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<v Speaker 1>You are now listening to the Someone's Favorite Productions Podcast Network.

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<v Speaker 2>Hello.

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<v Speaker 3>My name is Kevin Tudor and I'm one of the

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<v Speaker 3>three hosts of Almost Major Film Podcasts, dissecting many major

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<v Speaker 3>indie studios in the films they release. Every week, Myself,

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<v Speaker 3>Charlie Nash, and Brighton Doyle discuss overlooked, forgotten or bona

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<v Speaker 3>fide classic indie films via studio specific mini series. We've

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<v Speaker 3>previously covered numerous films from Artists and Entertainment, Lionsgate Films

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<v Speaker 3>and New Line Cinema titles, including The Blair Witch Project,

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<v Speaker 3>American Psycho, Dogville, But I'm a Cheerleader, Saw Recording for

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<v Speaker 3>a Dream, and Ringmaster you know the Jerry Springer film. Anyways,

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<v Speaker 3>we have a fun time every week and we hope you.

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<v Speaker 4>Will join us.

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<v Speaker 3>Subscribe to Almost Major wherever you get your podcasts. Now

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<v Speaker 3>proudly a part of the Someone's Favorite Productions Podcast Network.

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<v Speaker 2>Hello and welcome to the fourth annual Shelf Shock rewind Awards.

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<v Speaker 2>Something I never thought I'd be saying in my lifetime,

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<v Speaker 2>and it is amazing to be here hosting with the

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<v Speaker 2>one and only mister Chris Higgins Beard of Film Guy

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<v Speaker 2>welcome and thank you for doing this, sir.

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<v Speaker 5>Dude, thank you for having me do this. Man, this

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<v Speaker 5>is an honor. I've watched for three years, so it

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<v Speaker 5>feels only right that I deserved to be on the fourth.

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<v Speaker 2>You know, I'm glad that's not the actual bar because

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<v Speaker 2>a lot of people here hopefully would be in that

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<v Speaker 2>same running. So I'm glad that you could be here

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<v Speaker 2>for that, Glad that everybody's here watching live. Hopefully it

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<v Speaker 2>is a big deal for everybody, because it's a big

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<v Speaker 2>deal for both of us. We've been working on this

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<v Speaker 2>for quite some time. Literally, I'm going to be still

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<v Speaker 2>be working on some of this as we are live.

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<v Speaker 2>I will be fully transparent about that fact. I am

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<v Speaker 2>a little bit behind. But speaking behind, I want to

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<v Speaker 2>talk about somebody who's been behind the scenes for a

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<v Speaker 2>lot of this, and I could not have done it

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<v Speaker 2>without him. It is the person that started this with me,

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<v Speaker 2>the one and only mister Stephen Billing Steven.

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<v Speaker 6>Thanks hey, now, man, guys, that's another year of physical

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<v Speaker 6>media and another year for us to celebrate it.

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<v Speaker 7>I'm excited.

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<v Speaker 5>Ryan.

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<v Speaker 6>I'm glad to hear that you're still working behind. Whenever

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<v Speaker 6>I hear that Ryan's working on something wild. He's working

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<v Speaker 6>on something. It just makes me happy.

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<v Speaker 2>Well, I guess you're happy a lot because it happens

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<v Speaker 2>a lot.

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<v Speaker 5>You love the torture he's going through right now.

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<v Speaker 7>Torture right and he loves it.

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<v Speaker 8>He loves it though.

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<v Speaker 2>It does keep you going, It makes makes my heart

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<v Speaker 2>keep pumping. But I'm glad that it's pumping because I

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<v Speaker 2>get to be here with you, Glad to I get

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<v Speaker 2>to experience with all this. How did you feel about

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<v Speaker 2>twenty twenty five as a whole for physical media because

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<v Speaker 2>it was a it was a weird, crazy year.

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<v Speaker 6>Yeah, man, you know, like, you know, I've worked on

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<v Speaker 6>my habits a lot, you know, so I'm not like,

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<v Speaker 6>I'm not like, you know, like trying to pay attention

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<v Speaker 6>to every little thing because it gets it makes me crazy.

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<v Speaker 6>But everything that I saw coming out that it just

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<v Speaker 6>went in all different directions. And you know, one of

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<v Speaker 6>my favorites, I mean, I got some favorites up here

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<v Speaker 6>on the shelf.

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<v Speaker 8>One of my favorites.

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<v Speaker 9>Is down here Night of the Juggler.

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<v Speaker 6>Man, Oh, this guy is releas I love it and

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<v Speaker 6>uh so, yeah, no, I I I love this stuff.

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<v Speaker 6>And that's why we started it, and it was a

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<v Speaker 6>crazy year man, and more you know, as as we know,

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<v Speaker 6>this happens every year, so more to come, more crazy

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<v Speaker 6>stuff to come.

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<v Speaker 2>More crazy stuff to come. Genuinely, thank you for doing

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<v Speaker 2>this with me, Steven, Thank you for being here. Chris,

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<v Speaker 2>you guys are incredible and cannot wait to see what

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<v Speaker 2>everybody thinks because we got some wild stuff happening tonight.

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<v Speaker 2>So glad you're here.

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<v Speaker 6>All right, we have a good time hosting tonight. I'll

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<v Speaker 6>bib watching and let's do it.

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<v Speaker 2>Come on all right, Thanks Daven, see you soon. And Chris,

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<v Speaker 2>what about you? What are you excited for tonight? What

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<v Speaker 2>do you what are you hoping wins? What are you

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<v Speaker 2>hoping the people voted for?

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<v Speaker 5>You know, it's been it's been a year, man. I

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<v Speaker 5>feel like a lot of dreams came true this year.

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<v Speaker 5>There was so much stuff that people have been clamoring

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<v Speaker 5>for for years, including myself as a collector, especially in Horror.

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<v Speaker 5>More than ever, I think horror continues to present itself

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<v Speaker 5>as not only dominating box office, but also kind of

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<v Speaker 5>dominating physical media, whether it's four K you know masters

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<v Speaker 5>coming out or four K Remasters coming out, or you know,

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<v Speaker 5>old exploitation stuff finally getting the light a day and

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<v Speaker 5>coming out. There's so much of it, you know, I'm

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<v Speaker 5>hoping to kind of see some. I would love to

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<v Speaker 5>see some of the kind of releases that were a

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<v Speaker 5>big deal to us, and the deep cuts get a

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<v Speaker 5>little bit more attention, you know what I mean, Shina

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<v Speaker 5>light on some of those. Yeah, And you know, the

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<v Speaker 5>labels have really been stepping it up, you know, bonus

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<v Speaker 5>features and supplemental material something that I as well as

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<v Speaker 5>you try to champion on physical media, and I think

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<v Speaker 5>twenty twenty five really stepped up in a big way

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<v Speaker 5>where labels are kind of forced to do more than

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<v Speaker 5>ever before because of just demand and everybody's crushing it man,

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<v Speaker 5>from packaging to supplemental material to the volume of extras.

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<v Speaker 5>It's it's pretty incredible.

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<v Speaker 2>Man. Yeah, I agree, it's been an impressive year. I

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<v Speaker 2>mean we're getting sets, we're getting director's box sets, We're

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<v Speaker 2>getting a lot of incredible releases. I cannot wait for

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<v Speaker 2>everybody to see these, which means I mean, maybe we

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<v Speaker 2>should just get into our first one. Let's uh, let's

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<v Speaker 2>bring this up on the stage because it's the first one,

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<v Speaker 2>and to look a little wonky. I'm gonna I'm gonna

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<v Speaker 2>change it to full screen immediately. I promise it'll look better.

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<v Speaker 2>But let's talk about our first category, which is best

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<v Speaker 2>pre code and silent film release from last year.

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<v Speaker 10>Hello there, I'm Tony Machez and I'm John Matthews, and

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<v Speaker 10>we are the co hosts of Imprint Casts and we

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<v Speaker 10>are honored to present one of these categories for the

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<v Speaker 10>shof Shocking winder Wards. Once again, Ryan and Chris, thank

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<v Speaker 10>you so much for adding us on.

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<v Speaker 11>Yeah, I really appreciate the opportunity to present this.

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<v Speaker 10>Silent film and pre code cinema. So many film masterpieces

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<v Speaker 10>from there, directors like George Meliez, FW Murnow even out

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<v Speaker 10>with Hitchcock.

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<v Speaker 12>Yeah.

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<v Speaker 11>Absolutely, like some of the best and most innovative works

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<v Speaker 11>came from that time. And it was a real boundary

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<v Speaker 11>pushing too, because some of the films from the era

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<v Speaker 11>really quite ahead of their time in quite graphic and

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<v Speaker 11>obviously stuff that you wouldn't see later on once the code

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<v Speaker 11>came into place. But yeah, this sort of golden period

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<v Speaker 11>of sort of like a free movement of filmmakers and

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<v Speaker 11>some really great stuff came out of it, and it

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<v Speaker 11>was a particularly great year to see some of the

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<v Speaker 11>stuff get released on Blu ray and four K amazingly

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<v Speaker 11>as well.

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<v Speaker 10>Definitely, and we are honored to present the Best pre

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<v Speaker 10>Code and Silent Film Blace for twenty twenty five and

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<v Speaker 10>the nominees.

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<v Speaker 5>Are Alrane and The Student of Prague, Deaf Crocodile, The

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<v Speaker 5>Cat and the Canary four K, Quino Laurberg, Hell's Angels

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<v Speaker 5>four K Criterion Collection, He Who Gets Slapped, Flicker Alley,

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<v Speaker 5>The Old Dark House four K Eureka Entertainment.

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<v Speaker 10>And the winner for the CSC Award for the Best

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<v Speaker 10>pre Code and Silent Film Release is Al Rang and

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<v Speaker 10>The Student of Prague from Deaf Crocodile.

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<v Speaker 11>That release went out of print very quickly, so it

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<v Speaker 11>actually sold out before pre order, so I didn't actually

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<v Speaker 11>get my hands in it because it sold out, but

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<v Speaker 11>it is one I am willing to track down Monday,

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<v Speaker 11>but I'll just settle for the standard edition now. But

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<v Speaker 11>it's a yeah, I love what Deaf Crocodile do.

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<v Speaker 13>Yes.

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<v Speaker 11>And the community winner for the Best pre Code and

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<v Speaker 11>Silent Film Release is from Eureka Entertainment and is The

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<v Speaker 11>Old Dark House four K, which was a really nice

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<v Speaker 11>upgrade from Eureka this year.

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<v Speaker 10>Congratulations to both winners, well deserved.

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<v Speaker 12>Oh wow, that's very cool.

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<v Speaker 2>Oh that's fantastic.

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<v Speaker 12>Didn't see that coming.

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<v Speaker 14>We are really stoked to hear that, especially because there's

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<v Speaker 14>so many other amazing silent and pre code releases out there.

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<v Speaker 14>Huge thanks to everyone who worked on that, in particular

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<v Speaker 14>my good friend of many years Stefan Dressler and his

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<v Speaker 14>entire team at the Munich Film Museum who have preserved

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<v Speaker 14>and restored the materials that we put out on the

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<v Speaker 14>Alroune and Student of Prague release. It's the first of

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<v Speaker 14>hopefully a number of releases of rare silent cinema with

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<v Speaker 14>our partners at Munich, so a huge shout out to them,

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<v Speaker 14>and to again all of the essay writers commentators Dave

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<v Speaker 14>McKeon for the gorgeous artwork for the deluxe edition. And

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<v Speaker 14>it was our first silent cinema release.

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<v Speaker 2>So yeah, it's nice.

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<v Speaker 15>It's nice that it's stalled well and now winning this award.

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<v Speaker 15>It's a good start for silent cinema from Deaf Crocodile.

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<v Speaker 2>So that's incredible, all right. So that is our first

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<v Speaker 2>category pre code silent film release. Incredible release. From Deaf

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<v Speaker 2>Crocodile that Alroade and Stoner a prog double feature you

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<v Speaker 2>can still get in the standard. It's not gone forever,

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<v Speaker 2>John said, out of print, but you can still get it.

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<v Speaker 2>Don't worry. That Eureka release also incredible. Deaf Crocodile. You've

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<v Speaker 2>been checking much of theirs out recently.

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<v Speaker 5>Yeah, I mean they were nice enough to last year

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<v Speaker 5>hook me up with a whole bunch of animation stuff

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<v Speaker 5>to check out because I was on Reconnected talking about

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<v Speaker 5>how I don't know shit about it and they were like,

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<v Speaker 5>we need to change that. I think it's literally what

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<v Speaker 5>their email said. And it's been incredible ever since because

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<v Speaker 5>as somebody who I consider myself pretty willing to branch out,

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<v Speaker 5>they really opened my eyes to unique and new experiences.

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<v Speaker 5>And I mean the bonus features, the packaging all incredible, man.

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<v Speaker 5>I mean they're deserving of every bit of this. But

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<v Speaker 5>the Old Dark House from Eureka is also incredible.

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<v Speaker 2>So reddible for kidding.

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<v Speaker 5>Yeah, absolutely incredible man.

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<v Speaker 2>As a reminder, we are going to have a handful

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<v Speaker 2>of giveaways tonight to make sure you're here and ready

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<v Speaker 2>to answer some quick trivia questions via the chat. When

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<v Speaker 2>those comes up first. One to answer correctly is going

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<v Speaker 2>to be winning a handful of some awesome giveaways. We'll

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<v Speaker 2>have to cover those soon, but I mean, let's just

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<v Speaker 2>keep it running. I am pleased to bring back somebody

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<v Speaker 2>who's now done this. Well, he'll tell you he's done

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<v Speaker 2>it four times in a row, and he's very excited

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<v Speaker 2>about that. Let's kick it over to one of my

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<v Speaker 2>dearest friends, mister Jeremy Long.

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<v Speaker 16>Oh I there, Sorry, you caught me doing a little

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<v Speaker 16>light reading high on you physical media lovers. It's me again,

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<v Speaker 16>Jeremy Long, frequent guests of the disconnected to meet.

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<v Speaker 13>Let's be real, you all know who I am by now, right.

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<v Speaker 16>I mean this is the fourth year of the Shelf

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<v Speaker 16>Shock Rewind Awards, after all, and not to pray.

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<v Speaker 13>But I've been a part of all.

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<v Speaker 17>Four years, only two against my will.

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<v Speaker 16>Anyways, I'm back once again this year to present the

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<v Speaker 16>Best Contemporary Studio Release Award. And some of you Shelf

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<v Speaker 16>Shock fans might be wondering, hey, Jeremy, why you're at

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<v Speaker 16>home in front of your awesome physical media collection, not

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<v Speaker 16>out at some exotic location somewhere for this year's video.

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<v Speaker 13>And the answer is.

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<v Speaker 16>Unfortunately, I'm still on house arrests for impersonating Dave Grohl

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<v Speaker 16>in last year's video series. Anyways, turns out he's quite

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<v Speaker 16>litigious and well, never mind, my lawyer says, I'm not

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<v Speaker 16>allowed to talk about it.

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<v Speaker 13>So let's just move on with the video and the

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<v Speaker 13>nominees are.

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<v Speaker 5>Here's where the nominees go. Bring her back. Four K

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<v Speaker 5>A twenty four Final Destination, Bloodlines, four K Steel Book,

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<v Speaker 5>Warner Brothers, Sinners four K Steel Book, Warner Brothers, The

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<v Speaker 5>Toxic Avenger four K Steel Book, Cinnerverse Weapons four K

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<v Speaker 5>Steel Book, Warner Brothers.

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<v Speaker 16>Hey, welcome back, everybody. Here's a pop quiz for you.

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<v Speaker 16>What is the winner of both the CSC and community

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<v Speaker 16>vote and me all have in common. We're all sinners

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<v Speaker 16>on contractor obligated to say the winner is the four

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<v Speaker 16>K Steel Book and not the tiny guitar.

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<v Speaker 13>Anyways. Also forgive me Father.

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<v Speaker 2>Suey Jersey, all right, bulp exist.

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<v Speaker 13>Foo fighters.

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<v Speaker 16>That's a close one, because if he was real, let's

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<v Speaker 16>face it, I'd be going straight to hell.

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<v Speaker 13>Fuck mm hm. Back to you, Ryan and Chris.

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<v Speaker 2>Oh, jeremy studio stuff? Are you picking up a bunch

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<v Speaker 2>of studio titles? Nowadays, I know a lot of people

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<v Speaker 2>tend to steer clear of those. I'm curious what you

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<v Speaker 2>think about that.

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<v Speaker 5>Yeah, yeah, I mean I I try to I'm not

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<v Speaker 5>I'm not a steel book guy, so I don't really

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<v Speaker 5>pick those up. But Toxic Avenger I picked up. I mean,

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<v Speaker 5>I thought I had to support a friend and having that,

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<v Speaker 5>you know, so that's I mean, you're close to Jersey,

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<v Speaker 5>that makes sense. Yeah, yeah, yeah, yeah, he is my naw,

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<v Speaker 5>he is my superhero. By the way, bring her I

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<v Speaker 5>picked up from a good disc YEP, Final Destination. I

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<v Speaker 5>picked up we do have sinners, but hot take. I'm

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<v Speaker 5>just kind of mid on sinners.

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<v Speaker 2>Well, it's too bad Chris had to go for the night.

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<v Speaker 2>But and okay, there he is. No sinners is wonderful.

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<v Speaker 2>We don't need to let him keep keep a waxing

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<v Speaker 2>poetic about how it's not wonderful. I'm just kidding. I

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<v Speaker 2>know Chris respects it. Let's let's just keep this rolling.

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<v Speaker 2>A couple of these videos tonight are gonna be a

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<v Speaker 2>little bit on the longer side. So I'm definitely gonna

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<v Speaker 2>keep us rolling because we got some people involved that

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<v Speaker 2>I think you're gonna be happy to see. We got

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<v Speaker 2>a lot of individuals that they don't really get a

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<v Speaker 2>lot of public voices. So we're gonna we're gonna keep

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<v Speaker 2>this running. Next up, keeping it going with the studio.

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<v Speaker 2>We got the studio catalog rely so anything that didn't

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<v Speaker 2>come out over the last couple of years, and they're

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<v Speaker 2>reaching back into some of the vaults to put these out.

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<v Speaker 2>And of course before we go through this, I did

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<v Speaker 2>want to highlight we have two winners in every category,

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<v Speaker 2>and the reason is for everybody that's not familiar with this,

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<v Speaker 2>we've got our Creator Selection Committe. Now, this is a

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<v Speaker 2>curated group of a little over one hundred people that

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<v Speaker 2>are filmmakers, people that work at labels, people that do

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<v Speaker 2>audio commentary, special features, producers, people that work on these discs, podcasters, YouTubers,

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<v Speaker 2>all kinds of people in the industry, and they're the

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<v Speaker 2>ones that nominated many of our titles. But also we

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<v Speaker 2>wanted to give them a choice to pick their favorite.

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<v Speaker 2>So you see a winner from them, you also see

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<v Speaker 2>a winner from the community. That's why we have two

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<v Speaker 2>on every category. Do you ever have a question on that,

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<v Speaker 2>let me know and I'll help you work that out.

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<v Speaker 2>But let's go into that studio catalog release now and

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<v Speaker 2>find out what they have to say for that.

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<v Speaker 17>What's up?

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<v Speaker 13>Everybody?

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<v Speaker 18>Garatt back here from Born to Be rad In, one

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<v Speaker 18>half of the Anchor Bay Archives podcast, and I am

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<v Speaker 18>honored to be here today to present the best studio

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<v Speaker 18>catalog release of twenty and twenty five. And the nominees are.

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<v Speaker 5>Boogie Knights four K Steel Book, Warner Brothers, A Nightmare

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<v Speaker 5>on Elm Street four K steel book collection, Warner Brothers

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<v Speaker 5>Knight of the Living Dead nineteen ninety four K steel book,

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<v Speaker 5>Sony Pictures, Panic Room four K Steel book, Sony Pictures

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<v Speaker 5>seven four K Steel book Warner Brothers.

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<v Speaker 18>And the winner, voted by the Creators Selection community goes

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<v Speaker 18>to A Nightmare on Elm Street four K box set

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<v Speaker 18>by Warner Brothers.

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<v Speaker 2>Here is the winner, this beauty here.

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<v Speaker 5>Check this out. What a great release, guys.

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<v Speaker 18>We've been wanting.

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<v Speaker 2>This for so long and this year we finally got it.

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<v Speaker 18>And the winner, voted by you the community.

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<v Speaker 19>Is.

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<v Speaker 18>A Nightmare on Elm Street four K box set from

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<v Speaker 18>Warner Brothers.

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<v Speaker 2>Boom.

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<v Speaker 5>Check it out again, guys.

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<v Speaker 18>This thing just swept the studio catalog release and I

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<v Speaker 18>couldn't be happy because I love that edition.

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<v Speaker 5>I'm so glad we have it now.

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<v Speaker 18>Thanks again for having me, guys, now enjoy the rest

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<v Speaker 18>of the show.

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<v Speaker 2>I guess it came back curarly. Thanks for Garrett. I

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<v Speaker 2>feel like he was the perfect one to talk about

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<v Speaker 2>that release. So glad that he came on here with us.

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<v Speaker 2>It's a hell of a box set. Did you get

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<v Speaker 2>the box set?

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<v Speaker 5>I did actually want it. I want it in a

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<v Speaker 5>giveaway from Monster. Yeah, I missed out on it the

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<v Speaker 5>initial run. Thank god, I want it, and I think

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<v Speaker 5>it's more than deserving that we got that. I'm really

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<v Speaker 5>shocked that Night of Living Dead ninety didn't take one

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<v Speaker 5>of them, because I thought that was equally as big

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<v Speaker 5>a deal. But both are incredible, and I actually the

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<v Speaker 5>neighboring Elms Street set. I remember kind of like seeing

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<v Speaker 5>unboxing and stuff and I was like, oh, you know,

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<v Speaker 5>it looks cool, but like I'm okay with the standard.

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<v Speaker 5>And then when my giveaway came in, I just kind

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<v Speaker 5>of took a second and I was like, I was wrong.

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<v Speaker 5>I'm happy I have this now, and they look ridiculous,

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<v Speaker 5>like yeah, insane.

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<v Speaker 2>Obviously it's really easy on a giant package like that

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<v Speaker 2>to talk about the steel books and the gorgeous art

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<v Speaker 2>and all that stuff, but the reality is, I think

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<v Speaker 2>the biggest thing here a studio put out a box

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<v Speaker 2>set of really incredible looking four K releases of a

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<v Speaker 2>franchise that's never gotten a lot of love on home video.

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<v Speaker 2>A lot of the releases for that has been we'll

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<v Speaker 2>say subpar, to say, the best thing that we could

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<v Speaker 2>say about it. So the new ones, they're they're kind

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<v Speaker 2>of incredible. I'm glad that they're out. I'm glad that

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<v Speaker 2>people can respect it. And it sounds like we might

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<v Speaker 2>be getting a rerelease later this year so more people

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<v Speaker 2>could pick it up, so that's a good thing. Yeah.

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<v Speaker 5>Yeah, I do want to tell people, if you have

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<v Speaker 5>the Night a Living Dead nineteen ninety steel book, give

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<v Speaker 5>the Tom Savini the new Tom Savini audio commentary. I've

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<v Speaker 5>run with that. I bet you wou'd raise your appreciation

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<v Speaker 5>for that just a little bit more than the new

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<v Speaker 5>footage added.

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<v Speaker 2>Yeah, there is a lot there. Even the new footage

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<v Speaker 2>is it's probably not as incredible as you would think

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<v Speaker 2>hearing the mythic nature of it over the years, but

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<v Speaker 2>the four K picture on that does look really great,

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<v Speaker 2>So check it out one thing that I feel like

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<v Speaker 2>we've been getting a lot more love the last couple

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<v Speaker 2>of years with our animated release. And I know that

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<v Speaker 2>you've just kind of started dipping your toes in the

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<v Speaker 2>animated pool, but it is something that's been near and

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<v Speaker 2>dear to me and want to throw it to my

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<v Speaker 2>dear friend mister Connor Holt to talk about our best

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<v Speaker 2>release on the animated side. So let's shoot it out

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<v Speaker 2>to Los Angeles and Hi, I'm Connor Holt.

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<v Speaker 20>You might know me as VHS Spectacular Instagram and I

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<v Speaker 20>write about film for the Physical Media Advocate. This parking

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<v Speaker 20>lot has a very special place in animation history. Before

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<v Speaker 20>was a strip mall. It was the original home of

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<v Speaker 20>Walt Disney Animation Studios. It was here that Mickey Mouse

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<v Speaker 20>was created and where Snow White and the Seven Dwarfs

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<v Speaker 20>came to life. Animation has come a long way since then,

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<v Speaker 20>being made all over the world, an incredible variety of

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<v Speaker 20>styles and stories, and thanks to Physical we can appreciate

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<v Speaker 20>all of it. The nominees for Best Animation Release.

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<v Speaker 5>Are Essential Polish Animation, Radiance Films, Flow four K, Criterion Collection,

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<v Speaker 5>When and the Book of Sand four K, Deaf Crocodile.

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<v Speaker 5>I married a strange person. Deaf Crocodile, Perfect Blue four

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<v Speaker 5>k G Kids.

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<v Speaker 20>Oh look a vh's copy of my neighbor Totoro. Let's

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<v Speaker 20>take a look inside. And the winner of best Animation Release,

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<v Speaker 20>as chosen by the creator's Selection Committee is Perfect Blue

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<v Speaker 20>four K from g Kids, and the winner chosen by

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<v Speaker 20>the community is Flow four K from Criterion. Congrats to both.

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00:22:02.359 --> 00:22:05.319
<v Speaker 2>Huge year for animation. I'm glad the Perfect Blue is

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<v Speaker 2>getting into more people's hands. That movie is absolutely incredible.

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<v Speaker 2>There's Connor and the chat long love animation. Hell yeah,

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<v Speaker 2>Connor was the perfect person to do animation. Thanks for

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<v Speaker 2>showing some history there. I thought that was a really

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<v Speaker 2>cool place to do that.

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<v Speaker 5>Yeah, that was awesome. I also think it was so

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<v Speaker 5>cool that Criterion picked up Flow so quickly, So I'm happy.

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00:22:23.759 --> 00:22:28.200
<v Speaker 2>Yeah, yeah, yeah. Some big acquisitions from them coming up,

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00:22:28.799 --> 00:22:31.279
<v Speaker 2>like right after stuff is coming out from the Oscars

398
00:22:31.319 --> 00:22:32.880
<v Speaker 2>and stuff. They got a couple coming out this year

399
00:22:32.920 --> 00:22:35.839
<v Speaker 2>from those, like Sentimental Values about to be coming out

400
00:22:35.880 --> 00:22:38.200
<v Speaker 2>just a few months. But one of the companies that

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<v Speaker 2>has been making people very happy for animation is Deaf Crocodile,

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<v Speaker 2>And it sounds like it might be a good time

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<v Speaker 2>to do our first giveaway for the nights. Why don't

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00:22:48.000 --> 00:22:48.640
<v Speaker 2>you tell them about that?

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<v Speaker 13>Chris?

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<v Speaker 5>Yeah, yeah, So a huge thank you to Deaf Crocodile.

407
00:22:52.400 --> 00:22:55.359
<v Speaker 5>We're actually going to be giving away a fifty dollars

408
00:22:55.519 --> 00:22:59.720
<v Speaker 5>gift card for their sight and couldn't think of a

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00:22:59.720 --> 00:23:01.720
<v Speaker 5>better trivia question than to kind of wrap it around

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00:23:01.720 --> 00:23:04.720
<v Speaker 5>to some Deaf Crocodile history, So I hope you're up

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00:23:04.720 --> 00:23:10.000
<v Speaker 5>to date. Your question is what title was Deaf Crocodile's

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00:23:10.160 --> 00:23:12.920
<v Speaker 5>first major restoration project?

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<v Speaker 2>First one in the chat to type it out wins

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<v Speaker 2>a fifty dollars Deaf Crocodile gift certificate. It is not

415
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<v Speaker 2>what's the cast named Travis. That was a good try,

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00:23:23.519 --> 00:23:26.400
<v Speaker 2>but you probably could have answer that before it went in.

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<v Speaker 2>This is a title that for anybody that was wondering

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00:23:31.480 --> 00:23:36.680
<v Speaker 2>you might find an answer not on disc from them yet.

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00:23:36.960 --> 00:23:38.880
<v Speaker 2>Lots of answers coming in stuff that they've done, but

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<v Speaker 2>I've not seen the proper title yet, so we'll keep

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<v Speaker 2>that going. Winners tonight as they choose the Ice Grizzle

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<v Speaker 2>Subman from Singapore, the title would have been the Unknown

423
00:23:50.279 --> 00:23:52.200
<v Speaker 2>Man from Shandygorb, but that's still not the right answer.

424
00:23:52.359 --> 00:23:57.599
<v Speaker 2>A good try there. If you are winning tonight, you

425
00:23:57.599 --> 00:23:59.720
<v Speaker 2>are going to have somebody that is going to be

426
00:24:00.519 --> 00:24:03.880
<v Speaker 2>sending me an email and Matt over at what's the

427
00:24:04.000 --> 00:24:07.720
<v Speaker 2>idea editing? Got it? Funny enough, they have not released

428
00:24:07.720 --> 00:24:09.400
<v Speaker 2>this on disc because they don't have the rights to

429
00:24:09.440 --> 00:24:12.160
<v Speaker 2>release it. They just helped with the restoration assault on

430
00:24:12.319 --> 00:24:16.759
<v Speaker 2>Precinct thirteen was their first major restoration project that they

431
00:24:16.839 --> 00:24:21.039
<v Speaker 2>handled as Deaf Crocodile before they became a disc producer.

432
00:24:21.160 --> 00:24:24.119
<v Speaker 2>So congratulations, Matt. Send me an email at shelf Shock

433
00:24:24.240 --> 00:24:28.319
<v Speaker 2>Rewind at gmail dot com and I will get your

434
00:24:28.319 --> 00:24:30.920
<v Speaker 2>email address over to Craig at Deaf Crocodile and we'll

435
00:24:30.920 --> 00:24:32.920
<v Speaker 2>figure out how to go from there. So appreciate that.

436
00:24:33.519 --> 00:24:37.240
<v Speaker 2>Congratulations Matt. And yeah, it was a trick question. It's sorry, Craig.

437
00:24:39.200 --> 00:24:43.599
<v Speaker 2>That is awesome. Let's see, I think it's probably time

438
00:24:43.680 --> 00:24:46.799
<v Speaker 2>to go in to best Martial Arts release following that

439
00:24:48.319 --> 00:24:50.279
<v Speaker 2>Martial Arts. Are you into many of the martial arts

440
00:24:50.319 --> 00:24:51.559
<v Speaker 2>titles that are coming out recently?

441
00:24:52.039 --> 00:24:53.880
<v Speaker 5>Yeah, I mean I'm getting into them. There's so much

442
00:24:53.960 --> 00:24:55.599
<v Speaker 5>coming out. I think you don't really have a choice

443
00:24:55.640 --> 00:24:57.599
<v Speaker 5>to kind of dip your toes in you know what

444
00:24:57.640 --> 00:25:00.359
<v Speaker 5>I mean. But it really started for me, honest when

445
00:25:00.400 --> 00:25:03.839
<v Speaker 5>Severn did the uh the Bruce Ploitation box set.

446
00:25:04.359 --> 00:25:06.440
<v Speaker 2>Yeah, it's a fun box, super fun box.

447
00:25:06.799 --> 00:25:09.880
<v Speaker 5>At that point, the show scope was already so far, like,

448
00:25:09.960 --> 00:25:13.400
<v Speaker 5>already so intimidating. So I you know, I jumped into

449
00:25:13.440 --> 00:25:15.440
<v Speaker 5>Bruce Ploitation. That really kind of opened up the door

450
00:25:15.480 --> 00:25:17.640
<v Speaker 5>for me, and I've been dabbling in it more and more.

451
00:25:17.920 --> 00:25:19.960
<v Speaker 5>So I'm excited to see who takes this one home.

452
00:25:20.759 --> 00:25:24.240
<v Speaker 2>Well, anybody that is super into martial arts or maybe

453
00:25:24.279 --> 00:25:25.920
<v Speaker 2>just getting into martial arts. One of the people that

454
00:25:25.960 --> 00:25:28.400
<v Speaker 2>I would suggest that you follow on social media and

455
00:25:28.440 --> 00:25:30.519
<v Speaker 2>on YouTube to get into any of this is my

456
00:25:30.559 --> 00:25:33.240
<v Speaker 2>dear friend, The Fanatical Dragon, and let's throw it over

457
00:25:33.279 --> 00:25:33.599
<v Speaker 2>to him.

458
00:25:34.319 --> 00:25:36.799
<v Speaker 21>Hey, thank you, Ryan and Chris. I'm Johnny aka the

459
00:25:36.799 --> 00:25:39.200
<v Speaker 21>Fanatical Dragon. You can find me right here on YouTube

460
00:25:39.359 --> 00:25:42.640
<v Speaker 21>posting reviews on boxings and interviews on a station cinema.

461
00:25:42.880 --> 00:25:45.240
<v Speaker 21>I am also one third of the Night Adventures podcast

462
00:25:45.279 --> 00:25:48.559
<v Speaker 21>alongside Jason from Martial Arts Theater three thousand and Sean

463
00:25:48.880 --> 00:25:51.799
<v Speaker 21>from Food for Thoughts, and I'm extremely lucky to contribute to.

464
00:25:51.759 --> 00:25:53.039
<v Speaker 11>A whole bunch of blue releases.

465
00:25:53.240 --> 00:25:56.039
<v Speaker 21>I've written for Verdy, eight films for Chameleon and for Television,

466
00:25:56.559 --> 00:25:59.039
<v Speaker 21>produced video essays for Spectrum, and have a whole lot

467
00:25:59.079 --> 00:26:01.680
<v Speaker 21>more in stall for twenty twenty six. But today it's

468
00:26:01.720 --> 00:26:04.599
<v Speaker 21>all about twenty twenty five and it's my absolute pleasure

469
00:26:04.799 --> 00:26:07.359
<v Speaker 21>to announce the category for best Martial Arts Release from

470
00:26:07.400 --> 00:26:10.160
<v Speaker 21>twenty twenty five. So back to you Ryan and Chris

471
00:26:10.200 --> 00:26:21.720
<v Speaker 21>for the nominations.

472
00:26:22.519 --> 00:26:27.519
<v Speaker 5>Wahachi Bushido four K, Manda Micabre, Come Drink with Me

473
00:26:27.759 --> 00:26:33.440
<v Speaker 5>four K, eighty eight Films, Furious Swords and Fantastic Warriors,

474
00:26:33.599 --> 00:26:38.759
<v Speaker 5>the Heroic Cinema of chang Che, Eureka Entertainment, The Great

475
00:26:38.839 --> 00:26:45.440
<v Speaker 5>Chase Neon Eagle Video Showscope Volume four Erro Video.

476
00:26:48.759 --> 00:26:51.440
<v Speaker 21>Hey, thank you again Ryan and Chris, So without any

477
00:26:51.480 --> 00:26:53.720
<v Speaker 21>further ado, it's time to announce the winner of the

478
00:26:53.720 --> 00:26:56.720
<v Speaker 21>best Martial Arts Release of twenty twenty five, and it is,

479
00:26:56.839 --> 00:27:00.759
<v Speaker 21>of course, hit Is Arrow for Shawscope Volling four I

480
00:27:00.759 --> 00:27:03.599
<v Speaker 21>who've managed to win not only the CSC Award but

481
00:27:03.680 --> 00:27:06.440
<v Speaker 21>also the Community Choice Awards. So I'm not a clean

482
00:27:06.440 --> 00:27:08.559
<v Speaker 21>slate for Arrow, as it was the last time I

483
00:27:08.599 --> 00:27:10.599
<v Speaker 21>did one of these when they won for their boost

484
00:27:10.799 --> 00:27:12.759
<v Speaker 21>box set. That's probably sitting up there on my shelf

485
00:27:12.799 --> 00:27:14.640
<v Speaker 21>behind me. But for twenty twenty five, it was Show

486
00:27:14.680 --> 00:27:18.000
<v Speaker 21>Scott Voling four, an incredible box set, really really kind

487
00:27:18.039 --> 00:27:20.559
<v Speaker 21>of great mix of horror and fantasy, with a little

488
00:27:20.559 --> 00:27:22.119
<v Speaker 21>bit of wooshat thrown in as well. If you've not

489
00:27:22.160 --> 00:27:24.480
<v Speaker 21>had a chance to pick it up, I absolutely recommend

490
00:27:24.519 --> 00:27:26.960
<v Speaker 21>that you do. But back to Ryan and Chris for

491
00:27:27.000 --> 00:27:29.000
<v Speaker 21>the rest of the categories. Thanks for watching.

492
00:27:30.400 --> 00:27:30.799
<v Speaker 17>Wow.

493
00:27:31.240 --> 00:27:33.319
<v Speaker 22>Well that's I mean, that's wonderful here because I mean,

494
00:27:33.319 --> 00:27:35.720
<v Speaker 22>technically speaking, it's not even really a martial arts set.

495
00:27:35.759 --> 00:27:37.839
<v Speaker 22>It's kind of one of the one of the things

496
00:27:37.839 --> 00:27:39.920
<v Speaker 22>that we wanted to do, particularly when we picked the

497
00:27:40.000 --> 00:27:42.279
<v Speaker 22>name show Scope, which obviously is the name of the

498
00:27:42.279 --> 00:27:46.960
<v Speaker 22>widescreen process, but we also wanted to ultimately in you know, beyond,

499
00:27:47.000 --> 00:27:50.359
<v Speaker 22>in further box sets, beyond the volumes one and two

500
00:27:50.519 --> 00:27:52.559
<v Speaker 22>that we initially had kind of set up. We wanted

501
00:27:52.599 --> 00:27:55.920
<v Speaker 22>to do justice to all the different genres that not

502
00:27:55.960 --> 00:27:57.880
<v Speaker 22>all the genres necessarily, but as many of the genres

503
00:27:57.880 --> 00:28:01.200
<v Speaker 22>as we could that Shore Brothers would do. So I

504
00:28:01.240 --> 00:28:04.240
<v Speaker 22>was particularly excited that volume four would be the horror,

505
00:28:04.279 --> 00:28:06.559
<v Speaker 22>sci fi fantasy box set, and there's still some martial

506
00:28:06.640 --> 00:28:09.240
<v Speaker 22>arts in there. There's still a fair amount of you know,

507
00:28:09.319 --> 00:28:11.359
<v Speaker 22>kind of Wou Shah crossover and a bit of kung

508
00:28:11.400 --> 00:28:15.160
<v Speaker 22>Fu as well. But now it's you know, the fact

509
00:28:15.200 --> 00:28:18.839
<v Speaker 22>that the fans are kind of still, you know, after

510
00:28:18.880 --> 00:28:21.640
<v Speaker 22>all these years, coming back for more. It's wonderful to see.

511
00:28:21.680 --> 00:28:23.880
<v Speaker 22>So thank you very much to the Academy.

512
00:28:27.000 --> 00:28:30.000
<v Speaker 2>James is amazing. I love what Erro's done. The Shasco

513
00:28:30.079 --> 00:28:32.079
<v Speaker 2>box sets are kind of incredible, and that fourth one,

514
00:28:32.119 --> 00:28:33.960
<v Speaker 2>I know, made a lot of people happy because it

515
00:28:34.000 --> 00:28:36.359
<v Speaker 2>was like the genre box set that they've put out

516
00:28:36.440 --> 00:28:39.839
<v Speaker 2>that wasn't just fairly strict martial arts. So even somebody

517
00:28:39.920 --> 00:28:42.079
<v Speaker 2>like you who's just getting into it would probably appreciate

518
00:28:42.079 --> 00:28:42.799
<v Speaker 2>it more than many.

519
00:28:43.319 --> 00:28:45.519
<v Speaker 5>Yeah, and I mean, honestly, I appreciate just how much

520
00:28:45.880 --> 00:28:48.039
<v Speaker 5>shaw stuff we're getting out in general. I mean, but

521
00:28:48.119 --> 00:28:51.079
<v Speaker 5>from in print, from Vinegar Syndrome, you know, this past year,

522
00:28:51.160 --> 00:28:54.039
<v Speaker 5>especially for horror fans. Yeah, there's been so much and

523
00:28:54.039 --> 00:28:56.160
<v Speaker 5>they've actually been kind of some of my favorite discoveries

524
00:28:56.200 --> 00:28:59.240
<v Speaker 5>over the last year or so. So incredible work there.

525
00:29:00.480 --> 00:29:03.160
<v Speaker 2>Boutiques, though other of the martial arts have been focusing

526
00:29:03.200 --> 00:29:06.119
<v Speaker 2>on kind of the bread and butter of the boutique world.

527
00:29:06.119 --> 00:29:09.519
<v Speaker 2>Which is what they've been putting out through their releases

528
00:29:09.599 --> 00:29:13.519
<v Speaker 2>for years, and that is horror. I know that horror

529
00:29:13.559 --> 00:29:15.799
<v Speaker 2>is special to you, and I have not even given

530
00:29:15.839 --> 00:29:17.279
<v Speaker 2>you a chance to talk about it. So why don't

531
00:29:17.279 --> 00:29:19.039
<v Speaker 2>you talk about your podcast for a moment. If everybody's

532
00:29:19.079 --> 00:29:21.880
<v Speaker 2>watching it and they appreciate you, where could they find you?

533
00:29:22.680 --> 00:29:23.000
<v Speaker 23>Ah?

534
00:29:23.200 --> 00:29:27.599
<v Speaker 5>Thank you so very lucky to host an incredible podcast

535
00:29:27.599 --> 00:29:30.079
<v Speaker 5>with my best friend, or say incredible in my view,

536
00:29:30.119 --> 00:29:33.200
<v Speaker 5>I see it as incredible. It is called Beyond the

537
00:29:33.200 --> 00:29:37.920
<v Speaker 5>Blood Steve from After Hours Video and I. We essentially

538
00:29:38.039 --> 00:29:41.720
<v Speaker 5>break down genre films using their audio commentary as our

539
00:29:41.720 --> 00:29:45.039
<v Speaker 5>discussion base. So we'll watch a movie deep dive into it,

540
00:29:45.079 --> 00:29:47.480
<v Speaker 5>dive into the audio commentaries, and kind of build a

541
00:29:47.519 --> 00:29:51.960
<v Speaker 5>conversation that comes from what we see as a unique

542
00:29:52.039 --> 00:29:54.839
<v Speaker 5>point of view. For those who maybe aren't into commentaries,

543
00:29:54.839 --> 00:29:57.519
<v Speaker 5>are just getting into them. There's so much information in

544
00:29:57.559 --> 00:30:01.440
<v Speaker 5>there that is absolutely phenomenal and not watching them, you're

545
00:30:01.480 --> 00:30:05.680
<v Speaker 5>missing out on a lot of just fantastic insight and analysis.

546
00:30:05.880 --> 00:30:09.799
<v Speaker 5>And on our show, we use them to form a conversation.

547
00:30:10.359 --> 00:30:13.359
<v Speaker 5>And we're very lucky to be part of someone's favorite productions.

548
00:30:13.359 --> 00:30:16.799
<v Speaker 5>With Ryan and a bunch of other podcasts, and it's

549
00:30:17.079 --> 00:30:20.279
<v Speaker 5>really been, you know, phenomenal journey. We just had on

550
00:30:20.720 --> 00:30:23.160
<v Speaker 5>Dave Lee from Umbrella Entertainment to talk about the making

551
00:30:23.200 --> 00:30:28.319
<v Speaker 5>of their upcoming Monsters and Curiosities box set. It's been

552
00:30:28.960 --> 00:30:31.480
<v Speaker 5>a crazy journey, man, and I just can't thank you

553
00:30:31.599 --> 00:30:35.319
<v Speaker 5>and everybody else enough who's been tuning in. You know,

554
00:30:35.920 --> 00:30:38.920
<v Speaker 5>you start these things and you don't really know what's

555
00:30:38.960 --> 00:30:41.519
<v Speaker 5>going to happen, right, You're like, okay, let's just let's go.

556
00:30:42.160 --> 00:30:44.680
<v Speaker 5>And then the first year passed and the show grew

557
00:30:44.799 --> 00:30:48.000
<v Speaker 5>so much that going into year two was actually kind

558
00:30:48.000 --> 00:30:50.359
<v Speaker 5>of nerve wracking because we're like, all right, how do

559
00:30:50.440 --> 00:30:53.039
<v Speaker 5>we do this better and keep this train rolling? And

560
00:30:53.440 --> 00:30:55.440
<v Speaker 5>so far this year alone, you know, everything that we've

561
00:30:55.440 --> 00:30:59.440
<v Speaker 5>put out since January first has done incredibly well. We

562
00:30:59.440 --> 00:31:02.079
<v Speaker 5>can see no growth in the show, and we just

563
00:31:02.119 --> 00:31:05.640
<v Speaker 5>hope that we're lending our hand to the education that

564
00:31:05.640 --> 00:31:10.599
<v Speaker 5>physical media can provide and teaching people to appreciate beyond

565
00:31:10.640 --> 00:31:11.640
<v Speaker 5>just the movie on the disc.

566
00:31:11.799 --> 00:31:14.920
<v Speaker 2>You know, I think anybody watching this would like your show.

567
00:31:14.960 --> 00:31:17.319
<v Speaker 2>So if you're into horror, if you're into audio commentaries,

568
00:31:17.400 --> 00:31:19.599
<v Speaker 2>check that out. But if you're into horror, you're probably

569
00:31:19.680 --> 00:31:22.720
<v Speaker 2>eager to see this next category. Let's bring on somebody

570
00:31:22.759 --> 00:31:25.160
<v Speaker 2>that you might have already seen on YouTube, and that

571
00:31:25.440 --> 00:31:28.079
<v Speaker 2>is let's just show it. Here we go.

572
00:31:28.279 --> 00:31:30.880
<v Speaker 24>Hey everyone, my name is Daniel with the cobweb Channel,

573
00:31:31.000 --> 00:31:34.160
<v Speaker 24>a YouTube show where I make videos counting down lists

574
00:31:34.160 --> 00:31:39.359
<v Speaker 24>of a ridiculous amount of horror and cult movies, rankings, recommendations.

575
00:31:39.480 --> 00:31:40.240
<v Speaker 2>It's a good time.

576
00:31:40.359 --> 00:31:43.039
<v Speaker 24>And while most of us physical media lovers love to

577
00:31:43.079 --> 00:31:45.880
<v Speaker 24>collect movies from all different genres like yes I have

578
00:31:46.000 --> 00:31:49.119
<v Speaker 24>while you were sleeping on both DVD and VHS, there's

579
00:31:49.160 --> 00:31:51.960
<v Speaker 24>just no question these boutique labels by far put the

580
00:31:51.960 --> 00:31:55.240
<v Speaker 24>most care and attention on the horror genre, which is

581
00:31:55.279 --> 00:31:58.000
<v Speaker 24>also my favorite genre in all of film, which is

582
00:31:58.000 --> 00:32:00.240
<v Speaker 24>why I am so honored to be presenting in the

583
00:32:00.279 --> 00:32:05.480
<v Speaker 24>category of Best Horror Release and the nominees for best

584
00:32:05.559 --> 00:32:08.640
<v Speaker 24>and Scariest I'm sure horror release are.

585
00:32:20.359 --> 00:32:26.240
<v Speaker 5>The beyond four K Grindhouse Releasing In the Mouth of Madness,

586
00:32:26.279 --> 00:32:30.680
<v Speaker 5>four K Ero Video, Let's Scare Jessica to Death, four

587
00:32:30.759 --> 00:32:34.680
<v Speaker 5>K Vinegar Syndrome, A Nightmare on Numb Street, four K

588
00:32:34.799 --> 00:32:39.839
<v Speaker 5>ste a book Collection, Warner Brothers Possession, four K Second

589
00:32:39.920 --> 00:32:42.079
<v Speaker 5>Sight Films.

590
00:32:44.200 --> 00:32:48.240
<v Speaker 24>And the winner of Best horror release is apparently this

591
00:32:48.519 --> 00:32:54.440
<v Speaker 24>clamshell VHS edition of Goosebumps Werewolf of Fever Swamp. I mean,

592
00:32:54.480 --> 00:32:56.880
<v Speaker 24>I'm a nineties kid. I love Goosebumps and this is

593
00:32:56.880 --> 00:33:00.279
<v Speaker 24>an absolute banger episode. But isn't this like really old?

594
00:33:00.279 --> 00:33:05.799
<v Speaker 24>I don't really under Oh oh, I see, I think

595
00:33:05.880 --> 00:33:09.039
<v Speaker 24>this is the winners, guys, this is the winners right here.

596
00:33:09.559 --> 00:33:13.799
<v Speaker 24>Oh man, this is exciting. Stuff seems really old. This

597
00:33:13.839 --> 00:33:18.200
<v Speaker 24>seems like it's been foretold in prophecy for many years ago.

598
00:33:18.440 --> 00:33:21.160
<v Speaker 24>And the winner of Best Horror Release as voted by

599
00:33:21.160 --> 00:33:25.839
<v Speaker 24>the Creator Selection Committee is Possession on four K from

600
00:33:26.000 --> 00:33:29.240
<v Speaker 24>Second Sight Films. Such an incredible and one of a

601
00:33:29.359 --> 00:33:32.119
<v Speaker 24>kind film, and for me, also wins in the category

602
00:33:32.160 --> 00:33:37.960
<v Speaker 24>of best sex Scene. It's actually not weird that I

603
00:33:38.039 --> 00:33:40.039
<v Speaker 24>said that. Don't make it weird. And the winner of

604
00:33:40.039 --> 00:33:42.759
<v Speaker 24>Best Horror Release as voted by the community is The

605
00:33:42.839 --> 00:33:47.359
<v Speaker 24>Beyond four K from Grindhouse Releasing. Also an incredible film

606
00:33:47.359 --> 00:33:48.920
<v Speaker 24>that I love. But I think what clinched it for

607
00:33:48.960 --> 00:33:52.720
<v Speaker 24>the community was that eyeball, the little plastic eyeball. Come on,

608
00:33:52.880 --> 00:33:55.119
<v Speaker 24>who out there got that? Show your hands? Thank you

609
00:33:55.160 --> 00:33:56.839
<v Speaker 24>so much for having me on the show. Now I'm

610
00:33:56.839 --> 00:33:58.119
<v Speaker 24>gonna go watch a scary movie.

611
00:33:59.039 --> 00:33:59.359
<v Speaker 13>Wow.

612
00:34:00.319 --> 00:34:02.400
<v Speaker 17>So yeah, thank you so much, guys. It's an honor.

613
00:34:02.960 --> 00:34:05.559
<v Speaker 17>It's my passion project for us all here at Second

614
00:34:05.640 --> 00:34:08.840
<v Speaker 17>Side Films. It's a film we've respected for many years,

615
00:34:09.320 --> 00:34:12.199
<v Speaker 17>and it's just excellent that the film has been so

616
00:34:12.280 --> 00:34:16.760
<v Speaker 17>well received by you guys and from the community at large.

617
00:34:18.320 --> 00:34:20.880
<v Speaker 25>Well, that's incredible. There's so much great stuff was released

618
00:34:20.920 --> 00:34:23.280
<v Speaker 25>last year that it's pretty astounding.

619
00:34:23.320 --> 00:34:25.599
<v Speaker 13>Wow, that's something. Thank you.

620
00:34:26.760 --> 00:34:27.400
<v Speaker 7>Unbelievable.

621
00:34:29.800 --> 00:34:33.519
<v Speaker 2>For those that don't know, Bob Morowski, who owns Grindhouse Releasing,

622
00:34:33.800 --> 00:34:39.280
<v Speaker 2>is literally the editor for every Sam ReVII movie ever made. Like,

623
00:34:39.840 --> 00:34:43.000
<v Speaker 2>what is happening? There's a Sam Remi movie in theaters

624
00:34:43.079 --> 00:34:45.639
<v Speaker 2>right now, and we just got the editor of every

625
00:34:45.679 --> 00:34:48.519
<v Speaker 2>Sam Remi movie to talk about the release of The Beyond. Like,

626
00:34:49.119 --> 00:34:51.360
<v Speaker 2>just an incredible time on the show, Dude.

627
00:34:51.400 --> 00:34:54.480
<v Speaker 5>Can I just say, like, Daniel's energy is incredible? Man,

628
00:34:54.599 --> 00:34:56.400
<v Speaker 5>No wonder that guy just hit a hunter k on

629
00:34:56.440 --> 00:34:58.400
<v Speaker 5>YouTube man in seed.

630
00:34:59.400 --> 00:35:01.920
<v Speaker 2>Yeah, Dani, it was pretty great. Glad that we finally

631
00:35:01.920 --> 00:35:04.440
<v Speaker 2>got to see somebody from Second Site talk about these releases.

632
00:35:04.719 --> 00:35:06.440
<v Speaker 2>It's been a long time coming on the show. So

633
00:35:06.519 --> 00:35:10.320
<v Speaker 2>glad that we got Philip Escott on here. He is

634
00:35:10.840 --> 00:35:12.880
<v Speaker 2>doing just remarkable work. I know a lot of people

635
00:35:12.960 --> 00:35:15.000
<v Speaker 2>in the Chat love Second Site, so it's incredible to

636
00:35:15.039 --> 00:35:17.079
<v Speaker 2>see a face for the first time in a long

637
00:35:17.159 --> 00:35:20.039
<v Speaker 2>time with them. Horror though, just knocking it out of

638
00:35:20.039 --> 00:35:22.960
<v Speaker 2>the park every year. It is crazy what we're able

639
00:35:22.960 --> 00:35:24.719
<v Speaker 2>to get coming out of some of these boutiques. But

640
00:35:25.280 --> 00:35:27.800
<v Speaker 2>everybody needs to check it out. I do want to

641
00:35:27.840 --> 00:35:30.679
<v Speaker 2>stand in in line with the Chat though. Give us

642
00:35:30.719 --> 00:35:33.800
<v Speaker 2>Pieces on four K somebody. I absolutely need that. We

643
00:35:33.840 --> 00:35:36.400
<v Speaker 2>need a new generation of people to discover Pieces and say,

644
00:35:36.559 --> 00:35:37.679
<v Speaker 2>what the hell am I watching?

645
00:35:38.079 --> 00:35:40.440
<v Speaker 5>Yeah? Yeah, And I also want to plug once more

646
00:35:40.480 --> 00:35:43.800
<v Speaker 5>beyond the Blood podcast. If you go back to August

647
00:35:43.840 --> 00:35:47.039
<v Speaker 5>of twenty twenty five, we had a nearly two hour

648
00:35:47.079 --> 00:35:50.239
<v Speaker 5>conversation with Philip A. Scott all about the Texans Chainsaw Maasker.

649
00:35:50.280 --> 00:35:53.119
<v Speaker 5>We broke down their box set, talked about the legacy,

650
00:35:53.719 --> 00:35:56.519
<v Speaker 5>talked about the documentary, Like we talked about so much

651
00:35:56.559 --> 00:35:58.679
<v Speaker 5>stuff with him, and I think if you're a second

652
00:35:58.679 --> 00:36:00.480
<v Speaker 5>SIT fan, you're gonna want to go back and check

653
00:36:00.519 --> 00:36:00.840
<v Speaker 5>that out.

654
00:36:01.960 --> 00:36:04.519
<v Speaker 2>What an incredible segue that was and I don't even

655
00:36:04.519 --> 00:36:08.480
<v Speaker 2>think you planned it. Let's talk about documentaries. I am

656
00:36:08.519 --> 00:36:12.000
<v Speaker 2>a huge fan of documentaries, literally, having launched a label

657
00:36:12.119 --> 00:36:14.039
<v Speaker 2>myself this year. One of the first titles that we

658
00:36:14.039 --> 00:36:16.639
<v Speaker 2>announced was a documentary. And I feel like a lot

659
00:36:16.639 --> 00:36:19.119
<v Speaker 2>of labels have kind of steered clear away from them,

660
00:36:19.159 --> 00:36:22.159
<v Speaker 2>and I get why, But also they're very important and

661
00:36:22.239 --> 00:36:24.960
<v Speaker 2>I really wish more people would focus on them. But

662
00:36:25.840 --> 00:36:28.719
<v Speaker 2>having Steen, my dear friend in the chat, who is

663
00:36:28.760 --> 00:36:31.079
<v Speaker 2>about to announce this one, everybody gives some love to

664
00:36:31.119 --> 00:36:33.679
<v Speaker 2>mister KB loves movies, and let's throw it over to

665
00:36:33.760 --> 00:36:36.639
<v Speaker 2>him and take a look at his incredible collection.

666
00:36:37.159 --> 00:36:40.159
<v Speaker 26>I did not set out to find it. Discoveries never

667
00:36:40.199 --> 00:36:44.519
<v Speaker 26>begin that way. They begin with boredom and an expensive

668
00:36:44.639 --> 00:36:49.360
<v Speaker 26>movie that resists opening behind winter scarves and a manual

669
00:36:49.400 --> 00:36:54.360
<v Speaker 26>written in four extinct languages. There it was a glow,

670
00:36:55.280 --> 00:36:59.880
<v Speaker 26>not bright, not aggressive, just read the kind of red

671
00:37:00.199 --> 00:37:04.159
<v Speaker 26>suggests importance or danger or a special edition you forgot

672
00:37:04.199 --> 00:37:08.119
<v Speaker 26>you paid extra for. I turned the corner slowly. The

673
00:37:08.159 --> 00:37:13.840
<v Speaker 26>red hue grows stronger, like a sunrise over discontinued formats, DVD, BLU,

674
00:37:13.960 --> 00:37:18.679
<v Speaker 26>ray four, K, Ultra HD, all staring back at me, patient,

675
00:37:18.960 --> 00:37:24.559
<v Speaker 26>slightly disappointed. This is not a collection, this is an archive.

676
00:37:24.800 --> 00:37:25.400
<v Speaker 13>What's up? Y'all.

677
00:37:25.400 --> 00:37:28.400
<v Speaker 27>It's KB from KB Loves Movies. Join us every week

678
00:37:28.440 --> 00:37:31.239
<v Speaker 27>for the conversation. But in the meanwhile, I'm here to

679
00:37:31.239 --> 00:37:34.960
<v Speaker 27>present the best documentary release. And the nominees are.

680
00:37:46.599 --> 00:37:52.559
<v Speaker 5>Burden of Dreams four K Criterion Collection, Chain Reactions, Media Book,

681
00:37:52.880 --> 00:37:58.800
<v Speaker 5>Dark Sky selects David Burns American Utopia four K Criterion Collection,

682
00:38:00.239 --> 00:38:05.960
<v Speaker 5>on Davy four K, Canadian International Pictures, Colonious, MONK, Straight

683
00:38:06.280 --> 00:38:08.719
<v Speaker 5>No Chaser Criterion Collection.

684
00:38:11.800 --> 00:38:15.880
<v Speaker 27>And the Creators Selection Committee selects Burden of Dreams four

685
00:38:15.960 --> 00:38:22.039
<v Speaker 27>K Criterion Collection. Also, the community selects Burden of Dreams

686
00:38:22.280 --> 00:38:26.360
<v Speaker 27>four K Criterion Collection. Congratulations to all the winners.

687
00:38:28.440 --> 00:38:31.400
<v Speaker 2>KP's Collections A vibe, Man, I love that Red Light dude.

688
00:38:31.440 --> 00:38:33.760
<v Speaker 5>It was so good. I didn't know what was happening.

689
00:38:33.800 --> 00:38:35.320
<v Speaker 5>I was like, I don't know where we're at right now,

690
00:38:35.320 --> 00:38:36.079
<v Speaker 5>but I'm into it.

691
00:38:36.519 --> 00:38:38.000
<v Speaker 2>He sent me the video and I was like, what

692
00:38:38.159 --> 00:38:41.320
<v Speaker 2>is this voice over? This is incredible? So stoked on

693
00:38:41.360 --> 00:38:45.199
<v Speaker 2>that documentaries. Are you watching many documentaries? Yeah?

694
00:38:45.239 --> 00:38:46.880
<v Speaker 5>I mean I watch I watch a lot, just depending

695
00:38:46.920 --> 00:38:49.400
<v Speaker 5>on kind of what's coming out. We have so many,

696
00:38:49.679 --> 00:38:51.840
<v Speaker 5>you know. Hearts of Darkness was finally just announced to

697
00:38:51.840 --> 00:38:54.840
<v Speaker 5>come out from Snaps but this year I finally dove

698
00:38:54.880 --> 00:39:01.159
<v Speaker 5>into like robodoc the massive RoboCop documentary Chain Reactions was

699
00:39:01.199 --> 00:39:03.559
<v Speaker 5>a great one to get, especially that physical release with

700
00:39:03.719 --> 00:39:06.599
<v Speaker 5>all the alternate versions of Texas Chainslaw mass here that

701
00:39:06.719 --> 00:39:10.440
<v Speaker 5>was phenomenal. There's so many man and I feel like

702
00:39:11.679 --> 00:39:16.679
<v Speaker 5>it's really grown to be like such a strong focus

703
00:39:16.719 --> 00:39:20.159
<v Speaker 5>on individual movies, like to think back ten years ago

704
00:39:20.199 --> 00:39:22.639
<v Speaker 5>and imagine like what In Search of Darkness has been doing,

705
00:39:23.320 --> 00:39:29.159
<v Speaker 5>and companies actually putting time and effort into these incredibly long,

706
00:39:29.880 --> 00:39:34.239
<v Speaker 5>extremely detailed documentaries that like one percent of the fan

707
00:39:34.280 --> 00:39:36.760
<v Speaker 5>base of that film is actually going to watch. We

708
00:39:36.840 --> 00:39:38.440
<v Speaker 5>appreciate so greatly.

709
00:39:39.840 --> 00:39:42.760
<v Speaker 2>Yeah, I agree. Documentaries are a big, fun, fun time

710
00:39:42.800 --> 00:39:45.599
<v Speaker 2>for me. I really wish more companies would focus on them.

711
00:39:45.719 --> 00:39:48.159
<v Speaker 2>And one thing that I feel like some companies are

712
00:39:48.199 --> 00:39:51.679
<v Speaker 2>focusing on more nowadays is technical quality. For the first time,

713
00:39:52.360 --> 00:39:54.360
<v Speaker 2>in like the home video world, we're getting a lot

714
00:39:54.400 --> 00:39:58.039
<v Speaker 2>of people being very particular about audio and video and

715
00:39:58.079 --> 00:40:01.320
<v Speaker 2>now I'd like to to kind of shed some light

716
00:40:01.360 --> 00:40:04.960
<v Speaker 2>on those that are doing their best in those categories.

717
00:40:05.400 --> 00:40:08.760
<v Speaker 2>So let's send it over to one of my inspirations

718
00:40:09.280 --> 00:40:12.039
<v Speaker 2>in this world. Literally, one of the people inspired me

719
00:40:12.079 --> 00:40:13.599
<v Speaker 2>to pick up the mantle and do what I do.

720
00:40:13.960 --> 00:40:16.239
<v Speaker 2>Mister Justin Biem at Reverend Entertainment.

721
00:40:18.000 --> 00:40:20.960
<v Speaker 9>I'm Justin Beam with Reverend Entertainment and I'm excited to

722
00:40:21.000 --> 00:40:24.360
<v Speaker 9>once again be part of the Shelf Shock Awards. Physical

723
00:40:24.400 --> 00:40:26.719
<v Speaker 9>media has never meant more than it does right now.

724
00:40:27.000 --> 00:40:30.000
<v Speaker 9>From the studios to the independence, there are so many

725
00:40:30.079 --> 00:40:32.440
<v Speaker 9>people putting a lot of effort and love into the

726
00:40:32.480 --> 00:40:35.760
<v Speaker 9>releases that sit on your shelves. This really is film

727
00:40:35.800 --> 00:40:39.440
<v Speaker 9>preservation in my opinion, It's great to have a show

728
00:40:39.519 --> 00:40:42.159
<v Speaker 9>like this that celebrates the work that producers like me

729
00:40:42.800 --> 00:40:45.960
<v Speaker 9>onto everyone else in the chain are doing to make

730
00:40:46.000 --> 00:40:48.440
<v Speaker 9>sure that the movies you love are ending up in

731
00:40:48.480 --> 00:40:52.079
<v Speaker 9>your hands with the best video and audio presentation possible.

732
00:40:52.880 --> 00:40:56.159
<v Speaker 9>My category today is Best Audio Presentation and we have

733
00:40:56.199 --> 00:40:59.880
<v Speaker 9>a tremendous lineup of releases as nominees. Let's take a.

734
00:40:59.880 --> 00:41:14.440
<v Speaker 5>Look, Master and Commander The Far Side of the World.

735
00:41:14.480 --> 00:41:19.400
<v Speaker 5>Four K steal Book, Disney Mission Impossible, The Final Reckoning

736
00:41:19.480 --> 00:41:24.480
<v Speaker 5>four K Steal Book, Paramount Pictures, Sinners four K Steel Book,

737
00:41:24.880 --> 00:41:32.519
<v Speaker 5>Warner Brothers Sorcerer four K Criterion Collection, Warfare four K

738
00:41:33.000 --> 00:41:34.079
<v Speaker 5>A twenty four.

739
00:41:37.360 --> 00:41:40.599
<v Speaker 9>The winner for Best Audio Presentation in both the CSC

740
00:41:40.719 --> 00:41:44.480
<v Speaker 9>and community categories is the same and deservedly so. One

741
00:41:44.519 --> 00:41:48.159
<v Speaker 9>of my favorite releases of twenty twenty five, Sorcerer on

742
00:41:48.360 --> 00:41:53.039
<v Speaker 9>four K from Criterion. Criterion does it again. Congratulations to

743
00:41:53.119 --> 00:41:54.199
<v Speaker 9>all involved.

744
00:41:55.840 --> 00:41:58.079
<v Speaker 2>You know, before this year, I feel like Criterion had

745
00:41:58.159 --> 00:42:00.920
<v Speaker 2>won some time before, it was getting some attention from

746
00:42:00.920 --> 00:42:03.800
<v Speaker 2>the shelf shock rewind voters. But thankfully I feel like

747
00:42:04.039 --> 00:42:05.920
<v Speaker 2>people have come around over the last couple of years

748
00:42:05.920 --> 00:42:07.639
<v Speaker 2>and got a lot more attention on Criterion.

749
00:42:08.239 --> 00:42:12.360
<v Speaker 5>They have, they have, and deservedly so. I definitely need

750
00:42:12.400 --> 00:42:14.800
<v Speaker 5>people to put on the Warfare four K though and

751
00:42:14.880 --> 00:42:20.480
<v Speaker 5>experience yeah, because holy hell, is that immersive like it is?

752
00:42:20.800 --> 00:42:22.639
<v Speaker 2>It is some of the best audio I've heard in

753
00:42:22.960 --> 00:42:26.840
<v Speaker 2>literally a couple of years. The Warfare disc is pretty remarkable.

754
00:42:27.559 --> 00:42:30.519
<v Speaker 2>But thankfully, a lot of these companies also doing a

755
00:42:30.519 --> 00:42:33.800
<v Speaker 2>lot to pay attention on the video side. And I'm

756
00:42:33.800 --> 00:42:35.760
<v Speaker 2>really glad that we're about to share this video because

757
00:42:35.760 --> 00:42:38.400
<v Speaker 2>we got a story behind one of these releases, and

758
00:42:38.599 --> 00:42:41.519
<v Speaker 2>the journey that the film got to come out is

759
00:42:42.079 --> 00:42:44.880
<v Speaker 2>kind of impressive. You'll hear, it's like a decade in

760
00:42:44.880 --> 00:42:48.000
<v Speaker 2>the making almost. Let's go to the video.

761
00:42:48.800 --> 00:42:52.119
<v Speaker 28>Hey, everybody, I'm Nathaniel Thompson. I run the website Mondo Digital.

762
00:42:52.199 --> 00:42:55.559
<v Speaker 28>It's Mondo hyphendigital dot com around since nineteen ninety eight.

763
00:42:55.599 --> 00:42:58.360
<v Speaker 28>You can hear me on a few hundred audio commentaries.

764
00:42:58.880 --> 00:43:02.079
<v Speaker 28>I'm on numerous Shutter shows about horror movies, and I've

765
00:43:02.079 --> 00:43:05.400
<v Speaker 28>written several books, most recently The Frightfi Guy to Vampire Movies.

766
00:43:05.440 --> 00:43:08.039
<v Speaker 28>But most importantly, I am so glad to be back

767
00:43:08.039 --> 00:43:11.400
<v Speaker 28>as a presenter tonight. Tonight I be presenting the award

768
00:43:11.480 --> 00:43:14.800
<v Speaker 28>for Best Video Presentation. That is the release from the

769
00:43:14.880 --> 00:43:18.280
<v Speaker 28>last year that made your eyeballs the happiest. So, without

770
00:43:18.320 --> 00:43:21.800
<v Speaker 28>further ado, the nominees for Best Video Presentation.

771
00:43:21.519 --> 00:43:38.559
<v Speaker 5>Are The Beyond four K brind House Releasing, Eyes Wide

772
00:43:38.639 --> 00:43:45.400
<v Speaker 5>Chut four K Criterion Collection, re Animator four K, Ignite Films,

773
00:43:46.320 --> 00:43:51.320
<v Speaker 5>Sinners four K, Steel Book, Warner Brothers Sorcerer four K

774
00:43:51.880 --> 00:43:52.960
<v Speaker 5>Criterion Collection.

775
00:43:56.559 --> 00:43:57.280
<v Speaker 2>Well, there you have it.

776
00:43:57.280 --> 00:43:59.159
<v Speaker 28>Those are the nominees, and now it's time to find out.

777
00:43:59.199 --> 00:44:04.639
<v Speaker 28>First up, the Creators Selection Committees pick for Best Video Presentation. Hmm,

778
00:44:05.239 --> 00:44:10.480
<v Speaker 28>well let's find out. It could be Attack Diggy Attack.

779
00:44:10.639 --> 00:44:14.440
<v Speaker 28>It is the Beyond four K from Grindhouse Releasing. Congratulations,

780
00:44:15.119 --> 00:44:16.800
<v Speaker 28>And next up we have the public vote.

781
00:44:17.000 --> 00:44:18.280
<v Speaker 2>Which one did all of you.

782
00:44:18.159 --> 00:44:23.760
<v Speaker 28>Pick as the best video presentation? Well, let's see. Well

783
00:44:23.800 --> 00:44:27.039
<v Speaker 28>it's a clean sweep. You picked once again, The Beyond.

784
00:44:27.159 --> 00:44:28.880
<v Speaker 28>So you have Face, the Seat of Darkness, and all

785
00:44:28.920 --> 00:44:31.159
<v Speaker 28>the wren that may be explored, and you have your winner.

786
00:44:31.239 --> 00:44:35.320
<v Speaker 28>So congratulations to Grindhouse releasing with their massive special edition

787
00:44:35.440 --> 00:44:37.400
<v Speaker 28>of The Beyond. Well done guys.

788
00:44:39.119 --> 00:44:44.199
<v Speaker 25>Wow, well that's something I'm really proud of knowing how

789
00:44:44.199 --> 00:44:46.280
<v Speaker 25>many years we spent trying to get this thing to

790
00:44:46.320 --> 00:44:49.679
<v Speaker 25>look correct. I mean we literally for this release went

791
00:44:49.719 --> 00:44:55.360
<v Speaker 25>through four different scans at two labs in Rome. It

792
00:44:55.440 --> 00:44:58.039
<v Speaker 25>was such a nightmare because of the condition of the

793
00:44:58.079 --> 00:45:00.840
<v Speaker 25>negative and the ability of the first slab in Rome.

794
00:45:01.280 --> 00:45:03.199
<v Speaker 25>We pulled it away from them and took it to

795
00:45:03.519 --> 00:45:10.800
<v Speaker 25>an incredible place called Limoging retro Vata in Bologna. And

796
00:45:10.840 --> 00:45:14.360
<v Speaker 25>then even then it took to two full scans to

797
00:45:14.360 --> 00:45:17.840
<v Speaker 25>get it right because the first lab had actually damaged

798
00:45:17.840 --> 00:45:22.639
<v Speaker 25>the negative and scratched it, and so when the place

799
00:45:22.679 --> 00:45:26.320
<v Speaker 25>in Bologna did the first scan, there were scratches and

800
00:45:27.239 --> 00:45:31.199
<v Speaker 25>we had to totally re scan it again using a

801
00:45:31.199 --> 00:45:35.679
<v Speaker 25>wetgate scanner. The whole, the whole process we started it

802
00:45:35.719 --> 00:45:40.639
<v Speaker 25>in twenty sixteen, and you know here it is, it

803
00:45:40.960 --> 00:45:45.400
<v Speaker 25>took nine years to actually come up with this final product.

804
00:45:45.519 --> 00:45:50.199
<v Speaker 25>So so yeah, I'm very happy. And then once we

805
00:45:50.280 --> 00:45:53.360
<v Speaker 25>got the scans from Bologna, we it was during COVID

806
00:45:53.559 --> 00:45:58.679
<v Speaker 25>and and Shotocam Labs here in La helped us out.

807
00:45:58.760 --> 00:46:02.400
<v Speaker 25>And we have actually did the color correction in the

808
00:46:02.440 --> 00:46:05.760
<v Speaker 25>garage of our photocamp colors because it was during COVID

809
00:46:06.000 --> 00:46:09.800
<v Speaker 25>and we were working together, you know, with with masks,

810
00:46:10.079 --> 00:46:13.760
<v Speaker 25>so it was it was a really long process. So

811
00:46:13.800 --> 00:46:17.199
<v Speaker 25>I'm I felt vindicated getting this great honor, So thank

812
00:46:17.239 --> 00:46:17.760
<v Speaker 25>you so much.

813
00:46:20.119 --> 00:46:22.920
<v Speaker 2>Dang, congrats grind Ass releasing. That's a that's a big

814
00:46:22.960 --> 00:46:25.599
<v Speaker 2>deal type of release. To get that for and to

815
00:46:25.679 --> 00:46:29.079
<v Speaker 2>see nine years of work being put into one title

816
00:46:29.159 --> 00:46:31.639
<v Speaker 2>and then the whole community vote for it, that's got

817
00:46:31.679 --> 00:46:32.920
<v Speaker 2>to feel pretty incredible.

818
00:46:33.320 --> 00:46:35.039
<v Speaker 5>Yeah, I dude, I remember doing that. I remember when

819
00:46:35.079 --> 00:46:38.639
<v Speaker 5>you sent out the CSC voting. You know, everything was

820
00:46:38.679 --> 00:46:40.360
<v Speaker 5>pretty like I was moving through it pretty quick. And

821
00:46:40.400 --> 00:46:43.840
<v Speaker 5>then I I got to Best Visual Presentation. I stared

822
00:46:43.880 --> 00:46:46.400
<v Speaker 5>at the nominees and I went, oh, fuck, how do

823
00:46:46.440 --> 00:46:50.480
<v Speaker 5>you do? Like you know, I clearly, I mean, I

824
00:46:50.480 --> 00:46:52.400
<v Speaker 5>think the beyond four k deserves every bit of it.

825
00:46:52.480 --> 00:46:56.519
<v Speaker 5>But holy hell, was it up against some just incredible

826
00:46:56.559 --> 00:46:58.760
<v Speaker 5>stuff like I'm a Reanimator is one of my favorite

827
00:46:58.800 --> 00:47:01.159
<v Speaker 5>movies of all time. Yeah, to put it up against

828
00:47:01.159 --> 00:47:03.199
<v Speaker 5>what ig Night Films did with that this year, it

829
00:47:03.280 --> 00:47:06.880
<v Speaker 5>was a pretty like impossible task to uh, you know,

830
00:47:06.960 --> 00:47:09.360
<v Speaker 5>to do that. And funny enough, today, I actually like

831
00:47:09.440 --> 00:47:11.320
<v Speaker 5>I I took the little eyeball out of it, and

832
00:47:11.360 --> 00:47:13.679
<v Speaker 5>I didn't know what to do with it, and somehow

833
00:47:13.719 --> 00:47:16.079
<v Speaker 5>it ended up in my sock drawer and it just

834
00:47:16.079 --> 00:47:18.920
<v Speaker 5>so happened that this morning, I don't know, this morning,

835
00:47:19.079 --> 00:47:22.039
<v Speaker 5>I was running low enough on socks that it popped

836
00:47:22.079 --> 00:47:24.039
<v Speaker 5>up at the bottom of my drawer, and uh, it

837
00:47:24.079 --> 00:47:26.360
<v Speaker 5>was a perfect day for it to but I did

838
00:47:26.400 --> 00:47:27.119
<v Speaker 5>jump a little bit.

839
00:47:27.119 --> 00:47:29.960
<v Speaker 2>But I'm okay, what an eye popping release for you

840
00:47:30.599 --> 00:47:33.119
<v Speaker 2>as as you were watching the show tonight. If any

841
00:47:33.159 --> 00:47:36.639
<v Speaker 2>of those releases catch your eye and you're like, damn,

842
00:47:36.719 --> 00:47:38.719
<v Speaker 2>I really want to buy one of those, one place

843
00:47:38.760 --> 00:47:42.599
<v Speaker 2>that you could look to is Odysseymovies dot Com. Uh, Chris,

844
00:47:42.679 --> 00:47:44.639
<v Speaker 2>why don't we do our second giveaway and let's make

845
00:47:44.679 --> 00:47:46.440
<v Speaker 2>it something at Odyssey Movies.

846
00:47:47.119 --> 00:47:50.119
<v Speaker 5>Sure sure, so, uh thank you to Odyssey movies. We're

847
00:47:50.159 --> 00:47:52.960
<v Speaker 5>gonna be giving away a twenty five dollars gift certificate

848
00:47:53.239 --> 00:47:57.559
<v Speaker 5>to their site. So I hope your uh, your Reanimator

849
00:47:57.679 --> 00:48:00.320
<v Speaker 5>knowledge is uh, you know, as good as it can be.

850
00:48:00.320 --> 00:48:04.480
<v Speaker 5>Because your question is re Animator's location for the Miskatonic

851
00:48:04.639 --> 00:48:09.440
<v Speaker 5>Medical School shares the shooting location with what nineteen ninety

852
00:48:09.480 --> 00:48:10.119
<v Speaker 5>one film?

853
00:48:12.599 --> 00:48:16.079
<v Speaker 2>What nineteen ninety one film shares the same shooting location?

854
00:48:17.039 --> 00:48:19.119
<v Speaker 2>This is one that you should be able to get

855
00:48:19.159 --> 00:48:22.079
<v Speaker 2>pretty quickly, especially if you love either of these two movies.

856
00:48:22.119 --> 00:48:24.119
<v Speaker 2>And I have a feeling most of those in the

857
00:48:24.199 --> 00:48:24.840
<v Speaker 2>chat do.

858
00:48:26.119 --> 00:48:29.800
<v Speaker 5>Yeah, let's see. I'm waiting for it all the pop.

859
00:48:29.639 --> 00:48:33.440
<v Speaker 2>Up Reanimator throughout the years. Did you pick up the

860
00:48:33.920 --> 00:48:35.119
<v Speaker 2>second side of the ignite?

861
00:48:35.639 --> 00:48:35.719
<v Speaker 17>No?

862
00:48:35.800 --> 00:48:39.599
<v Speaker 5>I picked up the ignite? Yep, there it is. It's there.

863
00:48:40.480 --> 00:48:44.239
<v Speaker 2>Oh, I clicked the wrong one, this one. Jake over

864
00:48:44.280 --> 00:48:47.960
<v Speaker 2>at Distorted Visions with the right answer. It is terminator

865
00:48:48.159 --> 00:48:53.079
<v Speaker 2>to Terminator to Jake, I tell you to email me,

866
00:48:53.239 --> 00:48:56.519
<v Speaker 2>but uh, just give me. I know you DM me

867
00:48:56.679 --> 00:48:59.679
<v Speaker 2>and I will get your email address for Travis at

868
00:48:59.719 --> 00:49:02.719
<v Speaker 2>Audust See. Thank you and congratulations on the twenty five

869
00:49:02.760 --> 00:49:06.519
<v Speaker 2>dollars gift card to Odyssey. Congrats Jake. Good question. By

870
00:49:06.519 --> 00:49:08.880
<v Speaker 2>the way, I really you know, tying those two movies

871
00:49:08.920 --> 00:49:13.440
<v Speaker 2>together is super interesting and a really fun one. And

872
00:49:13.559 --> 00:49:16.119
<v Speaker 2>you know, we just talked about the quality of video.

873
00:49:16.440 --> 00:49:18.400
<v Speaker 2>One of the things that I love championing the most

874
00:49:18.400 --> 00:49:21.360
<v Speaker 2>about a lot of these releases are not just when

875
00:49:21.360 --> 00:49:23.960
<v Speaker 2>a video looks great, because it, yeah, it takes a

876
00:49:23.960 --> 00:49:25.880
<v Speaker 2>lot of work to do that, but I love when

877
00:49:25.880 --> 00:49:28.880
<v Speaker 2>something goes from looking really terrible to looking really great.

878
00:49:28.920 --> 00:49:31.480
<v Speaker 2>We mentioned earlier, not Marion elm Street, something like that,

879
00:49:31.599 --> 00:49:33.320
<v Speaker 2>And so one of the ones that I really like

880
00:49:33.400 --> 00:49:37.159
<v Speaker 2>to kind of highlight on this is the upgrade on

881
00:49:37.320 --> 00:49:41.280
<v Speaker 2>home video restorations. So let's cover that as our next category.

882
00:49:42.360 --> 00:49:43.559
<v Speaker 17>The heck are you guys watching?

883
00:49:45.440 --> 00:49:48.000
<v Speaker 29>You know, I'm supposed to be doing this Shelf Shock

884
00:49:48.320 --> 00:49:53.519
<v Speaker 29>Rewind Awards Presentation Best Home Video Restoration. I'm supposed to

885
00:49:53.559 --> 00:49:56.480
<v Speaker 29>doing that, like right now. You know that, don't you?

886
00:49:57.639 --> 00:49:58.000
<v Speaker 30>All right?

887
00:49:58.920 --> 00:50:02.800
<v Speaker 29>I mean, you're just up here like you own the place.

888
00:50:03.400 --> 00:50:04.519
<v Speaker 29>I have news for you.

889
00:50:04.519 --> 00:50:05.079
<v Speaker 4>You do not.

890
00:50:05.639 --> 00:50:06.039
<v Speaker 2>You do not.

891
00:50:06.119 --> 00:50:12.320
<v Speaker 29>I'm like, all right, sorry, folks, let me just It'll

892
00:50:12.360 --> 00:50:12.960
<v Speaker 29>just be a second.

893
00:50:16.119 --> 00:50:16.360
<v Speaker 9>Look.

894
00:50:17.360 --> 00:50:19.360
<v Speaker 29>It's really been one of the great pleasures of my

895
00:50:19.440 --> 00:50:27.199
<v Speaker 29>life nurturing you and watching you grow. But this entitlement mentality,

896
00:50:27.360 --> 00:50:31.360
<v Speaker 29>I mean, you're just like taking over the whole room.

897
00:50:32.519 --> 00:50:33.320
<v Speaker 13>This can't.

898
00:50:35.440 --> 00:50:36.199
<v Speaker 29>Who am I kidding?

899
00:50:38.199 --> 00:50:39.599
<v Speaker 12>Here's the nominees.

900
00:50:50.800 --> 00:50:54.320
<v Speaker 5>Behind the Green Door of four K Mitchell Brothers Film Group,

901
00:50:54.599 --> 00:51:01.079
<v Speaker 5>from Lucy Dirty Work four K, Vinegar Syndrome, Eyes Wide

902
00:51:01.079 --> 00:51:06.679
<v Speaker 5>Shut four K Criterion Collection, Knight of the Juggler four K,

903
00:51:07.320 --> 00:51:12.480
<v Speaker 5>Transmission Radiance Sorcerer four K Criterion Collection.

904
00:51:17.920 --> 00:51:19.920
<v Speaker 9>Seriously, we can't go on like this.

905
00:51:20.400 --> 00:51:22.239
<v Speaker 29>I mean, this is this is out of control.

906
00:51:22.360 --> 00:51:23.039
<v Speaker 12>This is too much.

907
00:51:23.719 --> 00:51:24.760
<v Speaker 5>You know, this is too much?

908
00:51:25.039 --> 00:51:27.400
<v Speaker 13>Really is the award? Oh?

909
00:51:27.440 --> 00:51:27.800
<v Speaker 31>Thanks?

910
00:51:29.079 --> 00:51:36.119
<v Speaker 29>The award, The award for Best Home Video Restoration Upgrade

911
00:51:36.199 --> 00:51:40.760
<v Speaker 29>goes to the Community Selection committee has selected Knight of

912
00:51:40.760 --> 00:51:45.000
<v Speaker 29>the Juggler four K from Radiance and Transmission sub label,

913
00:51:45.800 --> 00:51:46.920
<v Speaker 29>so that takes scare of that.

914
00:51:48.960 --> 00:51:50.599
<v Speaker 7>And here's this other award.

915
00:51:50.960 --> 00:51:57.000
<v Speaker 29>Oh I forgot there's two, the Community Award, Eyes Wide

916
00:51:57.000 --> 00:52:00.880
<v Speaker 29>Shut four K Criterion. Congratulations Tom Cruise.

917
00:52:01.719 --> 00:52:06.840
<v Speaker 31>And this came for you in the mail.

918
00:52:08.960 --> 00:52:11.920
<v Speaker 29>Oh, I'll put them right here.

919
00:52:12.800 --> 00:52:15.360
<v Speaker 8>That's a good spot.

920
00:52:17.320 --> 00:52:20.960
<v Speaker 2>I love Jim. The ideas, the ideas are amazing. On

921
00:52:21.000 --> 00:52:22.880
<v Speaker 2>the people that are presenting these awards every year.

922
00:52:23.719 --> 00:52:27.840
<v Speaker 5>Can I just say two of the five for best

923
00:52:28.159 --> 00:52:31.679
<v Speaker 5>Home Video restoration are the horniest movies imaginable. And I

924
00:52:31.719 --> 00:52:34.800
<v Speaker 5>love seeing that Between Eyes, White Shut and Behind the

925
00:52:34.840 --> 00:52:35.280
<v Speaker 5>Green Door.

926
00:52:36.039 --> 00:52:40.000
<v Speaker 2>Yes, but also when you think about it, like I'm

927
00:52:40.039 --> 00:52:42.039
<v Speaker 2>just gonna throw this out there, I kind of feel

928
00:52:42.039 --> 00:52:44.519
<v Speaker 2>like Behind the Green Door should have won, Like the

929
00:52:44.599 --> 00:52:49.719
<v Speaker 2>four K is remarkable and the previous release way worse

930
00:52:49.800 --> 00:52:52.280
<v Speaker 2>than that one. So I don't know, Like I get it,

931
00:52:52.320 --> 00:52:53.800
<v Speaker 2>a lot of people did not buy that disc. That

932
00:52:53.920 --> 00:52:57.719
<v Speaker 2>is buying, you know, we'll say, Sorcerer, those those those

933
00:52:57.719 --> 00:53:01.440
<v Speaker 2>fantass are not crossing. It's not something else that I

934
00:53:01.480 --> 00:53:02.119
<v Speaker 2>could have said there.

935
00:53:02.360 --> 00:53:05.159
<v Speaker 5>Yeah, I posted all about Behind the Green Door on

936
00:53:05.199 --> 00:53:07.639
<v Speaker 5>my Instagram and I got like seven messages that were like,

937
00:53:07.679 --> 00:53:09.039
<v Speaker 5>are you just selling porn?

938
00:53:09.079 --> 00:53:09.280
<v Speaker 32>Now?

939
00:53:09.360 --> 00:53:12.880
<v Speaker 5>I'm like, listen, man, let's just learn to appreciate everything,

940
00:53:12.920 --> 00:53:13.199
<v Speaker 5>all right.

941
00:53:15.039 --> 00:53:17.599
<v Speaker 2>Do those people think you're selling everything that you're posting

942
00:53:17.599 --> 00:53:18.239
<v Speaker 2>about online?

943
00:53:18.559 --> 00:53:19.480
<v Speaker 5>I don't know. They're blocked.

944
00:53:21.880 --> 00:53:23.880
<v Speaker 2>That was a good fit. I really liked that. That

945
00:53:24.000 --> 00:53:27.840
<v Speaker 2>was really funny. Well, one thing that Behind the Green

946
00:53:27.880 --> 00:53:32.199
<v Speaker 2>Door has a lot of great things going forward is packaging.

947
00:53:32.639 --> 00:53:34.760
<v Speaker 2>I know that we always talk about this a lot,

948
00:53:35.000 --> 00:53:40.519
<v Speaker 2>but as far as packaging, I am not the biggest

949
00:53:40.559 --> 00:53:42.920
<v Speaker 2>proponent of many of the giant packages, but I know

950
00:53:42.960 --> 00:53:44.920
<v Speaker 2>a lot of people are and this is always an

951
00:53:44.920 --> 00:53:47.960
<v Speaker 2>exciting one. But more exciting for me is we got

952
00:53:48.000 --> 00:53:50.679
<v Speaker 2>a voice behind at least one of the packages, the

953
00:53:50.679 --> 00:53:53.840
<v Speaker 2>one this year. Let's shoot it over to best Packaging.

954
00:53:56.000 --> 00:53:56.280
<v Speaker 13>Hello.

955
00:53:56.519 --> 00:54:00.880
<v Speaker 33>Yeah, I am Jim lenz Kowski with the directors on podcasts,

956
00:54:01.239 --> 00:54:04.519
<v Speaker 33>remember the Chicago Film Critics Association, and creator the Now

957
00:54:04.519 --> 00:54:08.079
<v Speaker 33>Playing Network and a variety of other fun things that

958
00:54:08.119 --> 00:54:10.440
<v Speaker 33>you can find at Jim Laskowski dot net.

959
00:54:11.000 --> 00:54:12.639
<v Speaker 13>So it's quite.

960
00:54:12.320 --> 00:54:16.840
<v Speaker 33>The honor to be presenting for this year's edition of

961
00:54:17.480 --> 00:54:21.639
<v Speaker 33>shelf Shock Rewind. Thanks to people like Ryan Verel and

962
00:54:21.760 --> 00:54:27.239
<v Speaker 33>everybody involved with just the physical media community. I am

963
00:54:27.320 --> 00:54:31.920
<v Speaker 33>now an obsessive I am now collecting to the point

964
00:54:32.000 --> 00:54:36.239
<v Speaker 33>where there are concerns for my well being from friends

965
00:54:36.280 --> 00:54:42.039
<v Speaker 33>and co workers and others that have concerns about my

966
00:54:42.519 --> 00:54:46.079
<v Speaker 33>level of obsession when it comes to film, maybe to

967
00:54:46.239 --> 00:54:50.400
<v Speaker 33>a little bit of an obsessive degree. And I will

968
00:54:50.400 --> 00:54:53.320
<v Speaker 33>say that my fiance is a little bit worried about

969
00:54:53.360 --> 00:54:57.440
<v Speaker 33>my obsession with physical media at this point. But I

970
00:54:57.440 --> 00:55:00.920
<v Speaker 33>did find her underground in a tunnel, smashing some egg

971
00:55:00.960 --> 00:55:09.079
<v Speaker 33>cartons and screaming at the top of her lungs. Yeah,

972
00:55:09.159 --> 00:55:12.239
<v Speaker 33>but movies allow us to escape all that and in

973
00:55:12.280 --> 00:55:14.960
<v Speaker 33>some cases confront it in a healthy manner. I'm just

974
00:55:15.039 --> 00:55:18.320
<v Speaker 33>so grateful that there is this community of people out there.

975
00:55:18.559 --> 00:55:20.599
<v Speaker 33>There's a whole lot of things to be grateful for,

976
00:55:20.880 --> 00:55:24.559
<v Speaker 33>and one of those things happens to be physical media

977
00:55:24.880 --> 00:55:26.119
<v Speaker 33>packaging design.

978
00:55:26.960 --> 00:55:28.639
<v Speaker 17>So without further ado, let's do this.

979
00:55:29.199 --> 00:55:45.800
<v Speaker 5>Yeah, Black Sheep two thousand and six, four K Umbrella Entertainment,

980
00:55:46.400 --> 00:55:49.760
<v Speaker 5>I Never're on Elm Street four K Stuable Collection, Warner

981
00:55:49.800 --> 00:55:56.599
<v Speaker 5>Brothers Possession, four K, Second Sight Films, Teenage Mutant, Ninja

982
00:55:56.599 --> 00:56:01.480
<v Speaker 5>Turtles Trilogy, four K Aero Video, The Wes Anderson Archive

983
00:56:01.800 --> 00:56:05.960
<v Speaker 5>ten Films twenty five years on four K Criterion Collection.

984
00:56:09.079 --> 00:56:13.800
<v Speaker 33>The winner selected by the community first and foremost is

985
00:56:14.119 --> 00:56:20.280
<v Speaker 33>the Wes Anderson Collection from Criterion ten Films twenty five

986
00:56:20.360 --> 00:56:25.119
<v Speaker 33>Years four K. It's a spectacularly put together collection of

987
00:56:25.159 --> 00:56:29.400
<v Speaker 33>films that I happen to love and enjoy immensely. And

988
00:56:30.360 --> 00:56:34.599
<v Speaker 33>the winner from the Creators Selection Committee for best Packaging

989
00:56:34.960 --> 00:56:39.039
<v Speaker 33>Design happens to be Possession.

990
00:56:40.960 --> 00:56:42.280
<v Speaker 12>From Second Side.

991
00:56:42.400 --> 00:56:43.719
<v Speaker 34>Look at how beautiful it is.

992
00:56:44.239 --> 00:56:48.519
<v Speaker 33>Thank you so much, and congratulations to Second Site. Who

993
00:56:48.559 --> 00:56:51.440
<v Speaker 33>continuously puts out great work. I cannot say enough good

994
00:56:51.440 --> 00:56:55.320
<v Speaker 33>things about them, and I certainly adore the film Possession.

995
00:56:56.679 --> 00:56:58.639
<v Speaker 33>And of course I came home and was at the

996
00:56:58.679 --> 00:57:05.960
<v Speaker 33>bottom of the stairs clutching my copy of Session. But

997
00:57:06.239 --> 00:57:08.719
<v Speaker 33>everything's okay, Now, what just happened?

998
00:57:12.880 --> 00:57:13.840
<v Speaker 12>What year is this?

999
00:57:17.440 --> 00:57:17.719
<v Speaker 35>Wow?

1000
00:57:17.920 --> 00:57:22.559
<v Speaker 36>That's so nice, Thank you. Well. I did this alongside

1001
00:57:22.559 --> 00:57:25.280
<v Speaker 36>with Eric Skillman from the Criterion Collection, and then of

1002
00:57:25.320 --> 00:57:29.360
<v Speaker 36>course Wes Anderson. You know, it was his vision to

1003
00:57:29.440 --> 00:57:34.199
<v Speaker 36>have this nineteen seventies inspired encyclopedia set that felt like

1004
00:57:34.800 --> 00:57:37.119
<v Speaker 36>get it at a yard sale, and so it was

1005
00:57:37.119 --> 00:57:39.159
<v Speaker 36>an honor to be able to work on it. And

1006
00:57:40.360 --> 00:57:43.119
<v Speaker 36>it felt like I had been training my whole life

1007
00:57:43.119 --> 00:57:46.159
<v Speaker 36>for this because I love that style of design. So

1008
00:57:46.199 --> 00:57:48.880
<v Speaker 36>it felt I felt really grateful to be able to

1009
00:57:48.880 --> 00:57:51.079
<v Speaker 36>be a part of it. So thank you.

1010
00:57:52.599 --> 00:57:55.840
<v Speaker 17>That's incredible, Thank you so much, guys. Yeah, the Pacatum

1011
00:57:55.960 --> 00:58:01.519
<v Speaker 17>was a labor of love. We actually found a French

1012
00:58:02.000 --> 00:58:04.480
<v Speaker 17>poster that was the size of a bus, so we

1013
00:58:04.519 --> 00:58:07.480
<v Speaker 17>had to get it photographed in different sections, in different

1014
00:58:07.480 --> 00:58:11.400
<v Speaker 17>sections and then put that together again digitally. So yeah,

1015
00:58:11.400 --> 00:58:13.719
<v Speaker 17>that was a task in and of itself. Yeah, we

1016
00:58:13.760 --> 00:58:16.880
<v Speaker 17>actually sent the cleaned up version to Bache of the

1017
00:58:16.960 --> 00:58:20.000
<v Speaker 17>Artist as well, and we sent her the original post

1018
00:58:20.039 --> 00:58:25.159
<v Speaker 17>that we'd found and bought. So yeah, she has the

1019
00:58:25.159 --> 00:58:27.480
<v Speaker 17>the biggest poster known to man has been sent for

1020
00:58:28.880 --> 00:58:31.679
<v Speaker 17>so yeah. To see it go down so well is yeah,

1021
00:58:31.679 --> 00:58:32.599
<v Speaker 17>it makes it all worth it.

1022
00:58:34.639 --> 00:58:36.599
<v Speaker 2>I want to live a life where somebody sends me

1023
00:58:36.840 --> 00:58:40.039
<v Speaker 2>a poster of possession the size of a bus and

1024
00:58:40.159 --> 00:58:42.280
<v Speaker 2>that's just like a normal day for me.

1025
00:58:43.239 --> 00:58:45.199
<v Speaker 5>Yeah, I can. I could probably wrap that on all

1026
00:58:45.239 --> 00:58:47.800
<v Speaker 5>four walls of this room and I'd be fine with it.

1027
00:58:48.239 --> 00:58:49.280
<v Speaker 2>Wouldn't that be amazing?

1028
00:58:50.800 --> 00:58:52.800
<v Speaker 5>I do want to say that the wes Anderson from

1029
00:58:52.800 --> 00:58:57.239
<v Speaker 5>Criterion collection is the most wes Anderson wes Anderson thing

1030
00:58:57.360 --> 00:58:58.599
<v Speaker 5>I think I've ever seen in my life.

1031
00:59:00.079 --> 00:59:05.039
<v Speaker 2>It's perfectly agreed. Yeah, absolutely fits perfectly. Congrats to Beth.

1032
00:59:05.360 --> 00:59:07.039
<v Speaker 2>That was one. I was so stoked that I was

1033
00:59:07.079 --> 00:59:08.599
<v Speaker 2>able to get her to be a part of this.

1034
00:59:09.159 --> 00:59:13.440
<v Speaker 2>Her choices on that release are just simply astonishing. It's

1035
00:59:13.440 --> 00:59:16.280
<v Speaker 2>something that I was impressed by the moment I heard

1036
00:59:16.280 --> 00:59:17.760
<v Speaker 2>that she was doing it, the moment I saw it.

1037
00:59:17.840 --> 00:59:21.360
<v Speaker 2>And if you go to Beth's website without even the

1038
00:59:21.400 --> 00:59:23.840
<v Speaker 2>wes Anderson aspect of it, you look at it and go, yeah,

1039
00:59:23.880 --> 00:59:26.199
<v Speaker 2>of course she should have designed the Wes Anderson box set.

1040
00:59:26.199 --> 00:59:28.800
<v Speaker 2>I will say though Black Sheep was robbed. I know

1041
00:59:28.880 --> 00:59:31.199
<v Speaker 2>I already said the chat, but that box set is

1042
00:59:31.280 --> 00:59:33.599
<v Speaker 2>by far the best designed of everything that we just

1043
00:59:33.599 --> 00:59:35.760
<v Speaker 2>saw in the categories. Black Sheep should have won. It

1044
00:59:35.800 --> 00:59:39.000
<v Speaker 2>was amazing. Not any other releases coming covered in wool. Guys,

1045
00:59:39.039 --> 00:59:40.400
<v Speaker 2>come on, let's go over that one.

1046
00:59:41.039 --> 00:59:46.559
<v Speaker 5>Yeah. Yeah, the wool blood soaked wool presentation is because

1047
00:59:46.559 --> 00:59:49.559
<v Speaker 5>they did that before with Saspot's Sunset. I think as well.

1048
00:59:49.760 --> 00:59:50.840
<v Speaker 2>They did, Yes, they did.

1049
00:59:51.079 --> 00:59:55.400
<v Speaker 5>Yeah, yeah, it's so good man, it's such a good idea.

1050
00:59:56.000 --> 01:00:00.320
<v Speaker 2>What is always exciting is when people come in and

1051
01:00:00.559 --> 01:00:02.719
<v Speaker 2>rag on steel books because I'm not a huge steel

1052
01:00:02.719 --> 01:00:06.920
<v Speaker 2>book fan like a lot of people, but I always

1053
01:00:06.960 --> 01:00:08.760
<v Speaker 2>love and we get the right person to present award.

1054
01:00:08.840 --> 01:00:11.440
<v Speaker 2>And what makes more sense than somebody that is literally

1055
01:00:11.480 --> 01:00:14.320
<v Speaker 2>called steel book obsessed. So let's send it over to Jake.

1056
01:00:14.880 --> 01:00:18.199
<v Speaker 4>Hey, everybody, Jake here from steel book Obsessed, and it's

1057
01:00:18.239 --> 01:00:21.599
<v Speaker 4>an absolute privilege of mine to help announce what the

1058
01:00:21.639 --> 01:00:25.880
<v Speaker 4>best steel book is, both from the committee and from

1059
01:00:25.960 --> 01:00:30.559
<v Speaker 4>the community. I adore that disconnected the shelf shock rewind

1060
01:00:30.800 --> 01:00:34.039
<v Speaker 4>is an amazing award ceremony. It's an honor just to

1061
01:00:34.079 --> 01:00:35.920
<v Speaker 4>be a part of it. There were two hundred and

1062
01:00:35.920 --> 01:00:39.639
<v Speaker 4>thirty two steel book releases in the US this year.

1063
01:00:40.039 --> 01:00:41.840
<v Speaker 4>I had one hundred and forty one of them. There

1064
01:00:41.840 --> 01:00:45.239
<v Speaker 4>were so many great choices to choose from this year,

1065
01:00:45.599 --> 01:00:48.480
<v Speaker 4>but here are the nominees that made the final list.

1066
01:01:00.559 --> 01:01:07.719
<v Speaker 5>Bogie Nights four K, Warner Brothers Dogma four K, Lionsgate Limited,

1067
01:01:09.199 --> 01:01:12.880
<v Speaker 5>A Nightmare on Elm Street four K Collection, Warner Brothers

1068
01:01:13.800 --> 01:01:19.559
<v Speaker 5>Panic Room four K, Sony Pictures, Small Soldiers four K,

1069
01:01:20.039 --> 01:01:21.760
<v Speaker 5>Paramount Pictures.

1070
01:01:23.960 --> 01:01:26.519
<v Speaker 4>Those are all great nominees. I have all of them

1071
01:01:26.599 --> 01:01:28.880
<v Speaker 4>in my collection behind me. But there can only be

1072
01:01:29.199 --> 01:01:32.559
<v Speaker 4>one winner. Let's open up the blank steel book to

1073
01:01:32.639 --> 01:01:36.719
<v Speaker 4>see exactly who the winner is and will you have it?

1074
01:01:36.800 --> 01:01:40.159
<v Speaker 4>Will you look at that? Both the Creator Selection Committee

1075
01:01:40.360 --> 01:01:43.440
<v Speaker 4>and the community winner for Best steal Book is this

1076
01:01:43.639 --> 01:01:46.920
<v Speaker 4>heavy honker for a Nightmare on Elm Street box set.

1077
01:01:46.960 --> 01:01:49.480
<v Speaker 4>This is a holy Grail piece that is now a

1078
01:01:49.519 --> 01:01:52.599
<v Speaker 4>reality thanks to Warner Brothers. Hopefully they continue to put

1079
01:01:52.639 --> 01:01:57.519
<v Speaker 4>out amazing physical media. In twenty twenty six and beyond,

1080
01:01:57.679 --> 01:02:00.199
<v Speaker 4>we'll see what happens with the whole netflix of it all.

1081
01:02:00.239 --> 01:02:03.400
<v Speaker 4>But let's just revel in the positivity that is this

1082
01:02:03.559 --> 01:02:08.400
<v Speaker 4>amazing box set for an amazing horror franchise. Back to you,

1083
01:02:08.480 --> 01:02:09.719
<v Speaker 4>Ryan and Chris.

1084
01:02:11.360 --> 01:02:13.599
<v Speaker 2>We went this long, just over and now until somebody

1085
01:02:13.639 --> 01:02:16.199
<v Speaker 2>said the word Netflix. But thanks Jake, it could have

1086
01:02:16.239 --> 01:02:19.960
<v Speaker 2>been worse. I guess I'm glad. I'm glad that this

1087
01:02:20.119 --> 01:02:22.360
<v Speaker 2>one in a way. But also I did say in

1088
01:02:22.400 --> 01:02:24.199
<v Speaker 2>the chat already, this is the most obvious wind of

1089
01:02:24.239 --> 01:02:26.880
<v Speaker 2>the entire night. I promise the rest are not quite

1090
01:02:26.960 --> 01:02:29.880
<v Speaker 2>as obvious. But when you're talking about best steel books

1091
01:02:29.880 --> 01:02:31.920
<v Speaker 2>and you get a full steel book collection for a

1092
01:02:31.960 --> 01:02:35.400
<v Speaker 2>horror franchise, there's not a lot of options for people

1093
01:02:35.400 --> 01:02:38.000
<v Speaker 2>that are just die hard about horror. And uh yeah

1094
01:02:38.239 --> 01:02:43.119
<v Speaker 2>it looks nice. It is something that is wonderful. Release,

1095
01:02:43.199 --> 01:02:45.920
<v Speaker 2>Glad it came out. Glad that people could find joy

1096
01:02:46.079 --> 01:02:47.239
<v Speaker 2>in that entirely.

1097
01:02:47.880 --> 01:02:51.440
<v Speaker 5>Yeah, yeah, I mean there was no surprise there. I mean,

1098
01:02:51.519 --> 01:02:54.440
<v Speaker 5>having the original artwork, all the individual steel books. I

1099
01:02:54.559 --> 01:02:56.480
<v Speaker 5>love not having the titles on the front of each

1100
01:02:56.480 --> 01:02:58.280
<v Speaker 5>of them. I think that was a nice way to

1101
01:02:58.320 --> 01:02:59.440
<v Speaker 5>kind of like clean it up.

1102
01:03:00.639 --> 01:03:00.840
<v Speaker 2>You know.

1103
01:03:00.880 --> 01:03:03.360
<v Speaker 5>The nice little image on the back is something other

1104
01:03:03.440 --> 01:03:05.719
<v Speaker 5>than just having a blank you know. Back on it,

1105
01:03:05.960 --> 01:03:08.920
<v Speaker 5>but I think it's the whole entire the whole entire

1106
01:03:08.960 --> 01:03:11.480
<v Speaker 5>case in general. Having the little details with the torn

1107
01:03:11.559 --> 01:03:14.039
<v Speaker 5>sweater on it, kind of like the embossing and stuff

1108
01:03:14.039 --> 01:03:15.920
<v Speaker 5>on that release, I think really puts it over the top.

1109
01:03:16.800 --> 01:03:18.920
<v Speaker 5>So I think it's well deserved, even though it's a

1110
01:03:19.000 --> 01:03:19.599
<v Speaker 5>kind of a give me.

1111
01:03:20.840 --> 01:03:24.320
<v Speaker 2>Yeah, it was kind of a gimme. What is also

1112
01:03:24.880 --> 01:03:27.599
<v Speaker 2>important about it is, again, they put so much time

1113
01:03:27.639 --> 01:03:29.559
<v Speaker 2>to the restoration, so I really want to highlight that part.

1114
01:03:29.599 --> 01:03:31.400
<v Speaker 2>I know that we're really talking about the Steel books

1115
01:03:31.480 --> 01:03:35.119
<v Speaker 2>and that cool. It's a wonderful franchise. I love the movies.

1116
01:03:35.119 --> 01:03:39.719
<v Speaker 2>I'm just glad they look so good. Yeah, let's continue.

1117
01:03:39.840 --> 01:03:42.239
<v Speaker 2>Every year for the last handful of years, we always

1118
01:03:42.239 --> 01:03:46.400
<v Speaker 2>bring in a special segment to memorialize somebody that contributed

1119
01:03:46.559 --> 01:03:49.599
<v Speaker 2>a lot to the industry, and that is the incredible

1120
01:03:49.639 --> 01:03:52.800
<v Speaker 2>film his story in Sergio Mims. And now we've got

1121
01:03:53.920 --> 01:03:56.199
<v Speaker 2>kind of a long segment, so Chris and I are

1122
01:03:56.199 --> 01:03:57.840
<v Speaker 2>going to be off the screen for a minute. But

1123
01:03:57.920 --> 01:04:03.079
<v Speaker 2>I really hope people appreciate the y Yeah, uh, here

1124
01:04:03.159 --> 01:04:03.440
<v Speaker 2>we go.

1125
01:04:18.159 --> 01:04:21.159
<v Speaker 5>Sergio Mims was best known as a Chicago based film

1126
01:04:21.159 --> 01:04:23.679
<v Speaker 5>critic and the co founder of the annual Black Harvest

1127
01:04:23.719 --> 01:04:27.400
<v Speaker 5>Film Festival, but he also championed classical music, especially the

1128
01:04:27.400 --> 01:04:31.079
<v Speaker 5>works of black composers. Sergio died in October twenty twenty

1129
01:04:31.159 --> 01:04:33.599
<v Speaker 5>two at the age of sixty seven and left behind

1130
01:04:33.599 --> 01:04:36.920
<v Speaker 5>a legacy of encouragement, education and passion.

1131
01:04:37.639 --> 01:04:40.840
<v Speaker 2>The past three recipients of the Sergio Mims Memorial Award

1132
01:04:41.000 --> 01:04:45.199
<v Speaker 2>were Kayla Denise Sam Degan and Eugenio Ricolani. All three

1133
01:04:45.320 --> 01:04:48.480
<v Speaker 2>continue to work tirelessly to deliver high quality analysis on

1134
01:04:48.559 --> 01:04:50.920
<v Speaker 2>film through various outlets. We have pushed to give an

1135
01:04:50.920 --> 01:04:53.440
<v Speaker 2>award in Sergio's name and will continue as long as

1136
01:04:53.440 --> 01:04:56.440
<v Speaker 2>these awards continue. For the twenty twenty five Shelf Shock

1137
01:04:56.480 --> 01:04:58.559
<v Speaker 2>for Rewinde Awards, we would like to present the Sergio

1138
01:04:58.599 --> 01:05:02.039
<v Speaker 2>Mims Memorial Award for extra Ordinary Contributions to Film critique,

1139
01:05:02.039 --> 01:05:05.760
<v Speaker 2>context and Commentary to Alexandra Heller Nicholas.

1140
01:05:06.159 --> 01:05:08.960
<v Speaker 5>If you've picked up any number of releases from any

1141
01:05:08.960 --> 01:05:11.480
<v Speaker 5>boutique Blu Ray company in the last decade or so,

1142
01:05:11.840 --> 01:05:14.079
<v Speaker 5>there's a one hundred percent chance you have seen the

1143
01:05:14.159 --> 01:05:17.360
<v Speaker 5>name Alexandra Heller Nicholas. She has become one of the

1144
01:05:17.400 --> 01:05:22.519
<v Speaker 5>most distinctive and prolific voices in contemporary film scholarship, particularly

1145
01:05:22.559 --> 01:05:25.400
<v Speaker 5>in the realms of horror, cult, and exploitation cinema.

1146
01:05:25.599 --> 01:05:29.559
<v Speaker 2>Her academic work bridges popular genre studies and serious theoretical inquiry,

1147
01:05:29.599 --> 01:05:31.400
<v Speaker 2>and shows us that films that have been ignored or

1148
01:05:31.400 --> 01:05:34.239
<v Speaker 2>dismissed as marginal or trash are in fact rich sites

1149
01:05:34.239 --> 01:05:38.480
<v Speaker 2>of formal experimentation, political discourse, and cultural interest. Through her

1150
01:05:38.519 --> 01:05:42.599
<v Speaker 2>books on rapeerven cinema, found footage, horror, witchcraft, and cult filmmakers,

1151
01:05:42.679 --> 01:05:46.880
<v Speaker 2>she has consistently modeled how close textual analysis, feminist theory,

1152
01:05:47.119 --> 01:05:51.679
<v Speaker 2>and historical contextualization can convey complex analysis in accessible and

1153
01:05:51.880 --> 01:05:55.679
<v Speaker 2>entertaining language.

1154
01:05:54.079 --> 01:05:57.599
<v Speaker 5>Beyond the page. Heller Nicholas has made an extraordinary contribution

1155
01:05:57.679 --> 01:06:00.320
<v Speaker 5>to film culture through her Blu Ray audio commentary and

1156
01:06:00.400 --> 01:06:03.960
<v Speaker 5>video essays, which now number in the hundreds. Her commentaries

1157
01:06:04.000 --> 01:06:09.519
<v Speaker 5>combined production history, genre contexts, theoretical framing, and scene specific analysis,

1158
01:06:09.559 --> 01:06:12.119
<v Speaker 5>all delivered with genuine enthusiasm.

1159
01:06:12.679 --> 01:06:16.199
<v Speaker 2>Physical media increasingly has become a vital archive of film history,

1160
01:06:16.280 --> 01:06:18.960
<v Speaker 2>and her work ensures that genre cinema is preserved as

1161
01:06:19.000 --> 01:06:21.960
<v Speaker 2>an object of study worthy of intellectual engagement.

1162
01:06:22.679 --> 01:06:26.559
<v Speaker 5>What distinguishes her contribution's most is the generosity of her approach.

1163
01:06:26.960 --> 01:06:31.079
<v Speaker 5>She treats filmmakers, audiences, and the films themselves with seriousness

1164
01:06:31.119 --> 01:06:34.880
<v Speaker 5>and respect. Whether unpacking the politics of violence and exploitation

1165
01:06:35.000 --> 01:06:39.400
<v Speaker 5>cinema or illuminating the craft behind cult classics, Heller Nicholas

1166
01:06:39.440 --> 01:06:43.119
<v Speaker 5>embodies a model of public scholarship that is both academically

1167
01:06:43.199 --> 01:06:46.599
<v Speaker 5>rigorous and audience friendly. Her work reminds us that criticism

1168
01:06:46.639 --> 01:06:49.519
<v Speaker 5>can expand the canon and deepen our appreciation of films

1169
01:06:49.639 --> 01:06:50.719
<v Speaker 5>we thought we already knew.

1170
01:06:51.760 --> 01:06:53.639
<v Speaker 2>We would like to say thank you to Alexandra Heller

1171
01:06:53.719 --> 01:06:56.599
<v Speaker 2>Nicholas for her prolific list of accomplishments, her ability to

1172
01:06:56.679 --> 01:06:59.880
<v Speaker 2>champion and remain enthusiastic about every film, and her passion

1173
01:06:59.880 --> 01:07:03.440
<v Speaker 2>for physical media across the wide range of genres and mediums.

1174
01:07:03.920 --> 01:07:05.960
<v Speaker 5>We would like to share some words of appreciation from

1175
01:07:06.000 --> 01:07:08.599
<v Speaker 5>a few of her peers and collaborators to share with

1176
01:07:08.679 --> 01:07:09.360
<v Speaker 5>all of you today.

1177
01:07:10.760 --> 01:07:14.440
<v Speaker 17>Alex is literally one of the best academics. I a

1178
01:07:14.480 --> 01:07:17.960
<v Speaker 17>recovering academic, as she would like to say, but her

1179
01:07:18.039 --> 01:07:21.239
<v Speaker 17>knowledge of cinema is inspiring, and how she is able

1180
01:07:21.280 --> 01:07:24.400
<v Speaker 17>to just memorize all this stuff about films is incredible

1181
01:07:24.440 --> 01:07:26.400
<v Speaker 17>and I am generally in all of the woman. She

1182
01:07:26.559 --> 01:07:31.159
<v Speaker 17>is an absolute force of nature and yeah, ty lover,

1183
01:07:31.320 --> 01:07:32.639
<v Speaker 17>and yeah she deserves it.

1184
01:07:33.159 --> 01:07:39.920
<v Speaker 19>I think some people would classify Alex as a critic.

1185
01:07:41.639 --> 01:07:45.360
<v Speaker 19>A critic usually is meant to you know, you agree,

1186
01:07:45.599 --> 01:07:47.119
<v Speaker 19>you align with their taste.

1187
01:07:47.920 --> 01:07:50.360
<v Speaker 7>They can sway you from a movie to watch not

1188
01:07:50.480 --> 01:07:54.320
<v Speaker 7>to watch. Alex has always kind of inspired people to

1189
01:07:54.440 --> 01:07:57.760
<v Speaker 7>watch movies, I think, a big difference that critics aren't

1190
01:07:57.800 --> 01:08:05.840
<v Speaker 7>able to do. Sometimes she influences you, and she challenges

1191
01:08:05.880 --> 01:08:10.559
<v Speaker 7>you to venture off on your own and dig deep

1192
01:08:10.599 --> 01:08:14.920
<v Speaker 7>into maybe something that she's that she's in love with.

1193
01:08:15.559 --> 01:08:19.119
<v Speaker 37>Huge congratulations, Alex. It's such a cool award and has

1194
01:08:19.159 --> 01:08:21.760
<v Speaker 37>been so wonderful to work with you. You've been a

1195
01:08:21.840 --> 01:08:26.239
<v Speaker 37>huge inspiration to my work and so very supportive over many,

1196
01:08:26.279 --> 01:08:30.560
<v Speaker 37>many years now, and so I'm just thrilled that you're

1197
01:08:30.600 --> 01:08:34.079
<v Speaker 37>being recognized. Congratulations.

1198
01:08:34.920 --> 01:08:36.840
<v Speaker 35>If I was to try and list all of the

1199
01:08:36.880 --> 01:08:39.960
<v Speaker 35>reasons that I love and admire Alex, it could easily

1200
01:08:40.000 --> 01:08:44.079
<v Speaker 35>fill the pages of a book. Although, unlike Alex, who

1201
01:08:44.319 --> 01:08:47.880
<v Speaker 35>I suspect never actually takes a break to sleep. In

1202
01:08:47.920 --> 01:08:49.760
<v Speaker 35>the time it would take me to write that book,

1203
01:08:50.079 --> 01:08:53.439
<v Speaker 35>Alex would probably have written and published no less than

1204
01:08:53.479 --> 01:08:55.880
<v Speaker 35>ten books, and mine would still be nowhere.

1205
01:08:55.920 --> 01:08:56.960
<v Speaker 13>Near as good.

1206
01:08:57.479 --> 01:09:00.800
<v Speaker 35>I first met Alex many years ago to a screening

1207
01:09:00.920 --> 01:09:04.039
<v Speaker 35>of the House with Laughing Windows, a film that, oddly enough,

1208
01:09:04.399 --> 01:09:07.720
<v Speaker 35>we wound up recording an audio commentary for which released

1209
01:09:07.960 --> 01:09:11.479
<v Speaker 35>last year. So to say that was a fortuitous meeting

1210
01:09:11.680 --> 01:09:15.079
<v Speaker 35>is something of an understatement, because I've had the good

1211
01:09:15.119 --> 01:09:17.960
<v Speaker 35>fortune to work with Alex on a number of projects

1212
01:09:18.159 --> 01:09:21.159
<v Speaker 35>over the years, going all the way back to our

1213
01:09:21.239 --> 01:09:25.039
<v Speaker 35>days together on community radio Station three Triple R one

1214
01:09:25.119 --> 01:09:29.760
<v Speaker 35>oh two point seven on Plato's Cave, and in all

1215
01:09:29.760 --> 01:09:31.880
<v Speaker 35>the time I've known her, I have to say that

1216
01:09:31.960 --> 01:09:36.119
<v Speaker 35>her dedication to film culture is matched only by the

1217
01:09:36.119 --> 01:09:40.199
<v Speaker 35>truly intimidating output of her work that she's produced over

1218
01:09:40.239 --> 01:09:44.039
<v Speaker 35>the years, the book publications, the audio commentaries, the essays,

1219
01:09:44.079 --> 01:09:49.880
<v Speaker 35>the articles, conference papers, radio and podcast appearances. But beyond that,

1220
01:09:49.960 --> 01:09:52.680
<v Speaker 35>sheer volume of her work, or the passion that she

1221
01:09:52.800 --> 01:09:56.680
<v Speaker 35>brings to each project, the rigorous level of research, the

1222
01:09:56.680 --> 01:10:00.159
<v Speaker 35>depth of her film knowledge. One of the things that

1223
01:10:00.199 --> 01:10:04.760
<v Speaker 35>I admire the most is her absolute dedication to making

1224
01:10:04.800 --> 01:10:11.600
<v Speaker 35>those insights and contributions accessible, without pretension, without academic stuffiness.

1225
01:10:12.279 --> 01:10:17.199
<v Speaker 35>It's never about gatekeeping for Alex, but about conveying the

1226
01:10:17.279 --> 01:10:20.399
<v Speaker 35>deep love that she has for the medium to that

1227
01:10:20.479 --> 01:10:23.760
<v Speaker 35>audience in whatever form that might be, whether it's high

1228
01:10:23.840 --> 01:10:27.680
<v Speaker 35>art or low art. It's always about the particular film

1229
01:10:28.079 --> 01:10:31.359
<v Speaker 35>first and foremost, and about opening cinema up to new

1230
01:10:31.359 --> 01:10:36.119
<v Speaker 35>insights and new audiences. There's always a selflessness in her approach,

1231
01:10:36.439 --> 01:10:39.279
<v Speaker 35>which I think is as rare as it is enviable.

1232
01:10:40.039 --> 01:10:41.880
<v Speaker 35>And I think that's evident too in the way that

1233
01:10:41.920 --> 01:10:44.199
<v Speaker 35>she lifts up those around her, the way that she

1234
01:10:44.359 --> 01:10:47.880
<v Speaker 35>uses her platform, and especially in her producing work to

1235
01:10:47.920 --> 01:10:52.199
<v Speaker 35>elevate voices that may not always be the most obvious candidates,

1236
01:10:52.479 --> 01:10:55.239
<v Speaker 35>but are the ones that best serve the particular project

1237
01:10:55.520 --> 01:11:00.199
<v Speaker 35>by bringing new or alternative perspectives to a film. And

1238
01:11:00.239 --> 01:11:03.079
<v Speaker 35>I am absolute proof of that, because there's no exaggeration

1239
01:11:03.159 --> 01:11:05.680
<v Speaker 35>to say that I wouldn't have had the good fortune

1240
01:11:06.079 --> 01:11:07.960
<v Speaker 35>to have worked on many of the projects that I

1241
01:11:08.000 --> 01:11:11.439
<v Speaker 35>have without her having my back, without her opening those

1242
01:11:11.479 --> 01:11:14.479
<v Speaker 35>doors for me, And for that, I'm not only forever

1243
01:11:14.520 --> 01:11:18.199
<v Speaker 35>in her debt, but also eternally grateful. I'm lucky to

1244
01:11:18.239 --> 01:11:21.239
<v Speaker 35>count her as a colleague, but even luckier to count

1245
01:11:21.279 --> 01:11:25.119
<v Speaker 35>her as a dear, dear friend. So Alex congrats on

1246
01:11:25.159 --> 01:11:29.119
<v Speaker 35>this latest recognition. It is thoroughly well earned, and I

1247
01:11:29.159 --> 01:11:32.720
<v Speaker 35>can't wait to blind by all of those forthcoming purchases

1248
01:11:33.119 --> 01:11:37.000
<v Speaker 35>that have your name on them. Viva la Cinema and

1249
01:11:37.079 --> 01:11:38.319
<v Speaker 35>long lived physical media.

1250
01:11:39.520 --> 01:11:45.079
<v Speaker 32>Alexandra Holy Cannoli. What a gold standard of a writer,

1251
01:11:45.640 --> 01:11:51.159
<v Speaker 32>a commensator, a personality and or person I adore Alexandra,

1252
01:11:51.239 --> 01:11:56.319
<v Speaker 32>Helen Nichols. This woman, this creative, this writer is somebody

1253
01:11:56.399 --> 01:12:04.640
<v Speaker 32>who everything she touches is rich, fascinating, intelligent. All of

1254
01:12:04.680 --> 01:12:12.119
<v Speaker 32>her work has this absolutely intoxicating combination of keen, observation, knowledge,

1255
01:12:12.600 --> 01:12:16.279
<v Speaker 32>and just overall just really a great sense of intelligence

1256
01:12:16.359 --> 01:12:19.640
<v Speaker 32>that is, you know, that you learn a lot from.

1257
01:12:19.680 --> 01:12:23.479
<v Speaker 32>And she never talks down to the reader. She never

1258
01:12:23.560 --> 01:12:27.760
<v Speaker 32>talks down to the listener. She is basically does that

1259
01:12:27.840 --> 01:12:30.640
<v Speaker 32>thing that all of my heroes do, which is like

1260
01:12:30.720 --> 01:12:32.279
<v Speaker 32>she basically is like kind of extending an arm and

1261
01:12:32.279 --> 01:12:36.399
<v Speaker 32>being like, come here, check this out. And I adore

1262
01:12:36.439 --> 01:12:41.279
<v Speaker 32>that about her. On top of her just always phenomenal work.

1263
01:12:41.560 --> 01:12:44.760
<v Speaker 32>She is the gold standard of a person in the

1264
01:12:44.800 --> 01:12:49.239
<v Speaker 32>film community. Alexandra is always, to me, consistently somebody who

1265
01:12:49.279 --> 01:12:57.560
<v Speaker 32>shines and is classy, is funny, very generous. There's never

1266
01:12:57.720 --> 01:13:02.399
<v Speaker 32>any of any sort of potential, you know, you know,

1267
01:13:02.560 --> 01:13:06.680
<v Speaker 32>every community has its toxicities. Alexandra is never involved with that.

1268
01:13:06.720 --> 01:13:09.800
<v Speaker 32>She's always rising above it. She never gets tainted by it.

1269
01:13:11.079 --> 01:13:17.199
<v Speaker 32>She's always just one hundred percent generous and nice and

1270
01:13:17.319 --> 01:13:21.039
<v Speaker 32>kind and funny. She can have like a savage wit

1271
01:13:21.159 --> 01:13:24.039
<v Speaker 32>about her, but her heart is golden like I absolutely

1272
01:13:24.079 --> 01:13:28.279
<v Speaker 32>adore her, and I would be hard pressed to think

1273
01:13:28.319 --> 01:13:32.680
<v Speaker 32>of somebody more deserving than this of this award than Alexandra.

1274
01:13:32.840 --> 01:13:36.119
<v Speaker 32>She is absolutely what all of us in this community

1275
01:13:36.119 --> 01:13:37.439
<v Speaker 32>should aspire to be.

1276
01:13:37.520 --> 01:13:38.119
<v Speaker 33>The level of.

1277
01:13:38.439 --> 01:13:46.039
<v Speaker 32>She's absolutely phenomenal and absolutely congratulations to this just juggernaut

1278
01:13:46.319 --> 01:13:50.880
<v Speaker 32>of a creator and all of the kudos and love.

1279
01:13:53.920 --> 01:13:57.319
<v Speaker 2>Well there we have it. I really hope that people

1280
01:13:57.359 --> 01:13:59.720
<v Speaker 2>take this as a moment to not only look at

1281
01:13:59.720 --> 01:14:03.319
<v Speaker 2>alex Heller Nicholas's work, but also Sergio Mims's work and

1282
01:14:04.039 --> 01:14:06.680
<v Speaker 2>all those people that are just out there constantly praising

1283
01:14:06.680 --> 01:14:09.760
<v Speaker 2>her work. And it's a lot to praise because I

1284
01:14:09.800 --> 01:14:13.560
<v Speaker 2>cannot name anybody more prolific in home video than Alexander.

1285
01:14:13.600 --> 01:14:16.279
<v Speaker 2>Because I swear every week of my show I mentioned

1286
01:14:16.319 --> 01:14:19.520
<v Speaker 2>her name a number of times, and that is awesome.

1287
01:14:19.880 --> 01:14:23.399
<v Speaker 2>But holy hell, Alexandra, take a break sometimes.

1288
01:14:24.880 --> 01:14:27.760
<v Speaker 5>Yeah, I mean, this is you know people like her

1289
01:14:27.880 --> 01:14:31.159
<v Speaker 5>are the reason why the people like you get into

1290
01:14:31.159 --> 01:14:33.359
<v Speaker 5>this like we do, people like you know myself and

1291
01:14:33.399 --> 01:14:37.279
<v Speaker 5>Steve with the podcast. She's come up probably at some

1292
01:14:37.359 --> 01:14:40.479
<v Speaker 5>point in every single episode we've done in some capacity.

1293
01:14:40.560 --> 01:14:44.000
<v Speaker 5>Like that's the level of influence. And I can't encourage

1294
01:14:44.000 --> 01:14:47.079
<v Speaker 5>people enough to if you haven't seen her work or

1295
01:14:47.119 --> 01:14:50.239
<v Speaker 5>heard her voice, seek it out and find out. I'm

1296
01:14:50.239 --> 01:14:52.760
<v Speaker 5>sure it's on your shelves somewhere.

1297
01:14:53.880 --> 01:14:56.960
<v Speaker 2>Not only somewhere, And many of the releases, I do

1298
01:14:57.039 --> 01:15:01.520
<v Speaker 2>want to say Alexandra is approachable, and I think that's

1299
01:15:01.520 --> 01:15:03.079
<v Speaker 2>one of the most important thing. On so many of

1300
01:15:03.119 --> 01:15:06.479
<v Speaker 2>these releases. Chris and I have both been championing the

1301
01:15:06.520 --> 01:15:08.800
<v Speaker 2>idea of physical media being education and I really hope

1302
01:15:08.840 --> 01:15:12.079
<v Speaker 2>people embrace that for years to come. On that note,

1303
01:15:12.439 --> 01:15:15.239
<v Speaker 2>let's get back to some of our other pieces. We

1304
01:15:15.239 --> 01:15:17.720
<v Speaker 2>were just talking about packaging and steelbook and of course

1305
01:15:17.720 --> 01:15:20.640
<v Speaker 2>what goes hand in hand with that but great artwork.

1306
01:15:20.920 --> 01:15:23.720
<v Speaker 2>So let's cover the best artwork of the year.

1307
01:15:24.319 --> 01:15:27.640
<v Speaker 12>Hello. My name is Will Dodson. I'm a writer and

1308
01:15:27.680 --> 01:15:30.800
<v Speaker 12>a media studies professor, and I am delighted to be

1309
01:15:30.920 --> 01:15:37.479
<v Speaker 12>presenting the award for Best Artwork the nominees.

1310
01:15:37.279 --> 01:15:53.760
<v Speaker 5>Are altered States four K by Richie Beckett, Criterion Collection,

1311
01:15:54.640 --> 01:15:59.600
<v Speaker 5>The Deadly Spawned four K by Wes Ben Scoter, Synapp's Films,

1312
01:16:00.479 --> 01:16:06.399
<v Speaker 5>Freaked four K by Thomas Nicolette, Umbrella Entertainment, A History

1313
01:16:06.439 --> 01:16:12.279
<v Speaker 5>of Violence four K by Connor Williamson, Criterion Collection, a

1314
01:16:12.399 --> 01:16:23.319
<v Speaker 5>newly four K Michael Deforge cinematograph.

1315
01:16:19.119 --> 01:16:23.840
<v Speaker 12>And the winner of the Creator's Selection Committee is altered

1316
01:16:23.880 --> 01:16:30.000
<v Speaker 12>States for the Criterion Collection. The winner of the community

1317
01:16:30.079 --> 01:16:34.239
<v Speaker 12>vote is altered States Criterion Collection.

1318
01:16:35.800 --> 01:16:41.560
<v Speaker 38>Damn, Okay, that's abstely wild. Wow, that's crazy, man.

1319
01:16:41.720 --> 01:16:43.159
<v Speaker 7>I'm like, I'm so.

1320
01:16:45.199 --> 01:16:46.319
<v Speaker 13>Hoestly, like I live.

1321
01:16:46.239 --> 01:16:49.199
<v Speaker 38>Kind of outside of that world in many ways, with

1322
01:16:49.399 --> 01:16:53.720
<v Speaker 38>like his comedia stuff, I'm like such a sort of

1323
01:16:53.800 --> 01:16:54.880
<v Speaker 38>led eye in these ways.

1324
01:16:56.039 --> 01:16:56.600
<v Speaker 2>I felt like.

1325
01:16:56.840 --> 01:17:00.760
<v Speaker 38>When we put out that Criterion Ought and I saw

1326
01:17:00.800 --> 01:17:03.920
<v Speaker 38>all the other incredible artwork that was coming out even

1327
01:17:04.000 --> 01:17:06.439
<v Speaker 38>just in that way, even continuously, you know, like I was,

1328
01:17:07.920 --> 01:17:10.039
<v Speaker 38>it was a big deal making it. And then when

1329
01:17:10.039 --> 01:17:12.079
<v Speaker 38>I saw it come out, you know, I saw how

1330
01:17:12.119 --> 01:17:14.000
<v Speaker 38>much other incredible art was going on in that.

1331
01:17:14.039 --> 01:17:16.319
<v Speaker 13>And which is really exciting to see.

1332
01:17:16.520 --> 01:17:18.399
<v Speaker 38>I guess my point in that is like I don't, yeah,

1333
01:17:18.399 --> 01:17:20.720
<v Speaker 38>I don't know how how it lands with every with

1334
01:17:20.800 --> 01:17:23.960
<v Speaker 38>everyone else collectively amongst all of the other incredible artists

1335
01:17:23.960 --> 01:17:24.359
<v Speaker 38>out there.

1336
01:17:24.439 --> 01:17:25.680
<v Speaker 7>You know, that's amazing.

1337
01:17:25.800 --> 01:17:28.199
<v Speaker 38>Thank you, Thank you to anyone who had any part

1338
01:17:28.239 --> 01:17:32.119
<v Speaker 38>in doing or making this put none in that way.

1339
01:17:32.159 --> 01:17:34.039
<v Speaker 11>That's extremely extremely cool.

1340
01:17:34.199 --> 01:17:36.520
<v Speaker 38>I don't feel like i've ever I haven't really been

1341
01:17:36.560 --> 01:17:39.000
<v Speaker 38>awarded anything in that way before, So yeah, I kind

1342
01:17:39.000 --> 01:17:42.319
<v Speaker 38>of learning thinking that's extremely cool. You know, I come

1343
01:17:42.319 --> 01:17:44.079
<v Speaker 38>from a time of sort of like going to the

1344
01:17:44.159 --> 01:17:46.960
<v Speaker 38>video store. I don't even now use Blu rays and

1345
01:17:47.000 --> 01:17:49.119
<v Speaker 38>DVDs and things like that, Like I don't even have

1346
01:17:49.239 --> 01:17:52.640
<v Speaker 38>really physical media myself I have. I come from, you know,

1347
01:17:52.760 --> 01:17:56.479
<v Speaker 38>I grew up going to the video store buying something

1348
01:17:56.600 --> 01:17:59.680
<v Speaker 38>very much based the packaging was so integral to what

1349
01:17:59.720 --> 01:18:01.600
<v Speaker 38>I was taking home with me and the decisions I

1350
01:18:01.680 --> 01:18:04.479
<v Speaker 38>made about what I was going to watch. And going

1351
01:18:04.520 --> 01:18:07.119
<v Speaker 38>into to the video store, you'd go with an idea

1352
01:18:07.119 --> 01:18:09.239
<v Speaker 38>of what you wanted to get, but invariably you would

1353
01:18:09.279 --> 01:18:11.520
<v Speaker 38>go in it was someone else who you had it out,

1354
01:18:11.640 --> 01:18:13.880
<v Speaker 38>and they only had three copies, so then you'd have

1355
01:18:13.920 --> 01:18:15.960
<v Speaker 38>to go for a wild card option, and that would

1356
01:18:16.039 --> 01:18:19.600
<v Speaker 38>very often be based on what the artwork was and

1357
01:18:19.640 --> 01:18:23.359
<v Speaker 38>I also feel that in that era, the artwork often

1358
01:18:23.479 --> 01:18:28.199
<v Speaker 38>was not entirely representation of exactly what the film was,

1359
01:18:28.239 --> 01:18:30.199
<v Speaker 38>even you know, it's as kind of a step away

1360
01:18:30.239 --> 01:18:32.439
<v Speaker 38>from it. I always think of it like the idea

1361
01:18:32.479 --> 01:18:35.039
<v Speaker 38>of what the art would be if you were telling

1362
01:18:35.199 --> 01:18:38.000
<v Speaker 38>your friend about the film. You know, this is what

1363
01:18:38.079 --> 01:18:40.720
<v Speaker 38>this film is. So if it comes to me to

1364
01:18:40.880 --> 01:18:43.600
<v Speaker 38>then make art represent a film, whether it's a poster

1365
01:18:43.720 --> 01:18:47.199
<v Speaker 38>or whether it's packaging, like this, I wanted to look

1366
01:18:47.279 --> 01:18:51.319
<v Speaker 38>like what you'd tell your mate the film was, you know,

1367
01:18:51.680 --> 01:18:55.439
<v Speaker 38>not just a picture of even depicting a specific moment

1368
01:18:55.520 --> 01:18:57.800
<v Speaker 38>necessarily from it, but maybe something's just a bit more

1369
01:18:57.840 --> 01:19:01.079
<v Speaker 38>of a fantastical take on it, you know, with that

1370
01:19:01.159 --> 01:19:05.239
<v Speaker 38>move with alted status. It's already such a visually stunning

1371
01:19:05.840 --> 01:19:08.600
<v Speaker 38>film with so many visual like when I was asked

1372
01:19:08.600 --> 01:19:11.439
<v Speaker 38>to do it, immediately I jumped at the chance, just

1373
01:19:11.479 --> 01:19:14.119
<v Speaker 38>thinking like, oh, yeah, this is this is the perfect

1374
01:19:14.119 --> 01:19:16.760
<v Speaker 38>film that I would want to do, because it's just

1375
01:19:16.760 --> 01:19:19.439
<v Speaker 38>just that Cameraussell had so many crazy ideas with it

1376
01:19:19.479 --> 01:19:23.039
<v Speaker 38>and pulled in so many incredible visual ideas into one place.

1377
01:19:23.319 --> 01:19:24.960
<v Speaker 38>And then I was kind of overwhelmed for a minute

1378
01:19:24.960 --> 01:19:26.239
<v Speaker 38>of what I was going to do with it because

1379
01:19:26.239 --> 01:19:28.319
<v Speaker 38>there were kind of too many options, but yeah, I

1380
01:19:28.399 --> 01:19:32.159
<v Speaker 38>just wanted something really kind of explosive really for the cover,

1381
01:19:32.479 --> 01:19:34.720
<v Speaker 38>So I drew the whole thing on a scrape on

1382
01:19:34.800 --> 01:19:38.680
<v Speaker 38>like a scraperboard and a clayboard, so it's all actually

1383
01:19:38.800 --> 01:19:41.279
<v Speaker 38>just it's not drawn in pen and ink like I would

1384
01:19:41.279 --> 01:19:43.800
<v Speaker 38>normally do. It's actually just scraped into a black scraper

1385
01:19:43.800 --> 01:19:48.319
<v Speaker 38>board that reveals white underneath with it like this little

1386
01:19:48.319 --> 01:19:51.079
<v Speaker 38>old we advantage tool that I use. But I kind

1387
01:19:51.079 --> 01:19:55.079
<v Speaker 38>of discovered a new process on this piece. Specifically, I'd

1388
01:19:55.079 --> 01:19:58.399
<v Speaker 38>always been obsessed with Bob Peak, who did like all

1389
01:19:58.439 --> 01:20:05.079
<v Speaker 38>of the Excalibur art Arrow Video put out recently, the

1390
01:20:05.159 --> 01:20:07.479
<v Speaker 38>excal of It set with and the thing I love

1391
01:20:07.479 --> 01:20:09.279
<v Speaker 38>about it, they actually just used all of his art.

1392
01:20:09.439 --> 01:20:12.159
<v Speaker 38>They just printed all of it, which is incredible because

1393
01:20:12.199 --> 01:20:14.960
<v Speaker 38>no one needs to ever revisit that film in that

1394
01:20:15.039 --> 01:20:17.840
<v Speaker 38>way because it's he That's not my favorite art of

1395
01:20:17.880 --> 01:20:20.720
<v Speaker 38>all time for a film, you know, But I always

1396
01:20:20.760 --> 01:20:22.640
<v Speaker 38>wanted to do something with that because he has all

1397
01:20:22.680 --> 01:20:26.000
<v Speaker 38>of those bright shods of light in it, and it's

1398
01:20:26.000 --> 01:20:27.640
<v Speaker 38>a very specific thing, and I was like, if I

1399
01:20:27.640 --> 01:20:30.920
<v Speaker 38>can smash that together with my pen and ink work,

1400
01:20:31.840 --> 01:20:34.479
<v Speaker 38>and with the visuals of Alted States, and that was

1401
01:20:34.479 --> 01:20:37.399
<v Speaker 38>the vision for it really, so it's like that inspired

1402
01:20:37.399 --> 01:20:40.399
<v Speaker 38>by Bob Peek, but then trying to put that through

1403
01:20:40.399 --> 01:20:43.279
<v Speaker 38>the filter of a completely different style because he used airbrush,

1404
01:20:43.680 --> 01:20:46.239
<v Speaker 38>so for airbrushing, all of that makes complete sense to

1405
01:20:46.319 --> 01:20:49.479
<v Speaker 38>have these shods of light flowing around, and it doesn't

1406
01:20:49.479 --> 01:20:51.920
<v Speaker 38>really lend itself to pen and ink, but somehow I

1407
01:20:52.039 --> 01:20:55.199
<v Speaker 38>found a way to. Yeah, I feel like I discovered

1408
01:20:55.199 --> 01:20:57.800
<v Speaker 38>something new for myself on that project.

1409
01:21:00.520 --> 01:21:05.159
<v Speaker 2>I get something so nice as part of this community

1410
01:21:05.279 --> 01:21:07.479
<v Speaker 2>to see an artist that doesn't ever get to talk

1411
01:21:07.520 --> 01:21:11.039
<v Speaker 2>about these doesn't get notified that like people even like

1412
01:21:11.159 --> 01:21:13.720
<v Speaker 2>this stuff. He kept going on and on with me

1413
01:21:13.840 --> 01:21:16.079
<v Speaker 2>about how he's not into the technology side of things,

1414
01:21:16.319 --> 01:21:18.479
<v Speaker 2>so he is so part of the pun here but

1415
01:21:18.600 --> 01:21:22.800
<v Speaker 2>disconnected from the entire home video industry. And seeing him

1416
01:21:22.880 --> 01:21:25.840
<v Speaker 2>like immediately get emotional when I told him the community

1417
01:21:25.920 --> 01:21:28.920
<v Speaker 2>voted for him to win. I man, it meant so

1418
01:21:29.039 --> 01:21:31.600
<v Speaker 2>much in that moment that I love that he could

1419
01:21:31.640 --> 01:21:33.199
<v Speaker 2>do that. And then to hear so much, like what

1420
01:21:33.359 --> 01:21:34.880
<v Speaker 2>else are we going to hear about the process of

1421
01:21:35.119 --> 01:21:37.720
<v Speaker 2>him creating a brand new process to make this art?

1422
01:21:37.760 --> 01:21:38.399
<v Speaker 2>It was so cool.

1423
01:21:39.119 --> 01:21:42.399
<v Speaker 5>Yeah, yeah, and I mean the most recent Criterion sale.

1424
01:21:42.439 --> 01:21:45.880
<v Speaker 5>I didn't even really learn to appreciate the Altered States

1425
01:21:45.920 --> 01:21:48.920
<v Speaker 5>cover until it was next to and alongside a bunch

1426
01:21:48.960 --> 01:21:51.880
<v Speaker 5>of other Criterion titles, and I was like, holy shit,

1427
01:21:52.000 --> 01:21:54.159
<v Speaker 5>this stands out. And I also just want to shout

1428
01:21:54.159 --> 01:21:57.119
<v Speaker 5>out because I know it got a lot of criticism,

1429
01:21:57.199 --> 01:22:01.399
<v Speaker 5>but the History of Violence artwork is so good, so

1430
01:22:01.680 --> 01:22:05.960
<v Speaker 5>good in contrast to the movie, and it got such

1431
01:22:05.960 --> 01:22:10.720
<v Speaker 5>a like a harsh reaction upon the announcement, and I

1432
01:22:10.760 --> 01:22:12.720
<v Speaker 5>felt like I was on the few that was like, dude,

1433
01:22:12.760 --> 01:22:16.119
<v Speaker 5>this fits so well in some weird way. And that's

1434
01:22:16.119 --> 01:22:18.039
<v Speaker 5>another one that looks great on the shelf as well.

1435
01:22:19.479 --> 01:22:23.000
<v Speaker 2>I agree. One thing that I love, of course, is

1436
01:22:23.000 --> 01:22:25.399
<v Speaker 2>all the on disc supplements. So that's the next portion

1437
01:22:25.439 --> 01:22:27.920
<v Speaker 2>that we're going to talk about. I'm going to do

1438
01:22:28.000 --> 01:22:30.399
<v Speaker 2>the first category, which is going to be Best Interview,

1439
01:22:30.600 --> 01:22:33.039
<v Speaker 2>and right after this one we'll get into our next giveaway.

1440
01:22:33.079 --> 01:22:36.279
<v Speaker 2>So let's cover the best Interview from twenty twenty five.

1441
01:22:48.199 --> 01:22:54.920
<v Speaker 34>Okay, okay, thanks for sitting down with us today. Welcome

1442
01:22:54.960 --> 01:22:58.399
<v Speaker 34>to the twenty twenty six Shelf Shock Rewind Awards. Now,

1443
01:22:58.399 --> 01:23:00.319
<v Speaker 34>for the record, can I have you state your name?

1444
01:23:00.880 --> 01:23:02.399
<v Speaker 8>Sure, I'm Dustin Putman.

1445
01:23:02.880 --> 01:23:05.560
<v Speaker 34>And what would you say you're best known for in

1446
01:23:05.600 --> 01:23:06.600
<v Speaker 34>the creative space.

1447
01:23:08.439 --> 01:23:11.560
<v Speaker 8>Well, I've been a film critic for literally decades. Lord

1448
01:23:11.560 --> 01:23:14.399
<v Speaker 8>help me. I'm the author of the book The Fright

1449
01:23:14.439 --> 01:23:19.319
<v Speaker 8>File one hundred and fifty Films to See Before Halloween. Well,

1450
01:23:19.319 --> 01:23:21.680
<v Speaker 8>I've been fortunate enough to appear as a guest on

1451
01:23:21.880 --> 01:23:26.239
<v Speaker 8>several different film related podcasts and YouTube shows these last

1452
01:23:26.279 --> 01:23:29.920
<v Speaker 8>few years. And oh, and coming up, I contributed an

1453
01:23:30.039 --> 01:23:32.760
<v Speaker 8>essay to New Way Videos upcoming Blu Ray release of

1454
01:23:32.840 --> 01:23:34.079
<v Speaker 8>Narico's Dinner Table.

1455
01:23:35.039 --> 01:23:35.600
<v Speaker 17>Wow.

1456
01:23:36.560 --> 01:23:39.000
<v Speaker 8>Yeah, I did not ask you all that.

1457
01:23:39.960 --> 01:23:43.439
<v Speaker 34>Oh, can you tell me the category you're presenting?

1458
01:23:45.000 --> 01:23:49.920
<v Speaker 8>Yeah, yeah, yeah, sure thing. I'll be presenting the award

1459
01:23:50.000 --> 01:23:53.479
<v Speaker 8>for Best New Interview and the nominees are.

1460
01:24:06.920 --> 01:24:11.439
<v Speaker 5>Kicking against the Pricks. Interview with John Waters cecil b

1461
01:24:11.560 --> 01:24:16.560
<v Speaker 5>Demented Umbrella Entertainment interview with Mikey Madison. A Nora four

1462
01:24:16.640 --> 01:24:22.800
<v Speaker 5>K criterion collection conversation between Reiner and actor Patton Oswald.

1463
01:24:23.199 --> 01:24:27.520
<v Speaker 5>This is Spinal Tap four K Criterion collection, The Horror

1464
01:24:27.600 --> 01:24:31.880
<v Speaker 5>of Normality. Germel del Toro on Possession, Possession, four K

1465
01:24:32.399 --> 01:24:36.000
<v Speaker 5>Second Sight Films, Wild and Woody. A new Video interview

1466
01:24:36.039 --> 01:24:45.199
<v Speaker 5>with actor Willem Dafoe, New Rose Hotel Cinematograph.

1467
01:24:45.279 --> 01:24:48.039
<v Speaker 12>What an amazing lineup? Can you tell us the winners?

1468
01:24:48.520 --> 01:24:48.760
<v Speaker 13>Sure?

1469
01:24:48.800 --> 01:24:53.079
<v Speaker 8>Can. I'm so happy to announce the winners for Best

1470
01:24:53.079 --> 01:24:56.479
<v Speaker 8>New Interview, as voted on by the Creator Selection Committee

1471
01:24:56.720 --> 01:24:59.560
<v Speaker 8>and the community are one and the same, and the

1472
01:24:59.600 --> 01:25:07.199
<v Speaker 8>winner is the Horror of Normality Guerma del Toro on Possession.

1473
01:25:07.680 --> 01:25:12.600
<v Speaker 8>Possession four K from Second Site Films. Congratulations on this

1474
01:25:12.640 --> 01:25:13.239
<v Speaker 8>great honor.

1475
01:25:13.720 --> 01:25:14.199
<v Speaker 13>Excellent.

1476
01:25:14.479 --> 01:25:16.239
<v Speaker 34>Is there anything else you'd like to add?

1477
01:25:16.760 --> 01:25:20.359
<v Speaker 8>Oh? Yeah, sure, just three more things. Number One, the

1478
01:25:20.439 --> 01:25:24.800
<v Speaker 8>Academy clearly wasn't ready for Possession in nineteen eighty one. Two,

1479
01:25:25.159 --> 01:25:29.039
<v Speaker 8>the film is actually about divorce. And three all hail

1480
01:25:29.199 --> 01:25:31.199
<v Speaker 8>the octopus. Thank you.

1481
01:25:37.359 --> 01:25:40.920
<v Speaker 17>Now amazing. GMO is an absolute legend, and he was

1482
01:25:41.000 --> 01:25:43.520
<v Speaker 17>kind enough to take us for tea and scones in

1483
01:25:43.560 --> 01:25:46.800
<v Speaker 17>London when he was doing a location Wreki for Frankenstein

1484
01:25:46.880 --> 01:25:50.680
<v Speaker 17>and Yeah, he heared that we were putting out Possession

1485
01:25:50.720 --> 01:25:52.880
<v Speaker 17>and he was like, please put me on the disc.

1486
01:25:52.920 --> 01:25:54.560
<v Speaker 17>I need to talk about this film. I love it,

1487
01:25:55.199 --> 01:25:56.319
<v Speaker 17>And he was true to his word.

1488
01:25:58.479 --> 01:26:02.800
<v Speaker 2>Any story about Gearble del Toro treating somebody too good?

1489
01:26:02.880 --> 01:26:06.279
<v Speaker 2>Tea and Scones is like, we gotta have we gotta

1490
01:26:06.319 --> 01:26:08.359
<v Speaker 2>have that id here. I love that Philip shared.

1491
01:26:08.079 --> 01:26:12.000
<v Speaker 5>That instant envy for me. Like the moment he said it,

1492
01:26:12.039 --> 01:26:14.640
<v Speaker 5>I was like, God, how man I want that?

1493
01:26:17.960 --> 01:26:20.159
<v Speaker 2>Yeah? Could you imagine tea and scones with Gearable del

1494
01:26:20.199 --> 01:26:22.920
<v Speaker 2>Toro talking about possession? Isn't that like a perfect Sunday?

1495
01:26:23.159 --> 01:26:23.479
<v Speaker 31>I don't know.

1496
01:26:23.479 --> 01:26:25.000
<v Speaker 5>If I could eat, like, I don't know, if I

1497
01:26:25.000 --> 01:26:27.239
<v Speaker 5>could drink and eat, I'd have to just I would

1498
01:26:27.279 --> 01:26:30.560
<v Speaker 5>forget and I'd just be staring into his eyes listening.

1499
01:26:32.560 --> 01:26:36.760
<v Speaker 2>Story of my life. I am so glad to see

1500
01:26:36.800 --> 01:26:38.760
<v Speaker 2>that Garble del Toro got some recognition as a big

1501
01:26:38.800 --> 01:26:40.760
<v Speaker 2>champion of physical media. I think it's an important part

1502
01:26:40.760 --> 01:26:43.000
<v Speaker 2>of having him on there. But you know what, another

1503
01:26:43.000 --> 01:26:46.159
<v Speaker 2>perfect Sunday is winning some physical media. I am giving

1504
01:26:46.199 --> 01:26:49.479
<v Speaker 2>away a stack of my own releases, things that I

1505
01:26:50.000 --> 01:26:52.720
<v Speaker 2>can part with for mine And so for this next one,

1506
01:26:53.279 --> 01:26:55.640
<v Speaker 2>I'm not sharing the titles. Just send me an email

1507
01:26:55.640 --> 01:26:57.479
<v Speaker 2>at shelf shock Rewind at gmail dot com if you

1508
01:26:57.479 --> 01:27:00.359
<v Speaker 2>can answer this question first that Chris is about.

1509
01:27:01.039 --> 01:27:02.840
<v Speaker 5>All right, this is this is for you all horny

1510
01:27:02.880 --> 01:27:07.279
<v Speaker 5>folks out there. What year did the Mitchell brothers open

1511
01:27:07.359 --> 01:27:09.199
<v Speaker 5>their famous Oh farh theater.

1512
01:27:11.359 --> 01:27:16.479
<v Speaker 2>This is another one that should be pretty obvious.

1513
01:27:17.319 --> 01:27:20.039
<v Speaker 5>When I learned this information when I was diving into

1514
01:27:20.039 --> 01:27:22.720
<v Speaker 5>the box, and I was like, of course it is yep.

1515
01:27:25.560 --> 01:27:29.159
<v Speaker 2>Chris was close on that one. But our winner is

1516
01:27:29.479 --> 01:27:32.920
<v Speaker 2>already Robert Francis. It is nineteen sixty nine. Robert, you

1517
01:27:33.000 --> 01:27:38.039
<v Speaker 2>have one. Of course, it's nineteen sixty nine. Of course, Robert.

1518
01:27:38.079 --> 01:27:41.479
<v Speaker 2>Send me an email shelf shock rewind at gmail dot com,

1519
01:27:41.479 --> 01:27:43.880
<v Speaker 2>and I will send you a stack of my own

1520
01:27:44.000 --> 01:27:47.479
<v Speaker 2>physical media all for you to love and appreciate, and

1521
01:27:47.520 --> 01:27:48.800
<v Speaker 2>I can give it a good home.

1522
01:27:50.199 --> 01:27:51.439
<v Speaker 17>Just nice.

1523
01:27:51.520 --> 01:27:53.800
<v Speaker 2>I mean, we got to say that right, like there it.

1524
01:27:53.760 --> 01:27:57.359
<v Speaker 5>Is, yeah, very nice. Yeah, you know, it's what I

1525
01:27:57.399 --> 01:27:59.680
<v Speaker 5>read that I went into this like whole Mitchell Brother's

1526
01:27:59.680 --> 01:28:02.600
<v Speaker 5>history dive, and that was the one thing that I

1527
01:28:02.640 --> 01:28:05.840
<v Speaker 5>was like, oh sixty nine, all right, all right.

1528
01:28:08.560 --> 01:28:10.720
<v Speaker 2>As somebody has already texted me saying it looks like

1529
01:28:10.760 --> 01:28:13.359
<v Speaker 2>somebody else commented first, just a heads up, it did

1530
01:28:13.359 --> 01:28:15.880
<v Speaker 2>not come first on our screen. That was the first one.

1531
01:28:16.880 --> 01:28:19.079
<v Speaker 2>We do have multiple streams watching, so somebody could be

1532
01:28:19.159 --> 01:28:21.880
<v Speaker 2>on another channel. My wife is saying, hey, a e

1533
01:28:22.039 --> 01:28:25.319
<v Speaker 2>stand comments at first. Actually know on the other stream,

1534
01:28:25.359 --> 01:28:28.920
<v Speaker 2>it was somebody else. I promise there are multiple places

1535
01:28:28.920 --> 01:28:32.279
<v Speaker 2>that we're getting comments from. But as we're talking about

1536
01:28:32.279 --> 01:28:34.960
<v Speaker 2>Adult fair and the Mitchell Brothers, let's send it over

1537
01:28:35.000 --> 01:28:38.319
<v Speaker 2>to somebody that appreciates some more of that, and maybe

1538
01:28:38.359 --> 01:28:41.119
<v Speaker 2>hear from somebody that worked on some adult films. Here

1539
01:28:41.159 --> 01:28:41.399
<v Speaker 2>we go.

1540
01:28:42.159 --> 01:28:42.239
<v Speaker 13>Hi.

1541
01:28:42.439 --> 01:28:44.640
<v Speaker 31>My name is Rachel Belboar and I write non visual

1542
01:28:44.720 --> 01:28:47.199
<v Speaker 31>essays for the website Comic Con. I also have a

1543
01:28:47.199 --> 01:28:50.640
<v Speaker 31>regular column and the Physical Media Advocate. Today however, I

1544
01:28:50.680 --> 01:28:53.840
<v Speaker 31>am here with my co presenter Chucky, present the award

1545
01:28:53.960 --> 01:28:57.520
<v Speaker 31>for Best Visual Essay. Visual essays are fantastic. It's a

1546
01:28:57.520 --> 01:29:01.359
<v Speaker 31>really cool bonus feature. Hopefully Morley, we'll get on that train.

1547
01:29:01.600 --> 01:29:04.279
<v Speaker 31>But like seeing Chuck you without hearing Brad Door's voice,

1548
01:29:04.399 --> 01:29:06.760
<v Speaker 31>that's a cool opportunity to actually get to hear from

1549
01:29:06.760 --> 01:29:10.119
<v Speaker 31>writers and experts whose work you probably already read, but

1550
01:29:10.159 --> 01:29:11.960
<v Speaker 31>now you get to find out what they sound like.

1551
01:29:12.279 --> 01:29:15.560
<v Speaker 31>And on the creator's side, you get to find out

1552
01:29:15.600 --> 01:29:18.079
<v Speaker 31>that certain actors' names that you've been saying in your

1553
01:29:18.079 --> 01:29:21.000
<v Speaker 31>head for years, you've been pronouncing them wrong, or maybe

1554
01:29:21.000 --> 01:29:23.880
<v Speaker 31>that's the meat problem. I'm a writer, but I certainly

1555
01:29:23.920 --> 01:29:27.079
<v Speaker 31>appreciate what goes in the visual essays of editing. There's

1556
01:29:27.239 --> 01:29:29.800
<v Speaker 31>finding clips, there's making sure you can use the clips.

1557
01:29:29.800 --> 01:29:34.359
<v Speaker 31>Because of copyright, visual essays awesome deserve all the attention

1558
01:29:34.560 --> 01:29:37.760
<v Speaker 31>and that's why we're giving them on award tonight. So

1559
01:29:37.840 --> 01:29:41.359
<v Speaker 31>without further ado, the nominees of Best Visual Essay are.

1560
01:29:52.760 --> 01:29:57.880
<v Speaker 5>Heiro Scuro, The Double Life of Antonio di Algasino by

1561
01:29:57.920 --> 01:30:03.319
<v Speaker 5>Ian Higbee, Eva Man Macagro, Sailor, Suits and Sound by

1562
01:30:03.359 --> 01:30:08.319
<v Speaker 5>Philip Jeffries, School in the Crosshairs cult Epics from Lethal

1563
01:30:08.359 --> 01:30:11.479
<v Speaker 5>Weapons to Nice Guys by Lee Singer, The Nice Guy's

1564
01:30:11.520 --> 01:30:16.920
<v Speaker 5>four K second Sight Films, Technological Oblivion and Transcendence by

1565
01:30:16.920 --> 01:30:21.880
<v Speaker 5>Suzanne Boland, rubbers Lover, New Wave Video, Ugly People Doing

1566
01:30:21.960 --> 01:30:27.000
<v Speaker 5>Ugly Things Wes Craven and The Fireworks Woman Saga Joseph Madrid.

1567
01:30:27.319 --> 01:30:31.399
<v Speaker 5>The Fireworks Woman Quality x Melusine.

1568
01:30:33.520 --> 01:30:36.439
<v Speaker 31>The winner of this year's Best Vicial Essay goes too,

1569
01:30:38.039 --> 01:30:42.680
<v Speaker 31>Thank you, Chuckie. We actually have two winners this year

1570
01:30:43.039 --> 01:30:47.399
<v Speaker 31>from the creative Selection committee. We have Kamalisa Weapons to

1571
01:30:47.520 --> 01:30:50.720
<v Speaker 31>Nice Guys by Lee Singer and that appeared on Second

1572
01:30:50.720 --> 01:30:53.159
<v Speaker 31>Site's blu ray release of The Nice Guys.

1573
01:30:53.399 --> 01:30:59.039
<v Speaker 30>Congratulations, and from the community side, we have ugly people

1574
01:30:59.319 --> 01:31:03.119
<v Speaker 30>doing ugly things. Birth Craven and the Fireworks Women saga

1575
01:31:03.239 --> 01:31:06.319
<v Speaker 30>like Jesseph Magic and that appeared on Melusine's Belief of

1576
01:31:06.640 --> 01:31:09.000
<v Speaker 30>Fireworks Women. Congratulations see both.

1577
01:31:10.920 --> 01:31:13.800
<v Speaker 17>Oh wow, what an honor.

1578
01:31:13.960 --> 01:31:15.720
<v Speaker 39>That's very lovely to hear.

1579
01:31:16.479 --> 01:31:16.920
<v Speaker 13>Wow.

1580
01:31:17.199 --> 01:31:19.119
<v Speaker 17>Okay, okay.

1581
01:31:19.479 --> 01:31:23.560
<v Speaker 39>So I've been working with Second Sight for good last

1582
01:31:23.600 --> 01:31:27.439
<v Speaker 39>few years and they are a great, you know, boutique

1583
01:31:28.199 --> 01:31:32.279
<v Speaker 39>distribution company here. I think they do absolutely beautiful box

1584
01:31:32.319 --> 01:31:35.720
<v Speaker 39>sets and special editions, and so it's been a real

1585
01:31:35.800 --> 01:31:40.600
<v Speaker 39>thrill to kind of pitch video essays or visual essays

1586
01:31:40.720 --> 01:31:42.600
<v Speaker 39>to go you know along there. They have a great

1587
01:31:42.680 --> 01:31:45.479
<v Speaker 39>usually a great roster of extras that they put onto

1588
01:31:45.520 --> 01:31:48.960
<v Speaker 39>their features, and so, you know, it's the idea is

1589
01:31:49.000 --> 01:31:50.720
<v Speaker 39>always trying and come up with something that you know,

1590
01:31:50.880 --> 01:31:55.840
<v Speaker 39>gives a bit of additional insight or analysis or commentary,

1591
01:31:56.520 --> 01:32:00.479
<v Speaker 39>you know, alongside the booklets and you know the audio comentaries.

1592
01:32:00.520 --> 01:32:01.840
<v Speaker 39>You know, you want it to be its own sort

1593
01:32:01.840 --> 01:32:04.720
<v Speaker 39>of standalone piece. So you know, I've been really fortunate.

1594
01:32:04.800 --> 01:32:08.600
<v Speaker 39>I've done maybe four or five films with them. So

1595
01:32:08.640 --> 01:32:11.720
<v Speaker 39>if I'm working on another one right now, and they

1596
01:32:11.760 --> 01:32:14.560
<v Speaker 39>give you a lot of freedom, so I would like

1597
01:32:14.600 --> 01:32:17.680
<v Speaker 39>to shout out the people at Second Sight who you know,

1598
01:32:18.039 --> 01:32:20.399
<v Speaker 39>obviously Chris Holden who got me involved in the beginning,

1599
01:32:20.880 --> 01:32:24.680
<v Speaker 39>and Philip Escott at the company, who puts in a

1600
01:32:24.760 --> 01:32:27.560
<v Speaker 39>huge amount of work, you know, just getting material because

1601
01:32:28.039 --> 01:32:30.279
<v Speaker 39>obviously the thing with the video essay is you need

1602
01:32:30.600 --> 01:32:32.840
<v Speaker 39>the clips and the films to put together, you know,

1603
01:32:32.960 --> 01:32:35.680
<v Speaker 39>for sort of broadcast quality whatever. But it's you know,

1604
01:32:35.760 --> 01:32:39.359
<v Speaker 39>they give me a great amount of freedom and support,

1605
01:32:39.760 --> 01:32:44.600
<v Speaker 39>so I'm hugely thankful to them. I usually add in

1606
01:32:44.640 --> 01:32:48.079
<v Speaker 39>some additional music. So there's a guy called Joshua Knox

1607
01:32:48.279 --> 01:32:52.720
<v Speaker 39>over in the UK who makes original music. He's on

1608
01:32:52.840 --> 01:32:55.159
<v Speaker 39>if you've got on Instagram some Night's Records, that's him.

1609
01:32:55.319 --> 01:32:57.279
<v Speaker 39>You can check him out there. But I feel that

1610
01:32:57.359 --> 01:32:59.920
<v Speaker 39>adds a lot to it as well when the music

1611
01:33:00.119 --> 01:33:03.159
<v Speaker 39>kicks in. But yeah, I mean it's it's a really

1612
01:33:03.279 --> 01:33:04.960
<v Speaker 39>you know, I make video essays and I've been doing

1613
01:33:04.960 --> 01:33:07.119
<v Speaker 39>that for about ten years or so. I'm a film

1614
01:33:07.199 --> 01:33:11.199
<v Speaker 39>journalist in the UK, but I write still, but video

1615
01:33:11.319 --> 01:33:14.399
<v Speaker 39>work has become, you know, an increasing part of what

1616
01:33:14.520 --> 01:33:16.680
<v Speaker 39>I do and I just find you know, I'm a

1617
01:33:16.680 --> 01:33:19.600
<v Speaker 39>big advocate for the form. I think it it allows

1618
01:33:19.640 --> 01:33:21.680
<v Speaker 39>you to talk about films in a different way. You know,

1619
01:33:21.720 --> 01:33:23.960
<v Speaker 39>the very fact that you're seeing stuff rather than trying

1620
01:33:24.000 --> 01:33:27.600
<v Speaker 39>to describe what you're seeing in a written medium. And

1621
01:33:27.680 --> 01:33:30.199
<v Speaker 39>I look at it as filmmaking. You know, it's with

1622
01:33:30.439 --> 01:33:33.319
<v Speaker 39>I would say, with a small f, because you're using

1623
01:33:33.600 --> 01:33:38.239
<v Speaker 39>other people's beautifully produced you know, shots, you know, scored

1624
01:33:38.520 --> 01:33:41.199
<v Speaker 39>beautifully active, beaut if you're in. But if you're doing

1625
01:33:41.239 --> 01:33:45.000
<v Speaker 39>it well, I think there's an element of filmmaking. You know,

1626
01:33:45.079 --> 01:33:47.520
<v Speaker 39>a script and your own music, and you know how

1627
01:33:47.520 --> 01:33:50.720
<v Speaker 39>you cut stuff together tempo, rhythm, et cetera. Obviously what

1628
01:33:50.760 --> 01:33:53.840
<v Speaker 39>you want to say about something. And for me, it's

1629
01:33:53.840 --> 01:33:57.880
<v Speaker 39>sort of reinvigorated my whole kind of journalistic practice. And

1630
01:33:58.199 --> 01:34:00.840
<v Speaker 39>The Nice Guys is a favor of mine.

1631
01:34:01.800 --> 01:34:05.520
<v Speaker 17>Yeah, Lee is an incredible talent and his video essays

1632
01:34:05.600 --> 01:34:08.479
<v Speaker 17>always deliver. And I know he went all out on

1633
01:34:08.680 --> 01:34:10.680
<v Speaker 17>The Nice Guys. It took him a while. He was

1634
01:34:10.760 --> 01:34:13.640
<v Speaker 17>really smugging away at that and yeah, it's great to

1635
01:34:13.680 --> 01:34:16.239
<v Speaker 17>see him rewarded for the hard work to put into that.

1636
01:34:18.600 --> 01:34:18.960
<v Speaker 13>Wow.

1637
01:34:19.479 --> 01:34:26.880
<v Speaker 40>Uh uh, Yeah, that's wild man. Who would have ever

1638
01:34:26.960 --> 01:34:30.560
<v Speaker 40>thought that I would get an award for talking about

1639
01:34:30.560 --> 01:34:34.840
<v Speaker 40>Wes Craven's Lost porn movie that's a that's a unique distinction.

1640
01:34:35.439 --> 01:34:37.000
<v Speaker 13>I think all this came.

1641
01:34:36.920 --> 01:34:39.600
<v Speaker 40>About was I gotta I got a call from my

1642
01:34:39.600 --> 01:34:43.000
<v Speaker 40>friend Elijah Drenner, who works for Vinegar Syndrome. He had

1643
01:34:43.239 --> 01:34:45.880
<v Speaker 40>had read the book that I wrote, The Soul of

1644
01:34:45.880 --> 01:34:48.119
<v Speaker 40>West Craven, which is a critical biography, and it has

1645
01:34:48.159 --> 01:34:52.319
<v Speaker 40>a whole chapter on the Fireworks Woman. He said, you know,

1646
01:34:52.359 --> 01:34:57.520
<v Speaker 40>we'd love to have you record something for this Blu

1647
01:34:57.640 --> 01:35:00.600
<v Speaker 40>Ray release. We're putting out the original, theat trial cut

1648
01:35:00.600 --> 01:35:02.520
<v Speaker 40>of The Fireworks Woman, which I had not seen at

1649
01:35:02.520 --> 01:35:05.439
<v Speaker 40>that point. So that was exciting news for me. You know,

1650
01:35:05.479 --> 01:35:07.520
<v Speaker 40>I duck up a lot of information on the Fireworks

1651
01:35:07.520 --> 01:35:10.439
<v Speaker 40>Woman when I was researching the book, but it was

1652
01:35:10.520 --> 01:35:13.039
<v Speaker 40>kind of bits and pieces. There were certain people who

1653
01:35:13.039 --> 01:35:15.680
<v Speaker 40>didn't want to talk about it for you know, maybe

1654
01:35:15.720 --> 01:35:19.239
<v Speaker 40>obvious reasons, and you know, it took some real digging.

1655
01:35:19.720 --> 01:35:24.359
<v Speaker 40>And the big discovery came about because of a conversation

1656
01:35:24.520 --> 01:35:27.800
<v Speaker 40>I had with Roy Frumkus, who was a friend of

1657
01:35:27.840 --> 01:35:32.000
<v Speaker 40>Wes's in the mid seventies and and who is also

1658
01:35:32.119 --> 01:35:34.760
<v Speaker 40>part of the Blu Ray release of The Fireworks Woman.

1659
01:35:34.800 --> 01:35:38.359
<v Speaker 40>There's an interview with him on there, and he just

1660
01:35:38.479 --> 01:35:40.680
<v Speaker 40>kind of casually mentioned at one point we were talking.

1661
01:35:40.720 --> 01:35:43.039
<v Speaker 40>You know, Wes wrote this script for this film and

1662
01:35:43.039 --> 01:35:46.680
<v Speaker 40>one of the people he shared it with was Norman Mailer,

1663
01:35:47.640 --> 01:35:52.039
<v Speaker 40>who was also working on some films in the same

1664
01:35:52.079 --> 01:35:54.640
<v Speaker 40>post house in New York where Wes was working, and

1665
01:35:55.640 --> 01:35:58.560
<v Speaker 40>so he showed the script to Norman Mailor. Mailer supposedly

1666
01:35:58.640 --> 01:36:01.039
<v Speaker 40>liked it. You know, that was just sort of a

1667
01:36:01.079 --> 01:36:06.079
<v Speaker 40>fun anecdote. But being the nerd that I am, you know,

1668
01:36:06.159 --> 01:36:08.239
<v Speaker 40>I have this habit of going down rabbit holes. So

1669
01:36:08.319 --> 01:36:11.239
<v Speaker 40>I just said, you know, I wonder where Mailer's literary

1670
01:36:11.239 --> 01:36:14.199
<v Speaker 40>papers are, and I wondered if there's any chance that

1671
01:36:14.279 --> 01:36:16.520
<v Speaker 40>he held on to this script and that this this

1672
01:36:16.600 --> 01:36:19.359
<v Speaker 40>script might be floating around in Norman Mailer's papers. So,

1673
01:36:20.520 --> 01:36:22.279
<v Speaker 40>you know, I went to the finding aid for the

1674
01:36:22.279 --> 01:36:26.680
<v Speaker 40>Harry Ransom Center in Austin, Texas, and sure enough, there

1675
01:36:26.960 --> 01:36:32.000
<v Speaker 40>it was The Fireworks Man script by Wes Craven and

1676
01:36:32.199 --> 01:36:34.720
<v Speaker 40>Roger Murphy. So, you know, I thought there was a

1677
01:36:34.760 --> 01:36:37.199
<v Speaker 40>real opportunity when Elijah came to me and said, we're

1678
01:36:37.199 --> 01:36:39.319
<v Speaker 40>putting out the theatrical cut for the first time. This

1679
01:36:39.439 --> 01:36:41.479
<v Speaker 40>is a cut of the film that unless you saw

1680
01:36:41.520 --> 01:36:45.840
<v Speaker 40>The Fireworks Woman in the theater in nineteen seventy five.

1681
01:36:47.079 --> 01:36:48.560
<v Speaker 40>You weren't going to have seen this cut, you know.

1682
01:36:48.800 --> 01:36:51.279
<v Speaker 40>I'd seen the VHS cut, the VHS cuts all over

1683
01:36:51.279 --> 01:36:55.279
<v Speaker 40>the internet, you know, but it's shorter, and some of

1684
01:36:55.319 --> 01:37:00.960
<v Speaker 40>the more controversial and interesting moments of the film we're

1685
01:37:00.960 --> 01:37:03.960
<v Speaker 40>not in it. So I thought, here's a here's a

1686
01:37:04.000 --> 01:37:08.479
<v Speaker 40>really interesting opportunity to talk about what Wes's original plan

1687
01:37:08.600 --> 01:37:10.680
<v Speaker 40>for the film was, what he wrote down, what's in

1688
01:37:10.720 --> 01:37:12.960
<v Speaker 40>the script, and to do kind of a compare contrast

1689
01:37:13.840 --> 01:37:16.239
<v Speaker 40>with the theatrical cuts, so two different kind of versions

1690
01:37:16.279 --> 01:37:20.399
<v Speaker 40>of the story that you know, really until this this release,

1691
01:37:20.479 --> 01:37:21.920
<v Speaker 40>people didn't know. I mean, you can go to the

1692
01:37:21.920 --> 01:37:24.399
<v Speaker 40>Harry Ransom Center if you want read the script. It's there,

1693
01:37:25.560 --> 01:37:27.640
<v Speaker 40>but I figure most people probably aren't going to do that.

1694
01:37:27.720 --> 01:37:31.439
<v Speaker 40>So I thought it was exciting to to talk about,

1695
01:37:31.800 --> 01:37:35.760
<v Speaker 40>you know, Wes's story in its in its purest form.

1696
01:37:36.720 --> 01:37:36.840
<v Speaker 41>Uh.

1697
01:37:37.199 --> 01:37:40.560
<v Speaker 40>And that's and that's really what the guys at Vinegar

1698
01:37:40.600 --> 01:37:43.399
<v Speaker 40>Syndrome and Melosine, that's what they put out. You know,

1699
01:37:43.520 --> 01:37:47.960
<v Speaker 40>I'm grateful that this version of the film exists. I'm

1700
01:37:48.000 --> 01:37:51.880
<v Speaker 40>grateful to be a part of it, and I appreciate

1701
01:37:52.000 --> 01:37:54.680
<v Speaker 40>that you're drawing attention to it, and then it's been

1702
01:37:54.720 --> 01:37:55.960
<v Speaker 40>so well received.

1703
01:37:57.840 --> 01:38:02.640
<v Speaker 2>This man wrote, what is the best way to say this,

1704
01:38:02.720 --> 01:38:06.760
<v Speaker 2>like an exhaustive history of Wes Craven, and we got

1705
01:38:06.800 --> 01:38:08.760
<v Speaker 2>him as part of the show to talk about his

1706
01:38:08.880 --> 01:38:12.800
<v Speaker 2>long lost adult movie. And that's just beautiful to me,

1707
01:38:12.960 --> 01:38:15.039
<v Speaker 2>like the fact that he started this with a sentiment

1708
01:38:15.079 --> 01:38:17.399
<v Speaker 2>of like, haha, what are you doing awarding me for that?

1709
01:38:17.439 --> 01:38:20.239
<v Speaker 2>But we get this really wonderful story about like film

1710
01:38:20.359 --> 01:38:24.840
<v Speaker 2>history surrounding Norman Mayler and Wes Craven and that is,

1711
01:38:25.279 --> 01:38:27.479
<v Speaker 2>you know, a part of many of our shelves. Now,

1712
01:38:27.600 --> 01:38:29.520
<v Speaker 2>that's that's just amazing.

1713
01:38:30.239 --> 01:38:32.840
<v Speaker 5>Yeah, yeah, I mean that book is incredible. But I

1714
01:38:34.039 --> 01:38:40.119
<v Speaker 5>adore visual essays because to me, beyond studio releases and

1715
01:38:40.199 --> 01:38:43.760
<v Speaker 5>making of documentaries, that's the gateway for people. I think

1716
01:38:43.800 --> 01:38:45.760
<v Speaker 5>that's the easiest starting point for a lot of people

1717
01:38:45.800 --> 01:38:49.159
<v Speaker 5>because there's a visual component and then from there, getting

1718
01:38:49.159 --> 01:38:52.800
<v Speaker 5>into like interviews and audio commentaries are kind of the

1719
01:38:52.840 --> 01:38:55.439
<v Speaker 5>next step. But I feel like that's kind of where

1720
01:38:56.560 --> 01:39:00.279
<v Speaker 5>my deeper foray began. It was like, I'm really into

1721
01:39:00.279 --> 01:39:04.399
<v Speaker 5>documentaries really in the the making of stuff, started discovering

1722
01:39:04.439 --> 01:39:06.680
<v Speaker 5>visual essays and then that kind of opened the door

1723
01:39:06.720 --> 01:39:09.359
<v Speaker 5>for like, I think I can sit down in a

1724
01:39:09.439 --> 01:39:11.279
<v Speaker 5>couch or on my couch and listen to an hour

1725
01:39:11.279 --> 01:39:13.840
<v Speaker 5>and a half interview, And then that turned into let

1726
01:39:13.880 --> 01:39:18.560
<v Speaker 5>me watch the movie four times with three different commentary tracks,

1727
01:39:18.640 --> 01:39:20.399
<v Speaker 5>and now it's led to me where I am now

1728
01:39:20.439 --> 01:39:21.800
<v Speaker 5>an absolute sociopath.

1729
01:39:21.960 --> 01:39:25.760
<v Speaker 2>So yes, all of us that love physical media are sociopaths.

1730
01:39:26.079 --> 01:39:27.560
<v Speaker 2>One way that you could join us and be a

1731
01:39:27.560 --> 01:39:30.479
<v Speaker 2>sociopath is by enjoying the written essays that get a

1732
01:39:30.560 --> 01:39:34.720
<v Speaker 2>lot of work put into them. Some of them will

1733
01:39:35.119 --> 01:39:38.279
<v Speaker 2>just blow your mind. There were ones that were not

1734
01:39:38.439 --> 01:39:40.840
<v Speaker 2>nominated this year that are some of the best things

1735
01:39:40.840 --> 01:39:42.560
<v Speaker 2>that I've read in years. They came out in twenty

1736
01:39:42.600 --> 01:39:45.159
<v Speaker 2>twenty five, and I really hope people are cracking open

1737
01:39:45.199 --> 01:39:48.359
<v Speaker 2>there like a limited editions, actually reading the books cover

1738
01:39:48.399 --> 01:39:50.640
<v Speaker 2>to cover. Check them out. If you love a movie,

1739
01:39:50.720 --> 01:39:52.960
<v Speaker 2>you will love it even more after reading up on

1740
01:39:53.000 --> 01:39:56.279
<v Speaker 2>the context behind it. And shout out to a dear

1741
01:39:56.319 --> 01:39:59.159
<v Speaker 2>friend and previous co host of this very award show

1742
01:39:59.199 --> 01:40:04.560
<v Speaker 2>to tell us who won for Best Newly Written Essay.

1743
01:40:05.000 --> 01:40:11.560
<v Speaker 42>Oh hello, good evening. My name is Celeste Leacabro. You

1744
01:40:11.600 --> 01:40:16.560
<v Speaker 42>may know me from this very channel or even previous

1745
01:40:16.640 --> 01:40:20.359
<v Speaker 42>iterations of this very award show. You may also know

1746
01:40:20.439 --> 01:40:25.680
<v Speaker 42>me from my YouTube channel, appropriately entitled Celeste Lacabro. You

1747
01:40:25.760 --> 01:40:28.119
<v Speaker 42>may also also know me from my essays that I've

1748
01:40:28.159 --> 01:40:32.000
<v Speaker 42>produced for discs from Deaf Crocodile, a new wave video.

1749
01:40:32.159 --> 01:40:35.279
<v Speaker 42>You may also also know me from my segment fifteen

1750
01:40:35.279 --> 01:40:38.359
<v Speaker 42>Minutes with You on the Punk Vacation podcast, reviewing classic

1751
01:40:38.479 --> 01:40:43.079
<v Speaker 42>and contemporary erotic cinema. You may also also know me

1752
01:40:43.880 --> 01:40:51.319
<v Speaker 42>from my general propensity to piss off Zack Sniner perverts, Republicans, fascists,

1753
01:40:51.359 --> 01:40:57.520
<v Speaker 42>and centrists on the Internet, such as my Want. I'm

1754
01:40:57.560 --> 01:40:59.680
<v Speaker 42>here with the distinct honor to present the award for

1755
01:40:59.720 --> 01:41:04.399
<v Speaker 42>Best New Written Essay. You know there's a bit of

1756
01:41:04.399 --> 01:41:07.520
<v Speaker 42>a written essayist myself. I know a thing or two

1757
01:41:07.920 --> 01:41:12.600
<v Speaker 42>about the written word. I have explored its power and

1758
01:41:12.680 --> 01:41:20.159
<v Speaker 42>its seduction intimately and thoroughly. I have and will always

1759
01:41:20.319 --> 01:41:23.439
<v Speaker 42>advocate for the written essays to not be marginalized to

1760
01:41:23.439 --> 01:41:24.239
<v Speaker 42>the limited edition.

1761
01:41:24.319 --> 01:41:24.560
<v Speaker 4>Only.

1762
01:41:25.439 --> 01:41:28.439
<v Speaker 42>The writing that my fellow critics and historians create is valuable.

1763
01:41:29.159 --> 01:41:32.800
<v Speaker 42>I'm happy to be a part of celebrating them. Without

1764
01:41:32.800 --> 01:41:37.760
<v Speaker 42>all being said, the nominees for Best New Written Essay

1765
01:41:38.600 --> 01:41:39.399
<v Speaker 42>are as follows.

1766
01:41:52.800 --> 01:41:57.119
<v Speaker 5>The Eva Man Films by Ismail Fernandez, Eva Man Manda Macabre,

1767
01:41:58.840 --> 01:42:03.279
<v Speaker 5>The Innkeepers by Heather Wickson, The Innkeeper's four K second

1768
01:42:03.319 --> 01:42:08.760
<v Speaker 5>site Films, On Possession by Elena Alazak, Possession four K

1769
01:42:09.319 --> 01:42:14.079
<v Speaker 5>second site Films, Twisted Issues by Heather Drain, Twisted Issues,

1770
01:42:14.399 --> 01:42:19.279
<v Speaker 5>Saturn's Core Audio and Video, The Sadness by Michelle Kisner,

1771
01:42:19.600 --> 01:42:22.199
<v Speaker 5>The Sadness four k ero video.

1772
01:42:27.920 --> 01:42:31.479
<v Speaker 42>And the award their best New Written Essay goes to

1773
01:42:34.840 --> 01:42:40.600
<v Speaker 42>On Possession by Ellen Alazak from Appropriately the second Site

1774
01:42:41.399 --> 01:42:46.079
<v Speaker 42>limited deluxe edition of Possession, my second favorite film of

1775
01:42:46.079 --> 01:42:48.920
<v Speaker 42>all time and my favorite release of the year. I'm

1776
01:42:49.000 --> 01:42:52.439
<v Speaker 42>very happy to have presented this. Congratulations Elena, thank you

1777
01:42:52.479 --> 01:42:56.439
<v Speaker 42>for all your wonderful work, and uh goot out Isabella

1778
01:42:56.479 --> 01:42:57.800
<v Speaker 42>Johnny forgets.

1779
01:42:57.920 --> 01:43:01.159
<v Speaker 17>Yeah. Elena is a force of nature and when it

1780
01:43:01.199 --> 01:43:04.680
<v Speaker 17>comes to horror and Artautara, she is one of the

1781
01:43:04.680 --> 01:43:06.640
<v Speaker 17>best to do it, so very well deserved.

1782
01:43:08.399 --> 01:43:11.359
<v Speaker 2>Want to shout out women who are brilliant. Lots of

1783
01:43:11.359 --> 01:43:14.600
<v Speaker 2>women nominated in this category, Lots of women nominated for

1784
01:43:15.239 --> 01:43:17.600
<v Speaker 2>visual essay for our I think it was a visual essay,

1785
01:43:17.640 --> 01:43:19.760
<v Speaker 2>but commentaries were about to see in just a moment.

1786
01:43:20.520 --> 01:43:23.600
<v Speaker 2>Women are truly incredible in this field and do not

1787
01:43:23.600 --> 01:43:27.279
<v Speaker 2>get enough attention. And for that note, I did want

1788
01:43:27.319 --> 01:43:30.680
<v Speaker 2>to point out that as we honored Alexander Heller Nicholas earlier.

1789
01:43:31.119 --> 01:43:34.680
<v Speaker 2>I didn't know this, but she was watching live as

1790
01:43:34.720 --> 01:43:37.359
<v Speaker 2>we were sharing that video with the world and she

1791
01:43:37.439 --> 01:43:40.159
<v Speaker 2>was emailing me. I invited her to come on, but

1792
01:43:40.199 --> 01:43:43.279
<v Speaker 2>she said she was too emotional after this and said

1793
01:43:43.279 --> 01:43:46.600
<v Speaker 2>that she truly loved the support and just want to

1794
01:43:46.600 --> 01:43:48.640
<v Speaker 2>say thank you to everybody that has given her love

1795
01:43:48.840 --> 01:43:51.039
<v Speaker 2>in the chat because it meant a lot to her.

1796
01:43:51.119 --> 01:43:52.920
<v Speaker 2>So that means a lot to me, the fact that

1797
01:43:52.960 --> 01:43:55.720
<v Speaker 2>people are watching this and care, so thank you, Alexandra.

1798
01:43:56.319 --> 01:44:00.239
<v Speaker 5>Yeah, thank you. And I really need people to crack

1799
01:44:00.319 --> 01:44:02.920
<v Speaker 5>open their books when they get these releases. I feel

1800
01:44:02.920 --> 01:44:05.560
<v Speaker 5>like that's the last thing people go to and read

1801
01:44:05.600 --> 01:44:08.600
<v Speaker 5>them cover to cover and pay attention to who's writing them.

1802
01:44:08.760 --> 01:44:11.800
<v Speaker 5>Read them twice three times if you have to, to

1803
01:44:11.920 --> 01:44:16.079
<v Speaker 5>fully understand and take in the information. But please open

1804
01:44:16.119 --> 01:44:19.760
<v Speaker 5>them up and appreciate them, because some of the best

1805
01:44:19.920 --> 01:44:22.840
<v Speaker 5>work you will ever read on a film are hiding

1806
01:44:22.880 --> 01:44:24.239
<v Speaker 5>in that thing you're afraid to open.

1807
01:44:24.920 --> 01:44:28.479
<v Speaker 2>So some of the other places that you'll find a

1808
01:44:28.479 --> 01:44:30.279
<v Speaker 2>lot of stuff in audio commentaries and now you and

1809
01:44:30.359 --> 01:44:31.800
<v Speaker 2>I are somebody that will sit here, listen to an

1810
01:44:31.840 --> 01:44:34.199
<v Speaker 2>audio commentary and take a bunch of notes. But I

1811
01:44:34.399 --> 01:44:37.640
<v Speaker 2>love to see the right people get commendation for the

1812
01:44:37.840 --> 01:44:39.600
<v Speaker 2>amount of work that they're putting into these So let's

1813
01:44:39.640 --> 01:44:42.159
<v Speaker 2>cover the best audio commentary of the year.

1814
01:44:43.279 --> 01:44:45.680
<v Speaker 43>Hey, physical media lovers, this is Stephen from Beyond the

1815
01:44:45.680 --> 01:44:48.680
<v Speaker 43>Blood podcast, where we discuss our favorite horror films and

1816
01:44:48.720 --> 01:44:51.920
<v Speaker 43>dissect the audio commentaries behind them. Last year was a

1817
01:44:51.920 --> 01:44:54.720
<v Speaker 43>massive win for physical media. We had a number of

1818
01:44:54.760 --> 01:44:59.600
<v Speaker 43>boutique labels that delivered incredible four K restorations, stack special features,

1819
01:44:59.640 --> 01:45:02.840
<v Speaker 43>and thought full audio commentaries that reminded us why we collect.

1820
01:45:14.239 --> 01:45:18.840
<v Speaker 5>Alexandra Heller, Nicholas and Alison Taylor Possession four K Second

1821
01:45:18.840 --> 01:45:23.880
<v Speaker 5>Sight Films, Frank Sebastiano and Mike Hunchback, Dirty Work four

1822
01:45:24.000 --> 01:45:30.279
<v Speaker 5>K Vinegar Syndrome, Arna Venomma and Mike Leader Inflatable Sex,

1823
01:45:30.359 --> 01:45:35.279
<v Speaker 5>To All the Wastelands, def Crocodile, Sam Deagan, Altered State's

1824
01:45:35.279 --> 01:45:42.159
<v Speaker 5>four K Criterion Collection, Willow Caitlyn McLay and Kaden Mark Gardner,

1825
01:45:42.399 --> 01:45:44.560
<v Speaker 5>Eva Man, Manda Micagery.

1826
01:45:47.479 --> 01:45:50.319
<v Speaker 43>I'm honored to be announcing the winners for Best New

1827
01:45:50.359 --> 01:45:55.359
<v Speaker 43>Audio commentary. The Creators Selection Committee winner is Alexander Heller

1828
01:45:55.479 --> 01:45:59.880
<v Speaker 43>Nicholas and Alison Taylor for the Possession for k Rel

1829
01:46:00.600 --> 01:46:04.600
<v Speaker 43>from Second Save Films, and the Community winner is Sam

1830
01:46:04.640 --> 01:46:08.119
<v Speaker 43>Degan for the Altered Stage four kre release from the

1831
01:46:08.159 --> 01:46:12.439
<v Speaker 43>Criterion Collection. Two incredible selections and a reminder of why

1832
01:46:12.479 --> 01:46:15.319
<v Speaker 43>physical media and the voices behind it matters so much.

1833
01:46:15.800 --> 01:46:19.079
<v Speaker 43>Audio commentaries keep these films alive, deep in the experience

1834
01:46:19.119 --> 01:46:21.560
<v Speaker 43>and connect us to the art in a whole new way.

1835
01:46:21.720 --> 01:46:23.640
<v Speaker 43>I'm Stephen from Beyond the Blood and I'll catch you

1836
01:46:23.680 --> 01:46:25.199
<v Speaker 43>guys on the next episode.

1837
01:46:26.560 --> 01:46:30.159
<v Speaker 44>Well, I don't know about Ali, but I'm absolutely tickled pink.

1838
01:46:30.359 --> 01:46:32.399
<v Speaker 44>And as much as I would like to take credit

1839
01:46:32.479 --> 01:46:34.880
<v Speaker 44>for this, I think it's really worth pointing out that

1840
01:46:36.680 --> 01:46:39.239
<v Speaker 44>I was really there to kind of facilitate Ali, who

1841
01:46:39.319 --> 01:46:42.039
<v Speaker 44>literally wrote the book on Possession is.

1842
01:46:43.119 --> 01:46:44.560
<v Speaker 45>I will accept sharing this.

1843
01:46:44.640 --> 01:46:48.159
<v Speaker 44>Prize, this award, but it's really Ali and her amazing

1844
01:46:48.239 --> 01:46:51.520
<v Speaker 44>film brain. And I guess Ali, your dedication to this

1845
01:46:51.600 --> 01:46:54.399
<v Speaker 44>film extends to the point that you're doing this video

1846
01:46:54.520 --> 01:46:55.520
<v Speaker 44>while you're in Berlin.

1847
01:46:57.640 --> 01:46:59.720
<v Speaker 17>I mean it just felt right. It felt right.

1848
01:47:01.319 --> 01:47:04.479
<v Speaker 37>No, I think I was coming on here to say

1849
01:47:04.520 --> 01:47:07.000
<v Speaker 37>the opposite, which is. I think a lot of credit

1850
01:47:07.039 --> 01:47:10.680
<v Speaker 37>goes to Alex and the joy of lighting a bong

1851
01:47:10.760 --> 01:47:15.960
<v Speaker 37>for Bob I will never forget. But yeah, I'm in Berlin,

1852
01:47:16.000 --> 01:47:20.159
<v Speaker 37>which is just so fitting. I've just come a couple

1853
01:47:20.199 --> 01:47:23.560
<v Speaker 37>of hours ago from checking out the Red Carpet. I

1854
01:47:23.560 --> 01:47:25.640
<v Speaker 37>stood there in the rain with my little hood on

1855
01:47:26.319 --> 01:47:28.520
<v Speaker 37>and got absolutely soaked, but it was well worth it.

1856
01:47:28.560 --> 01:47:29.479
<v Speaker 13>And then I.

1857
01:47:29.439 --> 01:47:32.800
<v Speaker 37>Get to come back and talk about Possession. What a

1858
01:47:32.880 --> 01:47:35.560
<v Speaker 37>dream come true. I'm a film nerd heaven right now.

1859
01:47:36.039 --> 01:47:40.239
<v Speaker 37>But yeah, I'm super super stoked and very happy that

1860
01:47:40.279 --> 01:47:41.279
<v Speaker 37>we got voted for.

1861
01:47:41.319 --> 01:47:42.119
<v Speaker 17>That's so kind.

1862
01:47:43.399 --> 01:47:45.720
<v Speaker 37>I'm just a film nerd doing what film nerds do.

1863
01:47:47.520 --> 01:47:48.720
<v Speaker 7>And you do it so well.

1864
01:47:49.279 --> 01:47:54.680
<v Speaker 44>We Chris and Phil and you know the great Daniel

1865
01:47:54.720 --> 01:47:59.239
<v Speaker 44>Byrd of course in Possession or roads lead back to Daniel. Yes,

1866
01:47:59.319 --> 01:48:02.880
<v Speaker 44>so I'll be They're very much a part of this story.

1867
01:48:03.199 --> 01:48:06.520
<v Speaker 44>Like we quite literally wouldn't have done this commentary without

1868
01:48:06.720 --> 01:48:11.319
<v Speaker 44>those people being involved. Sorry, Daniel in particular, is you

1869
01:48:11.359 --> 01:48:15.039
<v Speaker 44>know somebody that I know that we're both immensely grateful

1870
01:48:15.079 --> 01:48:16.279
<v Speaker 44>to for a whole.

1871
01:48:16.079 --> 01:48:16.840
<v Speaker 17>Bunch of reasons.

1872
01:48:18.319 --> 01:48:21.880
<v Speaker 44>Yeah, thank you. So we're so tickled. It's really amazing.

1873
01:48:22.119 --> 01:48:25.479
<v Speaker 37>I could not have written that book without without his input.

1874
01:48:26.279 --> 01:48:30.279
<v Speaker 37>He is the Possession expert. Having spent so much time

1875
01:48:30.279 --> 01:48:33.199
<v Speaker 37>with Chiwolski, and so I've learned a great deal from him.

1876
01:48:33.199 --> 01:48:36.279
<v Speaker 37>I've learned a great deal from Alex and yeah, it's

1877
01:48:36.359 --> 01:48:38.920
<v Speaker 37>just it's really exciting. So thank you Ryan.

1878
01:48:40.199 --> 01:48:44.359
<v Speaker 17>Oh excellent, And yeah, they are two actually powerhouses of

1879
01:48:44.439 --> 01:48:49.239
<v Speaker 17>knowledge and they deserve all the acclaim the absolute legend.

1880
01:48:49.399 --> 01:48:53.159
<v Speaker 17>Alex in particular is you know, an absolute legend. And yeah,

1881
01:48:53.239 --> 01:48:56.039
<v Speaker 17>the more she wins, the better of the community is

1882
01:48:56.079 --> 01:48:58.399
<v Speaker 17>because yeah, she deserves all the awards.

1883
01:49:00.239 --> 01:49:02.279
<v Speaker 2>Possession taking it away tonight. I know a lot of

1884
01:49:02.279 --> 01:49:04.640
<v Speaker 2>people in the chatter noticing, Yeah, Possession got a lot

1885
01:49:04.640 --> 01:49:07.000
<v Speaker 2>of attention this year, which is great because it came

1886
01:49:07.000 --> 01:49:11.079
<v Speaker 2>out late in the year. But also I understand the

1887
01:49:11.079 --> 01:49:13.399
<v Speaker 2>the ire some people have with that because it has

1888
01:49:13.439 --> 01:49:15.760
<v Speaker 2>been released so so many times. But I know something

1889
01:49:15.760 --> 01:49:17.920
<v Speaker 2>that you and I have talked about before are definitive

1890
01:49:18.039 --> 01:49:22.800
<v Speaker 2>editions and as of this point, there is no reason

1891
01:49:22.920 --> 01:49:25.279
<v Speaker 2>Possession ever needs to be released again unless it's coming

1892
01:49:25.359 --> 01:49:28.239
<v Speaker 2>out in the US because it's not had a good,

1893
01:49:28.279 --> 01:49:32.079
<v Speaker 2>proper current release of it, or like Italy or Germany

1894
01:49:32.199 --> 01:49:35.439
<v Speaker 2>or somewhere like that. You've got a proper Australian release,

1895
01:49:35.479 --> 01:49:38.000
<v Speaker 2>you've got a proper UK release. I think we can

1896
01:49:38.039 --> 01:49:39.119
<v Speaker 2>probably let a rest after that.

1897
01:49:39.760 --> 01:49:41.520
<v Speaker 5>Yeah, yeah, I think it's time. I think it's time

1898
01:49:41.560 --> 01:49:44.920
<v Speaker 5>to start working on something else. So this is the

1899
01:49:45.119 --> 01:49:50.279
<v Speaker 5>definitive release, uh, And I mean it's it's incredible that

1900
01:49:50.319 --> 01:49:52.760
<v Speaker 5>it's getting so much attention because the work behind it

1901
01:49:52.800 --> 01:49:56.119
<v Speaker 5>is years in the making and this was talked about

1902
01:49:56.239 --> 01:49:58.880
<v Speaker 5>so many times over what I feel like has been

1903
01:49:59.560 --> 01:50:01.399
<v Speaker 5>the last three years we knew it was coming from

1904
01:50:01.439 --> 01:50:03.920
<v Speaker 5>Second Site. Everybody had very high hopes for what was

1905
01:50:03.960 --> 01:50:07.239
<v Speaker 5>gonna what was gonna come from it, And I think

1906
01:50:07.279 --> 01:50:10.000
<v Speaker 5>when it got when it when that announcement officially came

1907
01:50:10.000 --> 01:50:13.119
<v Speaker 5>out and people saw what was gonna come, it tickled

1908
01:50:13.399 --> 01:50:15.279
<v Speaker 5>a lot of people in just the right spot, you

1909
01:50:15.319 --> 01:50:18.119
<v Speaker 5>know what I mean, what a way.

1910
01:50:18.000 --> 01:50:22.520
<v Speaker 2>To say that about that movie. On that note, I

1911
01:50:22.520 --> 01:50:25.199
<v Speaker 2>think it's probably a good time to head to our

1912
01:50:25.279 --> 01:50:28.760
<v Speaker 2>next giveaway, which is I believe for another Odyssey gift card.

1913
01:50:28.800 --> 01:50:30.000
<v Speaker 2>Is that right? It is?

1914
01:50:30.199 --> 01:50:33.479
<v Speaker 5>Yeah, Odyssey Movie Store given away another twenty five dollars

1915
01:50:33.560 --> 01:50:37.439
<v Speaker 5>gift card and kind of themed this one pretty appropriately,

1916
01:50:37.479 --> 01:50:40.640
<v Speaker 5>I think. So whoever spurs is gonna win the gift card.

1917
01:50:41.000 --> 01:50:45.680
<v Speaker 5>Your question is the first recorded audio commentary was on

1918
01:50:45.800 --> 01:50:50.479
<v Speaker 5>a laser disc release in nineteen eighty four. What film

1919
01:50:50.600 --> 01:50:52.560
<v Speaker 5>featured that commentary track.

1920
01:50:53.479 --> 01:50:55.479
<v Speaker 2>I know this has been up to debate for a

1921
01:50:55.520 --> 01:50:59.760
<v Speaker 2>couple people, but it's it's pretty documented that this first

1922
01:51:00.439 --> 01:51:02.680
<v Speaker 2>got it. I Reggie say in nineteen sixty nine, that

1923
01:51:02.720 --> 01:51:07.119
<v Speaker 2>was a good try. Look at that on the immediate

1924
01:51:07.600 --> 01:51:09.840
<v Speaker 2>I gotta be honest, since he already won one, I'm

1925
01:51:09.840 --> 01:51:12.159
<v Speaker 2>gonna give it to the next person. Sorry, Robert, I'm

1926
01:51:12.199 --> 01:51:14.399
<v Speaker 2>gonna share the love a little bit. Next one was

1927
01:51:14.640 --> 01:51:17.920
<v Speaker 2>Robert Hubbard of this is weird to know this offhand,

1928
01:51:17.960 --> 01:51:21.159
<v Speaker 2>but Robert Hubbard in Kansas over there winning for somebody else.

1929
01:51:21.680 --> 01:51:23.439
<v Speaker 2>I'm gonna I'm gonna give that one to Robert. Sorry

1930
01:51:23.520 --> 01:51:26.159
<v Speaker 2>Robert or the other Robert that is missing out on

1931
01:51:26.199 --> 01:51:29.920
<v Speaker 2>that one. And congratulations. Look Robert's all around. Yes, it

1932
01:51:30.000 --> 01:51:33.199
<v Speaker 2>was a Criterion King Kong release that got the first

1933
01:51:33.199 --> 01:51:36.640
<v Speaker 2>commentary on laser disc. Mister Hubbard, we will get you

1934
01:51:36.720 --> 01:51:40.680
<v Speaker 2>a discount code for twenty five bucks at Odystymovies dot com.

1935
01:51:42.359 --> 01:51:45.039
<v Speaker 2>Robert Francis God dang on the trigger with getting the

1936
01:51:45.079 --> 01:51:48.079
<v Speaker 2>two of them right tonight. The first amazing, very well done.

1937
01:51:48.840 --> 01:51:52.920
<v Speaker 2>That was astonishing. You know, Possession is an incredible release.

1938
01:51:53.079 --> 01:51:57.239
<v Speaker 2>It is a single feature release, and we always, as

1939
01:51:57.279 --> 01:51:59.640
<v Speaker 2>we all saw from somebody commenting earlier, it's not fair

1940
01:51:59.680 --> 01:52:03.000
<v Speaker 2>for sets to compete against single features. So let's discard

1941
01:52:03.039 --> 01:52:06.000
<v Speaker 2>some of those and talk about the best single or

1942
01:52:06.039 --> 01:52:10.439
<v Speaker 2>double feature release of the entire year throughout the entire world.

1943
01:52:11.560 --> 01:52:14.279
<v Speaker 46>Hey, everybody, it's Ryan, co host of the New World

1944
01:52:14.319 --> 01:52:18.279
<v Speaker 46>Pictures podcast, a podcast dedicated to New World Pictures from

1945
01:52:18.279 --> 01:52:21.199
<v Speaker 46>the era of Roger Corman until the nineteen nineties when

1946
01:52:21.199 --> 01:52:24.000
<v Speaker 46>they were doing TV shows and a TV movie starring

1947
01:52:24.079 --> 01:52:26.720
<v Speaker 46>Ricky Schroder directed by Fright Knights Tom Holland.

1948
01:52:26.760 --> 01:52:28.199
<v Speaker 13>It's a real thing. Look it up.

1949
01:52:28.720 --> 01:52:32.199
<v Speaker 46>Anyway, I'm here to discuss the best single or doubles

1950
01:52:32.239 --> 01:52:34.960
<v Speaker 46>of twenty twenty five. And I am so excited because

1951
01:52:35.239 --> 01:52:38.359
<v Speaker 46>I'm a huge tennis fan. I watch Wimbledon every single year.

1952
01:52:38.479 --> 01:52:40.319
<v Speaker 2>And what.

1953
01:52:42.319 --> 01:52:46.359
<v Speaker 46>This isn't for the SPS? Well, how was I supposed

1954
01:52:46.399 --> 01:52:48.920
<v Speaker 46>to know? Ryan's got his hands in literally everything these days?

1955
01:52:48.920 --> 01:52:53.880
<v Speaker 46>How Well, this was ridiculous. Then, okay, so that was.

1956
01:52:56.880 --> 01:52:57.319
<v Speaker 4>Okay.

1957
01:52:57.560 --> 01:53:02.239
<v Speaker 46>So the nominees for the best single or double feature release.

1958
01:53:01.960 --> 01:53:21.399
<v Speaker 5>Are the Beyond four K Grindhouse Releasing, Eyes Wide Shut

1959
01:53:21.439 --> 01:53:29.039
<v Speaker 5>four K Criterion Collection, Freaked four K, Umbrella Entertainment, a

1960
01:53:29.119 --> 01:53:35.479
<v Speaker 5>New Leaf four K Cinematograph, Possession four K, Second Slave.

1961
01:53:35.359 --> 01:53:43.720
<v Speaker 46>Films, and the Creator's Selection Committee winner is Possession four

1962
01:53:43.800 --> 01:53:48.920
<v Speaker 46>K from Second Sight, and the Community winner is the

1963
01:53:49.039 --> 01:53:54.960
<v Speaker 46>Beyond four K from Grindhouse Releasing. Congratulations to all. I

1964
01:53:55.000 --> 01:53:57.479
<v Speaker 46>can't think of a better and more deserving winner. So

1965
01:53:57.600 --> 01:54:02.920
<v Speaker 46>well done everyone, even to David Fair who, despite being

1966
01:54:03.000 --> 01:54:06.119
<v Speaker 46>ranked number three, never won a Grand Slam Singles title.

1967
01:54:06.840 --> 01:54:09.960
<v Speaker 46>But let's just go and enjoy some movies.

1968
01:54:13.960 --> 01:54:14.319
<v Speaker 13>Wow.

1969
01:54:15.199 --> 01:54:17.479
<v Speaker 17>Yeah, last year was an incredible year for physical media

1970
01:54:17.479 --> 01:54:21.359
<v Speaker 17>as well, so that is a true honor. And yeah,

1971
01:54:21.640 --> 01:54:24.039
<v Speaker 17>we've been huge fans of the film for many, many

1972
01:54:24.119 --> 01:54:27.319
<v Speaker 17>years now and to see it this well embraced is

1973
01:54:27.920 --> 01:54:29.960
<v Speaker 17>really heartwarming. So thank you all guys.

1974
01:54:30.560 --> 01:54:36.800
<v Speaker 25>Wow, that's great. It feels like a single release, but

1975
01:54:37.760 --> 01:54:41.399
<v Speaker 25>really there's three different versions of the movie on the disk,

1976
01:54:41.479 --> 01:54:44.199
<v Speaker 25>which kind of makes it kind of a triple feature

1977
01:54:44.600 --> 01:54:46.079
<v Speaker 25>if you want to look at it like that. But

1978
01:54:47.039 --> 01:54:48.079
<v Speaker 25>that's great too, thank you.

1979
01:54:50.359 --> 01:54:52.640
<v Speaker 2>I feel a little called out in that one from Ryan,

1980
01:54:52.720 --> 01:54:55.439
<v Speaker 2>but I'll accept it. I guess you know what, that dude.

1981
01:54:56.119 --> 01:54:58.720
<v Speaker 5>Phil Scott has spend so much time accepting awards his

1982
01:54:58.800 --> 01:55:03.279
<v Speaker 5>dog left the room. Yeah, this was like I'm done,

1983
01:55:03.279 --> 01:55:04.560
<v Speaker 5>I'm going so I'm going to another room.

1984
01:55:04.640 --> 01:55:10.279
<v Speaker 2>Yeh yeh uh. Yeah that was crazy. Phil has accepted

1985
01:55:10.319 --> 01:55:13.239
<v Speaker 2>so many Worst Night Bob's accepted his his fear Share,

1986
01:55:13.800 --> 01:55:19.119
<v Speaker 2>absolutely ridiculous set of titles to win tonight. Yeah, the

1987
01:55:19.119 --> 01:55:22.239
<v Speaker 2>the the comedy bit of Ryan holding up freaked just

1988
01:55:22.239 --> 01:55:25.920
<v Speaker 2>in the bottom. I thought that was perfect, super super

1989
01:55:25.960 --> 01:55:28.279
<v Speaker 2>great slate of releases in the hard part. Literally all

1990
01:55:28.319 --> 01:55:30.000
<v Speaker 2>of those I could have seen winning and it would

1991
01:55:30.000 --> 01:55:31.840
<v Speaker 2>have been like, yeah, that makes sense. None of those

1992
01:55:31.920 --> 01:55:34.399
<v Speaker 2>are egregious and should it be a part of it?

1993
01:55:35.159 --> 01:55:35.920
<v Speaker 5>Yeah?

1994
01:55:36.159 --> 01:55:38.720
<v Speaker 2>I I import a lot. Are you somebody that imports

1995
01:55:38.720 --> 01:55:39.840
<v Speaker 2>a whole lot? Yeah?

1996
01:55:39.920 --> 01:55:42.159
<v Speaker 5>Yeah, I mean region Blu ray Player is the best

1997
01:55:42.199 --> 01:55:44.479
<v Speaker 5>purchase I've ever made in my life. I actually think

1998
01:55:45.119 --> 01:55:49.279
<v Speaker 5>probably at this point most of my boutique collection is imported.

1999
01:55:50.039 --> 01:55:52.520
<v Speaker 5>So I would say that's.

2000
01:55:52.319 --> 01:55:54.720
<v Speaker 2>A good question. I wonder what my my ratio has

2001
01:55:54.760 --> 01:55:55.560
<v Speaker 2>got to be? Pretty high.

2002
01:55:55.600 --> 01:55:56.960
<v Speaker 5>I don't even I don't even think you know how

2003
01:55:56.960 --> 01:55:59.680
<v Speaker 5>many movies you own. I don't figure that out.

2004
01:56:00.119 --> 01:56:03.079
<v Speaker 2>At least fourteen. I don't even something.

2005
01:56:03.119 --> 01:56:04.800
<v Speaker 5>We don't even know what's behind you right now. Man,

2006
01:56:04.840 --> 01:56:06.279
<v Speaker 5>I don't even know what's behind you right now.

2007
01:56:06.319 --> 01:56:08.119
<v Speaker 2>The crazy thing is anybody can name a title and

2008
01:56:08.199 --> 01:56:11.119
<v Speaker 2>usually it's within ours reach somehow. And don't bother looking

2009
01:56:11.119 --> 01:56:13.960
<v Speaker 2>at the rest of the room because it is intimidating.

2010
01:56:13.319 --> 01:56:15.399
<v Speaker 5>And your collection is rooms.

2011
01:56:16.800 --> 01:56:20.159
<v Speaker 2>No, it is not. Don't you lie to the country

2012
01:56:20.199 --> 01:56:24.079
<v Speaker 2>like that, right. Speaking of countries, let's head over to

2013
01:56:24.279 --> 01:56:26.840
<v Speaker 2>Germany to find out what the best Region B release

2014
01:56:26.920 --> 01:56:28.479
<v Speaker 2>of twenty twenty five was.

2015
01:56:32.199 --> 01:56:35.520
<v Speaker 12>Warning signs of satanic behavior price.

2016
01:56:35.520 --> 01:56:38.319
<v Speaker 1>As wild, gribbly nightmares haunted his sleep.

2017
01:56:38.560 --> 01:56:40.920
<v Speaker 32>Some things you're gonna you're about to see and hear

2018
01:56:41.119 --> 01:56:42.399
<v Speaker 32>might be too graphic.

2019
01:56:43.239 --> 01:56:46.479
<v Speaker 25>Say talk to your children about not talking to strangers,

2020
01:56:46.560 --> 01:56:47.359
<v Speaker 25>and do it today.

2021
01:56:48.000 --> 01:56:54.039
<v Speaker 47>Greetings collect Us creat Us, a beautiful physical media demons.

2022
01:56:55.279 --> 01:56:57.079
<v Speaker 47>Welcome back to the shell Shop.

2023
01:56:57.119 --> 01:57:01.399
<v Speaker 48>Reminder Warts, the only awards show where the real winners.

2024
01:57:02.560 --> 01:57:07.840
<v Speaker 47>Live on our shelves forever. This next category celebrate the

2025
01:57:08.000 --> 01:57:09.359
<v Speaker 47>dark magic.

2026
01:57:09.960 --> 01:57:10.880
<v Speaker 13>Of Region B.

2027
01:57:12.520 --> 01:57:23.119
<v Speaker 47>Yeah, imports, restorations, limited editions, the releases we hunted, waited for,

2028
01:57:24.000 --> 01:57:25.840
<v Speaker 47>and paid too much shipping for.

2029
01:57:26.960 --> 01:57:32.079
<v Speaker 13>Yeah, but we did it anyway because we have no

2030
01:57:32.439 --> 01:57:39.439
<v Speaker 13>self control. And now the moment we all have waited for.

2031
01:57:41.039 --> 01:57:47.079
<v Speaker 47>The nominees for Best Region B Release are.

2032
01:57:58.479 --> 01:58:04.119
<v Speaker 5>The Curse of Frankenstein Hammer Films, The Florida Project four

2033
01:58:04.199 --> 01:58:12.039
<v Speaker 5>K second site Films, Freaked four K Umbrella Entertainment, The

2034
01:58:12.119 --> 01:58:16.800
<v Speaker 5>Nice Guys four K second site Films, Possession four K

2035
01:58:17.399 --> 01:58:23.000
<v Speaker 5>second site Films, Radical Japan Cinema and State nine Films

2036
01:58:23.399 --> 01:58:30.520
<v Speaker 5>by Nagisa Oshima, Radiance Films, Takashi Isishi, four Tales of Nami,

2037
01:58:30.800 --> 01:58:36.119
<v Speaker 5>Third Window Films, When Evil Lurks four K second site Films.

2038
01:58:40.159 --> 01:58:45.159
<v Speaker 47>Welcome back my shelf dwelling Disciples. The votes have been counted,

2039
01:58:45.520 --> 01:58:49.239
<v Speaker 47>the richards copleeded, and the winners are ready to rise

2040
01:58:49.319 --> 01:58:54.399
<v Speaker 47>from their convents. As always, we have two winners, one

2041
01:58:54.520 --> 01:58:59.720
<v Speaker 47>shows by the community and one shows by our Creator Selection.

2042
01:59:00.439 --> 01:59:05.840
<v Speaker 13>Commit the CSC who have accent tas and possibly sleep

2043
01:59:05.920 --> 01:59:06.800
<v Speaker 13>in coffins.

2044
01:59:07.960 --> 01:59:10.920
<v Speaker 47>The winner for Best Region be Released, as chosen by

2045
01:59:10.920 --> 01:59:16.079
<v Speaker 47>the Creator Selection Committee is the Curse of Frankenstein four

2046
01:59:16.159 --> 01:59:21.640
<v Speaker 47>K Hammer Films and Absolute Resurrection Beautiful four K restoration,

2047
01:59:22.119 --> 01:59:27.000
<v Speaker 47>rich colors, glorious Gothic Horror, and Peter Cushing has never

2048
01:59:27.079 --> 01:59:37.159
<v Speaker 47>looked so respectfully and now the winner chosen by the community.

2049
01:59:36.199 --> 01:59:41.840
<v Speaker 47>Oh come on, come on, guys, it's happening again. The

2050
01:59:41.920 --> 01:59:45.199
<v Speaker 47>Curse of Frankenstein four K havemmer.

2051
01:59:45.000 --> 01:59:48.079
<v Speaker 13>Films the double victory.

2052
01:59:48.119 --> 01:59:52.399
<v Speaker 48>I would guess the CSC voted for it, the community

2053
01:59:52.479 --> 01:59:56.520
<v Speaker 48>voted for it. Even the spirits in my media room

2054
01:59:56.640 --> 02:00:00.680
<v Speaker 48>voted for it. They are very into have a film

2055
02:00:00.920 --> 02:00:02.039
<v Speaker 48>and they like that stuff.

2056
02:00:03.239 --> 02:00:05.840
<v Speaker 13>Yeah.

2057
02:00:06.000 --> 02:00:09.560
<v Speaker 47>So congratulations to helpers for bringing the Curse of Frankenstein

2058
02:00:09.640 --> 02:00:13.239
<v Speaker 47>back to life and stunning four K. Really so good

2059
02:00:13.800 --> 02:00:16.319
<v Speaker 47>a united collect us critics.

2060
02:00:15.520 --> 02:00:20.000
<v Speaker 13>And possibly the underworld and some spirits.

2061
02:00:21.319 --> 02:00:28.159
<v Speaker 47>Hate physical media and remember collect responsibly or don't.

2062
02:00:29.640 --> 02:00:31.800
<v Speaker 13>I'm not your priest. I don't give it.

2063
02:00:31.760 --> 02:00:36.159
<v Speaker 2>Any and our hopes. It's time to say good night.

2064
02:00:36.640 --> 02:00:40.079
<v Speaker 48>We sincerely appreciate your patronage and hope we've succeeded in

2065
02:00:40.079 --> 02:00:42.399
<v Speaker 48>bringing you an enjoyable evening of entertainment.

2066
02:00:42.920 --> 02:00:46.680
<v Speaker 9>Please drive home carefully and come back against you good night.

2067
02:00:52.319 --> 02:00:55.520
<v Speaker 2>With the upset of the night. I do got to say, though,

2068
02:00:55.600 --> 02:00:59.279
<v Speaker 2>I think this is incredibly well deserved for those of

2069
02:00:59.279 --> 02:01:02.319
<v Speaker 2>you that have not picked up the Curse of Frankenstein

2070
02:01:02.439 --> 02:01:04.520
<v Speaker 2>disc from Hammer, and I shouldn't say disc, it is

2071
02:01:04.880 --> 02:01:07.279
<v Speaker 2>I think a six disc release, which is maybe it's

2072
02:01:07.279 --> 02:01:10.880
<v Speaker 2>five some five or six discs. It is absolutely a

2073
02:01:10.960 --> 02:01:14.720
<v Speaker 2>remarkable pickup. The essays in this thing are incredible, just

2074
02:01:14.800 --> 02:01:17.960
<v Speaker 2>an astonishing pick overall. I'm so glad this is out there.

2075
02:01:18.000 --> 02:01:19.039
<v Speaker 2>Did you pick up this box?

2076
02:01:19.960 --> 02:01:21.640
<v Speaker 5>I did not, but I have a few of the

2077
02:01:21.680 --> 02:01:26.640
<v Speaker 5>new Hammer releases, and talk about a company really embracing

2078
02:01:27.159 --> 02:01:32.319
<v Speaker 5>not just the collector fans of theirs, but the just

2079
02:01:32.439 --> 02:01:36.680
<v Speaker 5>journalistic researching side and putting everything on the table out there.

2080
02:01:37.159 --> 02:01:40.920
<v Speaker 5>It's absolutely incredible what they've been doing, and I think

2081
02:01:41.079 --> 02:01:45.119
<v Speaker 5>other studios need to take serious notes because Hammer is

2082
02:01:45.159 --> 02:01:48.199
<v Speaker 5>just continuing to crush it release after release, even beyond

2083
02:01:48.239 --> 02:01:51.279
<v Speaker 5>the big giant ones, even their more minimal ones are

2084
02:01:52.079 --> 02:01:54.800
<v Speaker 5>as expansive as they can possibly be. So I'm glad

2085
02:01:54.840 --> 02:01:57.720
<v Speaker 5>they're getting some attention here well.

2086
02:01:57.760 --> 02:02:00.479
<v Speaker 2>And you and I live in Region A, so many

2087
02:02:00.479 --> 02:02:03.119
<v Speaker 2>of the discs that we pick up are Region A films,

2088
02:02:03.319 --> 02:02:07.840
<v Speaker 2>and the overall presenters for tonight, we're gonna keep it

2089
02:02:07.880 --> 02:02:11.279
<v Speaker 2>to us for Region A. So let's just talk about

2090
02:02:11.359 --> 02:02:15.039
<v Speaker 2>what the nominees are and let's roll that beautiful beaten footage.

2091
02:02:15.079 --> 02:02:15.520
<v Speaker 2>Here we go.

2092
02:02:27.439 --> 02:02:33.239
<v Speaker 5>A New Leaf four K cinematograph, Dirty Work four K

2093
02:02:33.680 --> 02:02:40.720
<v Speaker 5>vinegar Syndrome Eyes Wide Shut four K Criterion Collection, Sorcerer

2094
02:02:40.840 --> 02:02:46.840
<v Speaker 5>four K Criterion Collection, The Beyond four K Grindhouse releasing

2095
02:02:48.640 --> 02:02:54.159
<v Speaker 5>Anorra four K Criterion collection, Let's Scare Jessica to Death

2096
02:02:54.199 --> 02:02:58.800
<v Speaker 5>four K, Vinegar Syndrome, The Teenage Mutant, Ninja Turtles four

2097
02:02:58.880 --> 02:03:00.600
<v Speaker 5>K Trilogy, Aero video.

2098
02:03:09.600 --> 02:03:13.399
<v Speaker 2>So this might be the most stacked category of the

2099
02:03:13.520 --> 02:03:17.680
<v Speaker 2>entire night. I had a terribly difficult time picking the

2100
02:03:17.680 --> 02:03:20.479
<v Speaker 2>best one for this one, and funny enough, I kind

2101
02:03:20.479 --> 02:03:22.680
<v Speaker 2>of think I ended up with a New Leaf. I

2102
02:03:22.960 --> 02:03:25.479
<v Speaker 2>think that that one. What was that? That's the one

2103
02:03:25.520 --> 02:03:28.079
<v Speaker 2>I voted for. But let's talk about what did end

2104
02:03:28.159 --> 02:03:30.520
<v Speaker 2>up winning. And the winner for both the CSC and

2105
02:03:30.600 --> 02:03:32.560
<v Speaker 2>the community is why don't you share it?

2106
02:03:33.319 --> 02:03:35.800
<v Speaker 5>The Beyond four K from Grindhouse releasing.

2107
02:03:36.199 --> 02:03:41.119
<v Speaker 2>On Astonishing Release, six disc limited edition set. It is

2108
02:03:41.359 --> 02:03:45.479
<v Speaker 2>a crazy, crazy pickup. Everybody should check that out. Let's

2109
02:03:45.479 --> 02:03:49.319
<v Speaker 2>hear jessicat to Death. Another beautiful one. The cinematograph release

2110
02:03:49.439 --> 02:03:53.000
<v Speaker 2>of a New Leaf, Astonishing dirty work from Vinegar Syndrome.

2111
02:03:53.119 --> 02:03:56.159
<v Speaker 2>All well and good, but of course, because it's somebody

2112
02:03:56.159 --> 02:03:57.800
<v Speaker 2>that we've seen tonight, we got to have mister Bob

2113
02:03:57.920 --> 02:04:00.239
<v Speaker 2>Raski on to talk about his win for the best

2114
02:04:00.279 --> 02:04:01.039
<v Speaker 2>Region Aid release.

2115
02:04:01.800 --> 02:04:03.520
<v Speaker 25>That's great. I mean when I when I think of

2116
02:04:04.239 --> 02:04:07.840
<v Speaker 25>so many releases that came out last year and from

2117
02:04:08.239 --> 02:04:10.319
<v Speaker 25>and I'm friends with a lot of the label so

2118
02:04:11.319 --> 02:04:17.039
<v Speaker 25>David Gregory at Severn, Joe Rubin at Vinegar Syndrome, Don

2119
02:04:17.079 --> 02:04:21.000
<v Speaker 25>Mayet Synapps, Bill Lustay, Get Blue Underground, I mean, all

2120
02:04:21.000 --> 02:04:24.319
<v Speaker 25>the incredible things that they put out, and you know,

2121
02:04:24.359 --> 02:04:27.880
<v Speaker 25>it's a little overwhelming, and I was afraid with the

2122
02:04:27.920 --> 02:04:29.600
<v Speaker 25>Beyond we would just sort of get lost in the

2123
02:04:29.600 --> 02:04:33.199
<v Speaker 25>shuffle because there were so many good things coming out.

2124
02:04:33.279 --> 02:04:36.000
<v Speaker 25>But yeah, I mean that's something to be really proud

2125
02:04:36.000 --> 02:04:37.319
<v Speaker 25>of as well, So thank you.

2126
02:04:39.199 --> 02:04:42.960
<v Speaker 2>Grindhouse does an absolutely remarkable job on every single one

2127
02:04:42.960 --> 02:04:44.479
<v Speaker 2>of their discs. You can pick up their new one

2128
02:04:44.680 --> 02:04:48.960
<v Speaker 2>right now, which looks insane. I am so excited for

2129
02:04:48.960 --> 02:04:51.119
<v Speaker 2>people to pick that up and go, why did I

2130
02:04:51.119 --> 02:04:55.520
<v Speaker 2>purchase this? Because this is so wild. But the big

2131
02:04:55.520 --> 02:04:58.840
<v Speaker 2>thing is they always award people for purchasing their discs

2132
02:04:58.880 --> 02:05:03.079
<v Speaker 2>because they've got bonus films, They've got bonus features like crazy,

2133
02:05:03.159 --> 02:05:06.520
<v Speaker 2>they've got beyond uh, you know, ridiculous insight on all

2134
02:05:06.520 --> 02:05:08.960
<v Speaker 2>of the extras. I cannot wait for Scarlet Warning six

2135
02:05:08.960 --> 02:05:11.239
<v Speaker 2>to sixty six. It looks insane. Check that out on

2136
02:05:11.279 --> 02:05:13.079
<v Speaker 2>their website now if you are into it. It is

2137
02:05:13.079 --> 02:05:16.239
<v Speaker 2>strictly limited, but one thing that was limited that you

2138
02:05:16.279 --> 02:05:19.239
<v Speaker 2>might be able to win right now, because it's time

2139
02:05:19.239 --> 02:05:22.119
<v Speaker 2>for our next giveaway, Chris, what are we giving away next?

2140
02:05:22.560 --> 02:05:26.560
<v Speaker 5>Ooh okay, so this is coming from me. I kind

2141
02:05:26.560 --> 02:05:30.960
<v Speaker 5>of wanted to, you know, spread some good wealth out

2142
02:05:30.960 --> 02:05:33.800
<v Speaker 5>there and and treat some people to uh to one

2143
02:05:33.840 --> 02:05:37.960
<v Speaker 5>of my favorite box sets of last year. I'm gonna

2144
02:05:37.960 --> 02:05:41.279
<v Speaker 5>be giving you away my own copy of the v

2145
02:05:41.359 --> 02:05:46.039
<v Speaker 5>Cinema Essentials Bullets and Betrayal from Aero Video. I bought

2146
02:05:46.039 --> 02:05:49.000
<v Speaker 5>this right from the get go. I did watch every disk.

2147
02:05:49.039 --> 02:05:52.359
<v Speaker 5>I treat my stuff immaculately, I promise, and this is

2148
02:05:52.560 --> 02:05:57.159
<v Speaker 5>an absolutely incredible set, and I kind of want to

2149
02:05:57.199 --> 02:06:00.279
<v Speaker 5>spread the wealth and give it to somebody. Is going

2150
02:06:00.359 --> 02:06:03.560
<v Speaker 5>to answer this next question as perfectly as possible.

2151
02:06:04.159 --> 02:06:07.479
<v Speaker 2>Second obviously, if you already have it, please hold off.

2152
02:06:07.520 --> 02:06:09.880
<v Speaker 2>You don't need to answer and win a second copy.

2153
02:06:10.399 --> 02:06:13.159
<v Speaker 2>So please, if you already have it, let's just let

2154
02:06:13.239 --> 02:06:14.279
<v Speaker 2>other people have a chance.

2155
02:06:14.920 --> 02:06:18.119
<v Speaker 5>Yeah, yeah, yeah, of course, of course. So here's your question.

2156
02:06:18.680 --> 02:06:22.560
<v Speaker 5>During a twenty nineteen interview with Howard Stern. Russell Crowe

2157
02:06:22.600 --> 02:06:25.720
<v Speaker 5>wished two of his films would get a sequel. The

2158
02:06:25.840 --> 02:06:29.680
<v Speaker 5>Nice Guys was his first, and what was his second?

2159
02:06:30.359 --> 02:06:32.279
<v Speaker 2>I love The Nice Guys by the way, great movie.

2160
02:06:32.640 --> 02:06:35.560
<v Speaker 2>What is the second Russell Crowe film that he wish

2161
02:06:35.800 --> 02:06:38.439
<v Speaker 2>got a sequel? Answer in the chat, if you're the

2162
02:06:38.479 --> 02:06:42.560
<v Speaker 2>first one to answer, you can win the Aero Video

2163
02:06:43.000 --> 02:06:47.800
<v Speaker 2>v Cinema box set from Chris himself. It was not

2164
02:06:48.039 --> 02:06:54.039
<v Speaker 2>Mastering Commander like two people said immediately, although I gotta

2165
02:06:54.039 --> 02:06:56.119
<v Speaker 2>admit Master and Commander would have made it a pretty

2166
02:06:56.119 --> 02:06:57.520
<v Speaker 2>decent sequel.

2167
02:06:57.960 --> 02:06:58.600
<v Speaker 5>Good sequel.

2168
02:06:58.680 --> 02:07:04.119
<v Speaker 2>Yeah, the ronzent ropper stopper. Oh my god, that is hilarious.

2169
02:07:04.600 --> 02:07:08.279
<v Speaker 2>Uh wow, Um, somebody answered, but I'm gonna give it

2170
02:07:08.319 --> 02:07:10.600
<v Speaker 2>to uh Couch Odyssey because the first one to answer

2171
02:07:10.760 --> 02:07:13.479
<v Speaker 2>was my wife. My wife got it right. We already

2172
02:07:13.520 --> 02:07:16.680
<v Speaker 2>had the box set. Good job, baby, but uh couch

2173
02:07:16.680 --> 02:07:20.319
<v Speaker 2>Odyssey has won for the night. LA Confidential is the

2174
02:07:20.359 --> 02:07:23.880
<v Speaker 2>correct answer, and Couch you can go home with that

2175
02:07:23.920 --> 02:07:26.479
<v Speaker 2>beautiful box set. Email me at shelf shock Rewind at

2176
02:07:26.560 --> 02:07:31.319
<v Speaker 2>gmail dot com. Uh, that ropper stopper answer was hilarious,

2177
02:07:32.319 --> 02:07:35.720
<v Speaker 2>absolutely threw me off. And how did my wife just win?

2178
02:07:35.800 --> 02:07:35.880
<v Speaker 48>That.

2179
02:07:36.079 --> 02:07:36.680
<v Speaker 2>What the hell?

2180
02:07:37.039 --> 02:07:42.039
<v Speaker 13>Uh uh?

2181
02:07:42.079 --> 02:07:45.600
<v Speaker 2>That is amazing. Yeah, you forgot about virtuosity. I bet

2182
02:07:45.640 --> 02:07:49.000
<v Speaker 2>he wants to forget about virtuosity. One thing that we're

2183
02:07:49.000 --> 02:07:52.000
<v Speaker 2>not forgetting about is incredible box sets. So let's check

2184
02:07:52.039 --> 02:07:54.840
<v Speaker 2>out the win for best box Set of twenty twenty five.

2185
02:08:04.279 --> 02:08:06.640
<v Speaker 49>I'm Jordan from the movie Den where I cover horror,

2186
02:08:06.640 --> 02:08:11.000
<v Speaker 49>physical media and getting those special editions that make us

2187
02:08:11.000 --> 02:08:14.039
<v Speaker 49>say I never need to buy another version of this

2188
02:08:14.119 --> 02:08:20.399
<v Speaker 49>film again. I'm here to present the category for best

2189
02:08:20.560 --> 02:08:24.840
<v Speaker 49>box Set, honoring the releases that delivered the full package, presentation,

2190
02:08:25.279 --> 02:08:29.079
<v Speaker 49>restoration and all the extras that are really worth digging into.

2191
02:08:29.319 --> 02:08:31.600
<v Speaker 49>And now here are your nominees.

2192
02:08:42.640 --> 02:08:48.159
<v Speaker 5>Michael Hannickle Collection, Umbrella Entertainment, A Nightmare and Elmstreet four

2193
02:08:48.239 --> 02:08:53.920
<v Speaker 5>K Steal Book Collection, Warner Brothers Shoscope Volume four Ero Video,

2194
02:08:55.359 --> 02:08:58.840
<v Speaker 5>The Teenage Mutan Ninja Turtles four K Trilogy, Ero Video,

2195
02:08:59.560 --> 02:09:03.319
<v Speaker 5>The West Anderson Archive Ten Films twenty five Years four

2196
02:09:03.399 --> 02:09:05.359
<v Speaker 5>K Criterion Collection.

2197
02:09:07.760 --> 02:09:10.720
<v Speaker 49>And now we've come to the results for Best box Set.

2198
02:09:10.920 --> 02:09:14.479
<v Speaker 49>Now this category recognizes two winners. One was selected by

2199
02:09:14.520 --> 02:09:22.680
<v Speaker 49>the Creators Selection Committee and the other was a community vote.

2200
02:09:25.199 --> 02:09:29.920
<v Speaker 49>And the winners are the Michael Hannike Collection from Umbrella

2201
02:09:30.119 --> 02:09:33.840
<v Speaker 49>Entertainment and the community winner, We've got a Nymer in

2202
02:09:33.960 --> 02:09:38.760
<v Speaker 49>Elm Street, Steelbook collection from Warner Brothers. Two outstanding releases

2203
02:09:38.800 --> 02:09:42.000
<v Speaker 49>and two excellent reasons to upgrade your shelving.

2204
02:09:43.640 --> 02:09:46.880
<v Speaker 2>Those horror fans, they'll just vote for anything to win.

2205
02:09:47.239 --> 02:09:49.760
<v Speaker 2>I knew that they would get Nightmare on Elm Street. Sadly,

2206
02:09:50.199 --> 02:09:51.880
<v Speaker 2>there's a couple others that I felt like could have

2207
02:09:51.880 --> 02:09:55.319
<v Speaker 2>done very well in this category that I can't put

2208
02:09:55.319 --> 02:09:57.520
<v Speaker 2>my thumb on the scale or anything, but I feel

2209
02:09:57.560 --> 02:09:59.079
<v Speaker 2>like we could have done a little bit better than

2210
02:09:59.159 --> 02:10:00.439
<v Speaker 2>night Mare on Elm Street this time.

2211
02:10:01.399 --> 02:10:01.680
<v Speaker 17>Yeah.

2212
02:10:01.760 --> 02:10:04.960
<v Speaker 5>Yeah, but the Umbrella collection getting some love is a

2213
02:10:05.119 --> 02:10:08.640
<v Speaker 5>very very very nice kind of mix in there.

2214
02:10:09.199 --> 02:10:11.920
<v Speaker 2>It's it's truly incredible. We got Zach in the chat

2215
02:10:11.960 --> 02:10:14.199
<v Speaker 2>saying it's a huge upset. Not only that, I I

2216
02:10:14.239 --> 02:10:17.920
<v Speaker 2>think it really shows the attention to detail from our

2217
02:10:18.000 --> 02:10:20.840
<v Speaker 2>csc our Creator Selection committee that they are paying attention

2218
02:10:20.880 --> 02:10:22.800
<v Speaker 2>to these releases in a special way. Because that Hannicke

2219
02:10:22.800 --> 02:10:27.119
<v Speaker 2>a box set is special. It is one that if

2220
02:10:27.159 --> 02:10:29.760
<v Speaker 2>you want to have a a I'll say it a

2221
02:10:29.840 --> 02:10:32.680
<v Speaker 2>not great night, but enjoy the cinema that you're watching.

2222
02:10:33.000 --> 02:10:34.640
<v Speaker 2>If you want to feel a major downer, you should

2223
02:10:34.640 --> 02:10:36.159
<v Speaker 2>pick up that Hannic a box set. And if you

2224
02:10:36.199 --> 02:10:39.239
<v Speaker 2>don't pick that one up, you should check out the

2225
02:10:39.279 --> 02:10:41.479
<v Speaker 2>Curzone release in the UK if that might be cheaper. Yeah,

2226
02:10:41.960 --> 02:10:42.840
<v Speaker 2>that's get to do what I have.

2227
02:10:43.479 --> 02:10:45.399
<v Speaker 5>I have the Curzon release, and I was having a

2228
02:10:45.399 --> 02:10:47.840
<v Speaker 5>great day until I watched Benny's video on a random

2229
02:10:47.840 --> 02:10:49.880
<v Speaker 5>pick one day and uh, yeah, that was a bad

2230
02:10:50.000 --> 02:10:50.520
<v Speaker 5>night after that.

2231
02:10:51.960 --> 02:10:54.680
<v Speaker 2>Yeah, I can see why that. That makes perfect sense

2232
02:10:54.920 --> 02:10:58.680
<v Speaker 2>of a dow. Uh. So let's let's go into the

2233
02:10:58.720 --> 02:11:02.279
<v Speaker 2>actual label recognition now. So one thing that is really

2234
02:11:02.279 --> 02:11:05.760
<v Speaker 2>interesting about labels is there are so many different types

2235
02:11:05.800 --> 02:11:08.840
<v Speaker 2>of labels. They obviously focus on genre, sometimes they focus

2236
02:11:08.880 --> 02:11:11.520
<v Speaker 2>on world cinema, sometimes they focus on certain things. But

2237
02:11:11.640 --> 02:11:14.720
<v Speaker 2>it's kind of easy to break these up into those

2238
02:11:14.760 --> 02:11:18.399
<v Speaker 2>that are releasing around fifteen ish or less releases every

2239
02:11:18.479 --> 02:11:21.760
<v Speaker 2>year and those that are releasing a much larger number

2240
02:11:21.800 --> 02:11:25.960
<v Speaker 2>than that usually. So we have our small slate boutique

2241
02:11:26.000 --> 02:11:28.920
<v Speaker 2>labels and our large slate boutique labels. So let's start

2242
02:11:28.960 --> 02:11:31.840
<v Speaker 2>with these small slate boutiques and let's throw it over

2243
02:11:31.840 --> 02:11:32.319
<v Speaker 2>to that one.

2244
02:11:33.439 --> 02:11:37.239
<v Speaker 50>Hey, everybody, Jason Kleeberg here from the Force five Podcast.

2245
02:11:37.680 --> 02:11:42.199
<v Speaker 50>There are a ton of small slate boutique labels out there,

2246
02:11:42.239 --> 02:11:46.399
<v Speaker 50>and they are doing fantastic work. Whether it is finding

2247
02:11:46.479 --> 02:11:49.680
<v Speaker 50>an old gem that you've never heard of before or

2248
02:11:49.840 --> 02:11:53.560
<v Speaker 50>just sprucing up an old favorite. They're making sure that

2249
02:11:53.600 --> 02:11:56.600
<v Speaker 50>these films look and sound as good as possible with

2250
02:11:56.840 --> 02:12:01.239
<v Speaker 50>sometimes very limited resources. Here are your nominees for the

2251
02:12:01.279 --> 02:12:06.000
<v Speaker 50>best annual slate from a single small slate boutique label.

2252
02:12:19.079 --> 02:12:32.920
<v Speaker 5>Deaf Crocodile, Fun City Editions, Khani Releasing, Second Sight Films,

2253
02:12:35.760 --> 02:12:36.399
<v Speaker 5>Terror Vision.

2254
02:12:41.479 --> 02:12:45.800
<v Speaker 50>All of these nominees deserve your attention, so please check

2255
02:12:45.840 --> 02:12:48.039
<v Speaker 50>them out and support them. But we got to have

2256
02:12:48.079 --> 02:12:52.000
<v Speaker 50>a winner, and this year the Creator Selection Committee winner

2257
02:12:53.119 --> 02:12:57.640
<v Speaker 50>are my homies, Deaf Crocodile. Congratulations, you put out an

2258
02:12:57.640 --> 02:12:59.920
<v Speaker 50>awesome product. I got some of the stars over your

2259
02:13:00.079 --> 02:13:03.760
<v Speaker 50>somewhere behind me, and uh we're not stopping there. We

2260
02:13:03.840 --> 02:13:08.279
<v Speaker 50>got the Community winner. The community winner of the best

2261
02:13:08.319 --> 02:13:14.119
<v Speaker 50>single small slate boutique label goes to Second Site Films.

2262
02:13:14.199 --> 02:13:17.479
<v Speaker 50>Congratulations everybody, Oh wow.

2263
02:13:18.319 --> 02:13:19.680
<v Speaker 2>Wow, Okay.

2264
02:13:20.279 --> 02:13:24.520
<v Speaker 15>I honestly, this year I was just like we had

2265
02:13:24.640 --> 02:13:25.800
<v Speaker 15>two good years, like.

2266
02:13:27.600 --> 02:13:30.720
<v Speaker 5>You know, nothing, nothing's happening this year, which is.

2267
02:13:30.720 --> 02:13:34.600
<v Speaker 15>Fine, Like you know, we're not a new label anymore. People,

2268
02:13:34.680 --> 02:13:38.319
<v Speaker 15>you know, the shininess was worn off. But no, that's

2269
02:13:38.399 --> 02:13:43.199
<v Speaker 15>that's awesome. Thankfully we had to release just the Ship late.

2270
02:13:45.920 --> 02:13:49.000
<v Speaker 14>It just got in under the wire. Oh that's fantastic.

2271
02:13:50.000 --> 02:13:53.199
<v Speaker 14>And we buy from all of the other labels as well,

2272
02:13:53.239 --> 02:13:55.000
<v Speaker 14>so that's yeah.

2273
02:13:55.760 --> 02:13:56.439
<v Speaker 2>And I do I.

2274
02:13:56.840 --> 02:13:59.960
<v Speaker 15>Do, I do love this this past years, those fifteen

2275
02:14:00.199 --> 02:14:03.159
<v Speaker 15>titles are pretty darn diverse.

2276
02:14:03.680 --> 02:14:04.680
<v Speaker 2>I do love that.

2277
02:14:04.880 --> 02:14:07.359
<v Speaker 15>You know, we have fans that love our stuff. It

2278
02:14:07.880 --> 02:14:11.119
<v Speaker 15>still does drive me a little crazy that when people

2279
02:14:11.159 --> 02:14:13.199
<v Speaker 15>always are like, yeah, they put out all the Russian

2280
02:14:13.239 --> 02:14:17.479
<v Speaker 15>or Eastern European films, I'm like, yeah, we do do

2281
02:14:17.520 --> 02:14:18.880
<v Speaker 15>a lot of that, but there's.

2282
02:14:18.800 --> 02:14:24.079
<v Speaker 2>So much more. Yeah, and and and and.

2283
02:14:24.159 --> 02:14:27.159
<v Speaker 15>Honestly, and I've said it before and it's worth repeating,

2284
02:14:27.279 --> 02:14:31.079
<v Speaker 15>is is the more exposure you have to all these

2285
02:14:31.119 --> 02:14:34.119
<v Speaker 15>other cultures and all this other cinema, the more you

2286
02:14:34.199 --> 02:14:38.079
<v Speaker 15>realize we're all the same. Like the otherness is just

2287
02:14:38.960 --> 02:14:41.720
<v Speaker 15>it's it's like lines in a map that don't really exist.

2288
02:14:42.479 --> 02:14:45.319
<v Speaker 2>Like, just see.

2289
02:14:45.279 --> 02:14:49.159
<v Speaker 15>More films from all around the world and you'll start

2290
02:14:49.199 --> 02:14:51.680
<v Speaker 15>to understand them, like, oh, yeah, we're we're all just

2291
02:14:51.800 --> 02:14:58.920
<v Speaker 15>kind of the same. We're all telling the same story.

2292
02:14:59.279 --> 02:15:02.039
<v Speaker 17>Well that means yeah, because obviously we're not the most

2293
02:15:02.039 --> 02:15:07.319
<v Speaker 17>prolific label, so we do spend time putting these things

2294
02:15:07.319 --> 02:15:12.079
<v Speaker 17>together and we appreciate everyone's patience. And yeah, that's really touching.

2295
02:15:12.199 --> 02:15:13.399
<v Speaker 17>So thank you all very much.

2296
02:15:13.399 --> 02:15:17.840
<v Speaker 2>Guys, Sorry about that. Came back to early on that

2297
02:15:17.880 --> 02:15:21.720
<v Speaker 2>first one. Congrats to Deaf Crocodile on Second Site, two

2298
02:15:22.239 --> 02:15:25.680
<v Speaker 2>very different companies that are reaching a lot of people

2299
02:15:25.680 --> 02:15:29.520
<v Speaker 2>across the world right now, and gosh, the amount of

2300
02:15:29.800 --> 02:15:32.359
<v Speaker 2>just amazing work from both of those companies should be recognized.

2301
02:15:32.520 --> 02:15:36.840
<v Speaker 2>I am always always stoked to see some recognition for

2302
02:15:36.880 --> 02:15:39.680
<v Speaker 2>both of those companies. Any thoughts on Second Side or

2303
02:15:39.720 --> 02:15:40.399
<v Speaker 2>Deaf Crocodile.

2304
02:15:41.319 --> 02:15:44.359
<v Speaker 5>Yeah, I mean Second Site is one of my favorite labels.

2305
02:15:44.920 --> 02:15:50.159
<v Speaker 5>Their announcements are always very, very like they've become kind

2306
02:15:50.199 --> 02:15:53.239
<v Speaker 5>of like the new event when there's the Second Side

2307
02:15:53.239 --> 02:15:55.720
<v Speaker 5>announcement coming up, because there's not many of them, and

2308
02:15:55.760 --> 02:15:57.800
<v Speaker 5>I feel like when they do come, they hit and

2309
02:15:57.840 --> 02:16:00.760
<v Speaker 5>people want them and they're in demand, and that waiting

2310
02:16:00.800 --> 02:16:03.560
<v Speaker 5>period between hitting the pre order button and it being

2311
02:16:03.560 --> 02:16:06.760
<v Speaker 5>delivered is always when I'm most eager and checking the

2312
02:16:06.760 --> 02:16:08.800
<v Speaker 5>shipping every five minutes, even though I do that all

2313
02:16:08.840 --> 02:16:12.720
<v Speaker 5>the time anyways. But I think the biggest point there

2314
02:16:12.720 --> 02:16:16.159
<v Speaker 5>people need to take home is taking a chance on

2315
02:16:17.359 --> 02:16:21.000
<v Speaker 5>just film from all around the world. Yeah, and taking

2316
02:16:21.039 --> 02:16:24.319
<v Speaker 5>those lessons. I think, you know, if you if you

2317
02:16:24.399 --> 02:16:28.399
<v Speaker 5>limit yourself only to what is coming out in the US, uh,

2318
02:16:28.760 --> 02:16:33.399
<v Speaker 5>you know, I think you're really restricting. You know, you're

2319
02:16:33.440 --> 02:16:35.559
<v Speaker 5>you're just restricting yourself. And I feel like you're you're

2320
02:16:35.559 --> 02:16:39.040
<v Speaker 5>only going to do yourself, you know, harm by by

2321
02:16:39.079 --> 02:16:41.280
<v Speaker 5>not reaching out and seeing what else is out there

2322
02:16:41.280 --> 02:16:43.959
<v Speaker 5>and kind of learning different cultures and learning different worldviews.

2323
02:16:44.000 --> 02:16:46.719
<v Speaker 5>And that's why I think these companies are important, because

2324
02:16:46.760 --> 02:16:50.040
<v Speaker 5>they're putting in the work to educate us on this stuff.

2325
02:16:50.319 --> 02:16:52.000
<v Speaker 5>We just need to be the ones to take a

2326
02:16:52.079 --> 02:16:54.200
<v Speaker 5>chance and open our minds and I think we'll be

2327
02:16:54.200 --> 02:16:54.760
<v Speaker 5>better for that.

2328
02:16:56.280 --> 02:16:57.799
<v Speaker 2>Well, on that note, we have a lot of a

2329
02:16:57.920 --> 02:17:00.719
<v Speaker 2>lot of large slate boutique labels that are making us

2330
02:17:00.920 --> 02:17:03.879
<v Speaker 2>challenge ourselves with world cinema and trying new things. So

2331
02:17:03.959 --> 02:17:05.920
<v Speaker 2>let's find out the winner of that one.

2332
02:17:06.879 --> 02:17:09.920
<v Speaker 51>Hi, everyone, my name is Michael from the Movie Room.

2333
02:17:10.280 --> 02:17:13.799
<v Speaker 51>At the Movie Room, we celebrate physical media, film collecting

2334
02:17:13.920 --> 02:17:17.079
<v Speaker 51>and the incredible boutique labels that keep film history alive.

2335
02:17:17.879 --> 02:17:20.479
<v Speaker 51>If you share that passion, we'd love for you to

2336
02:17:20.559 --> 02:17:24.200
<v Speaker 51>visit us at the movieroom dot com. It's a genuine

2337
02:17:24.239 --> 02:17:27.520
<v Speaker 51>honor to present the Shelf Shock rewind Award for the

2338
02:17:27.520 --> 02:17:31.559
<v Speaker 51>best annual slate from a single large slate boutique label

2339
02:17:31.639 --> 02:17:35.920
<v Speaker 51>for twenty twenty five, in award recognizing the companies that

2340
02:17:36.040 --> 02:17:41.120
<v Speaker 51>consistently deliver exceptional releases and continue pushing physical media forward.

2341
02:17:41.719 --> 02:17:45.120
<v Speaker 51>These labels prove every month that physical media is not

2342
02:17:45.239 --> 02:17:49.239
<v Speaker 51>only alive, it's thriving. And all of this year's nominees

2343
02:17:49.360 --> 02:17:53.559
<v Speaker 51>represent the very highest level of excellence in boutique film releases.

2344
02:17:54.239 --> 02:17:57.079
<v Speaker 51>And now here are the nominees.

2345
02:18:09.319 --> 02:18:32.200
<v Speaker 5>Aero Video, Criterion Collection, Radiance Films, Umbrella Entertainment, Vinegar Syndrome, and.

2346
02:18:32.079 --> 02:18:37.200
<v Speaker 51>Now the twenty twenty five winners. The Creator Selection Committee

2347
02:18:37.200 --> 02:18:42.959
<v Speaker 51>Award goes to Vinegar Syndrome. I want to personally say

2348
02:18:42.959 --> 02:18:46.200
<v Speaker 51>that I'm a longtime supporter of Vinegar Syndrome and their

2349
02:18:46.239 --> 02:18:50.200
<v Speaker 51>mission of film restoration and preservation. I've been a subscriber

2350
02:18:50.239 --> 02:18:52.600
<v Speaker 51>for ten years in a row and always will be.

2351
02:18:53.079 --> 02:18:57.440
<v Speaker 51>Their dedication to rescuing and restoring cinema is truly unmatched,

2352
02:18:58.440 --> 02:18:59.760
<v Speaker 51>and the community.

2353
02:18:59.360 --> 02:19:03.239
<v Speaker 13>Choice award goes to Arrow Video.

2354
02:19:04.399 --> 02:19:07.840
<v Speaker 51>Arrow is also incredible and I own hundreds of their titles,

2355
02:19:07.840 --> 02:19:12.319
<v Speaker 51>including some of my all time favorites, Vinegar Syndrome. Arrow

2356
02:19:12.600 --> 02:19:15.399
<v Speaker 51>and all the other nominees continue to prove that the

2357
02:19:15.440 --> 02:19:19.799
<v Speaker 51>passion for physical media remains stronger than ever. Thank you

2358
02:19:19.840 --> 02:19:22.399
<v Speaker 51>for allowing me to present this award, and thank you

2359
02:19:22.479 --> 02:19:26.600
<v Speaker 51>to everyone who continues to support boutique labels and physical media.

2360
02:19:28.159 --> 02:19:36.799
<v Speaker 22>Wow Muley, Well, thank you very much everyone. I don't

2361
02:19:36.799 --> 02:19:39.239
<v Speaker 22>know what to say. I mean, we are incredibly fortunate

2362
02:19:39.319 --> 02:19:41.760
<v Speaker 22>to get to do what we do and that people

2363
02:19:41.799 --> 02:19:43.799
<v Speaker 22>are into it and that they keep coming back for more.

2364
02:19:43.879 --> 02:19:47.319
<v Speaker 22>And you know, we're very fortunate that we've developed some

2365
02:19:47.360 --> 02:19:52.120
<v Speaker 22>great relationships with studios and rights holders that trust us

2366
02:19:52.159 --> 02:19:56.680
<v Speaker 22>with that ip, that catalog, and you know, that's why

2367
02:19:57.760 --> 02:20:01.000
<v Speaker 22>a company like Warner or MG will.

2368
02:20:01.079 --> 02:20:04.399
<v Speaker 17>Give us a chance and let us do Teenage.

2369
02:20:04.079 --> 02:20:06.840
<v Speaker 22>Mutant, Ninja Turtles, or The Dollars Trilogy or all these

2370
02:20:06.879 --> 02:20:09.520
<v Speaker 22>these big titles that a few years ago would have

2371
02:20:09.600 --> 02:20:11.680
<v Speaker 22>been crazy to dream that you know, we would have

2372
02:20:11.719 --> 02:20:14.399
<v Speaker 22>ever gotten our chance to gotten the chance to you know,

2373
02:20:14.479 --> 02:20:17.719
<v Speaker 22>do any of those. And yeah, based on what I know.

2374
02:20:17.840 --> 02:20:20.159
<v Speaker 22>Twenty twenty six is going to be even crazier. So

2375
02:20:20.639 --> 02:20:22.360
<v Speaker 22>there's tons of stuff I wish I could tell you,

2376
02:20:22.440 --> 02:20:24.559
<v Speaker 22>but you know, you'll have to wait and see. But

2377
02:20:24.600 --> 02:20:27.959
<v Speaker 22>it's all very exciting. So thank you very very much

2378
02:20:27.959 --> 02:20:30.879
<v Speaker 22>to everyone who voted for us, and you know we'll

2379
02:20:31.000 --> 02:20:34.479
<v Speaker 22>try and keep impressing you and you know, giving you

2380
02:20:34.520 --> 02:20:36.079
<v Speaker 22>more reasons to come back to our video as much

2381
02:20:36.120 --> 02:20:36.520
<v Speaker 22>as we can.

2382
02:20:37.239 --> 02:20:40.920
<v Speaker 2>Jeez. Yeah, thank you. Awesome.

2383
02:20:41.920 --> 02:20:46.120
<v Speaker 52>Yeah, thank you guys for voting for us. Very much

2384
02:20:46.159 --> 02:20:50.799
<v Speaker 52>appreciated from everyone in the you know, restaret, restoration and

2385
02:20:51.239 --> 02:20:56.399
<v Speaker 52>film preservation community, everybody, you know, the fans, everyone who's

2386
02:20:57.239 --> 02:21:00.159
<v Speaker 52>done this, and you know, we can't thank you enough

2387
02:21:00.280 --> 02:21:03.079
<v Speaker 52>for is It's a lot of work, as I'm sure

2388
02:21:03.559 --> 02:21:08.000
<v Speaker 52>other labels know as well, and we at the same time,

2389
02:21:08.040 --> 02:21:12.079
<v Speaker 52>we don't plan on stopping anytime soon either, So very

2390
02:21:12.120 --> 02:21:16.319
<v Speaker 52>excited about this. So thank you very much and stay

2391
02:21:16.319 --> 02:21:18.600
<v Speaker 52>tuned for what's coming out.

2392
02:21:19.399 --> 02:21:21.879
<v Speaker 2>Hell of a year in twenty twenty five for these

2393
02:21:21.959 --> 02:21:25.799
<v Speaker 2>large labels. Any thoughts on VS or Arrow.

2394
02:21:26.920 --> 02:21:29.280
<v Speaker 5>Yeah, I mean both well deserved. I'm more shocked that

2395
02:21:29.399 --> 02:21:31.479
<v Speaker 5>Mike from the Movie Room has been a subscriber for

2396
02:21:31.559 --> 02:21:32.799
<v Speaker 5>ten years.

2397
02:21:32.959 --> 02:21:36.000
<v Speaker 2>That's a long time to subscribe to Vinegar Syndrome.

2398
02:21:35.920 --> 02:21:40.680
<v Speaker 5>That is legendary. Yeah, I mean there's a lot to

2399
02:21:40.680 --> 02:21:42.840
<v Speaker 5>be excited about from every single label. I think Vinegar

2400
02:21:42.879 --> 02:21:45.680
<v Speaker 5>Syndrome and Arrow is just consistently knocking it out of

2401
02:21:45.719 --> 02:21:48.239
<v Speaker 5>the park a with just the wide variety of stuff

2402
02:21:48.239 --> 02:21:51.000
<v Speaker 5>they're putting out. But be you know, the presentation the

2403
02:21:51.040 --> 02:21:53.959
<v Speaker 5>discs are always fantastic, so I think it's very well

2404
02:21:53.959 --> 02:21:54.799
<v Speaker 5>earned on that front.

2405
02:21:56.239 --> 02:21:57.719
<v Speaker 2>I got a shout out Slave to sin Him or

2406
02:21:57.719 --> 02:21:59.479
<v Speaker 2>brought up The Good, the Bad, and the Ugly. Didn't

2407
02:21:59.479 --> 02:22:01.159
<v Speaker 2>get any numas, but it's one of the best of

2408
02:22:01.239 --> 02:22:04.319
<v Speaker 2>last year. I really agree. I think it got like

2409
02:22:04.799 --> 02:22:07.280
<v Speaker 2>two nominations and it didn't quite get enough to be

2410
02:22:07.319 --> 02:22:09.440
<v Speaker 2>able to be in a list of nominees. I think

2411
02:22:09.479 --> 02:22:11.760
<v Speaker 2>the reason is people looked at all three of the

2412
02:22:13.440 --> 02:22:18.319
<v Speaker 2>trilogy sadly as like one release, and it's kind of hard.

2413
02:22:18.360 --> 02:22:20.719
<v Speaker 2>You can't vote for like the Man with No Name trilogy,

2414
02:22:20.760 --> 02:22:23.040
<v Speaker 2>So yeah, I get it. I wish it would have

2415
02:22:23.079 --> 02:22:28.959
<v Speaker 2>been recognized because they truly are absolutely the astonishing peaks

2416
02:22:29.000 --> 02:22:30.079
<v Speaker 2>of those films for sure.

2417
02:22:31.319 --> 02:22:33.360
<v Speaker 5>Yeah, I'm s right as the Mask four K didn't

2418
02:22:33.360 --> 02:22:37.040
<v Speaker 5>get any nominations because whoever has watched that it looks

2419
02:22:37.079 --> 02:22:39.360
<v Speaker 5>and sounds phenomenal.

2420
02:22:39.280 --> 02:22:44.280
<v Speaker 2>It looks ridiculous before our next giveaway. I'm always excited

2421
02:22:44.319 --> 02:22:47.079
<v Speaker 2>to hear about new labels crop it up, so let's

2422
02:22:47.079 --> 02:22:50.040
<v Speaker 2>find out who the best new label of twenty twenty

2423
02:22:50.120 --> 02:22:50.520
<v Speaker 2>five is.

2424
02:22:50.719 --> 02:22:53.680
<v Speaker 53>Hello, and welcome to another category of the Shelf Shock

2425
02:22:53.840 --> 02:22:56.760
<v Speaker 53>Rewind Awards. My name is Michael Ers, and I am

2426
02:22:56.799 --> 02:23:00.239
<v Speaker 53>the host of the Shameless Picture she podcast. For those

2427
02:23:00.280 --> 02:23:02.559
<v Speaker 53>of you who may not be familiar with my podcast,

2428
02:23:02.840 --> 02:23:05.399
<v Speaker 53>the Shameless Picture Show is built on the concept that everyone,

2429
02:23:05.440 --> 02:23:07.680
<v Speaker 53>no matter who you are, no matter how much of

2430
02:23:07.680 --> 02:23:11.120
<v Speaker 53>a sinophile you are, has a list of shame. It

2431
02:23:11.159 --> 02:23:14.200
<v Speaker 53>was the movies there for whatever reason you have missed

2432
02:23:14.319 --> 02:23:16.680
<v Speaker 53>or not seen. And what we do on our show

2433
02:23:16.719 --> 02:23:19.719
<v Speaker 53>is we watch it together, we discuss it, and we

2434
02:23:19.799 --> 02:23:23.200
<v Speaker 53>have a really open, candid conversation that is filled with

2435
02:23:23.239 --> 02:23:28.239
<v Speaker 53>positivity and has no gatekeeping and no judgmental feelings. So

2436
02:23:28.719 --> 02:23:32.479
<v Speaker 53>keeping with that feeling of positivity, a lot of people

2437
02:23:32.520 --> 02:23:34.000
<v Speaker 53>will try to tell you that physical media is on

2438
02:23:34.040 --> 02:23:36.479
<v Speaker 53>the downswire, but I don't believe that for a second

2439
02:23:36.600 --> 02:23:40.639
<v Speaker 53>because there's more and more boutique labels popping up every

2440
02:23:40.879 --> 02:23:46.079
<v Speaker 53>single year. So I'm here to introduce the nominees for

2441
02:23:46.159 --> 02:23:47.879
<v Speaker 53>the Best New.

2442
02:23:48.319 --> 02:24:17.879
<v Speaker 5>Label Bizarro, Brainstorm Media, Hammer Films, Club, Super eight, New

2443
02:24:17.920 --> 02:24:18.520
<v Speaker 5>Wave Video.

2444
02:24:22.920 --> 02:24:25.840
<v Speaker 53>All right, now that we've seen all those wonderful nominees,

2445
02:24:26.479 --> 02:24:30.079
<v Speaker 53>let's figure out who the best New label is for

2446
02:24:30.120 --> 02:24:30.760
<v Speaker 53>this year.

2447
02:24:31.959 --> 02:24:33.600
<v Speaker 17>So we're gonna do is.

2448
02:24:33.639 --> 02:24:39.120
<v Speaker 53>We're going to consult my shelf, shock rewind top Secret

2449
02:24:39.399 --> 02:24:40.719
<v Speaker 53>VHS case.

2450
02:24:44.319 --> 02:24:46.719
<v Speaker 13>All right, and as voted by the.

2451
02:24:46.760 --> 02:24:55.479
<v Speaker 53>Creator Selection Committee, the winner is Hammer Films, And then

2452
02:24:55.760 --> 02:25:00.360
<v Speaker 53>as voted by the community, the Best New Label is

2453
02:25:01.239 --> 02:25:07.600
<v Speaker 53>also Hammer Films. So thank you very much for watching, guys.

2454
02:25:07.680 --> 02:25:10.639
<v Speaker 53>Make sure you go out and check out Hammer Films.

2455
02:25:10.920 --> 02:25:14.000
<v Speaker 53>And as I always say, I will see you next time.

2456
02:25:14.159 --> 02:25:17.399
<v Speaker 53>Shame time, shame place, shameless pictures show.

2457
02:25:19.879 --> 02:25:24.079
<v Speaker 2>I hope people understand that I try to not reveal

2458
02:25:24.159 --> 02:25:26.840
<v Speaker 2>many of the counts behind it, but this was the

2459
02:25:26.879 --> 02:25:31.079
<v Speaker 2>most lopsided win of the entire night. Hammer Films got

2460
02:25:31.360 --> 02:25:34.559
<v Speaker 2>the vast majority of the votes for this one. Hammer

2461
02:25:34.799 --> 02:25:37.639
<v Speaker 2>obviously been around for decades and decades and decades, but

2462
02:25:37.879 --> 02:25:41.360
<v Speaker 2>as a label, this is a new thing. Glad that

2463
02:25:41.360 --> 02:25:43.399
<v Speaker 2>they were able to come out here and make a huge,

2464
02:25:44.559 --> 02:25:47.879
<v Speaker 2>huge presence be known pretty much immediately, and I think

2465
02:25:47.920 --> 02:25:49.559
<v Speaker 2>that they've done great work and can't wait to see

2466
02:25:49.600 --> 02:25:50.600
<v Speaker 2>what they've got coming out next.

2467
02:25:51.120 --> 02:25:51.319
<v Speaker 44>Yeah.

2468
02:25:51.399 --> 02:25:53.799
<v Speaker 5>Yeah, my pick would have been new wave video, but

2469
02:25:53.879 --> 02:25:55.959
<v Speaker 5>I hammer absolutely crushed it.

2470
02:25:56.879 --> 02:25:58.920
<v Speaker 2>My pick was a new wave video as well. I

2471
02:25:58.959 --> 02:26:01.719
<v Speaker 2>love John and I love of everything that they're doing.

2472
02:26:01.840 --> 02:26:04.120
<v Speaker 2>I cannot wait to share some of the stuff they've

2473
02:26:04.159 --> 02:26:08.680
<v Speaker 2>got coming out. Everybody loves a giveaway. Let's give away

2474
02:26:08.680 --> 02:26:11.000
<v Speaker 2>another stack of movies there, Chris.

2475
02:26:10.639 --> 02:26:14.479
<v Speaker 5>All right, your question is to win a Ryan.

2476
02:26:14.360 --> 02:26:17.399
<v Speaker 2>Stack second of the night. Here we go.

2477
02:26:18.559 --> 02:26:23.479
<v Speaker 5>What was the name of Vinegar Syndrome's streaming service, discontinued

2478
02:26:23.639 --> 02:26:25.040
<v Speaker 5>in twenty eighteen.

2479
02:26:26.040 --> 02:26:27.520
<v Speaker 2>This is what I bet a lot of people know,

2480
02:26:27.600 --> 02:26:31.360
<v Speaker 2>so somebody's gonna get this very quickly. It's not necessarily

2481
02:26:32.319 --> 02:26:35.159
<v Speaker 2>a secret, so I'm sure that this one will be

2482
02:26:35.600 --> 02:26:37.920
<v Speaker 2>something that is just fastest fingers in the West is

2483
02:26:37.959 --> 02:26:40.920
<v Speaker 2>going to win. The winner of this one is going

2484
02:26:41.000 --> 02:26:44.079
<v Speaker 2>to send me an email at shelf shock rewind at

2485
02:26:44.159 --> 02:26:47.840
<v Speaker 2>gmail dot com, and you will get that second pile

2486
02:26:48.079 --> 02:26:55.360
<v Speaker 2>of films. The winner, Travis linthecom Exploitation dot tv, is

2487
02:26:55.399 --> 02:26:58.319
<v Speaker 2>the name of the Vinegar Syndrome streaming service. Travis, send

2488
02:26:58.319 --> 02:27:01.319
<v Speaker 2>me an email shelf shock rewind and at gmail dot com,

2489
02:27:01.360 --> 02:27:03.840
<v Speaker 2>and I will get your address please and I will

2490
02:27:03.840 --> 02:27:07.079
<v Speaker 2>send that to you this week. Congratulations on the win,

2491
02:27:08.399 --> 02:27:13.079
<v Speaker 2>Jeremy said to B that's pretty good. Yea, yeah, I think.

2492
02:27:12.879 --> 02:27:15.959
<v Speaker 5>That could also be like full Moon Secondary one. There's

2493
02:27:16.000 --> 02:27:17.200
<v Speaker 5>a lot that could fall into.

2494
02:27:17.120 --> 02:27:22.520
<v Speaker 2>Yeah, absolutely absolutely. Uh, let's go into just giving out

2495
02:27:22.520 --> 02:27:25.040
<v Speaker 2>an award for best labels. At this point, we're really

2496
02:27:25.120 --> 02:27:27.360
<v Speaker 2>only focusing on Region A and B. There's not a

2497
02:27:27.399 --> 02:27:31.600
<v Speaker 2>whole lot of like major English friendly Region C label,

2498
02:27:31.639 --> 02:27:33.360
<v Speaker 2>so that's not a common thing. So that's why we

2499
02:27:33.440 --> 02:27:35.840
<v Speaker 2>keep it at A and B. So let's find out

2500
02:27:35.879 --> 02:27:39.600
<v Speaker 2>the winner of the best Region B label anywhere in

2501
02:27:39.639 --> 02:27:39.959
<v Speaker 2>the world.

2502
02:27:41.280 --> 02:27:44.920
<v Speaker 23>Hey, film fans, I am Graham from man V Film.

2503
02:27:45.040 --> 02:27:48.959
<v Speaker 23>I am a hugely nerdy phone fan all the bey

2504
02:27:49.040 --> 02:27:53.159
<v Speaker 23>from Scotland and I love delving into the new boutique

2505
02:27:53.239 --> 02:27:57.120
<v Speaker 23>blurry releases. But there's nothing more satisfying and wrapping open

2506
02:27:57.440 --> 02:28:01.239
<v Speaker 23>a new film, looking at the packaging, putting on the extras,

2507
02:28:01.280 --> 02:28:04.399
<v Speaker 23>and enjoying the amazing transfer of a film that I'm

2508
02:28:04.600 --> 02:28:09.120
<v Speaker 23>just discovering. And for me, the discovery aspect of these

2509
02:28:09.559 --> 02:28:13.840
<v Speaker 23>releases are something that's truly transform intive, really expanding my

2510
02:28:14.079 --> 02:28:17.920
<v Speaker 23>knowledge base and my passion for film, which is why

2511
02:28:18.079 --> 02:28:20.639
<v Speaker 23>I'm here today to talk about the best Region Be

2512
02:28:21.280 --> 02:28:24.319
<v Speaker 23>or label, and the nominees.

2513
02:28:23.840 --> 02:28:50.520
<v Speaker 5>Are Erro Video, Imprint Films, Radiance Films, Second Sight Films,

2514
02:28:53.159 --> 02:28:54.200
<v Speaker 5>Umbrella Entertainment.

2515
02:28:58.520 --> 02:29:01.920
<v Speaker 2>So what is the best Reading be label?

2516
02:29:03.239 --> 02:29:04.360
<v Speaker 17>Heym please?

2517
02:29:04.920 --> 02:29:10.520
<v Speaker 54>The Creative Selection Committee has voted Radiance Films as the

2518
02:29:10.559 --> 02:29:16.079
<v Speaker 54>best region Be label, but the community have chosen as well,

2519
02:29:16.280 --> 02:29:22.799
<v Speaker 54>and their choice as Radiance Films as well well deserved.

2520
02:29:22.879 --> 02:29:26.120
<v Speaker 54>I love their releases. I cover as many as I

2521
02:29:26.200 --> 02:29:28.719
<v Speaker 54>possibly can, and I think they're a label who have

2522
02:29:28.760 --> 02:29:30.399
<v Speaker 54>been running for three years and.

2523
02:29:30.399 --> 02:29:31.360
<v Speaker 11>Done terrific stuff.

2524
02:29:31.440 --> 02:29:33.600
<v Speaker 23>I can wait to see where they're going to bring

2525
02:29:33.600 --> 02:29:34.520
<v Speaker 23>out in their fourth year.

2526
02:29:34.799 --> 02:29:38.639
<v Speaker 2>Well with that, about time we got some love from

2527
02:29:38.719 --> 02:29:41.000
<v Speaker 2>Radiance here. I love that we pull it out at

2528
02:29:41.040 --> 02:29:45.879
<v Speaker 2>the very end of this. Radiance absolutely deserves this incredible label.

2529
02:29:46.520 --> 02:29:48.280
<v Speaker 2>You and I haven't talked much about Radiance. Have you

2530
02:29:48.319 --> 02:29:50.399
<v Speaker 2>picked up much from Radiance? Yeah?

2531
02:29:50.479 --> 02:29:52.799
<v Speaker 5>Yeah, I mean I have quite a few. I think

2532
02:29:52.840 --> 02:29:55.840
<v Speaker 5>the die Goothic sets are some of my favorite my collection.

2533
02:29:56.520 --> 02:29:57.920
<v Speaker 5>I just picked up a couple of titles at the

2534
02:29:57.920 --> 02:30:01.159
<v Speaker 5>Barnes and Noble fifty percent off sale. You know, Radiance

2535
02:30:01.200 --> 02:30:03.440
<v Speaker 5>is one of those labels that I can blind by

2536
02:30:04.239 --> 02:30:07.440
<v Speaker 5>and be very excited for and have really like high

2537
02:30:07.479 --> 02:30:09.319
<v Speaker 5>confidence that I'm going to enjoy what they're putting out.

2538
02:30:09.879 --> 02:30:12.879
<v Speaker 5>I also just love their presentation, Like I absolutely love

2539
02:30:12.959 --> 02:30:16.120
<v Speaker 5>the OBI strips and stuff. They're one of my favorites. Man,

2540
02:30:16.159 --> 02:30:17.079
<v Speaker 5>They're They're incredible.

2541
02:30:18.239 --> 02:30:21.079
<v Speaker 2>Yeah, I agree. They absolutely are one of the most

2542
02:30:21.120 --> 02:30:23.680
<v Speaker 2>exciting labels out there. I think everything that they do

2543
02:30:23.840 --> 02:30:28.959
<v Speaker 2>is curated to a point where it is inspiring confidence

2544
02:30:29.000 --> 02:30:32.000
<v Speaker 2>in people that love their stuff. So it's exciting love

2545
02:30:32.040 --> 02:30:35.360
<v Speaker 2>that people appreciate them and trust them and put stock

2546
02:30:35.399 --> 02:30:37.639
<v Speaker 2>in what they're putting out. And it showed in the vote.

2547
02:30:37.680 --> 02:30:40.520
<v Speaker 2>So congrats Radiance. That's a big deal. But that's only

2548
02:30:40.680 --> 02:30:43.559
<v Speaker 2>one side of the world. Let's talk about best region

2549
02:30:43.680 --> 02:30:46.520
<v Speaker 2>a label, and for that we go to a face

2550
02:30:46.600 --> 02:30:50.360
<v Speaker 2>you might recognize.

2551
02:30:51.799 --> 02:30:55.159
<v Speaker 55>Greetings everyone out there watching the Shelf Shock Rewind Awards.

2552
02:30:55.319 --> 02:30:56.319
<v Speaker 45>My name is Joe Lynch.

2553
02:30:56.440 --> 02:30:57.879
<v Speaker 41>I'm Beacha Howard, and we.

2554
02:30:57.879 --> 02:31:00.319
<v Speaker 55>Are the hosts of a couple of old fashioned with

2555
02:31:00.440 --> 02:31:04.159
<v Speaker 55>Becca and Joe, the video podcast Four Movie Lovers by

2556
02:31:04.239 --> 02:31:05.239
<v Speaker 55>Movie Lovers, where.

2557
02:31:05.079 --> 02:31:06.719
<v Speaker 45>Each week we come up with a theme.

2558
02:31:06.879 --> 02:31:09.440
<v Speaker 55>We each pick two titles that neither of us knows

2559
02:31:09.479 --> 02:31:11.959
<v Speaker 55>which one. We come here, we talk about what the

2560
02:31:11.959 --> 02:31:14.760
<v Speaker 55>movies are. We then go to that couch watch the movies,

2561
02:31:14.920 --> 02:31:17.399
<v Speaker 55>then come back and discuss if in fact we have

2562
02:31:17.520 --> 02:31:19.159
<v Speaker 55>created the perfect.

2563
02:31:18.760 --> 02:31:21.159
<v Speaker 3>Double feature, especially for date nights.

2564
02:31:21.040 --> 02:31:23.239
<v Speaker 45>Yes, date nights especially.

2565
02:31:22.879 --> 02:31:27.319
<v Speaker 41>You can watch seasons one and two currently available on YouTube,

2566
02:31:27.520 --> 02:31:32.200
<v Speaker 41>or if you're more oratorily inclined, it's also available wherever

2567
02:31:32.280 --> 02:31:36.959
<v Speaker 41>you get your podcasts. But enough shameless plugging of our

2568
02:31:39.360 --> 02:31:43.959
<v Speaker 41>Speaking of shameless, we are here to talk about the

2569
02:31:44.239 --> 02:31:49.559
<v Speaker 41>many beautiful labels and companies that do what we consider

2570
02:31:49.559 --> 02:31:53.440
<v Speaker 41>it to be God's works, cinema gods, cinema gods taking

2571
02:31:54.239 --> 02:31:59.959
<v Speaker 41>titles from the past, from current film lives, forgotten jet

2572
02:32:00.840 --> 02:32:04.719
<v Speaker 41>cult classics and bringing them back to the world in

2573
02:32:04.760 --> 02:32:08.200
<v Speaker 41>beautiful restoration, Blu rays and four k's i E.

2574
02:32:08.200 --> 02:32:12.239
<v Speaker 55>Our favorite movies usually, and as lovers and collectors of

2575
02:32:12.319 --> 02:32:15.879
<v Speaker 55>physical media, we are thrilled to be announcing the nominees

2576
02:32:16.120 --> 02:32:17.920
<v Speaker 55>for the Best Region A Label.

2577
02:32:18.079 --> 02:32:21.719
<v Speaker 41>Yes, sadly, while we love every single one of these

2578
02:32:21.760 --> 02:32:25.520
<v Speaker 41>companies and every piece of work they put out there,

2579
02:32:25.760 --> 02:32:28.600
<v Speaker 41>as in any competition format, that can only ever be

2580
02:32:28.719 --> 02:32:33.000
<v Speaker 41>one winner, but the nominees are all winners in our hearts,

2581
02:32:33.040 --> 02:32:33.840
<v Speaker 41>and here they are.

2582
02:32:51.719 --> 02:33:09.879
<v Speaker 5>Criterion Collection Deaf, Crocodile, keinolrber Severin Films, Vinegar Syndrome.

2583
02:33:18.479 --> 02:33:21.200
<v Speaker 45>And they are the nominees and the winner.

2584
02:33:23.360 --> 02:33:26.639
<v Speaker 55>Fancy sorting hat right here for the best Region A

2585
02:33:26.879 --> 02:33:29.840
<v Speaker 55>label based on the CSC's voting is.

2586
02:33:32.639 --> 02:33:33.239
<v Speaker 32>We'd all know the.

2587
02:33:33.239 --> 02:33:37.040
<v Speaker 45>Winner, and the winner is Vinegar Syndrome. Are good friends

2588
02:33:37.079 --> 02:33:41.200
<v Speaker 45>at Vinegar Syndrome. Hew the applause. We love Vinegar Syndrome.

2589
02:33:41.239 --> 02:33:43.079
<v Speaker 45>We have many friends of Vinegar Syndrome.

2590
02:33:43.120 --> 02:33:47.239
<v Speaker 55>So congratulations to Vinegar Syndrome for those titles. Also, I

2591
02:33:47.360 --> 02:33:49.719
<v Speaker 55>just so happened to have a few Vinegar Syndrome titles

2592
02:33:49.799 --> 02:33:52.200
<v Speaker 55>right here, including the brand new.

2593
02:33:52.000 --> 02:33:54.639
<v Speaker 45>Four K of Trauma's Terra Firmer, which I.

2594
02:33:54.600 --> 02:33:57.719
<v Speaker 55>Am in copious amount of no bias, no, no bias

2595
02:33:57.760 --> 02:34:00.040
<v Speaker 55>at all, but also one of the greatest movies of

2596
02:34:00.120 --> 02:34:00.639
<v Speaker 55>all time.

2597
02:34:01.280 --> 02:34:03.200
<v Speaker 45>Mac and me, Yep, there you go.

2598
02:34:03.600 --> 02:34:06.760
<v Speaker 55>The Vinegar Syndrome knows the classics and they are here

2599
02:34:06.760 --> 02:34:07.520
<v Speaker 55>to bring it to you.

2600
02:34:08.040 --> 02:34:09.079
<v Speaker 37>My god, amazing.

2601
02:34:09.360 --> 02:34:13.799
<v Speaker 41>Yes, of the Best Region A label, as voted on

2602
02:34:13.959 --> 02:34:15.639
<v Speaker 41>by the community is.

2603
02:34:18.040 --> 02:34:19.479
<v Speaker 20>Yeah, what have you been doing to these all?

2604
02:34:19.479 --> 02:34:21.920
<v Speaker 45>I've been quite moist In the physical media.

2605
02:34:21.760 --> 02:34:24.079
<v Speaker 41>Round Criterion Collection.

2606
02:34:24.520 --> 02:34:27.680
<v Speaker 45>Criterion Collection. We love Criterion Collection. We love the closet

2607
02:34:27.719 --> 02:34:31.120
<v Speaker 45>with the channel, but most importantly we love those goddamn oh.

2608
02:34:31.120 --> 02:34:33.360
<v Speaker 41>Yeah, I just so happen to have a few with

2609
02:34:33.520 --> 02:34:37.000
<v Speaker 41>me one just to give you a swath of the

2610
02:34:37.079 --> 02:34:40.079
<v Speaker 41>kind of things they do. Winchester seventy three the very

2611
02:34:40.120 --> 02:34:42.959
<v Speaker 41>first of the Anthony Man James Stewart Western collections, at

2612
02:34:43.000 --> 02:34:46.879
<v Speaker 41>least originally in nineteen fifty, but then again last year

2613
02:34:47.120 --> 02:34:51.799
<v Speaker 41>with an amazing amount of new features commentary firm James Stewart,

2614
02:34:51.959 --> 02:34:56.120
<v Speaker 41>so many things, and newer releases like the Academy Award

2615
02:34:56.159 --> 02:35:00.520
<v Speaker 41>winning Anora from our beautiful friend Sean Baker. This is

2616
02:35:00.600 --> 02:35:04.520
<v Speaker 41>the definitive release with all of the making of all

2617
02:35:04.559 --> 02:35:08.000
<v Speaker 41>of the commentaries, the can panel, all the four K,

2618
02:35:08.120 --> 02:35:10.840
<v Speaker 41>all the blu ray. You haven't quite seen Anora until

2619
02:35:10.840 --> 02:35:13.760
<v Speaker 41>you've seen it like this from the Criterion Collection.

2620
02:35:14.120 --> 02:35:16.879
<v Speaker 55>So while we love all the nominees and we appreciate

2621
02:35:16.959 --> 02:35:19.719
<v Speaker 55>all the hard work you do, obviously we can only

2622
02:35:19.760 --> 02:35:22.799
<v Speaker 55>have two winners, and that is Vinegar Syndrome and Criterion.

2623
02:35:22.959 --> 02:35:27.840
<v Speaker 45>Congratulations to all the winners. Oh yes, yes, and keep

2624
02:35:27.879 --> 02:35:29.239
<v Speaker 45>physical media alive.

2625
02:35:29.399 --> 02:35:31.520
<v Speaker 41>Let's make a double feature out of some of these

2626
02:35:31.520 --> 02:35:34.399
<v Speaker 41>Criterion Collection. Vinegar Syndrome marry them up.

2627
02:35:34.559 --> 02:35:42.120
<v Speaker 45>I say, terra firmer and a noora done. Done, cheers, cheers.

2628
02:35:46.920 --> 02:35:52.639
<v Speaker 52>Wow, jeez, oh wow, that's crazy. Okay, yeah again, thank you.

2629
02:35:52.959 --> 02:35:56.360
<v Speaker 52>We can't thank you enough for voting for us for this.

2630
02:35:57.120 --> 02:36:00.000
<v Speaker 52>You know, it's crazy, especially with you know, the differ

2631
02:36:00.000 --> 02:36:04.079
<v Speaker 52>different studios and licensing and you know, keeping it region

2632
02:36:04.159 --> 02:36:08.079
<v Speaker 52>a versus you know, hopefully we could have things reaching free.

2633
02:36:08.120 --> 02:36:13.120
<v Speaker 52>But at the same time, we're very much appreciated of appreciative.

2634
02:36:14.239 --> 02:36:17.719
<v Speaker 52>We're very much appreciative of this too, and we h

2635
02:36:18.319 --> 02:36:21.760
<v Speaker 52>yeah again are it just keeps growing and growing and

2636
02:36:21.840 --> 02:36:25.920
<v Speaker 52>we don't plan on stopping anytime soon. And we again,

2637
02:36:25.959 --> 02:36:29.840
<v Speaker 52>we can't thank you enough. Everyone in the community. Everyone

2638
02:36:30.639 --> 02:36:34.319
<v Speaker 52>are our fans. Just you guys keep us going and

2639
02:36:35.280 --> 02:36:36.959
<v Speaker 52>we hope he'll be going much longer.

2640
02:36:37.079 --> 02:36:41.600
<v Speaker 2>So thank you. I love the comment that says the

2641
02:36:41.680 --> 02:36:43.879
<v Speaker 2>ying and the yang of home video right now, the

2642
02:36:44.399 --> 02:36:49.360
<v Speaker 2>vinegar syndrome and criterion absolutely the perfect dichotomy. Love that entirely.

2643
02:36:50.600 --> 02:36:52.840
<v Speaker 2>Speaking of vinegar syndrome, why don't we give away our

2644
02:36:52.959 --> 02:36:55.639
<v Speaker 2>last giveaway before we get into our big best picture

2645
02:36:55.799 --> 02:36:56.440
<v Speaker 2>win of the night.

2646
02:36:57.680 --> 02:37:01.360
<v Speaker 5>Yeah, yeah, so we have a giveaway thanks to cinematograph

2647
02:37:01.520 --> 02:37:04.399
<v Speaker 5>and I believe we have how many releases to give away.

2648
02:37:04.399 --> 02:37:08.719
<v Speaker 2>In this bundle, we are giving away four cinematograph titles

2649
02:37:08.799 --> 02:37:11.399
<v Speaker 2>and whoever wins this one gets to pick the four

2650
02:37:11.440 --> 02:37:14.399
<v Speaker 2>cinematograph titles that you would like to win. So if

2651
02:37:14.440 --> 02:37:16.120
<v Speaker 2>you win this one, email me at s sheelf shock

2652
02:37:16.200 --> 02:37:18.319
<v Speaker 2>Rewinde at gmail dot com. We will get you four

2653
02:37:18.719 --> 02:37:21.879
<v Speaker 2>cinematograph titles of your choosing. So you're gonna email me

2654
02:37:22.000 --> 02:37:24.760
<v Speaker 2>the four titles that you choose and your address for

2655
02:37:24.840 --> 02:37:26.639
<v Speaker 2>us to send those two. This is a big one,

2656
02:37:26.799 --> 02:37:29.600
<v Speaker 2>so please get ready to answer. Here we go.

2657
02:37:30.280 --> 02:37:32.520
<v Speaker 5>All right, this one's for all the big Kubrick fans

2658
02:37:32.559 --> 02:37:36.559
<v Speaker 5>out there in the film Eyes wide Hut. What is

2659
02:37:36.600 --> 02:37:39.559
<v Speaker 5>the password used to enter the party?

2660
02:37:41.360 --> 02:37:44.840
<v Speaker 2>Craig says, nineteen sixty nine is in nineteen sixty nine.

2661
02:37:45.399 --> 02:37:47.000
<v Speaker 5>Everything happened in nineteen sixty nine.

2662
02:37:47.079 --> 02:37:51.120
<v Speaker 2>Everything everything happened in nineteen sixty nine. As you are

2663
02:37:51.319 --> 02:37:55.479
<v Speaker 2>want to know. Wow, we had oh so many people

2664
02:37:55.479 --> 02:37:57.360
<v Speaker 2>that know this one, but it seems like a lot

2665
02:37:57.360 --> 02:38:01.040
<v Speaker 2>of people misspelled it. Similar one to talk about Castro,

2666
02:38:01.120 --> 02:38:04.159
<v Speaker 2>but in fact it was four four four chroma that wins.

2667
02:38:04.399 --> 02:38:07.200
<v Speaker 2>Delio is the answer that is the first one here.

2668
02:38:07.719 --> 02:38:11.159
<v Speaker 2>Congrats for four for four Chroma. Go ahead and send

2669
02:38:11.159 --> 02:38:14.879
<v Speaker 2>me an email at shell jak Rewind at gmail dot com.

2670
02:38:14.920 --> 02:38:20.760
<v Speaker 2>Sorry to everybody and your you're autocorrect in the chat.

2671
02:38:21.440 --> 02:38:27.520
<v Speaker 2>Oh Man Sibner is pissed. Uh that is uh. That

2672
02:38:27.639 --> 02:38:35.040
<v Speaker 2>is fidel h fidel is upset. Gosh, congratulations to Chroma.

2673
02:38:35.280 --> 02:38:37.239
<v Speaker 2>Send me an email schelf jack Rewind at gmail dot

2674
02:38:37.280 --> 02:38:39.799
<v Speaker 2>com with your four titles you are selecting and an

2675
02:38:39.879 --> 02:38:43.760
<v Speaker 2>address to send them to. Congrats on all of that tonight.

2676
02:38:43.959 --> 02:38:46.479
<v Speaker 2>We we are leading all to this for best overall

2677
02:38:46.520 --> 02:38:49.959
<v Speaker 2>release of the year, and it is finally here. We

2678
02:38:49.959 --> 02:38:52.200
<v Speaker 2>we we have so many titles that we've talked about tonight.

2679
02:38:52.239 --> 02:38:54.559
<v Speaker 2>I hope that you have enjoyed hearing about all of them.

2680
02:38:54.799 --> 02:38:57.399
<v Speaker 2>We'll hang out a couple of moments after our announcement

2681
02:38:57.440 --> 02:38:59.440
<v Speaker 2>of the winners, but of course we got to go

2682
02:38:59.440 --> 02:39:02.200
<v Speaker 2>into some nomin and because it's the big category, we

2683
02:39:02.280 --> 02:39:04.680
<v Speaker 2>got ten nominees and Chris and I are going to

2684
02:39:04.719 --> 02:39:08.120
<v Speaker 2>stay on camera here as we show you all ten.

2685
02:39:08.280 --> 02:39:09.239
<v Speaker 2>And here they are.

2686
02:39:20.479 --> 02:39:26.639
<v Speaker 5>The Beyond four K grind House releasing Cafe Flesh, four K,

2687
02:39:27.040 --> 02:39:36.040
<v Speaker 5>Manda Macabre, Dirty Work, four K, Vinegar Syndrome Eyes Wide

2688
02:39:36.040 --> 02:39:44.239
<v Speaker 5>Shut four K Criterion Collection, Michael Hannaha Collection, Umbrella Entertainment,

2689
02:39:45.680 --> 02:39:48.079
<v Speaker 5>A Nightmare and ELM Street four K Steel Book Collection,

2690
02:39:48.440 --> 02:39:57.239
<v Speaker 5>Warner Brothers Possession four K, Second Sight Films, Shawscope Volume

2691
02:39:57.280 --> 02:40:06.520
<v Speaker 5>four Aero Video Sorcerer four K Criterion Collection, The Teenage

2692
02:40:06.559 --> 02:40:09.280
<v Speaker 5>Mutant Ninja Turtles four K Trilogy Aero Video.

2693
02:40:13.600 --> 02:40:16.159
<v Speaker 2>Guys say, it is so funny that we're like, most

2694
02:40:16.159 --> 02:40:19.479
<v Speaker 2>of these are like high art, like really nice titles,

2695
02:40:19.520 --> 02:40:22.360
<v Speaker 2>Michael Hannicut. And then we end with Teenage Mutant Ninja

2696
02:40:22.399 --> 02:40:25.920
<v Speaker 2>Turtles Trilogy four K as the last title to discuss.

2697
02:40:25.920 --> 02:40:29.319
<v Speaker 2>So these are all of our nominees guesses for Who's

2698
02:40:29.360 --> 02:40:32.639
<v Speaker 2>gonna win? Who did you vote for for this, Chris?

2699
02:40:33.680 --> 02:40:37.559
<v Speaker 5>I mean this one was tough. I mean Nightmen, ELM

2700
02:40:37.600 --> 02:40:39.639
<v Speaker 5>Street Collection was up there, but I just feel like

2701
02:40:39.680 --> 02:40:41.959
<v Speaker 5>I couldn't do that. So Possession was kind of my

2702
02:40:42.079 --> 02:40:46.239
<v Speaker 5>main one, but I just couldn't not do it. For

2703
02:40:46.280 --> 02:40:49.280
<v Speaker 5>the Beyond, I just I couldn't. Man, this was the

2704
02:40:49.319 --> 02:40:50.879
<v Speaker 5>one I sat on the longest.

2705
02:40:51.639 --> 02:40:54.239
<v Speaker 2>I hear you, The Beyond was up there for me.

2706
02:40:54.280 --> 02:40:56.360
<v Speaker 2>Possession was up there for me. Michael HANNICKEA was up

2707
02:40:56.360 --> 02:40:59.920
<v Speaker 2>there for me before we announce this is this all

2708
02:41:00.079 --> 02:41:01.600
<v Speaker 2>our last thing of the night, So I did want

2709
02:41:01.639 --> 02:41:05.280
<v Speaker 2>to say this is my fourth and final Shelf Shock

2710
02:41:05.319 --> 02:41:08.639
<v Speaker 2>rewind Awards. We hope to have somebody else continue this

2711
02:41:08.680 --> 02:41:10.280
<v Speaker 2>next year, but I did want to say thank you

2712
02:41:10.360 --> 02:41:13.200
<v Speaker 2>for everybody that's made this a very validating experience for

2713
02:41:13.280 --> 02:41:15.440
<v Speaker 2>home video over the last four years. You guys have

2714
02:41:15.440 --> 02:41:18.239
<v Speaker 2>been incredible. It has been so nice to see things

2715
02:41:18.799 --> 02:41:21.920
<v Speaker 2>happen this way. Going back multiple years to when Lee

2716
02:41:21.959 --> 02:41:24.840
<v Speaker 2>Gambit was watching live talking about he wishes we would

2717
02:41:24.879 --> 02:41:27.440
<v Speaker 2>do this every six months or multiple times a year

2718
02:41:27.520 --> 02:41:30.120
<v Speaker 2>because it is so great for the community, and now

2719
02:41:30.120 --> 02:41:34.399
<v Speaker 2>we've lost lease. Since then, it's been a crazy journey

2720
02:41:34.440 --> 02:41:37.159
<v Speaker 2>through this whole thing. Even the very first year when

2721
02:41:37.200 --> 02:41:38.920
<v Speaker 2>we did this live, we had a couple of the

2722
02:41:38.920 --> 02:41:42.600
<v Speaker 2>companies that did things like thank the award show for

2723
02:41:42.959 --> 02:41:45.319
<v Speaker 2>winning live. We had I think vinegar syndrome that first

2724
02:41:45.360 --> 02:41:47.239
<v Speaker 2>year even put a couple of titles on sale because

2725
02:41:47.239 --> 02:41:49.399
<v Speaker 2>they won some shelf Shocks. And now it's a thing

2726
02:41:49.600 --> 02:41:51.600
<v Speaker 2>like all of these labels are including it in their

2727
02:41:51.639 --> 02:41:55.959
<v Speaker 2>emails getting people to vote. It's been a pretty crazy

2728
02:41:56.120 --> 02:41:58.680
<v Speaker 2>ride to see how this has joined joined forces in

2729
02:41:58.719 --> 02:42:00.879
<v Speaker 2>the community. And get people all over the world to celebrate.

2730
02:42:00.920 --> 02:42:03.399
<v Speaker 2>So again, thanks for hosting with me this year, sir.

2731
02:42:03.879 --> 02:42:06.559
<v Speaker 5>Of course, man, of course. So to anybody who tuned

2732
02:42:06.600 --> 02:42:09.479
<v Speaker 5>into Reconnected on Thursday, I wrote you a high Q

2733
02:42:12.639 --> 02:42:15.719
<v Speaker 5>on Reconnected and this time around, I wrote you a

2734
02:42:15.760 --> 02:42:19.280
<v Speaker 5>poem as a goodbye for you on shelf Shock Rewind.

2735
02:42:19.959 --> 02:42:21.200
<v Speaker 5>Do you mind if I read it to you live

2736
02:42:21.239 --> 02:42:21.959
<v Speaker 5>in front of the world.

2737
02:42:22.479 --> 02:42:23.639
<v Speaker 2>Please let's hear it.

2738
02:42:24.040 --> 02:42:27.840
<v Speaker 5>Okay, okay, Uh, so it goes. My shelves are dirty,

2739
02:42:28.159 --> 02:42:31.879
<v Speaker 5>my discs are clean. Shelf Shock rewind was once a

2740
02:42:32.000 --> 02:42:36.040
<v Speaker 5>dream Ryan and Stephen. The work was even four years

2741
02:42:36.079 --> 02:42:40.680
<v Speaker 5>later Ryan's leaving, Bye bye Ryan. Next year I'll be crying.

2742
02:42:41.000 --> 02:42:43.319
<v Speaker 5>Shelf Shock will never be the same. The next host

2743
02:42:43.440 --> 02:42:44.360
<v Speaker 5>might go insane.

2744
02:42:46.600 --> 02:42:48.600
<v Speaker 2>I don't even know what to say about that. Uh,

2745
02:42:49.000 --> 02:42:51.680
<v Speaker 2>why don't you have the honor of announcing who won

2746
02:42:51.760 --> 02:42:54.040
<v Speaker 2>for the CSC this year? Ugh?

2747
02:42:54.200 --> 02:42:57.799
<v Speaker 5>All right, So our CSC winner is none other than

2748
02:42:58.360 --> 02:43:01.440
<v Speaker 5>Possession four K second Sight Films.

2749
02:43:01.680 --> 02:43:04.399
<v Speaker 2>I'm shocked they did not win enough tonight, and of

2750
02:43:04.440 --> 02:43:08.159
<v Speaker 2>course that that is an obvious win if you are

2751
02:43:08.200 --> 02:43:11.680
<v Speaker 2>a part of the CSC and for the community. I

2752
02:43:11.760 --> 02:43:14.399
<v Speaker 2>gotta say I just talked about many of the companies

2753
02:43:14.399 --> 02:43:17.120
<v Speaker 2>getting out there and suggesting people vote. I have a

2754
02:43:17.120 --> 02:43:19.760
<v Speaker 2>feeling one of the reasons that this title one is

2755
02:43:19.799 --> 02:43:22.000
<v Speaker 2>because they included this in their email blast for the

2756
02:43:22.040 --> 02:43:24.520
<v Speaker 2>last month to get everybody out there and excited to vote.

2757
02:43:24.879 --> 02:43:27.639
<v Speaker 2>So the winner for the community for best overall release

2758
02:43:27.719 --> 02:43:30.920
<v Speaker 2>for twenty twenty five is The Beyond four K from

2759
02:43:30.959 --> 02:43:34.360
<v Speaker 2>Grindhouse Releasing. So let's hear some words from Phil and

2760
02:43:34.399 --> 02:43:36.319
<v Speaker 2>from Bob to send the Night away.

2761
02:43:37.680 --> 02:43:41.280
<v Speaker 25>Wow, And again we're competing with a lot of other

2762
02:43:41.280 --> 02:43:45.879
<v Speaker 25>great companies like Arrow and you know, so it's it's incredible,

2763
02:43:47.120 --> 02:43:51.079
<v Speaker 25>But you know, I mean, this release was really thirty

2764
02:43:51.879 --> 02:43:55.120
<v Speaker 25>years in the making, and this is the thirtieth anniversary

2765
02:43:55.120 --> 02:43:58.319
<v Speaker 25>of Grindhouse Releasing. We Sage stallone and I started it

2766
02:43:58.399 --> 02:44:04.440
<v Speaker 25>in nineteen ninety six specifically to put out a great

2767
02:44:04.520 --> 02:44:06.719
<v Speaker 25>version of The Beyond. We both loved the movie and

2768
02:44:06.760 --> 02:44:10.559
<v Speaker 25>it had been butchered. At that point, there weren't a

2769
02:44:10.600 --> 02:44:14.520
<v Speaker 25>lot of other companies releasing this kind of stuff, and

2770
02:44:15.399 --> 02:44:18.200
<v Speaker 25>you know, we really wanted to be the criterion of

2771
02:44:18.360 --> 02:44:22.399
<v Speaker 25>these kind of overlooked horror classics and exploitation films, and

2772
02:44:23.719 --> 02:44:27.319
<v Speaker 25>sadly Sage passed away a few years years ago, but

2773
02:44:27.440 --> 02:44:31.559
<v Speaker 25>he would be so proud to hear about all of this, because,

2774
02:44:32.319 --> 02:44:36.040
<v Speaker 25>you know, the beyond was he met with Fulci when

2775
02:44:36.040 --> 02:44:38.440
<v Speaker 25>he was in Rome working on DA Daylight with his dad,

2776
02:44:38.920 --> 02:44:41.879
<v Speaker 25>and Luccio was so excited that somebody was interested in

2777
02:44:41.959 --> 02:44:46.239
<v Speaker 25>the movie and was going to participate. But then unfortunately

2778
02:44:46.280 --> 02:44:49.399
<v Speaker 25>he passed away, you know, just as we were getting started,

2779
02:44:50.000 --> 02:44:55.600
<v Speaker 25>and we were still able to meet with Sergio Silvadi,

2780
02:44:56.200 --> 02:45:00.479
<v Speaker 25>the cinematographer, and he actually did the first color crack pass,

2781
02:45:00.600 --> 02:45:03.799
<v Speaker 25>which was the basis of all of our releases, you know,

2782
02:45:04.520 --> 02:45:06.799
<v Speaker 25>and that was back in nineteen ninety six, so that's

2783
02:45:06.879 --> 02:45:09.440
<v Speaker 25>sort of been the basis for everything that we've done

2784
02:45:09.520 --> 02:45:13.319
<v Speaker 25>since then. And you know, and and and on this release,

2785
02:45:13.360 --> 02:45:17.879
<v Speaker 25>we worked with Fabio Frizzi, who did this incredible nude

2786
02:45:18.440 --> 02:45:24.479
<v Speaker 25>you know, composer's cut version that he rescored and and

2787
02:45:24.600 --> 02:45:25.680
<v Speaker 25>is included on the desk.

2788
02:45:25.799 --> 02:45:28.680
<v Speaker 13>And so it's just it's great and.

2789
02:45:30.879 --> 02:45:34.040
<v Speaker 25>Just I also want to you know, acknowledge the people

2790
02:45:34.040 --> 02:45:37.159
<v Speaker 25>who I've been working with, Ed Grinos Releasing, David Shultin,

2791
02:45:37.719 --> 02:45:41.239
<v Speaker 25>uh Dan Harrington, uh Dad Lagier, who does all of

2792
02:45:41.280 --> 02:45:44.959
<v Speaker 25>our packaging and has been doing it for years created

2793
02:45:45.040 --> 02:45:49.600
<v Speaker 25>like really some beautiful packaging for this movie. Jim Coons,

2794
02:45:49.600 --> 02:45:53.360
<v Speaker 25>who's sort of our technical director, Johnny Buell who did

2795
02:45:53.360 --> 02:45:59.479
<v Speaker 25>the authoring. Uh U C Tailman who did this Uh

2796
02:46:00.120 --> 02:46:04.760
<v Speaker 25>care about the sound? Uh the remastering of the CD,

2797
02:46:05.079 --> 02:46:09.760
<v Speaker 25>the the mix of the director's cut I'm sorry, composer's

2798
02:46:09.799 --> 02:46:14.360
<v Speaker 25>cut version of the movie. Just you know, so many

2799
02:46:14.360 --> 02:46:17.319
<v Speaker 25>people contributed to this release, to this release. Al Arnold

2800
02:46:17.319 --> 02:46:19.319
<v Speaker 25>who was the colorist, who did such a beautiful job

2801
02:46:19.360 --> 02:46:21.280
<v Speaker 25>at Photo Cam.

2802
02:46:22.280 --> 02:46:23.680
<v Speaker 13>Uh.

2803
02:46:24.959 --> 02:46:28.040
<v Speaker 25>So many supplements, you know, we had, We had these

2804
02:46:28.040 --> 02:46:31.200
<v Speaker 25>two great guys in Italy finding people and doing interviews,

2805
02:46:31.639 --> 02:46:39.959
<v Speaker 25>uh Frederick Cadio and you genial uh Eric Alani, And

2806
02:46:41.520 --> 02:46:43.879
<v Speaker 25>you know, it's just it's been it's been such a

2807
02:46:43.959 --> 02:46:49.959
<v Speaker 25>huge group project that you know, I'm just I really

2808
02:46:50.879 --> 02:46:54.120
<v Speaker 25>wanted to acknowledge everybody because it's like such a was

2809
02:46:54.159 --> 02:46:55.319
<v Speaker 25>such a big thing, and it was.

2810
02:46:55.719 --> 02:46:56.680
<v Speaker 13>It took so many years.

2811
02:46:58.200 --> 02:47:01.120
<v Speaker 25>Martin Bean who did this incredible hundred booklet that came

2812
02:47:01.159 --> 02:47:03.719
<v Speaker 25>with the release, and I mean it was so well researched,

2813
02:47:03.719 --> 02:47:06.200
<v Speaker 25>and he spent so much time. I mean I think

2814
02:47:06.719 --> 02:47:11.440
<v Speaker 25>collectively we all spent probably ten times as much hours

2815
02:47:11.639 --> 02:47:14.079
<v Speaker 25>as many hours on this release than they probably spent

2816
02:47:14.200 --> 02:47:18.200
<v Speaker 25>making the movie. But but yeah, I'm so so I'm

2817
02:47:18.280 --> 02:47:24.000
<v Speaker 25>very proud of like everything that uh you get you guys,

2818
02:47:24.040 --> 02:47:26.920
<v Speaker 25>and and of course our customers who you know, bought

2819
02:47:26.920 --> 02:47:29.440
<v Speaker 25>the movie and voted for us and have supported us

2820
02:47:29.440 --> 02:47:30.120
<v Speaker 25>all these years.

2821
02:47:30.639 --> 02:47:33.319
<v Speaker 9>So thanks so much. I'm just so honored.

2822
02:47:33.600 --> 02:47:37.760
<v Speaker 17>Thank you man. That's insane. Yeah, it's a real honor.

2823
02:47:39.159 --> 02:47:42.680
<v Speaker 17>What's what can I say? I mean you guys at Man,

2824
02:47:42.719 --> 02:47:45.799
<v Speaker 17>thank you so much. And yeah, Bebo Possession.

2825
02:47:45.360 --> 02:47:49.639
<v Speaker 2>Home, Bob Roowsk. You talked for like eight minutes. It

2826
02:47:49.639 --> 02:47:53.360
<v Speaker 2>feels like, yay, Possession. I love it. I'm ready for bed.

2827
02:47:53.440 --> 02:47:57.159
<v Speaker 2>Thank you. He's been thanking us for like the last

2828
02:47:57.159 --> 02:48:01.479
<v Speaker 2>twenty minutes. I get it. Genuine incredible year for physical media.

2829
02:48:01.600 --> 02:48:04.760
<v Speaker 2>Thank you everybody for being here tonight. It has been remarkable.

2830
02:48:05.079 --> 02:48:07.440
<v Speaker 2>My my partner Antenna, Billy Race does a great job.

2831
02:48:07.479 --> 02:48:10.200
<v Speaker 2>Ran and Chris Hope. Honestly, way more exciting, unpredictable and

2832
02:48:10.200 --> 02:48:13.760
<v Speaker 2>compelling than this year's Indie Spirit Awards. That is kind

2833
02:48:13.799 --> 02:48:15.879
<v Speaker 2>of saying the Indie Spirit Awards. But thanks for hanging

2834
02:48:15.879 --> 02:48:20.879
<v Speaker 2>out here. Just a ridiculously year. Can't wait to see

2835
02:48:21.040 --> 02:48:22.920
<v Speaker 2>what what next year. Shelf Shock holds and what this

2836
02:48:23.000 --> 02:48:24.920
<v Speaker 2>year holds for physical media. So thanks for doing this

2837
02:48:25.000 --> 02:48:25.200
<v Speaker 2>with me.

2838
02:48:25.680 --> 02:48:27.440
<v Speaker 5>Yeah, thank you so much for asking me.

2839
02:48:27.479 --> 02:48:27.600
<v Speaker 2>Man.

2840
02:48:27.639 --> 02:48:29.600
<v Speaker 5>I mean you came to me and you're like, hey, look,

2841
02:48:29.600 --> 02:48:31.479
<v Speaker 5>it's gonna be my last year, and you know, I

2842
02:48:31.479 --> 02:48:34.239
<v Speaker 5>really want you to do this. And I was absolutely

2843
02:48:34.280 --> 02:48:36.399
<v Speaker 5>perplexed and I didn't know what to say except for yes.

2844
02:48:36.680 --> 02:48:39.760
<v Speaker 5>And you know, it's one of those things that to

2845
02:48:39.799 --> 02:48:43.399
<v Speaker 5>me goes beyond you know, just just having fun. It

2846
02:48:43.440 --> 02:48:44.719
<v Speaker 5>means a lot to be here with you and to

2847
02:48:44.760 --> 02:48:47.000
<v Speaker 5>be here with everybody, and especially for for your final

2848
02:48:47.079 --> 02:48:49.360
<v Speaker 5>year kind of you know, heading up the shelf Shock

2849
02:48:49.399 --> 02:48:52.319
<v Speaker 5>rewind Awards. So thank you so much, man, I can

2850
02:48:52.840 --> 02:48:54.559
<v Speaker 5>you know, I can't express my gratitude enough.

2851
02:48:55.920 --> 02:48:58.120
<v Speaker 2>Well, as Chris said earlier, he is one of the

2852
02:48:58.200 --> 02:49:00.440
<v Speaker 2>co hosts of the Beyond the Blood podcast. Check that

2853
02:49:00.479 --> 02:49:02.559
<v Speaker 2>out wherever you can get your podcast, and if this

2854
02:49:02.639 --> 02:49:04.559
<v Speaker 2>is your first time seeing my face, you can check

2855
02:49:04.600 --> 02:49:08.760
<v Speaker 2>me out everyoneder the name the Disconnected or follow the label,

2856
02:49:09.000 --> 02:49:11.079
<v Speaker 2>which is the reason why I'm not doing this next year.

2857
02:49:11.280 --> 02:49:13.920
<v Speaker 2>An tenor Releasing go to antenor Releasing dot com And

2858
02:49:14.239 --> 02:49:16.399
<v Speaker 2>as of that moment, it's kind of hard to host

2859
02:49:16.440 --> 02:49:18.639
<v Speaker 2>an award show, and you are doing the thing that

2860
02:49:18.680 --> 02:49:21.920
<v Speaker 2>you're giving awards for. So I'm stepping away. Congrats to

2861
02:49:21.920 --> 02:49:24.879
<v Speaker 2>everybody for tonight and I'll hope to win one next

2862
02:49:24.959 --> 02:49:28.120
<v Speaker 2>year maybe. Thanks everybody for watching. We'll see you on

2863
02:49:28.559 --> 02:49:30.680
<v Speaker 2>Thursday if you can be at my show, and until then,

2864
02:49:31.040 --> 02:49:35.920
<v Speaker 2>have a good time see Thank you for listening to

2865
02:49:35.959 --> 02:49:38.840
<v Speaker 2>the Disconnected podcast. There's one big thing that you could

2866
02:49:38.879 --> 02:49:40.479
<v Speaker 2>do to help the show, and that is to leave

2867
02:49:40.520 --> 02:49:43.280
<v Speaker 2>a rating and review on the podcast service of your choice.

2868
02:49:43.520 --> 02:49:43.920
<v Speaker 2>Thank you.

2869
02:50:14.040 --> 02:50:14.399
<v Speaker 5>Hello.

2870
02:50:15.239 --> 02:50:19.280
<v Speaker 56>This is Matt and Emily from Scarecrow Video in Seattle, Washington.

2871
02:50:19.879 --> 02:50:22.159
<v Speaker 56>Did you know that we have the largest video collection

2872
02:50:22.239 --> 02:50:24.680
<v Speaker 56>in the world. We have over one hundred and forty

2873
02:50:24.680 --> 02:50:28.680
<v Speaker 56>six thousand titles and growing. That's over three times more

2874
02:50:28.719 --> 02:50:31.920
<v Speaker 56>than Netflix, Amazon Max, and Hulu combined.

2875
02:50:32.280 --> 02:50:35.000
<v Speaker 57>Plus a Scarecrow now offers rent by mail service throughout

2876
02:50:35.040 --> 02:50:38.399
<v Speaker 57>the US, so check out Scarecrow Video dot org for details.

2877
02:50:38.600 --> 02:50:41.040
<v Speaker 57>You can catch Emily and I or Matt and I

2878
02:50:41.040 --> 02:50:42.760
<v Speaker 57>if that was going to be you saying that on

2879
02:50:42.799 --> 02:50:46.600
<v Speaker 57>our biweekly YouTube show Viva Physical Media for video recommendations

2880
02:50:46.639 --> 02:50:47.399
<v Speaker 57>and so much more.

2881
02:50:47.680 --> 02:50:48.520
<v Speaker 4>Cia bye e.

2882
02:50:54.600 --> 02:50:57.440
<v Speaker 1>Thank you for listening to hear more shows from the

2883
02:50:57.479 --> 02:51:01.280
<v Speaker 1>someone's favorite productions podcast network. Please select the link in

2884
02:51:01.319 --> 02:51:01.879
<v Speaker 1>the description