker 1>pretty mad and everything. Anyway, the next year, they they

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<v Speaker 1>gave me a really nice like suite at the Majestic

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<v Speaker 1>Hotel to make it up to me. But still that's

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<v Speaker 1>what goes on at places like that. But this week

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<v Speaker 1>Can Film Festival, the big winner is a movie that

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<v Speaker 1>you're not going to see and it was called it

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<v Speaker 1>was just an accident from Iranian filmmaker I'm not lying.

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<v Speaker 1>His name is Jaffar that.

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<v Speaker 2>I may actually go out of my way to see

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<v Speaker 2>this one.

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<v Speaker 1>Then, yeah, a scary Iranian filmmaker named Jeffar has won

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<v Speaker 1>the can Film Festival. All right, be careful. So he

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<v Speaker 1>won the Palm d'Or. And the US distributor is called Neon.

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<v Speaker 1>Have you seen that Neon? When you watch a movie

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<v Speaker 1>and that logo comes up.

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<v Speaker 2>I can't recall if I have, actually.

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<v Speaker 1>Because you're seeing Marvel movies. But anyways, it comes up

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<v Speaker 1>a lot. And this is like the sixth consecutive time

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<v Speaker 1>Neon has won this award. So I mean the prestigious films,

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<v Speaker 1>but you know, I don't know how they make money

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<v Speaker 1>on them. Other top honors were from this like a

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<v Speaker 1>Scandinavian film called Sentimental Value. And yeah, I looked at

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<v Speaker 1>all these I looked at the trailer sets. There's really

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<v Speaker 1>nothing out there that compels me to see it. There's

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<v Speaker 1>one called Serrat that looks me interesting. I don't know

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<v Speaker 1>that got the Jury prize, but it just, you know,

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<v Speaker 1>nothing that compelling coming out of there this year that

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<v Speaker 1>I could see. None of the winners anyway. Now, what

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<v Speaker 1>was going on in the US. The US, we have

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<v Speaker 1>what some people are saying might be the biggest box

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<v Speaker 1>office Memorial Day weekend in history. Sam, Can you believe

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<v Speaker 1>that in twenty twenty five?

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<v Speaker 2>Absolutely, I see the people herding into the parking lot

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<v Speaker 2>that I park my car, and usually for where I live.

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<v Speaker 2>It's crazy because everybody saw it coming. There's two big

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<v Speaker 2>movies that came out that everybody wanted to see. It

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<v Speaker 2>was the Mission Impossible movie and Lilo and Stitch.

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<v Speaker 1>Yes, those are the top two movies of the weekend.

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<v Speaker 1>Early estimates due point to a record breaking Memorial Day holiday,

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<v Speaker 1>and Lilo and Stitch is potentially going to end up

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<v Speaker 1>at one hundred and seventy five to one hundred and

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<v Speaker 1>eighty million for the four day weekend, and close behind

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<v Speaker 1>I'm not that close is Mission Impossible, which is estimate

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<v Speaker 1>to pull in around seventy seven million over the weekend.

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<v Speaker 1>There's some holdovers too, contributing to it could be a

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<v Speaker 1>three hundred and twenty two million plus Memorial Day weekend overall.

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<v Speaker 1>That is Final Destination, Bloodlines, Thunderbolts, and Sinners.

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<v Speaker 2>Usually we see this kind of action as in the

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<v Speaker 2>theaters on fourth of July Memorial Day. It came in

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<v Speaker 2>that things are cooking early this year.

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<v Speaker 1>Yeah, so it'll be a very interesting to see the

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<v Speaker 1>totals It just shows you the movies are it's still

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<v Speaker 1>possible for movies not to die, and and we hope

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<v Speaker 1>they don't die. I saw a movie this week called

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<v Speaker 1>The Chronicles of a Wandering Saint. Okay, it's from Argentina,

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<v Speaker 1>and it's a very interesting movie. It's not really it's

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<v Speaker 1>hard to see right now, it'll start ending up on

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<v Speaker 1>your streaming services. Try to remember it. Chronicles of a

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<v Speaker 1>Wandering Saint. It's a crazy story. And I'm going to

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<v Speaker 1>give you a couple of spoiler alerts because you're never

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<v Speaker 1>going to see it. Anybody listening to this show is

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<v Speaker 1>probably not going to see it. It's about a woman

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<v Speaker 1>who is It's about church ladies. Okay, okay, church ladies.

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<v Speaker 1>They they're a special breed. I mean, I ideal church

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<v Speaker 1>ladies almost every day and you know, they're all in

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<v Speaker 1>their like sixties, and they hang out of the church

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<v Speaker 1>all the time, and they you know, help out. And

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<v Speaker 1>you know, the this Catholic church I'm talking about, they

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<v Speaker 1>they don't the church, you know, really couldn't function without them.

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<v Speaker 1>But they're also kind of a probably a pain in

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<v Speaker 1>the ass for the for the priests in other ways.

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<v Speaker 1>You know, they want everything done their way and they've

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<v Speaker 1>been there for seventy years. The priest comes in and out,

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<v Speaker 1>new priests, old priest, but in any case, one of them,

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<v Speaker 1>for some reason decides she wants to fake a miracle.

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<v Speaker 1>And why I don't know. It's it's unclear. That's like

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<v Speaker 1>one of the weak parts of the movie. You don't

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<v Speaker 1>really get the backstory. There's a lot of cute things

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<v Speaker 1>in it, and it's you know, subtitles from argent Argentina.

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<v Speaker 1>But she wants okay, so she's trying to see in

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<v Speaker 1>the process of faking miracle, this woman dies and then

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<v Speaker 1>we have to deal with whether she's going to have

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<v Speaker 1>it or not because she was a dedicated church lady

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<v Speaker 1>your whole life. You know.

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<v Speaker 2>Well, it depends on what the motivation was for fake

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<v Speaker 2>in the miracle. I'm guessing if it was something like,

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<v Speaker 2>we need to fake this miracle to draw attention to

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<v Speaker 2>starving kids that we have to feed for God, then okay.

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<v Speaker 1>Cool, Yeah, it was it was more on that, Like,

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<v Speaker 1>it was more I think it was so she could

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<v Speaker 1>feel special and and uh, I think it made her

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<v Speaker 1>ah like more appreciated around the church. It kind of

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<v Speaker 1>reminds me of the lady who who painted that Jesus

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<v Speaker 1>in Spain that ended up looking like a monkey. But

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<v Speaker 1>I actually went and visited last year. Uh it kind

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<v Speaker 1>of reminds me and maybe the lady that did that,

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<v Speaker 1>and uh, she wanted to feel special, so she thought,

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<v Speaker 1>I will fix this, this chipping painting of Jesus, and

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<v Speaker 1>it all went south. And that's what happened here. And

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<v Speaker 1>very interesting because they talk about what happens after you die,

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<v Speaker 1>and it is not inconsistent with Catholic beliefs what they're

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<v Speaker 1>doing after she dies, because there it is basically is

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<v Speaker 1>she is she going to become a saint. She lived

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<v Speaker 1>a saintly life. And then you get into the bureaucracy

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<v Speaker 1>of the afterlife, bureaucracy of of of of sainthood, and

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<v Speaker 1>the the the magisterium of the church does say like,

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<v Speaker 1>if if you are in heaven, you are a saint.

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<v Speaker 1>We talk about saints that are famous, but if you

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<v Speaker 1>make it to heaven, you are a saint. You made

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<v Speaker 1>it there because you lived your life as a saint.

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<v Speaker 1>You might not be famous, you might not be canonized

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<v Speaker 1>as a saint by the pope, but you are a

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<v Speaker 1>saint nonetheless. Otherwise you would never be in heaven. And

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<v Speaker 1>this is all becomes, you know, part of her after

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<v Speaker 1>death journey where she makes some poor decisions. I gotta

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<v Speaker 1>tell you. Sounds like yeah, so he's prone to poor decisions,

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00:18:32.640 --> 00:18:36.799
<v Speaker 1>this woman. So Chronicles of a Wandering Saint. I highly

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<v Speaker 1>recommend it if you get a chance.

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<v Speaker 2>Let's go to break, Okay.

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<v Speaker 1>Joiscalante Live from Hollywood. All right, Joa Scalante Live from Hollywood.

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<v Speaker 1>By Hollywood, you mean Boston, Sam, cold here?

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<v Speaker 2>Yeah, it's not too warm out here today either. It

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00:19:02.839 --> 00:19:05.279
<v Speaker 2>was overcast. You know, we had some hot days and

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<v Speaker 2>then we went right back to the cold.

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<v Speaker 1>That said, I hear it's cold here. I was at

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<v Speaker 1>Bottle Rock two nights ago, and that's a festival up

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<v Speaker 1>there in Napa. It was it was very warm and

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00:19:17.559 --> 00:19:22.759
<v Speaker 1>beautiful and wonderful and uh, but now here I am.

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<v Speaker 3>Uh.

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<v Speaker 1>There's a lot of intellectual property cases going on. We

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00:19:27.799 --> 00:19:31.480
<v Speaker 1>love these cases, Sam, We love these cases because you know,

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00:19:32.880 --> 00:19:35.640
<v Speaker 1>people got their trademarks, they got their copyrights, and people

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00:19:35.680 --> 00:19:39.160
<v Speaker 1>are always trying to steal. Basically, here's the latest in

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<v Speaker 1>an ongoing case. The parent company of Iconic toys, r

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00:19:43.000 --> 00:19:47.160
<v Speaker 1>us Brand, has escalated its efforts against this company called

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00:19:47.279 --> 00:19:52.720
<v Speaker 1>vapes are Us what vape our Us? Yes, its owners

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00:19:52.759 --> 00:19:58.400
<v Speaker 1>in New Haven, Connecticut. And according to this pre litigation letter,

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00:19:58.799 --> 00:20:02.880
<v Speaker 1>toys r US chooses the best is always the letter

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00:20:02.920 --> 00:20:05.359
<v Speaker 1>that comes from the people like, how dare you use

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00:20:05.359 --> 00:20:10.759
<v Speaker 1>our thing? Uh? They accuse VPRs of outright infringing and

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00:20:10.839 --> 00:20:14.440
<v Speaker 1>diluting its famous trademark. The letter officially calls out vapor

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00:20:14.519 --> 00:20:17.880
<v Speaker 1>us as bad faith and appropriation of true kids distinctive logo,

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00:20:18.720 --> 00:20:22.799
<v Speaker 1>the r US designation, Uh, the signature backwards are and

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00:20:22.920 --> 00:20:25.519
<v Speaker 1>even the color scheme and the bubble font. Can you

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00:20:25.559 --> 00:20:27.279
<v Speaker 1>believe that, Sam, they took the bubble font?

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<v Speaker 2>Did they even bring in Jeffrey the giraft?

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00:20:30.960 --> 00:20:33.720
<v Speaker 1>No, but they have Baby G running around all drunk

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00:20:33.759 --> 00:20:39.839
<v Speaker 1>on gummies and so they they of course, they accuse

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00:20:40.839 --> 00:20:46.640
<v Speaker 1>VPRs of of attempting to profit from the you know,

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00:20:46.680 --> 00:20:51.039
<v Speaker 1>the the the good will created by Jeffrey and Baby

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00:20:51.079 --> 00:20:57.839
<v Speaker 1>G and GG you know, throughout the years. So this

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<v Speaker 1>is what happens to these things, you know. Choys US

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<v Speaker 1>is emphasizing they want absolutely no association with such business

331
00:21:03.839 --> 00:21:07.319
<v Speaker 1>selling smoking and drug related products, stating that such a

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00:21:07.640 --> 00:21:12.359
<v Speaker 1>juxtaposition tarnishes their carefully crafted fund Safe Kid Friendly Image

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<v Speaker 1>Company asserts the actions constitute a trademark and trade dress infringement,

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00:21:17.559 --> 00:21:20.319
<v Speaker 1>dilution of their mark, an unfair competition under both federal

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00:21:20.319 --> 00:21:24.240
<v Speaker 1>and state laws, seeking a permanent injunction. SAM the halt

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00:21:24.319 --> 00:21:29.880
<v Speaker 1>Vapius's use of their intellectual property, alongside significant financial damages

337
00:21:30.640 --> 00:21:34.839
<v Speaker 1>and the letter and previously demanded immediate cessation of the

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00:21:35.000 --> 00:21:41.839
<v Speaker 1>infringing uses and citing past cases where they already destroyed

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00:21:41.839 --> 00:21:44.759
<v Speaker 1>someone called smokes RS. So if you think we're kidding

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00:21:44.759 --> 00:21:48.680
<v Speaker 1>around here, vapors, just read your history books. We've already

341
00:21:48.720 --> 00:21:53.359
<v Speaker 1>demolished you kinds of people. And you might think, Sam,

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00:21:53.400 --> 00:21:55.640
<v Speaker 1>what happened to toys r US? I thought they went bankrupt?

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<v Speaker 1>How are these guys still you know, running around swiming?

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<v Speaker 1>And that's probably what these potheas stock. They probably thought, hey,

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00:22:03.039 --> 00:22:05.680
<v Speaker 1>there's no toys dress anymore. We can use we can

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00:22:05.799 --> 00:22:10.480
<v Speaker 1>use this. And but I mean to be honest, haven't

347
00:22:10.480 --> 00:22:15.720
<v Speaker 1>we seen a million RS businesses? You know, yeah, Burger's

348
00:22:15.880 --> 00:22:19.599
<v Speaker 1>RS or everything RS. And it's not like it's not then.

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<v Speaker 1>There were probably this stuff before there was toys RS.

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<v Speaker 2>Yeah. I got the feeling that they were just doing

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<v Speaker 2>it because they I mean, I think they knew that

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00:22:26.480 --> 00:22:28.799
<v Speaker 2>they went bankrupt, but they also know that the brand

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<v Speaker 2>still exists, and I think like some Macy's are now

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00:22:32.039 --> 00:22:35.319
<v Speaker 2>having like their toy department be Toys or be Toys

355
00:22:35.400 --> 00:22:38.519
<v Speaker 2>r US. They haven't branded as that. Now. The problem

356
00:22:38.640 --> 00:22:42.359
<v Speaker 2>is that these guys are going around. I'm just guessing

357
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<v Speaker 2>that they just wanted to wait for a cease and

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<v Speaker 2>desist before doing anything. This gives them cloud.

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00:22:48.599 --> 00:22:51.000
<v Speaker 1>Well, I think they're screwed and this is going to

360
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<v Speaker 1>cost them a lot of money and there's nothing good

361
00:22:54.279 --> 00:22:57.640
<v Speaker 1>will come of it for them because they used to

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00:22:57.839 --> 00:23:00.160
<v Speaker 1>the font a little bit. So someone bought Toys r

363
00:23:00.240 --> 00:23:02.839
<v Speaker 1>US like a few years ago. They bought the brand,

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00:23:02.880 --> 00:23:05.000
<v Speaker 1>and they try to rehabilitate the brand. They opened up

365
00:23:05.039 --> 00:23:06.960
<v Speaker 1>a few new stores, like you say, they've got some

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00:23:07.039 --> 00:23:12.279
<v Speaker 1>like stores within stores. They're trying to protect this brand

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00:23:12.400 --> 00:23:14.640
<v Speaker 1>and they then they paid money for it and they

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<v Speaker 1>can't have these uh Vapors weren't in the good room.

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<v Speaker 1>So the problem with the problem that if they would

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<v Speaker 1>just call themselves vapor Us and not use the logo,

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<v Speaker 1>they probably never would have been on the radar of

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<v Speaker 1>Toys rs. But they wanted to use it. All because

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<v Speaker 1>they wanted to be clever. They were like, hey, make

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00:23:35.839 --> 00:23:39.680
<v Speaker 1>it just like toys r US and they did and

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<v Speaker 1>they are hodido as they say in the Hispanic community.

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<v Speaker 2>Well, it would be like if a place, a weed

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00:23:45.599 --> 00:23:49.519
<v Speaker 2>shop opened up, like an edible place called mcweed's and

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00:23:49.599 --> 00:23:52.359
<v Speaker 2>use the exact same font and logo as McDonald's.

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00:23:52.599 --> 00:23:54.880
<v Speaker 1>Yeah, right, you can go mcweed's. You can have a

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00:23:54.920 --> 00:23:57.599
<v Speaker 1>way to get away with that. But if you use

381
00:23:57.839 --> 00:24:00.240
<v Speaker 1>the same m and the arches and all that stuff,

382
00:24:00.480 --> 00:24:03.680
<v Speaker 1>that's when you get burned, because that's when it looks

383
00:24:03.720 --> 00:24:08.039
<v Speaker 1>at the look and the feel and now you're you

384
00:24:08.160 --> 00:24:11.119
<v Speaker 1>got and and the damages are are pretty bad in

385
00:24:11.160 --> 00:24:14.519
<v Speaker 1>these trademark cases, so it's nothing to screw around with.

386
00:24:14.599 --> 00:24:19.240
<v Speaker 1>There's another thing that's intellectual property case floating around. This

387
00:24:19.279 --> 00:24:24.960
<v Speaker 1>happens every once in a while celebrities take photos that

388
00:24:25.880 --> 00:24:29.680
<v Speaker 1>paparazzi take of themselves and then they use them on

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00:24:29.720 --> 00:24:33.279
<v Speaker 1>their Instagram without permission and they get a lawsuit. So

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00:24:33.359 --> 00:24:37.079
<v Speaker 1>Jennifer Lopez has two lawsuits right now. They allege that

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00:24:37.160 --> 00:24:40.440
<v Speaker 1>she posted two copyrighted paparazzi photos of herself from a

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00:24:40.480 --> 00:24:44.519
<v Speaker 1>pre Golden Globes party in January of twenty twenty five

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00:24:44.799 --> 00:24:52.039
<v Speaker 1>to her Instagram and also to the X platform, and

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00:24:52.599 --> 00:24:56.559
<v Speaker 1>the lawsuit claims that Lopez's unauthorized use of the images

395
00:24:56.720 --> 00:25:00.559
<v Speaker 1>was commercial in nature, serving to promote her public appearances,

396
00:25:01.400 --> 00:25:08.039
<v Speaker 1>boost user engagement, and highlight her fashion affiliation and brand partnerships.

397
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<v Speaker 1>These paparazzi guys are each seeking up to one hundred

398
00:25:12.240 --> 00:25:16.319
<v Speaker 1>and fifty thousand dollars in damages per photo. According to

399
00:25:16.559 --> 00:25:21.359
<v Speaker 1>plaintiff's Lopez's representatives had verbally agreed to a monetary settlement

400
00:25:21.920 --> 00:25:26.720
<v Speaker 1>after being contacted, but Lopez has reportedly not signed the

401
00:25:26.759 --> 00:25:30.160
<v Speaker 1>written agreement or paid the agreement the agreed upon him out.

402
00:25:30.839 --> 00:25:33.480
<v Speaker 1>This is not the first time Lopez has faced similar

403
00:25:33.559 --> 00:25:38.039
<v Speaker 1>copyright lawsuits for posting paparazzi photos of herself. But I

404
00:25:38.039 --> 00:25:39.880
<v Speaker 1>guess if she likes a photo of herself, she's just

405
00:25:39.920 --> 00:25:42.160
<v Speaker 1>gonna post. She's gonna post it, Sam. If she looks good,

406
00:25:42.920 --> 00:25:43.880
<v Speaker 1>she's just gonna do it.

407
00:25:44.319 --> 00:25:46.480
<v Speaker 2>I got the feelings she has like an intern or

408
00:25:46.480 --> 00:25:49.519
<v Speaker 2>someone controlling the account, and they were just too lazy

409
00:25:49.559 --> 00:25:52.440
<v Speaker 2>to find actual pictures of her that were taken by

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00:25:52.480 --> 00:25:55.880
<v Speaker 2>her or by her people. So she went online, did

411
00:25:55.920 --> 00:25:58.440
<v Speaker 2>a Google search and just picked whichever pictures looked good

412
00:25:58.480 --> 00:26:00.720
<v Speaker 2>of her, regardless of who took it.

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00:26:01.279 --> 00:26:03.960
<v Speaker 1>Yeah, you're probably right. So I mean, but it begs

414
00:26:03.960 --> 00:26:07.200
<v Speaker 1>a question. Paparazzi people, they're running around, they're bothering these people.

415
00:26:07.240 --> 00:26:10.599
<v Speaker 1>They take pictures and then and and Jennifer doesn't want

416
00:26:10.640 --> 00:26:13.680
<v Speaker 1>them to take these pictures. These guys sell those photos

417
00:26:13.680 --> 00:26:17.160
<v Speaker 1>to the tabloids. They make money. You can't even post it.

418
00:26:17.240 --> 00:26:20.559
<v Speaker 1>That's the outrage that most people would would say, this

419
00:26:20.599 --> 00:26:25.039
<v Speaker 1>is not fair. But this is the way our intellectual

420
00:26:25.079 --> 00:26:28.559
<v Speaker 1>property laws work is if you take a photo, you

421
00:26:28.599 --> 00:26:32.200
<v Speaker 1>own a copyright in that photo, and so you can

422
00:26:32.880 --> 00:26:35.599
<v Speaker 1>she can prevent you from using that for certain uses.

423
00:26:35.880 --> 00:26:38.359
<v Speaker 1>That's why she said. These guys are saying this is commercial.

424
00:26:38.440 --> 00:26:45.799
<v Speaker 1>Their use is commercial. That makes the damages more harder

425
00:26:45.839 --> 00:26:50.839
<v Speaker 1>to avoid because it's not editorial. Now, that would be

426
00:26:50.880 --> 00:26:54.759
<v Speaker 1>the opposite of commercial. Editorial would be like, well, look

427
00:26:54.759 --> 00:26:58.920
<v Speaker 1>at Jennifer Lopez walking out downtown with Ben Affleck. You

428
00:26:58.920 --> 00:27:03.160
<v Speaker 1>know this mean they're back together. That would be like editorial,

429
00:27:03.160 --> 00:27:06.759
<v Speaker 1>we're doing a story, but she's popular. But commercial will

430
00:27:06.839 --> 00:27:09.119
<v Speaker 1>be like putting it on a T shirt and trying

431
00:27:09.160 --> 00:27:12.359
<v Speaker 1>to sell it, making posters out of it. And these

432
00:27:12.400 --> 00:27:16.759
<v Speaker 1>guys might be a stretch, but they're saying she would say, look,

433
00:27:16.799 --> 00:27:19.559
<v Speaker 1>this is editorial. I mean just I just here's me

434
00:27:19.680 --> 00:27:22.559
<v Speaker 1>doing this. You know, it's just a picture of me.

435
00:27:22.680 --> 00:27:24.920
<v Speaker 1>I'm not trying to sell anything. I don't make any

436
00:27:24.920 --> 00:27:26.799
<v Speaker 1>money from my Instagram. They're going to do you.

437
00:27:27.240 --> 00:27:29.559
<v Speaker 2>Well, that's the thing. They may be looking at it

438
00:27:29.559 --> 00:27:33.440
<v Speaker 2>from the perspective of everything that she posts is marketable,

439
00:27:33.960 --> 00:27:36.519
<v Speaker 2>no matter if it's something that's personal private, or if

440
00:27:36.519 --> 00:27:40.680
<v Speaker 2>it's like associated with any business. Everything she does has

441
00:27:40.799 --> 00:27:41.839
<v Speaker 2>money attached to it.

442
00:27:42.359 --> 00:27:44.839
<v Speaker 1>Yeah. So anyway, I don't feel sorry for these guys

443
00:27:45.480 --> 00:27:47.680
<v Speaker 1>one bit. But this is just the way it goes.

444
00:27:49.799 --> 00:27:54.279
<v Speaker 1>And we got another one that it's still ongoing. But

445
00:27:54.519 --> 00:27:55.160
<v Speaker 1>the save it.

446
00:27:55.680 --> 00:27:56.799
<v Speaker 2>Hold on to it because we got to go to

447
00:27:56.839 --> 00:27:57.200
<v Speaker 2>a break.

448
00:27:58.000 --> 00:28:01.599
<v Speaker 1>I can't wait, Sam, Okay, let it out now, all right,

449
00:28:01.680 --> 00:28:05.720
<v Speaker 1>it's it has to do with Moanna, and not only Molana. Sayah,

450
00:28:06.759 --> 00:28:13.240
<v Speaker 1>but you guessed it Moana too. Oh yeah, not to

451
00:28:13.240 --> 00:28:18.200
<v Speaker 1>be confused with mohaw Dos, which is the nun sequel.

452
00:28:18.640 --> 00:28:20.000
<v Speaker 1>All right, j let's go out to a line from

453
00:28:20.039 --> 00:28:21.960
<v Speaker 1>Hollywood back after the traffic.

454
00:28:24.799 --> 00:28:31.119
<v Speaker 3>Yeah, joscants a line from Hollywood by Hollywood you mean Burbank,

455
00:28:31.440 --> 00:28:33.839
<v Speaker 3>but today Boston might sound a little bit weird because

456
00:28:33.880 --> 00:28:36.400
<v Speaker 3>we're coming through some weird Boston transmissions.

457
00:28:37.200 --> 00:28:41.839
<v Speaker 1>But uh, let's go. Let's go right to it. Sam.

458
00:28:42.160 --> 00:28:45.559
<v Speaker 1>There is a there's a there's a guy who wrote

459
00:28:45.559 --> 00:28:53.119
<v Speaker 1>a movie called Bucky, Bucky the Beaver or BUCkies. I

460
00:28:53.119 --> 00:28:55.960
<v Speaker 1>assume he's a beaver, but because anybody named Bucky is

461
00:28:55.960 --> 00:29:01.039
<v Speaker 1>is a beaver to me. But there's some some Bucky

462
00:29:01.079 --> 00:29:05.759
<v Speaker 1>movie guy says Molana was stolen from him, and he

463
00:29:06.039 --> 00:29:08.559
<v Speaker 1>I mean any movie. I will tell you any movie

464
00:29:08.640 --> 00:29:15.640
<v Speaker 1>that that Disney puts out. There are immediate cease and

465
00:29:15.680 --> 00:29:20.839
<v Speaker 1>desist letters every movie. Everybody is saying, you stole my

466
00:29:21.799 --> 00:29:25.720
<v Speaker 1>movie because and usually these people that are following these

467
00:29:25.759 --> 00:29:32.240
<v Speaker 1>lawsuits are not players in the Hollywood community. They're not

468
00:29:33.160 --> 00:29:36.680
<v Speaker 1>They're people who are trying to get in. And anybody

469
00:29:36.680 --> 00:29:38.359
<v Speaker 1>can go out and write a script. You can get

470
00:29:38.359 --> 00:29:40.880
<v Speaker 1>on the internet and say like, how do you write

471
00:29:40.920 --> 00:29:43.319
<v Speaker 1>a script? And you follow these easy steps and you go,

472
00:29:43.359 --> 00:29:47.599
<v Speaker 1>you got an idea, do these That's how I first

473
00:29:47.599 --> 00:29:54.680
<v Speaker 1>wrote my first one. Eight steps, just eight. This is

474
00:29:54.720 --> 00:29:59.559
<v Speaker 1>an eight part template that I used and worked out

475
00:29:59.640 --> 00:30:06.119
<v Speaker 1>quite well. But people then they send them to someone

476
00:30:06.240 --> 00:30:07.799
<v Speaker 1>and then they send them to Disney. That's why if

477
00:30:07.799 --> 00:30:09.759
<v Speaker 1>you send something to Disney, they're not even going to open.

478
00:30:09.759 --> 00:30:12.640
<v Speaker 1>It has to come from a credible agent or an

479
00:30:12.640 --> 00:30:25.359
<v Speaker 1>attorney that they know. And this is why this it's uh, actually,

480
00:30:25.400 --> 00:30:28.559
<v Speaker 1>the California Federal jury already said on Monday, or not Monday,

481
00:30:28.559 --> 00:30:31.200
<v Speaker 1>but just a couple of mon days ago that Disney's

482
00:30:31.279 --> 00:30:36.039
<v Speaker 1>uh film Mohana did not infringe on this guy's copyrights

483
00:30:37.319 --> 00:30:40.400
<v Speaker 1>so related to his planned movie about a teenage hero

484
00:30:40.480 --> 00:30:43.519
<v Speaker 1>in ancient Polynesia. And that's I guess you know.

485
00:30:45.400 --> 00:30:46.599
<v Speaker 2>What similar theme?

486
00:30:46.680 --> 00:30:50.279
<v Speaker 1>I guess, yeah, yeah, So the jury rejected buck Woodhall's

487
00:30:50.359 --> 00:30:55.599
<v Speaker 1>argument that Disney unlockfully copied from a script and storyboards

488
00:30:55.599 --> 00:30:57.759
<v Speaker 1>and other content that he shared with a Film X

489
00:30:57.799 --> 00:31:01.519
<v Speaker 1>executive starting in the yearly two thousands for his film Bucky.

490
00:31:02.160 --> 00:31:05.680
<v Speaker 1>According to a spokesman for the Disney law firm, UH

491
00:31:06.960 --> 00:31:11.359
<v Speaker 1>now what al's eternal, Gustavo Lage, I don't know, said

492
00:31:11.400 --> 00:31:14.880
<v Speaker 1>they were disappointed with the verdict but would eventually evaluate

493
00:31:15.720 --> 00:31:23.559
<v Speaker 1>Bucky's options. And uh, this guy, Bucky lives in Baja

494
00:31:24.519 --> 00:31:25.359
<v Speaker 1>and Taos.

495
00:31:25.599 --> 00:31:27.519
<v Speaker 2>Baja, Buddy, Yeah, Baja.

496
00:31:27.559 --> 00:31:31.440
<v Speaker 1>Bucky first to Disney in twenty twenty, he said, he shared,

497
00:31:31.519 --> 00:31:34.559
<v Speaker 1>and what do we have to have for a copyright claim? Sam,

498
00:31:34.599 --> 00:31:39.799
<v Speaker 1>We will have to have number one substantial similarity, and

499
00:31:39.920 --> 00:31:43.240
<v Speaker 1>number two we have to have access if you can.

500
00:31:43.359 --> 00:31:45.680
<v Speaker 1>And the more the more similarity you have, the less

501
00:31:45.799 --> 00:31:51.079
<v Speaker 1>access you must prove. Okay, the less similarity you have,

502
00:31:51.720 --> 00:31:55.079
<v Speaker 1>the more access you must prove. Now, in this case,

503
00:31:55.880 --> 00:31:59.400
<v Speaker 1>he said, he shared his materials about this teenage surfer

504
00:31:59.440 --> 00:32:04.079
<v Speaker 1>who tied travels to ancient Polynesia with a film executive

505
00:32:04.200 --> 00:32:11.160
<v Speaker 1>named Jenny Marchik, whose stepsister is Woodhall's sister in law.

506
00:32:12.160 --> 00:32:15.720
<v Speaker 1>You're following me, yeah. The lawsuit said that Woodall in

507
00:32:15.759 --> 00:32:20.480
<v Speaker 1>twenty eleven sent a final draft script for Bucky to Marchik,

508
00:32:21.759 --> 00:32:27.559
<v Speaker 1>who is a film a film executive somewhere, and she

509
00:32:28.079 --> 00:32:32.640
<v Speaker 1>allegedly passed it off to Disney. He argued that Mohana

510
00:32:32.839 --> 00:32:39.440
<v Speaker 1>copied Bucky, citing similarities in their plots, settings, and other elements. Now,

511
00:32:39.559 --> 00:32:43.200
<v Speaker 1>Disney argued that they never saw what All's crazy script

512
00:32:43.240 --> 00:32:48.480
<v Speaker 1>in this and they didn't copy it, and they said

513
00:32:48.480 --> 00:32:50.839
<v Speaker 1>that they're not similar enough to support the claims, and

514
00:32:51.000 --> 00:32:54.640
<v Speaker 1>the court already said they weren't. And he asked it

515
00:32:54.759 --> 00:32:57.559
<v Speaker 1>for his lawsuit. He asked for what, one hundred million

516
00:32:57.720 --> 00:33:02.720
<v Speaker 1>dollars and the case, but he was too late because

517
00:33:02.839 --> 00:33:06.200
<v Speaker 1>he didn't do it in time. It was time bard

518
00:33:06.799 --> 00:33:09.880
<v Speaker 1>for some reason. So he could only go after their

519
00:33:09.960 --> 00:33:14.079
<v Speaker 1>video distribution of it because they're still selling copies of

520
00:33:14.119 --> 00:33:19.359
<v Speaker 1>the movie that they stole from him. But okay, so

521
00:33:19.480 --> 00:33:24.039
<v Speaker 1>that's that's that's what he's doing. He's already lost. But

522
00:33:24.160 --> 00:33:27.799
<v Speaker 1>he but he filed another case for more on a

523
00:33:27.880 --> 00:33:31.440
<v Speaker 1>two and that one he's asking for ten billion in

524
00:33:31.519 --> 00:33:32.920
<v Speaker 1>damages that.

525
00:33:33.279 --> 00:33:36.640
<v Speaker 2>At some point, doesn't it become frivolous, Like you got

526
00:33:36.640 --> 00:33:39.359
<v Speaker 2>shot down on the first one, isn't necessary to launch

527
00:33:39.759 --> 00:33:42.359
<v Speaker 2>a tenfold attack on the second one.

528
00:33:42.799 --> 00:33:46.359
<v Speaker 1>Well, he launched the second one before the he lost

529
00:33:46.400 --> 00:33:48.920
<v Speaker 1>the first one. And this went to trial. So this

530
00:33:49.000 --> 00:33:51.400
<v Speaker 1>guy's nuts if he's going to spend all this money

531
00:33:51.440 --> 00:33:54.039
<v Speaker 1>and go to trial. That's hundreds of thousands of dollars.

532
00:33:54.480 --> 00:33:57.039
<v Speaker 1>It went to a trial. But he thought he was

533
00:33:57.079 --> 00:33:59.079
<v Speaker 1>really going to cash in. He probably borrowed money from

534
00:33:59.119 --> 00:34:02.759
<v Speaker 1>relatives and because he's gonna, you know, finally prove they

535
00:34:02.759 --> 00:34:06.119
<v Speaker 1>took his thing. Thing is like, there's so many stories

536
00:34:06.119 --> 00:34:10.599
<v Speaker 1>floating around, there's so many options that Disney has, They

537
00:34:10.599 --> 00:34:14.280
<v Speaker 1>don't need to go around stealing stories from people. And

538
00:34:14.760 --> 00:34:18.639
<v Speaker 1>a lot of stories are very similar anyway, there are tropes.

539
00:34:18.800 --> 00:34:24.079
<v Speaker 1>That's why they call them tropes. They're similar story devices.

540
00:34:24.119 --> 00:34:27.199
<v Speaker 1>And so these are terrible cases ninety nine point nine

541
00:34:27.880 --> 00:34:32.079
<v Speaker 1>percent of the time, and they're usually filed by lunatics.

542
00:34:33.400 --> 00:34:37.159
<v Speaker 1>This person, you know, could believe in their heart of

543
00:34:37.199 --> 00:34:40.119
<v Speaker 1>hearts that this actually happened, but they should know do

544
00:34:40.199 --> 00:34:42.880
<v Speaker 1>some research to see how many of these things actually work.

545
00:34:43.400 --> 00:34:47.320
<v Speaker 1>And it looks like this guy didn't do any research

546
00:34:47.480 --> 00:34:50.519
<v Speaker 1>and just went off the seat of his pants from anger.

547
00:34:50.559 --> 00:34:52.920
<v Speaker 1>And then a lot of people think, it's like, you know,

548
00:34:52.960 --> 00:34:56.199
<v Speaker 1>I can't get anybody to to pay attention to me

549
00:34:56.400 --> 00:34:59.840
<v Speaker 1>and my creative genius. And then when they see some

550
00:35:00.079 --> 00:35:03.400
<v Speaker 1>thing like Moana or Moana to do well, it just

551
00:35:03.480 --> 00:35:05.880
<v Speaker 1>makes them crazy inside, I think, and they're going to

552
00:35:05.920 --> 00:35:08.679
<v Speaker 1>go they just they're gonna go after them. And you

553
00:35:08.719 --> 00:35:11.440
<v Speaker 1>know what, and also this this person will never ever

554
00:35:11.480 --> 00:35:14.599
<v Speaker 1>work in Hollywood, yeah, after after doing this, just never,

555
00:35:15.239 --> 00:35:18.920
<v Speaker 1>I mean, because this is not what it's just you know, it.

556
00:35:19.079 --> 00:35:24.639
<v Speaker 4>It's just it's just you know, you you take your shot,

557
00:35:24.760 --> 00:35:28.559
<v Speaker 4>do some research on what happens and and who you know,

558
00:35:29.000 --> 00:35:31.199
<v Speaker 4>it's just Disney executive going to get this from some

559
00:35:31.239 --> 00:35:32.719
<v Speaker 4>weird person to go, oh, this is great.

560
00:35:32.920 --> 00:35:35.119
<v Speaker 1>I'm going to pass it along to who they'd have

561
00:35:35.159 --> 00:35:38.119
<v Speaker 1>to find a writer who wanted to base material for

562
00:35:38.199 --> 00:35:41.599
<v Speaker 1>a movie on stolen stuff or stuff that a that

563
00:35:41.679 --> 00:35:46.079
<v Speaker 1>a Disney executive gave them, which you know doesn't make

564
00:35:46.079 --> 00:35:47.920
<v Speaker 1>any sense either. Writers, you know, come up with their

565
00:35:47.960 --> 00:35:51.360
<v Speaker 1>own original stuff and they and they have you know,

566
00:35:51.400 --> 00:35:53.159
<v Speaker 1>Bay and they and they get it to Disney based

567
00:35:53.159 --> 00:35:54.679
<v Speaker 1>on prior success.

568
00:35:55.199 --> 00:36:00.000
<v Speaker 2>So anyway, Yeah, that it's really when you're talking about

569
00:36:00.639 --> 00:36:03.239
<v Speaker 2>entire communities of people. I think that's like the main

570
00:36:03.360 --> 00:36:08.519
<v Speaker 2>focus that he has a teenage hero from Polynesia. There's

571
00:36:08.559 --> 00:36:11.199
<v Speaker 2>a lot of teenage heroes from Polynesia that you could

572
00:36:11.199 --> 00:36:15.320
<v Speaker 2>base stories off of there. It's like there's that you

573
00:36:15.320 --> 00:36:19.239
<v Speaker 2>can't I don't know any you can create stories off

574
00:36:19.280 --> 00:36:19.559
<v Speaker 2>of them.

575
00:36:20.119 --> 00:36:22.719
<v Speaker 1>Yeah, I mean, yeah, yeah, there's you know, it's just

576
00:36:22.800 --> 00:36:28.320
<v Speaker 1>like there can't just be one Polynesian hero story about

577
00:36:28.320 --> 00:36:30.679
<v Speaker 1>a kid. And plus I don't see I saw Morana.

578
00:36:31.480 --> 00:36:33.760
<v Speaker 1>This guy is a time traveler, a surfer time travel

579
00:36:33.760 --> 00:36:35.360
<v Speaker 1>and he goes back in time and hangs out an

580
00:36:35.360 --> 00:36:38.239
<v Speaker 1>ancient moa. I mean that doesn't. That doesn't remind me

581
00:36:38.280 --> 00:36:38.800
<v Speaker 1>of Moana.

582
00:36:39.000 --> 00:36:40.719
<v Speaker 2>No, not just on the face of it.

583
00:36:41.599 --> 00:36:45.280
<v Speaker 1>Yeah, So that's like and so you you can't get

584
00:36:45.639 --> 00:36:48.360
<v Speaker 1>a lawyer to take a case like this on a contingency.

585
00:36:48.519 --> 00:36:51.679
<v Speaker 1>I don't believe unless he's a moron or she's a

586
00:36:51.760 --> 00:36:56.519
<v Speaker 1>moron or more off, whatever, take your pick. The person

587
00:36:56.599 --> 00:37:01.239
<v Speaker 1>would would The plaintiff has to pay PA for this,

588
00:37:01.239 --> 00:37:06.239
<v Speaker 1>this litigation, and this is hundreds and hundreds of thousands

589
00:37:06.280 --> 00:37:08.599
<v Speaker 1>of dollars. You rack up fifty thousand dollars in a

590
00:37:08.599 --> 00:37:12.239
<v Speaker 1>month easy, something like this. You got three lawyers working

591
00:37:12.280 --> 00:37:15.039
<v Speaker 1>on it, you know, trying to get this case put together.

592
00:37:16.559 --> 00:37:23.360
<v Speaker 1>The depositions, discoveries, interrogatories. This is just insane. So if

593
00:37:23.360 --> 00:37:25.119
<v Speaker 1>you have a movie you think Disney stole it, here's

594
00:37:25.159 --> 00:37:29.719
<v Speaker 1>my advice, write another movie and and and then you

595
00:37:29.719 --> 00:37:32.639
<v Speaker 1>can tell people this movie that I wrote over here

596
00:37:32.679 --> 00:37:35.760
<v Speaker 1>is so good as a writing sample, so good. Disney

597
00:37:35.800 --> 00:37:40.039
<v Speaker 1>made a movie very much like this right afterwards. And

598
00:37:40.079 --> 00:37:41.880
<v Speaker 1>then that person will say, oh, did you see them?

599
00:37:42.079 --> 00:37:45.119
<v Speaker 1>No I didn't, because you know, I'm a writer. I'm

600
00:37:45.119 --> 00:37:48.480
<v Speaker 1>not you know, looking to just run around and sue people.

601
00:37:48.760 --> 00:37:50.719
<v Speaker 1>Look at my other script. Here's my other script. It's

602
00:37:50.719 --> 00:37:55.719
<v Speaker 1>about a you know, a boy that finds a bag

603
00:37:55.760 --> 00:37:59.079
<v Speaker 1>of money, you know, whatever it is. But don't cry

604
00:37:59.280 --> 00:38:02.559
<v Speaker 1>over your over your one script that someone stole, because

605
00:38:02.559 --> 00:38:05.760
<v Speaker 1>they probably didn't steal it and they and you have

606
00:38:05.800 --> 00:38:07.599
<v Speaker 1>a life ahead of you. Now. This guy's life is

607
00:38:07.840 --> 00:38:11.360
<v Speaker 1>pretty much ruined financially and professionally, but we don't get

608
00:38:11.400 --> 00:38:12.280
<v Speaker 1>him on the show. Sam.

609
00:38:13.400 --> 00:38:15.280
<v Speaker 2>Let's let's see if you can find them

610
00:38:15.320 --> 00:38:19.880
<v Speaker 1>All right, Joscote, leaving you with just a taste of

611
00:38:19.920 --> 00:38:21.400
<v Speaker 1>the greatest song ever written.
