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<v Speaker 1>It's me, diar Way.

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<v Speaker 2>Who is this?

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<v Speaker 3>I don't know, it's me. It's amid the Ruins. It's

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<v Speaker 3>a guy who makes dire Way of music. It's amid

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<v Speaker 3>the Ruins.

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<v Speaker 1>Since sense.

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<v Speaker 3>Dire Way music music.

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<v Speaker 2>M M.

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<v Speaker 3>What I've talked about in you know, probably one hundred

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<v Speaker 3>articles of Jays analysis is the implementation of the AI

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<v Speaker 3>smart grip in the giant smart cities, which is what

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<v Speaker 3>IBM talks about publicly building. And that's where we're going,

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<v Speaker 3>and that's what I think we have to be really

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<v Speaker 3>concerned about.

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<v Speaker 4>So all of these tensions, they.

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<v Speaker 3>Are kind of a long term strategy to basically get

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<v Speaker 3>everybody moved into megacities. They'll be forced to they'll be

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<v Speaker 3>forced off of land and so forth for an environmental

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<v Speaker 3>reasons and basically concoct and invented environmental nonsense.

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<v Speaker 2>Then you'll be stuck in some hell a whole megacity

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<v Speaker 2>in a.

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<v Speaker 3>Basically a carton size apartment, living over a target or something,

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<v Speaker 3>or inside of the target or a Walmart. As I

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<v Speaker 3>said several years ago, it's actually coming true.

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<v Speaker 2>Now there's a Shipagan city.

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<v Speaker 3>This is all part of the long term global strategies.

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<v Speaker 3>But to get there, you've got to have the constant clash,

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<v Speaker 3>the constant alchemical blending and mixing and smashing together right

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<v Speaker 3>out of Manicheanism to produce the convergence, to produce the synthesis.

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<v Speaker 3>And that's what's crucial in all this and what is

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<v Speaker 3>absolutely true from an alchemical, esoteric, philosophical, and geopolitical perspective,

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<v Speaker 3>the fact that the Ruin elite seek to be post human.

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<v Speaker 3>Jason alsos dot com, you are not allowed. Girls are

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<v Speaker 3>not welcome.

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<v Speaker 4>Welcome boys and girls and nerds.

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<v Speaker 3>Are you all little simple jacks tonight? Are you all

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<v Speaker 3>little simple jacks? Do you have your Do you have

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<v Speaker 3>your oval walls on?

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<v Speaker 5>Are you ready to play?

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<v Speaker 3>Are you ready? Because tonight's movies do feature simple jack.

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<v Speaker 4>We've got a treat for you, boys and girls.

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<v Speaker 3>Tonight we got lawn mower Man, Thirteenth Floor, gyanam On,

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<v Speaker 3>even Sky Existence and Video Drone. So I'm a more

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<v Speaker 3>and more Croninberg fan. I mean, I've seen many Croninberg

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<v Speaker 3>movies over the year. Year over the year, over the

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<v Speaker 3>year I've only I'm only one year old, over the

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<v Speaker 3>year that I've been alive, and now I am more

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<v Speaker 3>of a Cronberg fan because I enjoyed scanners. Do you

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<v Speaker 3>remember when we watched scanners into that?

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<v Speaker 5>Yeah, his head popped. That's what I remember about scanners.

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<v Speaker 3>You look nice to know I like you and blue.

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<v Speaker 3>It's uncommon. Thank you. I look like I'm wearing a

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<v Speaker 3>I'm either going to sleep in this boomer pajama shirt

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<v Speaker 3>or I'm going to give you fifties gas self service.

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<v Speaker 3>Better tip me. Greatest generation, I want more than a dime?

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<v Speaker 3>Are you the greatest generation?

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<v Speaker 5>We are zennials. We are on the cusp of millennial

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<v Speaker 5>and Gen X, a micro generation.

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<v Speaker 3>And even though I'm the creator, founder, copyright, trademark, owner

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<v Speaker 3>of all the boomer jokes, I still get called a

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<v Speaker 3>boomer all the time, which makes no sense. If you

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<v Speaker 3>birth is a joke, you give birth to this joke,

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<v Speaker 3>then you get and I don't have anything in common.

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<v Speaker 5>You become what you mock. Eventually.

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<v Speaker 3>The only thing I have in common with boomers is

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<v Speaker 3>Florida and a tiny grill. But the tiny grill is

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<v Speaker 3>like a homeless person grill. It's not even boomer bloomber grills.

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<v Speaker 3>You know, you have there like they wed a ton

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<v Speaker 3>and you wheel them around like a damn gurney.

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<v Speaker 5>Right, you do have some boomer slippers that you were in.

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<v Speaker 1>Yeah, but the.

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<v Speaker 3>Feet sweat so I can't even really wear them. Yeah,

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<v Speaker 3>that's a problem. Sweaty feet, clammy feet, clammed up feet. Uh,

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<v Speaker 3>don't read the chat. They will distract you and they'll

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<v Speaker 3>try to they'll try to play mind games, try to

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<v Speaker 3>get in your head and play syops like the lawnmower man.

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<v Speaker 3>Do you remember that he gets some people's heads. Oh yeah,

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<v Speaker 3>he develops god powers because of because of evolution.

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<v Speaker 5>Evolution? Is that what you want to start with.

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<v Speaker 3>Well, we want to remind the people welcome everybody. And

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<v Speaker 3>by the way, you can do super chats still through

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<v Speaker 3>stream laves and that little gay zombie pops up doing

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<v Speaker 3>the running man.

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<v Speaker 5>Uh.

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<v Speaker 3>So you please can still support your favorite content creators.

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<v Speaker 3>I hate that phrase. This makes me sound like a

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<v Speaker 3>freaking machine that spits out content. The content machine. Support

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<v Speaker 3>your favorite content machine. I'm a content algorithm that just

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<v Speaker 3>vomits it out for you. You're the little baby birds,

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<v Speaker 3>the baby the baby maybe nerd birds, and I'm the

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<v Speaker 3>mama that choose up the content and vomits it up

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<v Speaker 3>into the baby nerd mouth, baby nerd bird okay jokes.

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<v Speaker 5>No, that was like Alex Shoon's level, like weird and gross.

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<v Speaker 3>That's what my mind does. I go through these, you know,

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<v Speaker 3>like improv style stream of consciousness things. That's what's that's

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<v Speaker 3>what's fun.

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<v Speaker 2>Uh.

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<v Speaker 3>Some of the people in the chat are actively presently

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<v Speaker 3>engaged in four simultaneous sy offs on us at one time.

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<v Speaker 3>What are we doing? What are we starting with? We're

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<v Speaker 3>gonna start with not that that's the popular one. We're

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<v Speaker 3>gonna do the less popular ones first. Uh, We're gonna

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<v Speaker 3>do thirteenth Floor and Dyannemonic pick one.

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<v Speaker 5>I liked thirteenth Floor. Let's start with that one because

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<v Speaker 5>I was surprised that I liked it more than Dark City.

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<v Speaker 5>It was kind of like, what was it? Dark City

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<v Speaker 5>and the Truman Show.

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<v Speaker 3>In the in the Matrix. Now we're intentionally not doing

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<v Speaker 3>the Matrix because I mean, everybody hiss that. Come on,

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<v Speaker 3>it's time to do the other eighties and nineties virtual

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<v Speaker 3>worlds Internet right that what's coming is gonna be so badass, dude,

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<v Speaker 3>the Net. We're gonna be surfing the net and it's

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<v Speaker 3>gonna make everybody smart and everybody's gonna be cool, and

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<v Speaker 3>there's gonna be Napster and LimeWire. You could download a

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<v Speaker 3>song and it takes like three days to get one

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<v Speaker 3>MP three and you can leave it running all night, bro,

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<v Speaker 3>and you'll have your favorite Enigma song. We turn to

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<v Speaker 3>its hands, as long as you're willing to let that

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<v Speaker 3>damn napster run all night on your on your twenty

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<v Speaker 3>four fifty six k motum.

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<v Speaker 5>Bro with your oh one of these had oh, that's

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<v Speaker 5>Johnny and Monic. Because data storage was super tiny.

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<v Speaker 3>Yes in the future, when they download things into your brain,

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<v Speaker 3>they apparently didn't consider the fact that like five gigabytes

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<v Speaker 3>is not a lot.

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<v Speaker 4>Because or perhaps Keanu really doesn't have a lot of.

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<v Speaker 5>It has eighty gigs of them?

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<v Speaker 4>Are we doing joining to Monaco?

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<v Speaker 5>Let's see thirty four first, because I liked it so

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<v Speaker 5>the year, but.

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<v Speaker 3>Actually the eight gigabytes is better than what is in

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<v Speaker 3>lawnmower Man, because in lawnmower Man, Pierce Brosman thinks three

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<v Speaker 3>megabytes is a lot.

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<v Speaker 2>Yeah, you go ahead.

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<v Speaker 5>The year is twenty.

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<v Speaker 3>Year, twenty twenty four, but the.

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<v Speaker 5>Movie was made in nineteen ninety nine, so in nineteen

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<v Speaker 5>ninety nine they thought in twenty twenty four four years

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<v Speaker 5>from today, that we would have these kinds.

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<v Speaker 3>Of technology, go landa pod and you get to be

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<v Speaker 3>a god of your own world.

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<v Speaker 5>Well, it starts out with I think therefore I am,

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<v Speaker 5>So what does that mean to pertain to the movie.

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<v Speaker 3>Well, the movie is just kind of I mean, there

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<v Speaker 3>is a gnostic ish theme to the movie, so it's

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<v Speaker 3>kind of hearkening to the idea that, Well, dude, like

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<v Speaker 3>what if reality is virtual? You know, like it's all

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<v Speaker 3>just my mind projecting reality and we think the computers

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<v Speaker 3>are like going to give us an insight into virtual reality.

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<v Speaker 3>But dude, it's telling us that real reality is virtual.

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<v Speaker 4>It's like that's a simulation theory, isn't that.

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<v Speaker 5>Part of this the New age science club people they

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<v Speaker 5>talk about everything's just a hologram.

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<v Speaker 3>I was in chess club.

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<v Speaker 5>No, I mean, like the guy of uh.

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<v Speaker 3>Spirit, I know, but I'm making there. I was really

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<v Speaker 3>in chess club, not science club.

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<v Speaker 5>That's cool.

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<v Speaker 3>Yeah, but we never played We never played chess. We

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<v Speaker 3>just went to be we got out of class and

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<v Speaker 3>then I stood in the front of chess club for

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<v Speaker 3>the yearbook picture. I never played chess once.

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<v Speaker 5>I like chess.

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<v Speaker 3>Yeah, man, we was scamming.

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<v Speaker 5>This movie is based on a book called Simulate. Come three,

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<v Speaker 5>I guess.

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<v Speaker 3>Right now, and we got to go a little faster

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<v Speaker 3>than this.

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<v Speaker 5>Okay, but open scene he's cheating on matrix wife with

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<v Speaker 5>matrix prostitutes. Is the guy who made this entire world

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<v Speaker 5>phenomenal cosmic powers is really cheating? I think?

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<v Speaker 3>So if the real the actual wife is also not actual,

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<v Speaker 3>then how can you cheat on something that's not real?

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<v Speaker 5>Didn't he have a real wife and.

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<v Speaker 3>The real Well, you just ruined the movie.

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<v Speaker 5>He's cheating on his matrix wife with matrix The future sucks.

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<v Speaker 3>Usually in dystopian they have to will be very good dystopia.

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<v Speaker 3>It was like a badass.

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<v Speaker 5>Yeah, that's why they have to escape into virtual rally

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<v Speaker 5>because reality bites. What is that movie surrogates? Yeah, let's see,

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<v Speaker 5>fully formed cyber beings are sims or units and PCs.

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<v Speaker 5>So he's going into this cyber world and all the

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<v Speaker 5>people are so realistic that it looks like the real world.

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<v Speaker 5>You can't tell the VR from reality. The VR is

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<v Speaker 5>even better than reality actually, and so it's full of

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<v Speaker 5>NPC units, right, just like Inception.

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<v Speaker 3>Yeah, that's a good analogy to Inception.

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<v Speaker 5>What I liked about this movie was that one of

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<v Speaker 5>the worlds was set in Los Angeles in nineteen thirty seven,

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<v Speaker 5>which I think is a cool time and place.

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<v Speaker 3>It's a in sci fi noir. This is in the

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<v Speaker 3>nineties when Neo NOA is still popular.

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<v Speaker 5>Is this the one that had the Blade Runner apartment.

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<v Speaker 4>Yeah, there's a lot.

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<v Speaker 3>Of throwbacks of Board Runner in this movie.

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<v Speaker 5>So there's talk about transferring consciousness into the matrix. Every

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<v Speaker 5>character has a double or an avatar. Right, Let's see

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<v Speaker 5>the sims are missing time when they're not occupied. Do

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<v Speaker 5>you remember that part.

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<v Speaker 3>Yes, So there's also a mind control element to it

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<v Speaker 3>to where the people kind of pass out, and then

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<v Speaker 3>other consciousness invades different NPCs consciousnesses and so there's like

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<v Speaker 3>a weird It's basically like what if what a virtual

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<v Speaker 3>reality was actually just alternate realities and they all kind

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<v Speaker 3>of coincide, and like altars are just people in other

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<v Speaker 3>you know, multiverses or.

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<v Speaker 5>Whatever, Like you're just an avatar for an alien or

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<v Speaker 5>angel or a.

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<v Speaker 3>Demon or some kind of Yeah, we're doing Thirteenth Floor

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<v Speaker 3>the nineteen ninety eight.

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<v Speaker 5>From Thirteenth Floor, which I thought it was better than

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<v Speaker 5>I thought it was going to be because I'd never

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<v Speaker 5>heard of it. Let's see, sims are men, sims have rights.

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<v Speaker 5>So there's this discussion.

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<v Speaker 3>In the movie seems to mean, I mean the vegans,

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<v Speaker 3>the vegans vegans in Australia they say kids, I mean

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<v Speaker 3>seems I mean, it.

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<v Speaker 5>Seems a meaning ting. So there's this question if a

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<v Speaker 5>sim has thoughts and feelings and actions and will and

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<v Speaker 5>agency in a virtual world, does it have rights? Is

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<v Speaker 5>that's going to be something that we have to think

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<v Speaker 5>about in the future.

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<v Speaker 3>I mean, they probably will start saying that AI augmented

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<v Speaker 3>reality beings somehow have rights because that would help promote

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<v Speaker 3>transhumanism and AI and all that. So probably, I mean,

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<v Speaker 3>it all be a bunch of fraud, but there's no

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<v Speaker 3>limits to the fraudy.

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<v Speaker 5>Yeah. So one of the reveals in the movie is

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<v Speaker 5>that it's very much like The Truman Show or and

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<v Speaker 5>they have a flat Earth because it's.

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<v Speaker 3>Yeah, because you come to the end of the you know,

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<v Speaker 3>thirty seven La Hollywood, It just comes to an end

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<v Speaker 3>and then it's likes and retro scent wave background.

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<v Speaker 5>Basically just unfair.

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<v Speaker 4>But you come to your screens, your retrowave screensaver at

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<v Speaker 4>the end of La Bro.

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<v Speaker 3>Take the far down to the three, get on the three,

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<v Speaker 3>and then go to your retroave. The Kristen Wi the

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<v Speaker 3>Californians go, mm.

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<v Speaker 5>Let's see what else retrowave matrix inception. That's it, knoxtick

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<v Speaker 5>trickster Demiurge.

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<v Speaker 3>Yeah. So the old guy who's the blind, fumbling creator

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<v Speaker 3>deity of this matrix world, he's forgotten and I don't

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<v Speaker 3>forget what he is, but he he doesn't know what's

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<v Speaker 3>going on. And once again it's the nimi Urge narrative.

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<v Speaker 3>And there is an interesting twist in this movie. Spoiler alert. Uh,

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<v Speaker 3>the the bad guy is not your typical bag. I

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<v Speaker 3>won't tell you who the bad guy is, but it's

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<v Speaker 3>not the bad guy that you think. Let's go in

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<v Speaker 3>an interesting direction. I don't know why this movie is

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<v Speaker 3>bombed by the critics. It's not a bad movie. Maybe

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<v Speaker 3>people felt it was too similar to the Matrix one year.

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<v Speaker 3>I think after the first Matrix. It's similar in a

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<v Speaker 3>lot of ways to the Matrix, but also different in

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<v Speaker 3>other ways. So it's not a bad movie. So I'm

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<v Speaker 3>not sure why the critics bombed it. Fans the audience

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<v Speaker 3>seems to like it. It's usually about a seventy seven

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<v Speaker 3>out of ten from the audiences, and then you know, yeah,

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<v Speaker 3>critics are like, screw this.

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<v Speaker 5>So what I thought was interesting about this was that

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<v Speaker 5>the whole virtual world was built around just satisfying your vices. Gambling.

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<v Speaker 3>Well, that's going to be the purpose of all the

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<v Speaker 3>VR stuffy, Yeah, exactly, So.

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<v Speaker 5>Don't harm your body with real vices. Just go into

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<v Speaker 5>the virtual world and you can gamble and have sex

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<v Speaker 5>and all that other.

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<v Speaker 3>And granted, we could have included you know, Blade Run,

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<v Speaker 3>but I mean I've already covered done multiple videos on

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<v Speaker 3>Blade Runner and the Matrix, so we wanted to do

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<v Speaker 3>the ones that aren't always talked about, right, So you know,

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<v Speaker 3>some of these are still fairly you know, big movies

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<v Speaker 3>with al Sky or whatever, and they were fun too.

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<v Speaker 5>This one was a really fun batch, don't you think. Yeah? Ye,

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<v Speaker 5>so spoiler alert can we say that ahead?

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<v Speaker 2>Yeah.

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<v Speaker 5>One of the secrets that you find out is that

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<v Speaker 5>the virtual world is inside the virtual world. So it's

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<v Speaker 5>like if you had a video game the Sims, and

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<v Speaker 5>the Sims made the video game the Sims in their world.

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<v Speaker 5>That's what. Yes, it's fair.

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<v Speaker 3>Some little shee yeah.

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<v Speaker 5>Shade archetype shadow self so the.

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<v Speaker 3>Bad guy, the good guys.

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<v Speaker 5>The bad guy, yeah, in another world, another reality, his

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<v Speaker 5>higher self. Yes, so he's the real DeMier. It's not

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<v Speaker 5>the old man exactly right, that's what you find out.

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<v Speaker 5>And she's Sofia. Does somebody in here's named Sofia?

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<v Speaker 2>Actually?

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<v Speaker 5>Yeah? But if you die in the game, you die in.

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<v Speaker 3>Rel that's in existence.

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<v Speaker 5>Yeah.

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<v Speaker 3>But in thirteenth floor, the thirteenth floor is that missing dimension.

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<v Speaker 3>It's another dimension. It's that other layer level of existence,

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<v Speaker 3>and there is the Nosta. There is a gnostic mythology

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<v Speaker 3>to this because this whole time he's searching for Gretchen

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<v Speaker 3>Mall and she ends up being his Sofia principle that

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<v Speaker 3>you know, heals him or whatever and things can return

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<v Speaker 3>to to normal. They have a happy ending when they

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<v Speaker 3>solve the matrix puzzle.

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<v Speaker 2>Yeah.

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<v Speaker 5>Again, I didn't like the year twenty four to twenty four,

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<v Speaker 5>the real, real, real reality twenty four in the movie.

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<v Speaker 5>I thought it looked kind of that's.

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<v Speaker 3>Not the reality.

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<v Speaker 5>That's No. At the very end, when they're at the beach.

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<v Speaker 3>The layer is still a layer of the matrix.

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<v Speaker 4>Really, or is he the good consciousness in the regular guy?

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<v Speaker 5>Yeah, he's the that's right.

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<v Speaker 3>Yeah, okay, yeah, No, La does not look like that now.

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<v Speaker 3>So they have this glistening nor.

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<v Speaker 5>Will it look like that four years from now.

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<v Speaker 3>There's like glistening you know, Space City in twenty twenty four. Yeah,

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<v Speaker 3>and it looks like you know, dump like just as

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<v Speaker 3>much as it did in nineteen ninety eight, ninety nine.

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<v Speaker 4>All right, what's next? John Namonic?

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<v Speaker 3>Okay, Well, so John, thank you for the super chat.

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<v Speaker 3>We will get to those in a minute.

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<v Speaker 5>Johnny Mnemonic, nineteen ninety five, excellent. Corporation's rule is the

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<v Speaker 5>first note we got so everything.

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<v Speaker 4>That's the note for every dystopian movie.

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<v Speaker 5>Yeah, but they also rule man like, they're so cool,

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<v Speaker 5>like you can do cool things with your mind in

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<v Speaker 5>the computer.

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<v Speaker 3>Yeah, so the corporations give you a well in this

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<v Speaker 3>in this dystopia, I think this is set.

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<v Speaker 5>In twenty twenty one, so that's next year. Yeah, next year,

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<v Speaker 5>Keanu Reeves will have eighty gigabytes of memory, so a

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<v Speaker 5>little bit bigger than iPod first first.

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<v Speaker 3>No, first generation iPod had more than that, didn't it.

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<v Speaker 5>Okay, the first video the first video generation I thought

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<v Speaker 5>I had was sixteen. So there's a new plague called

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<v Speaker 5>nerve attenuation syndrome.

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<v Speaker 3>This is interesting because this movie does have some elements

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<v Speaker 3>in it that are pretty revelatory. There wasn't really much

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00:21:46.319 --> 00:21:48.960
<v Speaker 3>in Thirteenth Flour that was revelatory and like a predicted

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<v Speaker 3>programming since, but John Monic does have that because we

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<v Speaker 3>find out that the the sickness that people are getting

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<v Speaker 3>everywhere is due to the over abundance of frequencies. Yeah,

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<v Speaker 3>there's all these frequencies everywhere. Yeah, and it's basically it's

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<v Speaker 3>basically messing people up. And so that's the dilemma that

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<v Speaker 3>Kinko has to solve at the end. But anyway, this

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<v Speaker 3>is a William Gibson novel, So that's why this has

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<v Speaker 3>some of the element because he wrote Neuromancer, which has

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<v Speaker 3>some of these same kind of predictive stuff, and it

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<v Speaker 3>has a matrix in it that's a neuromancer. So we

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<v Speaker 3>know that William Gibson's going to give us something predictive.

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<v Speaker 5>There's a new class of people called the low text

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<v Speaker 5>remember that.

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<v Speaker 3>Yeah, these are the revolution there's always a revolutionary in

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<v Speaker 3>every one of these dystopian movies.

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<v Speaker 5>So the low texts don't want to merge with the machine.

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<v Speaker 3>They live in Under the Bridge that are like rats,

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<v Speaker 3>but they ironically have a giant computer system, so it's

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<v Speaker 3>like they use technology. They're not they're not really they're

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<v Speaker 3>like Amish or they're like the Mennonites, right, yeah, the

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<v Speaker 3>the Mennonitees will you know, use the bank and the

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<v Speaker 3>card and Amish are like, we don't use zippers because

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<v Speaker 3>they're from Satan.

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<v Speaker 5>They use the word info wars. So there's some kind

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<v Speaker 5>of battle going.

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<v Speaker 3>On, right, So there's all kinds of information warfare is

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<v Speaker 3>brought up in this I lost the place in the

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<v Speaker 3>notes chips Klaus might stored Oh they talk about storing

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<v Speaker 3>data in humans and Klaus, as we've talked about in

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<v Speaker 3>the Fourth and Dusty Revolution analysis, Klaus mentions that in

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<v Speaker 3>his book he says it in the future, we might

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<v Speaker 3>store data in DNA.

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<v Speaker 4>That's what this movie is about.

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<v Speaker 3>And Kinko Reeve is actually a spy. He's a data

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<v Speaker 3>courier spy person and he's called Agent Smith and he's

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<v Speaker 3>dressed up like Agent Smith in The Matrix, which is

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<v Speaker 3>odd because it's only three years later that he will

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<v Speaker 3>play Neo.

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<v Speaker 5>So the low text live in City Corps New Darwin

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<v Speaker 5>in Wake Up Call Oh, so Darwin is a hero

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<v Speaker 5>neo Darwinian, Yeah, Darwinian, but he's at the New Darwin

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<v Speaker 5>Inn when he gets a wake up call. And then

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<v Speaker 5>there's Skype. Remember every future movie has a dimension.

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<v Speaker 3>Version of Skype, you know, that's always but and they

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<v Speaker 3>act like everybody's going to call everybody for every call

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<v Speaker 3>on Skype, and nobody does that. That's what they got wrong.

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<v Speaker 4>Skype is for interviews and that's it.

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<v Speaker 3>Everybody texts everybody there, nobody's skypes FaceTime.

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<v Speaker 5>There's a lot of interesting things going on in the

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<v Speaker 5>background of the world in this movie, like China. There's

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<v Speaker 5>like riots in China and Beijing over that.

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00:25:08.799 --> 00:25:11.119
<v Speaker 3>Yeah, it's very much a Blade Runner kind of future,

388
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<v Speaker 3>but not very good special effects. So it looks like,

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<v Speaker 3>I mean, once again they're throwing back to Blade Runner

390
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<v Speaker 3>and he mentions that the he has to fight the Yukuza.

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<v Speaker 3>So the Japanese Yakuza at the beginning is working for

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<v Speaker 3>They've been hired by the Big Corporation whatever, the Big

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<v Speaker 3>Mega corp. And every dystopian movie is so that it

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<v Speaker 3>was interesting that they have this kind of you know,

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<v Speaker 3>spy element to it, and it makes it I've not

396
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<v Speaker 3>yet read William Gibson. So it makes me really want

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<v Speaker 3>to get into Neuromancer because I'm sure it has a

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00:25:46.839 --> 00:25:51.079
<v Speaker 3>lot of predictive stuff in it. But thank you for

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<v Speaker 3>those super chats there, Finian, and we'll get to those

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00:25:53.400 --> 00:25:54.000
<v Speaker 3>here in a minute.

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00:25:56.839 --> 00:25:58.480
<v Speaker 5>Twin girls, I don't know what that means.

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00:25:58.680 --> 00:26:03.160
<v Speaker 3>Maybe there's some maybe I was thinking of, like the astrological,

403
00:26:03.400 --> 00:26:07.920
<v Speaker 3>just like in cubric the Twins astrology.

404
00:26:08.000 --> 00:26:10.599
<v Speaker 5>Oh yeah, yeah, so he only has eighty gigs and

405
00:26:10.640 --> 00:26:12.119
<v Speaker 5>then he has to get an upgrade and he gets

406
00:26:12.200 --> 00:26:15.519
<v Speaker 5>one hundred and sixty gigs. Man, but it's not enough.

407
00:26:17.240 --> 00:26:21.680
<v Speaker 5>He's mister Smith. You said that Keanu has a rebel tooth,

408
00:26:21.920 --> 00:26:24.279
<v Speaker 5>just like you. So there's a close up of his

409
00:26:24.599 --> 00:26:26.960
<v Speaker 5>teeth and you can see on the bottom just like

410
00:26:27.079 --> 00:26:27.960
<v Speaker 5>Jay Kanu.

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<v Speaker 3>Has seventeen seventy six in my mouth.

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00:26:30.440 --> 00:26:30.759
<v Speaker 2>Right now.

413
00:26:31.480 --> 00:26:35.720
<v Speaker 3>There's a revolution going on in the underground. The above

414
00:26:35.720 --> 00:26:38.319
<v Speaker 3>ground are elite, they're perfect, and the underground there's a

415
00:26:38.319 --> 00:26:43.680
<v Speaker 3>revolution to overthrow the the upper class.

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00:26:46.440 --> 00:26:50.880
<v Speaker 5>Comic book characters, anime battle scenes. I don't remember that

417
00:26:51.359 --> 00:26:54.240
<v Speaker 5>the web serves you. So, yeah, he's got the whole

418
00:26:55.200 --> 00:26:55.559
<v Speaker 5>Was there.

419
00:26:55.480 --> 00:26:56.960
<v Speaker 3>A scene where it switched to anime?

420
00:26:57.279 --> 00:26:58.799
<v Speaker 5>I think he was watching that.

421
00:26:59.240 --> 00:27:02.119
<v Speaker 4>Oh okay, well that's predictive.

422
00:27:02.319 --> 00:27:04.240
<v Speaker 3>Yeah, so they will.

423
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<v Speaker 4>Be looking in the future and anime taking over doing.

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<v Speaker 5>The Yukuza thing too, so that's why they have that.

425
00:27:11.759 --> 00:27:14.279
<v Speaker 5>So they download all this crap into his head, but

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00:27:14.359 --> 00:27:16.680
<v Speaker 5>he only has dial up and he can't take it.

427
00:27:16.720 --> 00:27:19.200
<v Speaker 5>So he's gonna die man if he doesn't like get

428
00:27:19.599 --> 00:27:20.240
<v Speaker 5>his information.

429
00:27:20.279 --> 00:27:23.559
<v Speaker 3>So they figured all this amazing stuff out in the future,

430
00:27:23.599 --> 00:27:27.680
<v Speaker 3>but they're basically using you know, like you said, first

431
00:27:27.680 --> 00:27:32.519
<v Speaker 3>generation iPod storage level and the upload download speed is

432
00:27:32.559 --> 00:27:35.400
<v Speaker 3>like dial up level, so it doesn't work too good

433
00:27:35.440 --> 00:27:38.640
<v Speaker 3>in Kinko's head.

434
00:27:39.079 --> 00:27:42.319
<v Speaker 5>The Free City of Newark is like can you say those? Yeah,

435
00:27:43.880 --> 00:27:50.799
<v Speaker 5>so they have a no technology zone. Yeah, the load

436
00:27:50.799 --> 00:27:51.880
<v Speaker 5>text and.

437
00:27:51.279 --> 00:27:52.720
<v Speaker 3>It looks like Chaz Chop.

438
00:27:52.880 --> 00:27:56.000
<v Speaker 5>Yeah, it's all burnt out. Yeah, it's really bad, and it's.

439
00:27:55.960 --> 00:27:57.160
<v Speaker 4>Run by Iced Tea.

440
00:27:57.319 --> 00:27:59.720
<v Speaker 3>By the way, Iced.

441
00:27:59.640 --> 00:28:04.119
<v Speaker 5>Tea, let's see with oh, because without the Internet, we'd

442
00:28:04.160 --> 00:28:09.640
<v Speaker 5>all live in boxes like hobos. Right, No, that's what

443
00:28:09.680 --> 00:28:12.160
<v Speaker 5>they're trying to show without technology.

444
00:28:12.279 --> 00:28:14.480
<v Speaker 3>But this movie is it's against the Internet.

445
00:28:15.119 --> 00:28:18.839
<v Speaker 5>That's what the low text like live like rats in

446
00:28:18.880 --> 00:28:19.640
<v Speaker 5>the sewer.

447
00:28:19.440 --> 00:28:22.480
<v Speaker 3>And so we need because they're oppressed. Though but by

448
00:28:22.519 --> 00:28:29.000
<v Speaker 3>the Corporation Inc. Corporation in Corporate Corporation Inc. Always oppressed.

449
00:28:29.079 --> 00:28:31.039
<v Speaker 3>That's why, that's why they're fighting against it with the

450
00:28:31.119 --> 00:28:33.720
<v Speaker 3>dolphin power. Remember, yes, we'll.

451
00:28:33.559 --> 00:28:36.240
<v Speaker 5>Get to that, are we We're not there yet, No

452
00:28:37.279 --> 00:28:40.440
<v Speaker 5>chop Renaissance off Apocalypse.

453
00:28:40.680 --> 00:28:42.720
<v Speaker 4>Oh yeah, Henry Rollins is in this by the way.

454
00:28:42.799 --> 00:28:44.359
<v Speaker 3>Yeah, as a doctor.

455
00:28:44.559 --> 00:28:47.359
<v Speaker 5>And it's so steampunk like their look and.

456
00:28:47.359 --> 00:28:50.880
<v Speaker 3>Everything the well that was nineties. Remember a tank girl?

457
00:28:51.680 --> 00:28:52.359
<v Speaker 3>What's her face?

458
00:28:55.000 --> 00:28:57.920
<v Speaker 5>I know you're doing about Petty Lory Petty.

459
00:28:57.720 --> 00:29:01.160
<v Speaker 3>She went from point brank, point break to tank girl

460
00:29:01.960 --> 00:29:02.720
<v Speaker 3>and then what.

461
00:29:05.720 --> 00:29:06.200
<v Speaker 5>And then what?

462
00:29:06.440 --> 00:29:06.839
<v Speaker 3>I don't know.

463
00:29:09.799 --> 00:29:11.960
<v Speaker 5>No, she was on Orange is the New Black.

464
00:29:12.720 --> 00:29:14.880
<v Speaker 3>Okay, so let's see his.

465
00:29:14.720 --> 00:29:17.920
<v Speaker 5>Brain can't hold all the memes and the nineties gifts.

466
00:29:18.279 --> 00:29:24.119
<v Speaker 3>Yes, dancing Baby gift basically shorts circuits Kinko's mind.

467
00:29:25.039 --> 00:29:27.319
<v Speaker 5>Oh, he had to erase his childhood to hold all

468
00:29:27.359 --> 00:29:28.599
<v Speaker 5>the data. That was interesting.

469
00:29:29.400 --> 00:29:31.759
<v Speaker 3>Dump that recycled, ben, dude, we got to fit some

470
00:29:31.799 --> 00:29:32.720
<v Speaker 3>more memes in here.

471
00:29:33.279 --> 00:29:37.079
<v Speaker 5>There's an eye in the pyramid when he goes online.

472
00:29:37.640 --> 00:29:40.799
<v Speaker 3>Yes, so we see illuminate confirm does actually show up

473
00:29:40.839 --> 00:29:43.759
<v Speaker 3>and it's not it's this, it's an intentional illuminate confirm here,

474
00:29:44.359 --> 00:29:48.839
<v Speaker 3>so the Internet is you know, illuminate confirm and also

475
00:29:48.880 --> 00:29:54.079
<v Speaker 3>in hackers when he first hacks at the beginning, they're

476
00:29:54.119 --> 00:29:57.359
<v Speaker 3>talking about illuminate confirm and the nWo and you see

477
00:29:57.359 --> 00:30:00.359
<v Speaker 3>the all sing on it, So it was it is

478
00:30:00.400 --> 00:30:05.319
<v Speaker 3>interesting that they have intentionally placed the all singular let's.

479
00:30:05.119 --> 00:30:08.880
<v Speaker 5>See pharmaicom data in his head. So that's one of

480
00:30:08.920 --> 00:30:12.079
<v Speaker 5>the interesting things about this.

481
00:30:13.680 --> 00:30:14.640
<v Speaker 3>Is what is.

482
00:30:17.079 --> 00:30:21.039
<v Speaker 5>The pharmaceutical industry is wrapped up in this Yakuza data

483
00:30:21.119 --> 00:30:26.200
<v Speaker 5>dump that Keanu has to curry in his DNA, right, Yeah, because.

484
00:30:26.039 --> 00:30:28.480
<v Speaker 3>They have the cure to nash and they want to

485
00:30:28.480 --> 00:30:31.119
<v Speaker 3>gain the system, get everybody six so that you have

486
00:30:31.160 --> 00:30:34.960
<v Speaker 3>to get the cure. Where have we heard of this before?

487
00:30:36.759 --> 00:30:39.759
<v Speaker 5>Oh, there's the Church of the Retransfiguration member.

488
00:30:39.559 --> 00:30:44.359
<v Speaker 3>Like, yeah, Dolph Lundgren plays imagine Dolph Lundgren dressed up

489
00:30:44.440 --> 00:30:49.599
<v Speaker 3>as Jesus, dressed up as Francis of Assisi, as a

490
00:30:50.200 --> 00:30:53.279
<v Speaker 3>as a super soldier assassin. So yes, Dolph Lundren is

491
00:30:53.319 --> 00:30:57.359
<v Speaker 3>literally playing a super soldier as France of Assisi as Jesus,

492
00:30:57.480 --> 00:30:58.599
<v Speaker 3>and he's ahead of a cult.

493
00:31:00.079 --> 00:31:03.079
<v Speaker 5>Oh and then if you get this neurological disease, this

494
00:31:03.240 --> 00:31:07.240
<v Speaker 5>nerve attenuation syndrome. They call it the black Shakes. That

495
00:31:07.319 --> 00:31:08.440
<v Speaker 5>was kind of weird because.

496
00:31:08.319 --> 00:31:12.200
<v Speaker 3>Well, didn't they spit out goo or something something black?

497
00:31:14.039 --> 00:31:16.880
<v Speaker 5>I think they did have the foaming.

498
00:31:17.000 --> 00:31:18.799
<v Speaker 3>So technology Wi Fi is poisoning.

499
00:31:18.799 --> 00:31:21.400
<v Speaker 5>It's poisoning people. Yeah, Pharmacom has again.

500
00:31:21.200 --> 00:31:24.240
<v Speaker 3>And Pharmacom, who is behind this poisoning, has a cure.

501
00:31:24.440 --> 00:31:27.319
<v Speaker 5>Yeah, William Gibson story is that the author?

502
00:31:27.599 --> 00:31:29.000
<v Speaker 3>Yeah, I just said that like five times.

503
00:31:29.519 --> 00:31:30.039
<v Speaker 5>Deep fake?

504
00:31:31.559 --> 00:31:33.359
<v Speaker 3>Yeah, I think there was some kind of a version

505
00:31:33.400 --> 00:31:35.359
<v Speaker 3>of a deep fake in the movie at some point,

506
00:31:35.400 --> 00:31:37.240
<v Speaker 3>which is again way ahead of its time. I don't

507
00:31:37.240 --> 00:31:38.279
<v Speaker 3>remember what it was, but.

508
00:31:38.279 --> 00:31:42.039
<v Speaker 5>Yeah, oh there was one. Yeah, what was it? I

509
00:31:42.119 --> 00:31:44.039
<v Speaker 5>don't I know what's trying about, but I don't remember.

510
00:31:43.759 --> 00:31:44.200
<v Speaker 2>What it was.

511
00:31:44.680 --> 00:31:46.359
<v Speaker 3>I know that in my heart there will never be

512
00:31:46.440 --> 00:31:49.319
<v Speaker 3>a fake Kiano Reache because he is a deep reality

513
00:31:49.359 --> 00:31:51.359
<v Speaker 3>for me. There's no deep faking Kinko.

514
00:31:51.519 --> 00:31:52.480
<v Speaker 5>You can't fake that.

515
00:31:53.480 --> 00:31:55.599
<v Speaker 4>He's true love. It's true love.

516
00:31:56.599 --> 00:31:59.200
<v Speaker 5>Johnny has a breakdown because he wants his ten DS

517
00:32:00.880 --> 00:32:05.160
<v Speaker 5>luxuries of Oh, he doesn't want to join the Ludites

518
00:32:05.200 --> 00:32:10.079
<v Speaker 5>because he has too much luxury in the virtual reality.

519
00:32:12.920 --> 00:32:16.400
<v Speaker 3>Yeah, Kinko has a spurgout because he wants his chicken.

520
00:32:19.440 --> 00:32:20.880
<v Speaker 3>Are they virtual attend are they?

521
00:32:21.160 --> 00:32:23.880
<v Speaker 5>Yeah? Well, like if you live in the technological world,

522
00:32:24.119 --> 00:32:27.039
<v Speaker 5>it's half and half, so you know your creature comforts

523
00:32:27.039 --> 00:32:29.400
<v Speaker 5>and then you can have whatever you want to VR.

524
00:32:29.559 --> 00:32:29.720
<v Speaker 2>Yeah.

525
00:32:29.799 --> 00:32:35.559
<v Speaker 5>Can you get like infinite tends in the r Why

526
00:32:35.559 --> 00:32:38.680
<v Speaker 5>are they fighting technology by being steampunk? Get the word?

527
00:32:38.839 --> 00:32:40.240
<v Speaker 4>It's just an older version of tech.

528
00:32:40.359 --> 00:32:44.039
<v Speaker 3>They're like they're anti at tech, another they're low tech. Yeah,

529
00:32:45.400 --> 00:32:47.160
<v Speaker 3>I guess steampunk.

530
00:32:46.599 --> 00:32:48.880
<v Speaker 5>Even though we draw the line at Ai Man, we

531
00:32:49.039 --> 00:32:57.000
<v Speaker 5>just like machine except four. There's the robo dolphin your favorite.

532
00:32:59.240 --> 00:33:00.000
<v Speaker 5>Does this remind you?

533
00:33:00.359 --> 00:33:04.839
<v Speaker 3>And he beats Dolphin Lundren? That was mind Joe, I

534
00:33:04.920 --> 00:33:05.720
<v Speaker 3>want credit for that.

535
00:33:05.799 --> 00:33:07.359
<v Speaker 5>What does that remind you of the dolphin?

536
00:33:08.920 --> 00:33:11.839
<v Speaker 3>They reminded me of Dolphin Lungren? What do you mean what.

537
00:33:11.920 --> 00:33:15.400
<v Speaker 5>You did a show about the book that John?

538
00:33:15.559 --> 00:33:15.759
<v Speaker 2>Oh?

539
00:33:15.799 --> 00:33:17.440
<v Speaker 3>It's yeah, it is like John C. Lily.

540
00:33:17.480 --> 00:33:19.119
<v Speaker 4>I was like, why do they put this stupid dolphin

541
00:33:19.160 --> 00:33:19.440
<v Speaker 4>in there?

542
00:33:19.480 --> 00:33:22.559
<v Speaker 3>And then because the dolphin is working with the low

543
00:33:22.599 --> 00:33:27.240
<v Speaker 3>text to beat the corporation that has sent dolphin Dolphin

544
00:33:27.319 --> 00:33:32.519
<v Speaker 3>Lundren as an assassin, and so the dolphin sends out

545
00:33:32.519 --> 00:33:35.039
<v Speaker 3>a signal and it like knocks out dolphin.

546
00:33:35.480 --> 00:33:38.000
<v Speaker 5>It's because of his what do you call it a

547
00:33:38.400 --> 00:33:40.440
<v Speaker 5>whole location? Yeah, yeah, his sonar.

548
00:33:42.000 --> 00:33:42.240
<v Speaker 3>Yeah.

549
00:33:42.279 --> 00:33:44.680
<v Speaker 5>So they hook up a dolphin the Internet and the

550
00:33:44.759 --> 00:33:49.559
<v Speaker 5>dolphin has dolphin dial up. Oh and his name is Jones.

551
00:33:50.240 --> 00:33:51.640
<v Speaker 5>The dolphin's name is Jones.

552
00:33:53.480 --> 00:33:57.319
<v Speaker 3>Yeah, it's a dolphin Jones who's fighting fight.

553
00:33:57.240 --> 00:34:01.480
<v Speaker 5>Sonar killed Dolph. The dolphin can take you into the data.

554
00:34:02.160 --> 00:34:05.400
<v Speaker 3>Well, it is a it is a brain interface where

555
00:34:05.759 --> 00:34:08.320
<v Speaker 3>that's where Keanu has to jack in, which is all

556
00:34:08.519 --> 00:34:10.079
<v Speaker 3>like what you'll see in the matrix in a couple

557
00:34:10.079 --> 00:34:14.159
<v Speaker 3>of years. But when he jack's in, he has to

558
00:34:14.199 --> 00:34:17.199
<v Speaker 3>get the dolphin to help guide him into the matrix, remember,

559
00:34:17.880 --> 00:34:20.719
<v Speaker 3>and it's all like max headroom looking matrix.

560
00:34:21.199 --> 00:34:24.800
<v Speaker 4>And but the point is that John C.

561
00:34:24.920 --> 00:34:29.800
<v Speaker 3>Lily was studying dolphins for brain computer chip interfaces.

562
00:34:30.039 --> 00:34:31.719
<v Speaker 4>So that's the only reason.

563
00:34:31.519 --> 00:34:33.760
<v Speaker 3>I could think of why William Gibson would have I

564
00:34:33.760 --> 00:34:35.960
<v Speaker 3>don't even know if you put this this stupid dolphin

565
00:34:36.000 --> 00:34:38.920
<v Speaker 3>thing in the book. But when you watch the movie,

566
00:34:38.960 --> 00:34:43.320
<v Speaker 3>it's just like what and the dolphin can send the

567
00:34:43.360 --> 00:34:44.320
<v Speaker 3>signal out of his head.

568
00:34:44.360 --> 00:34:45.239
<v Speaker 2>I mean, the.

569
00:34:45.199 --> 00:34:47.239
<v Speaker 3>Dolphin has to open his third eye I and he

570
00:34:47.320 --> 00:34:50.639
<v Speaker 3>can fight. That's the only way a dolphin could beat dolphin.

571
00:34:50.360 --> 00:34:54.719
<v Speaker 5>Lungern right, yep, that's the end.

572
00:34:54.880 --> 00:35:00.880
<v Speaker 3>Dolphin dial up? What is that? What's your last?

573
00:35:01.199 --> 00:35:04.840
<v Speaker 5>Lady? Trapped? Or AI? Was there like a cliffhanger? Do

574
00:35:04.920 --> 00:35:05.360
<v Speaker 5>you remember?

575
00:35:05.599 --> 00:35:11.000
<v Speaker 3>I don't remember? Anyway, I had fun? How many? How many?

576
00:35:11.760 --> 00:35:15.760
<v Speaker 3>How many dolphin lungdrens do you give? Giant the moment?

577
00:35:16.760 --> 00:35:17.079
<v Speaker 5>Seven?

578
00:35:17.960 --> 00:35:19.880
<v Speaker 3>Seven? This movie is not that good.

579
00:35:20.079 --> 00:35:21.840
<v Speaker 5>But I had fun though, so it bumps it up.

580
00:35:22.159 --> 00:35:24.679
<v Speaker 3>No, as a movie, not how much fun movie?

581
00:35:24.840 --> 00:35:25.119
<v Speaker 5>Six?

582
00:35:28.440 --> 00:35:30.159
<v Speaker 3>This movie is at best of five?

583
00:35:30.920 --> 00:35:32.639
<v Speaker 5>Come on, five dolphins for you?

584
00:35:33.559 --> 00:35:37.480
<v Speaker 3>Wasn't to get that stickball out of here? Stupid ass movie?

585
00:35:37.760 --> 00:35:38.639
<v Speaker 3>I mean it was funny.

586
00:35:39.559 --> 00:35:40.679
<v Speaker 5>Vanilla Sky or videos?

587
00:35:40.719 --> 00:35:44.559
<v Speaker 3>Are you missing one? Lawnmore manor we just did that?

588
00:35:45.079 --> 00:35:49.960
<v Speaker 3>We haven't done, we haven't Where are you at all?

589
00:35:50.039 --> 00:35:50.199
<v Speaker 2>Right?

590
00:35:50.239 --> 00:35:51.920
<v Speaker 5>This is your favorite of the thing?

591
00:35:52.079 --> 00:35:58.239
<v Speaker 3>No? No, the best movie of these, arguably is video Drum. Okay,

592
00:35:58.920 --> 00:36:05.159
<v Speaker 3>what's that up there? We already do? Oh yeah, that's

593
00:36:05.159 --> 00:36:09.000
<v Speaker 3>pretty good though. Anyway, pick one to go next.

594
00:36:09.079 --> 00:36:10.000
<v Speaker 5>Let's go law more.

595
00:36:11.559 --> 00:36:18.760
<v Speaker 3>Okay, yeah, dude, let me warn you because lawnmower Man Okay,

596
00:36:18.920 --> 00:36:22.639
<v Speaker 3>I haven't seen it since the nineties. Law more Man,

597
00:36:23.800 --> 00:36:26.519
<v Speaker 3>it is pure comedy. If you go into this movie

598
00:36:26.559 --> 00:36:29.719
<v Speaker 3>looking for anything other why are you drinking younger coffee?

599
00:36:29.719 --> 00:36:34.840
<v Speaker 3>What are you doing? Do you want a water coffee?

600
00:36:36.039 --> 00:36:43.199
<v Speaker 3>This movie is it's Retarto, like its central character is

601
00:36:44.239 --> 00:36:48.840
<v Speaker 3>s Retarta. So yeah, I mean, we think of the

602
00:36:48.880 --> 00:36:55.840
<v Speaker 3>history of slow characters, and we think of the local bots,

603
00:36:54.800 --> 00:37:02.320
<v Speaker 3>and we get we get for like make check. I

604
00:37:02.360 --> 00:37:05.519
<v Speaker 3>hate Forrest Gump. That's one of my all time most

605
00:37:05.519 --> 00:37:11.000
<v Speaker 3>hated movies. Never like Tom Hanks's face. Always disliked his face,

606
00:37:11.760 --> 00:37:18.400
<v Speaker 3>Radio Radio Cuba, Getting Junior playing a blessed slow boy,

607
00:37:18.679 --> 00:37:24.679
<v Speaker 3>Sleep with Billy Bob is a blessed slow boy. And

608
00:37:26.039 --> 00:37:29.519
<v Speaker 3>there was one more I had, simple Jack, simple Jack,

609
00:37:29.559 --> 00:37:32.079
<v Speaker 3>But yeah, whatever, he doesn't really count, but we'll count

610
00:37:32.239 --> 00:37:37.000
<v Speaker 3>oh flowers for Aldren. So let's start with this. This

611
00:37:37.079 --> 00:37:41.239
<v Speaker 3>is nineteen ninety two. Yeah, it's a Steve King story.

612
00:37:41.320 --> 00:37:44.079
<v Speaker 3>I've not read this dumb thing. I don't know. Every

613
00:37:44.119 --> 00:37:46.400
<v Speaker 3>time it's a Steve King story, I was like, it's

614
00:37:46.440 --> 00:37:49.239
<v Speaker 3>nothing like the book. I don't know whatever. I mean.

615
00:37:49.280 --> 00:37:54.159
<v Speaker 3>I read three Stephen King books and I mean, well

616
00:37:54.159 --> 00:37:58.639
<v Speaker 3>we did that, didn't we do a talk on the stand.

617
00:37:58.960 --> 00:38:03.159
<v Speaker 3>It was like the book pretty much, But I haven't

618
00:38:03.199 --> 00:38:04.480
<v Speaker 3>read any of these other ones. So I don't know,

619
00:38:05.000 --> 00:38:05.679
<v Speaker 3>lawmore Man.

620
00:38:05.559 --> 00:38:08.599
<v Speaker 5>It's like books are really way worse, and they took

621
00:38:08.639 --> 00:38:11.800
<v Speaker 5>out the horrible horrible.

622
00:38:12.000 --> 00:38:13.480
<v Speaker 4>Did you read it or any of those?

623
00:38:14.440 --> 00:38:18.320
<v Speaker 5>No, because I heard it was really bad. The book

624
00:38:18.400 --> 00:38:23.280
<v Speaker 5>is bad as in like de yeah, like way worse

625
00:38:23.280 --> 00:38:26.480
<v Speaker 5>than movie. But so Stephen King took his name off

626
00:38:26.519 --> 00:38:27.880
<v Speaker 5>of this. It was so bad.

627
00:38:28.280 --> 00:38:33.079
<v Speaker 3>Really, I think I thought it was a hit. I

628
00:38:33.119 --> 00:38:35.920
<v Speaker 3>don't know. Let me you start talking it started, let

629
00:38:35.960 --> 00:38:37.280
<v Speaker 3>me see if it was a hit. I don't remember.

630
00:38:38.719 --> 00:38:43.039
<v Speaker 5>Virtual Space Industries right, And they had the monkey in

631
00:38:43.119 --> 00:38:48.400
<v Speaker 5>the mind wiper in that carnival ride the gyroscope, So

632
00:38:48.440 --> 00:38:52.000
<v Speaker 5>they have the monkey in the vomit machine like he's

633
00:38:52.000 --> 00:38:53.280
<v Speaker 5>going to eat too many hot dogs.

634
00:38:53.480 --> 00:38:56.280
<v Speaker 3>Well, remember we did Fortress and when they wipe Christopher

635
00:38:56.320 --> 00:38:59.079
<v Speaker 3>Lambert's mind, ye call it the mind wiper. And it

636
00:38:59.199 --> 00:39:01.840
<v Speaker 3>just happens to be the stupid ass ride from the circus,

637
00:39:02.559 --> 00:39:04.920
<v Speaker 3>the carnival ride where you spin around and get your

638
00:39:04.920 --> 00:39:07.320
<v Speaker 3>ass dizzy to throw up. It's just to sell you

639
00:39:07.360 --> 00:39:09.480
<v Speaker 3>that you can throw up the funnel cakes.

640
00:39:10.599 --> 00:39:13.519
<v Speaker 5>So they have a monkey in there. I think that's yes,

641
00:39:14.280 --> 00:39:18.280
<v Speaker 5>is what Michael Jackson's monkey bubbles. Remember that that's.

642
00:39:18.159 --> 00:39:22.599
<v Speaker 3>Not you should lie to the audience.

643
00:39:23.239 --> 00:39:25.840
<v Speaker 5>That'll make a better I just wanted to bring up

644
00:39:25.840 --> 00:39:30.400
<v Speaker 5>bubbles because I like him. Why not, I'll bring up

645
00:39:30.400 --> 00:39:37.800
<v Speaker 5>bubbles anytime. He apparently has some kind of upgrade and

646
00:39:37.840 --> 00:39:40.840
<v Speaker 5>now he's a monkey.

647
00:39:41.440 --> 00:39:45.800
<v Speaker 3>So the Deep State under the guys of virtual space.

648
00:39:45.519 --> 00:39:47.760
<v Speaker 4>Industries, right, mm hmm?

649
00:39:48.000 --> 00:39:54.280
<v Speaker 3>Really? Uh retard retard name for a company that deals

650
00:39:54.320 --> 00:39:59.000
<v Speaker 3>with creating virtual spaces as an industry monkeys, which is like,

651
00:39:59.119 --> 00:40:01.320
<v Speaker 3>but what The one interesting thing about this is that

652
00:40:01.400 --> 00:40:04.199
<v Speaker 3>it is made clear that they have a secret relationship

653
00:40:04.199 --> 00:40:07.000
<v Speaker 3>with the Deep State. So this is a public private

654
00:40:07.039 --> 00:40:12.159
<v Speaker 3>deep state company that is tired of doing experiments on monkeys.

655
00:40:14.199 --> 00:40:20.320
<v Speaker 3>Because the monkey turns into monkey assassin, he breaks free

656
00:40:20.360 --> 00:40:23.440
<v Speaker 3>from the Deep State. I'm not kidding. So the monkey

657
00:40:23.719 --> 00:40:27.440
<v Speaker 3>gets out of his mind, Wiper breaks free, and you

658
00:40:27.480 --> 00:40:28.599
<v Speaker 3>said he goes and kills people.

659
00:40:28.599 --> 00:40:30.199
<v Speaker 5>I don't know this, but he was going on a

660
00:40:30.199 --> 00:40:31.159
<v Speaker 5>shooting spree.

661
00:40:32.519 --> 00:40:36.679
<v Speaker 3>Mafia monkey all he needed. I would have liked this

662
00:40:36.719 --> 00:40:38.840
<v Speaker 3>movie if they had just given him a cigar, because

663
00:40:38.840 --> 00:40:40.519
<v Speaker 3>the monkey with a cigar is funny. But if he

664
00:40:40.519 --> 00:40:43.360
<v Speaker 3>doesn't have a cigar, it's just he sucks. But a

665
00:40:43.360 --> 00:40:46.079
<v Speaker 3>monkey with a cigar and like a Tommy gun. That

666
00:40:46.079 --> 00:40:46.679
<v Speaker 3>would have been great.

667
00:40:46.719 --> 00:40:48.360
<v Speaker 5>We need to watch that one where the gorilla is

668
00:40:48.360 --> 00:40:48.960
<v Speaker 5>the butler.

669
00:40:50.320 --> 00:40:54.079
<v Speaker 3>Oh my gosh, worst of all.

670
00:40:54.480 --> 00:40:58.559
<v Speaker 5>Yeah, let's so the monkey.

671
00:40:58.800 --> 00:41:01.880
<v Speaker 3>Anyway, they're mad because they can't figure out if it's

672
00:41:01.920 --> 00:41:07.239
<v Speaker 3>really gonna work by turning monkeys into super intelligent monkey assassins.

673
00:41:07.840 --> 00:41:13.920
<v Speaker 3>So they decide to RoboCup monkey. He literally looks like robocops.

674
00:41:13.960 --> 00:41:16.000
<v Speaker 3>So they make a super soldier monkey. Yeah, and then

675
00:41:16.039 --> 00:41:19.360
<v Speaker 3>they were like, all right, uh, let's find a let's

676
00:41:19.360 --> 00:41:22.519
<v Speaker 3>find a beautiful slow boy to experiment on.

677
00:41:22.719 --> 00:41:25.960
<v Speaker 5>Yes, well, YouTube, you said, YouTube says faith. He's a

678
00:41:26.000 --> 00:41:26.880
<v Speaker 5>woman's fantasy.

679
00:41:27.880 --> 00:41:30.519
<v Speaker 3>But which I thought was funny if they met him

680
00:41:30.599 --> 00:41:32.519
<v Speaker 3>in this as Job.

681
00:41:33.639 --> 00:41:37.199
<v Speaker 5>Job Job, that's his character's name. It's so stupid.

682
00:41:38.519 --> 00:41:42.639
<v Speaker 3>He wears overall. It's like freaking Chucky, like a four

683
00:41:42.719 --> 00:41:46.159
<v Speaker 3>year old, Like like he's on the he's on the

684
00:41:46.199 --> 00:41:52.119
<v Speaker 3>box of play school toys. Like literally, I know he's

685
00:41:52.159 --> 00:41:55.760
<v Speaker 3>dressed like Chucky. Yeah, I mean, come on, what slow

686
00:41:55.800 --> 00:41:59.039
<v Speaker 3>boy actually does dress like Chunky in overalls? Come on,

687
00:41:59.679 --> 00:42:02.760
<v Speaker 3>He's like he's like my buddy, dude, Oh yeah, totally

688
00:42:03.719 --> 00:42:04.880
<v Speaker 3>my buddy.

689
00:42:04.920 --> 00:42:06.719
<v Speaker 5>He just he gets around on hot wheels.

690
00:42:08.000 --> 00:42:11.840
<v Speaker 3>Right, mm hmm, that's what I'm telling you. This movie

691
00:42:12.000 --> 00:42:16.760
<v Speaker 3>is freaking funny, dude. I mean, you cannot take this

692
00:42:16.800 --> 00:42:19.000
<v Speaker 3>movie seriously. It will crack you up.

693
00:42:19.400 --> 00:42:21.639
<v Speaker 5>The evolution of the human mind, we have to take

694
00:42:21.679 --> 00:42:22.280
<v Speaker 5>it seriously.

695
00:42:23.320 --> 00:42:25.880
<v Speaker 3>Oh that's actually it's not PC, is it? Because they

696
00:42:25.960 --> 00:42:28.320
<v Speaker 3>chose a slow boy and so it's not PC.

697
00:42:28.840 --> 00:42:31.840
<v Speaker 5>Next step in evolution is VR, and it can turn

698
00:42:31.920 --> 00:42:35.800
<v Speaker 5>all of the dumb dumbs into geniuses.

699
00:42:36.000 --> 00:42:38.400
<v Speaker 3>That was you, just Jack. That was a stupid. Part

700
00:42:38.400 --> 00:42:40.719
<v Speaker 3>of this movie was a jacking in. It's gonna lead

701
00:42:40.760 --> 00:42:43.320
<v Speaker 3>to human evolution and we're all gonna get smart do

702
00:42:43.639 --> 00:42:46.679
<v Speaker 3>once we can have Wikipedia in our head, We're gonna

703
00:42:46.719 --> 00:42:49.239
<v Speaker 3>be so smart and everybody be a genius. Dude, it'll be.

704
00:42:49.159 --> 00:42:51.239
<v Speaker 5>Awesome of Google in your brain.

705
00:42:51.719 --> 00:42:53.719
<v Speaker 3>That's well, that's how they present it in the movie.

706
00:42:54.280 --> 00:42:56.400
<v Speaker 3>And they even say the evolution of the human mind

707
00:42:56.480 --> 00:42:59.519
<v Speaker 3>is virtual reality. I think that's what the Pierce Brosnan characters.

708
00:42:59.760 --> 00:43:06.119
<v Speaker 5>I like how they're contrasting simple Jack's simple job. They're

709
00:43:06.199 --> 00:43:12.000
<v Speaker 5>contrasting simple job religious beliefs. While he's in his simple state.

710
00:43:12.760 --> 00:43:15.960
<v Speaker 3>Yeah he's a Christian, yeah, and he's but he's.

711
00:43:15.880 --> 00:43:17.880
<v Speaker 5>A Christian who allows his priest to abuse him.

712
00:43:18.000 --> 00:43:22.280
<v Speaker 3>Yes, he's raped and been pillaged and flagellated by a

713
00:43:22.440 --> 00:43:25.159
<v Speaker 3>Roman Catholic priest who's a creeper weirdo, which is an

714
00:43:25.159 --> 00:43:26.719
<v Speaker 3>interesting element that he put in there.

715
00:43:26.760 --> 00:43:33.800
<v Speaker 5>But so I like how Pierce Brosnan in the beginning

716
00:43:33.880 --> 00:43:37.400
<v Speaker 5>his girlfriend walks out of him because you're skipping he's

717
00:43:37.599 --> 00:43:39.239
<v Speaker 5>in the pr We said all that.

718
00:43:40.800 --> 00:43:42.840
<v Speaker 3>One thing that's funny about the movie, and you see

719
00:43:42.840 --> 00:43:46.119
<v Speaker 3>this in all these dystopian older nineties ages, is that

720
00:43:46.159 --> 00:43:51.079
<v Speaker 3>they project it like by twenty fifteen, twenty twenty two,

721
00:43:51.320 --> 00:43:55.079
<v Speaker 3>vr'll be everywhere. Dude, is still not a thing. I mean,

722
00:43:55.239 --> 00:43:58.800
<v Speaker 3>they keep trying and trying trying to push VR. I

723
00:43:58.840 --> 00:44:00.480
<v Speaker 3>don't know why it's still not a thing. I mean

724
00:44:00.519 --> 00:44:02.920
<v Speaker 3>I have not done Oculus or any of this stuff.

725
00:44:02.960 --> 00:44:06.159
<v Speaker 3>But they're always wrong about the projections of the year, right,

726
00:44:06.280 --> 00:44:07.800
<v Speaker 3>like where's the flying car.

727
00:44:07.960 --> 00:44:10.800
<v Speaker 4>Nobody's doing VR. It's it's all lame, it's not cool.

728
00:44:11.360 --> 00:44:13.440
<v Speaker 3>But in this time period, it was like, dude, wait

729
00:44:13.480 --> 00:44:15.960
<v Speaker 3>till the Internet to where and everybody's in VR.

730
00:44:17.920 --> 00:44:18.039
<v Speaker 5>Ye.

731
00:44:18.280 --> 00:44:23.679
<v Speaker 3>And by the way, imagine being James Bond and to

732
00:44:23.760 --> 00:44:28.280
<v Speaker 3>go from being James Bond to experimenting on Slow Boys.

733
00:44:29.000 --> 00:44:32.480
<v Speaker 3>I mean, in this dumbass movie, what was Pierce Brosman thinking, Well.

734
00:44:32.360 --> 00:44:36.039
<v Speaker 5>I like how she walks out on his double low

735
00:44:36.079 --> 00:44:38.320
<v Speaker 5>ins because he's on the VR.

736
00:44:38.480 --> 00:44:41.639
<v Speaker 3>That's my joke. You can have it.

737
00:44:41.840 --> 00:44:42.480
<v Speaker 5>We wrote it down.

738
00:44:45.440 --> 00:44:47.760
<v Speaker 3>He has this hot wife and she's like wanted to

739
00:44:47.800 --> 00:44:51.000
<v Speaker 3>get frisky, and he's like, I'm in the middle of this.

740
00:44:51.119 --> 00:44:52.679
<v Speaker 3>I'm in the middle of the VR and he's going

741
00:44:52.719 --> 00:44:55.400
<v Speaker 3>into the VR and it's like and he's was he

742
00:44:55.440 --> 00:44:57.079
<v Speaker 3>trying to have VR relations kit?

743
00:44:57.280 --> 00:45:01.239
<v Speaker 5>I don't think they didn't show that. He's just ignoring

744
00:45:01.280 --> 00:45:03.280
<v Speaker 5>her for the VR and she gets fed up and

745
00:45:03.320 --> 00:45:05.280
<v Speaker 5>I'm like, well, that's the only thing that's true about

746
00:45:05.280 --> 00:45:07.480
<v Speaker 5>this movie in the future is that all the women

747
00:45:07.559 --> 00:45:11.519
<v Speaker 5>are gonna walk out because they're sick of them Internet.

748
00:45:12.679 --> 00:45:15.639
<v Speaker 3>Well, they do mention the VR coitas at some point.

749
00:45:15.719 --> 00:45:19.119
<v Speaker 3>It comes up as wait till everybody can have VRD,

750
00:45:19.320 --> 00:45:20.480
<v Speaker 3>it's gonna be so rare.

751
00:45:20.639 --> 00:45:24.320
<v Speaker 5>He takes that widow lady into the VR to do it,

752
00:45:24.360 --> 00:45:30.960
<v Speaker 5>remember or the lady the milf, the milf.

753
00:45:30.760 --> 00:45:33.039
<v Speaker 4>Yeah, the milf that simple Jack puts the moves on.

754
00:45:33.199 --> 00:45:33.360
<v Speaker 2>Yeah.

755
00:45:33.400 --> 00:45:39.119
<v Speaker 5>Yeah.

756
00:45:39.159 --> 00:45:41.800
<v Speaker 3>This was in Flowers for aldron On too, because there's

757
00:45:41.800 --> 00:45:44.320
<v Speaker 3>this point where so he's simple and then when his

758
00:45:44.400 --> 00:45:47.679
<v Speaker 3>IQ starts going up, like he's doing whatever he's doing,

759
00:45:47.719 --> 00:45:49.280
<v Speaker 3>and then he gets a certain point and he hits

760
00:45:49.320 --> 00:45:51.599
<v Speaker 3>puberty and then he notices boobs.

761
00:45:51.920 --> 00:45:56.559
<v Speaker 5>Yeah, it's like, yeah, he was too simple and childlike before.

762
00:45:56.280 --> 00:46:01.920
<v Speaker 3>That, but he's a grown man. It doesn't make any sense.

763
00:46:03.199 --> 00:46:06.639
<v Speaker 5>I want Net, the Worldwide Net? What does that mean?

764
00:46:08.840 --> 00:46:11.400
<v Speaker 3>Oh? That My note was that I'm talking about the

765
00:46:11.440 --> 00:46:13.480
<v Speaker 3>way people thought about the Internet in the future.

766
00:46:13.519 --> 00:46:15.840
<v Speaker 4>They were like, we're gonna.

767
00:46:15.639 --> 00:46:18.280
<v Speaker 3>Have the Net and it'll be the world Wide Web,

768
00:46:18.280 --> 00:46:21.000
<v Speaker 3>and you'll be able to surf it, and everybody will

769
00:46:21.000 --> 00:46:22.719
<v Speaker 3>have the Net and we'll all be surfing it, and

770
00:46:22.719 --> 00:46:24.840
<v Speaker 3>it's going to be so rad And they didn't realize

771
00:46:24.880 --> 00:46:27.360
<v Speaker 3>that it was like the destruction of the whole universe.

772
00:46:27.679 --> 00:46:30.960
<v Speaker 3>The Internet would bring the total dystopia collapse of.

773
00:46:30.760 --> 00:46:34.440
<v Speaker 5>The dirtiest thing ever created.

774
00:46:35.159 --> 00:46:40.480
<v Speaker 3>Well, they didn't in the movie. I guess you could

775
00:46:40.480 --> 00:46:42.400
<v Speaker 3>actually argue the movie, Well, if you know the end

776
00:46:42.679 --> 00:46:49.000
<v Speaker 3>the movie is kind of warning that the Internet, the

777
00:46:49.239 --> 00:46:51.559
<v Speaker 3>Internet is going to lawn mow us. All that's what

778
00:46:52.079 --> 00:47:01.360
<v Speaker 3>That's what happens. Remember, Oh, lawnmower over man, lawnmower lawnmowing. Yeah,

779
00:47:01.400 --> 00:47:06.000
<v Speaker 3>and we're all tards, arts, we're all jobs, and we

780
00:47:06.079 --> 00:47:09.719
<v Speaker 3>think we're gonna be turned into geniuses by by the

781
00:47:09.760 --> 00:47:13.000
<v Speaker 3>surfing the web, and instead it's gonna it's gonna it's

782
00:47:13.039 --> 00:47:15.800
<v Speaker 3>gonna mower minds because he mows that one guy's mind

783
00:47:15.800 --> 00:47:16.440
<v Speaker 3>at the gas station.

784
00:47:19.719 --> 00:47:22.159
<v Speaker 5>And every man is a god in the virtual world.

785
00:47:23.079 --> 00:47:26.760
<v Speaker 3>Right, that's the that's the lure, the trap de bait. Dude, bro,

786
00:47:26.840 --> 00:47:28.639
<v Speaker 3>it's gonna be so awesome when you can have sex

787
00:47:28.679 --> 00:47:31.440
<v Speaker 3>with dragons in your virtual world. That's what you've always

788
00:47:31.480 --> 00:47:31.920
<v Speaker 3>wanted to do.

789
00:47:32.039 --> 00:47:42.519
<v Speaker 5>Right, Well, that's what they're all these futuristic movies. That's

790
00:47:42.559 --> 00:47:48.719
<v Speaker 5>what they're doing in the VR or are right here right.

791
00:47:50.559 --> 00:47:54.360
<v Speaker 3>Oh. I did have an instance one time recently where

792
00:47:54.360 --> 00:47:57.719
<v Speaker 3>a slow boy was in front of me, uh and

793
00:47:57.760 --> 00:48:02.599
<v Speaker 3>he pulled his pants down relieves himself and then pulled

794
00:48:02.639 --> 00:48:06.360
<v Speaker 3>them back up and all within about five feet of

795
00:48:06.400 --> 00:48:09.119
<v Speaker 3>me in the middle of a giant parking line with

796
00:48:09.280 --> 00:48:11.639
<v Speaker 3>a bunch of people out there. That was an interesting

797
00:48:11.679 --> 00:48:12.840
<v Speaker 3>event and that was true.

798
00:48:12.599 --> 00:48:15.920
<v Speaker 5>Story that really I missed it. I was inside it.

799
00:48:18.719 --> 00:48:21.880
<v Speaker 5>Let's see. Oh, the lawnmower, he calls it big Red

800
00:48:22.679 --> 00:48:23.800
<v Speaker 5>because it's like a car.

801
00:48:24.039 --> 00:48:25.159
<v Speaker 4>It's like his fire truck.

802
00:48:25.360 --> 00:48:25.800
<v Speaker 2>Yeah. Yeah.

803
00:48:26.559 --> 00:48:28.639
<v Speaker 3>And then Pierce bros And is like, oh, I'm so

804
00:48:28.719 --> 00:48:31.400
<v Speaker 3>tired of experimenting on monkeys. If I could only but

805
00:48:31.519 --> 00:48:34.840
<v Speaker 3>find a slow boy to experiment on. And then he

806
00:48:34.880 --> 00:48:36.960
<v Speaker 3>walks out of his basement and what do you know

807
00:48:37.559 --> 00:48:41.840
<v Speaker 3>next to him as a shed provided full with a

808
00:48:41.880 --> 00:48:44.519
<v Speaker 3>slow boy right in front of Oh, well, here we go.

809
00:48:44.719 --> 00:48:49.599
<v Speaker 3>So he lures Job into the apparatus. Yes, and they

810
00:48:49.599 --> 00:48:53.280
<v Speaker 3>play video games right, well, they start with video games,

811
00:48:53.320 --> 00:48:56.039
<v Speaker 3>oh yeah, and then it turns into it. By the way,

812
00:48:56.480 --> 00:49:01.199
<v Speaker 3>why is the neighbor's kid who's like ten hanging out

813
00:49:01.199 --> 00:49:06.360
<v Speaker 3>with Joe the full grown man chucky boy slow boy

814
00:49:07.400 --> 00:49:10.639
<v Speaker 3>and they're in Pierce Brosn's basement. Isn't that a little weird?

815
00:49:10.800 --> 00:49:12.639
<v Speaker 3>I mean, nobody's thought this was weird.

816
00:49:12.960 --> 00:49:16.079
<v Speaker 5>But you always go over to your adult neighbor's house and.

817
00:49:16.079 --> 00:49:21.199
<v Speaker 3>Play video games in the in the basement. And what's

818
00:49:21.239 --> 00:49:25.199
<v Speaker 3>with the grounds keeps always being weirdos? They're they're always.

819
00:49:24.880 --> 00:49:26.719
<v Speaker 5>Creepy groundskeeper Willie.

820
00:49:26.800 --> 00:49:29.519
<v Speaker 4>If you're a damn groundskeep, dude, give it up.

821
00:49:31.239 --> 00:49:35.119
<v Speaker 5>Well, remember when he first goes in ritual magic symbols.

822
00:49:35.639 --> 00:49:37.840
<v Speaker 3>No, this is the second time. He brings him in

823
00:49:37.880 --> 00:49:39.239
<v Speaker 3>and he says, I want to take you to the

824
00:49:39.280 --> 00:49:43.760
<v Speaker 3>next level, and then he yeah. Then he feeds into

825
00:49:43.840 --> 00:49:46.719
<v Speaker 3>him all of the ritual magic and shout out to

826
00:49:46.880 --> 00:49:50.480
<v Speaker 3>Isaac Illuminati Watcher, heat will be he and I'll be

827
00:49:50.559 --> 00:49:54.280
<v Speaker 3>chatting tomorrow night about a series he did. It was

828
00:49:54.320 --> 00:49:59.079
<v Speaker 3>really cool. But Isaac also covered lownmore Man and his

829
00:49:59.159 --> 00:50:01.239
<v Speaker 3>analysis was fun. And by the way, we didn't steal.

830
00:50:01.360 --> 00:50:04.599
<v Speaker 3>I didn't steal. We didn't steal the simple jack joke.

831
00:50:05.679 --> 00:50:09.480
<v Speaker 3>We thought of it also in concert with you, Isaac,

832
00:50:09.519 --> 00:50:09.960
<v Speaker 3>we love you.

833
00:50:10.119 --> 00:50:11.280
<v Speaker 5>It's super obvious.

834
00:50:11.960 --> 00:50:15.320
<v Speaker 3>Is I think that the Ben Steeler movie had to

835
00:50:15.360 --> 00:50:16.440
<v Speaker 3>be pulling from this?

836
00:50:16.639 --> 00:50:16.840
<v Speaker 1>Yeah?

837
00:50:16.920 --> 00:50:21.000
<v Speaker 5>Probably? Oh and also there's alchemy symbols, right.

838
00:50:20.840 --> 00:50:26.480
<v Speaker 3>So he uploads ritual magic into Jeff Ahey's head anyway,

839
00:50:26.480 --> 00:50:28.199
<v Speaker 3>and this turns him not just so he has a

840
00:50:28.360 --> 00:50:32.159
<v Speaker 3>stage where he's a genius player. He's like, turns into

841
00:50:32.159 --> 00:50:36.440
<v Speaker 3>this genius player, but he actually looks like a gay

842
00:50:36.880 --> 00:50:39.920
<v Speaker 3>version of Javier Bardow. He looks really weird.

843
00:50:41.239 --> 00:50:42.000
<v Speaker 4>But then he.

844
00:50:42.039 --> 00:50:49.760
<v Speaker 3>Goes from macin on the neighborhood mills to an insane

845
00:50:49.880 --> 00:50:52.800
<v Speaker 3>god god man like he thinks he's got god power.

846
00:50:52.840 --> 00:50:56.079
<v Speaker 3>He starts developing god power, yes, psychic power, yes, you know,

847
00:50:56.199 --> 00:50:59.760
<v Speaker 3>can make stuff fly around, And it's just it turns

848
00:50:59.760 --> 00:51:00.679
<v Speaker 3>into total idiots.

849
00:51:00.679 --> 00:51:02.960
<v Speaker 5>So the more time you spend in virtuality, the more

850
00:51:02.960 --> 00:51:04.000
<v Speaker 5>cool powers you have.

851
00:51:04.320 --> 00:51:07.159
<v Speaker 3>And he just keeps downloading more information into his head

852
00:51:07.480 --> 00:51:10.199
<v Speaker 3>and he's evolving, evolving, evolving to become.

853
00:51:09.960 --> 00:51:10.639
<v Speaker 4>The new God.

854
00:51:11.039 --> 00:51:14.000
<v Speaker 3>And then he faces off against the Crucifix in the

855
00:51:14.079 --> 00:51:19.679
<v Speaker 3>virtual world, and he's like trying to defeat Jesus in

856
00:51:19.920 --> 00:51:23.400
<v Speaker 3>the virtual world. It is just I don't know what

857
00:51:23.639 --> 00:51:25.639
<v Speaker 3>drug Steve King was.

858
00:51:25.559 --> 00:51:28.440
<v Speaker 5>On hedgerom inside that vre it was.

859
00:51:28.559 --> 00:51:30.480
<v Speaker 3>I mean, it was really really this is a really,

860
00:51:30.559 --> 00:51:34.679
<v Speaker 3>really stupid movie. It's only good because it's freaking hilarious.

861
00:51:35.280 --> 00:51:39.719
<v Speaker 3>But it does show that that that Silicon Valley and

862
00:51:39.760 --> 00:51:44.159
<v Speaker 3>the Militransditional Complex Deep State are totally the same, and

863
00:51:44.400 --> 00:51:51.719
<v Speaker 3>the Militrandis complex is behind the Silicon Valley companies private companies,

864
00:51:51.920 --> 00:51:55.760
<v Speaker 3>quote unquote, and that this is being put out for

865
00:51:55.960 --> 00:52:02.039
<v Speaker 3>everyone's social engineering they call the puppet masters in the movie.

866
00:52:02.199 --> 00:52:05.400
<v Speaker 5>Yeah, did they mention neotropics in there?

867
00:52:06.280 --> 00:52:10.000
<v Speaker 3>Yeah, they mentioned neotropic drugs like limitless pills, which I

868
00:52:10.039 --> 00:52:12.159
<v Speaker 3>just thought was an odd reference.

869
00:52:12.239 --> 00:52:19.719
<v Speaker 4>But I'll give them one point.

870
00:52:19.800 --> 00:52:24.320
<v Speaker 3>For lost, forgotten, archaic eighties terminology that is no longer

871
00:52:24.440 --> 00:52:26.039
<v Speaker 3>used or heard. Dutical.

872
00:52:26.880 --> 00:52:28.039
<v Speaker 5>I never heard that before.

873
00:52:28.039 --> 00:52:31.000
<v Speaker 4>We always enjoy the slang that never made it.

874
00:52:32.519 --> 00:52:33.599
<v Speaker 5>Trying to make dutical happen.

875
00:52:33.760 --> 00:52:40.719
<v Speaker 3>Yeah, dutical never happened. And then I got a kick

876
00:52:40.719 --> 00:52:44.559
<v Speaker 3>out of taking dope. It's a great boomer phrase for

877
00:52:44.639 --> 00:52:45.000
<v Speaker 3>the drug.

878
00:52:45.599 --> 00:52:47.599
<v Speaker 5>They have a saturn cube for a logo.

879
00:52:48.000 --> 00:52:49.719
<v Speaker 3>I think they did. They had some kind of weird

880
00:52:50.239 --> 00:52:52.960
<v Speaker 3>cube logo for the company that was like a box

881
00:52:53.079 --> 00:52:57.639
<v Speaker 3>and it was very Saturnalian. But I mean this has

882
00:52:57.719 --> 00:53:00.360
<v Speaker 3>the same gnostic themes, right of like over Coming to

883
00:53:00.400 --> 00:53:02.960
<v Speaker 3>demi Urge. You know, he goes into the virtual world

884
00:53:03.599 --> 00:53:06.599
<v Speaker 3>and he wants to become God. The whole point is apotheosis,

885
00:53:06.639 --> 00:53:08.119
<v Speaker 3>The whole point is transhumanism.

886
00:53:08.199 --> 00:53:10.320
<v Speaker 5>He wants to upload himself and merge with it.

887
00:53:11.079 --> 00:53:15.000
<v Speaker 3>Well, he wants out of the complex's motherboard. He's stuck

888
00:53:15.079 --> 00:53:19.679
<v Speaker 3>in the computer motherboard at the Military Inditional Complex, Silicon

889
00:53:19.760 --> 00:53:23.039
<v Speaker 3>Valley companies. He's at Facebook or whatever. He wants out

890
00:53:23.079 --> 00:53:26.960
<v Speaker 3>of that. Uh, and he's fighting Pierce Brosnan and the kid.

891
00:53:27.079 --> 00:53:30.719
<v Speaker 3>That whole scene is hilarious and then, uh, you know,

892
00:53:30.800 --> 00:53:34.199
<v Speaker 3>spoiler alert, I wonder if he got out and then

893
00:53:34.679 --> 00:53:37.880
<v Speaker 3>all every phone in the world rings in the last sequence.

894
00:53:38.000 --> 00:53:40.800
<v Speaker 3>Oh yeah, he's so he got out to do what

895
00:53:41.199 --> 00:53:42.440
<v Speaker 3>to call everybody?

896
00:53:42.559 --> 00:53:43.039
<v Speaker 4>Harassed?

897
00:53:43.119 --> 00:53:46.199
<v Speaker 3>Everybody like these damn robocollars. But basically he just turned

898
00:53:46.239 --> 00:53:51.920
<v Speaker 3>into like the robocolor that called you Jenny Dunn's you have.

899
00:53:53.880 --> 00:53:55.199
<v Speaker 5>Do you want to hear that story? You have to

900
00:53:55.199 --> 00:53:56.239
<v Speaker 5>listen to boiler Rooms.

901
00:53:57.880 --> 00:54:02.039
<v Speaker 3>You must replace the Lacheng Corleston within four hours or

902
00:54:02.079 --> 00:54:04.440
<v Speaker 3>are we going to put you in dinner? You have

903
00:54:04.639 --> 00:54:12.880
<v Speaker 3>been working, would have been in London? Where are we at? Existence?

904
00:54:14.280 --> 00:54:16.239
<v Speaker 5>This one? I can't read yours?

905
00:54:16.639 --> 00:54:18.280
<v Speaker 3>Yes you can, I'll help you read it.

906
00:54:18.320 --> 00:54:21.360
<v Speaker 5>Okay, that's your job, sleep reader.

907
00:54:22.320 --> 00:54:25.159
<v Speaker 3>Welcome everybody. We got three hundred nerds. You're watching Jay's analysis.

908
00:54:25.159 --> 00:54:28.840
<v Speaker 3>We're doing next up. David Cronenberg My new sort of

909
00:54:28.880 --> 00:54:31.320
<v Speaker 3>favorite director, Existence.

910
00:54:31.360 --> 00:54:34.599
<v Speaker 5>Existence, Existence, This one.

911
00:54:34.760 --> 00:54:36.679
<v Speaker 4>Jude Law and uh, what's your face?

912
00:54:37.199 --> 00:54:38.079
<v Speaker 3>Jennifer Jason Leeke.

913
00:54:38.480 --> 00:54:39.440
<v Speaker 5>This one creeps me out.

914
00:54:40.039 --> 00:54:42.719
<v Speaker 3>It's a creepy movie. It's good.

915
00:54:43.559 --> 00:54:43.960
<v Speaker 5>Mm hmm.

916
00:54:45.920 --> 00:54:49.400
<v Speaker 3>Like all David Cronenberg movies, they're unsettling. And the first

917
00:54:49.400 --> 00:54:51.599
<v Speaker 3>time I watched it, I was unsettled, but I was

918
00:54:51.639 --> 00:54:54.159
<v Speaker 3>still into it. The second time I watched it, I

919
00:54:54.239 --> 00:54:57.920
<v Speaker 3>liked it even more. I'm glad we watched it. I

920
00:54:57.960 --> 00:55:03.559
<v Speaker 3>do recommend existing by right back to how many overalls

921
00:55:03.559 --> 00:55:04.559
<v Speaker 3>do you give lawnmar.

922
00:55:04.320 --> 00:55:09.039
<v Speaker 5>Man eight and a half?

923
00:55:09.760 --> 00:55:11.760
<v Speaker 3>Yeah, just on the basis of whether the movie is

924
00:55:11.800 --> 00:55:15.079
<v Speaker 3>good or not. Yeah, uh yeah, I'll give it three

925
00:55:15.079 --> 00:55:16.960
<v Speaker 3>and a half overalls. What do you do with a

926
00:55:16.960 --> 00:55:19.840
<v Speaker 3>half overall? It's beautiful, like you hang it off, like.

927
00:55:20.280 --> 00:55:22.480
<v Speaker 5>Yeah, when they used to do that one.

928
00:55:22.440 --> 00:55:25.480
<v Speaker 3>You'll see Chasing Waterfalls b.

929
00:55:28.519 --> 00:55:28.960
<v Speaker 2>That was the.

930
00:55:28.920 --> 00:55:34.159
<v Speaker 5>Biggest song of nineteen ninety five. Where you at slave

931
00:55:34.280 --> 00:55:36.679
<v Speaker 5>units in existence? What does that mean?

932
00:55:38.079 --> 00:55:41.960
<v Speaker 3>So the film begins with this weird meeting of people

933
00:55:42.000 --> 00:55:45.719
<v Speaker 3>at a former church. It's an old church and this

934
00:55:45.880 --> 00:55:49.280
<v Speaker 3>crew of people is there to try out I think

935
00:55:49.280 --> 00:55:52.519
<v Speaker 3>they call it Slave Units, and it's a new video

936
00:55:52.559 --> 00:55:56.639
<v Speaker 3>game that's being developed, and it's like this weird almost

937
00:55:56.760 --> 00:55:59.719
<v Speaker 3>looks like human organs that you squish on and stick

938
00:55:59.719 --> 00:56:00.280
<v Speaker 3>into you.

939
00:56:00.760 --> 00:56:03.599
<v Speaker 4>To jack into the matrix, stick it in with.

940
00:56:03.719 --> 00:56:05.000
<v Speaker 5>Like an umbilical cord thing.

941
00:56:05.400 --> 00:56:08.960
<v Speaker 3>It looks like an ambilical cord and also has sexual

942
00:56:09.159 --> 00:56:15.000
<v Speaker 3>ish connotation. It looks like yeah, yeah, and uh, I

943
00:56:15.000 --> 00:56:17.360
<v Speaker 3>think they're called somebody. Something's called slavey in the thing

944
00:56:17.400 --> 00:56:19.119
<v Speaker 3>that you have is called your slavey unit. So you

945
00:56:19.320 --> 00:56:23.280
<v Speaker 3>in the in this dystopian future, everyone carries around their

946
00:56:24.039 --> 00:56:29.960
<v Speaker 3>virtual world bodily organ with them. So Cronenberg, I guess,

947
00:56:29.960 --> 00:56:33.039
<v Speaker 3>thought it would be interesting to merge the worlds of

948
00:56:33.440 --> 00:56:37.000
<v Speaker 3>technology and biology into you know, as if this thing

949
00:56:37.199 --> 00:56:40.239
<v Speaker 3>was like an organ probably like where we're going with

950
00:56:40.280 --> 00:56:46.039
<v Speaker 3>these phones and whatnot, Right, they'll be like organs. So

951
00:56:46.119 --> 00:56:50.159
<v Speaker 3>it's a video game summit corporations. They're testing out this

952
00:56:50.280 --> 00:56:53.519
<v Speaker 3>game that's been developed, and they they liken it to

953
00:56:53.559 --> 00:56:58.280
<v Speaker 3>a virtual religious experience. So already Kronenberg is all right,

954
00:56:58.320 --> 00:57:00.400
<v Speaker 3>and there's there's no doubt about this that the film

955
00:57:00.440 --> 00:57:04.400
<v Speaker 3>has this gnostic connotation to it. Right, this world is

956
00:57:04.440 --> 00:57:07.639
<v Speaker 3>the real virtual world. The architect of the virtual world

957
00:57:07.800 --> 00:57:11.559
<v Speaker 3>is the crazy psycho. And can you beat the video game?

958
00:57:12.119 --> 00:57:15.159
<v Speaker 3>Like this life is the video game? Right, God, the creator,

959
00:57:15.199 --> 00:57:21.880
<v Speaker 3>God is the boss of the video game. Basically alone

960
00:57:21.880 --> 00:57:26.239
<v Speaker 3>with games, I don't everybody's just alone, I guess, is

961
00:57:26.239 --> 00:57:28.559
<v Speaker 3>what we're saying. The other thing that's funny about this

962
00:57:28.639 --> 00:57:30.440
<v Speaker 3>that doesn't make sense is that the whole maybe this

963
00:57:30.519 --> 00:57:33.039
<v Speaker 3>was a clue to tell you that this is once

964
00:57:33.079 --> 00:57:38.199
<v Speaker 3>again shocker, surprise or alert. You're not really in the

965
00:57:38.239 --> 00:57:39.840
<v Speaker 3>real world, You're in the matrix.

966
00:57:40.360 --> 00:57:45.039
<v Speaker 5>Yeah, there's always that, which reality is real? Element?

967
00:57:45.480 --> 00:57:50.679
<v Speaker 3>Julu is his name is Ted Pickle. Then he say

968
00:57:50.719 --> 00:57:55.880
<v Speaker 3>his name is Ted Pickle. P I k I thought

969
00:57:55.880 --> 00:57:59.199
<v Speaker 3>that was funny. I don't know, but no Pickle p.

970
00:57:59.239 --> 00:58:04.840
<v Speaker 5>I k u l uher the demonste Goddess. So she's

971
00:58:04.880 --> 00:58:07.159
<v Speaker 5>the Sophia or is she the DeMier?

972
00:58:08.079 --> 00:58:11.639
<v Speaker 3>They call her the demon as the goddess because she

973
00:58:12.159 --> 00:58:17.480
<v Speaker 3>is supposedly behind she's the badassest game creator. Remember the

974
00:58:17.519 --> 00:58:20.920
<v Speaker 3>Jennifer Jason Leeue character is the most the awesomest game

975
00:58:21.000 --> 00:58:24.639
<v Speaker 3>designer in the future. And so there is an attack

976
00:58:24.760 --> 00:58:33.159
<v Speaker 3>on the testing display what do you call it where

977
00:58:33.159 --> 00:58:33.920
<v Speaker 3>you're testing.

978
00:58:33.679 --> 00:58:37.840
<v Speaker 5>Out a yeah, anyway, But the funny thing about.

979
00:58:37.639 --> 00:58:39.960
<v Speaker 3>It the attack though, and he runs away with her Jude.

980
00:58:39.840 --> 00:58:42.239
<v Speaker 5>Laws all right. The funny thing about that was the

981
00:58:42.280 --> 00:58:45.800
<v Speaker 5>meeting have like boomers in it, Like that was what

982
00:58:45.840 --> 00:58:47.000
<v Speaker 5>I was going to say.

983
00:58:47.119 --> 00:58:48.960
<v Speaker 4>One of these boomers are going to be playing.

984
00:58:48.719 --> 00:58:50.639
<v Speaker 5>This game interested in the game.

985
00:58:51.039 --> 00:58:55.719
<v Speaker 3>Like that should have been a clue. Ah. So they

986
00:58:55.960 --> 00:59:00.840
<v Speaker 3>do identify Allegra as the goddess, the Demon, the demon

987
00:59:00.920 --> 00:59:03.000
<v Speaker 3>s and so some guy comes in and death to

988
00:59:03.039 --> 00:59:05.239
<v Speaker 3>the demon s Olegre Geller, and he tries to kill

989
00:59:05.239 --> 00:59:07.480
<v Speaker 3>her and she runs off of Jude Law. And then

990
00:59:07.519 --> 00:59:10.679
<v Speaker 3>so Jude Law is, you know, now on his adventure

991
00:59:10.719 --> 00:59:14.000
<v Speaker 3>with her. What does this say?

992
00:59:12.280 --> 00:59:16.519
<v Speaker 5>Games, bullet tooth, bone gun.

993
00:59:22.760 --> 00:59:24.800
<v Speaker 3>I don't know what that. Yeah, sometimes I can never

994
00:59:24.880 --> 00:59:29.360
<v Speaker 3>remind note. Uh, yeah, there's some weird stuff with bodily

995
00:59:29.400 --> 00:59:33.039
<v Speaker 3>parts and fluids and goo and mush and all that.

996
00:59:33.039 --> 00:59:35.360
<v Speaker 3>That's always going on, I guess in David Cronenberg movies.

997
00:59:35.400 --> 00:59:38.159
<v Speaker 3>But uh, the.

998
00:59:38.119 --> 00:59:39.599
<v Speaker 4>Bone gun actually comes up later.

999
00:59:40.079 --> 00:59:42.000
<v Speaker 3>That's another that's one of the keys to let you

1000
00:59:42.039 --> 00:59:43.840
<v Speaker 3>know when you're not and when you are in it

1001
00:59:44.159 --> 00:59:45.039
<v Speaker 3>aren't in the matrix?

1002
00:59:45.239 --> 00:59:51.079
<v Speaker 5>Okay, but what is this called totems?

1003
00:59:51.840 --> 00:59:59.719
<v Speaker 3>Yeah, like an inception. Yeah, in this dystopian future, it's

1004
00:59:59.760 --> 01:00:02.800
<v Speaker 3>just like like in thirteenth Floor, you can go into

1005
01:00:03.000 --> 01:00:06.800
<v Speaker 3>other matrixes in the matrix. So when you go in,

1006
01:00:07.880 --> 01:00:10.960
<v Speaker 3>you can then go into a store where you buy

1007
01:00:11.079 --> 01:00:14.599
<v Speaker 3>other games inside the game. So then you get lost

1008
01:00:14.920 --> 01:00:19.360
<v Speaker 3>into in the sense of what was real reality. Hence

1009
01:00:19.440 --> 01:00:24.800
<v Speaker 3>why At a philosophical level, I think David Cronenberg is

1010
01:00:24.840 --> 01:00:30.320
<v Speaker 3>asking us an existential less question existence, what is existence?

1011
01:00:30.960 --> 01:00:32.559
<v Speaker 4>What is actually real?

1012
01:00:33.440 --> 01:00:37.000
<v Speaker 3>And if these virtual realities do come to be indistinguishable

1013
01:00:37.920 --> 01:00:39.920
<v Speaker 3>and we go into them or whatever, how will we

1014
01:00:40.000 --> 01:00:43.079
<v Speaker 3>even know what is real? And will we even forget

1015
01:00:43.360 --> 01:00:44.840
<v Speaker 3>to come back to the one that is real. I mean,

1016
01:00:44.880 --> 01:00:46.360
<v Speaker 3>I don't think that's really going to happen. But that

1017
01:00:47.119 --> 01:00:48.519
<v Speaker 3>was that's the question he's raising.

1018
01:00:48.639 --> 01:00:53.920
<v Speaker 5>That was Jude Law's worry. His character was always worried,

1019
01:00:54.000 --> 01:00:55.079
<v Speaker 5>like how do I know what?

1020
01:00:56.320 --> 01:00:58.719
<v Speaker 3>Yes, he keeps asking her, yeah, and she doesn't really

1021
01:00:58.760 --> 01:01:01.639
<v Speaker 3>answer him. She doesn't really give a clear answers to win.

1022
01:01:01.840 --> 01:01:02.559
<v Speaker 3>How he'll know my.

1023
01:01:02.599 --> 01:01:05.079
<v Speaker 5>Body be okay if I go into the VR.

1024
01:01:05.320 --> 01:01:08.840
<v Speaker 3>So this world, this reality is the lowest level of reality.

1025
01:01:10.599 --> 01:01:14.199
<v Speaker 3>The there is a great architect God that we think

1026
01:01:14.440 --> 01:01:18.960
<v Speaker 3>is well, actually we we do know that it's Allegra.

1027
01:01:19.159 --> 01:01:26.400
<v Speaker 3>She is the the real uh savior here Gmo bug,

1028
01:01:27.400 --> 01:01:29.639
<v Speaker 3>there's something new with genetically modified.

1029
01:01:30.000 --> 01:01:34.639
<v Speaker 5>In the VR world. There's weird insects and so that's.

1030
01:01:34.840 --> 01:01:38.840
<v Speaker 3>Oh, they've genetically modified these weird beings. Yeah, and that's

1031
01:01:38.840 --> 01:01:41.280
<v Speaker 3>a clue that you're not in the real world because

1032
01:01:41.280 --> 01:01:43.440
<v Speaker 3>it's like a bug with like five heads and you

1033
01:01:43.519 --> 01:01:58.719
<v Speaker 3>know no physical what only that remone notes scheme. I

1034
01:01:58.760 --> 01:02:06.760
<v Speaker 3>don't know, that just makes sense. We'll go whatever, living biocomputers. Oh,

1035
01:02:06.800 --> 01:02:11.239
<v Speaker 3>it's presenting humans as if they're living biocomputers. And then

1036
01:02:14.119 --> 01:02:17.280
<v Speaker 3>amphibian eggs. There was something crazy to do with fish. Oh,

1037
01:02:17.559 --> 01:02:22.440
<v Speaker 3>that's right. The way that they create these computers is

1038
01:02:22.800 --> 01:02:28.679
<v Speaker 3>through fish eggs, and they modify, genetically modify seafood and

1039
01:02:28.800 --> 01:02:35.519
<v Speaker 3>fish to be storage units for computers. Remember that.

1040
01:02:36.840 --> 01:02:38.159
<v Speaker 4>And you are the body.

1041
01:02:38.280 --> 01:02:41.000
<v Speaker 3>So this is actually something that they're rolling out nowadays,

1042
01:02:41.039 --> 01:02:43.440
<v Speaker 3>which is that the human body and its energy itself

1043
01:02:43.440 --> 01:02:47.960
<v Speaker 3>will actually power the slave devices that track and trace you.

1044
01:02:48.920 --> 01:02:51.000
<v Speaker 3>Claus talks about that, but that's been mentioned by the

1045
01:02:51.000 --> 01:02:56.079
<v Speaker 3>techoleee for a long time. The trout farm, don't they

1046
01:02:56.079 --> 01:02:58.079
<v Speaker 3>mention the GMO trout and that they couldn't tell the

1047
01:02:58.119 --> 01:03:02.039
<v Speaker 3>difference between the real trout and the fake trout. This

1048
01:03:02.079 --> 01:03:05.119
<v Speaker 3>is all going on at a Chinese gut factory.

1049
01:03:05.320 --> 01:03:07.079
<v Speaker 5>A restaurant to remember.

1050
01:03:07.000 --> 01:03:10.000
<v Speaker 3>Well, the restaurant is the front for the gut factory,

1051
01:03:10.760 --> 01:03:15.880
<v Speaker 3>and they're genetically modifying the eggs at this factory for

1052
01:03:17.360 --> 01:03:20.079
<v Speaker 3>to make the video game.

1053
01:03:21.599 --> 01:03:22.760
<v Speaker 4>Yes, so there is this.

1054
01:03:24.280 --> 01:03:27.800
<v Speaker 3>David Cronenberg I likes to utilize the macabre, the absurd,

1055
01:03:28.239 --> 01:03:31.000
<v Speaker 3>the Grotesque, as it's called in literature. If you read

1056
01:03:31.119 --> 01:03:37.840
<v Speaker 3>Flannery O'Connor The Grotesque, it is a metaphysical movie. Not

1057
01:03:37.960 --> 01:03:43.880
<v Speaker 3>a lot of movies are bound up with metaphysical questions.

1058
01:03:43.960 --> 01:03:47.199
<v Speaker 3>And so, even though obviously I don't agree with David

1059
01:03:47.239 --> 01:03:50.599
<v Speaker 3>Kroneberg's I'm sure he's a gnostic, but he does at

1060
01:03:50.719 --> 01:03:55.079
<v Speaker 3>least ask metaphysical questions in movies, which is pretty rare.

1061
01:03:56.199 --> 01:04:01.320
<v Speaker 3>So even though he's probably denying that there is a

1062
01:04:01.360 --> 01:04:04.639
<v Speaker 3>real world, I'll give him points before I'll give him

1063
01:04:04.679 --> 01:04:10.000
<v Speaker 3>a four Jude Law teeth and three fish guns because

1064
01:04:10.079 --> 01:04:18.880
<v Speaker 3>he's he's asking interesting questions. What does that say energies

1065
01:04:18.920 --> 01:04:26.559
<v Speaker 3>of reality can't agree? I got to write better notes man. Anyway, So,

1066
01:04:27.039 --> 01:04:33.880
<v Speaker 3>as you can imagine spoiler alert, the real world was

1067
01:04:33.920 --> 01:04:36.239
<v Speaker 3>not the real world. It was all layers of matrix.

1068
01:04:36.519 --> 01:04:39.960
<v Speaker 3>But they eventually do get out of the matrix, and

1069
01:04:40.639 --> 01:04:45.039
<v Speaker 3>Jude Law is there too. Doesn't he shoot Allegra at

1070
01:04:45.079 --> 01:04:51.400
<v Speaker 3>the end? Yeah? Right, yes, Jude Law is the assassin.

1071
01:04:51.559 --> 01:04:56.840
<v Speaker 3>He shoots Allegra. Yeah, because the idea is that she

1072
01:04:57.039 --> 01:04:59.519
<v Speaker 3>is the demon goddess who designed this matrix?

1073
01:04:59.639 --> 01:05:02.800
<v Speaker 5>Right, sorry?

1074
01:05:03.079 --> 01:05:03.320
<v Speaker 2>Yes?

1075
01:05:05.599 --> 01:05:12.159
<v Speaker 3>And Jude Law questions this this game. Well, actually doesn't

1076
01:05:12.159 --> 01:05:14.280
<v Speaker 3>he shoot two other people? He doesn't shoot her?

1077
01:05:14.480 --> 01:05:14.519
<v Speaker 5>Is?

1078
01:05:14.679 --> 01:05:17.039
<v Speaker 3>I can't remember, I'll forgotten it. I forgot how the

1079
01:05:17.079 --> 01:05:19.199
<v Speaker 3>movie ends, and I can't read my note what it

1080
01:05:19.280 --> 01:05:22.760
<v Speaker 3>says hit by a car? Oh, that's one of the

1081
01:05:22.760 --> 01:05:26.280
<v Speaker 3>games you can play, get hit by a car. That's

1082
01:05:26.320 --> 01:05:30.159
<v Speaker 3>some fun anyway. Existence is a great movie.

1083
01:05:29.880 --> 01:05:31.960
<v Speaker 5>I give it, and the only hook up in the

1084
01:05:32.039 --> 01:05:33.519
<v Speaker 5>virtual world, not the real world.

1085
01:05:35.000 --> 01:05:36.000
<v Speaker 4>You don't remember how it ends?

1086
01:05:36.800 --> 01:05:39.719
<v Speaker 3>Chat? How does it end? I'm sorry, I'm getting I'm

1087
01:05:39.719 --> 01:05:42.079
<v Speaker 3>getting tired in my mind as all mush. I did

1088
01:05:42.119 --> 01:05:45.079
<v Speaker 3>a lot of exercise today, so I don't know what.

1089
01:05:45.360 --> 01:05:46.280
<v Speaker 3>I can't hardly talk.

1090
01:05:47.320 --> 01:05:48.039
<v Speaker 5>We got two more?

1091
01:05:48.639 --> 01:05:50.280
<v Speaker 3>Can we make it through two more? If you guys

1092
01:05:50.320 --> 01:05:53.199
<v Speaker 3>want to support me, yeah, I feel free. We got

1093
01:05:53.199 --> 01:05:54.960
<v Speaker 3>a few super chats. I'll read a couple of super

1094
01:05:55.000 --> 01:06:01.840
<v Speaker 3>chats John for three dollars. It would be good. Would

1095
01:06:01.880 --> 01:06:04.760
<v Speaker 3>God be cool with me let letting someone use my

1096
01:06:04.880 --> 01:06:09.519
<v Speaker 3>Amazon Flex account to make deliveries and get paid for

1097
01:06:09.599 --> 01:06:14.760
<v Speaker 3>the use of my account. I don't I'm not an

1098
01:06:14.800 --> 01:06:19.280
<v Speaker 3>ethical consultant. I'm not gonna go. But I don't think

1099
01:06:19.280 --> 01:06:24.639
<v Speaker 3>that's a big deal. I don't know, but Finn fine

1100
01:06:24.760 --> 01:06:28.199
<v Speaker 3>topic yeah, go ask or the duxburies. That's not my job.

1101
01:06:28.360 --> 01:06:31.000
<v Speaker 3>Would you say nacissism is a form of goddess worship

1102
01:06:31.039 --> 01:06:36.960
<v Speaker 3>because of the Sofia thing. Yes, it has elements of polytheism. Yeah,

1103
01:06:37.000 --> 01:06:39.880
<v Speaker 3>and so absolutely, the goddess definitely plays a huge role

1104
01:06:39.880 --> 01:06:42.159
<v Speaker 3>in the Gnostic mythos and in all the different systems.

1105
01:06:42.760 --> 01:06:47.239
<v Speaker 3>Troi la Mexicano for five dollars. All the Mexicans are

1106
01:06:47.280 --> 01:06:50.599
<v Speaker 3>considered extinct in futuristic sci fi movies.

1107
01:06:53.840 --> 01:06:56.719
<v Speaker 5>It's a movie explaining why we aren't around anything.

1108
01:06:58.079 --> 01:07:00.559
<v Speaker 3>He says. Lol. Yeah, I've never really, I've never thought

1109
01:07:00.559 --> 01:07:01.920
<v Speaker 3>about that question.

1110
01:07:02.760 --> 01:07:06.480
<v Speaker 5>It was remember that movie Read Dawn with the high

1111
01:07:06.480 --> 01:07:11.519
<v Speaker 5>school kids. Of course it was Mexico and Russia and

1112
01:07:11.639 --> 01:07:13.480
<v Speaker 5>China invading.

1113
01:07:14.519 --> 01:07:18.480
<v Speaker 3>Well and no, it's they invaded through Mexico and it

1114
01:07:18.559 --> 01:07:21.280
<v Speaker 3>was like communists from El Salvador's Mexican.

1115
01:07:21.440 --> 01:07:22.960
<v Speaker 5>Oh okay, but.

1116
01:07:23.079 --> 01:07:26.239
<v Speaker 3>Man, that's a great question. I've never even thought about it.

1117
01:07:26.280 --> 01:07:28.880
<v Speaker 3>Isn't Antonio, Oh he doesn't count because he's from Spain.

1118
01:07:29.519 --> 01:07:33.000
<v Speaker 3>There's some there's some futuristic movie with Antonio Banderas.

1119
01:07:34.159 --> 01:07:35.920
<v Speaker 4>Sorry, dude, that's the closest you got, is.

1120
01:07:35.880 --> 01:07:39.760
<v Speaker 3>Like Antonio Banderas because he's in some b B sci.

1121
01:07:39.519 --> 01:07:44.239
<v Speaker 5>Fi movie, So maybe more Mexican authors should write sci fi.

1122
01:07:44.480 --> 01:07:47.000
<v Speaker 4>Yeah, there you go, Joelo, right, rite your sci fi

1123
01:07:47.039 --> 01:07:47.880
<v Speaker 4>thing where.

1124
01:07:48.480 --> 01:07:51.960
<v Speaker 3>All the honkys are going and you know it's like.

1125
01:07:53.519 --> 01:07:58.960
<v Speaker 6>Machette cheech and chong and then that's it and you

1126
01:07:59.400 --> 01:08:04.239
<v Speaker 6>and then you guys have to yeah, yeah, you guys

1127
01:08:04.239 --> 01:08:07.480
<v Speaker 6>have to repopulate the earth with the four uh uh

1128
01:08:07.639 --> 01:08:08.360
<v Speaker 6>what are they called?

1129
01:08:10.840 --> 01:08:15.920
<v Speaker 3>The Latina girl? The laws Cholette's.

1130
01:08:19.319 --> 01:08:22.800
<v Speaker 5>Okay, well, where's Penelope Cruise from?

1131
01:08:22.840 --> 01:08:28.840
<v Speaker 3>I'm gonna get more coffee from Mexico. She's Spanish? Got

1132
01:08:31.359 --> 01:08:32.000
<v Speaker 3>how does she say?

1133
01:08:32.000 --> 01:08:36.399
<v Speaker 5>It?

1134
01:08:36.399 --> 01:08:37.159
<v Speaker 3>Comes my mind?

1135
01:08:37.239 --> 01:08:39.720
<v Speaker 5>Is mush keep talking to the People's all right, we're

1136
01:08:39.720 --> 01:08:44.960
<v Speaker 5>gonna do Vanilla Sky and all these are your notes,

1137
01:08:45.000 --> 01:08:53.239
<v Speaker 5>I can't read them. Let's see scientology. So this probably

1138
01:08:53.279 --> 01:08:58.760
<v Speaker 5>has an element of the l Ron Hubbard in it.

1139
01:09:01.000 --> 01:09:03.600
<v Speaker 5>Remake of a foreign film. Oh yeah, so it was

1140
01:09:03.800 --> 01:09:10.640
<v Speaker 5>a was it a Mexican film or a Spanish film?

1141
01:09:11.520 --> 01:09:18.000
<v Speaker 5>But Penelope Cruise was in both Vanilla Skuys. There's the

1142
01:09:18.119 --> 01:09:25.479
<v Speaker 5>Dakota building that is famous. It uses that building that

1143
01:09:25.560 --> 01:09:29.359
<v Speaker 5>you can see that in Roseberry's Baby, and that's the

1144
01:09:29.399 --> 01:09:33.520
<v Speaker 5>building where John Lennon was shot.

1145
01:09:33.720 --> 01:09:37.000
<v Speaker 1>Yeah, ju.

1146
01:09:38.720 --> 01:09:40.399
<v Speaker 5>Was the other Vanilla Sky Mexican.

1147
01:09:42.199 --> 01:09:42.520
<v Speaker 2>I don't know.

1148
01:09:42.560 --> 01:09:43.760
<v Speaker 3>I thought it was a Spanish film.

1149
01:09:43.920 --> 01:09:46.760
<v Speaker 5>Yeah, it was in Spanish. I'm not sure who's I

1150
01:09:46.800 --> 01:09:47.479
<v Speaker 5>don't think it's.

1151
01:09:47.319 --> 01:09:53.319
<v Speaker 3>A Mexican film. And Penelope Cruise not for Mexico. Uh yeah,

1152
01:09:54.079 --> 01:09:56.720
<v Speaker 3>I want to do this this pretty soon.

1153
01:09:56.800 --> 01:09:56.960
<v Speaker 2>Here.

1154
01:09:57.039 --> 01:10:01.119
<v Speaker 3>This is the classic you know what happened with AMR

1155
01:10:01.279 --> 01:10:03.640
<v Speaker 3>David Chapman and all that stuff. That'll be a fun

1156
01:10:03.680 --> 01:10:07.439
<v Speaker 3>one to do. But the Dakota Building is relevant for

1157
01:10:07.479 --> 01:10:11.880
<v Speaker 3>this because she said it's got all these historic connections.

1158
01:10:11.920 --> 01:10:14.439
<v Speaker 3>So and I even watched the DVD commentary and they

1159
01:10:14.479 --> 01:10:17.000
<v Speaker 3>said they intentionally chose the Dakoda Building for all those

1160
01:10:17.039 --> 01:10:22.319
<v Speaker 3>weird past events. And then you even see in the

1161
01:10:22.399 --> 01:10:25.560
<v Speaker 3>opening sequence the camera flies in like a demon, almost,

1162
01:10:25.600 --> 01:10:29.680
<v Speaker 3>which I think, doesn't it do that in Rosemary's Baby?

1163
01:10:30.119 --> 01:10:37.720
<v Speaker 3>I can't remember. Coffee's weak, Dudes, doesn't even do anything.

1164
01:10:38.760 --> 01:10:41.000
<v Speaker 3>It's like coffee pissed and I'm drinking the piss of

1165
01:10:41.159 --> 01:10:44.920
<v Speaker 3>the coffee. So it's not doing anything. It's two weak.

1166
01:10:48.479 --> 01:10:49.880
<v Speaker 4>It is a remake of the Foreign film.

1167
01:10:49.920 --> 01:10:54.680
<v Speaker 3>I know that. I know that everybody's always the foreign field. Well,

1168
01:10:54.800 --> 01:10:58.199
<v Speaker 3>nobody watches Foreign films really so, I mean, some dude, but.

1169
01:11:00.239 --> 01:11:05.319
<v Speaker 5>Uh, VR simulation right.

1170
01:11:05.319 --> 01:11:09.479
<v Speaker 3>Well, if it's in the whole series that we're doing

1171
01:11:09.520 --> 01:11:12.000
<v Speaker 3>on VR, we know it's a VR movie. So I'm

1172
01:11:12.039 --> 01:11:14.800
<v Speaker 3>assuming you've all seen the movie and you know that

1173
01:11:14.840 --> 01:11:16.319
<v Speaker 3>it's a simulation.

1174
01:11:17.199 --> 01:11:19.319
<v Speaker 4>Of course, when you first watched the movie, you're kind

1175
01:11:19.319 --> 01:11:19.800
<v Speaker 4>of WHOA.

1176
01:11:19.880 --> 01:11:23.199
<v Speaker 3>I didn't realize that, And I also wasn't sure until

1177
01:11:23.239 --> 01:11:26.199
<v Speaker 3>I went back and watched some of the DVD commentary.

1178
01:11:26.279 --> 01:11:32.560
<v Speaker 3>At what point he was in this simulation future state?

1179
01:11:33.319 --> 01:11:35.199
<v Speaker 3>And it's when he passes out in the street.

1180
01:11:35.479 --> 01:11:38.880
<v Speaker 5>Oh, Vanilla Sky is also the name of a painting.

1181
01:11:39.520 --> 01:11:42.720
<v Speaker 3>That's why when he looks up after he passes out,

1182
01:11:42.800 --> 01:11:44.800
<v Speaker 3>he looks up and sees the sky. I look like that.

1183
01:11:45.039 --> 01:11:47.359
<v Speaker 4>Yeah, because this is his personal.

1184
01:11:47.039 --> 01:11:48.279
<v Speaker 5>And paint is like a fantasy.

1185
01:11:48.960 --> 01:11:51.479
<v Speaker 3>It's his personal VR because he saw the painting earlier

1186
01:11:51.479 --> 01:11:52.159
<v Speaker 3>in his apartment.

1187
01:11:52.319 --> 01:11:56.359
<v Speaker 5>Yeah. It's also a Beautiles song. I yes, it is

1188
01:11:56.479 --> 01:11:56.880
<v Speaker 5>a sure?

1189
01:11:59.239 --> 01:12:00.600
<v Speaker 3>Well this does how well?

1190
01:12:01.079 --> 01:12:01.359
<v Speaker 1>Bet?

1191
01:12:02.319 --> 01:12:04.199
<v Speaker 5>Every time he was a bet he has to watch

1192
01:12:04.199 --> 01:12:06.520
<v Speaker 5>a dog movie with me, so he won't bet it's

1193
01:12:06.520 --> 01:12:07.199
<v Speaker 5>a Beatles song.

1194
01:12:07.359 --> 01:12:10.159
<v Speaker 4>This is a dog movie.

1195
01:12:10.640 --> 01:12:12.000
<v Speaker 5>Vanilla Sky Beatles.

1196
01:12:12.199 --> 01:12:21.319
<v Speaker 3>I didn't. I didn't say that it wasn't true. Uh,

1197
01:12:22.439 --> 01:12:25.000
<v Speaker 3>it's Paul McCartney, So I don't I don't know if

1198
01:12:25.000 --> 01:12:29.960
<v Speaker 3>that counts. That's not Beatles is now, it's not. Paul

1199
01:12:30.039 --> 01:12:35.760
<v Speaker 3>McCartney is not the Beatles. Dom to know. Paul McCartney

1200
01:12:35.760 --> 01:12:39.039
<v Speaker 3>is not the Beatles. The real Beatles are John Lennon.

1201
01:12:41.239 --> 01:12:43.239
<v Speaker 5>I think it is a whole Beatles song.

1202
01:12:43.359 --> 01:12:47.039
<v Speaker 3>It's Paul McCartney. Okay, so you know he had his

1203
01:12:47.079 --> 01:12:54.680
<v Speaker 3>own solo career. Anyway, where are we at? Oh? So

1204
01:12:55.239 --> 01:12:58.560
<v Speaker 3>it begins with him running and he sees the empty

1205
01:12:59.239 --> 01:13:03.640
<v Speaker 3>Times Square and then he wakes up. Uh. It's by

1206
01:13:03.680 --> 01:13:06.319
<v Speaker 3>the way, this reminded me of that movie Quiet Earth,

1207
01:13:06.439 --> 01:13:09.680
<v Speaker 3>which is a B sci fi movie that's actually really good.

1208
01:13:10.159 --> 01:13:12.239
<v Speaker 3>The guy thinks he's the last go on Earth. It's

1209
01:13:12.279 --> 01:13:14.640
<v Speaker 3>a fun movie that's like a Cern type of thing

1210
01:13:14.720 --> 01:13:20.439
<v Speaker 3>where Cern went nuts and deleted everybody somehow.

1211
01:13:20.520 --> 01:13:22.680
<v Speaker 4>Anyway, watch Quiet Earth if you've never seen it.

1212
01:13:22.720 --> 01:13:25.720
<v Speaker 3>If you're looking for a good B sci independent sci

1213
01:13:25.760 --> 01:13:28.560
<v Speaker 3>fi movie that's that's fun from the eighties. It's a

1214
01:13:28.600 --> 01:13:30.680
<v Speaker 3>I think it's New Zealand movie or Australia.

1215
01:13:30.800 --> 01:13:39.640
<v Speaker 5>Anyway, Open open, I'll tell you in another life when

1216
01:13:39.680 --> 01:13:41.039
<v Speaker 5>we are both cats.

1217
01:13:40.920 --> 01:13:44.640
<v Speaker 3>That's a good Penelope, but she says open open your

1218
01:13:44.720 --> 01:13:45.760
<v Speaker 3>eyes and.

1219
01:13:45.720 --> 01:13:46.720
<v Speaker 4>Then Tom wakes up.

1220
01:13:47.479 --> 01:13:51.279
<v Speaker 3>Uh, And so this is also like inception. Notice the

1221
01:13:51.520 --> 01:13:55.800
<v Speaker 3>similarity between the Virtual World's themes and movies and dream

1222
01:13:55.880 --> 01:13:59.800
<v Speaker 3>State movies. Naturally they're all the same. How do we

1223
01:13:59.840 --> 01:14:03.880
<v Speaker 3>know what would be the difference. So he almost wrecks

1224
01:14:03.880 --> 01:14:07.199
<v Speaker 3>his car in that opening sequence with Jason Lee if

1225
01:14:07.239 --> 01:14:11.800
<v Speaker 3>you were noticed, And that's a pre signifier foreshadowing that

1226
01:14:11.960 --> 01:14:14.840
<v Speaker 3>everything that's happening in this beginning part is kind of

1227
01:14:14.920 --> 01:14:22.600
<v Speaker 3>leading up to the central folk sigeh of the Virtual World, right,

1228
01:14:23.039 --> 01:14:26.600
<v Speaker 3>because he's gonna have the crazy car wreck with Cameron

1229
01:14:26.600 --> 01:14:28.479
<v Speaker 3>Diaz right foreshadowing.

1230
01:14:30.520 --> 01:14:35.399
<v Speaker 5>Oh and kmeron Diaz. She's such a pathetic character in this.

1231
01:14:36.000 --> 01:14:41.319
<v Speaker 3>Like total Yeah, she plays crazy bitch who turns into

1232
01:14:41.319 --> 01:14:41.880
<v Speaker 3>crazy bitch.

1233
01:14:42.039 --> 01:14:47.960
<v Speaker 5>Yeah, poor girl chasing a guy who does not care

1234
01:14:48.039 --> 01:14:48.520
<v Speaker 5>about her.

1235
01:14:49.159 --> 01:14:52.680
<v Speaker 3>And Tom Cruise is the son of some big publishing

1236
01:14:52.720 --> 01:14:57.840
<v Speaker 3>mogul who basically he runs the equivalent of Rolling Stone.

1237
01:14:58.039 --> 01:15:06.600
<v Speaker 5>No, they call him like Citizen Kane. First character, Tom.

1238
01:15:06.439 --> 01:15:09.399
<v Speaker 4>Cruise runs what's the equivalent of Rolling Stone?

1239
01:15:09.439 --> 01:15:09.640
<v Speaker 2>I know?

1240
01:15:12.640 --> 01:15:14.960
<v Speaker 5>And his board they call him the Seven Dwars.

1241
01:15:15.600 --> 01:15:20.239
<v Speaker 3>Yeah, well there are mythological or fairy tale references in

1242
01:15:20.279 --> 01:15:25.359
<v Speaker 3>the movie. And that's because ultimately this is a Luciferian

1243
01:15:25.720 --> 01:15:29.479
<v Speaker 3>themed movie. In mind you, because I actually think the

1244
01:15:29.520 --> 01:15:37.680
<v Speaker 3>movie is quasi scientology related, not with all the alien

1245
01:15:37.760 --> 01:15:41.279
<v Speaker 3>bugs attached to thetans and all that stuff, but just

1246
01:15:41.319 --> 01:15:44.680
<v Speaker 3>the whole idea of you know, I mean, Tom plays

1247
01:15:45.399 --> 01:15:48.760
<v Speaker 3>a big role in the production of this movie. I

1248
01:15:48.840 --> 01:15:54.000
<v Speaker 3>do believe that scientologists believe in cryogenetic freezing, and that's

1249
01:15:54.039 --> 01:15:57.760
<v Speaker 3>what this movie is about, I think. So if I'm

1250
01:15:57.800 --> 01:15:59.960
<v Speaker 3>wrong about that, I'm sure somebody the chat can't correct.

1251
01:16:00.159 --> 01:16:02.399
<v Speaker 5>We see that Walt disneyeded that, and then nobody could

1252
01:16:02.399 --> 01:16:02.840
<v Speaker 5>prove that.

1253
01:16:04.199 --> 01:16:04.359
<v Speaker 2>Right.

1254
01:16:05.880 --> 01:16:08.439
<v Speaker 3>Oh yeah, and thank you. Shout out to Father Deacon.

1255
01:16:08.600 --> 01:16:11.479
<v Speaker 3>Right Penelope Cruise that is in both versions, which is

1256
01:16:11.479 --> 01:16:14.600
<v Speaker 3>an interesting thing. She plays in the Spanish end in

1257
01:16:14.640 --> 01:16:15.840
<v Speaker 3>this one. Where are we at.

1258
01:16:20.319 --> 01:16:20.920
<v Speaker 5>Nineties?

1259
01:16:21.279 --> 01:16:23.680
<v Speaker 3>Yeah, his dad is the citizen Kane type of character.

1260
01:16:25.079 --> 01:16:29.239
<v Speaker 3>Then we see the mask. Now this is interesting because

1261
01:16:29.760 --> 01:16:33.920
<v Speaker 3>what year is this? What your is this two thousand?

1262
01:16:34.239 --> 01:16:38.159
<v Speaker 3>So this is a couple of years after Eyeswait shut

1263
01:16:38.359 --> 01:16:41.520
<v Speaker 3>and Tom and the mask. You know this is a

1264
01:16:41.520 --> 01:16:42.000
<v Speaker 3>weird thing.

1265
01:16:42.399 --> 01:16:45.239
<v Speaker 4>Oh yeah, it looks like an eyes white shut mask.

1266
01:16:45.319 --> 01:16:48.239
<v Speaker 5>It does. He's wearing a kind of yeah.

1267
01:16:48.279 --> 01:16:52.079
<v Speaker 3>So I think we can surmise that there's quasi similar

1268
01:16:52.119 --> 01:16:54.960
<v Speaker 3>themes going on here with waking up. All right, this

1269
01:16:55.000 --> 01:16:58.399
<v Speaker 3>movie continually says, wake up, wake up, wake up, open

1270
01:16:58.399 --> 01:17:02.520
<v Speaker 3>your eyes, wake up now alarm clocks. Yes. On one level,

1271
01:17:02.560 --> 01:17:05.000
<v Speaker 3>that's because the whole point of the movie is that

1272
01:17:05.039 --> 01:17:09.359
<v Speaker 3>he's in a cryogenetic virtual state, he's in the matrix.

1273
01:17:10.359 --> 01:17:13.520
<v Speaker 3>But on another level, the allegory of the movie is

1274
01:17:13.560 --> 01:17:18.319
<v Speaker 3>a Luciferian wake up to this world being the creation

1275
01:17:18.439 --> 01:17:21.720
<v Speaker 3>of your own consciousness. You are ultimately your own God.

1276
01:17:21.800 --> 01:17:25.239
<v Speaker 3>That's how the movie ends with the statement you are

1277
01:17:25.319 --> 01:17:30.000
<v Speaker 3>your own God. And then the final scene is an

1278
01:17:30.000 --> 01:17:35.720
<v Speaker 3>open an eye closed and opening eyes white shut, eyes open.

1279
01:17:36.720 --> 01:17:37.680
<v Speaker 3>Where does this take place?

1280
01:17:38.319 --> 01:17:42.319
<v Speaker 4>New York? Where does the eyes? Why should I take

1281
01:17:42.319 --> 01:17:42.840
<v Speaker 4>place New York?

1282
01:17:42.880 --> 01:17:43.920
<v Speaker 5>Who's the director of this?

1283
01:17:44.720 --> 01:17:44.840
<v Speaker 2>Uh?

1284
01:17:45.800 --> 01:17:46.159
<v Speaker 5>Somebody?

1285
01:17:46.560 --> 01:17:47.239
<v Speaker 3>Is it Cameron Crow?

1286
01:17:47.840 --> 01:17:48.319
<v Speaker 5>No?

1287
01:17:48.319 --> 01:17:49.399
<v Speaker 3>No, what's his name?

1288
01:17:51.319 --> 01:17:51.359
<v Speaker 5>No?

1289
01:17:53.680 --> 01:17:54.880
<v Speaker 4>I just looked the other day.

1290
01:17:54.880 --> 01:17:58.800
<v Speaker 2>What was it?

1291
01:17:58.880 --> 01:18:09.279
<v Speaker 3>Is this? Steven Sidberg? It is camera Crow. Don't ever

1292
01:18:09.359 --> 01:18:11.960
<v Speaker 3>challenge me. I should have bet, and then I would

1293
01:18:11.960 --> 01:18:15.760
<v Speaker 3>have to watch a dog damn dog movie. Stupid farting,

1294
01:18:15.800 --> 01:18:22.399
<v Speaker 3>barfing dog movies. Where are we at with him anyway.

1295
01:18:22.439 --> 01:18:27.079
<v Speaker 3>So Tom's got the mask, and so the story is

1296
01:18:27.119 --> 01:18:32.279
<v Speaker 3>told out of chronological order because he's we see these

1297
01:18:32.319 --> 01:18:34.640
<v Speaker 3>events and then we flash to him talking to his

1298
01:18:35.680 --> 01:18:41.680
<v Speaker 3>jail appointed psychiatrist Kurt Russell, who is his father figure archetype, right,

1299
01:18:42.039 --> 01:18:45.000
<v Speaker 3>remember that, because this is the virtual world and he

1300
01:18:45.079 --> 01:18:49.319
<v Speaker 3>constructs his father figure archetype from movies that he's watched,

1301
01:18:49.840 --> 01:18:54.600
<v Speaker 3>like To Kill a Mockingbird Gregory Peck.

1302
01:18:54.680 --> 01:18:57.760
<v Speaker 5>Isn't it one of those movies? We had a note

1303
01:18:57.760 --> 01:19:00.399
<v Speaker 5>about Carl Young's shadows self, like you, I went to

1304
01:19:00.439 --> 01:19:04.039
<v Speaker 5>the VR so that you can experience your shadows. Remember

1305
01:19:04.079 --> 01:19:06.159
<v Speaker 5>that I think was that thirteenth floor?

1306
01:19:06.279 --> 01:19:12.880
<v Speaker 3>Yeah, that's in thirteenth floor. Yeah. So the mask obviously

1307
01:19:12.960 --> 01:19:15.840
<v Speaker 3>has a lot of significance. Go watch my Eyes Wide

1308
01:19:15.840 --> 01:19:19.239
<v Speaker 3>Shut full documentary, the most popular video on the channel

1309
01:19:20.000 --> 01:19:21.840
<v Speaker 3>if you want to see my whole analysis of that

1310
01:19:21.880 --> 01:19:24.720
<v Speaker 3>in the mask and that significance. Obviously, we're living in

1311
01:19:24.760 --> 01:19:28.640
<v Speaker 3>a period of masks being forced, so we know that

1312
01:19:28.720 --> 01:19:31.520
<v Speaker 3>masks have a lot of meaning and significance. But in

1313
01:19:31.520 --> 01:19:34.119
<v Speaker 3>this sense it has to do with alternative hidden personas

1314
01:19:34.239 --> 01:19:35.760
<v Speaker 3>or the person behind what.

1315
01:19:35.840 --> 01:19:36.760
<v Speaker 4>Appears to be the case.

1316
01:19:36.760 --> 01:19:40.800
<v Speaker 3>So the subconscious is the real person or the real

1317
01:19:41.039 --> 01:19:46.439
<v Speaker 3>the location of the of what where reality springs forth

1318
01:19:46.479 --> 01:19:49.279
<v Speaker 3>from our subconscious in the view of like Carl Jung

1319
01:19:49.359 --> 01:19:54.960
<v Speaker 3>And this is obviously got you know, Youngian influence. Penelope Cruise.

1320
01:19:55.159 --> 01:19:57.640
<v Speaker 3>By the way, there is they keep referring to the

1321
01:19:57.720 --> 01:19:59.800
<v Speaker 3>keys of the Kingdom, the keys of the Kingdom. Now,

1322
01:20:00.039 --> 01:20:03.359
<v Speaker 3>in one sense it's the citizen Kane father character that

1323
01:20:03.520 --> 01:20:11.199
<v Speaker 3>is absent right, so absentee father god Tom Cruise has

1324
01:20:11.239 --> 01:20:13.039
<v Speaker 3>the keys to the kingdom, the keys to the Kingdom.

1325
01:20:13.039 --> 01:20:15.600
<v Speaker 3>There also can be an esoteric significance to this.

1326
01:20:16.359 --> 01:20:19.479
<v Speaker 5>There's a what.

1327
01:20:21.920 --> 01:20:24.560
<v Speaker 3>Right, there is some reference to that. I can't recall

1328
01:20:24.600 --> 01:20:25.720
<v Speaker 3>what it is all the top of my head. But

1329
01:20:26.560 --> 01:20:28.760
<v Speaker 3>Penelope Crew, well, I mean you can have the key

1330
01:20:28.800 --> 01:20:32.479
<v Speaker 3>to opening up the altars. Right, that's the kingdom, the

1331
01:20:32.520 --> 01:20:36.760
<v Speaker 3>inner kingdom. Penelope Cruz plays a Sofia.

1332
01:20:36.880 --> 01:20:38.039
<v Speaker 4>She's the Sofia character.

1333
01:20:38.159 --> 01:20:41.880
<v Speaker 3>She's what he's missing to be complete and to complete

1334
01:20:41.920 --> 01:20:45.319
<v Speaker 3>his awakening. And her name is Sofia, right, that's on purpose.

1335
01:20:47.439 --> 01:20:50.039
<v Speaker 5>Oh, they have holographic entertainers, remember that.

1336
01:20:50.279 --> 01:20:58.359
<v Speaker 3>Yeah, there's hologram Louis Armstrong or whatever it is there,

1337
01:20:58.399 --> 01:21:01.279
<v Speaker 3>just like you'll see an eyes white shut there's masks.

1338
01:21:01.319 --> 01:21:04.159
<v Speaker 3>When he goes to the girl's apartment. Remember Tom Cruise

1339
01:21:04.199 --> 01:21:07.600
<v Speaker 3>wandering through the streets, meets some girl, goes into her apartment.

1340
01:21:08.279 --> 01:21:12.039
<v Speaker 3>That's eyes wide shot with Domino. That's here with Penelope, right,

1341
01:21:12.079 --> 01:21:15.079
<v Speaker 3>he wanders into her apartment with her. She's got masks

1342
01:21:15.079 --> 01:21:21.920
<v Speaker 3>on her fridge. Domino masks on her apartment. That's intentional.

1343
01:21:22.079 --> 01:21:25.520
<v Speaker 3>There is I think a connection between a loose association

1344
01:21:25.720 --> 01:21:27.079
<v Speaker 3>with the two movies, if for.

1345
01:21:27.039 --> 01:21:28.079
<v Speaker 4>Anything Tom Cruise.

1346
01:21:29.000 --> 01:21:31.800
<v Speaker 3>But obviously the masks play a big role in both films.

1347
01:21:31.840 --> 01:21:36.760
<v Speaker 3>But Vanilla Sky, we find out, is the painting that

1348
01:21:36.800 --> 01:21:39.279
<v Speaker 3>he owns. And he shows this off and brags about

1349
01:21:39.319 --> 01:21:41.600
<v Speaker 3>it to Penelope Cruise, right, because he's trying to win

1350
01:21:41.680 --> 01:21:44.720
<v Speaker 3>her over. She's playing a little hard to get, so

1351
01:21:44.760 --> 01:21:48.920
<v Speaker 3>he's kind of interested in her over Cameron Diaz, who's

1352
01:21:48.960 --> 01:21:51.119
<v Speaker 3>like the hot blonde and she's, you know, got all

1353
01:21:51.159 --> 01:21:54.880
<v Speaker 3>these famous friends, and she's in some kind of alt

1354
01:21:54.960 --> 01:21:58.359
<v Speaker 3>band that sucks right, like a Courtney Love type of character.

1355
01:21:59.600 --> 01:22:03.039
<v Speaker 3>And but I'll be Cruz is just this normal New

1356
01:22:03.119 --> 01:22:08.479
<v Speaker 3>York girl attending Juilliard or whatever. So he's he's attracted

1357
01:22:08.479 --> 01:22:12.800
<v Speaker 3>to that because she's foreign to his whole you know Kingdom.

1358
01:22:12.920 --> 01:22:17.000
<v Speaker 5>She's more authentic, and yeah, he can't.

1359
01:22:17.560 --> 01:22:28.640
<v Speaker 3>The Kevir Diaz gets on his nerves. I said, his

1360
01:22:28.760 --> 01:22:32.359
<v Speaker 3>mind is blown for a basic bitch because she's like

1361
01:22:32.399 --> 01:22:37.199
<v Speaker 3>the most boring, normal New York girl. She's like, I like,

1362
01:22:37.279 --> 01:22:41.159
<v Speaker 3>what is she like cats and dance? There's nothing interesting

1363
01:22:41.159 --> 01:22:43.680
<v Speaker 3>about her actually, and he's just like whoa, you know.

1364
01:22:45.720 --> 01:22:48.279
<v Speaker 3>The Kurt Russell archetype, as we said, is like the

1365
01:22:48.399 --> 01:22:54.279
<v Speaker 3>Jiminy Cricket conscience guide. He's the father figure archetype who's

1366
01:22:54.319 --> 01:22:58.079
<v Speaker 3>trying to help Tom figure out what's going on in

1367
01:22:58.119 --> 01:23:02.960
<v Speaker 3>this mental labyrinth. This one, by the way, is the

1368
01:23:02.960 --> 01:23:06.720
<v Speaker 3>most philosophically deep of the movies, except for maybe Video Drum.

1369
01:23:06.920 --> 01:23:11.000
<v Speaker 3>Video Drum's pretty pretty philosophically dense, but I think Vanov's

1370
01:23:11.000 --> 01:23:15.319
<v Speaker 3>Sky is pretty much equal to it. But Kurt Russell

1371
01:23:15.319 --> 01:23:18.479
<v Speaker 3>tells him time is not our friend, and so he's

1372
01:23:18.520 --> 01:23:22.159
<v Speaker 3>trying to get him to uh figure out what's going

1373
01:23:22.159 --> 01:23:26.439
<v Speaker 3>on before there's some sort of impending doom which Tom

1374
01:23:26.520 --> 01:23:29.239
<v Speaker 3>is blaming himself for all of his problems. He's thinking,

1375
01:23:29.279 --> 01:23:31.359
<v Speaker 3>I did this, I did this, I did this. So

1376
01:23:31.399 --> 01:23:35.000
<v Speaker 3>he's basically created his own little mental prison in the

1377
01:23:35.119 --> 01:23:41.079
<v Speaker 3>virtual world. That he's in. But what's fascinating is while

1378
01:23:41.079 --> 01:23:46.039
<v Speaker 3>he's in there doing these Kurt Russell therapy sessions, he

1379
01:23:46.239 --> 01:23:50.159
<v Speaker 3>sees that stupid dog on the TV that was cryogenically frozen.

1380
01:23:50.399 --> 01:23:51.520
<v Speaker 3>Was his name? What was his name?

1381
01:23:51.840 --> 01:23:52.720
<v Speaker 4>Benny?

1382
01:23:53.640 --> 01:23:58.000
<v Speaker 3>And they say that the dog was successfully frozen and

1383
01:23:58.399 --> 01:24:02.960
<v Speaker 3>unfrozen like dog sickle work. This is a clue. This

1384
01:24:03.039 --> 01:24:05.119
<v Speaker 3>is supposed to be a clue to Tom Cruise to

1385
01:24:05.199 --> 01:24:07.439
<v Speaker 3>telling him what happened. He's trying to remember.

1386
01:24:07.319 --> 01:24:10.119
<v Speaker 5>Remember when Benny came back and he wasn't really had

1387
01:24:10.159 --> 01:24:11.520
<v Speaker 5>no personality.

1388
01:24:12.479 --> 01:24:17.399
<v Speaker 3>So this is Tom's subconscious in this virtual realm telling

1389
01:24:17.520 --> 01:24:22.880
<v Speaker 3>him in these clues what's really going on? Remember, then

1390
01:24:22.920 --> 01:24:26.119
<v Speaker 3>we find out, oh, by the way, you're a frozen

1391
01:24:26.840 --> 01:24:32.119
<v Speaker 3>and you're dead probably sort of. And you were last

1392
01:24:32.119 --> 01:24:34.960
<v Speaker 3>alive when you were wandering around the city with the

1393
01:24:35.000 --> 01:24:37.079
<v Speaker 3>peneloty Cruise and you had that mask on. You fell

1394
01:24:37.079 --> 01:24:39.359
<v Speaker 3>over in the street. That's when you went into a coma.

1395
01:24:39.520 --> 01:24:42.520
<v Speaker 3>Isn't he in a coma? Remember? He fell into a

1396
01:24:42.560 --> 01:24:44.319
<v Speaker 3>coma and then they put him in and he had

1397
01:24:44.520 --> 01:24:47.640
<v Speaker 3>in a clause in his will or something that he

1398
01:24:47.680 --> 01:24:54.119
<v Speaker 3>would go to this elite cryogenics place, remember, and that

1399
01:24:54.239 --> 01:24:57.079
<v Speaker 3>what it is, Tom coma?

1400
01:24:57.479 --> 01:24:59.840
<v Speaker 5>I thought he was in a coma after the accident.

1401
01:24:59.479 --> 01:25:11.039
<v Speaker 3>Tomk koom cruise what Yes, that was my good the one. Uh,

1402
01:25:11.159 --> 01:25:12.359
<v Speaker 3>what do you mean? It was an accident.

1403
01:25:13.439 --> 01:25:16.319
<v Speaker 5>He was in an accident before he went into the crowd,

1404
01:25:16.359 --> 01:25:18.479
<v Speaker 5>and that's why.

1405
01:25:18.279 --> 01:25:24.039
<v Speaker 3>He chose that, I thought the last.

1406
01:25:24.319 --> 01:25:26.239
<v Speaker 5>And then he got out and he had a bad

1407
01:25:26.279 --> 01:25:28.399
<v Speaker 5>face and he had a bad date, and that's when

1408
01:25:28.439 --> 01:25:29.840
<v Speaker 5>he chose to go.

1409
01:25:31.680 --> 01:25:34.880
<v Speaker 3>Yes. Was it suicide? Oh? Yeah, And they told him

1410
01:25:34.880 --> 01:25:36.159
<v Speaker 3>that they wiped his memory of doing it.

1411
01:25:36.319 --> 01:25:38.520
<v Speaker 5>Yeah, And so they're like, we'll start.

1412
01:25:38.279 --> 01:25:41.279
<v Speaker 4>You at the whatever whatever point you want to be.

1413
01:25:41.199 --> 01:25:44.279
<v Speaker 5>Starting you in and then so you don't know when

1414
01:25:44.279 --> 01:25:45.920
<v Speaker 5>he's entered the.

1415
01:25:46.600 --> 01:25:49.159
<v Speaker 3>Yeah, and the power up peoples of the of the

1416
01:25:49.239 --> 01:25:54.239
<v Speaker 3>corporation signified the change of power in his life. Because

1417
01:25:55.159 --> 01:25:57.720
<v Speaker 3>the whole message of this movie is that you are

1418
01:25:57.760 --> 01:26:00.680
<v Speaker 3>your own God. And when you figure out your your

1419
01:26:00.720 --> 01:26:04.520
<v Speaker 3>own God, you're no longer bound by your conscience telling

1420
01:26:04.600 --> 01:26:07.920
<v Speaker 3>you that you have a duty to sky God or

1421
01:26:10.079 --> 01:26:12.880
<v Speaker 3>your father right, because your father figure is who is

1422
01:26:12.920 --> 01:26:13.600
<v Speaker 3>your authority?

1423
01:26:14.079 --> 01:26:17.720
<v Speaker 4>That's the the sky God is your archetype.

1424
01:26:17.760 --> 01:26:20.000
<v Speaker 3>Right, you blow the Father God or whatever that you

1425
01:26:20.079 --> 01:26:22.720
<v Speaker 3>that you think you're morally bound to the whole point

1426
01:26:22.720 --> 01:26:25.479
<v Speaker 3>of this movie is that you're luciferianly free from all

1427
01:26:25.520 --> 01:26:29.119
<v Speaker 3>of these things if you will only wake up, and I'll.

1428
01:26:28.920 --> 01:26:31.239
<v Speaker 5>Pay attention to all the synchronicities that are telling you.

1429
01:26:31.359 --> 01:26:34.239
<v Speaker 3>Yes, the synchronicities of life will mystically lead you to

1430
01:26:34.279 --> 01:26:39.439
<v Speaker 3>your Luciferian awakenings. Yes, let's see. So he's on trial

1431
01:26:39.479 --> 01:26:41.760
<v Speaker 3>though for what beating her up? Right?

1432
01:26:41.840 --> 01:26:42.560
<v Speaker 4>So you don't know.

1433
01:26:42.479 --> 01:26:46.319
<v Speaker 3>If he's lost his mind, right, I mean, because we

1434
01:26:46.359 --> 01:26:48.079
<v Speaker 3>know the end of the movie, But during the course

1435
01:26:48.079 --> 01:26:49.960
<v Speaker 3>of the film, you don't know if he's lost his mind.

1436
01:26:50.000 --> 01:26:51.520
<v Speaker 4>And he keeps seeing.

1437
01:26:53.720 --> 01:26:56.600
<v Speaker 3>Penelope turned into Cameron Diaz and back and forth, and

1438
01:26:56.640 --> 01:26:58.840
<v Speaker 3>so he beats the crap out of her, right, and

1439
01:26:58.880 --> 01:26:59.840
<v Speaker 3>then he goes to jail.

1440
01:27:01.119 --> 01:27:04.960
<v Speaker 4>Tom cringe is what I called it, Tom Cringe.

1441
01:27:05.479 --> 01:27:11.479
<v Speaker 3>And then Kurt Russell is trying to help him recall

1442
01:27:11.520 --> 01:27:15.439
<v Speaker 3>his memory. This is another thing with gnostic philosophy, is

1443
01:27:15.520 --> 01:27:19.600
<v Speaker 3>the idea that you have to recall your your true

1444
01:27:19.600 --> 01:27:21.920
<v Speaker 3>primeval state. We're all trying to recall. This is the

1445
01:27:21.920 --> 01:27:26.880
<v Speaker 3>whole platonic idea of metam psychosis and transmigration of souls

1446
01:27:26.960 --> 01:27:30.920
<v Speaker 3>is to recall what it was like in our god state,

1447
01:27:30.960 --> 01:27:33.119
<v Speaker 3>when we were the one, when we were God. Right,

1448
01:27:34.399 --> 01:27:39.800
<v Speaker 3>because we've fallen into this this material world in that.

1449
01:27:39.720 --> 01:27:42.319
<v Speaker 5>System, we forgot that we were gods man.

1450
01:27:42.239 --> 01:27:47.560
<v Speaker 3>Yes, exactly, remember that you were God. Bro Let's see,

1451
01:27:47.600 --> 01:27:51.760
<v Speaker 3>I don't remember what. He gets facial reconstruction and he

1452
01:27:51.840 --> 01:27:53.520
<v Speaker 3>kind of looks sort of normal in.

1453
01:27:53.520 --> 01:27:56.239
<v Speaker 5>His fantasy never coort.

1454
01:27:58.119 --> 01:28:00.279
<v Speaker 3>And then the stupidest part of this whole movie is

1455
01:28:00.319 --> 01:28:03.079
<v Speaker 3>when he and this is actually a key to the

1456
01:28:03.119 --> 01:28:07.680
<v Speaker 3>meaning of the movie, which is that awful song what

1457
01:28:07.760 --> 01:28:13.560
<v Speaker 3>if God was of us? Just a love one of us?

1458
01:28:13.880 --> 01:28:17.319
<v Speaker 3>And this is the clue to tell you that you're

1459
01:28:17.359 --> 01:28:21.039
<v Speaker 3>in your own mental god world. Tom, We're in Tom

1460
01:28:21.119 --> 01:28:27.920
<v Speaker 3>God world. Cringe Cruise, God, God Cruise, We're in God

1461
01:28:27.960 --> 01:28:41.319
<v Speaker 3>cruise mode. Remember that awful song, pure garbage. Uh. He

1462
01:28:41.359 --> 01:28:43.479
<v Speaker 3>gets a pepto bismal mask. I don't know what that

1463
01:28:43.520 --> 01:28:46.880
<v Speaker 3>note means. It just looks like it's pink.

1464
01:28:48.720 --> 01:28:49.479
<v Speaker 4>Is this a dream?

1465
01:28:49.720 --> 01:28:51.159
<v Speaker 3>Right? Oh?

1466
01:28:51.199 --> 01:28:53.239
<v Speaker 4>That was Another clue to the fact.

1467
01:28:53.039 --> 01:28:55.840
<v Speaker 3>That he was in the virtual dream state was that

1468
01:28:55.880 --> 01:28:58.319
<v Speaker 3>the cars didn't match up to the time period. Remember

1469
01:28:58.359 --> 01:29:02.000
<v Speaker 3>that they were like if these cars and certain scenes,

1470
01:29:02.319 --> 01:29:04.000
<v Speaker 3>So if you pay attention, you would notice some of

1471
01:29:04.039 --> 01:29:08.520
<v Speaker 3>the scenes that you know that doesn't make sense. So

1472
01:29:08.600 --> 01:29:13.920
<v Speaker 3>he goes to his he meets hiss like his scientology

1473
01:29:13.960 --> 01:29:17.359
<v Speaker 3>handler dude who's creeping around following him around town. Who

1474
01:29:17.479 --> 01:29:20.479
<v Speaker 3>is the guy from the corporation the crowd genis corporation

1475
01:29:20.760 --> 01:29:26.560
<v Speaker 3>in reality sent in as a AI to tell him

1476
01:29:27.319 --> 01:29:34.119
<v Speaker 3>or whatever that he's in his dream state virtual world.

1477
01:29:37.199 --> 01:29:41.359
<v Speaker 3>They played a Bowie song and I started ground control

1478
01:29:41.720 --> 01:29:48.039
<v Speaker 3>to crazy Tom because he's going crazy. So Bowie, that's

1479
01:29:48.119 --> 01:29:54.520
<v Speaker 3>my David Bowie. Wake up Tom. Oh. And there's also

1480
01:29:54.960 --> 01:29:59.800
<v Speaker 3>perhaps an MK culture Hollywood star meltdown. Remember how sometimes

1481
01:30:00.520 --> 01:30:03.239
<v Speaker 3>Brittany m Kelter's stars have the meltdown and they go

1482
01:30:03.319 --> 01:30:05.279
<v Speaker 3>crazy or they beat up people and they don't know

1483
01:30:05.279 --> 01:30:05.760
<v Speaker 3>what's going.

1484
01:30:05.640 --> 01:30:07.640
<v Speaker 5>On any of them.

1485
01:30:07.720 --> 01:30:10.359
<v Speaker 3>Yeah, now I'm talking about the Tom Cruise character having

1486
01:30:10.399 --> 01:30:13.560
<v Speaker 3>an altered mental melting. He can't remember and he doesn't

1487
01:30:13.600 --> 01:30:16.920
<v Speaker 3>know what happened. Yeah, So is there an mk Ulter

1488
01:30:17.039 --> 01:30:18.279
<v Speaker 3>element to this? Maybe perhaps?

1489
01:30:20.199 --> 01:30:23.079
<v Speaker 4>And then the movie goes into the whole syllipsism.

1490
01:30:22.479 --> 01:30:26.319
<v Speaker 3>Reality It is your mind, bro. Uh. The dream state

1491
01:30:26.439 --> 01:30:31.279
<v Speaker 3>blends with reality, so we have surrealism ewat shut. Obviously

1492
01:30:31.319 --> 01:30:33.960
<v Speaker 3>we know from trom Novello. The actual story is a

1493
01:30:34.000 --> 01:30:39.359
<v Speaker 3>surrealist story. Kubrick says, iway shut is full of surrealism,

1494
01:30:40.239 --> 01:30:43.079
<v Speaker 3>and then Kurt Russell says, you hold the keys to

1495
01:30:43.319 --> 01:30:46.960
<v Speaker 3>this prison. That's another indicator that the movie is really

1496
01:30:47.000 --> 01:30:49.640
<v Speaker 3>that Tom has erected his own prison and he's got

1497
01:30:49.680 --> 01:30:53.039
<v Speaker 3>to just choose to see himself out of this through

1498
01:30:53.039 --> 01:30:57.359
<v Speaker 3>the Luciferian keys to the Kingdom. Then he sees the

1499
01:30:57.359 --> 01:31:01.520
<v Speaker 3>redheaded woman who is the you'll see her actually on

1500
01:31:01.640 --> 01:31:05.199
<v Speaker 3>posters in the movie. So there's multiple sequences where this

1501
01:31:05.279 --> 01:31:08.439
<v Speaker 3>is this redheaded woman on this poster, and the reason

1502
01:31:08.520 --> 01:31:12.039
<v Speaker 3>Tom has placed her in his experience is because she's

1503
01:31:12.079 --> 01:31:16.680
<v Speaker 3>the woman who works at the cryogenics lab. All the

1504
01:31:16.680 --> 01:31:20.600
<v Speaker 3>cryogenics people virtual world people in the real world are

1505
01:31:20.640 --> 01:31:23.640
<v Speaker 3>showing up in different places in his virtual world. You see,

1506
01:31:23.680 --> 01:31:28.359
<v Speaker 3>these are just clues. This is just like Inception. There's

1507
01:31:28.359 --> 01:31:30.199
<v Speaker 3>two different ones. Tilda Swinton is in it, but the

1508
01:31:30.279 --> 01:31:33.840
<v Speaker 3>receptionist girl who doesn't look like a crazy witch. It

1509
01:31:33.920 --> 01:31:35.000
<v Speaker 3>just looks like a normal girl.

1510
01:31:35.640 --> 01:31:35.760
<v Speaker 1>Uh.

1511
01:31:36.600 --> 01:31:42.800
<v Speaker 3>He keeps seeing her Hollywood mind control. I don't know

1512
01:31:42.840 --> 01:31:47.479
<v Speaker 3>what that means. He killed Sophia? Does he kill her?

1513
01:31:47.720 --> 01:31:50.079
<v Speaker 5>Yeah? Remember he strangled her and that's why he's in

1514
01:31:50.159 --> 01:31:52.399
<v Speaker 5>the prison with us because he killed her.

1515
01:31:52.479 --> 01:31:53.880
<v Speaker 3>Oh I thought he just beat her up, but he's

1516
01:31:54.159 --> 01:32:00.560
<v Speaker 3>he's in there from and remember the Cringe love making scene.

1517
01:32:00.680 --> 01:32:10.000
<v Speaker 3>How bad that was? Coomb Cruise down Control. It's crazy Tom.

1518
01:32:10.359 --> 01:32:13.119
<v Speaker 5>That's another thing about all these VR movies is like

1519
01:32:13.159 --> 01:32:15.279
<v Speaker 5>a bunch of Coomers. That's all they do is like.

1520
01:32:15.279 --> 01:32:18.039
<v Speaker 3>Get in the VR and well that's what everybody thinks

1521
01:32:18.079 --> 01:32:20.760
<v Speaker 3>of virtual reality. Oh what can I put my peep in?

1522
01:32:22.800 --> 01:32:24.199
<v Speaker 5>That's what's coming next.

1523
01:32:25.640 --> 01:32:35.319
<v Speaker 3>Gone Control to Major kom And the reason that this

1524
01:32:35.399 --> 01:32:39.520
<v Speaker 3>movie has the sixties soundtrack is because he works as

1525
01:32:39.520 --> 01:32:42.119
<v Speaker 3>the head of Rolling Stone or whatever it is supposed to.

1526
01:32:42.600 --> 01:32:43.119
<v Speaker 3>You didn't get that.

1527
01:32:43.279 --> 01:32:47.880
<v Speaker 5>Yeah, Cameron Crow always classics.

1528
01:32:47.279 --> 01:32:47.800
<v Speaker 2>In his.

1529
01:32:49.159 --> 01:32:53.640
<v Speaker 3>Uh. I had another joke something about Tom cringe and

1530
01:32:53.680 --> 01:32:56.319
<v Speaker 3>I forgot what it was. Oh. I can only do

1531
01:32:56.399 --> 01:32:59.359
<v Speaker 3>the Tom.

1532
01:32:59.399 --> 01:33:01.760
<v Speaker 4>That's all I can with Tom. That's the only time

1533
01:33:01.800 --> 01:33:03.239
<v Speaker 4>Cruise something.

1534
01:33:03.079 --> 01:33:06.079
<v Speaker 5>Crazy about his teeth, like they're not centered.

1535
01:33:06.199 --> 01:33:07.000
<v Speaker 3>He has rebel teeth.

1536
01:33:07.159 --> 01:33:07.439
<v Speaker 1>He had.

1537
01:33:07.560 --> 01:33:11.720
<v Speaker 5>His whole upper teeth are rebels, all of them.

1538
01:33:11.880 --> 01:33:14.159
<v Speaker 4>You've got a Luciferian.

1539
01:33:15.520 --> 01:33:20.439
<v Speaker 3>Rebellion going on amongst teeth, amongst his molars. Left hand

1540
01:33:20.520 --> 01:33:27.319
<v Speaker 3>path molars. Uh, where are we at? The subconscious is

1541
01:33:27.319 --> 01:33:34.680
<v Speaker 3>all powerful? Kurt Russell tells him that's changed that Kurt

1542
01:33:34.840 --> 01:33:40.880
<v Speaker 3>is his guardian angel character, his father archetype. Oh the

1543
01:33:41.119 --> 01:33:44.800
<v Speaker 3>the there's an interesting clue. One of the neat parts

1544
01:33:44.800 --> 01:33:46.560
<v Speaker 3>of the movie is all the clues. Right, So if

1545
01:33:46.560 --> 01:33:49.199
<v Speaker 3>you're paying attention to the clues, you you probably have

1546
01:33:49.239 --> 01:33:50.920
<v Speaker 3>to watch this movie extra couple of times through or

1547
01:33:50.920 --> 01:33:54.439
<v Speaker 3>you wouldn't notice this stuff. But there's a guy who's

1548
01:33:54.520 --> 01:33:57.279
<v Speaker 3>the guy who has the dog that went into the

1549
01:33:57.359 --> 01:34:02.119
<v Speaker 3>crowdgenis state on the TV and the guy's wearing a

1550
01:34:02.119 --> 01:34:05.840
<v Speaker 3>T shirt and it says something and then L I

1551
01:34:05.960 --> 01:34:09.680
<v Speaker 3>E stands out, So it's telling you that the it's

1552
01:34:09.720 --> 01:34:10.079
<v Speaker 3>a lie.

1553
01:34:10.279 --> 01:34:12.159
<v Speaker 4>The reality that he's in is a lot right.

1554
01:34:12.319 --> 01:34:14.039
<v Speaker 5>Oh is that the life?

1555
01:34:14.600 --> 01:34:14.800
<v Speaker 3>Yeah?

1556
01:34:15.680 --> 01:34:16.039
<v Speaker 5>Yeah?

1557
01:34:16.079 --> 01:34:19.520
<v Speaker 3>And then the life extension but their acronym is l

1558
01:34:19.520 --> 01:34:20.319
<v Speaker 3>I E lie.

1559
01:34:21.199 --> 01:34:21.319
<v Speaker 2>Uh.

1560
01:34:21.439 --> 01:34:23.359
<v Speaker 3>And then there was something to do with seventy two

1561
01:34:23.439 --> 01:34:27.840
<v Speaker 3>and Kabala. What was that? I don't remember. There was

1562
01:34:27.840 --> 01:34:30.319
<v Speaker 3>something that seventy two comes up, but that's an important

1563
01:34:30.399 --> 01:34:33.640
<v Speaker 3>number and Kabbalism, there are seventy two names of God

1564
01:34:33.640 --> 01:34:36.760
<v Speaker 3>and Kabala, right, But seventy two was in the film

1565
01:34:36.760 --> 01:34:42.960
<v Speaker 3>for some reason. Prominently, there was something to do with

1566
01:34:43.079 --> 01:34:47.039
<v Speaker 3>DNA and life extension. I don't remember this, but they what.

1567
01:34:47.279 --> 01:34:50.079
<v Speaker 5>This is like that TV show that I watched without you.

1568
01:34:51.479 --> 01:34:54.800
<v Speaker 5>I don't know what that is, the one about upload

1569
01:34:54.840 --> 01:34:58.720
<v Speaker 5>yourself into the cloud, the cloud before you die.

1570
01:34:58.840 --> 01:35:04.760
<v Speaker 3>I haven't seen that. I don't know. He chooses this

1571
01:35:04.800 --> 01:35:07.800
<v Speaker 3>is the other reason we know this is a Luciferian

1572
01:35:08.199 --> 01:35:11.920
<v Speaker 3>themed movie is he chooses the Lucid Dream option package

1573
01:35:12.039 --> 01:35:14.720
<v Speaker 3>for when he goes to the cryogenic company and they're like, okay, well,

1574
01:35:14.720 --> 01:35:16.960
<v Speaker 3>when we freeze you, you can either just be there

1575
01:35:17.000 --> 01:35:20.079
<v Speaker 3>waiting until in the future we can save your life,

1576
01:35:20.680 --> 01:35:25.680
<v Speaker 3>or you can enter into the cryptotainment excuse me, cry

1577
01:35:25.720 --> 01:35:29.000
<v Speaker 3>attainment option, which is where you get to live in

1578
01:35:29.039 --> 01:35:34.720
<v Speaker 3>your own universe. You could you get to be Tom God.

1579
01:35:35.119 --> 01:35:42.800
<v Speaker 3>And then a song plays, I have a universe inside

1580
01:35:42.800 --> 01:35:46.159
<v Speaker 3>of me, and that's another key clue to what's going

1581
01:35:46.159 --> 01:35:52.520
<v Speaker 3>on here. So he chooses that option. He chose to

1582
01:35:52.560 --> 01:35:55.319
<v Speaker 3>have his memory wiped, which is option because in the

1583
01:35:55.399 --> 01:35:59.520
<v Speaker 3>MK Ultra programs they have discussed wiping people's minds. They

1584
01:35:59.600 --> 01:36:03.720
<v Speaker 3>discussed people with trauma. Soldiers with trauma have undergone testing

1585
01:36:03.720 --> 01:36:07.199
<v Speaker 3>to have their memories wiped. All this stuff is real,

1586
01:36:07.560 --> 01:36:11.720
<v Speaker 3>and eternal sunshine is spole is money. They do refer

1587
01:36:11.800 --> 01:36:15.359
<v Speaker 3>to resurrection, and but here resurrection means you stay in

1588
01:36:15.399 --> 01:36:19.920
<v Speaker 3>the cryotainment state until in the future we figure out

1589
01:36:19.960 --> 01:36:25.000
<v Speaker 3>how to prolonged life and give you transhumanist immortality. So

1590
01:36:25.039 --> 01:36:27.520
<v Speaker 3>that's why we find out. That's what's going on. And

1591
01:36:27.560 --> 01:36:30.520
<v Speaker 3>the final sequence is that, bro, this is a revolution,

1592
01:36:30.840 --> 01:36:34.359
<v Speaker 3>a revolution of the mind. It's the final frontier, which

1593
01:36:34.479 --> 01:36:38.520
<v Speaker 3>is there's a quote they say, everybody used to laugh

1594
01:36:38.560 --> 01:36:42.159
<v Speaker 3>at Jules Verne, but now we have a revolution of

1595
01:36:42.199 --> 01:36:46.279
<v Speaker 3>the mind. Right, So it ends with I'm taking up

1596
01:36:46.359 --> 01:36:49.960
<v Speaker 3>good vibrations. Right. So the Beach Boys, we all know,

1597
01:36:50.039 --> 01:36:52.359
<v Speaker 3>the Beach Boys is all directly tied into the MK

1598
01:36:52.479 --> 01:36:58.279
<v Speaker 3>culture of Manson mind controls, sixties counterculture, Crowley stuff.

1599
01:36:59.800 --> 01:37:01.640
<v Speaker 4>And guess who else is tied.

1600
01:37:01.439 --> 01:37:07.079
<v Speaker 3>Into the sixties counter culture Manson, Crowley stuff, l Ron Hubbard.

1601
01:37:08.039 --> 01:37:12.119
<v Speaker 3>Where does Tom go to church? Where does Tom go

1602
01:37:12.199 --> 01:37:17.960
<v Speaker 3>to church? Yes, so hence the counter culture. This will

1603
01:37:17.960 --> 01:37:20.760
<v Speaker 3>be relevant for tomorrow's show with Isaac. You guys will

1604
01:37:21.079 --> 01:37:25.319
<v Speaker 3>want to hear this where we cover Marjorie Cameron. What

1605
01:37:25.359 --> 01:37:28.079
<v Speaker 3>do they call it? The Oasis Project. Yeah, So basically,

1606
01:37:28.760 --> 01:37:31.439
<v Speaker 3>the life extension company has gone out of business because

1607
01:37:31.439 --> 01:37:33.039
<v Speaker 3>it's like five hundred years in the future, I don't know,

1608
01:37:33.079 --> 01:37:35.720
<v Speaker 3>something like that. But now it's some other company that

1609
01:37:35.760 --> 01:37:39.319
<v Speaker 3>owns it. And you are your own God. If you

1610
01:37:39.319 --> 01:37:42.359
<v Speaker 3>want to stay in this world, your mind is God,

1611
01:37:42.479 --> 01:37:44.760
<v Speaker 3>and everything in your world is your creation. You just

1612
01:37:44.800 --> 01:37:50.359
<v Speaker 3>live in your own memory dream state basically. And so

1613
01:37:50.520 --> 01:37:53.399
<v Speaker 3>we figure out that he is actually the architect of

1614
01:37:53.439 --> 01:37:58.159
<v Speaker 3>his own world. And this architect needed its Sophia principle

1615
01:37:58.439 --> 01:38:06.439
<v Speaker 3>in the alchemical stuff, right, that's always the case. But

1616
01:38:06.720 --> 01:38:08.960
<v Speaker 3>did he did? He say wanted to wake up? And

1617
01:38:09.079 --> 01:38:10.640
<v Speaker 3>at the point, like they said, he.

1618
01:38:10.680 --> 01:38:15.720
<v Speaker 5>Was like, that's why everything was going wrong because to

1619
01:38:15.720 --> 01:38:16.119
<v Speaker 5>wake up.

1620
01:38:16.199 --> 01:38:19.199
<v Speaker 3>Yeah, And but Tom had chosen the option that to

1621
01:38:19.279 --> 01:38:21.239
<v Speaker 3>wake up, he had to face his fear, which was

1622
01:38:21.239 --> 01:38:23.920
<v Speaker 3>to jump off the building. Yes, that was the key

1623
01:38:24.000 --> 01:38:27.880
<v Speaker 3>to time to wake up. So and he chooses to jump,

1624
01:38:28.479 --> 01:38:31.359
<v Speaker 3>does he wake up? Yeah, that's the last sequence of

1625
01:38:31.399 --> 01:38:39.600
<v Speaker 3>his eye opening. Yeah. Okay. Oh. What was interesting is

1626
01:38:39.640 --> 01:38:42.399
<v Speaker 3>that he had to rid himself of the father archetype.

1627
01:38:43.119 --> 01:38:46.399
<v Speaker 5>Oh, because his dad was the mogul or the Kurt

1628
01:38:46.479 --> 01:38:48.920
<v Speaker 5>Rustle you need. Oh yeah.

1629
01:38:49.000 --> 01:38:51.199
<v Speaker 3>So in other words, in order to become your own God.

1630
01:38:52.000 --> 01:38:54.239
<v Speaker 3>You're gonna have to rid yourself of thinking that you

1631
01:38:54.279 --> 01:38:57.600
<v Speaker 3>need the god, the father archetype you see you are.

1632
01:38:57.720 --> 01:39:00.319
<v Speaker 5>Because he's just a projection of your imagination exactly.

1633
01:39:03.840 --> 01:39:05.840
<v Speaker 3>And yeah, then Tom says, I want to live a

1634
01:39:05.840 --> 01:39:06.239
<v Speaker 3>real life.

1635
01:39:06.239 --> 01:39:07.359
<v Speaker 4>I don't want to be in the matrix.

1636
01:39:08.359 --> 01:39:11.479
<v Speaker 3>So he had previously been a Tom Sickle, he had

1637
01:39:11.520 --> 01:39:14.359
<v Speaker 3>been Coom Cruise, he had been Tom kOhm And now

1638
01:39:14.399 --> 01:39:19.039
<v Speaker 3>he's illuminate Cohon Fern and his eye opens up. And

1639
01:39:19.079 --> 01:39:24.640
<v Speaker 3>that's the last sequence. That is another guy, last one.

1640
01:39:25.479 --> 01:39:26.119
<v Speaker 4>Can we do it?

1641
01:39:27.239 --> 01:39:28.760
<v Speaker 3>By the way, we got a couple of super chats,

1642
01:39:28.840 --> 01:39:31.880
<v Speaker 3>we got some generous people. Finally throwing in that fat

1643
01:39:32.079 --> 01:39:36.439
<v Speaker 3>cash our buddy, Dick Rawl says, for three dollars, do

1644
01:39:36.479 --> 01:39:40.159
<v Speaker 3>you have a po so you can start playing that, Bro,

1645
01:39:40.279 --> 01:39:42.840
<v Speaker 3>I ain't gonna say that on its channel. Come on now,

1646
01:39:43.680 --> 01:39:49.720
<v Speaker 3>come on now, Dicky Rawl fawns for five dollars. Now, no, homie,

1647
01:39:49.720 --> 01:39:53.359
<v Speaker 3>they're not getting rid of me that easily. Don't worry, bro,

1648
01:39:54.079 --> 01:39:59.479
<v Speaker 3>don't worry, Bro. Janey Sophia interesting name, twenty five fat ones.

1649
01:40:00.640 --> 01:40:03.680
<v Speaker 3>I'm a longtime listener. Your lectures led me to orthodoxy. Well,

1650
01:40:03.680 --> 01:40:05.239
<v Speaker 3>God bless you. That's great. That's what we want to

1651
01:40:05.239 --> 01:40:08.880
<v Speaker 3>hear tonight. We're just clowning around though with our classic

1652
01:40:09.439 --> 01:40:14.079
<v Speaker 3>esoteric Hollywood style Tall City ten bucks. Thank you both,

1653
01:40:14.119 --> 01:40:16.359
<v Speaker 3>God bless. Do you have any thoughts on Michael Heiser

1654
01:40:17.000 --> 01:40:20.479
<v Speaker 3>or doing Unseen Realm. I've only read his Divine Council stuff,

1655
01:40:21.640 --> 01:40:23.439
<v Speaker 3>so I don't know about the actual book. I read

1656
01:40:23.439 --> 01:40:25.640
<v Speaker 3>the papers long ago before he had published the books,

1657
01:40:25.640 --> 01:40:28.520
<v Speaker 3>so I think his work's good. I have any problem

1658
01:40:28.560 --> 01:40:29.520
<v Speaker 3>with what I've read?

1659
01:40:30.359 --> 01:40:32.119
<v Speaker 4>Maybe down the road, Yeah, we can do that.

1660
01:40:33.079 --> 01:40:37.079
<v Speaker 3>Okay, two and eighty thirds still still here.

1661
01:40:37.359 --> 01:40:38.479
<v Speaker 4>Thank you for those super chats.

1662
01:40:38.520 --> 01:40:44.000
<v Speaker 3>Everybody. Everybody like my Tom kun jokes. Come on now,

1663
01:40:44.119 --> 01:40:47.800
<v Speaker 3>that was yeah, that's good. Oh you can't read this,

1664
01:40:48.199 --> 01:40:50.000
<v Speaker 3>so you won't read the ones that are These aren't

1665
01:40:50.039 --> 01:40:51.319
<v Speaker 3>that bad.

1666
01:40:51.359 --> 01:40:51.960
<v Speaker 5>I can't read.

1667
01:40:55.119 --> 01:41:00.520
<v Speaker 3>This is probably like down control to ma to koom.

1668
01:41:03.199 --> 01:41:10.960
<v Speaker 3>It's crazy, Tom crazy. That's that's funny, dude.

1669
01:41:11.279 --> 01:41:12.600
<v Speaker 5>I don't know what we're talking about.

1670
01:41:12.880 --> 01:41:16.560
<v Speaker 3>David Bowie, Tom Cruise. I'm happy because Tom Cruise goes

1671
01:41:16.600 --> 01:41:21.479
<v Speaker 3>crazy in this movie, acts like he doesn't reach he

1672
01:41:21.520 --> 01:41:22.760
<v Speaker 3>doesn't reach Nick Cage level.

1673
01:41:25.520 --> 01:41:27.319
<v Speaker 4>That's not the dirty of a joke. It's funny.

1674
01:41:27.319 --> 01:41:30.039
<v Speaker 3>To call him kun Cruise with Tom Kum the way

1675
01:41:30.039 --> 01:41:33.640
<v Speaker 3>he acts in that movie. All right, Video Drome. Uh,

1676
01:41:34.399 --> 01:41:39.319
<v Speaker 3>After Scanners and reviewing Video Drome, I am much more

1677
01:41:39.319 --> 01:41:43.680
<v Speaker 3>impressed with David Cronenberg. I'm a new David Cronenberg fan.

1678
01:41:43.720 --> 01:41:46.680
<v Speaker 3>I mean, I always liked kind of some of those movies,

1679
01:41:46.720 --> 01:41:50.279
<v Speaker 3>but uh, there's quite a bit of revelatory stuff in

1680
01:41:50.319 --> 01:41:53.880
<v Speaker 3>the Scanners, and I like existence the second time through.

1681
01:41:54.039 --> 01:41:57.840
<v Speaker 3>And this is about my fourth time seeing Video Drome,

1682
01:41:57.920 --> 01:42:00.439
<v Speaker 3>and every time I watch Video Drome, I noticed new things.

1683
01:42:01.279 --> 01:42:05.720
<v Speaker 3>And once I noticed the MK Ultra Assassin stuff in

1684
01:42:05.880 --> 01:42:09.600
<v Speaker 3>Video Drone, which I never noticed before. Now I really

1685
01:42:09.720 --> 01:42:11.079
<v Speaker 3>like David Croneberg.

1686
01:42:11.159 --> 01:42:12.239
<v Speaker 4>I think it's pretty badass.

1687
01:42:12.800 --> 01:42:17.399
<v Speaker 3>He's almost like a weirder gooier John Carpenter.

1688
01:42:18.560 --> 01:42:22.840
<v Speaker 5>Yeah. I like Peter Jackson his stuff have you seen not?

1689
01:42:25.119 --> 01:42:27.720
<v Speaker 5>But his other stuff is pretty weird andoy like that.

1690
01:42:28.159 --> 01:42:31.119
<v Speaker 3>Yeah, But there's just like a certain feel to the

1691
01:42:31.199 --> 01:42:34.640
<v Speaker 3>David Croneberg movies. They all have it. It's kind of

1692
01:42:34.640 --> 01:42:36.640
<v Speaker 3>like David unless shes got his own style. Yeah, you know,

1693
01:42:36.720 --> 01:42:40.840
<v Speaker 3>John Carpenter has his own style. Anyway. So we see

1694
01:42:40.920 --> 01:42:43.920
<v Speaker 3>at the beginning a sleek James Woods working at a

1695
01:42:44.000 --> 01:42:49.359
<v Speaker 3>sleazy TV channel called Civic TV. It's a small cable

1696
01:42:49.439 --> 01:42:54.479
<v Speaker 3>access type of channel, and they're trying to h it's

1697
01:42:54.520 --> 01:42:56.800
<v Speaker 3>the station that you take to bed with you. In

1698
01:42:56.840 --> 01:43:00.359
<v Speaker 3>other words, they play degenerate, right at the end edge

1699
01:43:00.399 --> 01:43:04.479
<v Speaker 3>of what the communications decency people allow.

1700
01:43:04.600 --> 01:43:08.359
<v Speaker 5>Remember usay up all Night, It's kind of like that.

1701
01:43:10.720 --> 01:43:12.960
<v Speaker 3>Yeah, James Woods is basically playing like the director of

1702
01:43:13.039 --> 01:43:17.520
<v Speaker 3>USA Up all Night or the station manager type of guy.

1703
01:43:18.720 --> 01:43:21.079
<v Speaker 3>So what we see him originally doing is trying to

1704
01:43:21.159 --> 01:43:24.319
<v Speaker 3>broker a deal with some weird Japanese guys who have

1705
01:43:24.399 --> 01:43:30.279
<v Speaker 3>created some softcore erotic type of movie that's he watches, says,

1706
01:43:30.279 --> 01:43:31.079
<v Speaker 3>this is too soft.

1707
01:43:31.079 --> 01:43:32.520
<v Speaker 4>It's no good. Nobody's gonna like this.

1708
01:43:33.520 --> 01:43:37.560
<v Speaker 3>So James Woods has it in his head that he

1709
01:43:37.600 --> 01:43:39.560
<v Speaker 3>wants to push the limits. He's like, we need to.

1710
01:43:40.199 --> 01:43:42.640
<v Speaker 3>We got to, you know, go all in here and

1711
01:43:42.720 --> 01:43:44.960
<v Speaker 3>really push the limits. And if we put out some

1712
01:43:45.000 --> 01:43:49.640
<v Speaker 3>really degenerate, gross, weird stuff, we'll really get new viewers. Right,

1713
01:43:49.680 --> 01:43:52.520
<v Speaker 3>That's what people are craving is something new and degenerating, weird.

1714
01:43:53.199 --> 01:43:57.600
<v Speaker 3>So as he's on this, he's talking to his satellite

1715
01:43:57.720 --> 01:44:01.880
<v Speaker 3>nerd guy up in the station thing with whatever, all

1716
01:44:01.920 --> 01:44:05.039
<v Speaker 3>the tech stuff. This tech dude. Nerd picks up this station,

1717
01:44:06.159 --> 01:44:10.800
<v Speaker 3>which appears to be a Malaysian s n uff thing.

1718
01:44:12.000 --> 01:44:14.520
<v Speaker 3>Doesn't really show this, so don't don't worry about it.

1719
01:44:14.520 --> 01:44:16.399
<v Speaker 3>I mean, it's it's probably a rated R movie, but

1720
01:44:17.439 --> 01:44:21.840
<v Speaker 3>that's what the movie is implying. It's something akin to

1721
01:44:21.880 --> 01:44:26.439
<v Speaker 3>eight millimeter type of a thing. Max is agame. Max

1722
01:44:26.439 --> 01:44:30.119
<v Speaker 3>Wren is the James Woods character, and so he's immediately entranced.

1723
01:44:30.119 --> 01:44:31.439
<v Speaker 3>He's like, Oh, there we go. That's what we want.

1724
01:44:31.479 --> 01:44:35.600
<v Speaker 3>We want something edgy like this Malaysian torture movie.

1725
01:44:35.640 --> 01:44:35.840
<v Speaker 2>Here.

1726
01:44:36.520 --> 01:44:37.680
<v Speaker 4>He says, let's put this on.

1727
01:44:37.880 --> 01:44:42.560
<v Speaker 3>It'll be violence galore, it'll be the next big thing.

1728
01:44:45.439 --> 01:44:48.680
<v Speaker 3>How is it connected to pressor Professor Oblivion? There's something

1729
01:44:48.720 --> 01:44:50.840
<v Speaker 3>to do with Professor Oblivion. I forget how that's the.

1730
01:44:50.800 --> 01:44:53.079
<v Speaker 5>Guy who's only on VHS's.

1731
01:44:55.159 --> 01:44:56.840
<v Speaker 3>I know that, but I know that, But how does

1732
01:44:56.880 --> 01:44:58.800
<v Speaker 3>he connect to the station? I can't remember.

1733
01:45:00.319 --> 01:45:04.520
<v Speaker 5>Isn't that where they're getting the the feed.

1734
01:45:04.560 --> 01:45:06.960
<v Speaker 3>I don't think the feed's coming from He says that

1735
01:45:07.439 --> 01:45:12.359
<v Speaker 3>maybe it is. Anyway, we'll set that aside for a minute,

1736
01:45:12.359 --> 01:45:17.039
<v Speaker 3>but we have an interesting phrase. The TV is the

1737
01:45:17.079 --> 01:45:20.439
<v Speaker 3>retina of the mind's eye. That's an interesting there's a.

1738
01:45:20.399 --> 01:45:24.279
<v Speaker 5>Lot of one liners in here that are kind of meaningful.

1739
01:45:25.640 --> 01:45:29.039
<v Speaker 3>So I think he does track down some association between

1740
01:45:29.039 --> 01:45:33.319
<v Speaker 3>this weird signal that's being sent out and this Professor Oblivion,

1741
01:45:33.560 --> 01:45:37.199
<v Speaker 3>like oh dash, like he's Iris or something, right, Uh.

1742
01:45:37.560 --> 01:45:41.279
<v Speaker 3>And then he goes to meet with Professor Oblivion and

1743
01:45:41.319 --> 01:45:46.439
<v Speaker 3>he lives atop a homeless shelter. He's got this weird

1744
01:45:46.520 --> 01:45:50.319
<v Speaker 3>palatial condo over this homeless shelter, and all the homeless

1745
01:45:50.319 --> 01:45:54.960
<v Speaker 3>people have TVs. There's cubicles with TVs, and we find

1746
01:45:54.960 --> 01:45:57.119
<v Speaker 3>out he's experimenting on all the homeless people.

1747
01:45:57.199 --> 01:46:00.720
<v Speaker 5>That's their therapy. He thinks they don't fit into society

1748
01:46:00.760 --> 01:46:01.600
<v Speaker 5>because they haven't had.

1749
01:46:01.760 --> 01:46:05.279
<v Speaker 3>So they have to be socialized through TV to heal them.

1750
01:46:05.319 --> 01:46:09.840
<v Speaker 3>So but Professor Oblivion supposedly says TV can save society,

1751
01:46:10.920 --> 01:46:13.079
<v Speaker 3>and so James Woods like, all right, well I got

1752
01:46:13.159 --> 01:46:14.920
<v Speaker 3>to meet this guy. This sounds crazy. So he goes

1753
01:46:14.920 --> 01:46:18.680
<v Speaker 3>and he can't meet with him because he's only on

1754
01:46:18.800 --> 01:46:24.079
<v Speaker 3>TV on TV, so he's meta TV. You remember that part, Oh.

1755
01:46:23.960 --> 01:46:25.560
<v Speaker 5>Yeah, because he goes on that talk show.

1756
01:46:26.960 --> 01:46:28.560
<v Speaker 3>But when he goes on the talk show, they'd have

1757
01:46:28.560 --> 01:46:31.479
<v Speaker 3>to wheel out a TV to be his character on

1758
01:46:31.520 --> 01:46:32.079
<v Speaker 3>the talk show.

1759
01:46:33.560 --> 01:46:35.000
<v Speaker 4>So there's meta level.

1760
01:46:35.039 --> 01:46:39.039
<v Speaker 3>Metaphysics questions that, as we saw in the Existence, David

1761
01:46:39.079 --> 01:46:40.720
<v Speaker 3>Cronenberg is asking this kind.

1762
01:46:40.640 --> 01:46:43.000
<v Speaker 5>Of question, right, all of these have a kind of

1763
01:46:43.039 --> 01:46:45.039
<v Speaker 5>inceptional Yes, exactly.

1764
01:46:47.159 --> 01:46:49.079
<v Speaker 3>He talks about the cathode ray tube, but we know

1765
01:46:49.159 --> 01:46:52.920
<v Speaker 3>that that has a golden dawn esoteric origin, right, the

1766
01:46:53.920 --> 01:46:59.439
<v Speaker 3>Crooks Tube. Max says, I want a movie that I

1767
01:46:59.479 --> 01:47:03.479
<v Speaker 3>want show or a streaming network that's no plot, just moaning,

1768
01:47:04.119 --> 01:47:07.399
<v Speaker 3>and by that he means torture and murder. So he

1769
01:47:07.479 --> 01:47:09.880
<v Speaker 3>meets up with a chick who becomes his new girlfriend,

1770
01:47:09.960 --> 01:47:14.399
<v Speaker 3>Debbie Harry Blondie. And by the way, if you didn't notice,

1771
01:47:14.479 --> 01:47:17.760
<v Speaker 3>Blondie was hanging out with I think Marina Abramovich, which

1772
01:47:17.800 --> 01:47:20.800
<v Speaker 3>is interesting. Well, it turns out Debbie Harry, who's the

1773
01:47:21.399 --> 01:47:24.720
<v Speaker 3>supposedly the moral psychiatric character, she's a psychologist or something

1774
01:47:24.760 --> 01:47:27.760
<v Speaker 3>like that. So she turns out to really enjoy the

1775
01:47:27.840 --> 01:47:32.600
<v Speaker 3>bead creepy bonded stuff, right, So she likes this kind

1776
01:47:32.600 --> 01:47:36.880
<v Speaker 3>of stuff. The more that James Woods is watching this

1777
01:47:36.960 --> 01:47:39.319
<v Speaker 3>kind of stuff to try to find these creepy TV shows,

1778
01:47:39.359 --> 01:47:41.520
<v Speaker 3>the more he's into it. Just like the Nick Cage

1779
01:47:41.640 --> 01:47:45.079
<v Speaker 3>character in eight millimenter, right. So it's almost like the

1780
01:47:46.239 --> 01:47:49.399
<v Speaker 3>Debbie Harry. She's leading him down into more and more

1781
01:47:49.439 --> 01:47:51.920
<v Speaker 3>of this degeneracy and she's like, ooh, let's make out

1782
01:47:51.960 --> 01:47:54.479
<v Speaker 3>and do this, this, this right. And then it's even

1783
01:47:54.479 --> 01:47:56.960
<v Speaker 3>to the point where they're like drinking blood right or

1784
01:47:57.000 --> 01:48:00.760
<v Speaker 3>tasting it. I should say this is the idea of

1785
01:48:00.800 --> 01:48:04.960
<v Speaker 3>the theater of brutality, that the toxic media would have

1786
01:48:05.039 --> 01:48:07.840
<v Speaker 3>the power and the ability to brutalize the public. The

1787
01:48:07.880 --> 01:48:11.800
<v Speaker 3>degradation of the flesh. That's the whole point of this movie.

1788
01:48:12.600 --> 01:48:15.760
<v Speaker 3>So there's a gnostic component, which is the hatred of

1789
01:48:15.800 --> 01:48:19.880
<v Speaker 3>the flesh which underlies this movie. Now what's interesting is

1790
01:48:19.880 --> 01:48:24.600
<v Speaker 3>that James Woods keeps insisting that the there's a race

1791
01:48:24.680 --> 01:48:27.680
<v Speaker 3>to the degeneracy and it calls to mind like the

1792
01:48:27.720 --> 01:48:35.119
<v Speaker 3>old Faces of Death Mondo video type stuff. Here, let's

1793
01:48:35.119 --> 01:48:38.000
<v Speaker 3>see I covered this part. Oh, when we're in so

1794
01:48:38.000 --> 01:48:41.920
<v Speaker 3>when he's by the way, when he's in Professor Oblivion's office,

1795
01:48:42.039 --> 01:48:45.439
<v Speaker 3>it's all religious iconography. There's icons. I think there's an

1796
01:48:45.600 --> 01:48:49.279
<v Speaker 3>icon there's a Shiva the Destroyer there. So he represents

1797
01:48:49.319 --> 01:48:52.479
<v Speaker 3>like the far off father figure. They call him the

1798
01:48:52.479 --> 01:48:56.479
<v Speaker 3>father God. He's Father Oblivion and he runs this weird

1799
01:48:56.560 --> 01:49:03.640
<v Speaker 3>mission right, which is this mind control place. He says,

1800
01:49:03.680 --> 01:49:09.119
<v Speaker 3>the difference between you and video Drome is that videodrome

1801
01:49:09.159 --> 01:49:11.960
<v Speaker 3>has a philosophy. This is what he tells Max Wren,

1802
01:49:12.119 --> 01:49:16.319
<v Speaker 3>the Oblivion character who we don't we never see Oblivion.

1803
01:49:16.920 --> 01:49:19.920
<v Speaker 4>And James Woods is he's obsessed with this by now.

1804
01:49:19.920 --> 01:49:22.159
<v Speaker 3>He says, look, I gotta get access to this signal,

1805
01:49:22.199 --> 01:49:23.439
<v Speaker 3>to the show, to the station.

1806
01:49:24.119 --> 01:49:25.239
<v Speaker 4>He says, I can't figure it out.

1807
01:49:25.359 --> 01:49:27.039
<v Speaker 3>What do you mean it has a philosophy, And he

1808
01:49:27.079 --> 01:49:31.000
<v Speaker 3>says that the philosophy of video Drome is that TV

1809
01:49:31.199 --> 01:49:43.039
<v Speaker 3>becomes reality. The more Max stays in video Drome, meaning

1810
01:49:43.079 --> 01:49:45.520
<v Speaker 3>his obsession with it, watching it, watching it over and

1811
01:49:45.560 --> 01:49:48.439
<v Speaker 3>over and over and getting access to these tapes, the

1812
01:49:48.439 --> 01:49:52.840
<v Speaker 3>more it starts to rewire his brain and he starts

1813
01:49:52.880 --> 01:49:56.720
<v Speaker 3>seeing things. It actually changes his perception of reality. So

1814
01:49:56.840 --> 01:50:00.840
<v Speaker 3>this is all an allegory for mass media, for TV.

1815
01:50:01.560 --> 01:50:05.159
<v Speaker 3>I mean, David Cronenberg is correct in this. He's telling

1816
01:50:05.199 --> 01:50:09.800
<v Speaker 3>us correctly. What's actually going on, and what starts to

1817
01:50:09.840 --> 01:50:13.079
<v Speaker 3>happen is that the VHS and the TV world starts

1818
01:50:13.119 --> 01:50:16.560
<v Speaker 3>to come alive. And there's even a statement made at

1819
01:50:16.560 --> 01:50:19.880
<v Speaker 3>one point that TV is there. I think it's the

1820
01:50:19.920 --> 01:50:21.680
<v Speaker 3>Deep Stay guys. You remember when the guys from the

1821
01:50:22.319 --> 01:50:26.199
<v Speaker 3>secret government show up and they're like, the battle for

1822
01:50:26.279 --> 01:50:30.479
<v Speaker 3>the mind of North America is being fought in the television,

1823
01:50:30.560 --> 01:50:34.399
<v Speaker 3>in the video drum. Yeah, so TV is intended to

1824
01:50:34.439 --> 01:50:39.199
<v Speaker 3>become reality in the simulacrum. Your reality is half simulation.

1825
01:50:40.760 --> 01:50:44.159
<v Speaker 3>And this is what Oblivion eventually tells Max Renn. He says,

1826
01:50:44.600 --> 01:50:49.279
<v Speaker 3>the vision that you're watching, the frequencies and the screens,

1827
01:50:49.920 --> 01:50:54.479
<v Speaker 3>he says, they're causing tumors in your head. Then he says,

1828
01:50:54.520 --> 01:50:58.880
<v Speaker 3>the tumor is alive. The tumor is video drum, and

1829
01:50:58.920 --> 01:51:00.800
<v Speaker 3>it's a virus in your mind.

1830
01:51:01.359 --> 01:51:05.159
<v Speaker 5>It's just like Joint and Monica that the technology is

1831
01:51:05.239 --> 01:51:05.920
<v Speaker 5>making them ill.

1832
01:51:06.880 --> 01:51:09.920
<v Speaker 4>And then this is when it gets really crazy.

1833
01:51:10.760 --> 01:51:15.119
<v Speaker 3>The Deep State men in black operator operas operators who

1834
01:51:15.159 --> 01:51:19.680
<v Speaker 3>come to Max wren They say, guess what, Max, your

1835
01:51:19.800 --> 01:51:24.319
<v Speaker 3>video drum's first victim. We chose you to be the

1836
01:51:24.439 --> 01:51:28.680
<v Speaker 3>scientific mind control experiment to see what we could do

1837
01:51:28.840 --> 01:51:32.680
<v Speaker 3>with programming you through the video drum. He says, all

1838
01:51:32.760 --> 01:51:35.960
<v Speaker 3>of it. Your tech nerd guy. He works for us, basically,

1839
01:51:35.960 --> 01:51:39.640
<v Speaker 3>the NSA, And he says, not only that, we're going

1840
01:51:39.720 --> 01:51:42.399
<v Speaker 3>to program you to see what we can and can't

1841
01:51:42.439 --> 01:51:47.960
<v Speaker 3>do with this, and surprise, shocker, they program him to

1842
01:51:48.000 --> 01:51:54.399
<v Speaker 3>be an MK ultra assassin, a killer. He says, I

1843
01:51:54.920 --> 01:51:57.920
<v Speaker 3>Max Wrenn, the James Wood character, says he finally realizes

1844
01:51:57.920 --> 01:52:00.920
<v Speaker 3>what's going on. He says, I was video drums first victim. No, no, no,

1845
01:52:00.960 --> 01:52:03.840
<v Speaker 3>I'm sorry, Professor Oblivion, I'm sorry who says I'm a

1846
01:52:03.960 --> 01:52:06.439
<v Speaker 3>video drones first victim? Because he ends up dead and

1847
01:52:06.479 --> 01:52:09.000
<v Speaker 3>you find out there is no Professor Oblivion. There's just

1848
01:52:09.119 --> 01:52:14.640
<v Speaker 3>tapes of this guy. The virtual world starts becoming real.

1849
01:52:14.840 --> 01:52:21.600
<v Speaker 3>It starts seeping into the mind of James Woods. The

1850
01:52:21.640 --> 01:52:24.119
<v Speaker 3>point of all this is that the mind itself, that

1851
01:52:24.279 --> 01:52:27.760
<v Speaker 3>the TV is a mind virus. It's all about signals, warfare,

1852
01:52:27.840 --> 01:52:32.479
<v Speaker 3>signals research, signals intelligence. The signals caused the brain tumor

1853
01:52:32.520 --> 01:52:37.640
<v Speaker 3>and the hallucinations. Doctor Oblivion is the first v logger,

1854
01:52:37.960 --> 01:52:41.560
<v Speaker 3>which is interesting. He is. We find out he's the

1855
01:52:41.560 --> 01:52:43.960
<v Speaker 3>co creator of video Drone. But the reason he's dead

1856
01:52:44.039 --> 01:52:47.399
<v Speaker 3>is because he thought that television could be a thing

1857
01:52:47.479 --> 01:52:51.079
<v Speaker 3>that could educate people. But the deep state, the military

1858
01:52:51.079 --> 01:52:55.800
<v Speaker 3>industrial complex, grabbed up all of the technology and weaponized

1859
01:52:55.800 --> 01:53:01.479
<v Speaker 3>it to create a tumor giving toxic system, and the

1860
01:53:01.520 --> 01:53:05.279
<v Speaker 3>tumor is a new organ that's developing. Remember the weird

1861
01:53:05.399 --> 01:53:10.159
<v Speaker 3>organs in existence, right, Cronenberg has a thing for organs.

1862
01:53:13.199 --> 01:53:18.439
<v Speaker 3>What does that say? Something doses of signal greater and

1863
01:53:18.479 --> 01:53:21.560
<v Speaker 3>greater doses of the signal will create the tumors in

1864
01:53:21.600 --> 01:53:25.079
<v Speaker 3>the mind of the public. And then through the signal

1865
01:53:25.359 --> 01:53:28.560
<v Speaker 3>that's sent out, I think they live. Remember the signal

1866
01:53:28.600 --> 01:53:36.640
<v Speaker 3>that's being sent out, they can alter everyone's perception. So

1867
01:53:36.680 --> 01:53:40.000
<v Speaker 3>the purpose of the gun and him putting the gun

1868
01:53:40.039 --> 01:53:42.960
<v Speaker 3>in his stomach and all this polling it out, this

1869
01:53:43.079 --> 01:53:52.439
<v Speaker 3>is because he's being programmed for a cathode ray mission, right,

1870
01:53:52.520 --> 01:53:54.760
<v Speaker 3>So that the cathode ray mission is where he goes

1871
01:53:54.800 --> 01:53:58.159
<v Speaker 3>to meet Professor Obliving where they're experimenting on the hoboes.

1872
01:53:58.920 --> 01:54:01.600
<v Speaker 3>But he's also being pro for a cathode a mission,

1873
01:54:01.880 --> 01:54:06.720
<v Speaker 3>meaning that yes, to go do a mass bang bang event.

1874
01:54:08.520 --> 01:54:10.720
<v Speaker 3>So that's the crazy part of this is that he

1875
01:54:10.880 --> 01:54:12.880
<v Speaker 3>is told that he has to by the deep state

1876
01:54:12.920 --> 01:54:15.439
<v Speaker 3>people through the signals, he has to go and shoot

1877
01:54:15.520 --> 01:54:20.239
<v Speaker 3>up do a bang bang at his TV station. And

1878
01:54:20.319 --> 01:54:24.680
<v Speaker 3>then crazy part we find out that the cover front

1879
01:54:24.800 --> 01:54:32.000
<v Speaker 3>company behind all this is called Spectacular Optical and they

1880
01:54:32.039 --> 01:54:37.560
<v Speaker 3>are a lens development company that also creates lenses for

1881
01:54:37.720 --> 01:54:41.680
<v Speaker 3>the Deep Stay and missile guidance services for NATO. So

1882
01:54:41.720 --> 01:54:49.199
<v Speaker 3>it's a defense contractor company that makes refracted lenses that's

1883
01:54:49.279 --> 01:54:53.760
<v Speaker 3>engaged in psychological warfare to test to see if TV

1884
01:54:54.199 --> 01:54:58.279
<v Speaker 3>screens and lenses can send a signal to program the public.

1885
01:54:59.000 --> 01:55:02.239
<v Speaker 3>And it just so happens that James Woods is the

1886
01:55:02.279 --> 01:55:07.920
<v Speaker 3>test subject for the assassination program, so he becomes a

1887
01:55:08.000 --> 01:55:11.399
<v Speaker 3>mind controlled assassin. It took me like four times to

1888
01:55:11.479 --> 01:55:13.199
<v Speaker 3>watching this movie to figure that out because it's a

1889
01:55:13.239 --> 01:55:17.800
<v Speaker 3>really weird surrealist movie. But once I like now, it's like, oh,

1890
01:55:17.880 --> 01:55:19.800
<v Speaker 3>that's totally what this mean. That's why they mentioned him

1891
01:55:19.840 --> 01:55:21.640
<v Speaker 3>working for the for the ferd Nado.

1892
01:55:21.840 --> 01:55:23.960
<v Speaker 5>Just like all the other ones in this batch is

1893
01:55:24.079 --> 01:55:25.840
<v Speaker 5>like confabulation of reality.

1894
01:55:25.920 --> 01:55:28.840
<v Speaker 3>And but they make it very clear that he is

1895
01:55:28.880 --> 01:55:33.520
<v Speaker 3>sent on a assassination program mission because eventually the girl

1896
01:55:33.680 --> 01:55:38.159
<v Speaker 3>says she she has the key key phrase. What does

1897
01:55:38.199 --> 01:55:42.439
<v Speaker 3>she say? She says, you are the weapon you've aceived

1898
01:55:42.560 --> 01:55:45.439
<v Speaker 3>received your killer programming m hm. And so he's just

1899
01:55:45.479 --> 01:55:49.760
<v Speaker 3>a patsy. He's just a patsy for this test. Anyway,

1900
01:55:49.840 --> 01:55:51.119
<v Speaker 3>let me I don't want to get ahead of myself

1901
01:55:51.119 --> 01:55:57.560
<v Speaker 3>because this is this is crazy. He dissociates. Uh, he

1902
01:55:57.680 --> 01:56:00.960
<v Speaker 3>kills an old woman I think at some point, but

1903
01:56:01.039 --> 01:56:03.199
<v Speaker 3>he's starting to not be able to realize what's real.

1904
01:56:04.399 --> 01:56:06.680
<v Speaker 3>He doesn't even know if he has a body, so

1905
01:56:06.720 --> 01:56:09.119
<v Speaker 3>he's he's got alters. He's dissociating.

1906
01:56:09.720 --> 01:56:12.119
<v Speaker 5>He becomes one with his weapon.

1907
01:56:12.079 --> 01:56:15.640
<v Speaker 3>Weapon, because he is a weapon. Now he's a weapon.

1908
01:56:18.560 --> 01:56:23.359
<v Speaker 3>The guy that he the nerd at his the nerdy

1909
01:56:23.399 --> 01:56:26.079
<v Speaker 3>tech guy, turns out to be an NSA deep state guy.

1910
01:56:26.119 --> 01:56:28.000
<v Speaker 3>He's a plant that was put there by the Milter

1911
01:56:28.079 --> 01:56:33.279
<v Speaker 3>Indotional Complex company, he says. He tells James Woods, he says,

1912
01:56:33.319 --> 01:56:35.239
<v Speaker 3>the whole point of this was to expose you to

1913
01:56:36.000 --> 01:56:40.600
<v Speaker 3>the signal to videodrome, to get you involved. And he's like,

1914
01:56:40.640 --> 01:56:43.560
<v Speaker 3>would you James Woods, so you've never seen it, He's like,

1915
01:56:43.600 --> 01:56:45.199
<v Speaker 3>why would I watch any of that stuff? He's like,

1916
01:56:45.199 --> 01:56:48.279
<v Speaker 3>it's degenerate, it just destroys you. So the deep state

1917
01:56:48.319 --> 01:56:52.119
<v Speaker 3>people don't watch it. Then they put a virtual reality

1918
01:56:52.159 --> 01:56:56.199
<v Speaker 3>apparatus on James Woods and he has to sit there

1919
01:56:56.279 --> 01:56:59.159
<v Speaker 3>and get programmed to another even greater level by this

1920
01:56:59.560 --> 01:57:03.079
<v Speaker 3>VR apparatus. And this is what programs him to go

1921
01:57:03.159 --> 01:57:04.319
<v Speaker 3>do the assassination.

1922
01:57:04.760 --> 01:57:07.880
<v Speaker 5>That was weird because after he put the apparatus on,

1923
01:57:07.960 --> 01:57:12.800
<v Speaker 5>they never showed him take it off, so anything after

1924
01:57:12.840 --> 01:57:15.359
<v Speaker 5>that could have been deeper into the.

1925
01:57:15.640 --> 01:57:18.319
<v Speaker 3>That's a good point, you know, anyway. But so he

1926
01:57:18.399 --> 01:57:20.359
<v Speaker 3>is the patsy though. I think we're supposed to think

1927
01:57:20.359 --> 01:57:22.840
<v Speaker 3>that he really is doing a killing though, because he

1928
01:57:23.239 --> 01:57:25.880
<v Speaker 3>becomes a killing machine. He goes and does his assassination thing.

1929
01:57:27.520 --> 01:57:30.000
<v Speaker 3>And she says, they can play you now the girl,

1930
01:57:30.000 --> 01:57:34.560
<v Speaker 3>that woman that he saw originally, Video Drum is death,

1931
01:57:35.079 --> 01:57:37.399
<v Speaker 3>and he says, you are death. You are the program,

1932
01:57:37.479 --> 01:57:45.720
<v Speaker 3>the program programming, TV programming, you are the program. The

1933
01:57:45.800 --> 01:57:47.239
<v Speaker 3>cassette is the program.

1934
01:57:47.279 --> 01:57:50.079
<v Speaker 5>You become one with a net in the other ones,

1935
01:57:50.119 --> 01:57:51.600
<v Speaker 5>you're one with the video drum.

1936
01:57:52.279 --> 01:57:54.039
<v Speaker 3>And then we have these weird phrases where he says,

1937
01:57:54.079 --> 01:57:55.960
<v Speaker 3>I am the video cassette made flesh. I am the

1938
01:57:56.039 --> 01:57:59.800
<v Speaker 3>video word made flesh. So it's like the new God basically.

1939
01:58:01.279 --> 01:58:03.479
<v Speaker 3>Then he decides that he's had enough of this stuff

1940
01:58:03.520 --> 01:58:07.159
<v Speaker 3>and Video Drome must be destroyed. He starts chanting death,

1941
01:58:07.159 --> 01:58:10.359
<v Speaker 3>the video Drome long lived the new Flesh. So he

1942
01:58:10.439 --> 01:58:13.359
<v Speaker 3>ends up killing his nerd handler and then he goes

1943
01:58:13.479 --> 01:58:18.960
<v Speaker 3>to the conference where there's the Deep State handler guy

1944
01:58:18.960 --> 01:58:21.920
<v Speaker 3>who works at Spectacular Optical is showing off the new

1945
01:58:21.960 --> 01:58:26.880
<v Speaker 3>line of lenses for glasses. There we see a lot

1946
01:58:26.920 --> 01:58:28.920
<v Speaker 3>of all seeing eye imagery that's there on purpose, and

1947
01:58:28.960 --> 01:58:33.880
<v Speaker 3>they call it the Medici line. That's interesting, Black nobility, right,

1948
01:58:35.239 --> 01:58:37.880
<v Speaker 3>this is the time period when optics was beginning to

1949
01:58:37.960 --> 01:58:38.840
<v Speaker 3>become a science.

1950
01:58:39.680 --> 01:58:41.800
<v Speaker 5>She masks too.

1951
01:58:43.640 --> 01:58:46.279
<v Speaker 4>Yeah, but there's not really any masks in this movie.

1952
01:58:46.039 --> 01:58:49.439
<v Speaker 5>Except that they were any other movies.

1953
01:58:53.319 --> 01:58:56.600
<v Speaker 3>There's a giant quote of Lorenzo de Medici, the love

1954
01:58:56.680 --> 01:59:01.640
<v Speaker 3>of the eye, the soul, et cetera. Something about the

1955
01:59:01.760 --> 01:59:06.000
<v Speaker 3>Sistine Chapel comes up. Renaissance optics science is what this

1956
01:59:06.119 --> 01:59:12.920
<v Speaker 3>is referring to. We must undergo a total transformation, kill

1957
01:59:12.960 --> 01:59:14.920
<v Speaker 3>the old flesh to become the new flesh. Don't be

1958
01:59:14.960 --> 01:59:18.560
<v Speaker 3>afraid to.

1959
01:59:17.079 --> 01:59:18.279
<v Speaker 4>Let the body die.

1960
01:59:19.319 --> 01:59:23.840
<v Speaker 3>And then we see James woulds apparently die. So I

1961
01:59:24.000 --> 01:59:26.319
<v Speaker 3>my reading of this is that it's like an MK

1962
01:59:26.600 --> 01:59:31.039
<v Speaker 3>delta assassination programming. He goes to kill himself after he's

1963
01:59:31.039 --> 01:59:34.479
<v Speaker 3>done his job of assassinating, so he assassinates to him

1964
01:59:34.520 --> 01:59:39.079
<v Speaker 3>he's supposed to assassinate, and then he goes and he

1965
01:59:38.600 --> 01:59:40.800
<v Speaker 3>he's run out of the city and he's living in

1966
01:59:40.800 --> 01:59:43.640
<v Speaker 3>this little shack and he sees a TV and the

1967
01:59:43.680 --> 01:59:45.560
<v Speaker 3>TV says, it's time for you to ascend to the

1968
01:59:45.600 --> 01:59:48.600
<v Speaker 3>next phase. Go ahead and get ready of your flesh.

1969
01:59:49.399 --> 01:59:54.479
<v Speaker 3>Is this just his suicide programming as an assassin? What

1970
01:59:54.600 --> 01:59:55.000
<v Speaker 3>do you think?

1971
01:59:56.560 --> 01:59:59.119
<v Speaker 5>Yeah? I think that was my second time watching it,

1972
01:59:59.560 --> 02:00:02.399
<v Speaker 5>and the first time I didn't know a whole lot

1973
02:00:02.439 --> 02:00:05.640
<v Speaker 5>about what we're talking about.

1974
02:00:06.279 --> 02:00:09.439
<v Speaker 3>So well, it was a fun, fun bunch of how

1975
02:00:09.439 --> 02:00:15.680
<v Speaker 3>many uh what's what was the goody's grossest thing in

1976
02:00:15.680 --> 02:00:16.239
<v Speaker 3>that movie.

1977
02:00:17.840 --> 02:00:19.319
<v Speaker 5>When he opens his belly.

1978
02:00:19.479 --> 02:00:23.159
<v Speaker 3>Yeah, that's what everybody remembers. How many.

1979
02:00:25.840 --> 02:00:26.239
<v Speaker 5>Googun?

1980
02:00:26.399 --> 02:00:29.880
<v Speaker 3>How many hand goog guns? Do you give it?

1981
02:00:30.960 --> 02:00:31.279
<v Speaker 2>All right?

1982
02:00:31.560 --> 02:00:37.399
<v Speaker 3>All right, thank you guys, We're done. Paul City was

1983
02:00:37.399 --> 02:00:39.119
<v Speaker 3>the last one. Thank you guys for the super chats.

1984
02:00:39.560 --> 02:00:41.760
<v Speaker 3>This was a lot of fun virtual worlds. I don't

1985
02:00:41.760 --> 02:00:45.239
<v Speaker 3>think the optimism of the eighties and nineties about what

1986
02:00:45.279 --> 02:00:48.000
<v Speaker 3>the net and the virtual realm would be has actually

1987
02:00:48.000 --> 02:00:51.399
<v Speaker 3>come to play come into play. Rather, I think we're

1988
02:00:51.520 --> 02:00:57.000
<v Speaker 3>entering into the dystopia and not the the fun surfing

1989
02:00:57.119 --> 02:00:59.439
<v Speaker 3>the web phase of what everybody thought it would be.

1990
02:00:59.520 --> 02:01:02.560
<v Speaker 3>So I'm gonna say the best of these movies is

1991
02:01:02.880 --> 02:01:08.760
<v Speaker 3>probably Videodrome after that Vanilla Sky existence, and then the

1992
02:01:08.800 --> 02:01:14.039
<v Speaker 3>other ones are more comical. All right, God bless everybody,

1993
02:01:14.039 --> 02:01:14.520
<v Speaker 3>have a good night.
