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Speaker 1: W m N ChRI the nomos see me but please

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don't it by me?

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Speaker 2: When's time? Quass Jones love you always Chris Jones.

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Speaker 1: Is their lasting love down the floor sup that form.

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Speaker 3: The it's always what losing It's always what.

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Speaker 4: Peacecing requietly waiting, head lights up the drive.

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Speaker 1: Take me we please job me good bye.

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Speaker 5: When it's time, this is out the floor still be

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back forward.

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Speaker 1: Losing game.

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Speaker 6: It always what she bla me saying it's waye what she.

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Speaker 1: This is how so sping f f.

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Speaker 7: The no saying it's aways what you the music game

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just aways?

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Speaker 5: What se.

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Speaker 1: Musing game? It's aways? What the music games? Aways? What sees?

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Speaker 8: That is losing game. That is from twenty twenty.

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Speaker 9: That is Brooks Young and that song is a personal

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favorite of mine of his. We are going to spend

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this hour devoted to Brooks Young, remembering Brooks Young. If

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you don't know, Brooks Young was fatally killed in a

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car accident in Alton on Route eleven, I believe earlier

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this week. I was quite shocked when I saw the news,

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and Brooks is someone who had been on the show

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quite a number of times over the years. I had

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the honor of interviewing him, and what I would like

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to do with this hour, So a couple things that

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I want to share some of his music, of course,

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in memory of Brooks and such a talented musician and

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just a really, really good person to just such a

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great guy. So you know, we'll play some of his

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music and I might even I have it queued up.

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The last interview that I did with Brooks, the last

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time that he was on not too many months ago.

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Speaker 8: Actually might we might revisit some of that too.

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Speaker 9: I did hear from a lot of people over the

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course of the week, so I know people are tuned in,

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and I know people are grieving.

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Speaker 8: So I I'll just tell you I.

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Speaker 9: First interviewed Brooks quite a few years ago. The first

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time that I interviewed him, it was not on this show.

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It was on another show that I do that aris elsewhere,

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but it was my first time meeting him, and I

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actually went to I brought a portable setup with me

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and I went to Strings and Things and conquered because

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Brooks was actually working there at the time, so, you know,

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while pursuing his uh you know, you know, very early

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in his career, but his quickly it was accelerating fast

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his music career. It was taken off. I think he

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had just played with BB King when I interviewed him.

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I think that had just happened. That either just happened

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or it was about to happen, but I feel like

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it had just happened. And so, you know, he had

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plenty to talk about, but even just meeting him that

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first day, going to strings and things to meet him,

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and he just, you know, right away, he just had

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such a positive attitude. As well he should have, you know,

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some wonderful things were happening, but he just he was

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positive and very humble. He obviously enormously talented, that was

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apparent and clear, hell of a guitar player, and a

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great voice too, kind of a unique voice. I can't

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think of anyone who sounds quite like him. But it

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was such a pleasure to just sit and talk with him.

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And I was thinking about this yesterday actually, as I

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was kind of in my mind just sort of mentally

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preparing for today, I was thinking about how when when

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we lose somebody who is a musicians, it's, at least

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in my experience, it's interesting how you don't necessarily have

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to have known them that well personally to feel such

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a connection with him. So when I first realized it

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was actually uh Mike from uh Mike g from Strings

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and Things, when he had posted on Facebook what had happened,

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that was when I first became aware of it, And

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you know, I just felt like I'd been punched in

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the gut.

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Speaker 8: It was.

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Speaker 9: It was such a terrible feeling. It was just such

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a shock to see that Brooks had passed away, and

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at that point there wasn't a lot of information other

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than it was a car accident. But it's interesting how

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so I never I didn't really get to know Brooks

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other than professionally, in the sense that I'd never spent

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any time with him socially. I'd seen him play live,

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of course, and I got to interview him a number

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of times through the years.

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Speaker 8: But but.

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Speaker 9: When you are a fan of someone's music, you feel

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connected to them in a way that transcends sort of

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traditional friendship, if that makes sense. That's why, For example,

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if you're a big fan, you know, if it's someone

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you know really famous, and Brooks had a lot of success,

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But if it's you know, a famous musician or a

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famous actor or a famous author, anyone who's created any

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kind of art. If their art connects with you in

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some way and makes you feel something, then you also

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feel something for that person, even if you've never met them,

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and you never will meet them because they're famous and

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they're sort of out.

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Speaker 8: Of reach, but you feel a connection.

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Speaker 9: And then if they pass away, you go, oh, no,

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I feel a sense of loss, even though it's someone

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you may have never met. And I think that with Brooks.

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Obviously I had met him because I'd interviewed him quite

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a few times, but again, i'd never spend any time

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with him socially, not really but being a fan of

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his music, but also over the course of interviewing him,

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And this is something I was thinking about. I was

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thinking about this yesterday and I never really quite thought

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of it this way before, but on Brooks when and

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I assume this is true for other people too who

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do this, Where you interview people, it's sort of like

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it's a form of getting to know someone. So like

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I said, I never spent any time with them socially,

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But when I'm interviewing someone and I'm trying to learn,

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it's like getting to know someone, but in a very

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compressed period of time.

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Speaker 8: If that makes sense.

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Speaker 9: If I sit down with someone and I do a

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one hour segment where we're going to play some of

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their music, and I'm going to ask them a lot

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of questions because I'm curious. I want to I want

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to know about their music, but I also want to

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know about them as a person. I want to learn,

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and I have a natural curiosity which helps to do

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this right. I want to learn as much about that

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person as I can and try to get as much

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of a sense of that person as I can. So

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it's kind of like a different version of getting to

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know someone over the course of years socially, because you

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get to know them personally. But what I'm doing, I'm

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also getting to know them, but in a very compressed

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period of time because I'm asking them questions about things

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that I'm specifically curious about, and I'm trying to learn

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as much about that individual as possible. And I think

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that that's part of why, even though I didn't know

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Brooks that well outside of all of this, I think

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that's part of why it was such a shock when

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I saw that he had passed away, because again being

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a fan of his music, that's part of it, but

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also just having sat down with him and having those

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conversations where I'm trying to learn as much about him

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as a person as possible. I think that contributes to

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that sense of loss, where it's like, I feel like

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I just lost a good friend, even though I didn't

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know him that well socially, and I'd never quite it

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was you know, there are other people I've interviewed who've

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left us, and there's of course, you know, people I've

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been fans of who you know passed away and they say, oh,

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that's terrible. I'm a fan of their work. But I'd

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never really thought of it that way in terms of,

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you know, getting to know someone over the course of

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an interview. I'd never thought about it in quite this

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context until this week, until I was thinking about Brooks

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and kind of analyzing that sense of terrible loss that

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I'm feeling, and that I know many of you who

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are listening are feeling as well. And you didn't have

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to be around him very long to be drawn to

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him anyway. I strongly suspect that most people who met

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Brooks young liked him very much immediately and were drawn

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in by his positivity and his charisma, And of course

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it's immense talent. So it was quite a shock to me.

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But I'm gonna play a song in the meantime. I'm

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gonna play another Brooks Young song, and this one seems appropriate.

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This is from twenty fifteen. This is called silver Wings.

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Speaker 1: Silver we.

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Speaker 10: Shinning in the sun lights, rowing Jones.

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Speaker 1: It's so well flight they're taking you and leaving me loose,

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silv we stolid faded out of sight.

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Speaker 10: A joy, I cried, don't take that a blue round, but.

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Speaker 11: You loved me out of your mind.

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Speaker 1: And left me stand behind, silver shining in the sunlight

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road in Jones.

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Speaker 11: It is so well in the flame.

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Speaker 1: They're taking you away, leaving me lord me.

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Speaker 12: A sill way, slowly fanning out of sight.

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Speaker 1: Jo I cried, don't.

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Speaker 10: Take that a blame rime, but you loves me out

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of your mad.

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Speaker 1: Lifting, steading me behind the wee.

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Speaker 7: Shining in the sun lighting, ruving guns.

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Speaker 1: Heading somewhere in flying they're taking you away. I believe

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in me, old.

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Speaker 12: Still away, slowly fading outside, still me to always slowly.

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Speaker 1: Fain out of sight. We all little, young, wow and free.

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Speaker 10: But now I'm doing a way, lady, You're still of me.

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Speaker 1: Oh lie, Now.

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Speaker 13: It's outlying, No, it's all I see. You can't let

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the gold something that you don't know.

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Speaker 1: W Yeah, falling down him be so hard? Would you

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catch me?

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Speaker 14: Get that phone, take the bag.

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Speaker 1: Just one long time. You can't let you just something

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that you don't know. Falling down you can be? He's

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so hard? Would you don't catch me? Then?

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Speaker 15: If that father.

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Speaker 1: Falling time be so hard?

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Speaker 13: Would you don't catch men?

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Speaker 14: If that father fall.

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Speaker 1: Old that?

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Speaker 6: Now?

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Speaker 7: Oh, wait, take my back, take me back, take me back,

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take my back on.

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Speaker 1: You wanna take me back, take my back, take me back.

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Speaker 14: Take my back to that.

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Speaker 13: Yeah, falling town be so hard?

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Speaker 1: Would you catch men?

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Speaker 14: It's that found.

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Speaker 1: Falling down again? Be so hard?

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Speaker 11: Sorry?

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Speaker 1: Would you catch me?

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Speaker 14: It's that found?

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Speaker 16: Fo Yeah, don't blake me in the moment.

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Speaker 1: Don't believe me at.

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Speaker 7: Last when the day comes in the out said, who

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have been making that?

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Speaker 11: Loh?

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Speaker 1: Mad? I saw you'll know on the tea.

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Speaker 7: What y'all keys, it's on the floor.

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Speaker 6: What if I want to walk away?

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Speaker 1: Baby?

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Speaker 7: What if I what to go? We can make it,

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we can make it, we can make it, we can make.

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Speaker 6: It a good last?

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Speaker 1: Who ass listen? Out of live way?

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Speaker 7: Wait till on your car a holiday.

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Speaker 1: This is why I feel.

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Speaker 6: The ratchet.

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Speaker 1: I saw your note.

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Speaker 17: On the table, your keys, I saw the store. What

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the fact you want to walk away? Maybe what if

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that word store?

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Speaker 1: We can we can make it.

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Speaker 7: We can't make it, we can't make it.

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Speaker 1: I can't, I can't. Let me can't. My cat, my

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cat let mage like you could do that.

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Speaker 9: Oh, that's such a great track. That is restless. That

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is Brooks Young. And if you are just joining us

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this hour, we are remembering our departed friend, A Brooks Young,

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enormously talented musician and a spectacular human being, who just

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passed away in a car accident earlier this week. And

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I think what I'm gonna do now, actually is I'm

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going to play. I'm gonna share a little bit with you.

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Not the whole thing, obviously, because we won't have time

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and I do want to get some more songs into.

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But I'm gonna share a little bit with you of

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Brook's final appearance on the show, the last time that

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I interviewed him. So here it is. This is from

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earlier this year, and we enjoy having a year. But

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also you you brought your guitar. Oh that's a beautiful.

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Speaker 8: Now I'm bummed our video is not working because that's

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a beautiful guitar.

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Speaker 9: But we we will take we will take pictures while

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you're playing.

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Speaker 8: That's wow, that's really nice.

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Speaker 18: Yeah, it's my love of guitars has drove over. And

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so this is a Gibson J two hundred.

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Speaker 8: Yeah.

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Speaker 18: And I used this guitar on the George thorough Good tour.

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Speaker 8: Yeah, as well as.

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Speaker 18: My electric when I sat and played with George. Got

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this right before I left on tour, and guitars beautiful

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ghost with me everywhere.

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Speaker 1: So it's gorgeously.

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Speaker 18: Yeah, it's fairly new to me. I I just picked

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it up right before I left on four and so

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I've only had it for a few months. And oh really,

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I haven't even recorded or done anything like that with

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it yet. So this is its first like on stage performance.

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Speaker 1: Yeah.

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Speaker 8: Yeah, oh wow, very cool, very cool works. I'm downa here.

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Speaker 9: You play, sure and let me let me get that

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other mic up, so there we are.

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Speaker 18: While you're doing that, tell a little story about this

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song real quick, yeah, go f So funny thing is is, uh,

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this song is called I Believe and you know, me

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and the guys in the band, we wrote this song

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fourteen years ago and just recently, I was at home.

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I had a day off. And if anyone's followed the

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band over the years, you know, I'm a big NASCAR fan,

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you know, and we've performed for NASCAR to track many times,

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the band. So on Netflix, there's a new NASCAR documentary

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and I'm a huge fan of Hendrick Motorsports Nascar. I'm

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on Netflix. I am sitting on the couch eating some lunch,

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and I'm watching this big moment where Hendrick Motorsports gets

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their three hundredth wins, a really big moment in the episode,

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and Jeff Gordon's up there and all of a sudden,

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I'm hearing a song that I'm like, geez, I must

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have left a speaker on or my phone's on playing

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one of my songs. And no, it wasn't. It was

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in the Netflix documentary for NASCAR.

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Speaker 8: Nod Yeah, this big.

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Speaker 18: Moment and Jeff Gordon's on the screen and this is

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just recently, and I was like no, I was like, wow,

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this is some I'm on the phone. I'm like calling

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everybody and I'm like hey, you know, and it was

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just a really cool moment because I grew up as

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a NASCAR fan and like, yeah, Gordon was my favorite driver,

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and and to have one of our songs in this

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big moment on this NASCAR documentary on Netflix and it

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00:27:19,799 --> 00:27:22,440
just came out. It's very hot shot. Everyone is watching

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00:27:22,480 --> 00:27:24,559
it and it's just out. I like I had to

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sit back from him. I was like, wow, this is great,

303
00:27:27,079 --> 00:27:29,599
and uh yeah, so I'll play it for you. It's

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a song called I Believe. Uh, seeing that we just

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00:27:31,920 --> 00:27:36,359
played restless, something new, I'll play something a little uh yeah, yeah.

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Speaker 8: I've got ah got that other mic up. So what's

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youngest with us live? I believe all right.

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00:27:59,200 --> 00:28:06,039
Speaker 19: Something all true. It's just me that you're gonna try

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00:28:06,079 --> 00:28:13,119
and talk to you. The closer you get, the harder

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I fill.

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00:28:16,039 --> 00:28:22,559
Speaker 10: I would do anything, any thing, adds side. I would

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00:28:22,599 --> 00:28:24,759
swim across the ocean.

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Speaker 1: Fly to the moon.

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Speaker 10: I would walk a thousand miles just or get you.

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00:28:35,599 --> 00:28:40,240
I would walk a thousand miles just to get to you,

316
00:28:55,240 --> 00:29:02,359
the amorsim to hear your name, the same up stories.

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00:29:04,240 --> 00:29:12,119
Nothing else has changed a piggin now, well we left eye.

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00:29:13,920 --> 00:29:15,680
Speaker 1: It seems like forever.

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00:29:16,880 --> 00:29:22,119
Speaker 10: Since we've been up Barn. I would swim across the ocean,

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00:29:23,279 --> 00:29:25,079
fly to the moon.

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Speaker 1: I would walk.

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Speaker 10: Thousand masks just to get to you. I would balk

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thousand masks just get to you. I would walk thousand

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00:29:40,960 --> 00:29:47,319
masks just be with you. Yeah, I would walk thousand

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00:29:47,559 --> 00:29:50,519
miles just to be with you.

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Speaker 1: So there you have it.

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Speaker 8: That is uh.

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Speaker 9: That is from the final appearance of Brooks Young on

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00:30:00,559 --> 00:30:03,640
the show, when I got to interview him and he

330
00:30:03,680 --> 00:30:04,319
played live.

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Speaker 8: Of course, the entire thing is available online if you

332
00:30:07,319 --> 00:30:07,799
want to hear it.

333
00:30:07,880 --> 00:30:09,960
Speaker 9: But if you are just joining us today, we are

334
00:30:10,000 --> 00:30:14,359
remembering Brooks Young, and I think I'm gonna play this

335
00:30:14,519 --> 00:30:16,319
is another personal favorite of mine.

336
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Speaker 8: Great great track.

337
00:30:18,640 --> 00:30:22,400
Speaker 9: We'll play a couple more here, a couple more studio tracks.

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This is called Ventilator by the great Brooks Young.

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00:30:40,079 --> 00:30:46,880
Speaker 20: When spell this tract, hell, shake.

340
00:30:49,200 --> 00:30:53,559
Speaker 11: This best, go the break.

341
00:30:55,119 --> 00:30:58,319
Speaker 1: You woom cosson you can.

342
00:31:01,960 --> 00:31:12,680
Speaker 10: A feels like murder, not the first degree lower swing down.

343
00:31:17,680 --> 00:31:24,279
Speaker 7: It's a base stepping over there showing now on where

344
00:31:24,319 --> 00:31:36,599
you are. Let anybody who gun mean eventually to chap

345
00:31:37,000 --> 00:31:41,680
is circud with no sacking chance.

346
00:31:42,839 --> 00:31:48,400
Speaker 1: A cold. Don't live in lisire a gun in hand.

347
00:31:49,680 --> 00:31:52,359
Speaker 15: We can't be no ball being.

348
00:31:53,119 --> 00:31:59,079
Speaker 10: We can't be counted by words nice, batsheet.

349
00:31:58,640 --> 00:32:05,960
Speaker 1: And pain gunnery. The love about it is walking around

350
00:32:08,039 --> 00:32:21,839
body roll, stimp down, you'll creature somebody learn about it,

351
00:32:22,599 --> 00:32:28,960
Let everybody do me. So I'm kind of that you to.

352
00:32:31,240 --> 00:32:38,160
Speaker 21: Know you're gonna do your bound the world to what

353
00:32:38,759 --> 00:32:43,039
you're gonna to your bad, what you're going to.

354
00:32:44,880 --> 00:32:53,000
Speaker 1: You're gonna fight in, but don't tie in because starting

355
00:32:55,319 --> 00:32:56,440
we're gonna fight in.

356
00:32:58,759 --> 00:32:59,960
Speaker 17: You gonna die.

357
00:33:04,599 --> 00:33:19,160
Speaker 1: Bad, so bad. Let the money, let the body gone,

358
00:33:22,119 --> 00:33:57,720
so that later to levebout it later go too bad. Look,

359
00:33:58,079 --> 00:34:04,960
you got you what you're going to that? What are

360
00:34:05,000 --> 00:34:05,680
you going to do?

361
00:34:07,759 --> 00:34:09,840
Speaker 21: What you gonna do that?

362
00:34:11,280 --> 00:34:49,360
Speaker 1: What's going to golf? Did it? Gold? A crazy little

363
00:34:49,440 --> 00:34:52,239
me think we've asked.

364
00:34:53,559 --> 00:34:54,639
Speaker 11: Sou broad.

365
00:34:57,840 --> 00:35:08,599
Speaker 1: Where did we go? Where did he had? Jams getting

366
00:35:08,880 --> 00:35:11,159
too But we'll make it.

367
00:35:12,760 --> 00:35:13,679
Speaker 11: This time.

368
00:35:16,679 --> 00:35:18,440
Speaker 1: A change man.

369
00:35:18,519 --> 00:35:19,840
Speaker 15: Had and.

370
00:35:21,559 --> 00:35:36,559
Speaker 1: Made this time hold out, hold out, hold out to

371
00:35:38,280 --> 00:35:38,800
hold out.

372
00:35:45,840 --> 00:35:49,679
Speaker 14: Jams had a change in the man.

373
00:35:51,119 --> 00:36:01,760
Speaker 1: So strong. Where did you go? Which we have.

374
00:36:05,039 --> 00:36:08,760
Speaker 15: Jam getting children and we've made it.

375
00:36:10,440 --> 00:36:11,079
Speaker 1: This time.

376
00:36:14,679 --> 00:36:16,679
Speaker 15: Take matter hand.

377
00:36:19,039 --> 00:36:42,280
Speaker 1: Way with launch, launch, launch, full lots of you, and

378
00:37:16,679 --> 00:37:27,760
it's gonna be a lie. Lord, it's gonna be a love.

379
00:37:35,880 --> 00:37:45,880
Speaker 22: Hold on to your hold on to Your, hold on

380
00:37:46,079 --> 00:37:56,480
to Yuck, hold on Young, hold load Yah.

381
00:37:57,440 --> 00:37:58,079
Speaker 1: Hold.

382
00:38:04,719 --> 00:39:54,800
Speaker 8: A Wow. What a cool song.

383
00:39:55,239 --> 00:39:58,039
Speaker 9: I like the there's a little bit of a fake

384
00:39:58,079 --> 00:40:00,320
out at the end to where it sounds like it's

385
00:40:00,360 --> 00:40:02,599
fading out, and it sort of is but not quite

386
00:40:03,039 --> 00:40:03,440
and then.

387
00:40:03,360 --> 00:40:05,280
Speaker 8: It fades out. It kind of like you kind of

388
00:40:05,280 --> 00:40:06,800
think it's fading out sooner than it does.

389
00:40:06,880 --> 00:40:07,280
Speaker 5: I like that.

390
00:40:07,800 --> 00:40:08,199
Speaker 8: I like that.

391
00:40:08,559 --> 00:40:11,559
Speaker 9: That is hold on to Your Heart by Brooks Young.

392
00:40:12,079 --> 00:40:14,880
That song, by the way, had escaped me. I had

393
00:40:15,000 --> 00:40:17,440
not heard that one, but I found it online and

394
00:40:17,960 --> 00:40:19,760
I was like, one I haven't heard. And the thing

395
00:40:19,800 --> 00:40:21,920
with Brooks too, is, you know, doing a show like this,

396
00:40:22,440 --> 00:40:24,840
I always have to screen the music. But Brooks never

397
00:40:24,960 --> 00:40:27,039
had any bad words in any of his songs, so

398
00:40:28,119 --> 00:40:31,239
I knew that I could play that without pre screening

399
00:40:31,320 --> 00:40:34,519
it and it would not be a problem. But if

400
00:40:34,559 --> 00:40:36,840
you are just joining us, we are spending this hour

401
00:40:37,280 --> 00:40:41,239
remembering our friend Brooks Young, who was taken from us

402
00:40:41,599 --> 00:40:45,519
earlier this week in a tragic car accident, and such

403
00:40:45,559 --> 00:40:50,599
a talented person, and love his music and loved him.

404
00:40:50,679 --> 00:40:52,559
He was just a great, great guy.

405
00:40:53,000 --> 00:40:53,159
Speaker 7: You know.

406
00:40:53,199 --> 00:40:56,039
Speaker 9: It was interesting, As I said, I'd interviewed him so

407
00:40:56,159 --> 00:40:58,960
many times over the years, and but the when I

408
00:40:59,079 --> 00:41:01,960
interviewed him in twenty three, I interviewed him earlier this year.

409
00:41:02,000 --> 00:41:05,840
I'd also interviewed him in twenty twenty three, and but

410
00:41:05,920 --> 00:41:07,440
I think it was the first time I'd seen him

411
00:41:07,440 --> 00:41:10,599
in quite a few years, at least the last time

412
00:41:10,679 --> 00:41:16,159
I had seen him, definitely pre pandemic. So but it's

413
00:41:16,400 --> 00:41:19,519
it's you know, and his hair had pretty much turned

414
00:41:19,559 --> 00:41:23,519
completely gray. You know, he's prematurely gray. He was only

415
00:41:23,599 --> 00:41:26,719
forty two when he passed away. But but it was

416
00:41:26,880 --> 00:41:29,840
it was I hadn't seen him since his hair would

417
00:41:30,039 --> 00:41:31,880
turn completely gray. But I kind of suited him.

418
00:41:31,880 --> 00:41:33,079
Speaker 8: It worked for him.

419
00:41:33,639 --> 00:41:37,280
Speaker 9: But yeah, such a such a great guy. I think

420
00:41:37,360 --> 00:41:40,280
we should, uh, I think we should continue. I hate

421
00:41:40,280 --> 00:41:41,760
to say it, it's such a cliche. I think we

422
00:41:41,760 --> 00:41:43,400
should let the music do the talking, But I think

423
00:41:43,440 --> 00:41:45,239
we should. I do think that's probably the best way

424
00:41:45,239 --> 00:41:48,480
to honor Brooks and his memory. So let's play another one.

425
00:41:48,559 --> 00:41:51,639
Speaker 8: Why not? This is called Same Old Blues Brooks Young.

426
00:42:18,559 --> 00:42:19,440
Speaker 1: Morning, way.

427
00:42:21,000 --> 00:42:33,519
Speaker 23: Keep the phone. Lots of tears that fall from my eyes.

428
00:42:36,679 --> 00:42:37,840
Speaker 1: That's that see.

429
00:42:39,360 --> 00:42:40,599
Speaker 15: In my room.

430
00:42:42,039 --> 00:42:45,559
Speaker 23: Steering Now, that's the glue.

431
00:42:47,400 --> 00:42:48,320
Speaker 15: That's the way.

432
00:42:49,880 --> 00:42:54,199
Speaker 1: In the same sable blue.

433
00:43:00,199 --> 00:43:01,239
Speaker 23: Lacked all.

434
00:43:02,719 --> 00:43:04,920
Speaker 14: Racked as thinking.

435
00:43:10,480 --> 00:43:11,599
Speaker 1: When the sun.

436
00:43:13,199 --> 00:43:15,800
Speaker 23: Used to sund my back door.

437
00:43:18,599 --> 00:43:25,840
Speaker 24: Now the sun it's turns ray. Oh my loveday, it

438
00:43:26,159 --> 00:43:29,960
turned to pay It is the pay.

439
00:43:31,360 --> 00:43:32,480
Speaker 1: Lo the same.

440
00:43:34,960 --> 00:44:35,880
Speaker 25: Blue sunshine sunshine, and so you see now, but it

441
00:44:36,000 --> 00:44:40,079
all looks like clowns to me.

442
00:44:43,519 --> 00:44:52,320
Speaker 1: But as I in my room standing now that the froom,

443
00:44:53,960 --> 00:44:54,679
it's the way.

444
00:44:56,519 --> 00:45:08,159
Speaker 20: It's the same. Oh yeah, it's the rain. It's the same.

445
00:45:10,280 --> 00:45:20,760
Speaker 1: Blue ya, it's the rain. It's the same, oh blue

446
00:45:33,719 --> 00:45:39,599
back you guys call a cap leaving what we have

447
00:45:40,639 --> 00:45:49,199
thinking old over, I'm gonna make a mistake consipt. We

448
00:45:49,400 --> 00:45:53,079
do it all the lad We're gonna be the way.

449
00:45:56,360 --> 00:46:01,519
Oh can't you see that? No, well, never love you that.

450
00:46:03,960 --> 00:46:06,519
We'll never tell you that. I've got to charge you

451
00:46:07,199 --> 00:46:16,000
the one you find no one. We'll never love you

452
00:46:16,199 --> 00:46:20,719
like a love. We'll never give you what I kid

453
00:46:22,280 --> 00:46:31,199
do wan loved to love you, lacking child, your one.

454
00:46:34,360 --> 00:46:38,639
She'll take your kids a close the door. Tell me

455
00:46:39,199 --> 00:46:43,960
what you looking for? Cau City, you know, and you

456
00:46:44,199 --> 00:46:49,880
going there's something I gonna say, Oh yeah me, because

457
00:46:49,920 --> 00:46:54,159
if we're going all the wall, we're gonna be loved.

458
00:46:59,119 --> 00:47:02,159
I gotta check ell yeah, no, bron.

459
00:47:03,079 --> 00:47:05,000
Speaker 20: We'll never love you like a love.

460
00:47:06,760 --> 00:47:08,760
Speaker 1: We'll never tease you like a pean.

461
00:47:10,039 --> 00:47:10,320
Speaker 6: You know.

462
00:47:12,039 --> 00:47:22,599
Speaker 1: Either it's your bad another no word, no no one,

463
00:47:30,760 --> 00:47:32,480
my mother laugh.

464
00:47:33,119 --> 00:47:34,119
Speaker 15: We're gonna be that.

465
00:47:39,000 --> 00:47:44,280
Speaker 7: You pack your bags, call a cat, believe in what

466
00:47:44,679 --> 00:47:47,559
we have biked over.

467
00:47:50,880 --> 00:47:52,039
Speaker 12: No word.

468
00:47:52,920 --> 00:47:57,480
Speaker 7: We never love you like a love. We'll never tell

469
00:47:57,599 --> 00:48:07,719
you like a church you no one, no one you

470
00:48:07,920 --> 00:48:12,760
love love you love love. We love a gue.

471
00:48:17,519 --> 00:48:25,280
Speaker 1: Love love. Look at sound, no.

472
00:48:25,679 --> 00:48:31,639
Speaker 8: One remembering Brooks young. Let's play one more.

473
00:48:54,840 --> 00:48:57,559
Speaker 1: The heal of voice.

474
00:49:02,119 --> 00:49:05,199
Speaker 15: You sad my mind.

475
00:49:08,760 --> 00:49:13,679
Speaker 1: Telling me, but you listen the true my thoughts.

476
00:49:16,239 --> 00:49:24,840
Speaker 15: Your wand your wand.

477
00:49:30,360 --> 00:49:40,159
Speaker 1: Sand shivers tell my span even though it's an time

478
00:49:43,800 --> 00:49:46,719
A hero of the day.

479
00:49:51,559 --> 00:49:54,159
Speaker 6: I guess that's what I've ma.

480
00:49:58,679 --> 00:50:19,519
Speaker 1: I guess that's would leave whoa whoa, whoa whoa here

481
00:50:19,760 --> 00:50:28,639
out the day, here out the.

482
00:50:28,840 --> 00:50:38,159
Speaker 26: Day, going one way, you on a two way track

483
00:50:40,239 --> 00:50:41,639
ahead in my way.

484
00:50:42,639 --> 00:50:49,920
Speaker 10: But I'll never too back. I hear you crying when

485
00:50:50,000 --> 00:50:52,360
you came my name.

486
00:50:55,159 --> 00:51:04,320
Speaker 11: I'll say your soul, I'll say you'll s.

487
00:51:08,679 --> 00:51:31,960
Speaker 1: Whoa whoa whoa whoa hell out the day, you out

488
00:51:32,119 --> 00:52:21,960
the day, and you my lady, who will whoa whoa

489
00:52:28,159 --> 00:52:56,599
of the day of the day, whoa whoa who all

490
00:52:56,800 --> 00:52:57,599
the day.

491
00:53:14,039 --> 00:53:15,199
Speaker 8: At his Hero of the day.

492
00:53:15,800 --> 00:53:20,519
Speaker 9: Brook's Young taken much too soon, but as music lives on,

493
00:53:20,639 --> 00:53:24,079
I suggest you if you're a fan, you should definitely

494
00:53:24,119 --> 00:53:27,280
go online and check out it. Was such a prolific songwriter,

495
00:53:27,400 --> 00:53:30,239
such a great songwriter, great voice, and one hell of

496
00:53:30,280 --> 00:53:31,719
a guitar player, Brooks Young.

497
00:53:32,719 --> 00:53:33,880
Speaker 8: I'm honored to have known him.