WEBVTT

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<v Speaker 1>Which I don't know you've done. We've both done interest

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<v Speaker 1>for the Nolan retro So now we're you know what

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<v Speaker 1>you go, sir, you go?

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<v Speaker 2>Okay, Hello and welcome back to the Geek First podcast.

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<v Speaker 2>I don't know what episode number of this is, but

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<v Speaker 2>of tenant In, Adam Harcaster, Dylan Muss, and I'm joined

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<v Speaker 2>by two very special gentlemen. I don't know if they

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<v Speaker 2>have nicknames, so I'm gonna let them introduce nickname.

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<v Speaker 3>We're in spoilers more now, I just say, I just say,

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<v Speaker 3>I don't know. I'm the number one Robert Pass and fanboy.

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<v Speaker 3>Trust now he is not a spoilers spoilers review.

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<v Speaker 1>What you know? I saw the Christopher Nolan one that.

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<v Speaker 4>Sorry, Taylor, I'm the Pincer movement Taylor Field, Oh very nice.

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<v Speaker 2>I like that one a lot.

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<v Speaker 1>Yeah.

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<v Speaker 2>So if if you're just joining us today, well there's

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<v Speaker 2>a lot going on. We did the entire retrospective of

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<v Speaker 2>all of Nolan's movies, a couple exceptions, every most part.

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<v Speaker 2>You can check out the feed all that's on there.

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<v Speaker 2>And this is gonna be a strictly spoilers you Normally

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<v Speaker 2>we do a non splitters section and then the spoiler section,

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<v Speaker 2>but since this movie isn't really releasing everywhere, releasing at

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<v Speaker 2>different times, we just decided to separate them. So these

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<v Speaker 2>two gentlemen, Travison Taylor did a non spoiler review that's

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<v Speaker 2>about half an hour long that you can check out

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<v Speaker 2>on the feeds now, and then this is gonna be

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<v Speaker 2>all out spoilers. I'm good. I don't know if you

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<v Speaker 2>guys have anything else you want to plug for today.

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<v Speaker 3>No other than we'll be dropping new Mune, so any

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<v Speaker 3>Marvel fans of that and then yeah, all I would

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<v Speaker 3>say is, I don't know. We have not talked about when,

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<v Speaker 3>but sometimes in the near future we'll be doing some

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<v Speaker 3>sort of stream for Marvel Vengers, so that comes out

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<v Speaker 3>next week. So just subscribe to our Twitter and Facebook

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<v Speaker 3>fall us there and then we'll let you know. So

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<v Speaker 3>the only thing I want to ask you Dan, have

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<v Speaker 3>you listened to our non spoilers? I did, yep, okay,

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<v Speaker 3>so you have.

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<v Speaker 1>So I want to know how you feel about this movie,

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<v Speaker 1>because you know we feel about this movie. So I do.

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<v Speaker 2>And it's funny because I was listening. When I was

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<v Speaker 2>listening to it, like you guys sounded pretty similar on

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<v Speaker 2>like most things. But then when it came to like

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<v Speaker 2>the number rating, you guys were different by like a

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<v Speaker 2>factor of three numbers. That's subject number rating.

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<v Speaker 4>My number, my number rating it. As I said in

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<v Speaker 4>that cast, it's gonna change. I know it's gonna go higher.

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<v Speaker 1>But even then, like this, like the music score, so

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<v Speaker 1>one hundred percent, he said it was fifty to fifty.

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<v Speaker 4>No, No, but I I re listened to some track

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<v Speaker 4>styles at work today and like now that I could

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<v Speaker 4>not have to like focus on dialogue.

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<v Speaker 1>I enjoy that.

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<v Speaker 2>So what do you think, Dyn, Yeah, I think I'm

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<v Speaker 2>pretty similar to you guys. If not, I'm gonna be

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<v Speaker 2>even a bit lower. Honestly, I rate after the movie.

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<v Speaker 2>I was just considering it so much, and the more

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<v Speaker 2>I thought I about today, I think I've realized kind

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<v Speaker 2>of how disappointed I am. I I love the concept,

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<v Speaker 2>but I feel like I could say that about any

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<v Speaker 2>one of Nolan's movies. Yeah. I always compliment what he

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<v Speaker 2>does with time, because I think that's just such an

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<v Speaker 2>interesting theme that he tackles. And I feel like, if

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<v Speaker 2>you look at he probably has this big notebook with

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<v Speaker 2>all these movie ideas, right, and I feel like there's

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<v Speaker 2>a whole chapter that that's dedicated just to things with time.

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<v Speaker 2>It's like, oh, yeah, I've done that, Let's do dreams

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<v Speaker 2>that have weirdiscape.

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<v Speaker 1>He has five more time movies coming, you know it?

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<v Speaker 2>Yeah, exactly. But I just don't think this was the

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<v Speaker 2>best idea. Like it sounds cool on paper, but I

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<v Speaker 2>think it should have stayed in that notebook. It's just

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<v Speaker 2>I don't know if Like, I don't get a lot

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<v Speaker 2>of this movie, and part of that is probably a

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<v Speaker 2>user error me not understanding, but I also feel like

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<v Speaker 2>the movie did not do a good job of holding

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<v Speaker 2>my hand along the way. I don't understand a lot,

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<v Speaker 2>and it's not to the point where Inception confused me.

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<v Speaker 2>When I first saw it. I understood enough of it,

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<v Speaker 2>but I was like, Okay, I gotta go back and

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<v Speaker 2>see it again because I need to figure out these

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<v Speaker 2>particular things. I don't even know what I'd look for

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<v Speaker 2>on a second watch of this movie. I will watch

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<v Speaker 2>it again at some point, but overall, I think I

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<v Speaker 2>am pretty disappointed, and I don't think there's really many points,

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<v Speaker 2>many story beats that really landed with much impact for me.

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<v Speaker 2>There was kind of one moment that I thought was

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<v Speaker 2>quite good. But other than that, I didn't feel too

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<v Speaker 2>attached to any characters. That kind of thing. I'd say.

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<v Speaker 2>On like the technical front, it's it's you know, Christopher Nolan,

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<v Speaker 2>it's stellar. Great sympatography. I like the music. I think

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<v Speaker 2>the balance is sometimes really whack. I couldn't hear a

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<v Speaker 2>lot of dial real Yeah, but you know, special effects obviously,

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<v Speaker 2>he does a lot of practical effects, especially the playing scene,

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<v Speaker 2>which I really appreciate. I thought all the acting was good.

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<v Speaker 2>I didn't and I guess it kind of ends there

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<v Speaker 2>in terms of technicals. I actually thought the writing was

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<v Speaker 2>not that great in this movie. I thought the main

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<v Speaker 2>character wasn't and his name is protagonist. I think, yeah,

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<v Speaker 2>I didn't think the protagonist was very well done at all.

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<v Speaker 2>I didn't feel that attached to him. So yeah, overall,

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<v Speaker 2>I think I'm a bit a bit disappointed and obviously rewatch.

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<v Speaker 2>I'm sure we'll solve some maybe questions I have, But

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<v Speaker 2>on the first watch, I was not too happy with

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<v Speaker 2>the result. Unfortunately.

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<v Speaker 3>Yeah, Like I didn't like it as least as I

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<v Speaker 3>did Interstellar, but Interstelle I still felt like it had

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<v Speaker 3>that feeling of I was like, okay, when I watched

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<v Speaker 3>this again, I might like it a little bit more,

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<v Speaker 3>and I feel that way with Tenant, but I don't

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<v Speaker 3>think I'm gonna like it like bounds By more. You know,

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<v Speaker 3>like there's sometimes where I go, oh, I had these

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<v Speaker 3>problems because I didn't understand you see it again, like

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<v Speaker 3>you said with inception, even problems, but just like questions

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<v Speaker 3>where this is, there's still like structural things that I

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<v Speaker 3>don't like, Like I just want to start with because

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<v Speaker 3>I said this in the Yeah and the Nonspoys about

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<v Speaker 3>the villain. I really liked him at the beginning because

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<v Speaker 3>he was like really cold and cool and calm, collect

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<v Speaker 3>I like his dialogue.

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<v Speaker 1>But I felt like he took a big shift when

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<v Speaker 1>and I didn't.

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<v Speaker 3>Like the editing of it when he brought her to

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<v Speaker 3>that room and he was like beating her up and

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<v Speaker 3>everything one like I think as Nolan always tries to

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<v Speaker 3>keep his movie pg. Thirteen, Just like the editing of

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<v Speaker 3>that scene, like they were trying to make it look

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<v Speaker 3>like he was hitting her but he he wasn't. It

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<v Speaker 3>looked like they like it was really choppy, but then

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<v Speaker 3>just him going on about being a fucking tiger, and

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<v Speaker 3>just like it didn't feel like like that didn't feel

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<v Speaker 3>like an no Olan movie. And that's where I said, like,

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<v Speaker 3>some of the strengths of being like a Bond movie

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<v Speaker 3>or there, but some of the strengths as far as

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<v Speaker 3>the other thing, I was disappointed. Like the big reveal

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<v Speaker 3>of what Tenant's gonna do or what he's gonna do

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<v Speaker 3>is like he's just gonna end the world. And I

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<v Speaker 3>was like, oh, I, you know, like I expected a

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<v Speaker 3>bit more from Christopher Nolan to be honest. Then when

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<v Speaker 3>they're just like, well, he's gonna end the world, I went, Okay,

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<v Speaker 3>like this is just a Bond movie.

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<v Speaker 1>Now.

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<v Speaker 3>I thought it'd be a little bit more than that.

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<v Speaker 3>But that's where I still really enjoy it. But I

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<v Speaker 3>I have.

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<v Speaker 1>Some disappointing faults that will never change on a second viewing.

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<v Speaker 2>Yeah, and I actually think part of that too, is

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<v Speaker 2>just the way they set it up. They set it

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<v Speaker 2>up so that the villain needs like these nine hore

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<v Speaker 2>cruxes essentially, like he needs naing this Stony has all

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<v Speaker 2>of them, he can blow up the world. But then

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<v Speaker 2>it's like, oh, but he already has eight of them, guys,

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<v Speaker 2>get stoked. He already he's getting the last one and

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<v Speaker 2>it's supposed to add suspense, but it just felt really weak,

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<v Speaker 2>like that felt like, you know, screenwriters first time on

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<v Speaker 2>the job or something that didn't feel like a Christopher

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<v Speaker 2>Nolan thing. It just seemed a bit lazy to me.

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<v Speaker 1>Well, I think that's even just my problem with the

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<v Speaker 1>very beginning movie. I feel like the first thirty minutes

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<v Speaker 1>we're dropped in a world that we don't know.

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<v Speaker 3>And that's where it's like, if you look at the

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<v Speaker 3>beginning of this movie versus the beginning, the inception that happens,

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<v Speaker 3>but then slowly they peel back the oh, this is

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<v Speaker 3>what's going on. Where I feel like, one with Tenet

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<v Speaker 3>they do that a lot slower, and two my problem

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<v Speaker 3>is they throw a lot at you. Like every time

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<v Speaker 3>Day Washington meets a new character, there's tons of exposition

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<v Speaker 3>and they're talking about so many different characters. Like when

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<v Speaker 3>we meet Michael Kine, he goes on like two different

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<v Speaker 3>rants about like this person is the Dutchess sister, whose

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<v Speaker 3>cousin is this. It's like, I don't need to know

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<v Speaker 3>all these details, but they're just you because it's Nolan,

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<v Speaker 3>you think I need to know them all because it's

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<v Speaker 3>all gonna be important, but sometimes they're not. It's just

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<v Speaker 3>little character details that I didn't think really fleshed them

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<v Speaker 3>out too much.

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<v Speaker 2>So yeah, I agree with that. I feel like there

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<v Speaker 2>was some potential villains that were like set up in

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<v Speaker 2>the opening of the movie that you never really hear

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<v Speaker 2>from again, and then I didn't even really feel like, uh,

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<v Speaker 2>what is the guy's name. I'm gonna try and find

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<v Speaker 2>it quick.

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<v Speaker 1>The main villain, cath Brona.

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<v Speaker 3>I don't know the villain's name, but yeah, the guy

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<v Speaker 3>he's like he directed Thor.

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<v Speaker 1>And he was in uh yeah.

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<v Speaker 2>Something like that.

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<v Speaker 3>It well almost something they said ziito and I was like,

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<v Speaker 3>is this connection to Yeah, I'm like, is this actually

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<v Speaker 3>like I have for five minutes like, oh, this is

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<v Speaker 3>the big twist. It is connected the inception. I was

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<v Speaker 3>gonna really excited and that's like, oh no, this guy

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<v Speaker 3>just has the same but it's with an R at

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<v Speaker 3>the end. Okay, Yeah, yeah, another spoilers. Is there something

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<v Speaker 3>you want to shut as far as we're talking about

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<v Speaker 3>a guinst cons right now, but anything particularly that you

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<v Speaker 3>wanted to really get off your chest from last night.

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<v Speaker 1>Yeah, one thing in particular.

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<v Speaker 4>So this and this is kind of like a con

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<v Speaker 4>and I told you this offcast yesterday. So at the

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<v Speaker 4>intro of the film, I had thought they would retouch

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<v Speaker 4>upon the fact that when the protagonist encounters that first

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<v Speaker 4>inverted person, when the or the inverted gunshot goes back,

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<v Speaker 4>and then I thought they would touch upon that later on.

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<v Speaker 4>But all that's clarified with that as a woman says,

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<v Speaker 4>you're lucky you didn't take an inverted bullet or whatever,

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<v Speaker 4>and I thought, wow, that's.

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<v Speaker 1>Really all they're leaving.

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<v Speaker 4>I thought they would fall back to the intro because

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<v Speaker 4>the beginning had that. It also had him knowing exactly

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<v Speaker 4>where to go to find one of the devices for

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<v Speaker 4>the destruction of the world, one of the pieces of

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<v Speaker 4>the horse crux. So I don't understand how what was

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<v Speaker 4>his because as I told you, there were four teams

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<v Speaker 4>that were involved in that opera house. There were the terrorists,

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<v Speaker 4>there was the tenant man him whatever doing doing gunshots.

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<v Speaker 4>There was the protagonist part of his undercover team, and

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<v Speaker 4>then there was the main swat team that was in

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<v Speaker 4>there that was I guess popping bombs off to the bombs.

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<v Speaker 4>There were so many teams, so I don't know what

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<v Speaker 4>the goal was and apparently. I think Cyto or Cito

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<v Speaker 4>from what I read afterwards, I think he was a

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<v Speaker 4>part of that and somehow, but we don't learn that

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<v Speaker 4>he is.

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<v Speaker 1>Well he was though, because well he was, because remember

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<v Speaker 1>that's how they meet.

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<v Speaker 3>He brings up the opera, so that's how we learn

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<v Speaker 3>he is connected to that somehow, But I.

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<v Speaker 1>Don't remember him being in the opera seit.

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<v Speaker 3>Well, no, I think he's just the guy that is

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<v Speaker 3>the he he's organizing it.

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<v Speaker 1>It's his. So whoever some bad guys are, they're his

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<v Speaker 1>bad guys.

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<v Speaker 3>So that's what I think it is, is that he's

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<v Speaker 3>the red skull to the hydressaying go do this.

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<v Speaker 1>So that's that's what I think they're supposed to do.

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<v Speaker 4>Okay, then that's my That's one of my cons is

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<v Speaker 4>they don't cover how the protagonists knew to find one

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<v Speaker 4>of the devices hanging in that coat rack of a

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<v Speaker 4>thousand coats?

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<v Speaker 1>So why was he looking for it when he went

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<v Speaker 1>They cover that part.

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<v Speaker 3>That guy that they go to say if he tells

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<v Speaker 3>them the number of the co rats, I'm the same

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<v Speaker 3>thing with you. I don't know what happened to that

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<v Speaker 3>inverted guy who almost shot him.

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<v Speaker 1>Maybe it was just that one was just by luck

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<v Speaker 1>that there was another invert person doing something else not

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<v Speaker 1>involved with him, which is you know, because everything else

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<v Speaker 1>after that point has shown like oh it was Robert

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<v Speaker 1>passing or him the whole time, right, But I think

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<v Speaker 1>the co.

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<v Speaker 3>Check was that guy whoever their mole was. He did

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<v Speaker 3>tell them the number and where to go, so.

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<v Speaker 1>He was a part of the inverted sea thing.

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<v Speaker 2>Okay, Yeah, that was something that was kind of just

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<v Speaker 2>confusing to me across the movie, like I didn't really

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<v Speaker 2>know who we were up against or like who was

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<v Speaker 2>on what faction, Like particularly the end the end of

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<v Speaker 2>the movie when we're at like that kind of corry

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<v Speaker 2>area like the Sandy you know, like the last final

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<v Speaker 2>big battle. I have no idea what was going on there,

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<v Speaker 2>Like who were they against. I didn't see, Like there's

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<v Speaker 2>the one like Russian dude who ends up going down

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<v Speaker 2>and he's like going to the container that has all

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<v Speaker 2>the horse cruxes. But now there that I didn't see

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<v Speaker 2>a single like quote unquote bad guy, no idea who

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<v Speaker 2>they were fighting. I didn't know if they were like

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<v Speaker 2>if it was supposed to be that the Red Team

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<v Speaker 2>versus the Blue Team, which wouldn't make any sense. So

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<v Speaker 2>I just had no idea what they were blowing up,

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<v Speaker 2>who they were shooting at. It didn't really make any

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<v Speaker 2>sense to me. Did you guys see that scene differently

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<v Speaker 2>than me?

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<v Speaker 1>I took it. I don't think it's explained well.

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<v Speaker 3>I think that's where it's like James BONDI as far

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<v Speaker 3>as these are just goons, but I took it as

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<v Speaker 3>Sito's these are a bunch of goons he's hired to

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<v Speaker 3>protect his investment in this ball.

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<v Speaker 1>That's all that. The movie didn't really tell me that,

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<v Speaker 1>but I just assumed it is a big Oh yeah.

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<v Speaker 1>They all had the exact everybody had the exact same

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<v Speaker 1>attire in this movie, you know, the red, the blue,

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<v Speaker 1>and then the like it was like the white blue

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<v Speaker 1>camo instead. But that's what I took them as.

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<v Speaker 3>They were just goons that were there hired to protect it,

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00:11:38.279 --> 00:11:39.519
<v Speaker 3>you know, to die for anything.

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00:11:39.799 --> 00:11:40.759
<v Speaker 1>Which that's a scene.

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<v Speaker 3>That I love, like like cinematically, but that's a scene

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00:11:43.759 --> 00:11:45.919
<v Speaker 3>where I need the four YouTube videos showing me all

291
00:11:45.960 --> 00:11:48.159
<v Speaker 3>the different timelines at the same time, because I thought

292
00:11:48.159 --> 00:11:49.519
<v Speaker 3>it was a cool effect. But there was a time

293
00:11:49.559 --> 00:11:52.559
<v Speaker 3>where like the building blew up three times, I was

294
00:11:52.720 --> 00:11:54.440
<v Speaker 3>kind of like I was getting a little lost. I

295
00:11:54.440 --> 00:11:56.080
<v Speaker 3>was like, I'm trying to play It's like, okay, who

296
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<v Speaker 3>shot first? How do they do this? Like it just

297
00:11:57.759 --> 00:12:01.120
<v Speaker 3>feels at some point and I'm sure, I'm sure there's

298
00:12:01.120 --> 00:12:02.679
<v Speaker 3>a way it's gonna be broken down, but it was

299
00:12:02.759 --> 00:12:04.519
<v Speaker 3>just like so much time travel on time travel, on

300
00:12:04.559 --> 00:12:06.200
<v Speaker 3>time travel. I was lost where I feel like the

301
00:12:06.200 --> 00:12:09.159
<v Speaker 3>inception the dream within a dream within a dream that

302
00:12:09.240 --> 00:12:12.279
<v Speaker 3>can get confluted, confusing, but eventually it works in your head.

303
00:12:12.279 --> 00:12:13.919
<v Speaker 3>And they did that good thing in that where they'd

304
00:12:13.919 --> 00:12:16.080
<v Speaker 3>show like we talked about that where it shows all

305
00:12:16.159 --> 00:12:18.759
<v Speaker 3>like the montages of people getting ready for the kicks

306
00:12:18.840 --> 00:12:21.240
<v Speaker 3>or something slowed down with this, I don't feel that's

307
00:12:21.240 --> 00:12:22.200
<v Speaker 3>the same way exposition.

308
00:12:22.240 --> 00:12:23.799
<v Speaker 1>I feel like it was not.

309
00:12:24.919 --> 00:12:27.320
<v Speaker 3>It could have taken a little like another once over,

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00:12:27.360 --> 00:12:28.879
<v Speaker 3>like how could we make this a bit tighter or

311
00:12:28.879 --> 00:12:30.360
<v Speaker 3>how could we make this bit clear? And I feel

312
00:12:30.399 --> 00:12:32.120
<v Speaker 3>like that's what this movie. One of the things that

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00:12:32.200 --> 00:12:34.320
<v Speaker 3>was missing was for that stuff to be clear.

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00:12:35.039 --> 00:12:38.320
<v Speaker 2>Yeah. Well, I think that the inception comparisons be different

315
00:12:38.320 --> 00:12:40.360
<v Speaker 2>because at least when when you're in those scenes where

316
00:12:40.360 --> 00:12:42.679
<v Speaker 2>it's cutting between everyone getting pumped out with a kick

317
00:12:42.720 --> 00:12:44.519
<v Speaker 2>you actually you know who they all are at that point,

318
00:12:44.919 --> 00:12:47.600
<v Speaker 2>whereas in this movie, like even Robert Pattison, he's like,

319
00:12:47.960 --> 00:12:49.519
<v Speaker 2>you know, you know a what about him, but still

320
00:12:49.559 --> 00:12:52.360
<v Speaker 2>there's this like essence of mystery to him that isn't

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<v Speaker 2>revealed until like literally the last scene, and then he's

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00:12:55.320 --> 00:12:57.279
<v Speaker 2>gone and then it's something else. And that's kind of

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00:12:57.320 --> 00:12:59.840
<v Speaker 2>the case for like everyone, even your main the protagonist,

324
00:12:59.879 --> 00:13:01.879
<v Speaker 2>you learn at the end he did like so much

325
00:13:01.919 --> 00:13:05.000
<v Speaker 2>more that is never really on screen. That kind of

326
00:13:05.000 --> 00:13:08.679
<v Speaker 2>felt like a half assed ending to me. I have

327
00:13:08.759 --> 00:13:10.840
<v Speaker 2>like a few questions. I don't know if I kind

328
00:13:10.840 --> 00:13:11.960
<v Speaker 2>of want to throw them at you guys and see

329
00:13:12.000 --> 00:13:14.240
<v Speaker 2>if you have answers, just so I can help understand

330
00:13:14.279 --> 00:13:14.960
<v Speaker 2>a little bit more of this.

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<v Speaker 3>Yeah, my only thing I'll touch on the protagonist before

332
00:13:17.159 --> 00:13:18.720
<v Speaker 3>we go, because that was a con of mine. I

333
00:13:18.720 --> 00:13:21.320
<v Speaker 3>couldn't say last night that I he to me, that

334
00:13:21.399 --> 00:13:23.799
<v Speaker 3>was my thing of when we did the Inception retro

335
00:13:23.879 --> 00:13:26.720
<v Speaker 3>and I read that quote about how when Leo and

336
00:13:26.720 --> 00:13:30.000
<v Speaker 3>Nolan met, Leo like sat down Nolan and Nolan said

337
00:13:30.039 --> 00:13:31.639
<v Speaker 3>that he really attributed him for making it more of

338
00:13:31.639 --> 00:13:34.200
<v Speaker 3>a character story than a plot story. It was less

339
00:13:34.240 --> 00:13:36.799
<v Speaker 3>about the world that was more about Cobb trying to

340
00:13:36.919 --> 00:13:39.600
<v Speaker 3>achieve this goal. That's what I feel like this, And

341
00:13:39.639 --> 00:13:42.639
<v Speaker 3>there's differences, but I feel like inception could have been

342
00:13:42.679 --> 00:13:45.279
<v Speaker 3>out that without that, maybe that story is not that real.

343
00:13:45.399 --> 00:13:47.279
<v Speaker 1>It's maybe it's a little.

344
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<v Speaker 3>Heightened, but that's what that feel like, where the protagonist

345
00:13:50.480 --> 00:13:52.840
<v Speaker 3>is just the protagonist and there's not much to him.

346
00:13:52.879 --> 00:13:54.840
<v Speaker 1>I like the acting. I think he did a good job.

347
00:13:54.879 --> 00:13:57.360
<v Speaker 3>He has some I like the like comedic stuff he

348
00:13:57.399 --> 00:13:59.120
<v Speaker 3>had in the restaurant of all I take that to

349
00:13:59.159 --> 00:14:02.440
<v Speaker 3>go and stuff like that. Oh he didn't know I

350
00:14:02.600 --> 00:14:03.320
<v Speaker 3>liked all that stuff.

351
00:14:03.480 --> 00:14:06.159
<v Speaker 2>He was just like way too dad joking. It felt

352
00:14:06.200 --> 00:14:08.919
<v Speaker 2>like I don't know none of it. It just felt

353
00:14:08.960 --> 00:14:11.600
<v Speaker 2>like very like cliche, like kind of generic dialogue for me.

354
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<v Speaker 3>Yeah, but yeah, that was my thing of like his

355
00:14:14.279 --> 00:14:17.600
<v Speaker 3>connection was her, but and then again that's another bon trope.

356
00:14:17.639 --> 00:14:19.799
<v Speaker 3>He falls in love right away, but I just I

357
00:14:19.840 --> 00:14:22.159
<v Speaker 3>didn't connect. I think Elizabeth de Becky's like the heart

358
00:14:22.159 --> 00:14:25.039
<v Speaker 3>of this film, and that works. But I just feel

359
00:14:25.080 --> 00:14:27.559
<v Speaker 3>that every other lead, for the most part, in old movies,

360
00:14:27.559 --> 00:14:29.679
<v Speaker 3>even prestige when it's like these guys are awful, but

361
00:14:29.720 --> 00:14:33.279
<v Speaker 3>they're really driven by something he's just driven by like, oh,

362
00:14:33.279 --> 00:14:35.320
<v Speaker 3>I gotta save the country, which works. That's fine, but

363
00:14:35.360 --> 00:14:37.559
<v Speaker 3>I guess I was always expecting more because I always

364
00:14:37.559 --> 00:14:39.919
<v Speaker 3>feel his protagonists do have a little bit more. There's

365
00:14:39.960 --> 00:14:42.360
<v Speaker 3>that little empt to get me personally invested, and I

366
00:14:42.399 --> 00:14:44.799
<v Speaker 3>didn't find that with this guy. Where that's why we pass.

367
00:14:44.879 --> 00:14:47.039
<v Speaker 3>And like he said, he is mysterious. But then when

368
00:14:47.080 --> 00:14:48.919
<v Speaker 3>I learn about everything he did at the end, that

369
00:14:48.960 --> 00:14:51.159
<v Speaker 3>does excite me to watch again, to feel like okay,

370
00:14:51.320 --> 00:14:53.240
<v Speaker 3>because clearly, like when they have that meeting at the

371
00:14:53.279 --> 00:14:55.159
<v Speaker 3>beginning and he's like, oh, you'll take a diet coke

372
00:14:55.200 --> 00:14:56.759
<v Speaker 3>and he's like, I don't like diet cokey, He's like, yes,

373
00:14:56.799 --> 00:14:59.399
<v Speaker 3>you do. So to find more little things like that

374
00:14:59.639 --> 00:15:01.360
<v Speaker 3>I think will be fun. So that's why I passed

375
00:15:01.360 --> 00:15:04.720
<v Speaker 3>this character. I kind of I made the comparison inception

376
00:15:04.759 --> 00:15:06.639
<v Speaker 3>where Arthur was the cool one and Dom had the

377
00:15:06.759 --> 00:15:10.039
<v Speaker 3>character like personality. It's weird that the main character was

378
00:15:10.080 --> 00:15:12.320
<v Speaker 3>the cool like trying to be the cool one and

379
00:15:12.360 --> 00:15:14.279
<v Speaker 3>the side character was the guy that had a bit

380
00:15:14.279 --> 00:15:17.080
<v Speaker 3>more emotionality to it. So that's why I didn't connect

381
00:15:17.080 --> 00:15:19.200
<v Speaker 3>with the main I even though I liked all the acting.

382
00:15:20.799 --> 00:15:23.879
<v Speaker 2>Yeah, I kind of feel like I'm already forget her

383
00:15:23.960 --> 00:15:26.720
<v Speaker 2>name to Becky's character Cat, I'm kind of for like.

384
00:15:26.840 --> 00:15:28.080
<v Speaker 2>I kind of feel like she was the only one

385
00:15:28.080 --> 00:15:30.559
<v Speaker 2>that I knew who she was from start to finish. Yeah,

386
00:15:30.600 --> 00:15:33.720
<v Speaker 2>and I actually know, like like her character backstory, and

387
00:15:34.080 --> 00:15:36.639
<v Speaker 2>I mean it's like a simple She's a simple character,

388
00:15:36.679 --> 00:15:38.440
<v Speaker 2>so it makes sense. I kind of feel like she

389
00:15:38.480 --> 00:15:40.879
<v Speaker 2>was the only one that I really understand at this

390
00:15:41.200 --> 00:15:43.240
<v Speaker 2>point who I didn't feel like there was scenes missing

391
00:15:43.279 --> 00:15:45.519
<v Speaker 2>that would have helped me fill in some blanks or something.

392
00:15:45.759 --> 00:15:48.720
<v Speaker 3>Even though before your questions, do you feel because Emi

393
00:15:48.799 --> 00:15:50.519
<v Speaker 3>explained a bit more to me last night, so I

394
00:15:50.879 --> 00:15:54.399
<v Speaker 3>do understand it more. But I feel like the husband

395
00:15:54.480 --> 00:15:56.879
<v Speaker 3>and that whole painting was one of the most convoluted

396
00:15:56.919 --> 00:15:57.559
<v Speaker 3>things ever.

397
00:15:58.039 --> 00:15:59.759
<v Speaker 2>That was my first question, what is that painting? I

398
00:15:59.799 --> 00:16:01.399
<v Speaker 2>don't get it?

399
00:16:01.519 --> 00:16:03.440
<v Speaker 3>So I guess Emily bro down to me that like

400
00:16:03.759 --> 00:16:06.720
<v Speaker 3>she thought it was real, so she told her husband

401
00:16:06.799 --> 00:16:08.799
<v Speaker 3>he bought it, they found it was a fake, and

402
00:16:08.840 --> 00:16:11.840
<v Speaker 3>to like hold it over her head, he would reveal

403
00:16:11.879 --> 00:16:13.200
<v Speaker 3>that it would be fake, so it would like ruin

404
00:16:13.240 --> 00:16:16.799
<v Speaker 3>her entire career if people found out it was fake.

405
00:16:16.840 --> 00:16:18.759
<v Speaker 3>But then she wished that she found out it was

406
00:16:18.759 --> 00:16:21.519
<v Speaker 3>fake because she could have like used it to betray

407
00:16:21.679 --> 00:16:23.679
<v Speaker 3>him and make him look bad or something like that.

408
00:16:24.080 --> 00:16:27.039
<v Speaker 1>I My whole thing is this guy's a weapon stealer.

409
00:16:27.159 --> 00:16:29.240
<v Speaker 3>All he needed to just say is like, you're gonna

410
00:16:29.240 --> 00:16:30.759
<v Speaker 3>stick with me or I'm gonna kill you.

411
00:16:30.840 --> 00:16:34.399
<v Speaker 1>That's it. That character in this villain, he's not that

412
00:16:34.519 --> 00:16:35.240
<v Speaker 1>level of a thing.

413
00:16:35.279 --> 00:16:36.720
<v Speaker 3>That's why I love with Keath Brown and give some

414
00:16:36.759 --> 00:16:38.519
<v Speaker 3>interview He's like, well, I guess I'm the villain of

415
00:16:38.519 --> 00:16:40.720
<v Speaker 3>the movie. It's like you so are You're just you're

416
00:16:40.720 --> 00:16:42.039
<v Speaker 3>not like a fan of so you don't have that

417
00:16:42.120 --> 00:16:43.000
<v Speaker 3>redeeming qualities.

418
00:16:43.000 --> 00:16:44.799
<v Speaker 1>You don't have. He just wants to end the world

419
00:16:44.840 --> 00:16:47.000
<v Speaker 1>because he's selfish. Other than he says like, oh.

420
00:16:47.039 --> 00:16:48.720
<v Speaker 3>The people in the future have told me we ruin

421
00:16:48.799 --> 00:16:51.519
<v Speaker 3>the planet, but they've posed that, oh we could change

422
00:16:51.519 --> 00:16:53.879
<v Speaker 3>the future, so that could change. So to me, he's

423
00:16:53.919 --> 00:16:56.799
<v Speaker 3>already a really just really really bad character. To give

424
00:16:56.840 --> 00:16:58.399
<v Speaker 3>this whole painting thing, I thought was one of the

425
00:16:58.399 --> 00:16:59.960
<v Speaker 3>most conflute things I've seen in a movie for a

426
00:17:00.200 --> 00:17:00.759
<v Speaker 3>long time.

427
00:17:01.000 --> 00:17:04.440
<v Speaker 2>Well, so, yeah, I guess My question along with that then,

428
00:17:04.720 --> 00:17:08.640
<v Speaker 2>is like they do that whole heist just to get

429
00:17:08.640 --> 00:17:12.359
<v Speaker 2>that painting like, why do they do that? Why does

430
00:17:12.400 --> 00:17:13.160
<v Speaker 2>that have to happen?

431
00:17:13.680 --> 00:17:18.440
<v Speaker 3>So she won't introduce the protagonists without knowing she's safe.

432
00:17:18.480 --> 00:17:20.880
<v Speaker 1>So if they get the painting, she says.

433
00:17:20.640 --> 00:17:24.519
<v Speaker 2>That, like the most overcomplicated plan of all time. The

434
00:17:24.559 --> 00:17:26.799
<v Speaker 2>only way you can possibly build trust with this woman

435
00:17:27.200 --> 00:17:30.240
<v Speaker 2>is to like do this crazy heist that you might

436
00:17:30.440 --> 00:17:33.599
<v Speaker 2>die for, Like, I don't know. That just seems a

437
00:17:33.640 --> 00:17:34.960
<v Speaker 2>little bit too much to me.

438
00:17:35.079 --> 00:17:37.279
<v Speaker 4>It was like two words of one stone though, because yeah,

439
00:17:37.279 --> 00:17:40.920
<v Speaker 4>the painting was obviously this little like side story that

440
00:17:40.960 --> 00:17:43.119
<v Speaker 4>they pursued, but it was really to introduce the fact

441
00:17:43.119 --> 00:17:45.720
<v Speaker 4>that there is another like inverted machine, right that that

442
00:17:45.720 --> 00:17:47.359
<v Speaker 4>would play a part in later.

443
00:17:48.599 --> 00:17:51.680
<v Speaker 3>Yeah, I guess I yeah, for a storytelling reason, that's

444
00:17:51.720 --> 00:17:53.079
<v Speaker 3>what I don't think it makes sense here, But for

445
00:17:53.119 --> 00:17:54.920
<v Speaker 3>Nolan to be like, we gotta put this machine here

446
00:17:54.960 --> 00:17:57.079
<v Speaker 3>so they could do the switch later on in the movie,

447
00:17:57.119 --> 00:17:59.680
<v Speaker 3>I guess so. But from a story standpoint, it also

448
00:17:59.720 --> 00:18:01.880
<v Speaker 3>sucks because later on Kenth Brown is like, here, I

449
00:18:01.880 --> 00:18:05.519
<v Speaker 3>have the painting and nothing happened, Like there's no consequences

450
00:18:05.519 --> 00:18:08.480
<v Speaker 3>for her. He knows, well, he at least insinuates that

451
00:18:08.880 --> 00:18:11.440
<v Speaker 3>he knows she tried to get this painting stolen. He

452
00:18:11.480 --> 00:18:13.559
<v Speaker 3>doesn't punish her like he goes to obviously the beat

453
00:18:13.559 --> 00:18:15.160
<v Speaker 3>her up and everything like that, but he makes it

454
00:18:15.200 --> 00:18:16.720
<v Speaker 3>sound like if she tries to get this pain, he's

455
00:18:16.759 --> 00:18:20.079
<v Speaker 3>gonna kill her. That doesn't happen, So I, yeah, I

456
00:18:20.200 --> 00:18:22.559
<v Speaker 3>don't mind the heist thing because I feel like that's

457
00:18:22.640 --> 00:18:24.319
<v Speaker 3>kind of a highest trope of like, Okay, you gotta

458
00:18:24.319 --> 00:18:26.640
<v Speaker 3>pull up this really thing because she's I guess, the

459
00:18:26.640 --> 00:18:28.839
<v Speaker 3>only way he can get to Keath Browna, right, there's

460
00:18:28.880 --> 00:18:30.799
<v Speaker 3>no other way for the protagonists to get to her,

461
00:18:31.079 --> 00:18:32.359
<v Speaker 3>so they have to this painting.

462
00:18:32.400 --> 00:18:34.039
<v Speaker 1>Do I think it was the most well done? No?

463
00:18:34.119 --> 00:18:36.480
<v Speaker 1>I don't, but I I get what they're going for.

464
00:18:37.400 --> 00:18:42.920
<v Speaker 2>Yeah, here's here's another question for you. So when protagonist

465
00:18:43.039 --> 00:18:48.640
<v Speaker 2>meets uh Kat and Satou, they or like when he's

466
00:18:48.720 --> 00:18:50.319
<v Speaker 2>kind of built some trust with him, I guess they

467
00:18:50.319 --> 00:18:53.359
<v Speaker 2>decide to go on like these flying boat things which

468
00:18:53.400 --> 00:18:56.440
<v Speaker 2>are like cool looking, Like what what is the purpose

469
00:18:56.599 --> 00:18:59.680
<v Speaker 2>of that boat scene? I couldn't hear like anything there

470
00:18:59.720 --> 00:19:01.920
<v Speaker 2>were saying because it was so loud. Well, they were

471
00:19:01.960 --> 00:19:05.920
<v Speaker 2>just talking business, right, Yeah, Well, like I don't know,

472
00:19:06.079 --> 00:19:09.279
<v Speaker 2>isn't it isn't that also not just like super overcomplicated

473
00:19:09.279 --> 00:19:09.960
<v Speaker 2>for no reason.

474
00:19:10.359 --> 00:19:11.839
<v Speaker 1>So again I hate like I sound like.

475
00:19:12.559 --> 00:19:14.559
<v Speaker 2>Thing, we need to go on this boat like right now,

476
00:19:14.759 --> 00:19:17.000
<v Speaker 2>I sound like that's the worst place ever to have

477
00:19:17.039 --> 00:19:19.440
<v Speaker 2>a conversation, especially with someone that you don't trust at all,

478
00:19:19.480 --> 00:19:22.319
<v Speaker 2>in an environment where he did get knocked off the

479
00:19:22.319 --> 00:19:24.880
<v Speaker 2>boat and he would not have been saved like that

480
00:19:25.000 --> 00:19:26.279
<v Speaker 2>just doesn't make any sense to me.

481
00:19:26.799 --> 00:19:27.519
<v Speaker 1>Well even for me.

482
00:19:27.599 --> 00:19:31.160
<v Speaker 3>The protagonist multiple times has his back fully turned to

483
00:19:31.240 --> 00:19:33.519
<v Speaker 3>Keith Brana, so it's like he could just take you

484
00:19:33.599 --> 00:19:36.400
<v Speaker 3>out in a in a split second. So again I

485
00:19:36.440 --> 00:19:38.839
<v Speaker 3>sound like a broken record. But that is a bond

486
00:19:38.839 --> 00:19:41.200
<v Speaker 3>trip where Bond will meet the girl she meets like

487
00:19:41.200 --> 00:19:43.079
<v Speaker 3>the evil businessman, and then they go on some like

488
00:19:43.160 --> 00:19:46.160
<v Speaker 3>expedition together and Bond and it's like sometimes skiing or

489
00:19:46.200 --> 00:19:48.279
<v Speaker 3>like a game of poker like you'll see and even

490
00:19:48.359 --> 00:19:50.480
<v Speaker 3>Casina Royale. So I think that's what he was trying

491
00:19:50.519 --> 00:19:53.079
<v Speaker 3>to do. But yeah, I that scene and when he

492
00:19:53.160 --> 00:19:54.920
<v Speaker 3>learned about Tenant, I'm like, why do we need to

493
00:19:54.960 --> 00:19:57.480
<v Speaker 3>put these on boats? It was I heard a few

494
00:19:57.559 --> 00:19:59.880
<v Speaker 3>lines in that that discussion and that was it. I

495
00:20:00.000 --> 00:20:01.759
<v Speaker 3>I didn't hear what she said before she knocked her

496
00:20:01.799 --> 00:20:04.039
<v Speaker 3>husband off. I didn't hear because he literally says, like,

497
00:20:04.359 --> 00:20:07.000
<v Speaker 3>what do you need with the plutonium or what.

498
00:20:07.000 --> 00:20:10.839
<v Speaker 4>Was the pluridium plutonium?

499
00:20:12.480 --> 00:20:14.079
<v Speaker 3>He's like, what do you want the plutonium? And then

500
00:20:14.160 --> 00:20:16.599
<v Speaker 3>John Nason tells him. But I didn't hear a single

501
00:20:16.599 --> 00:20:18.160
<v Speaker 3>thing of what you want to do with it because

502
00:20:18.359 --> 00:20:19.759
<v Speaker 3>it was so loud.

503
00:20:20.119 --> 00:20:21.160
<v Speaker 1>I just couldn't understand.

504
00:20:21.200 --> 00:20:22.440
<v Speaker 3>This is a movie that I think I will at

505
00:20:22.519 --> 00:20:24.799
<v Speaker 3>least like better when I have subtitles, but yeah, I don't.

506
00:20:24.839 --> 00:20:26.599
<v Speaker 3>I think that was I don't know why he's been

507
00:20:26.640 --> 00:20:29.240
<v Speaker 3>obsessed with it since Dark Knight Rises, but the sound

508
00:20:29.319 --> 00:20:31.200
<v Speaker 3>mixing in some of his movies. They need someone needs

509
00:20:31.200 --> 00:20:33.480
<v Speaker 3>to tell him that. I get what he's going for,

510
00:20:33.559 --> 00:20:35.960
<v Speaker 3>but it's it hurts. It hurts the actual movie in

511
00:20:36.000 --> 00:20:38.400
<v Speaker 3>my opinion on a for viewing at least m.

512
00:20:38.559 --> 00:20:42.319
<v Speaker 2>M, yeah, I agree, what what did you feel? Kind

513
00:20:42.319 --> 00:20:46.720
<v Speaker 2>of the same on that particular boat scene.

514
00:20:47.039 --> 00:20:49.759
<v Speaker 4>I'm I have all the scenes like I feel like that.

515
00:20:49.839 --> 00:20:52.559
<v Speaker 4>Definitely the audio wasn't super loud at that moment for

516
00:20:52.640 --> 00:20:54.559
<v Speaker 4>me because like they when I couldn't understand what they're

517
00:20:54.559 --> 00:20:56.799
<v Speaker 4>saying before when they put the headphones on, I was like, Okay,

518
00:20:56.839 --> 00:20:58.640
<v Speaker 4>I can kind of hear now, as that works.

519
00:20:58.680 --> 00:21:01.240
<v Speaker 1>But I love the scene. I thought it was super cool.

520
00:21:01.640 --> 00:21:03.359
<v Speaker 4>I just kind of rolled with it because I thought,

521
00:21:03.400 --> 00:21:05.720
<v Speaker 4>you know, this guy is like fucking loaded at it,

522
00:21:05.759 --> 00:21:07.799
<v Speaker 4>oh ye with cash. So if he wants to talk

523
00:21:07.839 --> 00:21:11.559
<v Speaker 4>business on his flying boat, I mean, golf, all the

524
00:21:11.559 --> 00:21:12.079
<v Speaker 4>power to you.

525
00:21:12.200 --> 00:21:12.799
<v Speaker 1>I mean, why not.

526
00:21:13.319 --> 00:21:16.119
<v Speaker 4>It's very like intimidating, like And this is if this

527
00:21:16.279 --> 00:21:18.680
<v Speaker 4>was at before the dinner scene where he says, I'm

528
00:21:18.680 --> 00:21:20.559
<v Speaker 4>gonna put your balls in your throat and watch you

529
00:21:20.599 --> 00:21:21.519
<v Speaker 4>pull your balls out.

530
00:21:21.359 --> 00:21:22.680
<v Speaker 1>Then I'd be a little skeptical.

531
00:21:23.000 --> 00:21:25.039
<v Speaker 4>But the fact that he says that and then goes

532
00:21:25.039 --> 00:21:26.880
<v Speaker 4>to the boat, I was kind of prepared for it

533
00:21:26.920 --> 00:21:28.799
<v Speaker 4>because this to do anything.

534
00:21:29.200 --> 00:21:31.319
<v Speaker 2>Was that supposed to be funny? Like when he said that.

535
00:21:31.279 --> 00:21:33.720
<v Speaker 1>I don't think I wasn't laughing. I think it was

536
00:21:33.720 --> 00:21:38.240
<v Speaker 1>supposed to be. Were you laughing?

537
00:21:38.759 --> 00:21:41.920
<v Speaker 2>I don't think I really laughed like much at all. Unfortunately,

538
00:21:42.000 --> 00:21:45.519
<v Speaker 2>Like like I said, humor didn't really uh land for

539
00:21:45.640 --> 00:21:46.839
<v Speaker 2>me in general.

540
00:21:47.079 --> 00:21:51.000
<v Speaker 1>What about the guy's body when they at the end,

541
00:21:51.079 --> 00:21:52.880
<v Speaker 1>when they were dragging the guy's body in the water,

542
00:21:52.960 --> 00:21:53.759
<v Speaker 1>did you laugh there?

543
00:21:54.880 --> 00:21:56.920
<v Speaker 2>I did a bit. I guess it was more like

544
00:21:56.960 --> 00:21:59.480
<v Speaker 2>a cringe, like, oh my god, that was a brutal

545
00:21:59.519 --> 00:22:01.839
<v Speaker 2>shot that was like Nolan's like, hey, we need a

546
00:22:01.880 --> 00:22:05.240
<v Speaker 2>stun guy who's willing to do this or something. Look,

547
00:22:05.359 --> 00:22:12.839
<v Speaker 2>real man, here's here's a big question that, uh, how

548
00:22:12.880 --> 00:22:15.319
<v Speaker 2>does how does the time and the manipulation even work?

549
00:22:15.440 --> 00:22:16.200
<v Speaker 1>I just doesn't.

550
00:22:16.240 --> 00:22:18.799
<v Speaker 2>It doesn't make sense to me. It doesn't make sense.

551
00:22:19.119 --> 00:22:21.440
<v Speaker 2>Give me like the elevator pitch of like how this

552
00:22:21.839 --> 00:22:22.920
<v Speaker 2>is supposed to make sense?

553
00:22:24.680 --> 00:22:28.960
<v Speaker 4>You go, yeah, okay, So from from my knowledge there

554
00:22:29.000 --> 00:22:32.359
<v Speaker 4>is there's two parallels. Basically, when you go into one

555
00:22:32.400 --> 00:22:34.799
<v Speaker 4>of these inverted machines and you come out the other end,

556
00:22:34.839 --> 00:22:38.359
<v Speaker 4>you can see your old self basically like rewinding as

557
00:22:38.400 --> 00:22:41.880
<v Speaker 4>you're progressing forwards. But then the version of you progressing

558
00:22:41.920 --> 00:22:45.519
<v Speaker 4>forwards is progressing forwards into the past, if that makes sense.

559
00:22:45.440 --> 00:22:47.680
<v Speaker 1>And you can see the person that's going forward and

560
00:22:47.759 --> 00:22:48.799
<v Speaker 1>see the other version.

561
00:22:48.920 --> 00:22:51.079
<v Speaker 4>Yeah, So when you you don't want to get like

562
00:22:51.240 --> 00:22:54.079
<v Speaker 4>close in contact with yourself, like as you're progressing forwards

563
00:22:54.119 --> 00:22:56.039
<v Speaker 4>into the past, but then when you invert yourself and

564
00:22:56.119 --> 00:22:59.839
<v Speaker 4>come out from the past, then you're progressing forwards through

565
00:23:00.319 --> 00:23:04.480
<v Speaker 4>time again, but from a previous point in time. So

566
00:23:04.519 --> 00:23:07.160
<v Speaker 4>it's a form of time travel through inversion. Yeah, that's

567
00:23:07.160 --> 00:23:09.240
<v Speaker 4>the best way, because this I need multiple things. I've

568
00:23:09.240 --> 00:23:11.519
<v Speaker 4>tried to not almost listen to their rules and look

569
00:23:11.559 --> 00:23:13.279
<v Speaker 4>at us just time travel as far as it's fun

570
00:23:13.319 --> 00:23:15.480
<v Speaker 4>the whole like you're inverting mean backwards. But I just

571
00:23:15.480 --> 00:23:17.079
<v Speaker 4>take it as like, Okay, they need to go back

572
00:23:17.079 --> 00:23:19.680
<v Speaker 4>to a certain point and to time travel, they got

573
00:23:19.680 --> 00:23:21.319
<v Speaker 4>to literally go through the motion. It's not like an

574
00:23:21.400 --> 00:23:23.119
<v Speaker 4>end game where it's like we could just jump from

575
00:23:23.119 --> 00:23:23.920
<v Speaker 4>point A to point B.

576
00:23:24.200 --> 00:23:26.119
<v Speaker 3>You literally have to walk to point A point B,

577
00:23:26.279 --> 00:23:29.079
<v Speaker 3>and while you're walking you'll leave traces of yourself that

578
00:23:29.440 --> 00:23:32.960
<v Speaker 3>the past will be able to see while you're going forward.

579
00:23:33.319 --> 00:23:36.119
<v Speaker 3>So I think where it really got that's where again

580
00:23:36.119 --> 00:23:38.319
<v Speaker 3>at the ending I need to see because you literally

581
00:23:38.359 --> 00:23:41.680
<v Speaker 3>have Robert Passon in like four different timelines because he's

582
00:23:41.759 --> 00:23:45.160
<v Speaker 3>like in the Blue team, he's with John David Washington,

583
00:23:45.279 --> 00:23:47.039
<v Speaker 3>and then he's with when he goes back, and then

584
00:23:47.039 --> 00:23:49.160
<v Speaker 3>he's with another timeline when he goes back to get

585
00:23:49.240 --> 00:23:52.880
<v Speaker 3>himself killed. He's in four separate timelines at once, and

586
00:23:53.000 --> 00:23:55.160
<v Speaker 3>John Day's Washington says them like, how is that possible?

587
00:23:55.240 --> 00:23:57.000
<v Speaker 3>And he just kind of says like oh, like he

588
00:23:57.079 --> 00:23:59.240
<v Speaker 3>says some line about anything being possible. It's like, okay,

589
00:23:59.279 --> 00:24:02.920
<v Speaker 3>so it's just like travel malarkey. But I yeah, I

590
00:24:03.240 --> 00:24:06.640
<v Speaker 3>think Taylor is Taylor explained it I vision that way.

591
00:24:06.720 --> 00:24:08.759
<v Speaker 3>He explained it better than I could have. I still

592
00:24:08.799 --> 00:24:11.519
<v Speaker 3>don't think they explained it the greatest. Multiple times.

593
00:24:13.000 --> 00:24:16.880
<v Speaker 2>Yeah, I there's particular points that confused me, like when

594
00:24:17.119 --> 00:24:18.799
<v Speaker 2>that scene where there's kind of like the red and

595
00:24:18.839 --> 00:24:22.839
<v Speaker 2>blue glass and there's he's kind of uh sight tours,

596
00:24:22.920 --> 00:24:25.279
<v Speaker 2>like I don't know, trying to kill a cat or

597
00:24:25.319 --> 00:24:28.440
<v Speaker 2>whatever is going on there. Like it was a cool

598
00:24:28.480 --> 00:24:30.279
<v Speaker 2>scene in theory, but just because none of it made

599
00:24:30.279 --> 00:24:32.680
<v Speaker 2>sense to me, I didn't really like it that much,

600
00:24:32.680 --> 00:24:34.160
<v Speaker 2>I guess. But then there was at one point there

601
00:24:34.200 --> 00:24:36.319
<v Speaker 2>where there was like four of him, like he had

602
00:24:36.319 --> 00:24:38.720
<v Speaker 2>like four versions of himself, like all that room.

603
00:24:38.759 --> 00:24:40.640
<v Speaker 1>In that scene there was just there was just a

604
00:24:40.720 --> 00:24:41.319
<v Speaker 1>two versions.

605
00:24:41.359 --> 00:24:43.839
<v Speaker 4>So when you see cat get shot at the inverted

606
00:24:43.880 --> 00:24:46.960
<v Speaker 4>bullet that hadn't happened yet, that was in that was

607
00:24:47.000 --> 00:24:49.920
<v Speaker 4>her getting shot in the future. So the present one

608
00:24:50.559 --> 00:24:54.359
<v Speaker 4>he was basically feeding himself information from his future self.

609
00:24:54.480 --> 00:24:57.519
<v Speaker 4>So when he was interrogating the protagonist, he was feeding

610
00:24:57.519 --> 00:25:00.160
<v Speaker 4>that information back and forth to his future self.

611
00:25:01.599 --> 00:25:03.519
<v Speaker 1>So that he could go and obviously do what he

612
00:25:03.559 --> 00:25:05.680
<v Speaker 1>had to do. It's very weird.

613
00:25:06.440 --> 00:25:09.319
<v Speaker 2>And so what's the deal with the mask? Like are

614
00:25:09.319 --> 00:25:12.720
<v Speaker 2>they take like breathing in like a plutonium or something.

615
00:25:12.839 --> 00:25:16.160
<v Speaker 4>It's like reverse oxygen, you could you could imagine, right,

616
00:25:16.279 --> 00:25:19.920
<v Speaker 4>So like everything is reverse, so that includes what you're

617
00:25:19.960 --> 00:25:20.720
<v Speaker 4>trying to breathe in.

618
00:25:21.880 --> 00:25:22.759
<v Speaker 1>That's how I took it.

619
00:25:23.240 --> 00:25:24.880
<v Speaker 3>Yeah, that's how I took it too, because they give

620
00:25:24.920 --> 00:25:27.920
<v Speaker 3>the explanation about like fire and heat becomes ice and

621
00:25:27.960 --> 00:25:29.920
<v Speaker 3>they said some other things. So that's how I took

622
00:25:29.920 --> 00:25:32.440
<v Speaker 3>it as almost like the air would leave your body

623
00:25:32.480 --> 00:25:34.160
<v Speaker 3>if you just don't have this mask.

624
00:25:34.200 --> 00:25:36.000
<v Speaker 1>So that's what that's for. That's how I took it.

625
00:25:36.680 --> 00:25:40.400
<v Speaker 2>Okay, And then so for things that are going in reverse,

626
00:25:41.680 --> 00:25:45.079
<v Speaker 2>is like, how does like if you're going in reverse

627
00:25:45.119 --> 00:25:48.079
<v Speaker 2>but not everything's in reverse? How does that?

628
00:25:48.279 --> 00:25:48.400
<v Speaker 1>Like?

629
00:25:48.519 --> 00:25:50.640
<v Speaker 2>There was one point kind of near the end of

630
00:25:50.640 --> 00:25:53.240
<v Speaker 2>the movie when he's like when protagonist is on some

631
00:25:53.359 --> 00:25:56.559
<v Speaker 2>giant like tanker ship and the things like going backwards,

632
00:25:57.279 --> 00:26:00.640
<v Speaker 2>and I didn't really understand, like, is everything's supposed to

633
00:26:00.640 --> 00:26:03.119
<v Speaker 2>be going backwards? Is it because there's someone inverted who's

634
00:26:03.160 --> 00:26:06.720
<v Speaker 2>controlling that ship? Like I don't know, I don't get that.

635
00:26:06.720 --> 00:26:09.720
<v Speaker 4>That's because they went through the inversion machine and everything

636
00:26:09.799 --> 00:26:12.160
<v Speaker 4>was just naturally going backwards because they.

637
00:26:12.119 --> 00:26:14.759
<v Speaker 2>Were going through backwards, right, Like, it's just some things

638
00:26:14.839 --> 00:26:15.559
<v Speaker 2>go backwards.

639
00:26:15.759 --> 00:26:18.440
<v Speaker 4>No, I'm pretty sure it's everything in the world because

640
00:26:18.519 --> 00:26:21.559
<v Speaker 4>it if you're in the current timeline and the present time,

641
00:26:21.960 --> 00:26:24.480
<v Speaker 4>the things that go backwards are like inverted objects that

642
00:26:24.519 --> 00:26:28.599
<v Speaker 4>have been brought over from the inversion realm basically, but

643
00:26:28.759 --> 00:26:31.240
<v Speaker 4>they went That's why they were wearing the masks, because they

644
00:26:31.279 --> 00:26:34.839
<v Speaker 4>went into the inverted realm and they were traveling and

645
00:26:34.880 --> 00:26:37.839
<v Speaker 4>traversing back to a previous part in time to try

646
00:26:37.880 --> 00:26:39.640
<v Speaker 4>because that was when they were trying to go and

647
00:26:39.680 --> 00:26:42.400
<v Speaker 4>plan accordingly to go and like hit side to a

648
00:26:42.480 --> 00:26:45.400
<v Speaker 4>ship or whatever and like delay him from killing himself

649
00:26:45.400 --> 00:26:47.839
<v Speaker 4>and all that. So they had to go back to

650
00:26:47.960 --> 00:26:50.559
<v Speaker 4>that moment because they knew the dates. So they had

651
00:26:50.559 --> 00:26:52.039
<v Speaker 4>to go back to that moment because they knew he

652
00:26:52.079 --> 00:26:54.319
<v Speaker 4>was revisiting that moment before he killed himself.

653
00:26:56.440 --> 00:26:59.720
<v Speaker 2>Yeah. Yeah, that I'd have to watch, like it worked

654
00:26:59.720 --> 00:27:01.799
<v Speaker 2>for you, because it sounds so simple when you say it,

655
00:27:01.839 --> 00:27:04.240
<v Speaker 2>but like it doesn't work for me at all.

656
00:27:04.720 --> 00:27:06.480
<v Speaker 3>Yeah, Like I I'd have to watch again and see

657
00:27:06.480 --> 00:27:07.799
<v Speaker 3>if everything was, but yeah, that's how I took it

658
00:27:07.839 --> 00:27:09.559
<v Speaker 3>as far as like we got to get to Tuesday,

659
00:27:09.559 --> 00:27:11.440
<v Speaker 3>but we're on Friday, so we literally got to live

660
00:27:11.559 --> 00:27:14.839
<v Speaker 3>in the inverted world like kind of it's going backwards

661
00:27:14.880 --> 00:27:16.240
<v Speaker 3>in a sense. So that's why it's like we got

662
00:27:16.240 --> 00:27:18.759
<v Speaker 3>to sleep here that little tank. Obviously, that's where would

663
00:27:18.759 --> 00:27:20.279
<v Speaker 3>throw me off sometimes because lots of time they didn't

664
00:27:20.279 --> 00:27:23.000
<v Speaker 3>have the mask off. But clearly I guess that there's

665
00:27:23.039 --> 00:27:25.240
<v Speaker 3>certain areas that they can go into that it's already

666
00:27:25.279 --> 00:27:28.400
<v Speaker 3>oxygen for them or put out there. So I think

667
00:27:28.440 --> 00:27:31.160
<v Speaker 3>I'm picking up lots of tay Is putting down. But

668
00:27:31.200 --> 00:27:33.799
<v Speaker 3>I think again, I have to see it again. I

669
00:27:33.920 --> 00:27:36.119
<v Speaker 3>got that more talking to you and then thinking about

670
00:27:36.160 --> 00:27:38.440
<v Speaker 3>it a whole night again. In the movie, I still

671
00:27:38.440 --> 00:27:40.720
<v Speaker 3>feel like there's so much going on that That's why

672
00:27:40.720 --> 00:27:42.440
<v Speaker 3>I said the non sports. I feel like I'm thinking

673
00:27:42.440 --> 00:27:44.759
<v Speaker 3>about the past scene, but then I'm getting new.

674
00:27:44.680 --> 00:27:45.759
<v Speaker 1>Information in this scene.

675
00:27:45.759 --> 00:27:47.720
<v Speaker 3>So it's hard for me really to keep up because

676
00:27:48.000 --> 00:27:50.079
<v Speaker 3>I just think sometimes they just needed some I think

677
00:27:50.119 --> 00:27:52.000
<v Speaker 3>sometimes they just need some cool down moments, you know.

678
00:27:52.039 --> 00:27:53.440
<v Speaker 3>I think that's why I like some of those moments,

679
00:27:53.480 --> 00:27:56.079
<v Speaker 3>even though there's exposition and with Michael Caine and the

680
00:27:56.119 --> 00:27:57.799
<v Speaker 3>humor and stuff like that, because it was like, Okay,

681
00:27:57.839 --> 00:28:00.599
<v Speaker 3>we're not getting so much info, but it like every

682
00:28:00.640 --> 00:28:04.200
<v Speaker 3>scene was info info, info dump, like just so much

683
00:28:04.240 --> 00:28:06.920
<v Speaker 3>of it that I think that's what I will.

684
00:28:06.880 --> 00:28:07.359
<v Speaker 1>If I can.

685
00:28:07.440 --> 00:28:09.359
<v Speaker 3>I feel like each watch now I need to like, Okay,

686
00:28:09.359 --> 00:28:12.039
<v Speaker 3>I'm gonna specifically focus on the time travel aspect, none

687
00:28:12.079 --> 00:28:12.799
<v Speaker 3>of the characters.

688
00:28:12.839 --> 00:28:13.920
<v Speaker 1>Just watch it for that.

689
00:28:14.119 --> 00:28:17.799
<v Speaker 3>And again I feel like it's not too smooth, But

690
00:28:19.000 --> 00:28:21.400
<v Speaker 3>you know, I think Taylor's explain it well, not like

691
00:28:21.640 --> 00:28:23.279
<v Speaker 3>I get the general concept of it.

692
00:28:23.319 --> 00:28:25.960
<v Speaker 4>I think I think, well, it's funny that you mentioned

693
00:28:26.039 --> 00:28:28.599
<v Speaker 4>like watching it just to ignore like the character's point

694
00:28:28.599 --> 00:28:31.160
<v Speaker 4>of your perspective and just focusing on the time travel part.

695
00:28:31.160 --> 00:28:32.839
<v Speaker 1>Because that's that's my goal.

696
00:28:32.839 --> 00:28:34.240
<v Speaker 4>I want to rewatch it, and I want to hone

697
00:28:34.240 --> 00:28:37.119
<v Speaker 4>in on everyone wearing masks and then figure out, Okay,

698
00:28:37.160 --> 00:28:40.799
<v Speaker 4>so these people are obviously inverted at these point points

699
00:28:40.799 --> 00:28:44.200
<v Speaker 4>of time and that leads to other scenarios and such.

700
00:28:44.519 --> 00:28:46.839
<v Speaker 4>So I mean, that's my goal for a second watching,

701
00:28:46.960 --> 00:28:48.759
<v Speaker 4>because there are a lot of characters that had gas

702
00:28:48.799 --> 00:28:51.200
<v Speaker 4>masks in our present timeline.

703
00:28:51.759 --> 00:28:57.519
<v Speaker 2>M hmm, here's another. Uh. I just got tons of

704
00:28:57.599 --> 00:29:01.359
<v Speaker 2>questions for you. Yeah, what was I can't remember her name?

705
00:29:01.400 --> 00:29:03.319
<v Speaker 2>The Indian woman who comes up a few times and

706
00:29:03.359 --> 00:29:05.640
<v Speaker 2>he goes to for information or like that's like that

707
00:29:05.720 --> 00:29:08.240
<v Speaker 2>first big heist thing when they're like zipping up the

708
00:29:08.240 --> 00:29:10.640
<v Speaker 2>side of the building and he ends up talking to

709
00:29:10.640 --> 00:29:13.680
<v Speaker 2>her a couple of times. What is her like story.

710
00:29:15.640 --> 00:29:18.400
<v Speaker 3>A person like Rob Pass and that he's recruited in

711
00:29:18.440 --> 00:29:21.359
<v Speaker 3>the future to help him dish out missions. But then

712
00:29:21.680 --> 00:29:24.640
<v Speaker 3>old thing with Elizabeth, the biggie as she goes against

713
00:29:24.680 --> 00:29:26.759
<v Speaker 3>whatever he says, like not that he would have said, like,

714
00:29:26.759 --> 00:29:28.559
<v Speaker 3>don't kill this one, but I think she just thought

715
00:29:28.559 --> 00:29:31.200
<v Speaker 3>in her mind she was expendable, even though his present

716
00:29:31.240 --> 00:29:33.559
<v Speaker 3>day did say, hey, like you have to promise this

717
00:29:33.680 --> 00:29:35.799
<v Speaker 3>woman and the child are gonna be safe, and she

718
00:29:35.920 --> 00:29:39.400
<v Speaker 3>promises that. So I think what he realizes that he

719
00:29:39.640 --> 00:29:41.960
<v Speaker 3>is the protagonist ra Pass, and he realized that he

720
00:29:42.039 --> 00:29:44.519
<v Speaker 3>might be He might be we learned this off screen,

721
00:29:44.559 --> 00:29:46.279
<v Speaker 3>but he he for sure is the guy giving her

722
00:29:46.279 --> 00:29:48.720
<v Speaker 3>info from the future, because they talk about that kind

723
00:29:48.839 --> 00:29:51.920
<v Speaker 3>Brown's character that he's getting not only just invert objects,

724
00:29:51.920 --> 00:29:54.440
<v Speaker 3>but just pieces of information from people in the future

725
00:29:54.839 --> 00:29:57.319
<v Speaker 3>trying to help him out and help their cause. So

726
00:29:57.400 --> 00:29:59.319
<v Speaker 3>I think he's one of those people, but he's on

727
00:29:59.359 --> 00:30:01.680
<v Speaker 3>the good side, and she's just kind of like not

728
00:30:01.759 --> 00:30:03.799
<v Speaker 3>a rogue agent, but just kind of in it for herself.

729
00:30:03.880 --> 00:30:05.599
<v Speaker 3>So when he found out she was going to do that,

730
00:30:06.039 --> 00:30:08.240
<v Speaker 3>he kills her. So I guess at some point in

731
00:30:08.279 --> 00:30:10.640
<v Speaker 3>the future again he sends word down to a younger

732
00:30:10.720 --> 00:30:13.079
<v Speaker 3>version of her help him out, and then he just

733
00:30:13.200 --> 00:30:16.440
<v Speaker 3>knows that, you know, you're like, at one point he's

734
00:30:16.440 --> 00:30:18.319
<v Speaker 3>going to have to kill her. It's what It's kind

735
00:30:18.319 --> 00:30:20.079
<v Speaker 3>of like the same thing that Rob Passing Time trial

736
00:30:20.119 --> 00:30:21.720
<v Speaker 3>that I like, but it's that thing of like, this

737
00:30:21.799 --> 00:30:23.400
<v Speaker 3>is the end of my friendship with you, but it's

738
00:30:23.440 --> 00:30:24.440
<v Speaker 3>the beginning of yours.

739
00:30:24.440 --> 00:30:26.319
<v Speaker 1>So it's like this whole loop thing.

740
00:30:26.200 --> 00:30:28.599
<v Speaker 3>Where I think eventually you get it on the Charlie Day,

741
00:30:28.960 --> 00:30:31.480
<v Speaker 3>you know, always sunny map. I think some of it

742
00:30:31.799 --> 00:30:33.559
<v Speaker 3>or most of it will make sense, but I think

743
00:30:33.960 --> 00:30:36.200
<v Speaker 3>in the film I'll jumble it gets a little confusion.

744
00:30:36.240 --> 00:30:37.279
<v Speaker 1>But that's what I took.

745
00:30:38.279 --> 00:30:43.960
<v Speaker 2>Yeah, can you talk to someone who's inverted? Like is that?

746
00:30:44.079 --> 00:30:46.480
<v Speaker 2>Can you have a conversation with someone who's inverted and

747
00:30:46.519 --> 00:30:47.279
<v Speaker 2>you're not inverted?

748
00:30:47.759 --> 00:30:48.519
<v Speaker 1>I don't think so. No.

749
00:30:48.640 --> 00:30:50.559
<v Speaker 3>I think that's you'd have to, because was that what

750
00:30:50.599 --> 00:30:53.160
<v Speaker 3>they're doing one point, recording conversations and playing them backwards.

751
00:30:53.200 --> 00:30:54.079
<v Speaker 1>Is that what they are doing.

752
00:30:54.160 --> 00:30:55.920
<v Speaker 3>That's what I thought a few times, that they had

753
00:30:55.960 --> 00:30:58.400
<v Speaker 3>recorded them and played them backwards. I could have been wrong,

754
00:30:58.400 --> 00:31:02.599
<v Speaker 3>but there's just multiple recordings happen hm hmm. And because

755
00:31:02.759 --> 00:31:07.079
<v Speaker 3>and like he they do that, and that because Dave

756
00:31:07.240 --> 00:31:10.480
<v Speaker 3>Washington and Capron have a conversation, right, but we get

757
00:31:10.480 --> 00:31:12.559
<v Speaker 3>that thing where it's like they talk and then like

758
00:31:12.640 --> 00:31:14.240
<v Speaker 3>changes the audio around for them.

759
00:31:14.279 --> 00:31:16.039
<v Speaker 1>So maybe you just need a machine like that, like

760
00:31:16.079 --> 00:31:18.119
<v Speaker 1>a gateway. That's what I think.

761
00:31:18.119 --> 00:31:21.160
<v Speaker 3>Maybe you can, but you couldn't, like if I think

762
00:31:21.200 --> 00:31:23.640
<v Speaker 3>if you're if there's no machinery, if you're inverted and

763
00:31:23.680 --> 00:31:25.480
<v Speaker 3>the other person onvert, you couldn't talk them or you

764
00:31:25.480 --> 00:31:27.720
<v Speaker 3>couldn't understand them at least mm hmm.

765
00:31:29.359 --> 00:31:32.200
<v Speaker 2>Yeah. So I guess I was. I'm wondering why why

766
00:31:32.279 --> 00:31:35.119
<v Speaker 2>we never got a scene where uh protagonist is like

767
00:31:35.160 --> 00:31:37.480
<v Speaker 2>talking to himself or you have some moment at the

768
00:31:37.559 --> 00:31:39.400
<v Speaker 2>end of the movie where he connects with that other

769
00:31:39.480 --> 00:31:41.640
<v Speaker 2>version of himself. We'd like done all this other stuff

770
00:31:42.240 --> 00:31:44.279
<v Speaker 2>in the future, but I guess maybe that hadn't happened yet.

771
00:31:44.319 --> 00:31:47.200
<v Speaker 1>Or something, but well they can't write. They like the

772
00:31:47.279 --> 00:31:49.920
<v Speaker 1>fact that they fought, I guess is a whole other scenario.

773
00:31:49.960 --> 00:31:52.519
<v Speaker 4>But they the rule was like, if you get into

774
00:31:52.720 --> 00:31:56.519
<v Speaker 4>super close proximity to yourself, like the particles of your

775
00:31:56.519 --> 00:31:59.640
<v Speaker 4>body will like start to like combust or something and know,

776
00:31:59.880 --> 00:32:01.119
<v Speaker 4>like be very devastating.

777
00:32:02.319 --> 00:32:04.640
<v Speaker 2>Oh I didn't catch that. So why didn't happen when

778
00:32:04.640 --> 00:32:06.279
<v Speaker 2>he's fighting himself for like five minutes straight.

779
00:32:06.359 --> 00:32:06.839
<v Speaker 1>I'm not sure.

780
00:32:06.880 --> 00:32:09.440
<v Speaker 4>I'm thinking maybe because it wasn't like ske on skin

781
00:32:09.559 --> 00:32:11.680
<v Speaker 4>contact or he had the mask on or something. Because

782
00:32:11.720 --> 00:32:15.400
<v Speaker 4>Aaron Taylor Johnson when they were walking out into the

783
00:32:15.400 --> 00:32:19.200
<v Speaker 4>inverted area with the cat after when she was shot

784
00:32:19.640 --> 00:32:21.839
<v Speaker 4>the Aaron Taylor Johnson looks at the lady and is

785
00:32:21.839 --> 00:32:23.759
<v Speaker 4>like give him the rundown. She's like, don't come in

786
00:32:23.799 --> 00:32:26.799
<v Speaker 4>contact with your former self and this YadA, YadA YadA,

787
00:32:26.839 --> 00:32:27.640
<v Speaker 4>because this will happen.

788
00:32:28.319 --> 00:32:29.000
<v Speaker 1>Yeah. I caught that.

789
00:32:29.079 --> 00:32:32.039
<v Speaker 3>I didn't remember the whole like your Adams and whatnot exploding,

790
00:32:32.079 --> 00:32:33.599
<v Speaker 3>but I did say, like I did hear that, don't

791
00:32:33.640 --> 00:32:34.559
<v Speaker 3>come contact yourself.

792
00:32:34.680 --> 00:32:37.000
<v Speaker 1>Did John Daby Washington get stabbed in his arm? Is

793
00:32:37.000 --> 00:32:38.279
<v Speaker 1>that why he was bleeding at one point?

794
00:32:38.400 --> 00:32:40.759
<v Speaker 4>Well, it was a bullet wound, right, because but I

795
00:32:40.759 --> 00:32:44.359
<v Speaker 4>don't know when that connected because he he noticed like

796
00:32:44.400 --> 00:32:46.119
<v Speaker 4>his arm started to hurt more, and then he noticed

797
00:32:46.160 --> 00:32:48.559
<v Speaker 4>the hole in his jacket and then it started to bleed.

798
00:32:48.680 --> 00:32:51.240
<v Speaker 4>But there was no build up point to when that

799
00:32:51.480 --> 00:32:53.759
<v Speaker 4>happened when he got shot. The only time I thought

800
00:32:53.839 --> 00:32:56.960
<v Speaker 4>that he got shot was did he shoot himself in

801
00:32:57.039 --> 00:32:58.160
<v Speaker 4>the airport scene?

802
00:32:58.240 --> 00:33:00.240
<v Speaker 1>That's what I think, because I didn't we didn't see

803
00:33:00.279 --> 00:33:02.839
<v Speaker 1>a gunshot going well, we didn't see well, not a gunshot.

804
00:33:02.880 --> 00:33:04.599
<v Speaker 3>But I thought, well, maybe was it that time when

805
00:33:04.640 --> 00:33:06.720
<v Speaker 3>the he did like the rounds on the glass or

806
00:33:06.720 --> 00:33:08.960
<v Speaker 3>was like the boom boom boom boom.

807
00:33:08.960 --> 00:33:12.599
<v Speaker 4>But he his former his old self was in the

808
00:33:12.640 --> 00:33:16.640
<v Speaker 4>trajectory of the bullet, right, and the protagonists and Inverted's

809
00:33:16.720 --> 00:33:19.720
<v Speaker 4>form was the one shooting the gunshots, so he wouldn't

810
00:33:19.720 --> 00:33:21.519
<v Speaker 4>have been able to hit his arm because.

811
00:33:21.200 --> 00:33:23.640
<v Speaker 1>He Yeah, I think so. I think you're right. My

812
00:33:23.720 --> 00:33:25.000
<v Speaker 1>question is in that scene, the.

813
00:33:24.920 --> 00:33:26.920
<v Speaker 2>One on the other side of the glass who was running,

814
00:33:26.960 --> 00:33:29.200
<v Speaker 2>is that what you're talking about or do you mean

815
00:33:29.200 --> 00:33:31.559
<v Speaker 2>like earlier in that scene when they were just like

816
00:33:31.640 --> 00:33:33.119
<v Speaker 2>fist fighting and he shot him when they were just

817
00:33:33.119 --> 00:33:34.000
<v Speaker 2>in the hallway or something.

818
00:33:34.160 --> 00:33:37.519
<v Speaker 4>Well, he was in both those settings, right, Like he

819
00:33:38.480 --> 00:33:42.000
<v Speaker 4>when he was like trying to his inverted self was

820
00:33:42.039 --> 00:33:45.559
<v Speaker 4>trying to get into that machine when in reality he

821
00:33:45.599 --> 00:33:48.279
<v Speaker 4>was actually going away from it in the current timeline.

822
00:33:48.319 --> 00:33:51.200
<v Speaker 4>So he he was going he was shooting the gun off,

823
00:33:51.200 --> 00:33:54.000
<v Speaker 4>and he went into the inverted machine and then he

824
00:33:54.039 --> 00:33:56.400
<v Speaker 4>went out to their side where Robert Patterson's character was.

825
00:33:56.559 --> 00:33:58.839
<v Speaker 2>Yeah, so that version of him didn't get shot. It

826
00:33:58.880 --> 00:34:01.960
<v Speaker 2>was the non inverted version from earlier in the movie.

827
00:34:03.359 --> 00:34:04.000
<v Speaker 1>Well, we don't.

828
00:34:04.759 --> 00:34:07.039
<v Speaker 4>We don't know exactly because we don't see the non

829
00:34:07.039 --> 00:34:09.960
<v Speaker 4>inverted version actually get shot. It just starts going backwards

830
00:34:10.000 --> 00:34:12.119
<v Speaker 4>because you know, when you're in the when you're in

831
00:34:12.119 --> 00:34:15.639
<v Speaker 4>that scenario, you start to feel the pain of something happening,

832
00:34:15.719 --> 00:34:17.440
<v Speaker 4>or you see the crack in the glass because it

833
00:34:17.440 --> 00:34:20.079
<v Speaker 4>hasn't happened yet, and then it proceeds to happen. So

834
00:34:20.159 --> 00:34:22.679
<v Speaker 4>for the protagonist, his arms started to bruise and then

835
00:34:22.679 --> 00:34:24.239
<v Speaker 4>he saw the bullet hole in his shirt and then

836
00:34:24.239 --> 00:34:27.159
<v Speaker 4>he started to bleed, but it didn't lead to him

837
00:34:27.159 --> 00:34:31.119
<v Speaker 4>actually getting shot. So to me, that's an left open

838
00:34:31.519 --> 00:34:32.039
<v Speaker 4>plot hole.

839
00:34:32.719 --> 00:34:35.960
<v Speaker 3>My question is, so how that scene originally and when

840
00:34:36.039 --> 00:34:38.239
<v Speaker 3>we first saw it he got sucked up and went

841
00:34:38.280 --> 00:34:39.960
<v Speaker 3>in the airplane turbine.

842
00:34:40.039 --> 00:34:41.880
<v Speaker 4>Right, We didn't see him going the turbine. We just

843
00:34:41.880 --> 00:34:43.960
<v Speaker 4>saw him get sucked. Okay, so maybe that was it.

844
00:34:44.000 --> 00:34:46.000
<v Speaker 3>I was trying to wonder if what the Deuels that

845
00:34:46.119 --> 00:34:48.559
<v Speaker 3>was or because at one point, this is near the end,

846
00:34:48.599 --> 00:34:50.360
<v Speaker 3>and this is because this gets in a whole another worm.

847
00:34:50.400 --> 00:34:52.360
<v Speaker 3>But like Robert pass and then starts talking about like

848
00:34:52.840 --> 00:34:55.360
<v Speaker 3>multi universe and multi verse and stuff like that, and

849
00:34:55.360 --> 00:34:57.679
<v Speaker 3>that sort's like, so in one verse, did he actually

850
00:34:57.679 --> 00:34:59.679
<v Speaker 3>just die and get sucked the air whatever?

851
00:35:00.079 --> 00:35:02.039
<v Speaker 1>Her mind? But then passed and kind of was like, oh, well,

852
00:35:02.039 --> 00:35:03.400
<v Speaker 1>go to sleep. We're not gonna talk about this. It

853
00:35:03.440 --> 00:35:05.480
<v Speaker 1>could just be like unlimited thing and that's what they're

854
00:35:05.480 --> 00:35:07.760
<v Speaker 1>talking about, like the Grandfather paradox and everything.

855
00:35:07.960 --> 00:35:10.679
<v Speaker 3>They touch on some things, but they don't dive too

856
00:35:10.679 --> 00:35:12.599
<v Speaker 3>deep in them. I think I'm glad because there's already

857
00:35:12.639 --> 00:35:14.159
<v Speaker 3>things that they dive deep enough in that I am

858
00:35:14.159 --> 00:35:14.920
<v Speaker 3>still questioning.

859
00:35:14.960 --> 00:35:17.360
<v Speaker 1>But so you think he gotpened and die.

860
00:35:17.559 --> 00:35:20.159
<v Speaker 4>No, I think that we got to see the other

861
00:35:20.280 --> 00:35:22.159
<v Speaker 4>end of that, because at that point in time he

862
00:35:22.320 --> 00:35:25.880
<v Speaker 4>was inverted and he got sucked out through there, and

863
00:35:25.920 --> 00:35:28.280
<v Speaker 4>then it would have been him working with like Rob

864
00:35:28.280 --> 00:35:31.239
<v Speaker 4>Patison getting the girl or winding, so that would have

865
00:35:31.280 --> 00:35:32.280
<v Speaker 4>been he was.

866
00:35:32.239 --> 00:35:33.599
<v Speaker 1>Just he was actually just jumped.

867
00:35:33.960 --> 00:35:36.320
<v Speaker 4>Yeah, so we got to see that point in time.

868
00:35:36.679 --> 00:35:40.079
<v Speaker 4>As for him talking about you need the second watch.

869
00:35:40.239 --> 00:35:42.239
<v Speaker 4>As for you're talking about the multiple dimensions stuff in

870
00:35:42.280 --> 00:35:45.840
<v Speaker 4>the Grandfather Paradox, he says that, okay, the fact that

871
00:35:45.840 --> 00:35:47.519
<v Speaker 4>the Grandfather Paradox.

872
00:35:47.400 --> 00:35:49.800
<v Speaker 1>You know, exists in the sense and that these could

873
00:35:50.039 --> 00:35:52.679
<v Speaker 1>kill your grandfather and still be a lot that's what Washington,

874
00:35:52.920 --> 00:35:53.320
<v Speaker 1>he says.

875
00:35:53.320 --> 00:35:56.079
<v Speaker 4>The people of the future kind of abide by that

876
00:35:56.119 --> 00:35:58.960
<v Speaker 4>where they don't care. You know, they're they're treating the

877
00:35:58.960 --> 00:36:01.440
<v Speaker 4>future like garbage because they don't think it changes the past,

878
00:36:01.480 --> 00:36:02.719
<v Speaker 4>when in reality it does.

879
00:36:02.800 --> 00:36:05.559
<v Speaker 1>And that's their cause here, because they're leaving the other

880
00:36:05.559 --> 00:36:08.239
<v Speaker 1>way around. They're treating the past like crap, so because

881
00:36:08.239 --> 00:36:10.679
<v Speaker 1>it hurts the future, but it is hurting the future. Yeah.

882
00:36:10.760 --> 00:36:13.840
<v Speaker 4>Yeah, So again that segues into them like leaving those

883
00:36:13.880 --> 00:36:17.440
<v Speaker 4>packages and behind for salo or whatever of gold bricks

884
00:36:17.440 --> 00:36:17.960
<v Speaker 4>and stuff.

885
00:36:18.079 --> 00:36:22.480
<v Speaker 2>Yeah, what happens at the start of movie when he

886
00:36:23.239 --> 00:36:27.039
<v Speaker 2>like eats that the bullet thing, that's I guess that's

887
00:36:27.039 --> 00:36:29.000
<v Speaker 2>one of the horre cruxes, right, that little.

888
00:36:29.039 --> 00:36:33.519
<v Speaker 3>No, that's like a kicker cyanide capsule. So I guess

889
00:36:33.599 --> 00:36:37.000
<v Speaker 3>what they I didn't like that because I didn't.

890
00:36:36.800 --> 00:36:40.000
<v Speaker 1>Understand they said it was a test, but it seems

891
00:36:40.000 --> 00:36:42.320
<v Speaker 1>like that mission wasn't a test, you know, like there

892
00:36:42.400 --> 00:36:44.559
<v Speaker 1>was other things like that were really happening in them.

893
00:36:44.599 --> 00:36:46.360
<v Speaker 1>I thought what it was gonna be is that whole

894
00:36:46.400 --> 00:36:48.519
<v Speaker 1>mission was a test and it was just okay, this

895
00:36:48.639 --> 00:36:50.280
<v Speaker 1>was just to see if worthy of being a part

896
00:36:50.320 --> 00:36:52.440
<v Speaker 1>of this group. So okay, this makes sense, But.

897
00:36:52.400 --> 00:36:54.000
<v Speaker 3>It wasn't because they say, like, oh so and so

898
00:36:54.119 --> 00:36:55.960
<v Speaker 3>got away with this brick, So it's like it was

899
00:36:56.000 --> 00:36:58.000
<v Speaker 3>a real mission in your Testingum, so I guess.

900
00:36:57.800 --> 00:36:59.960
<v Speaker 1>The way they rebuilt his jaw right, Well I know,

901
00:37:00.239 --> 00:37:02.320
<v Speaker 1>but still like why would why would you be testing

902
00:37:02.320 --> 00:37:06.159
<v Speaker 1>someone on a real mission that doesn't seem it's real?

903
00:37:06.239 --> 00:37:09.679
<v Speaker 1>It's real, So I mean just but that's no, I don't.

904
00:37:10.519 --> 00:37:13.000
<v Speaker 1>I don't get that. Then, like to me, like I

905
00:37:13.000 --> 00:37:13.840
<v Speaker 1>feel like I tasked.

906
00:37:13.840 --> 00:37:15.880
<v Speaker 3>He specifically would set up to say like should we

907
00:37:15.880 --> 00:37:18.800
<v Speaker 3>approve this guy to continue further? Like in this situation,

908
00:37:18.840 --> 00:37:20.960
<v Speaker 3>what happened was he gone that van and there was

909
00:37:21.000 --> 00:37:22.840
<v Speaker 3>guys waiting for him and they were his team. But

910
00:37:22.960 --> 00:37:26.039
<v Speaker 3>like if the mission went, he failed, right, he didn't

911
00:37:26.039 --> 00:37:28.400
<v Speaker 3>get the thing they wanted right in that mission, or

912
00:37:28.440 --> 00:37:28.960
<v Speaker 3>I'm wrong.

913
00:37:29.920 --> 00:37:31.280
<v Speaker 1>They're looking for like the plutonium.

914
00:37:31.599 --> 00:37:35.199
<v Speaker 2>Civilian civilians died, So from my opinion, they failed.

915
00:37:35.360 --> 00:37:37.280
<v Speaker 1>Oh yeah, they especially when they're like, oh, it's just

916
00:37:37.280 --> 00:37:37.960
<v Speaker 1>the cheap seats.

917
00:37:37.960 --> 00:37:40.079
<v Speaker 3>It's like, yeah, but the whole tire fucking stadium would

918
00:37:40.079 --> 00:37:42.039
<v Speaker 3>fall on them, like like they were knocked up. But

919
00:37:42.119 --> 00:37:44.199
<v Speaker 3>like either way, like they weren't trying to say, you know,

920
00:37:44.239 --> 00:37:46.280
<v Speaker 3>their mission was to get the plutonium bricks, right, That's

921
00:37:46.280 --> 00:37:48.519
<v Speaker 3>what I thought, Or was I wrong?

922
00:37:48.599 --> 00:37:50.800
<v Speaker 2>What was kind of boat? It's kind of like both, right,

923
00:37:50.840 --> 00:37:52.000
<v Speaker 2>because you get the bombs he said.

924
00:37:52.599 --> 00:37:54.440
<v Speaker 3>Okay, so let's say the bombs was one, but then

925
00:37:54.519 --> 00:37:57.199
<v Speaker 3>platonium bricks that didn't happen. Someone gets away with them, right,

926
00:37:57.280 --> 00:37:59.679
<v Speaker 3>someone we don't know them, or assuming that's Kanth Brown's people.

927
00:38:00.119 --> 00:38:02.440
<v Speaker 3>But then the thing is so that fails, but then

928
00:38:02.559 --> 00:38:05.320
<v Speaker 3>his own organization kidnaps him and puts them through like

929
00:38:05.760 --> 00:38:08.719
<v Speaker 3>a testing process where they pull his teeth everything I

930
00:38:08.719 --> 00:38:10.599
<v Speaker 3>don't like, and just to see if he doesn't give information.

931
00:38:10.679 --> 00:38:11.280
<v Speaker 1>That's where I was.

932
00:38:12.000 --> 00:38:14.280
<v Speaker 2>I guess that part could make sense because the idea

933
00:38:14.280 --> 00:38:16.760
<v Speaker 2>of that test was to prove that he wouldn't wrap

934
00:38:16.800 --> 00:38:20.360
<v Speaker 2>them out or like wrat out his other agents on

935
00:38:20.400 --> 00:38:20.719
<v Speaker 2>the case.

936
00:38:20.760 --> 00:38:24.000
<v Speaker 3>I guess you could say, so if he was successful

937
00:38:24.000 --> 00:38:26.280
<v Speaker 3>and they got the plutonium bricks, would he have been tested?

938
00:38:29.360 --> 00:38:31.559
<v Speaker 1>Because I feel like the test was because this is

939
00:38:32.039 --> 00:38:36.000
<v Speaker 1>a separate entity altogether kidnapped. Okay, Okay, then okay, then

940
00:38:36.039 --> 00:38:36.920
<v Speaker 1>I can kind of see that.

941
00:38:37.000 --> 00:38:39.760
<v Speaker 3>Then I just thought it was a because usually most

942
00:38:39.840 --> 00:38:42.480
<v Speaker 3>time in all spy throwers, when there's a test, it's

943
00:38:42.519 --> 00:38:44.480
<v Speaker 3>not anything real is happening. So the fact that there

944
00:38:44.559 --> 00:38:47.960
<v Speaker 3>was still real stakes, like the lives and his lives happening,

945
00:38:48.000 --> 00:38:49.519
<v Speaker 3>and then he was gonna being tested upon that, I

946
00:38:49.519 --> 00:38:51.559
<v Speaker 3>still know how I like that. It does make more sense,

947
00:38:51.599 --> 00:38:53.519
<v Speaker 3>So I'll give you that, so maybe I'll feel better

948
00:38:53.559 --> 00:38:55.960
<v Speaker 3>about a second watch. But then, yeah, he bites the pill,

949
00:38:56.440 --> 00:38:59.119
<v Speaker 3>he like died, but I guess they they saved him

950
00:38:59.159 --> 00:39:03.199
<v Speaker 3>before death, right they pulled Uh? So this is literally

951
00:39:03.280 --> 00:39:05.079
<v Speaker 3>out of Scott This is literally out of James Bond

952
00:39:05.159 --> 00:39:07.760
<v Speaker 3>movie where someone bites a cinide pill and they really

953
00:39:07.760 --> 00:39:10.360
<v Speaker 3>rebuild his teeth and that's what they did to him.

954
00:39:10.400 --> 00:39:11.239
<v Speaker 1>Then unless they.

955
00:39:11.159 --> 00:39:12.960
<v Speaker 4>Just lied, because for all we know they could have

956
00:39:13.039 --> 00:39:15.840
<v Speaker 4>went back in time and pulled him out before he

957
00:39:15.960 --> 00:39:16.559
<v Speaker 4>got killed.

958
00:39:16.639 --> 00:39:18.519
<v Speaker 1>Right, Well, I don't know because he said his mouth

959
00:39:18.559 --> 00:39:20.960
<v Speaker 1>I remember, and he's like, we had to rebuild your teeth.

960
00:39:21.039 --> 00:39:24.679
<v Speaker 2>Yeah maybe, I guess maybe the pill wasn't actually a

961
00:39:24.679 --> 00:39:26.719
<v Speaker 2>snide pill or like I guess it was like a

962
00:39:27.000 --> 00:39:30.480
<v Speaker 2>it's something that just knocked him out. And then because

963
00:39:30.679 --> 00:39:33.599
<v Speaker 2>like his friend, the agent that he was with, was

964
00:39:33.639 --> 00:39:35.239
<v Speaker 2>like the one who had it or I guess no,

965
00:39:35.320 --> 00:39:36.920
<v Speaker 2>he had it originally and then he lost it and

966
00:39:36.920 --> 00:39:37.760
<v Speaker 2>then his friend grabbed it.

967
00:39:38.000 --> 00:39:40.119
<v Speaker 1>Well, yeah, they do well know the brushing, I took

968
00:39:40.119 --> 00:39:42.039
<v Speaker 1>it away from it and he's like playing with them,

969
00:39:42.039 --> 00:39:43.639
<v Speaker 1>and then remember he spat it away.

970
00:39:43.599 --> 00:39:45.519
<v Speaker 2>And then yeah, his friend grabbed it.

971
00:39:45.840 --> 00:39:48.000
<v Speaker 3>Yeah, and I guess not this the pill I guess

972
00:39:48.039 --> 00:39:50.960
<v Speaker 3>didn't do his teeth. They like physically pulled his teeth out, So,

973
00:39:51.119 --> 00:39:54.880
<v Speaker 3>which is a brutal, brutal test, you know, so very brutal.

974
00:39:55.199 --> 00:39:55.679
<v Speaker 1>Mm hmmm.

975
00:39:56.559 --> 00:40:00.119
<v Speaker 2>The one the one story beat that I thought was

976
00:40:00.159 --> 00:40:04.199
<v Speaker 2>pretty good was at the end when when Kat like

977
00:40:04.280 --> 00:40:06.400
<v Speaker 2>goes on the boat does the whole thing obviously kicks

978
00:40:06.480 --> 00:40:08.159
<v Speaker 2>them off and like that way they were talking about,

979
00:40:08.360 --> 00:40:10.599
<v Speaker 2>and then she jumps off and like sees herself the

980
00:40:10.639 --> 00:40:13.960
<v Speaker 2>way she slid them me that, yeah, that was funny.

981
00:40:13.960 --> 00:40:16.679
<v Speaker 2>But when she when she dives off, and then you know,

982
00:40:16.719 --> 00:40:18.280
<v Speaker 2>you think back earlier in the movie she had the

983
00:40:18.280 --> 00:40:20.159
<v Speaker 2>line that was like always wanted to be that girl

984
00:40:20.239 --> 00:40:22.679
<v Speaker 2>or something. That was the one point where like everything,

985
00:40:23.119 --> 00:40:26.280
<v Speaker 2>well not everything, but that that storyline like fit together

986
00:40:26.360 --> 00:40:28.320
<v Speaker 2>and clicked for me, And then I feel like that

987
00:40:28.400 --> 00:40:30.760
<v Speaker 2>was a satisfied ending. Unfortunately it was the only one

988
00:40:30.760 --> 00:40:32.800
<v Speaker 2>that really had that effect with me, But I think

989
00:40:32.800 --> 00:40:34.719
<v Speaker 2>it's worth throwing that out there that I did think

990
00:40:34.760 --> 00:40:38.519
<v Speaker 2>that her storyline, probably because it was the most straightforward

991
00:40:38.960 --> 00:40:42.199
<v Speaker 2>to me, did make sense and connected, and uh, pretty

992
00:40:42.360 --> 00:40:43.760
<v Speaker 2>had a pretty satisfying ending.

993
00:40:44.559 --> 00:40:44.800
<v Speaker 1>Yeah.

994
00:40:44.840 --> 00:40:47.199
<v Speaker 3>I love that touch because it's that classic time trial

995
00:40:47.280 --> 00:40:49.079
<v Speaker 3>thing like oh, she was the girl on the boat

996
00:40:49.119 --> 00:40:51.239
<v Speaker 3>the whole time, you know, and then that chicken the

997
00:40:51.239 --> 00:40:53.559
<v Speaker 3>egg thing of like, well, if she's on this boat

998
00:40:53.599 --> 00:40:55.559
<v Speaker 3>or she didn't time trail, has this happened? So I

999
00:40:55.679 --> 00:40:57.039
<v Speaker 3>liked all that. Yeah, I think she had the most

1000
00:40:57.039 --> 00:40:59.719
<v Speaker 3>satisfying ending. I think they almost know that because like

1001
00:40:59.760 --> 00:41:02.679
<v Speaker 3>all Washington saves her, but the movie ends on her

1002
00:41:02.800 --> 00:41:04.760
<v Speaker 3>and her son, right, Like that's the ending point of

1003
00:41:04.800 --> 00:41:06.440
<v Speaker 3>the movie is yeah, her gram her hand and then

1004
00:41:06.480 --> 00:41:07.320
<v Speaker 3>walking down the street.

1005
00:41:07.320 --> 00:41:09.679
<v Speaker 1>So I feel like they knew that. I felt conclusion

1006
00:41:09.760 --> 00:41:12.679
<v Speaker 1>with Passes character. There's still so much mystery, but I

1007
00:41:12.840 --> 00:41:15.719
<v Speaker 1>thought that as like he is almost just he's just

1008
00:41:17.880 --> 00:41:20.320
<v Speaker 1>a soldier of war and his design purposes.

1009
00:41:20.360 --> 00:41:23.239
<v Speaker 3>Literally he knows, yeah, he knows his day of death right,

1010
00:41:23.280 --> 00:41:25.639
<v Speaker 3>and his goal is just you have to literally save

1011
00:41:25.679 --> 00:41:28.360
<v Speaker 3>the world. I've bought in that more than washington'scause the

1012
00:41:28.360 --> 00:41:31.360
<v Speaker 3>thing is when Washington has that realization, it's gonna be

1013
00:41:31.800 --> 00:41:33.800
<v Speaker 3>after the movie. He still is gonna save the world,

1014
00:41:33.840 --> 00:41:35.559
<v Speaker 3>but like what he's going to go on to do.

1015
00:41:35.639 --> 00:41:38.559
<v Speaker 3>All this stuff is coming down later on. Technically it's

1016
00:41:38.599 --> 00:41:40.800
<v Speaker 3>already happened. But with Passions, we didn't see everything. But

1017
00:41:41.119 --> 00:41:42.960
<v Speaker 3>when they did a little flashbacks, Like I love the

1018
00:41:43.000 --> 00:41:45.320
<v Speaker 3>acting in his face when he was running down that

1019
00:41:45.440 --> 00:41:47.360
<v Speaker 3>hall after they did the invert and he takes off

1020
00:41:47.360 --> 00:41:50.159
<v Speaker 3>the hood and it's Washington's face. I love, like just

1021
00:41:50.239 --> 00:41:53.039
<v Speaker 3>his face of just like kind of horror but completely

1022
00:41:53.079 --> 00:41:55.239
<v Speaker 3>understanding what's going on. He wasn't expecting that, but he

1023
00:41:55.280 --> 00:41:56.960
<v Speaker 3>just throws a mask and just like go go, And

1024
00:41:57.320 --> 00:41:59.800
<v Speaker 3>I love all that stuff and I love that that

1025
00:42:00.159 --> 00:42:02.079
<v Speaker 3>was called back because that was my first sign of Okay,

1026
00:42:02.159 --> 00:42:04.880
<v Speaker 3>something's going on with the scene. One that fight scene

1027
00:42:04.880 --> 00:42:07.920
<v Speaker 3>I thought was great of seeing it both ways at

1028
00:42:07.920 --> 00:42:09.760
<v Speaker 3>one point when the guy like gives him a judo throw,

1029
00:42:09.840 --> 00:42:12.199
<v Speaker 3>but when you see it the first times, like him

1030
00:42:12.199 --> 00:42:14.199
<v Speaker 3>doing like a weird flip. I loved all the actual

1031
00:42:14.280 --> 00:42:17.679
<v Speaker 3>fighting of the like the inverted versity avert and then

1032
00:42:17.679 --> 00:42:19.800
<v Speaker 3>seeing both versions and rhymy lot of the Joe Squareen

1033
00:42:19.880 --> 00:42:22.320
<v Speaker 3>Levitt like Hallwait scene. So I liked all that, And

1034
00:42:22.360 --> 00:42:24.719
<v Speaker 3>then I liked too that when he passed and did

1035
00:42:24.800 --> 00:42:27.039
<v Speaker 3>run after him and he pulled that mask off, they

1036
00:42:27.079 --> 00:42:29.760
<v Speaker 3>cut away. I am glad that that was a callback

1037
00:42:29.760 --> 00:42:31.800
<v Speaker 3>because that was my first sign I'm like, Okay, something's

1038
00:42:31.920 --> 00:42:33.159
<v Speaker 3>wrong here with this character.

1039
00:42:33.320 --> 00:42:34.639
<v Speaker 1>Something's out with this character.

1040
00:42:34.840 --> 00:42:36.960
<v Speaker 3>Because back in my mind, I was worried that they

1041
00:42:37.039 --> 00:42:39.039
<v Speaker 3>just didn't show what happened that character and he just

1042
00:42:39.119 --> 00:42:40.800
<v Speaker 3>like took him out and that was it. So I

1043
00:42:40.920 --> 00:42:44.159
<v Speaker 3>liked like that was a very classic like Prestige interception

1044
00:42:44.280 --> 00:42:46.679
<v Speaker 3>and Nolan as far as just like he laid like

1045
00:42:46.719 --> 00:42:48.360
<v Speaker 3>the little bread crumbs, and that's where I feel like

1046
00:42:48.360 --> 00:42:50.079
<v Speaker 3>it's a lot like an interception that way, where it's

1047
00:42:50.079 --> 00:42:52.559
<v Speaker 3>just like all what's there? The only one bread crumb

1048
00:42:52.599 --> 00:42:55.079
<v Speaker 3>I didn't like was I felt like at the very end,

1049
00:42:55.079 --> 00:42:57.199
<v Speaker 3>when they're getting the last like bricks and they're trying

1050
00:42:57.199 --> 00:42:59.559
<v Speaker 3>to stop the explosion, there's that dead guy and then

1051
00:42:59.639 --> 00:43:02.880
<v Speaker 3>like zoo bom in on that backpack. I hated that

1052
00:43:02.920 --> 00:43:05.239
<v Speaker 3>because right away when they zoomed in, I knew, like, oh,

1053
00:43:05.280 --> 00:43:08.239
<v Speaker 3>that's Patison, even though we hadn't seen Passon's backpack yet.

1054
00:43:08.519 --> 00:43:11.280
<v Speaker 3>I feel like they should have done that, Like I

1055
00:43:11.280 --> 00:43:13.880
<v Speaker 3>don't know how, but they should have done him seeing

1056
00:43:13.880 --> 00:43:15.760
<v Speaker 3>the actual backpack of the dead body, maybe even a

1057
00:43:15.800 --> 00:43:18.039
<v Speaker 3>little further than that revealed to me. It just felt

1058
00:43:18.199 --> 00:43:19.920
<v Speaker 3>even in a Nolan sense, it didn't even felt like

1059
00:43:20.000 --> 00:43:22.920
<v Speaker 3>it was they showed the backpack and you could catch it.

1060
00:43:22.920 --> 00:43:24.360
<v Speaker 3>It was I feel like they should have showed the

1061
00:43:24.360 --> 00:43:26.639
<v Speaker 3>backpack from a bit of a wider shot and then

1062
00:43:26.679 --> 00:43:28.800
<v Speaker 3>when they did the soft flashback go back to scene,

1063
00:43:28.840 --> 00:43:30.760
<v Speaker 3>but then close in on it, where when it was

1064
00:43:30.800 --> 00:43:33.159
<v Speaker 3>just a full and close up of this little charm,

1065
00:43:33.599 --> 00:43:35.000
<v Speaker 3>you knew it was going to be passed. And they

1066
00:43:35.000 --> 00:43:36.920
<v Speaker 3>showed the dead body, but they wouldn't show its face.

1067
00:43:37.119 --> 00:43:40.119
<v Speaker 3>He had hair, like Passing. So I loved the resolution

1068
00:43:40.239 --> 00:43:42.760
<v Speaker 3>of Passon's character giving him the whole talk, but the

1069
00:43:42.800 --> 00:43:44.880
<v Speaker 3>impact of like that shock of it being passed in

1070
00:43:44.960 --> 00:43:46.960
<v Speaker 3>the Dead Guy. It didn't have that shot because the

1071
00:43:46.960 --> 00:43:49.039
<v Speaker 3>second they showed that, it just felt very obvious to me,

1072
00:43:49.079 --> 00:43:51.280
<v Speaker 3>and like a very un Nolan in a way. I

1073
00:43:51.280 --> 00:43:53.400
<v Speaker 3>feel like he's usually better at hiding that sort of stuff.

1074
00:43:53.440 --> 00:43:55.000
<v Speaker 3>So that was a con I had with some of

1075
00:43:55.039 --> 00:43:55.880
<v Speaker 3>that things.

1076
00:43:56.280 --> 00:43:58.000
<v Speaker 2>Yeah, I didn't even really pick up all that. I

1077
00:43:58.039 --> 00:44:00.639
<v Speaker 2>think I was just like throw the whole scene. I

1078
00:44:00.639 --> 00:44:02.360
<v Speaker 2>was like, what's going on here that when it got

1079
00:44:02.360 --> 00:44:04.480
<v Speaker 2>to that point, I guess I didn't even like consciously

1080
00:44:05.039 --> 00:44:07.679
<v Speaker 2>realize it. I'll show it out. Another action scene, I

1081
00:44:08.000 --> 00:44:10.599
<v Speaker 2>didn't actually like the one where he's fighting him invert himself.

1082
00:44:10.679 --> 00:44:13.239
<v Speaker 2>His inverted self so much just looked kind of weird

1083
00:44:13.280 --> 00:44:15.239
<v Speaker 2>for me. But I did really like was earlier in

1084
00:44:15.280 --> 00:44:17.239
<v Speaker 2>the movie when he's in the kitchen and then he

1085
00:44:17.280 --> 00:44:19.000
<v Speaker 2>has like the goons coming after him. I thought that

1086
00:44:19.079 --> 00:44:21.360
<v Speaker 2>was a really fun fight scene. I just like I

1087
00:44:21.360 --> 00:44:23.840
<v Speaker 2>thought it was like super visceral when he like takes

1088
00:44:23.840 --> 00:44:28.519
<v Speaker 2>the cheese grater and like rubs that that made me

1089
00:44:28.599 --> 00:44:30.480
<v Speaker 2>cringe and like the best way possible. So I like

1090
00:44:30.599 --> 00:44:33.119
<v Speaker 2>that action scene and other than that, I like the bigger,

1091
00:44:33.559 --> 00:44:35.800
<v Speaker 2>more set piece ones, but the hand to hand combat

1092
00:44:35.840 --> 00:44:38.920
<v Speaker 2>with inverted versions didn't didn't work so much for me.

1093
00:44:39.320 --> 00:44:41.039
<v Speaker 4>One thing I want to point out, you guys are

1094
00:44:41.079 --> 00:44:43.360
<v Speaker 4>talking about how like you like cats ending and.

1095
00:44:43.320 --> 00:44:44.239
<v Speaker 1>All that kind of stuff.

1096
00:44:44.480 --> 00:44:47.519
<v Speaker 4>The interesting thing for when you think about this as

1097
00:44:47.559 --> 00:44:52.079
<v Speaker 4>a whole is so the variant of Sator that they killed,

1098
00:44:52.599 --> 00:44:55.400
<v Speaker 4>he was the one from the future and he went back, so.

1099
00:44:55.840 --> 00:44:58.039
<v Speaker 3>And I love that reveal that he went back to

1100
00:44:58.159 --> 00:44:59.639
<v Speaker 3>hang out with his wife who was just trying to

1101
00:44:59.679 --> 00:45:00.320
<v Speaker 3>have a good date.

1102
00:45:00.599 --> 00:45:01.920
<v Speaker 1>And then like it's that fun thing.

1103
00:45:01.960 --> 00:45:03.719
<v Speaker 3>I'm like, he's in the future, he thinks she's from

1104
00:45:03.719 --> 00:45:05.679
<v Speaker 3>the past, and then when she does real hill she's

1105
00:45:05.719 --> 00:45:07.519
<v Speaker 3>from the future or she's the current time.

1106
00:45:07.760 --> 00:45:10.039
<v Speaker 1>I really like that reveal. I really like that a lot.

1107
00:45:10.320 --> 00:45:13.800
<v Speaker 4>That that whole sequence, like the whole basically the whole

1108
00:45:13.840 --> 00:45:16.920
<v Speaker 4>film is doomed to loop again and again and again,

1109
00:45:17.000 --> 00:45:19.400
<v Speaker 4>which I like. I like how that happens because like

1110
00:45:19.800 --> 00:45:23.239
<v Speaker 4>the real Sato comes back or whatever, because and because

1111
00:45:23.239 --> 00:45:25.119
<v Speaker 4>that was obviously the one from the future that died,

1112
00:45:25.239 --> 00:45:28.880
<v Speaker 4>and obviously then you learn now that the protagonist goes

1113
00:45:28.880 --> 00:45:31.440
<v Speaker 4>off to recruit Robert Pattison and then something happens to

1114
00:45:31.480 --> 00:45:33.800
<v Speaker 4>protagonist and then it just loops back around the Rod

1115
00:45:33.800 --> 00:45:35.239
<v Speaker 4>Preston recruiting the protagonist.

1116
00:45:35.320 --> 00:45:38.159
<v Speaker 1>So it's just this unending cycle that I think.

1117
00:45:38.280 --> 00:45:40.599
<v Speaker 4>Is I like that in time travel movies when you

1118
00:45:40.599 --> 00:45:42.599
<v Speaker 4>can kind of like map it out again again because

1119
00:45:42.639 --> 00:45:43.119
<v Speaker 4>it's just.

1120
00:45:43.079 --> 00:45:45.280
<v Speaker 1>It's all travel obergatory.

1121
00:45:45.679 --> 00:45:48.000
<v Speaker 3>Yeah, yeah, they always have that, like, well if you

1122
00:45:48.000 --> 00:45:50.000
<v Speaker 3>didn't go and that's why it's always like I did,

1123
00:45:50.000 --> 00:45:51.920
<v Speaker 3>like the conversation leads to multiverse, because there has to

1124
00:45:51.960 --> 00:45:54.280
<v Speaker 3>be some multiverse where some know and didn't go back

1125
00:45:54.559 --> 00:45:57.480
<v Speaker 3>in time and everything just ended right, because that's like,

1126
00:45:57.519 --> 00:45:59.880
<v Speaker 3>who was that original Liz Debicki on the boat? You know,

1127
00:46:00.079 --> 00:46:02.760
<v Speaker 3>because she sees she's on a separate boat and then

1128
00:46:02.760 --> 00:46:05.000
<v Speaker 3>she sees another woman jumping off the boat. There has

1129
00:46:05.039 --> 00:46:06.880
<v Speaker 3>to be one version of elizabethe Becky that does not

1130
00:46:06.920 --> 00:46:09.079
<v Speaker 3>see that version of her jumping off the boat, right,

1131
00:46:09.119 --> 00:46:09.960
<v Speaker 3>you would have to think.

1132
00:46:10.000 --> 00:46:12.719
<v Speaker 2>But then well, I mean everything will change there because

1133
00:46:12.719 --> 00:46:15.320
<v Speaker 2>when she gets onto the boat, what's his space won't

1134
00:46:15.320 --> 00:46:17.000
<v Speaker 2>be there, So yeah, that's really.

1135
00:46:16.800 --> 00:46:19.639
<v Speaker 4>But that version of her not seeing herself jump off

1136
00:46:19.719 --> 00:46:22.039
<v Speaker 4>that doesn't exist because at the moment you go back

1137
00:46:22.039 --> 00:46:24.559
<v Speaker 4>in time, you create that ripple where it just has

1138
00:46:24.599 --> 00:46:26.079
<v Speaker 4>to continuously.

1139
00:46:25.679 --> 00:46:28.800
<v Speaker 1>At some point had to exist, right because before like

1140
00:46:28.800 --> 00:46:29.719
<v Speaker 1>what about the very.

1141
00:46:29.519 --> 00:46:32.119
<v Speaker 2>First like alternate versions there is I guess.

1142
00:46:31.880 --> 00:46:33.639
<v Speaker 3>Well, because it's like the very first person, like the

1143
00:46:34.000 --> 00:46:36.519
<v Speaker 3>prime timeline, when they're going and they haven't met time

1144
00:46:36.519 --> 00:46:38.880
<v Speaker 3>travel yet, they wouldn't see that person on the boat, right.

1145
00:46:38.760 --> 00:46:40.000
<v Speaker 1>They wouldn't know, they wouldn't have.

1146
00:46:40.119 --> 00:46:44.119
<v Speaker 4>But there's still always that future version that created time

1147
00:46:44.159 --> 00:46:46.159
<v Speaker 4>travel and would have gone back to that first.

1148
00:46:45.920 --> 00:46:46.320
<v Speaker 1>I believe that.

1149
00:46:46.440 --> 00:46:48.639
<v Speaker 3>Yeah, I'm just saying that prime one she would go back,

1150
00:46:48.679 --> 00:46:50.719
<v Speaker 3>and the second or third one would see herself. But

1151
00:46:51.039 --> 00:46:52.800
<v Speaker 3>I'm not gonna go I'm not gonna go too deep

1152
00:46:52.800 --> 00:46:56.519
<v Speaker 3>in though, because that's like every time travel like mumbo jumbo.

1153
00:46:56.679 --> 00:47:01.159
<v Speaker 2>So mumbo jumbo. What else I got? Topic wise?

1154
00:47:01.960 --> 00:47:06.639
<v Speaker 4>Daly one of my favorite things and I've never I

1155
00:47:06.679 --> 00:47:09.159
<v Speaker 4>couldn't fathom it when I was watching it is I

1156
00:47:09.400 --> 00:47:11.400
<v Speaker 4>love that. Okay, red team was going in and they

1157
00:47:11.400 --> 00:47:14.920
<v Speaker 4>were in the regular timeline going countdown ten minutes, and

1158
00:47:14.960 --> 00:47:16.519
<v Speaker 4>then you had Blue team that went in, which was

1159
00:47:16.559 --> 00:47:19.840
<v Speaker 4>basically negative ten minutes counting up, and I really really

1160
00:47:20.000 --> 00:47:23.440
<v Speaker 4>liked the fact that they both converged at the same time,

1161
00:47:23.760 --> 00:47:27.039
<v Speaker 4>and that sequence where the building was just basically inverting

1162
00:47:27.119 --> 00:47:30.360
<v Speaker 4>back up and then their Red Team's rocket took out

1163
00:47:30.360 --> 00:47:32.800
<v Speaker 4>the top and Blue Team's rocket or both rockets hit

1164
00:47:32.840 --> 00:47:34.760
<v Speaker 4>the top, but the explosion took out the base.

1165
00:47:34.840 --> 00:47:37.400
<v Speaker 1>Like it was just so I was so good, visually cool,

1166
00:47:37.679 --> 00:47:39.599
<v Speaker 1>it was visually old. That's the thing all I think

1167
00:47:39.639 --> 00:47:40.840
<v Speaker 1>the stuff is really visuical.

1168
00:47:40.880 --> 00:47:43.440
<v Speaker 3>But I was like, that's where I need a graph

1169
00:47:43.480 --> 00:47:45.639
<v Speaker 3>because there's like three separate explosions.

1170
00:47:45.679 --> 00:47:48.079
<v Speaker 1>I was like, Okay, what's going on here? Why do

1171
00:47:48.119 --> 00:47:49.360
<v Speaker 1>they need to repair this building?

1172
00:47:49.360 --> 00:47:51.639
<v Speaker 3>Because even like getting shot for me, sometimes it's weird,

1173
00:47:51.679 --> 00:47:54.039
<v Speaker 3>like I know they're seeing in reverse, but sometimes you'll

1174
00:47:54.079 --> 00:47:55.920
<v Speaker 3>get shot and then obviosly there's no bull but you

1175
00:47:55.920 --> 00:47:58.360
<v Speaker 3>still have the effects. So it's still just like there's

1176
00:47:58.360 --> 00:48:00.559
<v Speaker 3>sometimes where I think it worked very well building one.

1177
00:48:00.800 --> 00:48:01.960
<v Speaker 1>It might work very well.

1178
00:48:01.840 --> 00:48:05.159
<v Speaker 3>Mechanically, but I was I was like, I'm lost, I

1179
00:48:05.199 --> 00:48:05.920
<v Speaker 3>don't know what's happening.

1180
00:48:06.039 --> 00:48:08.360
<v Speaker 4>Well, it seems like such a crazy terrain that you're

1181
00:48:08.400 --> 00:48:11.599
<v Speaker 4>traversing because you have to watch out for regular bullets

1182
00:48:11.599 --> 00:48:13.960
<v Speaker 4>coming your way. But then the inverted settings as well,

1183
00:48:14.039 --> 00:48:16.440
<v Speaker 4>like for the protagonist as he was running a piece

1184
00:48:16.440 --> 00:48:19.000
<v Speaker 4>of concrete off the ground flipped up and like flipped

1185
00:48:19.079 --> 00:48:22.000
<v Speaker 4>him around, or like when it passed these people he

1186
00:48:22.079 --> 00:48:24.679
<v Speaker 4>was with, was like shooting from a foxhole that was

1187
00:48:24.719 --> 00:48:27.400
<v Speaker 4>blown up, but they didn't know that the bricks were

1188
00:48:27.400 --> 00:48:29.159
<v Speaker 4>gonna come back, so just came up from swallowing.

1189
00:48:29.320 --> 00:48:31.119
<v Speaker 1>Also much like Inception.

1190
00:48:31.400 --> 00:48:32.719
<v Speaker 3>I don't know if it would make much sense, but

1191
00:48:32.760 --> 00:48:34.840
<v Speaker 3>I'd love a video game like that where it's just

1192
00:48:34.880 --> 00:48:37.039
<v Speaker 3>you know, I like, I liked it all visually, I

1193
00:48:37.159 --> 00:48:40.719
<v Speaker 3>just uh, my slow brain needed uh needs a second

1194
00:48:40.760 --> 00:48:42.159
<v Speaker 3>watch for some of this stuff.

1195
00:48:43.199 --> 00:48:48.079
<v Speaker 1>Yeah, yeah, any other things, because I don't I think

1196
00:48:48.079 --> 00:48:50.079
<v Speaker 1>I've touched on almost over them.

1197
00:48:50.079 --> 00:48:52.159
<v Speaker 3>I'm trying to think of any cons last night that

1198
00:48:52.199 --> 00:48:54.320
<v Speaker 3>I had that I couldn't have said spoiler rise because

1199
00:48:54.320 --> 00:48:57.760
<v Speaker 3>most my pros, like visually was I found stunning. Like

1200
00:48:57.840 --> 00:48:59.719
<v Speaker 3>I said last night, it's just even if this movie's

1201
00:48:59.760 --> 00:49:01.920
<v Speaker 3>on me, just like the ceratography and action, I really

1202
00:49:01.960 --> 00:49:05.239
<v Speaker 3>enjoy the visuals and stuff like the very little use

1203
00:49:05.239 --> 00:49:07.079
<v Speaker 3>of CG obviously there's a lot of it, and like

1204
00:49:07.159 --> 00:49:10.440
<v Speaker 3>the inverted stuff, but still I liked all that. I

1205
00:49:10.519 --> 00:49:13.360
<v Speaker 3>love the soundtrack, and like I said, I don't think

1206
00:49:13.360 --> 00:49:15.599
<v Speaker 3>there's anything spoilers that I like. I said, yeah, I'm

1207
00:49:15.599 --> 00:49:18.400
<v Speaker 3>surprised all that humor worked for me for the majority

1208
00:49:18.440 --> 00:49:20.559
<v Speaker 3>of just like at one point we're passing, had all

1209
00:49:20.559 --> 00:49:22.519
<v Speaker 3>the guys with their guns, He's like, you better eat,

1210
00:49:22.559 --> 00:49:23.400
<v Speaker 3>it's gonna get cold.

1211
00:49:23.719 --> 00:49:26.719
<v Speaker 1>It all it all worked for me. I got me.

1212
00:49:26.760 --> 00:49:28.400
<v Speaker 1>So I'm I'm with you on that. Like I like

1213
00:49:28.519 --> 00:49:29.239
<v Speaker 1>a lot of the humor.

1214
00:49:29.280 --> 00:49:31.760
<v Speaker 4>I liked when even at the dinner setting, when the

1215
00:49:31.800 --> 00:49:34.480
<v Speaker 4>protagonist sits down and the side of looks at him like,

1216
00:49:34.519 --> 00:49:36.519
<v Speaker 4>did you sleep with my wife? He's like, no, not yet,

1217
00:49:36.719 --> 00:49:38.679
<v Speaker 4>and then he goes and he kisses her as he walks,

1218
00:49:38.719 --> 00:49:41.159
<v Speaker 4>so like he's just sticking it to him. And all

1219
00:49:41.440 --> 00:49:44.599
<v Speaker 4>that stuff I enjoyed, And the more I've talked about it,

1220
00:49:44.599 --> 00:49:46.800
<v Speaker 4>the more I really kind of I do like the protagonists.

1221
00:49:46.880 --> 00:49:49.079
<v Speaker 4>I like Robert Pattison a lot in this movie. I

1222
00:49:49.159 --> 00:49:51.440
<v Speaker 4>really really loved him in this film. I like I

1223
00:49:51.480 --> 00:49:54.639
<v Speaker 4>always said, like, for me, if he could like land

1224
00:49:54.679 --> 00:49:56.920
<v Speaker 4>the role in the Lighthouse, then I can see him

1225
00:49:56.920 --> 00:49:59.159
<v Speaker 4>as Batman. And I stand by that because I to me,

1226
00:49:59.280 --> 00:50:01.800
<v Speaker 4>I saw him as bad man way before you know

1227
00:50:01.880 --> 00:50:02.760
<v Speaker 4>seeing this movie.

1228
00:50:02.840 --> 00:50:04.440
<v Speaker 1>So but I'm even.

1229
00:50:04.239 --> 00:50:07.039
<v Speaker 3>On that one scene where he walked out. He had

1230
00:50:07.119 --> 00:50:08.960
<v Speaker 3>like when he was going to the bank vault. I

1231
00:50:09.039 --> 00:50:11.920
<v Speaker 3>feel like Warner Brothers saw that and was like, Okay,

1232
00:50:11.920 --> 00:50:13.599
<v Speaker 3>he can have an audition for Batman because he was

1233
00:50:13.599 --> 00:50:15.719
<v Speaker 3>all suited up and he had like the slick back air.

1234
00:50:16.000 --> 00:50:18.199
<v Speaker 1>I doubt you have, Dylman. Have you seen the Batman trailer?

1235
00:50:18.280 --> 00:50:20.880
<v Speaker 2>Dylan, No, I haven't.

1236
00:50:21.039 --> 00:50:23.599
<v Speaker 3>Okay, we gotta get you when you're in Colonna. We're

1237
00:50:23.599 --> 00:50:25.159
<v Speaker 3>gonna pull you out. You're gonna watch it with us,

1238
00:50:28.079 --> 00:50:30.320
<v Speaker 3>But what about you doing anything else?

1239
00:50:30.400 --> 00:50:32.039
<v Speaker 1>You have him shout out.

1240
00:50:33.280 --> 00:50:35.920
<v Speaker 2>I did kind of touch on it, but I did

1241
00:50:36.000 --> 00:50:38.400
<v Speaker 2>really like the music as well. There was like obviously

1242
00:50:38.440 --> 00:50:40.480
<v Speaker 2>it's a lot of that same like Hans Zimmer stuff,

1243
00:50:40.480 --> 00:50:43.119
<v Speaker 2>even though it's not Hans Zimmer. Yeah, but there was one.

1244
00:50:43.239 --> 00:50:45.480
<v Speaker 2>There's a couple of cool parts. Like one there was

1245
00:50:45.559 --> 00:50:48.519
<v Speaker 2>just a character like walking by just like a gate fence,

1246
00:50:48.920 --> 00:50:51.280
<v Speaker 2>and as the cameras like zooming past this fence, you

1247
00:50:51.360 --> 00:50:54.159
<v Speaker 2>kind of see each picket like zooming by, and like

1248
00:50:54.199 --> 00:50:56.719
<v Speaker 2>the music was perfectly time with like each picket. I

1249
00:50:56.760 --> 00:50:58.079
<v Speaker 2>don't know if that makes sense, but it was.

1250
00:50:58.360 --> 00:50:59.519
<v Speaker 1>I think I know what you're talking about.

1251
00:50:59.599 --> 00:51:02.159
<v Speaker 2>Yeah, yeah, it kind of happened like a couple of times,

1252
00:51:02.199 --> 00:51:05.079
<v Speaker 2>I think, but yeah, like the special effects were great.

1253
00:51:05.079 --> 00:51:07.199
<v Speaker 2>I really did like Robert Pattison. He was my favorite

1254
00:51:07.239 --> 00:51:10.239
<v Speaker 2>character as well. Even if I didn't fully understand what

1255
00:51:10.280 --> 00:51:11.840
<v Speaker 2>was going on with him, I still thought he was

1256
00:51:12.519 --> 00:51:13.199
<v Speaker 2>a lot of fun.

1257
00:51:13.599 --> 00:51:14.840
<v Speaker 1>Well, I think he was good because he was a

1258
00:51:14.840 --> 00:51:15.320
<v Speaker 1>lot of fun.

1259
00:51:15.320 --> 00:51:17.639
<v Speaker 3>But there is portions in the movie where, especially when

1260
00:51:17.840 --> 00:51:21.280
<v Speaker 3>Washington's question him, I never like because Emily said she

1261
00:51:21.360 --> 00:51:22.360
<v Speaker 3>thought he might be bad.

1262
00:51:22.480 --> 00:51:23.159
<v Speaker 1>I never got that.

1263
00:51:23.320 --> 00:51:26.280
<v Speaker 3>But you always got the sense of this guy is

1264
00:51:26.320 --> 00:51:28.559
<v Speaker 3>not telling us everything, and he just seemed like he

1265
00:51:28.599 --> 00:51:33.000
<v Speaker 3>could switch between being that comedic beat to also just untrustworthy,

1266
00:51:33.480 --> 00:51:34.880
<v Speaker 3>not slimy.

1267
00:51:34.480 --> 00:51:37.519
<v Speaker 1>But just you need to keep your eye on him.

1268
00:51:37.559 --> 00:51:39.440
<v Speaker 1>He's like a chameleon where you just didn't I didn't

1269
00:51:39.440 --> 00:51:40.800
<v Speaker 1>know at one point where he was going because he

1270
00:51:40.840 --> 00:51:43.039
<v Speaker 1>was acting very soleom and he's giving him this sex wisition.

1271
00:52:04.679 --> 00:52:07.119
<v Speaker 1>Oh you can't hear I mean, oh, we're back in

1272
00:52:07.199 --> 00:52:10.039
<v Speaker 1>my back maybe seconds there.

1273
00:52:10.199 --> 00:52:12.400
<v Speaker 3>Oh my finger maybe it just slipped on the uh

1274
00:52:13.000 --> 00:52:14.599
<v Speaker 3>uh the mute thing. But all I said was that

1275
00:52:14.639 --> 00:52:16.719
<v Speaker 3>I just liked that he wouldn't back and forth between

1276
00:52:17.199 --> 00:52:20.119
<v Speaker 3>feeling untrustworthy but then friendly right away, and it was

1277
00:52:20.159 --> 00:52:21.719
<v Speaker 3>just you could never put a finger on him. But

1278
00:52:21.760 --> 00:52:23.039
<v Speaker 3>like I said, I never felt like he was bad.

1279
00:52:23.079 --> 00:52:25.480
<v Speaker 1>I felt he was just always keeping my eye on him,

1280
00:52:25.480 --> 00:52:27.039
<v Speaker 1>like when he called him the cavalry too, it's like

1281
00:52:27.320 --> 00:52:30.159
<v Speaker 1>even like who's the cavalry? Like every I think that

1282
00:52:30.280 --> 00:52:34.039
<v Speaker 1>mystery worked like every fifteen minutes or something new about him.

1283
00:52:34.039 --> 00:52:36.000
<v Speaker 1>And that's what really made me intrigued about him.

1284
00:52:36.000 --> 00:52:38.039
<v Speaker 3>He's somebody that they don't I don't want it, but

1285
00:52:38.039 --> 00:52:40.039
<v Speaker 3>if there was, like here's a pretty cool comic book

1286
00:52:40.079 --> 00:52:42.519
<v Speaker 3>of like twenty two pages about his character, He's the

1287
00:52:42.559 --> 00:52:44.480
<v Speaker 3>one I'd want that I've just to see like Okay,

1288
00:52:44.639 --> 00:52:45.519
<v Speaker 3>how did he get recruited?

1289
00:52:45.559 --> 00:52:47.039
<v Speaker 1>What was his life before? You know?

1290
00:52:47.239 --> 00:52:50.000
<v Speaker 2>So yeah, yeah.

1291
00:52:49.760 --> 00:52:55.519
<v Speaker 3>For sure anything else or a gosh, just this is

1292
00:52:55.559 --> 00:52:57.280
<v Speaker 3>a tough one to not do that even if we

1293
00:52:57.320 --> 00:52:59.119
<v Speaker 3>did this week layer without seeing a second time, like

1294
00:52:59.159 --> 00:53:01.039
<v Speaker 3>I think I've hit everything on my mind, but I

1295
00:53:01.079 --> 00:53:03.280
<v Speaker 3>know there's I know, even like when we did Inception,

1296
00:53:03.360 --> 00:53:05.360
<v Speaker 3>there's questions and that was ten years later, and I

1297
00:53:05.400 --> 00:53:07.440
<v Speaker 3>think this is gonna be one of those movies if

1298
00:53:07.480 --> 00:53:10.000
<v Speaker 3>someone were to retrospective ten years later, you're gonna have

1299
00:53:10.119 --> 00:53:12.639
<v Speaker 3>questions about it. So that's why Inception I always had

1300
00:53:12.719 --> 00:53:14.320
<v Speaker 3>questions about the first time, but I think I'm much

1301
00:53:14.360 --> 00:53:17.760
<v Speaker 3>more like Dylan, where I thought was streamlined a lot

1302
00:53:17.800 --> 00:53:19.639
<v Speaker 3>better and I got the majority of this where this

1303
00:53:19.679 --> 00:53:21.719
<v Speaker 3>feels like I have questions and there's lots of stuff

1304
00:53:21.719 --> 00:53:24.199
<v Speaker 3>that I still need some explaining on.

1305
00:53:24.480 --> 00:53:27.039
<v Speaker 4>Yeah, there's a few things, like I don't feel like

1306
00:53:27.079 --> 00:53:29.840
<v Speaker 4>it's it's too difficult, like upon like a second and

1307
00:53:29.880 --> 00:53:31.760
<v Speaker 4>third watch to kind of like click with it, because

1308
00:53:31.760 --> 00:53:33.679
<v Speaker 4>I feel like I've been able to piece things together

1309
00:53:33.760 --> 00:53:35.679
<v Speaker 4>with how this is, like it goes on and talking

1310
00:53:35.679 --> 00:53:38.079
<v Speaker 4>about it is really kind of opened up like certain

1311
00:53:38.159 --> 00:53:41.280
<v Speaker 4>doors understanding it. There is a lot of still loose

1312
00:53:41.440 --> 00:53:43.159
<v Speaker 4>ends that I feel like that's in the film, but

1313
00:53:43.199 --> 00:53:45.480
<v Speaker 4>I need to revisit that when I watch it again.

1314
00:53:45.960 --> 00:53:47.599
<v Speaker 3>Because I was saying that tale last night, like we

1315
00:53:47.599 --> 00:53:51.079
<v Speaker 3>don't know if those are purposeful loose ends we didn't

1316
00:53:51.079 --> 00:53:53.159
<v Speaker 3>get loose ends, or they are just sometimes pottles. Can

1317
00:53:53.199 --> 00:53:55.039
<v Speaker 3>we talk about the inception where this could just be

1318
00:53:55.079 --> 00:53:56.840
<v Speaker 3>a plot hole, right they say something and maybe a

1319
00:53:56.840 --> 00:53:58.960
<v Speaker 3>scene kind of contradicts that and they just kind of go, oh, well,

1320
00:53:58.960 --> 00:54:01.159
<v Speaker 3>it's a dream world, and you go okay, Like I guess,

1321
00:54:01.199 --> 00:54:03.280
<v Speaker 3>so maybe I feel there's a lot of those moments

1322
00:54:03.280 --> 00:54:05.199
<v Speaker 3>where they're just like, well, people are inverted, and it's like,

1323
00:54:05.320 --> 00:54:06.960
<v Speaker 3>I guess we don't know the full rules of that,

1324
00:54:07.039 --> 00:54:08.679
<v Speaker 3>so you can say, oh, inversion.

1325
00:54:09.719 --> 00:54:12.920
<v Speaker 4>I originally thought that leading into the story, that Okay,

1326
00:54:13.000 --> 00:54:16.679
<v Speaker 4>they're talking about inverted objects, so obviously this these vehicles

1327
00:54:16.679 --> 00:54:19.239
<v Speaker 4>are inverted, and they're just that's how things are going.

1328
00:54:19.239 --> 00:54:23.000
<v Speaker 4>But now it makes much more sense that it's just yeah,

1329
00:54:23.079 --> 00:54:26.639
<v Speaker 4>they've it's not the items that are necessarily inverted. I mean,

1330
00:54:26.679 --> 00:54:29.280
<v Speaker 4>those items are, but it's the fact that they've gone

1331
00:54:29.360 --> 00:54:31.920
<v Speaker 4>through the inverted machine or a person.

1332
00:54:31.840 --> 00:54:33.880
<v Speaker 1>Or a person has to invert them, right because when

1333
00:54:33.880 --> 00:54:35.400
<v Speaker 1>they get in they said the car will move for it.

1334
00:54:35.400 --> 00:54:37.360
<v Speaker 1>Because I like that car that he drove that wasn't

1335
00:54:37.360 --> 00:54:39.239
<v Speaker 1>invert was it? Or was it? No?

1336
00:54:39.480 --> 00:54:42.400
<v Speaker 4>Because the car that when he went, he was driving

1337
00:54:42.440 --> 00:54:46.599
<v Speaker 4>that against the forces basically, yeah, so that's why in

1338
00:54:46.639 --> 00:54:48.679
<v Speaker 4>our timeline we see it driving off function.

1339
00:54:49.199 --> 00:54:52.400
<v Speaker 1>So but uh, again, like I I do like.

1340
00:54:52.360 --> 00:54:54.400
<v Speaker 4>This movie, and after talking about it, I can I

1341
00:54:54.480 --> 00:54:56.440
<v Speaker 4>feel confident. I want to say it's like eight out

1342
00:54:56.480 --> 00:54:57.159
<v Speaker 4>of ten for me.

1343
00:54:57.239 --> 00:54:58.599
<v Speaker 1>Oh it's going on. Look at that.

1344
00:54:58.679 --> 00:55:00.440
<v Speaker 4>Yeah, it has not that I knew, but I just

1345
00:55:00.480 --> 00:55:02.960
<v Speaker 4>had to like vent it out and like share and

1346
00:55:03.119 --> 00:55:04.119
<v Speaker 4>discuss with you guys.

1347
00:55:04.159 --> 00:55:06.039
<v Speaker 3>Yeah, for like the people that if they didn't take

1348
00:55:06.159 --> 00:55:07.800
<v Speaker 3>non sports, I gave it a nine. That for me

1349
00:55:07.960 --> 00:55:09.800
<v Speaker 3>is like a I don't think I'll ever go up

1350
00:55:09.840 --> 00:55:11.559
<v Speaker 3>to point five. I think the only way could go

1351
00:55:11.679 --> 00:55:13.960
<v Speaker 3>was potentially down, but maybe it could go up a little.

1352
00:55:14.000 --> 00:55:16.039
<v Speaker 3>But for me, because I gave the Interstellar nine because

1353
00:55:16.039 --> 00:55:18.320
<v Speaker 3>I had problems with it, bo it's just I still

1354
00:55:18.360 --> 00:55:21.199
<v Speaker 3>just like the pure film like on screen is just

1355
00:55:21.239 --> 00:55:23.039
<v Speaker 3>the stuff I love, and I could watch this and

1356
00:55:23.039 --> 00:55:25.079
<v Speaker 3>I would if I had to pick, I would rather

1357
00:55:25.119 --> 00:55:28.159
<v Speaker 3>watch this over Interstellar or Done Kirk because I like

1358
00:55:28.280 --> 00:55:29.880
<v Speaker 3>this type of style, even the stuff that if it

1359
00:55:29.880 --> 00:55:32.800
<v Speaker 3>didn't make sense. I liked the Bond globe trotting, I

1360
00:55:32.880 --> 00:55:34.639
<v Speaker 3>like some of the jokes, I like the action. So

1361
00:55:34.719 --> 00:55:37.519
<v Speaker 3>for me, there's enough that I would watch this again

1362
00:55:37.559 --> 00:55:40.800
<v Speaker 3>over even if I'm fucking hell confused, I would watch again.

1363
00:55:40.880 --> 00:55:43.159
<v Speaker 1>So I don't want your final thoughts on Tenant. We

1364
00:55:43.519 --> 00:55:44.280
<v Speaker 1>finally saw it.

1365
00:55:44.960 --> 00:55:47.760
<v Speaker 2>We finally did. Yeah. I think it's weird going into

1366
00:55:47.800 --> 00:55:49.760
<v Speaker 2>this movie right because I just didn't know even a

1367
00:55:49.800 --> 00:55:51.920
<v Speaker 2>week ago if I would really actually be seeing it,

1368
00:55:51.960 --> 00:55:54.400
<v Speaker 2>even when I had my ticket on Adam, I didn't

1369
00:55:54.440 --> 00:55:56.559
<v Speaker 2>know if it would me and i'd be there watching it,

1370
00:55:56.800 --> 00:55:59.039
<v Speaker 2>So my expectations were in a weird spot because I

1371
00:55:59.079 --> 00:56:00.320
<v Speaker 2>feel like they were kind of low. But at the

1372
00:56:00.360 --> 00:56:02.639
<v Speaker 2>same time, I haven't seen anything in theater since Birds

1373
00:56:02.639 --> 00:56:05.039
<v Speaker 2>of Prey, so my expectations were quite hot or like.

1374
00:56:05.079 --> 00:56:08.280
<v Speaker 2>I just wanted like a really sweet movie to watch

1375
00:56:08.320 --> 00:56:10.480
<v Speaker 2>and just one that I would love from start to finish,

1376
00:56:10.559 --> 00:56:13.440
<v Speaker 2>and that unfortunately wasn't the case. But yeah, when it

1377
00:56:13.440 --> 00:56:15.599
<v Speaker 2>comes to Netflix, I'll watch it again. I'll watch it

1378
00:56:15.599 --> 00:56:17.320
<v Speaker 2>with a pen and paper that will maybe help me.

1379
00:56:17.440 --> 00:56:24.199
<v Speaker 2>Uh yeah, exactly. Subtitles absolutely for sure to help me figure.

1380
00:56:23.960 --> 00:56:24.639
<v Speaker 1>It all out.

1381
00:56:25.960 --> 00:56:29.800
<v Speaker 2>Yeah, I I definitely need more watches with it. But unfortunately,

1382
00:56:29.840 --> 00:56:32.280
<v Speaker 2>as of one watch, I can't say that I'm a

1383
00:56:32.360 --> 00:56:35.199
<v Speaker 2>too big of a fan, but yeah, I don't know.

1384
00:56:35.280 --> 00:56:36.639
<v Speaker 2>I'm curious to see you when we get to the

1385
00:56:36.719 --> 00:56:39.639
<v Speaker 2>ranking part, like what kind of characters or scenes might

1386
00:56:39.679 --> 00:56:42.880
<v Speaker 2>make it into there, but for now, not my favorite.

1387
00:56:42.960 --> 00:56:45.440
<v Speaker 2>If you're Nolan fan, check it out. But maybe you

1388
00:56:45.480 --> 00:56:47.599
<v Speaker 2>don't need to run to the theater right now, and

1389
00:56:47.960 --> 00:56:49.239
<v Speaker 2>that's probably a good thing to do in the long

1390
00:56:49.320 --> 00:56:50.039
<v Speaker 2>run anyway.

1391
00:56:50.400 --> 00:56:52.039
<v Speaker 1>Yourself and go backwards to the theater.

1392
00:56:52.199 --> 00:56:54.840
<v Speaker 2>Yeah, exactly, the oxygen tank with you.

1393
00:56:55.039 --> 00:56:57.719
<v Speaker 1>Yeah, yeah. Or where can they find us?

1394
00:56:57.800 --> 00:56:59.519
<v Speaker 4>Oh, ladies, and we can find us in the search part.

1395
00:56:59.559 --> 00:57:02.559
<v Speaker 4>You and I can action geek Verse podcast anywhere on

1396
00:57:02.599 --> 00:57:04.960
<v Speaker 4>the web. Find us on Facebook, geek Verse, find us

1397
00:57:05.000 --> 00:57:07.840
<v Speaker 4>on Twitter, Keepers casts and our website Keepers dot c

1398
00:57:08.039 --> 00:57:09.880
<v Speaker 4>A and she's on Patreon.

1399
00:57:10.000 --> 00:57:11.800
<v Speaker 1>Loll good stuff popping off with them over there.

1400
00:57:11.880 --> 00:57:14.199
<v Speaker 3>Yeah, we did the entire Nome metroviously, that's out now,

1401
00:57:14.239 --> 00:57:16.159
<v Speaker 3>but there's other good goodies up there.

1402
00:57:16.199 --> 00:57:16.719
<v Speaker 1>You get early.

1403
00:57:16.760 --> 00:57:18.320
<v Speaker 3>We'll be doing some stuff in the future. Now we

1404
00:57:18.360 --> 00:57:19.800
<v Speaker 3>got through the Nome retro. We're still gonna do the

1405
00:57:19.840 --> 00:57:21.920
<v Speaker 3>Norn ranking. I mean, I talked to Kirkland and find

1406
00:57:21.920 --> 00:57:23.519
<v Speaker 3>out when he's singing ten if you're singing in the

1407
00:57:23.519 --> 00:57:25.639
<v Speaker 3>near future. If so, we'll wait for him. If not,

1408
00:57:25.719 --> 00:57:27.960
<v Speaker 3>we'll drop that in the near future and then next Uh.

1409
00:57:28.280 --> 00:57:30.280
<v Speaker 3>It's weird, but we're gonna do the Dark Knight trilogy

1410
00:57:30.280 --> 00:57:32.400
<v Speaker 3>just calm tary tracks, so those will be Patreon exclusive

1411
00:57:32.440 --> 00:57:34.360
<v Speaker 3>for a while. So there's gonna be tons of stuff

1412
00:57:34.400 --> 00:57:34.920
<v Speaker 3>up there. No one.

1413
00:57:35.159 --> 00:57:38.519
<v Speaker 1>We got Mulan and the Boys next weekend, right, We're trying.

1414
00:57:38.719 --> 00:57:41.199
<v Speaker 3>Yes, Yeah, there's lots of stuff coming out. So we

1415
00:57:41.320 --> 00:57:43.519
<v Speaker 3>promised you when that all drops, it'll not be born.

1416
00:57:44.679 --> 00:57:44.920
<v Speaker 2>Peace
