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Speaker 1: You're listening to Matt Connorton Unleashed on WM and H

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ninety five point three.

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Speaker 2: Good morning everybody, here we go. It is that time again,

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Matt Connorton Unleashed and we are live from the studios

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of WMNH ninety five point three FM and Glorious Manchester,

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New Hampshire. If you are listening live today is a Saturday,

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January seventeen, twenty twenty six, and of course we are

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if you are local in Manchester, please be careful if

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you're out driving this morning. A little slippery out, but

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at least it was when I was coming in, but

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I did not expect snow, but it did snow overnight

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and I completely forgot that it was in the forecast.

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And I woke up and I looked outside and I said,

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uh oh no, but it's not bad. We didn't get much,

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but it's enough to be a nuisance. So if you

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are driving this morning, please be careful. Let's see. So

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we are of course live from WM and H ninety

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five point three FM, and you can stream the show

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from anywhere. Of course, go to Matt connorton dot com

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slash live, as we do have a lot of listeners

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online as well, and we've got a great show for

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you today coming up in just a few minutes, we're

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gonna do the world radio premiere of the new track

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from Grim Rock called Cast a Shadow, and then we're

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gonna be talking to grim he's gonna be joining us

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via Microsoft Teams. And then later in the show we

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have Adam Steglitic from the band ever Felt, who is

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also going to be joining us online. But right now,

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to open the show, we do have a world radio premiere.

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This is the brand new single from Kenny Truon. It's

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a little topical, shall we say, It's called We All

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Saw the Same Thing, but you are going to be

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hearing it here on the radio for the first time.

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A wmn H ninety five point three FM exclusive. Matt

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Connerton Unleashed presents the world radio premiere of the new

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single from Kenny Truon Again. This is called we All

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Saw the Same Thing.

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Speaker 1: You are listening to wm and.

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Speaker 3: H world premiere.

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Speaker 4: Shove your face save their right.

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Speaker 5: Showing the face.

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Speaker 3: Can't high behind the guys.

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Speaker 6: It's just imagine a gun, a big stasion with a

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little thinkin. There's no pull shot in the head again,

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No one has to play stupid game. Nobody wins, sall,

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you just give us your stupid cross your speed.

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Speaker 7: They got to come into Why no, that's just for

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the little speech.

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Speaker 8: What I struggle to see lack of responsibility, the higher standard,

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and ain't con mat Who's that's the dorm at one

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stepped A'm not coming a going maybe the ladder not

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so that under the difference because we're looking at the

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same thing.

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Speaker 4: What you say is not the same thing.

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Speaker 8: What even happened just the light of imagine the boof

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think I want to burn it all down that you

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don't believe it just once it's it gonna take you

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for your farm over the skynop out on y'all. Not

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looking at the boot, not looking at the boom, I'm thinking,

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not looking at the boot, not look at the boom,

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not looking at the boot, not looking not looking at

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the boot, not look at the boom, not looking at

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the boom, not looking a boom, not looking at the boot.

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Speaker 4: You don't got to play God.

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Speaker 9: You just get to go home and sleep to.

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Speaker 3: No yet I've got to play god.

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Speaker 2: You know, Jesus got to go over and sleep at night.

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Speaker 7: Fascist st seen, I tell geez you would think it's

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nineteen thirty.

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Speaker 4: It's twenty twenty six.

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Speaker 2: Fis or excuse turns to racings.

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Speaker 10: No defending it.

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Speaker 7: It's no secret. Just tired and yellings make something.

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Speaker 11: You'll have to.

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Speaker 3: Concentrate a little harder.

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Speaker 1: But you see some intentional it's no accident.

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Speaker 7: You'll let them be your homes.

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Speaker 5: They'll never leave again.

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Speaker 7: Just do what they say, always go, Never ask questions

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and can stoy a line up a stage rum in.

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Speaker 3: Your day, take up a grave as in a present.

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Speaker 8: Now just look at the other way starting the future

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of girl. Expect the guest to be well of its

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way to late in the gain to Rassi.

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Speaker 10: When drunks off the power.

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Speaker 4: And thing, we've lost control for all that we.

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Speaker 8: Know where we're already indentity and the show away, the

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ghosts protected unknown, jet out of your head.

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Speaker 11: You can't be here alone.

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Speaker 4: The less you stir, the calmer he gets. You can

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sit with it.

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Speaker 7: Just don't ask any questions. Yeah they really don't like that.

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Don't look here, look over there need new distractions. Are

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you buying what they're selling? Are you buying what they're selling?

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I'm not buying what they're selling. Are you buying what

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they're selling. So I'm not buying what they're selling, and that.

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Speaker 4: What drinks me off ice.

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Speaker 6: Shi can't watch it, Milton being the.

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Speaker 8: Point of wax, I think my life is sneak without

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is it that can't get pay for harassment?

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Speaker 6: Just a gestapo using the force rid.

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Speaker 8: Us of drugs dot culture were people's livelihoods yesterday, the

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bloods of its building.

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Speaker 2: It's everywhere.

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Speaker 8: If you've made a mess and went just left to

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clean the evidence.

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Speaker 3: Fascist, you're Nazi ideology.

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Speaker 7: You would think it's nineteen thirty and twenty twenty six.

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Speaker 2: This or excuse turns to reason no defending it. And

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now exclusively on WM and H, Matt Connorton Unleash presents

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the world radio premiere of the new single from grim Rock.

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This is called Cast a Shadow.

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Speaker 1: You are listening to WM and H.

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Speaker 12: World premiere.

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Speaker 13: A people lies in stood in mountains, were stand flood

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over me in that maray. I don't min They'll be

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bayed sometimes, but real live away today. I grow mores.

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I'm just taking some of me. It cast a shadow,

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the spectin sulling me. It cast a shadow, movie.

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Speaker 14: Grown stow.

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Speaker 2: It breaks in the face and the mouths and.

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Speaker 13: In all the Stars stone the shadow over me. There's

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no rain.

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Speaker 2: I'm not fine, it's just my pain. It's on kind

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of you O. The cracks on the phone and all

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fake away. Not this taste for me? They cast a sadow.

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It's grads in sound of Me.

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Speaker 11: They cast a saddle.

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Speaker 13: What this taste on.

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Speaker 11: It?

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Speaker 2: Cast a saddle?

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Speaker 13: It spreads this.

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Speaker 4: Sound me.

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Speaker 2: A shadow? Well you heard it here first. That is

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the world radio premiere of the new single from Grim

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Rock that is called cast a Shadow. And by the way,

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for those of you watching online, uh, you can see.

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I've got my grim Rock shirt on that I wore

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for the occasion. And let's see if we have Grim

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on the line with us. Grim are you there? Yes,

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I am, How are you hey? It's good to speak

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with you. I love the new song. You know, we're

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big fans here, of course, you know. We love that

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sort of garage rock vibe. That's so cool. But I

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think that's your best one. Yeah, that's my personal favorite

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so far. I really like that song a lot.

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Speaker 4: Well, thank you. I actually did this one in a

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regular studio, you know, to give it a different effect,

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you know than what I normally do.

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Speaker 2: You know, Yeah, it's still it still captures that same

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sort of vibe, but I did notice just sonically, it's

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definitely an upgrade. Can you tell us about that because

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and I'm curious to to. Obviously we've talked before, You've

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been on the show a number of times, but for

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listeners who might not have been familiar with you. You know,

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I know from our previous conversations that your process used

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to be, you know, you were kind of doing it

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all DIY, but you did mention going to a studio

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this time, and like I said, it's definitely an upgrade.

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So yeah, tell us about that.

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Speaker 4: So yeah, you know, I did all my other tracks

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at my home studio and the last ones I sent

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out the Pine Box Studios in Connecticut done for g

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R five. And I have a friend is named mister Bob.

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He runs a Rhythmhouse studios in Shylo, Pennsylvania, about an

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hour from my house, and I go. I used to

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go to his open mics, you know, when I get chances,

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you know, because he does them on Saturday nights and

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he has a studio there and it's a really nice

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set up and he's a really good person and he

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actually got a physical set of drums, micd up there

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and everything, and that was something I felt that I

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was missing in all the other tracks. While the drums

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sounded good, they weren't an analog set, you know what

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I mean. Yeah, And that was one of the drivers.

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You know, I wanted to go in there, do that,

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get to clean up the vocals, you know, things like that,

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and being he had that studio there and we've talked

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about it. I couldn't tell you how many times we

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talked about it. I finally committed to it. So I'll

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be doing the whole album there.

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Speaker 2: Oh, very good. So the whole album, So you're how many?

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I mean, have you already started the album or obviously

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this I assume this track is going to be on it, right.

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Speaker 4: Yeah, that's gonna be the first track. That one is first,

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only because it bridges the gap between g R five

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with like faded and abyss to bring it into a

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familiar realm, and then I can expand from there. But

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it's gonna be ten tracks in the end.

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Speaker 2: Oh, very good, Very good. That's a big commitment. Ten tracks.

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I'm always curious to know, because you know, we live

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in an era where you've got so many different options

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in terms of how you released music. You know, a

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lot of artists will do an EP. Uh, some will

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do a series of singles. It might eventually coalesce into

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an EP or an album, kind of the inverse of

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of what it was, at least when I was growing up,

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where it was, you know, the album comes first and

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then you release the singles. But uh, what what what

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went into your decision to to do a ten song album.

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Speaker 4: Well, I've wanted to do albums before and I come

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up short on them, you know, with like Grim Rock

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Radio it was like six tracks, yeah, like five officially

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and that acoustic track, and you know, I kept going

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and I was like, man, I really want to do

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a whole album, and g R five was the closest

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I had to do a whole album with eight tracks.

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And I was like, you know what, I'm just going

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to do it this time. I'm going all out, since

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Ione has a studio time and you know tech, you know,

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detect there to be able to make it sound you know,

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better than what I had, and I'm just going to

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go for it.

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Speaker 2: Have you started? I mean obviously this track, I mean

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technically you've started. If this track is going to be

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on the album, But I mean, have you started working

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on the other stuff yet or are you? Are you

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demoing or where are you in the process?

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Speaker 11: Now?

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Speaker 4: I have probably twenty five starter tracks to choose from

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and through, and I have three of them that are

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pretty close to completion, okay, And I plan on going

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in I think the twenty third of February to record

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track two and possibly track three depending on where I get.

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Speaker 2: Okay, Okay, any kind of an et I mean, obviously

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it's a big, Like I said, it's a big commitment.

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Any kind of an eta on when the album might

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be done and out.

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Speaker 4: Well, I don't know exactly. I'm hoping it'd be before Halloween, yeah, okay, Okay,

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how it's kind of the target.

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Speaker 11: You know?

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Speaker 2: Yeah? Yeah? Now in doing it this way, uh and

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again it is an upgrade certainly sonically, But is it is?

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Is it hard? Kind of you know, you you do

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let go a little bit of control right when you're

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when you're used to doing so much of it with

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your own process, because everyone has their own process, and

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now you're you know, it is more collaborative when you're

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going to a studio and doing it this way and

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and and working with someone who can really. Obviously it's

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advantageous you're working as someone who's bringing out your best sound.

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But is it also hard to let go of some

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of that control or because some people, For some people,

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collaboration is very natural and and but some people kind

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of struggle with it a little bit. I mean, how

246
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was that for you?

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Speaker 4: No, I'm fine with it, you know, And you know,

248
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the advice he gave me when I was in for

249
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the first session was valuable to me. You know, it

250
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really helped me out with some certain things, you know,

251
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things that I was just re loose with before. Yeah,

252
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now I had I had to have a structure with it.

253
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And you know, I'm thankful to have that kind of

254
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guidance from somebody that has the experience.

255
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Speaker 11: You know.

256
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Speaker 2: Oh, that's great. Did you know, like at that first session,

257
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did you think, Okay, this is where I'm going to

258
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do the album, this is this is what I need.

259
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Speaker 4: Well, I planned on it before and okay, I just

260
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I committed to it starting with this track.

261
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Speaker 2: Oh okay, gotcha, gotcha? Now what was it that?

262
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Speaker 10: Uh?

263
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Speaker 11: It was?

264
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Speaker 2: Is it Bob Bob Arthur's Is that the guy?

265
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Speaker 4: Yes, sir?

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Speaker 2: Oh okay, Now what was it? That caused you to

267
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commit to working with him, because I assume, I mean

268
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you probably talked to or maybe not. I don't know,

269
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but you might have talked to some different engineers and

270
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producers or like like why did you decide to work

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with Bob?

272
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Speaker 4: Actually I didn't talk to anybody else.

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Speaker 12: Really.

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Speaker 4: I've yeah, I've been at mister Bob's studio because I

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can said he doesn't open mic on Saturday night. I've

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been there a lot, like over the last couple of years,

277
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and he even had me as a as a a

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headliner for Halloween Show like two years ago or whatever.

279
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And we've we've talked a lot. Yeah, and I have

280
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a lot of a lot of respect for him, and

281
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he's he's genuinely a really really awesome person, you know,

282
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and it just it felt comfortable, felt natural, you know,

283
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since I've talked to him so much, and like I said,

284
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we were going to commit to before for g R five,

285
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but things kind of changed over a little bit through

286
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the course of it, and I figured now's the time,

287
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you know, I have a first set of tracks, first

288
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set of ideas. I want to get that polished sound.

289
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Speaker 2: Do you plan to for the album? Do you plan

290
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to redo any of your earlier work or is it

291
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all going to be new stuff.

292
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Speaker 4: It'll all be new stuff.

293
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Speaker 2: Okay, very cool, very cool. And you said you've got

294
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you've got twenty five songs kind of you know, sort

295
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of in the queue in your mind that you can

296
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you can choose from.

297
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Speaker 4: Yeah, I have I have about twenty five starters. Okay,

298
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that could be possible for this track this, you know, album,

299
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and I guess that I have two other ones ready ready,

300
00:16:24,000 --> 00:16:26,080
pretty close to ready to go. Yeah, I should have

301
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it finished up or you know, ready to record in February.

302
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Speaker 2: So oh, outstanding, outstanding?

303
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Speaker 12: Now?

304
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Speaker 2: Is there going to be kind of a theme to

305
00:16:34,080 --> 00:16:35,919
the album? Is there something that's going to tie these

306
00:16:36,000 --> 00:16:39,000
songs together? Or are you just kind of going with

307
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with what sounds good to you, what you feel? I mean,

308
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sometimes it's a feel thing, right, you know, songs just

309
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feel right together. But sometimes there's there's a theme. What's

310
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your approach there?

311
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Speaker 4: No, this is more going to be like a feel

312
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like g R five was. Yeah, when I put when

313
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I put together g R five, you know, the first

314
00:16:57,639 --> 00:17:00,080
track on the album is called Angry. I didn't do

315
00:17:00,200 --> 00:17:02,720
that till absolute last, and I ended up making that

316
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the first track on the album because I felt like

317
00:17:05,240 --> 00:17:07,440
it was a heavy I got a real quick, you

318
00:17:07,519 --> 00:17:10,480
know shot to the head opener, and you know, then

319
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it just kind of graduated in and then then all

320
00:17:13,200 --> 00:17:15,799
the songs kind of flowed and like got you know,

321
00:17:15,960 --> 00:17:20,319
more advanced, more you know, like a more finished feeling

322
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I think towards the end fading abyss, and I'm trying

323
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to carry that over with this track and be on.

324
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Speaker 2: So yeah, yeah, Now what's the situation there as far

325
00:17:31,400 --> 00:17:33,759
as playing live? Have you been playing a lot of shows?

326
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Speaker 11: I have?

327
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Speaker 4: I kind of I played all the way about November

328
00:17:38,799 --> 00:17:41,160
first last year, Yeah, and I decided I was going

329
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to focus on trying to get this new album, and

330
00:17:44,279 --> 00:17:46,720
between the holidays and working whatever else, you know, kind

331
00:17:46,759 --> 00:17:50,000
of everything kind of got delayed. But you know, I've

332
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been working on it, and I was just I just

333
00:17:52,240 --> 00:17:55,759
played a show in a local place, conners Will, Pennsylvania,

334
00:17:56,519 --> 00:17:59,000
and I'm actually gonna play a second show there in March,

335
00:17:59,400 --> 00:18:02,480
and I I have things lined up including come visiting you.

336
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Speaker 2: Yeah, yeah, you're gonna be up our way. It'll be

337
00:18:05,160 --> 00:18:07,240
great to meet you in person and get to see

338
00:18:07,240 --> 00:18:10,160
you live actually in person. That'll be a that'll be amazing.

339
00:18:10,519 --> 00:18:14,880
Now do we do? We know at this point exactly when? Oh, yeah,

340
00:18:15,119 --> 00:18:19,200
it's May thirtieth, May thirtieth, okay, outstanding, outstanding, You're gonna

341
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be playing at Terminus.

342
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Speaker 4: Yeah, I hope.

343
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Speaker 9: So.

344
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Speaker 2: Yeah.

345
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Speaker 4: Well, I had sent out my feelers and I've gotten

346
00:18:28,400 --> 00:18:30,240
I got a couple of different people saying, well, you'd

347
00:18:30,279 --> 00:18:32,480
be better off doing this club because it's more year

348
00:18:32,559 --> 00:18:35,920
genre of music, and ended up there, yeah, on referral,

349
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and I got an email saying, yeah, we're good to go,

350
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but it was from March thirtieth, and I was like,

351
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send em back, and I just sent an email back.

352
00:18:43,680 --> 00:18:46,039
I'm like, I really hope it's a typo. They're like

353
00:18:46,400 --> 00:18:48,759
May thirtieth. I haven't heard anything back yet, but I'm

354
00:18:48,759 --> 00:18:51,680
pretty sure they'll probably, I mean, if they email me once,

355
00:18:51,680 --> 00:18:54,400
I'm sure they'll back again. Yeah. Yeah, excited about that,

356
00:18:54,640 --> 00:18:57,640
you know, because it's a whole new environment to be in,

357
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you know.

358
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Speaker 2: Oh, Terminus is a wonderful place. Yeah. And we love

359
00:19:00,599 --> 00:19:04,519
Eleanor and Andre good friends of ours, and Jenny and

360
00:19:04,559 --> 00:19:07,119
I have known them for a long time. I've known jeez,

361
00:19:07,160 --> 00:19:09,119
I think I've known them both for more than twenty

362
00:19:09,200 --> 00:19:12,160
years now. Oh my god, I'm looking at my calendar

363
00:19:12,240 --> 00:19:15,799
and March thirtieth is a Monday and May thirtieth is

364
00:19:15,839 --> 00:19:17,519
a Saturday. So I think you're right. I think it

365
00:19:17,640 --> 00:19:18,119
was a typo.

366
00:19:19,440 --> 00:19:20,279
Speaker 4: Yeah, I hope.

367
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Speaker 2: And so I'm pretty sure because they don't do shows

368
00:19:22,599 --> 00:19:25,839
on Monday nights there. So if March thirtieth is a Monday, yeah,

369
00:19:25,839 --> 00:19:28,920
I'm sure she meant May thirtieth. So but but good, good,

370
00:19:29,000 --> 00:19:31,319
So yeah, Jenny and I are really looking forward to that.

371
00:19:31,480 --> 00:19:35,119
So that's that's going to be wonderful. And then now,

372
00:19:35,359 --> 00:19:37,640
so where are you again? For newer listeners who aren't

373
00:19:37,640 --> 00:19:39,559
familiar with you, where in Pennsylvania are you?

374
00:19:40,599 --> 00:19:42,480
Speaker 4: I'm right around the Pittsburgh, Pennsylvania area.

375
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Speaker 2: Okay, what's the scene like there currently?

376
00:19:45,000 --> 00:19:49,160
Speaker 4: The music scene, it's happening. Yeah, a lot of different

377
00:19:49,160 --> 00:19:54,240
places to play, especially with original music, and certain ones

378
00:19:54,279 --> 00:19:56,920
like the Green Beacon Gallery in Greensburg are really in

379
00:19:57,079 --> 00:19:59,119
tune with that. You know. Mister Fiel's a great person.

380
00:19:59,279 --> 00:20:01,559
He has a lot of original acts there, you know,

381
00:20:01,680 --> 00:20:04,160
even if they're not even established. I did my first,

382
00:20:04,359 --> 00:20:08,200
my very first show is grim Rock there, and boyd,

383
00:20:08,240 --> 00:20:11,200
I film isn't really added, but he had me back

384
00:20:11,640 --> 00:20:13,880
a whole bunch of times after that, so you know,

385
00:20:14,160 --> 00:20:15,279
I'm very thankful for him.

386
00:20:15,640 --> 00:20:18,880
Speaker 2: Yeah, yeah, excellent. By the way, Let's see in the

387
00:20:19,119 --> 00:20:22,359
chat room here, Jenny is in there. Of course, hello,

388
00:20:23,680 --> 00:20:25,400
she's she's at home. She's not with me today because

389
00:20:25,400 --> 00:20:26,920
we're gonna be going We're gonna be doing something later

390
00:20:27,000 --> 00:20:28,480
that I'll I'll talk about later on the show. But

391
00:20:29,440 --> 00:20:31,519
Katie Michelle is in the chat room and says, we

392
00:20:31,680 --> 00:20:35,039
live grim Love. I do like the short albums, but

393
00:20:35,200 --> 00:20:36,240
go big or go home.

394
00:20:38,039 --> 00:20:41,119
Speaker 4: Right, that's that's tattoo baby. That's my album cover model.

395
00:20:41,200 --> 00:20:43,640
Speaker 2: Oh yes, oh yes, okay, yep, yep. She was in

396
00:20:43,720 --> 00:20:45,519
the she was in the chat room last time we talked.

397
00:20:45,559 --> 00:20:49,640
I think, yeah, very good. Let's see we have Paul

398
00:20:50,440 --> 00:20:52,319
some Maria the second.

399
00:20:53,359 --> 00:20:57,119
Speaker 4: Yeah, I know him. He's he does brown Sweel Screams.

400
00:20:57,599 --> 00:21:01,319
He does like around the Halloween to I'm in Brownsville, Pennsylvania.

401
00:21:01,359 --> 00:21:04,880
He does a show that benefits the Brownswville Public Library.

402
00:21:04,960 --> 00:21:06,799
And I've been I've played there for and I'm going

403
00:21:06,839 --> 00:21:07,839
to play there this year as well.

404
00:21:07,960 --> 00:21:10,720
Speaker 2: Oh, very good, very good. Yep, he says. A carnival

405
00:21:10,759 --> 00:21:15,000
of Screams September twelve at September twelve, twenty twenty six,

406
00:21:15,359 --> 00:21:18,039
at the Brownsville Free Public Library. Very good, and he

407
00:21:18,119 --> 00:21:19,720
also said grim is the man.

408
00:21:20,920 --> 00:21:23,240
Speaker 4: Well I appreciate that. I appreciate him too, you know.

409
00:21:23,440 --> 00:21:28,039
Speaker 2: Yeah, yeah, very nice, very nice. What So for people

410
00:21:28,559 --> 00:21:32,079
looking for it, what Katie is on the cover of

411
00:21:32,160 --> 00:21:35,559
what Again? G R five, the last album the GR

412
00:21:35,680 --> 00:21:38,680
five Yep, yep, yep. I have that actually on the

413
00:21:38,720 --> 00:21:41,079
wall in my podcast studio at home too, so people

414
00:21:41,680 --> 00:21:43,920
people tuning into the podcast version of the show might

415
00:21:43,960 --> 00:21:47,599
see the might see the album cover. But yeah, excellent, excellent.

416
00:21:47,799 --> 00:21:50,640
So now in the local scene there too, like around Pittsburgh,

417
00:21:50,720 --> 00:21:52,680
you must I know we've talked about this before, but

418
00:21:53,119 --> 00:21:56,160
I mean you must really stand out right because well,

419
00:21:56,200 --> 00:22:00,960
first of all, so your sound is not something that

420
00:22:01,000 --> 00:22:02,720
a lot of people are doing. Again that's sort of

421
00:22:02,839 --> 00:22:05,119
it's almost like a garage rock kind of vibe, but

422
00:22:05,200 --> 00:22:09,480
a little dark and and but it's also visually, people

423
00:22:09,559 --> 00:22:12,920
who have not seen you should go online and check

424
00:22:12,960 --> 00:22:17,000
out what you're doing, because visually you really kind of

425
00:22:17,079 --> 00:22:19,720
stand out right. And I assume there's no one in

426
00:22:19,759 --> 00:22:21,599
the scene there who's doing quite what you're doing. And

427
00:22:21,799 --> 00:22:26,559
what's especially interesting about it is if you you know,

428
00:22:26,799 --> 00:22:28,799
I don't know if you've ever heard this comparison, but

429
00:22:28,920 --> 00:22:31,279
I kind of almost you remind me a little bit

430
00:22:31,319 --> 00:22:35,480
of King Diamond when I see you in your full

431
00:22:35,960 --> 00:22:39,680
you know, in the makeup and everything. But but it's

432
00:22:39,799 --> 00:22:43,119
but you don't sound like King Diamond obviously, So I'm

433
00:22:43,160 --> 00:22:46,240
really curious about that. Like in the scene there, where

434
00:22:46,319 --> 00:22:48,440
you are in your area, you must really stand out.

435
00:22:48,480 --> 00:22:50,680
I assume there's no one doing anything like what you're doing.

436
00:22:52,160 --> 00:22:54,440
Speaker 4: There's actually there's actually some bands around here that do

437
00:22:54,559 --> 00:22:56,559
makeup and stuff. Are there things like that?

438
00:22:56,799 --> 00:22:57,000
Speaker 15: Yeah?

439
00:22:57,400 --> 00:23:00,319
Speaker 4: There is thirteen of Call to one of them. There's

440
00:23:00,640 --> 00:23:03,480
a band out of around the Cleveland area that does

441
00:23:03,519 --> 00:23:06,880
it too. I see you now. I forgot their name again.

442
00:23:07,519 --> 00:23:09,200
I've actually played with them at one of the shows

443
00:23:09,240 --> 00:23:12,880
over in Cleveland and they're fantastic too. But like thirteen

444
00:23:12,880 --> 00:23:15,440
O Call to Duo, you know. And so there's a

445
00:23:15,480 --> 00:23:18,240
lot of solo and duo people in the area, and

446
00:23:18,319 --> 00:23:20,319
there is a few that do you know, mass or

447
00:23:21,279 --> 00:23:22,960
a makeup or something, you know what I mean. So

448
00:23:23,000 --> 00:23:27,240
I don't completely stand out, But I think, like you said,

449
00:23:27,279 --> 00:23:29,920
with what shocks people. Is they seeming they expect like

450
00:23:30,640 --> 00:23:32,519
you know, slip knot you know, or something like that,

451
00:23:32,720 --> 00:23:34,960
and they don't get that. But they don't you know.

452
00:23:35,079 --> 00:23:37,200
But I've never had any issues with crowd with that,

453
00:23:37,319 --> 00:23:38,839
you know, or anything like that, So I think it's

454
00:23:38,880 --> 00:23:39,799
a good surprise for them.

455
00:23:40,359 --> 00:23:42,200
Speaker 2: Now, that's got to be cool too, because you know,

456
00:23:42,319 --> 00:23:46,000
you're you're I would imagine that when you're walking into

457
00:23:46,160 --> 00:23:50,480
a situation where you know, you know, what people's perception

458
00:23:50,640 --> 00:23:52,839
is when they see you and what they're expecting, and

459
00:23:52,920 --> 00:23:56,200
then getting to surprise them, you know, and then having

460
00:23:56,240 --> 00:23:58,200
it turn out to be a pleasant surprise because your

461
00:23:58,240 --> 00:24:00,839
music is so good. I mean that must be very gratifying, right,

462
00:24:00,920 --> 00:24:03,519
that must be that must be kind of Obviously getting

463
00:24:03,559 --> 00:24:05,920
on stage and performing your songs is fun, but getting

464
00:24:05,920 --> 00:24:07,920
to kind of surprise people like that, I mean that

465
00:24:08,000 --> 00:24:08,960
must make it even more fun.

466
00:24:08,960 --> 00:24:11,960
Speaker 4: I would imagine, Oh, it's great, you know, and I

467
00:24:12,279 --> 00:24:14,519
make sure that, you know, interact with people and then

468
00:24:15,119 --> 00:24:17,680
you know, like after after I do my sets and whatever,

469
00:24:17,920 --> 00:24:19,599
I you know, I let people you know, hold my

470
00:24:19,640 --> 00:24:21,559
guitar and two pictures with people and stuff like that,

471
00:24:22,319 --> 00:24:25,839
and I think it gives them an extra value to

472
00:24:25,960 --> 00:24:28,480
it too, you know, because it's personal and it's more personable.

473
00:24:28,960 --> 00:24:33,319
It's not like your favorite big league band that it's

474
00:24:33,480 --> 00:24:36,200
they're unaccessible, you know what I mean. And I get

475
00:24:36,240 --> 00:24:39,039
a lot of gratification from that, more so than actually playing,

476
00:24:39,160 --> 00:24:41,240
you know what I mean, to be able to connect

477
00:24:41,279 --> 00:24:41,640
with people.

478
00:24:41,799 --> 00:24:44,319
Speaker 2: You know, I think if I were, if I were

479
00:24:44,400 --> 00:24:46,440
doing that, I don't know that I would have the

480
00:24:46,519 --> 00:24:50,599
discipline to not be tempted to just be like like

481
00:24:50,759 --> 00:24:53,559
before the show, meeting people before the show, just being

482
00:24:53,680 --> 00:24:56,160
very like er it's just trying to be it's just

483
00:24:56,200 --> 00:24:59,480
trying to be as dark as possible, you know. And

484
00:24:59,599 --> 00:25:01,160
then you know, and then of course after the show,

485
00:25:01,240 --> 00:25:03,519
being you know, just what like my normal self and

486
00:25:03,599 --> 00:25:05,480
being friendly and everything, but just trying to be like,

487
00:25:05,960 --> 00:25:08,079
like as dark as possible before the show, just so

488
00:25:08,160 --> 00:25:11,880
they're extra surprised, you know what I mean. I don't know.

489
00:25:11,960 --> 00:25:12,880
I think that would be fun.

490
00:25:12,960 --> 00:25:16,720
Speaker 4: But then would be walking in, just walking in somewhere

491
00:25:16,720 --> 00:25:19,519
you've never been before. Yeah, get all the looks and everything,

492
00:25:19,559 --> 00:25:21,279
and I really you know, I try to feel the

493
00:25:21,440 --> 00:25:23,680
feel the crowd out and I don't do much mingling

494
00:25:23,680 --> 00:25:25,640
at the very beginning. Yeah, you know, but I know

495
00:25:25,799 --> 00:25:28,160
you you know, we're the owner or whoever. Yeah, And

496
00:25:28,279 --> 00:25:29,880
I think I think that gives a little bit of

497
00:25:29,920 --> 00:25:32,839
a an element of they don't know what to expect.

498
00:25:32,839 --> 00:25:34,359
And then I go on, then I go out, you

499
00:25:34,400 --> 00:25:35,279
know and talk to people.

500
00:25:35,400 --> 00:25:40,519
Speaker 2: So, right, does something change uh for you mentally when

501
00:25:40,599 --> 00:25:43,039
you when you put up everything on and you're all,

502
00:25:43,640 --> 00:25:45,440
you know, kind of in your in your character, so

503
00:25:45,559 --> 00:25:47,039
to speak, if that's the right way to put it, Like,

504
00:25:47,559 --> 00:25:49,960
do you feel different? I've often heard you know, my

505
00:25:50,160 --> 00:25:53,000
my all time favorite band, regular listeners know this is Kiss,

506
00:25:53,039 --> 00:25:55,519
And I've often heard like Geene Simmons talking about putting

507
00:25:55,559 --> 00:25:57,599
on the makeup and just feeling like a completely different

508
00:25:57,960 --> 00:26:01,000
entity almost, you know, like like do you experience anything

509
00:26:01,079 --> 00:26:01,240
like that?

510
00:26:02,759 --> 00:26:04,920
Speaker 4: Oh? Yeah, I mean I feel like I'm a completely

511
00:26:04,920 --> 00:26:07,960
different person. Yeah, I mean, yeah, it's to me, it's

512
00:26:08,079 --> 00:26:09,920
uncovered up and you don't know who I really am,

513
00:26:10,200 --> 00:26:11,920
you know what I mean kind of thing you get

514
00:26:11,920 --> 00:26:15,039
to I get to portray something maybe larger or greater

515
00:26:15,200 --> 00:26:17,200
than I normally, would you know what I mean? Because

516
00:26:17,200 --> 00:26:19,279
if I I mean, I do some I do some

517
00:26:19,440 --> 00:26:22,839
like local open mics or whatever, sometimes not painted and

518
00:26:22,960 --> 00:26:25,039
it just doesn't have the same effect. Yeah, you know

519
00:26:25,759 --> 00:26:27,559
it is when I'm painted and I'm in front of people,

520
00:26:27,640 --> 00:26:28,920
you know what I mean. So I get to open

521
00:26:29,000 --> 00:26:30,200
up a little bit more and just be a little

522
00:26:30,200 --> 00:26:33,480
bit more in a character, you know, more than anything.

523
00:26:33,759 --> 00:26:36,759
Speaker 2: So so you do occasionally do shows where, like you said,

524
00:26:36,759 --> 00:26:38,759
if it's an open mic, you're not you know, I

525
00:26:39,200 --> 00:26:41,680
can see where it would be in a situation like that,

526
00:26:41,839 --> 00:26:44,440
maybe you don't want to put everything on right.

527
00:26:45,079 --> 00:26:46,359
Speaker 4: I mean, you go and you play like two or

528
00:26:46,359 --> 00:26:48,920
three songs. I mean it's not you know, I mean,

529
00:26:49,359 --> 00:26:51,880
I mean I probably should, but I usually don't when

530
00:26:51,920 --> 00:26:52,759
it comes to something like that.

531
00:26:52,960 --> 00:26:56,960
Speaker 2: You know, No, that's understandable. And then so when you

532
00:26:57,079 --> 00:26:59,519
play live, what happens? Is it just you? Or do

533
00:26:59,599 --> 00:26:59,920
you ever?

534
00:27:00,720 --> 00:27:00,839
Speaker 9: Uh?

535
00:27:01,000 --> 00:27:03,119
Speaker 2: Do you ever have anyone play with you? Do you

536
00:27:03,160 --> 00:27:05,400
have a band? Or how does that work? What's what's

537
00:27:05,519 --> 00:27:08,880
the uh sort of the the setup there for you?

538
00:27:10,319 --> 00:27:13,079
Speaker 4: I'm all solo. I don't have a band. I have

539
00:27:13,279 --> 00:27:16,799
backing tracks minus all guitars and all vocals. Yeah, that

540
00:27:16,960 --> 00:27:20,119
way you know that I'm actually playing and singing because

541
00:27:20,240 --> 00:27:22,880
you know, especially with the guitars, when it gets to

542
00:27:22,880 --> 00:27:25,279
the lead solos and stuff. Everything falls out from behind

543
00:27:25,319 --> 00:27:26,960
it because you know, on the recording you have the

544
00:27:27,400 --> 00:27:30,160
backing guitar and I was playing the leads. Kind so

545
00:27:30,279 --> 00:27:31,920
they can see that I'm really doing it, you know

546
00:27:32,000 --> 00:27:33,960
what I mean. Yeah, I don't make sure you're talking

547
00:27:34,039 --> 00:27:36,400
between or do something a little different so they can

548
00:27:36,440 --> 00:27:38,480
see that I'm actually working it, you know what I mean.

549
00:27:38,640 --> 00:27:40,880
Not just and I always joke around, you know, because

550
00:27:40,880 --> 00:27:43,240
I'm in that costume, like you know, I had the band,

551
00:27:43,559 --> 00:27:45,400
I put a spell on them and put them in

552
00:27:45,480 --> 00:27:48,079
my you know player, you know what i mean kind

553
00:27:48,119 --> 00:27:48,400
of thing.

554
00:27:49,000 --> 00:27:54,559
Speaker 2: Yep, yepre are other musicians generally accepting of what you

555
00:27:54,720 --> 00:27:56,920
do in terms of that, because you know, there was

556
00:27:56,960 --> 00:27:58,200
a time when there was a little bit of a

557
00:27:58,240 --> 00:28:04,240
stigma using technlogy to sort of almost create a live

558
00:28:04,319 --> 00:28:07,119
band while you're playing, you know, But I feel like now,

559
00:28:08,119 --> 00:28:10,319
you know, I mean, especially on this show, I'll tell you,

560
00:28:10,480 --> 00:28:13,240
we've talked to so many people who just, you know,

561
00:28:13,319 --> 00:28:15,359
they want to have a big sound, but they don't

562
00:28:15,440 --> 00:28:18,680
want to deal with everything that goes into having a

563
00:28:18,880 --> 00:28:23,039
band and having to coordinate things and rehearse with other

564
00:28:23,119 --> 00:28:25,240
humans and everything, And it's just easier to do a

565
00:28:25,319 --> 00:28:28,119
solo thing, but they don't necessarily want to just do

566
00:28:28,279 --> 00:28:31,559
a solo acoustic singer songwriter thing either. They want to

567
00:28:31,599 --> 00:28:36,000
have that band vibe. So I feel like, just broadly,

568
00:28:36,599 --> 00:28:39,519
there's a lot less stigma attached to that than there

569
00:28:39,559 --> 00:28:42,400
would have been at one time. But I'm curious how

570
00:28:42,759 --> 00:28:45,319
how that's been for you. Does anyone ever give you

571
00:28:45,400 --> 00:28:48,000
a hard time about doing what you do without a band?

572
00:28:48,119 --> 00:28:51,680
Or are people generally accepting or not even so much

573
00:28:52,079 --> 00:28:55,400
audience members but other musicians, How do people react to it?

574
00:28:56,759 --> 00:28:58,960
Speaker 4: I've never had any problem with that, you know, And

575
00:28:59,039 --> 00:29:01,440
I think it's a lot more, like you said, widely

576
00:29:01,559 --> 00:29:03,680
accepted because of the day and age we're in. Because

577
00:29:04,119 --> 00:29:06,359
had I did this twenty years ago, I would have

578
00:29:06,440 --> 00:29:08,640
never got a show or I got canned on this age,

579
00:29:08,680 --> 00:29:11,039
you know what I mean. Yeah, But I think now

580
00:29:11,160 --> 00:29:14,079
the way everything is and everything's more streamlined and how

581
00:29:14,160 --> 00:29:17,000
technology is more involved with it, you know, I think

582
00:29:17,039 --> 00:29:18,920
it's a lot more acceptable. And I've never had, like

583
00:29:18,960 --> 00:29:20,440
I said, any issues with any of the bands that

584
00:29:20,480 --> 00:29:23,319
I've played with, whoever, if anything, you know, I'm an

585
00:29:23,359 --> 00:29:25,839
easy quick tear out, you know, set up and tear down,

586
00:29:26,000 --> 00:29:28,720
you know what. I mean, so given somebody else more time,

587
00:29:28,880 --> 00:29:31,000
or I don't need as much time to do all

588
00:29:31,039 --> 00:29:33,400
the stuff, you know what I mean, it's just sound check,

589
00:29:33,440 --> 00:29:36,319
the backing tracks, sound check, the guitar, soundcheck, the microphone.

590
00:29:36,359 --> 00:29:37,000
I'm ready to play.

591
00:29:37,240 --> 00:29:39,559
Speaker 2: Yeah, well that's a great point too. Whoever is on

592
00:29:39,759 --> 00:29:44,440
after you at these shows probably loves you because you

593
00:29:44,559 --> 00:29:47,079
don't have, like, you don't have a drummer up there

594
00:29:47,160 --> 00:29:49,160
with a full kit and who's gonna take, you know,

595
00:29:49,279 --> 00:29:51,400
twenty minutes to tear down and all of that, and

596
00:29:52,759 --> 00:29:55,400
you know, you're you're you're just you know, yours. It

597
00:29:55,480 --> 00:29:58,079
sounds like yours is pretty easy, So that must be

598
00:29:58,240 --> 00:30:00,799
nice for so. Actually, so a lot of musicians you

599
00:30:00,839 --> 00:30:03,400
play with probably really appreciate you. They probably like being

600
00:30:03,440 --> 00:30:06,279
on a show with you because, you know, because I

601
00:30:07,000 --> 00:30:09,039
I don't do it anymore, but I used to play

602
00:30:09,039 --> 00:30:11,960
in bands, and I just, you know, sometimes the frustration

603
00:30:12,160 --> 00:30:15,400
of you know, when you're waiting to go on stage

604
00:30:15,440 --> 00:30:18,359
with your band and the previous band is taken forever

605
00:30:18,880 --> 00:30:22,079
to tear down, and it's like, oh, you know, but

606
00:30:22,400 --> 00:30:24,960
but you obviously don't have that problem. I'm sure. I'm

607
00:30:25,000 --> 00:30:26,279
sure a lot of bands appreciate that.

608
00:30:27,480 --> 00:30:28,720
Speaker 4: Yeah, No, I don't have a problem with that. A

609
00:30:28,759 --> 00:30:31,279
lot of times too. They'll they'll be able to sit

610
00:30:31,319 --> 00:30:33,759
their full kids up and everything, yep, while I'm putting

611
00:30:33,759 --> 00:30:35,319
my stuff together, and they'll have it all ready to

612
00:30:35,400 --> 00:30:37,279
go by the time I'm sound checked. Yeah, or at

613
00:30:37,359 --> 00:30:41,160
least mostly all together. So the heavier equipment they're already

614
00:30:41,160 --> 00:30:43,079
have wheeled up there, so they're they're a lot closer

615
00:30:43,119 --> 00:30:45,519
to gets you know, sound check than they would if

616
00:30:45,559 --> 00:30:47,279
I had people that had to tear down too. So

617
00:30:47,799 --> 00:30:49,000
I'm sure they do appreciate that.

618
00:30:49,319 --> 00:30:52,680
Speaker 2: Oh, no doubt, no doubt. Does anything ever go wrong,

619
00:30:53,400 --> 00:30:56,559
you know, because again when you're using technology. Obviously technology

620
00:30:56,640 --> 00:31:00,119
enhances everything that we do, but with technology things can

621
00:31:00,480 --> 00:31:03,640
go awry. Sometimes anything ever goes wrong in a live show.

622
00:31:05,240 --> 00:31:07,160
Speaker 4: I have little quirks every once in a while, you know,

623
00:31:07,319 --> 00:31:09,680
because of the backing tracks are on a tablet, I

624
00:31:09,759 --> 00:31:12,279
don't have a way to actually physically like like a

625
00:31:12,319 --> 00:31:15,759
footpetal or anything to start stopping. Oh okay, And plus

626
00:31:15,839 --> 00:31:17,759
I have to go through and like if I have

627
00:31:17,880 --> 00:31:20,519
a depending on the crowd how their mood is, I

628
00:31:20,640 --> 00:31:24,400
might skip around. So sometimes I'll hit the button and

629
00:31:24,480 --> 00:31:26,200
it won't shut off and it'll start the next track

630
00:31:26,240 --> 00:31:29,279
by accident or yeah, you know, or I'll something will

631
00:31:29,319 --> 00:31:31,039
happen like that. You know. I've had it to where

632
00:31:31,119 --> 00:31:33,160
my tablet and I didn't realize this when I first

633
00:31:33,200 --> 00:31:34,880
got my tablet. I had everything set up and I

634
00:31:34,920 --> 00:31:37,240
went into a play I think it was Brandy's Basement

635
00:31:37,279 --> 00:31:40,160
in Irwin, and the track played fine, but then it

636
00:31:40,279 --> 00:31:41,799
kept repeating the first track, and I'm like, what the

637
00:31:41,839 --> 00:31:43,200
heck's going on with this? And here I just all

638
00:31:43,200 --> 00:31:46,440
I need to do is restart the tablet. Yeah, but

639
00:31:46,519 --> 00:31:48,359
I ended up tearing down to give the next people,

640
00:31:48,519 --> 00:31:50,240
you know, a thing until I could troubleshoot it, you

641
00:31:50,279 --> 00:31:52,119
know what I mean. By the time I just I

642
00:31:52,200 --> 00:31:54,640
borroted somebody's acoustic consisted a quick acoustic set, you know,

643
00:31:54,720 --> 00:31:56,839
so it wouldn't be a waste of their time to

644
00:31:56,920 --> 00:31:57,680
waste my night, you know.

645
00:31:58,000 --> 00:32:01,559
Speaker 2: Yeah, Yeah, oh that's cool. Yeah. How do sound guys

646
00:32:01,680 --> 00:32:02,759
react to that?

647
00:32:04,559 --> 00:32:04,680
Speaker 11: Uh?

648
00:32:04,880 --> 00:32:07,480
Speaker 4: I think they are all right with that because my

649
00:32:08,279 --> 00:32:10,960
I run through a d I box that can be

650
00:32:11,119 --> 00:32:16,039
active or passive, so and I have an internal pre

651
00:32:16,160 --> 00:32:18,880
amp in there too, so it will convert all that

652
00:32:18,960 --> 00:32:20,920
stuff over and I can kind of give them what

653
00:32:21,119 --> 00:32:22,799
kind of signal they want, just like you would for

654
00:32:22,880 --> 00:32:25,519
a guitar amp. And I think it's a lot easier

655
00:32:25,519 --> 00:32:28,000
to tailor with with the box that I got, you know.

656
00:32:28,920 --> 00:32:33,680
Speaker 2: So yeah, now, before before you were doing this project

657
00:32:34,079 --> 00:32:38,640
grim Rock as you know, just a solo act, were

658
00:32:38,680 --> 00:32:40,880
you in bands or what was what was your experience

659
00:32:41,000 --> 00:32:43,400
leading up to leading up to the grim.

660
00:32:43,319 --> 00:32:47,000
Speaker 4: Rock os and bands? A long time ago? I did

661
00:32:47,640 --> 00:32:50,720
some you know, I played cover bands, I played you know,

662
00:32:50,880 --> 00:32:51,920
original stuff.

663
00:32:52,039 --> 00:32:52,200
Speaker 11: You know.

664
00:32:52,839 --> 00:32:54,960
Speaker 4: I actually went to a studio in Pittsburgh called Audiomation

665
00:32:55,079 --> 00:32:57,200
Studio at one time to record tracks with the band

666
00:32:57,279 --> 00:33:01,559
from a local area. You know, I've done all kind

667
00:33:01,559 --> 00:33:03,559
of different things, and I just kind of gave it up.

668
00:33:04,279 --> 00:33:07,079
And a buddy of mine, Mark Kushak, he actually brought

669
00:33:07,119 --> 00:33:09,279
me out of musical retirement and I actually did a

670
00:33:09,359 --> 00:33:11,359
small project with him called The Model with Cage right

671
00:33:11,400 --> 00:33:17,000
before Grimrock, and actually the first three tracks from the

672
00:33:17,079 --> 00:33:19,319
first Grimrock EP with the last three tracks that we

673
00:33:19,400 --> 00:33:21,519
did together as the Model with Cage, So it kind

674
00:33:21,559 --> 00:33:23,839
of rolled over, okay.

675
00:33:24,599 --> 00:33:28,160
Speaker 2: And then what was it that caused you to start

676
00:33:28,200 --> 00:33:30,759
the grim Rock project and to do it on your own?

677
00:33:30,839 --> 00:33:34,240
I mean, were you just tired of you know. And again,

678
00:33:34,319 --> 00:33:37,079
as someone who's been in bands, I know the struggles.

679
00:33:37,759 --> 00:33:39,799
Were you tired of being in a band with other

680
00:33:39,880 --> 00:33:42,920
people or did you just want to do something different

681
00:33:43,000 --> 00:33:45,359
or what was kind of the genesis of Grimrock?

682
00:33:46,599 --> 00:33:48,599
Speaker 4: Well, we kind of I kind of felt like the

683
00:33:48,680 --> 00:33:50,799
music was good, but we couldn't get any traction at

684
00:33:50,799 --> 00:33:53,240
all with it. Yeah, and about I don't know, it

685
00:33:53,319 --> 00:33:55,759
was like fifteen months or so, we like plugged that.

686
00:33:55,839 --> 00:33:58,400
It plugged out and plugged at and I eventually just

687
00:33:58,480 --> 00:34:00,640
got frustrated with it, and I was like, look, I said,

688
00:34:00,640 --> 00:34:02,000
I'm gonna take a break from this for a minute.

689
00:34:02,039 --> 00:34:04,680
I'm gonna rebrand this whole thing, and then we're gonna

690
00:34:04,680 --> 00:34:06,839
see what happens, you know what I mean. Yeah, And

691
00:34:06,920 --> 00:34:08,599
I ended up and I ended up coming up with

692
00:34:08,639 --> 00:34:11,239
the grim rock thing, And believe it or not, for

693
00:34:11,320 --> 00:34:14,760
about eleven months, I was sending stickers out everywhere, selling

694
00:34:14,800 --> 00:34:19,039
T shirts, sending bandanas out, all with a promise of music.

695
00:34:19,440 --> 00:34:21,039
Like I didn't even have any music set up for

696
00:34:21,079 --> 00:34:23,400
this yet for eleven months. And a buddy of mine,

697
00:34:23,400 --> 00:34:25,039
Mike Susi, came over one day and he was like,

698
00:34:25,599 --> 00:34:27,519
He's like, you have the greatest scam going on in

699
00:34:27,639 --> 00:34:29,800
your life right now. He said, you're you know, you

700
00:34:29,920 --> 00:34:32,159
got this band, you're promising this music, and you don't

701
00:34:32,159 --> 00:34:33,519
even have to put it out there. People are still

702
00:34:33,519 --> 00:34:36,760
buying your stuff. And then I got nervous, you know,

703
00:34:36,840 --> 00:34:38,280
I was like, well, you know, I might put something

704
00:34:38,320 --> 00:34:40,079
out and they're gonna be like let down, like it's

705
00:34:40,079 --> 00:34:43,719
gonna stink or something. You know, but it really did.

706
00:34:43,800 --> 00:34:45,559
It picked up a lot better that way, you know.

707
00:34:46,280 --> 00:34:50,000
Speaker 2: So do you feel like that was that was an

708
00:34:50,000 --> 00:34:52,599
advantage for when the music when you did start to

709
00:34:52,639 --> 00:34:56,480
release music that you kind of you know, because that's

710
00:34:56,519 --> 00:35:00,639
a long Excuse me, that's a long runway right to

711
00:35:00,760 --> 00:35:02,880
getting to where you're actually putting out music the way

712
00:35:02,920 --> 00:35:07,880
you did it by by so so early, already kind

713
00:35:07,920 --> 00:35:11,719
of building the image and the marketing and the you know,

714
00:35:11,920 --> 00:35:15,000
all all of that. I mean, that's a that's a

715
00:35:15,039 --> 00:35:17,679
really interesting approach, and I didn't realize it. Again, you've

716
00:35:17,679 --> 00:35:19,480
been on the show a number of times we've talked.

717
00:35:19,679 --> 00:35:23,199
I didn't realize how far in advance you started really

718
00:35:23,280 --> 00:35:27,639
sort of developing grim rock as a concept before you

719
00:35:27,760 --> 00:35:30,719
actually started releasing music. That's really interesting, but it sounds

720
00:35:30,800 --> 00:35:32,800
like it sounds like it worked out well for you.

721
00:35:34,400 --> 00:35:36,719
Speaker 4: Yeah, I mean I was I was wanting to build

722
00:35:36,760 --> 00:35:40,079
a brand, yeah, identity and something they can recognize. That

723
00:35:40,239 --> 00:35:43,159
logo that's on a T shirt. People can see that

724
00:35:43,440 --> 00:35:45,760
and it's different. Yeah, you know what I mean. Yeah,

725
00:35:45,840 --> 00:35:47,280
when they look at they look at my picture and

726
00:35:47,280 --> 00:35:49,440
they see the pain, it's different. Yeah, and they can

727
00:35:49,800 --> 00:35:50,880
they can piece it all together.

728
00:35:51,000 --> 00:35:51,159
Speaker 11: You know.

729
00:35:51,199 --> 00:35:53,199
Speaker 4: I feel like a lot easier that way. But yeah,

730
00:35:53,239 --> 00:35:55,119
it it took a long time for me to get to,

731
00:35:55,920 --> 00:35:59,199
you know, releasing the first track to where we're at now.

732
00:35:59,519 --> 00:36:04,800
Speaker 2: Yeah, yeah, absolutely absolutely. Now, So what's kind of the Obviously,

733
00:36:04,880 --> 00:36:06,119
you know, we're gonna get to see you in May

734
00:36:06,280 --> 00:36:08,719
at the end of May, and we're really looking forward

735
00:36:08,719 --> 00:36:11,800
to that. What's kind of the the trajectory right now

736
00:36:12,199 --> 00:36:13,519
leading up to that for you?

737
00:36:13,800 --> 00:36:14,079
Speaker 3: Are you?

738
00:36:14,440 --> 00:36:14,559
Speaker 16: Uh?

739
00:36:15,599 --> 00:36:17,840
Speaker 2: I mean, what's your first priority is it? Is it

740
00:36:17,880 --> 00:36:19,519
working on the album or are you still gonna be

741
00:36:19,519 --> 00:36:21,960
playing a lot of shows while you're working on the album,

742
00:36:22,119 --> 00:36:25,360
or what's what's kind of the short term trajectory for you.

743
00:36:26,280 --> 00:36:28,119
Speaker 4: It's gonna be kind of a mixed bag. I got

744
00:36:28,400 --> 00:36:30,360
I got some studio time scheduled and I'm gonna I'm

745
00:36:30,400 --> 00:36:33,159
gonna work with that. I put in for some festivals,

746
00:36:33,280 --> 00:36:35,440
you know, one in April that hope, hopefully i'll hear

747
00:36:35,480 --> 00:36:37,719
back from that. I actually played two years ago and

748
00:36:37,800 --> 00:36:39,639
I'm hoping I get to play again this year. And

749
00:36:39,840 --> 00:36:44,559
I actually put him for a festival in Connecticut for July.

750
00:36:45,440 --> 00:36:48,280
And just like a lot, there's like a lot of

751
00:36:48,320 --> 00:36:50,880
places that I just kind of I got my feelers out,

752
00:36:51,639 --> 00:36:54,400
and I think there's gonna be some repeat places, you know,

753
00:36:54,760 --> 00:36:58,719
especially this year, especially with like mister Paul. You know,

754
00:36:58,760 --> 00:37:00,880
it's Carnival of Screams and Stuf is gonna be a repeat.

755
00:37:01,599 --> 00:37:04,480
I'm hoping to play Metal Fest in Cleveland, Ohio again

756
00:37:04,559 --> 00:37:04,920
this year.

757
00:37:05,199 --> 00:37:08,800
Speaker 2: Good. So, Yeah, festivals are the greatest thing you can do.

758
00:37:09,239 --> 00:37:09,440
Speaker 9: You know.

759
00:37:09,519 --> 00:37:11,239
Speaker 2: We this comes up a lot on the show too.

760
00:37:11,320 --> 00:37:14,159
It's like, uh because festivals not only does it get

761
00:37:14,320 --> 00:37:15,679
give you a chance to get in front of an

762
00:37:15,679 --> 00:37:19,880
audience that wouldn't otherwise see you. Uh So you know,

763
00:37:19,960 --> 00:37:23,599
you get that remarkable exposure because you know, people who

764
00:37:23,599 --> 00:37:27,239
have no idea about you will see you and and

765
00:37:27,360 --> 00:37:29,119
you'll make a lot of new fans very quickly. But

766
00:37:29,280 --> 00:37:32,840
also it's such a fantastic networking opportunity. You're going to

767
00:37:32,880 --> 00:37:36,000
meet so many other artists and industry people and make

768
00:37:36,079 --> 00:37:38,639
all kinds of connections, and you know, every time you

769
00:37:38,719 --> 00:37:40,800
play a festival, so it's it's great that that you've

770
00:37:40,840 --> 00:37:42,559
been doing them and that you're gonna do more. I mean,

771
00:37:42,599 --> 00:37:45,840
that's really especially with what you do again, you know,

772
00:37:45,960 --> 00:37:48,559
in terms of building a brand and and the visual

773
00:37:48,719 --> 00:37:51,920
aspect of it. That's that's great. So I'm glad that

774
00:37:51,960 --> 00:37:53,760
you've done festivals and then you're gonna be doing more

775
00:37:53,840 --> 00:37:57,480
because I I think I think it's probably the single

776
00:37:58,480 --> 00:38:01,760
the single best opportunity for an independent artist is to

777
00:38:01,840 --> 00:38:05,320
get on as many festivals as possible. That's what I think.

778
00:38:05,360 --> 00:38:06,760
I mean, there's so much value in that.

779
00:38:08,280 --> 00:38:10,079
Speaker 4: Oh yeah, there definitely is. I mean you get new

780
00:38:10,119 --> 00:38:12,840
groups of people, different areas, like I'm trying to get

781
00:38:12,880 --> 00:38:17,280
more East Coast, you know, exposure now what's coming out

782
00:38:17,320 --> 00:38:20,119
your way and to the Connecticut one and some different places,

783
00:38:20,199 --> 00:38:22,119
and you know, I'm hoping I get to go up

784
00:38:22,119 --> 00:38:23,679
and down the East Coast a little bit this year

785
00:38:23,960 --> 00:38:26,840
and just kind of broaden everything. And You're right, the festivals,

786
00:38:26,840 --> 00:38:28,800
you know, it was the connections and the bands and stuff.

787
00:38:28,880 --> 00:38:30,639
You know, you put on a pretty you put it

788
00:38:30,719 --> 00:38:33,559
on a decent show, you know, and you might be

789
00:38:33,639 --> 00:38:35,400
in that area again and another band like, oh you

790
00:38:35,400 --> 00:38:36,599
can hit them up, and like, hey, I'm gonna be

791
00:38:36,599 --> 00:38:38,679
in your area. You got anything right going on, you

792
00:38:38,760 --> 00:38:40,920
might be able to piggyback off that or right, you know,

793
00:38:41,000 --> 00:38:43,039
like in the case the case of Terminus, Hopefully you know,

794
00:38:43,199 --> 00:38:46,480
when I when I play there, everything goes doesn't go

795
00:38:46,519 --> 00:38:49,559
haywire with the electronics or anything, you know, or crazy,

796
00:38:49,880 --> 00:38:51,280
and I put a good show on. The next time

797
00:38:51,320 --> 00:38:52,960
I come up that way, hopefully maybe I can get

798
00:38:52,960 --> 00:38:56,639
on another one again, you know. So and and and

799
00:38:56,760 --> 00:38:58,599
I'm sure people will talk up there, you know, so

800
00:38:58,719 --> 00:39:00,599
it'll get around and be like, oh this Grimrock guy,

801
00:39:00,639 --> 00:39:00,840
you know.

802
00:39:01,480 --> 00:39:04,440
Speaker 2: Yeah, so andus Terminus is a great place to play.

803
00:39:04,480 --> 00:39:07,280
It's such a cool venue. And uh Andre does a

804
00:39:07,400 --> 00:39:11,480
fantastic job with the sound. And you'll I think you'll uh,

805
00:39:11,760 --> 00:39:13,840
I think you'll really enjoy it there. So, like I said,

806
00:39:13,840 --> 00:39:14,960
we're looking forward to seeing you.

807
00:39:16,679 --> 00:39:16,880
Speaker 4: Well.

808
00:39:17,000 --> 00:39:19,840
Speaker 2: Uh So, grim Where where should people go online? Speaking

809
00:39:19,880 --> 00:39:21,440
of branding, where's the best place for people to go

810
00:39:21,519 --> 00:39:23,559
online to keep up with everything that grim Rock is

811
00:39:23,800 --> 00:39:25,880
doing and and to get your music of course.

812
00:39:26,800 --> 00:39:29,519
Speaker 4: Well you can go to grimrocknroll dot com all spelled

813
00:39:29,519 --> 00:39:32,840
out Grim rock and A and d roll dot com, okay,

814
00:39:32,960 --> 00:39:35,159
and you can go to all my socials from there,

815
00:39:35,480 --> 00:39:37,639
I mean there's a video preview from YouTube. You can

816
00:39:37,719 --> 00:39:41,239
go to I have Apple Music, Spotify, I think Amazon

817
00:39:41,320 --> 00:39:43,199
Music is on there. You can hit links for those

818
00:39:43,880 --> 00:39:45,599
you can preview them on my website and then go

819
00:39:45,679 --> 00:39:49,440
to wherever wherever you have a subscription to see what

820
00:39:49,559 --> 00:39:51,360
my events. There's a shop on there you can get

821
00:39:51,400 --> 00:39:52,199
t shirts or whatever.

822
00:39:52,480 --> 00:39:52,719
Speaker 2: Yep.

823
00:39:53,000 --> 00:39:55,000
Speaker 4: And uh, you know, I got a press kid on there,

824
00:39:55,199 --> 00:39:58,519
so you know, if anybody is listening that has something

825
00:39:58,559 --> 00:40:00,599
out there, you can go check my press get out

826
00:40:00,599 --> 00:40:01,280
there too as well.

827
00:40:01,400 --> 00:40:05,199
Speaker 2: So outstanding, outstanding, well Grim, thank you so much. I

828
00:40:05,280 --> 00:40:07,400
think we're gonna close the segment. You know, we did

829
00:40:07,480 --> 00:40:12,360
play Cast a Shadow and always thrilled to be able

830
00:40:12,400 --> 00:40:14,400
to do the radio premiere of it on the show

831
00:40:14,519 --> 00:40:17,079
whenever you release something new. I think we're gonna close

832
00:40:17,119 --> 00:40:20,039
out the segment with the first song of yours that

833
00:40:20,079 --> 00:40:21,719
we ever played on the show that I still love.

834
00:40:22,320 --> 00:40:24,840
Don't you such a great track. But for those of

835
00:40:24,920 --> 00:40:27,599
you listening live, we will play If you missed it,

836
00:40:28,039 --> 00:40:30,519
we will repeat in the second and third hour of

837
00:40:30,559 --> 00:40:33,079
the show today. We will play cast a Shadow again

838
00:40:33,559 --> 00:40:36,079
in the second and third hour. So if you missed

839
00:40:36,079 --> 00:40:37,519
it in the first hour at the top of the show,

840
00:40:37,559 --> 00:40:39,920
you will be able to hear it later. And of course,

841
00:40:39,920 --> 00:40:41,960
obviously it's available. I assume it's on all the streaming

842
00:40:42,039 --> 00:40:46,559
platforms too, right, not yet, not yet. Oh, so you've

843
00:40:46,960 --> 00:40:49,360
you've got to hear it here? Ah, I love it. Yeah,

844
00:40:49,960 --> 00:40:50,440
you got it.

845
00:40:50,559 --> 00:40:50,840
Speaker 4: That's it.

846
00:40:51,440 --> 00:40:53,719
Speaker 2: Fantastic, fantastic. Do you do you know? Do you have

847
00:40:53,800 --> 00:40:55,119
a release date for when it's going to be on

848
00:40:55,159 --> 00:40:55,960
the platforms yet?

849
00:40:56,719 --> 00:40:58,480
Speaker 4: No, because I haven't even given it to the label yet.

850
00:40:58,760 --> 00:41:02,119
Speaker 2: Oh wow, see this is even more exclusive than I realized.

851
00:41:02,559 --> 00:41:05,159
Speaker 4: Oh yeah, no, you got it. That's it. Oh, thank

852
00:41:05,199 --> 00:41:07,000
you to get it to them, to get it to

853
00:41:07,079 --> 00:41:07,559
them now.

854
00:41:07,719 --> 00:41:11,000
Speaker 2: We love it. So when I say you heard it

855
00:41:11,079 --> 00:41:14,039
here first, I'm not being hyperbolic. You you all are

856
00:41:14,119 --> 00:41:16,760
literally hearing it here first. So that's wonderful. So you

857
00:41:16,800 --> 00:41:18,280
know what I think I'm gonna do. I think I'm

858
00:41:18,280 --> 00:41:20,199
gonna play don't You to end the segment. But then

859
00:41:20,199 --> 00:41:22,480
I'm also gonna play cast a Shadow again right after

860
00:41:22,599 --> 00:41:24,400
don't You, and then of course I will repeat it

861
00:41:24,440 --> 00:41:25,880
in the second and third hour or two for our

862
00:41:25,920 --> 00:41:28,199
live listeners who might have missed it. But uh, that's

863
00:41:28,280 --> 00:41:31,320
that's wonderful. Thank you so much, and uh, grim Rock again,

864
00:41:31,440 --> 00:41:33,920
thank you, my friend. It is wonderful to speak with you.

865
00:41:34,599 --> 00:41:36,960
We will see you in May, and if you have

866
00:41:37,000 --> 00:41:38,760
another single, we you know, we might have you back

867
00:41:38,800 --> 00:41:41,159
on even before then, but uh, you know, time time

868
00:41:41,239 --> 00:41:44,119
goes fast, that's for sure. But uh, we're gonna hit,

869
00:41:44,280 --> 00:41:46,440
We're gonna hit don't You. But again, grim Rock, thank

870
00:41:46,480 --> 00:41:48,039
you so much, my friend, and we'll talk to you soon,

871
00:41:48,079 --> 00:41:48,440
I'm sure.

872
00:41:49,440 --> 00:41:51,719
Speaker 4: Well, thank you. I really appreciate being on and and

873
00:41:52,480 --> 00:41:54,800
you know, being on your show, so absolutely see.

874
00:41:54,639 --> 00:41:57,480
Speaker 2: You absolutely, oh same, same, all right, all right, take

875
00:41:57,519 --> 00:41:59,920
care of grim all right, thank you, you got it?

876
00:42:00,000 --> 00:42:02,639
Bye bye? All right. That is grim Rock from the

877
00:42:02,679 --> 00:42:05,199
great state of Pennsylvania and the Pittsburgh area. But he's

878
00:42:05,239 --> 00:42:06,559
gonna be up our way at the end of a

879
00:42:06,719 --> 00:42:08,400
and really looking forward to getting to meet him and

880
00:42:08,400 --> 00:42:10,679
see him live. But let's play this track. This is

881
00:42:10,719 --> 00:42:13,559
called Don't Sha. This is the first single of grim

882
00:42:13,639 --> 00:42:15,039
Rock that we ever played on the show, and then

883
00:42:15,079 --> 00:42:17,199
I think right after that, I'm also going to play

884
00:42:17,280 --> 00:42:20,280
cast a Shadow again, which is very exclusive. You can't

885
00:42:20,320 --> 00:42:24,159
get cast a Shadow by grim Rock anywhere at the moment,

886
00:42:24,960 --> 00:42:27,280
but you can hear it right here on Matt Connorton

887
00:42:27,360 --> 00:42:29,880
Unleashed here on WMNH ninety five point three FM. So

888
00:42:29,920 --> 00:42:31,519
we're gonna play both of those, but we'll start with

889
00:42:31,800 --> 00:42:34,679
don't You and then cast a Shadow, and there is

890
00:42:34,719 --> 00:42:36,440
plenty more show to come. Don't Go Anywhere?

891
00:43:10,800 --> 00:43:12,079
Speaker 15: Tell me something?

892
00:43:12,480 --> 00:43:13,360
Speaker 11: You know.

893
00:43:15,039 --> 00:43:16,960
Speaker 13: A young man.

894
00:43:19,079 --> 00:43:21,559
Speaker 11: Me no.

895
00:43:28,519 --> 00:43:33,159
Speaker 13: Ways?

896
00:43:58,880 --> 00:44:19,639
Speaker 11: Tell me so you know what?

897
00:44:20,079 --> 00:44:35,840
Speaker 4: Not read? How going.

898
00:44:39,039 --> 00:44:47,360
Speaker 11: You go? You go.

899
00:44:55,079 --> 00:45:35,039
Speaker 2: To God? That is don't You. That is the first

900
00:45:35,079 --> 00:45:37,800
single from Grimrock that we ever played here on the show.

901
00:45:37,960 --> 00:45:40,960
And right now, once again, we're gonna play the brand

902
00:45:41,000 --> 00:45:44,480
new single. You cannot hear this anywhere else. This isn't

903
00:45:44,480 --> 00:45:47,519
even on the streaming platforms yet. This is absolutely a

904
00:45:47,840 --> 00:45:52,639
WMNH ninety five point three FM Matt Connorton Unleashed exclusive.

905
00:45:53,119 --> 00:45:57,039
This is cast a Shadow, the brand new single from Grimrock.

906
00:46:13,559 --> 00:46:24,360
Speaker 13: A people live stood in Mountains, will stand down, flood

907
00:46:24,599 --> 00:46:34,079
over me in the rain. I told mine They'll be

908
00:46:34,280 --> 00:46:39,840
bay sometimes the realized.

909
00:46:39,239 --> 00:46:41,800
Speaker 2: Ways today I grow more.

910
00:46:47,800 --> 00:46:49,360
Speaker 1: Im just tell some of me.

911
00:46:51,559 --> 00:46:52,719
Speaker 13: It count a shadow.

912
00:46:55,519 --> 00:46:57,320
Speaker 2: It specing sun of me.

913
00:46:59,519 --> 00:47:00,400
Speaker 13: They kind so.

914
00:47:16,119 --> 00:48:04,960
Speaker 14: Movie h brown stone and brains in the face under

915
00:48:05,159 --> 00:48:05,800
mount and.

916
00:48:09,519 --> 00:48:18,599
Speaker 13: Get on the star stone the shadow me. There's no rain.

917
00:48:19,519 --> 00:48:20,639
Speaker 2: I'm not fine.

918
00:48:21,480 --> 00:48:22,679
Speaker 9: It's just my pain.

919
00:48:23,559 --> 00:48:23,880
Speaker 2: It's on.

920
00:48:24,320 --> 00:48:28,400
Speaker 13: Can you ow the cracks on the phone of the

921
00:48:28,559 --> 00:48:37,800
fake away on the stags from name.

922
00:48:39,559 --> 00:48:45,559
Speaker 2: They cast a sadow. It's pards in sound name.

923
00:48:47,519 --> 00:48:52,559
Speaker 13: They cast a saddle. Want this today?

924
00:48:52,760 --> 00:49:11,639
Speaker 2: So it cast a saddle. It's bred. Its shad. They

925
00:49:11,880 --> 00:49:20,639
just shot its sudle.

926
00:49:33,639 --> 00:49:35,880
Speaker 12: Nana's Kitchen and Pizzeria.

927
00:49:36,199 --> 00:49:40,519
Speaker 13: From Nana's Hands's to your plate tradition.

928
00:49:41,000 --> 00:49:42,239
Speaker 2: Love and taste.

929
00:49:42,360 --> 00:49:50,559
Speaker 14: That's great though, fermented dough flavor so true each bite

930
00:49:50,639 --> 00:49:54,159
the story made just for you.

931
00:49:55,239 --> 00:49:59,000
Speaker 12: Six o three two three two nine three six six

932
00:49:59,719 --> 00:50:03,880
na This Kitchen and Pizza Ree fifteen Dartmouth, Dry Auburn,

933
00:50:04,000 --> 00:50:08,119
New Hampshire, piz.

934
00:50:12,679 --> 00:50:16,079
Speaker 3: Luigi's Pizza Bar and Grill one.

935
00:50:16,800 --> 00:50:20,360
Speaker 10: Let's raise a slyes on line with top and tall

936
00:50:20,440 --> 00:50:23,719
the ground Pizza Pizza Barrio.

937
00:50:23,440 --> 00:50:28,679
Speaker 3: Line Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester,

938
00:50:28,960 --> 00:50:31,800
Come on in or call six two two one zero

939
00:50:32,079 --> 00:50:37,119
two one Luigi, keeping the tradition alive since nineteen seventy five.

940
00:50:38,960 --> 00:50:43,360
Speaker 2: Pizza for every one come join a piece to night.

941
00:50:44,320 --> 00:50:48,280
With each slice, sense of it, everything feels so right.

942
00:50:51,440 --> 00:50:53,639
Speaker 15: In times of crisis, you need a law firm that

943
00:50:53,719 --> 00:50:56,800
stands by your side. With over forty years of experience,

944
00:50:56,920 --> 00:50:59,920
Craig and Gazzulis is dedicated to fighting for your rights.

945
00:51:00,440 --> 00:51:03,440
As former state prosecutors, our attorneys have the knowledge and

946
00:51:03,519 --> 00:51:07,239
trial experience to provide an aggressive defense against any charge,

947
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from DUIs to homicides. If you've been injured, our compassionate

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team will assess your case and fight for the compensation

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you deserve. Serving all of New Hampshire, Craigan Getzulis is

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here when you need us most. Visit Craigatzulis dot com

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for a free consultation. Craigan get Zulus, your advocates, your.

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Speaker 5: Allies, bring your kitchen to life with Queen Citycabinetry, located

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at eighty seven Elm Street in the historic Sunbeam Mall

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in Manchester, Open Monday through Friday nine am to five

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thirty pm, in Saturdays ten am to two pm. They

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can be reached at six h three two two two

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to zero zero seven or on the web at Queen

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Citycabinatry nh dot com.

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Speaker 2: Come see the possibilities.

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Speaker 5: Queen Citycabinatry another crowd sponsor of WMNH.

961
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Speaker 17: Hey, everyone's rob as a veto host of Grantite State

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of Mind, and I want to tell you about Pembrooke

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City Limits and the Historic sun Cook Village. PCL is

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an award winning bar, restaurant and music venue where there's

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live music five days a week and twice on Saturdays,

966
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everything from blues, country, folk, funk, and a.

967
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Speaker 2: Whole lot of jazz.

968
00:52:15,440 --> 00:52:18,079
Speaker 17: We have twelve craft beers on tap dedicated the local

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brewers in the area and some of the friendliest bartenders around.

970
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Please come visit Pembrook City Limits at one thirty four

971
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Main Street, the historic sunk Cook Village, only six miles

972
00:52:27,360 --> 00:52:30,920
outside of Manchester. Open Tuesdays to Wednesdays four to ten

973
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Thursday's a Sunday eleven to ten. Pembrook City Limits where

974
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it's all about the music.

975
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Speaker 3: Disneys Cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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bring your appetite and treat your taste. Buds Fry Disney's

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Cafe is always a winning choice. Breakfast, lunch or supper.

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Disney's Cafe at eight sixty Elm Street in downtown Manchester.

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Dine in, take out or make a reservation call six

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oh three, six oh six, five three to two, Eat,

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drink and be happy Dizz's Cafe.

983
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Speaker 9: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust groll In Computers,

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located on Elm Street in Manchester. Grolin handles computer repair,

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virus removal and custom built systems. Are you looking for

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budget friendly options, check out our selection of fully inspected

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used computers. We offer tailored on site solutions no unnecessary

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expenses here. Visit Groland dot com or call grolling Computers

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Speaker 4: Your Tech, your Way, Trust groll In Computers.

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Speaker 11: N seven times out of ten we listened to our

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music at night. That's one titled business program.

994
00:53:54,639 --> 00:53:57,039
Speaker 3: Late Night to Light with DJ Bidas right here on

995
00:53:57,280 --> 00:53:58,679
WMNH Manchester.

996
00:53:58,920 --> 00:54:00,119
Speaker 10: You want to know why Speak.

997
00:54:02,199 --> 00:54:04,519
Speaker 3: Saturdays and Sunday nights midnight to four am.

998
00:54:05,880 --> 00:54:11,320
Speaker 12: This hour on WMNH is sponsored by CGI Business Solutions,

999
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located at five Dartmouth Drive in Auburn. They serve all

1000
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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eight four one

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forty six hundred or on the web at CGI Business

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Solutions dot com.

1005
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Speaker 16: Behold the harmony of airwaves as you immerse yourself in

1006
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the captivating frequencies of w n NHLP their sonic cards

1007
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of Manchester, transcending through the ether ninety five point three

1008
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megahertz frequency modulation Our transmissions M and eight from the

1009
00:54:53,360 --> 00:54:56,360
ZNF one thousand ELM streets to insure into the hearts

1010
00:54:56,400 --> 00:54:59,440
of our creative realm at one nineteen Canal Street, where

1011
00:54:59,480 --> 00:55:04,119
innovation sound colode. They're the improm mod of Manchester Public

1012
00:55:04,159 --> 00:55:07,920
Television Service in the venerable City of Manchester, New Hampshire, USA.

1013
00:55:08,320 --> 00:55:11,360
Enrich your auditory journey with the depth of our license

1014
00:55:11,440 --> 00:55:14,400
to wesn'd wesspt your missives did w m n H

1015
00:55:14,519 --> 00:55:17,760
ninety five three at gmail dot com or traverse the

1016
00:55:17,840 --> 00:55:21,559
virtual corridors of w m Nhradio dot or engage with

1017
00:55:21,679 --> 00:55:24,440
our sonic vibrations by communing with us through the digital

1018
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channels or radio beconds eager to enthrall you with its

1019
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mesmerizing cadence and envelop you at a symphony of foundless

1020
00:55:31,440 --> 00:55:32,679
auditories won du.

1021
00:55:36,880 --> 00:55:39,239
Speaker 4: W MNH rip the novels.

1022
00:55:42,719 --> 00:55:47,320
Speaker 1: You're listening to Matt Connorton Unleashed on wm and H

1023
00:55:47,519 --> 00:55:48,800
ninety five point three.

1024
00:55:56,480 --> 00:55:59,400
Speaker 2: Welcome everybody. This is Matt Connorton Unleashed and we are

1025
00:55:59,480 --> 00:56:03,360
live from the studios of wm NH ninety five point

1026
00:56:03,360 --> 00:56:06,119
three FM and Glorious Manchester, New Hampshire. Of course, you

1027
00:56:06,159 --> 00:56:08,280
can stream the show from anywhere. Go to Matt connorton

1028
00:56:08,320 --> 00:56:11,079
dot com, slash live for all your live streaming options,

1029
00:56:11,159 --> 00:56:14,159
social media links, contact infosho, archives, et cetera, et cetera.

1030
00:56:14,920 --> 00:56:18,239
It is Saturday, January seventeen, twenty twenty six. We are

1031
00:56:18,400 --> 00:56:21,079
about to enter our number two New Marrow dose of

1032
00:56:21,199 --> 00:56:24,960
Matt Connorton Unleashed. We've got in a moment. We're gonna

1033
00:56:25,000 --> 00:56:28,079
play in fact, one of the tracks from the brand

1034
00:56:28,159 --> 00:56:31,360
new ever Felt album called Stirring to Wake. We're gonna

1035
00:56:31,360 --> 00:56:33,880
play this opening song called Epic One, and it is

1036
00:56:33,960 --> 00:56:35,880
an epic way to open the album. And then we're

1037
00:56:35,880 --> 00:56:39,159
gonna have Adam Steglitic from ever Felt joining us. I

1038
00:56:39,199 --> 00:56:40,880
think it's gonna be his third or fourth time on

1039
00:56:40,960 --> 00:56:43,480
the show, but he's gonna be joining us online. Can't

1040
00:56:43,519 --> 00:56:44,960
wait to talk to him. I love the album. I

1041
00:56:45,039 --> 00:56:47,199
listened to the whole thing. It's incredible. So wait to

1042
00:56:47,280 --> 00:56:49,599
le we hear this track. It's a very very strong opener,

1043
00:56:49,719 --> 00:56:51,880
so really cool. So we're gonna do that in just

1044
00:56:51,920 --> 00:56:54,039
a moment. I do want to also acknowledge a couple

1045
00:56:54,079 --> 00:56:57,280
of people in the chat room. EAZYG is in there, Hello, Easyg.

1046
00:56:57,880 --> 00:57:01,159
Jay Bellow from the band Chasing the Uh is in

1047
00:57:01,239 --> 00:57:04,000
the chat room. We love Jay, love that band. Maybe

1048
00:57:04,039 --> 00:57:06,239
we'll play some Chasing the Devil a little later in

1049
00:57:06,280 --> 00:57:07,719
the show. I'd love to play one of theirs. Can't

1050
00:57:07,719 --> 00:57:10,079
play the newest one until I get a radio edit

1051
00:57:10,159 --> 00:57:12,440
because it's there's a lot, there's a bad word in

1052
00:57:12,519 --> 00:57:15,119
it that I can't take. I can't edit it myself

1053
00:57:15,159 --> 00:57:18,559
without ruining the song. So if we get a radio

1054
00:57:18,639 --> 00:57:20,000
edit from those guys, we'll play it for you, but

1055
00:57:20,000 --> 00:57:21,800
I'll play one of their older ones. I love Chasing

1056
00:57:21,840 --> 00:57:24,280
the Devil, And we have Kenny truon in the Facebook

1057
00:57:24,320 --> 00:57:28,119
Live chat says good morning to Matt and Jenny. Kenny Truon.

1058
00:57:28,320 --> 00:57:31,159
We played his brand new single at the opening of

1059
00:57:31,239 --> 00:57:33,239
the show today and I will play it again later

1060
00:57:33,320 --> 00:57:36,039
in the show. It's called we All Saw What Happened

1061
00:57:36,119 --> 00:57:40,760
and it's it's so so good, very topical, shall we

1062
00:57:40,840 --> 00:57:42,559
say if you missed it. I did play it at

1063
00:57:42,599 --> 00:57:45,440
the open of the show today, but we'll play it again.

1064
00:57:45,559 --> 00:57:47,599
We'll play it again later on in the show. Definitely

1065
00:57:47,679 --> 00:57:51,920
worth another spin. Great great track. But right now we're

1066
00:57:51,920 --> 00:57:54,760
gonna play this. It's the opening track from the brand

1067
00:57:54,800 --> 00:57:57,559
new album from ever Felt called Stirring Awake. This is

1068
00:57:57,639 --> 00:58:00,239
called Epic one. And then at the end of this,

1069
00:58:00,719 --> 00:58:04,840
we're gonna talk with Adam Staglitic from the band ever Felt.

1070
00:58:05,000 --> 00:58:07,440
Really looking forward to to talking with him and getting

1071
00:58:07,440 --> 00:58:08,800
caught up. It's been a while, it's been at least

1072
00:58:08,840 --> 00:58:10,679
a couple of years, I think, since Adam has been

1073
00:58:10,719 --> 00:58:12,320
on the show with us. But check this out. This

1074
00:58:12,440 --> 00:58:13,280
is called Epic one.

1075
00:58:53,400 --> 00:58:54,280
Speaker 4: Only to.

1076
00:58:56,960 --> 00:59:05,239
Speaker 10: Count, so lie long, not too dog calling, no dream

1077
00:59:05,719 --> 00:59:14,480
nong the f soun all way, no more. Need to

1078
00:59:14,920 --> 00:59:14,960
know