WEBVTT

1
00:00:13.439 --> 00:00:16.920
<v Speaker 1>You are lost in a London fog, uncertain whether the

2
00:00:16.960 --> 00:00:20.679
<v Speaker 1>figures looming around you are real or creatures of your imagination,

3
00:00:21.600 --> 00:00:25.640
<v Speaker 1>And somewhere in the wet grayness lurks a murderer from

4
00:00:25.640 --> 00:00:26.960
<v Speaker 1>whom you must escape.

5
00:00:37.479 --> 00:00:41.600
<v Speaker 2>Escape, produced and directed by William N. Robson, and carefully

6
00:00:41.600 --> 00:00:44.240
<v Speaker 2>contrived to free you from the four walls of today

7
00:00:44.640 --> 00:00:52.439
<v Speaker 2>for a half hour of high adventure. Good Night, We

8
00:00:52.640 --> 00:00:55.679
<v Speaker 2>escape to a fog shrouded city and the terror of

9
00:00:55.719 --> 00:00:59.359
<v Speaker 2>a shell shocked mine. As Algin and Blackwood describes them

10
00:00:59.359 --> 00:01:02.679
<v Speaker 2>in his ghost story Confession.

11
00:01:12.239 --> 00:01:13.280
<v Speaker 3>There was no doubt about it.

12
00:01:13.719 --> 00:01:16.560
<v Speaker 1>The woman was dead. Her cheek was cold to my touch.

13
00:01:17.280 --> 00:01:19.680
<v Speaker 1>The head of the long sharp hatpin protruded from her

14
00:01:19.680 --> 00:01:24.040
<v Speaker 1>breast above the heart. She was dead, murdered, and I

15
00:01:24.079 --> 00:01:27.359
<v Speaker 1>stood there by the bed, my brain whirling crazily. I

16
00:01:27.519 --> 00:01:30.200
<v Speaker 1>was alone in an empty house with a murdered woman.

17
00:01:35.480 --> 00:01:38.079
<v Speaker 1>And then suddenly fear flashed across my brain and cleared it.

18
00:01:38.760 --> 00:01:42.760
<v Speaker 1>I heard the door below open and close footsteps. Someone

19
00:01:42.840 --> 00:01:47.120
<v Speaker 1>was coming across the downstairs hall onto the stairs.

20
00:01:46.760 --> 00:01:50.680
<v Speaker 3>Coming up up here. In a moment, I would be discovered.

21
00:01:51.040 --> 00:01:52.879
<v Speaker 1>In a moment, someone would walk into this room and

22
00:01:52.879 --> 00:01:55.799
<v Speaker 1>see me standing over the body. In a moment, my

23
00:01:56.040 --> 00:01:59.359
<v Speaker 1>escape would be cut off. Quickly, I slipped across the

24
00:01:59.359 --> 00:02:02.319
<v Speaker 1>hall and into an of the empty bedrooms. I leaned

25
00:02:02.319 --> 00:02:06.599
<v Speaker 1>against the closed door, breathing heavily, listening to those steps

26
00:02:06.640 --> 00:02:09.560
<v Speaker 1>come closer. Would he look into any of the other

27
00:02:09.599 --> 00:02:18.159
<v Speaker 1>bedrooms first? Would I be discovered here? He passed my

28
00:02:18.240 --> 00:02:22.319
<v Speaker 1>door and went into the room straight in, closed the

29
00:02:22.319 --> 00:02:27.400
<v Speaker 1>door behind him. Then he knew where to come. I

30
00:02:27.439 --> 00:02:30.280
<v Speaker 1>waited a moment, waited for some sound, some gasp of discovery.

31
00:02:31.199 --> 00:02:35.240
<v Speaker 3>There was none. Then he knew what to expect. I

32
00:02:35.319 --> 00:02:37.719
<v Speaker 3>must escape quickly before he came out of that room.

33
00:02:37.960 --> 00:02:41.960
<v Speaker 3>I started down the stairs, carefully to avoid any sound,

34
00:02:47.159 --> 00:02:49.280
<v Speaker 3>And suddenly the door of that room opened, the beam

35
00:02:49.280 --> 00:02:51.560
<v Speaker 3>of a flashlight setched down the hall. I took the

36
00:02:51.599 --> 00:02:54.080
<v Speaker 3>stairs three at a time, burst up on the front door,

37
00:02:54.439 --> 00:02:57.280
<v Speaker 3>and fled into the street. Fled under the sanctuary of

38
00:02:57.319 --> 00:03:06.599
<v Speaker 3>the fork. How long and how far I ran? I

39
00:03:06.639 --> 00:03:09.240
<v Speaker 3>do not know. I could see nothing, feel nothing but

40
00:03:09.280 --> 00:03:12.199
<v Speaker 3>the clammy dampness of the fog. I don't know whether

41
00:03:12.240 --> 00:03:14.039
<v Speaker 3>he was still following me or not. I ran out

42
00:03:14.080 --> 00:03:17.280
<v Speaker 3>of sheer terror, up one street, down another, with no

43
00:03:17.360 --> 00:03:19.159
<v Speaker 3>idea of where I was, or where I was going.

44
00:03:20.000 --> 00:03:22.879
<v Speaker 3>Perhaps I was running in circles. Perhaps I would run

45
00:03:23.080 --> 00:03:27.400
<v Speaker 3>right back to the house. Well I stopped. I leaned

46
00:03:27.400 --> 00:03:30.319
<v Speaker 3>heavily against the wall. My hands were shaking as I

47
00:03:30.400 --> 00:03:33.759
<v Speaker 3>raised them to my perspiring face. I held them there

48
00:03:33.759 --> 00:03:39.039
<v Speaker 3>to steady them. Ran them through my wet hair. My

49
00:03:39.120 --> 00:03:42.719
<v Speaker 3>hat I didn't have it. I'd left my hat back

50
00:03:42.759 --> 00:03:45.759
<v Speaker 3>there in that room, on the bed, beside that dead woman,

51
00:03:46.840 --> 00:03:56.960
<v Speaker 3>and it had my initials in it. Nearby a street

52
00:03:57.039 --> 00:04:00.120
<v Speaker 3>lamp formed a fuzzy ball of yellow in the enveloping murk.

53
00:04:00.800 --> 00:04:04.039
<v Speaker 3>And now a figure loomed suddenly beneath it, just as

54
00:04:04.080 --> 00:04:06.800
<v Speaker 3>she had materialized so short a time ago under another

55
00:04:06.840 --> 00:04:10.680
<v Speaker 3>street light. Or was it the same one? Was it

56
00:04:10.759 --> 00:04:13.680
<v Speaker 3>she again? Was it he the one who was following me?

57
00:04:14.520 --> 00:04:17.120
<v Speaker 3>Was it real at all? Perhaps it was only a

58
00:04:17.240 --> 00:04:22.600
<v Speaker 3>creature of my madness. I guess, sir, you're ill? Hi?

59
00:04:22.920 --> 00:04:26.160
<v Speaker 3>Oh here, old, let me help you. Why you're almost

60
00:04:26.199 --> 00:04:31.279
<v Speaker 3>ready to fall? Yes, sir, thank you? Yeah, just lean

61
00:04:31.319 --> 00:04:37.079
<v Speaker 3>on my arm. Yes, you are real, aren't you real?

62
00:04:38.800 --> 00:04:42.439
<v Speaker 3>I don't understand. I say, you're very near collapse, you know.

63
00:04:43.079 --> 00:04:46.079
<v Speaker 3>And I happen to be a doctor luckily too. You're

64
00:04:46.240 --> 00:04:48.600
<v Speaker 3>just outside my very house, coming for a moment, won't

65
00:04:48.639 --> 00:04:54.240
<v Speaker 3>you why? You're very kind, Yes I will if it's

66
00:04:54.439 --> 00:04:56.920
<v Speaker 3>not too much trouble for you, none at all, My

67
00:04:57.000 --> 00:04:58.040
<v Speaker 3>dear Chap, please do.

68
00:05:05.279 --> 00:05:07.839
<v Speaker 1>Within five minutes, I was seated in a comfortable chair

69
00:05:07.920 --> 00:05:12.319
<v Speaker 1>before a toasting fire, sipping a hot cup of tea.

70
00:05:12.800 --> 00:05:16.680
<v Speaker 1>I could feel my nerves relaxing, but the traces of

71
00:05:16.720 --> 00:05:19.639
<v Speaker 1>my illness must have been clear on my face, because

72
00:05:19.639 --> 00:05:20.680
<v Speaker 1>my host observed.

73
00:05:21.120 --> 00:05:25.279
<v Speaker 3>Your trouble is shell shock, isn't it. Why? Yes, how

74
00:05:25.319 --> 00:05:27.759
<v Speaker 3>did you know? I've been in the service and I'm

75
00:05:27.759 --> 00:05:28.240
<v Speaker 3>a doctor.

76
00:05:28.800 --> 00:05:31.839
<v Speaker 1>Of course I I only meant to I'm supposed to

77
00:05:31.879 --> 00:05:36.079
<v Speaker 1>be recovered or almost. But I got lost in the fog,

78
00:05:36.160 --> 00:05:38.439
<v Speaker 1>felt ill, suddenly terrified.

79
00:05:38.480 --> 00:05:41.480
<v Speaker 3>John, I know you should never have been out in

80
00:05:41.519 --> 00:05:44.360
<v Speaker 3>a night like this. If you've got far Togo, you'd

81
00:05:44.360 --> 00:05:47.199
<v Speaker 3>better let me put you up. You're very kind, very kind, indeed.

82
00:05:47.199 --> 00:05:50.160
<v Speaker 3>But I don't want to be any trouble, no trouble

83
00:05:50.199 --> 00:05:52.560
<v Speaker 3>at all. I'd like to be of help the least

84
00:05:52.560 --> 00:05:56.279
<v Speaker 3>we Drean can do for each other. Ah, the blasted war,

85
00:05:56.360 --> 00:05:57.399
<v Speaker 3>Thank goodness, it's over.

86
00:05:58.759 --> 00:06:03.639
<v Speaker 1>Not Evenijai, no Canadian. I haven't been demobilized. Yet I'm

87
00:06:03.639 --> 00:06:05.639
<v Speaker 1>still in the Army Hospital at Regent's Park under the

88
00:06:05.720 --> 00:06:07.079
<v Speaker 1>care of doctor Henry.

89
00:06:07.199 --> 00:06:10.720
<v Speaker 3>Ah. Yes, he's very good man. I'd say he's done

90
00:06:10.759 --> 00:06:13.839
<v Speaker 3>well by you up till to night. I mean, yes,

91
00:06:14.600 --> 00:06:16.720
<v Speaker 3>of course we had no idea there would be a fog.

92
00:06:17.800 --> 00:06:21.120
<v Speaker 3>I still get in a panic when I feel all alone. Well,

93
00:06:21.240 --> 00:06:24.240
<v Speaker 3>that's usual. But then there was something more than that

94
00:06:24.279 --> 00:06:28.360
<v Speaker 3>to night, wasn't there. What do you mean simply that

95
00:06:28.399 --> 00:06:32.279
<v Speaker 3>you've had rather a severe shock quite recently, haven't you? Huh?

96
00:06:33.160 --> 00:06:35.959
<v Speaker 3>How did you know that? My dear chap, I'm a doctor,

97
00:06:36.319 --> 00:06:39.120
<v Speaker 3>My business to know you were in much to agitate

98
00:06:39.120 --> 00:06:41.160
<v Speaker 3>the state when I found you. For me to suppose

99
00:06:41.199 --> 00:06:44.000
<v Speaker 3>it could have been done simply by the fog, And

100
00:06:45.160 --> 00:06:47.920
<v Speaker 3>if I may hazard another guess, I should say it

101
00:06:47.920 --> 00:06:50.399
<v Speaker 3>would be a relief to you and and wise as

102
00:06:50.439 --> 00:06:53.519
<v Speaker 3>well if you could unburden yourself to someone who would understand,

103
00:06:54.519 --> 00:06:55.240
<v Speaker 3>Am I not right?

104
00:06:56.040 --> 00:07:00.160
<v Speaker 1>Someone who would understand that's just it. I don't if

105
00:07:00.199 --> 00:07:03.720
<v Speaker 1>there is anyone like that. It's so incredible.

106
00:07:03.920 --> 00:07:07.199
<v Speaker 3>Oh, the more incredible, the greater your need to tell it.

107
00:07:07.879 --> 00:07:10.879
<v Speaker 3>Repression in cases like yours can be dangerous, as you

108
00:07:10.959 --> 00:07:14.439
<v Speaker 3>must know you think you've hidden it, but it bides

109
00:07:14.480 --> 00:07:16.839
<v Speaker 3>its time and it comes up later, causing a lot

110
00:07:16.879 --> 00:07:23.040
<v Speaker 3>of trouble. Confession, you know, confession is good for the soul. Yes,

111
00:07:23.120 --> 00:07:26.279
<v Speaker 3>I suppose you are right, but it is so wild

112
00:07:26.560 --> 00:07:29.600
<v Speaker 3>und since where strangers, my belief or disbelief can make

113
00:07:29.639 --> 00:07:32.560
<v Speaker 3>no difference. And I think I can promise you in

114
00:07:32.600 --> 00:07:35.759
<v Speaker 3>advance that I shall believe all you have to say.

115
00:07:36.319 --> 00:07:41.240
<v Speaker 1>Well, but I've got to tell somebody about it soon anyway,

116
00:07:41.800 --> 00:07:53.360
<v Speaker 1>so cigarette to help with telling, thank you, thank you, Well,

117
00:07:53.360 --> 00:07:55.480
<v Speaker 1>i'd better start back at the very beginning of the adventure.

118
00:07:55.519 --> 00:07:59.480
<v Speaker 1>Then it started today at the sanitarium. I've been there

119
00:07:59.480 --> 00:08:02.000
<v Speaker 1>for some month, and today when doctor Henry called to

120
00:08:02.199 --> 00:08:02.680
<v Speaker 1>check on me.

121
00:08:03.000 --> 00:08:05.120
<v Speaker 4>Well, a young man, you're as fitt a surprize here

122
00:08:05.120 --> 00:08:07.600
<v Speaker 4>for him, twice as frisky. The diet here must agree

123
00:08:07.600 --> 00:08:07.879
<v Speaker 4>with you.

124
00:08:08.000 --> 00:08:10.000
<v Speaker 1>I have no complaints, doctor, but if I'm well again,

125
00:08:10.000 --> 00:08:11.639
<v Speaker 1>then i'd like to get back into circulation.

126
00:08:11.720 --> 00:08:14.199
<v Speaker 4>Will you listen to him nurse rushing things as usual?

127
00:08:14.519 --> 00:08:15.600
<v Speaker 3>You'd think he didn't like.

128
00:08:15.600 --> 00:08:18.240
<v Speaker 5>Us here, the way he bothers us to let him

129
00:08:18.240 --> 00:08:18.920
<v Speaker 5>go into town.

130
00:08:19.000 --> 00:08:20.279
<v Speaker 3>I'm sure a bit doctor.

131
00:08:20.600 --> 00:08:23.040
<v Speaker 4>He's getting so healthy, he's bursting at the.

132
00:08:23.000 --> 00:08:26.120
<v Speaker 3>Scene you see. How about it? Doctor? Can I just

133
00:08:26.160 --> 00:08:27.639
<v Speaker 3>have a day or an evening in town?

134
00:08:27.839 --> 00:08:30.160
<v Speaker 4>What's the great attraction in that dirty place?

135
00:08:30.319 --> 00:08:30.879
<v Speaker 5>Some girl?

136
00:08:30.920 --> 00:08:31.360
<v Speaker 4>No doubt?

137
00:08:31.959 --> 00:08:35.559
<v Speaker 3>Well, yes that is in a way. I met her

138
00:08:35.600 --> 00:08:38.159
<v Speaker 3>in France. She's a Red Cross girl. She's invited me

139
00:08:38.240 --> 00:08:39.799
<v Speaker 3>to stop in for tea if I'm up in London.

140
00:08:39.840 --> 00:08:42.639
<v Speaker 3>And well, it's just that i'd feel.

141
00:08:42.480 --> 00:08:46.759
<v Speaker 1>Human again seeing a girl having tea a cigarette chatting.

142
00:08:47.279 --> 00:08:49.639
<v Speaker 4>That's all, young man. I not only approve of your

143
00:08:49.679 --> 00:08:51.279
<v Speaker 4>day in town, I'm prescribing it.

144
00:08:51.320 --> 00:08:52.159
<v Speaker 3>It will do you good.

145
00:08:52.840 --> 00:08:56.159
<v Speaker 4>You've got to start getting used to society again anyway.

146
00:08:56.200 --> 00:08:58.039
<v Speaker 3>And you think I can manage it alone.

147
00:08:58.120 --> 00:09:00.279
<v Speaker 4>Why not you get around the neighborhood by your self?

148
00:09:00.320 --> 00:09:03.480
<v Speaker 4>Well enough, don't you? Nothing so very different about London?

149
00:09:03.840 --> 00:09:06.360
<v Speaker 4>Certainly nothing to be afraid of. No, of course, not

150
00:09:06.799 --> 00:09:09.159
<v Speaker 4>call the young lady and find out the directions where

151
00:09:09.200 --> 00:09:11.320
<v Speaker 4>to get off the underground, what terms to take and

152
00:09:11.360 --> 00:09:14.519
<v Speaker 4>so on. Ago in the daytime, returned before dark. No

153
00:09:14.639 --> 00:09:17.879
<v Speaker 4>danger of getting lost should be simple. I mean, do it?

154
00:09:18.240 --> 00:09:21.639
<v Speaker 3>Do you good? Then this means I'm getting better. I'll

155
00:09:21.639 --> 00:09:22.440
<v Speaker 3>be able to go home.

156
00:09:22.480 --> 00:09:25.480
<v Speaker 4>So there you go, rushing things again. But yes, I

157
00:09:25.559 --> 00:09:28.559
<v Speaker 4>think perhaps we're on the last leg. Well, that'll be.

158
00:09:28.519 --> 00:09:30.120
<v Speaker 3>All nurse, Yes, doctor Henry.

159
00:09:32.039 --> 00:09:35.639
<v Speaker 4>Now tell me, young man, what about your friends?

160
00:09:36.519 --> 00:09:40.159
<v Speaker 3>No, doctor, I think they've deserted me. I don't see

161
00:09:40.159 --> 00:09:44.879
<v Speaker 3>them anymore. No more ghosts, no more dead comrade stepping

162
00:09:44.919 --> 00:09:45.679
<v Speaker 3>in for a chat.

163
00:09:45.799 --> 00:09:47.679
<v Speaker 4>Good for how long now?

164
00:09:47.840 --> 00:09:48.000
<v Speaker 3>Oh?

165
00:09:48.080 --> 00:09:50.200
<v Speaker 1>Several weeks at least. I can hardly remember when I

166
00:09:50.279 --> 00:09:51.720
<v Speaker 1>last so and thought you so?

167
00:09:52.759 --> 00:09:57.159
<v Speaker 3>Yes? That, of course, in the dark room at night,

168
00:09:57.240 --> 00:09:58.799
<v Speaker 3>sometimes the shadow.

169
00:09:58.519 --> 00:10:01.559
<v Speaker 4>It's quite the same thing. Lots of will people fancy

170
00:10:01.600 --> 00:10:04.600
<v Speaker 4>they see the shadows move at night, especially after they've

171
00:10:04.639 --> 00:10:06.600
<v Speaker 4>been reading some BENI dretful.

172
00:10:07.679 --> 00:10:07.879
<v Speaker 3>First.

173
00:10:08.279 --> 00:10:11.159
<v Speaker 4>At any rate, you can distinguish between the real people

174
00:10:11.200 --> 00:10:14.120
<v Speaker 4>and the unreal now, and that's a big step considering

175
00:10:14.200 --> 00:10:15.840
<v Speaker 4>how you were a few months ago.

176
00:10:16.039 --> 00:10:19.679
<v Speaker 3>Well, it's only when I feel completely alone, cut off

177
00:10:19.679 --> 00:10:21.720
<v Speaker 3>that the old panic begins a little, but not as

178
00:10:21.799 --> 00:10:22.480
<v Speaker 3>much as before.

179
00:10:23.039 --> 00:10:25.840
<v Speaker 4>Many people don't like to feel alone and cut off.

180
00:10:25.879 --> 00:10:28.720
<v Speaker 4>That they can fight down that panicky feeling. Nip it

181
00:10:28.759 --> 00:10:31.960
<v Speaker 4>in the bud, So will you in time? But I

182
00:10:32.039 --> 00:10:35.720
<v Speaker 4>must warn you a severe shock could undo all our work.

183
00:10:36.559 --> 00:10:39.159
<v Speaker 4>By all means, avoid.

184
00:10:38.799 --> 00:10:46.919
<v Speaker 3>Shock, avoid shark, he said.

185
00:10:48.200 --> 00:10:51.759
<v Speaker 1>Very funny, isn't it? But Who could have known then?

186
00:10:51.840 --> 00:10:54.960
<v Speaker 1>What would happen? How could I have suspected? As I

187
00:10:55.000 --> 00:10:58.679
<v Speaker 1>went about planning my day in town, my holiday, I

188
00:10:58.720 --> 00:11:00.679
<v Speaker 1>called the girl who arranged out tea party.

189
00:11:00.919 --> 00:11:02.480
<v Speaker 3>I was to be at her little house in Marley

190
00:11:02.559 --> 00:11:03.159
<v Speaker 3>Place at.

191
00:11:03.000 --> 00:11:08.519
<v Speaker 6>Four the first time, the old Canadian backwoods instinct. She'll

192
00:11:08.559 --> 00:11:10.720
<v Speaker 6>probably manage it better than any London.

193
00:11:11.320 --> 00:11:14.159
<v Speaker 1>Yes, I'm sure I will. It's near South Kensington Station,

194
00:11:14.240 --> 00:11:15.879
<v Speaker 1>Then exactly, you.

195
00:11:16.120 --> 00:11:21.279
<v Speaker 6>Change at Piccadilly's Surface without leaving the underground station and

196
00:11:21.399 --> 00:11:24.960
<v Speaker 6>come to South Kent. There's three streets left from there,

197
00:11:25.480 --> 00:11:28.360
<v Speaker 6>then two right, one more left and right again. In

198
00:11:28.440 --> 00:11:29.879
<v Speaker 6>the Morley case, it's really not fun.

199
00:11:30.039 --> 00:11:32.240
<v Speaker 3>I'll find it all right now. Don't go to any

200
00:11:32.240 --> 00:11:33.200
<v Speaker 3>great bother you.

201
00:11:33.240 --> 00:11:34.039
<v Speaker 5>Just leave that to me.

202
00:11:34.799 --> 00:11:38.320
<v Speaker 6>This is a special occasion in a till fall.

203
00:11:38.120 --> 00:11:46.039
<v Speaker 3>Then until fourth Yes, thanks.

204
00:11:48.559 --> 00:11:50.879
<v Speaker 1>And so it all started out as a cheerful adventure

205
00:11:51.440 --> 00:11:52.440
<v Speaker 1>and everything went well.

206
00:11:52.519 --> 00:11:53.120
<v Speaker 3>Unto the city.

207
00:11:53.639 --> 00:11:56.000
<v Speaker 1>I made my change underground at Piccadilly, took the local

208
00:11:56.080 --> 00:11:59.320
<v Speaker 1>to South Kensington station, and there I came up at

209
00:11:59.360 --> 00:12:03.799
<v Speaker 1>surface again. And when I walked out, I stepped into

210
00:12:03.799 --> 00:12:07.799
<v Speaker 1>a solid, opaque blanket of white fog.

211
00:12:12.759 --> 00:12:15.759
<v Speaker 3>I could hear the traffic, the rumble of the city

212
00:12:15.759 --> 00:12:19.399
<v Speaker 3>around me. I could hear footsteps, an occasional muffled voice,

213
00:12:20.039 --> 00:12:23.039
<v Speaker 3>but I could see almost nothing. This is how a

214
00:12:23.080 --> 00:12:27.080
<v Speaker 3>blind man feels. Then. The only objects of relief from

215
00:12:27.120 --> 00:12:30.320
<v Speaker 3>that dreadful, enveloping gray wall were an occasional blur of

216
00:12:30.399 --> 00:12:33.519
<v Speaker 3>yellow from a street lamp or a motor car headlight,

217
00:12:34.639 --> 00:12:37.360
<v Speaker 3>a glimmering patch from some big lighted shop window here

218
00:12:37.399 --> 00:12:41.720
<v Speaker 3>and there. And the figures the figures of other people

219
00:12:41.759 --> 00:12:49.159
<v Speaker 3>passing by, dark and floating and indistinct. Or were they people?

220
00:12:50.279 --> 00:12:50.960
<v Speaker 3>Might they not be?

221
00:12:51.080 --> 00:12:54.440
<v Speaker 1>Those phantom figures again, just like the ones that haunted

222
00:12:54.480 --> 00:12:58.840
<v Speaker 1>me before I went into the sanitarium, ghostly blurred figures

223
00:12:58.879 --> 00:13:03.360
<v Speaker 1>of dead comrades from Dunkirk and Abbeville and the mud

224
00:13:03.360 --> 00:13:08.679
<v Speaker 1>of Belgium. Huh, here comes another one. I can hear

225
00:13:08.720 --> 00:13:17.080
<v Speaker 1>his cane tapping. Look closely, now, make sure there he

226
00:13:17.159 --> 00:13:20.039
<v Speaker 1>looked real enough, didn't he? They are real. I'm positive

227
00:13:20.120 --> 00:13:22.519
<v Speaker 1>of it, and I'm not alone. They're all around me.

228
00:13:23.840 --> 00:13:26.720
<v Speaker 1>But even as I told myself this, the old panic

229
00:13:26.840 --> 00:13:29.960
<v Speaker 1>was growing inside here. Now, old fellow, you've got to

230
00:13:29.960 --> 00:13:32.639
<v Speaker 1>get hold of yourself. Next one comes along. Speak up,

231
00:13:32.919 --> 00:13:34.840
<v Speaker 1>Speak up to him, Ask him the way to Molly Place?

232
00:13:35.240 --> 00:13:37.320
<v Speaker 1>Ask can you put me on the trail to Molly Place?

233
00:13:37.759 --> 00:13:42.200
<v Speaker 3>Just like that? She'll see you. No, here he comes,

234
00:13:42.960 --> 00:13:46.120
<v Speaker 3>ask the way, beg pardon? Can you put me on?

235
00:13:46.360 --> 00:13:46.559
<v Speaker 5>Say?

236
00:13:46.759 --> 00:13:47.960
<v Speaker 3>Is this right for the tube station?

237
00:13:48.080 --> 00:13:48.360
<v Speaker 4>You know?

238
00:13:48.759 --> 00:13:52.440
<v Speaker 3>I'm utterly lost? I wanelf kind why why? Yes? I

239
00:13:52.480 --> 00:13:54.399
<v Speaker 3>have just come from there straight along? I think, oh,

240
00:13:54.519 --> 00:13:56.720
<v Speaker 3>thanks all? Oh, but I say, can you put me

241
00:13:56.759 --> 00:14:05.399
<v Speaker 3>on the trail to Molly Place? He's gone? Well, no matter,

242
00:14:05.480 --> 00:14:07.879
<v Speaker 3>he was real enough, he spoke up like a real person.

243
00:14:07.919 --> 00:14:11.120
<v Speaker 3>All right, Maybe the next one, Oh, I say, I

244
00:14:11.120 --> 00:14:11.759
<v Speaker 3>beg your pardon.

245
00:14:12.120 --> 00:14:15.639
<v Speaker 5>Oh, I'm frightfully sorry. I didn't see you and you

246
00:14:15.840 --> 00:14:16.679
<v Speaker 5>standing still.

247
00:14:16.919 --> 00:14:19.759
<v Speaker 3>I'm afraid I must be lost. Can you direct me

248
00:14:19.759 --> 00:14:20.480
<v Speaker 3>to Morley Place?

249
00:14:20.759 --> 00:14:23.919
<v Speaker 5>Oh, dear, I think you've missed your turning you you'll

250
00:14:23.960 --> 00:14:27.799
<v Speaker 5>have to double back street and maybe two and take

251
00:14:27.840 --> 00:14:31.279
<v Speaker 5>the first turn to the right and go one street

252
00:14:31.320 --> 00:14:34.639
<v Speaker 5>and then double back too, and then left.

253
00:14:36.879 --> 00:14:42.559
<v Speaker 3>I say, thanks, that was first right, And then she's

254
00:14:42.600 --> 00:14:57.240
<v Speaker 3>gone disappeared like a ghost. The panic was rising in me.

255
00:14:57.879 --> 00:14:59.799
<v Speaker 1>They were real people, yes, but they appeared in this

256
00:15:00.039 --> 00:15:03.840
<v Speaker 1>fears so disconcertingly quickly. And when I turned off down

257
00:15:03.879 --> 00:15:06.679
<v Speaker 1>the main street. There there were fewer of them. I

258
00:15:06.759 --> 00:15:11.799
<v Speaker 1>turned again and again, but I couldn't remember the directions.

259
00:15:12.320 --> 00:15:16.120
<v Speaker 3>Suddenly I knew I was lost. And now I was

260
00:15:16.159 --> 00:15:19.720
<v Speaker 3>in some little backwater where passers by were rare, where

261
00:15:19.759 --> 00:15:28.879
<v Speaker 3>no one came, where I was alone. Now the panic

262
00:15:28.960 --> 00:15:32.120
<v Speaker 3>swept over me. I stumbled on a curb. My cane

263
00:15:32.159 --> 00:15:35.840
<v Speaker 3>swept empty air. I fell to the icy patment. I

264
00:15:35.919 --> 00:15:37.879
<v Speaker 3>was shaking so that I couldn't rise to my feet.

265
00:15:38.559 --> 00:15:40.519
<v Speaker 3>I crawled across the open space of the street on

266
00:15:40.559 --> 00:15:43.519
<v Speaker 3>my hands and knees. Only when I crossed the curb

267
00:15:43.559 --> 00:15:45.559
<v Speaker 3>and felt a warm wall could I stand up again.

268
00:15:46.440 --> 00:15:50.200
<v Speaker 3>And then I stood there, shaken and frantic. Molly place

269
00:15:50.240 --> 00:15:52.519
<v Speaker 3>must be very close, the little red Cross girl waiting

270
00:15:52.519 --> 00:15:57.360
<v Speaker 3>with her warm fire and hard team. But where where?

271
00:16:04.399 --> 00:16:06.559
<v Speaker 1>Suddenly in the yellow blur of the nearest street lamp,

272
00:16:06.600 --> 00:16:09.840
<v Speaker 1>of faint darkening of the fog caught my eye. There's

273
00:16:09.879 --> 00:16:13.120
<v Speaker 1>not a figure this time, only the shadow of the pole,

274
00:16:13.320 --> 00:16:14.600
<v Speaker 1>grotesquely magnified.

275
00:16:15.840 --> 00:16:19.480
<v Speaker 3>No, no, it moved. It came toward me. It was

276
00:16:19.519 --> 00:16:21.879
<v Speaker 3>a figure, a woman. It came right up to me.

277
00:16:22.440 --> 00:16:24.720
<v Speaker 3>Fear gripped me, and then I remembered the doctor's advice.

278
00:16:24.879 --> 00:16:28.120
<v Speaker 4>Don't ignore them, treat them as real, speak to them

279
00:16:28.159 --> 00:16:31.960
<v Speaker 4>and go with them. You will soon prove their unreality then,

280
00:16:32.559 --> 00:16:32.960
<v Speaker 4>and they.

281
00:16:32.879 --> 00:16:35.480
<v Speaker 3>Will leave you. And so I gripped the wall behind

282
00:16:35.519 --> 00:16:37.799
<v Speaker 3>me and spoke to her. Lost your way like myself,

283
00:16:37.840 --> 00:16:40.200
<v Speaker 3>haven't you, ma'am? Do you know where we are? Tall

284
00:16:40.639 --> 00:16:41.879
<v Speaker 3>Morley Place? I'm looking for?

285
00:16:41.960 --> 00:16:43.000
<v Speaker 5>Where am I call?

286
00:16:43.039 --> 00:16:45.519
<v Speaker 3>I say, you're more frightened than I am. May I

287
00:16:45.559 --> 00:16:45.879
<v Speaker 3>help you?

288
00:16:46.519 --> 00:16:51.320
<v Speaker 5>I'm lost, I've lost myself. I can't find my.

289
00:16:51.320 --> 00:16:54.759
<v Speaker 3>Way back same here. I'm terrified of being alone too.

290
00:16:55.360 --> 00:16:58.639
<v Speaker 3>I've had show shaking a Let's go together. We'll find

291
00:16:58.679 --> 00:17:02.799
<v Speaker 3>our way together. Eh. Who are names? Al? Riley? Canadian?

292
00:17:03.080 --> 00:17:04.960
<v Speaker 3>I'm going to have tea with a friend in Morley's Place?

293
00:17:05.839 --> 00:17:07.480
<v Speaker 3>What's your address? Do you know the name of the

294
00:17:07.480 --> 00:17:07.920
<v Speaker 3>street here?

295
00:17:08.519 --> 00:17:11.720
<v Speaker 5>I came out suddenly, unexpectedly.

296
00:17:12.960 --> 00:17:16.079
<v Speaker 3>I can't find my way home again. Just when I was.

297
00:17:16.119 --> 00:17:19.640
<v Speaker 1>Expecting him to say, steady, ma'am, may be there now

298
00:17:20.319 --> 00:17:22.720
<v Speaker 1>waiting for me this very moment, and.

299
00:17:22.759 --> 00:17:23.799
<v Speaker 5>I can't get back.

300
00:17:24.119 --> 00:17:26.119
<v Speaker 3>Have you any idea of the direction, ma'aminee at all?

301
00:17:26.599 --> 00:17:33.359
<v Speaker 3>We'll go together, Colly, I remember, Wait, ma'am, wait, don't

302
00:17:33.440 --> 00:17:37.079
<v Speaker 3>leave me here alone I'm going with you. Wait. She

303
00:17:37.200 --> 00:17:38.799
<v Speaker 3>was running fast through the fog. It was all I

304
00:17:38.839 --> 00:17:40.640
<v Speaker 3>could do to keep up with her, but I felt

305
00:17:40.640 --> 00:17:42.599
<v Speaker 3>I must not lose her on my own nerves would

306
00:17:42.599 --> 00:17:44.559
<v Speaker 3>go to pieces. How she found a way in the fog,

307
00:17:44.640 --> 00:17:46.519
<v Speaker 3>running so quickly, I didn't know, but I kept cross

308
00:17:46.559 --> 00:17:49.359
<v Speaker 3>on my heels, running hard. I could smell a faint

309
00:17:49.400 --> 00:17:52.799
<v Speaker 3>perfume in the air trailing behind her, a faintly familiar odor,

310
00:17:52.839 --> 00:17:55.440
<v Speaker 3>but not pleasant. And then suddenly she stopped and turned

311
00:17:55.440 --> 00:17:58.200
<v Speaker 3>into the gate, so suddenly that I almost bumped into way.

312
00:17:58.640 --> 00:18:03.759
<v Speaker 3>Oh you found it? Then? May I come in with

313
00:18:03.799 --> 00:18:07.720
<v Speaker 3>you for a moment. Perhaps you let me telephone my doctor. Doctor, Yes,

314
00:18:07.759 --> 00:18:09.680
<v Speaker 3>doctor Henry at the Army hospital. I'm in his care.

315
00:18:09.720 --> 00:18:12.960
<v Speaker 3>You know. My home is somewhere here.

316
00:18:13.839 --> 00:18:14.559
<v Speaker 4>I'm near it.

317
00:18:15.279 --> 00:18:17.759
<v Speaker 5>I must get back in time for him.

318
00:18:18.400 --> 00:18:19.000
<v Speaker 3>I must.

319
00:18:19.359 --> 00:18:20.400
<v Speaker 5>He's coming to me.

320
00:18:20.480 --> 00:18:21.559
<v Speaker 3>I say, ma'am.

321
00:18:23.920 --> 00:18:26.599
<v Speaker 1>But she turned and walked out the house. For a moment,

322
00:18:26.640 --> 00:18:30.279
<v Speaker 1>I hesitated. This woman was acting very strangely, but no

323
00:18:30.359 --> 00:18:32.519
<v Speaker 1>matter that she was at least real and I needed help.

324
00:18:33.000 --> 00:18:35.000
<v Speaker 1>Quickly I followed her up the steps across the porch.

325
00:18:35.640 --> 00:18:38.240
<v Speaker 1>The door was ajar. She slipped through and I followed

326
00:18:38.279 --> 00:18:40.799
<v Speaker 1>him the dark house. It was so dark inside I

327
00:18:40.799 --> 00:18:43.799
<v Speaker 1>couldn't see anything. At first I stopped groping, but she

328
00:18:43.839 --> 00:18:45.880
<v Speaker 1>went on quickly, easily, as if she knew the way.

329
00:18:46.640 --> 00:18:47.920
<v Speaker 1>She was ignoring me completely.

330
00:18:48.640 --> 00:18:51.160
<v Speaker 3>I heard her steps across the hall, go up the

331
00:18:51.160 --> 00:18:55.519
<v Speaker 3>stairs quickly. I waited and listened. She walked along the

332
00:18:55.559 --> 00:19:02.200
<v Speaker 3>hall upstairs, where where I must find? And now the

333
00:19:02.279 --> 00:19:03.920
<v Speaker 3>hair on my neck felt as if it were rising.

334
00:19:04.720 --> 00:19:09.119
<v Speaker 3>Was she after all another of my figures? Was she? Unreal? Too?

335
00:19:10.359 --> 00:19:13.960
<v Speaker 3>A last, I've found it home again.

336
00:19:14.680 --> 00:19:17.000
<v Speaker 1>I heard her open the door upstairs, go in and

337
00:19:17.000 --> 00:19:21.279
<v Speaker 1>close it after him. Then there was silence, profound silence,

338
00:19:22.160 --> 00:19:25.720
<v Speaker 1>and I was alone in the dark, unoccupied house. The

339
00:19:25.759 --> 00:19:29.440
<v Speaker 1>white covered furniture in the hallway loomed like ghosts, and

340
00:19:29.480 --> 00:19:34.480
<v Speaker 1>there was no sound. I felt my panic coming back.

341
00:19:35.119 --> 00:19:38.960
<v Speaker 1>But she was upstairs, and at least she was companionship.

342
00:19:49.279 --> 00:19:53.039
<v Speaker 1>I groped my way up the stairs along the upstairs hall.

343
00:19:54.880 --> 00:19:57.160
<v Speaker 1>There was no sign of life.

344
00:19:57.839 --> 00:20:01.400
<v Speaker 3>Where are you? I want to help you? Which room

345
00:20:01.400 --> 00:20:01.880
<v Speaker 3>are you in?

346
00:20:04.559 --> 00:20:07.759
<v Speaker 1>There was no answer. But as I put my hand

347
00:20:07.759 --> 00:20:11.359
<v Speaker 1>on a table to steady myself, I felt something. It

348
00:20:11.480 --> 00:20:14.279
<v Speaker 1>was a candle stump. With a gasp, of relief. I

349
00:20:14.279 --> 00:20:20.240
<v Speaker 1>took it up and lighted it. Ah, now I could

350
00:20:20.279 --> 00:20:23.680
<v Speaker 1>see a little. One by one, I tried the bedrooms.

351
00:20:24.640 --> 00:20:28.000
<v Speaker 1>They were dusty and unused, the furniture covered, the mattresses

352
00:20:28.079 --> 00:20:32.799
<v Speaker 1>rolled upon the beds. They were all alike until I

353
00:20:32.839 --> 00:20:36.599
<v Speaker 1>opened the last door. Instantly I knew this was it.

354
00:20:37.839 --> 00:20:41.480
<v Speaker 1>I smelled the perfume. Only now I recognized and understood

355
00:20:41.519 --> 00:20:44.279
<v Speaker 1>why it was unpleasant to me. It was the smell

356
00:20:44.319 --> 00:20:48.519
<v Speaker 1>of a hospital, of chloroform. And there was the woman,

357
00:20:49.240 --> 00:20:52.039
<v Speaker 1>her dark fur coat wrapped around her, her jewels just

358
00:20:52.039 --> 00:20:55.039
<v Speaker 1>showing at the neck, and she was stretched out on

359
00:20:55.079 --> 00:21:02.240
<v Speaker 1>the bed, motionless. Instantly I I knew she was dead.

360
00:21:05.039 --> 00:21:06.799
<v Speaker 3>In the next instant, I thought I would go mad.

361
00:21:08.279 --> 00:21:12.440
<v Speaker 1>The blood on her face was congealing, her skin was cold.

362
00:21:13.680 --> 00:21:15.279
<v Speaker 1>I knew then that she'd been dead for an hour

363
00:21:15.319 --> 00:21:18.400
<v Speaker 1>at least, and that what I saw in the street

364
00:21:19.079 --> 00:21:19.880
<v Speaker 1>was not real.

365
00:21:21.160 --> 00:21:23.319
<v Speaker 3>This was the shock that doctor Henry had warned me

366
00:21:23.359 --> 00:21:25.680
<v Speaker 3>to avoid. And what happened then?

367
00:21:26.640 --> 00:21:30.440
<v Speaker 1>Why I heard the door open up downstairs? Some one

368
00:21:30.519 --> 00:21:34.680
<v Speaker 1>came in the one she'd been expecting, no doubt, and

369
00:21:35.000 --> 00:21:38.160
<v Speaker 1>suddenly I realized the the danger of my being found

370
00:21:38.160 --> 00:21:41.279
<v Speaker 1>there beside a woman who had obviously been murdered. I

371
00:21:41.319 --> 00:21:43.559
<v Speaker 1>slipped into another bedroom, and when he went into that

372
00:21:43.640 --> 00:21:46.880
<v Speaker 1>room with her, I slipped out and crept downstairs. I stumbled,

373
00:21:46.880 --> 00:21:49.200
<v Speaker 1>and he heard me, and I came out. I ran

374
00:21:49.279 --> 00:21:49.599
<v Speaker 1>down and.

375
00:21:49.559 --> 00:21:52.839
<v Speaker 3>Out under the fog, into the street and away. How

376
00:21:52.880 --> 00:21:56.319
<v Speaker 3>long I ran or where I don't know. When I

377
00:21:56.400 --> 00:22:07.279
<v Speaker 3>was exhausted, I stopped, and then you came and found me. Well,

378
00:22:07.319 --> 00:22:12.440
<v Speaker 3>what do you think tall talesn't it? Yes? Strange, but

379
00:22:12.559 --> 00:22:15.640
<v Speaker 3>not incredible. I see no reason to disbelieve anything you've

380
00:22:15.640 --> 00:22:19.519
<v Speaker 3>told me. Things equally remarkable, equally incredible, happen every day

381
00:22:19.559 --> 00:22:24.119
<v Speaker 3>in a big city. I know from personal experience. I

382
00:22:24.119 --> 00:22:26.640
<v Speaker 3>could give you many instances. But the woman I saw her,

383
00:22:26.640 --> 00:22:29.720
<v Speaker 3>and yet she was already dead. Such things are hard

384
00:22:29.759 --> 00:22:34.160
<v Speaker 3>to explain, perhaps cannot be explained, except, of course, your mind,

385
00:22:34.200 --> 00:22:36.839
<v Speaker 3>in its present state, may still play tricks on you.

386
00:22:37.759 --> 00:22:40.359
<v Speaker 3>Perhaps you saw a woman in the fog and followed her.

387
00:22:40.599 --> 00:22:42.720
<v Speaker 3>You may have missed her and only thought you saw

388
00:22:42.720 --> 00:22:45.240
<v Speaker 3>a going to that house. But what about the dead woman?

389
00:22:45.519 --> 00:22:49.359
<v Speaker 3>She was real enough, perhaps perhaps not, She too may

390
00:22:49.400 --> 00:22:54.799
<v Speaker 3>have been this fantasy. You may never have left the street. No, no,

391
00:22:54.880 --> 00:22:57.440
<v Speaker 3>I'm sure of that. At least I must believe it.

392
00:22:57.839 --> 00:22:59.359
<v Speaker 3>She was real and the man who came up the

393
00:22:59.400 --> 00:23:01.920
<v Speaker 3>stairs was real. If I didn't believe that, I think

394
00:23:01.960 --> 00:23:06.480
<v Speaker 3>I should go mad. Yes, perhaps that is important. Then

395
00:23:07.079 --> 00:23:10.240
<v Speaker 3>let me see. Have you any proof of what you saw?

396
00:23:11.119 --> 00:23:15.960
<v Speaker 3>Something perhaps that you carry it away with you? None?

397
00:23:15.680 --> 00:23:22.839
<v Speaker 1>But wait, I left something there, my hat. I left

398
00:23:22.839 --> 00:23:25.720
<v Speaker 1>it on the bed beside her body. My initials were

399
00:23:25.720 --> 00:23:30.480
<v Speaker 1>in it. And so if it was all real, I

400
00:23:30.519 --> 00:23:32.759
<v Speaker 1>shall be getting a visit from the police one day

401
00:23:32.839 --> 00:23:37.920
<v Speaker 1>soon perhaps, and then I'll know, and I'll be charged

402
00:23:37.960 --> 00:23:39.000
<v Speaker 1>with murder.

403
00:23:39.200 --> 00:23:42.200
<v Speaker 3>I don't think so. You think the police would believe

404
00:23:42.240 --> 00:23:45.720
<v Speaker 3>this fantastic story. As I told you, many strange things

405
00:23:45.759 --> 00:23:48.920
<v Speaker 3>happen in the city like this. For instance, I knew

406
00:23:48.920 --> 00:23:53.119
<v Speaker 3>of a similar case many years ago, strangely similar case,

407
00:23:53.359 --> 00:23:58.640
<v Speaker 3>almost a coincidence. Would you like to hear it, hi, Yes, sir,

408
00:23:58.920 --> 00:24:02.720
<v Speaker 3>I suppose so. It happened during the last war. Her

409
00:24:02.759 --> 00:24:06.039
<v Speaker 3>colleague of mine, a surgeon now dead, married a charming girl,

410
00:24:06.119 --> 00:24:09.240
<v Speaker 3>young and beautiful. He was wealthy, and they lived comfortably

411
00:24:09.279 --> 00:24:13.200
<v Speaker 3>for many years. They seemed happy together. Then came the

412
00:24:13.240 --> 00:24:16.319
<v Speaker 3>war and he went overseas. His income was stopped. Of course,

413
00:24:16.359 --> 00:24:19.799
<v Speaker 3>the big house closed. His wife found life not so

414
00:24:19.960 --> 00:24:23.559
<v Speaker 3>pleasant as before, and somehow she blamed her new hardships

415
00:24:23.599 --> 00:24:27.160
<v Speaker 3>on him. You see, she was devoid of imagination, without

416
00:24:27.160 --> 00:24:31.079
<v Speaker 3>any power for sacrifice, but she was still young and beautiful.

417
00:24:32.119 --> 00:24:35.960
<v Speaker 3>The inevitable young man came along to console her. He

418
00:24:36.119 --> 00:24:40.240
<v Speaker 3>was rich. They planned to go off somewhere. Only by

419
00:24:40.400 --> 00:24:45.720
<v Speaker 3>chance the husband came back from overseas suddenly, just still

420
00:24:45.759 --> 00:24:48.039
<v Speaker 3>the nick of time. He should have let her go.

421
00:24:48.720 --> 00:24:51.599
<v Speaker 3>He was well rid of her, I'd say, well rid

422
00:24:51.599 --> 00:24:55.720
<v Speaker 3>of her, yes, Only he decided to make the riddance final.

423
00:24:56.880 --> 00:25:01.279
<v Speaker 3>He decided to kill her and her lover. You see,

424
00:25:01.519 --> 00:25:06.000
<v Speaker 3>he loved her. He planned the time and placed carefully.

425
00:25:06.559 --> 00:25:09.400
<v Speaker 3>They met, he knew in the big house, now closed.

426
00:25:10.279 --> 00:25:14.240
<v Speaker 3>He waited for them there. The plan failed, however, in

427
00:25:14.319 --> 00:25:18.640
<v Speaker 3>one important detail. She came at the appointed time, but

428
00:25:18.759 --> 00:25:23.440
<v Speaker 3>without her lover. She found death waiting for him, completely

429
00:25:23.480 --> 00:25:27.480
<v Speaker 3>painless death. But the lover did not come, the door

430
00:25:27.599 --> 00:25:29.960
<v Speaker 3>being left open for him. The house was deserted and

431
00:25:30.119 --> 00:25:33.240
<v Speaker 3>was a foggy night like to night, but he did

432
00:25:33.279 --> 00:25:41.839
<v Speaker 3>not come. Instead, a stranger came. Ay, and where was

433
00:25:41.880 --> 00:25:46.359
<v Speaker 3>the surgeon? All this time waiting outside concealed in the fog.

434
00:25:47.359 --> 00:25:49.200
<v Speaker 3>He saw the man go in, and he followed him

435
00:25:49.200 --> 00:25:52.119
<v Speaker 3>to kill him. But the man was a stranger. He

436
00:25:52.279 --> 00:25:55.920
<v Speaker 3>came in by chance, like you, to shelter from the fog.

437
00:25:56.799 --> 00:26:00.160
<v Speaker 3>I think that I should wire What is the matter? Does?

438
00:26:02.000 --> 00:26:05.920
<v Speaker 3>I really must be going, of course, if you wish.

439
00:26:05.920 --> 00:26:09.759
<v Speaker 3>Thank you for your kindness and hospitality. It's been a pleasure,

440
00:26:09.839 --> 00:26:13.400
<v Speaker 3>young man. I enjoyed your story, although I confess I

441
00:26:13.480 --> 00:26:19.720
<v Speaker 3>expected one a little different. Your coat. Thank you. I'll

442
00:26:19.759 --> 00:26:23.960
<v Speaker 3>walk with you to the door and give you the directions. Ah,

443
00:26:24.000 --> 00:26:28.519
<v Speaker 3>you're in luck. I think the FOG's lifting a bit. Doctor.

444
00:26:29.559 --> 00:26:36.119
<v Speaker 3>May I ask your friend the surgeon, was he ever caught? Ah,

445
00:26:36.200 --> 00:26:39.440
<v Speaker 3>that's the part of the story. I don't know. He

446
00:26:39.559 --> 00:26:42.200
<v Speaker 3>was clever enough so that I doubt it unless he

447
00:26:42.319 --> 00:26:47.240
<v Speaker 3>told somebody made a confession, I see, And even so,

448
00:26:47.400 --> 00:26:51.559
<v Speaker 3>unless that other person had some proof. By the way,

449
00:26:51.599 --> 00:26:54.920
<v Speaker 3>you you can't walk about in the fog without a hat. Here.

450
00:26:55.559 --> 00:26:58.480
<v Speaker 3>It's an extra one of mine. You needn't trouble to

451
00:26:58.519 --> 00:27:13.680
<v Speaker 3>return it. Thank you, Thank you very much. I went

452
00:27:13.759 --> 00:27:17.480
<v Speaker 3>out of his consulting room with a hat on my head.

453
00:27:19.839 --> 00:27:21.640
<v Speaker 3>In ten minutes I was at the tube station.

454
00:27:23.519 --> 00:27:25.960
<v Speaker 1>It was only there that I permitted myself to take

455
00:27:26.000 --> 00:27:30.359
<v Speaker 1>off the hat and look at it. It was my own,

456
00:27:32.160 --> 00:27:35.640
<v Speaker 1>the hat I had left on the bed beside the

457
00:27:35.680 --> 00:27:36.200
<v Speaker 1>dead Woman.

458
00:27:47.559 --> 00:27:51.519
<v Speaker 2>Escape is produced and directed by William N. Robson and

459
00:27:51.640 --> 00:27:55.920
<v Speaker 2>to Night Brought You Confession by Algernon Blackwood, adapted for

460
00:27:56.039 --> 00:28:00.599
<v Speaker 2>radio by John Duncle, with Bill Conrad as O'reileigh, Ramsey

461
00:28:00.720 --> 00:28:04.119
<v Speaker 2>Hill as the doctor and Peggy Webber as the Woman

462
00:28:04.240 --> 00:28:09.240
<v Speaker 2>in the fog. Music was conceived and conducted by cyfure.

463
00:28:10.720 --> 00:28:12.759
<v Speaker 3>A. Next week.

464
00:28:15.759 --> 00:28:18.119
<v Speaker 1>You were trapped in the dark maze of the native

465
00:28:18.200 --> 00:28:22.160
<v Speaker 1>quarter of Mozambique, a dead man at your feet, the

466
00:28:22.240 --> 00:28:26.039
<v Speaker 1>police closing it around you, and beside you was a

467
00:28:26.039 --> 00:28:39.000
<v Speaker 1>girl with whom you must escape.

468
00:28:42.519 --> 00:28:46.240
<v Speaker 2>Next week we escape with Percival Gibbons, fast moving adventure,

469
00:28:46.720 --> 00:28:50.880
<v Speaker 2>second class passenger. Good Night, then until this same time

470
00:28:50.960 --> 00:29:09.640
<v Speaker 2>next week, when again we offer you escape. This is CBS,

471
00:29:09.799 --> 00:29:26.160
<v Speaker 2>the Columbia Broadcasting System.
