WEBVTT

1
00:00:00.480 --> 00:00:04.040
<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp the

2
00:00:04.080 --> 00:00:10.880
<v Speaker 1>House Whisper on demand on the iHeart Radio app. I'm

3
00:00:10.919 --> 00:00:15.000
<v Speaker 1>Dean Sharp, the house Whisperer. I design homes, I build

4
00:00:15.039 --> 00:00:19.039
<v Speaker 1>custom homes, and I am your guide to better understanding

5
00:00:19.280 --> 00:00:23.079
<v Speaker 1>that place where you live. Today on the show, we're

6
00:00:23.160 --> 00:00:26.399
<v Speaker 1>keeping in the theme of yeah, I think where everybody's

7
00:00:26.440 --> 00:00:30.359
<v Speaker 1>heads and kind of hearts are at around December ish,

8
00:00:30.440 --> 00:00:33.200
<v Speaker 1>you know, there's a lot of nostalgia floating through the air.

9
00:00:33.479 --> 00:00:36.320
<v Speaker 1>There's a lot of decorating on people's minds, and so

10
00:00:36.359 --> 00:00:40.240
<v Speaker 1>we're staying in that decorating flow, the decor flow this weekend.

11
00:00:40.520 --> 00:00:45.920
<v Speaker 1>Not Christmas decorating, not holiday, just decor. Yesterday, our previous

12
00:00:46.079 --> 00:00:51.280
<v Speaker 1>podcast episode, we discussed furniture furniture buying, and I talked

13
00:00:51.280 --> 00:00:55.320
<v Speaker 1>to you about the right way to go about buying furniture. Today,

14
00:00:55.759 --> 00:01:02.719
<v Speaker 1>we're going to talk about demystifying, antiquing and vintage and retro.

15
00:01:03.079 --> 00:01:06.560
<v Speaker 1>What the hell do these words mean and what are

16
00:01:06.560 --> 00:01:10.040
<v Speaker 1>you looking for and what should you expect Everything that

17
00:01:10.079 --> 00:01:17.799
<v Speaker 1>falls under the umbrella of what I call nostalgic design, antique, vintage, retro,

18
00:01:18.400 --> 00:01:21.200
<v Speaker 1>and so on and so forth. That is where we're

19
00:01:21.239 --> 00:01:23.000
<v Speaker 1>going today. It's going to be a lot of fun.

20
00:01:23.799 --> 00:01:26.519
<v Speaker 1>Stay with me, and you're going to learn quite a

21
00:01:26.519 --> 00:01:30.680
<v Speaker 1>bit today because I'm always handing out the pearls, always

22
00:01:30.680 --> 00:01:33.719
<v Speaker 1>just giving you the pearls of wisdom that are useful

23
00:01:33.760 --> 00:01:36.400
<v Speaker 1>to you when you go about to trying to make

24
00:01:36.480 --> 00:01:40.799
<v Speaker 1>your home something truly extraordinary. And of course we're going

25
00:01:40.879 --> 00:01:43.120
<v Speaker 1>to be taking your calls as we always do it.

26
00:01:43.200 --> 00:01:46.480
<v Speaker 1>When it comes to calls, goes without saying that you

27
00:01:46.519 --> 00:01:49.560
<v Speaker 1>get to set the agenda. I'm talking retro, vintage and

28
00:01:49.599 --> 00:01:54.040
<v Speaker 1>antiquing today. You can call me about anything that's got

29
00:01:54.040 --> 00:01:58.799
<v Speaker 1>you scratching your head about your home, construction issue, design problem,

30
00:01:58.920 --> 00:02:05.319
<v Speaker 1>landscape into your exterior, anything at all DIY concerns, anything

31
00:02:05.599 --> 00:02:08.479
<v Speaker 1>that's got you in a quandary. Give me a call,

32
00:02:08.520 --> 00:02:10.199
<v Speaker 1>we'll put our heads together and we'll figure it out.

33
00:02:10.240 --> 00:02:14.919
<v Speaker 1>Here's the number eight three three two. Ask Dean A

34
00:02:15.080 --> 00:02:19.000
<v Speaker 1>three three. The numeral two ask Dean A three three

35
00:02:19.159 --> 00:02:22.879
<v Speaker 1>to ask Dean. The phone lines are open now. Producer

36
00:02:22.960 --> 00:02:26.599
<v Speaker 1>Matt standing by ready to take your calls. He'll tell

37
00:02:26.599 --> 00:02:28.280
<v Speaker 1>you everything you need to know. Pop you into the

38
00:02:28.319 --> 00:02:31.240
<v Speaker 1>queue and you can listen to the show while you wait.

39
00:02:31.439 --> 00:02:34.280
<v Speaker 1>There you go, all right. Speaking of producer Matt, let

40
00:02:34.319 --> 00:02:37.680
<v Speaker 1>me introduce the rest of our awesome team. Elmer is

41
00:02:37.759 --> 00:02:42.560
<v Speaker 1>on the board. Good morning, sir, Good morning Jane. Hey,

42
00:02:42.680 --> 00:02:50.479
<v Speaker 1>I'm good, all right. Hey O. I believe Elma and

43
00:02:50.520 --> 00:02:53.520
<v Speaker 1>I were having a very deep conversation just about life,

44
00:02:53.719 --> 00:02:57.479
<v Speaker 1>life before the show started. So we're both in that.

45
00:02:58.280 --> 00:03:00.879
<v Speaker 1>We're both in that place where it's like, you know, yeah,

46
00:03:01.159 --> 00:03:03.960
<v Speaker 1>the show goes on. Here we are, we're getting it done.

47
00:03:04.759 --> 00:03:07.919
<v Speaker 1>Producer Matt, like I said, standing by to take your

48
00:03:07.919 --> 00:03:11.120
<v Speaker 1>calls nowhere near a microphone right now. But he's off

49
00:03:11.159 --> 00:03:15.520
<v Speaker 1>doing what he does and doing it well. Eileen Gonzalez

50
00:03:15.680 --> 00:03:18.560
<v Speaker 1>at the news desk, Good morning, Eileen, Good morning Dean.

51
00:03:18.639 --> 00:03:22.680
<v Speaker 1>How's it going. It's good, It's good. I'd be lying

52
00:03:22.680 --> 00:03:24.520
<v Speaker 1>if I if I told you that I wasn't a

53
00:03:24.560 --> 00:03:29.439
<v Speaker 1>little tired this morning. But I think it's just I

54
00:03:29.439 --> 00:03:31.919
<v Speaker 1>think it's adrenaline letdown is what it is, more than

55
00:03:31.919 --> 00:03:36.000
<v Speaker 1>anything else. You know. We got away for a few

56
00:03:36.080 --> 00:03:37.960
<v Speaker 1>days here in the middle of the week. We went

57
00:03:38.080 --> 00:03:41.159
<v Speaker 1>up to one of our favorite places in California here

58
00:03:41.159 --> 00:03:43.120
<v Speaker 1>and just jumped in the car and went up with

59
00:03:43.159 --> 00:03:47.879
<v Speaker 1>some friends to Central Coastal California, you know, like Passel

60
00:03:47.960 --> 00:03:52.800
<v Speaker 1>Roblos and and more O Bay and just that while

61
00:03:52.800 --> 00:03:56.240
<v Speaker 1>Area Loso Sos and we went up to Cumbria. I

62
00:03:56.240 --> 00:03:58.360
<v Speaker 1>always use I grew up calling it Cambria, and now

63
00:03:58.400 --> 00:04:01.919
<v Speaker 1>I feel like I'm like Thurston half when I say Cumbria.

64
00:04:02.400 --> 00:04:05.199
<v Speaker 1>But I was told that that's the proper way to

65
00:04:05.199 --> 00:04:08.560
<v Speaker 1>pronounce it. So all right, anyway, it's so cool up

66
00:04:08.560 --> 00:04:10.719
<v Speaker 1>there right now. It was very festive. And then we

67
00:04:10.759 --> 00:04:13.479
<v Speaker 1>came home and yesterday was sort of relaxing after the

68
00:04:13.520 --> 00:04:16.000
<v Speaker 1>show and so and then all of a sudden, I

69
00:04:16.000 --> 00:04:18.360
<v Speaker 1>start getting tired, and I'm like, oh, well, maybe it's

70
00:04:18.560 --> 00:04:22.720
<v Speaker 1>just the letdown after the trip. Or sometimes you need

71
00:04:22.759 --> 00:04:25.720
<v Speaker 1>a vacation after a vacation nic, you know what, to

72
00:04:25.879 --> 00:04:29.079
<v Speaker 1>unwind it home. Damn right, my friend, there it is

73
00:04:29.199 --> 00:04:32.040
<v Speaker 1>right there. So that's what today is. Today. When we're

74
00:04:32.040 --> 00:04:35.240
<v Speaker 1>done with the show, it will be a vacation after

75
00:04:35.360 --> 00:04:40.879
<v Speaker 1>our vacation, and then tomorrow a vacation after our vacation's vacation.

76
00:04:42.160 --> 00:04:45.079
<v Speaker 1>I'm just gonna keep it rolling anyway, Eileen. Awesome as

77
00:04:45.160 --> 00:04:48.600
<v Speaker 1>always to have you here, sitting across the table from me.

78
00:04:50.360 --> 00:04:55.680
<v Speaker 1>Sitting across the table from me, sitting across the table

79
00:04:55.759 --> 00:05:01.680
<v Speaker 1>from me. Oh, just staring up in this space. My

80
00:05:01.800 --> 00:05:06.040
<v Speaker 1>better half, the co owner, co founder of House Whisper,

81
00:05:06.360 --> 00:05:09.800
<v Speaker 1>my co designer, my best friend in all the world,

82
00:05:10.040 --> 00:05:11.879
<v Speaker 1>Tina is here.

83
00:05:12.519 --> 00:05:13.680
<v Speaker 2>Welcome home.

84
00:05:13.800 --> 00:05:15.920
<v Speaker 1>There you go. Now you can return to whatever it

85
00:05:15.959 --> 00:05:16.680
<v Speaker 1>is that you were doing.

86
00:05:16.759 --> 00:05:18.839
<v Speaker 3>You know what I'm doing is I am doing a

87
00:05:19.000 --> 00:05:21.800
<v Speaker 3>crash holiday shopping.

88
00:05:21.879 --> 00:05:24.920
<v Speaker 2>I'm behind. This is weird.

89
00:05:24.959 --> 00:05:27.199
<v Speaker 3>I usually have all my shopping done and probably all

90
00:05:27.240 --> 00:05:29.399
<v Speaker 3>my stuff wrapped way before.

91
00:05:29.399 --> 00:05:29.639
<v Speaker 4>Now.

92
00:05:30.000 --> 00:05:32.199
<v Speaker 1>Yeah, well you know, feel free to do it while

93
00:05:32.240 --> 00:05:33.519
<v Speaker 1>I'm doing the show.

94
00:05:33.360 --> 00:05:36.120
<v Speaker 2>Here this morning.

95
00:05:36.319 --> 00:05:36.519
<v Speaker 1>Free.

96
00:05:36.680 --> 00:05:37.439
<v Speaker 2>I was sitting by the.

97
00:05:37.360 --> 00:05:39.360
<v Speaker 1>No no, no, no, no no, I'll do the work.

98
00:05:40.079 --> 00:05:43.800
<v Speaker 1>You just do that. I'll look up for your affirmation,

99
00:05:44.199 --> 00:05:48.120
<v Speaker 1>and you'll be staring into that screen and I'll just

100
00:05:48.160 --> 00:05:51.000
<v Speaker 1>look away again. Small tear drops from the eye.

101
00:05:51.120 --> 00:05:52.759
<v Speaker 2>Now I have seen you.

102
00:05:52.759 --> 00:05:55.319
<v Speaker 3>Now, sorry everyone if you don't get a Christmas present,

103
00:05:55.360 --> 00:05:58.439
<v Speaker 3>because I need to take care of d Oh.

104
00:05:58.319 --> 00:06:03.639
<v Speaker 1>My gosh, now the guilt comes. Good lord, All right, y'all,

105
00:06:04.399 --> 00:06:08.360
<v Speaker 1>let's start talking about I'm going to start right off

106
00:06:08.399 --> 00:06:11.720
<v Speaker 1>the bat with explaining to you where the divisions are

107
00:06:11.800 --> 00:06:14.480
<v Speaker 1>between if there are any, are there? Yes, there are

108
00:06:14.680 --> 00:06:20.920
<v Speaker 1>between antique vintage retro and nostalgia, nostalgic. We will do

109
00:06:21.000 --> 00:06:22.160
<v Speaker 1>it right after.

110
00:06:23.079 --> 00:06:26.399
<v Speaker 4>You're listening to Home with Dean Sharp on demand from

111
00:06:26.480 --> 00:06:29.519
<v Speaker 4>KFI AM six forty.

112
00:06:29.639 --> 00:06:33.759
<v Speaker 1>Here to help you take your home to the next level.

113
00:06:34.240 --> 00:06:37.120
<v Speaker 1>Happy to do it. We have an emergency in the studio.

114
00:06:37.199 --> 00:06:40.199
<v Speaker 1>By the way, I just want to announce this. This chair,

115
00:06:42.240 --> 00:06:45.920
<v Speaker 1>this chair, the piston on this desk chair. What are

116
00:06:45.959 --> 00:06:47.920
<v Speaker 1>you laughing at? Why are you laughing at me?

117
00:06:48.120 --> 00:06:49.839
<v Speaker 2>Because you keep shrinking.

118
00:06:53.120 --> 00:06:56.079
<v Speaker 1>The piston on this chair is I don't know it's

119
00:06:56.160 --> 00:06:59.439
<v Speaker 1>leaking or something. But because I set it up at

120
00:06:59.439 --> 00:07:01.800
<v Speaker 1>their level, at the right level, and even now I

121
00:07:01.839 --> 00:07:05.600
<v Speaker 1>can literally feel it moving, I think no, So I'm

122
00:07:05.600 --> 00:07:09.240
<v Speaker 1>gonna I end up. You know, I start out segment

123
00:07:09.279 --> 00:07:12.000
<v Speaker 1>as an adult, and I end up as like a

124
00:07:12.040 --> 00:07:15.720
<v Speaker 1>six year old sitting by sitting in a big chair.

125
00:07:15.959 --> 00:07:18.000
<v Speaker 1>All right, I'm just saying, wait a second, I got

126
00:07:18.040 --> 00:07:22.600
<v Speaker 1>to adjust it. All right, I'm tall again, just for

127
00:07:22.639 --> 00:07:28.279
<v Speaker 1>a moment. All right, let's talk about vintage, antique, retro

128
00:07:28.639 --> 00:07:31.680
<v Speaker 1>and nostalgic. How do you when you go for this

129
00:07:31.800 --> 00:07:35.519
<v Speaker 1>kind of decor and you're looking for pieces like this,

130
00:07:36.600 --> 00:07:38.279
<v Speaker 1>how do you tell the difference between the two. What

131
00:07:38.360 --> 00:07:41.720
<v Speaker 1>are the line, where are the lines. I like my

132
00:07:41.839 --> 00:07:47.439
<v Speaker 1>mom's definition of vintage and antique, and she's absolutely one

133
00:07:47.480 --> 00:07:53.720
<v Speaker 1>hundred percent right. Her definition is vintage is, you know,

134
00:07:54.399 --> 00:07:59.720
<v Speaker 1>somewhat affordable, and antique is unbelievably expensive. And so when

135
00:07:59.720 --> 00:08:03.560
<v Speaker 1>something gets labeled antique, just know that, you know, you

136
00:08:03.680 --> 00:08:06.439
<v Speaker 1>got you gotta write a big check for it. And

137
00:08:06.600 --> 00:08:11.000
<v Speaker 1>she's right about that. She's right. However, there there actually

138
00:08:11.040 --> 00:08:16.160
<v Speaker 1>are within the industry some a little bit harder lines

139
00:08:16.160 --> 00:08:18.519
<v Speaker 1>of definition between the two. And here it is, right.

140
00:08:19.480 --> 00:08:20.959
<v Speaker 1>And by the way, when you hear me say this,

141
00:08:21.079 --> 00:08:25.879
<v Speaker 1>don't ever let anybody call you an antique again, all right, never. Never.

142
00:08:27.360 --> 00:08:34.039
<v Speaker 1>Antique within the decorating and designed industry is something that's

143
00:08:34.080 --> 00:08:36.840
<v Speaker 1>one hundred years old or older. All right. You got

144
00:08:36.879 --> 00:08:41.080
<v Speaker 1>to hit the hundred year mark for something to be antique. Okay,

145
00:08:41.279 --> 00:08:44.480
<v Speaker 1>so there you go. And obviously you know when something

146
00:08:44.519 --> 00:08:49.720
<v Speaker 1>is approaching it, then you know these are somewhat arbitrary

147
00:08:49.960 --> 00:08:52.360
<v Speaker 1>and uh, and things get a little fuzzy, you know,

148
00:08:52.600 --> 00:08:55.240
<v Speaker 1>around the boundary, around the threshold from one to the other.

149
00:08:55.279 --> 00:09:00.240
<v Speaker 1>But generally speaking, antique is one hundred year old or old,

150
00:09:01.039 --> 00:09:05.960
<v Speaker 1>which means I am not antique. However, unfortunately, yes, I

151
00:09:06.000 --> 00:09:11.440
<v Speaker 1>am vintage, because everybody's vintage. I'm assuming. I'm assuming there

152
00:09:11.480 --> 00:09:14.120
<v Speaker 1>are no teenagers listening to the show, or not many,

153
00:09:15.440 --> 00:09:18.480
<v Speaker 1>and so although we have a lot of young adults

154
00:09:18.480 --> 00:09:22.360
<v Speaker 1>who listen to the show. But guess what vintage. Okay,

155
00:09:22.399 --> 00:09:25.080
<v Speaker 1>it's gonna hurt. It's gonna hurt some of you. Vintage

156
00:09:25.679 --> 00:09:29.480
<v Speaker 1>in most definitions, right, there's some debate about it, but

157
00:09:29.519 --> 00:09:34.639
<v Speaker 1>in most definitions, vintage is anything twenty years old to

158
00:09:34.759 --> 00:09:39.320
<v Speaker 1>ninety nine, twenty to ninety nine. What do you say, No,

159
00:09:40.159 --> 00:09:45.200
<v Speaker 1>I didn't make it up, Tina, your vintage. I know

160
00:09:50.799 --> 00:09:51.440
<v Speaker 1>your vintage.

161
00:09:51.480 --> 00:09:53.039
<v Speaker 2>I was born in the nineteen hundreds.

162
00:09:53.320 --> 00:09:58.360
<v Speaker 1>That's true. We're from the nineteen hundreds. I anyway, vintage

163
00:09:58.399 --> 00:10:02.320
<v Speaker 1>is twenty years old now obviously on the twenty end,

164
00:10:02.919 --> 00:10:05.840
<v Speaker 1>you know. But here's the thing. This is true. Right

165
00:10:06.399 --> 00:10:08.879
<v Speaker 1>if you're let's say you're you know, you're. I'm gonna

166
00:10:08.919 --> 00:10:10.279
<v Speaker 1>touch on this at the end of the show too.

167
00:10:10.320 --> 00:10:12.679
<v Speaker 1>But you know, let's say you're you're twenty eight years old.

168
00:10:12.799 --> 00:10:14.679
<v Speaker 1>You're twenty eight years old, and you feel like you're

169
00:10:14.720 --> 00:10:18.600
<v Speaker 1>in the prime of your youth. But you know, to

170
00:10:18.679 --> 00:10:21.799
<v Speaker 1>a thirteen year old, you are old. You are old,

171
00:10:22.120 --> 00:10:24.559
<v Speaker 1>and out of it. And so that's what I'm saying.

172
00:10:24.879 --> 00:10:27.480
<v Speaker 1>You get twenty years in between the thing, it starts

173
00:10:27.559 --> 00:10:30.320
<v Speaker 1>to lean towards the vintage side of things. So I'm

174
00:10:30.440 --> 00:10:36.759
<v Speaker 1>guaranteed everybody who's listening right now is probably vintage as

175
00:10:36.799 --> 00:10:41.919
<v Speaker 1>far as people go. Here's the thing that is surprising

176
00:10:41.960 --> 00:10:45.279
<v Speaker 1>to a lot of folks. Retro. Okay, retro is a

177
00:10:45.320 --> 00:10:49.279
<v Speaker 1>tricky one, and I'll tell you why, because most things

178
00:10:49.279 --> 00:10:54.600
<v Speaker 1>that are retro, in fact, technically retro is actually new.

179
00:10:55.279 --> 00:11:01.039
<v Speaker 1>Something that is retro is by definition a new product,

180
00:11:01.480 --> 00:11:06.519
<v Speaker 1>a new thing that is styled to point back to

181
00:11:06.639 --> 00:11:09.799
<v Speaker 1>a previous era. Okay, so here's the thing. So you

182
00:11:09.840 --> 00:11:13.480
<v Speaker 1>go to you if you're out, you know, looking for

183
00:11:13.639 --> 00:11:17.120
<v Speaker 1>a pair of nineteen seventies genes, you have two choices.

184
00:11:18.120 --> 00:11:22.200
<v Speaker 1>You can get yourself to a thrift store right and

185
00:11:22.799 --> 00:11:28.000
<v Speaker 1>maybe find a pair of use the word properly vintage

186
00:11:28.600 --> 00:11:33.480
<v Speaker 1>nineteen seventies genes, meaning yeah, made in the seventies and

187
00:11:33.519 --> 00:11:38.000
<v Speaker 1>still in good enough shape to wear. Or you can

188
00:11:38.240 --> 00:11:42.840
<v Speaker 1>dial up one of ten thousand clothing websites online that

189
00:11:43.000 --> 00:11:49.759
<v Speaker 1>make retro nineteen seventies ish esque genes and they're brand new.

190
00:11:49.840 --> 00:11:52.960
<v Speaker 1>They're brand new, but they look like you know that thing.

191
00:11:53.080 --> 00:11:55.559
<v Speaker 1>So that's the idea. And when it comes to home

192
00:11:56.840 --> 00:12:02.200
<v Speaker 1>elements furnishings especially, a perfect example this would be appliances

193
00:12:02.360 --> 00:12:09.000
<v Speaker 1>companies like Smeg. No I did not cough something up.

194
00:12:09.200 --> 00:12:14.720
<v Speaker 1>That's the name of a retro appliance company, Smeg. They're brilliant,

195
00:12:14.759 --> 00:12:19.120
<v Speaker 1>they're beautiful. They make an entire line of appliances that

196
00:12:19.200 --> 00:12:23.480
<v Speaker 1>look very mid century, nineteen fifties esque in the colors,

197
00:12:23.519 --> 00:12:26.320
<v Speaker 1>the shapes, Socide, but they're brand new, brand new, high tech.

198
00:12:26.600 --> 00:12:31.320
<v Speaker 1>Smeg also Big Chill, Big Chill, especially for refrigerators, obviously

199
00:12:31.360 --> 00:12:34.120
<v Speaker 1>by the name of the company. So these are not

200
00:12:34.639 --> 00:12:40.600
<v Speaker 1>old appliances. These are brand new appliances that would have

201
00:12:40.639 --> 00:12:43.759
<v Speaker 1>looked perfectly brand new in a nineteen fifties kitchen. So

202
00:12:44.120 --> 00:12:49.159
<v Speaker 1>antique one hundred years old or older, vintage twenty to

203
00:12:49.279 --> 00:12:54.679
<v Speaker 1>ninety nine years old, and retro actually new but styled

204
00:12:54.720 --> 00:12:58.679
<v Speaker 1>to point back to a previous era. Now, all three

205
00:12:58.759 --> 00:13:07.200
<v Speaker 1>of theseies fall under one umbrella of nostalgic design, nostalgia,

206
00:13:07.279 --> 00:13:08.879
<v Speaker 1>and we're going to talk a little bit about that

207
00:13:09.399 --> 00:13:09.960
<v Speaker 1>right after.

208
00:13:11.039 --> 00:13:14.320
<v Speaker 4>You're listening to Home with Dean Sharp on Demand from

209
00:13:14.440 --> 00:13:15.960
<v Speaker 4>KFI AM six forty.

210
00:13:17.879 --> 00:13:23.679
<v Speaker 1>Dean sharp the house, whisper here with you on this crisp, cool,

211
00:13:23.919 --> 00:13:28.559
<v Speaker 1>sunny southern California Sunday morning. Here right in the middle

212
00:13:28.600 --> 00:13:31.399
<v Speaker 1>of the month December fifty. Is it the fifteenth? It's

213
00:13:31.440 --> 00:13:34.759
<v Speaker 1>the fifteenth of December, smack dab in the middle of them.

214
00:13:34.840 --> 00:13:38.399
<v Speaker 1>That means it's ten days still Christmas. Don't panic, Tina.

215
00:13:39.679 --> 00:13:41.600
<v Speaker 2>This is why I was panic shopping this morning.

216
00:13:41.720 --> 00:13:46.000
<v Speaker 1>Don't panic. Just embrace it. Just embrace You're like, ah,

217
00:13:46.039 --> 00:13:47.919
<v Speaker 1>still ten days still Christmas.

218
00:13:48.360 --> 00:13:48.919
<v Speaker 2>That's true.

219
00:13:49.000 --> 00:13:52.320
<v Speaker 1>I see. Well, well, don't get caught up in all

220
00:13:52.360 --> 00:13:56.399
<v Speaker 1>this materialism. Just breathe it in. Let's do it now.

221
00:13:56.759 --> 00:14:04.240
<v Speaker 1>Just breathe. There you go, well done. Oh, Eileen, Eileen,

222
00:14:04.879 --> 00:14:08.200
<v Speaker 1>do you have your head? Uh? I was going to say,

223
00:14:08.480 --> 00:14:12.519
<v Speaker 1>I have a drone story. Oh yeah, did you see that?

224
00:14:12.519 --> 00:14:19.320
<v Speaker 1>That that may or may not calm people's thinking. And

225
00:14:19.360 --> 00:14:24.039
<v Speaker 1>I wonder about this because it wasn't that long ago

226
00:14:24.120 --> 00:14:27.960
<v Speaker 1>when we were spotting drones, like for four days straight

227
00:14:28.159 --> 00:14:29.919
<v Speaker 1>in our backyard. I would walk out and I'm like,

228
00:14:29.960 --> 00:14:31.960
<v Speaker 1>what does that sound? And I'm looking up and like

229
00:14:32.080 --> 00:14:35.000
<v Speaker 1>there's a drone. Who's who's doing that drone? You know,

230
00:14:35.120 --> 00:14:39.480
<v Speaker 1>you feel so violated when they're grone hovering over your yard, right,

231
00:14:40.039 --> 00:14:42.120
<v Speaker 1>So it took me a couple of days to figure out,

232
00:14:42.120 --> 00:14:44.200
<v Speaker 1>but I kind of noticed the timing and the pattern

233
00:14:44.240 --> 00:14:47.080
<v Speaker 1>of it, and I realized I walked around. We we

234
00:14:47.200 --> 00:14:48.919
<v Speaker 1>have a kind of a corner house, so I walked

235
00:14:48.960 --> 00:14:52.240
<v Speaker 1>her out front around the corner and here is a

236
00:14:52.279 --> 00:14:59.279
<v Speaker 1>guy from California Edison, uh, operating that drone and UH

237
00:14:59.559 --> 00:15:01.720
<v Speaker 1>and I to him and he's like, oh yeah, he said.

238
00:15:01.919 --> 00:15:03.840
<v Speaker 1>I said, you guys didn't send out notice about this.

239
00:15:03.919 --> 00:15:07.360
<v Speaker 1>He's like, no, we didn't, but technically, you know, we're

240
00:15:07.399 --> 00:15:09.960
<v Speaker 1>allowed to have the airspace over the the easement over

241
00:15:10.000 --> 00:15:11.559
<v Speaker 1>the power lines. He's like, but you know, with all

242
00:15:11.600 --> 00:15:16.399
<v Speaker 1>the recent fires all over southern California, cal Edison is

243
00:15:16.440 --> 00:15:21.759
<v Speaker 1>inspecting their power lines and especially the residential ones to

244
00:15:21.759 --> 00:15:24.320
<v Speaker 1>make sure that there aren't trees growing over and touching

245
00:15:24.360 --> 00:15:27.519
<v Speaker 1>lines and any and they're using drones. They start out

246
00:15:27.519 --> 00:15:31.360
<v Speaker 1>by using helicopters, but they're now using drones. So you

247
00:15:31.480 --> 00:15:35.360
<v Speaker 1>might be in a neighborhood where you see drones all

248
00:15:35.399 --> 00:15:37.639
<v Speaker 1>of a sudden for two or three days and you're like,

249
00:15:37.759 --> 00:15:40.080
<v Speaker 1>what is going on there? And for us, it was

250
00:15:41.200 --> 00:15:43.759
<v Speaker 1>Edison just inspecting power lines, which I thought, all right,

251
00:15:43.840 --> 00:15:46.080
<v Speaker 1>that's you know, that's fine. I'd rather actually have a

252
00:15:46.159 --> 00:15:48.440
<v Speaker 1>drone doing its thing than maybe a helicopter over my

253
00:15:48.480 --> 00:15:52.360
<v Speaker 1>house for an hour. So there you go. It's possible.

254
00:15:52.639 --> 00:15:56.960
<v Speaker 1>It's all I'm saying. It's possible or aliens. It's one

255
00:15:56.960 --> 00:15:57.360
<v Speaker 1>of the two.

256
00:15:58.679 --> 00:15:59.679
<v Speaker 2>I like that choice.

257
00:16:00.080 --> 00:16:06.960
<v Speaker 1>I'm going for either meaninglessly safe or tremendously meaningfully terrifying.

258
00:16:07.240 --> 00:16:11.440
<v Speaker 1>So there's no middle ground. Aliens you don't know very good. Yeah,

259
00:16:11.440 --> 00:16:14.639
<v Speaker 1>they could be. They could be aliens inspecting the power lines. Also,

260
00:16:14.960 --> 00:16:19.360
<v Speaker 1>I'm just saying, okay, I should move on to actual content.

261
00:16:20.639 --> 00:16:23.320
<v Speaker 1>I promised I would talk to you about nostalgia, because

262
00:16:24.519 --> 00:16:29.759
<v Speaker 1>nostalgic design or nostalgia is really the umbrella category for

263
00:16:29.840 --> 00:16:35.600
<v Speaker 1>everything that is a period design, everything that is a

264
00:16:35.720 --> 00:16:39.919
<v Speaker 1>theme of the past, okay, which is most architecture and

265
00:16:40.039 --> 00:16:44.639
<v Speaker 1>most design. Because there's only a very slim category of

266
00:16:45.279 --> 00:16:50.039
<v Speaker 1>current contemporary, and I don't really buy it's only contemporary.

267
00:16:50.039 --> 00:16:54.519
<v Speaker 1>I don't. I don't buy into futuristic design because that's

268
00:16:54.600 --> 00:16:59.000
<v Speaker 1>just not true. Nobody's designing futuristic design because as far

269
00:16:59.000 --> 00:17:02.080
<v Speaker 1>as we know, no architects are designers are time traveling

270
00:17:02.120 --> 00:17:05.480
<v Speaker 1>into the future, and we all know how futuristic design

271
00:17:05.519 --> 00:17:08.440
<v Speaker 1>turns out. It's kind of you know, if we were

272
00:17:08.480 --> 00:17:11.319
<v Speaker 1>to believe futuristic design when we were all kids, then

273
00:17:11.440 --> 00:17:14.720
<v Speaker 1>right about now, we would all be wearing those silver

274
00:17:14.920 --> 00:17:19.359
<v Speaker 1>shiny suits because that's how all people in the future dressed.

275
00:17:19.480 --> 00:17:24.839
<v Speaker 1>So yeah, it's contemporary design that means today, what we're

276
00:17:24.839 --> 00:17:30.079
<v Speaker 1>doing with today, and then everything including modern modernist is

277
00:17:30.200 --> 00:17:33.880
<v Speaker 1>now this period, you know, locked mid century of the

278
00:17:33.880 --> 00:17:39.559
<v Speaker 1>twentieth century. So anyway, nostalgia drives all of this, antiques,

279
00:17:40.079 --> 00:17:46.160
<v Speaker 1>vintage items, retro design. The word nostalgia, if you didn't know,

280
00:17:47.160 --> 00:17:51.880
<v Speaker 1>means a sentimental yearning for the past that evokes feelings

281
00:17:51.920 --> 00:17:58.119
<v Speaker 1>of pleasure with occasional notes sounds like I'm sizzling a dish,

282
00:17:58.319 --> 00:18:02.240
<v Speaker 1>pleasure with occasional notes of sad. It's true. In fact,

283
00:18:02.279 --> 00:18:07.599
<v Speaker 1>the word itself, the word nostalgias, derived from ancient Greek,

284
00:18:08.119 --> 00:18:13.839
<v Speaker 1>the word nostos meaning return and like in time and

285
00:18:14.400 --> 00:18:19.559
<v Speaker 1>algos meaning pain okay, And it was first coined and

286
00:18:19.720 --> 00:18:23.960
<v Speaker 1>started being used even though it has Greek origins, in

287
00:18:24.000 --> 00:18:26.839
<v Speaker 1>the design world about three hundred years ago. So this

288
00:18:27.039 --> 00:18:32.640
<v Speaker 1>idea of nostalgia, it is those fond memories nostalgia is

289
00:18:32.640 --> 00:18:35.839
<v Speaker 1>a powerful human emotion, right, and it can be Yeah,

290
00:18:35.920 --> 00:18:39.559
<v Speaker 1>it can be unhealthy if you get lost in the past,

291
00:18:39.599 --> 00:18:45.319
<v Speaker 1>if you get trapped in the past. But nostalgia usually,

292
00:18:45.400 --> 00:18:48.559
<v Speaker 1>and it's surprisingly that there have been major studies done

293
00:18:48.839 --> 00:18:56.920
<v Speaker 1>on nostalgia, nostalgia usually produces really healthy benefits, psychological and

294
00:18:57.000 --> 00:19:06.039
<v Speaker 1>emotionally healthy benefits. Excuse me. It creates a determined hopefulness

295
00:19:06.359 --> 00:19:10.599
<v Speaker 1>about creating the future. And you would think why looking back,

296
00:19:10.880 --> 00:19:13.000
<v Speaker 1>because it's kind of that like, we did it once,

297
00:19:13.039 --> 00:19:16.880
<v Speaker 1>we can do this again kind of thing. It creates

298
00:19:16.960 --> 00:19:22.839
<v Speaker 1>motivation to resolve interpersonal issues and rekindle relationships and reconnect

299
00:19:22.839 --> 00:19:28.920
<v Speaker 1>with old friends and reprioritize important things. Nostalgia in design

300
00:19:29.240 --> 00:19:34.680
<v Speaker 1>and decor can be a way of clarifying and embracing

301
00:19:35.279 --> 00:19:39.000
<v Speaker 1>personal values rooted in lessons of the past. And I'm

302
00:19:39.000 --> 00:19:43.880
<v Speaker 1>not talking about I'm not talking about political stuff. I'm

303
00:19:43.920 --> 00:19:46.920
<v Speaker 1>not talking about like, well, yeah, you know that's the

304
00:19:46.960 --> 00:19:50.759
<v Speaker 1>way when things work great, That's not what I'm talking about.

305
00:19:51.000 --> 00:19:56.240
<v Speaker 1>But I am talking about looking back at things from

306
00:19:56.279 --> 00:20:03.799
<v Speaker 1>the past, things like craftsmanship, passion, patience, simplicity, a simpler life, right,

307
00:20:04.279 --> 00:20:09.119
<v Speaker 1>a higher quality of life, contentment, engagement, wisdom, whatever you

308
00:20:09.119 --> 00:20:12.519
<v Speaker 1>want to call it, that kind of they don't make

309
00:20:12.559 --> 00:20:14.599
<v Speaker 1>them like they used to, So guess what, we're going

310
00:20:14.680 --> 00:20:18.480
<v Speaker 1>to start that again right now. And then the whole

311
00:20:18.519 --> 00:20:20.880
<v Speaker 1>idea of like those who don't learn from history are

312
00:20:20.880 --> 00:20:25.960
<v Speaker 1>doomed to repeat, and so nostalgia has locked up inside

313
00:20:26.000 --> 00:20:30.160
<v Speaker 1>of it, all of that kind of stuff, all of

314
00:20:30.200 --> 00:20:35.279
<v Speaker 1>these personal values that you can declare through design and

315
00:20:35.319 --> 00:20:38.119
<v Speaker 1>decor that you know, these things are important to me,

316
00:20:38.480 --> 00:20:40.880
<v Speaker 1>These things are important to me. Therefore, these are the

317
00:20:41.160 --> 00:20:44.680
<v Speaker 1>items that we have, the pieces or the facets of

318
00:20:44.720 --> 00:20:49.279
<v Speaker 1>our home that harken back to a time when dot

319
00:20:49.319 --> 00:20:51.480
<v Speaker 1>dot dot and then you just fill in the blank

320
00:20:51.519 --> 00:20:54.640
<v Speaker 1>from your own personal story. So they're way again as

321
00:20:54.680 --> 00:21:00.680
<v Speaker 1>all things of designing and defining a personal story. Okay,

322
00:21:01.119 --> 00:21:04.559
<v Speaker 1>and I think this. I think any design theme rooted

323
00:21:05.240 --> 00:21:10.000
<v Speaker 1>in the past brings emotional comfort, the comfort of being

324
00:21:10.079 --> 00:21:13.319
<v Speaker 1>a kind of a known quantity, right because the future

325
00:21:13.359 --> 00:21:17.559
<v Speaker 1>is unknown, the present is confusing. The past, you know,

326
00:21:17.680 --> 00:21:20.960
<v Speaker 1>we like the past because it feels more settled. It's past,

327
00:21:21.240 --> 00:21:25.279
<v Speaker 1>it's it's knowable, it's comforting, and it's dependable because it

328
00:21:25.279 --> 00:21:29.079
<v Speaker 1>doesn't have any more surprises for us. Right there, it is, right,

329
00:21:29.240 --> 00:21:31.920
<v Speaker 1>And so there is a sense of rootedness to that,

330
00:21:32.119 --> 00:21:35.160
<v Speaker 1>like I like this because guess what, I'm sort of

331
00:21:35.200 --> 00:21:39.039
<v Speaker 1>just embracing the idea that some things aren't gonna change,

332
00:21:39.079 --> 00:21:41.519
<v Speaker 1>some things are just set the way they are, and

333
00:21:41.599 --> 00:21:44.240
<v Speaker 1>I like it this way. So that is what is

334
00:21:44.400 --> 00:21:46.839
<v Speaker 1>driving And now that felt a little bit, you know

335
00:21:46.960 --> 00:21:50.000
<v Speaker 1>ethereal that all that, But you got to understand when

336
00:21:50.000 --> 00:21:58.160
<v Speaker 1>we're reaching for this massive, massive section of design and decor, antiques,

337
00:21:58.400 --> 00:22:02.799
<v Speaker 1>vintage items, retro items, got to understand what lies at

338
00:22:02.799 --> 00:22:05.519
<v Speaker 1>the root of it all, and it is nostalgia. It

339
00:22:05.640 --> 00:22:11.000
<v Speaker 1>is the nostalgic effect that these elements have upon our

340
00:22:11.599 --> 00:22:16.400
<v Speaker 1>human brains and upon human beings that we are all right.

341
00:22:16.519 --> 00:22:21.880
<v Speaker 1>So now the question is what do you do with

342
00:22:22.079 --> 00:22:25.079
<v Speaker 1>an antique or a vintage item? Right, I'm not talking

343
00:22:25.079 --> 00:22:27.240
<v Speaker 1>about retro because we know it's brand new, But if

344
00:22:27.240 --> 00:22:32.440
<v Speaker 1>you're shopping for vintage or antique, then you're going to

345
00:22:32.519 --> 00:22:38.079
<v Speaker 1>find those things in various states, various conditions, various states

346
00:22:38.079 --> 00:22:43.799
<v Speaker 1>of repair or disrepair or preservation. And the lesson is

347
00:22:43.839 --> 00:22:47.920
<v Speaker 1>going to be what we do two antique inventioned items

348
00:22:48.000 --> 00:22:52.799
<v Speaker 1>vintage items depends on what we plan to do with them. Okay,

349
00:22:53.400 --> 00:22:56.359
<v Speaker 1>what we do to them has everything to do with

350
00:22:56.440 --> 00:22:58.960
<v Speaker 1>what we plan to do with them. And there's about

351
00:22:59.640 --> 00:23:02.960
<v Speaker 1>five categories of things that you might do with them.

352
00:23:03.200 --> 00:23:04.200
<v Speaker 1>We'll talk about it all.

353
00:23:05.160 --> 00:23:08.480
<v Speaker 4>You're listening to Home with Dean Sharp on demand from

354
00:23:08.559 --> 00:23:09.799
<v Speaker 4>KFI AM six.

355
00:23:09.759 --> 00:23:18.480
<v Speaker 1>Forty Welcome home, Hey, coming up kids, next segment, right

356
00:23:18.640 --> 00:23:21.759
<v Speaker 1>after the next news break, we're going to the phones.

357
00:23:22.440 --> 00:23:24.240
<v Speaker 1>We got a few calls on the board. We've got

358
00:23:24.279 --> 00:23:28.160
<v Speaker 1>room for you. Eight three three two. Ask Dean A

359
00:23:28.359 --> 00:23:31.880
<v Speaker 1>three to three the numeral two ask Dean eight three

360
00:23:32.079 --> 00:23:36.559
<v Speaker 1>three to ask Dean. We'll be hitting the phones right

361
00:23:36.640 --> 00:23:40.640
<v Speaker 1>after our next break. So gifts a call now. Producer

362
00:23:40.680 --> 00:23:44.240
<v Speaker 1>Matt standing by anything you want to talk about regarding

363
00:23:44.279 --> 00:23:49.880
<v Speaker 1>your home design, construction, DIY, inside, outside, all around, anything

364
00:23:49.880 --> 00:23:52.640
<v Speaker 1>at all that's got you scratching your head, give me

365
00:23:52.680 --> 00:23:54.759
<v Speaker 1>a call. We'll put our heads together, we'll figure it out.

366
00:23:54.839 --> 00:24:02.720
<v Speaker 1>We will all right back to antique, vintage, retro, nostalgic design.

367
00:24:02.839 --> 00:24:06.200
<v Speaker 1>Kind of trying to demystify this for you today, for

368
00:24:06.279 --> 00:24:07.920
<v Speaker 1>those of you, and I know there are a lot

369
00:24:07.960 --> 00:24:11.839
<v Speaker 1>of you who are thinking in terms of, yeah, that's

370
00:24:11.960 --> 00:24:17.519
<v Speaker 1>kind of my bag and I've always wanted to acquire

371
00:24:17.559 --> 00:24:21.680
<v Speaker 1>these items, find places for them, integrate them well into

372
00:24:21.720 --> 00:24:25.400
<v Speaker 1>our home, all of that. So now the question is

373
00:24:25.400 --> 00:24:28.359
<v Speaker 1>what do you do to these items? Because, as I

374
00:24:28.400 --> 00:24:31.400
<v Speaker 1>said right before the break, you know, you go out

375
00:24:31.599 --> 00:24:35.920
<v Speaker 1>shopping for antiques and vintage items, and this is probably

376
00:24:35.920 --> 00:24:40.039
<v Speaker 1>more likely that you find a vintage item in disrepair

377
00:24:40.240 --> 00:24:45.440
<v Speaker 1>than an antique, because the longer something hangs around and

378
00:24:45.599 --> 00:24:50.799
<v Speaker 1>is handed around from person to person, the more antique

379
00:24:50.880 --> 00:24:54.759
<v Speaker 1>it gets, the higher the chance is that somebody along

380
00:24:54.799 --> 00:24:59.119
<v Speaker 1>the way has restored it, or preserved it or what

381
00:24:59.279 --> 00:25:03.119
<v Speaker 1>have you. A lot of vintage stuff that's just it's

382
00:25:03.279 --> 00:25:07.960
<v Speaker 1>showing its age, showing weathering, may be broken in part,

383
00:25:08.519 --> 00:25:11.200
<v Speaker 1>may be in need of refinishing, all of that kind

384
00:25:11.240 --> 00:25:13.839
<v Speaker 1>of stuff. So the question is do you just treat

385
00:25:13.880 --> 00:25:16.759
<v Speaker 1>it all the same? Is that going to be the plan?

386
00:25:17.480 --> 00:25:21.480
<v Speaker 1>And my answer to that is no, what you do

387
00:25:21.640 --> 00:25:25.680
<v Speaker 1>to an antique or a vintage item depends on what

388
00:25:25.720 --> 00:25:29.079
<v Speaker 1>you plan to do with them. Okay, now what does

389
00:25:29.119 --> 00:25:34.279
<v Speaker 1>that mean? Well, there are let's say five or six

390
00:25:35.079 --> 00:25:38.319
<v Speaker 1>I'm gonna look at my notes here, I think, yeah, six,

391
00:25:38.400 --> 00:25:42.519
<v Speaker 1>I've got six categories of things that you generally do

392
00:25:43.240 --> 00:25:49.720
<v Speaker 1>with it. Okay, so we're going to preserve an antique

393
00:25:49.799 --> 00:25:52.680
<v Speaker 1>or a vintage item, if it's already in the shape

394
00:25:52.680 --> 00:25:54.720
<v Speaker 1>that we want it to be in, Tina, catch me

395
00:25:54.799 --> 00:25:58.759
<v Speaker 1>on this. We're going to restore it. Okay, that's a

396
00:25:58.799 --> 00:26:02.319
<v Speaker 1>whole nother category. Now we're going to bring it back, Okay.

397
00:26:02.799 --> 00:26:06.200
<v Speaker 1>Restoration means that our aim is to bring it back

398
00:26:06.240 --> 00:26:12.559
<v Speaker 1>as close to its new state as possible, or we're

399
00:26:12.599 --> 00:26:18.960
<v Speaker 1>gonna remodel it, Okay, depending on you know, whether or

400
00:26:19.039 --> 00:26:21.039
<v Speaker 1>not we are how we plan to use it. So

401
00:26:21.079 --> 00:26:26.920
<v Speaker 1>there's three things that we do too. Antique advenage items, preserve,

402
00:26:27.119 --> 00:26:32.079
<v Speaker 1>restore or remodel them depending on three things we plan

403
00:26:32.160 --> 00:26:34.160
<v Speaker 1>to do with them, and that would be we're gonna

404
00:26:34.160 --> 00:26:39.640
<v Speaker 1>display them, We're going to reuse them. Okay. Now, if

405
00:26:39.680 --> 00:26:42.160
<v Speaker 1>you're going to reuse, meaning you're gonna put it back

406
00:26:42.200 --> 00:26:46.440
<v Speaker 1>into service, Okay, that's a whole another as you can imagine.

407
00:26:47.640 --> 00:26:50.279
<v Speaker 1>You know, that's a whole nother ballgame. Right. So, here

408
00:26:50.400 --> 00:26:57.599
<v Speaker 1>is a vintage or an antique foot driven singer sewing machine, right,

409
00:26:57.920 --> 00:27:02.000
<v Speaker 1>beautiful black, right, it's got all And if the plan

410
00:27:02.279 --> 00:27:07.920
<v Speaker 1>is to display it, then maybe you choose to leave

411
00:27:07.960 --> 00:27:12.240
<v Speaker 1>it in its state of aged decay as it were,

412
00:27:14.119 --> 00:27:18.039
<v Speaker 1>or maybe you want to really restore it to its

413
00:27:19.319 --> 00:27:23.839
<v Speaker 1>beauty superficially. So maybe you're gonna, you know, do your

414
00:27:23.880 --> 00:27:27.000
<v Speaker 1>best to just clean it all of the bare stainless

415
00:27:27.000 --> 00:27:29.960
<v Speaker 1>steel parts. You just get them looking shiny and new,

416
00:27:30.400 --> 00:27:32.400
<v Speaker 1>and you're gonna do your best with the paint work,

417
00:27:32.599 --> 00:27:35.359
<v Speaker 1>maybe even a little bit of touch up if necessary.

418
00:27:35.839 --> 00:27:39.880
<v Speaker 1>But if you're not planning to reuse it, then you

419
00:27:39.920 --> 00:27:43.759
<v Speaker 1>don't have to get into the mechanism and worry about

420
00:27:43.759 --> 00:27:47.000
<v Speaker 1>whether the mechanism is functional or not, or whether it's slipping,

421
00:27:47.200 --> 00:27:51.240
<v Speaker 1>or you know, whether the fabric foot is grabbing properly

422
00:27:51.440 --> 00:27:54.079
<v Speaker 1>or all of that. That's a whole other level. So

423
00:27:54.640 --> 00:27:59.000
<v Speaker 1>it's one level to display an item, it's another level

424
00:27:59.039 --> 00:28:02.920
<v Speaker 1>of demand if you plan to reuse an item, or

425
00:28:03.359 --> 00:28:06.400
<v Speaker 1>it's a whole another approach to the item if you

426
00:28:06.519 --> 00:28:10.559
<v Speaker 1>plan to repurpose it, okay, And I would say that

427
00:28:10.920 --> 00:28:14.519
<v Speaker 1>the vast majority, well, I would say from my experience,

428
00:28:14.880 --> 00:28:23.839
<v Speaker 1>the majority of antique and vintage pieces get a repurposed okay.

429
00:28:23.880 --> 00:28:27.720
<v Speaker 1>Next to that, they would be displayed and the smallest

430
00:28:27.799 --> 00:28:31.920
<v Speaker 1>category would be fully restored and reused. And what do

431
00:28:32.000 --> 00:28:35.960
<v Speaker 1>I mean by repurpose? Repurposing is very simple to understand

432
00:28:36.880 --> 00:28:40.119
<v Speaker 1>repurposing means, well, I'll give you an example. We have

433
00:28:41.000 --> 00:28:47.920
<v Speaker 1>a ten gallon galvanized milk can in our home. Okay,

434
00:28:48.240 --> 00:28:50.319
<v Speaker 1>it's one of those milk cans, you know. It stands

435
00:28:50.359 --> 00:28:53.279
<v Speaker 1>like twenty four inches tall, and it harkens back to

436
00:28:53.599 --> 00:28:57.000
<v Speaker 1>yester year of from a dairy. I mean, this is

437
00:28:57.039 --> 00:28:59.240
<v Speaker 1>not a thing you keep in your fridge. This is

438
00:28:59.279 --> 00:29:02.079
<v Speaker 1>the big milk hands coming straight from the dairy. And

439
00:29:02.119 --> 00:29:05.720
<v Speaker 1>the reason is our daughter in law's family used to

440
00:29:05.880 --> 00:29:11.119
<v Speaker 1>own the dairy. They're from Fremont, Ohio, and their family heritage,

441
00:29:11.119 --> 00:29:15.680
<v Speaker 1>her dad's family heritage was the you know, the owners

442
00:29:15.720 --> 00:29:20.119
<v Speaker 1>and operators of Linders Dairy. And so what Tina and

443
00:29:20.200 --> 00:29:22.440
<v Speaker 1>I did We found an old online. We found an

444
00:29:22.440 --> 00:29:29.920
<v Speaker 1>old example of Linder's dairy labels, and we recreated the label. Bought,

445
00:29:30.720 --> 00:29:35.240
<v Speaker 1>you know, a ten gallon milk can and put the

446
00:29:35.279 --> 00:29:37.240
<v Speaker 1>label on the milk can. And now the milk can

447
00:29:37.319 --> 00:29:39.839
<v Speaker 1>holds a potted plant on top of it. Right, it's

448
00:29:39.880 --> 00:29:44.880
<v Speaker 1>not holding milk. It is repurposed to be on display

449
00:29:45.039 --> 00:29:48.640
<v Speaker 1>and also doing another thing. And so that's repurposing.

450
00:29:49.119 --> 00:29:49.279
<v Speaker 3>You know.

451
00:29:49.319 --> 00:29:51.519
<v Speaker 1>It's like, oh, well, I bought this beautiful bowl and

452
00:29:51.559 --> 00:29:53.359
<v Speaker 1>now I'm going to put a succulent in it or

453
00:29:53.480 --> 00:29:55.920
<v Speaker 1>something like that. So you get what I'm saying, all right,

454
00:29:56.160 --> 00:29:59.759
<v Speaker 1>There's so much more to discuss here, details and tips

455
00:29:59.759 --> 00:30:02.720
<v Speaker 1>on how to do each one of these things. We're

456
00:30:02.720 --> 00:30:06.359
<v Speaker 1>going to return to it, but first, after the break,

457
00:30:06.640 --> 00:30:08.400
<v Speaker 1>we're going to be going to the phones. The number

458
00:30:08.400 --> 00:30:11.240
<v Speaker 1>to reach me eight three three two. Ask Dean A

459
00:30:11.440 --> 00:30:14.759
<v Speaker 1>three three the numeral two, Ask Dean. You're listening to

460
00:30:14.799 --> 00:30:18.720
<v Speaker 1>Dean Sharp the House Whisper on KFI. This has been

461
00:30:18.880 --> 00:30:22.039
<v Speaker 1>Home with Dean Sharp the House Whisper. Tune into the

462
00:30:22.119 --> 00:30:25.680
<v Speaker 1>live broadcast on KFI Am six forty every Saturday morning

463
00:30:25.880 --> 00:30:28.880
<v Speaker 1>from six to eight Pacific time and every Sunday morning

464
00:30:28.920 --> 00:30:32.759
<v Speaker 1>from nine to noon Pacific time, or anytime on demand

465
00:30:32.839 --> 00:30:34.519
<v Speaker 1>on the iHeartRadio app
