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<v Speaker 1>You're watching Chewing the Cud. It's River Scott and Mike

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<v Speaker 1>Benyon Rome.

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<v Speaker 2>Yeah, and so apparently Vicks vapor rub burns like a demon.

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<v Speaker 2>But I didn't know. I just thought you could use

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<v Speaker 2>it for Oh. Hello, you're watching Chewing the Cud, your

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<v Speaker 2>lighthearted weekly look at a world through a pair of

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<v Speaker 2>rainbow tinted glasses. I'm a sentient sex toy called River Scott.

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<v Speaker 2>And here I'm with someone who knows how to party

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<v Speaker 2>as long as it's on his own and he's in

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<v Speaker 2>bed before nine pm. It's Mike ben and Rowe. Hello, Mike,

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<v Speaker 2>I don't have to be on my own. I mean

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<v Speaker 2>it does have to be for nine pm. I mean, yeah,

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<v Speaker 2>we've all. Everyone needs a good night's sleep.

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<v Speaker 1>I'm a seven nights of good night sleep.

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<v Speaker 2>There's a thing in the US that hasn't really caught

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<v Speaker 2>on over here called tea dancers.

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<v Speaker 1>It's like instead of whom say bagging? Yeah, that's definitely

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<v Speaker 1>good over here.

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<v Speaker 2>Anyway, what have you got for us today, Mike?

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<v Speaker 3>Well, I'm bringing you a story about doctor hit Nah,

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<v Speaker 3>why am I doing more Doctor who stuff?

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<v Speaker 1>What I've said about just going to do the show. Anyway,

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<v Speaker 1>there's all about game.

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<v Speaker 2>M and then Mike will be showing us how to

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<v Speaker 2>do things with our fingers in Crafty Queens. But on

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<v Speaker 2>screen now you can see our contact details. If you're

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<v Speaker 2>not looking, it is at the cud TV. If you

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<v Speaker 2>want to catch up with us on all of the

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<v Speaker 2>social media's or speaking of catching up, if you want

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<v Speaker 2>to binge all the other episodes mine are the best ones. Naturally,

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<v Speaker 2>you can find them on the YouTube. Just search for

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<v Speaker 2>Chewing the Cud.

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<v Speaker 1>They call them fingers, but I never see them. Thing.

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<v Speaker 3>Well, they're doing it now and you can see the

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<v Speaker 3>names of people reached out and touched our souls going

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<v Speaker 3>on in the bottom of the screen.

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<v Speaker 1>But now it's time for River in the buzz.

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<v Speaker 2>Thanks Mike. Buzz buzz. You can say buzz bus back

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<v Speaker 2>if you want. I don't want it, okay, right, A

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<v Speaker 2>viral photo of a bat has gone viral because that's

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<v Speaker 2>what they do. Oh, I shouldn't say viral and bats. No. Oh,

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<v Speaker 2>that's a bit of a flashback thing anyway. And there

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<v Speaker 2>it is, this a great, big, massive thing. It isn't

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<v Speaker 2>actually fake, which is another way saying that's a real photo.

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<v Speaker 2>What is actually like that? Yeah?

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<v Speaker 1>Do you remember there was that photo years ago of the.

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<v Speaker 2>Camel spider in the Iraqi desert or something someone, and

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<v Speaker 2>it looked like the size of a car and it

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<v Speaker 2>was just because it was really close on the camera.

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<v Speaker 2>This one actually is real and really does look like that. Yeah.

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<v Speaker 2>It's a species called the giant golden crowned flying fox.

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<v Speaker 2>So it's not a bat that it is actually a bat.

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<v Speaker 2>It's just called a flying fox. Yeah, I mean, does

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<v Speaker 2>that look like a fox to you? That is definitely

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<v Speaker 2>a bat. And yeah, it's a Filipino bat. Apparently it's

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<v Speaker 2>native to the Philippines.

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<v Speaker 1>The Philippines in terms of ummm, yeah, so.

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<v Speaker 2>That's where it lives, although despite appearances, not in any

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<v Speaker 2>way carnivoristic or interested in humans. It is a fruit bat.

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<v Speaker 1>He is gay.

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<v Speaker 2>Ye, look it's it's going through its goth phase. It'll

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<v Speaker 2>get around to the being like the gay soon enough,

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<v Speaker 2>but first it's going to do that why does everyone

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<v Speaker 2>hate me and paint my bedroom black and not do

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<v Speaker 2>a maths homework? There is trauma response in crushing on. Yeah,

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<v Speaker 2>someone was quote someone was quoted as saying it looks photoshopped,

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<v Speaker 2>but it's actually real and a bit majestic, and I

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<v Speaker 2>have I have issues with a bit majestic, like it

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<v Speaker 2>either is or it's not. A it's not a gradual thing.

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<v Speaker 2>Is it majestic? Is it not majestic? And it's a bat.

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<v Speaker 2>It's a great, big, massive bat. Why is the quote

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<v Speaker 2>not christ? That's a big bat? But yeah, it's real,

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<v Speaker 2>Like I mean again, but the prospective perspective in that

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<v Speaker 2>photo is a little bit iffy. I can't really tell

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<v Speaker 2>how big. I need someone standing next to it, but

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<v Speaker 2>I imagining no one wants to get that close I need.

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<v Speaker 1>I need a scatter remote or a fifty pe coin.

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<v Speaker 2>I see what you mean.

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<v Speaker 1>Yeah, and I can see how big it is.

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<v Speaker 2>Can of Lynx Africa does it as well?

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<v Speaker 1>Yeah, because if chase the sizes have they Yeah, compressed.

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<v Speaker 2>Candy, that's all right, that works for me. I used

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<v Speaker 2>to I used to use you know, those little I

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<v Speaker 2>used to get half pint glasses that looked like a

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<v Speaker 2>smaller version of a pint glass. I used to use

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<v Speaker 2>that just to kind of like big myself up a

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<v Speaker 2>bit back in the day. Very disappointing for anyone who

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<v Speaker 2>turned up expecting a full sized pint glass. But there

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<v Speaker 2>we go.

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<v Speaker 3>I remember when the big skate digitale else first came

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<v Speaker 3>out and it's like, not only is it massive falls

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<v Speaker 3>guy digital, You've got money.

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<v Speaker 2>That's a good thing. No flanged end though, so you're

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<v Speaker 2>gonna be careful. Yeah, do you want to do you

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<v Speaker 2>want to Let's let's move on. A flying has been

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<v Speaker 2>caught on a speed camera. Would you like to guess

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<v Speaker 2>at how many kilometers an hour it was doing?

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<v Speaker 1>Right? So, not doing speed?

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<v Speaker 2>Not doing speed? Okay, well, it was doing quite as speed,

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<v Speaker 2>but it wasn't doing okay, some not on it may

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<v Speaker 2>have been. It may have been not unfetterminus to be

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<v Speaker 2>going that fast, but as far as we are aware, no,

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<v Speaker 2>and I don't want to slander this duck. It may

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<v Speaker 2>still be alive, okay. Would you like to guess a

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<v Speaker 2>hour or kilometers? Prow kilometers because we live in the future.

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<v Speaker 1>Okay, kilometers pro I'd say.

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<v Speaker 2>How fast would you have to be going to be

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<v Speaker 2>caught on a speed camera? Do you think, especially if

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<v Speaker 2>you're a duck? There you are?

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<v Speaker 1>What's this? What's the.

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<v Speaker 2>Zone?

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<v Speaker 1>All speed?

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<v Speaker 3>It doesn't It was in Germany, okay, so with it

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<v Speaker 3>being Germany, I would say thirty.

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<v Speaker 2>Two thirty two kp. You're off by twenty kilometers. It

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<v Speaker 2>was thirty two miles an hour in fact, so well

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<v Speaker 2>done there for being old. But fifty two kilometers an hour,

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<v Speaker 2>which is quite fast. Thirty miles an hour as a

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<v Speaker 2>it's quite fast.

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<v Speaker 1>If anything's quite fast.

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<v Speaker 2>Well, that's true. The reason that we know that it

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<v Speaker 2>was going that's fast is because it was caught by

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<v Speaker 2>a speed camera, because the camera thought it was a car.

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<v Speaker 1>Understandable. Yeah, I'm getting livid. They're not gonna get a

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<v Speaker 1>ticket out of that.

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<v Speaker 2>Yeah, some Nissan microvibes coming off that thing, right, or

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<v Speaker 2>maybe what is it? A fit at five hundred and

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<v Speaker 2>the one that all the boy racers have. Yeah, anyway,

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<v Speaker 2>apparently this nova, Yeah it's not been lowered, but they've

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<v Speaker 2>got a couple of bags of cement in the back

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<v Speaker 2>because it's cheaper. Yeah, apparently there was something similar happened

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<v Speaker 2>in twenty twenty. So it may be the same duck

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<v Speaker 2>repeater fending okay, or maybe it's another one trying to

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<v Speaker 2>break that one's record and this.

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<v Speaker 1>Photo to get the free sandwiches for the traffic course.

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<v Speaker 2>Yeah, maybe I've done worse for less. Anyway, this photo

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<v Speaker 2>went viral amusing both locals and global Internet users.

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<v Speaker 1>Cool whilst Germany and you're an Internet user.

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<v Speaker 2>Someone was quoted as saying, we're not sure if we

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<v Speaker 2>should find him or give him a medal. He's a duck.

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<v Speaker 2>He has no use for either of those things. Maybe

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<v Speaker 2>you should just leave them alone. So what's the funniest

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<v Speaker 2>thing you've seen you've caught on camera?

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<v Speaker 1>I don't think I can say?

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<v Speaker 2>Okay, right, and our fine watermelon in water melon watermelon? Right? Cool?

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<v Speaker 2>Story three? Are you ready for another one? I'm certainly

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<v Speaker 2>ready for another one? La booboo dolls? Have I pronounced

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<v Speaker 2>that right? They're the latest collectible craze among gen z

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<v Speaker 2>and millennials.

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<v Speaker 3>I'm aware of these things. Oh dear, that's ugly rabbits.

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<v Speaker 2>Monkey like creatures quirky apparently are part of the PopMart

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<v Speaker 2>art toy Oh it's got to be an extended universe.

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<v Speaker 2>What else is in the pop marked art toy universe?

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<v Speaker 2>I don't know or care.

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<v Speaker 1>People at work that have got these things? Adults on the.

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<v Speaker 2>Desk, Yeah, apparently they trade display an even battle for

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<v Speaker 2>rare drops on. How does one battle online? That's a

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<v Speaker 2>call of duty? Thing? Could not care less nostalgia and

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<v Speaker 2>uniqueness make them irresistible.

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<v Speaker 1>Apparently, Oh I'm able to resist those.

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<v Speaker 2>I too am resisting quite Is that a USB plug

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<v Speaker 2>in its foot or just like a sticker I'm going

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<v Speaker 2>to say, I don't want to know what it does.

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<v Speaker 2>Is this like the Funko pops or the beanie babies

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<v Speaker 2>and all that kind of I think this is the

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<v Speaker 2>latest iteration.

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<v Speaker 3>Babies or what they called that used to die of

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<v Speaker 3>your how louts, radios, ferbies.

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<v Speaker 2>Yeah, ferbies and tamagotchis. I remember all those rubbish. Someone

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<v Speaker 2>was quoted as saying they're ugly, they're perfect, they're a vibe.

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<v Speaker 3>Well, I've been reading my grinded profile. Ah, so the

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<v Speaker 3>overwhelming you're not ugly Mike was really real.

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<v Speaker 2>Sure thanks for that, River, I mean, let's not open

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<v Speaker 2>that door. So is this a harmless hobby or feeding

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<v Speaker 2>onhealthy consumerism? What do you think, Mike?

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<v Speaker 3>I think anyone with one of these stupid things ever

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<v Speaker 3>complains about their cost of living crisis or their bills

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<v Speaker 3>has no right to complain or breathe.

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<v Speaker 1>Not the rod to breathe.

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<v Speaker 2>You heard it from Mike first, anyway. Uh Yeah, that's

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<v Speaker 2>enough of that. I think thanks Tremer.

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<v Speaker 3>Just the rage about toys for adults.

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<v Speaker 2>You're welcome, Mike, speaking of runaway capitalism and awful stuff

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<v Speaker 2>like that. Here's some ads coming up. After this short break,

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<v Speaker 2>we get up to date with celebrity news in show Bitz.

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<v Speaker 2>See you soon. Welcome back. You are watching Chewing the Curd.

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<v Speaker 2>This is the part of the show where we look

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<v Speaker 2>into the sparkly side of a world of celebrity and

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<v Speaker 2>media with Mike in the Showbiz, the showbiz, the show is.

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<v Speaker 2>Give us the showbiz, Mike, I.

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<v Speaker 1>Like the breakdown. That's fine.

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<v Speaker 3>The showbiz showbiz, the showbiz showbies, the showbiz showbies.

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<v Speaker 2>The showbiz showbies, the show show.

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<v Speaker 1>Do you know who Rosy Jones is?

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<v Speaker 2>Yes?

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<v Speaker 1>Or what's your feeling about them?

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<v Speaker 2>Quite funny?

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<v Speaker 1>Okay, Wow, that's almost a glowing endorsement.

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<v Speaker 2>Yeah, she's good or they're good? Are they?

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<v Speaker 1>I believe she?

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<v Speaker 2>Yeah, Rosy Jones is good?

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<v Speaker 1>Yes?

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<v Speaker 3>So that that saying that. They've got a new Channel

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<v Speaker 3>four drama called The Pushes, Oh.

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<v Speaker 1>Is it?

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<v Speaker 3>It is a fictional response to real life abuse that

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<v Speaker 3>Rosie receives as a disabled woman. So she's using her

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<v Speaker 3>own life experience to create this drama. It's part gritty

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<v Speaker 3>revenge thriller and part social commentary. It's not designed to

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<v Speaker 3>be a comedy, right, but it has got comedic part

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<v Speaker 3>to it, right.

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<v Speaker 1>It's some of the fun things that happens.

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<v Speaker 2>You'd think with all that money, she could just go

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<v Speaker 2>to a therapist.

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<v Speaker 1>But you don't make more money from therapists. True, just

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<v Speaker 1>give them money. Capitalism in it, it's great in it.

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<v Speaker 1>So what she said is this isn't just a drama.

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<v Speaker 1>It's a call to arms.

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<v Speaker 3>We need to get loud about how disabled people are

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<v Speaker 3>treated in the UK. So seeing a clip of it,

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<v Speaker 3>and it is going back to talking about her benefits

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<v Speaker 3>and why they've been cut and going, oh you're not

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<v Speaker 3>able to it says on here.

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<v Speaker 1>That you can only if you walk great distances.

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<v Speaker 3>You're in pain shows Yeah, well you walked in the door, fine,

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<v Speaker 3>Like that wasn't a big distance. So it highlights some

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<v Speaker 3>of the issues and things that come about to sabled people.

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<v Speaker 3>So I mean, I think she's hilarious. I wish to

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<v Speaker 3>do a comedy. Yeah, having some clips she does, there

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<v Speaker 3>is comic moments in there, but it's still very gritty

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<v Speaker 3>and very down to earth, and of course she is

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<v Speaker 3>part of the LGBTQ A plus.

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<v Speaker 1>Family as well.

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<v Speaker 2>Yeah, she's one of ours and shapeless. Yeah, good for her.

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<v Speaker 3>Yeah, I think it's good to see more representation on

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<v Speaker 3>screen of real life issues with her comedy stuff. It's

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<v Speaker 3>very you know, this is my life and this is

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<v Speaker 3>the extension of that. Can you see that going?

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<v Speaker 1>Well?

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<v Speaker 2>What do you think counts as well in this situation

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<v Speaker 2>that you enjoy watching it?

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<v Speaker 4>Uh?

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<v Speaker 2>I mean, I'm not really fan of gritty realism. That's

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<v Speaker 2>why I like stand up comedy because it's silly and

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<v Speaker 2>it makes me feel good, whereas gritty realism is usually

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<v Speaker 2>quite heavy and makes me feel sad.

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<v Speaker 1>Or gritty and real.

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<v Speaker 2>Yeah, and I try and avoid that wherever possible. I

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<v Speaker 2>like things smooth and funny, not gritty and real. Okay,

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<v Speaker 2>So yeah, I mean I'm sure it'll be good. I'm

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<v Speaker 2>sure it'll be really well received because she's very good

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<v Speaker 2>at what she does. Yeah, yeah, I have no problem.

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<v Speaker 2>I like it sounds yeah, great, good idea. Not going

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<v Speaker 2>to watch it myself, Okay, you know, I'm miserable enough already.

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<v Speaker 2>I look for funny things and silly things, whereas if

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<v Speaker 2>that's going to be quite heavy and quite Oh shit. Yeah,

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<v Speaker 2>life is horrible for a lot of people.

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<v Speaker 1>With comedy comedic elements to it, so it's not just

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<v Speaker 1>all going to be.

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<v Speaker 2>And it's important that we know this and that we

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<v Speaker 2>that we the conversations about disabled people are involving disabled

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<v Speaker 2>people and all of that kind of thing. So yes,

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<v Speaker 2>definitely excellent, good for her.

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<v Speaker 1>Pleased, good, wonderful.

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<v Speaker 2>We shall move on then, Yes, now I've given my verdict,

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<v Speaker 2>my blessing, my answer.

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<v Speaker 3>Okay, yeah, cool, we're going to talk about someone I

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<v Speaker 3>referred to as a perma twink right home, Tom Daily.

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<v Speaker 1>Oh yes, okay, yes, yes, but we're a fan.

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<v Speaker 2>Of the I mean, van is a strong word.

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<v Speaker 1>Are double watching them?

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<v Speaker 2>Yeah, I mean more than once gritted my teeth and

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<v Speaker 2>spent some time thinking about him. Uh, what's happened to

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<v Speaker 2>his outfit?

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<v Speaker 1>I think that's fashion?

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<v Speaker 3>He kind of all right, fair enough, So yeah, we'retired diving,

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<v Speaker 3>all right, which I think is ridiculous because he's twelve.

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<v Speaker 3>So no, he's basically he's come clear, come clear.

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<v Speaker 2>If you.

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<v Speaker 1>Run clear like chloral spect He's come out and spoken

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<v Speaker 1>very openly about his long term struggle with a eating disorder.

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<v Speaker 3>Oh right, okay, And he attributes issues to elite sport

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<v Speaker 3>pressures and body expectations. So you know, I've I was

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<v Speaker 3>a pin up. Everyone was fantasizing about this young lie thing.

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<v Speaker 3>I don't think he used the words young live thing

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<v Speaker 3>because he's not a fifty year.

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<v Speaker 1>Old old man like me.

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<v Speaker 2>Time makes fools of us.

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<v Speaker 1>All it does. Indeed, in contents.

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<v Speaker 3>He was talking about, you know, the links between his

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<v Speaker 3>queerness and perfectionism, okay, and that expectation that because he

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<v Speaker 3>was a you know, young, gay, out there professional athlete,

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<v Speaker 3>he felt continually under pressure to be that skinny twink

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<v Speaker 3>with the ripped tabs and sometimes you just want to

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<v Speaker 3>eat a burger and big comfy clothes.

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<v Speaker 2>I do eat burgers, and yeah, all right, I don't

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<v Speaker 2>wear clothes, but yeah.

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<v Speaker 1>You do on occasion, only when you made me like

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<v Speaker 1>it's not me.

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<v Speaker 3>That's major society blames society. As he also said he

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<v Speaker 3>wanted to highlight conversations about men's body image, especially in sport.

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<v Speaker 3>He said, I didn't realize what I was doing was harmful.

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<v Speaker 3>I thought it was discipline. There's still so much shamelink

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<v Speaker 3>to how queer people see their bodies.

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<v Speaker 2>Interesting. I remember years ago. It really annoyed me at

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00:16:05.120 --> 00:16:06.399
<v Speaker 2>the time, which I think is why I remember it

307
00:16:06.679 --> 00:16:09.320
<v Speaker 2>was it was one of those BuzzFeed or like clickable things.

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00:16:09.360 --> 00:16:10.840
<v Speaker 2>It might have been the daily mails and that someone

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<v Speaker 2>was sharing around the office that was like, what's Tom

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00:16:14.279 --> 00:16:17.799
<v Speaker 2>Daily's secret to that ripped body? And I'm like, he's

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<v Speaker 2>an Olympic athlete. He trains every day. It's literally his

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00:16:20.639 --> 00:16:22.919
<v Speaker 2>job to exercise. Of course he's going to look like that.

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<v Speaker 2>It's not a secret. It's the entire it's the entirety

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<v Speaker 2>of his life from age eight. And it really annoyed

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00:16:29.600 --> 00:16:31.240
<v Speaker 2>me because it's like as if there's some kind of

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00:16:32.159 --> 00:16:34.000
<v Speaker 2>this is perfect and how does he manage it? And

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00:16:34.120 --> 00:16:36.320
<v Speaker 2>like he literally spends all his time, Yeah, this is

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00:16:36.360 --> 00:16:39.720
<v Speaker 2>his job. Yeah. It's like it's like when things like

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00:16:40.919 --> 00:16:43.879
<v Speaker 2>what's Oprah Winfrey's secret to never being stressed? I'm like,

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00:16:44.200 --> 00:16:46.679
<v Speaker 2>is it a billion dollars? I think it might be,

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00:16:47.320 --> 00:16:50.840
<v Speaker 2>and it's just like, yeah, probably quite stressed. It's not

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00:16:50.879 --> 00:16:53.679
<v Speaker 2>a secret. Why she's not What do you think having

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00:16:53.679 --> 00:16:55.159
<v Speaker 2>a billion dollars would be quite stressful?

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00:16:55.279 --> 00:16:55.679
<v Speaker 1>It could be.

325
00:16:56.879 --> 00:16:58.159
<v Speaker 2>I mean if you had to keep it in your

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00:16:58.159 --> 00:16:59.639
<v Speaker 2>house maybe, but they have a whole.

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<v Speaker 1>Must lost his mind.

328
00:17:04.200 --> 00:17:06.880
<v Speaker 2>That was all the drugs though he melted his mind

329
00:17:06.920 --> 00:17:08.480
<v Speaker 2>on ketamin and god knows what else.

330
00:17:09.720 --> 00:17:10.319
<v Speaker 1>Are your horse?

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00:17:11.359 --> 00:17:16.319
<v Speaker 2>No, you're not anyway, Tom Daily. I mean good for

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00:17:16.440 --> 00:17:18.640
<v Speaker 2>him that he's like talking about it and getting it

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00:17:18.680 --> 00:17:21.160
<v Speaker 2>out there, because yeah, I mean, I imagine there is

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00:17:21.160 --> 00:17:23.160
<v Speaker 2>a lot of pressure. I mean everyone, Like he got

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00:17:23.200 --> 00:17:26.759
<v Speaker 2>a lot of awful hate several times in the past,

336
00:17:26.799 --> 00:17:29.160
<v Speaker 2>which is a real shame because you know he didn't

337
00:17:29.200 --> 00:17:29.759
<v Speaker 2>serve any of it.

338
00:17:30.839 --> 00:17:33.119
<v Speaker 3>Yeah, I mean he did for his Wi to Bix advert.

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00:17:33.359 --> 00:17:38.680
<v Speaker 3>I never saw the advert was horrific. Is he in

340
00:17:38.759 --> 00:17:41.079
<v Speaker 3>his trunks? No, that's why I had seen it. You see,

341
00:17:41.599 --> 00:17:44.079
<v Speaker 3>it was it was in a i'm gonna say shell

342
00:17:44.160 --> 00:17:47.039
<v Speaker 3>suit because it's the nineteen eighties, a tracksuit kind of thing,

343
00:17:47.119 --> 00:17:48.359
<v Speaker 3>attract suit trying.

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<v Speaker 1>To sell Wea to Bix because he's Olympic diver.

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<v Speaker 2>Unless he's unless he's selling scalli lads, I'm not on board,

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00:17:52.759 --> 00:17:53.039
<v Speaker 2>thank you.

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00:17:53.599 --> 00:17:55.559
<v Speaker 1>Yeah, I would be human trafficking.

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00:17:56.680 --> 00:18:02.359
<v Speaker 2>Scalley lads. The brand not actually right? Okay, safe search

349
00:18:02.440 --> 00:18:06.000
<v Speaker 2>off and have a Google I'm not allowed to. That

350
00:18:06.079 --> 00:18:08.440
<v Speaker 2>explains a lot anyway.

351
00:18:09.079 --> 00:18:11.400
<v Speaker 1>Moving on, doctor who spoilers?

352
00:18:12.240 --> 00:18:15.680
<v Speaker 2>Okay, because Disney Disney they're the ones that's boiled doctor

353
00:18:15.680 --> 00:18:18.119
<v Speaker 2>Oh no, it's Russell T. Davis. That's sport doctor Who

354
00:18:18.559 --> 00:18:20.640
<v Speaker 2>or Chibnell. Chibnell was the one who's bought doctor Who.

355
00:18:20.680 --> 00:18:24.079
<v Speaker 1>I think I think brought it back from the well.

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00:18:24.119 --> 00:18:25.519
<v Speaker 2>All he did was just did what he did the

357
00:18:25.519 --> 00:18:28.039
<v Speaker 2>first time. Like literally, he's doing that again, and everyone's like, yeah,

358
00:18:28.039 --> 00:18:29.640
<v Speaker 2>we did this last time. It's not any different now,

359
00:18:29.759 --> 00:18:32.759
<v Speaker 2>But it's different. It's not because it's what he's already done.

360
00:18:32.920 --> 00:18:35.119
<v Speaker 2>Like he keeps bringing back old stuff and people go yeah,

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00:18:35.359 --> 00:18:37.599
<v Speaker 2>and then then they go, why is it exactly the

362
00:18:37.640 --> 00:18:39.039
<v Speaker 2>same as it used to be? Why is it boring?

363
00:18:39.119 --> 00:18:42.480
<v Speaker 2>It's because you've already seen it once? Does that not

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00:18:42.519 --> 00:18:43.200
<v Speaker 2>what you're talking about?

365
00:18:44.240 --> 00:18:46.240
<v Speaker 1>So it's Russell Tovey?

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<v Speaker 2>Oh god, what about him?

367
00:18:48.519 --> 00:18:51.200
<v Speaker 1>What do you like about Russell Tovey? Is it that

368
00:18:51.279 --> 00:18:51.559
<v Speaker 1>he is?

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00:18:52.559 --> 00:18:56.079
<v Speaker 2>I mean, no, he just he seems like one of

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<v Speaker 2>those guys who I mean, he may never have said this,

371
00:19:00.240 --> 00:19:03.480
<v Speaker 2>but the vibe that I get from him that he's

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<v Speaker 2>one of those gays will say I'm gay, but I

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00:19:05.759 --> 00:19:08.400
<v Speaker 2>don't make it my whole personality. He's one of those

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00:19:08.559 --> 00:19:10.720
<v Speaker 2>kind of like self hate. He is kind of gaze

375
00:19:10.720 --> 00:19:11.480
<v Speaker 2>do you not think he is.

376
00:19:11.599 --> 00:19:14.079
<v Speaker 3>No, because he plays a lot of gay roles almost

377
00:19:14.160 --> 00:19:15.319
<v Speaker 3>exclusively at the moment.

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00:19:15.960 --> 00:19:18.799
<v Speaker 2>I mean, that's that's that's maybe he's learning from it. Yeah,

379
00:19:18.799 --> 00:19:20.240
<v Speaker 2>all right, what's this then? What's he doing?

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00:19:20.720 --> 00:19:24.359
<v Speaker 1>So, so the return to being a doctor Who before

381
00:19:24.599 --> 00:19:27.720
<v Speaker 1>he was Alonso. He was Alonso, Yeah, which I liked

382
00:19:27.720 --> 00:19:28.480
<v Speaker 1>because he was only in it.

383
00:19:28.599 --> 00:19:29.359
<v Speaker 2>But and then he went away.

384
00:19:29.440 --> 00:19:31.119
<v Speaker 1>I was gifted to Captain Jack Hartness.

385
00:19:31.240 --> 00:19:34.720
<v Speaker 2>Yeah, as if he was some kind of present as

386
00:19:34.759 --> 00:19:37.799
<v Speaker 2>opposed to like a real person and any kind of agency.

387
00:19:37.839 --> 00:19:40.079
<v Speaker 2>And that it's well, he's a gay. All gays like

388
00:19:40.160 --> 00:19:41.799
<v Speaker 2>other gays. You'll be fine, go have a bum.

389
00:19:43.240 --> 00:19:48.000
<v Speaker 3>Well that's tenants said. Doctor said that there's someone there.

390
00:19:48.079 --> 00:19:51.160
<v Speaker 3>His name's Alonso. Didn't say, I've bought him for you.

391
00:19:52.200 --> 00:19:56.480
<v Speaker 3>I found this sailor that was about to die.

392
00:19:56.519 --> 00:19:57.640
<v Speaker 1>I have gifted him to you.

393
00:19:57.799 --> 00:19:59.759
<v Speaker 2>I saved his life. So he pretty much has to

394
00:19:59.839 --> 00:20:03.359
<v Speaker 2>do anything at this point anyway, enjoy the thing. He's

395
00:20:03.400 --> 00:20:03.839
<v Speaker 2>coming back.

396
00:20:04.559 --> 00:20:07.880
<v Speaker 3>So he's going to be in the Legend of Ruby

397
00:20:07.960 --> 00:20:10.839
<v Speaker 3>Sunday Part one. This is a spin off of Doctor Who.

398
00:20:11.440 --> 00:20:14.079
<v Speaker 2>Right, they always go well, don't they? Sometimes they do?

399
00:20:14.559 --> 00:20:18.079
<v Speaker 2>Once it went well, which once was that Torch would twice.

400
00:20:18.119 --> 00:20:21.599
<v Speaker 2>Then Sarah Jane Adventures. Oh I never saw that one.

401
00:20:21.680 --> 00:20:22.519
<v Speaker 1>They were really good.

402
00:20:23.839 --> 00:20:25.759
<v Speaker 3>There were a kids show, yeah, it was it on

403
00:20:25.880 --> 00:20:29.279
<v Speaker 3>CBBC was on cbb it was it was designed for kids.

404
00:20:29.319 --> 00:20:32.759
<v Speaker 3>But it was very canon nice, very good.

405
00:20:32.640 --> 00:20:34.880
<v Speaker 2>And yeah, but then there was all the others, like

406
00:20:35.359 --> 00:20:40.839
<v Speaker 2>the CA Nine Adventures and Coal Hill School and some

407
00:20:40.960 --> 00:20:41.680
<v Speaker 2>other rubbish that.

408
00:20:41.680 --> 00:20:44.079
<v Speaker 3>I can't think of it. The Tribe, they just didn't. Yeah, well,

409
00:20:44.240 --> 00:20:45.319
<v Speaker 3>I mean they keep a movie.

410
00:20:46.039 --> 00:20:48.920
<v Speaker 2>Oh yeah, Paul. It was.

411
00:20:51.000 --> 00:20:53.480
<v Speaker 1>The longest serving and shorter serving doctor at the same time.

412
00:20:54.200 --> 00:20:56.640
<v Speaker 2>Oh yeah, Okay, it's in like yeah, like a total

413
00:20:56.720 --> 00:20:59.839
<v Speaker 2>number of years in the real world versus number of episodes. Yeah.

414
00:21:00.240 --> 00:21:05.359
<v Speaker 3>So anyway, so history Fish's an epic war between the

415
00:21:05.480 --> 00:21:08.079
<v Speaker 3>land and sea bloeing the mythology and science fiction.

416
00:21:08.160 --> 00:21:10.160
<v Speaker 1>So it's the whole sea monsters thing.

417
00:21:10.680 --> 00:21:14.759
<v Speaker 2>Okay, sure, why not not a fan? I liked it

418
00:21:14.839 --> 00:21:17.200
<v Speaker 2>when it was these things could be happening out there

419
00:21:17.240 --> 00:21:19.960
<v Speaker 2>and you wouldn't know because it's not affecting your life.

420
00:21:20.000 --> 00:21:20.119
<v Speaker 1>You know.

421
00:21:20.200 --> 00:21:24.400
<v Speaker 2>Maybe it was like one day some madman in the

422
00:21:24.440 --> 00:21:26.160
<v Speaker 2>blue box that come for me and we go off

423
00:21:26.200 --> 00:21:27.480
<v Speaker 2>through time and space for her.

424
00:21:28.400 --> 00:21:31.319
<v Speaker 1>So it's less about the realism, more about the realization

425
00:21:31.400 --> 00:21:32.960
<v Speaker 1>that is never going to happen. But yeah, that's all

426
00:21:32.960 --> 00:21:34.000
<v Speaker 1>from the show biz this week.

427
00:21:34.319 --> 00:21:37.359
<v Speaker 2>Thanks for that, Mike, Just stamp on those dreams.

428
00:21:38.440 --> 00:21:40.799
<v Speaker 3>Always fun to pats some trouller, but you are welcome.

429
00:21:41.000 --> 00:21:42.920
<v Speaker 3>Don't go anywhere. It's coming up after this short break.

430
00:21:42.960 --> 00:21:44.440
<v Speaker 3>We have a game for you to play within our

431
00:21:44.480 --> 00:21:45.119
<v Speaker 3>Game of the Week.

432
00:21:55.440 --> 00:21:57.839
<v Speaker 2>Welcome back to Cheering the Coud with me at River

433
00:21:57.880 --> 00:22:00.559
<v Speaker 2>Scott and my good friend Mike Benyon Rowe. This is

434
00:22:00.640 --> 00:22:02.200
<v Speaker 2>the part of the show where we play a game,

435
00:22:02.519 --> 00:22:04.240
<v Speaker 2>probably something to do with food.

436
00:22:04.440 --> 00:22:10.079
<v Speaker 1>Knowing this one, well the fact joke I noticed, I

437
00:22:10.279 --> 00:22:10.839
<v Speaker 1>just meant.

438
00:22:11.319 --> 00:22:13.200
<v Speaker 2>Yeah, no, okay, that's what I meant. Yeah, fair enough.

439
00:22:15.000 --> 00:22:17.039
<v Speaker 1>Day of the week.

440
00:22:20.240 --> 00:22:23.880
<v Speaker 2>Okay, So we're going to play the Gobby Game Show

441
00:22:24.160 --> 00:22:28.039
<v Speaker 2>Fluid Edition, which sounds revolting, but bear with me because

442
00:22:28.039 --> 00:22:31.079
<v Speaker 2>it is, but differently to what you're thinking. In this game,

443
00:22:31.519 --> 00:22:35.880
<v Speaker 2>Mike is gonna take a mouthful of an undisclosed liquid

444
00:22:36.480 --> 00:22:39.880
<v Speaker 2>and then gargle a song and I have to guess

445
00:22:39.960 --> 00:22:45.440
<v Speaker 2>what that song is. Good. Look, everybody, Mike, are you ready?

446
00:22:46.839 --> 00:22:47.079
<v Speaker 1>I am.

447
00:22:47.279 --> 00:22:52.400
<v Speaker 3>It's not semen, you said a fluid. I'm just being

448
00:22:52.480 --> 00:22:53.839
<v Speaker 3>very honest. It's not semen.

449
00:22:54.799 --> 00:22:57.079
<v Speaker 2>I mean, if you can manage to fill a cup

450
00:22:57.160 --> 00:22:58.920
<v Speaker 2>like that, then good luck to you.

451
00:22:59.480 --> 00:23:00.920
<v Speaker 1>What will hold? Lot? Will hold a little?

452
00:23:02.359 --> 00:23:02.480
<v Speaker 2>Right?

453
00:23:02.680 --> 00:23:03.119
<v Speaker 1>First one?

454
00:23:05.160 --> 00:23:29.960
<v Speaker 2>Well well yeah no, it's just sounds reposing. Do you

455
00:23:30.000 --> 00:23:30.640
<v Speaker 2>want to have another guy?

456
00:23:30.839 --> 00:23:31.640
<v Speaker 1>You want to hear it again?

457
00:23:32.119 --> 00:23:32.240
<v Speaker 4>Uh?

458
00:23:32.960 --> 00:23:36.359
<v Speaker 2>No? But yeah, please go on, pick pick one, pick

459
00:23:36.400 --> 00:23:37.960
<v Speaker 2>an answer the game. And it would be boring if

460
00:23:38.000 --> 00:23:40.480
<v Speaker 2>I just sat there and you didn't do anything right.

461
00:23:42.319 --> 00:23:43.319
<v Speaker 2>What we.

462
00:23:46.559 --> 00:23:46.720
<v Speaker 1>Want?

463
00:23:57.759 --> 00:24:00.440
<v Speaker 2>Yeah, I think I'm getting a can. And then and

464
00:24:01.000 --> 00:24:03.359
<v Speaker 2>towards the end, no idea what that is? Though? No?

465
00:24:03.960 --> 00:24:05.559
<v Speaker 1>Sorry, it was no diggity.

466
00:24:06.319 --> 00:24:06.680
<v Speaker 2>What's it?

467
00:24:07.119 --> 00:24:07.319
<v Speaker 1>Yeah?

468
00:24:07.440 --> 00:24:09.880
<v Speaker 2>Hey by black Street?

469
00:24:11.039 --> 00:24:11.720
<v Speaker 1>Oh well.

470
00:24:13.839 --> 00:24:15.079
<v Speaker 2>Right, cool?

471
00:24:15.920 --> 00:24:19.440
<v Speaker 1>Okay, next one.

472
00:24:19.519 --> 00:24:45.960
<v Speaker 2>Yep, I'm ready hit me. Sounds like a drowning oompar band.

473
00:24:46.799 --> 00:24:48.319
<v Speaker 2>Very close, All right, okay.

474
00:24:50.400 --> 00:24:53.920
<v Speaker 1>Gone, as in you're not going to guess.

475
00:24:57.319 --> 00:24:59.400
<v Speaker 2>I kind of I I I know I've heard it.

476
00:25:00.000 --> 00:25:00.400
<v Speaker 1>I've heard it.

477
00:25:00.519 --> 00:25:02.720
<v Speaker 2>I have heard it. Yeah, I mean I know what.

478
00:25:02.839 --> 00:25:04.200
<v Speaker 2>I know what it was supposed to be, but I

479
00:25:04.240 --> 00:25:05.759
<v Speaker 2>don't know what the name of it was or anything.

480
00:25:05.960 --> 00:25:06.920
<v Speaker 1>Was it supposed to be good?

481
00:25:07.119 --> 00:25:07.240
<v Speaker 2>Oh?

482
00:25:07.359 --> 00:25:07.400
<v Speaker 4>No?

483
00:25:07.480 --> 00:25:08.839
<v Speaker 2>If I knew that would be the game, wasn't it

484
00:25:10.680 --> 00:25:14.119
<v Speaker 2>mm hmmm mmm mm hmmmmmmm.

485
00:25:13.960 --> 00:25:18.759
<v Speaker 1>No, right, gone, tell me it was Beyonce. Nos, she

486
00:25:18.839 --> 00:25:22.200
<v Speaker 1>don't read sound like that unless she can sink she's gone.

487
00:25:22.599 --> 00:25:25.400
<v Speaker 2>All right, Yeah, that'll do it. That's where the confusions

488
00:25:25.400 --> 00:25:28.119
<v Speaker 2>get coming in. Yeah, okay, what song was it?

489
00:25:28.799 --> 00:25:30.960
<v Speaker 1>I don't know it?

490
00:25:31.039 --> 00:25:33.279
<v Speaker 2>Now excellent, This is a fun game.

491
00:25:34.319 --> 00:25:37.480
<v Speaker 1>This is sinility thing. It's not about the game in

492
00:25:37.640 --> 00:25:44.039
<v Speaker 1>my brain, that's the wonderful. What's that saying? What's the

493
00:25:44.079 --> 00:25:52.759
<v Speaker 1>name of that song? Lose my breath? Oh yeah, that's what.

494
00:25:52.839 --> 00:26:08.559
<v Speaker 2>The people are. Yeah, well, uh, there's the sisters, I think. Yeah, okay, uh,

495
00:26:09.240 --> 00:26:10.960
<v Speaker 2>it's it's it's that it's one of the something it's

496
00:26:10.960 --> 00:26:12.240
<v Speaker 2>the one of the ones that I really like because

497
00:26:12.240 --> 00:26:16.799
<v Speaker 2>it's like it's a bitch convincing people to like you

498
00:26:17.400 --> 00:26:25.559
<v Speaker 2>so straight I can't say if you should never direct?

499
00:26:26.039 --> 00:26:30.240
<v Speaker 1>Yeah, there we go, Yeah, getting into this now, well done.

500
00:26:30.319 --> 00:26:35.400
<v Speaker 1>You roll roll.

501
00:26:44.119 --> 00:26:45.799
<v Speaker 2>Like a muppet being water boarded.

502
00:26:47.920 --> 00:26:48.400
<v Speaker 1>That swallow.

503
00:26:48.559 --> 00:26:52.319
<v Speaker 2>Now, well, it's the end of the night for everyone, then,

504
00:26:52.359 --> 00:26:52.599
<v Speaker 2>isn't it?

505
00:26:53.200 --> 00:26:54.640
<v Speaker 1>Never go on?

506
00:26:54.720 --> 00:26:58.400
<v Speaker 2>There he was again? Now tell me what I was

507
00:26:58.440 --> 00:26:59.839
<v Speaker 2>supposed to be. I'm not. I guess that it was.

508
00:27:00.119 --> 00:27:05.640
<v Speaker 1>Carlie money you it's pronounced menu spelled money you right?

509
00:27:06.119 --> 00:27:09.519
<v Speaker 1>For damn damn that was not.

510
00:27:09.640 --> 00:27:10.880
<v Speaker 2>For dadam it was?

511
00:27:11.279 --> 00:27:11.400
<v Speaker 1>Was it?

512
00:27:21.640 --> 00:27:25.079
<v Speaker 2>That was closer? It's the same thing, not the same thing,

513
00:27:25.599 --> 00:27:39.559
<v Speaker 2>not even a little bit. Okay Yeah, Abercadabra by Lady Gaga.

514
00:28:00.359 --> 00:28:01.960
<v Speaker 1>Would be very hydrated in this game.

515
00:28:02.160 --> 00:28:07.160
<v Speaker 2>I used to have a career, did you. Yeah, people

516
00:28:07.279 --> 00:28:07.519
<v Speaker 2>used to.

517
00:28:07.599 --> 00:28:11.519
<v Speaker 1>Like take me seriously, I don't think that's happened.

518
00:28:14.559 --> 00:28:15.039
<v Speaker 2>Not a clue.

519
00:28:15.079 --> 00:28:16.960
<v Speaker 1>What was that Holy by Sam Smith?

520
00:28:17.880 --> 00:28:22.960
<v Speaker 2>That's why Sam Smith couldn't care less. Next, don't pull

521
00:28:23.000 --> 00:28:24.519
<v Speaker 2>that face at me. If you were better at it,

522
00:28:24.519 --> 00:28:43.000
<v Speaker 2>I'd be able to get some one time. Well, you

523
00:28:43.079 --> 00:28:45.160
<v Speaker 2>sound like a speaking spell that's been dropped in the bath.

524
00:28:48.559 --> 00:28:51.160
<v Speaker 2>Go on, then what was it? Are you doing it again? Okay?

525
00:29:00.240 --> 00:29:00.759
<v Speaker 1>Oh uh?

526
00:29:01.519 --> 00:29:03.599
<v Speaker 2>If you want to be my lover about Spicecus.

527
00:29:03.279 --> 00:29:04.880
<v Speaker 1>I wanna be by Spy Sculls.

528
00:29:05.000 --> 00:29:09.079
<v Speaker 2>Yeah, oh sorry, are we are?

529
00:29:09.079 --> 00:29:09.119
<v Speaker 1>We?

530
00:29:09.359 --> 00:29:10.359
<v Speaker 2>Are we getting finicky?

531
00:29:11.079 --> 00:29:12.920
<v Speaker 1>Well we ask you for the correct name of the

532
00:29:13.000 --> 00:29:13.880
<v Speaker 1>song A little bit?

533
00:29:14.039 --> 00:29:20.279
<v Speaker 2>Yeah, b b.

534
00:29:22.079 --> 00:29:31.559
<v Speaker 1>B I get he drowned again?

535
00:29:33.319 --> 00:29:34.200
<v Speaker 2>Was that part of the song?

536
00:29:34.559 --> 00:29:34.599
<v Speaker 4>No?

537
00:29:34.960 --> 00:29:35.839
<v Speaker 1>I mean drowning?

538
00:29:35.920 --> 00:29:47.839
<v Speaker 2>No, no, no, cool? Look broad up, well bro, bro,

539
00:29:53.960 --> 00:30:00.759
<v Speaker 2>yeah I know this one. Uh huh yeah, uh your groove?

540
00:30:00.880 --> 00:30:04.200
<v Speaker 2>I do deeply dig It's it's no.

541
00:30:04.279 --> 00:30:05.279
<v Speaker 1>Words, only the bridge.

542
00:30:06.000 --> 00:30:06.119
<v Speaker 4>Uh.

543
00:30:09.440 --> 00:30:13.799
<v Speaker 1>Oh, it's it's a song about anal sex.

544
00:30:16.079 --> 00:30:19.000
<v Speaker 2>Yeah, groove is in the house. No, no, it's not.

545
00:30:20.400 --> 00:30:21.400
<v Speaker 2>Is it not? Okay?

546
00:30:22.440 --> 00:30:24.920
<v Speaker 1>Was that just you having the wrong song in my ear? No?

547
00:30:25.039 --> 00:30:25.319
<v Speaker 2>There was it.

548
00:30:25.440 --> 00:30:27.160
<v Speaker 1>They were they were holding the right song. You got

549
00:30:27.160 --> 00:30:28.240
<v Speaker 1>the wrong name. Oh did I?

550
00:30:28.480 --> 00:30:29.640
<v Speaker 2>Is it not by d Light?

551
00:30:29.920 --> 00:30:32.039
<v Speaker 1>It is by Delight? It's delight. It's not grooves in

552
00:30:32.079 --> 00:30:32.839
<v Speaker 1>the house. That's groove.

553
00:30:33.160 --> 00:30:40.160
<v Speaker 2>Yeah. What is that song called? Oh no, go on,

554
00:30:40.400 --> 00:30:41.680
<v Speaker 2>I know I know the song. I'm not gonna get

555
00:30:41.680 --> 00:30:45.480
<v Speaker 2>the name. I got Livers by d Light, Groove in

556
00:30:45.559 --> 00:30:48.519
<v Speaker 2>the heart, Grooves in the heart. Oh, I'm sorry.

557
00:30:49.079 --> 00:30:51.079
<v Speaker 3>Because the first light of that song is the thrills

558
00:30:51.119 --> 00:30:53.640
<v Speaker 3>that you spill up in my back. Keep me filled

559
00:30:53.680 --> 00:30:55.160
<v Speaker 3>with satisfaction when you're done.

560
00:30:56.599 --> 00:30:58.759
<v Speaker 2>That's not anal sex. That's just doggie style.

561
00:31:03.000 --> 00:31:08.240
<v Speaker 1>Anyway, I've not got an era. So I was for you?

562
00:31:08.559 --> 00:31:08.880
<v Speaker 2>Okay?

563
00:31:26.160 --> 00:31:26.319
<v Speaker 1>Oh?

564
00:31:29.079 --> 00:31:30.319
<v Speaker 2>That was Holiday by Madonna.

565
00:31:30.559 --> 00:31:34.359
<v Speaker 1>It was indeed Holiday. It would be so nice, it

566
00:31:34.400 --> 00:31:36.720
<v Speaker 1>would be nice, it'd be lovely, wouldn't it be lovely?

567
00:31:37.240 --> 00:31:38.680
<v Speaker 2>Well, a holiday with my Donna? I think I get

568
00:31:38.680 --> 00:31:41.000
<v Speaker 2>sick of it quite quickly. But she's got plenty of

569
00:31:41.039 --> 00:31:42.839
<v Speaker 2>really big houses. We probably only bump into each other

570
00:31:42.839 --> 00:31:50.519
<v Speaker 2>once or twice. That was just the bra several different

571
00:31:50.519 --> 00:31:52.400
<v Speaker 2>boobs since then, they're probably not pointy anymore.

572
00:31:53.799 --> 00:31:54.519
<v Speaker 1>They're all pointed.

573
00:31:55.759 --> 00:31:58.039
<v Speaker 2>She's had them filed down and reshaped a couple of times.

574
00:31:58.279 --> 00:32:04.440
<v Speaker 3>Say they're pointed, just pointed down. Bless her, bless her,

575
00:32:04.519 --> 00:32:05.119
<v Speaker 3>cuttings up.

576
00:32:05.200 --> 00:32:06.480
<v Speaker 2>Shouldn't knock her, she's old.

577
00:32:19.240 --> 00:32:21.759
<v Speaker 1>Now you've lost me there, Gypsies, trumps and thieves.

578
00:32:21.799 --> 00:32:27.160
<v Speaker 2>Bike, I was not picking up what you were putting down.

579
00:32:28.079 --> 00:32:29.160
<v Speaker 1>Last one, all right?

580
00:32:30.039 --> 00:32:33.079
<v Speaker 2>Uh, welcome to the Black Parade by my chemical Romance

581
00:32:49.359 --> 00:33:01.920
<v Speaker 2>drawn back No Nancy boy, oh yeah, by place boh yeah,

582
00:33:02.039 --> 00:33:06.880
<v Speaker 2>all right. I used to fancy him. I don't google

583
00:33:06.960 --> 00:33:07.920
<v Speaker 2>him now though, because.

584
00:33:08.039 --> 00:33:10.079
<v Speaker 1>He's aged horribly, has he Brad Milchel.

585
00:33:11.559 --> 00:33:15.960
<v Speaker 2>But then you know, we're all victims of physics, aren't we. Anyway,

586
00:33:16.279 --> 00:33:20.079
<v Speaker 2>On that delightful note, that's enough of that. Coming up

587
00:33:20.119 --> 00:33:22.519
<v Speaker 2>after this short break we use eleven minutes of your

588
00:33:22.599 --> 00:33:38.119
<v Speaker 2>precious life in Crafty Queens. Welcome back. You're still weirdly

589
00:33:38.359 --> 00:33:40.839
<v Speaker 2>watching Chewing the cud with me River Scotland. My good

590
00:33:40.880 --> 00:33:43.400
<v Speaker 2>friend Mike, Benny and Rowe Now it's time to give

591
00:33:43.440 --> 00:33:46.039
<v Speaker 2>ourselves paper cuts in crafty queens.

592
00:33:56.400 --> 00:34:00.160
<v Speaker 1>Do you believe it in astrology and the stars and things? No?

593
00:34:00.519 --> 00:34:01.319
<v Speaker 2>I looked thrown up.

594
00:34:03.240 --> 00:34:06.599
<v Speaker 1>Okay, wonderful, because we're going to do something very.

595
00:34:06.519 --> 00:34:09.679
<v Speaker 3>Mystical and stay with a piece of paper which is

596
00:34:09.719 --> 00:34:11.480
<v Speaker 3>going to enable us to tell your fortune.

597
00:34:12.360 --> 00:34:14.559
<v Speaker 2>Right. Oh, is this one of the things used to

598
00:34:14.559 --> 00:34:17.159
<v Speaker 2>do at school where you kind of that brilliant? I

599
00:34:17.239 --> 00:34:18.599
<v Speaker 2>never used to I never worked out how to do

600
00:34:18.679 --> 00:34:21.000
<v Speaker 2>that when I was at school something all the cool kids.

601
00:34:21.800 --> 00:34:23.280
<v Speaker 1>So now we're going to learn you how to do that.

602
00:34:23.440 --> 00:34:24.519
<v Speaker 2>Oh, learn me do it?

603
00:34:24.920 --> 00:34:27.000
<v Speaker 1>Okay. So first, th you needed a sheet of beer.

604
00:34:27.519 --> 00:34:28.880
<v Speaker 2>Got that I'm waiting so far?

605
00:34:29.199 --> 00:34:31.960
<v Speaker 1>Okay, take one of the callers of the bat beer

606
00:34:32.880 --> 00:34:36.800
<v Speaker 1>and fold it so that you have a triangle right

607
00:34:38.039 --> 00:34:39.320
<v Speaker 1>along the other edge.

608
00:34:39.920 --> 00:34:43.840
<v Speaker 3>Indeed, that's right, eat oky a bit like that.

609
00:34:44.119 --> 00:34:48.320
<v Speaker 2>Oh yeah, I can see what you're doing. Yeah, I

610
00:34:48.400 --> 00:34:55.800
<v Speaker 2>think so excuse me this week? There we go right now?

611
00:34:55.880 --> 00:34:59.440
<v Speaker 3>What okay, So now don't unfold it, don't fold it?

612
00:34:59.639 --> 00:35:01.639
<v Speaker 3>Because want to do is this this flappy bit?

613
00:35:02.280 --> 00:35:04.159
<v Speaker 1>Yeah? Here, you want to cut that off?

614
00:35:04.519 --> 00:35:05.760
<v Speaker 2>Oh, cut your flaps off?

615
00:35:05.840 --> 00:35:07.920
<v Speaker 3>Okay, because you want to end up with a lovely

616
00:35:08.320 --> 00:35:12.079
<v Speaker 3>triangular thing slash square when it's unfurled.

617
00:35:15.000 --> 00:35:18.239
<v Speaker 2>Triangle slash square. I don't think that's a real shape.

618
00:35:18.639 --> 00:35:20.960
<v Speaker 1>Triangle slash square.

619
00:35:22.239 --> 00:35:24.280
<v Speaker 2>You can't look at what you're doing because I'm concentrating

620
00:35:24.360 --> 00:35:27.400
<v Speaker 2>on not looking this up. There we go. I have

621
00:35:27.480 --> 00:35:28.000
<v Speaker 2>a triangle.

622
00:35:28.480 --> 00:35:30.199
<v Speaker 1>We have a triangle, right, and I open you up.

623
00:35:30.199 --> 00:35:31.559
<v Speaker 1>It's a square triangle.

624
00:35:31.679 --> 00:35:33.159
<v Speaker 2>Wow, are fun?

625
00:35:33.639 --> 00:35:34.360
<v Speaker 1>They are? Indeed?

626
00:35:34.840 --> 00:35:40.360
<v Speaker 3>Okay, next thing you to do, it's with your triangular thing.

627
00:35:41.519 --> 00:35:44.119
<v Speaker 3>We shouldn't have cut that flap off yet. We've skipped ahead.

628
00:35:45.360 --> 00:35:51.519
<v Speaker 3>But it's okay, it's salvageable. Right, work out which side

629
00:35:51.559 --> 00:35:51.920
<v Speaker 3>you cut?

630
00:35:53.280 --> 00:35:57.840
<v Speaker 2>Uh, I've forgotten they all have so very good at

631
00:35:57.880 --> 00:36:01.440
<v Speaker 2>this right. Okay, so you're you're flat, Yeah, my side

632
00:36:01.480 --> 00:36:02.840
<v Speaker 2>that's cut. Yeah, okay, So.

633
00:36:02.920 --> 00:36:06.400
<v Speaker 3>Your your your sealed edge should be to point towards

634
00:36:06.400 --> 00:36:07.360
<v Speaker 3>your left hand side.

635
00:36:07.880 --> 00:36:12.599
<v Speaker 1>That okay, okay, Right, then you want to take your

636
00:36:13.639 --> 00:36:18.360
<v Speaker 1>top corner and fold it down into the other part

637
00:36:18.360 --> 00:36:19.320
<v Speaker 1>of the triangle.

638
00:36:21.079 --> 00:36:26.760
<v Speaker 2>Like that, Just undo that. Show me again. M m hmm. Okay,

639
00:36:27.199 --> 00:36:30.239
<v Speaker 2>so I'm folding in half again towards you.

640
00:36:30.719 --> 00:36:40.719
<v Speaker 4>Okay, m m hm m hm m hmmm mmmmmmmmmmmmm.

641
00:36:41.440 --> 00:36:45.400
<v Speaker 3>Oh all right, then if you're at home, you cut

642
00:36:45.480 --> 00:36:52.440
<v Speaker 3>that enough we've preempted, and then unfold it, right okay, okay,

643
00:36:53.480 --> 00:36:55.880
<v Speaker 3>Now with each of your little points you've now made

644
00:36:55.920 --> 00:36:58.119
<v Speaker 3>here here here, okay, you want to.

645
00:36:58.239 --> 00:37:01.079
<v Speaker 1>Fold those in to the middle.

646
00:37:01.840 --> 00:37:07.079
<v Speaker 2>Right, so the point is to the middle, just double check.

647
00:37:10.599 --> 00:37:15.920
<v Speaker 1>So fold a corner into the middle. Okay, okay, so

648
00:37:16.079 --> 00:37:18.480
<v Speaker 1>the point of the so point into the middle. Play

649
00:37:18.519 --> 00:37:22.079
<v Speaker 1>that all right, yeah, yeah, yeah yeah, and then do

650
00:37:22.280 --> 00:37:23.679
<v Speaker 1>that all the way around.

651
00:37:25.000 --> 00:37:25.320
<v Speaker 2>Okay.

652
00:37:26.880 --> 00:37:28.960
<v Speaker 1>For some reasons, state I pronouncing a lot of hs

653
00:37:28.960 --> 00:37:30.079
<v Speaker 1>where HRes don't exist.

654
00:37:34.480 --> 00:37:39.039
<v Speaker 3>I am going to murder you, Dean. Put no context

655
00:37:39.079 --> 00:37:43.519
<v Speaker 3>behind that whatsoever. I will tell river, because at about

656
00:37:43.519 --> 00:37:46.880
<v Speaker 3>it if you don't. When we went to Houston, all right,

657
00:37:47.000 --> 00:37:48.639
<v Speaker 3>these two get pointing in Houston.

658
00:37:49.000 --> 00:37:55.000
<v Speaker 1>Houston, and I was tired in crank Quitney or.

659
00:37:57.639 --> 00:37:58.400
<v Speaker 2>We have a problem.

660
00:37:59.400 --> 00:38:00.719
<v Speaker 1>Oh it's definitely we had a problem.

661
00:38:01.559 --> 00:38:03.119
<v Speaker 2>Sure, a problem as well, blessed.

662
00:38:03.000 --> 00:38:05.480
<v Speaker 3>Because I was sleepy and cranky and they kept saying

663
00:38:05.559 --> 00:38:07.199
<v Speaker 3>Houston for Houston.

664
00:38:08.920 --> 00:38:09.239
<v Speaker 1>Okay.

665
00:38:09.679 --> 00:38:11.559
<v Speaker 3>So once once you've got that, you've got some nice

666
00:38:11.559 --> 00:38:12.840
<v Speaker 3>little pointy things to stick up.

667
00:38:13.440 --> 00:38:14.000
<v Speaker 2>Mm hmmm.

668
00:38:14.480 --> 00:38:17.039
<v Speaker 1>You want to to flip it over, and that's when

669
00:38:17.079 --> 00:38:17.800
<v Speaker 1>the fun begins.

670
00:38:18.519 --> 00:38:19.360
<v Speaker 2>That's what they all say.

671
00:38:20.559 --> 00:38:23.719
<v Speaker 1>You want to repeat folding your corners into the middle.

672
00:38:25.079 --> 00:38:29.960
<v Speaker 2>Right, so I can kind of see what's happening here.

673
00:38:31.760 --> 00:38:34.920
<v Speaker 2>I can see what's happening, Plans within plans, I.

674
00:38:35.000 --> 00:38:37.519
<v Speaker 1>Can see them coming together. All go on right now,

675
00:38:37.679 --> 00:38:40.360
<v Speaker 1>it's over me, booby.

676
00:38:40.159 --> 00:38:48.239
<v Speaker 2>Doo, like a spiral in a circle, like a wheel

677
00:38:48.360 --> 00:38:49.440
<v Speaker 2>within a wheel.

678
00:38:49.800 --> 00:38:55.679
<v Speaker 3>Indeed never ending m hm, no, beginning, like a massive

679
00:38:55.679 --> 00:38:56.639
<v Speaker 3>spinning wheel whatever.

680
00:38:59.679 --> 00:38:59.920
<v Speaker 4>Mhm.

681
00:39:03.360 --> 00:39:07.760
<v Speaker 2>Right. I'm fairly certain I haven't hot glued anything to

682
00:39:07.840 --> 00:39:10.320
<v Speaker 2>myself or set anything on fire this one. This time,

683
00:39:10.360 --> 00:39:11.000
<v Speaker 2>we're doing quite well.

684
00:39:11.079 --> 00:39:13.320
<v Speaker 1>So far, so good. Yep, let's not chinx it.

685
00:39:15.119 --> 00:39:15.480
<v Speaker 2>What now?

686
00:39:15.800 --> 00:39:17.880
<v Speaker 1>Now my instructions say flip over.

687
00:39:19.800 --> 00:39:21.119
<v Speaker 2>I'll not be able to see the table if you

688
00:39:21.159 --> 00:39:21.360
<v Speaker 2>do that.

689
00:39:22.280 --> 00:39:27.639
<v Speaker 3>And then it also says, and I quote turnover, insert

690
00:39:27.760 --> 00:39:28.920
<v Speaker 3>fingers and play.

691
00:39:32.679 --> 00:39:35.519
<v Speaker 2>We'll get taken off their if I do that. I'm

692
00:39:35.559 --> 00:39:37.679
<v Speaker 2>not saying no, I'm just letting you know what's about

693
00:39:37.719 --> 00:39:38.079
<v Speaker 2>to happen.

694
00:39:38.960 --> 00:39:41.239
<v Speaker 1>I'm trying to work out where to where you would

695
00:39:41.280 --> 00:39:42.079
<v Speaker 1>search your fingers.

696
00:39:43.320 --> 00:39:46.119
<v Speaker 2>Have you not done these before? It's a long time ago,

697
00:39:46.440 --> 00:39:48.599
<v Speaker 2>and you have to kind of like pop it a

698
00:39:48.639 --> 00:39:55.280
<v Speaker 2>little bit so they become pyramids. Jobs are good. Did

699
00:39:55.360 --> 00:39:57.199
<v Speaker 2>the cool girls at school not that you play with

700
00:39:57.280 --> 00:39:59.320
<v Speaker 2>these when you were a little mike? Is that what

701
00:39:59.440 --> 00:39:59.719
<v Speaker 2>this is?

702
00:40:00.079 --> 00:40:01.239
<v Speaker 1>M hmmm yes?

703
00:40:07.760 --> 00:40:07.880
<v Speaker 2>Is that?

704
00:40:07.960 --> 00:40:11.360
<v Speaker 1>How you doing? All right? Okay? Now, oh there we go.

705
00:40:11.800 --> 00:40:12.400
<v Speaker 2>There we go.

706
00:40:12.599 --> 00:40:15.000
<v Speaker 3>Look, there's a bit of manipulation that needs to do.

707
00:40:15.039 --> 00:40:17.320
<v Speaker 3>It doesn't say anything about manipulating. It just says in

708
00:40:17.400 --> 00:40:18.679
<v Speaker 3>certain fingers and play.

709
00:40:20.800 --> 00:40:27.280
<v Speaker 4>Mm hmmmmmmm.

710
00:40:25.920 --> 00:40:26.760
<v Speaker 3>H m hm.

711
00:40:28.400 --> 00:40:29.079
<v Speaker 1>Above your tips.

712
00:40:31.920 --> 00:40:37.079
<v Speaker 2>Oh oh oh hang on, we've got external fold. That

713
00:40:37.159 --> 00:40:42.400
<v Speaker 2>became an infternal fold. Oh yeah, my, then he became

714
00:40:42.440 --> 00:40:44.840
<v Speaker 2>an outie. But there we go. Yeah, jobs are good.

715
00:40:45.199 --> 00:40:47.159
<v Speaker 1>See it should have said to do that because that

716
00:40:47.280 --> 00:40:48.159
<v Speaker 1>makes it more sense.

717
00:40:48.400 --> 00:40:49.559
<v Speaker 2>That makes more sense than.

718
00:40:52.199 --> 00:41:03.559
<v Speaker 1>M h there we go. Hmmm. And what you do?

719
00:41:03.639 --> 00:41:05.639
<v Speaker 3>Apparently you put things on the inside folds when you

720
00:41:05.719 --> 00:41:07.760
<v Speaker 3>fold them out. It's like truth or dad, it's blue, yellow,

721
00:41:07.840 --> 00:41:08.440
<v Speaker 3>green or whatever.

722
00:41:09.480 --> 00:41:18.599
<v Speaker 2>Yep, yeah, there you go. Nice cool hours of fun

723
00:41:19.039 --> 00:41:19.880
<v Speaker 2>literally minutes.

724
00:41:20.440 --> 00:41:21.000
<v Speaker 1>I remember.

725
00:41:22.760 --> 00:41:25.159
<v Speaker 3>If you can't get any pin, any the gene or

726
00:41:25.159 --> 00:41:27.800
<v Speaker 3>anything else in between, be a crafty queen.

727
00:41:40.400 --> 00:41:44.840
<v Speaker 2>Oh you're doing it one handed. I used to. No,

728
00:41:44.960 --> 00:41:47.840
<v Speaker 2>I can't do it. No, I need to use both.

729
00:41:48.719 --> 00:41:52.880
<v Speaker 1>I can do that. I find it hard. No, it's

730
00:41:53.559 --> 00:41:54.280
<v Speaker 1>been too aggressive.

731
00:41:54.320 --> 00:42:00.480
<v Speaker 2>And yeah, I'm a powerful and careless manu pulator.

732
00:42:00.719 --> 00:42:03.199
<v Speaker 1>Clearly we've heard that flappens when you use two hands

733
00:42:03.800 --> 00:42:04.599
<v Speaker 1>with a gentle tear.

734
00:42:05.199 --> 00:42:07.440
<v Speaker 2>Oh it's not a gentle tear. It's getting just getting big.

735
00:42:07.519 --> 00:42:08.920
<v Speaker 2>I can see through that because.

736
00:42:08.639 --> 00:42:11.840
<v Speaker 3>You're forcing it open at that. I feel sorry for

737
00:42:11.880 --> 00:42:13.039
<v Speaker 3>any twinks I have to deal with you.

738
00:42:13.599 --> 00:42:16.119
<v Speaker 1>So yeah, so now you know how to do that.

739
00:42:16.239 --> 00:42:20.119
<v Speaker 3>So if you've traveled back in time and spoke to

740
00:42:20.119 --> 00:42:21.440
<v Speaker 3>the hunger version of you, you could say, this.

741
00:42:21.480 --> 00:42:26.960
<v Speaker 2>Is how to do it. It's something to do this

742
00:42:27.039 --> 00:42:29.880
<v Speaker 2>weekend and it. Yeah, travel back in time and teach

743
00:42:30.000 --> 00:42:30.599
<v Speaker 2>my younger.

744
00:42:30.400 --> 00:42:33.079
<v Speaker 1>Self all the time machine how to do don't sort out?

745
00:42:33.320 --> 00:42:34.800
<v Speaker 2>Well, now we've got this. This was the hard bit.

746
00:42:34.920 --> 00:42:37.079
<v Speaker 2>Getting this sort the time machine is the easy bit. Really.

747
00:42:37.639 --> 00:42:40.000
<v Speaker 2>I just couldn't get my head around the flappy foldy thing.

748
00:42:41.760 --> 00:42:44.559
<v Speaker 2>Couldn't get my head around the flaps, you know, And

749
00:42:44.639 --> 00:42:45.480
<v Speaker 2>now I have thank.

750
00:42:45.320 --> 00:42:49.920
<v Speaker 1>You for that, Mike, no problem. I was waiting to

751
00:42:49.960 --> 00:42:50.719
<v Speaker 1>make the puppets though.

752
00:42:51.559 --> 00:42:52.760
<v Speaker 2>Got onf for the other hand, and then you can

753
00:42:52.840 --> 00:42:54.920
<v Speaker 2>do a little. It's an armchair theater.

754
00:42:55.239 --> 00:42:59.199
<v Speaker 1>You've torn it to sunder, not torn it Asunday.

755
00:42:59.400 --> 00:43:01.719
<v Speaker 2>I've just made a bit more room in it than

756
00:43:01.840 --> 00:43:02.760
<v Speaker 2>was originally intended.

757
00:43:03.119 --> 00:43:13.239
<v Speaker 1>Huh, torn A Sun. Well, I don't know why I

758
00:43:13.320 --> 00:43:13.920
<v Speaker 1>turned my hand.

759
00:43:14.199 --> 00:43:16.320
<v Speaker 3>I had that I went, oh no, that's the wrong

760
00:43:16.360 --> 00:43:18.920
<v Speaker 3>way round right, So I turned my hand instead of

761
00:43:19.000 --> 00:43:20.519
<v Speaker 3>just moving rich fingers I'm using.

762
00:43:20.679 --> 00:43:24.000
<v Speaker 1>I turned my hand because I want special.

763
00:43:24.960 --> 00:43:26.719
<v Speaker 3>Well that's almost the end of the show for now,

764
00:43:26.920 --> 00:43:28.880
<v Speaker 3>but on screen now you can see how contact details.

765
00:43:29.000 --> 00:43:31.239
<v Speaker 3>It's at the coud TV on social media, and if

766
00:43:31.280 --> 00:43:32.920
<v Speaker 3>you want to catch up on previous episodes, you can

767
00:43:32.960 --> 00:43:34.320
<v Speaker 3>always binge us on YouTube.

768
00:43:34.559 --> 00:43:37.519
<v Speaker 1>Just look for Chewing the Cud. Thank you for watching

769
00:43:37.599 --> 00:43:39.840
<v Speaker 1>and we will see you next time.

770
00:43:40.679 --> 00:43:44.960
<v Speaker 2>Have a lovely in between us. Bye.

771
00:43:48.639 --> 00:43:49.559
<v Speaker 1>In between us.

772
00:43:51.320 --> 00:43:53.000
<v Speaker 2>I don't know where I was going. No, no, I

773
00:43:53.039 --> 00:43:53.719
<v Speaker 2>don't think anybody
