WEBVTT

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<v Speaker 1>Hello, and welcome to Deep Blue Sea the Podcast. I

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<v Speaker 1>am Mark. If there's blood, there's more blood Hoffmeier.

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<v Speaker 2>And I am Jay. Oh wow, fluid, Welcome to the podcast.

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<v Speaker 2>On this show, into the entire deeper seizure already seen

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<v Speaker 2>by scene. We're doing it again, but not today. Today

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<v Speaker 2>we are continuing two things, will continuing a You're a Reptiles,

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<v Speaker 2>also continuing our exploration of the Anaconda franchise with Anaconda

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<v Speaker 2>three Offspring. I forgot to write an intro featuring offspring songs.

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<v Speaker 2>I'm sorry. I wrote a note to.

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<v Speaker 1>A bunch of snakes come out and play and uh,

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<v Speaker 1>let's see spring. We can do it.

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<v Speaker 2>There's no there's no kids in this the kids on now.

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<v Speaker 2>You can't say that.

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<v Speaker 1>I would say the movies already fly for a straight

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<v Speaker 1>to TV snake movie, but I won't. It's good that

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<v Speaker 1>people got a job.

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<v Speaker 2>Yeah, there's not a lot of repetition they can't repeat

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<v Speaker 2>in the script. I'm flaming already.

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<v Speaker 1>I think if people watch this movie, they might have

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<v Speaker 1>lower self esteem, or if they made this film, they

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<v Speaker 1>might have a lower self esteem. At first, I thought

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<v Speaker 1>I wanted them, wanted you bad. I saw the the

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<v Speaker 1>DVD and I was like, I want you bad, but

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<v Speaker 1>then I.

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<v Speaker 2>Went, no, it does house Hope. So it's pure Americana.

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<v Speaker 1>So it's I started watching Anaconda four because in my

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<v Speaker 1>head I made up a narrative where the Anaconda Anaconda four. No,

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<v Speaker 1>I in my head, I believe that Anaconda three started

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<v Speaker 1>Brigitte Nelson, Neil Neil, now you know Brigit, Yeah, Nielsen,

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<v Speaker 1>Brigitte Nielsen. And I don't know why. I just saw

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<v Speaker 1>the I never looked close to the posters or whatever

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<v Speaker 1>it was. I'm like, all right, so three is Brigitte Nielsen.

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<v Speaker 1>So I put it on. I'm like, I'm pretty sure

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<v Speaker 1>Hasselhoff is, like Hasselhoff is in this one, and he

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<v Speaker 1>didn't pop up for a long time. So then I like,

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<v Speaker 1>I paused to be and I looked at what I

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<v Speaker 1>was like, what this isn't say Anakona three. So then

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<v Speaker 1>I typed in Anaconda three and it was a different

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<v Speaker 1>one with Hasselhoff on the poster. But I'm swear to you, Jay,

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<v Speaker 1>I thought the poster for Anaconda four was Anacon three,

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<v Speaker 1>and I thought Brigitte Nielsen was in it. I and

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<v Speaker 1>you know, me I'm all about research. I get hired

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<v Speaker 1>for research jobs. So I wasn't being lazy. I'm not

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<v Speaker 1>being that guy that's like, you know, I didn't even

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<v Speaker 1>watch the movie. I didn't like research it. I just

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<v Speaker 1>I just that's what I made up in my head,

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<v Speaker 1>and I was completely wrong. And now I've watched a

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<v Speaker 1>lot of Anaconda four. But I've also watched Anakon of three.

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<v Speaker 2>Well mean, we'll talk about four eventually, which as I

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<v Speaker 2>know that it's like a continuation from this one because

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<v Speaker 2>they filmed them back to back. Yeah, the presents film

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<v Speaker 2>and thinking you must be thinking of his Cobra. That's

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<v Speaker 2>the only thing I can think of, this same Conda.

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<v Speaker 1>Let me look cob What year Cobra ninth like NY six?

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<v Speaker 1>Oh no, no, I'm telling you, I swear an I

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<v Speaker 1>could have sworn that Anaconda four was I thought that

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<v Speaker 1>was Brigitte Nielsen. I'm the poster, but it's not.

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<v Speaker 2>It doesn't have been in any kind of creature feature.

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<v Speaker 2>So she seems to have escaped them.

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<v Speaker 1>But look at the poster for Anaconda's Trail of Blood.

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<v Speaker 1>It's Crystal Allen. Crystal Allen. But I'm telling you that

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<v Speaker 1>looks like Brigitte Nielsen from A Ways Away.

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<v Speaker 2>Sure, yeah, I can see that.

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<v Speaker 1>Yeah.

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<v Speaker 2>So Anaconda three Offspring stars as we said, it's directed

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<v Speaker 2>by Don E. Foltleroy and it stars Crystal Allen as

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<v Speaker 2>a herpetologist working in a pharmaceutical company. I think it's

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<v Speaker 2>the same one from from Anicon to two where they're

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<v Speaker 2>trying to it turns out the blood or kid doesn't

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<v Speaker 2>work on mammals, which includes humans. So all of that

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<v Speaker 2>was for nothing. But they have created a giant anaconda

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<v Speaker 2>for reasons. I'm not sure. They're still trying to do

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<v Speaker 2>the whole life longevity thing. John rays Davies is in

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<v Speaker 2>this film as the as Murdock as the head of

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<v Speaker 2>the facility. This is the suit and he's dying of cancer,

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<v Speaker 2>so he wants to sort to be expedited. He physics

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<v Speaker 2>facility aggravates the anaconda with a flashlight. It breaks for

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<v Speaker 2>Garl's escapes, and so they bring in some hunters led

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<v Speaker 2>by David Haswelf Stephen Hammett to take it down, and

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<v Speaker 2>hilarity and many, many many beheadings ensue. This is the

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<v Speaker 2>shape a snake that only seems to eat heads, heads,

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<v Speaker 2>just heads.

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<v Speaker 1>They had one body that could shoot blood, and they

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<v Speaker 1>just reused it forty seven times.

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<v Speaker 2>Oh and the snake also has a giant spear under

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<v Speaker 2>his tail. It's just as an effect of the mutation.

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<v Speaker 1>This movie should be called Anaconda three. Walking around the

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<v Speaker 1>woods and walking them walking around Romanian.

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<v Speaker 2>Woods, interspersed with so much shooting, so much gunfire. This

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<v Speaker 2>is the shootiest film we've ever covered.

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<v Speaker 1>It must be just you know why these movies are

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<v Speaker 1>ninety minutes long. So when you sent me this thing,

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<v Speaker 1>I think I looked at the other one. I'm like,

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<v Speaker 1>it's ninety minutes, and I was pretty excited about that.

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<v Speaker 1>But then I learned that these films so on IMDb,

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<v Speaker 1>these movies have a two point eight and two point

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<v Speaker 1>nine score, and that's kind of that's generous because these

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<v Speaker 1>aren't really movies. The one thing that these movies do

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<v Speaker 1>is every single shot lingers too long. So I'm watching

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<v Speaker 1>this film and I'm like, that's shot that is what

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<v Speaker 1>five seconds too long? Yeah? I went that started five

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<v Speaker 1>seconds too early and it ended five seconds.

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<v Speaker 2>The guy looking for the goat in the bomb, oh yeah,

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<v Speaker 2>the barb the bar Oh, he's just like we see

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<v Speaker 2>him stand up at the house, kind of looking around,

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<v Speaker 2>strolling across the field, shut at the sky, shout at him,

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<v Speaker 2>shout at the sky, just walk in silence. Gets to

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<v Speaker 2>the barn, looks around, doesn't say anything. Here's something, goes

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<v Speaker 2>to the ladder, out the ladder, looks around, doesn't see anything.

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<v Speaker 2>It is interminable, just and.

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<v Speaker 1>Then and then there's a scene where a guy dies

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<v Speaker 1>and Crystal Allen is just like, we gotta save him,

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<v Speaker 1>we gotta save him. I don't know how to save him.

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<v Speaker 1>What save him? Like, well, we gotta save I don't

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<v Speaker 1>know what I'm doing. And they're just yelling at each

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<v Speaker 1>other for seven minutes while they're trying to save a

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<v Speaker 1>guy who was not important at all in the film.

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<v Speaker 1>There's a second in command and he's just not important,

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<v Speaker 1>and they try to save him for forty three minutes,

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<v Speaker 1>and it's it's like every scene in this movie. I'm

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<v Speaker 1>telling you, this is the movie where people they run

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<v Speaker 1>into the Romanian woods and then they keep the camera

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<v Speaker 1>there for five seconds on nothing, and then it cuts

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<v Speaker 1>to something else.

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<v Speaker 2>The worst is that the closing shot, there's a closing

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<v Speaker 2>shot of just a tree like in a kind of sunset,

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<v Speaker 2>and it lings It's like a Terrence Malick film, and

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<v Speaker 2>it just kind of lingers on it. It's you think, Okay,

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<v Speaker 2>the credits are going to roll over the tree, but

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<v Speaker 2>it's just a static show a tree for such a

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<v Speaker 2>long time, and then it cuts to the credits after ages.

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<v Speaker 2>Oh yeah, it's this film kind of broke me. We've

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<v Speaker 2>done a bunch of bad films in a round, and this.

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<v Speaker 1>Is the worst. This makes great Jay, This makes Great

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<v Speaker 1>White look like Jaws comparatively great. Yeah, Great White is

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<v Speaker 1>a movie. They have a tank, they have a plot,

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<v Speaker 1>they have really decent cinematography. The tank works really bad,

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<v Speaker 1>but it's a film. Great White is a movie. I'm

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<v Speaker 1>not a fan of it, but comparatively, that movie is incredible.

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<v Speaker 2>Like that's I will say, it makes like Jewels two.

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<v Speaker 1>I'm not going to go to the quite Jows three.

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<v Speaker 1>I love all of them. But it's I would watch

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<v Speaker 1>If someone said, Mark, which would you watch Great White

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<v Speaker 1>twice or this one once? I would watch Great White

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<v Speaker 1>twice because there's a plot to that movie. This one's

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<v Speaker 1>just I swear to you. The same track of Romanian

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<v Speaker 1>woods are used three hundred and seventy eight times.

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<v Speaker 2>Yeah, I think you're right. Yeah, I watched it twice. No,

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<v Speaker 2>not something I would recommend.

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<v Speaker 1>The only thing, the only oh sorry, go Jay. Sorry.

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<v Speaker 1>The only positive note was the farmer he had worn

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<v Speaker 1>in clothes, So yeah, like those existed years before the

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<v Speaker 1>movie started, and so then they just slapped him on

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<v Speaker 1>the guy. There's probably some a farmer's real dirty clothes.

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<v Speaker 1>I'm like, oh, those actually look like nice worn in clothes.

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<v Speaker 1>That was my one positive thought. And then there's a

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<v Speaker 1>scene where the snake scientist she has a white tank

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<v Speaker 1>top and then she switches to a black tank top.

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<v Speaker 2>Yeah, so everyone else so that they the first act,

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<v Speaker 2>it takes place at the research facility, and everybody else

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<v Speaker 2>is wearing white coats, fully dressed, fully covered up. When

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<v Speaker 2>she used to her running in a tank tub. She

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<v Speaker 2>arrives out of the facility, she's like still then one

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<v Speaker 2>with like bare shoulders, and she has changed from one

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<v Speaker 2>into another tanktob and later into a different tank tub.

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<v Speaker 2>She's this is a three tank top.

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<v Speaker 1>Film for her.

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<v Speaker 2>Everybody else fully clothed throughout.

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<v Speaker 1>There's a scene where she is walking down the stairs

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<v Speaker 1>looking there they have she has a handgun against a

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<v Speaker 1>sixty foot snake with a spear tail. Amanda Hayes, doctor

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<v Speaker 1>Amanda Hayes, and I swear to you. She I keep saying,

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<v Speaker 1>I swear to you. She's walking down these stairs for

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<v Speaker 1>what feels like three minutes, and she's with the boxer.

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<v Speaker 1>She's with a guy who is known as a boxer,

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<v Speaker 1>and he's going down looking for sixty foot snakes.

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<v Speaker 2>Which when when when she used to him is like, hey,

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<v Speaker 2>and what boxer? I'm like, this guy is gonna punch

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<v Speaker 2>a snake. You're gonna see this guy punch a snake

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<v Speaker 2>and he never punches a snake? Why was he a boxer?

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<v Speaker 2>Was established?

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<v Speaker 1>He's the one guy I liked. If I had to say,

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<v Speaker 1>Hasselhoff is a disgrace.

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<v Speaker 2>He is.

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<v Speaker 1>This is paycheck movie for him.

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<v Speaker 2>This is as an actor and a character, both are

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<v Speaker 2>both are equally bad.

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<v Speaker 1>Yeah, he's pawning off rhino horns, just just garbage, but

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<v Speaker 1>this is a movie. Hasselhoff didn't care one bit, Like

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<v Speaker 1>he just too. I wonder he's just there for probably

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<v Speaker 1>I guarantee you he's there for three days making this movie.

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<v Speaker 1>And he's like, I'll be on the poster, give me

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<v Speaker 1>some cash, I'm out of here. He didn't care one bit.

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<v Speaker 1>But I do like the boxer. I kind of went,

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<v Speaker 1>he's trying, like I all the other extras, all the

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<v Speaker 1>other hunters I did. I just liked even the actors.

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<v Speaker 1>I'm like, I just don't have nothing. But I liked

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<v Speaker 1>the boxer. I thought he was I don't know, he

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<v Speaker 1>kind of had like you know, I don't know he tried.

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<v Speaker 2>Yeah, and well there's there's a pink as the other

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<v Speaker 2>guy who works the He's like, he's a real mean

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<v Speaker 2>his same is pinker, so he's a dewep. But I

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<v Speaker 2>felt like the actor was was trying, not as it

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<v Speaker 2>wasn't as good as the boxer guy, but like he

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<v Speaker 2>was he was trying as well. He came off as

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<v Speaker 2>like an irrit irritating kind of nerdy de weep guy,

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<v Speaker 2>which that's not that's not nothing. It's bad, but it's

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<v Speaker 2>not like he's not a zero.

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<v Speaker 1>Yeah he that's fair something there, yeah he ye. It's

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<v Speaker 1>just the same plot of woods for ninety minutes and okay, Jay,

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<v Speaker 1>you're you have a snake that's sixty feet long.

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<v Speaker 2>You have the repeat again and again and.

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<v Speaker 1>Again class in the History of the world. But then

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<v Speaker 1>you make air vents that are big enough for a

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<v Speaker 1>sixty foot snake to crawl through. Yeah. See that's a

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<v Speaker 1>big snake. That's make five air vents small ones if

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<v Speaker 1>you have that big of a snake, Like, it's just

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<v Speaker 1>I don't know. This is one of those movies. It's

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<v Speaker 1>two point eight on IMDb, and you and I are

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<v Speaker 1>typically pretty chill.

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<v Speaker 2>We try to be positive about these things.

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<v Speaker 1>But you know what, though, I guess you know, you know,

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<v Speaker 1>for me, if I can see that there's a decent

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<v Speaker 1>plot they tried, what are the circumstances, I will back

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<v Speaker 1>a film. But this one had zero interest in being anything.

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<v Speaker 1>You know, there's nothing this It's like, it's not a movie.

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<v Speaker 1>It's not a movie. I'm sorry.

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<v Speaker 2>Yeah, yeah, I mean it's I mean, yeah, we'll find out.

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<v Speaker 2>We got to four because for what you see for

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<v Speaker 2>the story continues, I believe.

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<v Speaker 1>Yeah. But there's a guy that's kind of funny in it.

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<v Speaker 1>I like him, but he's clearly miserable, miserable in it,

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<v Speaker 1>but he's trying. And yeah, I think from what I

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<v Speaker 1>saw for I liked it more than three. There's a

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<v Speaker 1>scene where they go these snakes, what we get from

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<v Speaker 1>them will kill cancer and Alzheimer's you're like, that doesn't

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<v Speaker 1>deep to see, Like that Tiffany movie we watched was

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<v Speaker 1>better because like, at least that was at least I got.

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<v Speaker 1>I got into that movie in the beginning because like,

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<v Speaker 1>these people are psychopaths, and I kind of enjoyed that

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<v Speaker 1>this one though, Man.

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<v Speaker 2>Yeah, I mean there's a scene in this where one

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<v Speaker 2>snake breaks into the snake out of prison and it's

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<v Speaker 2>off the screen, and I'm frustrating this off screen, So

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<v Speaker 2>I would have loved to have seen that. But yeah,

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<v Speaker 2>it's like in terms of scenes, it is just it's

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<v Speaker 2>just as you say, it's just wonderings. It's this happens

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<v Speaker 2>at the farm, and then people shop at the farm.

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<v Speaker 2>It happens again at the farm. There's a car chase,

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<v Speaker 2>the car flips, but it's not it's not anything like

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<v Speaker 2>Hashoff shows up and is a third Like he's as

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<v Speaker 2>you say, he's introduced selling right at horns. He's like,

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<v Speaker 2>I don't know if we're supposed to like this guy

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<v Speaker 2>at any point in the film, because you can't be

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<v Speaker 2>selling right horns. But he then kind of becomes the

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<v Speaker 2>hero and leads the action for a while until everybody

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<v Speaker 2>unnecessary he'll turn right at the end. But whilst he's

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<v Speaker 2>been he's introduced selling Ryan horns. There's two guys he

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<v Speaker 2>owes money to who like tried to rob him on

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<v Speaker 2>the way out, and he takes a phone call whilst

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<v Speaker 2>being robbed and they let him and it's supposed to

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<v Speaker 2>be like a comedic scene, but there's no jokes in

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<v Speaker 2>it and it's not. Because he takes the call and

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<v Speaker 2>he's like, yeah, okay, I'll be up, I'll be busy

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<v Speaker 2>right now, I'll be there, and he's like, wait, hang on, guy,

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<v Speaker 2>go in my throat, what's what's your name is?

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<v Speaker 1>My name is?

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<v Speaker 2>Oh, it's for you, and hands in the phone and

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<v Speaker 2>the guy takes the This isn't This isn't from this film.

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<v Speaker 2>This is a bad scene. Why did they do this?

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<v Speaker 2>This isn't good, you know?

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<v Speaker 1>I uh, I have my notes from anakon to three

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<v Speaker 1>wrapped in here. So there's a scene where they talked

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<v Speaker 1>about being slaved to the rhythm and anakin of four.

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<v Speaker 1>I was like, when did that happen in this jay?

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<v Speaker 1>But all right, I'm gonna read some notes to you. Okay.

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<v Speaker 1>There's that stupid scene where they're like, a you're gonna

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<v Speaker 1>get a proctologist to get my foot out of your

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00:15:32.840 --> 00:15:35.320
<v Speaker 1>butt and you're like, oh no, and then you're like,

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<v Speaker 1>you have twelve hundred pounds of crushing pressure. Reminds me

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<v Speaker 1>of my first wife.

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<v Speaker 2>Oh no, that was sorry, that was hang on wrote

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<v Speaker 2>it down.

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<v Speaker 1>Ah, there's this figure faster, stronger, meaner. That's a deep

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<v Speaker 1>Lucy DVD quote.

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<v Speaker 2>But it was completely motionless, just like my first wife.

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<v Speaker 1>Oh just you're just like what is happening?

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<v Speaker 2>But yeah, they say that the snake is bigger, fast,

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<v Speaker 2>and stronger, and hell of what mew so? So yeah, that's

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<v Speaker 2>curiously And then later the doctor has has a speech

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<v Speaker 2>which they're saying they also the snakes DNA to a

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<v Speaker 2>stand the new drug serum and it made it bigger

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00:16:12.679 --> 00:16:15.559
<v Speaker 2>and put a sharp spike on the tower. And it's like, yeah,

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<v Speaker 2>we've we've heard this speech. Safron Borus gave it like

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<v Speaker 2>ten years ago.

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<v Speaker 1>Inciting incident is a flashlight? Yeah yeah, and why are

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<v Speaker 1>you shining a flashlight on it?

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<v Speaker 2>That's not going to work because you've got glass. It's

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<v Speaker 2>going to reflect off of the glass. It's not gonna

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00:16:35.919 --> 00:16:41.960
<v Speaker 2>you see it any better. John Davis, I feel sorry

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00:16:42.000 --> 00:16:43.480
<v Speaker 2>for him that he's in this because he's a great

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00:16:44.039 --> 00:16:48.919
<v Speaker 2>dramatic act He's been in iconic films and franchises, and

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<v Speaker 2>he's been reduced to being in two Anaconda films.

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<v Speaker 1>Paycheck doesn't do anything in the fourth one either, He's

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00:16:55.519 --> 00:16:59.919
<v Speaker 1>just standing around. It's like Billy Zane Lutterin or No, yeah,

306
00:17:00.320 --> 00:17:02.399
<v Speaker 1>Billy's and I don't think leaves a chair in Blood Rain,

307
00:17:02.679 --> 00:17:04.480
<v Speaker 1>and then Ben Kingsley's in the Name of the King.

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00:17:04.519 --> 00:17:07.519
<v Speaker 1>I don't think he doesn't leave a chair. They sit

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00:17:07.599 --> 00:17:09.640
<v Speaker 1>in a chair for three days, shoot their scenes and

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00:17:09.640 --> 00:17:11.799
<v Speaker 1>they're out. So it's like, I think they found a

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00:17:11.799 --> 00:17:15.960
<v Speaker 1>way to go to Europe, work for four days and

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00:17:16.000 --> 00:17:18.000
<v Speaker 1>make some cash and get out of there. So I

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<v Speaker 1>guess you're yeah, And there's so things checked out though.

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<v Speaker 1>It's like those. It's like the I wor comic cons

315
00:17:25.640 --> 00:17:28.240
<v Speaker 1>for many years and they're actors that would sell it,

316
00:17:28.279 --> 00:17:30.599
<v Speaker 1>like Ernie Hudson and Chopin and his Goo Sbuster's uniform

317
00:17:30.599 --> 00:17:33.160
<v Speaker 1>and chat with people, and he would be outside his

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00:17:33.200 --> 00:17:36.480
<v Speaker 1>booth hanger and everybody. Henry Winkler was the nicest dude

319
00:17:36.480 --> 00:17:38.559
<v Speaker 1>you'd ever meet. He was just outside chat with people.

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00:17:38.920 --> 00:17:41.680
<v Speaker 1>Doug Jones loved it. He was like awesome talking everybody.

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<v Speaker 1>And then there were the ones that were just miserable

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<v Speaker 1>to be there, like you're getting paid and you just

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00:17:46.319 --> 00:17:49.519
<v Speaker 1>the look on their face, You're just they were miserable.

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<v Speaker 1>And I kind of feel like Rehys Davies and Hasselhoff

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00:17:52.759 --> 00:17:54.759
<v Speaker 1>were like that in this movie. They're like, we're getting paid.

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00:17:55.039 --> 00:17:57.680
<v Speaker 1>We're getting paid more than all these people. We're working

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00:17:57.680 --> 00:17:59.880
<v Speaker 1>for four days and we're not gonna try. That's when

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00:17:59.920 --> 00:18:02.480
<v Speaker 1>I get annoyed. Does that? Does that make sense to you?

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00:18:03.200 --> 00:18:07.079
<v Speaker 2>Like they're not And like, yeah, has crapped up a

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00:18:07.119 --> 00:18:09.039
<v Speaker 2>couple of times on this show. We've covered it. We've

331
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<v Speaker 2>covered Congo and a great guy.

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<v Speaker 1>He did another film he did did even if there

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00:18:15.039 --> 00:18:18.839
<v Speaker 1>was no one else commits Yeah, and it was if

334
00:18:18.880 --> 00:18:21.839
<v Speaker 1>the consuct he would just be like who cares. He

335
00:18:21.839 --> 00:18:23.319
<v Speaker 1>would just go talk to people. He would make the

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00:18:23.359 --> 00:18:26.680
<v Speaker 1>best of it. Like I did a convention once Ina, Sorry,

337
00:18:26.759 --> 00:18:30.640
<v Speaker 1>oh there it is ninety nine. He's the shock I'll

338
00:18:30.640 --> 00:18:32.920
<v Speaker 1>never forget Momoa in like twenty sixteen, was at a

339
00:18:32.960 --> 00:18:35.799
<v Speaker 1>Des Moines, Iowa convention and nobody was there, so he

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00:18:35.880 --> 00:18:38.039
<v Speaker 1>just started drinking and chatting with people like he made

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00:18:38.079 --> 00:18:40.480
<v Speaker 1>the best of it. He was just hanging out like

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00:18:40.519 --> 00:18:41.960
<v Speaker 1>we were. We were like look at each other and

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00:18:42.000 --> 00:18:43.640
<v Speaker 1>be like, what's up? Like that was like he was

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<v Speaker 1>just cool with everybody. Always had a drink. He was like,

345
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<v Speaker 1>no one's here, I'm just gonna get drunk. So he

346
00:18:48.079 --> 00:18:49.519
<v Speaker 1>he was cool, like he made the best of it.

347
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<v Speaker 1>Other ones were just miserable and like what we're rude

348
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<v Speaker 1>to customers. I don't know. I guess I get annoyed

349
00:18:55.960 --> 00:18:57.440
<v Speaker 1>when I watch these movies and it's like, you just

350
00:18:57.480 --> 00:18:59.039
<v Speaker 1>did this for a paycheck. I don't even think you

351
00:18:59.079 --> 00:19:02.440
<v Speaker 1>got the lines right in this, and so it's it's like,

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00:19:02.519 --> 00:19:04.599
<v Speaker 1>I know the whole movie is not professional, but when

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00:19:04.640 --> 00:19:07.559
<v Speaker 1>you just see that, it it it's like another strike

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00:19:07.559 --> 00:19:10.519
<v Speaker 1>against this movie, not like my comic con career. Just

355
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<v Speaker 1>I'm not trying to bring in my comment, but I

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<v Speaker 1>just I remember feeling the people who like made the

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<v Speaker 1>best of it and we knew that they were getting

358
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<v Speaker 1>paid just to sign autographs, and then there are people

359
00:19:20.119 --> 00:19:22.200
<v Speaker 1>who are getting paid and were just miserable about what

360
00:19:22.240 --> 00:19:24.839
<v Speaker 1>they were doing there. So it's I don't know, that's

361
00:19:24.839 --> 00:19:27.079
<v Speaker 1>why I feel like this movie is I got some

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<v Speaker 1>more notes for you I have. Let's see guard takes out,

363
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<v Speaker 1>guard takes off vent lo ol flashlights. Dumb at M teller?

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<v Speaker 1>Did he kill the guy by throwing them out of

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00:19:45.799 --> 00:19:49.079
<v Speaker 1>a window? And then I put, let's see.

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<v Speaker 2>Uh no, because I go to an ATM teller, one

367
00:19:51.880 --> 00:19:56.599
<v Speaker 2>that dispenses some respect and.

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00:19:56.720 --> 00:19:58.799
<v Speaker 1>Like nobody knows them better than me. That's what the

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00:19:58.799 --> 00:20:00.960
<v Speaker 1>scientist says. What you don't even I know these snakes?

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00:20:01.319 --> 00:20:05.920
<v Speaker 1>Oh jay. There's there's several scenes that do flashbacks the

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<v Speaker 1>prior scenes in the movie.

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<v Speaker 2>There's a scene where the scientist she has a flashback

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<v Speaker 2>to all the deaths, including one she just saw like

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<v Speaker 2>it issually just happened that it's included in that flashback

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<v Speaker 2>of deaths. These are snakes, of course, as if we

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<v Speaker 2>don't know what film we're watching.

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<v Speaker 1>The only bit that got me happy were the tanks,

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<v Speaker 1>the switching of tank tops, because I went she went

379
00:20:29.000 --> 00:20:30.759
<v Speaker 1>from a white tank top to a black tank top,

380
00:20:30.880 --> 00:20:32.400
<v Speaker 1>or a black tank top to a white tank top

381
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<v Speaker 1>like what's called.

382
00:20:33.079 --> 00:20:36.640
<v Speaker 2>In this mode science tanks.

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00:20:39.440 --> 00:20:41.359
<v Speaker 1>And then let's see I put lingering on shots for

384
00:20:41.440 --> 00:20:46.559
<v Speaker 1>too long, wasting time, seven minutes of yelling flashback again,

385
00:20:48.640 --> 00:20:55.039
<v Speaker 1>oh man, call the army, great white Hunter. There's blood.

386
00:20:55.039 --> 00:20:57.680
<v Speaker 1>There's more blood. Oh. The final line of this film

387
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<v Speaker 1>when she kills a snake or one of the finy

388
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<v Speaker 1>final line, happy trails, slimmy biach. I don't know if

389
00:21:04.559 --> 00:21:06.839
<v Speaker 1>we can say that word on here because we're PG,

390
00:21:07.079 --> 00:21:10.039
<v Speaker 1>but it's just happy trail, slimy, you know, slimmy b

391
00:21:11.640 --> 00:21:16.279
<v Speaker 1>that's a I kind of wondered, a I clearly didn't

392
00:21:16.279 --> 00:21:20.680
<v Speaker 1>write this because it was two thousand and seven. This

393
00:21:20.799 --> 00:21:25.559
<v Speaker 1>movie a two thousand and eight, so you know, but

394
00:21:25.680 --> 00:21:27.680
<v Speaker 1>I don't. I don't think a human wrote this. I

395
00:21:27.680 --> 00:21:32.039
<v Speaker 1>mean maybe something out lost in translation snake, right, but

396
00:21:32.200 --> 00:21:39.640
<v Speaker 1>this is not This is not a The guy.

397
00:21:39.440 --> 00:21:42.880
<v Speaker 2>Who wrote that in a human didn't write the line.

398
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<v Speaker 2>I just hope you're as good as you think you are,

399
00:21:45.880 --> 00:21:50.640
<v Speaker 2>replied with no, I'm better. What does that mean? That

400
00:21:50.680 --> 00:21:53.279
<v Speaker 2>you're better than you think? Like you're you're the ones

401
00:21:53.480 --> 00:21:55.880
<v Speaker 2>I'm saying that I'm better than I think I am?

402
00:21:56.160 --> 00:21:58.480
<v Speaker 2>How can I How does that make any kind of sense?

403
00:22:03.079 --> 00:22:07.480
<v Speaker 1>And listen, this guy who worked on this he understood

404
00:22:07.519 --> 00:22:14.680
<v Speaker 1>English because he so like he's for the poster because

405
00:22:14.839 --> 00:22:18.279
<v Speaker 1>he's been a steady cam operator and a a shooter

406
00:22:18.480 --> 00:22:21.799
<v Speaker 1>like he worked on Dance Flick he worked on a feast.

407
00:22:22.839 --> 00:22:26.880
<v Speaker 1>He yeah, exactly. He was a second assistant camera on

408
00:22:27.400 --> 00:22:31.000
<v Speaker 1>Old School. He worked on a camera on Daredevil. So

409
00:22:31.119 --> 00:22:37.839
<v Speaker 1>Nicholas ud David Off he understood, like he he has

410
00:22:38.119 --> 00:22:44.200
<v Speaker 1>a grasp of English language. You know the other guy

411
00:22:44.319 --> 00:22:47.119
<v Speaker 1>he's written. Oh no, he just wrote the Anaconda movies.

412
00:22:47.160 --> 00:22:48.720
<v Speaker 1>I don't even know where he can. He worked as

413
00:22:48.799 --> 00:22:53.039
<v Speaker 1>an assistant to producers, so it's just an assistant. So

414
00:22:53.079 --> 00:22:54.839
<v Speaker 1>he just worked as like an assistant. So I don't

415
00:22:54.839 --> 00:22:59.319
<v Speaker 1>know David c Colson, David c Olsen. So it's it's like,

416
00:22:59.720 --> 00:23:02.440
<v Speaker 1>but no one, no one wrote this. This movie wasn't

417
00:23:02.440 --> 00:23:06.160
<v Speaker 1>written by humans. I don't. I can't accept that, Jay

418
00:23:07.400 --> 00:23:12.839
<v Speaker 1>I just like I don't. I don't. This This isn't

419
00:23:12.880 --> 00:23:16.119
<v Speaker 1>how a A I would speak. This isn't how people speak.

420
00:23:16.240 --> 00:23:17.359
<v Speaker 1>You know. If I guess if I had to write

421
00:23:17.400 --> 00:23:24.279
<v Speaker 1>a movie in you know, Korean and use the Korean language, I.

422
00:23:24.279 --> 00:23:26.160
<v Speaker 2>Would reconsult someone who could speak Korean.

423
00:23:26.400 --> 00:23:29.319
<v Speaker 1>Yeah, I mean I would still butcher because because things

424
00:23:29.359 --> 00:23:31.599
<v Speaker 1>would get lost in translation or maybe something I said

425
00:23:31.599 --> 00:23:33.240
<v Speaker 1>wouldn't make sense. So you're right, I would go to

426
00:23:33.519 --> 00:23:36.200
<v Speaker 1>a I would hire somebody and just be like, hey,

427
00:23:37.079 --> 00:23:39.680
<v Speaker 1>you know what is this? Does this word translate? Maybe

428
00:23:39.720 --> 00:23:41.079
<v Speaker 1>I can write this in English and you can help

429
00:23:41.119 --> 00:23:43.000
<v Speaker 1>me translate it. Like let's get to a point where

430
00:23:43.160 --> 00:23:45.599
<v Speaker 1>people don't hear lines and go, well what does that mean?

431
00:23:46.160 --> 00:23:50.279
<v Speaker 1>So it's it's I would I would try like this

432
00:23:50.400 --> 00:23:54.440
<v Speaker 1>jay this movie. It's not like they're just from they

433
00:23:54.480 --> 00:23:56.799
<v Speaker 1>just grabbed a romanium a couple who worked at a

434
00:23:56.839 --> 00:23:59.160
<v Speaker 1>grocery store and had to write this film on spec

435
00:23:59.400 --> 00:24:02.759
<v Speaker 1>like they this, this was a script people read from.

436
00:24:04.720 --> 00:24:06.920
<v Speaker 1>Yeah it's horrifle.

437
00:24:07.000 --> 00:24:11.759
<v Speaker 2>Yeah it's it is it is and like dialogue aside,

438
00:24:12.160 --> 00:24:14.559
<v Speaker 2>there's even like the snake has a tracking device in it.

439
00:24:14.559 --> 00:24:18.319
<v Speaker 2>It sheds its skin and sheds the tracking device. Five

440
00:24:18.359 --> 00:24:20.839
<v Speaker 2>seconds later, Halshoff shows up with another means of tracking

441
00:24:20.839 --> 00:24:25.000
<v Speaker 2>the snake. So there's no there's no purpose for any

442
00:24:25.000 --> 00:24:27.559
<v Speaker 2>of it. And it's like, oh, thank god you're here,

443
00:24:27.599 --> 00:24:29.519
<v Speaker 2>we can track the snake. Is like, oh, yeah, you're here.

444
00:24:29.680 --> 00:24:31.960
<v Speaker 2>Oh the snake shirted skin, don't worry, I've got a tracker.

445
00:24:32.359 --> 00:24:37.559
<v Speaker 2>What was what's the point was? I don't understand. I

446
00:24:37.920 --> 00:24:40.720
<v Speaker 2>spoke my notes. We haven't got too They show lots

447
00:24:40.759 --> 00:24:42.559
<v Speaker 2>of shots of like Johnny Davids in the back of

448
00:24:42.559 --> 00:24:44.720
<v Speaker 2>a car being driven somewhere, and then when he arrives

449
00:24:44.759 --> 00:24:47.440
<v Speaker 2>and you see the car. It's tiny. It's just a

450
00:24:47.519 --> 00:24:50.880
<v Speaker 2>small car, and like they're playing off like it's a limousine,

451
00:24:51.000 --> 00:24:53.799
<v Speaker 2>and then they show the entirety of the car. It's

452
00:24:54.200 --> 00:24:55.759
<v Speaker 2>a small car and that made me chuckle.

453
00:24:57.119 --> 00:24:59.519
<v Speaker 1>A lot of green screen work on this. They just

454
00:25:00.039 --> 00:25:01.839
<v Speaker 1>op the car in front of a green screen and

455
00:25:01.960 --> 00:25:05.039
<v Speaker 1>just had people. You're right though, Jay, people are leaning

456
00:25:05.039 --> 00:25:08.079
<v Speaker 1>outside shooting guns. They're slow motion gun shooting. There's a

457
00:25:08.079 --> 00:25:11.720
<v Speaker 1>lot of gunwork and none. Yeah.

458
00:25:11.720 --> 00:25:14.039
<v Speaker 2>Well, when Hassehorf shows up, so like save the day.

459
00:25:14.079 --> 00:25:17.119
<v Speaker 2>Halfway through, he's on his own in the car, driving

460
00:25:17.119 --> 00:25:19.599
<v Speaker 2>one handed, leaning out the window, shooting at the snake

461
00:25:20.039 --> 00:25:23.680
<v Speaker 2>and successfully scares it off. That is an incredible feat

462
00:25:24.240 --> 00:25:26.759
<v Speaker 2>for a human to like drive because he's not just

463
00:25:26.759 --> 00:25:29.400
<v Speaker 2>like driving this straight. He's like turning a circle occurrent

464
00:25:29.400 --> 00:25:31.680
<v Speaker 2>at the same time as he leaning out the window, overshooting. Like,

465
00:25:31.880 --> 00:25:37.039
<v Speaker 2>it's incredible, it's amazing. It doesn't make any sense. That's

466
00:25:37.079 --> 00:25:41.680
<v Speaker 2>not something that would happen. Yeah, what's happen here?

467
00:25:41.759 --> 00:25:42.000
<v Speaker 1>Jay?

468
00:25:43.559 --> 00:25:43.640
<v Speaker 2>What?

469
00:25:43.839 --> 00:25:47.519
<v Speaker 1>Like what I just say? This is a lot of pressure.

470
00:25:47.640 --> 00:25:51.079
<v Speaker 1>Sounds like my ex wife, Like that's not go to

471
00:25:51.160 --> 00:25:54.519
<v Speaker 1>an teller and get some respect, like that's not.

472
00:25:56.319 --> 00:26:03.400
<v Speaker 2>My opening nickname. The oh wow, that's just a delivery

473
00:26:03.440 --> 00:26:06.400
<v Speaker 2>that has has at one point as a response to

474
00:26:06.440 --> 00:26:10.680
<v Speaker 2>something that the doctor says, and it's just like why

475
00:26:10.680 --> 00:26:12.920
<v Speaker 2>did you say that? Why did you say it like that?

476
00:26:13.599 --> 00:26:17.480
<v Speaker 2>Why is why were you cast in this thing? Why

477
00:26:17.519 --> 00:26:20.720
<v Speaker 2>is there a scene where doctor Mena Hayes falls into

478
00:26:20.839 --> 00:26:22.839
<v Speaker 2>mud and and gets covered in mud and then it

479
00:26:22.839 --> 00:26:25.200
<v Speaker 2>seems like the snake can't see her like like it's

480
00:26:25.240 --> 00:26:28.599
<v Speaker 2>predator and then they don't reference it ever again and

481
00:26:28.799 --> 00:26:32.279
<v Speaker 2>he couldn't see me, and then but then that doesn't meaniately,

482
00:26:32.480 --> 00:26:34.799
<v Speaker 2>he doesn't come back. It doesn't pay until pay off

483
00:26:34.799 --> 00:26:41.880
<v Speaker 2>into anyway. Ah h this movie, there's the line the

484
00:26:42.039 --> 00:26:44.680
<v Speaker 2>sign if it only eats, things will look good. If

485
00:26:44.720 --> 00:26:52.160
<v Speaker 2>I were you, I'd be very careful. Okay okay, And

486
00:26:52.200 --> 00:26:54.599
<v Speaker 2>then that guy that's like the thing that's gonna be

487
00:26:54.599 --> 00:26:56.920
<v Speaker 2>like the Leary perv. And then a couple of scenes

488
00:26:57.000 --> 00:26:59.559
<v Speaker 2>later he's chat with Amanda and then they're fine and

489
00:26:59.559 --> 00:27:03.599
<v Speaker 2>then he died. So there's no like to have a character.

490
00:27:03.839 --> 00:27:06.680
<v Speaker 2>There's so many of these hunters that are just a guy.

491
00:27:07.799 --> 00:27:11.440
<v Speaker 2>But no, there's nothing to them, is I want the

492
00:27:11.440 --> 00:27:12.240
<v Speaker 2>team from Twister.

493
00:27:12.920 --> 00:27:17.119
<v Speaker 1>And that's something I don't think that's too much to

494
00:27:17.200 --> 00:27:20.839
<v Speaker 1>hospital the extreme. One time he got drunk his hell

495
00:27:20.960 --> 00:27:25.160
<v Speaker 1>walked up to a sixty foot anaconda and said, not today.

496
00:27:25.960 --> 00:27:28.759
<v Speaker 2>It never that's the ground.

497
00:27:30.119 --> 00:27:37.920
<v Speaker 1>Just something me a food susten it. Yeah, there's nothing.

498
00:27:38.359 --> 00:27:41.559
<v Speaker 2>And they're just fold the maps, roll the maps and

499
00:27:42.200 --> 00:27:42.759
<v Speaker 2>doing so.

500
00:27:43.400 --> 00:27:45.160
<v Speaker 1>And I was actually looking at some of them like

501
00:27:45.160 --> 00:27:46.680
<v Speaker 1>why I don't. I don't. I was like, I don't.

502
00:27:46.960 --> 00:27:48.279
<v Speaker 1>I got to the point where I just didn't like

503
00:27:48.319 --> 00:27:50.240
<v Speaker 1>any of the people in the movie, even the actual

504
00:27:50.319 --> 00:27:53.359
<v Speaker 1>They suck. Yeah, but we don't do this. So Jay,

505
00:27:53.400 --> 00:27:53.920
<v Speaker 1>I feel like you.

506
00:27:53.880 --> 00:27:57.960
<v Speaker 2>And I but this movie, we've done all the good things.

507
00:27:58.279 --> 00:27:59.240
<v Speaker 2>We run out o good things.

508
00:27:59.519 --> 00:28:01.440
<v Speaker 1>Oh no, we still got like we got Princess and

509
00:28:01.440 --> 00:28:03.640
<v Speaker 1>the Frog, we got Crocodile done. We got good movies

510
00:28:03.640 --> 00:28:04.200
<v Speaker 1>about this film.

511
00:28:04.240 --> 00:28:05.519
<v Speaker 2>We said, we said all the good things to say

512
00:28:05.519 --> 00:28:05.839
<v Speaker 2>about this.

513
00:28:05.920 --> 00:28:08.440
<v Speaker 1>Okay, Like I'm saying, the Bayou is not bad. That's

514
00:28:08.440 --> 00:28:09.880
<v Speaker 1>a meth gator movie. There's some scenes.

515
00:28:10.000 --> 00:28:11.680
<v Speaker 2>Oh, there's some great films on the list. We haven't

516
00:28:11.680 --> 00:28:12.680
<v Speaker 2>we haven't talked about yet.

517
00:28:12.759 --> 00:28:15.720
<v Speaker 1>This movie. I'm looking at my notes for a movie

518
00:28:15.720 --> 00:28:17.799
<v Speaker 1>called Crying Freeman, and I'm like, let's talk about that,

519
00:28:19.039 --> 00:28:20.839
<v Speaker 1>but yeah, it's.

520
00:28:22.119 --> 00:28:24.240
<v Speaker 2>I just watched Radio or Not To yesterday.

521
00:28:24.480 --> 00:28:26.079
<v Speaker 1>What do you think?

522
00:28:27.559 --> 00:28:30.279
<v Speaker 2>I liked it, But it's hard to live up to

523
00:28:30.559 --> 00:28:33.039
<v Speaker 2>the first one has such a twist, not a twist,

524
00:28:33.079 --> 00:28:36.480
<v Speaker 2>but such a like surprise element to it that you

525
00:28:36.519 --> 00:28:39.119
<v Speaker 2>can't keep that going and still be a surprise. And

526
00:28:39.160 --> 00:28:41.359
<v Speaker 2>it was a surprise aspect that was so great about that.

527
00:28:41.440 --> 00:28:44.079
<v Speaker 2>I rewatched the first one. It's still very good. The

528
00:28:44.079 --> 00:28:46.559
<v Speaker 2>second one is just kind of like it's more but

529
00:28:46.599 --> 00:28:49.759
<v Speaker 2>it isn't really shapen. Yeah, I love the.

530
00:28:51.240 --> 00:28:55.279
<v Speaker 1>Sisters argued, it just grinds the movie to a whole.

531
00:28:55.559 --> 00:28:58.359
<v Speaker 1>There's one scene that's really I remember in the theater

532
00:28:58.759 --> 00:29:01.279
<v Speaker 1>they stop to argue why did you leave? And somebody

533
00:29:01.279 --> 00:29:04.400
<v Speaker 1>in the theater goes, oh, like really laughing, and then

534
00:29:04.480 --> 00:29:06.440
<v Speaker 1>people laughed, and then another wi.

535
00:29:06.480 --> 00:29:07.720
<v Speaker 2>Left because you kept bringing it up.

536
00:29:07.880 --> 00:29:10.160
<v Speaker 1>Yeah, and then like the thirteen years like this is

537
00:29:10.759 --> 00:29:13.000
<v Speaker 1>like someone in the audience just went get over it.

538
00:29:13.960 --> 00:29:15.799
<v Speaker 1>And this is a press screen where people don't really

539
00:29:15.839 --> 00:29:17.759
<v Speaker 1>yell about things. They just stay quiet and kind of

540
00:29:17.759 --> 00:29:20.640
<v Speaker 1>grumble when people talk. But yeah, every time and ready

541
00:29:20.839 --> 00:29:23.319
<v Speaker 1>I like it I like the actors. It's fun. There's yeah,

542
00:29:23.559 --> 00:29:26.079
<v Speaker 1>there's a really funny fight with peper spray. There's some

543
00:29:26.119 --> 00:29:26.799
<v Speaker 1>good moments.

544
00:29:26.839 --> 00:29:29.039
<v Speaker 2>Yeah, that's the highlight. And the bit with the washing

545
00:29:29.079 --> 00:29:31.200
<v Speaker 2>machine were great that we'll talk about at.

546
00:29:31.079 --> 00:29:35.039
<v Speaker 1>The end of the la Sean HoTT I.

547
00:29:35.039 --> 00:29:38.480
<v Speaker 2>Love Elijah would being a creepy little widow in horror

548
00:29:38.559 --> 00:29:40.319
<v Speaker 2>movies just as many as it'll be in that's what

549
00:29:40.359 --> 00:29:45.079
<v Speaker 2>he does. I love it. Oh yeah, that's carbon cropping

550
00:29:45.119 --> 00:29:47.920
<v Speaker 2>up and stuff. It's don't see him offen and he's

551
00:29:47.920 --> 00:29:48.559
<v Speaker 2>having fun here.

552
00:29:50.240 --> 00:29:51.759
<v Speaker 1>People should not be a lot of chew gun in

553
00:29:52.200 --> 00:29:55.160
<v Speaker 1>movies because her, Catherine Newton's character is just blowing bubbles

554
00:29:55.160 --> 00:29:59.400
<v Speaker 1>and stop. No one wants this. Yeah. Every time that

555
00:29:59.400 --> 00:30:02.359
<v Speaker 1>they argued, you never really know why. I just want

556
00:30:02.400 --> 00:30:04.440
<v Speaker 1>to leave because I had a scholarship. Oh yeah, well

557
00:30:07.160 --> 00:30:07.839
<v Speaker 1>she was eighteen.

558
00:30:08.160 --> 00:30:11.160
<v Speaker 2>Yeah, that's what it's what you do. Sometimes it's an.

559
00:30:11.240 --> 00:30:14.279
<v Speaker 1>Entire movie, though, and it stops watch seven times argue.

560
00:30:14.359 --> 00:30:17.759
<v Speaker 1>So that's if there's a toef for grades cut without

561
00:30:18.079 --> 00:30:19.960
<v Speaker 1>the sibling arguing. I would love it.

562
00:30:22.000 --> 00:30:22.240
<v Speaker 2>Sure.

563
00:30:22.519 --> 00:30:24.279
<v Speaker 1>Yeah, I got a hat though. That's pretty cool.

564
00:30:25.079 --> 00:30:28.559
<v Speaker 2>I still push it till Mary the day came out.

565
00:30:28.599 --> 00:30:29.079
<v Speaker 2>I got pin.

566
00:30:29.599 --> 00:30:32.240
<v Speaker 1>Oh, yeah, me too. Does it say amazed amazed?

567
00:30:33.480 --> 00:30:39.359
<v Speaker 2>No, it's I'm disappointed now, I'll I'm not a pin guy.

568
00:30:39.359 --> 00:30:43.279
<v Speaker 2>I don't worry. I wouldn't use it. Just it's like

569
00:30:43.279 --> 00:30:43.920
<v Speaker 2>a rocket thing.

570
00:30:43.960 --> 00:30:44.720
<v Speaker 1>You're not a pin guy.

571
00:30:45.680 --> 00:30:48.640
<v Speaker 2>I've never used a pin on your backpack.

572
00:30:48.400 --> 00:30:52.400
<v Speaker 1>Or you know, like I go to a dragon Con

573
00:30:52.440 --> 00:30:56.319
<v Speaker 1>every year, I have little pins on my lanyard.

574
00:30:56.880 --> 00:30:59.160
<v Speaker 2>Well, I mean watching the Oscars this, Yeah, every everyone

575
00:30:59.200 --> 00:31:02.319
<v Speaker 2>had approaches, So maybe I should just become approach guy.

576
00:31:03.359 --> 00:31:05.440
<v Speaker 1>I should put if I ever go to the Oscars,

577
00:31:05.440 --> 00:31:07.039
<v Speaker 1>I'm just gonna do a pin. Everyone's gonna have like

578
00:31:07.039 --> 00:31:08.440
<v Speaker 1>a really fancy one. I'm just gonna have one that

579
00:31:08.440 --> 00:31:10.920
<v Speaker 1>says fart, but it's really small and people have to

580
00:31:10.960 --> 00:31:11.799
<v Speaker 1>like zoom in on it.

581
00:31:13.119 --> 00:31:20.119
<v Speaker 2>What do you think? I have a very small ant? Like,

582
00:31:20.160 --> 00:31:22.480
<v Speaker 2>it wasn't worth zooming in? Was it just written on?

583
00:31:24.039 --> 00:31:29.720
<v Speaker 1>If you can read this, you're wasting time. But I

584
00:31:30.000 --> 00:31:31.440
<v Speaker 1>was like, but I agree with all the causes on

585
00:31:31.480 --> 00:31:33.119
<v Speaker 1>the other pins. I'll put that, you know.

586
00:31:33.519 --> 00:31:37.920
<v Speaker 2>Absolutely, Yeah, I don't know. Maybe they're saving it for

587
00:31:37.960 --> 00:31:39.160
<v Speaker 2>the fourth one. I don't know, but I feel there

588
00:31:39.160 --> 00:31:40.440
<v Speaker 2>should have been some kind of a John rey S

589
00:31:40.480 --> 00:31:45.599
<v Speaker 2>Davie's nod to Raises or Stark a snake filled film

590
00:31:46.000 --> 00:31:49.400
<v Speaker 2>in an You've got the same. There should be something,

591
00:31:49.440 --> 00:31:52.480
<v Speaker 2>oh snakes wouldn't have to be snakes anything, just something.

592
00:31:53.240 --> 00:31:54.920
<v Speaker 2>But I feel like that was But I'm guessing he

593
00:31:55.000 --> 00:31:57.359
<v Speaker 2>might have had a clause in his contract saying like,

594
00:31:57.400 --> 00:31:59.680
<v Speaker 2>I'll be in your film, but I'm not, no, no,

595
00:31:59.680 --> 00:32:02.039
<v Speaker 2>none of us this cheekiness.

596
00:32:02.279 --> 00:32:05.039
<v Speaker 1>Remember that scene where he calls up his office and

597
00:32:05.079 --> 00:32:07.240
<v Speaker 1>a Lay's like, okay, just a second, I'll patch him in.

598
00:32:07.720 --> 00:32:10.200
<v Speaker 1>And he's just reading there, reading a book, Like what

599
00:32:10.200 --> 00:32:12.240
<v Speaker 1>book are you just reading in your office? Like you

600
00:32:12.359 --> 00:32:16.960
<v Speaker 1>just you know? This guy directed, this guy directed it.

601
00:32:17.000 --> 00:32:19.000
<v Speaker 1>He stays, he stayed busy. But he shot all the

602
00:32:19.079 --> 00:32:22.200
<v Speaker 1>Jeepers Creepers movies with that terrible guy. He shot all

603
00:32:22.240 --> 00:32:25.039
<v Speaker 1>three of them.

604
00:32:24.319 --> 00:32:29.599
<v Speaker 2>M yeah, yeah, okay, and she shot the Goonies and

605
00:32:29.680 --> 00:32:30.240
<v Speaker 2>terminated too.

606
00:32:30.759 --> 00:32:33.480
<v Speaker 1>Yeah. He worked. He was an electrical department on those,

607
00:32:33.519 --> 00:32:36.000
<v Speaker 1>which is I mean? Yeah. He was a DP on

608
00:32:36.079 --> 00:32:37.960
<v Speaker 1>Cobra Kai. He did five episodes of that.

609
00:32:40.160 --> 00:32:48.920
<v Speaker 2>He directed Snakehead Swamp. Maybe we'll cover Snakehead Swamp Terror

610
00:32:49.000 --> 00:32:51.240
<v Speaker 2>Strikes from a Swamp of snakehead Fish and bade the

611
00:32:51.319 --> 00:32:52.559
<v Speaker 2>Louisiana Swamp Planned.

612
00:32:52.720 --> 00:32:54.680
<v Speaker 1>Is this the worst movie that we've watched?

613
00:32:56.079 --> 00:32:59.480
<v Speaker 2>I mean, it's who let's have a look. Why? Why

614
00:32:59.559 --> 00:33:03.359
<v Speaker 2>is the Hmmm? I haven't got the list sorted by worse.

615
00:33:03.400 --> 00:33:06.440
<v Speaker 2>I got this sort of by depth. So let's see

616
00:33:07.880 --> 00:33:12.240
<v Speaker 2>scroll down, try and find something worse than this. I mean,

617
00:33:13.400 --> 00:33:16.200
<v Speaker 2>do I think this is worse than Driven? I think

618
00:33:16.200 --> 00:33:20.440
<v Speaker 2>this is worse than I'm worse.

619
00:33:22.359 --> 00:33:23.960
<v Speaker 1>Like, even if you don't like it, that's fine, but

620
00:33:24.000 --> 00:33:24.880
<v Speaker 1>you can't say.

621
00:33:24.680 --> 00:33:29.599
<v Speaker 2>That because that's that's got The Gina character, who I

622
00:33:29.640 --> 00:33:31.279
<v Speaker 2>love at least, is that.

623
00:33:31.680 --> 00:33:34.559
<v Speaker 1>Oh yeah, she just shows up and causes chaos. And

624
00:33:34.599 --> 00:33:36.960
<v Speaker 1>she's so too, She's so two thousand and one.

625
00:33:37.880 --> 00:33:38.039
<v Speaker 2>Uh.

626
00:33:38.799 --> 00:33:40.680
<v Speaker 1>I don't like movies that remind me of the fashion

627
00:33:40.720 --> 00:33:43.640
<v Speaker 1>from the early two thousands. J I've said this many times.

628
00:33:43.480 --> 00:33:52.519
<v Speaker 2>But sure, so this versus No Way Up, which one

629
00:33:52.480 --> 00:33:59.079
<v Speaker 2>of the way up is the plane? So I think

630
00:33:59.119 --> 00:34:00.519
<v Speaker 2>that's that's the competition.

631
00:34:01.119 --> 00:34:03.359
<v Speaker 1>Man, that movie sucks. Mm hmm.

632
00:34:06.799 --> 00:34:07.240
<v Speaker 2>Wow.

633
00:34:07.880 --> 00:34:11.440
<v Speaker 1>What's worse? This one doesn't try and no one cares.

634
00:34:11.719 --> 00:34:14.079
<v Speaker 1>And it was shot in six days with uninteresting people

635
00:34:14.119 --> 00:34:17.840
<v Speaker 1>in a script written by someone slamming on a keyboard

636
00:34:17.880 --> 00:34:19.519
<v Speaker 1>with the back of their hands.

637
00:34:20.360 --> 00:34:22.840
<v Speaker 2>We fair. You could have described either. Either film would

638
00:34:22.880 --> 00:34:23.920
<v Speaker 2>fit that description.

639
00:34:24.280 --> 00:34:27.199
<v Speaker 1>No Way Up features one of the worst lead performances

640
00:34:27.199 --> 00:34:31.400
<v Speaker 1>in a big budget film I've ever seen. Sure, I'm

641
00:34:31.400 --> 00:34:34.480
<v Speaker 1>gonna go No Way Up. It's being worse because at

642
00:34:34.559 --> 00:34:36.880
<v Speaker 1>least I think that movie had a money to do something.

643
00:34:37.480 --> 00:34:41.480
<v Speaker 1>This movie. No one cared in this one. Nobody cared.

644
00:34:42.280 --> 00:34:46.239
<v Speaker 1>It's the most cynical, cynical crap. But No Way Up, man,

645
00:34:46.320 --> 00:34:50.119
<v Speaker 1>that movie is bad. Yeah, No way Up.

646
00:34:52.000 --> 00:34:52.920
<v Speaker 2>It's being worse.

647
00:34:53.199 --> 00:34:55.119
<v Speaker 1>Yeah, yeah, worse, worse, worse.

648
00:34:54.960 --> 00:34:56.920
<v Speaker 2>Yeah, yeah, because it had the potential to be more

649
00:34:57.480 --> 00:35:00.360
<v Speaker 2>but did but didn't. Or is this one they were

650
00:35:00.400 --> 00:35:01.760
<v Speaker 2>never gonna make anything good out of this.

651
00:35:02.079 --> 00:35:04.039
<v Speaker 1>They didn't even try, you know, but they didn't even

652
00:35:04.119 --> 00:35:07.119
<v Speaker 1>try though. I bet you that it goes Shark or

653
00:35:07.159 --> 00:35:10.360
<v Speaker 1>other movies like that. People tried on that one or had.

654
00:35:10.280 --> 00:35:14.039
<v Speaker 2>Fun idea, isn't it there's like new stuff. There's nothing

655
00:35:14.519 --> 00:35:15.599
<v Speaker 2>in that. I come to three.

656
00:35:16.039 --> 00:35:18.480
<v Speaker 1>There's a scene where the lead tank Top is looking

657
00:35:18.519 --> 00:35:22.000
<v Speaker 1>at Hasselhoff and she puts her hands on her hip

658
00:35:22.000 --> 00:35:24.199
<v Speaker 1>and she goes, oh yeah, and she's like does this

659
00:35:24.239 --> 00:35:26.599
<v Speaker 1>weird thing and just stares at him for fifteen seconds,

660
00:35:26.639 --> 00:35:30.280
<v Speaker 1>and you're just like Mark Man. I think I watched

661
00:35:30.320 --> 00:35:32.960
<v Speaker 1>this in three chunks after watching anacond to four in

662
00:35:33.000 --> 00:35:33.599
<v Speaker 1>a big chunk.

663
00:35:35.719 --> 00:35:37.960
<v Speaker 2>Man, I watched this twice just because I fell asleep

664
00:35:37.960 --> 00:35:41.360
<v Speaker 2>the first time. Basically I missed the ending completely, so

665
00:35:41.440 --> 00:35:43.320
<v Speaker 2>I just I'll watch it again. It's it's sure, I'll

666
00:35:43.320 --> 00:35:43.960
<v Speaker 2>watch the whole thing.

667
00:35:44.920 --> 00:35:49.880
<v Speaker 1>So yeah, people worked on this had done things before too, though,

668
00:35:49.960 --> 00:35:53.320
<v Speaker 1>so it's just proof that they just went nobody cares.

669
00:35:53.559 --> 00:35:57.000
<v Speaker 1>They did zero tech scout, so there's no locations guting.

670
00:35:57.480 --> 00:35:59.559
<v Speaker 1>I know they built the sets with a snake, but

671
00:36:00.280 --> 00:36:01.519
<v Speaker 1>horrible step set.

672
00:36:03.880 --> 00:36:08.800
<v Speaker 2>Man hassohofsas at one point that the US military is

673
00:36:08.800 --> 00:36:10.760
<v Speaker 2>about as reliable as a bottle of Jack and an

674
00:36:10.760 --> 00:36:13.159
<v Speaker 2>AA meeting, And I feel like a bottle of Jack

675
00:36:13.159 --> 00:36:15.840
<v Speaker 2>at AA meeting is reliable. You know what it's it's

676
00:36:16.719 --> 00:36:18.480
<v Speaker 2>it's gonna be. I mean, it's not a good thing.

677
00:36:18.480 --> 00:36:20.719
<v Speaker 2>You don't want it there, but it's you know what

678
00:36:20.719 --> 00:36:22.400
<v Speaker 2>it's gonna do. It's reliable in that sense.

679
00:36:22.920 --> 00:36:28.840
<v Speaker 1>Nobody wrote this movie. Yeah, yeah, when.

680
00:36:30.400 --> 00:36:32.960
<v Speaker 2>You do, you have like Hasselhoff has a he will

681
00:36:33.000 --> 00:36:35.239
<v Speaker 2>turn at the end. But also it turns out that

682
00:36:35.639 --> 00:36:38.480
<v Speaker 2>John Ery Davids that Murdock had a spy on the

683
00:36:38.519 --> 00:36:43.760
<v Speaker 2>team as well, and but they're not working together and

684
00:36:43.920 --> 00:36:46.360
<v Speaker 2>neither well, he survives at the end if he takes

685
00:36:46.679 --> 00:36:52.760
<v Speaker 2>just a regular snake. It's not a baby on a

686
00:36:52.760 --> 00:36:57.760
<v Speaker 2>conduct's the regular snake. So we don't like it's like

687
00:36:57.800 --> 00:37:00.480
<v Speaker 2>a double twist at the end, which other one already

688
00:37:00.519 --> 00:37:03.000
<v Speaker 2>pays off. But then when Amanda does kill Hamuch, she

689
00:37:03.079 --> 00:37:05.880
<v Speaker 2>just gives them. She just keeps kicking him, which is fun.

690
00:37:05.920 --> 00:37:08.599
<v Speaker 2>She gets actually gets some spin kicks in how do

691
00:37:08.639 --> 00:37:09.679
<v Speaker 2>you write the spin kicks?

692
00:37:10.199 --> 00:37:11.960
<v Speaker 1>Well, this is the fact that she was a fighter

693
00:37:11.960 --> 00:37:17.360
<v Speaker 1>out of nowhere, Like when did she she's a runner? Yeah,

694
00:37:17.480 --> 00:37:20.320
<v Speaker 1>she jogs in the beginning, but then she.

695
00:37:20.039 --> 00:37:21.960
<v Speaker 2>Should have been doing like tai chi instead of not

696
00:37:22.000 --> 00:37:23.800
<v Speaker 2>tachi but like taekwondo or something.

697
00:37:24.239 --> 00:37:26.639
<v Speaker 1>Yeah, exactly, but they didn't think that far. And then

698
00:37:26.639 --> 00:37:32.719
<v Speaker 1>she beats up Baywatch like a skilled murderous hunter. You're right, though,

699
00:37:32.880 --> 00:37:37.360
<v Speaker 1>that caught me off guard because I went, what, Yeah.

700
00:37:37.360 --> 00:37:39.559
<v Speaker 2>This is the fourth halse of hoff film we've covered

701
00:37:39.599 --> 00:37:41.119
<v Speaker 2>on this show, or I've got on because he's in

702
00:37:41.360 --> 00:37:46.239
<v Speaker 2>He's in two Sharpnados and Parana three Double D. Last

703
00:37:46.320 --> 00:37:49.000
<v Speaker 2>scene on the moon in Sharknado four but you know

704
00:37:49.000 --> 00:37:50.519
<v Speaker 2>they bring they bring it back, they bring it back.

705
00:37:52.000 --> 00:37:54.079
<v Speaker 1>I mean the Sharknado movies are better than.

706
00:37:53.960 --> 00:37:59.719
<v Speaker 2>This, Yeah, because there's there's ideas, there's fun with it.

707
00:38:00.199 --> 00:38:03.159
<v Speaker 2>There's there's no ideas here. This is so rope, you

708
00:38:03.239 --> 00:38:03.440
<v Speaker 2>know what.

709
00:38:03.480 --> 00:38:06.239
<v Speaker 1>I'm gonna put it No Way Up ahead of it

710
00:38:06.320 --> 00:38:11.800
<v Speaker 1>because there's an idea in No Way Up. Yeah, like

711
00:38:11.880 --> 00:38:15.519
<v Speaker 1>that movie has. Oh that's interesting when it's terrible, but

712
00:38:16.599 --> 00:38:19.599
<v Speaker 1>when you think about it, you're like, oh, all right,

713
00:38:21.159 --> 00:38:22.039
<v Speaker 1>it's an idea. Day.

714
00:38:22.039 --> 00:38:24.320
<v Speaker 2>We'll do an episode ranking every every film we've kept

715
00:38:24.440 --> 00:38:24.880
<v Speaker 2>on this show.

716
00:38:25.199 --> 00:38:27.679
<v Speaker 1>That's an idea. Leave out Jaws and Deep Blue Sy.

717
00:38:27.719 --> 00:38:29.360
<v Speaker 1>We should leave out Jaws and Deep Blue Sy.

718
00:38:30.519 --> 00:38:32.480
<v Speaker 2>Yeah.

719
00:38:33.000 --> 00:38:37.880
<v Speaker 1>Yeah, just No Way Up goes one hundred.

720
00:38:37.639 --> 00:38:40.039
<v Speaker 2>And fifty five. Other films No.

721
00:38:40.079 --> 00:38:42.519
<v Speaker 1>Way Ups one fifty four, and then this is one

722
00:38:42.559 --> 00:38:43.119
<v Speaker 1>fifty five.

723
00:38:44.280 --> 00:38:46.519
<v Speaker 2>I think that's fair. Are we going to continue the

724
00:38:46.519 --> 00:38:50.559
<v Speaker 2>franchise you've seen most of Fool already?

725
00:38:50.599 --> 00:38:52.400
<v Speaker 1>Yeah, I mean we got to. I'm not a quitter,

726
00:38:54.480 --> 00:38:55.079
<v Speaker 1>and it haw's that.

727
00:38:55.079 --> 00:38:58.400
<v Speaker 2>Like last time, last thing, he said, we'll keep doing

728
00:38:58.400 --> 00:39:01.519
<v Speaker 2>this until we don't want to, basically, but.

729
00:39:01.519 --> 00:39:04.719
<v Speaker 1>You know what, though, it's like whatever that Linna and

730
00:39:04.760 --> 00:39:06.280
<v Speaker 1>Ashby is in it. He's kind of funny.

731
00:39:08.400 --> 00:39:10.519
<v Speaker 2>Yeah, we've only already got one anaicond of film left.

732
00:39:10.519 --> 00:39:14.119
<v Speaker 2>And then there's Placid Versus and then there's a Chinese remake.

733
00:39:14.599 --> 00:39:16.199
<v Speaker 1>Oh those ones are good. Those are movies.

734
00:39:16.320 --> 00:39:20.079
<v Speaker 2>Yeah, yeah, Okay, we'll get there, We'll we'll tackle Trail

735
00:39:20.119 --> 00:39:26.079
<v Speaker 2>of Blood soon. Get it out of the way.

736
00:39:26.679 --> 00:39:30.800
<v Speaker 1>This is the same patch of Romanian woods.

737
00:39:30.519 --> 00:39:33.599
<v Speaker 2>The beginning with my wife, she said a bit of

738
00:39:33.599 --> 00:39:35.360
<v Speaker 2>a ridiculous start, and then she just said.

739
00:39:35.159 --> 00:39:37.920
<v Speaker 1>It was terrible and so good in the beginning starts

740
00:39:37.920 --> 00:39:40.480
<v Speaker 1>in Amazon in the Amazon correct and it's the same

741
00:39:40.519 --> 00:39:41.920
<v Speaker 1>patch of Romanian woods.

742
00:39:43.280 --> 00:39:45.000
<v Speaker 2>Yeah, and it's yeah, it starts off with half of

743
00:39:45.000 --> 00:39:46.360
<v Speaker 2>off with with that kind of thing. Were like, I'm

744
00:39:46.400 --> 00:39:47.599
<v Speaker 2>the start of the film, much've be in the opening

745
00:39:47.599 --> 00:39:50.000
<v Speaker 2>scene kind of thing. Yeah, where like he and the

746
00:39:50.119 --> 00:39:53.559
<v Speaker 2>bunch of other guys are There's three of them, all

747
00:39:53.760 --> 00:39:56.559
<v Speaker 2>like going in a line through the jungle, all using

748
00:39:56.559 --> 00:39:58.079
<v Speaker 2>a machete to clear the way, and I'm like, just

749
00:39:58.119 --> 00:39:59.400
<v Speaker 2>the first guy needs to be doing that. They don't

750
00:39:59.400 --> 00:40:01.960
<v Speaker 2>all need to be doing It's just a fus But

751
00:40:02.360 --> 00:40:04.360
<v Speaker 2>and then they kill a snake and a guy gets

752
00:40:04.599 --> 00:40:06.760
<v Speaker 2>just a real bloody face and screaming and running around

753
00:40:07.360 --> 00:40:09.480
<v Speaker 2>and then wakes up and as a dead snake. Well

754
00:40:10.239 --> 00:40:12.159
<v Speaker 2>what was all this? Was this for anything? And then

755
00:40:12.519 --> 00:40:14.960
<v Speaker 2>next time we see him he's sitting running on when

756
00:40:15.039 --> 00:40:16.519
<v Speaker 2>you take the thing out, is that is that some

757
00:40:16.599 --> 00:40:20.960
<v Speaker 2>kind of massive snake fang? No, that opening saying nothing

758
00:40:21.000 --> 00:40:23.760
<v Speaker 2>to it. It don't worry.

759
00:40:24.400 --> 00:40:27.280
<v Speaker 1>And they're so lazy that they didn't want to go

760
00:40:27.360 --> 00:40:31.039
<v Speaker 1>shoot And you know Anaconda they shot in La but

761
00:40:31.079 --> 00:40:33.719
<v Speaker 1>it looks like it was shot on the Amazon. You know,

762
00:40:33.920 --> 00:40:37.039
<v Speaker 1>the second one they went on location and it looks great.

763
00:40:37.239 --> 00:40:39.880
<v Speaker 1>You know, the new Anacondas went to Australia at least

764
00:40:39.880 --> 00:40:42.679
<v Speaker 1>and shot on location, even though it looks heavily you

765
00:40:42.719 --> 00:40:47.599
<v Speaker 1>know soundstage. This movie was so lazy, that's just like, yeah,

766
00:40:47.599 --> 00:40:49.960
<v Speaker 1>we're gonna bring a snake to Romania because that's where

767
00:40:49.960 --> 00:40:51.920
<v Speaker 1>the studio is and we can shoot it for cheap.

768
00:40:52.039 --> 00:40:54.400
<v Speaker 1>Like they didn't even try to find a river. I

769
00:40:54.400 --> 00:40:56.639
<v Speaker 1>don't even think there's a boat. There's no boats.

770
00:40:57.400 --> 00:40:59.400
<v Speaker 2>No there is, we haven't got to it yet, but

771
00:40:59.679 --> 00:41:02.920
<v Speaker 2>it's there is one shot when they like get to

772
00:41:03.039 --> 00:41:06.400
<v Speaker 2>water and the snake can swim and it's over there.

773
00:41:06.679 --> 00:41:09.079
<v Speaker 2>That's the only bit of water in the film.

774
00:41:09.800 --> 00:41:12.880
<v Speaker 1>Oh my gosh, it's a family doesn't get eaten and

775
00:41:12.920 --> 00:41:17.239
<v Speaker 1>the snakes just ride by them.

776
00:41:16.199 --> 00:41:20.679
<v Speaker 2>Ah yeah, okay, I think I would say overall, we

777
00:41:20.719 --> 00:41:24.480
<v Speaker 2>don't recommend anaconda three offspring.

778
00:41:25.400 --> 00:41:31.320
<v Speaker 1>No fun, no fun, no one tried each a two

779
00:41:31.360 --> 00:41:32.360
<v Speaker 1>nice positive things.

780
00:41:33.800 --> 00:41:42.599
<v Speaker 2>Uh tank tops, Sure.

781
00:41:41.480 --> 00:41:43.199
<v Speaker 1>They don't look or anything. It's just the fact that

782
00:41:43.239 --> 00:41:45.800
<v Speaker 1>she changes from a black tank top and I went

783
00:41:45.840 --> 00:41:47.400
<v Speaker 1>I went away.

784
00:41:47.599 --> 00:41:51.400
<v Speaker 2>The boxer guy taking the snake out with a grenade

785
00:41:51.840 --> 00:41:56.480
<v Speaker 2>in his mouth. That that was okay, that was bad.

786
00:42:00.159 --> 00:42:02.639
<v Speaker 1>That's all I got.

787
00:42:03.280 --> 00:42:06.039
<v Speaker 2>There's like snake vision, but it's just kind of like

788
00:42:06.039 --> 00:42:08.000
<v Speaker 2>a fish eye lends and they may get yellow towards

789
00:42:08.039 --> 00:42:12.880
<v Speaker 2>the center. So that's that's snake vision. Great well, listeners,

790
00:42:12.920 --> 00:42:14.559
<v Speaker 2>if this is your first time listening to the show,

791
00:42:14.960 --> 00:42:17.800
<v Speaker 2>We're normally more positive. I feel like I've been saying

792
00:42:17.800 --> 00:42:20.400
<v Speaker 2>that a lot recently, but we are normally more more positive.

793
00:42:22.079 --> 00:42:24.400
<v Speaker 1>Genre is more consistent than the alligator genre.

794
00:42:25.719 --> 00:42:29.400
<v Speaker 2>I think so the reptile genre. Yeah, but because this

795
00:42:29.480 --> 00:42:31.599
<v Speaker 2>is deeply see the podcast. If we cover a new film,

796
00:42:31.639 --> 00:42:34.519
<v Speaker 2>I go through and work out how deep the action

797
00:42:34.719 --> 00:42:37.440
<v Speaker 2>on screen takes place at, how blue everything on screen is,

798
00:42:37.480 --> 00:42:40.360
<v Speaker 2>and how much of it takes place at sea? Deeply

799
00:42:40.480 --> 00:42:42.920
<v Speaker 2>C is of course, approximately fourteen and a half meters deep,

800
00:42:42.960 --> 00:42:45.559
<v Speaker 2>thirty one percent blue, and eighty percent of it takes

801
00:42:45.559 --> 00:42:48.480
<v Speaker 2>place at see mark. Do you think Anaconda three offspring

802
00:42:48.599 --> 00:42:51.119
<v Speaker 2>is deeper blue are or more at sea than Deep

803
00:42:51.119 --> 00:42:55.400
<v Speaker 2>Blue C? Of course not. This is the deepest Anaconda

804
00:42:55.480 --> 00:42:59.360
<v Speaker 2>film so far because the lab they're in is underground

805
00:42:59.599 --> 00:43:01.800
<v Speaker 2>and in a basement towards the end of it for

806
00:43:01.840 --> 00:43:05.920
<v Speaker 2>a while, so it is actually below surface level on average.

807
00:43:05.960 --> 00:43:10.079
<v Speaker 2>It's about twenty two centimeters orero point seven feet deep

808
00:43:11.400 --> 00:43:15.079
<v Speaker 2>compared to the first Aniconda is about that above above

809
00:43:15.159 --> 00:43:19.159
<v Speaker 2>surface all blueness not blue at all, one and a

810
00:43:19.159 --> 00:43:23.519
<v Speaker 2>half per cent blue. It's just not not blue. Oh sorry.

811
00:43:23.760 --> 00:43:29.199
<v Speaker 2>So it is deeper than ghost Shark and less deep

812
00:43:29.280 --> 00:43:33.000
<v Speaker 2>than Sea fever blue. It's bluer than Lake Placid, less

813
00:43:33.079 --> 00:43:37.199
<v Speaker 2>less blue than die Hard To Less Blue Rennie Halland's

814
00:43:37.199 --> 00:43:39.719
<v Speaker 2>die Hard to not a blue film at all, and

815
00:43:40.000 --> 00:43:42.119
<v Speaker 2>never at sea zerub cent of it it takes place

816
00:43:42.159 --> 00:43:48.119
<v Speaker 2>at sea? In fact, did I do it? I did not? Damn?

817
00:43:49.199 --> 00:43:51.079
<v Speaker 2>In fact, where's it gone?

818
00:43:53.639 --> 00:43:55.679
<v Speaker 1>While you're looking for that? We also talk about if

819
00:43:55.679 --> 00:44:02.360
<v Speaker 1>it's thematically deeper or from thematically at what deep?

820
00:44:02.639 --> 00:44:04.360
<v Speaker 2>Is it deeper? Bluer?

821
00:44:05.039 --> 00:44:06.360
<v Speaker 1>Is it lost none of them?

822
00:44:07.199 --> 00:44:09.119
<v Speaker 2>Yeah, well so it's it's point zo point two seven

823
00:44:09.159 --> 00:44:12.239
<v Speaker 2>percent takes place near or on water. For the rest

824
00:44:12.239 --> 00:44:15.079
<v Speaker 2>of it is land in the void. But yeah, a

825
00:44:15.079 --> 00:44:18.519
<v Speaker 2>deeper note, there is no depth to any of these characters, Bluer.

826
00:44:19.159 --> 00:44:20.880
<v Speaker 2>No one's really that sad because no one really has

827
00:44:20.880 --> 00:44:24.800
<v Speaker 2>any kind of character, and no one's really lost because

828
00:44:24.840 --> 00:44:26.239
<v Speaker 2>they kind of know where they are because they work

829
00:44:26.280 --> 00:44:27.840
<v Speaker 2>near it and they're just in the same patch of

830
00:44:27.880 --> 00:44:31.639
<v Speaker 2>forest again and again and again. So yeah, I agree,

831
00:44:34.559 --> 00:44:35.960
<v Speaker 2>But hey, we've done it, Mark and I gone to

832
00:44:36.000 --> 00:44:37.840
<v Speaker 2>three never needs to be thought about by us every.

833
00:44:37.599 --> 00:44:41.239
<v Speaker 1>Now, thank until four because it's pretty much a direct continuation.

834
00:44:41.960 --> 00:44:44.719
<v Speaker 2>Yeah, yeah, we'll get there eventually. We're not going to

835
00:44:44.760 --> 00:44:47.199
<v Speaker 2>do that next, we'll do that soon for the next month.

836
00:44:49.079 --> 00:44:50.840
<v Speaker 2>But do you have anything you would like to plug?

837
00:44:50.920 --> 00:44:51.119
<v Speaker 1>Mark?

838
00:44:51.119 --> 00:44:53.239
<v Speaker 2>Where can people listen to where you're talking more positively

839
00:44:53.239 --> 00:44:55.159
<v Speaker 2>about other films like.

840
00:44:55.199 --> 00:44:57.360
<v Speaker 1>We actually did. Yeah, we're real positive there, so yeah,

841
00:44:57.400 --> 00:45:00.360
<v Speaker 1>move some of the flakes. Listen to that near you

842
00:45:00.760 --> 00:45:02.840
<v Speaker 1>you back on Jay when need a chat about something?

843
00:45:03.360 --> 00:45:09.000
<v Speaker 2>Absolutely, yes, yeah, we'll figure something out, and until then,

844
00:45:09.199 --> 00:45:11.440
<v Speaker 2>I have writing over at Life Firstersfilm dot com. I

845
00:45:11.440 --> 00:45:15.320
<v Speaker 2>did my post. My review of twenty twenty five is

846
00:45:15.440 --> 00:45:20.280
<v Speaker 2>up now, whoa it happened. This is coming out after

847
00:45:20.320 --> 00:45:22.360
<v Speaker 2>the start of April, but it came out before April.

848
00:45:22.400 --> 00:45:22.880
<v Speaker 2>I did it.

849
00:45:23.679 --> 00:45:27.239
<v Speaker 1>I kept saying April and you you I am incorrect.

850
00:45:27.360 --> 00:45:30.760
<v Speaker 2>Yeah, your tactic worked making me do it. But I'm

851
00:45:30.760 --> 00:45:33.559
<v Speaker 2>already I'm up to date for twenty twenty six now

852
00:45:33.599 --> 00:45:35.599
<v Speaker 2>as well every film I've seen this year. I've already

853
00:45:35.599 --> 00:45:37.760
<v Speaker 2>written a little blurb for that post and I'm gonna

854
00:45:37.760 --> 00:45:41.880
<v Speaker 2>try and keep up with that, so we'll see. So yeah,

855
00:45:41.920 --> 00:45:44.000
<v Speaker 2>lifeirstersfilm dot com. With my personal site, you can read

856
00:45:44.039 --> 00:45:46.880
<v Speaker 2>that and probably some other reviews by now who knows.

857
00:45:47.440 --> 00:45:49.800
<v Speaker 2>You can follow this show all over social media at

858
00:45:49.960 --> 00:45:52.760
<v Speaker 2>deep Blue Seapod or email us deep Blue Seapod at

859
00:45:52.800 --> 00:45:57.599
<v Speaker 2>gmail dot com. Next week will probably be a chapter

860
00:45:57.639 --> 00:45:59.360
<v Speaker 2>of Deep Blue c because that's what we're talking about here.

861
00:46:00.400 --> 00:46:04.639
<v Speaker 2>But as for this week, as for Anaconda three offspring,

862
00:46:05.000 --> 00:46:07.639
<v Speaker 2>I have been Ja Klewett and I'm Markarthmeier and we'll

863
00:46:07.719 --> 00:46:10.719
<v Speaker 2>deep Blue see you next week.