WEBVTT 1 00:00:00.720 --> 00:00:04.280 You're listening to Later with Moe Kelly on demand from 2 00:00:04.400 --> 00:00:06.040 KFI AM six forty so. 3 00:00:06.120 --> 00:00:06.879 Later with mo Kelly. 4 00:00:06.879 --> 00:00:10.320 We're live everywhere in the iHeartRadio app and on YouTube. 5 00:00:10.759 --> 00:00:16.120 And over the weekend, Tuala, me and Stefan all went 6 00:00:16.160 --> 00:00:19.839 to see Thunderbolts. I was seeing it for the second time. 7 00:00:20.440 --> 00:00:23.320 Tawala was seeing it. I now found out for the 8 00:00:23.399 --> 00:00:27.000 second time. Thunderbolts is the number one movie in America 9 00:00:27.039 --> 00:00:30.800 with seventy four million dollars domestic gross another eighty six 10 00:00:30.839 --> 00:00:34.320 million internationally for a total of one hundred and sixty million. 11 00:00:34.679 --> 00:00:39.200 To give you some context, that is behind, if you will, 12 00:00:39.679 --> 00:00:43.200 what Captain America Brave New World did in its first 13 00:00:43.200 --> 00:00:48.439 weekend on a per screen average basis, total box office 14 00:00:48.479 --> 00:00:53.759 basis screen average basis. It is not performing as well 15 00:00:54.439 --> 00:00:58.439 as some would have hoped coming after Captain America Brave 16 00:00:58.479 --> 00:01:01.560 New World. But the critics review use are glowing for 17 00:01:01.600 --> 00:01:04.680 the most part, saying it has heart, Marvel is back, 18 00:01:04.719 --> 00:01:08.000 It's what Marvel movies used to be, but the box 19 00:01:08.079 --> 00:01:12.840 office response hasn't matched it yet. I said on Friday, 20 00:01:12.840 --> 00:01:14.920 when Mark Ronnerd was reviewing it as part of his 21 00:01:15.040 --> 00:01:15.680 RUNA report. 22 00:01:15.920 --> 00:01:16.439 I liked it. 23 00:01:16.480 --> 00:01:18.640 I really did enough to see it a second time, clearly, 24 00:01:19.079 --> 00:01:22.560 but I didn't love it. And you know, unless you're 25 00:01:22.560 --> 00:01:25.280 going to go into our Nerdorama segment with us that 26 00:01:25.359 --> 00:01:28.920 we do as a separate podcast, too much to discuss. 27 00:01:29.319 --> 00:01:32.799 But overall, I would say the summer box office, because 28 00:01:32.799 --> 00:01:35.920 we're now into the summer box office season, regardless of 29 00:01:35.959 --> 00:01:38.719 the season not changing, it is off to a pretty 30 00:01:38.719 --> 00:01:39.280 good start. 31 00:01:39.920 --> 00:01:44.159 I would say with Thunderbolts, which I liked the first time, 32 00:01:44.400 --> 00:01:47.439 I liked even more the second time. I really liked 33 00:01:47.480 --> 00:01:50.040 the film, and I do believe that it is a 34 00:01:50.079 --> 00:01:55.879 return to what Marvel is really really good at, putting heartfelt, 35 00:01:55.920 --> 00:01:59.799 action filled fun stories on the big screen. They put 36 00:02:00.079 --> 00:02:03.920 movies on their big screen that satisfy all the quoteras 37 00:02:03.959 --> 00:02:06.920 for going to go and see a movie. Escapism takes 38 00:02:06.959 --> 00:02:09.400 you to another world, shows you some things that you 39 00:02:09.520 --> 00:02:13.000 didn't see before. But with this film, and I understand 40 00:02:13.080 --> 00:02:18.000 why this film is not maybe taking off as much 41 00:02:18.039 --> 00:02:21.759 as most because this is a film that is primarily 42 00:02:21.840 --> 00:02:26.759 focused around bad guys within the Marvel cinematic universe. There 43 00:02:26.800 --> 00:02:30.039 are no heroes in this film to speak of. This 44 00:02:30.080 --> 00:02:33.479 is a film that anyone who is even tangentially familiar 45 00:02:33.520 --> 00:02:36.840 with the Marvel cinematic universe. Knows all these people are 46 00:02:36.840 --> 00:02:40.280 bad guys, and they aren't bad guys who had a 47 00:02:40.319 --> 00:02:44.520 lot of story behind them in their initial entry. This 48 00:02:44.599 --> 00:02:50.439 film successfully fleshes out these characters. There is one character 49 00:02:50.479 --> 00:02:53.120 who maybe in the series Falcon in the Winter soldier 50 00:02:53.800 --> 00:02:58.000 US agent John Walker played by White Russell. 51 00:02:58.120 --> 00:03:01.360 Kurt Russell Kur guests in that series. 52 00:03:01.479 --> 00:03:05.120 Everyone hated him unanimously, and he was supposed to be 53 00:03:05.120 --> 00:03:10.400 because he was a dislikable, detestable character. This film actually 54 00:03:10.400 --> 00:03:12.960 made him out to be someone that you're like, Damn, man, 55 00:03:13.199 --> 00:03:14.400 I could have a dream with that guy. 56 00:03:14.400 --> 00:03:16.560 He's actually pretty cool. 57 00:03:16.639 --> 00:03:20.719 And I think that was the glowing and resounding thing 58 00:03:20.800 --> 00:03:22.719 for me that I'm like, man, this has a lot 59 00:03:22.759 --> 00:03:23.080 of heart. 60 00:03:23.120 --> 00:03:23.280 Man. 61 00:03:23.360 --> 00:03:26.439 I actually grew to like these characters even more in 62 00:03:26.479 --> 00:03:27.479 this film. 63 00:03:27.759 --> 00:03:31.039 Also, I liked the second generation aspect. You had Wyatt Russell, 64 00:03:31.080 --> 00:03:34.039 who was Kurt Russell's son. You also had Lewis Pullman, 65 00:03:34.039 --> 00:03:37.280 who was Bill Pullman's son, who played Century spot On 66 00:03:37.439 --> 00:03:40.759 just like his dad was White Russell too. 67 00:03:40.879 --> 00:03:44.680 Yeah, I was like, is this a CGI rendering of 68 00:03:44.840 --> 00:03:46.159 the DH mill Fullman. 69 00:03:46.439 --> 00:03:47.840 Yes, wild, the. 70 00:03:47.879 --> 00:03:51.599 Way he smiled, his facial expressions looked just like dad. 71 00:03:52.000 --> 00:03:54.599 Their dads were both in Tombstone together, by the way. 72 00:03:55.400 --> 00:03:57.280 That's true. That is true. 73 00:03:57.759 --> 00:04:02.639 Yes, another generation of acting, and it's fun It's almost 74 00:04:02.719 --> 00:04:05.360 funny because when I look at Wyat Russell when I was, 75 00:04:05.680 --> 00:04:08.479 there are times where he sounds so much like Kurt Russell. 76 00:04:08.680 --> 00:04:10.879 It was uncanny. I thought he was almost doing an 77 00:04:10.879 --> 00:04:14.879 impression of his father. And it makes for his character 78 00:04:14.960 --> 00:04:17.839 because I look at that as like, okay, you are 79 00:04:19.360 --> 00:04:22.000 not like a pale imitation, but he wants to be 80 00:04:22.800 --> 00:04:26.319 Captain America. He sounds like Kurt Russell, but he's not 81 00:04:26.519 --> 00:04:29.160 there yet. Yeah, yeah, yeah, okay. I don't mean that 82 00:04:29.160 --> 00:04:33.319 as a what he's saying. But also they're sinners and 83 00:04:33.439 --> 00:04:36.319 Sinners came in at number three this week, and despite 84 00:04:36.319 --> 00:04:39.439 what anyone may have to say about that movie, it 85 00:04:39.639 --> 00:04:42.879 has legs that means a lot for the box office. 86 00:04:43.399 --> 00:04:47.360 It's now up to one hundred and eighty million dollars domestically. 87 00:04:47.519 --> 00:04:51.000 It's still doing well internationally with fifty seven million. I 88 00:04:51.079 --> 00:04:56.639 say doing well because horror movies don't traditionally do well internationally, 89 00:04:56.959 --> 00:04:59.639 and you also have it's a black horror movie, which 90 00:05:00.319 --> 00:05:03.680 you know, there's really no precedent for that international success. 91 00:05:04.079 --> 00:05:06.600 It has a worldwide growth of two hundred and thirty 92 00:05:06.639 --> 00:05:10.120 seven million. Is the third week. It has not lost 93 00:05:10.120 --> 00:05:13.360 any theaters. It actually has increased theaters since it first 94 00:05:13.399 --> 00:05:16.639 came out, meaning it's going to be in theaters at 95 00:05:16.720 --> 00:05:18.399 least for another three four weeks. 96 00:05:18.639 --> 00:05:21.279 I look I applauded, I look forward to it. And 97 00:05:22.000 --> 00:05:25.759 if you missed it, an imax the Vista Theater is 98 00:05:25.800 --> 00:05:29.079 still showing it in seventy milimeters. You gotta see this 99 00:05:29.199 --> 00:05:31.199 film in its realist format. 100 00:05:31.399 --> 00:05:35.160 Why why is it that seventy millimeters makes for a 101 00:05:35.160 --> 00:05:36.519 better experience. 102 00:05:36.120 --> 00:05:38.959 Because it's what the film was shot in. So then 103 00:05:39.000 --> 00:05:41.279 you see the fullness of the picture. You see the 104 00:05:41.319 --> 00:05:44.959 fullness of everything that was being conveyed, and it's almost 105 00:05:45.040 --> 00:05:50.439 like it's like a wider aperture, wider aperture, clear, more 106 00:05:50.480 --> 00:05:55.000 crystal picture. Everything you see, the details, all the grains, everything, 107 00:05:55.439 --> 00:05:59.879 the sound, everything about it plays differently in its original format, 108 00:06:00.079 --> 00:06:03.279 and this is a film that's special for that. He said, 109 00:06:03.360 --> 00:06:06.240 I'm going to do this old school and I'm going 110 00:06:06.319 --> 00:06:09.600 to really bring back some serious filmmaking. And when you 111 00:06:09.680 --> 00:06:13.240 see it, at that aspect ratio. It's a treat yeah. 112 00:06:13.399 --> 00:06:17.040 Number Number four this week, excuse me. Number three this 113 00:06:17.040 --> 00:06:20.720 week was a Minecraft movie. Number four was The Accountant two. 114 00:06:21.439 --> 00:06:25.079 Number five was Until Dawn. Number six The Amateur. I 115 00:06:25.120 --> 00:06:27.839 still haven't gotten around to see that. I've heard varying 116 00:06:27.879 --> 00:06:29.959 reviews on it, but I still want to see it. 117 00:06:30.639 --> 00:06:34.079 Number seven The King of Kings, number eight, Warfare, number 118 00:06:34.120 --> 00:06:37.199 nine Hit the Third Case, have no idea, and ten 119 00:06:37.319 --> 00:06:41.079 The Surfer, have no idea. But the box office is 120 00:06:41.120 --> 00:06:44.800 picking up for the summer, and this is when movie 121 00:06:44.800 --> 00:06:49.279 theaters need movies to perform and perform well so they 122 00:06:49.279 --> 00:06:52.519 will last longer in theaters and they will have more 123 00:06:52.560 --> 00:06:54.879 of an attendance during the week for the theaters. 124 00:06:55.240 --> 00:06:58.759 And already with my mic on and already Disney is 125 00:06:58.800 --> 00:07:01.879 already showing up and showing out as the leader as 126 00:07:01.920 --> 00:07:05.639 far as the film going experience, because we're starting off 127 00:07:05.639 --> 00:07:10.199 the summer arguably with the Thunderbolts, and then within the 128 00:07:10.240 --> 00:07:12.839 next few weeks, well the time Thunderbolts is starting to 129 00:07:12.839 --> 00:07:16.560 go out, you have the Leelo and Stitch coming in 130 00:07:16.920 --> 00:07:19.560 and then Leila's watching that. I'm just I'm just talking 131 00:07:19.600 --> 00:07:24.160 about well live action, so what's keeping the theater alive? 132 00:07:24.360 --> 00:07:27.519 Mo Lelo and STI. I'm not watching it, am I 133 00:07:27.639 --> 00:07:31.279 watch going into Fantastic four, I watch that, and then 134 00:07:31.399 --> 00:07:33.319 we get even more Disney stuff towards the end of 135 00:07:33.319 --> 00:07:35.720 the year. So again, everyone who wants to right God 136 00:07:35.839 --> 00:07:38.279 Disney as woke, you better still hope they stay woke. 137 00:07:38.120 --> 00:07:42.439 Because because if Disney doesn't do well, your favorite movie 138 00:07:42.439 --> 00:07:43.399 theater will close. 139 00:07:43.879 --> 00:07:44.279 Period. 140 00:07:45.279 --> 00:07:48.959 End of discussion. Choose one. It's Later with mo Kelly. 141 00:07:49.079 --> 00:07:50.879 We have a Diddy update when we come back. KFIM 142 00:07:50.920 --> 00:07:53.560 six forty live everywhere in the iHeartRadio app and on YouTube. 143 00:07:53.560 --> 00:07:55.360 Get into the chat. Let's have the fun. 144 00:07:56.040 --> 00:08:02.000 You're listening to Later with mo Kelly on demand from Kei. 145 00:08:03.160 --> 00:08:03.600 Kfi. 146 00:08:03.759 --> 00:08:06.399 Mister Mokelly, We're live everywhere in the iHeartRadio app and 147 00:08:06.600 --> 00:08:09.519 on YouTube app. Mister mo Kelly, make sure you drop 148 00:08:09.600 --> 00:08:13.480 by the YouTube stream. You can obviously subscribe for free. 149 00:08:13.560 --> 00:08:17.079 You can also like and share, and when you subscribe 150 00:08:17.199 --> 00:08:19.680 it makes it easier to find Next time. It'll come 151 00:08:19.800 --> 00:08:22.360 up just as you're looking for the show and you 152 00:08:22.399 --> 00:08:23.399 can jump into the chat. 153 00:08:23.480 --> 00:08:24.399 Have all sorts of fun. 154 00:08:24.439 --> 00:08:27.720 We have polls every single segment and there's a community 155 00:08:27.800 --> 00:08:31.160 amongst itself, where people talk to each other, say hello, 156 00:08:31.279 --> 00:08:34.399 they have conversations unrelated to the show. It's a really 157 00:08:34.480 --> 00:08:37.919 really good experience. So join the YouTube chat and the 158 00:08:37.960 --> 00:08:42.519 YouTube experience. Something else that we've been following for many months, 159 00:08:42.519 --> 00:08:46.200 more than a year now, the whole P Diddy saga 160 00:08:47.159 --> 00:08:51.639 and jury selection began today in his federal racketeering sex 161 00:08:51.799 --> 00:08:55.480 trafficking case. I don't know what's going to happen, but 162 00:08:55.600 --> 00:08:58.679 I do know it's probably no chance in hell that 163 00:08:58.720 --> 00:09:02.120 they're going to be able to find jury members who 164 00:09:02.159 --> 00:09:07.879 don't have some level of awareness or association with the 165 00:09:08.000 --> 00:09:11.120 career and fame of Sean P. 166 00:09:11.279 --> 00:09:11.879 Ditty comes. 167 00:09:11.919 --> 00:09:14.200 I don't know if that's just possible, even if you 168 00:09:14.279 --> 00:09:18.840 weren't directly following the case. It has been major news 169 00:09:19.240 --> 00:09:21.799 for the past year or so. It's been discussed on 170 00:09:21.879 --> 00:09:26.480 talk radio that it's been discussed on public TV. It's 171 00:09:26.480 --> 00:09:31.480 been discussed on obviously commercial TV and cable TV streaming. 172 00:09:31.559 --> 00:09:33.639 There's no way you can get around it. TMZ has 173 00:09:33.679 --> 00:09:36.759 had a documentary about it already. There's no way that 174 00:09:36.840 --> 00:09:40.639 you don't know something about Sean p Didty Kulmmes because 175 00:09:40.639 --> 00:09:44.039 he's been in the public eye for the past thirty years. Easy, 176 00:09:44.039 --> 00:09:45.960 we're at the same age, we're born the same month. 177 00:09:46.159 --> 00:09:49.159 He's maybe twenty days older than me. I say that 178 00:09:49.279 --> 00:09:54.080 to say it's going to be very difficult for Diddy 179 00:09:54.240 --> 00:09:57.720 to not get a jury who has not had some 180 00:09:57.799 --> 00:09:59.559 sort of exposure. 181 00:09:59.399 --> 00:10:00.279 To this case. 182 00:10:00.840 --> 00:10:04.879 And despite what anyone may think about him, that is 183 00:10:04.879 --> 00:10:07.200 not going to help his cause in any way. I mean, 184 00:10:08.279 --> 00:10:10.039 I don't know if they're going to get a conviction 185 00:10:10.279 --> 00:10:14.000 or to what degree, but I do know it's more 186 00:10:14.120 --> 00:10:17.120 likely than not that he will probably be convicted because 187 00:10:17.399 --> 00:10:20.679 what we hear about the case is so very heinous, 188 00:10:20.840 --> 00:10:22.840 and depending on what's going to be allowed as far 189 00:10:22.840 --> 00:10:30.000 as witness testimony or witnesses testimonies could be also probative 190 00:10:30.159 --> 00:10:32.840 and prejudicial, depends on what they allow in or what 191 00:10:32.919 --> 00:10:35.639 they disallow. I don't know whether he's going to be 192 00:10:35.679 --> 00:10:39.000 able to get past this because just from what we 193 00:10:39.080 --> 00:10:43.879 know publicly, there's no telling what prosecutors know which has 194 00:10:44.039 --> 00:10:46.440 not been revealed because they didn't want that evidence to 195 00:10:46.480 --> 00:10:50.679 get out. There's evidence that they use to secure the indictment, 196 00:10:50.960 --> 00:10:53.320 but that's not all the evidence they have. That's not 197 00:10:53.360 --> 00:10:55.919 the evidence which is going to get a conviction, and 198 00:10:56.000 --> 00:11:00.840 I'm inclined to believe there's more video tape, more witnesses, 199 00:11:01.399 --> 00:11:08.039 there's more testimony, there's more seemingly unbelievable accounts of what 200 00:11:08.399 --> 00:11:11.840 did he allegedly did to a number of people. Now, 201 00:11:12.240 --> 00:11:15.639 what is helping Diddy in my analysis, is that some 202 00:11:15.759 --> 00:11:19.879 people who may know about Diddy may not understand the 203 00:11:19.879 --> 00:11:23.840 difference between a freak off and the alleged criminality because 204 00:11:23.879 --> 00:11:25.720 I hear it from my friends they say, well, this 205 00:11:25.879 --> 00:11:28.799 was just consensual sex. Well, he's not being charged with 206 00:11:28.879 --> 00:11:32.440 consensual sex. He's not being charged with having freak offs 207 00:11:32.519 --> 00:11:37.200 or sex parties. He's charged with racketeering and sex trafficking. 208 00:11:37.799 --> 00:11:41.279 And when you have those charges, that says to me, 209 00:11:41.679 --> 00:11:45.600 especially in federal cases, there's a lot of digital evidence, 210 00:11:45.919 --> 00:11:49.720 probably video evidence and more, which is going to be 211 00:11:49.759 --> 00:11:52.080 corroborated by testimonial evidence. 212 00:11:52.679 --> 00:11:53.480 Yeah, definitely. 213 00:11:53.519 --> 00:11:59.879 They have some form of wire tracking of transfers of money, 214 00:12:00.320 --> 00:12:04.039 and all they needed was just a few a few 215 00:12:04.279 --> 00:12:08.960 of the alleged victims to step up to corroborate not 216 00:12:09.480 --> 00:12:13.519 stories against Diddy, but coroborate evidence that they had to say, Hey, 217 00:12:13.960 --> 00:12:16.759 is this you were? You moved from this day to 218 00:12:16.799 --> 00:12:19.519 this day for the purpose of X, Y and Z. Yes, 219 00:12:19.720 --> 00:12:22.759 here's the proof. That's it. Let me give an example, 220 00:12:23.279 --> 00:12:25.600 and don't ask me how I know why this is. 221 00:12:26.000 --> 00:12:27.080 Just let me give you an example. 222 00:12:27.399 --> 00:12:34.480 Let's say, for hypothetically speaking, that Diddy hired some sex 223 00:12:34.559 --> 00:12:40.559 workers in New Jersey to come perform air quotes at 224 00:12:40.600 --> 00:12:44.559 a party in New York, the state of New York. 225 00:12:45.320 --> 00:12:47.480 That's crossing sex state lines. 226 00:12:47.919 --> 00:12:53.960 That is sex trafficking, whether the eventual sex was consensual 227 00:12:54.919 --> 00:12:55.200 or not. 228 00:12:56.480 --> 00:12:59.240 So there are levels to this, as they say. 229 00:12:59.200 --> 00:13:02.679 If his company, the company that he is the head of, 230 00:13:03.080 --> 00:13:07.600 that he signs checks for every single thing that goes out, Okay, 231 00:13:07.799 --> 00:13:10.279 doesn't matter who he has working under him, who may 232 00:13:11.159 --> 00:13:13.399 draft the check, he's got to sign off on it. 233 00:13:13.799 --> 00:13:19.559 If he has a stable of talent in New York 234 00:13:20.039 --> 00:13:23.559 and he is going to a music convention in Miami, 235 00:13:23.840 --> 00:13:26.200 and he has some of this talent in New York 236 00:13:26.320 --> 00:13:30.279 that he's familiar with fly down to Miami to perform 237 00:13:30.320 --> 00:13:35.159 at a party, and I only can can speculate what 238 00:13:35.399 --> 00:13:38.639 happened at the party, even though my speculation comes by 239 00:13:38.679 --> 00:13:42.519 way of seeing, okay seeing it, actually seeing the things 240 00:13:42.519 --> 00:13:46.279 that happen at one of these parties funded by his company. 241 00:13:46.360 --> 00:13:48.639 You've been to a Didty party, I've been to a 242 00:13:48.720 --> 00:13:50.799 Diddy party. I have not been to the freak Offs, 243 00:13:50.840 --> 00:13:53.720 but I can tell you the public facing portions of 244 00:13:53.759 --> 00:13:56.480 the party, a lot of sexual stuff was going on. 245 00:13:56.559 --> 00:13:59.440 It's a lot at just the public facing. You don't 246 00:13:59.480 --> 00:14:02.360 have to get invitation to the Apple party. I don't 247 00:14:02.399 --> 00:14:04.480 know what has happened in any freak Off. I don't 248 00:14:04.519 --> 00:14:05.480 know to what extent. 249 00:14:05.759 --> 00:14:09.519 All I know is I have seen talent enter a 250 00:14:09.679 --> 00:14:15.440 room and perform acts of sex for record executives in DJs. 251 00:14:15.480 --> 00:14:17.200 I've seen this firsthand. 252 00:14:18.000 --> 00:14:21.559 So all I'm saying is, even if he wasn't aware 253 00:14:22.639 --> 00:14:26.519 of these things happening, someone in this company said hey, 254 00:14:26.919 --> 00:14:29.200 here's a line item, I need us to pay this, 255 00:14:29.639 --> 00:14:32.799 and that in there could be the smoking gut. 256 00:14:32.919 --> 00:14:39.200 Awareness does not absolve someone of responsibility or culpability. 257 00:14:39.480 --> 00:14:44.519 Now, if he can prove that he not only had 258 00:14:44.559 --> 00:14:47.120 no idea, but had nothing to do with the money, 259 00:14:47.159 --> 00:14:49.879 and these are individuals that just happened to work for him, 260 00:14:50.600 --> 00:14:52.559 I don't know. Maybe that is why he is putting 261 00:14:52.559 --> 00:14:54.679 in the not guilty plea, because he's like, look, my 262 00:14:54.759 --> 00:14:58.200 hands are clean. That was Joe Blow, and Joe Blow 263 00:14:58.240 --> 00:15:00.000 is the one who did it all on Joe Blow. 264 00:15:00.639 --> 00:15:05.519 This is not unlike This is not unlike the trial, 265 00:15:05.879 --> 00:15:09.559 the Manhattan trial with Donald Trump, where you have to 266 00:15:09.600 --> 00:15:13.639 be able to prove a connection to the money which 267 00:15:13.799 --> 00:15:18.799 was moved or used for a certain particular act. That's 268 00:15:18.840 --> 00:15:21.080 what the federal prosecutors are going to have to do. 269 00:15:21.399 --> 00:15:25.399 And since I know that they got the indictment, there's 270 00:15:25.480 --> 00:15:28.440 something to it, they'll have some evidence to back it up, 271 00:15:28.480 --> 00:15:31.440 because you just can't get a federal indictment just because 272 00:15:31.440 --> 00:15:33.759 you don't like P Diddy or you think he's guilty 273 00:15:33.759 --> 00:15:36.159 of something. They're not going to sign off on the 274 00:15:36.200 --> 00:15:39.080 grand jury and got the grand jury, they got the 275 00:15:39.120 --> 00:15:41.879 true bill and so, and now it's going to trial. 276 00:15:42.559 --> 00:15:45.720 Now they're going to have the actual jury hear this evidence. 277 00:15:45.840 --> 00:15:47.679 Don't know how it's going to turn out, but the 278 00:15:47.679 --> 00:15:50.720 odds are against P Diddy. It's Later with mokel and 279 00:15:50.720 --> 00:15:53.519 we're going to talk about Lady Gaga and that concert 280 00:15:53.759 --> 00:15:59.120 bomb plot, which to me was amazing but not actually 281 00:15:59.159 --> 00:16:00.919 surprising playing in just a moment. 282 00:16:01.759 --> 00:16:05.360 You're listening to Later with Moe Kelly on demand from 283 00:16:05.440 --> 00:16:06.720 KFI AM six. 284 00:16:06.720 --> 00:16:13.120 Forty KFI mister mo Kelly live everywhere in the iHeartRadio 285 00:16:13.159 --> 00:16:16.240 app and YouTube. Eileen Gonzalez is getting a lot of 286 00:16:16.279 --> 00:16:19.080 love in the chat. Some of this make it be uncomfortable, 287 00:16:19.080 --> 00:16:21.639 but she's getting a lot of love, a lot of love. 288 00:16:21.879 --> 00:16:22.200 Eileen. 289 00:16:22.279 --> 00:16:25.600 Welcome to the utube stream. And originally we didn't think 290 00:16:25.600 --> 00:16:27.399 you were going to be joining us on the YouTube stream. 291 00:16:27.440 --> 00:16:29.799 We thought, since you're filling in for Mark, you may 292 00:16:29.840 --> 00:16:34.440 not want all the complexities of a camera and how 293 00:16:34.440 --> 00:16:36.440 that might impact your your newscast. 294 00:16:36.519 --> 00:16:38.200 You said, no, no, no, bring on a camera, bring it on, 295 00:16:38.279 --> 00:16:40.279 bring it on. Yeah, like I said, I did news 296 00:16:40.320 --> 00:16:41.039 for twenty years. 297 00:16:41.240 --> 00:16:44.679 No, biggie, alrighty, I absolutely love it. So you're you're 298 00:16:44.720 --> 00:16:46.759 gonna be with us permanently. We can get rid of Mark. 299 00:16:46.639 --> 00:16:50.960 Now, yep, okay, let's give it a b I absolutely 300 00:16:51.000 --> 00:16:51.360 love it. 301 00:16:51.840 --> 00:16:53.840 Part of the reason as we switch gear is part 302 00:16:53.840 --> 00:16:56.080 of the reason we like talking about music stories just 303 00:16:56.080 --> 00:16:59.120 because Tuala has a history connected to the music industry. 304 00:16:59.120 --> 00:17:01.519 I have a history connected to the music industry in 305 00:17:01.559 --> 00:17:04.480 different ways. He was in radio and I was in 306 00:17:04.519 --> 00:17:08.279 the music labels. But we came together when it came 307 00:17:08.359 --> 00:17:13.279 to concerts, especially either planning them or executing them. When 308 00:17:13.319 --> 00:17:16.160 I saw this story on the wire talking about there 309 00:17:16.200 --> 00:17:20.000 was a plot to bomb a free Lady Gaga concert 310 00:17:20.400 --> 00:17:24.559 this past Saturday in Brazil, it brought to mind a 311 00:17:24.599 --> 00:17:28.119 lot of concerts and concerns that I've had over the 312 00:17:28.200 --> 00:17:31.200 years as far as scheduling a concert trying to and 313 00:17:31.240 --> 00:17:34.880 it's not necessarily even on a terrorism level, we had 314 00:17:35.240 --> 00:17:38.400 gain problems that we had to worry about. This artist 315 00:17:38.519 --> 00:17:41.240 was affiliated with this gang, and these other gangs were 316 00:17:41.279 --> 00:17:44.200 coming to town or coming to the concert and may 317 00:17:44.200 --> 00:17:45.839 shoot up the play. So I think about all these 318 00:17:45.880 --> 00:17:48.359 things that you have to worry about, separate and distinct 319 00:17:48.799 --> 00:17:50.839 the actual artists getting there and performing. 320 00:17:51.440 --> 00:17:56.759 I remember after nine to eleven, every single concert that 321 00:17:56.799 --> 00:18:01.480 we did after that, every vehicle had to be thoroughly screened. 322 00:18:01.519 --> 00:18:04.799 I'm talking cops with them were coming into artists check 323 00:18:04.839 --> 00:18:07.480 in and they got the mirrors underneath the cars, they 324 00:18:07.559 --> 00:18:11.599 got the dogs sniffing up complace. And now it's commonplace. 325 00:18:11.680 --> 00:18:15.279 But I remember beforehand, we were just you know, extreme 326 00:18:15.400 --> 00:18:18.359 pat downs and things like that. After nine to eleven, 327 00:18:18.880 --> 00:18:24.720 concert and venue security it became like getting into Fort Knocks, 328 00:18:25.000 --> 00:18:27.680 and it has not changed. It from my understanding, as 329 00:18:27.680 --> 00:18:31.480 far as producing concerts, that's one of the biggest expenses. 330 00:18:31.920 --> 00:18:35.400 It is the insurance involved and trying to prepare for, 331 00:18:35.839 --> 00:18:40.319 unfortunately the unthinkable. But you have to think about it 332 00:18:40.359 --> 00:18:43.480 in advance. And I I'm so glad nothing happened. Let 333 00:18:43.519 --> 00:18:47.400 me be absolutely clear, But according to the story, it says, quote, 334 00:18:47.440 --> 00:18:51.759 the network promoted the rad radicalization of adolescents, the dissemination 335 00:18:51.839 --> 00:18:54.880 of hate crimes, self mutilation, and violent content as a 336 00:18:54.920 --> 00:18:58.319 form of belonging in defiance among young people. And that's 337 00:18:58.319 --> 00:19:02.880 from a press the least talking about how they managed 338 00:19:02.920 --> 00:19:07.519 to dismantle a criminal network that operated online. It's always 339 00:19:07.519 --> 00:19:11.599 been my concern, personal concern when going to a concert 340 00:19:11.720 --> 00:19:15.640 or a large venue something like that possibly happening. And 341 00:19:16.240 --> 00:19:19.920 mind you, this is something that we happen to know about. 342 00:19:20.200 --> 00:19:22.319 I'm quite sure there are plenty of other concerts or 343 00:19:22.720 --> 00:19:27.839 plenty other plots which were thwarted or just stopped at 344 00:19:27.880 --> 00:19:30.880 some point in the process, and we the general public 345 00:19:31.079 --> 00:19:32.400 just never knew about it. 346 00:19:32.400 --> 00:19:36.279 It's tough because working behind the scenes and working so 347 00:19:36.359 --> 00:19:39.599 closely with security in the past and working to make 348 00:19:39.680 --> 00:19:43.759 sure that venues are safe. After a while, you can't 349 00:19:43.839 --> 00:19:47.680 go anywhere without first eyebaw on the exits, you know, 350 00:19:47.759 --> 00:19:50.640 looking at the crowd, looking at the dotations of the security, 351 00:19:50.880 --> 00:19:52.359 making sure that everything is on point. 352 00:19:52.519 --> 00:19:53.039 And it's tough. 353 00:19:53.079 --> 00:19:56.000 I can't ever just go and enjoy a show without 354 00:19:56.519 --> 00:20:00.039 having to be in that mindset of like, okay, I 355 00:20:00.160 --> 00:20:02.480 was a security patrol on the floor. Is there enough 356 00:20:02.519 --> 00:20:03.440 adequate security? 357 00:20:04.160 --> 00:20:04.240 Oh? 358 00:20:04.319 --> 00:20:07.640 I see an incident over there? Where's security up? Okay, Okay, 359 00:20:07.680 --> 00:20:10.359 We're off to a bad start. This is the mindset 360 00:20:10.400 --> 00:20:12.559 that I now have, And when I see this story, 361 00:20:12.680 --> 00:20:15.079 I'm like, yeah, yeah, of course. 362 00:20:15.279 --> 00:20:17.400 I walk into a room if there are a lot 363 00:20:17.440 --> 00:20:20.880 of people, and I'm thinking like, okay, where the exits, 364 00:20:21.319 --> 00:20:26.920 Like you, is there adequate security? I'm looking at generally 365 00:20:26.960 --> 00:20:30.880 the clientele who looks out of place, and if something 366 00:20:31.000 --> 00:20:35.480 jumps off, where where's my first route of escape. It's 367 00:20:35.480 --> 00:20:38.039 one thing to recognize where the exits are. It's another 368 00:20:38.119 --> 00:20:41.279 thing to know that or position yourself accordingly where you 369 00:20:41.319 --> 00:20:44.279 can actually get there. Because I've seen and there are 370 00:20:44.279 --> 00:20:46.359 another things you have to worry about. It could be 371 00:20:46.720 --> 00:20:50.359 a mass shooting, it could be a domestic violence situation. 372 00:20:50.440 --> 00:20:53.000 I've seen that, and that escalates out of control. It 373 00:20:53.039 --> 00:20:55.519 could be an act of terrorism, it could be just 374 00:20:55.559 --> 00:20:57.759 some a fight that breaks out and people start running. 375 00:20:57.880 --> 00:20:59.279 I can't tell you how many times I've been in 376 00:20:59.319 --> 00:21:02.720 a movie theater like outside and either to be someone 377 00:21:02.799 --> 00:21:06.200 shooting or someone starts running. And if you've ever been 378 00:21:06.200 --> 00:21:08.920 in that situation when someone starts running, you don't stop. 379 00:21:08.680 --> 00:21:11.279 To say, hey, what's going on here? Why is everyone running? 380 00:21:11.440 --> 00:21:13.160 No, you better run your ass too to get away 381 00:21:13.200 --> 00:21:16.799 from whatever is going on over there. And then people 382 00:21:16.880 --> 00:21:18.079 might end up getting trampled. 383 00:21:18.720 --> 00:21:19.279 Yeah. 384 00:21:19.519 --> 00:21:22.759 Unfortunately, I know there are some who would say, well, 385 00:21:22.759 --> 00:21:26.160 it's Lady Gaga. Lady Gaga, she may have attracted it 386 00:21:26.200 --> 00:21:28.759 because of her imagery and some of the things. 387 00:21:28.960 --> 00:21:30.599 It ain't got nothing to do with Lady Gaga. 388 00:21:31.359 --> 00:21:33.440 It just happened to be that she was doing a 389 00:21:33.599 --> 00:21:37.279 humongoush show and it would have made the perfect target 390 00:21:37.519 --> 00:21:40.200 for anyone to make a name for themselves. But this 391 00:21:40.240 --> 00:21:43.480 could happen to anyone your favorite artists if they are 392 00:21:43.640 --> 00:21:45.200 huge and drawing a big crowd. 393 00:21:45.400 --> 00:21:47.839 I promise you this a crowd. They are at a target. Yeah, 394 00:21:47.880 --> 00:21:50.880 it's the crowd, it's not the artist. If you got 395 00:21:50.960 --> 00:21:53.279 fifty thousand people who were captive and I mean that 396 00:21:53.640 --> 00:21:56.240 a captive audience of fifty thousand people or however how 397 00:21:56.279 --> 00:21:58.960 many inherently they're a target. 398 00:21:59.400 --> 00:22:01.240 Oh, I have to go and look it up. 399 00:22:01.240 --> 00:22:04.920 But there was I remember when the Taylor Swift tour 400 00:22:05.079 --> 00:22:08.400 was up and running that there were plenty of threats 401 00:22:08.519 --> 00:22:11.279