1 00:00:00,400 --> 00:00:03,040 Speaker 1: This is from r Langthorn from Vices, Inc. And you're 2 00:00:03,080 --> 00:00:06,960 listening to Matt Connorton Unleashed on ninety five point three 3 00:00:07,040 --> 00:00:08,320 w M N H. 4 00:00:29,000 --> 00:00:32,000 Speaker 2: Can get you out of my mind. 5 00:00:33,520 --> 00:00:49,000 Speaker 3: Inverursin, I'm still trying, Oh night, I can't get you 6 00:00:49,439 --> 00:00:51,000 out of my mind. 7 00:00:53,039 --> 00:00:59,600 Speaker 4: I screwed up and live now you won. 8 00:01:01,000 --> 00:01:01,880 Speaker 5: Can I? 9 00:01:05,159 --> 00:01:14,920 Speaker 6: Oh? Won't you come in. 10 00:01:14,480 --> 00:01:16,439 Speaker 5: To my reality? 11 00:01:26,159 --> 00:01:28,280 Speaker 4: Please help come make. 12 00:01:28,599 --> 00:01:29,719 Speaker 5: This man out. 13 00:01:50,280 --> 00:01:52,079 Speaker 2: I can't get you. 14 00:01:51,920 --> 00:01:53,400 Speaker 7: Out of my mind. 15 00:01:55,079 --> 00:01:58,439 Speaker 4: My thoughts are twisted and time. 16 00:02:00,159 --> 00:02:09,479 Speaker 3: Wish I had made the best of card tip. This 17 00:02:09,759 --> 00:02:16,000 school has still a lot of This school has still 18 00:02:16,039 --> 00:02:17,159 a lot. 19 00:02:16,759 --> 00:02:17,199 Speaker 8: Of t. 20 00:02:19,439 --> 00:02:23,680 Speaker 4: Now this fool wishes to take your way. 21 00:02:29,639 --> 00:02:29,840 Speaker 9: Light. 22 00:02:33,840 --> 00:02:37,560 Speaker 4: Won't you come see my purse. 23 00:02:44,000 --> 00:02:44,919 Speaker 2: Light dreams? 24 00:02:47,759 --> 00:02:51,639 Speaker 4: Please help come make this man out of. 25 00:03:03,800 --> 00:03:24,120 Speaker 7: Thanks. 26 00:03:30,199 --> 00:04:05,439 Speaker 2: Time can't get you out of my God. 27 00:04:06,840 --> 00:04:13,039 Speaker 3: Maybe it's because you're so kind a. 28 00:04:12,759 --> 00:04:16,399 Speaker 5: Little starting at night. 29 00:04:21,439 --> 00:04:23,920 Speaker 4: It's because I wasn't. 30 00:04:23,879 --> 00:04:33,639 Speaker 3: Ready and I let the scene, but I would go 31 00:04:34,600 --> 00:04:37,879 to share the same thing. 32 00:04:41,720 --> 00:04:47,639 Speaker 2: Nineteen won't you call it? 33 00:04:56,040 --> 00:05:03,519 Speaker 4: Ninet shelf? Complete spin out of. 34 00:05:25,439 --> 00:05:26,000 Speaker 7: Cheese. 35 00:05:43,079 --> 00:05:49,959 Speaker 3: I can't get you out of my base. 36 00:05:53,040 --> 00:05:55,959 Speaker 7: Let me get you out of my bride. 37 00:06:07,279 --> 00:06:09,399 Speaker 1: Oh my god, what a cool song that is? All 38 00:06:09,480 --> 00:06:13,560 night Dreams by Tyler Allgood. This is the world radio 39 00:06:13,759 --> 00:06:16,439 premiere of that track that has not been heard on 40 00:06:16,519 --> 00:06:20,000 the radio anywhere else until now. Very very cool, and 41 00:06:20,120 --> 00:06:23,160 we might even if we're lucky, we might get to 42 00:06:23,199 --> 00:06:26,639 hear that live later because Tyler Allgood is going to 43 00:06:26,720 --> 00:06:29,360 be here with us today. But welcome everybody. This is 44 00:06:29,480 --> 00:06:32,639 Matt Connorton Unleashed and we're live from the studios of 45 00:06:33,199 --> 00:06:37,680 WMNH ninety five point three FM in Glorious Manchester, New Hampshire. 46 00:06:37,720 --> 00:06:42,040 Today is Saturday, February eight, twenty twenty five, and I 47 00:06:42,199 --> 00:06:43,279 am not alone. 48 00:06:50,199 --> 00:06:56,040 Speaker 10: Jure, Good morning, Sunshine. 49 00:06:56,199 --> 00:06:58,759 Speaker 1: Jenny is here at the news table, present. 50 00:06:58,560 --> 00:07:02,759 Speaker 10: Accounted for Anna. Shout out, happy birthday. It's a Miriam 51 00:07:03,959 --> 00:07:05,439 celebrating her birthday today. 52 00:07:05,920 --> 00:07:10,439 Speaker 1: Yes, happy birthday, Miriam. Very nice, very nice. 53 00:07:12,079 --> 00:07:14,040 Speaker 10: A little bit with her having a little birthday celebration, 54 00:07:14,199 --> 00:07:14,920 it was quite lovely. 55 00:07:16,439 --> 00:07:19,759 Speaker 1: Well, I'm struggling with the audio. Everything everything sounds funny 56 00:07:19,800 --> 00:07:22,879 to me in my headphones. No, everything sounds strange. I 57 00:07:22,920 --> 00:07:24,040 think it's my ears. 58 00:07:24,800 --> 00:07:27,240 Speaker 10: Because your sinuses have been on strike. 59 00:07:27,399 --> 00:07:29,519 Speaker 1: Yeah a while now. My sinuses have been giving me 60 00:07:29,519 --> 00:07:31,839 a lot of problems, So I think everything just sounds strange, 61 00:07:31,920 --> 00:07:35,160 but it's like I'm having like I'm just having trouble hearing, 62 00:07:35,480 --> 00:07:37,160 like just in general, you know what I mean, Like 63 00:07:37,319 --> 00:07:38,800 I just I can't hear anything. 64 00:07:38,879 --> 00:07:40,959 Speaker 10: It's I do understand what that's like. This is why 65 00:07:41,120 --> 00:07:41,720 we're hearing me. 66 00:07:42,079 --> 00:07:42,319 Speaker 11: Yeah. 67 00:07:42,439 --> 00:07:45,839 Speaker 1: Yeah, it's kind of bizarre. But uh yeah. So so 68 00:07:45,959 --> 00:07:48,160 welcome everybody. So we did open with that new Tyler 69 00:07:48,199 --> 00:07:50,519 All good track. I love that song so much, the 70 00:07:50,920 --> 00:07:53,439 gorgeous World radio premiere. He's gonna be here with us 71 00:07:53,639 --> 00:07:56,120 in the second hour today along with Kate Shimkey and 72 00:07:56,240 --> 00:07:59,360 a couple of other people to talk about their new project. 73 00:07:59,519 --> 00:08:02,279 So really looking forward to that. In just a few minutes. 74 00:08:02,319 --> 00:08:04,439 In the first hour, we've got the band I don't 75 00:08:04,480 --> 00:08:06,800 know how to say their name, so we're gonna get clarification. 76 00:08:06,920 --> 00:08:09,680 I think it might be Rivia. It's capital. It's all 77 00:08:09,800 --> 00:08:12,720 caps our I V I A. Last week we did 78 00:08:12,759 --> 00:08:15,959 the World radio I'm sorry, the American radio premiere. They've 79 00:08:15,959 --> 00:08:18,040 already been played in the UK quite a bit, but 80 00:08:18,160 --> 00:08:21,439 we did the American radio premiere of their new single Fallen. 81 00:08:22,160 --> 00:08:22,279 Speaker 2: Uh. 82 00:08:22,600 --> 00:08:25,319 Speaker 1: Today we're gonna play well, we're gonna play it again 83 00:08:25,360 --> 00:08:26,839 in a couple of minutes. And then we're gonna talk 84 00:08:26,879 --> 00:08:28,680 to those guys. They're gonna be be with us via 85 00:08:28,800 --> 00:08:34,200 Skype all the way from Liverpool, yes, yes, uh. And 86 00:08:34,279 --> 00:08:36,759 then so then we've got Kate Shimkey and everybody in 87 00:08:36,840 --> 00:08:38,559 the second hour, and then in the third hour we 88 00:08:38,639 --> 00:08:41,159 have Jason Oberstein coming in. Really looking forward to that, 89 00:08:41,200 --> 00:08:42,919 and he's gonna play live for us and he's a 90 00:08:43,000 --> 00:08:43,840 very very busy guy. 91 00:08:44,320 --> 00:08:44,440 Speaker 12: Uh. 92 00:08:44,559 --> 00:08:46,600 Speaker 1: We should mention speaking of busy, so today is a 93 00:08:46,639 --> 00:08:48,200 big day too, because what are we going to be 94 00:08:48,240 --> 00:08:49,039 doing later today? 95 00:08:49,240 --> 00:08:51,639 Speaker 10: We are going to be going to the Mosaic Aren't 96 00:08:51,679 --> 00:08:55,919 Collective for the opening of Illusions, Yes, which is going 97 00:08:55,960 --> 00:08:59,679 to be an amazing display, yes of lost of different 98 00:08:59,759 --> 00:09:02,559 art work that has black light involved, glowing the dark 99 00:09:02,679 --> 00:09:05,639 involved things that might look different one way or the other. 100 00:09:05,879 --> 00:09:08,120 I'm really excited to see this. This is definitely a 101 00:09:08,159 --> 00:09:10,360 different show, so you should come out and join us. 102 00:09:11,519 --> 00:09:13,320 And I can't remember. 103 00:09:13,600 --> 00:09:16,120 Speaker 1: That's going to be at the Mosaic Art Collective that 104 00:09:16,320 --> 00:09:21,519 is right downtown here in Manchester. It's in the Daily 105 00:09:21,559 --> 00:09:25,000 Mirror Mirror, the Daily Mirror building on Hanover Street. 106 00:09:24,879 --> 00:09:28,679 Speaker 10: Yes, sixty six Hanover Street, Sweet Too one Air in 107 00:09:28,840 --> 00:09:31,879 Manchester and we will be there later on enjoying the 108 00:09:31,960 --> 00:09:35,279 show and enjoying the company of art lovers. So come 109 00:09:35,320 --> 00:09:39,279 on down and join us. The show opening starts I believe. 110 00:09:39,080 --> 00:09:42,759 Speaker 1: At four pm, and uh yeah, four to eight. 111 00:09:42,840 --> 00:09:44,679 Speaker 10: I believe we're at eight pm. And of course the 112 00:09:44,759 --> 00:09:46,720 snow is not going to be starting till later on tonight, 113 00:09:46,799 --> 00:09:48,440 so they used you plenty of time to come out, 114 00:09:48,879 --> 00:09:51,639 have a nice evening and enjoy some beautiful art from 115 00:09:51,799 --> 00:09:57,159 local independent artists. Oh sorry about that, you were accentuating 116 00:09:57,240 --> 00:09:57,720 my points. 117 00:09:58,159 --> 00:10:02,080 Speaker 1: I was, yes, And also to by the way, I 118 00:10:02,080 --> 00:10:05,039 see our friend Charles Richardson in the Facebook live chat. 119 00:10:05,759 --> 00:10:08,639 I had the privilege of being on his show this 120 00:10:08,919 --> 00:10:11,440 past What day was it, Oh it was Monday, right, 121 00:10:11,519 --> 00:10:14,519 it was Monday night. I was on Charles's show, and 122 00:10:14,679 --> 00:10:16,120 that is up and available. You can see it on 123 00:10:16,200 --> 00:10:17,600 Facebook and YouTube and everywhere. 124 00:10:17,960 --> 00:10:20,279 Speaker 10: Were you guys were having a conversation about hypnosis. 125 00:10:20,399 --> 00:10:22,440 Speaker 1: Yeah, we talked about hypnosis. We talked about some other 126 00:10:22,480 --> 00:10:25,039 things too, but hypnosis was the subject that Charles was 127 00:10:25,399 --> 00:10:28,799 particularly interested in learning more about. And for those who 128 00:10:28,840 --> 00:10:31,600 don't know, I am a certified hypnotherapist and so I'm 129 00:10:31,639 --> 00:10:33,840 always happy to talk about it. And no, we had 130 00:10:33,879 --> 00:10:36,559 a great conversation, so you can check that out that 131 00:10:36,639 --> 00:10:40,120 Charles richardson show. We also talked about our friend Day 132 00:10:40,559 --> 00:10:42,879 Day to Attend, who was here with us. Ye last 133 00:10:43,080 --> 00:10:45,759 week on the show, they were on their way to Portland, 134 00:10:45,840 --> 00:10:47,919 Maine to open for Ace Freeley, and I. 135 00:10:47,919 --> 00:10:49,679 Speaker 10: Saw some images from that. It looked like it was 136 00:10:49,720 --> 00:10:53,240 an incredible show. Yes, I'm so so happy for them. 137 00:10:53,279 --> 00:10:54,720 That had to be just amazing. 138 00:10:54,919 --> 00:10:56,840 Speaker 1: Yeah, we're very, very proud of those guys. 139 00:10:57,279 --> 00:10:59,879 Speaker 10: For those who are watching on the live feed, Matt 140 00:11:00,240 --> 00:11:02,759 sporting the Tyvy T shirt today. 141 00:11:02,840 --> 00:11:04,519 Speaker 1: Yeah, I've got my Lewis t Ivy T shirt. Speaking 142 00:11:04,559 --> 00:11:08,440 of a fine musicians from across the Pond, he's been 143 00:11:08,440 --> 00:11:10,200 a guest on the show. We Love Lewis Tivey. He 144 00:11:10,279 --> 00:11:12,399 sent us a whole he sent us a whole package 145 00:11:12,399 --> 00:11:14,519 of stuff. It was right fantastic. 146 00:11:14,840 --> 00:11:19,279 Speaker 10: I love being spoiled with sticks of all kinds of 147 00:11:19,320 --> 00:11:20,200 different things everywhere. 148 00:11:20,320 --> 00:11:22,000 Speaker 1: That's the real reason we do this T shirts. 149 00:11:22,000 --> 00:11:23,679 Speaker 10: And I just want all the stickers. 150 00:11:23,720 --> 00:11:26,559 Speaker 1: That's the real reason. Yeah, no, no, but no, he's amazing, 151 00:11:26,600 --> 00:11:28,720 He's amazing. But specifically I. 152 00:11:28,720 --> 00:11:30,759 Speaker 10: Should say that all the wonderful gifts that we get 153 00:11:30,960 --> 00:11:34,039 are displayed in the home office. 154 00:11:34,360 --> 00:11:38,279 Speaker 1: Yes, of course, speaking of musicians from across the pond, 155 00:11:38,320 --> 00:11:40,240 that we should get to this. Let's us spin this 156 00:11:40,360 --> 00:11:41,720 and then we're gonna have the guys showing us to 157 00:11:41,720 --> 00:11:44,039 be a skype. This is now again I'm going with 158 00:11:44,200 --> 00:11:46,480 I'm going with Rivia. But we will find out for 159 00:11:46,559 --> 00:11:50,120 sure when they join us. Gary from Big GPR even 160 00:11:50,159 --> 00:11:53,480 said the lads I think was the term he used. 161 00:11:53,600 --> 00:11:55,799 They'll clear it up for you when we talked to 162 00:11:55,879 --> 00:11:59,080 them the correct pronunciation of the name of their band. 163 00:11:59,440 --> 00:12:02,799 But we did the American radio premiere of this track 164 00:12:02,919 --> 00:12:04,440 last week, the first time it has been heard on 165 00:12:04,480 --> 00:12:06,879 American radio. We're gonna play it again and then you know, 166 00:12:07,000 --> 00:12:08,879 later on at probably at the end of our conversation 167 00:12:09,000 --> 00:12:12,080 with those those lads, we'll we'll play another track of 168 00:12:12,159 --> 00:12:14,759 theirs that I really really love. But this is called Fallen. 169 00:12:15,440 --> 00:12:17,960 This is doing great over there on radio, and we 170 00:12:18,080 --> 00:12:22,480 are happy to kickstart things for them here on American radio. 171 00:12:23,080 --> 00:12:27,200 Fallin' by Rivia. We'll find out. 172 00:12:46,159 --> 00:12:49,440 Speaker 13: We would just chance back then just a little bit 173 00:12:49,720 --> 00:12:53,440 more emphius that it's always the Talbot and we're figuring 174 00:12:53,519 --> 00:12:54,240 it out with them. 175 00:12:54,279 --> 00:12:55,639 Speaker 2: With jess my magin. 176 00:12:56,879 --> 00:13:00,240 Speaker 14: We were so close, but sofa always the chat the 177 00:13:00,480 --> 00:13:04,000 mama's back. Yeah, we know how it has, so we 178 00:13:04,120 --> 00:13:04,799 try a jam. 179 00:13:04,840 --> 00:13:08,240 Speaker 9: I'm excuse me, chest right magic got your lip text 180 00:13:08,440 --> 00:13:11,080 in Let's see shirt mo monight like this. 181 00:13:11,360 --> 00:13:12,279 Speaker 7: Probably won't. 182 00:13:13,720 --> 00:13:15,360 Speaker 14: Where you got me far? 183 00:13:18,279 --> 00:13:19,200 Speaker 12: That a song? 184 00:13:19,360 --> 00:13:19,519 Speaker 8: Right? 185 00:13:19,679 --> 00:13:22,480 Speaker 14: Guns don't work going around and around and. 186 00:13:22,600 --> 00:13:31,279 Speaker 9: He sorry johns wait, you got me vent it allround 187 00:13:31,440 --> 00:13:36,559 in shast. Neither one of us was tubling, just couldn't figure. 188 00:13:36,240 --> 00:13:38,399 Speaker 13: It out, and so we put it around a set 189 00:13:38,480 --> 00:13:42,039 of chest can't say this, it's not the same sense 190 00:13:42,200 --> 00:13:45,080 up big on. We can work when we see a 191 00:13:45,200 --> 00:13:47,799 moon bun. You had to see you with Jane, I 192 00:13:47,919 --> 00:13:49,200 gotta try and a set on. 193 00:13:49,320 --> 00:13:51,799 Speaker 14: The right back and square one got your. 194 00:13:51,759 --> 00:13:55,000 Speaker 6: Lip sext in, Let's see shirt on more night like 195 00:13:55,159 --> 00:14:02,679 this probably won't where you got me far? How to 196 00:14:02,759 --> 00:14:03,639 feel song right? 197 00:14:03,759 --> 00:14:06,480 Speaker 14: But it's off where John round me around? 198 00:14:06,559 --> 00:14:06,840 Speaker 2: Minnie? 199 00:14:06,919 --> 00:14:15,399 Speaker 14: Sorry Johnson, you got me kill me to call me? 200 00:14:16,159 --> 00:14:20,919 To call me? Do you call me? You kill me? 201 00:14:21,720 --> 00:14:22,320 Speaker 7: You come me. 202 00:14:24,440 --> 00:14:26,480 Speaker 2: To come to come me. 203 00:14:27,200 --> 00:14:27,840 Speaker 14: To come me? 204 00:14:30,000 --> 00:14:33,399 Speaker 6: You come by to chip may take out. 205 00:14:33,960 --> 00:14:37,759 Speaker 14: You take out got your lips sixteen on my T shirt? 206 00:14:38,200 --> 00:14:39,360 Speaker 4: Woman, I like this. 207 00:14:39,600 --> 00:14:40,879 Speaker 13: Probably wer. 208 00:14:42,000 --> 00:14:47,120 Speaker 6: Ways you got me you fund and that to feel 209 00:14:47,240 --> 00:14:51,639 so right, But it's outware came roun me around, Minnie? Sorry, John, 210 00:14:51,759 --> 00:14:54,000 say where's you got me? 211 00:14:57,600 --> 00:15:15,200 Speaker 1: B That is fallen The band is arrivia again. I 212 00:15:15,200 --> 00:15:17,360 don't know if I'm saying it correctly, But are they 213 00:15:17,399 --> 00:15:20,559 having trouble, Jenny, They're they're they're they're supposed to be 214 00:15:20,600 --> 00:15:24,000 skyping in, but they're they're late and uh oh, sometimes 215 00:15:24,080 --> 00:15:29,000 these intercontinental skype calls run into technical difficulties. It would 216 00:15:29,039 --> 00:15:31,159 not be the first time, that's for sure. So I'm 217 00:15:31,200 --> 00:15:34,000 just wondering if they're having a if they're having a problem, not. 218 00:15:34,200 --> 00:15:35,639 Speaker 4: That I am aware. 219 00:15:36,639 --> 00:15:40,919 Speaker 1: Okay, hmmm, well you know what we might do is, 220 00:15:41,200 --> 00:15:43,480 uh we might go ahead and play another So they've 221 00:15:43,559 --> 00:15:46,480 got they sent us two other songs. I want to 222 00:15:46,519 --> 00:15:49,759 save one for the end of the conversation that we 223 00:15:49,799 --> 00:15:52,519 have with those guys, but we might go here we go, 224 00:15:53,720 --> 00:15:59,120 Here we go, Magic tone A very good hello. Can 225 00:15:59,159 --> 00:15:59,799 you guys hear us? 226 00:16:01,600 --> 00:16:01,799 Speaker 7: Yeah? 227 00:16:03,600 --> 00:16:06,200 Speaker 1: Awesome, Welcome to the show. I want to have you 228 00:16:06,440 --> 00:16:11,120 introduce yourselves who you are as individuals. But first, before 229 00:16:11,159 --> 00:16:13,679 we proceed any further, I need to know how to 230 00:16:14,200 --> 00:16:16,279 correctly pronounce the name of your band. 231 00:16:18,120 --> 00:16:20,960 Speaker 12: Best way to do this. We found it's like Trivia, 232 00:16:21,159 --> 00:16:22,200 let's take out to sea. 233 00:16:22,399 --> 00:16:24,840 Speaker 15: Yeah, so just Rivia Rivia. 234 00:16:24,960 --> 00:16:27,320 Speaker 1: Okay, I didn't know if it was Rivia or Rivia 235 00:16:27,600 --> 00:16:28,399 or Rivia or. 236 00:16:28,440 --> 00:16:32,600 Speaker 15: What we've had, like every single one we've had, like 237 00:16:32,679 --> 00:16:35,080 a different pronunciation. 238 00:16:36,320 --> 00:16:41,120 Speaker 16: Quite interesting, Okay, okay, good, So it's it's Rivia, Yeah, Rivia. 239 00:16:41,279 --> 00:16:44,200 Speaker 1: Perfect, Okay, wonderful, wonderful, welcome. So who do we have 240 00:16:44,360 --> 00:16:46,279 on the line with us? Is it the entire band 241 00:16:46,440 --> 00:16:48,240 or is it part of the band or who's with us? 242 00:16:48,960 --> 00:16:52,840 Speaker 17: So we're missing one one guy today unfortunate at least 243 00:16:52,879 --> 00:16:54,320 got abducted into space. 244 00:16:54,879 --> 00:16:56,720 Speaker 18: Well he's on. 245 00:16:56,879 --> 00:17:01,840 Speaker 12: Well some pi at bass play today. 246 00:17:02,120 --> 00:17:09,359 Speaker 1: Okay, okay, okay, so yes, yes, So who are the 247 00:17:09,440 --> 00:17:12,480 rest of you? Please introduce yourselves. Tell us who you are, 248 00:17:12,559 --> 00:17:13,400 what you do in the band. 249 00:17:15,799 --> 00:17:20,839 Speaker 17: I'm Chris, I played drums, and then I'm family guitar 250 00:17:21,279 --> 00:17:24,759 ath I sing and play rhythm and I play keys. 251 00:17:25,920 --> 00:17:28,799 Speaker 1: Okay, wonderful, Well, welcome everybody. It's great to have you here. 252 00:17:29,440 --> 00:17:31,279 We we became instant fans. 253 00:17:31,799 --> 00:17:31,880 Speaker 8: Uh. 254 00:17:31,960 --> 00:17:34,279 Speaker 1: That track Fallen is great and I think at the 255 00:17:34,519 --> 00:17:37,119 end of our conversation in a little bit, you know, 256 00:17:37,200 --> 00:17:40,039 because I like to bookend the segments with your music. 257 00:17:40,079 --> 00:17:41,759 So I think at the end, I'm gonna play voicemail 258 00:17:41,839 --> 00:17:48,160 because I love that song. We were listening to that, yeah, absolutely, yeah, 259 00:17:48,160 --> 00:17:50,839 we were listening to that this morning, uh on the 260 00:17:50,839 --> 00:17:53,599 big speakers here in this at the station before the show, 261 00:17:53,720 --> 00:17:55,920 and it was like, oh, this is this is so catchy. 262 00:17:56,079 --> 00:18:01,759 So and you're absolutely absolutely now fallen. You're already getting 263 00:18:01,880 --> 00:18:04,680 some some really good traction with that over there on 264 00:18:04,880 --> 00:18:05,680 radio correct. 265 00:18:06,759 --> 00:18:07,000 Speaker 12: Yeah. 266 00:18:07,240 --> 00:18:10,440 Speaker 18: Man, we've we've been shortlisted for a couple of BBC 267 00:18:10,640 --> 00:18:17,079 radio stations. We've had excess Manchester Future hits. It's been 268 00:18:17,200 --> 00:18:18,240 our best one so far. 269 00:18:19,079 --> 00:18:21,000 Speaker 1: Outstanding outstanding. 270 00:18:22,039 --> 00:18:22,200 Speaker 12: Is that? 271 00:18:22,720 --> 00:18:25,480 Speaker 1: Is that your first your first single? That's well you 272 00:18:25,519 --> 00:18:27,400 said it's your best one so far. So have you 273 00:18:27,519 --> 00:18:30,039 released other singles prior to that that have been on 274 00:18:30,240 --> 00:18:30,920 radio over there? 275 00:18:32,079 --> 00:18:32,319 Speaker 5: Yeah? 276 00:18:32,440 --> 00:18:34,839 Speaker 17: Yeah, kind of so that the last single we released, 277 00:18:35,119 --> 00:18:39,240 how much that was kind of the ten and pointing 278 00:18:40,000 --> 00:18:42,160 and popularity if you're like that kind of we we. 279 00:18:42,240 --> 00:18:45,640 Speaker 12: Found forth this this is going okay, this actually. 280 00:18:47,359 --> 00:18:49,240 Speaker 17: This is getting some hits on it and it's kind 281 00:18:49,279 --> 00:18:52,200 of snowballed into this one as well, where we've like 282 00:18:52,359 --> 00:18:54,640 found our sound if you like, and this is what's 283 00:18:54,720 --> 00:18:55,880 working for those which is cool. 284 00:18:56,680 --> 00:18:59,480 Speaker 1: So I have to say when I listened to when 285 00:18:59,480 --> 00:19:01,119 I listened to that track Falling, and then when I 286 00:19:01,200 --> 00:19:03,799 listen to Voicemail, which I love, which we're gonna play later. 287 00:19:04,759 --> 00:19:07,759 You know, I know that, and from reading about the 288 00:19:07,880 --> 00:19:10,480 band Rivia now that I don't know how to say it, 289 00:19:11,160 --> 00:19:13,759 from reading from reading about the band, I know that 290 00:19:13,880 --> 00:19:16,640 you're you know, you're kind of influenced by some early 291 00:19:16,720 --> 00:19:19,920 two thousand American bands like Some forty one and Blink 292 00:19:19,960 --> 00:19:21,839 one eighty two and bands like that. 293 00:19:23,119 --> 00:19:24,279 Speaker 12: But this is up. 294 00:19:24,359 --> 00:19:27,480 Speaker 1: So I have a this is this is a very 295 00:19:27,519 --> 00:19:30,440 sincere compliment. I'm gonna say something to you that might 296 00:19:30,519 --> 00:19:32,799 sound like one of those things. You know sometimes people 297 00:19:32,880 --> 00:19:35,799 say something and you think, oh, that's nice, but I 298 00:19:35,839 --> 00:19:37,680 think they're just saying that to be nice or whatever. 299 00:19:38,319 --> 00:19:40,799 I mean, I mean this in all sincerity, and so 300 00:19:40,880 --> 00:19:44,240 I want to say that up front. I never liked 301 00:19:44,400 --> 00:19:47,599 those bands very much, but I think what you're but 302 00:19:48,319 --> 00:19:53,240 what you're doing I think is on another level. Like 303 00:19:53,400 --> 00:19:57,640 I hear the influences. I hear those influences. Absolutely, it's 304 00:19:57,720 --> 00:20:00,680 kind of you know, you got those big pep poppy 305 00:20:00,839 --> 00:20:03,559 single long choruses and everything. I hear the influence, but 306 00:20:03,680 --> 00:20:05,759 I think what you're doing is what better, is better 307 00:20:05,839 --> 00:20:08,279 than what they were doing, because I really like the 308 00:20:09,000 --> 00:20:13,880 the three tracks of yours that I've heard fallen, uh, 309 00:20:14,400 --> 00:20:16,200 voicemail and what was the other one? How much? How 310 00:20:16,279 --> 00:20:16,920 much can I take? 311 00:20:18,000 --> 00:20:18,160 Speaker 11: Yeah? 312 00:20:18,200 --> 00:20:21,119 Speaker 1: Yeah, yeah, I love those songs, And so I hear 313 00:20:21,200 --> 00:20:23,559 the influences of bands like Some forty one and Blink 314 00:20:23,599 --> 00:20:26,319 one eighty two, but I think what you're doing is 315 00:20:26,440 --> 00:20:29,599 better because I really really like your your music, and 316 00:20:29,680 --> 00:20:31,839 Jenny does as well. We're very impressed. 317 00:20:39,000 --> 00:20:42,599 Speaker 15: Smiles now. 318 00:20:43,400 --> 00:20:46,079 Speaker 1: And by the way, so you've have you toured in America? 319 00:20:46,200 --> 00:20:51,079 Because I was reading you opened for uh an American band? Correct? 320 00:20:53,400 --> 00:20:55,640 Speaker 15: It was that? Yeah? 321 00:20:56,599 --> 00:20:56,920 Speaker 12: What was it? 322 00:20:56,960 --> 00:20:57,920 Speaker 1: I'm sorry say that again? 323 00:20:58,519 --> 00:20:59,960 Speaker 12: What was the American bomb? 324 00:21:00,160 --> 00:21:00,279 Speaker 8: Was it? 325 00:21:00,359 --> 00:21:01,000 Speaker 12: Hold Fast? 326 00:21:01,359 --> 00:21:01,559 Speaker 19: Yeah? 327 00:21:01,799 --> 00:21:02,000 Speaker 1: Yeah? 328 00:21:02,039 --> 00:21:02,319 Speaker 2: Did you? 329 00:21:02,440 --> 00:21:03,599 Speaker 14: Didn't you do something with them? 330 00:21:05,680 --> 00:21:05,839 Speaker 8: Yeah? 331 00:21:06,160 --> 00:21:12,960 Speaker 17: Unfortunately their tours being rescheduled. Okay, fingers crossed. That will happen, Yeah, 332 00:21:13,160 --> 00:21:16,359 happened a little bit. It's in the way. Hopefully it 333 00:21:16,400 --> 00:21:18,839 should be like towards the summer, we. 334 00:21:18,920 --> 00:21:20,160 Speaker 12: Were very excited about that. 335 00:21:20,559 --> 00:21:21,480 Speaker 5: Those guys like. 336 00:21:21,519 --> 00:21:23,720 Speaker 20: Were fans of them as well, so just to just 337 00:21:23,759 --> 00:21:25,400 to meet them that mine, play with them would just 338 00:21:25,440 --> 00:21:25,880 be amazing. 339 00:21:26,160 --> 00:21:29,640 Speaker 1: Yeah, oh absolutely, Okay, so that was supposed to happen, 340 00:21:29,680 --> 00:21:32,880 but it's been delayed. What was Was it something on 341 00:21:33,039 --> 00:21:35,519 their end? Did somebody get sick or something? Or do 342 00:21:35,640 --> 00:21:37,160 you know or can you talk about it? 343 00:21:37,559 --> 00:21:42,039 Speaker 18: We're not entirely sure we as far as far as 344 00:21:42,079 --> 00:21:45,160 we know, they just effectively postponed them coming over to 345 00:21:45,200 --> 00:21:47,240 the UK because they're going to do a UK tour 346 00:21:47,319 --> 00:21:50,839 over here. So I think they just did just pushed 347 00:21:50,880 --> 00:21:56,200 back their plans by a couple of months. But yeah, 348 00:21:56,640 --> 00:21:58,960 we okay, yeah. 349 00:21:59,000 --> 00:22:01,000 Speaker 1: Okay, so the plan so they're gonna go over there, 350 00:22:01,400 --> 00:22:03,319 so this is being rescheduled. So they're gonna go over there, 351 00:22:03,319 --> 00:22:05,319 and then you're gonna do some dates with them while 352 00:22:05,319 --> 00:22:09,720 they're in the UK. Yeah, oh very cool. Now are 353 00:22:09,759 --> 00:22:11,960 there are there kind of long term plans? I don't 354 00:22:12,000 --> 00:22:14,200 know if you're thinking this far ahead or if your 355 00:22:14,240 --> 00:22:17,599 team is, they probably are. Are there long term plans 356 00:22:17,640 --> 00:22:18,680 for you to come to America? 357 00:22:19,559 --> 00:22:19,759 Speaker 13: Yes? 358 00:22:24,640 --> 00:22:27,799 Speaker 15: I don't know. It's like it's like gravity. We're just 359 00:22:27,920 --> 00:22:33,240 being pulled wet. Yeah, we can't wait mon. 360 00:22:33,119 --> 00:22:35,440 Speaker 18: As soon as as soon as the opportunity comes, we 361 00:22:35,559 --> 00:22:37,680 are we are there and we probably won't come back. 362 00:22:39,880 --> 00:22:42,359 Speaker 1: Yeah, it's funny. I mean that's and that's uh, that's 363 00:22:42,400 --> 00:22:45,279 how it's been for for decades and decades, you know, 364 00:22:45,480 --> 00:22:48,559 like when the Beatles and the Rolling Stones were first 365 00:22:49,039 --> 00:22:52,200 really breaking big. You know, America was the goal. You know, 366 00:22:52,319 --> 00:22:55,160 once you're big in America, you're big everywhere You're you're 367 00:22:55,359 --> 00:22:58,799 you're globally, you're a global you're considered a global sensation. 368 00:22:58,880 --> 00:23:00,319 If you can make it in America, you know what 369 00:23:00,400 --> 00:23:04,799 I mean, if you're yeah, yeah, he. 370 00:23:04,880 --> 00:23:07,519 Speaker 20: Said, if if every band has that one country that 371 00:23:07,559 --> 00:23:09,400 loves them, if your country's America. 372 00:23:11,440 --> 00:23:15,799 Speaker 1: Exactly exactly, No, I think you would do phenomenally. Uh 373 00:23:16,279 --> 00:23:19,039 well here, I think you'd be you'd be very well received. 374 00:23:19,279 --> 00:23:20,880 And there's something you know, kind of getting back to 375 00:23:20,960 --> 00:23:23,279 your sound too. Obviously, you know you can you can 376 00:23:23,359 --> 00:23:27,680 hear the influences and the influences are kind of evocative 377 00:23:27,720 --> 00:23:30,640 of a specific time. But but again, your approach to 378 00:23:30,720 --> 00:23:34,680 your songs, you know, very catchy, very accessible, a word 379 00:23:34,720 --> 00:23:37,960 we use a lot in the industry. Very you know, 380 00:23:38,039 --> 00:23:40,599 they kind of get stuck in your head. That's really 381 00:23:40,680 --> 00:23:44,079 the key, regardless of what era or or where the 382 00:23:44,200 --> 00:23:46,480 influence has come from. If you can write something that 383 00:23:46,559 --> 00:23:50,599 has a really good hook, that's that's really the key 384 00:23:50,720 --> 00:23:55,440 to it. And and these songs have that. Has has 385 00:23:55,480 --> 00:23:58,160 your sound always been that from when you started, or 386 00:23:58,279 --> 00:24:00,519 has it changed over the years, or or has it 387 00:24:00,599 --> 00:24:02,440 always kind of been that the way. 388 00:24:02,359 --> 00:24:06,400 Speaker 17: It's Yeah, it's not not dramatically. I think we've always 389 00:24:06,519 --> 00:24:09,000 kind of had that in us, haven't we from the start. 390 00:24:10,640 --> 00:24:14,119 But when we originally started, we were quite a bit heavier, 391 00:24:14,599 --> 00:24:19,440 really like the old rock heavy rock kind of decide. Yeah, 392 00:24:20,359 --> 00:24:23,759 But as as we've evolved, we've just went into this 393 00:24:24,119 --> 00:24:25,119 you know, pop punkiness. 394 00:24:25,440 --> 00:24:27,200 Speaker 21: Like, Yeah, it. 395 00:24:28,759 --> 00:24:32,559 Speaker 18: Was definitely always like that influence was always there, and 396 00:24:32,680 --> 00:24:36,720 I think we experimented with a lot more heavy stuff, 397 00:24:36,759 --> 00:24:39,640 and we experimented with some really poppy stuff as well, 398 00:24:40,960 --> 00:24:42,839 and we ended up kind of just sitting in the 399 00:24:42,880 --> 00:24:45,000 middle of it all and and sort of like, if 400 00:24:45,039 --> 00:24:46,960 we if we were to like narrow it down, this 401 00:24:47,079 --> 00:24:49,160 is kind of what we sun like. And we've just 402 00:24:49,240 --> 00:24:51,839 sort of taken that over the past year and round 403 00:24:51,880 --> 00:24:52,000 with it. 404 00:24:52,119 --> 00:24:52,319 Speaker 15: Really. 405 00:24:56,960 --> 00:24:58,400 Speaker 1: By the way, you're getting some love in our chat 406 00:24:58,480 --> 00:25:01,759 room here. So Nathan Hill, very talented musician, uh, says 407 00:25:01,799 --> 00:25:07,000 you guys sound amazing. And Larry Williams, who is in 408 00:25:07,039 --> 00:25:09,960 a great band here called A Day to Attend, says, Wow, 409 00:25:10,039 --> 00:25:12,799 they sound amazing. Sounds like a really good band, very 410 00:25:12,880 --> 00:25:13,480 catchy song. 411 00:25:16,279 --> 00:25:20,880 Speaker 12: If you need the American tour support, Yeah. 412 00:25:20,880 --> 00:25:25,240 Speaker 1: Yeah, absolutely. Let's let's go back to the name for 413 00:25:25,319 --> 00:25:27,079 a moment. So where does the name come from? What 414 00:25:27,240 --> 00:25:30,240 does it mean? And and why why is it in 415 00:25:30,359 --> 00:25:32,440 all caps? And is there any significance to that? 416 00:25:34,519 --> 00:25:36,039 Speaker 15: So it's a bit of a weird one. 417 00:25:37,240 --> 00:25:40,400 Speaker 18: It comes from a series of books that got turned 418 00:25:40,440 --> 00:25:44,160 into games that got turned into a crappy Netflix show. 419 00:25:45,799 --> 00:25:51,279 Speaker 15: Called The Witcher. The main character of the thing is 420 00:25:51,480 --> 00:25:53,359 is a guy called Garylton Rivia, and. 421 00:25:53,440 --> 00:25:58,160 Speaker 18: He's an outcast in the society boy he's he helps everyone. 422 00:25:58,200 --> 00:25:59,559 Speaker 15: Basically, he's like a reluctant hero. 423 00:26:01,079 --> 00:26:04,680 Speaker 18: So he's not actually from this fictional place called Rivia, 424 00:26:04,759 --> 00:26:07,720 but he goes there saves them and they effectively accept 425 00:26:07,799 --> 00:26:11,160 them for for for saving them. So I thought that 426 00:26:11,319 --> 00:26:17,079 was like a really cool sort of idea behind like music, 427 00:26:17,200 --> 00:26:19,599 and it can go around the world and it might 428 00:26:19,720 --> 00:26:21,160 not might not be a home, but it can be 429 00:26:21,279 --> 00:26:22,519 major home and stuff like that. 430 00:26:22,920 --> 00:26:23,160 Speaker 1: Yeah. 431 00:26:24,440 --> 00:26:26,680 Speaker 15: So yeah, that's that's basically the thing behind that and. 432 00:26:27,880 --> 00:26:30,359 Speaker 12: The reason it's in caps. I think it just looks cool. 433 00:26:30,559 --> 00:26:34,759 Speaker 22: Yeah yeah, I don't I don't know if it's I 434 00:26:34,799 --> 00:26:37,920 don't know if it's the case there, But in America 435 00:26:38,559 --> 00:26:42,559 very often this is probably universal because it's it's something 436 00:26:42,599 --> 00:26:43,680 the journalists tend to do. 437 00:26:44,519 --> 00:26:47,720 Speaker 1: Often. Bands with names that are short, you know, because 438 00:26:47,720 --> 00:26:50,680 obviously there's only five letters. You know, it's three syllables, 439 00:26:50,680 --> 00:26:53,880 but there's only five letters. In rivia. Names that are 440 00:26:53,920 --> 00:26:56,279 short tend to be written in all caps. Band names 441 00:26:57,119 --> 00:26:59,160 tend to be written in all caps anyway, for for 442 00:26:59,519 --> 00:27:04,279 reasons I've never understood, like kiss or rush, they tend 443 00:27:04,319 --> 00:27:07,519 to be just written in all caps. And nobody, nobody 444 00:27:07,559 --> 00:27:09,720 really knows why. It's just a thing people do, you know. 445 00:27:10,839 --> 00:27:12,720 Speaker 16: I think I think it's more like eye catch it, 446 00:27:12,960 --> 00:27:15,039 like if you give you to hit it from like 447 00:27:15,119 --> 00:27:18,599 a marketing angle, like because we tried it, didn't we 448 00:27:18,720 --> 00:27:21,519 like our logo in loads of different funds and styles, 449 00:27:21,960 --> 00:27:23,839 and we kind of settled on that just like block 450 00:27:23,920 --> 00:27:26,240 cap thing, because it just it looked the best. 451 00:27:26,279 --> 00:27:28,000 Speaker 15: It caught our eye the best and we were like, 452 00:27:28,119 --> 00:27:30,079 well that kind of makes the most. 453 00:27:30,839 --> 00:27:34,119 Speaker 1: Yeah, yeah, I do like the logo. Now, who came 454 00:27:34,240 --> 00:27:36,240 up with that? Was that somebody in the band? 455 00:27:38,000 --> 00:27:41,319 Speaker 18: Yeah, we we kind of stole it from medieval alchemy, okay, 456 00:27:43,680 --> 00:27:48,680 but basically, long story short, it's the it's the alchemic 457 00:27:48,920 --> 00:27:49,880 archaic symbol. 458 00:27:49,640 --> 00:27:51,200 Speaker 15: For arsenic, you know, poison. 459 00:27:51,480 --> 00:27:52,079 Speaker 1: Oh okay. 460 00:27:53,599 --> 00:27:56,079 Speaker 15: So I was like looking through loads of stuff. I'm 461 00:27:56,079 --> 00:27:59,079 a big history buffollow everything to do with history, So yeah, 462 00:27:59,200 --> 00:28:01,200 like find weird things in history. 463 00:28:01,319 --> 00:28:05,680 Speaker 18: So in like medical times, which doctors would use arsenic 464 00:28:05,920 --> 00:28:08,960 as a as a remedy to sure people. 465 00:28:09,160 --> 00:28:12,200 Speaker 15: Obviously it's highly toxic, isn't it so too much and 466 00:28:12,240 --> 00:28:12,680 you'll die? 467 00:28:13,160 --> 00:28:13,680 Speaker 1: Right right? 468 00:28:15,039 --> 00:28:17,559 Speaker 18: I kind of like the duality of something that was 469 00:28:17,720 --> 00:28:22,039 used to say people but could also destroy them. Okay yeah, 470 00:28:22,279 --> 00:28:25,599 and then that symbol is is what the other way? 471 00:28:25,680 --> 00:28:28,119 Speaker 15: Like all different elements have symbols in alchemy. 472 00:28:28,440 --> 00:28:30,039 Speaker 12: Yeah, that's that's that one. 473 00:28:30,519 --> 00:28:32,160 Speaker 1: Oh okay, very cool, very cool. 474 00:28:34,559 --> 00:28:35,680 Speaker 15: Stuper Ned's over here. 475 00:28:42,359 --> 00:28:42,799 Speaker 19: I like it. 476 00:28:43,200 --> 00:28:47,519 Speaker 1: Now does does the sound change a little bit? 477 00:28:47,680 --> 00:28:47,960 Speaker 10: Live? 478 00:28:48,160 --> 00:28:51,319 Speaker 1: Because I know that uh Zara, am I saying your 479 00:28:51,359 --> 00:28:55,720 name correctly? By the way, Zara? Okay, so you play keyboards. 480 00:28:55,720 --> 00:28:57,960 But do you only perform with the band live or 481 00:28:58,039 --> 00:28:59,279 are you also in the studio. 482 00:29:01,000 --> 00:29:03,279 Speaker 12: We have plans to maybe get in the studio, but 483 00:29:03,440 --> 00:29:05,119 I'm a fairly recent edition. 484 00:29:05,200 --> 00:29:09,319 Speaker 1: So okay, at the moment, I'm just live, okay. And 485 00:29:09,400 --> 00:29:11,880 how does that change the sound and the dynamics of 486 00:29:11,960 --> 00:29:14,240 the band when performing? Is it a is it just 487 00:29:14,319 --> 00:29:15,160 a fuller sound? 488 00:29:15,400 --> 00:29:15,519 Speaker 8: Is it? 489 00:29:15,799 --> 00:29:19,440 Speaker 12: Is it that's definitely full? That was the missing piece? 490 00:29:19,839 --> 00:29:20,119 Speaker 1: Okay. 491 00:29:20,599 --> 00:29:23,880 Speaker 20: We've always used We've always used like synth in our 492 00:29:24,559 --> 00:29:26,839 songs in the studios that you know, just to fill 493 00:29:26,920 --> 00:29:30,200 it out. And when some of our songs they are 494 00:29:30,319 --> 00:29:33,319 quite symth heavy, and then we when we get to 495 00:29:33,400 --> 00:29:36,079 playing those songs live, they just don't hit the same way. 496 00:29:36,440 --> 00:29:38,519 So we either avoided playing them or when we did 497 00:29:38,599 --> 00:29:40,960 play them, we just went happy with them. So getting 498 00:29:41,000 --> 00:29:43,599 a player in who was also an amazing singer as 499 00:29:43,640 --> 00:29:45,720 well just add in another layer of harmony. 500 00:29:47,039 --> 00:29:48,000 Speaker 15: It just makes it so much. 501 00:29:48,400 --> 00:29:50,359 Speaker 20: It sounds massive now like a live shows. 502 00:29:51,480 --> 00:29:54,000 Speaker 18: There's there's one that stands out in particular of one 503 00:29:54,039 --> 00:29:56,480 of our songs called in the Air, and we stopped 504 00:29:56,480 --> 00:29:59,119 playing it live because we just couldn't get it to 505 00:29:59,359 --> 00:30:02,359 sound as good as the record. We're very much like 506 00:30:03,240 --> 00:30:07,039 a band who's very like based off our skills on 507 00:30:07,079 --> 00:30:09,319 our live show and sounding better live than we do 508 00:30:09,440 --> 00:30:13,039 on record. So with the addition of Zara, we've actually 509 00:30:13,119 --> 00:30:15,279 put that back in the set now and it's it 510 00:30:15,440 --> 00:30:16,759 sounds incredible, so. 511 00:30:19,400 --> 00:30:21,640 Speaker 1: Oh, very cool. Yeah, And any opportunity to kind of 512 00:30:21,680 --> 00:30:24,160 expand what you do and add texture and everything, that's 513 00:30:24,240 --> 00:30:27,359 always that's always great and I and I would imagine too. 514 00:30:28,119 --> 00:30:31,079 It kind of you know, it kind of it's like 515 00:30:31,160 --> 00:30:33,759 a reboot. It kind of just freshens things up, right, 516 00:30:34,000 --> 00:30:38,759 So that's yeah, yeah, definitely, that's awesome. Have you guys, 517 00:30:39,000 --> 00:30:40,559 have you guys put out an album or has it 518 00:30:40,680 --> 00:30:42,319 just been singles so far? 519 00:30:44,160 --> 00:30:45,240 Speaker 12: A bit of a bit of a mix. 520 00:30:45,319 --> 00:30:47,680 Speaker 15: We did a few singles and then we did an EP. 521 00:30:48,119 --> 00:30:48,920 Speaker 1: Oh that was well. 522 00:30:49,200 --> 00:30:51,000 Speaker 15: We went a little bit more heavy on the EPA. 523 00:30:51,200 --> 00:30:52,400 Speaker 12: We we kind of went a bit. 524 00:30:52,599 --> 00:30:55,720 Speaker 20: The EP was supposed to show off our like songwriting ability, 525 00:30:56,200 --> 00:30:58,599 so it was like, was the five songs and each 526 00:30:58,759 --> 00:31:04,640 song is very and and then when we saw that 527 00:31:04,880 --> 00:31:07,519 we had a year running with that and then we 528 00:31:07,720 --> 00:31:09,640 kind of reflect and on it. We were happy with 529 00:31:09,759 --> 00:31:11,599 some of the songs weren't happy with the other songs 530 00:31:11,640 --> 00:31:13,559 and in the direction that we were going with our 531 00:31:13,720 --> 00:31:16,519 sound with felt some of those songs fitted with that 532 00:31:16,640 --> 00:31:18,599 sound and some of them didn't. So we've taken some 533 00:31:18,680 --> 00:31:22,519 of our songs actually off of Spotify because we want 534 00:31:22,519 --> 00:31:24,839 to re record them and put them back up a 535 00:31:24,960 --> 00:31:25,480 different date. 536 00:31:25,880 --> 00:31:30,279 Speaker 1: Okay, okay? Is that is that a difficult decision when 537 00:31:30,319 --> 00:31:32,640 you decide to do that? We we had a I'm 538 00:31:32,680 --> 00:31:36,039 curious about this because we had a band recently on 539 00:31:36,240 --> 00:31:40,359 with us, Scarecrow Hill, who you know, they were. They 540 00:31:40,400 --> 00:31:42,279 were in that kind of position where they had they've been, 541 00:31:42,440 --> 00:31:45,000 they've been around a long time, but they some of 542 00:31:45,039 --> 00:31:49,759 their early material they actually have scrubbed from the Internet 543 00:31:49,839 --> 00:31:51,759 because they don't they don't want anybody to hear it 544 00:31:51,759 --> 00:31:54,839 because their sound has changed and evolved. And I just 545 00:31:54,960 --> 00:31:57,559 and I remember, I found it really fascinating because it's 546 00:31:57,640 --> 00:32:00,799 like that must be hard in one sense, because maybe 547 00:32:00,880 --> 00:32:02,759 you don't want this out there, but at the same time, 548 00:32:02,880 --> 00:32:06,559 this is something that you've created, so uh, part of 549 00:32:06,640 --> 00:32:09,400 you must want it out there regardless. Is it is 550 00:32:09,480 --> 00:32:12,640 it hard to make those decisions when you say, Okay, 551 00:32:12,880 --> 00:32:15,599 here's something that we don't feel represents what the band 552 00:32:15,720 --> 00:32:19,759 is now. So we're going to actually we're going to 553 00:32:19,799 --> 00:32:22,839 actually remove it and maybe redo it or you know, 554 00:32:22,960 --> 00:32:24,960 you mentioned you're you're going to rerecord those. But is 555 00:32:25,039 --> 00:32:27,240 that is that a difficult decision to make? 556 00:32:28,200 --> 00:32:30,759 Speaker 17: Yeah, it is because you can't you put so much 557 00:32:31,039 --> 00:32:33,599 you know, heart and soul into creating that any of 558 00:32:33,680 --> 00:32:36,240 our tracks that we do in time, and yeah, we 559 00:32:36,480 --> 00:32:38,839 all kind of you to do it together as well 560 00:32:39,079 --> 00:32:41,200 as a band. So it's it's all the effort that 561 00:32:41,240 --> 00:32:44,559 we put into things to then take them down. It does, 562 00:32:45,119 --> 00:32:47,319 you know, hate it a little bit sometimes. 563 00:32:47,079 --> 00:32:50,039 Speaker 12: In weird ways, but at the same time, this was 564 00:32:50,079 --> 00:32:50,559 our way. 565 00:32:50,440 --> 00:32:52,839 Speaker 17: Of moving forward and kind of find non new sounds 566 00:32:53,079 --> 00:32:56,759 and progressing, So there was a silver line with that 567 00:32:56,839 --> 00:32:57,200 as well. 568 00:32:57,480 --> 00:33:00,440 Speaker 20: Yeah, there's also there's also the fact that like our 569 00:33:00,519 --> 00:33:03,759 first ever release is still on it's still on Spotify, 570 00:33:03,880 --> 00:33:05,960 Like we're really happy with that very first release and 571 00:33:06,279 --> 00:33:08,640 that still fits with the sound that we've got going forward. 572 00:33:09,079 --> 00:33:11,079 Speaker 12: Yeah, and a lot of those. 573 00:33:10,960 --> 00:33:13,480 Speaker 17: Songs that we have taken off, it was more of 574 00:33:13,559 --> 00:33:15,680 it was kind of experiment and than the sense wasn't there. 575 00:33:15,799 --> 00:33:21,440 Speaker 20: Yeah, we still play them live anyway, Yeah, live anyway. 576 00:33:21,559 --> 00:33:24,960 Speaker 12: So Yeah, it's it is a bit weird. 577 00:33:25,000 --> 00:33:26,039 Speaker 15: It is horrible when you have to take them. 578 00:33:27,240 --> 00:33:30,039 Speaker 18: It's like a right or wrong way to do it, like, 579 00:33:30,200 --> 00:33:32,920 because it is the whole argument for like do you 580 00:33:33,079 --> 00:33:36,559 just do you leave your your creation out there and 581 00:33:36,720 --> 00:33:38,920 let it just be a part of history or are 582 00:33:38,920 --> 00:33:41,279 you going to update that at some point? And like 583 00:33:41,559 --> 00:33:43,960 for us, we want to some of those songs that 584 00:33:44,000 --> 00:33:45,599 we've taken off are probably going to be on our 585 00:33:45,640 --> 00:33:49,640 first album, so we kind of want to take them back, 586 00:33:49,720 --> 00:33:51,559 put them back in the oven for for a little bit, 587 00:33:51,640 --> 00:33:53,920 and then and then showcase them when we think they 588 00:33:54,759 --> 00:33:56,400 are the best that we can sort of deliver them. 589 00:33:57,000 --> 00:34:00,880 Speaker 1: Yeah, that makes sense. That makes sense. Now this track voicemail, 590 00:34:01,039 --> 00:34:04,279 So there is a voicemail in the in the song. 591 00:34:04,440 --> 00:34:06,319 Is that a real voicemail or is that that's something 592 00:34:06,359 --> 00:34:09,119 that was created for for the studio or or or 593 00:34:09,199 --> 00:34:10,519 maybe you don't want to say, maybe you want to 594 00:34:10,599 --> 00:34:13,880 keep the mistike of it. But but I figured I 595 00:34:13,920 --> 00:34:14,360 would ask. 596 00:34:18,440 --> 00:34:22,480 Speaker 18: We will say. It's just our good friend Freyer. So 597 00:34:22,639 --> 00:34:26,760 shout Alter Freyer for for providing her voice talent. 598 00:34:26,719 --> 00:34:27,559 Speaker 12: Tools for that one. 599 00:34:28,920 --> 00:34:33,440 Speaker 15: Very cool, funny, funny fuck above voicemail. I actually wrote 600 00:34:33,679 --> 00:34:35,719 that song from start to finish on a plane. 601 00:34:37,519 --> 00:34:39,000 Speaker 1: Oh yeah, yeah yeah. 602 00:34:39,039 --> 00:34:42,400 Speaker 15: I was flying from from Sanserini to Manchester. 603 00:34:42,480 --> 00:34:45,039 Speaker 18: I was on holiday with my partner and I just 604 00:34:45,119 --> 00:34:47,880 got really creative after we took off and then by 605 00:34:47,960 --> 00:34:49,360 the time we landed that rose. 606 00:34:50,920 --> 00:34:52,719 Speaker 1: That's great. Well yeah, I mean if you can make 607 00:34:52,800 --> 00:34:55,840 that time, you know, put it's always good when when 608 00:34:55,880 --> 00:34:57,920 you can do something with that time when you're on 609 00:34:58,000 --> 00:35:02,079 a plane. So are you are you to worried much 610 00:35:02,119 --> 00:35:02,440 over there? 611 00:35:02,519 --> 00:35:02,559 Speaker 12: What? 612 00:35:02,719 --> 00:35:02,760 Speaker 15: What? 613 00:35:02,920 --> 00:35:04,639 Speaker 1: What's it like as far as live shows? I mean, 614 00:35:04,679 --> 00:35:08,239 it sounds like you're you're active with playing live but 615 00:35:08,599 --> 00:35:10,679 what's what? What's that been like? You're playing a lot 616 00:35:10,719 --> 00:35:11,079 of shows. 617 00:35:11,880 --> 00:35:16,440 Speaker 17: So we've just announced Liverpool headline show which is the 618 00:35:16,480 --> 00:35:19,800 twenty fifth of April. That would be our biggest headline 619 00:35:19,840 --> 00:35:24,239 show today. So we're super excited for that. Other than that, 620 00:35:24,440 --> 00:35:26,199 it's all a little bit hush hush. 621 00:35:26,320 --> 00:35:26,840 Speaker 12: At the moment. 622 00:35:29,320 --> 00:35:30,559 Speaker 15: Some exciting, exciting things. 623 00:35:31,920 --> 00:35:33,519 Speaker 12: We're very excited. Let's just see. 624 00:35:35,559 --> 00:35:38,079 Speaker 15: Just for some some gigs that we have. 625 00:35:38,239 --> 00:35:40,320 Speaker 18: Then we did a couple of festivals last year and 626 00:35:40,480 --> 00:35:43,239 that was incredible. It was incredible experience. 627 00:35:44,360 --> 00:35:47,480 Speaker 1: Oh, very cool, very cool. Who are some of the 628 00:35:47,559 --> 00:35:49,320 bands that you played with at these festivals. 629 00:35:50,559 --> 00:35:55,599 Speaker 12: Oh wow, I mean that you could keep you here 630 00:35:55,639 --> 00:35:56,320 for hours. 631 00:35:56,360 --> 00:35:59,519 Speaker 17: I mean the festival that we played we are are 632 00:35:59,800 --> 00:36:05,440 so why not festival that's in Tarbyshire saying that there 633 00:36:05,519 --> 00:36:09,360 was a festival and it's called Endorset, which was you know, 634 00:36:10,159 --> 00:36:11,559 the other end of the UK. 635 00:36:11,960 --> 00:36:14,000 Speaker 15: Right down right down south from where we are. 636 00:36:14,679 --> 00:36:17,440 Speaker 17: Hilarious, That wasn't it that that was that was the 637 00:36:17,519 --> 00:36:19,719 right laugh And we were there like there's funny things 638 00:36:19,760 --> 00:36:21,800 going on there, Like I'd love to go back. 639 00:36:21,880 --> 00:36:23,239 Speaker 12: It was an amazing I'm trying to. 640 00:36:23,239 --> 00:36:29,719 Speaker 20: Think bands like the Lilacs, they were the Sheratons and 641 00:36:29,880 --> 00:36:34,960 there were so many. Yeah, which is nice to meet everyone, 642 00:36:35,039 --> 00:36:36,119 to be honest, and yeah. 643 00:36:36,079 --> 00:36:38,039 Speaker 17: It's it's amazing. See and I've see other people. We're 644 00:36:38,039 --> 00:36:40,239 all in the same game. We all love playing live. 645 00:36:41,199 --> 00:36:44,480 It's lovely being in them. Yeah fields. If you're like 646 00:36:44,519 --> 00:36:47,480 where you can just chat to everyone for end Yeah, 647 00:36:47,519 --> 00:36:50,000 it's greatly yeah something. 648 00:36:51,119 --> 00:36:54,159 Speaker 1: And and now now you're a Liverpool band, right Rivia 649 00:36:54,280 --> 00:36:58,000 is from Liverpool. Yeah, that's correct, so this might be 650 00:36:58,719 --> 00:37:02,199 forgive me if if this is a silly question, just 651 00:37:02,639 --> 00:37:05,760 keep keep in mind I'm an American. But so I'm 652 00:37:05,760 --> 00:37:09,320 asking I'm asking this question from an American perspective, But 653 00:37:09,920 --> 00:37:13,559 when when, uh, when Americans think of Liverpool and we 654 00:37:13,599 --> 00:37:15,599 think of music, of course we think of the Beatles 655 00:37:16,280 --> 00:37:20,159 being a being a band from Liverpool. Is there is 656 00:37:20,239 --> 00:37:24,599 there extra pressure to like, do people have an expectation 657 00:37:24,760 --> 00:37:27,760 of you, like, oh, you're from Liverpool, you better be good? 658 00:37:27,960 --> 00:37:30,360 You know what I mean? Is or is that just 659 00:37:30,440 --> 00:37:34,440 something I'm imagining because as an American that's how Americans 660 00:37:34,519 --> 00:37:35,480 think about Liverpool. 661 00:37:36,800 --> 00:37:40,119 Speaker 18: I think it's a little bit of a legacy We've 662 00:37:40,119 --> 00:37:42,719 got to Liverpool. Yeah, there's there's there's there's big shoes 663 00:37:42,760 --> 00:37:45,519 to fill in a way. Yeah, there's also I think 664 00:37:45,599 --> 00:37:49,679 the same elements of of like a style of music, 665 00:37:49,760 --> 00:37:52,840 so like harmonies, like miersy beat harmonies has always been 666 00:37:52,880 --> 00:37:53,719 a massive thing. 667 00:37:54,119 --> 00:37:56,360 Speaker 15: So like a lot of music that comes from Liverpool 668 00:37:56,400 --> 00:38:00,360 has really nice harmonies. Yeah, not necessarily just one. Yeah, 669 00:38:00,719 --> 00:38:04,400 so there's things like that. I think it defines the 670 00:38:05,440 --> 00:38:05,960 sound of. 671 00:38:06,039 --> 00:38:09,400 Speaker 18: The city a little bit in the sense of if 672 00:38:09,480 --> 00:38:13,840 you stray a little bit away from that mazyb kind 673 00:38:13,880 --> 00:38:17,320 of sound, you can sort of alienate people a little bit. Yeah, 674 00:38:18,280 --> 00:38:20,599 it's a it's like anything, isn't it. If you if 675 00:38:20,599 --> 00:38:22,440 we were to go forty five minutes down the road 676 00:38:22,559 --> 00:38:27,719 to Manchester and play like Oasis stuff, yeah, that would 677 00:38:27,719 --> 00:38:29,880 be like Manchester Gold. 678 00:38:29,760 --> 00:38:30,119 Speaker 12: Kind of thing. 679 00:38:30,280 --> 00:38:34,039 Speaker 15: So it's yeah, there is there is definitely an element 680 00:38:34,119 --> 00:38:34,239 to that. 681 00:38:34,320 --> 00:38:37,400 Speaker 18: I would I would think it's more people's expat expectation 682 00:38:37,440 --> 00:38:38,519 of what you're actually gonna sound. 683 00:38:38,599 --> 00:38:41,840 Speaker 1: Like Okay, okay, Yeah, that makes sense to me because 684 00:38:41,920 --> 00:38:44,920 that's that's relatable because it's like that in America too, 685 00:38:45,199 --> 00:38:48,239 Like if you're if you're a band from Seattle, Washington 686 00:38:48,360 --> 00:38:50,599 here in America, you know, people expect that you're gonna 687 00:38:50,599 --> 00:38:53,559 have a certain you know sound because in the nineties, 688 00:38:53,599 --> 00:38:55,679 you know, grunge got so huge and it was coming 689 00:38:55,719 --> 00:38:59,679 out of Seattle, you know. Or yeah yeah, or even 690 00:38:59,719 --> 00:39:03,320 you know, we're here in uh here in Manchester, New Hampshire. Uh, 691 00:39:03,559 --> 00:39:08,119 We're we're forty five minutes north of Boston, and there's 692 00:39:08,639 --> 00:39:12,519 there's this thing where like, if you're a Boston band, 693 00:39:12,960 --> 00:39:15,320 you automatically, in the minds of a lot of people, 694 00:39:15,440 --> 00:39:17,599 have a certain because Boston is one of our major 695 00:39:17,679 --> 00:39:20,840 metropolitan cities. You you automatically, or if you're a band 696 00:39:20,880 --> 00:39:25,079 from New York City. You automatically have a certain there's 697 00:39:25,159 --> 00:39:28,679 this sort of assumed uh competence for lack of a 698 00:39:28,719 --> 00:39:30,480 better word, that people, you know, people think, oh, you're 699 00:39:30,480 --> 00:39:32,480 a band from a big city. You're probably you've probably 700 00:39:32,519 --> 00:39:37,360 got something really good going on. Yeah, you mean, yeah, But. 701 00:39:37,679 --> 00:39:40,480 Speaker 20: What is nice is when we go to what we've 702 00:39:40,519 --> 00:39:43,239 noticed going to all these festivals is how many buns 703 00:39:43,320 --> 00:39:44,960 at the festival are from Liverpool. 704 00:39:45,119 --> 00:39:45,320 Speaker 15: Yeah. 705 00:39:45,559 --> 00:39:48,400 Speaker 20: Oh it's such a musical city. 706 00:39:48,559 --> 00:39:51,159 Speaker 15: And we we you know, we lived it our whole lives. 707 00:39:51,199 --> 00:39:53,199 Speaker 12: We just thoughts most cities were like this. 708 00:39:53,440 --> 00:39:56,039 Speaker 20: Yeah, and then we we've traveled around quite a lot 709 00:39:56,159 --> 00:39:58,159 now and just I think. 710 00:39:58,039 --> 00:40:01,079 Speaker 12: That the like it was was clear up festivals. 711 00:40:01,119 --> 00:40:03,519 Speaker 20: When we go to festivals and half the people we'd 712 00:40:03,599 --> 00:40:06,320 meet at the behind the stage would be from Liverpool. 713 00:40:08,440 --> 00:40:08,639 Speaker 12: Nice. 714 00:40:08,679 --> 00:40:10,559 Speaker 15: Some of your mates that you didn't even know we're playing. 715 00:40:10,559 --> 00:40:15,440 You're like, all right, love, that's pretty full. 716 00:40:15,400 --> 00:40:18,480 Speaker 1: Like that's that's great, that's great. By the way, does 717 00:40:18,519 --> 00:40:20,360 the band have any music videos? Have you made any 718 00:40:20,440 --> 00:40:21,079 music videos? 719 00:40:21,239 --> 00:40:25,199 Speaker 12: I didn't know a few belts out there you had 720 00:40:25,199 --> 00:40:27,719 a few of them. Yeah, yeah, we got I mean 721 00:40:27,920 --> 00:40:28,480 in the air. 722 00:40:28,480 --> 00:40:30,679 Speaker 17: What we were talking about before we hired out to 723 00:40:31,400 --> 00:40:35,360 an arcade called n Q sixty four in Liverpool for 724 00:40:35,440 --> 00:40:35,719 that one. 725 00:40:35,800 --> 00:40:38,039 Speaker 12: So we kind of have the old arcade to ourselves 726 00:40:38,440 --> 00:40:41,960 and we shot like a love story. That's a little story. Yeah, 727 00:40:42,000 --> 00:40:44,199 young couple kind of finding love in this arcades. 728 00:40:44,239 --> 00:40:44,760 Speaker 5: That was cool. 729 00:40:45,199 --> 00:40:47,119 Speaker 15: That my favorite one. 730 00:40:47,880 --> 00:40:50,599 Speaker 12: So that was a really nice one. We're all in ourselves, 731 00:40:50,719 --> 00:40:51,360 like just just. 732 00:40:51,400 --> 00:40:55,159 Speaker 18: In the background and like funny costumes and Oscar winning performance. 733 00:40:56,840 --> 00:40:58,519 Speaker 1: Well that sounds cool. I mean I have to check 734 00:40:58,559 --> 00:41:01,039 that out. Yeah, yeah, very I know. 735 00:41:01,119 --> 00:41:02,360 Speaker 15: The big one is snake Hips. 736 00:41:02,440 --> 00:41:05,920 Speaker 18: Yeah, we did, and we kind of just went off 737 00:41:05,920 --> 00:41:08,159 the deep end with snake Hips, like it's a it's 738 00:41:08,199 --> 00:41:11,360 a very tongue in cheek silly song for lack of 739 00:41:11,400 --> 00:41:13,679 a better dam. So we kind of talked that attitude 740 00:41:13,719 --> 00:41:16,440 into the into the music video. We ended up shooting 741 00:41:16,480 --> 00:41:19,360 it in a church. We just had a lot of fun. 742 00:41:19,440 --> 00:41:21,320 Speaker 15: Yeah, we just we just thought we just thought a 743 00:41:21,360 --> 00:41:21,960 proper giggle. 744 00:41:22,920 --> 00:41:26,440 Speaker 12: There was lots of lots of fun. Yeahs, nuns and 745 00:41:26,519 --> 00:41:26,920 that kind of. 746 00:41:27,039 --> 00:41:29,159 Speaker 15: Yeah, there was all kinds going on. 747 00:41:30,039 --> 00:41:30,559 Speaker 12: Brought the dog. 748 00:41:30,840 --> 00:41:33,119 Speaker 14: Yeah cool. 749 00:41:33,239 --> 00:41:35,159 Speaker 1: I definitely have to check that out. I'm very curious, 750 00:41:37,039 --> 00:41:40,880 very very curious. Well, listen uh, thank you, uh, the 751 00:41:40,960 --> 00:41:43,519 four of you for joining us this morning on the show. 752 00:41:43,639 --> 00:41:46,280 This is this has been this has been wonderful. The 753 00:41:46,360 --> 00:41:48,800 time does go quickly, but it's been great, great speaking 754 00:41:48,840 --> 00:41:50,719 with you, and I do want to in a moment, 755 00:41:50,800 --> 00:41:52,639 Like I said, we're going to play this track Voicemail, 756 00:41:52,920 --> 00:41:56,920 which I absolutely love. But what should before you go? 757 00:41:57,079 --> 00:41:59,559 What should people know about where to keep up? Where's 758 00:41:59,559 --> 00:42:01,000 the best place to go to keep up with you 759 00:42:01,519 --> 00:42:04,559 with Rivia online? To keep up with everything that you're doing. 760 00:42:04,599 --> 00:42:05,320 Where should people go? 761 00:42:06,719 --> 00:42:10,639 Speaker 17: Check out Instagram, which is just at Rivia top bands 762 00:42:10,760 --> 00:42:13,519 all our important posts or any posts to be honest, 763 00:42:14,039 --> 00:42:15,960 or go on to our onto our Instagram. 764 00:42:16,039 --> 00:42:17,239 Speaker 12: So that's at Rivia top. 765 00:42:17,119 --> 00:42:20,679 Speaker 15: Band, if for all, for all social media's. 766 00:42:21,880 --> 00:42:22,679 Speaker 12: Ifty one and. 767 00:42:22,719 --> 00:42:24,960 Speaker 17: That's kind of not relevant and just what we're doing 768 00:42:25,159 --> 00:42:27,679 day to day Twitter or X now with your like 769 00:42:28,000 --> 00:42:29,360 at Rivia on the score band. 770 00:42:29,760 --> 00:42:33,320 Speaker 1: Okay, okay, fantastic, all right, So uh we're gonna let 771 00:42:33,360 --> 00:42:36,000 you go again. Thank you, thank you all for joining us, 772 00:42:36,079 --> 00:42:39,440 and we're gonna play this track Voicemail. But I'm gonna 773 00:42:39,599 --> 00:42:41,800 By the way, do you have a playing any big 774 00:42:41,840 --> 00:42:43,679 shows this weekend or what what are you doing. What 775 00:42:43,760 --> 00:42:51,519 do you have coming up a weekend? Yeah, that's fine. 776 00:42:51,599 --> 00:42:53,480 Hey you're a busy band, you got a lot going on, 777 00:42:53,719 --> 00:42:56,719 so it's good. Good to have a little good, have 778 00:42:56,760 --> 00:43:02,880 a little rest, you know. So there you go, there 779 00:43:02,920 --> 00:43:04,639 you go. Well, we will definitely do this again in 780 00:43:04,719 --> 00:43:07,960 the future. It's been we're big fans here and uh 781 00:43:08,119 --> 00:43:10,440 and we're very happy to be the first American radio 782 00:43:10,480 --> 00:43:13,199 station to be playing you. So we appreciate that very much. 783 00:43:13,079 --> 00:43:17,519 Speaker 18: And so much pleasure, and we we would absolutely love 784 00:43:17,559 --> 00:43:18,920 to come back and do it against. 785 00:43:18,639 --> 00:43:22,280 Speaker 1: It absolutely, count on it. Count on it definitely. All right, Rivia, 786 00:43:22,360 --> 00:43:24,079 we will let you go. Thank you so much, take 787 00:43:24,159 --> 00:43:29,760 care all right, by bye. All right, that was great. 788 00:43:29,800 --> 00:43:31,760 That was a lot of fun. I really enjoyed speaking 789 00:43:31,800 --> 00:43:34,159 with them. Let's play this track and if you are 790 00:43:34,280 --> 00:43:38,280 listening live on Saturday morning, we've got a very busy 791 00:43:38,320 --> 00:43:41,000 show ahead of us still, so make sure you stick around. 792 00:43:41,280 --> 00:43:44,000 But right now, the band is called Rivia and this track. 793 00:43:44,119 --> 00:43:47,079 I love this so much. This is called voicemail. Check 794 00:43:47,159 --> 00:43:47,519 this out. 795 00:44:05,440 --> 00:44:11,400 Speaker 23: Nothing worth having ever, job's easy, nothing bad shirt nothing, Jane, it's. 796 00:44:11,280 --> 00:44:15,800 Speaker 14: A strapping you don't bullyeve me. Have it your way into. 797 00:44:15,559 --> 00:44:19,039 Speaker 23: Your fingers hell over the heelstit ahead of me. 798 00:44:19,679 --> 00:44:21,039 Speaker 4: Don't try to sell me. 799 00:44:21,159 --> 00:44:25,599 Speaker 14: How it's gonna be. You j't do you don't chair man. 800 00:44:25,480 --> 00:44:34,400 Speaker 6: I said everywhere you don't say cham shirt say shoot 801 00:44:34,679 --> 00:44:38,199 I John Lady said my mind. 802 00:44:39,679 --> 00:44:40,480 Speaker 14: Shay sell me. 803 00:44:40,760 --> 00:44:41,280 Speaker 23: I'm a fan. 804 00:44:41,320 --> 00:44:47,480 Speaker 14: It's gonna be oh God, now the hell are you none? 805 00:44:47,559 --> 00:44:53,400 Speaker 23: Now shrive sell the turn at the chap I screaming, 806 00:44:54,000 --> 00:44:57,679 never wanted to beat a sway made an escape from 807 00:44:57,719 --> 00:45:01,320 a glass out dancy man, it was fucking me to 808 00:45:01,400 --> 00:45:04,239 stay you fine o shake. This is gonna be the 809 00:45:04,360 --> 00:45:04,800 death of me. 810 00:45:05,400 --> 00:45:06,679 Speaker 14: S s finck man self. 811 00:45:06,719 --> 00:45:10,360 Speaker 13: It's just a number, right, don't know it's so chim 812 00:45:10,920 --> 00:45:13,079 then I se up very well. 813 00:45:15,400 --> 00:45:18,000 Speaker 14: You don't say chad j S. 814 00:45:20,480 --> 00:45:27,199 Speaker 6: I think you'm said my mad shake so him it's 815 00:45:27,239 --> 00:45:33,039 gonna be oh, I like he get no. 816 00:45:34,679 --> 00:45:35,840 Speaker 14: No he self so. 817 00:45:37,320 --> 00:45:38,199 Speaker 5: Paint fam. 818 00:45:39,519 --> 00:45:39,559 Speaker 15: No. 819 00:45:39,840 --> 00:45:42,559 Speaker 8: I can't get to the dough right now, you know 820 00:45:42,599 --> 00:45:42,960 what I mean? 821 00:45:44,960 --> 00:45:45,679 Speaker 21: Think what no. 822 00:45:49,000 --> 00:46:03,239 Speaker 6: No wood on the car lot me watching sh sent 823 00:46:03,320 --> 00:46:04,119 only arch it. 824 00:46:05,920 --> 00:46:09,719 Speaker 14: So when the sky falls up, see I to find him. 825 00:46:09,719 --> 00:46:15,440 I described stir no say chest hurts. 826 00:46:17,639 --> 00:46:23,320 Speaker 6: Rock back chick lam said my man, sh so me, 827 00:46:24,000 --> 00:46:29,800 Fan's gonna be Oh God, now help me you. 828 00:46:31,800 --> 00:46:50,320 Speaker 14: No, sir, my child is. 829 00:46:50,840 --> 00:46:56,360 Speaker 23: Touching so looks like charm watching do see jack lest 830 00:46:56,760 --> 00:46:57,679 some my head. 831 00:47:00,719 --> 00:47:05,400 Speaker 14: I don't know who I am somewhere being sleep here 832 00:47:05,880 --> 00:47:08,960 to be good person, and that I let me off, 833 00:47:11,480 --> 00:47:13,320 so t to me gets out. 834 00:47:13,480 --> 00:47:17,880 Speaker 6: Baby, I'm on, I waver going, Tracy. I don't know 835 00:47:18,239 --> 00:47:23,480 how much not I can say. I'm god of the 836 00:47:23,639 --> 00:47:27,519 cancel that focus. So want to know what this story 837 00:47:27,960 --> 00:47:31,519 is that. I don't know what's more I can see. 838 00:47:45,559 --> 00:47:51,639 Speaker 14: Such a just sensus in excess of puntens ten and 839 00:47:51,920 --> 00:47:59,039 the wady of beware. I be be charm and the same. 840 00:47:59,559 --> 00:48:08,239 Speaker 6: It's good sites that's the right shot out something. I'm 841 00:48:08,400 --> 00:48:14,000 promise you I'm not the serve so friend of me 842 00:48:14,159 --> 00:48:17,400 when I cats up and I'm one where to go 843 00:48:17,719 --> 00:48:18,440 and trace me. 844 00:48:19,039 --> 00:48:21,840 Speaker 14: I don't know how much not I can say. 845 00:48:24,480 --> 00:48:27,840 Speaker 6: You'll heard of the cats that prodcast. So I want 846 00:48:27,880 --> 00:48:30,000 to know how this sorry is that. 847 00:48:30,239 --> 00:48:36,320 Speaker 14: I don't know how much more I can suit? So 848 00:48:36,599 --> 00:48:41,920 why you never came up? Just suns an say so 849 00:48:42,199 --> 00:48:45,360 many want to and a ride has I watch too. 850 00:48:45,559 --> 00:48:46,440 Speaker 7: It's the way. 851 00:48:47,559 --> 00:48:51,400 Speaker 13: That's why I'm always talk about stay and the voice 852 00:48:51,559 --> 00:48:55,559 my saies, it says a sceptics don't know how. 853 00:48:55,559 --> 00:48:58,719 Speaker 14: I don't know how much more I can say. 854 00:49:09,400 --> 00:49:10,159 Speaker 2: So friend of me? 855 00:49:10,320 --> 00:49:13,519 Speaker 14: When the cats out, I'm want not where to go? 856 00:49:13,840 --> 00:49:14,559 He Tracy. 857 00:49:15,119 --> 00:49:23,960 Speaker 6: I don't know how much not I can't say, sir. 858 00:49:21,320 --> 00:49:26,440 Speaker 14: The chancel f so know how this story is. I 859 00:49:26,639 --> 00:49:32,840 don't know how much not I can say. My child 860 00:49:33,079 --> 00:49:36,079 is like Chin sounds like child. 861 00:49:36,159 --> 00:49:37,599 Speaker 4: I cho. 862 00:49:58,679 --> 00:50:05,000 Speaker 3: Can't get you out of my mind, adverts and I'm 863 00:50:05,199 --> 00:50:06,480 still trying. 864 00:50:08,360 --> 00:50:19,760 Speaker 5: Oh, night dream, I can't get you out. 865 00:50:19,519 --> 00:50:20,679 Speaker 7: Of my mind. 866 00:50:22,719 --> 00:50:25,119 Speaker 4: I screwed up and lie. 867 00:50:27,559 --> 00:50:43,440 Speaker 24: Now you want a lot by Oh won't you come 868 00:50:43,639 --> 00:50:46,119 in to my reality? 869 00:50:52,159 --> 00:50:52,679 Speaker 14: Ninety? 870 00:50:55,840 --> 00:50:59,400 Speaker 4: Please help come make this man out. 871 00:51:19,960 --> 00:51:26,000 Speaker 2: I can't get you out of my mind. My thoughts are. 872 00:51:26,199 --> 00:51:32,400 Speaker 3: Twisted and time wish I had made the best of 873 00:51:33,079 --> 00:51:34,159 card Tipe. 874 00:51:39,159 --> 00:51:45,199 Speaker 4: This school has still a lot of This school has 875 00:51:45,719 --> 00:51:46,480 a lot of. 876 00:51:49,119 --> 00:52:04,119 Speaker 3: Now this fool wishes to take your me. Won't you 877 00:52:04,679 --> 00:52:07,159 come see that curse. 878 00:52:13,719 --> 00:52:14,519 Speaker 5: Like Jean? 879 00:52:17,480 --> 00:52:21,239 Speaker 4: This help come wing this sman out of. 880 00:53:31,960 --> 00:53:37,079 Speaker 3: I can't get you out of my God. Maybe it's 881 00:53:37,159 --> 00:53:43,039 because you're so kind, would have full. 882 00:53:44,639 --> 00:53:46,039 Speaker 2: Started at night? 883 00:53:51,119 --> 00:53:58,639 Speaker 4: It's because I wasn't ready and I let's see. 884 00:54:00,519 --> 00:54:15,880 Speaker 3: War like can't go sha the same thing nineteen wat 885 00:54:16,039 --> 00:54:33,239 you call it nineteen this shall convict the spend out of. 886 00:54:54,039 --> 00:54:54,280 Speaker 7: Night. 887 00:55:12,719 --> 00:55:14,599 Speaker 5: I can get you out. 888 00:55:36,159 --> 00:55:38,360 Speaker 21: In times of crisis. You need a law firm that 889 00:55:38,480 --> 00:55:41,519 stands by your side. 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