WEBVTT

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<v Speaker 1>Citizens. Sleuth Alex Baber believed he had identified the killer

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<v Speaker 1>responsible for two of the most infamous crimes in history,

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<v Speaker 1>the Black Dahia and Zodiac murders, but his case was

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<v Speaker 1>built on circumstantial evidence, the breaking of a code left

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<v Speaker 1>behind by the Zodiac more than fifty years ago. Baber

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<v Speaker 1>knew that over the decades there had been many like him,

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<v Speaker 1>people who claimed to have solved these cases, only to

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<v Speaker 1>have their theories be dismissed or ignored for lack of evidence.

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<v Speaker 1>He knew that unraveling the Zodiac code was one thing,

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<v Speaker 1>getting hard evidence to go with it would be another.

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<v Speaker 1>Baber had built what he called the Forensic Linguistic Database,

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<v Speaker 1>containing the largest collection in the world of the writings

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<v Speaker 1>of serial killers and other infamous murderers BTK, Son of Sam,

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<v Speaker 1>the Atlanta child murderer, and so on. He had handwriting exemplar,

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<v Speaker 1>as they call them, from both the Zodiac and Black

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<v Speaker 1>Dahlia killers in the database, and a program using artificial

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<v Speaker 1>intelligence to compare the two had found linguistic similarities in

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<v Speaker 1>terms of the use of words and phrases. For example,

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<v Speaker 1>the Zodiac had promised in a letter to a San

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<v Speaker 1>Francisco newspaper to supply even more quote material in regard

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<v Speaker 1>to the murders he had committed. Twenty plus years earlier.

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<v Speaker 1>The so called Black Dahlia Avenger had promised a Los

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<v Speaker 1>Angeles newspaper editor that he would assist by providing additional

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<v Speaker 1>material about the horrific murder of Elizabeth Short. It's just

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<v Speaker 1>one simple word, but odd and significant when used in

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<v Speaker 1>context to describe the giving of forensic evidence in two

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<v Speaker 1>seemingly unrelated cases. Still, it was proof of nothing. It

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<v Speaker 1>was what would be considered circumstantial evidence at best, and

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<v Speaker 1>the more linguist to connections that could be made was

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<v Speaker 1>all the better, but still not good enough to make

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<v Speaker 1>his case and persuade the skeptics he knew would come

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<v Speaker 1>out of woodwork once he made his claims. Baber knew

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<v Speaker 1>he would need direct evidence. He would need to find

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<v Speaker 1>a smoking gun if he were to credibly connect the

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<v Speaker 1>two cases to the same killer. I'm Michael Connolly and

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<v Speaker 1>you're listening to Killer in the Code Solving the Black

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<v Speaker 1>Dahlia and Zodiac Killer Cases. This is chapter two. Let's

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<v Speaker 1>recap where we are on the morning of January fifteenth,

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<v Speaker 1>nineteen forty seven. The desecrated body of twenty two year

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<v Speaker 1>old Elizabeth Short was found in a vacant lot in

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<v Speaker 1>Los Angeles. She had been mercilessly tortured and murdered. Her

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<v Speaker 1>body had been neatly cut in two, severed at the midriff,

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<v Speaker 1>and drained of blood. It was a crime that horrified

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<v Speaker 1>the world and has remained unsolved for nearly eighty years.

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<v Speaker 1>In death, Elizabeth Short became better known as the Black Dahlia.

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<v Speaker 1>Her killer, calling himself the Black Dahlia Avenger, sent a

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<v Speaker 1>package to a local newspaper following the murder that contained

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<v Speaker 1>the property she carried with her, including her birth certificate

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<v Speaker 1>and an address book. Twenty two years after her murder,

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<v Speaker 1>and almost four hundred miles north of Los Angeles, the

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<v Speaker 1>self proclaimed Zodiac killer took five lives in a spree

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<v Speaker 1>that terrorized northern California. Was seemingly random murders committed across

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<v Speaker 1>a wide swath of geography. The Zodiac stoked the terror

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<v Speaker 1>with repeated written communications with newspapers, claiming more victims in

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<v Speaker 1>the past and future. In four of the notes, the

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<v Speaker 1>Zodiac provid coded messages, three of which remained unbroken for

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<v Speaker 1>a half a century. The most tantalizing of these was

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<v Speaker 1>the my Name Is cipher, in which the Zodiac boldly

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<v Speaker 1>claimed to reveal his name in a thirteen character cipher.

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<v Speaker 1>Because of his brevity, the so called Z thirteen code

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<v Speaker 1>was believed to be unbreakable. That is until fifty year

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<v Speaker 1>old Alex Baber came along. Baber is not a cop

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<v Speaker 1>and not a private detective. He's the founder of Cold

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<v Speaker 1>Case Consultants of America. He devised a computer program that

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<v Speaker 1>used artificial intelligence to weed through seventy one million possible

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<v Speaker 1>names that fit the Z thirteen cipher and knock it

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<v Speaker 1>down to a handful of manageable possibilities. Traditional gumshew work followed,

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<v Speaker 1>and Baber focused on one man whose name fit the cipher,

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<v Speaker 1>Marvin Merrill and alias belonged to a man originally named

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<v Speaker 1>Marvin Margolis, one of the prime suspects in the Black

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<v Speaker 1>Dahlia case. Now, to be clear, this was not the

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<v Speaker 1>first time the Dahlia and Zodiac cases had been linked.

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<v Speaker 1>A retired homicide detective for the Los Angeles Police Department

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<v Speaker 1>named Steve Hodell had connected the cases through his father,

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<v Speaker 1>doctor George Hodell, who was also a suspect in the

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<v Speaker 1>murder of Elizabeth Short Odell wrote a book about it

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<v Speaker 1>that I felt at the time was so convincing that

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<v Speaker 1>I even endorsed it with a blurb put on the

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<v Speaker 1>back cover. I lived to regret that because a subsequent

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<v Speaker 1>investigation by the LAPD Cold Case Unit determined that the

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<v Speaker 1>son's investigation of his father was flawed and the conclusion

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<v Speaker 1>was not valid. So now had Alex Baber wandered down

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<v Speaker 1>the same wrong path as he connected the two infamous

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<v Speaker 1>cases to a different suspect. He believed in the cryptography

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<v Speaker 1>that identified Marvin Merrill, but he knew that as groundbreaking

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<v Speaker 1>as it was, it wasn't enough.

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<v Speaker 2>The Z thirty solution was never viewed as a piece

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<v Speaker 2>of evidence. It was always viewed as an investigative tool,

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<v Speaker 2>and looking at it from that standpoint, I knew that

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<v Speaker 2>I would need some additional evidence to confirm the solution

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<v Speaker 2>because I couldn't I couldn't expect experts to support my

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<v Speaker 2>findings based on a possible solution has numerous variables, like

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<v Speaker 2>there's you could literally.

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<v Speaker 3>There's thousands and thousands of possible solutions. We needed to

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<v Speaker 3>have something that was physical that could confirm it.

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<v Speaker 2>Ultimately, I needed to have something that I can say, Okay,

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<v Speaker 2>let me let me show you what I have that

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<v Speaker 2>shows that this name can be associated with the real

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<v Speaker 2>world individual, that we can attach to the case not

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<v Speaker 2>by speculation, but by physical evidence.

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<v Speaker 1>He started with the FLD, the forensic linguistic database he

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<v Speaker 1>had created. He had the handwritten notes from both the

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<v Speaker 1>Zodiac and Black Dalua Avenger in the FLD. The handwriting

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<v Speaker 1>and the messages is very distinctive and you can go

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<v Speaker 1>to killer inthecode dot com to see them. Baber knew

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<v Speaker 1>that if he could locate writing's author by Marvin Merrill,

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<v Speaker 1>then he could have an expert handwriting analyst do a

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<v Speaker 1>comparison to see if they had come from Merrill's hand

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<v Speaker 1>And I have to say the use of handwriting analysis

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<v Speaker 1>an investigation is on the wayne, but still it would

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<v Speaker 1>be a start. Problem was Marvin Merrill was long gone.

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<v Speaker 1>He died of cancer in nineteen ninety three in Santa Barbara.

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<v Speaker 1>Would it be possible to even find an example of

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<v Speaker 1>his handwriting after so many years. Baber had made a

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<v Speaker 1>deep dive into the life of Marvin Merrill after the

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<v Speaker 1>name was identified as fitting the Z thirteen cipher. While

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<v Speaker 1>it was documented that Meryl, using his real name Margolis,

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<v Speaker 1>had shared an apartment with Elizabeth short three months before

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<v Speaker 1>her death. He had gotten married shortly after and had

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<v Speaker 1>started a family, becoming a father. In nineteen forty eight,

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<v Speaker 1>Baber uncovered marriage and birth records indicating he had been

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<v Speaker 1>married twice during his lifetime and had fathered four children.

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<v Speaker 1>Not all the children were still alive. Baber focused on

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<v Speaker 1>Meryl's youngest surviving child, a son born in the early

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<v Speaker 1>nineteen sixties, who he had located at an address in

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<v Speaker 1>southern California. Baber decided to reach out, but knew that

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<v Speaker 1>contacting someone out of the blue and saying your father

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<v Speaker 1>was a serial killer was not the best way to

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<v Speaker 1>gain cooperation and a handwriting example.

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<v Speaker 3>In order to get him to respond, I had to

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<v Speaker 3>present myself from a different perspective than an investigator or

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<v Speaker 3>an investigative consultant. What I did was I reached out

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<v Speaker 3>and I said, hey, you know, I'm doing some background

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<v Speaker 3>into World War two and the Battle of Okinawa is

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<v Speaker 3>a turning point in World War Two that your father

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<v Speaker 3>was involved in. And I was able to come to

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<v Speaker 3>this conclusion based on a nineteen forty five Chicago interview

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<v Speaker 3>where he gives details about his experiences in Okinawa, and

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<v Speaker 3>I opened the door that way, hoping that he might

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<v Speaker 3>be able to revide me some additional background on Marvin,

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<v Speaker 3>and he was open to that.

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<v Speaker 1>The son agreed to meet Baber and a member of

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<v Speaker 1>his team, but he was not in southern California. He

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<v Speaker 1>was in upstate New York. They set up a meeting

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<v Speaker 1>in a local restaurant near his home there. Baber went

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<v Speaker 1>to the meeting with his partner, Laurie Halstead, and they

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<v Speaker 1>recorded the conversation. The restaurant was loud and the recording

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<v Speaker 1>was not so good, but the surprises as they exchanged

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<v Speaker 1>information were clearly audible. And by the way, we're not

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<v Speaker 1>going to name Marvin Merrill's son on the podcast, because

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<v Speaker 1>he eventually agreed to cooperate with Alex and his investigation

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<v Speaker 1>if his privacy was protected. But Baber quickly came clean

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<v Speaker 1>and revealed the real reason for the meeting, Marvin Merrill's

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<v Speaker 1>connection to the Black Dhalia and Zodiac murder cases. It

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<v Speaker 1>became clear in the conversation that while the son grew

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<v Speaker 1>up with a worldview that was quite different from his father's,

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<v Speaker 1>he had no idea about the depth of the darkness

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<v Speaker 1>in which his father dwelled. Baber had brought a binder

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<v Speaker 1>with him that contained copies of the twenty two different

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<v Speaker 1>letters sent by the Zodiac to newspapers during his reign

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<v Speaker 1>of terror. The son started flipping through and he.

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<v Speaker 2>Immediately recognized the handwriting.

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<v Speaker 1>It's that of his father's.

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<v Speaker 4>There was a point where he reached across the table

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<v Speaker 4>and actually grabbed my hands.

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<v Speaker 3>And made the statement that you know, it's going to be.

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<v Speaker 5>All right, We're going to be all right.

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<v Speaker 4>His reaction was not that of a normal individual looking

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<v Speaker 4>at a letter that they did not recognize the handwritten

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<v Speaker 4>off you know, he definitely zoned in and identified it,

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<v Speaker 4>and it moved him.

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<v Speaker 1>The son revealed he had a storage location in southern

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<v Speaker 1>California where he kept the things left to him when

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<v Speaker 1>his father died. He said this included letters and journals

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<v Speaker 1>and business documents such as handwritten checks that could be

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<v Speaker 1>compared by experts to the Zodiac letters. He agreed to

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<v Speaker 1>turn it all over to.

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<v Speaker 6>Baber, and I actually exposed the connection to Elizabeth Short,

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<v Speaker 6>the black value that we had discovered, and I said,

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<v Speaker 6>are you aware that your father was the last known

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<v Speaker 6>boyfriend of Elizabeth Short.

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<v Speaker 7>She says, Elizabeth.

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<v Speaker 3>I said, yes, Elizabeth, he said, I have something I

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<v Speaker 3>need to show you.

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<v Speaker 4>So he pulls out his phone and he starts looking

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<v Speaker 4>through it, and my mind went to the fact that

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<v Speaker 4>his father had a background with art, and I said.

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<v Speaker 2>In the audio or to say, is do you have

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<v Speaker 2>a painting? He said, no, a sketch.

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<v Speaker 3>And at that point he pulled it up on his phone.

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<v Speaker 5>Oh my god, Wow, looking at a sketch of a

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<v Speaker 5>nude woman, you know from the Waystop that appears to

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<v Speaker 5>have punctual wounds torso area with smear blood and it.

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<v Speaker 4>Has Elizabeth in bold writing, the biggest, the biggest writing

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<v Speaker 4>on the entire sketches, says Elizabeth.

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<v Speaker 8>This was a piece of evidence and it was smoking gun.

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<v Speaker 1>I was searching for The sketches clearly dated nineteen ninety two,

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<v Speaker 1>the last full year of Merrill's life, when he was

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<v Speaker 1>dealing with a diagnosis of terminal cancer. He just signed

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<v Speaker 1>Marty Merrell, which was one of the alias he was

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<v Speaker 1>known to have used, along with Marvin Skip and Skipton,

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<v Speaker 1>among his many different advocations in life. Merrill was both

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<v Speaker 1>an artist and an art dealer. The sketches. As Baber

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<v Speaker 1>described it, a striking image of a nude woman from

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<v Speaker 1>the waist up, eerily mirroring the bi section of the

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<v Speaker 1>black Dahlia. There are contour lines on the torso and

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<v Speaker 1>smear marks that also mirror some of the injuries that

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<v Speaker 1>Elizabeth Short suffered. It is titled Elizabeth in large letters

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<v Speaker 1>that crossed the entire piece. The mutilation of her mouth

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<v Speaker 1>and breasts are not evident, but it would stand the

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<v Speaker 1>reason that including such tortures would have been an immediate

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<v Speaker 1>and major giveaway, engendering automatic questions of the dying artist.

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<v Speaker 1>Alex Baber believed he had found a piece of evidence

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<v Speaker 1>that was a game changer, and Marvin merril'son was willing

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<v Speaker 1>to take him back to his residence where he had

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<v Speaker 1>the sketch framed and hanging on a wall.

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<v Speaker 3>Well, I couldn't believe what we're staring at. It was

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<v Speaker 3>a smoking gun. We knew that this sketch was a

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<v Speaker 3>piece of evidence. It was physical evidence for the first time.

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<v Speaker 3>Since the package was mailed to the local newspapers in

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<v Speaker 3>la on January twenty fourth, nineteen forty seven. Since then,

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<v Speaker 3>there has been no physical evident It's discovered in her case,

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<v Speaker 3>and here I am looking at it with the offer

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<v Speaker 3>to go back and physically see it myself, well, you know,

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<v Speaker 3>in his residence, knowing that it's there, that's it still exists.

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<v Speaker 3>It's not a photo of something that's been destroyed. It

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<v Speaker 3>was a moment where I knew at that point that

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<v Speaker 3>it was game over.

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<v Speaker 2>There's nothing, there's nothing that can refute that sketch being

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<v Speaker 2>signed and dated by Marvin Margolis under his.

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<v Speaker 3>Alias, that contains guilty evidence.

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<v Speaker 4>If Marvin Merrill was alive today, we could prosecute him

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<v Speaker 4>based on the evidence.

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<v Speaker 2>With the masketch. We were caught in a moment of

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<v Speaker 2>almost disbelief what we were looking at when he handed

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<v Speaker 2>the hand of his phone to me and I zoomed

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<v Speaker 2>in on it, on the torso area in particular, and

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<v Speaker 2>to see the stab wounds and the smeared blood image.

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<v Speaker 2>At that moment, I knew what I was looking at,

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<v Speaker 2>and as soon as I turned the phone to Laurie,

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<v Speaker 2>Laurie knew what she was looking at as well. It

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<v Speaker 2>was instant, and it was almost like in all honestly,

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<v Speaker 2>it's almost like time froze for a moment and everything

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<v Speaker 2>around us just went mute. It was.

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<v Speaker 3>It was one of those moments in your life where

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<v Speaker 3>you realize what you're looking at shouldn't be there.

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<v Speaker 2>But you know it's a reality, like it's it's it's

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<v Speaker 2>in your hands, you know it exists. We arrived, you'd

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<v Speaker 2>share the Zodiac's letters with him to see if he

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<v Speaker 2>recognized him, which which he did, and and then all

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<v Speaker 2>of a sudden we get the smoking gun that's in

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<v Speaker 2>our hands.

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<v Speaker 3>At that moment, we knew was game over.

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<v Speaker 2>I do believe that the term that I used with

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<v Speaker 2>Laurie when we exited the restaurant, I said to her,

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<v Speaker 2>this is game over. Do you do realize what we have?

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<v Speaker 7>Laurie said absolutely.

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<v Speaker 1>You can go to our website Killerinthecode dot com to

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<v Speaker 1>view the sketch of Elizabeth and other documents and photos

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<v Speaker 1>relating to Alex Baber's investigation. We are not providing autopsy

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<v Speaker 1>photos for comparison to the sketch because they are extremely

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<v Speaker 1>graphic and available elsewhere on the internet. I have to say,

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<v Speaker 1>when I first saw the sketch, I felt a chill

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<v Speaker 1>go down my spine, and I was not alone. Missy Roberts,

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<v Speaker 1>the former LAPD homicide investigator who ran the cold case

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<v Speaker 1>unit until her retirement last year, was the keeper of

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<v Speaker 1>the Black Dahia case for the last sixteen years of

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<v Speaker 1>her career. She believes the sketch is direct evidence of

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<v Speaker 1>Marvin Merrill's culpability in the murder.

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<v Speaker 2>If I was still at the LAPD, I would have

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<v Speaker 2>been in New York already knocking on the door and

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<v Speaker 2>retrieving that.

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<v Speaker 3>Evidence, because it's we don't have a lot.

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<v Speaker 8>Of physical evidence in this case, and that is crucial evidence.

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<v Speaker 1>Roberts former partner and longtime cold case investigator Rick Jackson, agrees.

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<v Speaker 9>It's almost like a calling card, something left behind, a

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<v Speaker 9>deathbed confession, if you will.

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<v Speaker 1>Roberts and Jackson were part of the team Baber assembled

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<v Speaker 1>after the discovery of the sketch. This included a retired

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<v Speaker 1>FBI supervisory agent, several season cold case homicide investigators, and

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<v Speaker 1>a prosecutor. One by one, they were briefed on Baber's

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<v Speaker 1>code breaking and follow up investigation. One by one, they

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<v Speaker 1>were turned from skeptics to believers that after all these decades,

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<v Speaker 1>two of the greatest crime mysteries in history had finally

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<v Speaker 1>been solved.

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<v Speaker 9>It's totally overwhelming, circumstantial evidence and now it has become

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<v Speaker 9>mixed in with some physical evidence that supports Alex's suspect

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<v Speaker 9>as being the Dahlia and Zodiac killers.

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<v Speaker 1>I need to say here that after Marvin Merrill's son

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<v Speaker 1>agreed to cooperate with Alex Baber's investigation and even turned

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<v Speaker 1>over the sketch as well as two boxes of his

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<v Speaker 1>father's documents, he is not convinced his father is the

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<v Speaker 1>infamous Zodiac and Black Dahlia killer, and of course that

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<v Speaker 1>is the son's prerogative. Moving on, the value of the

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<v Speaker 1>Elizabeth sketch went beyond it being evidence that connected Merrill

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<v Speaker 1>to the Black Dallia murder. Remember what Alex Baber said

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<v Speaker 1>to me the first day we met. He boldly claimed

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<v Speaker 1>that he had the ability to find the hidden beneath

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<v Speaker 1>the hidden. And now as he studied the Elizabeth sketch

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<v Speaker 1>and thought about that long history of the Zodiac's cryptic

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<v Speaker 1>clues and the I'm smarter than you taunts to the

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<v Speaker 1>public and the police, Baber started thinking about the hidden

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<v Speaker 1>beneath the hidden.

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<v Speaker 2>If Marvin was who we suspected he was, then that

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<v Speaker 2>sketch itself wasn't just something he created, It was a message.

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<v Speaker 3>It was a means to an end for him.

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<v Speaker 2>He knew his life was short, he.

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<v Speaker 3>Knew that he wouldn't be on the face of the

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<v Speaker 3>earth much longer. And it was in my eyes, it was.

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<v Speaker 7>A deathbeck confession. It was his way of releasing whatever

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<v Speaker 7>guilt or whatever that was in him, if there was guilt,

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<v Speaker 7>by putting it out there, knowing that one day.

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<v Speaker 2>Somebody would come along and discover it and say, look,

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<v Speaker 2>this is a piece of history that connects directly to

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<v Speaker 2>his former girlfriend who was murdered. And that's the idea.

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<v Speaker 2>Once I knew that the zodiac was connected through the

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<v Speaker 2>Z thirteen and the son identifying some of the evidence,

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<v Speaker 2>I knew at that moment that this there could be

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<v Speaker 2>something more to this sketch than just Elizabe.

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<v Speaker 3>And at that moment, that's when.

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<v Speaker 6>I decided that we would look at the sketch from

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<v Speaker 6>a different perspective and run it through, you know, a

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<v Speaker 6>light spectrum in contrasts, you know, peel off layers, so

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<v Speaker 6>I could see if there was anything beneath that.

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<v Speaker 1>This non invasive imaging is technically known as infrared reflectography

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<v Speaker 1>and is a technique used by art historians to study

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<v Speaker 1>the layers of paintings and sketches to find what is

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<v Speaker 1>hidden below the surface to identify the creative's depths and

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<v Speaker 1>changes made by the artist. When Baber applied this technique

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<v Speaker 1>to the Elismus sketch, using color and contrast fields, he

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<v Speaker 1>found a single word hidden beneath the dark shading that

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<v Speaker 1>outlined the central image of the woman. That hidden word

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<v Speaker 1>was Zodiac.

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<v Speaker 2>I just think that it was his way of saying,

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<v Speaker 2>you know, here I am, I'm dying. I got I

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<v Speaker 2>got away with it, but I'm hoping somedays somebody will

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<v Speaker 2>come along that will discover this sketch and identify me

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<v Speaker 2>as the perpetrator. One thing that we're absolutely sure about

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<v Speaker 2>is the fact that the Zodiac was egotistical and he

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<v Speaker 2>was a genius level at aless. That being said, there's

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<v Speaker 2>no way that the individual that committed these crimes would

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<v Speaker 2>have left this planet without leaving behind some source of

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<v Speaker 2>identifying him. He couldn't do that.

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<v Speaker 8>It's like Jack the Ripper, right, whether it's ever solved

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<v Speaker 8>or not, Jack the Ripper will go down, you know,

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<v Speaker 8>as being probably the most infamous serial killer with the

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<v Speaker 8>exception of this case, once we're done, but he'll never

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<v Speaker 8>be identified there's just no DNA left, there's no evidence there.

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<v Speaker 8>With zodiacs a different, different circumstances.

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<v Speaker 1>He wants to be known.

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<v Speaker 2>In order to be known, you have to give him

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<v Speaker 2>a name and a face, and I believe that's what

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<v Speaker 2>the sketch represents.

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<v Speaker 7>It concretely ties the two cases together.

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<v Speaker 1>In case you are wondering, the Elizabeth sketch has been

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<v Speaker 1>secured for further analysis by an independent art expert. We

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<v Speaker 1>will have a report on that in the episodes that followed.

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<v Speaker 1>The sketch, of course, energized the whole investigation, but Alex

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<v Speaker 1>Baber did not drop his focus on the angle of

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<v Speaker 1>investigation that led him to the sketch in the first place,

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<v Speaker 1>the handwriting analysis. We'll have more on that in future

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<v Speaker 1>episodes of the podcast. We will be back with the

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<v Speaker 1>continuing story of the investigation on January fifteenth, the seventy

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<v Speaker 1>ninth anniversary of Elizabeth Shortz murder. We'll tell you then

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<v Speaker 1>about breaking the final Zodiac code and its direct connection

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<v Speaker 1>to the Black Dahlia. For more information, go to Killernthecode

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<v Speaker 1>dot com. This podcast was written and produced by Michael Connolly.

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<v Speaker 1>It was edited by Teroll, Lee Langford and Mark Henry Phillips,

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<v Speaker 1>with sound design and scoring by Mark Henry Phillips as well.

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<v Speaker 1>Thank you for listening.
