WEBVTT

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<v Speaker 1>Oh no, Wandre, looks like the Reds are pallouting the

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<v Speaker 1>city lake we do. We call the Watchman, Strong together,

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<v Speaker 1>united forever. They're the best of friends.

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<v Speaker 2>But when troubles them out, you would best watch out

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<v Speaker 2>for the Watchman. And he loves to Russia expends to

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<v Speaker 2>the animalssage. Yeah, when he's not clowning around, he beat

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<v Speaker 2>up some thugs say no to drugs being bed by Tan.

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<v Speaker 2>But it troubles about, you would best watch out for

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<v Speaker 2>the Watchman. It's brittany bitch and said Iraq.

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<v Speaker 3>Everywhere like I supposed to be the franchise player.

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<v Speaker 1>And we in here talking about practice.

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<v Speaker 2>Ladies and gentlemen, we got them.

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<v Speaker 1>Our next door neighbors are foreign countries.

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<v Speaker 2>I call upon all nations to do everything they can

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<v Speaker 2>to stop these terrors killing me.

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<v Speaker 4>Thank you.

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<v Speaker 1>Now watch this drive, Hey everybody, and welcome to Remember Shuffle.

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<v Speaker 1>My name is Ben, with me as always my co

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<v Speaker 1>host Tornano. I heard a joke.

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<v Speaker 3>Once man goes to the doctor, says he's depressed. Doctor says,

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<v Speaker 3>treatment is simple. Listener, remember Shuffle. That should pick you up.

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<v Speaker 3>Man burst into tears, says but doctor.

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<v Speaker 1>I'm Ben. Yes, if you couldn't have guessed from Tornado's impression.

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<v Speaker 1>Today we are discussing the two thousand and nine Zack

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<v Speaker 1>Snyder adaptation of Watchmen, and to do so, we are

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<v Speaker 1>joined by Discourse stew of Marvelous or the Death of Cinema.

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<v Speaker 2>Neither first time, long time. It's a pleasure to be here.

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<v Speaker 1>Yeah, thank you so much for coming on. I listen

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<v Speaker 1>to your episode on Watchman in preparation, and I think

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<v Speaker 1>we're gonna relign on a lot of what makes this

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<v Speaker 1>film mediocre and forgettable. To be generous, i'd.

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<v Speaker 2>Say mediocre, yes, not totally forgettable, but that is in

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<v Speaker 2>part I think because of the benefit of the source

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<v Speaker 2>material is drawing off of Yes.

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<v Speaker 4>Yeah, I've been listening to your show for the past

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<v Speaker 4>year or so ever since we started getting into marvel topics.

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<v Speaker 4>I had found myself not as well versed as you guys,

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<v Speaker 4>and I always found that your criticism and our criticism

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<v Speaker 4>were very much aligned, and so I thought it'd be

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<v Speaker 4>a good match, and we'll be going on your show

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<v Speaker 4>to talk about a two thousands topic shortly.

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<v Speaker 2>Oh yeah, yeah, in a couple two or three weeks.

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<v Speaker 4>So go subscribe to Marvelous and hopefully you'll hear us

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<v Speaker 4>talk about BlackBerry in the coming months.

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<v Speaker 2>I'm super looking forward to that one.

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<v Speaker 1>It's great. We're both big fans of that film. So

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<v Speaker 1>why talk about Watchman if you're tuning in hoping for

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<v Speaker 1>another episode from our ongoing series on the Great Recession?

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<v Speaker 1>We apologize, but in a similar way to how we

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<v Speaker 1>took small breaks during the Iraq War series to talk

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<v Speaker 1>about Ironman or Robin Williams or V for Vendetta. Appropriately,

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<v Speaker 1>we're also taking a quick side quest to talk about

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<v Speaker 1>the two thousands reception of the work of Alan Moore. Again.

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<v Speaker 4>Yeah, comeing your break. I've been in Ethiopia for three weeks.

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<v Speaker 4>I haven't been able to get to more Recession stuff.

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<v Speaker 4>But let's do this nice, fun intlude on I would

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<v Speaker 4>say the two thousands superhero work, which is maybe the

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<v Speaker 4>highest brow superhero movie that came out.

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<v Speaker 1>Yeah, we wanted to give you something for your biweekly

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<v Speaker 1>release rather than Leava Hanging. And the main reason to

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<v Speaker 1>discuss Watchman is that the graphic novel fucking rocks. If

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<v Speaker 1>you've ever heard anything about it, you know the fans

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<v Speaker 1>will say it's one of the only graphic novels that

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<v Speaker 1>Time put in its list of one hundred best novels

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<v Speaker 1>since nineteen twenty something, as printed on every single paperback

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<v Speaker 1>copy of Watchmen. And I think the movie itself is

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<v Speaker 1>fascinating in that it is reverent. It is Zack Snyder

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<v Speaker 1>treating the source material like scripture, even down to individual

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<v Speaker 1>shots being framed for frame comic panels, and yet through

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<v Speaker 1>what are relatively minor and modest tweaks, he manages to

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<v Speaker 1>completely undermine the source material and not get it at all.

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<v Speaker 1>Thank you, Zack Snyder.

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<v Speaker 4>Yeah, and I honestly think that this movie is under discussed.

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<v Speaker 4>I tried to look up Watchmen podcasts out there, and

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<v Speaker 4>like ninety five percent of content surrounds the TV show,

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<v Speaker 4>which we will not be discussing today. Maybe we'll get

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<v Speaker 4>to on the Patreon hopefully, but marvelous and discourse Stu,

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<v Speaker 4>you guys have done an episode on Watchmen. But I

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<v Speaker 4>think that people are not really sure what to make

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<v Speaker 4>of this movie. You know, it's both good and bad

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<v Speaker 4>in many ways, and so it's tough to sort of

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<v Speaker 4>pin down. But that's why we're hoping to talk about

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<v Speaker 4>it at length today.

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<v Speaker 2>Part do I think makes it interesting, like Ben said,

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<v Speaker 2>is it's like if i'd gotten to make a Watchman

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<v Speaker 2>movie at like age fifteen, it probably would have come

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<v Speaker 2>out kind of like this, Like like, I think it's

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<v Speaker 2>Snyder making the version of Watchman as he understood it

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<v Speaker 2>when he read it as a teenager, but without the

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<v Speaker 2>more nuanced understanding you'd get from it if you go

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<v Speaker 2>back and read it as an adult a little more critically.

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<v Speaker 1>Yes, absolutely, Tredia says, simultaneously both good and bad. It

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<v Speaker 1>is simultaneously both attempting to be highbrow, grasping at the

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<v Speaker 1>high brow deconstruction of the superhero, and simultaneously very pubescent, lowbrow.

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<v Speaker 1>These guys are fucking awesome, yeah, as we will see.

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<v Speaker 1>So to begin, we're going to start by just doing

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<v Speaker 1>a little character analysis because it's an assemble cast movie

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<v Speaker 1>and it has really memorable characters that stick out in

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<v Speaker 1>your mind. And then we'll do a quick plot summary

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<v Speaker 1>if you haven't read it or haven't seen the film

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<v Speaker 1>in a while. And then, as always, we'll talk about style,

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<v Speaker 1>we'll talk about deviations from the source material, and then

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<v Speaker 1>we'll talk about our themes and big ideas. So let's

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<v Speaker 1>begin with everyone's favorite rorshak Or. I don't know if

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<v Speaker 1>he's everyone's favorite, but he's clearly Zack Snyder's favorite. If

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<v Speaker 1>I'm going to grasp for adjectives for Rorshack. He is

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<v Speaker 1>anti social and misanthropic, right despite his crusade for some

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<v Speaker 1>sense of justice. You get the sense from his journal

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<v Speaker 1>entries that he hates humanity. You may remember some of

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<v Speaker 1>the quotes from his journals that are often quoted or

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<v Speaker 1>clipped form means, you know, the city's dying of rabies

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<v Speaker 1>is the best I can do to wipe random flex

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<v Speaker 1>of foam from its lips. He's reactionary. He's frequently calling

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<v Speaker 1>women horrors. He hates people with liberal sensibilities. I reread

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<v Speaker 1>Watchman in preparation for this episode, and there's a scene

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<v Speaker 1>where they're going through drops that I believe Rorschach has

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<v Speaker 1>left at the New Frontiersman in the crank folder, and

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<v Speaker 1>one of them says, this one is addressed to the

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<v Speaker 1>je United States of America. Not a comrade. And he

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<v Speaker 1>is this filthy, anti social guy who walks around with

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<v Speaker 1>a sign that says the end is nigh when he's

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<v Speaker 1>not crime fighting. He is not Captain America. He is

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<v Speaker 1>not Bruce Wayne. I have to make this abundantly clear.

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<v Speaker 1>And he, like many of the characters, we're gonna get

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<v Speaker 1>this is a thing that we're going to keep coming

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<v Speaker 1>back to. He represents one of the possible logical end

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<v Speaker 1>points of being a vigilante, to take law or justice

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<v Speaker 1>into your own individualistic hands as opposed to something that's

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<v Speaker 1>collectively administered by society and by institutions that are set

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<v Speaker 1>up for society. It turns you into someone who actually

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<v Speaker 1>hates humanity, who thinks they are superior to does that

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<v Speaker 1>simple choice of saying that only I can do this

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<v Speaker 1>puts yourself at a higher level than everyone else.

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<v Speaker 2>Rorshak is in part modeled on a couple of Steve

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<v Speaker 2>Ditko characters, the co creator Spider Man, mister A and

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<v Speaker 2>the Question, who are both at least in Ditko's hands

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<v Speaker 2>tools to articulate his literal randy and objectivism.

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<v Speaker 1>Mm hmmm, yeah, And I found this take on Reddit,

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<v Speaker 1>of all places, so take it with a grain of salt.

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<v Speaker 1>But this person says that each of these heroes is

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<v Speaker 1>meant to represent a different ethical school, and Rorshak is deontology.

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<v Speaker 1>It's from a Greek word meaning obligation, so there's an

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<v Speaker 1>absolute moral obligation to do what is right regardless of

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<v Speaker 1>outcomes or consequences. There is a strong moral code, and

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<v Speaker 1>I think you can definitely read the character that way.

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<v Speaker 1>But I find it so fascinating that I think there's

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<v Speaker 1>another reading of this character you could do where he

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<v Speaker 1>is motivated by a kind of primal violent id. I mean,

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<v Speaker 1>what is his mask. It's the block test to check

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<v Speaker 1>your subconscious Like, is it really all a code or

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<v Speaker 1>is it just living out violent power fantasies.

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<v Speaker 2>His mask represents. It's like he has a constant moral binary.

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<v Speaker 2>There's him and what's right, there's everybody else, But how

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<v Speaker 2>that binary is constructed is always shifting. He has a

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<v Speaker 2>code against compromising his binary, but how that binary is

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<v Speaker 2>constructed as amorphous to the needs of a psyche at

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<v Speaker 2>the moment.

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<v Speaker 5>That's a great reading and can you tell me? Admittedly

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<v Speaker 5>I'm sort of the Rolf Wigan on this episode here,

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<v Speaker 5>having asked what does the Warshack tests have to do

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<v Speaker 5>with his identity as a superhero? Like Peter Parker is

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<v Speaker 5>a spider Man because he was bitten by a spider.

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<v Speaker 5>Batman is the Batman because he got scared by bats

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<v Speaker 5>and now he wants to turn that fear onto others.

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<v Speaker 5>What does the Warshack test have to do with his

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<v Speaker 5>own personal sort of story or crime findings. I was

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<v Speaker 5>never able to piece that together.

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<v Speaker 2>That's what it is. There's no person under there. There's

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<v Speaker 2>this drive, this sense of never wanting to compromise, this

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<v Speaker 2>sort of absolutism in his personality. But it's not built

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<v Speaker 2>around a core of anything, just this amorphous collection of

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<v Speaker 2>memes he inherited from his absent abusive father that disappeared

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<v Speaker 2>early in his life, which is what his reactionary politics

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<v Speaker 2>are built around, which is just a bunch of notions

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<v Speaker 2>that don't really add up to a coherent worldview. There's

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<v Speaker 2>just him and something to fight.

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<v Speaker 4>So he's sort of intentionally hypocritical or like, not ideologically congruous,

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<v Speaker 4>you think.

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<v Speaker 2>I don't know if it's intentional, but it's reflective of

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<v Speaker 2>the lack of anything there. He is kind of like

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<v Speaker 2>one of those guys that gets on Internet and yells

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<v Speaker 2>and screams about all these different things because they hate themselves.

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<v Speaker 2>You know, they're just blackpilled nihilists. But it doesn't add

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<v Speaker 2>up to anything really coherent other than there's me and

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<v Speaker 2>whatever I think is my stuff in the moment, and

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<v Speaker 2>then the everything else. I'm against the degeneracy.

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<v Speaker 5>I see.

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<v Speaker 1>I mean he calls the mask his face at several

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<v Speaker 1>points to this extent that there is no human underneath,

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<v Speaker 1>there is only this I see.

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<v Speaker 4>I've heard people say that, oh, well, the black and

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<v Speaker 4>white shapes represent his black and white view of the

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<v Speaker 4>world or whatever. But I'm like, well, that just describes

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<v Speaker 4>the color. It doesn't really describe the essence of what

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<v Speaker 4>a Rorshackt test is, which is to turn your projections

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<v Speaker 4>into reality. And so it seems like there isn't like

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<v Speaker 4>a great explanation maybe for why he specifically is tied

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<v Speaker 4>to this rorshach test.

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<v Speaker 2>It's because the black and white is a projection. His

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<v Speaker 2>morality's always black and white, but what's in the black

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<v Speaker 2>and what's in the white is always changing moment to moment.

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<v Speaker 1>Mmm.

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<v Speaker 5>I see.

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<v Speaker 1>Let's move on to character number two to discuss. And

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<v Speaker 1>this is kind of order of appearance in the comics.

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<v Speaker 1>As I was reading Osmandias or Adrian Vite the smartest

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<v Speaker 1>man in the world, and he is the cynical sellout

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<v Speaker 1>very much works within the system. He's one of the

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<v Speaker 1>first capes to go work with the government. In the backstory,

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<v Speaker 1>this is the guy that Rorschak says of him rather

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<v Speaker 1>despairingly when comparing him to the comedian. The comedian never

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<v Speaker 1>let anyone retire him, never cash in on his reputation,

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<v Speaker 1>never set up a company selling posters and diet books

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<v Speaker 1>and toy soldiers based on himself, never became a prostitute.

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<v Speaker 1>It's so great, quoting Rorschak, he has a very strong

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<v Speaker 1>point of view in improv terms.

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<v Speaker 4>You know, yeah, he seems to be the most on

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<v Speaker 4>the nose criticism of superhero consumerism and like marketing, almost

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<v Speaker 4>like Russell Brand, being like.

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<v Speaker 5>You see, he sold himself. He understands that he is

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<v Speaker 5>a product to be sold.

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<v Speaker 1>He is eventually revealed to be the architect, mastermind, villain

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<v Speaker 1>of our sprawling conspiracy that drives the plot of the story.

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<v Speaker 1>And he's contemptuous of humanity because he thinks that he's

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<v Speaker 1>just that much better than them, mostly in the intellectual sphere.

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<v Speaker 1>He's got a god complex, hence the name. If you remember,

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<v Speaker 1>the poem is about the god king whose statue is

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<v Speaker 1>in the desert and the traveler comes on.

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<v Speaker 4>Did Osi Mandius finish that poem? He based his superhero

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<v Speaker 4>name off of it. I feel like maybe he didn't

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<v Speaker 4>get to the end of it.

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<v Speaker 2>Oh, he's so smart. He got four lines and he

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<v Speaker 2>was like, oh, I see where this is going.

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<v Speaker 1>Yeah, this is a poem, but a guy who rocks.

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<v Speaker 1>Not a poem, but like the meaninglessness of the works

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<v Speaker 1>of man on a large enough cosmic scale. But yes,

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<v Speaker 1>he's got this God complex. And if we return to

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<v Speaker 1>this view where all these guys represent different philosophical schools,

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<v Speaker 1>Ozymandias is the easiest to place. He represents a kind

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<v Speaker 1>of utilitarianism, do the thing that will do the most

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<v Speaker 1>good for the most number of people, even if the

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<v Speaker 1>decision that you need to make to get there might

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<v Speaker 1>not in itself be ethical. Oh yeah, our next character,

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<v Speaker 1>honestly maybe my favorite. I think I've grown out of

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<v Speaker 1>Rorschak being my favorite. It's Doctor Manhattan aka doctor John Osterman.

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<v Speaker 1>Speaking of God complexes, this guy is quite literally basically

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<v Speaker 1>a god.

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<v Speaker 5>You see, at the time I was misquoted, I never

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<v Speaker 5>said the Superman exists and he is American.

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<v Speaker 1>What I said was God exists and he's American. He's

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<v Speaker 1>the big blue guy. He's called the walking h Bomb

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<v Speaker 1>by a couple of characters to describe his powers. Is

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<v Speaker 1>he can do anything. He can turn any matter into

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<v Speaker 1>any other matter. He can teleport, he can make usself big,

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<v Speaker 1>he can make usself small. He perceives time simultaneously. The

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<v Speaker 1>work does some really fun stuff with predestination and free

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<v Speaker 1>will with him and He's the comics take on what

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<v Speaker 1>happens when someone gets Superman level powers, and the answer

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<v Speaker 1>is that once you become that powerful, you become aloof

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<v Speaker 1>and disinterested. I'm starting to notice a pattern. Yeah, so

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<v Speaker 1>far all of our characters basically hate humanity in some way,

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<v Speaker 1>shape or form. He doesn't hate it, he just doesn't care.

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<v Speaker 1>He can't bring himself to care. A live body and

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<v Speaker 1>dead body contain the same number of particles, he says, structurally,

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<v Speaker 1>there's no discernible difference. Life and death are unquantifiable abstracts.

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<v Speaker 1>Why should I be concerned? More like Captain existentialism? Am

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<v Speaker 1>I right?

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<v Speaker 2>How familiar are you, guys with Alan Moore's work in general?

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<v Speaker 1>I've read this, I've read v for Vendetta. I think

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<v Speaker 1>that might be it. I never read League of Extraordinary Gentlemen.

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<v Speaker 1>I think I read from Hell back in the day

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<v Speaker 1>as well.

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<v Speaker 2>There's a recurring theme in his work and in his worldview,

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<v Speaker 2>which is this idea of sort of like favor read

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<v Speaker 2>Slaughterhouse five, of all of time existing at once in

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<v Speaker 2>a kind of like four dy crystal structure, where everything's

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<v Speaker 2>happening at once and has already happened and is happening.

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<v Speaker 2>And Doctor Manhattan is in part just a vehicle to

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<v Speaker 2>explore that idea with his sort of experiencing all of

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<v Speaker 2>time simultaneously.

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<v Speaker 1>Yes, you've almost certainly seen the famous meme of him

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<v Speaker 1>sitting on Mars, used to poke fun at the fact

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<v Speaker 1>that nothing ever changes in our world. You know, it's

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<v Speaker 1>nineteen ninety four, the president is a baby boomer. It's

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<v Speaker 1>two thousand and eight. The president is a baby boomer.

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<v Speaker 1>Is twenty sixteen, the president is a baby boomer, and

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<v Speaker 1>so on and so forth. He drops some just banger lines.

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<v Speaker 1>One of my favorite all time lines is I'm tired

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<v Speaker 1>of earth these people. I'm tired of being caught in

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<v Speaker 1>the tangle of their lives. I'm going to use that

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<v Speaker 1>next time I need to get out of plans I

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<v Speaker 1>don't want to go to. I'm sorry, gag, I just

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<v Speaker 1>I'm tired of being involved in the tangle of your lives.

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<v Speaker 2>That's part of what makes him so interesting is to

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<v Speaker 2>explore that sense of distance. I think even as a

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<v Speaker 2>kid when I first read the book, I kind of

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<v Speaker 2>related to it because I'm a god naturally, but because

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<v Speaker 2>I was one of those kids I just had like

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<v Speaker 2>a slightly different perspective and way of thinking from a

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<v Speaker 2>lot of my peers, and so I sort of related

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<v Speaker 2>to that sense of alienation.

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<v Speaker 1>Yeah.

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<v Speaker 4>I mean, I think he's supposed to be like an

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<v Speaker 4>analog for Superman, right, and the sense of Superman is

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<v Speaker 4>like a god. And then to what extent can he

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<v Speaker 4>empathize with a regular person enough to have the same

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<v Speaker 4>perspective as them, Like Peter Parker has a good sense

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<v Speaker 4>of what's right and wrong because he is a regular

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<v Speaker 4>guy and like lived his life as a regular guy.

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<v Speaker 4>But it's like, once you're a god, you could see

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<v Speaker 4>how you might start to have problems with determining what's

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<v Speaker 4>right and wrong if you are a perspective of the

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<v Speaker 4>universe has made the earth like a tiny speck of dust, right, Yeah,

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<v Speaker 4>imagine you had like an ant farm, and like you

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<v Speaker 4>kind of cared about these ants, and then you're helping

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<v Speaker 4>them with when one ant is getting mugged by another

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<v Speaker 4>aunt but then you have an ant farm for like

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<v Speaker 4>eight years, and you're familiar with the rest of the world,

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<v Speaker 4>you can kind of start to see that these ants

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<v Speaker 4>their problems. You don't really have the same perspective.

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<v Speaker 1>That they do.

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<v Speaker 4>He's played by Billy Krutdup a stute Remember Shuffle listeners

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<v Speaker 4>will remember him from Each Prey Love. He's Julia Roberts's

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<v Speaker 4>ex husband who wants to go to grad school and

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<v Speaker 4>so she gets a divorce. Much like Doctor Manhattan running

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<v Speaker 4>from the relationship by going to Mars, he was running

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<v Speaker 4>from the relationship to go to grad school in that movie.

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<v Speaker 1>This is to remember Shuffle co host did not remember that.

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<v Speaker 4>But you remember his song He writes on the guitar.

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<v Speaker 1>I do It's all coming back to me now, okay.

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<v Speaker 1>Our next character is the second Silk specter, Laurie Polish

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<v Speaker 1>last name. I won't try and mangle Juice pet chick.

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<v Speaker 1>Here's a fun twist. Instead of hating all of humanity,

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<v Speaker 1>she just hates her mother and her partner. The first

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<v Speaker 1>character we're introduced to in the book, who is a

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<v Speaker 1>second generation Cape. There's a rich backstory to the Watchman.

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<v Speaker 1>Her mom was the first Silk specter, and a lot

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<v Speaker 1>of her plot wine has to do with nostalgia, living

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<v Speaker 1>in the past. She's bitter against the comedian or attempting

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<v Speaker 1>to sexually assault her mother, against her mother for making

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<v Speaker 1>her a superhero, against John for his aloofness and disinterestedness,

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<v Speaker 1>and especially in the movie. She is kind of the

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<v Speaker 1>flattest character in the work, but she's also given the

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<v Speaker 1>least to do in the story. She's kind of like

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<v Speaker 1>a plot device in that her birth, as we will

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<v Speaker 1>eventually see, is the miraculous thing that is so chaotic

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<v Speaker 1>and random that led to someone so beautiful that doctor

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<v Speaker 1>Manhattan can see the value in life again towards the

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<v Speaker 1>climax of the thing. Yeah, not a lot to do

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<v Speaker 1>in this film.

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<v Speaker 2>I think she's maybe one of the weakest cast. Maelan

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<v Speaker 2>Akerman really looks the part. With a character that has

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<v Speaker 2>less screen time and dialogue to clarify their character, you

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<v Speaker 2>kind of need someone who can use the performance to

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<v Speaker 2>find more there, and she doesn't unfortunately.

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<v Speaker 5>Yeah.

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<v Speaker 1>Second last character to discuss is the second night Owl,

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<v Speaker 1>Daniel Dreiberg. He's kind of like this universe's kid Gloves Batman,

359
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<v Speaker 1>even down to the animal themes and vehicles and gadgets.

360
00:18:30.240 --> 00:18:34.160
<v Speaker 1>He's the Adam West Batman. Rorshock is the well shit,

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<v Speaker 1>I mean Zack snyderbad I guess, and that he kills people.

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<v Speaker 1>He's an intellectual nerd. He went to Harvard to study ornithology, history,

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<v Speaker 1>and mythology. He just decided to double down on birds

364
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<v Speaker 1>as a major hence the unified theme of all this stuff.

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<v Speaker 1>He's TMU Batman birdman, if you will. And he's driven

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<v Speaker 1>by nostalgia, one of these key themes of the text. Right.

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<v Speaker 1>He's his flabby middle aged man with nothing to do.

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<v Speaker 1>He's bored. He needs the thrill of adventurism, even if

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<v Speaker 1>it's bad for himself and society. He's living in the past.

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<v Speaker 1>And if he has any kind of moral ethical system

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<v Speaker 1>is a kind of basic pragmatism. Do what will be

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<v Speaker 1>most effective in a particular moment for problem solving. Mostly,

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<v Speaker 1>and that Reddit user that I crib that take from

374
00:19:19.720 --> 00:19:23.799
<v Speaker 1>was named gumby pants. Shout out gumby pants. Yeah.

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<v Speaker 4>You point out here that he comes around to Ozzi

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<v Speaker 4>Mandios's side in the end He's like, well, I guess,

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<v Speaker 4>I mean, if you already did.

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<v Speaker 1>It, yeah, then we can't have all these people die

379
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<v Speaker 1>for nothing. And finally, the last character is the comedian

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<v Speaker 1>Edward Blake. He's the superhero whose murder is the instigating

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<v Speaker 1>event of the entire work. His philosophical school is, of course, nihilism.

382
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<v Speaker 1>He's witnessed the worst of humanity, especially in Vietnam. He's

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<v Speaker 1>done war crimes. He's seen humanity at his absolute worse

384
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<v Speaker 1>and has decided that that is our innate, unchangeable nature,

385
00:19:57.799 --> 00:20:01.799
<v Speaker 1>which turns him into this violent, wanta be cop psychopath

386
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<v Speaker 1>who just thinks that it's all a joke. It's all

387
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<v Speaker 1>a big joke.

388
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<v Speaker 2>He's a black built.

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<v Speaker 4>Yeah, he decides to go with the state, right, He's like, well,

390
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<v Speaker 4>I guess I'll just work for you and I'll be

391
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<v Speaker 4>your instrument. We see him killing protesters in this movie.

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<v Speaker 4>He's very much on the side of institutional power.

393
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<v Speaker 1>Yeah, he's the fucking tip of the spear of the

394
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<v Speaker 1>US Empire. They say he's knocking over Marxist republics in

395
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<v Speaker 1>Latin America.

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<v Speaker 2>In the movie, at least to make it explicit that

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<v Speaker 2>he killed JFK.

398
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<v Speaker 1>Yeah, only gestured two in the comic, but we see

399
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<v Speaker 1>him on the Grassy Knoll and yeah, I mean I'm

400
00:20:34.559 --> 00:20:37.640
<v Speaker 1>sure somewhere deep in the lore he kills Salvador Allende

401
00:20:37.720 --> 00:20:41.440
<v Speaker 1>and Chile, right, yeah, some of our faves. I think significantly.

402
00:20:41.480 --> 00:20:44.640
<v Speaker 1>He's a crime fighter who doesn't believe in crime fighting.

403
00:20:44.720 --> 00:20:46.599
<v Speaker 1>There's a great scene where they flash back to the

404
00:20:46.680 --> 00:20:49.799
<v Speaker 1>sixties where he basically says to everybody, they're these big

405
00:20:49.920 --> 00:20:54.759
<v Speaker 1>structural problems. Do you think busting Moloch matters? Do you

406
00:20:54.799 --> 00:20:58.759
<v Speaker 1>think that solves anything? It doesn't matter because inside thirty

407
00:20:58.839 --> 00:21:01.640
<v Speaker 1>years the nukes are going to be flying like may bugs.

408
00:21:02.039 --> 00:21:05.160
<v Speaker 1>So he just leans into that nihilistic violence.

409
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<v Speaker 4>Played by Jeffrey Dean Morgan of The Walking Dead, and yeah,

410
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<v Speaker 4>I think, honestly, probably my favorite character in this movie

411
00:21:12.559 --> 00:21:15.400
<v Speaker 4>very well characterized. He's the oldest member of the Watchmen,

412
00:21:15.480 --> 00:21:19.400
<v Speaker 4>and so he transcends both the Bronze age comic iteration

413
00:21:19.640 --> 00:21:23.200
<v Speaker 4>of the heroes the Minutemen, and our modern day heroes too.

414
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<v Speaker 4>A lot of times you're wondering, like, why do they

415
00:21:24.720 --> 00:21:26.519
<v Speaker 4>even let this guy in the club? I guess he's

416
00:21:26.519 --> 00:21:29.319
<v Speaker 4>not technically a villain, so you're like, we gotta let

417
00:21:29.359 --> 00:21:29.599
<v Speaker 4>him in.

418
00:21:30.440 --> 00:21:33.720
<v Speaker 1>So those are your characters. We will kind of blitz

419
00:21:33.759 --> 00:21:35.839
<v Speaker 1>through the plot. I did take down some beat by

420
00:21:35.920 --> 00:21:37.880
<v Speaker 1>beats in my notes, but we can just kind of

421
00:21:37.880 --> 00:21:40.799
<v Speaker 1>condense it as we go along. Watchman opens with the

422
00:21:40.920 --> 00:21:44.839
<v Speaker 1>murder of the comedian. We're in this kind of dystopian

423
00:21:45.400 --> 00:21:49.119
<v Speaker 1>retro future nineteen eighties. You said this on your episode.

424
00:21:49.200 --> 00:21:52.680
<v Speaker 1>It's way more retrofuturistic in the comic. Yeah, it's kind

425
00:21:52.680 --> 00:21:55.759
<v Speaker 1>of gestured towards in the film. It's never really fleshed

426
00:21:55.759 --> 00:21:58.759
<v Speaker 1>out enough. But you know, there are blimps, there are airships,

427
00:21:58.920 --> 00:22:01.079
<v Speaker 1>so that's how you know you're a retro futuristic world.

428
00:22:01.759 --> 00:22:04.079
<v Speaker 1>The world is on the brink of nuclear war, super

429
00:22:04.200 --> 00:22:07.039
<v Speaker 1>high cold war tensions. That's kind of the setting that

430
00:22:07.079 --> 00:22:08.039
<v Speaker 1>we enter. Yeah.

431
00:22:08.079 --> 00:22:10.359
<v Speaker 4>I think that what they say is that because the

432
00:22:10.440 --> 00:22:14.319
<v Speaker 4>United States has all of these superheroes that eventually start

433
00:22:14.400 --> 00:22:17.079
<v Speaker 4>to do the bidding of the United States, it leads

434
00:22:17.119 --> 00:22:20.319
<v Speaker 4>the Soviet Union to be more desperate and erratic in

435
00:22:20.359 --> 00:22:24.440
<v Speaker 4>their decision making, which explains why the nuclear tensions are

436
00:22:24.720 --> 00:22:27.720
<v Speaker 4>closer to disaster in their world than in our own.

437
00:22:27.880 --> 00:22:30.200
<v Speaker 2>I mean, Doctor Manhattan wins Vietnam in a week.

438
00:22:32.519 --> 00:22:36.039
<v Speaker 1>Yeah, so sick. We see Rorshak, who's our initial point

439
00:22:36.039 --> 00:22:39.480
<v Speaker 1>of view character. He's investigating the murder. He's going around Town,

440
00:22:39.880 --> 00:22:42.480
<v Speaker 1>warning everyone to introduce us to all of our other

441
00:22:42.559 --> 00:22:46.119
<v Speaker 1>characters one at a time because he believes that someone

442
00:22:46.559 --> 00:22:50.319
<v Speaker 1>is killing Capes. We go through the comedian's funeral, and

443
00:22:50.359 --> 00:22:54.400
<v Speaker 1>then we have all these different interstitial flashbacks of the backstory.

444
00:22:54.640 --> 00:22:57.000
<v Speaker 1>So we see that scene I mentioned when I describe

445
00:22:57.000 --> 00:22:59.440
<v Speaker 1>the comedian. We see the nineteen sixties. They're trying to

446
00:22:59.480 --> 00:23:02.480
<v Speaker 1>make the crime busters, as they're called in the comic,

447
00:23:02.640 --> 00:23:04.920
<v Speaker 1>but stupid Zack Snyder has to call them the watchmen.

448
00:23:05.000 --> 00:23:07.680
<v Speaker 1>We have to work in the movie title for the swine.

449
00:23:07.720 --> 00:23:10.440
<v Speaker 2>I would bet that was a studio note. That seems

450
00:23:10.440 --> 00:23:11.799
<v Speaker 2>like an exec note to me.

451
00:23:12.119 --> 00:23:15.640
<v Speaker 1>Yeah. True. We see the halting attempts to make the

452
00:23:15.640 --> 00:23:19.920
<v Speaker 1>crime busters happen. We get the Great Vietnam War flashbacks

453
00:23:20.160 --> 00:23:22.799
<v Speaker 1>of Doctor Manhattan winning the thing as one hundred foot

454
00:23:22.799 --> 00:23:26.400
<v Speaker 1>tall giant blue guy, and we see Blake shoot the

455
00:23:26.480 --> 00:23:30.000
<v Speaker 1>Vietnamese woman who's pregnant with his child, and Doctor Manhattan

456
00:23:30.079 --> 00:23:32.599
<v Speaker 1>stands back and lets it happen. Just as one little

457
00:23:32.599 --> 00:23:35.400
<v Speaker 1>scene does so much to characterize these two guys. The

458
00:23:35.440 --> 00:23:39.119
<v Speaker 1>aloofness of Doctor Manhattan, which is commented upon by the comedian,

459
00:23:39.359 --> 00:23:43.480
<v Speaker 1>and the nihilistic violence of the comedian himself, we get

460
00:23:43.519 --> 00:23:46.359
<v Speaker 1>another flashback to the recent pass of the nineteen seventies

461
00:23:46.480 --> 00:23:49.279
<v Speaker 1>when the cops went on strike. Right, we live in

462
00:23:49.319 --> 00:23:52.160
<v Speaker 1>a world where as capes do more and more, people

463
00:23:52.200 --> 00:23:54.400
<v Speaker 1>start to get more and more frustrated with them. We

464
00:23:54.440 --> 00:23:58.079
<v Speaker 1>see the iconic graffiti who watches the Watchmen? And we

465
00:23:58.119 --> 00:24:01.079
<v Speaker 1>see these big riots before the gun passes a law,

466
00:24:01.160 --> 00:24:05.359
<v Speaker 1>the Keen Act, banning superheroes, which brings us up to

467
00:24:05.480 --> 00:24:08.759
<v Speaker 1>the present, all told through flashbacks at the comedian's funeral,

468
00:24:08.920 --> 00:24:11.799
<v Speaker 1>I gotta take one quick classics tangent who watches the

469
00:24:11.799 --> 00:24:14.200
<v Speaker 1>Watchman comes from Latin poetry. It comes from the Latin

470
00:24:14.240 --> 00:24:17.960
<v Speaker 1>poetry of Juvenile, And when I was young, I was like, oh,

471
00:24:18.160 --> 00:24:21.240
<v Speaker 1>this is such a deep line about power. Right, It's

472
00:24:21.279 --> 00:24:23.799
<v Speaker 1>about institutional power in the police, and now we have

473
00:24:23.839 --> 00:24:26.880
<v Speaker 1>these guards, but who watches them? It's about authority, It's

474
00:24:26.880 --> 00:24:31.160
<v Speaker 1>about the panopticon. The actual context is about a cheating wife,

475
00:24:31.400 --> 00:24:34.319
<v Speaker 1>where Juvenile says, you may hire a watchman to keep

476
00:24:34.359 --> 00:24:37.200
<v Speaker 1>your wife faithful, but who's gonna watch the watchmen? Those

477
00:24:37.240 --> 00:24:38.359
<v Speaker 1>watchmen are fucking your girl?

478
00:24:38.400 --> 00:24:40.359
<v Speaker 2>My friend who cockch the coxsmen?

479
00:24:41.920 --> 00:24:47.640
<v Speaker 1>Exactly? So we go through this sprawling conspiracy Rorschach is

480
00:24:47.839 --> 00:24:53.880
<v Speaker 1>eventually framed and is thrown in prison. Doctor Manhattan is

481
00:24:53.960 --> 00:24:57.839
<v Speaker 1>essentially exiled from Earth by having the Lion fake news

482
00:24:57.880 --> 00:25:01.319
<v Speaker 1>media yell at him about having in every single one

483
00:25:01.319 --> 00:25:04.200
<v Speaker 1>of his loved ones cancer. This is another kind of

484
00:25:04.519 --> 00:25:07.240
<v Speaker 1>chess move that we need to do for the plot

485
00:25:07.359 --> 00:25:10.279
<v Speaker 1>to get Doctor Manhattan, the most powerful guy on Earth,

486
00:25:10.559 --> 00:25:14.079
<v Speaker 1>off of Earth. He's on Mars now. He's tired of

487
00:25:14.079 --> 00:25:16.960
<v Speaker 1>living in the tangle of our lives. There's one scene

488
00:25:16.960 --> 00:25:18.759
<v Speaker 1>that I want to talk about a little bit more

489
00:25:18.759 --> 00:25:22.200
<v Speaker 1>at length, which is the attempted shooting of Ozamandias. Right,

490
00:25:22.519 --> 00:25:24.960
<v Speaker 1>we don't know that Ozamandyas is the big bad yet,

491
00:25:25.079 --> 00:25:27.920
<v Speaker 1>and there's an attempted assassination on him where he's talking

492
00:25:27.920 --> 00:25:31.799
<v Speaker 1>to these titans of industry, including Lee Ayacoca, a real

493
00:25:32.200 --> 00:25:36.000
<v Speaker 1>guy who worked for Chrysler, helped save Chrysler by inventing

494
00:25:36.039 --> 00:25:39.720
<v Speaker 1>the minivan if I recall correctly, and he was still

495
00:25:39.759 --> 00:25:43.759
<v Speaker 1>alive when Watchman came out and Zack Snyder shot him

496
00:25:43.759 --> 00:25:49.480
<v Speaker 1>in the fucking face on screen. Not in the comics, really, No.

497
00:25:49.960 --> 00:25:53.400
<v Speaker 2>That scene feels like a very pointed war on terror

498
00:25:53.440 --> 00:25:57.319
<v Speaker 2>peak oil thing where they're all like free energy. That's socialism.

499
00:25:57.359 --> 00:25:59.799
<v Speaker 2>You can't do that. We need our gas guzzling SUVs.

500
00:26:00.279 --> 00:26:01.920
<v Speaker 1>Yeah, and you pointed out let's see where we see

501
00:26:01.960 --> 00:26:04.720
<v Speaker 1>the twin towers in the background as well, Right, yeah.

502
00:26:04.400 --> 00:26:07.079
<v Speaker 2>Before we find out Viight is staging Mega nine to

503
00:26:07.119 --> 00:26:10.000
<v Speaker 2>eleven as an inside job.

504
00:26:10.079 --> 00:26:10.480
<v Speaker 4>Mm hmm.

505
00:26:10.680 --> 00:26:14.440
<v Speaker 1>So at this point, Rorschak's in prison, he's getting psychoanalyzed.

506
00:26:14.880 --> 00:26:18.640
<v Speaker 1>He's still saying things like your fat, rich liberal sensibilities

507
00:26:18.680 --> 00:26:21.759
<v Speaker 1>to his shrink. Great scenes of Rorschak in prison just

508
00:26:21.799 --> 00:26:25.680
<v Speaker 1>for like stupid Rorschak, badassory, shouting things like I'm not

509
00:26:25.759 --> 00:26:29.119
<v Speaker 1>locked in here with you, You're locked in here with me, Passik.

510
00:26:29.400 --> 00:26:31.880
<v Speaker 1>We check back in with night Al and the Silk

511
00:26:31.880 --> 00:26:34.759
<v Speaker 1>Spector once again, very true to the comics. She's gone

512
00:26:34.799 --> 00:26:37.519
<v Speaker 1>to live with Dan once John is gone, and they

513
00:26:37.559 --> 00:26:42.079
<v Speaker 1>start this nostalgic flirtation in his basement in the owl cave.

514
00:26:42.200 --> 00:26:45.039
<v Speaker 1>She's poking through all the gears. They start talking about

515
00:26:45.079 --> 00:26:47.720
<v Speaker 1>the good old days. They attempt to hook up on

516
00:26:47.759 --> 00:26:50.680
<v Speaker 1>the couch with the news in the background, but poor Dan,

517
00:26:50.799 --> 00:26:52.680
<v Speaker 1>he can't get it up. So what do they do.

518
00:26:52.920 --> 00:26:55.359
<v Speaker 1>They go out on patrol at three in the morning.

519
00:26:55.599 --> 00:26:58.640
<v Speaker 1>This is where we get Silk Spector in her latex costume,

520
00:26:58.759 --> 00:27:02.039
<v Speaker 1>walking in slow mode. They go, they say, some people

521
00:27:02.039 --> 00:27:05.359
<v Speaker 1>from a burning building, and now they can have sex

522
00:27:05.720 --> 00:27:09.160
<v Speaker 1>in a long much longer than in the comic sex

523
00:27:09.200 --> 00:27:14.440
<v Speaker 1>scene set to the ultimate sex song, the original lettered

524
00:27:14.480 --> 00:27:15.680
<v Speaker 1>coed Hallelujah.

525
00:27:16.839 --> 00:27:18.839
<v Speaker 2>Well, I mean, if that doesn't get it up, what will?

526
00:27:19.519 --> 00:27:21.880
<v Speaker 1>Yeah, We're going to talk about adaptation a second, But

527
00:27:21.960 --> 00:27:24.599
<v Speaker 1>this adaptation is so faithful to the comic. I would

528
00:27:24.640 --> 00:27:28.960
<v Speaker 1>guess that eighty to ninety percent of the dialogue is verbatim,

529
00:27:29.079 --> 00:27:32.119
<v Speaker 1>unchanged with the change in medium. They go to rescue

530
00:27:32.200 --> 00:27:35.119
<v Speaker 1>Rorschak because they're starting to think he was onto something

531
00:27:35.359 --> 00:27:38.440
<v Speaker 1>and they need Rorschak to unravel the whole mystery. They

532
00:27:38.480 --> 00:27:42.319
<v Speaker 1>go to the prison. There's a bunch more violence, highly aestheticized,

533
00:27:42.519 --> 00:27:45.880
<v Speaker 1>very badass, very cool looking. These guys are in it

534
00:27:45.920 --> 00:27:48.880
<v Speaker 1>for the adrenaline and the hedonistic violence more than any

535
00:27:48.960 --> 00:27:52.119
<v Speaker 1>sense of justice, but they still look fucking cool while

536
00:27:52.160 --> 00:27:55.559
<v Speaker 1>they're doing it. They get Rorschak out of jail and

537
00:27:55.720 --> 00:27:59.599
<v Speaker 1>Doctor Manhattan poofs Lori off to Mars to go have

538
00:27:59.640 --> 00:28:03.160
<v Speaker 1>a commonsation. This is where doctor Manhattan points out that

539
00:28:03.400 --> 00:28:06.039
<v Speaker 1>Mars is far more interesting to him than Earth, and

540
00:28:06.079 --> 00:28:08.960
<v Speaker 1>they really cut a lot of the fun geological content.

541
00:28:09.640 --> 00:28:11.480
<v Speaker 1>She says, like, what about the high highs and the

542
00:28:11.519 --> 00:28:13.599
<v Speaker 1>low lows of being a human? He says, well, what

543
00:28:13.599 --> 00:28:16.599
<v Speaker 1>about Olympus mons, and you get a nice little Martian

544
00:28:16.640 --> 00:28:21.240
<v Speaker 1>geology lesson is on a large enough timeline, geological change

545
00:28:21.279 --> 00:28:23.640
<v Speaker 1>can be just as interesting as a human life. In

546
00:28:23.680 --> 00:28:28.119
<v Speaker 1>these Mars scenes, she finally breaks through the Doctor Manhattan

547
00:28:28.319 --> 00:28:32.000
<v Speaker 1>once she has her like psychoanalytical breakthrough that the comedian

548
00:28:32.079 --> 00:28:35.160
<v Speaker 1>who attempted to rape her mother had consensual sex with

549
00:28:35.200 --> 00:28:38.559
<v Speaker 1>her later, this man whom she had every reason to hate,

550
00:28:38.599 --> 00:28:42.160
<v Speaker 1>producing loriie. This was the randomness that led to something

551
00:28:42.200 --> 00:28:46.000
<v Speaker 1>so beautiful that can make Doctor Manhattan start to care

552
00:28:46.039 --> 00:28:49.960
<v Speaker 1>about Earth again. Rorschak and night Owil try to find

553
00:28:50.000 --> 00:28:53.319
<v Speaker 1>Adrian Vite, mostly looking for him to help them. He's gone.

554
00:28:53.599 --> 00:28:56.119
<v Speaker 1>They break into his office, They break into his computer,

555
00:28:56.599 --> 00:29:01.240
<v Speaker 1>and they uncover the entire conc spira se.

556
00:29:00.920 --> 00:29:03.559
<v Speaker 2>Which wouldn't have happened if Bit had the sense to

557
00:29:03.559 --> 00:29:06.160
<v Speaker 2>put like an exclamation mark or an AT symbol in

558
00:29:06.240 --> 00:29:06.920
<v Speaker 2>his password.

559
00:29:07.880 --> 00:29:12.759
<v Speaker 1>Yes, his password is Ramsey's the second the original Egyptian

560
00:29:12.839 --> 00:29:17.720
<v Speaker 1>name for Ozamandias, and like two factor authentication, wouldn't have

561
00:29:17.799 --> 00:29:19.880
<v Speaker 1>changed anything. He gets away with it. In the end,

562
00:29:20.759 --> 00:29:23.039
<v Speaker 1>he would have gotten away with it with even greater

563
00:29:23.240 --> 00:29:26.039
<v Speaker 1>ease had he had two factor of authentication on.

564
00:29:26.240 --> 00:29:29.640
<v Speaker 4>Yeah, and describe Ozamandias's plot in this movie that he

565
00:29:29.720 --> 00:29:30.519
<v Speaker 4>pulled off here.

566
00:29:30.720 --> 00:29:34.720
<v Speaker 1>Yes, so our figures go to Antarctica to confront him.

567
00:29:34.759 --> 00:29:37.160
<v Speaker 1>They get to his Antarctic base and he reveals the

568
00:29:37.279 --> 00:29:40.279
<v Speaker 1>entire plot. This is the most significant change that Zach

569
00:29:40.319 --> 00:29:44.599
<v Speaker 1>Sneyder makes in the comic. Ozamandias is going to teleport

570
00:29:44.680 --> 00:29:49.319
<v Speaker 1>in a genetically engineered telepathic alien into the middle of

571
00:29:49.359 --> 00:29:52.039
<v Speaker 1>New York City, which will release a giant shock wave,

572
00:29:52.319 --> 00:29:55.119
<v Speaker 1>killing millions. And it's not just New York. It's New York,

573
00:29:55.119 --> 00:29:57.359
<v Speaker 1>it is Moscow, is Beijing, is Hong Kong, it's every

574
00:29:57.359 --> 00:29:59.920
<v Speaker 1>major world power, and it looks like aliens at ten,

575
00:30:00.759 --> 00:30:03.559
<v Speaker 1>so that all of humanity will put down their nuclear weapons,

576
00:30:03.759 --> 00:30:07.359
<v Speaker 1>abandon the worst angels of our nature, and unify against

577
00:30:07.400 --> 00:30:10.160
<v Speaker 1>the common enemy. Zack Snyder thought that the alien would

578
00:30:10.160 --> 00:30:13.079
<v Speaker 1>look fucking stupid on screen, I assume, And so instead

579
00:30:13.440 --> 00:30:16.839
<v Speaker 1>they basically frame Doctor Manhattan and they make it look

580
00:30:16.920 --> 00:30:20.960
<v Speaker 1>like Doctor Manhattan with his blue psychic power energy whatever

581
00:30:21.160 --> 00:30:24.160
<v Speaker 1>destroyed all of these cities in the world, framing him

582
00:30:24.160 --> 00:30:27.359
<v Speaker 1>so that humanity can unite against him and nuclear war.

583
00:30:27.519 --> 00:30:29.839
<v Speaker 2>I think that choice is not what I like, but

584
00:30:29.880 --> 00:30:32.720
<v Speaker 2>I think it's one of those like screenwriting economy moves,

585
00:30:33.000 --> 00:30:35.359
<v Speaker 2>because they're just like, how do we fit in this

586
00:30:35.400 --> 00:30:38.400
<v Speaker 2>whole sea plot where all the world's greatest artists and

587
00:30:38.440 --> 00:30:41.720
<v Speaker 2>psychics and special effects guys were brought together to invent

588
00:30:41.799 --> 00:30:43.680
<v Speaker 2>an alien invasion and then killed.

589
00:30:43.799 --> 00:30:45.720
<v Speaker 4>Mm hmm, that's what happens in the comics.

590
00:30:45.920 --> 00:30:49.480
<v Speaker 1>Yeah, really yeah, as Amandyas has to tie up all

591
00:30:49.519 --> 00:30:50.200
<v Speaker 1>the loose ends.

592
00:30:50.319 --> 00:30:52.599
<v Speaker 4>Oh okay, I thought he just like teleported a giant

593
00:30:52.640 --> 00:30:54.559
<v Speaker 4>squid or something and said it was an alien.

594
00:30:54.759 --> 00:30:57.519
<v Speaker 2>Yeah, but that's what all the world's greatest artists come

595
00:30:57.599 --> 00:30:59.680
<v Speaker 2>up with, because the idea is when they drop, they

596
00:30:59.720 --> 00:31:03.319
<v Speaker 2>trick like psychic shockwaves, like give the whole planet nightmares, gotcha?

597
00:31:03.599 --> 00:31:08.119
<v Speaker 1>And so our heroes confront as Amandias and basically the

598
00:31:08.119 --> 00:31:10.079
<v Speaker 1>big drop is that he's going to kill a millions

599
00:31:10.079 --> 00:31:12.880
<v Speaker 1>to save billions, And he says, I'm not a comic

600
00:31:12.880 --> 00:31:15.519
<v Speaker 1>book villain. Do you think I'd explain my master planned

601
00:31:15.519 --> 00:31:17.720
<v Speaker 1>to you if there was any possibility you could affect

602
00:31:17.759 --> 00:31:20.599
<v Speaker 1>the outcome? I triggered it thirty five minutes ago.

603
00:31:20.799 --> 00:31:23.000
<v Speaker 4>I love that line, this sort of tongue in cheek

604
00:31:23.039 --> 00:31:25.599
<v Speaker 4>reference to the fact that villains always do this where

605
00:31:25.640 --> 00:31:28.880
<v Speaker 4>they explain the plot hm, right before it's undermined.

606
00:31:29.079 --> 00:31:32.000
<v Speaker 1>Yeah, very meta, very fun. There's a more fighting. He

607
00:31:32.119 --> 00:31:35.759
<v Speaker 1>tries to vaporize Doctor Manhattan. It doesn't work. Still, Inspector

608
00:31:35.799 --> 00:31:38.359
<v Speaker 1>shoots him again, beat for beat from the comic, he

609
00:31:38.440 --> 00:31:41.799
<v Speaker 1>catches the bullet. This is meant to be this huge

610
00:31:41.799 --> 00:31:44.319
<v Speaker 1>reveal in the comics because nobody in the comics has

611
00:31:44.400 --> 00:31:47.480
<v Speaker 1>actual powers. More on this in a moment. But Adrianvite

612
00:31:47.519 --> 00:31:50.319
<v Speaker 1>in this climacting moment is able to like move fast

613
00:31:50.400 --> 00:31:52.799
<v Speaker 1>enough to catch a bullet. You're meant to be like hmm.

614
00:31:53.319 --> 00:31:58.000
<v Speaker 1>And so the conclusion of the film is that everyone

615
00:31:58.039 --> 00:32:02.960
<v Speaker 1>except Rorshak agrees to let Ozamandias get away with it.

616
00:32:03.039 --> 00:32:05.880
<v Speaker 1>They all agree that to reveal the truth would have

617
00:32:06.000 --> 00:32:08.680
<v Speaker 1>humanity fighting each other again on the brink of nuclear

618
00:32:08.720 --> 00:32:11.039
<v Speaker 1>war again, and all those people would have died for nothing.

619
00:32:11.319 --> 00:32:15.920
<v Speaker 1>And Rorshack walks out into Antarctica, knowing full well that

620
00:32:16.160 --> 00:32:18.279
<v Speaker 1>he's going to get killed because he has now become

621
00:32:18.319 --> 00:32:21.559
<v Speaker 1>a loose end, you know, he refuses to compromise. He

622
00:32:21.559 --> 00:32:24.640
<v Speaker 1>does even say never compromise, not even in the face

623
00:32:24.680 --> 00:32:28.200
<v Speaker 1>of armageddon. That's always been the difference between us Daniel,

624
00:32:28.279 --> 00:32:31.160
<v Speaker 1>That's what he says to night Owl, and Doctor Manhattan

625
00:32:31.279 --> 00:32:36.039
<v Speaker 1>just fucking vaporizes him into a red splotch on the

626
00:32:36.079 --> 00:32:40.599
<v Speaker 1>snow that looks like a Rorshack mask. Appropriately, that is

627
00:32:40.680 --> 00:32:44.359
<v Speaker 1>the kind of anti climax of Watchmen. Doctor Manhattan is

628
00:32:44.400 --> 00:32:46.400
<v Speaker 1>going to leave the galaxy to create some life of

629
00:32:46.400 --> 00:32:49.720
<v Speaker 1>his own now that he sees its value. Night Owl

630
00:32:49.759 --> 00:32:53.359
<v Speaker 1>does get to lay a beat down on Osamandias just

631
00:32:53.400 --> 00:32:56.160
<v Speaker 1>to get out some feelings, which is something that's added.

632
00:32:56.319 --> 00:32:58.720
<v Speaker 1>But he and so expect are going to live halfily

633
00:32:58.759 --> 00:33:01.640
<v Speaker 1>hour after and we go out to my Chemical Romance's

634
00:33:01.640 --> 00:33:04.480
<v Speaker 1>cover of Desolation Row. But what a twist. And I

635
00:33:04.519 --> 00:33:07.440
<v Speaker 1>love this because it's so fucking bleak. Everyone has compromised

636
00:33:07.519 --> 00:33:11.160
<v Speaker 1>their morals. But the final shot is Rorschak's journal that

637
00:33:11.200 --> 00:33:14.279
<v Speaker 1>has the entire truth is about to be published by

638
00:33:14.279 --> 00:33:17.599
<v Speaker 1>the tabloid Rag the New Frontiersman. He had the dead

639
00:33:17.680 --> 00:33:20.119
<v Speaker 1>drop in the event that he doesn't come back, So

640
00:33:20.480 --> 00:33:23.960
<v Speaker 1>you're left with this ambiguous ending as to what happens after.

641
00:33:24.799 --> 00:33:26.640
<v Speaker 1>Who knows, Maybe they all ignore rorschak.

642
00:33:26.880 --> 00:33:30.920
<v Speaker 2>Yeah, it becomes qan on. Just about thirty percent of

643
00:33:30.920 --> 00:33:32.240
<v Speaker 2>the population believes it.

644
00:33:32.440 --> 00:33:37.119
<v Speaker 1>Yeah, he is very cuan on coded Oh yeah, oh.

645
00:33:37.039 --> 00:33:38.599
<v Speaker 2>Yeah, he would have been kicking in the doors of

646
00:33:38.640 --> 00:33:40.000
<v Speaker 2>that Comet Ping Pong.

647
00:33:41.720 --> 00:33:45.920
<v Speaker 1>Dead dog in the Comet Ping Pong pizza. Sweet.

648
00:33:46.079 --> 00:33:48.680
<v Speaker 4>Well, we've done the work of describing the plots. Let's

649
00:33:48.720 --> 00:33:51.839
<v Speaker 4>do a little discussion of the style of this movie.

650
00:33:52.599 --> 00:33:55.279
<v Speaker 4>I think that dack Snyder not his first work. We've

651
00:33:55.279 --> 00:33:57.960
<v Speaker 4>discussed on the pod. You know, we've also discussed three

652
00:33:58.079 --> 00:34:02.880
<v Speaker 4>hundred and Donna the Dead. He's approaching like Wes Anderson

653
00:34:03.000 --> 00:34:05.759
<v Speaker 4>levels of au tourism. I think he's got such a

654
00:34:05.799 --> 00:34:09.039
<v Speaker 4>specific look he's going for. And he often does cover

655
00:34:09.079 --> 00:34:12.599
<v Speaker 4>graphic novels too, so he's got a style that's for sure.

656
00:34:12.840 --> 00:34:15.559
<v Speaker 1>Yeah. A lot of slow motion, a lot of over

657
00:34:15.559 --> 00:34:19.920
<v Speaker 1>the top violence, a lot of really gray color ballads. Yeah.

658
00:34:20.119 --> 00:34:22.360
<v Speaker 2>I think this movie looks I don't if it looks

659
00:34:22.400 --> 00:34:24.000
<v Speaker 2>like how I'd want a Watchman movie to look. I

660
00:34:24.039 --> 00:34:25.840
<v Speaker 2>think it looks pretty good. It doesn't have the what

661
00:34:26.039 --> 00:34:28.760
<v Speaker 2>Nicole my co host, called the wet concrete look of

662
00:34:28.840 --> 00:34:31.360
<v Speaker 2>Man of Steel, or that kind of piss yellow look

663
00:34:31.400 --> 00:34:34.079
<v Speaker 2>of three hundred that I don't love, but I think

664
00:34:34.119 --> 00:34:37.119
<v Speaker 2>he just is often a mismatch for the material he chooses.

665
00:34:38.039 --> 00:34:40.480
<v Speaker 4>I think on your pod you said that he almost

666
00:34:40.519 --> 00:34:43.719
<v Speaker 4>has like a perfect recall for what a fifteen year

667
00:34:43.719 --> 00:34:46.280
<v Speaker 4>old boy will think is cool, you know, like he

668
00:34:46.440 --> 00:34:48.599
<v Speaker 4>has a bead on that for sure.

669
00:34:48.599 --> 00:34:52.280
<v Speaker 2>And that is the wrong way to adapt Watchmen. Then

670
00:34:52.360 --> 00:34:56.079
<v Speaker 2>earlier you described a cool fight scene, cool costume. Most

671
00:34:56.119 --> 00:34:58.599
<v Speaker 2>of that stuff isn't cool in the comic. No, like

672
00:34:58.880 --> 00:35:02.639
<v Speaker 2>Silkspector's cost is not latex in the comic. As far

673
00:35:02.679 --> 00:35:05.679
<v Speaker 2>as I can tell, the action scenes are very pared down.

674
00:35:05.760 --> 00:35:08.480
<v Speaker 2>There's not a lot to them, and they're presented fairly

675
00:35:08.519 --> 00:35:11.280
<v Speaker 2>prosaically or as in this movie, even though it's ordinary

676
00:35:11.360 --> 00:35:13.760
<v Speaker 2>humans that are just fit and good at fighting, every

677
00:35:13.880 --> 00:35:17.239
<v Speaker 2>punch is like a woosh and a big slam, and

678
00:35:17.519 --> 00:35:22.400
<v Speaker 2>he plays everything up very epic when it should be

679
00:35:22.480 --> 00:35:27.360
<v Speaker 2>more sardonic and kind of undercut, I think for this story.

680
00:35:27.159 --> 00:35:30.840
<v Speaker 1>Yes, precisely. There's this great YouTube video essay on this

681
00:35:30.840 --> 00:35:33.760
<v Speaker 1>film called Watchman Doesn't Get Watchmen, and it brings up

682
00:35:33.800 --> 00:35:37.079
<v Speaker 1>that quote from Terry Gilliam about how this is unadaptable

683
00:35:37.320 --> 00:35:40.079
<v Speaker 1>and part of what makes it unadaptable is that the

684
00:35:40.119 --> 00:35:44.239
<v Speaker 1>work is so fucking bleak and it is fundamentally an

685
00:35:44.360 --> 00:35:49.480
<v Speaker 1>anti superhero work. These people are psychologically damaged, they are pathetic,

686
00:35:49.840 --> 00:35:55.360
<v Speaker 1>they are just like us. They are flawed, profoundly and

687
00:35:55.440 --> 00:36:00.360
<v Speaker 1>deeply flawed in almost every way. But Zack Snyder, because

688
00:36:00.400 --> 00:36:04.000
<v Speaker 1>of those changes that you are alluding to, he basically

689
00:36:04.119 --> 00:36:08.639
<v Speaker 1>gives them superpowers like no, there's no like radioactive spiders

690
00:36:08.760 --> 00:36:11.960
<v Speaker 1>or whatever the fuck. But when the sixty something year

691
00:36:11.960 --> 00:36:16.159
<v Speaker 1>old comedian is fighting off his attacker something where in

692
00:36:16.199 --> 00:36:18.599
<v Speaker 1>the comic he just gets his ass handed to him

693
00:36:18.599 --> 00:36:21.480
<v Speaker 1>and gets his ass thrown out a window. We see

694
00:36:21.519 --> 00:36:25.840
<v Speaker 1>the comedian throwing knives. We see him punch through a wall.

695
00:36:26.400 --> 00:36:30.199
<v Speaker 1>We see night Owl break a mugger in the alley's

696
00:36:30.320 --> 00:36:32.920
<v Speaker 1>arm and the bomb pops out of his skin like

697
00:36:33.360 --> 00:36:36.920
<v Speaker 1>they are elevated. And even if it's not in, the

698
00:36:37.000 --> 00:36:39.519
<v Speaker 1>story is done through the visuals and through the action,

699
00:36:39.719 --> 00:36:42.719
<v Speaker 1>and it completely undermines a story that's meant to be

700
00:36:42.800 --> 00:36:43.800
<v Speaker 1>anti superhero.

701
00:36:44.000 --> 00:36:46.800
<v Speaker 2>I agree with your assessment of the movie and where

702
00:36:46.840 --> 00:36:49.440
<v Speaker 2>it falls or the material, I would disagree that Watchman

703
00:36:49.599 --> 00:36:50.880
<v Speaker 2>is anti superhero per se.

704
00:36:51.079 --> 00:36:52.320
<v Speaker 1>Okay, I think.

705
00:36:52.239 --> 00:36:56.119
<v Speaker 2>Alan Moore has an uneasy relationship with superhero stuff, particular,

706
00:36:56.199 --> 00:36:59.039
<v Speaker 2>it's modern cultural dominance and what that kind of says

707
00:36:59.039 --> 00:37:01.199
<v Speaker 2>about where we're at is this, But he also loves

708
00:37:01.199 --> 00:37:03.719
<v Speaker 2>that stuff, like he started writing it for a reason.

709
00:37:03.960 --> 00:37:07.199
<v Speaker 2>He loves pulp adventurer, he loves superhero stories. I think

710
00:37:07.280 --> 00:37:10.559
<v Speaker 2>the takeaway from Watchmen. Part of it is just him seeing, Okay, well,

711
00:37:10.559 --> 00:37:13.760
<v Speaker 2>what would happen if I transplanted these ideas into this setting.

712
00:37:13.880 --> 00:37:15.760
<v Speaker 2>But I think the takeaway from it a lot like

713
00:37:15.800 --> 00:37:18.159
<v Speaker 2>the takeaway like a lot of the industry and fans

714
00:37:18.199 --> 00:37:20.119
<v Speaker 2>of comics had after it came out, was all superhero

715
00:37:20.119 --> 00:37:22.039
<v Speaker 2>storyes should I'll be like this, they should be realistic

716
00:37:22.239 --> 00:37:24.840
<v Speaker 2>and grady. When the whole point of Watchman is if

717
00:37:24.840 --> 00:37:29.000
<v Speaker 2>you take superheroes outside their King Arthur fairytale world they

718
00:37:29.000 --> 00:37:31.679
<v Speaker 2>exist in, they cease to be heroic. And that's why

719
00:37:31.679 --> 00:37:34.440
<v Speaker 2>you shouldn't do it. Oh yeah, yeah, that's why every

720
00:37:34.480 --> 00:37:37.920
<v Speaker 2>superhero shouldn't be Watchmen. Because he's also responding to a

721
00:37:37.960 --> 00:37:40.199
<v Speaker 2>trend that was already kind of setting in in the

722
00:37:40.239 --> 00:37:42.559
<v Speaker 2>mid eighties where they're like, you know, doing the death

723
00:37:42.559 --> 00:37:45.000
<v Speaker 2>and the family story in Batman and stuff like that.

724
00:37:45.239 --> 00:37:48.840
<v Speaker 1>Yeah, maybe anti superhero lacks nuance, but I think he's

725
00:37:48.880 --> 00:37:51.559
<v Speaker 1>definitely saying what you're saying. If you take superheroes and

726
00:37:51.599 --> 00:37:54.840
<v Speaker 1>put them in a realistic world, they make that world worse. Yeah,

727
00:37:54.920 --> 00:38:01.239
<v Speaker 1>superheroes in our world are a net negative on society. Yeah, emphatically.

728
00:38:01.360 --> 00:38:04.320
<v Speaker 4>The point you're making about Zack Snyder not understanding the

729
00:38:04.360 --> 00:38:07.559
<v Speaker 4>source material is that it's meant to be critical of

730
00:38:08.000 --> 00:38:11.519
<v Speaker 4>superheroes and their nature, and yet because he's such a

731
00:38:11.559 --> 00:38:13.880
<v Speaker 4>fan of them, Like Zack Snyder is such a fan

732
00:38:13.920 --> 00:38:17.239
<v Speaker 4>of them, he can't help but embellish the story whenever

733
00:38:17.280 --> 00:38:20.519
<v Speaker 4>he can to make them look cool, right, Yeah, whether

734
00:38:20.559 --> 00:38:24.000
<v Speaker 4>it's that mugging scene right with owl Man, like finding

735
00:38:24.039 --> 00:38:26.880
<v Speaker 4>a way to make Owlman and the soil respector like

736
00:38:26.920 --> 00:38:28.000
<v Speaker 4>as cool as possible.

737
00:38:28.159 --> 00:38:31.400
<v Speaker 1>His name is night Owl, please with some respect on

738
00:38:31.480 --> 00:38:33.360
<v Speaker 1>his name. He is the second night Owl.

739
00:38:34.639 --> 00:38:36.519
<v Speaker 4>And I was shocked when you told me that in

740
00:38:36.559 --> 00:38:39.719
<v Speaker 4>the comics they don't actually have powers. That's a complete

741
00:38:39.760 --> 00:38:41.840
<v Speaker 4>deviation from the movie. Like, as somebody who had only

742
00:38:41.880 --> 00:38:43.719
<v Speaker 4>seen the movie, I was like, they're kind of lazy

743
00:38:43.719 --> 00:38:45.880
<v Speaker 4>with Zuperbauers, Like they all have super speed and super

744
00:38:45.880 --> 00:38:47.119
<v Speaker 4>strength and are really tough.

745
00:38:47.400 --> 00:38:49.079
<v Speaker 1>Right, I had to be like No, none of them are,

746
00:38:49.159 --> 00:38:51.760
<v Speaker 1>except for maybe Ozamandias and Doctor Manhattan.

747
00:38:51.840 --> 00:38:54.840
<v Speaker 2>Yeah, yeah, they're just guys. They're just guys in costumes.

748
00:38:54.320 --> 00:38:56.679
<v Speaker 4>Which is kind of way better. But like that's a

749
00:38:56.679 --> 00:38:59.119
<v Speaker 4>perfect example of like Zack Snyder, he can't help himself.

750
00:38:59.119 --> 00:39:01.039
<v Speaker 4>He's like, well, what if I gave them just a

751
00:39:01.079 --> 00:39:04.119
<v Speaker 4>little bit of super strength, you know, for cinematic reasons

752
00:39:04.159 --> 00:39:07.000
<v Speaker 4>to make the fight scenes even more freaking epic. That's

753
00:39:07.039 --> 00:39:08.880
<v Speaker 4>the sense I get when you tell me that he's

754
00:39:08.920 --> 00:39:10.199
<v Speaker 4>made a major change like that.

755
00:39:10.360 --> 00:39:14.039
<v Speaker 2>Yeah, he just sincerely believes in the superhero so much.

756
00:39:14.119 --> 00:39:16.079
<v Speaker 2>When night Owl and still expect her get back into

757
00:39:16.119 --> 00:39:18.840
<v Speaker 2>the costumes, like, yeah, they're settling up and they're riding again.

758
00:39:19.599 --> 00:39:22.199
<v Speaker 2>Whereas the comic it's more kind of sad these people

759
00:39:22.239 --> 00:39:24.559
<v Speaker 2>can't move on with their lives and find something else

760
00:39:24.559 --> 00:39:25.280
<v Speaker 2>to fill the void.

761
00:39:25.440 --> 00:39:28.360
<v Speaker 1>Yeah, and even like the change that I kind of like,

762
00:39:28.960 --> 00:39:30.199
<v Speaker 1>or I don't even know if I like it, but

763
00:39:30.239 --> 00:39:33.400
<v Speaker 1>the change I mentioned where after night Owl has compromised,

764
00:39:33.440 --> 00:39:36.599
<v Speaker 1>he's able to lay a beat down on Ozamandas in

765
00:39:36.639 --> 00:39:40.119
<v Speaker 1>the comic and in the movie, we see that ozamandyas

766
00:39:40.239 --> 00:39:43.519
<v Speaker 1>just handles night Owl with ease and rorschak at the

767
00:39:43.559 --> 00:39:46.840
<v Speaker 1>same time, they are not comparable. But we can't have

768
00:39:46.920 --> 00:39:51.599
<v Speaker 1>this morally gray compromised ending for a Zack Snyder. We

769
00:39:51.800 --> 00:39:53.440
<v Speaker 1>just can't, as much as he wants to. So he

770
00:39:53.480 --> 00:39:56.119
<v Speaker 1>has to have the good guy hero at least get

771
00:39:56.239 --> 00:39:58.639
<v Speaker 1>some of his anger out and lay the smack down

772
00:39:58.639 --> 00:40:03.239
<v Speaker 1>on ozamandas it's like emotionally satisfying for the character, I suppose,

773
00:40:03.480 --> 00:40:06.880
<v Speaker 1>but it does kind of undercut that bleak ending that

774
00:40:07.079 --> 00:40:09.920
<v Speaker 1>our moral light has compromised.

775
00:40:10.159 --> 00:40:13.320
<v Speaker 2>Yeah, there's just too much of a sentimental idealist.

776
00:40:12.920 --> 00:40:15.159
<v Speaker 1>And like, yeah, I love how you mentioned the costumes too.

777
00:40:15.400 --> 00:40:18.760
<v Speaker 1>I was thinking in the comic the snow owl suit

778
00:40:18.880 --> 00:40:25.039
<v Speaker 1>when they're driving across Antarctica on like hoverboards, they look ridiculous. Again, Like,

779
00:40:25.119 --> 00:40:28.039
<v Speaker 1>all of the costumes are updated for this film, even

780
00:40:28.079 --> 00:40:30.599
<v Speaker 1>the Minute Men costumes. Like we see their costumes in

781
00:40:30.639 --> 00:40:33.039
<v Speaker 1>the forties and the sixties and the eighties, and all

782
00:40:33.119 --> 00:40:36.239
<v Speaker 1>of them, in some way, shape or form look cool

783
00:40:36.719 --> 00:40:40.280
<v Speaker 1>or sexy. The first Silk Specter, she's painted on the

784
00:40:40.320 --> 00:40:43.000
<v Speaker 1>side of the plane that dropped the nuclear bomb. She's

785
00:40:43.039 --> 00:40:45.840
<v Speaker 1>a fucking pin up girl, right. The Mini Men costume

786
00:40:45.920 --> 00:40:48.519
<v Speaker 1>in the comic look fucking absurd. Because they're meant to

787
00:40:48.559 --> 00:40:53.119
<v Speaker 1>recall the nineteen forties tights in underwears cereals, you know,

788
00:40:53.840 --> 00:40:56.239
<v Speaker 1>but even down to the costume, they just have to

789
00:40:56.280 --> 00:40:59.920
<v Speaker 1>look cool, and by making them look cool, it totally detracts, Yeah,

790
00:41:00.159 --> 00:41:01.960
<v Speaker 1>what the text is trying to do.

791
00:41:02.199 --> 00:41:04.800
<v Speaker 4>That is funny that Alan Moore, Like, you look at

792
00:41:04.840 --> 00:41:07.519
<v Speaker 4>who's interpreting his works, and it's like Zack Snyder, the

793
00:41:07.519 --> 00:41:12.920
<v Speaker 4>Wachowski's taken up by a wide array of ideologies, you know,

794
00:41:12.960 --> 00:41:16.119
<v Speaker 4>and he himself, like Alan Moore is like an anarchist, right, He's.

795
00:41:16.000 --> 00:41:18.559
<v Speaker 2>A left anarchist. Yeah, out of a long tradition of

796
00:41:18.760 --> 00:41:22.480
<v Speaker 2>UK speculative fiction left anarchist writers like Michael Moorcock and

797
00:41:22.760 --> 00:41:24.400
<v Speaker 2>Norman Spinrad I think is from the UK.

798
00:41:24.639 --> 00:41:26.800
<v Speaker 4>Yeah, And when we talked about Viva Vendetta, we talked

799
00:41:26.840 --> 00:41:31.679
<v Speaker 4>about how they took his criticism, his sort of ideology

800
00:41:31.840 --> 00:41:34.119
<v Speaker 4>in the graphic novel and turned it into this de

801
00:41:34.119 --> 00:41:37.920
<v Speaker 4>liiberal fantasy. The message of the graphic novel was completely

802
00:41:38.039 --> 00:41:40.400
<v Speaker 4>ruined by the movie. So it's good to see that

803
00:41:40.599 --> 00:41:43.719
<v Speaker 4>happen again, but in a different direction from Zack Snyder.

804
00:41:44.440 --> 00:41:47.719
<v Speaker 1>It's good to see Alan Moore's works misunderstood and ruined

805
00:41:47.960 --> 00:41:51.639
<v Speaker 1>in a different way. There's a take. No, I mean,

806
00:41:51.760 --> 00:41:54.199
<v Speaker 1>I truly do think the work is kind of unadaptable. Right.

807
00:41:54.239 --> 00:41:56.400
<v Speaker 1>There's a quote by Alan Moore that gets thrown around,

808
00:41:56.400 --> 00:41:59.360
<v Speaker 1>which is the only point in transferring something to a

809
00:41:59.440 --> 00:42:01.800
<v Speaker 1>medium for which it was not intended is you make

810
00:42:01.840 --> 00:42:04.960
<v Speaker 1>more money, usually at the expense of the integrity in

811
00:42:05.000 --> 00:42:06.079
<v Speaker 1>the work in question.

812
00:42:06.880 --> 00:42:10.800
<v Speaker 4>Mister Moore, will you sign my DVD of Watchmen Babies?

813
00:42:11.519 --> 00:42:14.480
<v Speaker 1>Which of the babies is your favorite? You see what

814
00:42:14.559 --> 00:42:18.039
<v Speaker 1>those bloody corporations do. I take your ordeas and I

815
00:42:18.280 --> 00:42:21.880
<v Speaker 1>suck them, suck them long leitches until they've gotten every

816
00:42:21.960 --> 00:42:25.039
<v Speaker 1>last drop of the marrow from your bones. Watchman is

817
00:42:25.039 --> 00:42:27.639
<v Speaker 1>a comic about comics, even down to having a comic

818
00:42:27.719 --> 00:42:30.440
<v Speaker 1>within a comic in the form of The Black Freighter. Yeah.

819
00:42:30.480 --> 00:42:33.679
<v Speaker 1>I mercifully did not watch the Super Ultimate Cut, so

820
00:42:33.719 --> 00:42:36.280
<v Speaker 1>I did not see the adaptation of The Black Freighter.

821
00:42:36.440 --> 00:42:39.519
<v Speaker 2>I skipped through them to save a little time. Lucky

822
00:42:39.559 --> 00:42:42.239
<v Speaker 2>you can I talk about something on that note that's

823
00:42:42.280 --> 00:42:44.840
<v Speaker 2>just sort of interesting, please. I talked before about Alan

824
00:42:44.880 --> 00:42:48.000
<v Speaker 2>Moore's hold obsession with this idea of time and how

825
00:42:48.039 --> 00:42:51.159
<v Speaker 2>it's laid out right, and the comic book reflects that

826
00:42:51.360 --> 00:42:53.119
<v Speaker 2>because when you read a comic book, you kind of

827
00:42:53.159 --> 00:42:55.920
<v Speaker 2>skim back and forth across the images to build a

828
00:42:55.960 --> 00:42:59.039
<v Speaker 2>context versus a movie, which is one image at a

829
00:42:59.079 --> 00:43:01.760
<v Speaker 2>time in linear order. One of the issues the chapters

830
00:43:01.840 --> 00:43:04.840
<v Speaker 2>is named fearful Symmetry, after the William Blake poem, and

831
00:43:05.039 --> 00:43:08.559
<v Speaker 2>if you look at it closely, the whole chapter is

832
00:43:08.760 --> 00:43:12.519
<v Speaker 2>visually symmetrical. The first page resembles the last page terms

833
00:43:12.519 --> 00:43:15.320
<v Speaker 2>of panel layout and staging and everything into the middle.

834
00:43:15.480 --> 00:43:18.880
<v Speaker 2>So it's the storytelling is built into the form. The

835
00:43:18.880 --> 00:43:21.119
<v Speaker 2>themes are built into the medium in a way that

836
00:43:21.159 --> 00:43:23.199
<v Speaker 2>a film literally can't adapt.

837
00:43:23.519 --> 00:43:26.599
<v Speaker 1>Yeah, and he does so many clever things, little things

838
00:43:26.639 --> 00:43:29.719
<v Speaker 1>like doctor Manhattan's speech bubbles are always blue, right, His

839
00:43:29.760 --> 00:43:33.400
<v Speaker 1>speech bubbles are different from everyone else's. When Rorschak is

840
00:43:33.440 --> 00:43:36.079
<v Speaker 1>in his like more Madden state, his speech bubbles are

841
00:43:36.159 --> 00:43:39.079
<v Speaker 1>jagged as he speaks in that staccata way. But in

842
00:43:39.079 --> 00:43:41.880
<v Speaker 1>the flashbacks before he starts killing people, he has regular

843
00:43:41.880 --> 00:43:45.079
<v Speaker 1>speech bubbles. The attention to detail of the medium is

844
00:43:45.119 --> 00:43:48.159
<v Speaker 1>so intense, and it's just something that you cannot do

845
00:43:48.679 --> 00:43:50.920
<v Speaker 1>in the visual medium of a film.

846
00:43:51.039 --> 00:43:53.920
<v Speaker 2>Yeah, you can't sit and scrutinize a single frame for

847
00:43:54.000 --> 00:43:55.400
<v Speaker 2>a minute, like you can with the comment.

848
00:43:55.519 --> 00:43:57.599
<v Speaker 4>Yeah, you were talking about that on your podcast, about

849
00:43:57.599 --> 00:44:00.800
<v Speaker 4>how like when you're dealing with a story that involves

850
00:44:01.079 --> 00:44:06.719
<v Speaker 4>multiple time periods and like overlapping temporal lines, the ability

851
00:44:06.760 --> 00:44:09.639
<v Speaker 4>to spend as much time as you personally want on

852
00:44:10.159 --> 00:44:14.079
<v Speaker 4>a comic frame and consider what's happening changes completely in

853
00:44:14.079 --> 00:44:15.599
<v Speaker 4>a movie where it's like it's going to move on

854
00:44:15.880 --> 00:44:19.159
<v Speaker 4>with or without you GIF you're confused, that's on you.

855
00:44:19.079 --> 00:44:21.400
<v Speaker 2>Like you get one twenty fourth of a second.

856
00:44:22.400 --> 00:44:23.840
<v Speaker 4>Just before we move on. I have one more point

857
00:44:23.840 --> 00:44:27.159
<v Speaker 4>about style, just about Zack Snyder's use of music. I

858
00:44:27.159 --> 00:44:30.440
<v Speaker 4>always find very good. You know, when we watched Donna

859
00:44:30.480 --> 00:44:33.079
<v Speaker 4>the Dead, I thought that that Johnny cash drop was

860
00:44:33.159 --> 00:44:35.920
<v Speaker 4>excellent in the opening credits, and he does something very

861
00:44:35.960 --> 00:44:39.599
<v Speaker 4>similar here with the Bob Dylan song The Times they

862
00:44:39.639 --> 00:44:42.360
<v Speaker 4>are changing, right, which is admittedly on the nose, but

863
00:44:42.519 --> 00:44:45.960
<v Speaker 4>them moving through forty years of history, going through all

864
00:44:46.000 --> 00:44:48.760
<v Speaker 4>of these plot points, I thought was was very good.

865
00:44:49.039 --> 00:44:53.719
<v Speaker 4>I genuinely enjoy his credit music sequences. We've talked a

866
00:44:53.760 --> 00:44:56.239
<v Speaker 4>lot about how The two Thousands feels very much like

867
00:44:56.280 --> 00:44:59.400
<v Speaker 4>an attempt at doing boomer nostalgia. It's them looking back

868
00:44:59.440 --> 00:45:01.559
<v Speaker 4>at the last forty years. We talked about this in

869
00:45:01.599 --> 00:45:04.159
<v Speaker 4>our two thousand and four election episode in the number

870
00:45:04.199 --> 00:45:06.400
<v Speaker 4>of reboots that came out Catch me if you can,

871
00:45:06.480 --> 00:45:09.199
<v Speaker 4>we talked about this extensively. But yeah, every music drop

872
00:45:09.239 --> 00:45:13.719
<v Speaker 4>here is the complete boomer collection of greatest hits. You know,

873
00:45:13.920 --> 00:45:17.079
<v Speaker 4>all along the Watchtower, the times they are changing.

874
00:45:17.400 --> 00:45:20.880
<v Speaker 1>Sound of silence at the burl, the sound of Silence.

875
00:45:20.920 --> 00:45:22.000
<v Speaker 2>That one made me laugh.

876
00:45:22.280 --> 00:45:25.880
<v Speaker 1>Yeah, I mean, those opening credits are incredible. I remember

877
00:45:25.920 --> 00:45:28.480
<v Speaker 1>sitting in the theater in two thousand and nine watching that,

878
00:45:28.719 --> 00:45:31.239
<v Speaker 1>having already read the comic, thinking like, boy, am I

879
00:45:31.320 --> 00:45:35.480
<v Speaker 1>in for a treat, and then being subsequently so fucking bored.

880
00:45:36.119 --> 00:45:39.519
<v Speaker 1>It has references to the source material, but it also

881
00:45:39.679 --> 00:45:41.960
<v Speaker 1>adds to the source material in like a fun way,

882
00:45:42.280 --> 00:45:45.719
<v Speaker 1>like the famous victory in Japan. Kiss between the Sailor

883
00:45:45.880 --> 00:45:49.159
<v Speaker 1>is like a lesbian kiss with the lesbian member of

884
00:45:49.199 --> 00:45:52.960
<v Speaker 1>the Minute Men. Silhouette silouette, Yes they have the first silk.

885
00:45:52.960 --> 00:45:55.639
<v Speaker 1>Spector's pregnancy with the Minute Men is framed like the

886
00:45:55.719 --> 00:45:59.400
<v Speaker 1>Last Supper. For reasons. I think it's really Zack Snyder

887
00:45:59.440 --> 00:46:01.960
<v Speaker 1>being like, yeah, I know paintings, here's a painting, you know,

888
00:46:03.880 --> 00:46:06.159
<v Speaker 1>But also she is kind of the christ like figure

889
00:46:06.159 --> 00:46:08.559
<v Speaker 1>who's going to bring God back to the world in

890
00:46:08.599 --> 00:46:12.719
<v Speaker 1>the form of Doctor Manhattan. It's all of your favorite

891
00:46:12.719 --> 00:46:15.880
<v Speaker 1>moments from your high school twentieth century history class, but

892
00:46:15.960 --> 00:46:18.880
<v Speaker 1>with the superheroes you remember from the comic book homework

893
00:46:18.920 --> 00:46:22.960
<v Speaker 1>you did before watching this film. The jfk assassination with

894
00:46:23.079 --> 00:46:27.199
<v Speaker 1>the comedian, It's the bombing of Hiroshima in Nagasaki with Silkspector,

895
00:46:27.199 --> 00:46:29.760
<v Speaker 1>It's the pin Up Girl. It's all of these nice

896
00:46:29.760 --> 00:46:32.159
<v Speaker 1>little moments where you get to point at the screen

897
00:46:32.199 --> 00:46:35.360
<v Speaker 1>and say, I know what's going on here, but it

898
00:46:35.480 --> 00:46:37.599
<v Speaker 1>is more than a Marvel Easter Egg because you need

899
00:46:37.639 --> 00:46:40.199
<v Speaker 1>to do a little bit more work yourself. Yeah, that's

900
00:46:40.199 --> 00:46:43.320
<v Speaker 1>all we got for the adaptation. How he took a

901
00:46:43.400 --> 00:46:46.599
<v Speaker 1>work about heroes that were pathetic and contemptible and turned

902
00:46:46.599 --> 00:46:50.079
<v Speaker 1>them into cool, sexy badasses. Okay, so let's talk themes

903
00:46:50.079 --> 00:46:52.440
<v Speaker 1>and big ideas, and I think the number one theme.

904
00:46:52.599 --> 00:46:54.719
<v Speaker 1>If there's a thing that Watchman is about, it's the

905
00:46:54.760 --> 00:46:59.440
<v Speaker 1>deconstruction of the superhero. Superheroes in a world that recalls

906
00:46:59.440 --> 00:47:02.800
<v Speaker 1>our own would be bad, and they would be flawed,

907
00:47:02.840 --> 00:47:08.639
<v Speaker 1>empathetic and traumatized and have contempt for humanity and forgive

908
00:47:08.679 --> 00:47:13.000
<v Speaker 1>me a second classic side tangent. But ancient authors kind

909
00:47:13.039 --> 00:47:16.559
<v Speaker 1>of did this. It's not exactly what Alan Moore was doing,

910
00:47:16.599 --> 00:47:18.480
<v Speaker 1>but you know that there's a billion and a half

911
00:47:18.559 --> 00:47:21.800
<v Speaker 1>versions of basically every myth, right, so you can take Hercules.

912
00:47:22.280 --> 00:47:25.920
<v Speaker 1>Most of the Hercules stories are these fun, loving adventure stories.

913
00:47:25.960 --> 00:47:28.199
<v Speaker 1>He has the twelve Labors, he's got to kill the monsters,

914
00:47:28.199 --> 00:47:30.440
<v Speaker 1>he got to bring him back. Hercules is like a

915
00:47:30.480 --> 00:47:33.679
<v Speaker 1>hero out of time. He's the club generally, so he's

916
00:47:33.760 --> 00:47:36.719
<v Speaker 1>kind of like a caveman. He's dumb compared to the

917
00:47:36.760 --> 00:47:39.639
<v Speaker 1>other he heroes. He can't really go into a town

918
00:47:39.719 --> 00:47:43.840
<v Speaker 1>without sacking it with his boorishness and his drunkenness and

919
00:47:43.880 --> 00:47:48.840
<v Speaker 1>his gluttonous appetite. He's a hard drinking kind of Snorlax

920
00:47:48.960 --> 00:47:52.400
<v Speaker 1>meets the Tasmanian devil in a lot of these myths.

921
00:47:53.079 --> 00:47:56.159
<v Speaker 1>But you put him in the hands of Euripides the tragedian,

922
00:47:56.400 --> 00:47:58.760
<v Speaker 1>and he's in the center of this tragedy that's about

923
00:47:59.000 --> 00:48:03.440
<v Speaker 1>madness Vinely sent against him, where he murders his entire

924
00:48:03.519 --> 00:48:06.920
<v Speaker 1>family in a family annihilation. So it can get dark, right,

925
00:48:07.000 --> 00:48:08.800
<v Speaker 1>what do you do with the guy who's that powerful

926
00:48:08.840 --> 00:48:11.360
<v Speaker 1>who goes mad. Well he fucking kills his family and

927
00:48:11.639 --> 00:48:14.480
<v Speaker 1>feels real bad about it after the fact. And it's

928
00:48:14.519 --> 00:48:17.199
<v Speaker 1>not a perfect one to one comparison in terms of

929
00:48:17.239 --> 00:48:21.119
<v Speaker 1>like deconstructing broader tropes. Alan Moore isn't talking about one guy.

930
00:48:21.480 --> 00:48:25.960
<v Speaker 1>He's talking about types, archetypes even. Yeah, but Euripides is

931
00:48:26.000 --> 00:48:29.639
<v Speaker 1>extractolating from the character and coming up with conclusions of, like,

932
00:48:29.840 --> 00:48:32.840
<v Speaker 1>what would this figure look like in different scenarios.

933
00:48:33.119 --> 00:48:35.199
<v Speaker 2>That's what Watchman is on that, just as in a

934
00:48:35.280 --> 00:48:37.679
<v Speaker 2>sad I have a question, what did Chris Benwa do

935
00:48:37.679 --> 00:48:38.599
<v Speaker 2>you to piss off Harra?

936
00:48:41.360 --> 00:48:43.960
<v Speaker 1>And yeah, Watchman says like to put on a caper

937
00:48:44.000 --> 00:48:47.079
<v Speaker 1>costume and take justice into your own hands is inherently

938
00:48:47.320 --> 00:48:51.079
<v Speaker 1>and necessarily to put yourself above humanity in one way,

939
00:48:51.159 --> 00:48:53.360
<v Speaker 1>shape or form, like I said when I introduced all

940
00:48:53.400 --> 00:48:56.880
<v Speaker 1>the characters, right, and this is also what the infinitely

941
00:48:56.920 --> 00:49:00.840
<v Speaker 1>superior Watchman TV series does. I haven't finished, sit no spoilers,

942
00:49:00.880 --> 00:49:03.679
<v Speaker 1>I'm only five episodes in, but in its world we

943
00:49:03.760 --> 00:49:06.519
<v Speaker 1>see the cops need to start putting on masks. Right.

944
00:49:06.639 --> 00:49:09.199
<v Speaker 1>It is also a form of masked justice and the

945
00:49:09.199 --> 00:49:11.719
<v Speaker 1>show is so fuck impression. It came out in twenty nineteen,

946
00:49:11.800 --> 00:49:14.280
<v Speaker 1>it's talking about the dangers of masked up law enforcement.

947
00:49:14.719 --> 00:49:15.400
<v Speaker 1>What a time.

948
00:49:15.599 --> 00:49:17.400
<v Speaker 4>Yeah, And I think if you're going to come away

949
00:49:17.719 --> 00:49:20.360
<v Speaker 4>with anything from this movie or from the graphic novel,

950
00:49:20.519 --> 00:49:23.039
<v Speaker 4>this was the most profound thing it had to say,

951
00:49:23.400 --> 00:49:26.440
<v Speaker 4>This sense that if somebody is going to be vigilante

952
00:49:26.440 --> 00:49:29.880
<v Speaker 4>with superpowers, it's so clear to us when Spider Man

953
00:49:29.960 --> 00:49:34.239
<v Speaker 4>stops a mugging, what should be done in that situation, right, Like, oh, yeah,

954
00:49:34.239 --> 00:49:36.559
<v Speaker 4>the mugger is in the wrong, the woman with the

955
00:49:36.599 --> 00:49:38.519
<v Speaker 4>purse is in the right, and we need to stop

956
00:49:38.599 --> 00:49:42.320
<v Speaker 4>this from happening. But like, as you move up in crimes,

957
00:49:42.599 --> 00:49:45.599
<v Speaker 4>and especially if you're trying to solve structural issues, right

958
00:49:45.679 --> 00:49:48.800
<v Speaker 4>and not just you know, have paylliad of solutions to symptoms,

959
00:49:48.800 --> 00:49:52.079
<v Speaker 4>but like treat real issues, there are way more opinions

960
00:49:52.119 --> 00:49:55.239
<v Speaker 4>on how to solve things based on personal ideology and

961
00:49:55.320 --> 00:49:59.159
<v Speaker 4>personal feelings. And it really complicates what should happen when

962
00:49:59.199 --> 00:50:02.039
<v Speaker 4>we give someone and this kind of authority. Right, And

963
00:50:02.119 --> 00:50:04.119
<v Speaker 4>you know, if you listen to our episode on Iron Man,

964
00:50:04.159 --> 00:50:07.199
<v Speaker 4>we talked about this a lot. Right, Great Tony Stark

965
00:50:07.360 --> 00:50:09.840
<v Speaker 4>can now beat any military on Earth and can like

966
00:50:10.000 --> 00:50:12.639
<v Speaker 4>unilaterally decide to show up in a conflict and wipe

967
00:50:12.679 --> 00:50:16.400
<v Speaker 4>out one side, right, And how problematic that is because

968
00:50:16.519 --> 00:50:18.800
<v Speaker 4>what we've seen in the past is that we're not

969
00:50:18.880 --> 00:50:21.719
<v Speaker 4>always sure what side should be helped.

970
00:50:21.960 --> 00:50:22.079
<v Speaker 1>Right.

971
00:50:22.239 --> 00:50:24.760
<v Speaker 4>What happens when Tony Stark shows up in a rock?

972
00:50:24.960 --> 00:50:27.000
<v Speaker 4>Does he help the Shiahs, does he help the Sunnies?

973
00:50:27.239 --> 00:50:31.159
<v Speaker 4>He can't solve all of the intractable social problems and

974
00:50:31.199 --> 00:50:34.639
<v Speaker 4>political problems through sheer might, right, And what I thought

975
00:50:34.639 --> 00:50:38.119
<v Speaker 4>this movie really did so well was say, Okay, let's

976
00:50:38.119 --> 00:50:41.000
<v Speaker 4>say you don't have someone with perfect morality like Peter

977
00:50:41.119 --> 00:50:43.719
<v Speaker 4>Parker or like Superman, and you have someone who has

978
00:50:43.760 --> 00:50:47.039
<v Speaker 4>like pretty good morality, right, what should they do in

979
00:50:47.079 --> 00:50:49.320
<v Speaker 4>a given situation where it's not as cut and dry

980
00:50:49.320 --> 00:50:52.000
<v Speaker 4>as a mugging? You might say, Okay, the closest thing

981
00:50:52.000 --> 00:50:54.199
<v Speaker 4>we have in our society to like a judge, someone

982
00:50:54.239 --> 00:50:57.880
<v Speaker 4>who's able to do judgment is the state? Right, so great,

983
00:50:57.880 --> 00:51:00.519
<v Speaker 4>so the superhero will just go along with whatever the

984
00:51:00.599 --> 00:51:03.400
<v Speaker 4>state wants. But like Alan Moore, as someone who I

985
00:51:03.440 --> 00:51:07.039
<v Speaker 4>don't think believes in the state at all, rightly points out, okay, well,

986
00:51:07.039 --> 00:51:09.800
<v Speaker 4>now the CIA has the power of a superhero, what

987
00:51:09.840 --> 00:51:11.000
<v Speaker 4>does that actually mean?

988
00:51:11.159 --> 00:51:14.039
<v Speaker 1>It means that there's one hundred mi line massacres a day,

989
00:51:14.159 --> 00:51:16.920
<v Speaker 1>but now it's done by a one hundred foot blue guy.

990
00:51:17.599 --> 00:51:21.159
<v Speaker 4>Yes, exactly, so he's helping the FBI spy on MLK.

991
00:51:21.760 --> 00:51:24.280
<v Speaker 4>On this pod, we talked about how the CIA is

992
00:51:24.320 --> 00:51:28.239
<v Speaker 4>the one who gave South Africa Nelson Mandela's position. Right,

993
00:51:28.400 --> 00:51:31.079
<v Speaker 4>who gets to decide what is right and wrong?

994
00:51:31.239 --> 00:51:35.239
<v Speaker 1>Who watches the Watchman if you will? Exactly?

995
00:51:35.519 --> 00:51:38.360
<v Speaker 4>The state is the closest thing we have to some

996
00:51:38.480 --> 00:51:42.920
<v Speaker 4>kind of generally agreed upon morality, judger right or thing

997
00:51:42.960 --> 00:51:46.679
<v Speaker 4>to administer justice right exactly, and we know that they're

998
00:51:47.000 --> 00:51:52.360
<v Speaker 4>very often wrong, incorrect, administering it unjustly. And so what

999
00:51:52.400 --> 00:51:56.119
<v Speaker 4>do we end up with? Just like a supercharged state power?

1000
00:51:56.400 --> 00:51:56.599
<v Speaker 5>Right?

1001
00:51:56.920 --> 00:51:58.800
<v Speaker 4>And I thought that that was a very interesting idea

1002
00:51:58.840 --> 00:52:01.840
<v Speaker 4>that I hadn't seen us in a superhero movie before,

1003
00:52:02.000 --> 00:52:04.719
<v Speaker 4>and like a sense of thoughtfulness that you don't get

1004
00:52:04.800 --> 00:52:08.960
<v Speaker 4>from Spider Man or a Iron Man movie. Right, what

1005
00:52:09.039 --> 00:52:12.119
<v Speaker 4>does all of this increased capability really result in?

1006
00:52:12.440 --> 00:52:13.559
<v Speaker 1>America wins Vietnam?

1007
00:52:13.639 --> 00:52:15.360
<v Speaker 4>Yeah, America wins Vietnam precisely.

1008
00:52:15.440 --> 00:52:17.239
<v Speaker 1>And that's the comedians say, could you imagine if we

1009
00:52:17.320 --> 00:52:19.800
<v Speaker 1>lost that would have done to this country.

1010
00:52:19.960 --> 00:52:22.840
<v Speaker 4>So many of those winks towards you know, what actually

1011
00:52:22.920 --> 00:52:23.719
<v Speaker 4>happened in the real.

1012
00:52:23.599 --> 00:52:25.400
<v Speaker 1>World, where they're like, eh, eh.

1013
00:52:25.119 --> 00:52:27.440
<v Speaker 4>You know, you know what happens that you're a smart guy.

1014
00:52:27.599 --> 00:52:29.079
<v Speaker 4>You know that we actually lost Vietnam.

1015
00:52:29.280 --> 00:52:31.639
<v Speaker 2>Ah, some people will still try and dispute that.

1016
00:52:32.719 --> 00:52:36.119
<v Speaker 4>Right, true red format they have McDonald's. Now, that was

1017
00:52:36.159 --> 00:52:38.559
<v Speaker 4>kind of the takeaway that I got from this, very

1018
00:52:38.599 --> 00:52:40.639
<v Speaker 4>in line with the criticism that we had of Iron Man,

1019
00:52:40.760 --> 00:52:43.760
<v Speaker 4>which is okay, great, Now, how do we decide that

1020
00:52:43.840 --> 00:52:48.119
<v Speaker 4>this increased capability can decide what's right and wrong? And

1021
00:52:48.119 --> 00:52:51.079
<v Speaker 4>as the comedian points out, you're not really solving anything

1022
00:52:51.440 --> 00:52:55.679
<v Speaker 4>with these sort of micro administrations of justice, right, You

1023
00:52:55.719 --> 00:52:58.280
<v Speaker 4>can't really get to any structural issues this way by

1024
00:52:58.280 --> 00:52:58.920
<v Speaker 4>punching them.

1025
00:52:59.039 --> 00:52:59.719
<v Speaker 1>Yeah. Yeah.

1026
00:52:59.760 --> 00:53:03.559
<v Speaker 2>It's interesting in the book and the film how none

1027
00:53:03.559 --> 00:53:09.000
<v Speaker 2>of the hero characters have a like well defined political ideology.

1028
00:53:09.559 --> 00:53:11.679
<v Speaker 2>I mean, some of them are kind of generally more

1029
00:53:11.679 --> 00:53:14.199
<v Speaker 2>conservative or seem a little more liberal or what have

1030
00:53:14.280 --> 00:53:16.199
<v Speaker 2>you in a vague sense, but none of them are

1031
00:53:16.239 --> 00:53:19.400
<v Speaker 2>operating with like a clear organized vision of how the

1032
00:53:19.440 --> 00:53:23.039
<v Speaker 2>world should be beyond a general sense of right and

1033
00:53:23.119 --> 00:53:26.519
<v Speaker 2>wrong or a nihilistic sense of just enjoying the exercise

1034
00:53:26.559 --> 00:53:30.960
<v Speaker 2>of power. None of them are like socialists or definite

1035
00:53:31.079 --> 00:53:33.760
<v Speaker 2>liberals or what have you. Right, they kind of just

1036
00:53:34.119 --> 00:53:36.960
<v Speaker 2>follow the status quo, like Doctor Manhattan kind of just

1037
00:53:37.079 --> 00:53:40.719
<v Speaker 2>does what the government tells them to do without worrying

1038
00:53:40.760 --> 00:53:43.239
<v Speaker 2>too much seemingly about it. Or he seems to have

1039
00:53:43.440 --> 00:53:46.559
<v Speaker 2>a sort of fatalistic lack of agency. Given that Alan

1040
00:53:46.599 --> 00:53:48.719
<v Speaker 2>Moore has a definite political point of view, I found

1041
00:53:48.719 --> 00:53:49.280
<v Speaker 2>that interesting.

1042
00:53:49.440 --> 00:53:52.199
<v Speaker 1>Yeah, and as we're saying, we live in this alternate

1043
00:53:52.239 --> 00:53:55.119
<v Speaker 1>world where Nixon is in his third term, fourth term,

1044
00:53:55.159 --> 00:53:57.639
<v Speaker 1>fifth fifth, Yeah, it's the eighties. Nixon is in his

1045
00:53:57.719 --> 00:53:59.880
<v Speaker 1>fifth term. And I forget if this line is in

1046
00:53:59.880 --> 00:54:01.800
<v Speaker 1>the comics or not, or if it's just in the film.

1047
00:54:01.840 --> 00:54:03.920
<v Speaker 1>But the two night Owls are talking over a beer,

1048
00:54:04.159 --> 00:54:06.800
<v Speaker 1>and the older night Al says like, oh, that damn Nixon.

1049
00:54:06.880 --> 00:54:08.960
<v Speaker 1>He took you guys off the street. You deserved a

1050
00:54:09.000 --> 00:54:11.400
<v Speaker 1>shot to be capes like we did. He says that

1051
00:54:11.559 --> 00:54:14.599
<v Speaker 1>bastard Nixon. I did vote for him four times, And

1052
00:54:14.679 --> 00:54:16.480
<v Speaker 1>the younger night Owl says, well, it was him or

1053
00:54:16.480 --> 00:54:21.840
<v Speaker 1>the communists, right, So even our good liberal quote unquote

1054
00:54:22.000 --> 00:54:27.280
<v Speaker 1>non roar Shackian hero is still a Nixon Night. The

1055
00:54:27.320 --> 00:54:29.679
<v Speaker 1>next thing we want to discuss just talking a little

1056
00:54:29.679 --> 00:54:33.440
<v Speaker 1>bit about satire. Right, it's related to this idea that

1057
00:54:33.519 --> 00:54:37.079
<v Speaker 1>superheroes would be awful in our world. There's also this

1058
00:54:37.159 --> 00:54:41.199
<v Speaker 1>sense that superheroes in this context are kind of childish

1059
00:54:41.239 --> 00:54:45.559
<v Speaker 1>and dumb and stupid. Right, The Mini Men costumes I

1060
00:54:45.639 --> 00:54:49.320
<v Speaker 1>already mentioned look particularly silly or over the top. You

1061
00:54:49.360 --> 00:54:52.159
<v Speaker 1>get the sense that these people they can't help but

1062
00:54:52.239 --> 00:54:56.599
<v Speaker 1>do this kind of adolescent childish dressing up in costumes

1063
00:54:56.599 --> 00:55:00.320
<v Speaker 1>and punching things, and they just can't grow out of it. Yeah.

1064
00:55:00.480 --> 00:55:02.960
<v Speaker 4>I found the movie to be very pestiche in general,

1065
00:55:03.039 --> 00:55:04.920
<v Speaker 4>in the way that all of the superheroes that we

1066
00:55:04.960 --> 00:55:07.599
<v Speaker 4>see you can kind of squint your eyes and be like, oh, yeah,

1067
00:55:07.599 --> 00:55:11.639
<v Speaker 4>that's Superman, or like that's Batman or that's Captain America. Right,

1068
00:55:11.679 --> 00:55:14.320
<v Speaker 4>they're all kind of individual satires, like you said, like

1069
00:55:14.320 --> 00:55:17.360
<v Speaker 4>a t MoU version of most of the popular heroes

1070
00:55:17.440 --> 00:55:19.880
<v Speaker 4>you're familiar with. And then often they're like just straight

1071
00:55:19.960 --> 00:55:23.800
<v Speaker 4>up parodying American culture in this alternate world where it's

1072
00:55:23.840 --> 00:55:26.960
<v Speaker 4>like they're doing the Apocalypse Now scene with the Right

1073
00:55:27.000 --> 00:55:30.719
<v Speaker 4>of the Valkyries, yeah, or like Doctor Strangelove parody with

1074
00:55:30.800 --> 00:55:33.719
<v Speaker 4>the world leaders and their office with like Henry Kissinger.

1075
00:55:34.000 --> 00:55:35.519
<v Speaker 4>I mean, one of the major themes I think is

1076
00:55:35.559 --> 00:55:37.559
<v Speaker 4>pastichean parody of our own world.

1077
00:55:37.719 --> 00:55:40.480
<v Speaker 1>Yeah, because it's almost like a noir investigating the murder

1078
00:55:40.519 --> 00:55:43.519
<v Speaker 1>of the instigating event is definitely science fiction, and that

1079
00:55:43.559 --> 00:55:46.559
<v Speaker 1>we go to fucking Mars and a base into Antarctica,

1080
00:55:46.599 --> 00:55:48.039
<v Speaker 1>and then we also got a little bit of war

1081
00:55:48.119 --> 00:55:50.760
<v Speaker 1>movie parody, a little bit of this like Doctor Strangelove vibe.

1082
00:55:50.920 --> 00:55:53.159
<v Speaker 1>Definitely a lot of composite parts.

1083
00:55:53.519 --> 00:55:56.039
<v Speaker 2>Some of that is Snyder, I think, with like the

1084
00:55:56.079 --> 00:55:59.320
<v Speaker 2>Apocalypse Now stuff, but a lot of that is more

1085
00:55:59.360 --> 00:56:03.000
<v Speaker 2>in his broad repertoire of pulp fiction cuts, because I

1086
00:56:03.000 --> 00:56:04.440
<v Speaker 2>mean you can look at night Owl and there's like

1087
00:56:04.440 --> 00:56:07.119
<v Speaker 2>a Batman analogy there, but he's also sort of like

1088
00:56:07.159 --> 00:56:09.400
<v Speaker 2>guys like Blue Beetle, a lot of these sort of

1089
00:56:09.400 --> 00:56:12.039
<v Speaker 2>Golden age characters that fell out of use. I think

1090
00:56:12.119 --> 00:56:16.280
<v Speaker 2>Watchman started early early on as an attempt to write

1091
00:56:16.320 --> 00:56:19.400
<v Speaker 2>a book for all of these characters that DCY had

1092
00:56:19.440 --> 00:56:21.599
<v Speaker 2>acquired from another company that went defunct.

1093
00:56:21.679 --> 00:56:23.880
<v Speaker 4>I read that as well. Basically they brought it to

1094
00:56:23.880 --> 00:56:25.760
<v Speaker 4>Alan Moore and they were like, hey, we kind of

1095
00:56:25.760 --> 00:56:29.480
<v Speaker 4>have the rights to these obscure characters, can you do

1096
00:56:29.559 --> 00:56:30.280
<v Speaker 4>something with them?

1097
00:56:30.400 --> 00:56:33.880
<v Speaker 2>And then yeah, it evolved into being a standalone thing.

1098
00:56:34.119 --> 00:56:34.280
<v Speaker 1>Yeah.

1099
00:56:34.320 --> 00:56:36.800
<v Speaker 4>I think when they saw how dark the story was,

1100
00:56:36.840 --> 00:56:39.079
<v Speaker 4>they were like, well, maybe we don't involve the Blue

1101
00:56:39.079 --> 00:56:42.760
<v Speaker 4>Beetle necessarily, like someone who might sort of remind people

1102
00:56:42.800 --> 00:56:43.719
<v Speaker 4>of something like this.

1103
00:56:43.760 --> 00:56:47.320
<v Speaker 1>Someone who for legal purposes is different. Yeah.

1104
00:56:47.440 --> 00:56:50.119
<v Speaker 4>In terms of the pastiche, I did find that it

1105
00:56:50.239 --> 00:56:52.679
<v Speaker 4>is for humorous effect. Often the way that night Owl

1106
00:56:52.800 --> 00:56:55.280
<v Speaker 4>is portrayed to kind of be like the Joel Schumacher

1107
00:56:55.400 --> 00:56:57.880
<v Speaker 4>batman or the Adam West batman, you know with the

1108
00:56:57.960 --> 00:57:01.639
<v Speaker 4>nipple cutouts in the suit, or like the nineteen forties guy.

1109
00:57:01.800 --> 00:57:03.599
<v Speaker 4>Doesn't he die because he got his cape stuck in

1110
00:57:03.639 --> 00:57:06.719
<v Speaker 4>like a revolving door. Yeah, every now and then he

1111
00:57:06.840 --> 00:57:09.960
<v Speaker 4>is able to portray them, I'm sure, as Alan Moore mean,

1112
00:57:10.079 --> 00:57:12.800
<v Speaker 4>which is to be like silly and undermined by their

1113
00:57:12.840 --> 00:57:14.000
<v Speaker 4>own ridiculousness.

1114
00:57:14.679 --> 00:57:17.239
<v Speaker 1>Another big theme that I think undergo is the text

1115
00:57:17.480 --> 00:57:20.840
<v Speaker 1>is trauma, memory, nostalgia. All these things are kind of interrelated,

1116
00:57:20.880 --> 00:57:22.880
<v Speaker 1>but all of our characters are in some way, shape

1117
00:57:22.920 --> 00:57:27.400
<v Speaker 1>or form deeply traumatized. Right Rorshak No father, mother's a

1118
00:57:27.480 --> 00:57:31.800
<v Speaker 1>sex worker, abusive Laurie abusive mother forced into doing this thing.

1119
00:57:32.119 --> 00:57:35.760
<v Speaker 1>The least traumatized is Dan. I suppose he inherited banking

1120
00:57:35.800 --> 00:57:38.719
<v Speaker 1>money and went to Harvard to study birds. But I

1121
00:57:38.760 --> 00:57:40.559
<v Speaker 1>think it does this thing that we've mentioned before on

1122
00:57:40.599 --> 00:57:44.360
<v Speaker 1>the pod where Jordana you compared Mouse to like some

1123
00:57:44.400 --> 00:57:47.159
<v Speaker 1>superhero films, It was V for Vendetta. Oh yeah, that

1124
00:57:47.239 --> 00:57:50.400
<v Speaker 1>was it. Apropos Mouse is about how trauma does not

1125
00:57:50.599 --> 00:57:54.000
<v Speaker 1>make you stronger and better and whatever. It just changes

1126
00:57:54.039 --> 00:57:55.599
<v Speaker 1>you irreparably.

1127
00:57:55.000 --> 00:57:56.719
<v Speaker 4>And you have to live with it. Yes, And then

1128
00:57:56.800 --> 00:58:00.280
<v Speaker 4>V for Vendetta's point was like trauma and pain whatever,

1129
00:58:00.280 --> 00:58:01.920
<v Speaker 4>it doesn't kill you, makes you stronger.

1130
00:58:02.159 --> 00:58:05.639
<v Speaker 1>At least in the film. But all of our characters

1131
00:58:06.000 --> 00:58:09.039
<v Speaker 1>basically are trying to wrestle with this trauma that they

1132
00:58:09.079 --> 00:58:13.280
<v Speaker 1>have by doing superhero dumb right. There is all these

1133
00:58:13.400 --> 00:58:15.920
<v Speaker 1>characters are, in some way, shape or form flawed and

1134
00:58:16.000 --> 00:58:19.199
<v Speaker 1>broken and weird. There are no normies who become capes.

1135
00:58:19.519 --> 00:58:23.000
<v Speaker 1>Their coping mechanism is vigilantism, right.

1136
00:58:23.159 --> 00:58:25.920
<v Speaker 4>I think that the point seemed to be the thing

1137
00:58:26.039 --> 00:58:28.880
<v Speaker 4>that would make you want to put your life at

1138
00:58:28.960 --> 00:58:33.639
<v Speaker 4>risk and fight crime extra judicially, might also preclude you

1139
00:58:33.719 --> 00:58:38.360
<v Speaker 4>from having normal good opinions. On what your will should

1140
00:58:38.400 --> 00:58:41.920
<v Speaker 4>be upon the world. Right, you are by definition not

1141
00:58:42.199 --> 00:58:45.639
<v Speaker 4>normal and therefore might have a hard time like determining

1142
00:58:45.679 --> 00:58:46.599
<v Speaker 4>what is right and wrong.

1143
00:58:46.840 --> 00:58:49.159
<v Speaker 1>Yeah, I don't know how Rorshak pays for the rent

1144
00:58:49.320 --> 00:58:51.599
<v Speaker 1>walking around with an end asn't high sign. I don't

1145
00:58:51.599 --> 00:58:54.039
<v Speaker 1>know what the business is like on that. And I

1146
00:58:54.039 --> 00:58:57.119
<v Speaker 1>think it's even sadder when you see some of our

1147
00:58:57.239 --> 00:59:01.360
<v Speaker 1>characters after their cape days, we see through flashbacks that

1148
00:59:01.440 --> 00:59:05.199
<v Speaker 1>the Minute Men kind of fucking sucked right, very dysfunctional.

1149
00:59:05.320 --> 00:59:07.679
<v Speaker 1>We don't see a lot of the Minute Men's dubs.

1150
00:59:07.800 --> 00:59:10.719
<v Speaker 1>In the nineteen forties, we see the attempted sexual assault.

1151
00:59:10.760 --> 00:59:13.880
<v Speaker 1>We see hooded Justice is gestured to as like a

1152
00:59:13.880 --> 00:59:17.599
<v Speaker 1>closeted gay man. In nineteen forties America, we see the

1153
00:59:17.679 --> 00:59:21.280
<v Speaker 1>murder of Silhouette. But when we meet the older Silk Specter,

1154
00:59:21.679 --> 00:59:25.320
<v Speaker 1>she pines for those good old days. She's flattered that

1155
00:59:25.360 --> 00:59:28.519
<v Speaker 1>she's the subject of the Tijuana Bible, a pornographic comic.

1156
00:59:28.920 --> 00:59:30.880
<v Speaker 1>She says, you know, the grimy bits of your life

1157
00:59:31.119 --> 00:59:35.000
<v Speaker 1>get a little bit brighter as the world gets darker.

1158
00:59:35.280 --> 00:59:38.400
<v Speaker 1>Everyone is just so steeped in this nostalgia for this

1159
00:59:38.440 --> 00:59:40.480
<v Speaker 1>world that is no longer there, and wasn't even that

1160
00:59:40.559 --> 00:59:40.960
<v Speaker 1>great to.

1161
00:59:40.920 --> 00:59:45.159
<v Speaker 4>Begin with a frequent theme on our show, like when

1162
00:59:45.199 --> 00:59:47.599
<v Speaker 4>we talked about Blockbuster, and we're like, we have such

1163
00:59:47.679 --> 00:59:50.639
<v Speaker 4>nostalgia for this thing that kind of wasn't that great,

1164
00:59:50.719 --> 00:59:53.239
<v Speaker 4>but it's just gotten so much worse since then that

1165
00:59:53.280 --> 00:59:55.199
<v Speaker 4>it seems great in comparison.

1166
00:59:55.599 --> 00:59:59.000
<v Speaker 2>M I find now at a certain point in my life,

1167
00:59:59.119 --> 01:00:03.239
<v Speaker 2>I get this doalgic frisian from things I didn't even

1168
01:00:03.360 --> 01:00:07.280
<v Speaker 2>like when I was young, Like songs I fucking hated

1169
01:00:07.599 --> 01:00:10.000
<v Speaker 2>when I was twelve come on the radio and I'm like,

1170
01:00:10.079 --> 01:00:12.519
<v Speaker 2>oh yeah, And I mean part of it is just

1171
01:00:12.719 --> 01:00:14.719
<v Speaker 2>remembering being young in general.

1172
01:00:15.039 --> 01:00:18.519
<v Speaker 1>Right. I was recently at the Washington Nationals Hot Dog Day,

1173
01:00:18.679 --> 01:00:22.639
<v Speaker 1>where lots of Glizzy themed puns and memes and costumes

1174
01:00:22.639 --> 01:00:25.320
<v Speaker 1>and shirts, and they played the song who Let the

1175
01:00:25.400 --> 01:00:29.599
<v Speaker 1>Dogs Out by the Baha Men many, many, many times.

1176
01:00:30.159 --> 01:00:32.119
<v Speaker 1>That was a song that I thought was so stupid

1177
01:00:32.239 --> 01:00:34.159
<v Speaker 1>when I was a child, and now I look back

1178
01:00:34.159 --> 01:00:37.000
<v Speaker 1>on it fondly in the context of five dollars Glizzy

1179
01:00:37.119 --> 01:00:40.400
<v Speaker 1>Day at the Washington Nationals ball Bar. Okay, the last

1180
01:00:40.480 --> 01:00:43.119
<v Speaker 1>kind of two interrelated themes that I want to talk about.

1181
01:00:43.320 --> 01:00:48.000
<v Speaker 1>One is apocalyptic anxiety, which is fucking huge in this work.

1182
01:00:48.199 --> 01:00:51.039
<v Speaker 1>You know what is the iconic Washman logo. It's a

1183
01:00:51.039 --> 01:00:54.119
<v Speaker 1>smiley face with the blood drop indicating the doomsay clock.

1184
01:00:54.159 --> 01:00:56.400
<v Speaker 1>We are five minutes to midnight, right. It drives the

1185
01:00:56.440 --> 01:00:58.960
<v Speaker 1>plot of the work. We are about to end it all.

1186
01:00:59.239 --> 01:01:01.440
<v Speaker 1>This is the you're in the back alley that our

1187
01:01:01.480 --> 01:01:03.920
<v Speaker 1>Watchman hero need to solve. That's their ethical quandary. How

1188
01:01:03.920 --> 01:01:05.880
<v Speaker 1>do we keep us from killing each other? And how

1189
01:01:05.920 --> 01:01:10.239
<v Speaker 1>does that apocalyptic anxiety manifest? Or the comedian it's in

1190
01:01:10.280 --> 01:01:13.280
<v Speaker 1>the meaninglessness of life Rosamandies is solving it through his

1191
01:01:13.320 --> 01:01:16.360
<v Speaker 1>fucked up own doomsday plot. YadA, YadA, YadA. The thing

1192
01:01:16.400 --> 01:01:18.400
<v Speaker 1>I think about this theme is that it hit in

1193
01:01:18.440 --> 01:01:21.039
<v Speaker 1>the nineteen eighties. When it came out, people were still

1194
01:01:21.079 --> 01:01:23.880
<v Speaker 1>talking about conflict with the Russians and nuclear war. But

1195
01:01:24.000 --> 01:01:26.679
<v Speaker 1>this does not hit like it used to. And in

1196
01:01:26.719 --> 01:01:29.639
<v Speaker 1>my research for this episode, I learned the doomsday clock

1197
01:01:29.719 --> 01:01:32.719
<v Speaker 1>is still a thing. Yep. The International Association of Atomic

1198
01:01:32.760 --> 01:01:36.800
<v Speaker 1>Scientists or whatever still run the clock, and they have

1199
01:01:36.880 --> 01:01:39.239
<v Speaker 1>included climate change is one of the things that moves

1200
01:01:39.360 --> 01:01:41.880
<v Speaker 1>the doomsday clock up. And let me tell you, friends,

1201
01:01:42.079 --> 01:01:44.800
<v Speaker 1>were at less than two minutes to midnight it is.

1202
01:01:45.199 --> 01:01:47.920
<v Speaker 1>It's actually worse the doomsday clock than it was when

1203
01:01:47.920 --> 01:01:48.800
<v Speaker 1>Watchman came out.

1204
01:01:49.079 --> 01:01:50.679
<v Speaker 2>Really cue the Iron Maiden.

1205
01:01:50.800 --> 01:01:51.840
<v Speaker 1>Mm hmmm, yup.

1206
01:01:52.159 --> 01:01:53.800
<v Speaker 2>I could talk for a minute, because I want to

1207
01:01:53.800 --> 01:01:56.960
<v Speaker 2>touch on both this and nostalgia as a theme, because

1208
01:01:56.960 --> 01:01:58.119
<v Speaker 2>they're kind of intertwined.

1209
01:01:58.280 --> 01:01:58.840
<v Speaker 1>Yeah. Please.

1210
01:01:59.239 --> 01:02:02.840
<v Speaker 2>The book spends a bit of time with Fite and

1211
01:02:02.880 --> 01:02:07.280
<v Speaker 2>his sort of psychoanalyzing the social salt by watching twenty

1212
01:02:07.320 --> 01:02:11.079
<v Speaker 2>TVs at once from his throne, and he talks in

1213
01:02:11.159 --> 01:02:15.079
<v Speaker 2>it about nostalgia being a thing that becomes popular when

1214
01:02:15.239 --> 01:02:18.880
<v Speaker 2>times themselves are kind of grim, right, people think about

1215
01:02:19.079 --> 01:02:20.840
<v Speaker 2>things were so good in the past, where did we

1216
01:02:20.880 --> 01:02:24.039
<v Speaker 2>go wrong? And it's significant that we've just kind of

1217
01:02:24.280 --> 01:02:28.639
<v Speaker 2>been there and been sitting with those same apocalyptic anxieties

1218
01:02:29.000 --> 01:02:32.639
<v Speaker 2>since the eighties, since the onset of neoliberal economics, since

1219
01:02:32.679 --> 01:02:35.639
<v Speaker 2>since we had this sort of underinvestment in stagnation and

1220
01:02:35.679 --> 01:02:38.559
<v Speaker 2>growth where things don't change. Even all these new technologies,

1221
01:02:38.599 --> 01:02:41.679
<v Speaker 2>they don't get deployed in a really transformational ways because

1222
01:02:41.679 --> 01:02:44.079
<v Speaker 2>that would be too demanding. So we're just like everything's

1223
01:02:44.159 --> 01:02:46.320
<v Speaker 2>sounded like the same but worse. And I think the

1224
01:02:46.360 --> 01:02:49.239
<v Speaker 2>apocalyptic anxieties go hand in hand with that, because when

1225
01:02:49.280 --> 01:02:51.360
<v Speaker 2>we can't feel the world getting better or dream of

1226
01:02:51.360 --> 01:02:54.719
<v Speaker 2>a better world, we imagine a world that is destroyed

1227
01:02:54.880 --> 01:02:58.320
<v Speaker 2>or sort of reborn through destruction. Like this movie has

1228
01:02:58.400 --> 01:03:01.599
<v Speaker 2>kind of a mini apocalypse that promises a possible better world.

1229
01:03:02.239 --> 01:03:05.199
<v Speaker 2>Have either of you seen Acura? Yes, yes, I just

1230
01:03:05.280 --> 01:03:08.079
<v Speaker 2>rewatched that for the show yesterday, and it came out

1231
01:03:08.119 --> 01:03:10.519
<v Speaker 2>around the same time the last issues of like eighty

1232
01:03:10.559 --> 01:03:12.880
<v Speaker 2>seven eighty eight of Watchmen would have been being published,

1233
01:03:12.880 --> 01:03:15.239
<v Speaker 2>I remember, right, And it is very much like, kind

1234
01:03:15.239 --> 01:03:17.440
<v Speaker 2>of similar in a lot of ways, and it has

1235
01:03:17.519 --> 01:03:21.800
<v Speaker 2>this same sense of this degenerated world that is hurtling

1236
01:03:21.840 --> 01:03:25.760
<v Speaker 2>towards some kind of self destruction that the population it

1237
01:03:25.800 --> 01:03:28.239
<v Speaker 2>seems to kind of crave because they know things have

1238
01:03:28.320 --> 01:03:32.480
<v Speaker 2>to be different somehow, and destruction can bring change maybe

1239
01:03:32.559 --> 01:03:33.639
<v Speaker 2>in the in the imagine area.

1240
01:03:33.719 --> 01:03:34.880
<v Speaker 1>Yeah, that's very thoughtful.

1241
01:03:35.000 --> 01:03:37.760
<v Speaker 4>Yeah, this idea that if all you can imagine for

1242
01:03:37.920 --> 01:03:41.480
<v Speaker 4>the future is the end of it, the apocalyptic end,

1243
01:03:41.679 --> 01:03:45.519
<v Speaker 4>or the worsening of conditions, the only natural place that

1244
01:03:45.599 --> 01:03:48.280
<v Speaker 4>you can go psychologically is to like obsess on the past,

1245
01:03:48.519 --> 01:03:50.920
<v Speaker 4>you know. And so tying these two themes together of

1246
01:03:50.960 --> 01:03:53.840
<v Speaker 4>like nostalgia and apocalypse.

1247
01:03:53.199 --> 01:03:55.679
<v Speaker 1>I always found it so weird that after the Soviet

1248
01:03:55.800 --> 01:03:59.079
<v Speaker 1>Union collapse, we stopped obsessing about nuclear war so much,

1249
01:03:59.199 --> 01:04:01.360
<v Speaker 1>where it's like, well, well, you know, the adversary has

1250
01:04:01.400 --> 01:04:04.239
<v Speaker 1>been defeated, the bad guys of the nuclear weapons are gone,

1251
01:04:04.280 --> 01:04:07.400
<v Speaker 1>but we still have all the nuclear weapons, right.

1252
01:04:07.320 --> 01:04:09.159
<v Speaker 4>Like, I don't know, man, were you not listening to

1253
01:04:09.199 --> 01:04:11.719
<v Speaker 4>George Bush and his two thousand and three State of

1254
01:04:11.719 --> 01:04:14.960
<v Speaker 4>the Union when he heated to look out for nuclear

1255
01:04:15.320 --> 01:04:16.159
<v Speaker 4>nu jahadeen?

1256
01:04:17.039 --> 01:04:17.320
<v Speaker 1>You know what?

1257
01:04:17.440 --> 01:04:20.320
<v Speaker 2>One guy was worried about nuclear weapons in nineteen ninety eight,

1258
01:04:20.400 --> 01:04:21.480
<v Speaker 2>one hed aol Koji.

1259
01:04:23.079 --> 01:04:25.079
<v Speaker 1>Yeah, I don't need more things to worry about, but

1260
01:04:25.480 --> 01:04:27.840
<v Speaker 1>just be aware, listener, the nukes are still out there.

1261
01:04:27.960 --> 01:04:30.840
<v Speaker 1>Fallout can still happen. The last thing to mention, and

1262
01:04:30.880 --> 01:04:34.480
<v Speaker 1>it's related to everything we've been talking about nostalgia, apocalyptic anxiety,

1263
01:04:34.559 --> 01:04:36.400
<v Speaker 1>and we kind of already talked about this. But just

1264
01:04:36.400 --> 01:04:39.400
<v Speaker 1>like the deconstruction of American history, this book does such

1265
01:04:39.400 --> 01:04:42.239
<v Speaker 1>an excellent job at the world building. Zack Snyder does

1266
01:04:42.559 --> 01:04:45.159
<v Speaker 1>a good enough job with his montage to open it

1267
01:04:45.199 --> 01:04:48.239
<v Speaker 1>with his flashbacks. They're so grounded in the text, so

1268
01:04:48.519 --> 01:04:52.800
<v Speaker 1>much boomer winking, and yeah, just this view that the

1269
01:04:52.800 --> 01:04:55.039
<v Speaker 1>twentieth century didn't go the way that it should have,

1270
01:04:55.280 --> 01:04:58.880
<v Speaker 1>either in their world or as we understand in ours

1271
01:04:59.360 --> 01:05:03.400
<v Speaker 1>nineteen seven, these riots that are happening. Night Owl two says,

1272
01:05:03.480 --> 01:05:07.039
<v Speaker 1>the country's disintegrating. What happened to America? What happened to

1273
01:05:07.079 --> 01:05:09.880
<v Speaker 1>the American Dream? This is a line in both the

1274
01:05:09.880 --> 01:05:13.719
<v Speaker 1>book and film, and the comedian, wearing his BDSM mask

1275
01:05:13.880 --> 01:05:16.880
<v Speaker 1>outfit in the comic a shoulder pad with the Captain

1276
01:05:16.920 --> 01:05:21.079
<v Speaker 1>America star and holding a shotgun says, it came true.

1277
01:05:21.519 --> 01:05:24.320
<v Speaker 1>You're looking at it. Now, come on, let's really put

1278
01:05:24.320 --> 01:05:27.559
<v Speaker 1>these jokers through some changes, right. This is the American

1279
01:05:27.639 --> 01:05:30.960
<v Speaker 1>dream of the late twentieth century. It is the meeting

1280
01:05:31.079 --> 01:05:37.320
<v Speaker 1>out of violence. It is doing unto others what you want. Okay,

1281
01:05:37.599 --> 01:05:39.800
<v Speaker 1>so let's start to wrap up here.

1282
01:05:40.159 --> 01:05:42.960
<v Speaker 4>I just wanted to mention quickly that I read the

1283
01:05:43.000 --> 01:05:46.440
<v Speaker 4>comic Red Sun the Superman comic in this last week,

1284
01:05:46.639 --> 01:05:48.880
<v Speaker 4>and I thought that they were very similar, which was

1285
01:05:48.920 --> 01:05:51.239
<v Speaker 4>interesting because I mean that also comes out in the

1286
01:05:51.280 --> 01:05:54.320
<v Speaker 4>two thousands and is retrospectively looking at the past, and

1287
01:05:54.360 --> 01:05:56.039
<v Speaker 4>the plot of that is that Superman lands on a

1288
01:05:56.039 --> 01:05:58.199
<v Speaker 4>farm in Ukraine instead of Smallville, and he becomes the

1289
01:05:58.280 --> 01:06:01.199
<v Speaker 4>leader of the USSR after Stalin dies, which he figures

1290
01:06:01.239 --> 01:06:02.800
<v Speaker 4>this is the position in which he can do the

1291
01:06:02.800 --> 01:06:05.239
<v Speaker 4>most good, right from the top of the country, That's

1292
01:06:05.239 --> 01:06:07.159
<v Speaker 4>where he can do the most good. And so then

1293
01:06:07.239 --> 01:06:10.559
<v Speaker 4>the issue becomes now that Superman is responsible for the state,

1294
01:06:10.840 --> 01:06:13.079
<v Speaker 4>he has to do things like state repression of free

1295
01:06:13.119 --> 01:06:15.760
<v Speaker 4>speech right very much in line with The Watchman, which

1296
01:06:15.840 --> 01:06:19.039
<v Speaker 4>is like what happens when a superhero is in line

1297
01:06:19.119 --> 01:06:22.559
<v Speaker 4>with the state and is forced to meet out justice

1298
01:06:22.679 --> 01:06:26.239
<v Speaker 4>based on their own personal ideology. But some interesting parallels

1299
01:06:26.280 --> 01:06:28.800
<v Speaker 4>in that story was that the US crumbles because they

1300
01:06:28.800 --> 01:06:31.400
<v Speaker 4>can't keep up with the USSR because the Superman is

1301
01:06:31.559 --> 01:06:34.320
<v Speaker 4>part of their state. And yet the main ideas are

1302
01:06:34.360 --> 01:06:37.000
<v Speaker 4>that like, if you enhance the capability of the state

1303
01:06:37.159 --> 01:06:41.400
<v Speaker 4>through superpowers, then you are sort of inherently relying on

1304
01:06:41.960 --> 01:06:44.719
<v Speaker 4>personal ideology, which is extremely problematic.

1305
01:06:45.000 --> 01:06:48.159
<v Speaker 1>It's the best Superman story. The best Superman stories, because

1306
01:06:48.159 --> 01:06:50.360
<v Speaker 1>he's so powerful, are not about him punching guys. It's

1307
01:06:50.400 --> 01:06:53.320
<v Speaker 1>about him wrestling with ethical questions, which is how much

1308
01:06:53.400 --> 01:06:55.960
<v Speaker 1>should I help these people and how much should they

1309
01:06:55.960 --> 01:06:56.719
<v Speaker 1>help themselves.

1310
01:06:56.920 --> 01:06:59.079
<v Speaker 4>Yeah, I also just wanted to mention that I had

1311
01:06:59.119 --> 01:07:01.239
<v Speaker 4>never seen this before watching it for the pod The

1312
01:07:01.280 --> 01:07:04.119
<v Speaker 4>Watchman and I had a date and I was like, Oh,

1313
01:07:04.159 --> 01:07:06.119
<v Speaker 4>I have to watch this movie for the pod. Do

1314
01:07:06.159 --> 01:07:07.760
<v Speaker 4>you want to watch it with me? And she was

1315
01:07:07.800 --> 01:07:10.719
<v Speaker 4>like sure, And so I put on the Zack Snyder

1316
01:07:10.760 --> 01:07:13.840
<v Speaker 4>Director's cut of The Watchman, which I got to say, uh,

1317
01:07:14.039 --> 01:07:15.519
<v Speaker 4>not a great date movie.

1318
01:07:16.119 --> 01:07:18.119
<v Speaker 1>It's uh, I gotta ask your Dana. Was it the

1319
01:07:18.159 --> 01:07:20.320
<v Speaker 1>director's cut or was it the ultimate cut?

1320
01:07:20.400 --> 01:07:23.679
<v Speaker 4>It was the whatever, the longest one was, That's what

1321
01:07:23.760 --> 01:07:27.119
<v Speaker 4>it was. And like four hours into it, she was like, well,

1322
01:07:27.159 --> 01:07:30.679
<v Speaker 4>what's the point of all of these pirate ship scenes?

1323
01:07:30.840 --> 01:07:34.360
<v Speaker 1>And I was like, I don't know. Came out looking

1324
01:07:34.440 --> 01:07:36.480
<v Speaker 1>dumb on your date night movie. It's like I can't

1325
01:07:36.519 --> 01:07:38.239
<v Speaker 1>interpret this. I'm sorry.

1326
01:07:38.719 --> 01:07:40.840
<v Speaker 4>I've like had to apologize so many. I was like,

1327
01:07:41.079 --> 01:07:44.360
<v Speaker 4>there's still two hours left. I'm so sorry, But yeah,

1328
01:07:44.400 --> 01:07:48.519
<v Speaker 4>I didn't love the Ultimate super cut or whatever it's called.

1329
01:07:48.719 --> 01:07:52.400
<v Speaker 1>Going into Watchman blind is fucking crazy. Someone I saw

1330
01:07:52.480 --> 01:07:54.639
<v Speaker 1>this with in two thousand and nine was there and like,

1331
01:07:55.039 --> 01:07:58.400
<v Speaker 1>it is a weird film if you haven't read the text. Well,

1332
01:07:58.440 --> 01:08:01.719
<v Speaker 1>I remember watching it with like a very normy, nice guy.

1333
01:08:02.039 --> 01:08:05.519
<v Speaker 1>He's a doctor. Now he was like, we're in Antarctica, now,

1334
01:08:06.159 --> 01:08:09.239
<v Speaker 1>like we're on Mars, like, what what is happening?

1335
01:08:09.480 --> 01:08:11.920
<v Speaker 4>I will say I had a very similar experience where like,

1336
01:08:11.960 --> 01:08:14.239
<v Speaker 4>the first time I watched it, I was like, what.

1337
01:08:14.000 --> 01:08:15.480
<v Speaker 1>The fuck is this?

1338
01:08:15.480 --> 01:08:18.720
<v Speaker 4>This is fucking stupid, And then like after I finished it,

1339
01:08:18.760 --> 01:08:20.439
<v Speaker 4>I'm like, let me run it back, and I like

1340
01:08:20.520 --> 01:08:24.119
<v Speaker 4>watched the first hour and then already knowing what they

1341
01:08:24.119 --> 01:08:26.640
<v Speaker 4>were doing, like who the comedian was, why he was murdered.

1342
01:08:26.720 --> 01:08:29.840
<v Speaker 4>I gotta say I enjoyed it far more having already

1343
01:08:29.880 --> 01:08:33.520
<v Speaker 4>known what was going on, but that first time was rough.

1344
01:08:33.880 --> 01:08:36.920
<v Speaker 1>This is why it's like not a great adaptation is

1345
01:08:36.960 --> 01:08:39.239
<v Speaker 1>that it is only for people who have already read

1346
01:08:39.239 --> 01:08:42.079
<v Speaker 1>it because of Zack Snyder's reverence. I think it's a

1347
01:08:42.239 --> 01:08:45.199
<v Speaker 1>very unapproachable film if you have not read it already. Hi.

1348
01:08:45.319 --> 01:08:47.760
<v Speaker 2>Yeah, because I read it well before the movie came out.

1349
01:08:47.800 --> 01:08:51.760
<v Speaker 2>I never thought about that. It's also sort of interesting

1350
01:08:51.920 --> 01:08:53.840
<v Speaker 2>that this movie even got made, because it's one of

1351
01:08:53.880 --> 01:08:56.359
<v Speaker 2>those things where it's clearly like the source material developed

1352
01:08:56.359 --> 01:08:59.920
<v Speaker 2>all of this cultural prestige without anybody realized it didn't

1353
01:09:00.000 --> 01:09:02.960
<v Speaker 2>necessarily translate to like a one hundred and fifty million

1354
01:09:03.039 --> 01:09:04.880
<v Speaker 2>dollar budget movie audience.

1355
01:09:05.159 --> 01:09:07.840
<v Speaker 4>Yeah, the movie lost money, Like I'm sure that they've

1356
01:09:07.840 --> 01:09:12.079
<v Speaker 4>eventually recouped it on Blu Ray Ultimate Cut sales or something,

1357
01:09:12.159 --> 01:09:15.239
<v Speaker 4>but your theatrical release it lost money. But you can

1358
01:09:15.279 --> 01:09:17.800
<v Speaker 4>see how it would have been made considering like the

1359
01:09:17.880 --> 01:09:20.159
<v Speaker 4>main thesis of your podcast is that, like all of

1360
01:09:20.199 --> 01:09:22.960
<v Speaker 4>our movie making resources in the last twenty years have

1361
01:09:23.039 --> 01:09:27.840
<v Speaker 4>been pointed at making superhero IP content, and so it's

1362
01:09:27.880 --> 01:09:30.880
<v Speaker 4>an easy sell to be like, hey, here's this massively

1363
01:09:31.119 --> 01:09:34.920
<v Speaker 4>popular graphic novel featuring superheroes. Can I have one hundred

1364
01:09:34.920 --> 01:09:36.359
<v Speaker 4>and eighty million dollars to make this?

1365
01:09:36.680 --> 01:09:40.119
<v Speaker 2>It is, but only from the movie producer brain. Logically,

1366
01:09:40.119 --> 01:09:41.920
<v Speaker 2>you don't actually sit down and read it and go,

1367
01:09:42.159 --> 01:09:43.319
<v Speaker 2>oh Jesus Christ.

1368
01:09:43.199 --> 01:09:45.039
<v Speaker 1>No, no, no, no, no, not important.

1369
01:09:45.119 --> 01:09:47.960
<v Speaker 2>Like leave Astoria, gentleman, is just as is even weirder

1370
01:09:48.000 --> 01:09:51.560
<v Speaker 2>because that was a less popular comic that is much

1371
01:09:51.600 --> 01:09:54.079
<v Speaker 2>weirder in dealing with more esoteric material. Have either of

1372
01:09:54.079 --> 01:09:55.039
<v Speaker 2>you read Leary Story?

1373
01:09:55.119 --> 01:09:57.159
<v Speaker 1>Gentlemen, I've seen the film, but I have not read

1374
01:09:57.159 --> 01:09:57.600
<v Speaker 1>the comic.

1375
01:09:58.039 --> 01:10:00.760
<v Speaker 2>So in the comic, among many men any other things,

1376
01:10:00.760 --> 01:10:03.319
<v Speaker 2>the film is not much of an adaptation. One of

1377
01:10:03.319 --> 01:10:07.359
<v Speaker 2>the things that happens in the comic is Spoiler's mister

1378
01:10:07.479 --> 01:10:11.039
<v Speaker 2>Hyde as in Jekyl and rapes the Invisible Man to death.

1379
01:10:11.239 --> 01:10:13.000
<v Speaker 1>Hey Jesus Christ.

1380
01:10:13.399 --> 01:10:17.680
<v Speaker 2>Yeah, no, very very weird choice for adaptation.

1381
01:10:18.159 --> 01:10:20.720
<v Speaker 1>Yeah, and like, okay, this is I'm not gonna be

1382
01:10:20.840 --> 01:10:23.760
<v Speaker 1>a fucking nerd continuity or guy. But one of the

1383
01:10:23.880 --> 01:10:26.720
<v Speaker 1>video essays I watched on YouTube pointed out deep into

1384
01:10:26.760 --> 01:10:29.319
<v Speaker 1>the film, like we're at pass the two hour twenty

1385
01:10:29.359 --> 01:10:33.319
<v Speaker 1>minute mark, at the climax in Antarctica, Ozumandias tries to

1386
01:10:33.399 --> 01:10:37.680
<v Speaker 1>vaporize Doctor Manhattan with the same industrial accident that led

1387
01:10:37.720 --> 01:10:41.840
<v Speaker 1>to doctor John Austerman becoming Doctor Manhattan. And he comes back.

1388
01:10:42.039 --> 01:10:44.800
<v Speaker 1>He's giant. He smashes his blue hand through the glass

1389
01:10:44.840 --> 01:10:47.920
<v Speaker 1>ceiling and he says, reassembling myself was the first thing

1390
01:10:47.960 --> 01:10:50.600
<v Speaker 1>I learned how to do. It couldn't stop John Osterman.

1391
01:10:50.800 --> 01:10:52.840
<v Speaker 1>Do you think it will stop me? That is the

1392
01:10:52.880 --> 01:10:55.800
<v Speaker 1>first time in the film that the name John Osterman

1393
01:10:55.880 --> 01:10:59.880
<v Speaker 1>has been dropped. It It is maybe not in some

1394
01:11:00.079 --> 01:11:03.680
<v Speaker 1>of the extra cuts, but in the theatrical cut they

1395
01:11:03.720 --> 01:11:07.439
<v Speaker 1>never say John Ousterman's name. Oh. It's just like one

1396
01:11:07.439 --> 01:11:09.960
<v Speaker 1>of these little things where like that line had to

1397
01:11:10.000 --> 01:11:12.359
<v Speaker 1>be there because it was verbatim from the comics, but

1398
01:11:12.439 --> 01:11:15.640
<v Speaker 1>because you're cutting words. If you went in Truly Blind,

1399
01:11:15.680 --> 01:11:17.520
<v Speaker 1>you could be like, who the fuck is John Austen.

1400
01:11:17.680 --> 01:11:19.439
<v Speaker 1>I mean, you can use context clues to figure out

1401
01:11:19.439 --> 01:11:22.039
<v Speaker 1>that's probably him. But like just little things that go

1402
01:11:22.119 --> 01:11:28.680
<v Speaker 1>completely unexplained, like Ozamandiez's genetically engineered Lynx Boubastis is just

1403
01:11:28.800 --> 01:11:33.279
<v Speaker 1>there without comic that's explained in the comics. The fact

1404
01:11:33.279 --> 01:11:37.680
<v Speaker 1>that the existence of Doctor Manhattan creating new materials is

1405
01:11:37.720 --> 01:11:41.800
<v Speaker 1>why we live in this retrofuturist nineteen eighties. Also something

1406
01:11:41.840 --> 01:11:45.119
<v Speaker 1>that's like not really underlined and explained. Again, makes total

1407
01:11:45.159 --> 01:11:47.760
<v Speaker 1>sense if you've come in having done your homework for

1408
01:11:47.840 --> 01:11:50.560
<v Speaker 1>this movie. But yeah, I don't think a movie that

1409
01:11:50.600 --> 01:11:54.239
<v Speaker 1>requires homework is going to be the most commercially successful.

1410
01:11:54.119 --> 01:11:57.279
<v Speaker 2>Even like the pirate comic thing, I mean, whine. If

1411
01:11:57.279 --> 01:11:59.960
<v Speaker 2>you read the comic within a comic closely, you see

1412
01:12:00.079 --> 01:12:03.119
<v Speaker 2>the thematic parallels with the main story, But it's also

1413
01:12:03.279 --> 01:12:05.920
<v Speaker 2>like part of the world building where superheroes existed in

1414
01:12:05.960 --> 01:12:09.560
<v Speaker 2>real life. So supero comics kind of fizzled out and

1415
01:12:09.680 --> 01:12:11.640
<v Speaker 2>pirate comics became the hot thing.

1416
01:12:11.840 --> 01:12:15.239
<v Speaker 1>Yeah, I'll add one last miscellaneous thing because I think

1417
01:12:15.279 --> 01:12:18.199
<v Speaker 1>we need to say. We talked about Zack Snyder's homophobia.

1418
01:12:18.239 --> 01:12:20.800
<v Speaker 1>When we talked about three hundred about how he kind

1419
01:12:20.840 --> 01:12:25.039
<v Speaker 1>of alided any gay stuff from ancient Greece. This movie

1420
01:12:25.239 --> 01:12:28.640
<v Speaker 1>kept every single instance of homophobia from the comics. That

1421
01:12:28.720 --> 01:12:33.560
<v Speaker 1>includes Silhouette getting murdered with the graffitied caption lesbian whores.

1422
01:12:33.920 --> 01:12:36.800
<v Speaker 1>During the Keen Riots, a rioter calls the comedian the

1423
01:12:36.800 --> 01:12:41.119
<v Speaker 1>homophobic f slur Rorschach in his journal says, possible homosexual.

1424
01:12:41.239 --> 01:12:44.159
<v Speaker 1>They have to investigate, right, all the homophobia that was

1425
01:12:44.159 --> 01:12:46.199
<v Speaker 1>there in the comics, you know what's getting in there.

1426
01:12:46.520 --> 01:12:48.279
<v Speaker 1>Zack Snyder was saying, Well, that's just how it is,

1427
01:12:48.319 --> 01:12:50.359
<v Speaker 1>That's just how the text is. But there is a

1428
01:12:50.560 --> 01:12:54.319
<v Speaker 1>subplot involving some lesbian lovers in the comic, and one

1429
01:12:54.319 --> 01:12:56.880
<v Speaker 1>of whom wants to put up a gay rights poster,

1430
01:12:57.279 --> 01:12:59.159
<v Speaker 1>And there's this moment where the two lovers are having

1431
01:12:59.199 --> 01:13:01.279
<v Speaker 1>a little bit of spat right before the world ends,

1432
01:13:01.279 --> 01:13:04.119
<v Speaker 1>and like humanity comes in to help them like reconcile

1433
01:13:04.159 --> 01:13:05.800
<v Speaker 1>and like tear them apart from one another so that

1434
01:13:05.800 --> 01:13:08.159
<v Speaker 1>they don't engage in an act of violence right before

1435
01:13:08.159 --> 01:13:11.439
<v Speaker 1>everything goes down. Any positive gay stuff somehow ended up

1436
01:13:11.479 --> 01:13:14.279
<v Speaker 1>on the cutting room floor, but all the homophobia stated

1437
01:13:14.880 --> 01:13:15.960
<v Speaker 1>I've calmed down on the side.

1438
01:13:16.000 --> 01:13:17.880
<v Speaker 2>I don't think Zack Snyder is I mean, I think

1439
01:13:17.920 --> 01:13:20.840
<v Speaker 2>his politics are probably like sort of weird. I think

1440
01:13:20.880 --> 01:13:24.720
<v Speaker 2>he's sort of like a libertarian liberal, but I don't

1441
01:13:24.760 --> 01:13:27.720
<v Speaker 2>think he's like culturally right wing. I think three hundred

1442
01:13:27.720 --> 01:13:30.159
<v Speaker 2>probably has more to do with the source material and

1443
01:13:30.640 --> 01:13:32.680
<v Speaker 2>with this movie. I think that was just probably one

1444
01:13:32.680 --> 01:13:36.119
<v Speaker 2>of those things that was cut for time for streamlining

1445
01:13:36.159 --> 01:13:38.920
<v Speaker 2>the very large story. I think like the inclusion of Silan,

1446
01:13:38.920 --> 01:13:40.760
<v Speaker 2>even though it's just kind of in those like flashback

1447
01:13:40.840 --> 01:13:42.920
<v Speaker 2>scenes very briefly, the fact that they went out the

1448
01:13:42.960 --> 01:13:45.720
<v Speaker 2>way to include Silhouette, even if it also means including

1449
01:13:45.760 --> 01:13:48.560
<v Speaker 2>her homophobic murder, felt to me more like a statement

1450
01:13:48.640 --> 01:13:51.039
<v Speaker 2>on the side of gay rights. Like I think he's

1451
01:13:51.039 --> 01:13:52.840
<v Speaker 2>a you should be able to do whatever you want

1452
01:13:53.000 --> 01:13:53.520
<v Speaker 2>type guy.

1453
01:13:53.720 --> 01:13:53.920
<v Speaker 1>Yeah.

1454
01:13:53.920 --> 01:13:55.720
<v Speaker 2>I could be wrong. He could be lying about his

1455
01:13:55.800 --> 01:13:59.039
<v Speaker 2>politics in the couple times he's brought it up, but

1456
01:13:59.239 --> 01:14:00.760
<v Speaker 2>that's kind of the re I have on him. I

1457
01:14:00.760 --> 01:14:03.800
<v Speaker 2>think the Zach Schnyder super right wing guys. I think

1458
01:14:03.800 --> 01:14:06.840
<v Speaker 2>it's a common misread because his movies are often not

1459
01:14:07.000 --> 01:14:11.000
<v Speaker 2>that great and their stylization is so hyperbolic and kind

1460
01:14:11.039 --> 01:14:13.479
<v Speaker 2>of meat headed. I think people tend to read him

1461
01:14:13.520 --> 01:14:14.600
<v Speaker 2>sort of uncharitably.

1462
01:14:15.119 --> 01:14:18.159
<v Speaker 4>He probably just has like a fifteen year old's ideology. Yes,

1463
01:14:18.239 --> 01:14:23.720
<v Speaker 4>socially liberal, physically conservative. Wait, you don't physically conservative fifteen

1464
01:14:23.800 --> 01:14:26.600
<v Speaker 4>year olds. I think that's just like the fifteen year

1465
01:14:26.640 --> 01:14:28.800
<v Speaker 4>old view of the world. I think maybe why he

1466
01:14:28.840 --> 01:14:31.159
<v Speaker 4>gets to read his right wing is because he made

1467
01:14:31.159 --> 01:14:34.359
<v Speaker 4>three hundred. Yeah, but that's almost certainly more a result

1468
01:14:34.399 --> 01:14:35.199
<v Speaker 4>of Frank Miller.

1469
01:14:35.359 --> 01:14:38.359
<v Speaker 1>Yeah, and you're right, he does make the VJ Day

1470
01:14:38.479 --> 01:14:41.359
<v Speaker 1>kiss a lesbian kiss, like he has some I suppose,

1471
01:14:41.439 --> 01:14:44.640
<v Speaker 1>like attempts at inclusion there as well. So maybe he's

1472
01:14:44.640 --> 01:14:46.199
<v Speaker 1>been slightly unfairly maligned.

1473
01:14:46.399 --> 01:14:49.920
<v Speaker 2>He's a self identified feminist. Oh interesting, I think probably

1474
01:14:49.920 --> 01:14:51.720
<v Speaker 2>in kind of like a in some ways meat headed way.

1475
01:14:51.760 --> 01:14:53.960
<v Speaker 2>But like, are you familiar with Sucker Punch?

1476
01:14:54.279 --> 01:14:56.760
<v Speaker 1>No, but you mentioned it on your Watchman episode.

1477
01:14:56.840 --> 01:14:58.960
<v Speaker 2>Yeah, I haven't seen it long time. It's a very

1478
01:14:58.960 --> 01:15:01.079
<v Speaker 2>strange movie. I don't think it's successful, Like I don't

1479
01:15:01.079 --> 01:15:02.520
<v Speaker 2>think most of his movie is successful. I'm not like

1480
01:15:02.520 --> 01:15:04.560
<v Speaker 2>a fan by just I feel a little bad because

1481
01:15:04.560 --> 01:15:07.439
<v Speaker 2>I think he's been badly misread because so many Snydercut

1482
01:15:07.439 --> 01:15:09.520
<v Speaker 2>guys are also kind of chuds. But that was a

1483
01:15:09.560 --> 01:15:11.039
<v Speaker 2>movie he wrote with his wife that was like, at

1484
01:15:11.119 --> 01:15:14.279
<v Speaker 2>least attempting to be like a feminist deconstruction movie. Okay,

1485
01:15:14.319 --> 01:15:15.680
<v Speaker 2>I I don't know if he succeeds, but that's what

1486
01:15:15.720 --> 01:15:16.439
<v Speaker 2>I was trying to do.

1487
01:15:16.640 --> 01:15:20.880
<v Speaker 1>It sounds like Bill Maher honestly. Yeah, right down to

1488
01:15:20.880 --> 01:15:22.800
<v Speaker 1>the Islamophobia in three hundred right.

1489
01:15:23.039 --> 01:15:25.479
<v Speaker 4>But just one more miscellaneous thought. I did like that

1490
01:15:25.600 --> 01:15:28.680
<v Speaker 4>the Minute Men being in the forties and The Watchmen

1491
01:15:28.760 --> 01:15:30.960
<v Speaker 4>being in the seventies. I did like the parallels on

1492
01:15:31.079 --> 01:15:33.840
<v Speaker 4>the comic industry at large, with like what is it

1493
01:15:33.840 --> 01:15:36.399
<v Speaker 4>the Silver and Golden Age of comics sort of overlapping

1494
01:15:36.399 --> 01:15:38.520
<v Speaker 4>with that area a little bit of meta commentary on

1495
01:15:38.720 --> 01:15:41.680
<v Speaker 4>the nature of superheroes in our own culture.

1496
01:15:41.880 --> 01:15:46.199
<v Speaker 1>Yeah, okay, now wrap up with some closing thoughts. As

1497
01:15:46.239 --> 01:15:48.680
<v Speaker 1>a film, I think it came out at this weird

1498
01:15:48.800 --> 01:15:51.880
<v Speaker 1>time where it's post Iron Man, it's post Dark Knight,

1499
01:15:52.199 --> 01:15:54.199
<v Speaker 1>right at the beginning of the cap inning that was

1500
01:15:54.239 --> 01:15:56.840
<v Speaker 1>about to happen. But like we've said a bunch of times,

1501
01:15:56.920 --> 01:16:00.520
<v Speaker 1>the greenlit this work without having read it. It's pretty

1502
01:16:00.600 --> 01:16:05.359
<v Speaker 1>unapproachable and unadaptable work. That is weird, especially if you

1503
01:16:05.520 --> 01:16:10.680
<v Speaker 1>haven't read the source material. It's slavishly, reverently faithful to

1504
01:16:10.800 --> 01:16:14.840
<v Speaker 1>try and please the fans, but it's also different enough

1505
01:16:14.960 --> 01:16:17.479
<v Speaker 1>from the source material because of the changes that we

1506
01:16:17.640 --> 01:16:20.399
<v Speaker 1>already talked about making them cool and making them sexy,

1507
01:16:20.479 --> 01:16:24.039
<v Speaker 1>making them badass, that the die hard fans aren't going

1508
01:16:24.119 --> 01:16:28.000
<v Speaker 1>to totally like it, truly just leasing no one. I

1509
01:16:28.039 --> 01:16:30.199
<v Speaker 1>think the problem is they tried to make a sincere

1510
01:16:30.359 --> 01:16:33.560
<v Speaker 1>Superhero film, trying to cash in on trends based off

1511
01:16:33.560 --> 01:16:37.199
<v Speaker 1>of work that was highly satirical of the genre and

1512
01:16:37.640 --> 01:16:40.239
<v Speaker 1>doing something a bit heaviier with both the genre and

1513
01:16:40.279 --> 01:16:42.800
<v Speaker 1>the medium. I don't know if that is an exercise

1514
01:16:42.800 --> 01:16:46.560
<v Speaker 1>that you can execute, but boy howdy did they try.

1515
01:16:47.560 --> 01:16:51.399
<v Speaker 2>It is a very well intentioned adaptation at least. Yeah,

1516
01:16:51.479 --> 01:16:53.600
<v Speaker 2>it's not coming from a place of contempt for the

1517
01:16:53.640 --> 01:16:54.439
<v Speaker 2>source material.

1518
01:16:54.720 --> 01:16:56.680
<v Speaker 1>No. I think even in the framing that I just

1519
01:16:56.720 --> 01:16:58.920
<v Speaker 1>said that makes it sound like nothing but a shameless

1520
01:16:58.920 --> 01:17:02.640
<v Speaker 1>cash grab, and it's definitely more than that because they try.

1521
01:17:03.000 --> 01:17:04.960
<v Speaker 1>I mean, they got my chemical romance to do that

1522
01:17:05.039 --> 01:17:07.720
<v Speaker 1>Dylan Comfort, and I'm embarrassed to say that it is

1523
01:17:07.760 --> 01:17:10.159
<v Speaker 1>still in my rotation. I think it goes really hard,

1524
01:17:10.319 --> 01:17:11.880
<v Speaker 1>but I'm a shameless MCR fan.

1525
01:17:12.119 --> 01:17:14.560
<v Speaker 4>I think an interesting question might be, let's take sort

1526
01:17:14.600 --> 01:17:17.199
<v Speaker 4>of what are considered to be the better two thousand

1527
01:17:17.239 --> 01:17:20.680
<v Speaker 4>superhero movies and take like spider Man, X Men, iron Man,

1528
01:17:20.920 --> 01:17:23.560
<v Speaker 4>Watchman in the Dark Knight, and say, like, what's your

1529
01:17:23.640 --> 01:17:27.600
<v Speaker 4>ranking of those five? Like, where does this fit into

1530
01:17:27.680 --> 01:17:30.720
<v Speaker 4>the list of the best superhero movies of the two thousands.

1531
01:17:30.960 --> 01:17:33.720
<v Speaker 2>I'd say maybe spider Man two at the top in

1532
01:17:33.800 --> 01:17:37.239
<v Speaker 2>terms of I think being closest to understanding the subject

1533
01:17:37.239 --> 01:17:40.279
<v Speaker 2>matter on its own terms. The Dark Knight I have

1534
01:17:40.600 --> 01:17:43.640
<v Speaker 2>ambivalent feelings about, but overall, I think it works as

1535
01:17:43.640 --> 01:17:46.960
<v Speaker 2>a movie in its own right. Overall, obviously the Joker

1536
01:17:47.000 --> 01:17:49.680
<v Speaker 2>performance alone is enough to make it. I think the

1537
01:17:49.800 --> 01:17:52.720
<v Speaker 2>X Men movies don't really hold up. Watchmen is is

1538
01:17:52.800 --> 01:17:54.800
<v Speaker 2>kind of in the middle somewhere. There's things about it.

1539
01:17:54.880 --> 01:17:56.399
<v Speaker 2>I like, there's a lot that I think doesn't work.

1540
01:17:57.039 --> 01:18:01.800
<v Speaker 2>Iron Man one of the better MCU move on that curve, But.

1541
01:18:02.119 --> 01:18:05.079
<v Speaker 1>Yeah, we have I mean, I might need to put

1542
01:18:05.079 --> 01:18:07.680
<v Speaker 1>it in the top five conversation, which is crazy because

1543
01:18:07.680 --> 01:18:10.279
<v Speaker 1>I don't love it that much as a movie. But

1544
01:18:10.600 --> 01:18:13.680
<v Speaker 1>I reread the graphic novel before I rewatched it, and

1545
01:18:14.279 --> 01:18:19.000
<v Speaker 1>there were some scenes that I liked seeing put on screen.

1546
01:18:19.279 --> 01:18:22.800
<v Speaker 1>I liked seeing the Rorshak arrest scene when he shoots

1547
01:18:22.800 --> 01:18:24.640
<v Speaker 1>the guy with a grappling gun, just like he does

1548
01:18:24.640 --> 01:18:28.119
<v Speaker 1>in the comics. I liked the scenes of Rorshak in jail.

1549
01:18:28.520 --> 01:18:31.239
<v Speaker 1>I found myself wanting certain scenes to be longer, which

1550
01:18:31.279 --> 01:18:34.119
<v Speaker 1>is fucking crazy given how long this film is. But

1551
01:18:34.359 --> 01:18:37.760
<v Speaker 1>in the graphic novel the conversations between Rorshak and his

1552
01:18:37.800 --> 01:18:42.840
<v Speaker 1>psychiatrists are so good. We're like, just interacting with Rorshak

1553
01:18:43.039 --> 01:18:46.760
<v Speaker 1>starts to have these deleterious effects on the psychiatrist's life.

1554
01:18:46.800 --> 01:18:49.560
<v Speaker 1>It hurts his marriage and whatnot, just being in close

1555
01:18:49.600 --> 01:18:51.880
<v Speaker 1>proximity with that. Like, I wish that could have been

1556
01:18:51.920 --> 01:18:56.960
<v Speaker 1>more fleshed out. Seeing the attempt at adapting the Unadaptable, Yeah,

1557
01:18:57.000 --> 01:18:59.600
<v Speaker 1>I enjoyed that. But like I've also seen a lot

1558
01:18:59.640 --> 01:19:02.279
<v Speaker 1>of people point out that even though it's so slavishly faithful,

1559
01:19:02.439 --> 01:19:04.479
<v Speaker 1>there's a lot of fluff that you can cut from

1560
01:19:04.479 --> 01:19:07.880
<v Speaker 1>this thing, just like long transitions out of scenes and

1561
01:19:07.960 --> 01:19:10.039
<v Speaker 1>like you have to play the full thirty seconds of

1562
01:19:10.159 --> 01:19:13.600
<v Speaker 1>ninety nine loop Balloons or whatever, and like you actually don't,

1563
01:19:13.760 --> 01:19:17.640
<v Speaker 1>Zack Snyder, you can shave minutes off this film just

1564
01:19:17.680 --> 01:19:18.680
<v Speaker 1>in the transitions.

1565
01:19:18.840 --> 01:19:20.840
<v Speaker 4>Oh yeah, I mean as somebody who watched the four

1566
01:19:20.880 --> 01:19:23.920
<v Speaker 4>hour version on a date. I concur with that.

1567
01:19:23.840 --> 01:19:27.000
<v Speaker 1>Conclusion, But yeah, I don't want the actual film to

1568
01:19:27.039 --> 01:19:28.960
<v Speaker 1>be shorter. I just want it to be longer in

1569
01:19:29.039 --> 01:19:29.840
<v Speaker 1>different ways.

1570
01:19:30.199 --> 01:19:33.159
<v Speaker 4>Yeah, I think I agree with Stu that it's sort

1571
01:19:33.199 --> 01:19:35.920
<v Speaker 4>of in the middle. Probably Spider Man in the Dark

1572
01:19:36.039 --> 01:19:38.640
<v Speaker 4>Night are better. And of course this movie benefits for

1573
01:19:38.720 --> 01:19:42.000
<v Speaker 4>being explicitly for adults rather than like being for adults

1574
01:19:42.039 --> 01:19:42.680
<v Speaker 4>and children.

1575
01:19:42.840 --> 01:19:47.079
<v Speaker 1>Big R rating. Maybe f Bomb's gore sex blue dicks. Oh,

1576
01:19:47.119 --> 01:19:50.079
<v Speaker 1>we didn't even mention all the blue dogs. It's been mentioned.

1577
01:19:50.119 --> 01:19:50.520
<v Speaker 1>I don't know.

1578
01:19:51.399 --> 01:19:54.319
<v Speaker 4>That's the one thing people seem to remember about this movie.

1579
01:19:54.359 --> 01:19:56.039
<v Speaker 4>But yeah, I think that, like, well, how I will

1580
01:19:56.079 --> 01:19:58.199
<v Speaker 4>generally rate it is like if it gives you some

1581
01:19:58.399 --> 01:20:01.479
<v Speaker 4>new understanding of the world and like leaves you with

1582
01:20:01.520 --> 01:20:04.640
<v Speaker 4>a piece of psychological jewelry that you can carry with you.

1583
01:20:04.960 --> 01:20:07.399
<v Speaker 4>That's the mark of a good movie to me. And

1584
01:20:07.439 --> 01:20:10.439
<v Speaker 4>I do find that the ethical question that this movie

1585
01:20:10.680 --> 01:20:13.680
<v Speaker 4>asks you, which comes from Alan Moore entirely, is something

1586
01:20:13.680 --> 01:20:16.479
<v Speaker 4>that kind of puts it above almost any other superhero

1587
01:20:16.520 --> 01:20:18.840
<v Speaker 4>movie in which you watch Iron Man and you're unchanged,

1588
01:20:18.960 --> 01:20:21.399
<v Speaker 4>you know, you watch X Men, and unless you really

1589
01:20:21.399 --> 01:20:23.520
<v Speaker 4>haven't thought about it at all. I thought about gay

1590
01:20:23.560 --> 01:20:26.359
<v Speaker 4>rights at all. Your money, you're mostly unchanged. And so

1591
01:20:26.439 --> 01:20:28.840
<v Speaker 4>that's one advantage this movie has, is it you know what,

1592
01:20:28.960 --> 01:20:32.359
<v Speaker 4>it's a movie that makes you think, I mean.

1593
01:20:32.199 --> 01:20:35.319
<v Speaker 1>The classic remember shuffle test? Are you happy this piece

1594
01:20:35.359 --> 01:20:38.880
<v Speaker 1>of media exists? And I think I have to say yes.

1595
01:20:39.119 --> 01:20:41.039
<v Speaker 4>That's the thing is like, if we're going to funnel

1596
01:20:41.079 --> 01:20:45.439
<v Speaker 4>all of our movie making resources at making superhero movies

1597
01:20:45.520 --> 01:20:48.800
<v Speaker 4>and recognizable IP, then there is like a cost to

1598
01:20:48.880 --> 01:20:50.920
<v Speaker 4>every movie that gets made, right, which is that like

1599
01:20:50.960 --> 01:20:53.000
<v Speaker 4>we're not making other things. And so if we're gonna

1600
01:20:53.039 --> 01:20:55.520
<v Speaker 4>send like two hundred million dollars at this movie and

1601
01:20:55.560 --> 01:20:58.640
<v Speaker 4>not six indie movies or something, we have to ask

1602
01:20:58.760 --> 01:21:00.920
<v Speaker 4>if we're happy this exists. I think that this is

1603
01:21:01.159 --> 01:21:04.199
<v Speaker 4>thoughtful enough that I am happy it exists.

1604
01:21:04.439 --> 01:21:09.159
<v Speaker 2>It's interesting as a largely unsuccessful adaptation in terms of

1605
01:21:09.199 --> 01:21:13.640
<v Speaker 2>why it doesn't succeed, in how the comparison can allow

1606
01:21:13.680 --> 01:21:15.840
<v Speaker 2>you to analyze and appreciate the original work.

1607
01:21:15.960 --> 01:21:17.800
<v Speaker 1>And if you want to talk about a real Watchman

1608
01:21:17.880 --> 01:21:20.800
<v Speaker 1>cash grab listener, I am embarrassed to say that in

1609
01:21:20.840 --> 01:21:24.000
<v Speaker 1>the late two thousands and early twenty tens, I had

1610
01:21:24.039 --> 01:21:27.800
<v Speaker 1>a big comic book reading phase, and that's nothing to

1611
01:21:27.840 --> 01:21:30.399
<v Speaker 1>be ashamed of. You gotta understand, it hadn't become our

1612
01:21:30.560 --> 01:21:32.800
<v Speaker 1>entire culture yet. I read a lot of graphic novels.

1613
01:21:32.840 --> 01:21:34.520
<v Speaker 1>I read a lot of comics, and in the early

1614
01:21:34.520 --> 01:21:39.479
<v Speaker 1>twenty tens, they made a Watchmen prequel series called Before Watchmen,

1615
01:21:39.640 --> 01:21:41.920
<v Speaker 1>and I wrote comic reviews for a comic book shop

1616
01:21:41.920 --> 01:21:44.840
<v Speaker 1>in Montreal. It was paid in comics. It was a

1617
01:21:44.840 --> 01:21:48.039
<v Speaker 1>bad deal. So I own every single issue of Before Watchmen.

1618
01:21:48.560 --> 01:21:51.000
<v Speaker 1>Now a stud fans may point out, what is there

1619
01:21:51.039 --> 01:21:54.840
<v Speaker 1>to prequelize? Isn't the book so filled with flashbacks and

1620
01:21:54.880 --> 01:21:57.319
<v Speaker 1>backstory that there really are no gaps to fill in?

1621
01:21:57.479 --> 01:22:01.319
<v Speaker 1>That's correct, But if you ever wanted a couple issues

1622
01:22:01.319 --> 01:22:05.439
<v Speaker 1>on what Dollar Bill was up to, they made them.

1623
01:22:06.000 --> 01:22:10.119
<v Speaker 1>They are eminently forgettable. I remember reviewing the Silk Spector

1624
01:22:10.119 --> 01:22:12.239
<v Speaker 1>one and it was like, you think there was Boomer

1625
01:22:12.279 --> 01:22:14.600
<v Speaker 1>nostalgia in the Watchmen, Oh my god, just wait until

1626
01:22:14.600 --> 01:22:18.479
<v Speaker 1>you read the thoroughly forgettable Before Watchmen comic prequels that

1627
01:22:18.560 --> 01:22:19.840
<v Speaker 1>came out in the early twenty tenths.

1628
01:22:19.920 --> 01:22:22.119
<v Speaker 2>What about what was it Doomsday clock?

1629
01:22:22.279 --> 01:22:22.920
<v Speaker 1>That sounds right?

1630
01:22:22.960 --> 01:22:25.119
<v Speaker 2>It was the sequel that managed to crossover with the

1631
01:22:25.159 --> 01:22:28.319
<v Speaker 2>actual sort of mainstream DC universe or something.

1632
01:22:28.560 --> 01:22:31.079
<v Speaker 1>Yeah, the Good Watchman adaptation is of course to the

1633
01:22:31.199 --> 01:22:33.199
<v Speaker 1>HBO one, which we may or may not cover on

1634
01:22:33.239 --> 01:22:36.600
<v Speaker 1>our Patreon, which is a flawless segue to wrap it

1635
01:22:36.680 --> 01:22:40.359
<v Speaker 1>up the show. So, Stu, thank you so much for

1636
01:22:40.359 --> 01:22:40.760
<v Speaker 1>coming on.

1637
01:22:40.920 --> 01:22:42.800
<v Speaker 2>Oh, thank you for having me. This is fun.

1638
01:22:42.880 --> 01:22:45.479
<v Speaker 4>Yeah, we're so happy to have Stu on. We have

1639
01:22:45.520 --> 01:22:48.640
<v Speaker 4>been listening to his show for a bit and they

1640
01:22:48.680 --> 01:22:51.439
<v Speaker 4>came on very last minute. We put this together in

1641
01:22:51.479 --> 01:22:54.199
<v Speaker 4>the eleventh hour of the doomsday clock of our show.

1642
01:22:54.479 --> 01:22:57.800
<v Speaker 4>And if you listener, remember shuffle and you're always asking

1643
01:22:57.880 --> 01:23:00.800
<v Speaker 4>us questions like, Hey, why don't you do an episode

1644
01:23:00.800 --> 01:23:03.600
<v Speaker 4>on the Hulk or why don't you do an episode

1645
01:23:03.680 --> 01:23:06.319
<v Speaker 4>on Spider Man? I got good news for you. If

1646
01:23:06.319 --> 01:23:09.119
<v Speaker 4>you head on over to Marvelous or the Death of Cinema,

1647
01:23:09.199 --> 01:23:11.399
<v Speaker 4>which will provide a link for in the description, you

1648
01:23:11.399 --> 01:23:13.439
<v Speaker 4>can check out their episodes on these movies.

1649
01:23:13.520 --> 01:23:15.560
<v Speaker 1>Yeah, plug your show. Plug your show to our listeners.

1650
01:23:15.720 --> 01:23:19.439
<v Speaker 2>Marvelousdeath dot com, Patreon dot com, backslash Marvelous Death. If

1651
01:23:19.439 --> 01:23:21.119
<v Speaker 2>you like what you hear and want to hear more

1652
01:23:21.159 --> 01:23:23.640
<v Speaker 2>and send us little money. That's me my best friend,

1653
01:23:23.720 --> 01:23:27.119
<v Speaker 2>Nicole and Cole Netscape. You may or may not remember

1654
01:23:27.159 --> 01:23:27.680
<v Speaker 2>from Twitter.

1655
01:23:27.880 --> 01:23:31.920
<v Speaker 1>Is there any particular episodes that you really love and

1656
01:23:31.960 --> 01:23:34.159
<v Speaker 1>are proud of or think are a good entry to

1657
01:23:34.239 --> 01:23:34.640
<v Speaker 1>the show.

1658
01:23:34.800 --> 01:23:37.159
<v Speaker 2>I would say, just scroll through in whichever movie you're like, Oh,

1659
01:23:37.159 --> 01:23:38.600
<v Speaker 2>I kind of want to they have to say about that.

1660
01:23:39.239 --> 01:23:40.920
<v Speaker 2>I feel like that's better than anything I like, I'm

1661
01:23:40.960 --> 01:23:43.880
<v Speaker 2>so bad at imagining someone who's not me as the listener.

1662
01:23:44.880 --> 01:23:46.680
<v Speaker 2>If you do get on the Patreon though, or want

1663
01:23:46.720 --> 01:23:49.479
<v Speaker 2>to check that out, I would recommend our episode on

1664
01:23:49.520 --> 01:23:54.319
<v Speaker 2>the Very Weird Paulin Trevarro tweet indie drama thriller Book

1665
01:23:54.319 --> 01:23:56.399
<v Speaker 2>of Henry. Okay, one of the most fun ones we

1666
01:23:56.439 --> 01:23:56.880
<v Speaker 2>ever did.

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01:23:57.000 --> 01:23:57.279
<v Speaker 1>Cool.

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01:23:57.399 --> 01:23:58.920
<v Speaker 4>Yeah, tell us a little bit about your show. I

1669
01:23:58.960 --> 01:24:00.319
<v Speaker 4>tell the listener about your show.

1670
01:24:00.439 --> 01:24:03.159
<v Speaker 2>Marsa Dee's. The Cinema in terms of our mainline episodes,

1671
01:24:03.560 --> 01:24:08.399
<v Speaker 2>is a more or less chronological with diversions look through

1672
01:24:08.760 --> 01:24:12.560
<v Speaker 2>the landscape of major Hollywood franchise film releases, kind of

1673
01:24:12.600 --> 01:24:17.880
<v Speaker 2>since Ironman, where everything became about cinematic universes and not

1674
01:24:18.079 --> 01:24:20.000
<v Speaker 2>just like, oh, we could have a series of films

1675
01:24:20.039 --> 01:24:22.119
<v Speaker 2>and maybe some merch or whatever, but like everything's a

1676
01:24:22.199 --> 01:24:25.880
<v Speaker 2>multimedia super franchise and just kind of picking apart how

1677
01:24:25.960 --> 01:24:28.319
<v Speaker 2>it's always been a very commercial industry, but how the

1678
01:24:28.399 --> 01:24:31.840
<v Speaker 2>last fifteen to twenty years or more, it's really accelerated

1679
01:24:32.000 --> 01:24:35.520
<v Speaker 2>into kind of hyper commercialism. There's a space for a

1680
01:24:35.560 --> 01:24:39.760
<v Speaker 2>degree of if not like already ardiness, craftsmanship, a certain

1681
01:24:39.840 --> 01:24:43.000
<v Speaker 2>level of quality you could expect from the sets, just

1682
01:24:43.079 --> 01:24:46.479
<v Speaker 2>the basic script writing that has just been eroded by

1683
01:24:46.520 --> 01:24:52.000
<v Speaker 2>an increasingly assembly line process of production for major films.

1684
01:24:52.239 --> 01:24:54.640
<v Speaker 4>And you guys have a love I think for the

1685
01:24:54.720 --> 01:24:57.640
<v Speaker 4>source material too. Writ Like we did an X Men

1686
01:24:57.680 --> 01:25:00.359
<v Speaker 4>episode a month ago, and a few people write fully

1687
01:25:00.399 --> 01:25:03.640
<v Speaker 4>complained that we didn't know a lot about the comics,

1688
01:25:04.039 --> 01:25:05.600
<v Speaker 4>you know, And so if that is your complaint, I

1689
01:25:05.600 --> 01:25:08.159
<v Speaker 4>would say that you guys generally have a pretty good

1690
01:25:08.199 --> 01:25:12.119
<v Speaker 4>breadth of the source material depending. Yeah, I mean that's

1691
01:25:12.159 --> 01:25:13.960
<v Speaker 4>one of the reasons we brought Cole on because they,

1692
01:25:14.039 --> 01:25:15.880
<v Speaker 4>I mean, I know a little bit of comics.

1693
01:25:15.880 --> 01:25:19.279
<v Speaker 2>Cole really knows comics. And it's not about comic book

1694
01:25:19.319 --> 01:25:21.720
<v Speaker 2>movies per se, but that's been the dominant source of

1695
01:25:21.840 --> 01:25:25.039
<v Speaker 2>raw material for franchise films, so their expertise has been

1696
01:25:25.039 --> 01:25:26.840
<v Speaker 2>really helpful. But yeah, the idea is kind of that

1697
01:25:26.920 --> 01:25:28.560
<v Speaker 2>like it's as much as a lot of comics can

1698
01:25:28.600 --> 01:25:30.680
<v Speaker 2>be very dumb in juvenile, there's also a lot of

1699
01:25:30.840 --> 01:25:34.000
<v Speaker 2>imagination and interesting ideas in them, and the best ones

1700
01:25:34.119 --> 01:25:37.199
<v Speaker 2>do reach the level of literature and quality of any

1701
01:25:37.199 --> 01:25:42.279
<v Speaker 2>other medium, and these adaptations tend to strip out what's

1702
01:25:42.319 --> 01:25:44.880
<v Speaker 2>most interesting about them, even ones that might not be like, oh,

1703
01:25:44.920 --> 01:25:47.600
<v Speaker 2>they're not Watchmen, They're not like literature, but they have

1704
01:25:47.920 --> 01:25:51.159
<v Speaker 2>that raw imagination or weirdness that you get from like

1705
01:25:51.199 --> 01:25:53.319
<v Speaker 2>a pulp sci fi novel, from just like a weird

1706
01:25:53.399 --> 01:25:55.960
<v Speaker 2>guy or weird artists sitting down with their ideas, and

1707
01:25:56.000 --> 01:25:58.239
<v Speaker 2>all of that gets sanded away when they turn it

1708
01:25:58.279 --> 01:25:59.920
<v Speaker 2>into Doctor Strange seven.

1709
01:26:01.359 --> 01:26:03.560
<v Speaker 4>Yeah, thank you so much Stu for coming on the

1710
01:26:03.600 --> 01:26:06.880
<v Speaker 4>show this week and talking about Alan Moore. We've revisited

1711
01:26:06.960 --> 01:26:10.279
<v Speaker 4>him many times now unintentionally. His work just seems to

1712
01:26:10.359 --> 01:26:12.880
<v Speaker 4>keep popping up in the two thousands.

1713
01:26:12.319 --> 01:26:15.439
<v Speaker 1>And shameless plug for this show. Please like, subscribe, risk

1714
01:26:15.439 --> 01:26:18.680
<v Speaker 1>to comment, do all that Remember Shuffle engagement, And we

1715
01:26:18.760 --> 01:26:20.720
<v Speaker 1>also have a Patreon you can get a little bit

1716
01:26:20.720 --> 01:26:21.920
<v Speaker 1>more Watchman content there.

1717
01:26:22.000 --> 01:26:24.600
<v Speaker 2>Yes, get on the Remember Shuffle Patreon. You guys do

1718
01:26:24.640 --> 01:26:27.000
<v Speaker 2>a great show. I've been listening for years it's a

1719
01:26:27.079 --> 01:26:29.159
<v Speaker 2>tremendous pleasure to have been on. Thank you so much.

1720
01:26:29.239 --> 01:26:31.520
<v Speaker 1>That's so kind, Thank you, thank you for coming. All right,

1721
01:26:31.680 --> 01:26:33.840
<v Speaker 1>have a good one. Caut out au revoir
