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<v Speaker 1>Judy was boring. Hello.

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<v Speaker 6>Welcome to the Family vdW group.

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<v Speaker 8>You are now listening to True Murder, the most shocking

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<v Speaker 8>killers in true crime history and the authors that have

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<v Speaker 8>written about them. Gasey, Bundy, Dahmer, The Nightstalker VTK Every

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<v Speaker 8>week another fascinating author talking about the most shocking and

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<v Speaker 8>infamous killers in true crime history. True Murder with your

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<v Speaker 8>host journalist and author Dan Zupanski.

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<v Speaker 3>Good evening. When the body of a young, gay black man,

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<v Speaker 3>Jammel Moore was pulled out of the West Hollywood apartment

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<v Speaker 3>of Ed Buck, a white millionaire donor to the Democratic Party,

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<v Speaker 3>the coroner called it an accidental overdose. The police didn't

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<v Speaker 3>arrest Buck, and the media refused to report on it.

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<v Speaker 3>But just eighteen months later, when a second black man,

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<v Speaker 3>Timothy Dean, was found dead in the same apartment from

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<v Speaker 3>the same drug, the police still didn't arrest Buck, sparking

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<v Speaker 3>a series of terrifying questions. Why was Buck still free

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<v Speaker 3>when two men had died in his home surrounded by drugs,

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<v Speaker 3>How much were his wealth and political connections protecting him,

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<v Speaker 3>and how many more men might have been harmed in

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<v Speaker 3>that apartment. In White Smoke, America's chem sex Killer, investigative

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<v Speaker 3>journalist Patrick Strudwick uncovers the secret world behind this explosive

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<v Speaker 3>Hollywood scandal. Through original reporting, we discover how a cocktail

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<v Speaker 3>of power, racism, sexual exploitation, and drug abuse had been

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<v Speaker 3>detonating in Buck's apartment for years, and how it's connected

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<v Speaker 3>to a wider chem sex scene playing out in queer

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<v Speaker 3>communities all around the world, one that provides the perfect

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<v Speaker 3>hunting ground for predators, but those communities are fighting back.

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<v Speaker 3>In this series, we meet the men who lived a

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<v Speaker 3>nightmare inside Buck's apartment, the friends of the men who died,

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<v Speaker 3>and the activist who triggered a movement to get Buck

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<v Speaker 3>off the streets.

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<v Speaker 1>The book that.

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<v Speaker 3>We're featuring this evening is White Smoke, America's Chem Sex Killer,

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<v Speaker 3>an Audible original, with my special guest, investigative journalist and

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<v Speaker 3>documentary filmmaker Patrick Strudwick. Welcome to the program, and thank

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<v Speaker 3>you very much for this interview.

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<v Speaker 7>Patrick Strudwick, Thank you so much for having me town.

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<v Speaker 3>Thank you so much, and congratulations on this extraordinary bout

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<v Speaker 3>of storytelling this audible original.

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<v Speaker 7>I appreciate that it's been a huge task over several

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<v Speaker 7>years to bring this story to listeners, to piece together

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<v Speaker 7>all the information that we needed to fully understand what

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<v Speaker 7>really happened.

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<v Speaker 3>Tell us a little bit about your investigative journalism background

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<v Speaker 3>and before we talk about exactly when and why you

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<v Speaker 3>decided to do this investigation and wound up with this

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<v Speaker 3>audible original series.

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<v Speaker 7>So I've been a journalist here in the UK for

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<v Speaker 7>the last twenty years and my background in terms of

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<v Speaker 7>investigative journalism was an unusual one in that it began

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<v Speaker 7>thirteen years ago when I decided to go under cover

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<v Speaker 7>to investigate so called therapists who tried to make gay

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<v Speaker 7>people straight, conversion therapists as they know. So I subjected

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<v Speaker 7>myself to conversion therapy in order to expose therapists in

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<v Speaker 7>the UK who were doing that. At the time, we

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<v Speaker 7>knew that this was happening in the US pretty broadly,

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<v Speaker 7>but not in the UK. That was where my investigative

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<v Speaker 7>work began. After that, I became the first LGBT specialist

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<v Speaker 7>reporter in Britain in a British news room, and it

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<v Speaker 7>was really during that period that I began looking into

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<v Speaker 7>the issues behind this case. So in Europe, principally, we

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<v Speaker 7>call it chem sex KEM for chemicals drugs.

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<v Speaker 1>Sex for sex.

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<v Speaker 7>In America, principally it's called p and p party and play.

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<v Speaker 7>And there was a major case in the UK surrounding

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<v Speaker 7>the serial killer Stephen Port. I'm sure will be familiar

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<v Speaker 7>to you and some of your listeners. Stephen Port was

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<v Speaker 7>convicted in late twenty sixteen of the murder of four

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<v Speaker 7>young men and his weapon was the drug GHB, which

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<v Speaker 7>is very powerful sedative and formally anesthetic, and he would

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<v Speaker 7>use HB to sedate his victims, rape them and kill them.

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<v Speaker 7>And while that trial was underwe I began talking to

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<v Speaker 7>principally gay men in London who had been involved in

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<v Speaker 7>the chem sex scene in London to find out what

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<v Speaker 7>was going on beyond this famous serial killer. And what

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<v Speaker 7>I discovered was a hidden epidemic of drugging, sexual and

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<v Speaker 7>physical violence or taking place within this scene that was

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<v Speaker 7>very much behind closed doors because principally men are meeting

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<v Speaker 7>each other for sex, often through dating apps, hook up

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<v Speaker 7>hats and meeting in private homes, so you're behind closed

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<v Speaker 7>doors literally and taking mostly two different drugs, GHB and

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<v Speaker 7>crystal math. The problem with these drugs is that GHB

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<v Speaker 7>is very dangerous because it's very easy to overdose and

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<v Speaker 7>just flippant into a coma stop breathing and die. Meth

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<v Speaker 7>is very dangerous because, as a very powerful stimulant, it

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<v Speaker 7>can radically alter your behavior. It's pretty addictive, and it

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<v Speaker 7>is so disinhibiting and so kind of supercharging that it

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<v Speaker 7>can really bring out.

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<v Speaker 1>The worst in people.

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<v Speaker 7>If you put those two drugs together in a situation

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<v Speaker 7>where few people are meeting for anonymous sex, you can

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<v Speaker 7>see how if one of those parties is vulnerable and

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<v Speaker 7>the other person has abusive or exploitative impulses, it's a

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<v Speaker 7>recipe for disaster. And so I began to uncover what

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<v Speaker 7>was happening within this scene. First of all, so that's

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<v Speaker 7>twenty sixteen. Now. The following year, my first love, my

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<v Speaker 7>first boyfriend from the nineteen nine nineties, ended up in

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<v Speaker 7>a coma from an accidental g HB incident with his

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<v Speaker 7>drink was spiked, and later that year started dating someone

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<v Speaker 7>else who'd also been in a coma for several days

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<v Speaker 7>because of PHB. And so what was happening is what

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<v Speaker 7>I was reporting on in a professional capacity, was seeping

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<v Speaker 7>into my private life, and people around me, friends, acquaintances,

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<v Speaker 7>started dying from this same drug, and I just had

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<v Speaker 7>this sudden, horrible, chilling vision of really A what was happening,

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<v Speaker 7>what was already happening, and B where this could be heading,

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<v Speaker 7>even though at that point I didn't know that there

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<v Speaker 7>was about to be another case which threw in a

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<v Speaker 7>whole different.

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<v Speaker 1>Other ingredient, and that ingredient was racism.

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<v Speaker 7>So in twenty seventeen, a year after the Stephen Port trial,

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<v Speaker 7>the first body is a moved from ed Buck's apartment

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<v Speaker 7>in West Hollywood, the body of Jamal Moore, twenty six

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<v Speaker 7>years old, and the two of them together, if you

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<v Speaker 7>look at them, absolutely fit that format that I just

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<v Speaker 7>referred to. One who is vulnerable in this case Jane

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<v Speaker 7>Now he was young, black gay with no residence and

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<v Speaker 7>was doing some escorting on the side. On the other hand,

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<v Speaker 7>you have ed Buck, an older in his sixties, very rich,

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<v Speaker 7>white gay man who had connections. He had connections in

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<v Speaker 7>high places within the Democratic Party because for years he'd

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<v Speaker 7>both been donating hundreds.

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<v Speaker 1>Of thousands of dollars.

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<v Speaker 7>To key people both in local politics within the Democratic

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<v Speaker 7>Party in Los Angeles and national political figures. So there's

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<v Speaker 7>a huge power difference there. In twenty seventeen, I heard

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<v Speaker 7>about the Jamal Moore case, but at that point I

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<v Speaker 7>didn't know very much. I just thought it could be

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<v Speaker 7>an accident. It could be one isolated incident. I don't know,

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<v Speaker 7>but I quickly started worrying because a movement of activists

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<v Speaker 7>started to spring up. Friends and family of Jamal Moore,

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<v Speaker 7>along with local activists from black communities and LGBT communities,

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<v Speaker 7>started demanding that the police really pay attention because ed

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<v Speaker 7>Bark had not been arrested. And I think one of

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<v Speaker 7>the most stunning initial facts in this case is if

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<v Speaker 7>you imagine police are called to a house an apartment

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<v Speaker 7>building in West Hollywood with a dead body there, with

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<v Speaker 7>drug paraphernalia and meth strewn around, and another guy perfectly

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<v Speaker 7>fine standing over the body, the idea that he would

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<v Speaker 7>not even be arrested for possession of drugs. It's pretty

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<v Speaker 7>astonishing as an outsider, in other words, a British person who, yes,

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<v Speaker 7>I've lived in California, I've spent a lot of time there,

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<v Speaker 7>but even so, I'm not an American, I'm not an

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<v Speaker 7>American citizen. And to an outsider, it's always been very

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<v Speaker 7>clear to me how odd the police are in America

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<v Speaker 7>on compared to many European countries. If you're found with

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<v Speaker 7>a few grands of cannabis, you can be arrested. So

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<v Speaker 7>the idea that anyone could be found in possessions of

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<v Speaker 7>large amounts of meth and a dead body on their

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<v Speaker 7>living room carpet and would not be arrested. This set

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<v Speaker 7>all my internal alarm bells off. So those kept ringing

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<v Speaker 7>over the next year, and that group of activists kept protesting,

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<v Speaker 7>kept speaking out, kept giving interviews to the media. They

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<v Speaker 7>were protesting outside bugs and they were protesting outside the

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<v Speaker 7>Sheriff's department, outside West Hollywood City Council and still nothing.

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<v Speaker 7>And meanwhile, the district Attorney, Jackie Lacy was being personally

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<v Speaker 7>singled out, personally blamed, which is very embarrassing. And what's

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<v Speaker 7>striking also as an outsider, is that das are directly

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<v Speaker 7>elected and so of course their personal popularity really matters

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<v Speaker 7>to them. Yet she did nothing. So again I thought,

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<v Speaker 7>this is this is a really astonishing situation, and I

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<v Speaker 7>just kept monitoring it. What's going on here? I don't know,

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<v Speaker 7>I'm thousands of miles away. What can I do? And then,

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<v Speaker 7>eighteen months after Jameel Wore was found dead in Bucks apartment,

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<v Speaker 7>a second gay man, Timothy Dean, aged fifty five was

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<v Speaker 7>then found dead in the same circumstances, a meth overdose,

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<v Speaker 7>and his body was pulled out early one morning in

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<v Speaker 7>January twenty nineteen, and there was a further flurry of

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<v Speaker 7>media attention. There were further protests. This is now a pattern.

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<v Speaker 7>Two black men pulled out of one apartment, the same

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<v Speaker 7>man standing over him, the same drugs involved, and still

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<v Speaker 7>no arrest. It was then that I realized this is

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<v Speaker 7>something much bigger. This isn't a one off accident. This

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<v Speaker 7>is a pattern, and if two men have died there,

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<v Speaker 7>how many more men might have been harmed there? At

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<v Speaker 7>that time, I just started making a documentary in London

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<v Speaker 7>about the drug GHB and how it was being used

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<v Speaker 7>to rape and kill principally gay men. So for the

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<v Speaker 7>next nine months I was busy doing that while still

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<v Speaker 7>monitoring the situation in West Hollywood. But as soon as

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<v Speaker 7>that was over in the September, I got on a

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<v Speaker 7>plane to Los Angeles and started investigating them. I started

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<v Speaker 7>interviewing as many people as I could, both directly connected

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<v Speaker 7>to the case, but also people with more tangential connections

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<v Speaker 7>but were able to explain what was happening to black

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<v Speaker 7>men in these P and P situations where there's meth

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<v Speaker 7>and GHB involved. And I sort of thought i'd heard

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<v Speaker 7>it all down. I thought I'd heard everything there was

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<v Speaker 7>to know about camp sex or P and P, and

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<v Speaker 7>I thought I'd heard a firm amount about racism in America.

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<v Speaker 7>But what I hadn't heard was what happens when those

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<v Speaker 7>two things meet. And what I began to realize was

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<v Speaker 7>that there are sides to people's fetishes which can be

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<v Speaker 7>informed by racism, and when you add certain drugs to that,

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<v Speaker 7>you're really creating an extremely dangerous situation. And many of

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<v Speaker 7>the black men that were interviewed on my first reporting

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<v Speaker 7>trip invoked the same thing, which was plantation slavery dynamics.

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<v Speaker 7>So there were a lot of well off white men

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<v Speaker 7>in West Hollywood who would entice young men of color,

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<v Speaker 7>Black and Latino to their homes with the promise of

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<v Speaker 7>money or drugs or both, or the promise of having

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<v Speaker 7>sex with other attractive young men when they got there.

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<v Speaker 7>Because if you host a chem sex party a P

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<v Speaker 7>and P party, you can invite ten twenty people, and

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<v Speaker 7>if you're an old, unattractive man that owns the house

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<v Speaker 7>and owns the drugs, and owns them and has the money.

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<v Speaker 7>Then you can get whoever you want there, and they

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<v Speaker 7>may not particularly want to have sex with you, that

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<v Speaker 7>they might want to have sex with all these other people,

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<v Speaker 7>and when there's enough drugs involved, who knows the problem

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<v Speaker 7>being that if you're an older white man who has

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<v Speaker 7>a particular fetish for black men, I think that we

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<v Speaker 7>get into problems when that fetish is dehumanizing, when it

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<v Speaker 7>reduces people to a stereotype, a particular image of a

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<v Speaker 7>black man, or even particular body parts. And the disinhibition

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<v Speaker 7>involved with meth and with GHB means that all those

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<v Speaker 7>dark fantasies that someone might have that normally might remain

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<v Speaker 7>in their head are just ripped open in those situations.

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<v Speaker 7>So you have people who might be in need of

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<v Speaker 7>somewhere to stay, who might be in need of money,

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<v Speaker 7>or might be needed in need of some drugs, either

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<v Speaker 7>because they're addicted or because they just need some escape

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<v Speaker 7>because their life is quite difficult. Entering into these homes,

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<v Speaker 7>and before they know it, they're being encouraged or forced

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<v Speaker 7>to do things they don't want to do, either taking

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<v Speaker 7>more drugs than they want to or having sex with

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<v Speaker 7>people they don't want to or a combination of both

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<v Speaker 7>of those things. So that was my first reporting chip

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<v Speaker 7>to Los Angeles in twenty nineteen, and I published a

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<v Speaker 7>series of articles in early twenty twenty about my experience.

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<v Speaker 7>It is there, But even then I knew that I

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<v Speaker 7>was only just scratching surface, and so later that year

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<v Speaker 7>I then began to pull together a team to bring

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<v Speaker 7>this story to audio, to really go into it in

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<v Speaker 7>extraordinary debt. And so I spoke to Michael Rice, who

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<v Speaker 7>is a black gay filmmaker in New York who'd made

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<v Speaker 7>a film in twenty seventeen about how NEF was being

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<v Speaker 7>weaponized against black gay men by white gay men. And

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<v Speaker 7>this documentary really opened my eyes to the potential for harm.

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<v Speaker 7>So we got together with a production company in London,

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<v Speaker 7>approached Audible, and we then spent the next two years

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<v Speaker 7>making making this ten part series.

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<v Speaker 3>You talk to many friends and people in the community,

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<v Speaker 3>in the queer community that knew Jamel and new Tim

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<v Speaker 3>and also knew of ed Buck. But the thing that

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<v Speaker 3>really revealed the information that is contained in this book

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<v Speaker 3>was Dane Brown and what happened to him and the

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<v Speaker 3>resulting diary that he kept and the circumstances in which

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00:19:21.559 --> 00:19:24.519
<v Speaker 3>ed Buck came to the attention of police again, but

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<v Speaker 3>with far more powerful testimony from Dane Brown. Tell us

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<v Speaker 3>what happens with Dane Brown and ed Buck that one

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<v Speaker 3>faithful evening in his apartment.

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<v Speaker 7>Yes, well, Dane Brown is the key person in this case.

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<v Speaker 7>He was the pivot upon which it alas did because

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<v Speaker 7>in early summer of twenty nineteen, Dane Brown had become homeless.

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<v Speaker 7>He was living in skid Row, which everyone has heard

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<v Speaker 7>of and is notorious around the world, and perhaps deservedly so.

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<v Speaker 7>I've just spent time there. He needed an escape, literally

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<v Speaker 7>escapes from skid Row and also a psychological escape. As

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<v Speaker 7>he said to me, he was trying to escape hopelessness

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00:20:07.799 --> 00:20:11.480
<v Speaker 7>as well as homelessness, and so he started chatting to

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<v Speaker 7>ed Buck on a gay dating website and they met

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00:20:16.160 --> 00:20:20.039
<v Speaker 7>in person. He didn't know anything about who he was.

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<v Speaker 7>He'd not heard about Jammel Moore and Timothy Dean. He

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00:20:24.240 --> 00:20:27.039
<v Speaker 7>just thought that this guy was a kind of intelligent

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<v Speaker 7>and perfectly nice man. The problem was his own need

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00:20:31.160 --> 00:20:35.160
<v Speaker 7>for escape was so great that really he didn't He

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<v Speaker 7>didn't probably see the warning signs, and before long he

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<v Speaker 7>was living in Buck's apart with him, he had nowhere

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<v Speaker 7>asked to go, And at that point, initially Dane was

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<v Speaker 7>not addicted to math. He would do it occasionally as

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<v Speaker 7>I'd escape, as I say so. Living with Buck, whose

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00:20:58.680 --> 00:21:04.400
<v Speaker 7>fetishes were black men, white underwear, crystal math all mixed

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<v Speaker 7>together meant that Buck was pushing meth literally into him

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<v Speaker 7>and constantly pressuring him to take it, and so effectively

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<v Speaker 7>the deal was, you can live here for free as

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<v Speaker 7>long as you take math whenever I say so, and

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00:21:23.559 --> 00:21:28.640
<v Speaker 7>do whatever I say. Really, so, Dane was living there

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00:21:29.039 --> 00:21:33.160
<v Speaker 7>doing more and more myth, smoking and injecting over the

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00:21:33.200 --> 00:21:38.519
<v Speaker 7>summer of twenty nineteen. He became addicted while.

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<v Speaker 1>He was there.

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<v Speaker 7>Addiction to meth, as most people will know, is an

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00:21:42.319 --> 00:21:48.519
<v Speaker 7>extremely powerful situation to be in because if you stop

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<v Speaker 7>doing theth that can be very difficult coming off it.

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00:21:52.680 --> 00:21:56.519
<v Speaker 7>But you know, at that point he was becoming addicted

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<v Speaker 7>while also gradually learning about Jamal Moore and Timothy Timothy

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<v Speaker 7>Dean what had happened there. So those two things were

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00:22:08.279 --> 00:22:13.119
<v Speaker 7>kind of escalating at the same time, and it came

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<v Speaker 7>to a head. He overdose the first time at the

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<v Speaker 7>very beginning of September twenty nineteen, ended up in hospital,

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<v Speaker 7>but again had nowhere else to go, so went back

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<v Speaker 7>and then overdosed again. And it was the second overdose

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00:22:32.720 --> 00:22:37.400
<v Speaker 7>which would change everything, but had given him both GHB

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<v Speaker 7>and meth. And if you can imagine that, GHB is

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<v Speaker 7>a huge sedative effectively, and meth is a very substantial stimulant,

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<v Speaker 7>So the two things together are a very odd combination

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<v Speaker 7>and very dangerous physically because your heart doesn't know what

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<v Speaker 7>on earth it should be doing, so it's easy to

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<v Speaker 7>have heart attack.

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<v Speaker 1>In that situation.

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<v Speaker 7>He found himself lying on bucks floor in the very

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<v Speaker 7>spot that Jamal Moore and Timothy Dean had both died in.

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<v Speaker 7>Overwhelmed by math and GHB, Buck had already slammed the

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<v Speaker 7>bottom door into his back when he went for a

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<v Speaker 7>shower because he was feeling awful. Now he's slumped on

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<v Speaker 7>the floor and he's really effectively starting to fade away

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<v Speaker 7>until he began to hear his late mother's voice just

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<v Speaker 7>ringing in his head telling him to get up, saying, Dane,

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<v Speaker 7>get up, get up.

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<v Speaker 5>Day.

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<v Speaker 7>And it was that the sound of his late mother's

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<v Speaker 7>voice ringing in his ears that gave him the impetus

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00:23:48.279 --> 00:23:52.960
<v Speaker 7>to somehow get up onto his feet and get out

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00:23:53.000 --> 00:23:56.599
<v Speaker 7>of that apartment once and for all. So you can

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<v Speaker 7>see him on CCTV footage walking down the exterior staircase

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<v Speaker 7>of Ed Buck's apartment building, bringing on because he is

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<v Speaker 7>overdosing in that moment and trying to stay alive and

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<v Speaker 7>trying to escape. He then makes it down North Lowell Avenue,

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<v Speaker 7>where Buck's apartment was situated, onto the intersection, and across

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<v Speaker 7>the intersection there's a gas station with a kiosk out front.

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<v Speaker 7>He goes to the kiosk and asks the guy in

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<v Speaker 7>the kiosk to phone nine one one. He's taken to

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00:24:36.799 --> 00:24:41.559
<v Speaker 7>the hospital and they look after him. And even that

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00:24:42.000 --> 00:24:47.279
<v Speaker 7>would not be the pivotal moment. Really, Buck has only

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<v Speaker 7>himself to blame for everything turning against him at this

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<v Speaker 7>point in terms of the police, because what he did

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<v Speaker 7>was one final act of cruelty to Dan Brown, which is,

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<v Speaker 7>when Dane got out of hospital, he went back to

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<v Speaker 7>get his things and Buck didn't want to give him

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<v Speaker 7>his things. Now, given that Dane was otherwise homeless, unemployed,

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<v Speaker 7>had very few belongings, but the belongings he did have,

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<v Speaker 7>such as you know, a laptop and a phone, were

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<v Speaker 7>absolutely critical for him to be able to get another job.

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<v Speaker 7>This is someone with a degree in computer science. You know,

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00:25:32.880 --> 00:25:37.920
<v Speaker 7>he's you know, very employable in the white circumstances. Buck

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<v Speaker 7>refused to give him his staff. So that was when

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<v Speaker 7>Dame said, well, I'm going to go to the police.

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<v Speaker 7>Day went to West Hollywood Police station to report his

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<v Speaker 7>belongings being withheld from him, not to report Buck for

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<v Speaker 7>you know, forcibly injecting him with meth or bringing him

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<v Speaker 7>to the point of death. He started speaking to officers there.

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<v Speaker 7>They went back to Buck's apartments to speak to Bark.

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<v Speaker 7>They told Dane to go and wait for them. They

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<v Speaker 7>went to a local library. Sat in the local library.

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<v Speaker 7>Some point within that the officers spoke to their colleagues

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<v Speaker 7>in the FBI. The FBI had been investigating Buck for months,

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<v Speaker 7>and finally they have a victim who is ready to talk,

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<v Speaker 7>who is completely credible, who can give them extraordinary detail,

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<v Speaker 7>and who, unlike everyone else, had actually lived there for

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<v Speaker 7>several weeks and so it could give them an extraordinary

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<v Speaker 7>insight into what was really going on. Yes, so before

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<v Speaker 7>you know it, the FBI is talking to Dane Brown,

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<v Speaker 7>and when they have his testimony, they suddenly swoop and

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<v Speaker 7>days later they finally arrest ed buck.

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<v Speaker 3>Let's us as an opportunity to stop for a second

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390
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400
00:28:33.559 --> 00:28:36.960
<v Speaker 3>we just talked about the authority swooping in on ed

401
00:28:37.000 --> 00:28:40.599
<v Speaker 3>Buck's apartment. What is one of the most profound things

402
00:28:40.640 --> 00:28:43.319
<v Speaker 3>that they find or important things that they find at

403
00:28:43.319 --> 00:28:44.920
<v Speaker 3>his apartment at that time.

404
00:28:45.559 --> 00:28:50.759
<v Speaker 7>Well, it's a good question because they had already been

405
00:28:50.880 --> 00:28:55.720
<v Speaker 7>there several times, and on each of those occasions there

406
00:28:55.920 --> 00:29:01.519
<v Speaker 7>was crucial evidence available to them. There was also ed

407
00:29:01.559 --> 00:29:06.720
<v Speaker 7>Buck himself who would act in a way to protect himself.

408
00:29:07.039 --> 00:29:10.119
<v Speaker 7>So we later learned from the testimony of one of

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00:29:10.160 --> 00:29:13.680
<v Speaker 7>the officers on the scene that when police would arrive

410
00:29:14.000 --> 00:29:18.039
<v Speaker 7>to visit the scene of a dead body, and then

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00:29:18.160 --> 00:29:21.440
<v Speaker 7>another dead body and then you know, an overdose, picked

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00:29:21.480 --> 00:29:25.839
<v Speaker 7>him but would show them around the apartment and show

413
00:29:25.920 --> 00:29:32.160
<v Speaker 7>them pictures of himself with powerful and influential people, people

414
00:29:32.160 --> 00:29:36.559
<v Speaker 7>in politics. He was donating money too, and so the

415
00:29:36.599 --> 00:29:39.720
<v Speaker 7>message was don't mess with me. I've got friends and

416
00:29:39.799 --> 00:29:42.559
<v Speaker 7>high places and you do not want.

417
00:29:42.359 --> 00:29:43.160
<v Speaker 1>To be arresting me.

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00:29:43.519 --> 00:29:46.559
<v Speaker 7>And what was extraordinary is that they are not arresting

419
00:29:46.640 --> 00:29:51.079
<v Speaker 7>him but by the time Dane Brown's testimony was with

420
00:29:51.319 --> 00:29:54.359
<v Speaker 7>the FBI and officers and they go to arrest him,

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00:29:54.720 --> 00:29:58.559
<v Speaker 7>the weight of evidence by that point was so overwhelming

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00:29:58.640 --> 00:30:00.559
<v Speaker 7>that there was nothing he could do say to get

423
00:30:00.559 --> 00:30:04.759
<v Speaker 7>out of it. So really, on that final swoop, it

424
00:30:05.000 --> 00:30:09.359
<v Speaker 7>wasn't that they found anything new because they'd already seen

425
00:30:09.359 --> 00:30:13.640
<v Speaker 7>them aft, they'd already seen the paraphernalia. They'd already even

426
00:30:14.440 --> 00:30:20.480
<v Speaker 7>after the death of Timothy Dean, discovered a bag containing

427
00:30:20.519 --> 00:30:23.799
<v Speaker 7>a box which in itself had lots of drugs and

428
00:30:23.799 --> 00:30:27.720
<v Speaker 7>paraphernalia that Buck had tossed out of the window after

429
00:30:27.759 --> 00:30:32.119
<v Speaker 7>Timothy Dean died to avoid that being detected by police,

430
00:30:32.279 --> 00:30:34.440
<v Speaker 7>right and they found it, gave it to the police,

431
00:30:34.559 --> 00:30:38.000
<v Speaker 7>So they even knew he was discarding evidence, and they

432
00:30:38.039 --> 00:30:40.839
<v Speaker 7>still weren't arresting him. So by the time they have

433
00:30:41.000 --> 00:30:44.440
<v Speaker 7>that Dane, they make the arrest and that's that's it.

434
00:30:44.880 --> 00:30:49.079
<v Speaker 3>I'm talking. I'm referring to the photos, the cash of photos,

435
00:30:49.119 --> 00:30:52.599
<v Speaker 3>the incredible gash of photos, and then everything that they

436
00:30:52.640 --> 00:30:55.559
<v Speaker 3>found that supported their case when they did go to

437
00:30:55.640 --> 00:30:59.880
<v Speaker 3>trial in terms of text messages, and I said photos, video,

438
00:31:00.200 --> 00:31:06.039
<v Speaker 3>text messages, emails explained some of the evidence that Dane

439
00:31:06.039 --> 00:31:07.400
<v Speaker 3>Brown was able to provide.

440
00:31:07.480 --> 00:31:10.599
<v Speaker 7>Well, that evidence that you're referring to was not so

441
00:31:10.720 --> 00:31:17.759
<v Speaker 7>much provided by Dane Brown nor immediately discovered upon Buck's arrest,

442
00:31:18.000 --> 00:31:24.519
<v Speaker 7>but rather discovered by police investigators and data retrieval experts

443
00:31:25.279 --> 00:31:31.000
<v Speaker 7>over the following eighteen months for the trial. So they

444
00:31:31.279 --> 00:31:39.680
<v Speaker 7>found one hundreds thousands of photos and videos principally, and

445
00:31:40.079 --> 00:31:44.759
<v Speaker 7>they were taken by Buck himself over many years and

446
00:31:45.039 --> 00:31:53.000
<v Speaker 7>documented his daily obsession with having PMP sessions with mostly

447
00:31:53.079 --> 00:31:59.119
<v Speaker 7>black men. So he took pictures of people usually naked

448
00:31:59.160 --> 00:32:03.200
<v Speaker 7>except for wearing white underwear, usually black men in white underwear,

449
00:32:03.559 --> 00:32:07.640
<v Speaker 7>and he would take endless photos of them smoking meth

450
00:32:07.880 --> 00:32:11.200
<v Speaker 7>and you would see white smoke billowing around their faces.

451
00:32:11.359 --> 00:32:13.319
<v Speaker 7>That's one of the reasons why we called this series

452
00:32:13.400 --> 00:32:17.480
<v Speaker 7>White Smoke. You would see them injecting meth. And in

453
00:32:17.519 --> 00:32:22.480
<v Speaker 7>the videos, it was like watching a film director with

454
00:32:23.119 --> 00:32:27.960
<v Speaker 7>control freakery issues directing an actor, because what he would

455
00:32:28.000 --> 00:32:33.440
<v Speaker 7>do is direct his victims to the most minute degree,

456
00:32:33.720 --> 00:32:36.799
<v Speaker 7>how to tilt their head in such a way that

457
00:32:36.839 --> 00:32:39.480
<v Speaker 7>the smoke came out of their mouth in a particular formation,

458
00:32:40.079 --> 00:32:43.920
<v Speaker 7>exactly how to stand, how to hold themselves, and this

459
00:32:44.079 --> 00:32:46.880
<v Speaker 7>was the most palatable of the evidence that was later

460
00:32:46.960 --> 00:32:51.559
<v Speaker 7>shown in court. What we also saw was videos of

461
00:32:51.680 --> 00:32:57.079
<v Speaker 7>him abusing people while they were unconscious. He was sexually

462
00:32:57.079 --> 00:33:02.319
<v Speaker 7>assaulting them while they were unconscious, and in several cases

463
00:33:02.359 --> 00:33:06.160
<v Speaker 7>it would seem that they were unconscious because of an overdose,

464
00:33:06.599 --> 00:33:11.839
<v Speaker 7>and that in itself raised a real moral ethical question

465
00:33:12.440 --> 00:33:16.920
<v Speaker 7>about the trial itself, which I put to federal prosecutors,

466
00:33:17.160 --> 00:33:21.920
<v Speaker 7>which is this, at the trial, he was not facing

467
00:33:22.160 --> 00:33:27.079
<v Speaker 7>any charges of sexual assault, sexual violence of any kind

468
00:33:27.799 --> 00:33:31.559
<v Speaker 7>because all those laws do not come under federal jurisdiction.

469
00:33:32.200 --> 00:33:35.720
<v Speaker 7>This was a federal trial, so they couldn't prosecute him

470
00:33:35.319 --> 00:33:43.079
<v Speaker 7>for those. Yet they showed several videos of people unconscious

471
00:33:43.160 --> 00:33:46.559
<v Speaker 7>being sexually played with by him, people who were not

472
00:33:46.640 --> 00:33:50.200
<v Speaker 7>even witnesses in the trial, some of whom they were

473
00:33:50.279 --> 00:33:53.720
<v Speaker 7>never able to identify. There are many victims of red

474
00:33:53.759 --> 00:33:57.640
<v Speaker 7>Buck who we will never know, who may not even

475
00:33:57.720 --> 00:34:01.119
<v Speaker 7>know what happened to them, because if this, if they

476
00:34:01.119 --> 00:34:03.839
<v Speaker 7>were interfered with while they were unconscious because they've been

477
00:34:03.839 --> 00:34:07.799
<v Speaker 7>given drugs, they may well still not know what happened

478
00:34:07.799 --> 00:34:13.039
<v Speaker 7>to them. Yet that evidence, those images were being played

479
00:34:13.039 --> 00:34:16.719
<v Speaker 7>in a federal courthouse in downtown Los Angeles to whomever

480
00:34:16.800 --> 00:34:20.440
<v Speaker 7>wanted to walk into that building and view the trial.

481
00:34:20.880 --> 00:34:21.119
<v Speaker 1>Right.

482
00:34:21.239 --> 00:34:27.400
<v Speaker 7>So this is an extraordinary situation where people are, you know,

483
00:34:27.880 --> 00:34:33.719
<v Speaker 7>in unbelievably terrible states, being interfered with, and this footage

484
00:34:33.760 --> 00:34:37.599
<v Speaker 7>being seen by complete strangers. But that isn't even the

485
00:34:37.679 --> 00:34:40.760
<v Speaker 7>charges that he was up on, and those people may

486
00:34:40.800 --> 00:34:43.679
<v Speaker 7>not have even known what happened to them, nor that that.

487
00:34:43.639 --> 00:34:45.320
<v Speaker 1>Footage was being used in a trial.

488
00:34:45.480 --> 00:34:50.519
<v Speaker 7>But what was astonishing in the trial itself was the

489
00:34:50.519 --> 00:34:55.800
<v Speaker 7>sheer scale of this, the sheer numbers of photographs and

490
00:34:55.920 --> 00:34:59.400
<v Speaker 7>videos that were taken, and the number of men that

491
00:34:59.440 --> 00:35:03.119
<v Speaker 7>this might have related to, because the police still don't

492
00:35:03.119 --> 00:35:06.280
<v Speaker 7>know for sure exactly the numbers, but over many years,

493
00:35:06.360 --> 00:35:10.239
<v Speaker 7>we're talking about at least dozens of men, very likely hundreds.

494
00:35:10.559 --> 00:35:15.119
<v Speaker 7>And as you say, also, there was streams and streams

495
00:35:15.239 --> 00:35:19.159
<v Speaker 7>of text messages and messages on social media and on

496
00:35:19.320 --> 00:35:23.159
<v Speaker 7>the dating apps, and you know, in some cases those

497
00:35:23.239 --> 00:35:27.559
<v Speaker 7>messages were more upsetting and disturbing than even the images,

498
00:35:28.159 --> 00:35:32.000
<v Speaker 7>because what you could see beyond the scenes of him

499
00:35:32.119 --> 00:35:35.159
<v Speaker 7>assaulting someone or injecting someone or whatever, what you could

500
00:35:35.239 --> 00:35:39.880
<v Speaker 7>see was how he toyed with them psychologically. So you

501
00:35:39.960 --> 00:35:44.760
<v Speaker 7>had examples of people contacting him, saying to him, what

502
00:35:45.000 --> 00:35:47.280
<v Speaker 7>happened to me, What happened to me when I was

503
00:35:47.320 --> 00:35:49.639
<v Speaker 7>tied up? What happened to me when I was unconscious?

504
00:35:50.039 --> 00:35:53.119
<v Speaker 7>Please tell me what happened? And he would tease them,

505
00:35:53.280 --> 00:35:56.000
<v Speaker 7>he would refuse to tell them. He would say things

506
00:35:56.039 --> 00:35:59.840
<v Speaker 7>like the picture tells a thousand words, and that called

507
00:36:00.079 --> 00:36:03.840
<v Speaker 7>he came through again and again. We saw the text

508
00:36:03.880 --> 00:36:07.719
<v Speaker 7>exchanges between him and Jamel Moore, who knew each other

509
00:36:07.800 --> 00:36:11.159
<v Speaker 7>for about a year before Jamel died. Jammel was going

510
00:36:11.199 --> 00:36:14.599
<v Speaker 7>over there regularly over the course of about a year,

511
00:36:14.920 --> 00:36:19.360
<v Speaker 7>and at first Jamel knew nothing about math, and there

512
00:36:19.400 --> 00:36:23.960
<v Speaker 7>were these desperate, desperate messages from this twenty five, twenty

513
00:36:24.000 --> 00:36:27.760
<v Speaker 7>six year old man saying, Oh, before I come out

514
00:36:27.840 --> 00:36:30.119
<v Speaker 7>again and do more math, I want to, you know,

515
00:36:30.239 --> 00:36:33.239
<v Speaker 7>find out a bit more about it, or he would

516
00:36:33.400 --> 00:36:36.360
<v Speaker 7>Jamel would say that he didn't want to do it again,

517
00:36:36.760 --> 00:36:38.920
<v Speaker 7>or would to have an excuse for not coming over,

518
00:36:39.000 --> 00:36:42.400
<v Speaker 7>and Buck would break him, would mock him, would just

519
00:36:42.519 --> 00:36:48.000
<v Speaker 7>believe him, and all the time luring him back again

520
00:36:48.199 --> 00:36:53.320
<v Speaker 7>and again and again, until Jamel Moore himself was addicted.

521
00:36:53.920 --> 00:36:57.320
<v Speaker 7>He was not an addict when he met Buck, but

522
00:36:57.800 --> 00:37:01.559
<v Speaker 7>Buckward begin by giving him lots of money, like six

523
00:37:01.639 --> 00:37:04.480
<v Speaker 7>hundred dollars on their first meeting, which is a lot

524
00:37:04.480 --> 00:37:07.519
<v Speaker 7>of money. And he wouldn't necessarily have to engage in

525
00:37:07.559 --> 00:37:10.559
<v Speaker 7>anything sexual some of the time, but he would have

526
00:37:10.599 --> 00:37:15.679
<v Speaker 7>to take math. It's an extraordinary case to be paid

527
00:37:16.039 --> 00:37:20.760
<v Speaker 7>to take Bristol math until it starts to destroy you,

528
00:37:21.239 --> 00:37:24.639
<v Speaker 7>and in such a way that the other person at

529
00:37:24.679 --> 00:37:28.800
<v Speaker 7>Buck has complete control over you in a way that

530
00:37:29.079 --> 00:37:33.119
<v Speaker 7>he gets off on that. He fetishizes that, and as

531
00:37:33.159 --> 00:37:36.360
<v Speaker 7>a black man, he already has an existing fetish when

532
00:37:36.360 --> 00:37:39.079
<v Speaker 7>you show up. He would do the same thing to

533
00:37:39.280 --> 00:37:42.920
<v Speaker 7>so many people. So there would be a kind of ritual.

534
00:37:43.280 --> 00:37:45.360
<v Speaker 7>You'd come in, you'd have to take your clothes off

535
00:37:45.679 --> 00:37:47.920
<v Speaker 7>and you'd have to put on the white underwear. Either

536
00:37:47.960 --> 00:37:51.199
<v Speaker 7>wife hunts or long jobs. Those were his two things.

537
00:37:51.920 --> 00:37:55.440
<v Speaker 7>Then there was a kind of ritual involved in the

538
00:37:55.559 --> 00:38:01.000
<v Speaker 7>smoking of the math, the fetishization of the small billowing

539
00:38:01.039 --> 00:38:04.440
<v Speaker 7>around the face. There'd be mirrors everywhere so he could

540
00:38:04.480 --> 00:38:08.039
<v Speaker 7>see it for different angles. There'd be cameras taking footage

541
00:38:08.079 --> 00:38:10.480
<v Speaker 7>off air all why while he's directing.

542
00:38:10.840 --> 00:38:14.039
<v Speaker 1>This took over his entire life.

543
00:38:14.599 --> 00:38:18.079
<v Speaker 3>You talk about slamming, and so I just want the

544
00:38:18.159 --> 00:38:24.000
<v Speaker 3>audience to understand that this wasn't just allowing someone doing drugs,

545
00:38:24.159 --> 00:38:28.119
<v Speaker 3>encouraging someone to do drugs, but they're actually injecting huge

546
00:38:28.159 --> 00:38:33.920
<v Speaker 3>amounts of crystal meth and GHB into the arm of

547
00:38:34.039 --> 00:38:38.599
<v Speaker 3>these people continually, constantly, over and over again.

548
00:38:38.719 --> 00:38:44.000
<v Speaker 7>So slamming is the kind of slang word used among

549
00:38:44.599 --> 00:38:48.639
<v Speaker 7>mostly gay men for the injection of math. Typically people

550
00:38:48.679 --> 00:38:53.119
<v Speaker 7>don't inject JHB, but they do inject math, and that's

551
00:38:53.159 --> 00:38:56.800
<v Speaker 7>referred to as slamming. And as you say, we're not

552
00:38:56.840 --> 00:39:01.400
<v Speaker 7>talking about situations of a lot all the time. We're

553
00:39:01.440 --> 00:39:04.840
<v Speaker 7>not talking about situations where people injecting themselves that someone

554
00:39:04.880 --> 00:39:08.199
<v Speaker 7>injecting the other person. Now, in Buck's case, there was.

555
00:39:08.199 --> 00:39:09.119
<v Speaker 1>A range of behavior.

556
00:39:09.239 --> 00:39:14.519
<v Speaker 7>So sometimes he would kind of bully them into injecting themselves,

557
00:39:14.920 --> 00:39:17.559
<v Speaker 7>not taking over for an answer, but rate them for

558
00:39:17.639 --> 00:39:19.760
<v Speaker 7>not doing it. If they refuse to do it, he

559
00:39:19.800 --> 00:39:21.719
<v Speaker 7>would find a cab and send them back to their

560
00:39:21.719 --> 00:39:26.719
<v Speaker 7>homeless encambment or whatever. So he would persuade ver believe

561
00:39:26.760 --> 00:39:29.639
<v Speaker 7>them to do it themselves. He'd also try to persuade

562
00:39:29.679 --> 00:39:33.440
<v Speaker 7>them to let him inject them, so he would you know,

563
00:39:33.840 --> 00:39:36.159
<v Speaker 7>bash their vein with a needle and then there'd be

564
00:39:36.239 --> 00:39:40.760
<v Speaker 7>also occasions where someone would come round out of unconsciousness

565
00:39:40.880 --> 00:39:44.639
<v Speaker 7>to find him injecting them, which is, as you can imagine,

566
00:39:44.679 --> 00:39:50.039
<v Speaker 7>an extraordinarily terrifying situation to be in to then throw

567
00:39:50.079 --> 00:39:55.000
<v Speaker 7>in GHB, which kind of uphends the nervous system, the

568
00:39:55.159 --> 00:39:58.199
<v Speaker 7>entire body, and your entire psychology. At the same time,

569
00:39:58.840 --> 00:40:03.840
<v Speaker 7>it denotes some who wanted to have the utmost control

570
00:40:03.880 --> 00:40:06.920
<v Speaker 7>over another person and in such a way that they

571
00:40:06.960 --> 00:40:10.039
<v Speaker 7>were really teetering on the edge.

572
00:40:10.440 --> 00:40:14.360
<v Speaker 3>Yes, let's Jesus as an opportunity to stop for these messages.

573
00:40:15.599 --> 00:40:19.440
<v Speaker 6>With the Lucky landslopts. You can get lucky just about anywhere.

574
00:40:20.239 --> 00:40:22.920
<v Speaker 5>It's your captain speaking. You know, we've got clear runway

575
00:40:22.960 --> 00:40:24.639
<v Speaker 5>and the weather's fine, but we're just going to circle

576
00:40:24.719 --> 00:40:27.719
<v Speaker 5>up here a while and get lucky. No, no, nothing

577
00:40:27.800 --> 00:40:30.159
<v Speaker 5>like that. It's just these cash prizes add up quick.

578
00:40:30.199 --> 00:40:32.559
<v Speaker 5>So I suggest you sit back, keep your trade table

579
00:40:32.639 --> 00:40:34.159
<v Speaker 5>up right, and start getting lucky.

580
00:40:35.039 --> 00:40:37.880
<v Speaker 6>Pay for free at Lucky landslipes dot com. Are you

581
00:40:37.960 --> 00:40:41.599
<v Speaker 6>feeling lucky? No purchase necessary void. We're prohibited by Law

582
00:40:41.719 --> 00:40:45.719
<v Speaker 6>eighteen plus. Terms and conditions apply. See website for details.

583
00:40:46.480 --> 00:40:49.840
<v Speaker 3>Now let's get to this trial and due to deep

584
00:40:49.920 --> 00:40:55.800
<v Speaker 3>pandemic and the restrictions therein. There is a two courtroom

585
00:40:55.920 --> 00:40:59.599
<v Speaker 3>set up in this trial. First off, explain that and

586
00:40:59.639 --> 00:41:02.840
<v Speaker 3>who was in what room before we talk about some

587
00:41:02.880 --> 00:41:05.280
<v Speaker 3>of the dynamics and some of the particulars of what

588
00:41:05.360 --> 00:41:06.639
<v Speaker 3>happened at this trial.

589
00:41:07.639 --> 00:41:11.239
<v Speaker 7>Yeah, it was extraordinary taking place during the pandemic because

590
00:41:11.679 --> 00:41:16.079
<v Speaker 7>of course social distancing had to be adhered to. Everyone's

591
00:41:16.079 --> 00:41:20.000
<v Speaker 7>in masks and they had to be two court room.

592
00:41:20.199 --> 00:41:26.119
<v Speaker 7>So we had one room where you had the witnesses,

593
00:41:26.320 --> 00:41:30.679
<v Speaker 7>the attorneys, the judge, the jury, and then another room

594
00:41:31.039 --> 00:41:35.519
<v Speaker 7>on the floor aboff with the public gallery at the journalists,

595
00:41:35.840 --> 00:41:39.360
<v Speaker 7>the activists, and so we were that in this separate

596
00:41:39.480 --> 00:41:44.840
<v Speaker 7>room on the floor above with two large TV screens

597
00:41:45.280 --> 00:41:48.440
<v Speaker 7>beaming live what was happening in the room below, which

598
00:41:48.519 --> 00:41:52.360
<v Speaker 7>was you know, the trial itself. And there's real problems

599
00:41:52.400 --> 00:41:58.239
<v Speaker 7>with this, particularly for i'd say friends and family, for

600
00:41:58.360 --> 00:42:02.239
<v Speaker 7>the prosecution, and to a certainly even the jury in

601
00:42:02.320 --> 00:42:06.400
<v Speaker 7>the in a normal trial situation. I've sat through many

602
00:42:06.480 --> 00:42:09.880
<v Speaker 7>criminal trials. To have everyone together in one room where

603
00:42:09.880 --> 00:42:14.039
<v Speaker 7>you can see and hear everyone informs you quite a

604
00:42:14.079 --> 00:42:16.719
<v Speaker 7>lot about all sorts of elements of the case. So,

605
00:42:16.800 --> 00:42:20.360
<v Speaker 7>for example, if you can sit in the public gallery

606
00:42:20.400 --> 00:42:24.280
<v Speaker 7>and see the faces of the jury members clearly you

607
00:42:24.320 --> 00:42:29.960
<v Speaker 7>can in some ways read their reactions to people testifying,

608
00:42:30.440 --> 00:42:33.000
<v Speaker 7>you have some hope of seeing if they believe them.

609
00:42:33.519 --> 00:42:39.920
<v Speaker 7>And also jurors can hear and see the reaction in

610
00:42:39.960 --> 00:42:43.880
<v Speaker 7>a public gallery when a witness says something outrageous. So

611
00:42:44.760 --> 00:42:48.360
<v Speaker 7>and then of course you also have the attorneys, the

612
00:42:48.480 --> 00:42:54.639
<v Speaker 7>lawyers who can better detect if the way that they're

613
00:42:54.639 --> 00:42:57.960
<v Speaker 7>pursuing a line in questioning and the way that someone's

614
00:42:58.000 --> 00:43:02.000
<v Speaker 7>testimony is unfolding, whether it's landing right, whether this is

615
00:43:02.719 --> 00:43:04.880
<v Speaker 7>having the effect they wanted to have. But there was

616
00:43:04.920 --> 00:43:07.440
<v Speaker 7>a very sterile environment in every sense of the word,

617
00:43:07.519 --> 00:43:11.360
<v Speaker 7>and a very disconnected one. So a succession of witnesses

618
00:43:11.360 --> 00:43:15.559
<v Speaker 7>would come to the stand, they would describe terrible.

619
00:43:15.159 --> 00:43:16.960
<v Speaker 1>Things happening to them.

620
00:43:17.119 --> 00:43:19.880
<v Speaker 7>In many cases, people in the public gallery would be

621
00:43:19.960 --> 00:43:24.519
<v Speaker 7>extreme predibly moved, people would be crying, and typically also

622
00:43:24.679 --> 00:43:27.920
<v Speaker 7>you would have other witnesses saying completely opposite things. But

623
00:43:28.159 --> 00:43:32.800
<v Speaker 7>the jury had no sense of what anyone else was thinking,

624
00:43:33.000 --> 00:43:36.679
<v Speaker 7>what the general public might make of this, So it

625
00:43:36.760 --> 00:43:41.320
<v Speaker 7>was extremely anxiety inducing for everyone concerned to not have

626
00:43:41.559 --> 00:43:44.880
<v Speaker 7>any instinct about where this was heading. So we were

627
00:43:44.920 --> 00:43:48.679
<v Speaker 7>all sat there hearing all this incredible testimony, but we

628
00:43:48.719 --> 00:43:53.000
<v Speaker 7>couldn't see the jurors, we couldn't feel the atmosphere in

629
00:43:53.039 --> 00:43:55.920
<v Speaker 7>the room. We had no way of knowing if this

630
00:43:56.079 --> 00:43:57.960
<v Speaker 7>was all heading in the right direction.

631
00:43:58.480 --> 00:44:02.480
<v Speaker 3>Now, Dane Brown prepares himself for this testimony. He believes

632
00:44:02.840 --> 00:44:06.199
<v Speaker 3>that his testimony is going to be important. The police

633
00:44:06.239 --> 00:44:09.719
<v Speaker 3>believed him, and he wants to do something for the community,

634
00:44:10.039 --> 00:44:13.119
<v Speaker 3>the community that he thinks he's representing with this, and

635
00:44:13.599 --> 00:44:16.599
<v Speaker 3>he cleans himself up and gets prepared for this trial.

636
00:44:17.320 --> 00:44:20.039
<v Speaker 3>As you're right, he's an effective witness at this trial,

637
00:44:20.079 --> 00:44:20.400
<v Speaker 3>isn't he?

638
00:44:20.320 --> 00:44:25.920
<v Speaker 7>He absolutely is. What's really moving with Dane, among many things,

639
00:44:26.400 --> 00:44:30.119
<v Speaker 7>is the of course, Buck had got him addicted to math,

640
00:44:30.679 --> 00:44:36.440
<v Speaker 7>and meth is very difficult to come off. And the

641
00:44:36.599 --> 00:44:41.639
<v Speaker 7>thing that finally got him off math was the forthcoming trial.

642
00:44:42.159 --> 00:44:45.840
<v Speaker 7>He wanted to be completely level headed, He wanted to

643
00:44:45.880 --> 00:44:49.840
<v Speaker 7>be utterly credible. He wanted to be calm and clear

644
00:44:50.280 --> 00:44:54.320
<v Speaker 7>and direct and to tell the truth. So not that

645
00:44:54.480 --> 00:44:58.639
<v Speaker 7>long before the trial, which took place in July twenty one,

646
00:45:00.000 --> 00:45:05.280
<v Speaker 7>he finally came off math, got sober, and over two

647
00:45:05.360 --> 00:45:11.159
<v Speaker 7>days stood up in that courtroom, facing cross examination and

648
00:45:11.440 --> 00:45:16.679
<v Speaker 7>told the truth, and his testimony really was a cornerstone

649
00:45:16.880 --> 00:45:21.840
<v Speaker 7>in the trial because it was so clear that he

650
00:45:22.000 --> 00:45:26.199
<v Speaker 7>had more experience than anyone else there of what Buck

651
00:45:26.360 --> 00:45:30.719
<v Speaker 7>was like over a long period, over six weeks living

652
00:45:30.719 --> 00:45:35.599
<v Speaker 7>in that apartment building, and that coupled with his manner

653
00:45:35.719 --> 00:45:43.480
<v Speaker 7>which is remarkably poised and gentle actually, as someone who

654
00:45:43.480 --> 00:45:49.559
<v Speaker 7>had been through real trauma, real horror, were cruelty to

655
00:45:49.639 --> 00:45:56.800
<v Speaker 7>be able to stand up and be just sticking to

656
00:45:56.840 --> 00:46:06.719
<v Speaker 7>the facts, not getting overly emotional, not getting particularly angry,

657
00:46:07.320 --> 00:46:10.559
<v Speaker 7>but just telling it like it was with real dignity.

658
00:46:11.599 --> 00:46:18.039
<v Speaker 7>That landed, that really landed. And I think that Dane

659
00:46:18.320 --> 00:46:22.639
<v Speaker 7>really was the turning point in a trial that was

660
00:46:22.679 --> 00:46:27.400
<v Speaker 7>already an onslaught. I'd say all the trials I've ever

661
00:46:27.440 --> 00:46:31.599
<v Speaker 7>sat in, it was the most horrifying. There was a

662
00:46:31.599 --> 00:46:35.159
<v Speaker 7>moment in the series which was so difficult in terms

663
00:46:35.199 --> 00:46:39.320
<v Speaker 7>of how we approached it, when during the trial we

664
00:46:39.320 --> 00:46:42.119
<v Speaker 7>were all due to go back into the court room

665
00:46:42.199 --> 00:46:45.440
<v Speaker 7>one afternoon and we were suddenly told no, it's been

666
00:46:45.480 --> 00:46:51.880
<v Speaker 7>a journed until tomorrow because one of the jurors had

667
00:46:51.920 --> 00:46:57.320
<v Speaker 7>an accident. We don't know the details about why but

668
00:46:57.800 --> 00:47:02.039
<v Speaker 7>she needed to go home because she had effectively soiled herself,

669
00:47:02.280 --> 00:47:05.960
<v Speaker 7>and the concern was that the details of the trial

670
00:47:06.039 --> 00:47:09.079
<v Speaker 7>were so awful that that it had that effect. We

671
00:47:09.119 --> 00:47:11.480
<v Speaker 7>didn't speak to us. We don't know the ins and outs.

672
00:47:11.760 --> 00:47:15.039
<v Speaker 7>That gives you some idea as to what the jurors

673
00:47:15.039 --> 00:47:18.159
<v Speaker 7>were facing, what all of us were hearing, and what

674
00:47:18.280 --> 00:47:25.400
<v Speaker 7>this case really stretches to, which is an extraordinarily call

675
00:47:26.039 --> 00:47:29.400
<v Speaker 7>the basement and exploitation of human beings.

676
00:47:29.559 --> 00:47:33.800
<v Speaker 3>We didn't mention a group that arose from this tragedy,

677
00:47:34.519 --> 00:47:37.480
<v Speaker 3>justice for Jamel, and we did talk about the activist

678
00:47:37.599 --> 00:47:42.440
<v Speaker 3>protesting outside of ed Buck's apartment. This was a powerful

679
00:47:42.679 --> 00:47:47.440
<v Speaker 3>vindication for this group and for activists in the community,

680
00:47:47.599 --> 00:47:48.159
<v Speaker 3>wasn't it.

681
00:47:48.159 --> 00:47:52.519
<v Speaker 7>It really was. I mean, they went to a herculean

682
00:47:52.880 --> 00:47:58.679
<v Speaker 7>effort to get this man arrested, to begin protesting in

683
00:47:59.320 --> 00:48:04.199
<v Speaker 7>summer of twenty seventeen, and to keep going for over

684
00:48:04.360 --> 00:48:09.679
<v Speaker 7>two years, despite what appeared to be the complete indifference

685
00:48:10.519 --> 00:48:13.800
<v Speaker 7>of the police and the DA and to a certain extent,

686
00:48:13.960 --> 00:48:18.239
<v Speaker 7>the media, and if I'm honest, the indifference of the

687
00:48:18.280 --> 00:48:22.280
<v Speaker 7>white gay community in Los Angeles. This was a group

688
00:48:22.440 --> 00:48:26.320
<v Speaker 7>of black and LGBT and black queer people along with

689
00:48:26.360 --> 00:48:30.119
<v Speaker 7>friends and family, and they just kept going. They wouldn't

690
00:48:30.119 --> 00:48:33.119
<v Speaker 7>shut up, they wouldn't be silenced, they wouldn't go away,

691
00:48:33.639 --> 00:48:40.480
<v Speaker 7>even in the face of institutional indifference. Best and four

692
00:48:40.639 --> 00:48:45.840
<v Speaker 7>years to the day since Jamal Wall's body was pulled

693
00:48:45.840 --> 00:48:50.280
<v Speaker 7>out of their bocks apartment, we had the verdict. And

694
00:48:50.400 --> 00:48:53.800
<v Speaker 7>to be in that courtroom and to see the judge

695
00:48:54.280 --> 00:49:00.639
<v Speaker 7>deliver the verdict on nine charges, to find Buck guilty

696
00:49:00.800 --> 00:49:05.360
<v Speaker 7>of all nine charges, and to see the people in

697
00:49:05.400 --> 00:49:13.960
<v Speaker 7>that courtroom just rupt with relief, with tears, with sobbing,

698
00:49:14.719 --> 00:49:19.960
<v Speaker 7>with shouting and crying, you know, right from inside that

699
00:49:20.079 --> 00:49:25.800
<v Speaker 7>public gallery out onto the street, was just astonishing. And

700
00:49:25.840 --> 00:49:30.320
<v Speaker 7>again as an alien to the US, as a British person,

701
00:49:31.400 --> 00:49:35.559
<v Speaker 7>what came so sharply into focus was on that day,

702
00:49:35.719 --> 00:49:37.960
<v Speaker 7>July twenty seven, twenty one, the day.

703
00:49:37.800 --> 00:49:38.480
<v Speaker 1>Of the verdict.

704
00:49:39.119 --> 00:49:45.119
<v Speaker 7>On that day, we witnessed something frankly, almost unheard of

705
00:49:45.920 --> 00:49:50.360
<v Speaker 7>in the American justice system, which is justice being served

706
00:49:51.079 --> 00:49:56.960
<v Speaker 7>for black people. For once black people were believed and

707
00:49:57.400 --> 00:50:02.480
<v Speaker 7>a white man who had harmed them had been found guilty.

708
00:50:03.039 --> 00:50:09.280
<v Speaker 7>That was such a momentous, just monumental event, and the

709
00:50:09.280 --> 00:50:13.880
<v Speaker 7>weights of that landed so heavily it felt like a

710
00:50:13.920 --> 00:50:17.519
<v Speaker 7>really historical moment. You know, this is only a year

711
00:50:17.599 --> 00:50:22.000
<v Speaker 7>after the death of George Floyd, the murder of George Floyd,

712
00:50:22.440 --> 00:50:25.880
<v Speaker 7>when you know, the lives of black people and the

713
00:50:25.920 --> 00:50:30.480
<v Speaker 7>deaths of black people were only just beginning to really

714
00:50:30.519 --> 00:50:34.840
<v Speaker 7>be taken seriously. And to see justice being served was

715
00:50:35.199 --> 00:50:40.079
<v Speaker 7>so powerful and so moving. And four years of hard

716
00:50:40.119 --> 00:50:44.119
<v Speaker 7>work from all those activists, and hard work over a

717
00:50:44.199 --> 00:50:48.920
<v Speaker 7>long period from the prosecuting attorneys too, one of whom

718
00:50:49.199 --> 00:50:52.280
<v Speaker 7>Chelsea nowel and we talk about this in the series.

719
00:50:53.239 --> 00:50:57.320
<v Speaker 7>When I left the public gallery, I looked down the

720
00:50:57.360 --> 00:51:01.920
<v Speaker 7>stairwell the main trial room in the room on the

721
00:51:01.960 --> 00:51:05.039
<v Speaker 7>floor below. I looked down the stairwell and there was

722
00:51:05.119 --> 00:51:10.199
<v Speaker 7>Chelsea Noral having delivered this guilty verdict, you know, thanks

723
00:51:10.199 --> 00:51:15.440
<v Speaker 7>to her incredible legal skills, and she collapsed to the floor.

724
00:51:15.559 --> 00:51:18.679
<v Speaker 7>I've never seen that in any criminal trial, right, that

725
00:51:19.360 --> 00:51:24.199
<v Speaker 7>lead attorney just fall to their knees out of us

726
00:51:24.239 --> 00:51:30.119
<v Speaker 7>a relief, out of exhaustion, out of just being overwhelmed,

727
00:51:30.400 --> 00:51:34.719
<v Speaker 7>because you know, just just for us and everyone involved

728
00:51:34.719 --> 00:51:37.800
<v Speaker 7>in the trial, she'd spent months and months and months

729
00:51:37.800 --> 00:51:42.880
<v Speaker 7>wading through the most terrific material imaginable, working with dozens

730
00:51:42.920 --> 00:51:46.119
<v Speaker 7>of victims, some of whom you know didn't want to

731
00:51:46.119 --> 00:51:50.519
<v Speaker 7>take part, or couldn't see it through or went missing.

732
00:51:51.599 --> 00:51:55.599
<v Speaker 7>This huge weight of responsibility on her shoulders to finally

733
00:51:55.639 --> 00:52:00.440
<v Speaker 7>secure justice in a case that had just avoided.

734
00:52:00.159 --> 00:52:02.639
<v Speaker 1>Justice for so long was enormous.

735
00:52:02.840 --> 00:52:07.679
<v Speaker 7>So that moment seeing her fall to her knees I'll

736
00:52:07.719 --> 00:52:11.360
<v Speaker 7>never forget because you could see how much it really

737
00:52:11.480 --> 00:52:17.039
<v Speaker 7>meant to have People I think don't expect lawyers, particularly

738
00:52:17.760 --> 00:52:23.480
<v Speaker 7>federal prosecutors sure to be that involved. I think, yeah,

739
00:52:23.519 --> 00:52:27.400
<v Speaker 7>we see courtroom dramas, and yet we see kind of

740
00:52:27.480 --> 00:52:33.800
<v Speaker 7>dramatizations of trials where you get attorneys who are a

741
00:52:33.840 --> 00:52:35.719
<v Speaker 7>bit too emotionally involved, and I think we sort of

742
00:52:35.760 --> 00:52:38.000
<v Speaker 7>think of that as a sort of a bit of

743
00:52:38.039 --> 00:52:41.920
<v Speaker 7>poetic license. I'm a part of the screenwriters really think

744
00:52:41.960 --> 00:52:48.400
<v Speaker 7>in actual daily life that lawyers are so involved invested

745
00:52:48.599 --> 00:52:52.199
<v Speaker 7>that it really means that much to them. But at

746
00:52:52.239 --> 00:52:55.800
<v Speaker 7>times it does, and that was one of those times.

747
00:52:56.559 --> 00:53:00.960
<v Speaker 3>Yes, and powerful testimony from Dane Brown that you chronicle

748
00:53:01.000 --> 00:53:03.679
<v Speaker 3>in this book and incredible. I want to thank you

749
00:53:03.880 --> 00:53:06.679
<v Speaker 3>very much for coming on and talking about this Audible

750
00:53:06.719 --> 00:53:10.920
<v Speaker 3>original series White Smoke, America's chem Sex Killer. For those

751
00:53:10.920 --> 00:53:13.480
<v Speaker 3>people that might want to check out more information about you.

752
00:53:13.559 --> 00:53:16.079
<v Speaker 3>Do you have a website and you do any social media?

753
00:53:16.119 --> 00:53:16.360
<v Speaker 4>I do?

754
00:53:16.519 --> 00:53:21.079
<v Speaker 7>Yes. You can certainly find me on www dot Patrickstroudwick

755
00:53:21.119 --> 00:53:25.719
<v Speaker 7>dot com. My handle on Twitter is Patrick strutt also

756
00:53:25.760 --> 00:53:30.119
<v Speaker 7>on Instagram as Patrick Strudwick and I'm a special correspondent

757
00:53:30.239 --> 00:53:33.800
<v Speaker 7>for ipaper in Britain, so you can find me at

758
00:53:34.000 --> 00:53:35.679
<v Speaker 7>bynews dot co dot UK.

759
00:53:36.000 --> 00:53:38.760
<v Speaker 3>Thank you so much, Patrick Strudwick for coming on and

760
00:53:38.800 --> 00:53:44.559
<v Speaker 3>talking about your original Audible series White Smoke, America's Chemsexkiller

761
00:53:44.760 --> 00:53:46.840
<v Speaker 3>My Pleasure. Thank you so much for this interview.

762
00:53:47.079 --> 00:53:48.559
<v Speaker 7>Thank you so much for having me down.

763
00:53:48.599 --> 00:53:48.960
<v Speaker 8>Good Night,
