WEBVTT

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<v Speaker 1>For decades, people have disappeared in the woods without a trace.

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<v Speaker 1>Some blame wild animals, others whisper of creatures the world

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<v Speaker 1>refuses to believe in. But those who have survived they

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<v Speaker 1>know the truth. Welcome to Backwoods Bigfoot Stories, where we

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<v Speaker 1>share real encounters with the things lurking in the darkness bigfoot,

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<v Speaker 1>dog man, UFOs, and creatures that defy explanation. Some make

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<v Speaker 1>it out, others aren't so lucky. Are you ready, because

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<v Speaker 1>once you hear these stories, you'll never walk in the

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<v Speaker 1>woods alone again. So grab your flashlight, stay close, and

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<v Speaker 1>remember some things in the woods don't want to be found.

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<v Speaker 1>Hit that follow or subscribe button, turn on auto downloads,

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<v Speaker 1>and let's head off into the woods if you dare.

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<v Speaker 1>The Backwoods Cryptid road trip is taking a short break.

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<v Speaker 1>Don't worry. The road trip isn't over, not even close.

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<v Speaker 1>We've still got plenty of states left on the map

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<v Speaker 1>and plenty of monsters waiting in them, and we'll be

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<v Speaker 1>back on the highway soon enough. But every once in

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<v Speaker 1>a while, a story comes along that doesn't fit neatly

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<v Speaker 1>into the route, and it pulls at you until you

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<v Speaker 1>finally give in and tell it this is one of

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<v Speaker 1>those stories. Tonight, we're heading deeper into the wilderness than

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<v Speaker 1>this show has ever gone, up into the North Main Woods,

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<v Speaker 1>to a chain of black lakes and unbroken timber, where

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<v Speaker 1>the roads quit and the floatplanes take over, and the

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<v Speaker 1>thing waiting out there isn't leaving tracks in a creek

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<v Speaker 1>bed or screaming from a ridgeline. It doesn't walk the

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<v Speaker 1>woods at all. It comes down out of the sky.

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<v Speaker 1>In August of nineteen seventy six, four young men paddled

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<v Speaker 1>into the Alligash Wilderness Waterway for two weeks of fishing.

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<v Speaker 1>What found them on Eagle Lake one night, and what

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<v Speaker 1>they say happened inside a beam of light while their

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<v Speaker 1>bonfire burned down to coals on the shore became one

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<v Speaker 1>of the most famous and most fiercely argued cases in

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<v Speaker 1>American history. Four witnesses, one story, and fifty years later,

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<v Speaker 1>no explanation that holds so settle in because we're leaving

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<v Speaker 1>the pavement behind either way, same deep woods, same dark,

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<v Speaker 1>just a different kind of visitor. This is the story

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<v Speaker 1>of the Aligaish abductions. The fire was the whole plan.

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<v Speaker 1>Four young guys on the edge of a wilderness lake

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<v Speaker 1>in northern Maine about to paddle out into the kind

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<v Speaker 1>of darkness that erases the line between the water and

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<v Speaker 1>the sky, and their entire safety net was a bonfire.

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<v Speaker 1>They dragged heavy logs into a pile on the bank

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<v Speaker 1>at a spot called smith Brook, stacked it tall and

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<v Speaker 1>lit it up. Chuck Rack figured the flame stood about

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<v Speaker 1>ten feet high. Jim Winer set a fire like that

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<v Speaker 1>would burn for a good two or three hours, and

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<v Speaker 1>that was the point.

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<v Speaker 2>It was a beacon.

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<v Speaker 1>They'd catch some trout in the dark and then follow

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<v Speaker 1>the glow home. They pushed the canoe out onto Eagle

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<v Speaker 1>Lake a little after nightfall on August twenty sixth, nineteen

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<v Speaker 1>seventy six. When they came back to shore, the fire

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<v Speaker 1>was gone, not burning low, gone a bed of collapsed coals,

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<v Speaker 1>the kind of thing you'd expect to find at dawn

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<v Speaker 1>after a long night. And every one of those four

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<v Speaker 1>men would have sworn on anything you put in front

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<v Speaker 1>of them that they'd been on the water for maybe

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<v Speaker 1>fifteen or twenty minutes. Somewhere in the gap between a

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<v Speaker 1>roaring bonfire and a pile of embers, something happened to

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<v Speaker 1>Jim Winer, his twin brother, Jack Charlie Foltz and Chuck Rack.

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<v Speaker 1>It would take twelve years before any of them worked

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<v Speaker 1>up the nerve to go looking for it, and what

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<v Speaker 1>they say they found under hypnosis in a quiet office

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<v Speaker 1>in Massachusetts turned into one of the most famous abduction

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<v Speaker 1>accounts in American history. Four witnesses, separate sessions, and the

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<v Speaker 1>same story coming out of all of them. At least,

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<v Speaker 1>that's how what stood for twenty years. Then one of

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<v Speaker 1>the four picked up a phone in a motel room

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<v Speaker 1>in Missouri and tore the whole thing down the middle,

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<v Speaker 1>and the Allagash case became something even stranger than an

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<v Speaker 1>abduction story. It became a story about memory and money

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<v Speaker 1>and what happens to four friendships when they get chained

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<v Speaker 1>to the strangest night of their lives and can never

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<v Speaker 1>put it down. So let's take it from the beginning

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<v Speaker 1>Boston summer of nineteen seventy six. The country was hip

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<v Speaker 1>deep in its bicentennial tall ships in the harbor, flags

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<v Speaker 1>on every porch, Gerald Ford in the White House, and

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<v Speaker 1>in the city's art scene. Four young men in their

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<v Speaker 1>early twenties were finishing up or just coming out of

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<v Speaker 1>the Massachusetts College of Art Painters and sculptors, guys who

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<v Speaker 1>worked with their eyes for a living, which ends up

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<v Speaker 1>mattering more to this story than almost anything.

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<v Speaker 2>Else about them.

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<v Speaker 1>Jim and Jack Winer were identical twins, and anybody who

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<v Speaker 1>spent time around identical twins knows the shorthand They run

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<v Speaker 1>on the half sentences, the arguments that start in the middle,

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<v Speaker 1>because both parties already know the first half. The Winers

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<v Speaker 1>had all of that. They'd also had growing up, a

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<v Speaker 1>shared streak of odd experiences that neither one talked about much,

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<v Speaker 1>the kind of stuff that gets filed under weird childhood

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<v Speaker 1>things and left alone. Ray Fowler would go digging through

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<v Speaker 1>all of it years later in seventy six. It was

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<v Speaker 1>just background noise. Charlie Foltz was the steady one, a

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<v Speaker 1>Navy veteran with older energy even when he wasn't the

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<v Speaker 1>oldest guy in the room, the friend who checks the

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<v Speaker 1>gear list twice and knows which knights hold.

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<v Speaker 2>And Chuck Rack was the wild card.

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<v Speaker 1>Opinionated, a little abrasive by his own admission, a painter

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<v Speaker 1>with strong ideas about everything. Four personalities that didn't always

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<v Speaker 1>sand smooth against each other, And honestly, that's part of

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<v Speaker 1>what made them believable to me from the first time

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<v Speaker 1>I read up on this case. Vacation groups that get

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<v Speaker 1>along perfectly exist mostly in commercials. The plan was simple enough.

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<v Speaker 1>Two weeks in the Alligash Wilderness Waterway, that great chain

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<v Speaker 1>of lakes and river running up through the North main Woods. Canoes, tents, rods, coolers,

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<v Speaker 1>no phones, obviously, and no radios because this was nineteen

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<v Speaker 1>seventy six, and when you went into the Alligash back then,

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<v Speaker 1>you were gone. The nearest real town was a long,

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<v Speaker 1>rough haul away, and everything between you and it was water,

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<v Speaker 1>timber and black flies. They left Boston on Friday, August

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<v Speaker 1>twentieth and drove north through New Hampshire and up into Maine,

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<v Speaker 1>into that country where the towns get smaller and farther

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<v Speaker 1>apart until they quit all together and the logging roads

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<v Speaker 1>take over. At the staging point, they hired a pontoon plane,

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<v Speaker 1>one of those workhorse float planes that stitched the North

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<v Speaker 1>Woods together, loaded up their canoes and gear, and flew

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<v Speaker 1>into Telos Lake at the southern end of the waterway.

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<v Speaker 1>From the passenger seat of a plane like that, it's

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<v Speaker 1>green to every horizon, with lakes scattered through the timber

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<v Speaker 1>like broken glass, and not a road worth the name

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<v Speaker 1>anywhere below you.

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<v Speaker 2>The pilot sets.

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<v Speaker 1>You down on the water, helps you unload onto the shore,

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<v Speaker 1>and then climbs back out, and the engine noise fades

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<v Speaker 1>and dies, and what's left behind is a silence that

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<v Speaker 1>people from cities genuinely don't believe until they've stood in it.

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<v Speaker 1>That's where these four men were, and that's the stage.

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<v Speaker 1>The first several days were exactly what they'd paid for.

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<v Speaker 1>They worked their way north through the waterway, paddling by

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<v Speaker 1>day and camping on the shores at night. And anybody

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<v Speaker 1>who's done a multi day canoe trip knows the rhythm.

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<v Speaker 1>Your shoulders ache for the first two days and then

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<v Speaker 1>quick complaining, your hands pick up the smell of fish

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<v Speaker 1>and wood smoke and never quite lose it. The group

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<v Speaker 1>settles into jobs without ever discussing them, because one guy

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<v Speaker 1>always ends up on fire duty, one guy cooks, and

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<v Speaker 1>one guy appoints himself in charge of picking camp sites

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<v Speaker 1>and defending his choices. They were also paddling through country

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<v Speaker 1>with a long memory, though I doubt any of them

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<v Speaker 1>was thinking about it at the time. Henry David Threau

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<v Speaker 1>came through these same woods in eighteen fifty seven with

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<v Speaker 1>a Panobscot guide named Joe Pollas crossing the infamous mud

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<v Speaker 1>pond carry into the Chamberlain Lake country, and the account

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<v Speaker 1>he left behind describes a wilderness that genuinely rattled him,

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<v Speaker 1>which is saying something for the patron saint of American

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<v Speaker 1>nature riding. The lumbermen came after him, and for the

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<v Speaker 1>better part of a century, the Alligash was a working

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<v Speaker 1>forest that got driven hard. There was a steam tramway

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<v Speaker 1>hauling logs between the watersheds, and when the timber economy shifted,

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<v Speaker 1>the machinery just got walked away from boilers left standing

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<v Speaker 1>in the trees, cables sinking into the moss, not far

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<v Speaker 1>from where our four men would eventually camp. Two full

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<v Speaker 1>sized steam locomotives still sit rusting in the woods near

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<v Speaker 1>Eagle Lake, hauled in over the winter ice back in

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<v Speaker 1>the nineteen twenties to pull pulp wood, and abandoned in

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<v Speaker 1>the early thirties because there was no longer any way

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<v Speaker 1>to get them out. The wilderness took its railroad back

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<v Speaker 1>the way it takes everything back, and by nineteen sixty

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<v Speaker 1>six the state had drawn a protective line around the

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<v Speaker 1>whole corridor and named it the Aligish Wilderness Waterway. No development,

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<v Speaker 1>no lights, close to one hundred miles of dark. The

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<v Speaker 1>fishing on the trip was hit and miss, which is

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<v Speaker 1>normal for late August, when the hot days pushed the

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<v Speaker 1>trout down deep. So the men started thinking the way

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<v Speaker 1>fishermen think about going out after dark instead, when the

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<v Speaker 1>fish come up and the bugs die down, and the

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<v Speaker 1>lake belongs to whoever's on it, and the Aligish at

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<v Speaker 1>night is its own subject. There's no ambient light.

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<v Speaker 2>Out there, none, And.

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<v Speaker 1>On a clear, moonless night, the Milky Way comes down

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<v Speaker 1>so hard and close that first timers have been known

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<v Speaker 1>to get uneasy about it, like the sky is standing

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<v Speaker 1>too near. Sound carries for miles across the water, so

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<v Speaker 1>a loon calling from the far end of a lake

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<v Speaker 1>sounds like it's sitting in the canoe with you.

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<v Speaker 2>It's beautiful, and it.

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<v Speaker 1>Also strips away every comfortable illusion you carry around about

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<v Speaker 1>being at the top of the food chain. Out there

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<v Speaker 1>after dark, you're small, and the dark doesn't care about

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<v Speaker 1>you one way or the other. Two nights before the

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<v Speaker 1>main event camped along Chamberlain Lake, they got their first

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<v Speaker 1>look at it a light, bright and round, hanging in

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<v Speaker 1>the night sky where no light had any business being.

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<v Speaker 1>It wasn't running an aircraft pattern, no red and green wingtips,

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<v Speaker 1>no strobe, and no engine sound crossing the water, just

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<v Speaker 1>a luminous something that held there long enough for the

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<v Speaker 1>men to stand and stare at it, roughly half a

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<v Speaker 1>minute by their later estimates. And then it was gone.

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<v Speaker 1>Not gone like it flew away, gone like somebody threw

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<v Speaker 1>a switch. They kicked it around for a few minutes,

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<v Speaker 1>tossed out the usual candidates, a satellite, something military, some

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<v Speaker 1>atmospheric oddity none of them could name, and when nothing stuck,

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<v Speaker 1>they went to bed.

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<v Speaker 2>That was the whole event.

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<v Speaker 1>Four guys saw a strange light, shrugged at each other

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<v Speaker 1>and went to sleep, and nobody.

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<v Speaker 2>Lost a mint of rest over it.

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<v Speaker 1>They kept paddling north, and on Thursday, August twenty sixth

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<v Speaker 1>they reached Eagle Lake and put their camp at Smith Brook.

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<v Speaker 1>Eagle Lake is big water by canoe standards, and the

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<v Speaker 1>locals sometimes call it Big Eagle to keep it separate

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<v Speaker 1>from the other Eagle Lake up in a Roostook County,

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<v Speaker 1>miles of open surface ringed by unbroken forest, with the

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<v Speaker 1>drowned history of the logging days scattered around its edges,

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<v Speaker 1>and those two dead locomotives sitting in the trees like

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<v Speaker 1>the set of a dream. It's the kind of place

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<v Speaker 1>where things get left behind and swallowed. And I don't

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<v Speaker 1>think I'm reaching when I say the lake earned this story.

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<v Speaker 1>The daytime fishing on the twenty sixth was poor, so

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<v Speaker 1>that evening they made the call that put them in

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<v Speaker 1>the history books. Night fishing and a bonfire on the

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<v Speaker 1>beach to guide them home.

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<v Speaker 2>They built the.

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<v Speaker 1>Fire at dusk, and it wasn't a cook fire, it

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<v Speaker 1>was a navigation aid. Once full dark came down, the

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<v Speaker 1>shoreline of Eagle Lake would turn into a single, unbroken

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<v Speaker 1>wall of black, where every cove looks like every other cove,

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<v Speaker 1>and without a fixed light, four men in a canoe

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<v Speaker 1>could paddle right past their own camp fifty feet out

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<v Speaker 1>and never know it. So they hauled big pieces of

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<v Speaker 1>wood for this thing, heavy logs banked to burn for

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<v Speaker 1>hours ten feet of flame by rax estimate, And when

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<v Speaker 1>it was roaring, they climbed into the canoe and pushed

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<v Speaker 1>off into the dark to find some trout. It was

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<v Speaker 1>a good night to be out there. The canoe rode

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<v Speaker 1>low with four grown men aboard, rocking gently while the

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<v Speaker 1>reels clicked and the lures plopped somewhere out in the black.

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<v Speaker 1>The stars ran bank to bank overhead and reflected right

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<v Speaker 1>back up off the still water, so the canoe seemed

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<v Speaker 1>to float in the middle of a sphere of them,

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<v Speaker 1>and behind the men on the beach, the fire snapped

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<v Speaker 1>away their one warm anchor to the world. They were

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<v Speaker 1>twenty two, twenty three years old, strong, a little sunburned,

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<v Speaker 1>a week of wilderness already behind them, and there wasn't

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<v Speaker 1>one reason on earth to think this was different from

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<v Speaker 1>the last five. Chuck Rack felt it before he saw it.

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<v Speaker 1>That's his account, and it's a piece of the story

239
00:13:07.720 --> 00:13:11.120
<v Speaker 1>he never backed away from, even decades later, when he

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00:13:11.159 --> 00:13:14.240
<v Speaker 1>walked away from everything else. He was sitting in the

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<v Speaker 1>stern when he got the feeling of being watched, that

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00:13:17.120 --> 00:13:19.519
<v Speaker 1>pressure on the back of the neck that every hunter knows,

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<v Speaker 1>and everybody who's ever crossed a dark parking lot alone

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<v Speaker 1>knows too. It's the oldest alarm system we own, and

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00:13:26.679 --> 00:13:31.279
<v Speaker 1>it predates language. Rack turned around, rising over the tree

246
00:13:31.320 --> 00:13:34.039
<v Speaker 1>line behind them, out where nothing but forest ran for

247
00:13:34.200 --> 00:13:38.080
<v Speaker 1>miles was a sphere of light, a big one. The

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00:13:38.120 --> 00:13:41.240
<v Speaker 1>men would later put its size at around eighty feet across,

249
00:13:41.679 --> 00:13:44.159
<v Speaker 1>which is a four story building turned on its side,

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00:13:44.679 --> 00:13:47.480
<v Speaker 1>and it made no sound at all, and its surface

251
00:13:47.480 --> 00:13:50.080
<v Speaker 1>didn't behave like anything with a bulb and a housing.

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<v Speaker 1>They described colors moving on it, liquid and slow, like

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<v Speaker 1>the whole thing was wrapped in glowing gas that swirled

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<v Speaker 1>and shifted while they watched red flowing into green, flowing

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00:14:01.120 --> 00:14:05.080
<v Speaker 1>into yellow, never still. The other three turned and the

256
00:14:05.080 --> 00:14:07.399
<v Speaker 1>fishing stopped. For a moment.

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<v Speaker 2>It was pure spectacle.

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<v Speaker 1>Four artists in a canoe staring at something none of

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00:14:11.600 --> 00:14:14.879
<v Speaker 1>their training could sort into a category. It just hung

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00:14:14.919 --> 00:14:18.360
<v Speaker 1>there over the trees, silent and immense and alive with

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00:14:18.480 --> 00:14:21.480
<v Speaker 1>moving color. And Jim Winer said later that his mind

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00:14:21.559 --> 00:14:25.840
<v Speaker 1>kept reaching for explanations and coming back with nothing. It

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00:14:25.879 --> 00:14:29.159
<v Speaker 1>wasn't a helicopter because helicopters are the loudest things in

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<v Speaker 1>a quiet wilderness. It wasn't a plane because planes cross

265
00:14:33.279 --> 00:14:36.399
<v Speaker 1>the sky, they don't perch on it. It wasn't a

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00:14:36.399 --> 00:14:40.120
<v Speaker 1>flare or a balloon or the moon behind haze. The

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00:14:40.200 --> 00:14:43.480
<v Speaker 1>catalog just ran out. Then Charlie Folts did the thing

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00:14:43.559 --> 00:14:46.639
<v Speaker 1>everybody always asks about He picked up his flashlight and

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00:14:46.679 --> 00:14:50.639
<v Speaker 1>blinked an sos at it dot dot dot dash dash

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00:14:50.720 --> 00:14:54.879
<v Speaker 1>dash dot dot dot. He was a navyman, and signaling

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<v Speaker 1>an unidentified light is practically reflex for a navyman. I'd

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00:14:59.279 --> 00:15:01.240
<v Speaker 1>also bet that, And in the half second before he

273
00:15:01.279 --> 00:15:04.000
<v Speaker 1>thumbed that button, some part of him still believed the

274
00:15:04.039 --> 00:15:07.080
<v Speaker 1>boring explanation was on its way, that the light was

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00:15:07.120 --> 00:15:09.799
<v Speaker 1>about to resolve into something with the tail number and

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00:15:09.879 --> 00:15:12.679
<v Speaker 1>a board pilot at the stick. Stay tuned for more

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00:15:12.759 --> 00:15:16.360
<v Speaker 1>Backwoods big Foot stories. We'll be back after these messages.

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<v Speaker 1>The object answered. It came off the tree line and

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00:15:21.639 --> 00:15:24.799
<v Speaker 1>moved out over the water, straight toward the canoe, still

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<v Speaker 1>without a sound. A beam came on from its underside,

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00:15:28.519 --> 00:15:30.600
<v Speaker 1>a cone of light that dropped to the surface of

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00:15:30.639 --> 00:15:33.080
<v Speaker 1>the lake and lit the water up, and then the

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00:15:33.120 --> 00:15:37.840
<v Speaker 1>beam started to travel toward them. Whatever curiosity had been

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00:15:37.879 --> 00:15:40.960
<v Speaker 1>holding those four in place burned off in about a second.

285
00:15:41.559 --> 00:15:44.600
<v Speaker 1>Somebody yelled to paddle, and four paddles hit the water,

286
00:15:44.679 --> 00:15:47.720
<v Speaker 1>and that canoe surged for the shoreline with everything four

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00:15:47.759 --> 00:15:51.360
<v Speaker 1>scared young men could put into it. Jack Winer glanced

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00:15:51.399 --> 00:15:53.480
<v Speaker 1>back as they ran for the beach, and what he

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00:15:53.519 --> 00:15:55.240
<v Speaker 1>saw stayed with him for the rest.

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00:15:55.000 --> 00:15:56.399
<v Speaker 2>Of his life.

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00:15:56.440 --> 00:15:59.320
<v Speaker 1>The beam was eating up the distance behind them faster

292
00:15:59.399 --> 00:16:02.360
<v Speaker 1>than they were closing, and the thought landed in his

293
00:16:02.440 --> 00:16:05.039
<v Speaker 1>head with total clarity, that they were never going to

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00:16:05.080 --> 00:16:05.679
<v Speaker 1>outrun it.

295
00:16:06.240 --> 00:16:06.840
<v Speaker 2>He was right.

296
00:16:07.399 --> 00:16:11.159
<v Speaker 1>The light swallowed the canoe, and right there the tape cuts.

297
00:16:12.120 --> 00:16:15.519
<v Speaker 1>That phrase, the tape cuts is the closest I can

298
00:16:15.559 --> 00:16:18.519
<v Speaker 1>get to what all four men described, because there was

299
00:16:18.559 --> 00:16:24.480
<v Speaker 1>no transition, no fade, no blur, nothing. One instant they

300
00:16:24.480 --> 00:16:27.639
<v Speaker 1>were paddling for their lives with light flooding over the gunwales,

301
00:16:27.960 --> 00:16:30.960
<v Speaker 1>and the next instant with no sense of anything in between,

302
00:16:31.519 --> 00:16:35.279
<v Speaker 1>they were at the shore, calm, the panic gone, like

303
00:16:35.360 --> 00:16:38.360
<v Speaker 1>somebody had unplugged it. The canoe was near the beach

304
00:16:38.399 --> 00:16:41.240
<v Speaker 1>and the men were climbing out of it in a slow, dazed,

305
00:16:41.360 --> 00:16:44.679
<v Speaker 1>underwater sort of way, and the object was still there.

306
00:16:45.679 --> 00:16:48.080
<v Speaker 1>It hung over the lake, maybe fifty to seventy five

307
00:16:48.159 --> 00:16:51.200
<v Speaker 1>yards out twenty or thirty feet above the surface by

308
00:16:51.279 --> 00:16:54.960
<v Speaker 1>Jack's estimate, and the beam now pointed straight down beneath it,

309
00:16:55.000 --> 00:16:57.360
<v Speaker 1>so that the whole silent mass looked like it was

310
00:16:57.399 --> 00:17:00.759
<v Speaker 1>resting on a column of light. Stood on the beach

311
00:17:00.799 --> 00:17:05.240
<v Speaker 1>and watched it, and nobody ran and nobody spoke. Jim

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00:17:05.279 --> 00:17:07.440
<v Speaker 1>described the group as being in a state of shock,

313
00:17:07.920 --> 00:17:11.119
<v Speaker 1>unable to move or talk, and Chuck Rack never even

314
00:17:11.160 --> 00:17:13.680
<v Speaker 1>got out of the canoe. He sat in the stern

315
00:17:13.759 --> 00:17:17.480
<v Speaker 1>with the paddle still in his hands, staring. Charlie raised

316
00:17:17.480 --> 00:17:20.640
<v Speaker 1>his flashlight and signaled again, and this time the answer

317
00:17:20.720 --> 00:17:24.039
<v Speaker 1>was departure. The beams swung up off the water and

318
00:17:24.079 --> 00:17:27.519
<v Speaker 1>pointed at the sky, and the object rose, slid away

319
00:17:27.559 --> 00:17:30.559
<v Speaker 1>toward the southwest, and then accelerated in a way that

320
00:17:30.680 --> 00:17:34.799
<v Speaker 1>nothing airborne in nineteen seventy six could accelerate a standing

321
00:17:34.839 --> 00:17:37.799
<v Speaker 1>start to a vanishing point among the stars in about

322
00:17:37.799 --> 00:17:42.119
<v Speaker 1>a second. The strange anesthetic calm let go of them, slowly,

323
00:17:42.880 --> 00:17:46.640
<v Speaker 1>like cold water draining out of clothing. Chuck finally climbed

324
00:17:46.640 --> 00:17:48.359
<v Speaker 1>out of the canoe, and the four of them walked

325
00:17:48.400 --> 00:17:51.240
<v Speaker 1>up the beach toward their camp site, and Jim used

326
00:17:51.240 --> 00:17:55.039
<v Speaker 1>the word dreamily to describe that walk. Four men moving

327
00:17:55.039 --> 00:17:59.119
<v Speaker 1>through their own camp like sleepwalkers. Then they saw the fire,

328
00:17:59.480 --> 00:18:02.119
<v Speaker 1>the bonfire they'd built to burn for two or three hours,

329
00:18:02.480 --> 00:18:04.960
<v Speaker 1>The ten foot beacon of heavy logs they'd lit right

330
00:18:04.960 --> 00:18:09.680
<v Speaker 1>before shoving off, was a bed of embers collapsed, smoldering,

331
00:18:10.039 --> 00:18:12.400
<v Speaker 1>burned all the way down and through the way a

332
00:18:12.440 --> 00:18:15.400
<v Speaker 1>big fire looks after a long night when nobody's fed it.

333
00:18:15.799 --> 00:18:18.400
<v Speaker 1>And when they added up their own evening, the fishing

334
00:18:18.440 --> 00:18:20.960
<v Speaker 1>and the siding and the chase and the shore, they

335
00:18:20.960 --> 00:18:25.079
<v Speaker 1>got fifteen or twenty minutes of experience. The fire set hours.

336
00:18:25.640 --> 00:18:27.880
<v Speaker 1>And here's the part of that night I find stranger

337
00:18:27.920 --> 00:18:31.720
<v Speaker 1>than the object itself. They went to bed. They didn't

338
00:18:31.720 --> 00:18:34.559
<v Speaker 1>sit up dissecting it. They didn't break camp in a

339
00:18:34.599 --> 00:18:37.200
<v Speaker 1>panic and paddle for the ranger station. At first light,

340
00:18:38.000 --> 00:18:40.119
<v Speaker 1>four men stood in front of physical evidence that a

341
00:18:40.119 --> 00:18:43.559
<v Speaker 1>piece of their evening had gone missing, registered it, said

342
00:18:43.599 --> 00:18:47.119
<v Speaker 1>almost nothing about it, and crawled into their tents and slept.

343
00:18:47.920 --> 00:18:51.000
<v Speaker 1>Jim remembered thinking the fire was odd, and then just

344
00:18:51.039 --> 00:18:54.119
<v Speaker 1>not thinking about it anymore, his mind sliding off the

345
00:18:54.119 --> 00:18:56.920
<v Speaker 1>subject the way your eyes slide off a bright light.

346
00:18:57.799 --> 00:18:59.680
<v Speaker 1>The next morning tells you nearly as much as the

347
00:18:59.759 --> 00:19:03.960
<v Speaker 1>night did. There was no council of war over the coffee.

348
00:19:04.000 --> 00:19:06.359
<v Speaker 1>By every account we have, the four of them worked

349
00:19:06.400 --> 00:19:08.839
<v Speaker 1>around the subject the way you'd work around a down

350
00:19:09.000 --> 00:19:12.839
<v Speaker 1>power line, aware of it, giving it room, not touching it.

351
00:19:13.599 --> 00:19:17.079
<v Speaker 1>They cooked, They broke camp on schedule. Somebody probably made

352
00:19:17.119 --> 00:19:19.799
<v Speaker 1>a joke, because somebody always makes a joke, and it

353
00:19:19.880 --> 00:19:23.079
<v Speaker 1>probably didn't land. When the thing did come up in

354
00:19:23.119 --> 00:19:25.680
<v Speaker 1>the days that followed, it came up small and got

355
00:19:25.720 --> 00:19:28.960
<v Speaker 1>put away fast. Four men who between them could talk

356
00:19:29.000 --> 00:19:32.440
<v Speaker 1>for hours about paint and politics and fishing had found

357
00:19:32.480 --> 00:19:35.759
<v Speaker 1>the one topic none of them could hold. The trip

358
00:19:35.799 --> 00:19:39.960
<v Speaker 1>didn't end that night, which surprises people. They had days

359
00:19:40.039 --> 00:19:43.039
<v Speaker 1>left on their itinerary, and they used them, paddling and

360
00:19:43.079 --> 00:19:46.359
<v Speaker 1>camping their way onward through the waterway, and the object

361
00:19:46.400 --> 00:19:49.759
<v Speaker 1>never came back. By the time the logging roads gave

362
00:19:49.799 --> 00:19:52.920
<v Speaker 1>way to pavement and they rolled south toward Boston, the

363
00:19:52.960 --> 00:19:57.000
<v Speaker 1>whole event had already started its long burial. They told family,

364
00:19:57.279 --> 00:20:00.640
<v Speaker 1>and they told friends, and they got the reaction you expect,

365
00:20:01.160 --> 00:20:04.880
<v Speaker 1>the raised eyebrows, the jokes about what was in the canteen.

366
00:20:05.839 --> 00:20:08.319
<v Speaker 1>Each man learned the same lesson at the same speed,

367
00:20:08.920 --> 00:20:11.680
<v Speaker 1>that this story cost you something every time you told it,

368
00:20:12.400 --> 00:20:15.880
<v Speaker 1>so they mostly stopped telling it. It didn't vanish completely,

369
00:20:16.119 --> 00:20:19.160
<v Speaker 1>because stories like this never do. It lived on in

370
00:20:19.200 --> 00:20:21.960
<v Speaker 1>a couple of diaries from the trip. The once Fowler's

371
00:20:21.960 --> 00:20:25.160
<v Speaker 1>team would eventually collect and comb through It came up

372
00:20:25.200 --> 00:20:27.920
<v Speaker 1>at the occasional family dinner when somebody's cousin wanted to

373
00:20:27.960 --> 00:20:31.200
<v Speaker 1>hear the flying saucer thing again, and each man developed

374
00:20:31.200 --> 00:20:33.920
<v Speaker 1>his own way of handling that moment. You give the

375
00:20:33.960 --> 00:20:36.960
<v Speaker 1>short version, you keep your voice flat, you let the

376
00:20:37.039 --> 00:20:40.599
<v Speaker 1>laughter happen, and you change the subject. The twins at

377
00:20:40.680 --> 00:20:43.319
<v Speaker 1>least had each other one person on earth who nod

378
00:20:43.400 --> 00:20:47.480
<v Speaker 1>instead of smirk. Charlie had his Navy issue stoicism, and

379
00:20:47.599 --> 00:20:50.519
<v Speaker 1>Chuck had his contrarian streak, which let him treat the

380
00:20:50.519 --> 00:20:53.519
<v Speaker 1>whole thing as one more subject he had strong opinions about,

381
00:20:54.160 --> 00:20:56.759
<v Speaker 1>but none of them had an explanation, and a story

382
00:20:56.759 --> 00:20:59.519
<v Speaker 1>without an explanation is a heavy thing to carry around,

383
00:21:00.160 --> 00:21:02.319
<v Speaker 1>So mostly they set it down and left it there,

384
00:21:03.119 --> 00:21:06.680
<v Speaker 1>And for twelve years that's where it sat. A weird

385
00:21:06.799 --> 00:21:10.000
<v Speaker 1>night in Maine, a fire that burned too fast, a

386
00:21:10.079 --> 00:21:12.960
<v Speaker 1>thing none of them could name, folded up small and

387
00:21:13.000 --> 00:21:16.519
<v Speaker 1>stored in the attic of four separate lives. The twins

388
00:21:16.559 --> 00:21:20.559
<v Speaker 1>pursued their art. Charlie settled into his work, Chuck painted,

389
00:21:20.839 --> 00:21:24.519
<v Speaker 1>and the seventies became the eighties. Then the way buried

390
00:21:24.559 --> 00:21:28.200
<v Speaker 1>things do it started coming back up. It came back

391
00:21:28.240 --> 00:21:33.480
<v Speaker 1>first through Jim Winer's skull. Literally around nineteen seventy nine,

392
00:21:33.559 --> 00:21:35.960
<v Speaker 1>Jim took a serious fall and suffered a bad head

393
00:21:36.000 --> 00:21:40.960
<v Speaker 1>injury damage that would eventually be diagnosed as temporolmbic epilepsy.

394
00:21:41.680 --> 00:21:44.799
<v Speaker 1>If you're not familiar with it, that seizure activity rooted

395
00:21:44.839 --> 00:21:47.920
<v Speaker 1>in the temporal lobe and the limbic structures, the deep

396
00:21:48.000 --> 00:21:51.559
<v Speaker 1>machinery of memory and emotion, and it's a condition with

397
00:21:51.599 --> 00:21:56.599
<v Speaker 1>a documented talent for producing strange experiences, vivid deja vous

398
00:21:57.039 --> 00:22:00.880
<v Speaker 1>dream like states, and that powerful, crawling sin of a presence,

399
00:22:01.440 --> 00:22:04.599
<v Speaker 1>the certainty that someone's in the room with you. Jim

400
00:22:04.680 --> 00:22:07.720
<v Speaker 1>was treated in Boston, and his doctors did something perfectly

401
00:22:07.759 --> 00:22:12.599
<v Speaker 1>responsible that ended up having enormous unintended consequences. They told

402
00:22:12.680 --> 00:22:16.599
<v Speaker 1>him to keep track of any unusual experiences and report them,

403
00:22:16.759 --> 00:22:19.599
<v Speaker 1>which is standard practice when you're mapping what a seizure

404
00:22:19.599 --> 00:22:23.839
<v Speaker 1>disorder is doing to a patient. Because Jim was having

405
00:22:23.960 --> 00:22:28.000
<v Speaker 1>unusual experiences. He'd surface from sleep or into some layer

406
00:22:28.039 --> 00:22:31.400
<v Speaker 1>between sleep and waking and find himself unable to move

407
00:22:31.440 --> 00:22:35.799
<v Speaker 1>anything but his eyes. He'd feel with total certainty that

408
00:22:35.839 --> 00:22:38.079
<v Speaker 1>there were figures in the room, and he'd hear a

409
00:22:38.160 --> 00:22:41.680
<v Speaker 1>churn of voices he couldn't resolve into words. And these

410
00:22:41.720 --> 00:22:45.279
<v Speaker 1>episodes came with the setting that kept repeating, a bright

411
00:22:45.359 --> 00:22:49.359
<v Speaker 1>white room, a table he was lying on, and bizarrely

412
00:22:49.720 --> 00:22:53.519
<v Speaker 1>familiar faces because off to one side his brother Jack

413
00:22:53.680 --> 00:22:56.799
<v Speaker 1>was there, and Chuck and Charlie sitting on some kind

414
00:22:56.839 --> 00:22:59.559
<v Speaker 1>of bench, and all of them were naked, and none

415
00:22:59.599 --> 00:23:03.119
<v Speaker 1>of them were helping him. A neurologist has a ready

416
00:23:03.160 --> 00:23:06.000
<v Speaker 1>explanation for a good chunk of what he was experiencing.

417
00:23:06.599 --> 00:23:08.319
<v Speaker 2>Sleep paralysis is real.

418
00:23:08.119 --> 00:23:11.799
<v Speaker 1>And common and terrifying, and it comes bundled with intruder

419
00:23:11.880 --> 00:23:15.440
<v Speaker 1>hallucinations as a standard feature. And if you layer temporal

420
00:23:15.480 --> 00:23:18.279
<v Speaker 1>lobe epilepsy on top of it, you've got a brain

421
00:23:18.359 --> 00:23:22.599
<v Speaker 1>with every excuse to produce exactly these movies. Jim knew

422
00:23:22.599 --> 00:23:26.119
<v Speaker 1>that his doctors knew that, and for a while, that's

423
00:23:26.160 --> 00:23:29.359
<v Speaker 1>the shelf it all stayed on. The problem was Jack

424
00:23:30.039 --> 00:23:33.519
<v Speaker 1>Jack Winer, the identical twin with no head injury and

425
00:23:33.559 --> 00:23:36.839
<v Speaker 1>no epilepsy, living his own life with his wife Mary

426
00:23:37.200 --> 00:23:40.000
<v Speaker 1>had been quietly coming apart at night, too, and he

427
00:23:40.119 --> 00:23:44.200
<v Speaker 1>told almost nobody, But the nightmares he eventually described weren't

428
00:23:44.200 --> 00:23:48.119
<v Speaker 1>generic bad dreams. It was the bright room, the table,

429
00:23:48.720 --> 00:23:50.799
<v Speaker 1>a bench off to the side, with Jim and Chuck

430
00:23:50.799 --> 00:23:54.160
<v Speaker 1>and Charlie on it, naked, sitting there while something came

431
00:23:54.200 --> 00:23:57.400
<v Speaker 1>toward him out of the glare, a dark, thin figure

432
00:23:57.400 --> 00:24:00.920
<v Speaker 1>whose face he'd eventually describe in detail no brother wants

433
00:24:00.960 --> 00:24:04.440
<v Speaker 1>to hear. Jack would wake from these with his heart slamming.

434
00:24:04.759 --> 00:24:08.640
<v Speaker 1>And they kept coming, and they kept getting worse. Two men,

435
00:24:09.000 --> 00:24:12.720
<v Speaker 1>one brain injury between them and the same room. There

436
00:24:12.759 --> 00:24:15.599
<v Speaker 1>was one more thing, a physical detail, Ray Fowler would

437
00:24:15.640 --> 00:24:18.359
<v Speaker 1>later put a spotlight on. At some point a lump

438
00:24:18.400 --> 00:24:21.759
<v Speaker 1>appeared above Jack shn over the tibia, and by the

439
00:24:21.759 --> 00:24:25.839
<v Speaker 1>family's account, it showed up essentially overnight. It got looked at,

440
00:24:26.119 --> 00:24:29.240
<v Speaker 1>and eventually surgeons removed it, and nothing about it settled

441
00:24:29.240 --> 00:24:31.839
<v Speaker 1>the case in either direction. So I'm not going to

442
00:24:31.880 --> 00:24:34.880
<v Speaker 1>inflate it the way some retellings do. A lump on

443
00:24:34.920 --> 00:24:38.000
<v Speaker 1>a leg is a lump on a leg. But Jack

444
00:24:38.079 --> 00:24:42.440
<v Speaker 1>had been dreaming specifically and repeatedly about spindly hands taking

445
00:24:42.440 --> 00:24:45.039
<v Speaker 1>a sample from his leg, and you can imagine what

446
00:24:45.079 --> 00:24:46.880
<v Speaker 1>it did to the inside of his head when his

447
00:24:46.960 --> 00:24:50.720
<v Speaker 1>own body produced that. By nineteen eighty eight, Jim had

448
00:24:50.759 --> 00:24:53.920
<v Speaker 1>reached the point everybody in this field eventually reaches where

449
00:24:53.960 --> 00:24:57.160
<v Speaker 1>the cost of looking finally drops below the cost of

450
00:24:57.279 --> 00:25:00.319
<v Speaker 1>not looking. Through the orbit of his treatment and the

451
00:25:00.319 --> 00:25:03.240
<v Speaker 1>people around it, he ended up at a UFO conference

452
00:25:03.279 --> 00:25:07.640
<v Speaker 1>where a veteran investigator named Raymond Fowler was speaking. Fowler's

453
00:25:07.680 --> 00:25:10.240
<v Speaker 1>worth a minute here because his name carries a lot

454
00:25:10.279 --> 00:25:12.839
<v Speaker 1>of weight in this story. He was a director of

455
00:25:12.880 --> 00:25:17.640
<v Speaker 1>investigations for the Mutual UFO Network, a former defense industry man,

456
00:25:17.920 --> 00:25:21.160
<v Speaker 1>methodical and prolific, and by the late eighties, one of

457
00:25:21.160 --> 00:25:24.480
<v Speaker 1>the most respected casemen in the field. He was also

458
00:25:24.559 --> 00:25:27.920
<v Speaker 1>the investigator behind the Betty andreas An Affair, one of

459
00:25:27.960 --> 00:25:31.920
<v Speaker 1>the most elaborate abduction narratives ever assembled, built in large

460
00:25:31.960 --> 00:25:36.519
<v Speaker 1>part through hypnotic regression. Fowler believed in the phenomena, and

461
00:25:36.559 --> 00:25:39.359
<v Speaker 1>he believed in hypnosis as the tool for reaching it.

462
00:25:40.160 --> 00:25:42.359
<v Speaker 1>So when Jim Winer walked up to him after that

463
00:25:42.480 --> 00:25:45.960
<v Speaker 1>lecture and laid out the lake, the light, the beam,

464
00:25:46.480 --> 00:25:49.200
<v Speaker 1>the fire, and twelve years of nightmares running in two

465
00:25:49.279 --> 00:25:53.000
<v Speaker 1>separate households, Fowler recognized the shape of the thing. Immediately

466
00:25:53.839 --> 00:25:56.599
<v Speaker 1>he took the case and the machinery started to turn.

467
00:25:57.319 --> 00:26:00.599
<v Speaker 1>It's worth understanding what that machinery was in nineteen eighty eight,

468
00:26:01.000 --> 00:26:04.759
<v Speaker 1>because abduction research had become a genuine cottage industry by then.

469
00:26:05.599 --> 00:26:08.480
<v Speaker 1>Bud Hopkins had published Missing Time in eighty one and

470
00:26:08.519 --> 00:26:11.480
<v Speaker 1>Intruders in eighty seven, books that laid out a whole

471
00:26:11.519 --> 00:26:15.920
<v Speaker 1>methodology for cases exactly like this one. The Unexplained Sighting,

472
00:26:16.319 --> 00:26:20.279
<v Speaker 1>the Gap the Nightmares years later, the regression that fills

473
00:26:20.319 --> 00:26:25.319
<v Speaker 1>in the blank. Muffon had investigators and forms and protocols.

474
00:26:25.799 --> 00:26:27.319
<v Speaker 2>There were support groups.

475
00:26:26.920 --> 00:26:32.799
<v Speaker 1>For experiencers, conferences, questionnaires, a shared vocabulary. Whatever you think

476
00:26:32.839 --> 00:26:34.839
<v Speaker 1>of all that, and I'll get to what I think.

477
00:26:35.240 --> 00:26:38.559
<v Speaker 1>The point is that Jim Winer didn't wander into a vacuum.

478
00:26:38.920 --> 00:26:41.640
<v Speaker 1>He walked into a fully built system that knew exactly

479
00:26:41.680 --> 00:26:43.880
<v Speaker 1>what to do with a man like him, and the

480
00:26:43.920 --> 00:26:47.400
<v Speaker 1>system did it. The investigation that followed is a big

481
00:26:47.440 --> 00:26:50.880
<v Speaker 1>part of why Aligosh got the reputation it did, because

482
00:26:50.920 --> 00:26:53.960
<v Speaker 1>Fowler didn't just book a hypnotist and a tape recorder.

483
00:26:54.799 --> 00:26:57.559
<v Speaker 1>Over the course of the inquiry, his team ran background

484
00:26:57.640 --> 00:27:01.960
<v Speaker 1>checks on all four witnesses, pulled meta records, collected diaries,

485
00:27:02.119 --> 00:27:04.640
<v Speaker 1>and cross checked the men's accounts of the trip against

486
00:27:04.680 --> 00:27:07.440
<v Speaker 1>each other and against the physical realities of the waterway,

487
00:27:08.119 --> 00:27:11.759
<v Speaker 1>They arranged psychological evaluations, and at the center of it

488
00:27:11.799 --> 00:27:16.279
<v Speaker 1>all sat fifteen hypnosis sessions spread across fourteen months, run

489
00:27:16.319 --> 00:27:21.440
<v Speaker 1>by a certified hypnotherapist out of Beverly, Massachusetts named Anthony Constantino.

490
00:27:22.279 --> 00:27:26.200
<v Speaker 1>The ground rules mattered because Fowler understood the obvious objection.

491
00:27:27.160 --> 00:27:29.519
<v Speaker 1>Four friends who've had twelve years to talk to each

492
00:27:29.559 --> 00:27:33.640
<v Speaker 1>other are contaminated witnesses by definition. So the men were

493
00:27:33.680 --> 00:27:37.279
<v Speaker 1>regressed separately, and they agreed not to discuss the content

494
00:27:37.319 --> 00:27:39.480
<v Speaker 1>of their sessions with each other. While the work was

495
00:27:39.519 --> 00:27:42.720
<v Speaker 1>going on. Each man went under a loan with no

496
00:27:42.880 --> 00:27:46.000
<v Speaker 1>audience of buddies nodding along, and told his story to

497
00:27:46.039 --> 00:27:49.680
<v Speaker 1>the tape. If you've never seen a regression session, it's

498
00:27:49.720 --> 00:27:53.680
<v Speaker 1>nothing like the stage version. There's no swinging. Watch the

499
00:27:53.759 --> 00:27:57.799
<v Speaker 1>subject reclines, The hypnotist talks him down into deep relaxation,

500
00:27:58.240 --> 00:28:01.160
<v Speaker 1>and then walks him backward through time toward the target event,

501
00:28:01.839 --> 00:28:05.960
<v Speaker 1>asking open questions, where are you, what do you see?

502
00:28:06.519 --> 00:28:08.640
<v Speaker 1>What happens next? Done?

503
00:28:08.680 --> 00:28:09.000
<v Speaker 2>Well?

504
00:28:09.319 --> 00:28:12.839
<v Speaker 1>It's quiet and slow and tedious right up until it isn't.

505
00:28:13.559 --> 00:28:18.000
<v Speaker 1>With these four men, it stopped being tedious fast. Constantino

506
00:28:18.039 --> 00:28:21.279
<v Speaker 1>would later call the aligish sessions the most intense experience

507
00:28:21.279 --> 00:28:24.119
<v Speaker 1>of his career as a hypnotist, and the tapes back

508
00:28:24.200 --> 00:28:29.480
<v Speaker 1>him up. These weren't calm recitations. The men wept, they shook,

509
00:28:29.960 --> 00:28:33.640
<v Speaker 1>they begged, grown men in a Massachusetts office in nineteen

510
00:28:33.680 --> 00:28:37.480
<v Speaker 1>eighty nine, reliving something with their bodies, whatever their minds

511
00:28:37.519 --> 00:28:41.200
<v Speaker 1>had or hadn't manufactured. Here's the account that came out

512
00:28:41.200 --> 00:28:45.359
<v Speaker 1>of those fifteen sessions, assembled from four separate chairs. The

513
00:28:45.400 --> 00:28:48.440
<v Speaker 1>memory picks up where the conscious version cuts out. In

514
00:28:48.480 --> 00:28:52.799
<v Speaker 1>the canoe inside the light, The men described being taken

515
00:28:52.880 --> 00:28:57.079
<v Speaker 1>up the beam, not climbing, rising, drawn up out of

516
00:28:57.079 --> 00:28:59.799
<v Speaker 1>the canoe and into the underside of the object into

517
00:28:59.839 --> 00:29:02.119
<v Speaker 1>a place. None of them had words for it first,

518
00:29:02.519 --> 00:29:05.839
<v Speaker 1>so they reached for the words they had. Charlie Folt

519
00:29:05.880 --> 00:29:08.319
<v Speaker 1>said it was like a doctor's office, and cold, the

520
00:29:08.319 --> 00:29:11.599
<v Speaker 1>way a doctor's office is cold. Chuck Rack said it

521
00:29:11.640 --> 00:29:14.400
<v Speaker 1>reminded him of a vet's office. Hard surfaces and a

522
00:29:14.440 --> 00:29:17.519
<v Speaker 1>silvery table, everything bright with light that didn't seem to

523
00:29:17.559 --> 00:29:21.400
<v Speaker 1>come from anywhere, and they weren't alone in it. The beings,

524
00:29:21.400 --> 00:29:24.559
<v Speaker 1>as all four described them, were slender and gray skinned,

525
00:29:24.880 --> 00:29:28.920
<v Speaker 1>with oversized heads on thin necks, long, languid limbs and

526
00:29:28.960 --> 00:29:32.160
<v Speaker 1>hands with four digits. The eyes were the detail that

527
00:29:32.200 --> 00:29:36.079
<v Speaker 1>broke everybody's composure, large and dark, with no pupils anyone

528
00:29:36.119 --> 00:29:38.839
<v Speaker 1>could find, and Jack compared the way they caught the

529
00:29:38.960 --> 00:29:42.680
<v Speaker 1>light to glass, no hair, nothing you'd call a nose,

530
00:29:42.799 --> 00:29:45.279
<v Speaker 1>and a slit where a mouth should be that never moved,

531
00:29:45.799 --> 00:29:49.599
<v Speaker 1>because when they communicated, the words just arrived inside the

532
00:29:49.640 --> 00:29:54.359
<v Speaker 1>head without sound. Jack repeated, under hypnosis, what got pressed

533
00:29:54.400 --> 00:29:57.119
<v Speaker 1>into him while their faces hung inches from his own.

534
00:29:57.880 --> 00:30:01.160
<v Speaker 1>Don't be afraid, do what we say, Just do what

535
00:30:01.200 --> 00:30:05.039
<v Speaker 1>we say. Stay tuned for more backwoods Bigfoot stories. We'll

536
00:30:05.039 --> 00:30:09.359
<v Speaker 1>be back after these messages. The men were made to

537
00:30:09.440 --> 00:30:12.440
<v Speaker 1>undress and they were seated together on a bench, which

538
00:30:12.480 --> 00:30:14.640
<v Speaker 1>is the image that had been surfacing in the twins'

539
00:30:14.720 --> 00:30:19.000
<v Speaker 1>nightmares for years before anyone ever went under the bright room.

540
00:30:19.400 --> 00:30:21.880
<v Speaker 1>The bench, the four of them naked and not helping

541
00:30:21.880 --> 00:30:26.799
<v Speaker 1>each other. Under hypnosis, that picture finally got its context.

542
00:30:27.039 --> 00:30:31.440
<v Speaker 1>They weren't refusing to help, they couldn't. Each man described

543
00:30:31.480 --> 00:30:34.880
<v Speaker 1>a controlled passivity watching what happened to his friends with

544
00:30:34.920 --> 00:30:38.119
<v Speaker 1>his own will, idling and neutral. One at a time,

545
00:30:38.200 --> 00:30:41.400
<v Speaker 1>they were taken to the table the examinations as they

546
00:30:41.400 --> 00:30:45.759
<v Speaker 1>came back were methodical and cold, a curved silvery instrument,

547
00:30:46.279 --> 00:30:50.279
<v Speaker 1>a panel positioned over the chest, scrapings taken from the arms,

548
00:30:50.559 --> 00:30:56.559
<v Speaker 1>the chest, the legs, and the thighs. Samples of fluids, blood, urine,

549
00:30:56.640 --> 00:31:00.200
<v Speaker 1>and semen. That last one collected by a device. Men

550
00:31:00.240 --> 00:31:04.039
<v Speaker 1>could describe but couldn't explain. Charlie on the table kept

551
00:31:04.079 --> 00:31:06.680
<v Speaker 1>coming back to one small human thought running on a

552
00:31:06.720 --> 00:31:09.599
<v Speaker 1>loop underneath the whole procedure, that he just wanted to

553
00:31:09.640 --> 00:31:13.039
<v Speaker 1>be back in the canoe. Chuck, watching from the bench,

554
00:31:13.319 --> 00:31:16.079
<v Speaker 1>described some kind of device on Charlie's body and his

555
00:31:16.160 --> 00:31:20.200
<v Speaker 1>own complete inability to do anything about it. Jim Session

556
00:31:20.279 --> 00:31:23.039
<v Speaker 1>produced the line that, for my money, is the most

557
00:31:23.160 --> 00:31:26.640
<v Speaker 1>human thing on any of those tapes. It's not a description,

558
00:31:27.240 --> 00:31:30.000
<v Speaker 1>it's a judgment, delivered with the anger of a man

559
00:31:30.039 --> 00:31:33.599
<v Speaker 1>who's finally located the source of twelve bad years. I

560
00:31:33.640 --> 00:31:36.400
<v Speaker 1>don't like these things. I don't care where they come from.

561
00:31:37.039 --> 00:31:40.680
<v Speaker 1>They shouldn't be doing this to people. Chuck Rack's account

562
00:31:40.680 --> 00:31:43.359
<v Speaker 1>had a wrinkle all its own, and it's a strange one.

563
00:31:44.079 --> 00:31:46.359
<v Speaker 1>He reported that he had trouble seeing the beings at

564
00:31:46.400 --> 00:31:49.720
<v Speaker 1>all when he tried to focus on them directly. The

565
00:31:49.759 --> 00:31:52.480
<v Speaker 1>image wouldn't resolve, and he compared it to trying to

566
00:31:52.559 --> 00:31:55.799
<v Speaker 1>tune in a fuzzy radio station, the signal there but

567
00:31:55.920 --> 00:31:59.720
<v Speaker 1>never locking in. Believers have read that as some perceptual

568
00:31:59.759 --> 00:32:03.319
<v Speaker 1>of effect of the beings themselves. Skeptics have read it

569
00:32:03.359 --> 00:32:06.480
<v Speaker 1>as a man whose imagery simply wasn't producing, And that

570
00:32:06.599 --> 00:32:10.119
<v Speaker 1>detail gets very interesting later in this story, because Chuck

571
00:32:10.240 --> 00:32:15.000
<v Speaker 1>Rack isn't done surprising anybody. The sessions themselves stretched across

572
00:32:15.039 --> 00:32:17.279
<v Speaker 1>more than a year, and by the accounts of the

573
00:32:17.319 --> 00:32:20.119
<v Speaker 1>people in the room, they had to be paced carefully

574
00:32:20.359 --> 00:32:24.359
<v Speaker 1>and sometimes eased back when the distress ran too high.

575
00:32:24.400 --> 00:32:26.400
<v Speaker 1>Through all of it, the men kept their agreement not

576
00:32:26.480 --> 00:32:29.200
<v Speaker 1>to compare notes while the work was live, and that's

577
00:32:29.240 --> 00:32:32.759
<v Speaker 1>a harder promise than it sounds. Four friends carrying the

578
00:32:32.799 --> 00:32:36.000
<v Speaker 1>worst material of their lives forbidden to hand any of

579
00:32:36.039 --> 00:32:38.799
<v Speaker 1>it to the only three people on earth who'd understand it,

580
00:32:39.160 --> 00:32:42.720
<v Speaker 1>and the pact held anyway. Whatever else turns out to

581
00:32:42.759 --> 00:32:46.440
<v Speaker 1>be true about the Aligosh four, they took the process seriously.

582
00:32:47.400 --> 00:32:50.880
<v Speaker 1>Fowler's investigation also concluded that the beings showed a particular

583
00:32:50.920 --> 00:32:53.880
<v Speaker 1>interest in the twins, and whatever you make of the case,

584
00:32:54.200 --> 00:32:56.680
<v Speaker 1>you have to admit the logic hangs together in a

585
00:32:56.720 --> 00:32:59.920
<v Speaker 1>cold sort of way. If your project is sampling as

586
00:33:00.000 --> 00:33:04.400
<v Speaker 1>species identical twins are a gift. Two organisms running the

587
00:33:04.440 --> 00:33:08.920
<v Speaker 1>same genetic code down two separate lives, a natural experiment

588
00:33:09.000 --> 00:33:12.480
<v Speaker 1>delivered to your table in one canoe. That thread runs

589
00:33:12.519 --> 00:33:14.920
<v Speaker 1>through the whole file, from the attention Jim and Jack

590
00:33:14.960 --> 00:33:17.640
<v Speaker 1>described during the exams, to the fact that it was

591
00:33:17.680 --> 00:33:21.400
<v Speaker 1>both brothers and only the brothers at first, whose nights

592
00:33:21.400 --> 00:33:24.960
<v Speaker 1>came apart in the years afterward, and the language the

593
00:33:25.000 --> 00:33:27.480
<v Speaker 1>men used for the beings never went where the movies

594
00:33:27.519 --> 00:33:31.839
<v Speaker 1>would take it. Nobody described menace exactly or faces you

595
00:33:31.839 --> 00:33:35.480
<v Speaker 1>could read anger or appetite. In what came through on

596
00:33:35.559 --> 00:33:38.839
<v Speaker 1>those tapes over and over was something worse in its

597
00:33:38.880 --> 00:33:42.440
<v Speaker 1>own way, a total absence of anything to negotiate with

598
00:33:43.319 --> 00:33:47.559
<v Speaker 1>Jack groping for a comparison reached for insects, the hands,

599
00:33:47.880 --> 00:33:51.720
<v Speaker 1>the movement, the indifference, and you don't plead with the mantis.

600
00:33:52.720 --> 00:33:55.519
<v Speaker 1>Charlie's doctor's office line lands the same way once you

601
00:33:55.559 --> 00:34:00.319
<v Speaker 1>turn it over. Not cruelty procedure. Jim's fury on the

602
00:34:00.359 --> 00:34:03.240
<v Speaker 1>tape is the fury of a man who understands that

603
00:34:03.279 --> 00:34:06.680
<v Speaker 1>the things he's angry at wouldn't even recognize the complaint

604
00:34:07.480 --> 00:34:10.440
<v Speaker 1>when it was over. By their account, they were returned

605
00:34:11.199 --> 00:34:14.119
<v Speaker 1>down the beam, into the canoe, and deposited back into

606
00:34:14.159 --> 00:34:17.639
<v Speaker 1>the ordinary night, with their memories already sealed. Over four

607
00:34:17.679 --> 00:34:20.519
<v Speaker 1>men standing on a beach, feeling nothing but a heavy,

608
00:34:20.679 --> 00:34:23.920
<v Speaker 1>wrong calm, looking at a fire that had burned down

609
00:34:23.960 --> 00:34:27.199
<v Speaker 1>hours too soon. That was the story on the tapes,

610
00:34:27.760 --> 00:34:31.280
<v Speaker 1>four versions of it, taken separately. And the claim that

611
00:34:31.400 --> 00:34:35.800
<v Speaker 1>made Alligash famous is that they matched, not word for word,

612
00:34:36.079 --> 00:34:39.760
<v Speaker 1>because real corroboration never works that way, and word for

613
00:34:39.800 --> 00:34:43.719
<v Speaker 1>word agreement is what rehearsal looks like. These accounts matched,

614
00:34:44.119 --> 00:34:47.000
<v Speaker 1>agreeing on the structure and the substance, while differing in

615
00:34:47.079 --> 00:34:51.440
<v Speaker 1>vantage and detail. The beam, the rising, the cold room,

616
00:34:51.880 --> 00:34:55.480
<v Speaker 1>the bench, the undressing, the table and the curved instrument.

617
00:34:55.920 --> 00:34:59.440
<v Speaker 1>The scrapings and the samples and the beings got described

618
00:34:59.480 --> 00:35:02.239
<v Speaker 1>consistently enough that when the four of them sat down

619
00:35:02.320 --> 00:35:06.000
<v Speaker 1>and drew what they'd seen trained artists, all the sketches

620
00:35:06.039 --> 00:35:11.519
<v Speaker 1>lined up, the heads, the eyes, the hands. Fowler put

621
00:35:11.519 --> 00:35:14.360
<v Speaker 1>those drawings side by side, and they read like four

622
00:35:14.400 --> 00:35:18.840
<v Speaker 1>witnesses describing the same suspect. That's the other thing Aligosh

623
00:35:18.880 --> 00:35:22.480
<v Speaker 1>had that most cases don't. These men could draw. When

624
00:35:22.480 --> 00:35:25.199
<v Speaker 1>a truck driver tells you the entity had strange hands,

625
00:35:25.480 --> 00:35:28.519
<v Speaker 1>you get an adjective. When a sculptor tells you, you

626
00:35:28.559 --> 00:35:31.639
<v Speaker 1>get a rendering. And the Alligash file filled up with

627
00:35:31.719 --> 00:35:35.760
<v Speaker 1>detailed sketches of the beings, the instruments, the interior of

628
00:35:35.800 --> 00:35:39.840
<v Speaker 1>the craft, and the object over the trees. Fowler pushed

629
00:35:39.840 --> 00:35:42.840
<v Speaker 1>the work past the tapes too. The four men sat

630
00:35:42.880 --> 00:35:46.920
<v Speaker 1>for polygraph examinations and all four passed. They sat for

631
00:35:47.000 --> 00:35:50.679
<v Speaker 1>psychiatric evaluation, and the finding was that all four were

632
00:35:50.719 --> 00:35:53.719
<v Speaker 1>mentally stable, with none of the pathologies that would have

633
00:35:53.760 --> 00:35:57.679
<v Speaker 1>offered an easy exit from the case. No psychosis, no

634
00:35:57.840 --> 00:36:03.880
<v Speaker 1>fantasy prone profiles, four sane, functional, employed adult men. Fowler

635
00:36:03.960 --> 00:36:07.159
<v Speaker 1>also went digging through their histories and surfaced claims of

636
00:36:07.159 --> 00:36:10.920
<v Speaker 1>odd experiences running back into the twins childhoods, and he

637
00:36:11.000 --> 00:36:14.360
<v Speaker 1>weighed Jack's overnight lump. And he ran the whole account

638
00:36:14.400 --> 00:36:17.000
<v Speaker 1>against a survey of some two hundred and seventy abduction

639
00:36:17.159 --> 00:36:21.360
<v Speaker 1>reports compiled by the folklors Thomas Bullard at Indiana University,

640
00:36:21.800 --> 00:36:25.000
<v Speaker 1>checking Alligash against the patterns that kept recurring across the

641
00:36:25.039 --> 00:36:30.519
<v Speaker 1>literature the interest in reproduction, the sampling, the paralysis, the

642
00:36:30.519 --> 00:36:34.360
<v Speaker 1>missing time. By Fowler's scoring, Aligash.

643
00:36:33.880 --> 00:36:36.039
<v Speaker 2>Hit the marks. When the work was done.

644
00:36:36.119 --> 00:36:38.519
<v Speaker 1>The case file ran to ten volumes and more than

645
00:36:38.559 --> 00:36:42.320
<v Speaker 1>seven hundred pages, and in nineteen ninety three, Fowler published

646
00:36:42.360 --> 00:36:45.679
<v Speaker 1>it all as a book called the Alligash Abductions, and

647
00:36:45.719 --> 00:36:48.639
<v Speaker 1>the four quiet art school friends from Boston stopped being

648
00:36:48.719 --> 00:36:52.920
<v Speaker 1>quiet forever. The book landed at the absolute high tide

649
00:36:52.960 --> 00:36:56.920
<v Speaker 1>of abduction culture in America. Whitley Strieber's Communion had spent

650
00:36:57.000 --> 00:37:00.000
<v Speaker 1>months on the bestseller lists back in nineteen eighty seven,

651
00:37:00.559 --> 00:37:03.400
<v Speaker 1>with that gaunt, almond eyed face staring off the cover

652
00:37:03.679 --> 00:37:07.719
<v Speaker 1>from every airport book rack in the country. Bud Hopkins

653
00:37:07.760 --> 00:37:11.719
<v Speaker 1>was filling lecture halls. A Pulitzer winning Harvard psychiatrist named

654
00:37:11.800 --> 00:37:14.719
<v Speaker 1>John Mack was about to carry the whole phenomenon into

655
00:37:14.800 --> 00:37:17.639
<v Speaker 1>the Ivy League at real cost to his own career,

656
00:37:18.239 --> 00:37:21.239
<v Speaker 1>because Harvard would eventually convene a committee to review his work,

657
00:37:21.559 --> 00:37:23.920
<v Speaker 1>and he'd spend years defending his right to take these

658
00:37:23.920 --> 00:37:27.840
<v Speaker 1>patients seriously. Mac himself took an interest in the Alligash

659
00:37:27.880 --> 00:37:31.480
<v Speaker 1>case because it posed his favorite question in its purest form,

660
00:37:32.159 --> 00:37:35.239
<v Speaker 1>what do you do with sane, stable, credible people who

661
00:37:35.280 --> 00:37:39.320
<v Speaker 1>report impossible things and carry real trauma over them. He

662
00:37:39.400 --> 00:37:41.920
<v Speaker 1>never claimed to have the answer, but he insisted to

663
00:37:42.000 --> 00:37:44.400
<v Speaker 1>the end of his life that the suffering was genuine

664
00:37:44.599 --> 00:37:47.639
<v Speaker 1>and the people weren't crazy. And Aligash let him make

665
00:37:47.639 --> 00:37:51.360
<v Speaker 1>that argument with a straight face, because the psychiatric workups

666
00:37:51.400 --> 00:37:54.000
<v Speaker 1>were already sitting in the file and they were clean.

667
00:37:55.079 --> 00:37:58.800
<v Speaker 1>The Alligash four, as the press started calling them, got

668
00:37:58.800 --> 00:38:02.960
<v Speaker 1>the full ride. There was the Unsolved Mystery segment with

669
00:38:03.039 --> 00:38:06.119
<v Speaker 1>the re enactment that burned this case into a whole generation,

670
00:38:06.840 --> 00:38:10.559
<v Speaker 1>the Canoe on black Water, the Cone of Light, the Bench.

671
00:38:11.480 --> 00:38:15.079
<v Speaker 1>There was the daytime television circuit, including a sit down

672
00:38:15.119 --> 00:38:17.679
<v Speaker 1>on the Joan Rivers Show, which is a sentence I

673
00:38:17.719 --> 00:38:21.519
<v Speaker 1>still enjoy saying out loud. Four men who'd spent over

674
00:38:21.559 --> 00:38:23.880
<v Speaker 1>a decade afraid to bring this up at parties were

675
00:38:23.920 --> 00:38:28.719
<v Speaker 1>now describing Semen extraction to a national audience between commercial breaks.

676
00:38:29.280 --> 00:38:31.320
<v Speaker 1>Their sketches took on a life of their own in

677
00:38:31.360 --> 00:38:35.280
<v Speaker 1>those years too, because these four could actually draw their

678
00:38:35.320 --> 00:38:38.559
<v Speaker 1>renderings of the beings in the craft traveled far beyond

679
00:38:38.599 --> 00:38:43.280
<v Speaker 1>the case file, reproduced in books, flashed on television, pinned

680
00:38:43.320 --> 00:38:47.679
<v Speaker 1>up at conferences. Jack's drawings, in particular, the long hands,

681
00:38:47.719 --> 00:38:52.840
<v Speaker 1>the domed heads, those eyes became reference images, the pictures

682
00:38:52.880 --> 00:38:56.039
<v Speaker 1>other people pointed at when they said, that's what I saw,

683
00:38:56.639 --> 00:38:59.760
<v Speaker 1>which creates a genuine chicken and egg problem that both

684
00:38:59.760 --> 00:39:03.320
<v Speaker 1>sides of this debate have to live with. Believers say

685
00:39:03.320 --> 00:39:06.599
<v Speaker 1>the drawings match the wider phenomenon because the phenomenon is

686
00:39:06.679 --> 00:39:10.960
<v Speaker 1>real and consistent. Skeptics say the wider phenomenon matches the

687
00:39:11.039 --> 00:39:14.480
<v Speaker 1>drawings and communions cover and the Betty and Barney Hill

688
00:39:14.599 --> 00:39:18.440
<v Speaker 1>reconstructions because the imagery was feeding on itself by then

689
00:39:19.119 --> 00:39:22.760
<v Speaker 1>every famous case, quietly teaching the next witness what to remember.

690
00:39:23.480 --> 00:39:24.840
<v Speaker 2>Either way, four.

691
00:39:24.719 --> 00:39:27.280
<v Speaker 1>Art students from Boston helped paint the face that now

692
00:39:27.320 --> 00:39:30.960
<v Speaker 1>stares out from every gas station Alien keychain in America.

693
00:39:31.599 --> 00:39:32.440
<v Speaker 2>There's a version of.

694
00:39:32.360 --> 00:39:35.519
<v Speaker 1>This story where that's their whole legacy, and there's another

695
00:39:35.639 --> 00:39:36.360
<v Speaker 1>version where.

696
00:39:36.159 --> 00:39:37.599
<v Speaker 2>It's the least of it.

697
00:39:37.599 --> 00:39:40.119
<v Speaker 1>It's easy from the outside to look at all those

698
00:39:40.159 --> 00:39:43.320
<v Speaker 1>television appearances and think payday, and we're going to get

699
00:39:43.360 --> 00:39:46.159
<v Speaker 1>to the money because one of the four eventually put

700
00:39:46.159 --> 00:39:49.280
<v Speaker 1>the money at the center of everything. But going public

701
00:39:49.280 --> 00:39:51.840
<v Speaker 1>as an abductee in the early nineties bought you a

702
00:39:51.920 --> 00:39:55.880
<v Speaker 1>very specific life. Strangers at your art shows asking about

703
00:39:55.880 --> 00:39:59.559
<v Speaker 1>the ship instead of the work, neighbors doing the eyebrow

704
00:39:59.639 --> 00:40:02.840
<v Speaker 1>thing job, interviews where you could watch the moment the

705
00:40:02.880 --> 00:40:06.840
<v Speaker 1>interviewer placed your name, your kids, friend's parents, having quiet

706
00:40:06.880 --> 00:40:11.159
<v Speaker 1>conversations you weren't part of the word. Abductee is a tattoo,

707
00:40:11.639 --> 00:40:13.800
<v Speaker 1>and these four men took it in an era when

708
00:40:13.840 --> 00:40:17.199
<v Speaker 1>there was no polite cultural category for what they were claiming,

709
00:40:17.719 --> 00:40:21.239
<v Speaker 1>just the tabloid one. Charlie Foltz, years down the road,

710
00:40:21.320 --> 00:40:23.960
<v Speaker 1>boiled his whole position down to a shrug. And I

711
00:40:24.000 --> 00:40:27.559
<v Speaker 1>find it more persuasive than most sworn testimony.

712
00:40:27.000 --> 00:40:30.000
<v Speaker 2>I've ever heard. If you believe it, that's all right.

713
00:40:30.639 --> 00:40:33.079
<v Speaker 1>If you don't believe it, I don't care, because it

714
00:40:33.119 --> 00:40:37.079
<v Speaker 1>did happen. For about two decades. That's where Alligash stood.

715
00:40:37.559 --> 00:40:41.960
<v Speaker 1>Four witnesses, one story, no cracks. If you were building

716
00:40:42.039 --> 00:40:45.280
<v Speaker 1>the argument for the abduction phenomenon in nineteen ninety five,

717
00:40:45.920 --> 00:40:49.440
<v Speaker 1>this case was a load bearing wall. Betty and Barney

718
00:40:49.519 --> 00:40:51.960
<v Speaker 1>Hill were two witnesses who were married to each other.

719
00:40:52.639 --> 00:40:56.320
<v Speaker 1>Travis Walton's logging crew saw a craft, but only Walton

720
00:40:56.400 --> 00:41:01.920
<v Speaker 1>went aboard Aligash had four separate men, four separate regressions,

721
00:41:02.400 --> 00:41:07.000
<v Speaker 1>four matching accounts, four past polygraphs, and a seven hundred

722
00:41:07.039 --> 00:41:10.599
<v Speaker 1>page file. But after the wave crested, the four went

723
00:41:10.679 --> 00:41:14.960
<v Speaker 1>back to their lives or tried to. The art careers continued.

724
00:41:15.360 --> 00:41:18.639
<v Speaker 1>The story became a permanent line in each of their biographies,

725
00:41:18.920 --> 00:41:22.480
<v Speaker 1>wheeled out every August by anniversary features and every few

726
00:41:22.559 --> 00:41:26.960
<v Speaker 1>years by another documentary crew. Jim stayed the most engaged

727
00:41:27.000 --> 00:41:29.639
<v Speaker 1>with the research world, and the others drifted out to

728
00:41:29.679 --> 00:41:33.039
<v Speaker 1>their own distances from it, and somewhere in those years,

729
00:41:33.440 --> 00:41:36.679
<v Speaker 1>quietly out of the public eye, the friendship at the

730
00:41:36.679 --> 00:41:39.679
<v Speaker 1>center of the whole thing began to rot. Money that

731
00:41:39.760 --> 00:41:43.800
<v Speaker 1>never materialized, grievances over who said what to which, producer

732
00:41:44.559 --> 00:41:47.400
<v Speaker 1>the ordinary corrosion that sets in when four people are

733
00:41:47.480 --> 00:41:50.239
<v Speaker 1>chained together by the strangest night of their lives and

734
00:41:50.280 --> 00:41:53.880
<v Speaker 1>can never ever put it down. By the twenty tens,

735
00:41:54.000 --> 00:41:56.480
<v Speaker 1>Chuck Rack and the other three were done with each other.

736
00:41:57.039 --> 00:42:01.079
<v Speaker 1>Then came twenty sixteen. In late August of that year,

737
00:42:01.320 --> 00:42:03.599
<v Speaker 1>forty years almost to the week after the night on

738
00:42:03.679 --> 00:42:07.039
<v Speaker 1>Eagle Lake, a reporter for a main newspaper got Chuck

739
00:42:07.119 --> 00:42:10.119
<v Speaker 1>Rack on the phone. Raq was in a motel room

740
00:42:10.119 --> 00:42:13.239
<v Speaker 1>in Bethany, Missouri, a long way from the Alligash in

741
00:42:13.320 --> 00:42:17.880
<v Speaker 1>every sense, and he decided he was done. The abduction

742
00:42:18.000 --> 00:42:21.760
<v Speaker 1>he said didn't happen. His words from that interview detonated

743
00:42:21.800 --> 00:42:24.599
<v Speaker 1>a twenty three year old case in two sentences, the

744
00:42:24.639 --> 00:42:27.280
<v Speaker 1>reason I supported the story at first was because I

745
00:42:27.320 --> 00:42:30.840
<v Speaker 1>wanted to make money, And then describing the mindset of

746
00:42:30.880 --> 00:42:32.719
<v Speaker 1>the group during the flush years of the book and

747
00:42:32.760 --> 00:42:36.280
<v Speaker 1>the television circuit, we were compelled to stay together, all

748
00:42:36.320 --> 00:42:38.880
<v Speaker 1>speculating that this thing could go into the millions of

749
00:42:38.880 --> 00:42:42.320
<v Speaker 1>dollars for each of us. But the fact is we

750
00:42:42.400 --> 00:42:45.760
<v Speaker 1>made very little money. Now, a recantation is evidence too,

751
00:42:46.199 --> 00:42:49.599
<v Speaker 1>and it's exactly as messy as original testimony. So it's

752
00:42:49.599 --> 00:42:52.679
<v Speaker 1>worth slowing down and looking at what RAC actually took back,

753
00:42:53.159 --> 00:42:56.599
<v Speaker 1>because it's narrower than the headlines made it sound. He

754
00:42:56.639 --> 00:42:59.119
<v Speaker 1>didn't say the trip was fake. He didn't say the

755
00:42:59.159 --> 00:43:03.159
<v Speaker 1>sighting was fake. In that same interview, he specifically affirmed

756
00:43:03.199 --> 00:43:06.079
<v Speaker 1>that the group witnessed an unidentified object on the night

757
00:43:06.119 --> 00:43:09.840
<v Speaker 1>in question, and another one two nights earlier over Chamberlain Lake.

758
00:43:10.679 --> 00:43:13.280
<v Speaker 1>The lights, according to the man tearing the story down,

759
00:43:13.519 --> 00:43:17.199
<v Speaker 1>were real. What Rack withdrew was the abduction, and even

760
00:43:17.239 --> 00:43:20.440
<v Speaker 1>there his claim was oddly specific. He said his own

761
00:43:20.519 --> 00:43:24.639
<v Speaker 1>hypnosis sessions had produced no abduction recall at all. Nothing

762
00:43:24.679 --> 00:43:28.159
<v Speaker 1>came up for him, and he'd spent years publicly claiming otherwise,

763
00:43:28.639 --> 00:43:31.320
<v Speaker 1>writing along on the recovered memories of the other three,

764
00:43:32.280 --> 00:43:36.719
<v Speaker 1>remember the fuzzy radio station. Even inside the original case file,

765
00:43:36.840 --> 00:43:39.800
<v Speaker 1>back when everybody was still on the same team, Rack's

766
00:43:39.800 --> 00:43:43.000
<v Speaker 1>regression material was the thin one, the account of a

767
00:43:43.000 --> 00:43:45.960
<v Speaker 1>man who couldn't quite bring the beings into focus, who

768
00:43:46.079 --> 00:43:48.320
<v Speaker 1>sat in the story as the watcher on the bench

769
00:43:48.480 --> 00:43:52.119
<v Speaker 1>rather than the subject on the table. Fowler's own records

770
00:43:52.159 --> 00:43:56.239
<v Speaker 1>preserved that scene, and in twenty sixteen, Rack reached down

771
00:43:56.280 --> 00:43:59.119
<v Speaker 1>and tore the case open along it. There's context you

772
00:43:59.119 --> 00:44:02.840
<v Speaker 1>shouldn't skip, though. Rack and the other three had fallen

773
00:44:02.880 --> 00:44:06.320
<v Speaker 1>out badly well before the recantation, and he said so

774
00:44:06.440 --> 00:44:10.400
<v Speaker 1>himself by his telling. The split came first and the

775
00:44:10.440 --> 00:44:13.559
<v Speaker 1>truth telling followed, and you're free to run that causality

776
00:44:13.599 --> 00:44:17.639
<v Speaker 1>in either direction. Maybe a man freed from loyalty finally

777
00:44:17.679 --> 00:44:21.000
<v Speaker 1>said what he'd always known, or maybe a man estranged

778
00:44:21.039 --> 00:44:23.119
<v Speaker 1>and broke took a swing at the thing his former

779
00:44:23.199 --> 00:44:26.800
<v Speaker 1>friends still held sacred. Both versions of that movie look

780
00:44:26.840 --> 00:44:30.639
<v Speaker 1>identical from the cheap seats. And then there's the money itself.

781
00:44:31.119 --> 00:44:34.679
<v Speaker 1>Because Rack's stated motive for the original support was financial,

782
00:44:35.079 --> 00:44:37.519
<v Speaker 1>and his stated grievance was that the money never came.

783
00:44:38.239 --> 00:44:41.960
<v Speaker 1>We made very little. Here's what's strange about that. If

784
00:44:41.960 --> 00:44:44.360
<v Speaker 1>money was the engine, it was the engine for a

785
00:44:44.440 --> 00:44:48.920
<v Speaker 1>story that mostly generated ridicule, a modest book, some television

786
00:44:48.960 --> 00:44:54.239
<v Speaker 1>scale fees, and four permanently strange reputations. Whatever the alligash

787
00:44:54.280 --> 00:44:57.960
<v Speaker 1>for expected what they actually got wouldn't cover a used truck.

788
00:44:58.800 --> 00:45:02.000
<v Speaker 1>And that fact sits just as awkwardly under the other three,

789
00:45:02.440 --> 00:45:04.880
<v Speaker 1>the ones who kept telling the story for decades after

790
00:45:04.920 --> 00:45:07.360
<v Speaker 1>it was obvious there were no millions in it. Stay

791
00:45:07.360 --> 00:45:10.920
<v Speaker 1>tuned for more Backwoods Bigfoot stories. We'll be back after

792
00:45:10.960 --> 00:45:17.559
<v Speaker 1>these messages. People maintain lucrative lies all the time. Maintaining

793
00:45:17.559 --> 00:45:21.199
<v Speaker 1>an unprofitable one for forty years takes something other than greed.

794
00:45:22.079 --> 00:45:25.239
<v Speaker 1>The other three, for the record, didn't budge, not in

795
00:45:25.239 --> 00:45:30.119
<v Speaker 1>twenty sixteen and not after. Jim Winer, Jack Winer, and

796
00:45:30.239 --> 00:45:33.840
<v Speaker 1>Charlie Folts have held their account through the recantation, through

797
00:45:33.880 --> 00:45:37.800
<v Speaker 1>the skeptical pylon that followed it, and through every anniversary,

798
00:45:37.840 --> 00:45:41.760
<v Speaker 1>retelling sense and their position has stayed right where Folts

799
00:45:41.800 --> 00:45:42.840
<v Speaker 1>planted his flag.

800
00:45:43.840 --> 00:45:44.440
<v Speaker 2>It happened.

801
00:45:45.079 --> 00:45:49.159
<v Speaker 1>Believe what you want, So, as of today, the Aligosh

802
00:45:49.159 --> 00:45:51.519
<v Speaker 1>abductions is a case with a three to one split

803
00:45:51.599 --> 00:45:55.039
<v Speaker 1>among its own witnesses, which makes it, depending on where

804
00:45:55.039 --> 00:45:58.800
<v Speaker 1>you already stand, either fatally compromised or more honest than

805
00:45:58.880 --> 00:46:02.239
<v Speaker 1>any case where four p people agree perfectly. For forty years,

806
00:46:03.239 --> 00:46:06.639
<v Speaker 1>the reaction to the recantation split the same way, and

807
00:46:06.760 --> 00:46:09.360
<v Speaker 1>watching it play out told you more about the audience

808
00:46:09.400 --> 00:46:13.079
<v Speaker 1>than the case. Skeptics treated it as the confession that

809
00:46:13.119 --> 00:46:15.920
<v Speaker 1>closed the book, one of the four finally saying the

810
00:46:16.000 --> 00:46:19.480
<v Speaker 1>quiet part out loud, and plenty of headlines ran exactly

811
00:46:19.559 --> 00:46:23.079
<v Speaker 1>that way. The research community pushed back that Rack had

812
00:46:23.119 --> 00:46:26.079
<v Speaker 1>always been the outlier, the man on the bench the

813
00:46:26.079 --> 00:46:29.639
<v Speaker 1>fuzzy radio station, and that his own words confirmed the

814
00:46:29.719 --> 00:46:33.320
<v Speaker 1>sighting even while he was torching the rest. Both sides

815
00:46:33.360 --> 00:46:35.880
<v Speaker 1>claimed the same interview as a win, which is about

816
00:46:35.920 --> 00:46:39.480
<v Speaker 1>the most twenty sixteen thing I can think of. And

817
00:46:39.599 --> 00:46:43.039
<v Speaker 1>underneath the arguing sat three men in their sixties reading

818
00:46:43.079 --> 00:46:45.599
<v Speaker 1>in the newspaper that their old friend had just called

819
00:46:45.639 --> 00:46:50.719
<v Speaker 1>them liars or fools, and declining one more time to blink.

820
00:46:51.599 --> 00:46:54.320
<v Speaker 1>Strip the case down to its load bearing structure, and

821
00:46:54.400 --> 00:46:58.360
<v Speaker 1>everything extraordinary in it, everything beyond lights over a lake,

822
00:46:58.679 --> 00:47:03.800
<v Speaker 1>rests on one foundation. Hypnotic regression performed twelve to thirteen

823
00:47:03.880 --> 00:47:06.800
<v Speaker 1>years after the event, and the history of that tool

824
00:47:07.199 --> 00:47:10.480
<v Speaker 1>is not a happy one. Back in the seventies, police

825
00:47:10.519 --> 00:47:15.559
<v Speaker 1>departments across the country embraced forensic hypnosis with real enthusiasm.

826
00:47:15.719 --> 00:47:19.199
<v Speaker 1>Los Angeles trained officers in it. Investigators used it to

827
00:47:19.239 --> 00:47:23.000
<v Speaker 1>sharpen witness recall in kidnappings and homicides, and for a

828
00:47:23.039 --> 00:47:26.800
<v Speaker 1>while it looked like a miracle because hypnotized witnesses produced

829
00:47:26.960 --> 00:47:32.320
<v Speaker 1>so much plate, numbers, faces, dialogue, all of it flowing

830
00:47:32.400 --> 00:47:35.719
<v Speaker 1>like water from a tap. Then the science caught up

831
00:47:36.039 --> 00:47:39.559
<v Speaker 1>and the news was bad. Memory, it turns out, isn't

832
00:47:39.599 --> 00:47:44.599
<v Speaker 1>stored footage that hypnosis can rewind. It's a reconstruction, rebuilt

833
00:47:44.599 --> 00:47:47.679
<v Speaker 1>fresh every time you recall it, and hypnosis is a

834
00:47:47.719 --> 00:47:52.800
<v Speaker 1>state of heightened suggestibility in which that reconstruction process runs hot.

835
00:47:53.400 --> 00:47:57.840
<v Speaker 1>Hypnotized subjects generate more detail true and false alike, and

836
00:47:57.920 --> 00:48:01.920
<v Speaker 1>they can't tell the difference. The act of recalling under

837
00:48:02.000 --> 00:48:04.800
<v Speaker 1>hypnosis welds the new material into the memory with the

838
00:48:04.840 --> 00:48:08.320
<v Speaker 1>confidence it never earned, so the subject comes out more

839
00:48:08.360 --> 00:48:12.800
<v Speaker 1>certain than he went in, regardless of accuracy. The courts

840
00:48:12.840 --> 00:48:16.360
<v Speaker 1>looked at that research and slammed the door through the eighties.

841
00:48:16.719 --> 00:48:21.960
<v Speaker 1>State after state restricted or flat out barred hypnotically refreshed testimony,

842
00:48:22.239 --> 00:48:25.039
<v Speaker 1>and the California Supreme Court put it about as bluntly

843
00:48:25.079 --> 00:48:28.519
<v Speaker 1>as courts ever put anything, ruling that once a witness

844
00:48:28.519 --> 00:48:32.159
<v Speaker 1>has been hypnotized about an event, that witness's testimony on

845
00:48:32.199 --> 00:48:33.280
<v Speaker 1>it is compromised.

846
00:48:33.519 --> 00:48:34.000
<v Speaker 2>Period.

847
00:48:34.880 --> 00:48:38.559
<v Speaker 1>The Aligash regressions were conducted in the late eighties, squarely

848
00:48:38.639 --> 00:48:41.079
<v Speaker 1>inside the era when the legal system was throwing this

849
00:48:41.199 --> 00:48:44.599
<v Speaker 1>tool out of the building. And the contamination problem here

850
00:48:44.679 --> 00:48:48.519
<v Speaker 1>isn't hypothetical because it comes with dates. The men went

851
00:48:48.639 --> 00:48:51.880
<v Speaker 1>under in nineteen eighty eight and eighty nine. Communion had

852
00:48:51.920 --> 00:48:54.920
<v Speaker 1>been a number one best seller in eighty seven. Close

853
00:48:55.000 --> 00:48:58.880
<v Speaker 1>Encounters had been a cultural monument for a decade. The Hillcase,

854
00:48:59.199 --> 00:49:01.239
<v Speaker 1>with its beam and in its Missing time and its

855
00:49:01.280 --> 00:49:05.159
<v Speaker 1>medical exam, had already been a book, a magazine serial,

856
00:49:05.440 --> 00:49:09.320
<v Speaker 1>and a television movie by the time Anthony Constantino said

857
00:49:09.360 --> 00:49:12.079
<v Speaker 1>relax and go back to the lake. Every American with

858
00:49:12.119 --> 00:49:15.079
<v Speaker 1>a library card and a television set already owned a

859
00:49:15.079 --> 00:49:19.079
<v Speaker 1>complete template for what happens after the light hits the canoe,

860
00:49:19.119 --> 00:49:23.920
<v Speaker 1>the bench, the table, the samples, the grays. Skeptical researchers

861
00:49:23.920 --> 00:49:26.599
<v Speaker 1>who work this case put names on that mechanism too.

862
00:49:27.519 --> 00:49:31.159
<v Speaker 1>A psychologist named William Cole argued the recovered material was

863
00:49:31.199 --> 00:49:34.400
<v Speaker 1>assembled from media the men had absorbed, and skeptics of

864
00:49:34.440 --> 00:49:37.440
<v Speaker 1>that era liked to trace the whole iconography back even

865
00:49:37.559 --> 00:49:42.079
<v Speaker 1>further to a nineteen fifty three picture called Invaders from Mars,

866
00:49:42.639 --> 00:49:44.960
<v Speaker 1>the first film to put aliens and their craft in

867
00:49:45.000 --> 00:49:48.039
<v Speaker 1>front of American audiences in color. You don't have to

868
00:49:48.079 --> 00:49:51.480
<v Speaker 1>buy that specific family tree to take the underlying point,

869
00:49:51.880 --> 00:49:55.280
<v Speaker 1>which is that by nineteen eighty eight, nobody in America

870
00:49:55.400 --> 00:49:58.679
<v Speaker 1>was walking into a regression session with a blank imagination.

871
00:49:59.480 --> 00:50:02.159
<v Speaker 1>The memory science kept getting worse for cases like this

872
00:50:02.199 --> 00:50:05.920
<v Speaker 1>one as the years went on. Through the nineties, researchers

873
00:50:05.920 --> 00:50:10.199
<v Speaker 1>like Elizabeth Loftis demonstrated in controlled settings that entire false

874
00:50:10.239 --> 00:50:15.400
<v Speaker 1>autobiographical memories, rich detailed emotional ones could be planted in

875
00:50:15.519 --> 00:50:19.760
<v Speaker 1>ordinary adults with nothing more exotic than suggestion and repetition.

876
00:50:20.679 --> 00:50:24.880
<v Speaker 1>Subjects wept while recalling childhood events that never happened. The

877
00:50:24.920 --> 00:50:28.280
<v Speaker 1>clinical world was living through the recovered memory catastrophe at

878
00:50:28.280 --> 00:50:32.960
<v Speaker 1>the same time, families destroyed by therapy excavated accusations that

879
00:50:33.039 --> 00:50:36.320
<v Speaker 1>later collapsed, and the lesson of that era got written

880
00:50:36.400 --> 00:50:42.519
<v Speaker 1>in ruined lives. Sincere recall, vivid recall, tearful recall is

881
00:50:42.559 --> 00:50:45.800
<v Speaker 1>not evidence of an event. The tears on the Allagash

882
00:50:45.880 --> 00:50:49.199
<v Speaker 1>tapes are real, and that was never the question. The

883
00:50:49.280 --> 00:50:52.920
<v Speaker 1>question is what they're attached to. Even the famous matching

884
00:50:52.960 --> 00:50:56.840
<v Speaker 1>account shrink under this light. Yes, the sessions were separate,

885
00:50:57.159 --> 00:50:59.760
<v Speaker 1>but the men had twelve years of shared life between

886
00:50:59.760 --> 00:51:02.760
<v Speaker 1>the life and the tapes, twelve years in which the

887
00:51:02.840 --> 00:51:06.440
<v Speaker 1>twins traded nightmare descriptions, in which the group talked over

888
00:51:06.480 --> 00:51:10.199
<v Speaker 1>the siding in which Jim researched his own night episodes.

889
00:51:11.079 --> 00:51:15.000
<v Speaker 1>The independence that makes corroboration means something was gone before

890
00:51:15.039 --> 00:51:18.119
<v Speaker 1>Session one and four. People who've talked don't need to

891
00:51:18.119 --> 00:51:21.320
<v Speaker 1>collude in order to converge. They just need to be human.

892
00:51:22.039 --> 00:51:24.880
<v Speaker 1>The polygraphs don't rescue it either, and I'll keep this short.

893
00:51:25.760 --> 00:51:30.960
<v Speaker 1>A polygraph measures physiological arousal against questioning. It doesn't measure truth.

894
00:51:31.320 --> 00:51:34.079
<v Speaker 1>It measures what you believe and what you fear. So

895
00:51:34.280 --> 00:51:37.760
<v Speaker 1>four men who sincerely believed their recovered memories would pass

896
00:51:37.800 --> 00:51:41.639
<v Speaker 1>cleanly while telling you things that never occurred. Passing the

897
00:51:41.679 --> 00:51:45.320
<v Speaker 1>box proves the Aligosh four weren't consciously lying in nineteen

898
00:51:45.400 --> 00:51:48.920
<v Speaker 1>ninety three. It can't prove the memories were real. And

899
00:51:48.960 --> 00:51:52.039
<v Speaker 1>those are different claims, and the entire case turns on

900
00:51:52.119 --> 00:51:55.280
<v Speaker 1>the difference. Then there's the fire, the one piece of

901
00:51:55.280 --> 00:51:58.320
<v Speaker 1>physical evidence in the whole account, and I'll be honest,

902
00:51:58.679 --> 00:52:01.679
<v Speaker 1>it's softer than i'd like it to be. The missing

903
00:52:01.760 --> 00:52:04.760
<v Speaker 1>time rests entirely on the men's estimate of how long

904
00:52:04.800 --> 00:52:07.599
<v Speaker 1>that bonfire should have burned versus how long they were

905
00:52:07.599 --> 00:52:10.320
<v Speaker 1>on the water, and both of those numbers are guesses.

906
00:52:11.320 --> 00:52:14.880
<v Speaker 1>Anybody with real campfire miles knows big fires or moody

907
00:52:15.519 --> 00:52:18.960
<v Speaker 1>dry wood, a rising wind off the lake, a pile

908
00:52:19.000 --> 00:52:22.079
<v Speaker 1>that collapses and opens its own core, And your three

909
00:52:22.079 --> 00:52:25.480
<v Speaker 1>hour fire is coals inside of one, And time on

910
00:52:25.599 --> 00:52:29.360
<v Speaker 1>dark water is famously elastic in the other direction. Because

911
00:52:29.400 --> 00:52:31.840
<v Speaker 1>absorbed men fish for two hours and swear it was

912
00:52:31.880 --> 00:52:35.079
<v Speaker 1>twenty minutes. I'm not saying that's what happened out there.

913
00:52:35.440 --> 00:52:38.320
<v Speaker 1>I'm saying a burned down fire is an anomaly, not

914
00:52:38.400 --> 00:52:41.519
<v Speaker 1>a clock, and the two hour gap everybody quotes was

915
00:52:41.599 --> 00:52:46.840
<v Speaker 1>never measured by anything. Add Jim's temporo olympic epilepsy, a

916
00:52:46.880 --> 00:52:52.119
<v Speaker 1>condition documented to produce presence, hallucinations and dreamlike intrusions. Add

917
00:52:52.239 --> 00:52:56.079
<v Speaker 1>ordinary sleep paralysis for Jack, which afflicts millions of people

918
00:52:56.360 --> 00:53:01.000
<v Speaker 1>and manufactures bedroom intruders as its signature symptom. Add one

919
00:53:01.119 --> 00:53:06.000
<v Speaker 1>motivated sincere believing investigator whose previous landmark case was also

920
00:53:06.079 --> 00:53:10.199
<v Speaker 1>built through regression. Add a hungry early nineties media, and

921
00:53:10.239 --> 00:53:14.760
<v Speaker 1>then subtract Chuck Rack. That's the skeptical construction. And I've

922
00:53:14.840 --> 00:53:17.480
<v Speaker 1>laid it out at full strength on purpose because it's

923
00:53:17.519 --> 00:53:20.639
<v Speaker 1>a serious account of this case, and anybody who tells

924
00:53:20.639 --> 00:53:24.159
<v Speaker 1>this story without it is selling you something. But that

925
00:53:24.199 --> 00:53:26.880
<v Speaker 1>construction has a hole in the middle of it, and

926
00:53:26.920 --> 00:53:31.000
<v Speaker 1>it's the same hole it started with the sighting. Everything

927
00:53:31.039 --> 00:53:36.159
<v Speaker 1>the skeptics dismantle, they dismantle downstream of the beam, the hypnosis,

928
00:53:36.400 --> 00:53:40.559
<v Speaker 1>the exams, the bench fine argue all of it, but

929
00:53:40.679 --> 00:53:44.760
<v Speaker 1>the conscious pre hypnosis for witness account, the eighty foot

930
00:53:44.840 --> 00:53:49.239
<v Speaker 1>silent sphere with the swirling surface, the response to Charlie's flashlight,

931
00:53:49.639 --> 00:53:52.320
<v Speaker 1>the cone of light crossing the water toward the canoe,

932
00:53:52.679 --> 00:53:55.599
<v Speaker 1>the instant cut from flight to shore. None of that

933
00:53:55.679 --> 00:53:59.000
<v Speaker 1>came out of a regression session. It was reported from

934
00:53:59.000 --> 00:54:03.679
<v Speaker 1>the start, remembered without anyone's assistance, and repeated consistently for

935
00:54:03.719 --> 00:54:08.119
<v Speaker 1>fifty years. And in twenty sixteen, when Chuck rack burned

936
00:54:08.159 --> 00:54:10.719
<v Speaker 1>every bridge he had to this story, when he had

937
00:54:10.760 --> 00:54:13.599
<v Speaker 1>every reason to raise it to the waterline, he left

938
00:54:13.599 --> 00:54:18.519
<v Speaker 1>that part standing, both sightings his words. So the debunker

939
00:54:18.559 --> 00:54:21.719
<v Speaker 1>still owes an answer to the original question, the one

940
00:54:21.800 --> 00:54:24.079
<v Speaker 1>four young men were asking each other on a beach

941
00:54:24.119 --> 00:54:27.639
<v Speaker 1>in nineteen seventy six, and swamp gas over Eagle Lake

942
00:54:27.760 --> 00:54:30.760
<v Speaker 1>isn't going to cover an object that reoriented and approached

943
00:54:30.760 --> 00:54:33.920
<v Speaker 1>a canoe in response to a signal light. A star

944
00:54:34.039 --> 00:54:38.760
<v Speaker 1>doesn't do that, a satellite doesn't do that. Whatever was

945
00:54:38.880 --> 00:54:42.679
<v Speaker 1>over that tree line behaved like it noticed them twice,

946
00:54:43.039 --> 00:54:45.719
<v Speaker 1>And noticing is the one thing none of the mundane

947
00:54:45.760 --> 00:54:48.639
<v Speaker 1>candidates can do. And when you start running through the

948
00:54:48.719 --> 00:54:52.480
<v Speaker 1>less mundane candidates, nineteen seventy six doesn't give you much

949
00:54:52.480 --> 00:54:56.519
<v Speaker 1>to work with. There were no civilian drones, obviously, and

950
00:54:56.559 --> 00:55:00.880
<v Speaker 1>nothing remotely like one military craft. Is the explanation. People

951
00:55:00.920 --> 00:55:04.199
<v Speaker 1>reach for and I understand the instinct, but you'd have

952
00:55:04.280 --> 00:55:07.239
<v Speaker 1>to explain what an eighty foot silent platform with no

953
00:55:07.360 --> 00:55:11.679
<v Speaker 1>navigation lights was doing loitering over a state waterway, chasing

954
00:55:11.679 --> 00:55:14.119
<v Speaker 1>a canoe full of fishermen in an era when the

955
00:55:14.159 --> 00:55:16.159
<v Speaker 1>closest thing we had to silent.

956
00:55:15.840 --> 00:55:17.199
<v Speaker 2>Flight was a glider.

957
00:55:17.840 --> 00:55:21.159
<v Speaker 1>A helicopter with a searchlight covers the beam and covers

958
00:55:21.199 --> 00:55:25.599
<v Speaker 1>exactly nothing else, not the silence, not the hovering sphere,

959
00:55:26.239 --> 00:55:29.280
<v Speaker 1>not the swirl of color, not an acceleration that took

960
00:55:29.280 --> 00:55:31.280
<v Speaker 1>it from a dead stop to gone in a second.

961
00:55:32.199 --> 00:55:35.159
<v Speaker 1>You can stack hypotheticals until you've built something that fits.

962
00:55:35.639 --> 00:55:38.719
<v Speaker 1>But at some point the stack of hypotheticals gets less

963
00:55:38.880 --> 00:55:41.280
<v Speaker 1>likely than the thing you were trying to explain away,

964
00:55:41.800 --> 00:55:44.559
<v Speaker 1>and that's usually the moment honest people admit the word

965
00:55:44.639 --> 00:55:49.480
<v Speaker 1>unidentified is doing legitimate work. The timing of the nightmares

966
00:55:49.519 --> 00:55:53.679
<v Speaker 1>gives the contamination theory trouble too, more than it usually admits.

967
00:55:54.480 --> 00:55:58.320
<v Speaker 1>Jack's bright room dreams, the bench, the naked friends, the

968
00:55:58.440 --> 00:56:02.519
<v Speaker 1>leg all of it predates the hypnosis by years, and

969
00:56:02.599 --> 00:56:05.320
<v Speaker 1>by the accounts we have, some of that imagery was

970
00:56:05.360 --> 00:56:08.840
<v Speaker 1>already circulating in the Twins' nights before communion put the

971
00:56:08.880 --> 00:56:12.719
<v Speaker 1>template on every night stand in America. You can still

972
00:56:12.760 --> 00:56:15.440
<v Speaker 1>get there through twin suggestion and shared culture if you

973
00:56:15.480 --> 00:56:16.800
<v Speaker 1>want to, but you have.

974
00:56:16.719 --> 00:56:17.440
<v Speaker 2>To work for it.

975
00:56:17.840 --> 00:56:19.719
<v Speaker 1>And the people who wave it off in a sentence

976
00:56:19.800 --> 00:56:22.760
<v Speaker 1>haven't read the file. I keep coming back to the

977
00:56:22.840 --> 00:56:26.719
<v Speaker 1>ledger of the three who stayed too. Hoaxes are investments,

978
00:56:27.159 --> 00:56:30.760
<v Speaker 1>and they either pay or they get abandoned. This one

979
00:56:30.800 --> 00:56:34.400
<v Speaker 1>never paid, Rack told a soe himself, and yet Jim

980
00:56:34.440 --> 00:56:37.079
<v Speaker 1>and Jack and Charlie have carried it into their seventies

981
00:56:37.519 --> 00:56:41.000
<v Speaker 1>through the mockery, through the recantation of their own friend,

982
00:56:41.400 --> 00:56:45.039
<v Speaker 1>decade after decade, with nothing left to gain except the

983
00:56:45.079 --> 00:56:49.239
<v Speaker 1>ability to look at themselves in the mirror. People lie constantly,

984
00:56:49.519 --> 00:56:53.239
<v Speaker 1>fluently and for terrible reasons. But a story a man

985
00:56:53.360 --> 00:56:56.320
<v Speaker 1>keeps holding at his own expense for fifty years has

986
00:56:56.440 --> 00:56:58.440
<v Speaker 1>usually stopped being a story to him.

987
00:56:59.000 --> 00:57:01.239
<v Speaker 2>It's a wound. And in all that.

988
00:57:01.239 --> 00:57:03.599
<v Speaker 1>Time, nobody has ever caught the Alligash four and the

989
00:57:03.679 --> 00:57:07.840
<v Speaker 1>kind of lie that actually unravels these things. Nobody surfaced

990
00:57:07.880 --> 00:57:10.400
<v Speaker 1>a bar receipt from Bangor for the night in question.

991
00:57:11.320 --> 00:57:14.039
<v Speaker 1>Nobody found a draft of the tale written before the trip,

992
00:57:14.400 --> 00:57:16.559
<v Speaker 1>or a witness who heard them planning it, or a

993
00:57:16.559 --> 00:57:19.559
<v Speaker 1>fifth man who was really there. The one crack in

994
00:57:19.599 --> 00:57:23.159
<v Speaker 1>this case came from inside, from Rack, and even his

995
00:57:23.320 --> 00:57:26.400
<v Speaker 1>version leaves the object in the sky. When a story

996
00:57:26.480 --> 00:57:29.400
<v Speaker 1>is built, it fails at the seams, at the logistics,

997
00:57:29.760 --> 00:57:32.400
<v Speaker 1>at the small checkable facts, and this one has been

998
00:57:32.480 --> 00:57:35.199
<v Speaker 1>checked for half a century by believers hoping to prove

999
00:57:35.239 --> 00:57:38.880
<v Speaker 1>it and Debunker's hungry to bury it, and the seams

1000
00:57:38.920 --> 00:57:42.199
<v Speaker 1>have held. That doesn't make the abduction real, because a

1001
00:57:42.239 --> 00:57:45.960
<v Speaker 1>sincere false memory would survive the same scrutiny since there's

1002
00:57:45.960 --> 00:57:49.519
<v Speaker 1>nothing external for anyone to catch. But it does mean

1003
00:57:49.519 --> 00:57:53.119
<v Speaker 1>the simplest hostile theory four buddies cooking up a payday

1004
00:57:53.599 --> 00:57:56.599
<v Speaker 1>has never actually fit the record, not even after one

1005
00:57:56.639 --> 00:57:58.679
<v Speaker 1>of the four tried to hand it to us personally.

1006
00:57:59.400 --> 00:58:02.639
<v Speaker 1>So here's where land and the case divides itself for you.

1007
00:58:02.960 --> 00:58:06.159
<v Speaker 1>If you let it on one side sits the encounter.

1008
00:58:06.880 --> 00:58:11.599
<v Speaker 1>Four sober, capable witnesses with trained eyes giving immediate, consistent,

1009
00:58:11.719 --> 00:58:16.199
<v Speaker 1>conscious testimony about a structured object that was silent, responsive,

1010
00:58:16.280 --> 00:58:20.039
<v Speaker 1>and performing beyond anything flying in nineteen seventy six, with

1011
00:58:20.119 --> 00:58:23.880
<v Speaker 1>a physical anomaly waiting at the camp site. Fifty years

1012
00:58:23.880 --> 00:58:28.599
<v Speaker 1>of confirmation from all four witnesses, including the hostile one.

1013
00:58:28.639 --> 00:58:32.199
<v Speaker 1>Something was over Eagle Lake on August twenty sixth, nineteen

1014
00:58:32.280 --> 00:58:35.920
<v Speaker 1>seventy six, and nobody has ever identified it. And that's

1015
00:58:35.960 --> 00:58:40.199
<v Speaker 1>not folklore. That's an evidence backed unknown. On the other

1016
00:58:40.280 --> 00:58:43.440
<v Speaker 1>side sits the abduction, and the honest answer there is

1017
00:58:43.480 --> 00:58:46.519
<v Speaker 1>that the evidence is human testimony refracted through a tool

1018
00:58:46.639 --> 00:58:50.400
<v Speaker 1>are own courts, examined and rejected, recovered in the most

1019
00:58:50.400 --> 00:58:54.360
<v Speaker 1>contaminated decade imaginable from witnesses who could no longer be

1020
00:58:54.400 --> 00:58:58.400
<v Speaker 1>independent and now carrying a one in four defection. I

1021
00:58:58.440 --> 00:59:00.760
<v Speaker 1>can't take that side of the case to the and

1022
00:59:00.840 --> 00:59:04.480
<v Speaker 1>I won't pretend otherwise. What I also won't do is

1023
00:59:04.519 --> 00:59:07.199
<v Speaker 1>call three men liars just to make my own filing

1024
00:59:07.239 --> 00:59:10.360
<v Speaker 1>system tidy. Because something tore up the wine or twins

1025
00:59:10.480 --> 00:59:14.320
<v Speaker 1>Nights for a decade before anybody ever said the word hypnosis.

1026
00:59:15.079 --> 00:59:15.639
<v Speaker 2>Whether it was.

1027
00:59:15.679 --> 00:59:19.159
<v Speaker 1>Eagle Lake or a wounded temporal lobe or the black

1028
00:59:19.239 --> 00:59:21.800
<v Speaker 1>water of the mind doing what it does down there,

1029
00:59:22.119 --> 00:59:24.679
<v Speaker 1>I don't know, and neither does anyone else who's being

1030
00:59:24.679 --> 00:59:27.519
<v Speaker 1>straight with you. What I do know is that four

1031
00:59:27.559 --> 00:59:31.239
<v Speaker 1>friends went into the deepest wilderness in the Eastern United States,

1032
00:59:31.519 --> 00:59:35.320
<v Speaker 1>looking for trout, and something up there looked back. They

1033
00:59:35.320 --> 00:59:37.960
<v Speaker 1>built a fire to find their way home, and by

1034
00:59:38.000 --> 00:59:40.719
<v Speaker 1>every account we have, home is the one place none

1035
00:59:40.719 --> 00:59:43.880
<v Speaker 1>of them ever fully got back to. The Alligash is

1036
00:59:43.920 --> 00:59:47.559
<v Speaker 1>still there. The waterway still runs its cold miles through

1037
00:59:47.559 --> 00:59:51.360
<v Speaker 1>the North Main Woods. The floatplanes still drop fishermen onto

1038
00:59:51.400 --> 00:59:55.280
<v Speaker 1>Tilus Lake, and those two rusting locomotives still sit in

1039
00:59:55.320 --> 00:59:58.400
<v Speaker 1>the trees near Eagle Lake getting swallowed a little more

1040
00:59:58.480 --> 01:00:02.199
<v Speaker 1>every year. Camp at smith Brook without knowing the name

1041
01:00:02.280 --> 01:00:05.480
<v Speaker 1>means anything, and rangers still tell people to build a

1042
01:00:05.519 --> 01:00:08.079
<v Speaker 1>good fire if they're heading out on the water after dark,

1043
01:00:08.400 --> 01:00:11.119
<v Speaker 1>because the shoreline all looks the same at night and

1044
01:00:11.159 --> 01:00:14.320
<v Speaker 1>you need something to steer home by. The lake keeps

1045
01:00:14.320 --> 01:00:17.960
<v Speaker 1>its surface blank. Jim, Jack and Charlie are old men now.

1046
01:00:18.800 --> 01:00:21.000
<v Speaker 1>Chuck Rack painted until the end and went to his

1047
01:00:21.079 --> 01:00:23.960
<v Speaker 1>grave holding his half of the split that the lights

1048
01:00:23.960 --> 01:00:25.719
<v Speaker 1>were real and the rest was not.

1049
01:00:26.840 --> 01:00:27.559
<v Speaker 2>Somewhere in a.

1050
01:00:27.519 --> 01:00:31.679
<v Speaker 1>File, the tapes of those fifteen sessions still exist. Four

1051
01:00:31.760 --> 01:00:36.079
<v Speaker 1>voices in a quiet office, shaking, describing the cold room,

1052
01:00:36.159 --> 01:00:40.239
<v Speaker 1>one chair at a time. Fifty years this August. Nobody

1053
01:00:40.280 --> 01:00:43.320
<v Speaker 1>has ever explained the object, and nobody has ever proven

1054
01:00:43.400 --> 01:00:46.960
<v Speaker 1>the abduction, and every summer somebody out on Eagle Lake

1055
01:00:47.000 --> 01:00:49.519
<v Speaker 1>after dark looks up from their line at the black

1056
01:00:49.559 --> 01:00:52.559
<v Speaker 1>wall of the tree line and feels, just for a second,

1057
01:00:52.840 --> 01:00:55.400
<v Speaker 1>the oldest alarm system we own brush the back of

1058
01:00:55.440 --> 01:01:00.039
<v Speaker 1>their neck. Most of the time, it's nothing, most of

1059
01:01:00.079 --> 01:02:39.960
<v Speaker 1>the time.
