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Speaker 1: You're listening to Matt Connerton Unleashed on wm n H

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ninety five point three.

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Speaker 2: Hey, welcome everybody, here we go.

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Speaker 3: It is that time again, Matt Connerton Unleashed and we

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are live from the studios of wm NH ninety five

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point three FM, inglorious Manchester.

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Speaker 2: New Hampshire.

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Speaker 3: A little little coding of snow there this morning, but

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that's okay. It's spring as far as I'm concerned anyway.

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So it is, of course Saturday March fourteen, two thousand,

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twenty six, and we are live from WMNH ninety five

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point three FM. And you can also stream the show

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live from anywhere. Go to Matt connorton dot com slash

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live for all of your live streaming options, social media links,

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contact and FoST show archives, et cetera, et cetera. And

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I am not alone, Jenny dun.

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Speaker 2: Sunshine, whoa that mic is loud? Wow? Not your fault.

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I don't know why.

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Speaker 3: It's louder than usual. That's all right, even hear me. Yeah,

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I've got you down way down on the board and

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it's no. That's fine though. I'd rather that than not.

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Speaker 2: Being able to hear as audience. See. That's right, that's right.

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I think I can back off on my voice a bit. No, no, no,

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that's good. I can control it from here. No, it's good.

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Speaker 4: I can.

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Speaker 2: I can hear you really well, because sometimes it's can

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you hear me?

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Speaker 5: Now?

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Speaker 3: Sometimes it's I think somebody might have made some adjustments

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in here. Actually, yeah, because I can hear myself better too.

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Speaker 2: That's interesting. Okay, well, not a bad thing.

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Speaker 3: Welcome everybody, of course, we have an exciting show for

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you today. In just a few minutes, we're gonna be

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joined by the band Cognition via Microsoft Teams. In the

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second hour, we have the Pop Farmers. They come in

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every Saturday. It's become an annual tradition right before Saint Patrick's, say,

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because Saint Patrick's Stay is a big day for them.

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Speaker 2: And and then in the.

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Speaker 3: Third hour we have Rust Never Sleeps, a great Neil

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Young tribute band and really looking forward to that. That's exciting. Also,

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we should talk about what's happening later on today.

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Speaker 6: Yeah, later on today, join us at the Mosaic Art

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Collective from five pm to seven pm for the Woman

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Wise opening reception.

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Speaker 7: Excuse me.

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Speaker 6: The exhibit will be on display for the next few weeks,

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but I encourage you to come down and check this out.

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This is about women equality then equality now it's a

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work comprised of the Mosaic Art Collective working with the

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Equity Health Center, bringing together art and history and community

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to highlight the stories and strength of women across generations.

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Matt and I will be there, so please do join

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us at sixty six Anover Street, Sweet two one here

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in the Queen's City, the beautiful Mosaic Art Collective. Come

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chat with us and meet some of the artists.

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Speaker 3: Absolutely so very excited about that. And we're going to

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go ahead and we're going to play. So Cognition's got

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a brand new single. Jen X is going to be

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joining us. She's actually already in the room. Nice Microsoft teams.

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So we're gonna play the new single from them. It's

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called The Washed. This is really good. And then we've

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got another track of Theirs. We're gonna pay at the

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end of our conversation, but we're gonna hit this, and

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then we're gonna talk with gen X from the band Cognition.

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She's been on the show before with another project, but

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really looking forward to I really love these songs.

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Speaker 2: So we're gonna play this.

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Speaker 3: We're gonna talk with her and then so we'll we'll

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talk to you in a few minutes. But if this

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will listen again, this is a really good song. This

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is Cognition. This song is called The Washed.

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Speaker 8: This life never feels driving Your family starts with.

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Speaker 9: My mind will always.

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Speaker 5: Rewind all the memories.

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Speaker 10: With the bay.

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Speaker 5: I know we've got to let it good, all the

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choices the me.

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Speaker 11: Now, I know how far you'll go when you're six

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feet from the grass.

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Speaker 12: Sound.

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Speaker 5: Everybody is going now, there's talk money now, everybody is

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going down. There's time.

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Speaker 7: We can watch the line.

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Speaker 5: Through tears.

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Speaker 11: We tell your story through the pain me life, the

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way your life and now needs others to see another day.

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I know of got to let it go on the

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choices them by Now I know how far you'll go

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when you're six feed from the bras.

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Speaker 12: That sound everybody is in town. Somebody in that.

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Speaker 5: Send out everybody else going in town.

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Speaker 12: There's somebody that.

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Speaker 7: We can wash it away.

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Speaker 12: Sound eyes.

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Speaker 10: Lesen, we can wash it away.

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Speaker 7: We can wash it away.

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Speaker 2: There it is that is the Washed.

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Speaker 3: The band is Cognition, and I believe we have gen

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X with us via Microsoft teams. Jan are you there?

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Good morning, good, good morning, welcome back to the show.

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You have been on, of course once before with your

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other band, and I remember we went through this and

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you'll have to refresh my memory.

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Speaker 2: Is it?

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Speaker 3: Is it Generations or Generation z yess Generations? So that's

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the other band that we had you on with. But

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this project, I really like this a lot, cognition. I

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love the sound. We're going to play at the end

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of our conversation today, we're going to play the other

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single that you sent us, the Game, which is also

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a really great track. But and where are you geographically?

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Are you in Missouri?

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Speaker 13: Yeah?

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Speaker 3: We're in Springfield, Springfield, Missouri. How is that close to

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Saint Louis.

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Speaker 14: Three and a half hours?

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Speaker 2: Oh? Not not close at all. Okay, what are you

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close to?

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Speaker 15: You?

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Speaker 3: We might have talked about this last time too, But

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is there what like, what's the big big city that

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you're close to or is there one?

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Speaker 4: Well, so we're so we are close to Branson, Branson, Okay.

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Speaker 14: I'm I actually live in Branson.

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Speaker 2: Oh you live in Branson? Okay, gotch gotcha?

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Speaker 3: And what I do want to talk about the song,

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But before we do that, what's the difference between because

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of some of the same members, right in both bands?

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Speaker 14: Four of four out of five, four.

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Speaker 2: Out of five.

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Speaker 3: Okay, now that's interesting because I mean, with with that

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that ratio, what can you describe the difference between the

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two projects in terms of I mean, if it's only

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one member different, like, tell us about that. I'm really

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curious about this. How do you like, you know, because

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obviously you know they're both rock, they're both metal. But

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what what is the difference between the two bands, Cognition

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and Generations?

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Speaker 14: Well, so both so the members all play different instruments too.

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Speaker 4: So for like Generations, Daniel is the drummer for Generations,

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but he's the guitar player for Cognition. Oh interesting, Michael, Yeah,

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Michael plays the bass for Generations, but he plays.

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Speaker 14: The guitar for Cognition.

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Speaker 2: Oh wow.

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Speaker 14: And Anthony plays.

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Speaker 4: The guitar for jen Generations, but he plays the bass

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for Cognition.

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Speaker 3: Oh that's interesting. Okay, that's cool. I've never I've never

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seen anything quite like that where you have you know,

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basically it's most of the same people with two different

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bands because they just play different instruments in the different projects.

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Speaker 2: That's really interesting. That's cool.

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Speaker 16: Yeah.

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Speaker 2: How so how did I assume Generations was first? Right?

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Speaker 14: Yeah, so well I believe so.

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Speaker 17: Well.

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Speaker 4: No, actually they were playing Cognition first, okay, and then

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started Generations, But I came into Generations first.

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Speaker 2: Okay.

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Speaker 3: Now do any of these songs cross over? Do you

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and end up getting played by both both bands? Because

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I would not yet, not yet, not yet.

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Speaker 7: No.

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Speaker 4: It's it's funny because well, we recently unfortunately lost our

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drummer that you hear on both of our tracks, and.

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Speaker 14: So we have a.

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Speaker 4: New drummer, and it's amazing how just one member can

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completely change the sound and the vibe of a band.

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Speaker 14: Yeah, it's also interesting to me.

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Speaker 4: I was like.

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Speaker 14: Being the lead singer, you know, for both bands.

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Speaker 4: My voice doesn't really change, so I wasn't quite sure

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if it was just gonna wind up sounding like the

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same band, But it really doesn't. Both bands are still

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completely different even though you know I'm.

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Speaker 3: The same right right, Yeah, that dynamic is very interesting

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to me. Well, let's talk about the song the Washed,

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because this is heavy stuff and you know when you

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listen to it, obviously, songs, you know, lyrics can can

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mean different things to different people, and of course there's

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no right or wrong answer, because art is up to

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the individual to interpret it however it means whatever it's

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going to end up meaning to them as as in

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this case as a listener. But but the song does

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have a very specific meeting from the meaning, from the

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point of view of what you wrote about and tell

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us about that, what is the washed about?

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Speaker 4: So it's almost like a like a war cry for

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anthem for trying to raise awareness and trying to come

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together to help battle this.

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Speaker 14: Fit and all epidemic.

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Speaker 4: Because I mean, that's exactly what it is. I think

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it's reached the point where you know, you're probably not

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going to find a person who's not been affected in

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some way, whether it's a family member, or whether it's

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a coworker, or whether it's just somebody you know, or

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you know, whether it's just someone very close to you.

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But it's it's devastating and everybody, every one of us

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in the band has been touched by it. I've lost

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several friends. Daniel lost his cousin and that's who the

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song is actually wrote for work.

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Speaker 14: Okay, so yeah, we got to do something.

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Speaker 3: What was it like recording it? Because again, uh, it's

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heavy stuff. Uh the subject, I mean, was was that

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challenging it all?

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Speaker 2: Or was it?

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Speaker 3: Was it kind of just like recording any other song?

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I mean, I mean, what was that like to to

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work on this? Because obviously, when you're talking about a

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subject like that, you wanted to really come across, you know,

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you want it to come across to the listener as

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being about something important. You know, even if they don't

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necessarily connect. You know, you don't hear the word fentanyl

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and the lyrics necessarily right, but but but you want it.

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You do want it to connect to the listener in

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a way that they know they're listening to something important

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and that you're talking about something serious. So was that

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a challenge in terms of recording this?

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Speaker 14: So the studio is probably our favorite place.

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Speaker 4: You know, music is a coping mechanism, the best coping organism,

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I feel like.

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Speaker 14: So, so I.

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Speaker 4: Would say no, just for that aspect, because that is

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our space that we can get in there and have

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all the emotions and uh, but you know, use it positively.

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Speaker 2: Yeah, yeah, no, that makes sense. That makes sense. And

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what's the reception been?

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Speaker 15: Like?

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Speaker 3: You know, I assume you've been you know, people probably

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ask you, you know, what's the song about, or maybe

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maybe as you're as you've released this because it is

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available right this is this is already out on all

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the platforms, I assume. I mean, what what what's the

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reception been like to the song so far?

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Speaker 4: Uh, you know, it's it's it's been great. We you

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never know when you release something what the response is

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gonna be. And I and uh, I'm nervous every time.

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It doesn't matter. I'm nervous every time I go on stage, right,

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And but the response has been great. You know, since

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I've started both of these projects. It's I was not expecting.

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I really went into it not expecting anything.

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Speaker 2: M hm.

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Speaker 14: And uh, I was just.

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Speaker 4: Living my best life, I guess and h but this

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response has just been really great. It's everybody's been overwhelmingly supportive.

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And uh, and we are planning on putting a music

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video to this one. Oh, We're going to get community involved.

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I reached out to some people in the community and

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they have graciously provided us with some photos of their

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family members that have been impacted, and uh, you know,

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we're gonna we're going to honor them in the videos.

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Speaker 14: So I'm really excited about this one for sure.

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Speaker 2: Oh, that's that's excellent.

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Speaker 3: Do you feel like you know, because when you mentioned

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the community, do you mean when you say community in

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this context you mean just just the area that you

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live in, or are you referring to and I suspect

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it's this, But are you referring more to just the

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music community, because it seems like people who are artistic,

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particularly in music, musicians we've all known. I mean, you know,

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I've been around a while, we all know a lot

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of For whatever reason, musicians tend to very often be

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people who fall prone to addiction, whether it's fentanyl or

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or anything else, any number of things. I mean, is

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that kind of what you're referring to, like in the

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music community, or do you mean geographically or or what

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do you mean exactly?

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Speaker 14: Just a mixture of both. I also, you know, joined

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some fitanel support groups. Oh wow, have some really great

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support groups on Facebook for anybody that is looking for

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some support. And I highly encourage that.

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Speaker 4: Yeah, and so you know we've reached out to those

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groups too as well.

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Speaker 2: Okay, okay, no, that's good.

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Speaker 3: And why why the washed? What is what is the

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meaning of that term in the context of the song?

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Speaker 14: I think you know again that's left up to the interpreter.

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Speaker 2: Yeah.

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Speaker 4: For me, it's you know, we're washing clean and starting over. Yeah,

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we all have mistakes, we all go through hard times.

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It's part of the learning process, it's part of the

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growth process. Shame, when people carry shame, it leads to

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a lot of you know, a lot of negative coping,

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I think, And so for me, it's washing that shame.

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Speaker 2: Away right right now. Have you have you had a

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chance to perform this live?

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Speaker 14: Yes?

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Speaker 2: Okay, okay, good?

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Speaker 3: And tell us about two you know, because again we

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talked about generations last time we're on the show. We

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don't know a lot about cognition. But so you've got this,

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and you've got the single of the game, And have

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you released other music under cognition or are those the

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only two tracks so far?

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Speaker 4: Not yet, that's the only two, but we definitely have

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more coming. We're working on a full album.

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Speaker 2: Excellent, excellent.

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Speaker 3: And then are you the other track the game, which

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we're going to play at the end of our conversation,

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which also really love. Did you record those in the

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same place, the same studio?

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Speaker 14: Yes?

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Speaker 2: Okay? And where do you record these?

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Speaker 3: Because we should give some shine to I don't know

305
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if you there's so many different ways to record now,

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you know you can. A lot of musicians have home studios.

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A lot of musicians will still go to a studio

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work with a engineer and producer and everything. But I

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really like sonically, I think both these songs sound absolutely fantastic.

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Speaker 2: So I'm curious where you record well?

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Speaker 4: That is kudos to Jeff Smith over at Studio twenty

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one in Springfield.

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Speaker 3: Okay, okay, And how did you come to work with him?

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Speaker 18: So?

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Speaker 4: I believe Daniel has worked with him on projects previously.

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Speaker 3: Okay, okay, yeah, because he does like I said, I mean,

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the sound is great, does he? I know, very often

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in these situations sometimes an engineer will become more a producer,

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will become almost like a like an additional member of

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the band. Is he someone who makes a lot of

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suggestions or does he just obviously he gets a great

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sound out of you.

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Speaker 2: Uh.

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Speaker 3: Does he offer a lot of input or does does

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he just just record?

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Speaker 15: Yes?

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Speaker 4: So specifically in generations, we're gonna be using a lot

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of different just backing tracks.

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Speaker 14: Yeah, and he we've kind of given.

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Speaker 4: Him the creative space to to see what he hears

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and so he's really been helping us on those backing tracks.

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Speaker 3: So okay, so what yeah, So in terms of recording

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with him, because you mentioned generations on the backing tracks,

334
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what's kind of the and again, because the dynamic of

335
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this is so interesting to me. It's basically two bands

336
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and one but just with with everybody playing different instruments

337
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or almost everybody.

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Speaker 2: So what what's kind of the priority?

339
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Speaker 3: Is there a hierarchy in terms of what your priorities

340
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are with with each band because you're working, so you're

341
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both bands are recording at the same place, right, So, uh,

342
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is there a hierarchy in terms of what you're trying

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to do first in terms of recording.

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Speaker 4: We just we kind of rotate, you know, we go

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in this can get things accomplished for generation, and then

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we go in this week for cognition.

347
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Speaker 14: And people ask me all the time, like which one

348
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do you like better? And it's hard because I love

349
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them both for different reasons.

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Speaker 2: Right right, Well tell us?

351
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Speaker 3: So what now I'm curious now that you said that,

352
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So what are the what are the things that you love?

353
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What are the different things that you love about each project?

354
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Speaker 14: So cognition, I feel like kind of is more connected

355
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to my roots, and uh, you know, I relate. I

356
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relate to.

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Speaker 4: All the music, but some of the songs in Cognition

358
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definitely hint.

359
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Speaker 14: More on my past, okay, I guess.

360
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Speaker 4: And and then Generations I have.

361
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Speaker 14: I feel like it opens up more of a creative

362
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side of me, and.

363
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Speaker 4: A lot of it kind of hits just into who

364
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I am now, and they have different feels in different vibes.

365
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Generation is definitely heavier, so it's kind of more I

366
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don't know, Gothic princess.

367
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Speaker 2: No, I guess with some WHICHI.

368
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Speaker 14: Vibes a little bit too. I love it, but and

369
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like I said, Cognition is more.

370
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Speaker 4: I almost feel like it had I don't want to

371
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turn it into that, but again, I kind of feel

372
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like it speaks kind of to.

373
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Speaker 14: My roots, so it has a little bit more of

374
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a country vibe to me.

375
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Speaker 2: Yeah, we might.

376
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Speaker 3: Actually, I'm probably gonna have time. I might sneak in.

377
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Like I said, we're gonna play in just a couple

378
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of minutes, we're gonna play the game the other single

379
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that you sent us for Cognition, But I think after that,

380
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I might also sneak in that Generations act that we

381
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played before Seance because I really liked that one a

382
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lot too, And for listeners who didn't get to hear

383
00:23:07,119 --> 00:23:09,480
that before when we featured that on the show, it'll

384
00:23:09,519 --> 00:23:11,839
be kind of a chance for them to sort of

385
00:23:12,160 --> 00:23:17,240
maybe compare and contrast. Yeah, and tell us again too

386
00:23:17,279 --> 00:23:20,359
about your roots. You know, you mentioned cognition kind of

387
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placed to your roots a little bit, and we did

388
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talk about that before when.

389
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Speaker 2: You were on the show.

390
00:23:24,920 --> 00:23:26,920
Speaker 3: But again for newer listeners who might not know, tell

391
00:23:27,000 --> 00:23:28,279
us a little bit about your background.

392
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Speaker 4: So being raised in Branson, Missouri, which back in the

393
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nineties specifically was the country music capital of the world,

394
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and my parents were entertainers there. I grew up a

395
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child performer performing in the shows around here, and I,

396
00:23:46,400 --> 00:23:49,359
you know, I mostly I guess you could say classically

397
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trained in country. So mostly what I grew up doing

398
00:23:52,720 --> 00:23:59,160
was country music. Okay, But rock has always been the core.

399
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Speaker 14: Of my being.

400
00:24:01,119 --> 00:24:01,599
Speaker 2: Absolutely.

401
00:24:01,759 --> 00:24:04,359
Speaker 14: I'm so excited to be able to do it, you know.

402
00:24:04,759 --> 00:24:08,240
Speaker 4: Again, coming into this, I was nervous how my tone

403
00:24:08,359 --> 00:24:11,079
was going to translate and see where it was going

404
00:24:11,119 --> 00:24:15,240
to go. But my voice has changed tremendously since I've

405
00:24:15,279 --> 00:24:15,960
started this.

406
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Speaker 14: Project, so oh has it?

407
00:24:18,799 --> 00:24:19,119
Speaker 18: Yeah?

408
00:24:19,240 --> 00:24:21,920
Speaker 4: Yeah, a lot, it's grown a lot, it's deepened, It's

409
00:24:22,000 --> 00:24:26,240
my range has definitely changed, the tone has changed, it's

410
00:24:26,599 --> 00:24:27,319
it's been cool.

411
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Speaker 2: Is that is.

412
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Speaker 3: That something you've tried to do intentionally or did that

413
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just happen organically over time?

414
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Speaker 2: I know some people.

415
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Speaker 3: Yeah, sometimes our voices do change as we get older,

416
00:24:40,240 --> 00:24:43,640
they get deeper, or even like doing this, Like if

417
00:24:43,680 --> 00:24:45,759
I listen to a podcast I did twenty years ago,

418
00:24:45,799 --> 00:24:50,839
it's like almost sound like almost sound like a kid. Absolutely,

419
00:24:51,720 --> 00:24:56,720
does your approach to vocals consciously changed when you're you know,

420
00:24:56,759 --> 00:24:59,160
when you started in these these bands?

421
00:25:00,720 --> 00:25:02,279
Speaker 2: Obviously, I don't know.

422
00:25:02,319 --> 00:25:03,920
Speaker 3: I mean, do you sing kind of the same way

423
00:25:03,920 --> 00:25:06,519
that you did when you were singing country all the time,

424
00:25:06,680 --> 00:25:09,960
or or or did your approach intentionally change?

425
00:25:10,240 --> 00:25:12,359
Speaker 14: Yeah, No, it's all it's all changed.

426
00:25:13,000 --> 00:25:15,799
Speaker 4: And even when I go back to trying to sing

427
00:25:15,960 --> 00:25:19,480
other things, it sounds differently too, And I think some

428
00:25:19,559 --> 00:25:21,880
of that also just comes with, you know, the confidence

429
00:25:22,680 --> 00:25:24,000
growth as well.

430
00:25:24,400 --> 00:25:26,640
Speaker 3: Yeah, it's interesting to me because a lot of the

431
00:25:26,720 --> 00:25:30,759
new Country I'm talking about, like really new stuff that

432
00:25:30,759 --> 00:25:33,599
that is kind of you know, it almost has an

433
00:25:33,599 --> 00:25:37,119
eighties rock vibe to it. And the one thing in

434
00:25:37,200 --> 00:25:41,960
the new country that you'll hear. That's that's still that

435
00:25:42,200 --> 00:25:44,599
makes it country because some of the some of the stuff,

436
00:25:45,000 --> 00:25:47,640
you know, like like my adopted son, Christian, he works

437
00:25:47,680 --> 00:25:50,880
at ninety six point five, the big country station here

438
00:25:50,880 --> 00:25:53,599
in our area, and you know, so sometimes I'll tune

439
00:25:53,640 --> 00:25:57,720
in and it's a lot of it is it sounds

440
00:25:57,799 --> 00:25:59,839
like eighties rock. But the only thing that makes it

441
00:26:00,000 --> 00:26:03,200
country is the way that the vocal is just singing.

442
00:26:03,240 --> 00:26:06,400
There's like it's like they'll be just enough. It's subtle,

443
00:26:06,559 --> 00:26:11,279
they'll be just enough twang in the vocals where where

444
00:26:11,400 --> 00:26:15,160
you know, if somebody who's a rock singer who had

445
00:26:15,200 --> 00:26:17,720
never sung country, we're singing that exact same song, it

446
00:26:17,720 --> 00:26:19,240
would just sound like a rock song.

447
00:26:19,640 --> 00:26:20,880
Speaker 2: It's really interesting to me.

448
00:26:21,000 --> 00:26:23,160
Speaker 3: That's why I was curious about how your vocal approach

449
00:26:23,480 --> 00:26:26,640
might be different in these projects versus when you were

450
00:26:26,839 --> 00:26:28,559
singing country on a regular basis.

451
00:26:29,960 --> 00:26:30,200
Speaker 14: Yeah.

452
00:26:30,359 --> 00:26:33,200
Speaker 4: No, I you know, I'm I think we've all made

453
00:26:33,240 --> 00:26:35,000
it a point and I don't know, maybe that comes

454
00:26:35,079 --> 00:26:37,759
with age two, but we've definitely all made it a

455
00:26:37,799 --> 00:26:42,759
point to just be ourselves, like fully authentically and have

456
00:26:42,839 --> 00:26:44,960
a good time and whatever comes out.

457
00:26:45,160 --> 00:26:46,240
Speaker 14: Comes out, you know.

458
00:26:46,799 --> 00:26:51,000
Speaker 4: Yeah, So and we're experimenting, you know, that's part of

459
00:26:51,039 --> 00:26:58,319
it too, and music nowadays has there are pros and

460
00:26:58,359 --> 00:27:02,759
cons to how music has changed and blending the genres,

461
00:27:04,559 --> 00:27:07,559
because the genres are definitely getting blended and it's creating

462
00:27:07,640 --> 00:27:11,559
some really awesome stuff. So that's kind of what I

463
00:27:11,599 --> 00:27:14,319
feel like work we're doing as well. So we've got

464
00:27:14,359 --> 00:27:16,880
a couple of new songs coming out with Generations that

465
00:27:16,920 --> 00:27:19,640
are featuring some rap artists, so oh interesting.

466
00:27:20,759 --> 00:27:23,400
Speaker 14: Yeah, so we're mixing metal with rap artists.

467
00:27:23,160 --> 00:27:26,359
Speaker 2: So very cool fun. Yeah, yeah, no, that is that's

468
00:27:26,440 --> 00:27:27,119
that's awesome.

469
00:27:27,880 --> 00:27:29,680
Speaker 3: Well, Jen, like I said in a moment, we're gonna

470
00:27:29,680 --> 00:27:32,200
play the game another great track that I love from Cognition,

471
00:27:32,319 --> 00:27:34,200
So we'll we'll let you go in a second, but

472
00:27:35,039 --> 00:27:38,039
please let our listeners know where's the best place to

473
00:27:38,079 --> 00:27:40,559
go online for people who want to keep up with

474
00:27:40,640 --> 00:27:44,240
everything that Cognition is doing and you know Generations as well,

475
00:27:44,240 --> 00:27:46,119
Like where should people go online to keep up with

476
00:27:46,160 --> 00:27:46,720
these bands?

477
00:27:48,160 --> 00:27:49,039
Speaker 14: So we're on.

478
00:27:48,960 --> 00:27:52,359
Speaker 4: Every you know social media platform. You can find us

479
00:27:52,400 --> 00:27:56,519
on Facebook and Instagram. I have a personal Facebook because

480
00:27:56,559 --> 00:27:58,880
I also do some projects even just outside of that.

481
00:27:58,960 --> 00:28:01,880
I did a nice these acoustic cover set last night.

482
00:28:01,960 --> 00:28:06,480
I've got a natural Anthem performance in a couple of

483
00:28:06,519 --> 00:28:10,200
weeks for like a professional wrestling event, and I've never

484
00:28:10,240 --> 00:28:12,079
been to a professional wrestling event.

485
00:28:11,880 --> 00:28:13,799
Speaker 14: So I'm really excited about that. That's gonna be so

486
00:28:13,920 --> 00:28:14,240
much fun.

487
00:28:14,319 --> 00:28:18,279
Speaker 4: And that's the cool thing about about doing all these projects,

488
00:28:18,319 --> 00:28:22,160
and because you get to just experience so many new places,

489
00:28:22,200 --> 00:28:24,839
so many different people, so many great bands. Because there's

490
00:28:24,880 --> 00:28:27,960
so many great bands out there. Live music is not dead,

491
00:28:28,440 --> 00:28:31,960
and yeah, it's just been a journey and it's great.

492
00:28:32,279 --> 00:28:34,759
But you can find us on I have, I have

493
00:28:34,799 --> 00:28:36,680
a TikTok, so we're just everywhere.

494
00:28:37,079 --> 00:28:38,279
Speaker 2: Okay, Okay, excellent.

495
00:28:38,319 --> 00:28:39,920
Speaker 3: I do have to keep you a moment longer because

496
00:28:39,960 --> 00:28:41,640
you mentioned you're gonna be seeing the National Anthem at

497
00:28:41,680 --> 00:28:44,279
a professional wrestling event. So I'm a big wrestling fan.

498
00:28:44,319 --> 00:28:46,640
I even do a podcast with a couple guys called

499
00:28:46,640 --> 00:28:50,160
Tough Bumps, So I just have to ask you, like,

500
00:28:50,799 --> 00:28:52,559
what what is what is this wrestling event that you're

501
00:28:52,559 --> 00:28:53,680
gonna be seeing the Anthem at?

502
00:28:55,039 --> 00:28:58,519
Speaker 4: So it's show It's show Me State Wrestling, which is

503
00:28:58,559 --> 00:29:03,279
like the Missouri Wrestling Organization I believe, is doing an

504
00:29:03,319 --> 00:29:07,880
event in Fulton, Missouri. Okay, I can't can't remember the

505
00:29:07,960 --> 00:29:10,079
name of what the event is specifically, Oh, the Wyatt

506
00:29:10,240 --> 00:29:11,799
Wyatt International I.

507
00:29:11,680 --> 00:29:14,880
Speaker 2: Think really Okay, yeah, so.

508
00:29:15,319 --> 00:29:17,799
Speaker 4: Yeah, they've had they've been promoting the crap out of it,

509
00:29:17,839 --> 00:29:20,519
and it looks like they have so many wrestlers coming.

510
00:29:20,599 --> 00:29:22,440
Speaker 14: So yeah, I'm excited. It's gonna be awesome.

511
00:29:22,920 --> 00:29:25,200
Speaker 2: Oh, very cool. I'm gonna have to look that up online.

512
00:29:25,200 --> 00:29:28,119
Speaker 3: I'm curious now, and are you are you only performing

513
00:29:28,359 --> 00:29:31,039
or the national anthem or do they have you involved

514
00:29:31,079 --> 00:29:33,039
in anything? I hope no one's going to hit you

515
00:29:33,079 --> 00:29:35,400
with a chair or anything like that, but do they

516
00:29:35,480 --> 00:29:37,480
do they have you doing anything else at the event

517
00:29:37,559 --> 00:29:39,519
or just singing or maybe it's a surprise and you

518
00:29:39,559 --> 00:29:40,119
can't tell us.

519
00:29:40,160 --> 00:29:40,519
Speaker 2: I don't know.

520
00:29:42,440 --> 00:29:43,400
Speaker 14: Well how we got.

521
00:29:43,240 --> 00:29:48,119
Speaker 4: Involved is they actually decided to use something wicked as

522
00:29:48,680 --> 00:29:50,599
their theme song for the event?

523
00:29:51,599 --> 00:29:53,839
Speaker 2: Oh the Generation's track?

524
00:29:54,960 --> 00:29:55,480
Speaker 14: Yeah?

525
00:29:55,559 --> 00:29:56,440
Speaker 5: Oh wow, Oh.

526
00:29:56,359 --> 00:29:59,640
Speaker 2: That's so cool. Okay, okay, yeah, very cool.

527
00:29:59,720 --> 00:30:00,839
Speaker 14: So I was excited about that.

528
00:30:00,880 --> 00:30:03,400
Speaker 4: And then we actually had Reaper Wrestling out of Canada

529
00:30:03,440 --> 00:30:06,480
pick up Seance as their theme song for their next

530
00:30:06,559 --> 00:30:07,279
upcoming event.

531
00:30:07,440 --> 00:30:08,039
Speaker 5: We'll be Dad.

532
00:30:08,160 --> 00:30:12,160
Speaker 2: Well that's a cool niche Yeah, that was.

533
00:30:12,119 --> 00:30:15,440
Speaker 14: Not expecting it. Yeah, I know it's so cool. I'm

534
00:30:15,519 --> 00:30:17,559
just I'm honored and I love it.

535
00:30:17,599 --> 00:30:21,039
Speaker 4: And there was a festival in New York called the

536
00:30:21,119 --> 00:30:24,799
Something Wicked Festival and they picked up our song also

537
00:30:24,960 --> 00:30:26,319
for to be their theme song.

538
00:30:26,279 --> 00:30:26,960
Speaker 14: For the festival.

539
00:30:27,000 --> 00:30:30,119
Speaker 4: So I've I know, I guess I feel kind of

540
00:30:30,160 --> 00:30:32,720
dumb now for not realizing that that existed or that's

541
00:30:32,759 --> 00:30:36,599
the thing, but I didn't cool.

542
00:30:37,680 --> 00:30:40,279
Speaker 3: That is very cool. Well, congratulations on that. So we

543
00:30:40,359 --> 00:30:42,319
might have to I might have to sneak in Something

544
00:30:42,359 --> 00:30:45,799
Wicked too from Generations at some point in the show today.

545
00:30:45,799 --> 00:30:46,319
Speaker 2: That's awesome.

546
00:30:46,319 --> 00:30:50,519
Speaker 3: Congratulations on that. That's very very cool. Well, well, John X,

547
00:30:50,519 --> 00:30:53,000
thank you again so much. It is wonderful to speak

548
00:30:53,039 --> 00:30:54,440
with you today. We'll let you go in a second.

549
00:30:54,440 --> 00:30:56,240
We're going to hit this track of the game, which

550
00:30:56,279 --> 00:30:59,960
I absolutely love Cognition. But as you're I'm glad you know,

551
00:31:00,000 --> 00:31:01,759
sounds like you got new music on the way, So

552
00:31:01,839 --> 00:31:03,920
as you're releasing new music, we'd love to play it

553
00:31:03,960 --> 00:31:06,519
here and we'd love to have you back soon. You

554
00:31:06,599 --> 00:31:08,799
got a lot of great stuff going on, very positive

555
00:31:09,240 --> 00:31:11,319
and congratulations again on the Washed.

556
00:31:11,519 --> 00:31:15,000
Speaker 2: That's a great song, very very powerful. Love that a lot, So.

557
00:31:15,799 --> 00:31:18,440
Speaker 3: Again we wish you continued success and we look forward

558
00:31:18,480 --> 00:31:19,440
to having you on again soon.

559
00:31:20,680 --> 00:31:22,279
Speaker 14: Yeah, thank you so much for having me.

560
00:31:22,319 --> 00:31:24,960
Speaker 3: It's always a blast, absolutely, jen all right, thank you,

561
00:31:25,279 --> 00:31:26,160
take care, I have a good day.

562
00:31:26,160 --> 00:31:29,599
Speaker 2: We'll talk again soon, I'm sure, take care all right,

563
00:31:29,640 --> 00:31:30,799
bye bye? All right.

564
00:31:30,839 --> 00:31:33,640
Speaker 3: That is jen X from the band Cognition and of

565
00:31:33,680 --> 00:31:36,200
course Generations as well. Might sneak in a couple of

566
00:31:36,200 --> 00:31:38,839
those songs, but right now we're gonna play this. This

567
00:31:38,920 --> 00:31:41,440
is another great song from Cognition. This is called the Game.

568
00:31:41,480 --> 00:31:43,960
I really like the sound of this one. Check this out.

569
00:31:59,079 --> 00:32:03,279
Speaker 8: Mission win everything while we see they thinking this is

570
00:32:03,440 --> 00:32:08,000
love submarine doesn't really matter. You are my favorite things,

571
00:32:08,559 --> 00:32:11,160
even learn my listen benefits of poisoning.

572
00:32:12,440 --> 00:32:14,000
Speaker 5: There is just one.

573
00:32:13,880 --> 00:32:18,559
Speaker 7: Thing, man, I know that is wrong.

574
00:32:19,319 --> 00:32:28,839
Speaker 5: I mean with that, Hey, what you tell me your name?

575
00:32:29,799 --> 00:32:33,160
You don't want to be by yourself? Tell me what

576
00:32:33,559 --> 00:32:34,839
is your game?

577
00:32:35,880 --> 00:32:43,799
Speaker 19: I guess will find Emma say, oh well, I said, hey,

578
00:32:44,480 --> 00:32:46,799
whatt you tell me your name?

579
00:32:50,680 --> 00:33:01,079
Speaker 20: Don't tell me that we're not the same, right.

580
00:33:08,680 --> 00:33:11,720
Speaker 9: You're always dressing freedoms of minds.

581
00:33:11,920 --> 00:33:13,680
Speaker 5: I like it's special crazy.

582
00:33:13,480 --> 00:33:16,720
Speaker 9: If we do it all the time, doesn't really matter.

583
00:33:17,079 --> 00:33:20,920
Speaker 8: You want up everything they never learned my listen benefits.

584
00:33:20,960 --> 00:33:24,799
Speaker 9: According me, it is just one thing.

585
00:33:24,759 --> 00:33:25,960
Speaker 7: Man behind Uh.

586
00:33:28,039 --> 00:33:34,039
Speaker 12: I is wrong? I mean about with you?

587
00:33:35,960 --> 00:33:41,000
Speaker 5: Hey, won't you tell me your way? You don't hon

588
00:33:41,240 --> 00:33:42,400
me by yourself?

589
00:33:42,920 --> 00:33:45,319
Speaker 7: Tell you what is your game?

590
00:33:46,240 --> 00:33:51,119
Speaker 5: I guess we'll find out more, say, oh.

591
00:33:53,440 --> 00:33:57,240
Speaker 10: Hous in, Hey, won't you tell me your game?

592
00:34:01,279 --> 00:34:04,400
Speaker 20: Don't tell me that we are not the same.

593
00:34:11,119 --> 00:34:47,079
Speaker 21: Don't tell me what I say? Oh yeah, hey.

594
00:34:47,400 --> 00:34:51,440
Speaker 5: Want you tell me your name? You don't want to

595
00:34:51,559 --> 00:34:56,440
be by yourself? Tell me what is your name? I

596
00:34:56,519 --> 00:34:58,280
guess we'll find out as it.

597
00:35:00,800 --> 00:35:06,960
Speaker 10: Whoa I said? You tell me I name.

598
00:35:10,840 --> 00:35:14,079
Speaker 20: Don't tell me that we're not the same.

599
00:35:20,840 --> 00:35:22,920
Speaker 5: Don't tell me we're an unseat.

600
00:35:25,199 --> 00:35:25,239
Speaker 22: O.

601
00:35:41,400 --> 00:35:55,679
Speaker 23: Don't tell me we're not the same. Don't tell me

602
00:35:55,760 --> 00:35:57,559
we're not the same.

603
00:36:09,039 --> 00:36:12,480
Speaker 5: I'm a missing him and reason, and I'm confused. I'm

604
00:36:12,480 --> 00:36:15,840
a mental breakdown and nothing left to lose. Part of

605
00:36:15,920 --> 00:36:17,719
me is killed, the other guess.

606
00:36:17,400 --> 00:36:19,440
Speaker 20: I had to choose these broken.

607
00:36:19,119 --> 00:36:21,559
Speaker 5: Pieces left to me while I'm decenting.

608
00:36:21,280 --> 00:36:21,840
Speaker 10: URIs.

609
00:36:23,239 --> 00:36:23,400
Speaker 12: By.

610
00:36:24,760 --> 00:36:34,960
Speaker 24: Don't perceive a delted back before the reasons under I'll

611
00:36:35,079 --> 00:36:38,079
be read and beloved to perceive.

612
00:36:39,760 --> 00:36:51,440
Speaker 5: I'm defending the fun. Did you protect your silence?

613
00:36:51,599 --> 00:36:54,920
Speaker 20: I don't forget the past Sonians and violence, death.

614
00:36:54,800 --> 00:36:57,719
Speaker 5: Destruction, burn an ash. I guess my pre precedes me.

615
00:36:57,880 --> 00:37:01,280
Speaker 20: He's saying it's time for you, So just remember Ryan

616
00:37:01,400 --> 00:37:02,440
Dorms numbing here.

617
00:37:04,280 --> 00:37:14,400
Speaker 5: I don't perceive the deed that before rob the reasons.

618
00:37:13,719 --> 00:37:14,079
Speaker 12: I know.

619
00:37:16,159 --> 00:37:22,440
Speaker 5: Be pre and but not to perceive. I'm defended the

620
00:37:22,760 --> 00:37:52,000
back gotta do how God I go. Nobody talking anything,

621
00:37:52,239 --> 00:37:53,199
God be paying like this.

622
00:37:53,639 --> 00:37:57,840
Speaker 11: Somebody talking to me there beginning, nobody talking.

623
00:37:58,719 --> 00:38:02,280
Speaker 5: Gont be paid like that, somebody talking on his name.

624
00:38:06,360 --> 00:38:13,000
Don't perceive it demanded, No, let's be to will.

625
00:38:12,960 --> 00:38:14,599
Speaker 12: The resons I know.

626
00:38:16,320 --> 00:38:19,679
Speaker 5: Would be preaching did not to proceed.

627
00:38:21,360 --> 00:38:37,119
Speaker 10: I'm defended, and my God, the God.

628
00:38:30,960 --> 00:38:53,280
Speaker 5: No God. Nobody tells me, didn't there me pay anything.

629
00:38:53,920 --> 00:38:55,840
Nobody tells me, didn't there me pray?

630
00:38:56,480 --> 00:38:56,800
Speaker 12: Ask?

631
00:38:57,199 --> 00:38:59,760
Speaker 5: Nobody told me didn't there me pay anything?

632
00:39:00,000 --> 00:39:02,559
Speaker 12: The train.

633
00:39:44,400 --> 00:39:52,159
Speaker 5: Run lasses general and I am seldim no more that

634
00:39:52,559 --> 00:40:00,119
so long, Lind The match and washing smells like it

635
00:40:00,559 --> 00:40:03,239
was at this designer.

636
00:40:03,760 --> 00:40:09,119
Speaker 9: I have your name, snap COmON done.

637
00:40:10,440 --> 00:40:11,880
Speaker 5: Snow were left to.

638
00:40:13,960 --> 00:40:22,760
Speaker 7: Hope your head and the parties trust me, Snow, I'll common.

639
00:40:24,159 --> 00:40:31,599
Speaker 5: Snow were left to party trust me. Gun something riding

640
00:40:31,960 --> 00:40:32,639
this way.

641
00:40:46,679 --> 00:41:16,320
Speaker 25: Kay, We'll sa guys come to the very dress when

642
00:41:16,639 --> 00:41:21,239
I can't see pitch your turn watching off.

643
00:41:23,000 --> 00:41:27,880
Speaker 7: You laugh out, I said to you, broke me just

644
00:41:28,159 --> 00:41:30,360
fall up from hand on.

645
00:41:30,559 --> 00:41:32,519
Speaker 5: Scream from me high.

646
00:41:34,480 --> 00:41:37,159
Speaker 9: Snow off comandon.

647
00:41:37,920 --> 00:41:39,440
Speaker 7: Snorwell left too.

648
00:41:41,199 --> 00:41:42,239
Speaker 12: I hope y'all.

649
00:41:42,320 --> 00:41:43,320
Speaker 9: Had hand.

650
00:41:44,880 --> 00:41:50,199
Speaker 7: Hearty, just be begun snow COmON.

651
00:41:51,599 --> 00:41:57,119
Speaker 10: Snowwell up to un heartey, shust be gone.

652
00:41:57,280 --> 00:41:59,639
Speaker 5: Not something wicking.

653
00:41:59,400 --> 00:42:00,199
Speaker 7: This way.

654
00:43:08,480 --> 00:43:10,360
Speaker 20: Now, I'm come and done.

655
00:43:11,760 --> 00:43:13,199
Speaker 5: Snowmner to.

656
00:43:15,280 --> 00:43:17,079
Speaker 7: Hold your head and the.

657
00:43:18,719 --> 00:43:24,119
Speaker 25: Heartys trusty guns snow common.

658
00:43:23,880 --> 00:43:30,360
Speaker 5: Gun snow man. The two runs. Hearney's trust me.

659
00:43:30,679 --> 00:43:33,960
Speaker 9: Gun that something weted this way.

660
00:43:49,719 --> 00:44:18,880
Speaker 18: Kay, but I'll be the biggest stitch tanta you've seen.

661
00:44:19,519 --> 00:44:23,119
You can't trust. Your eyes will tell you what you believe.

662
00:44:23,719 --> 00:44:27,119
Speaker 9: The choice is something you girls shouldn't have.

663
00:44:27,679 --> 00:44:30,440
Speaker 18: But a few time will play and we'll tell you

664
00:44:30,639 --> 00:44:31,440
where sat.

665
00:44:31,800 --> 00:44:36,639
Speaker 15: I'm watching you are rage against the machine. We'll send

666
00:44:36,760 --> 00:44:40,519
in the voice if he sat to get made, we'll

667
00:44:40,599 --> 00:44:42,280
connapt on lemon.

668
00:44:42,199 --> 00:44:43,880
Speaker 5: Because the press can be free.

669
00:44:44,519 --> 00:44:54,360
Speaker 15: American bass anywhere away face high can made this somewhere

670
00:44:55,079 --> 00:45:02,039
san drillery to thief screen, hysterical laughter and watching them

671
00:45:02,320 --> 00:45:10,840
fall with democracy used to be optimistic that history would

672
00:45:11,079 --> 00:45:15,559
I stand as a limous nour our shear at the

673
00:45:15,719 --> 00:45:20,480
setting of the sun. It's a pretty good jana rize up.

674
00:45:20,920 --> 00:45:22,440
Speaker 5: Together as well.

675
00:45:30,320 --> 00:45:35,119
Speaker 15: The sixth day of January while the fast they opened

676
00:45:35,199 --> 00:45:38,079
the doors for that peaceful protest.

677
00:45:38,840 --> 00:45:41,519
Speaker 2: Don't mind the dead cops and shut the.

678
00:45:41,679 --> 00:45:48,440
Speaker 15: Wall that was sifa. We're them all that all contenution.

679
00:45:48,880 --> 00:45:54,519
We'll throw it away, wakening me. Neveryone should practice to ay.

680
00:45:55,159 --> 00:45:56,400
We'll make sure you're.

681
00:45:56,480 --> 00:46:00,719
Speaker 18: Ted if you're tithering away, and if you can, God.

682
00:46:00,639 --> 00:46:06,840
Speaker 12: Help and will follow you away. I can't be less

683
00:46:07,119 --> 00:46:10,360
up somewhere.

684
00:46:09,559 --> 00:46:16,800
Speaker 15: Outside my revery, God me treat hysterical after cows them

685
00:46:17,079 --> 00:46:17,599
off foot.

686
00:46:17,840 --> 00:46:18,840
Speaker 18: Democracy.

687
00:46:20,360 --> 00:46:24,880
Speaker 5: God used to be optimistic.

688
00:46:24,039 --> 00:46:29,400
Speaker 15: That history would always stand as a limous hour out

689
00:46:29,679 --> 00:46:33,119
here at the setting of the sun. It's a pretty

690
00:46:33,239 --> 00:46:36,199
good datterized soup together.

691
00:46:53,159 --> 00:46:56,760
Speaker 18: Let's all sort sah. I'm treated soup porting.

692
00:46:57,239 --> 00:47:00,239
Speaker 15: You would all be all right if you tore us

693
00:47:00,360 --> 00:47:03,039
to told me of probably the greatest.

694
00:47:03,280 --> 00:47:08,679
Speaker 18: Just look at this wall quite big too, shak haras al.

695
00:47:10,519 --> 00:47:18,559
Speaker 15: I can name listen some whereas si my revery God

696
00:47:18,800 --> 00:47:25,159
metwein hysterical laughter and watch enough off with democracy.

697
00:47:27,360 --> 00:47:33,400
Speaker 18: I used to be optimistic. The history always said.

698
00:47:33,320 --> 00:47:35,960
Speaker 5: As admis Now we're out.

699
00:47:35,960 --> 00:47:38,880
Speaker 18: Here at the setting of the sun. It is a

700
00:47:39,000 --> 00:47:41,039
pretty good datizon.

701
00:47:41,840 --> 00:47:43,559
Speaker 12: Together as hard.

702
00:47:45,920 --> 00:47:47,559
Speaker 9: Together, as well.

703
00:47:50,039 --> 00:47:55,679
Speaker 12: Together as one grass up as.

704
00:48:05,639 --> 00:48:07,920
Speaker 17: Nana's Kitchen and Pizzaia.

705
00:48:08,239 --> 00:48:14,239
Speaker 5: From Nana's hands to your plate. Tradition, love and taste.

706
00:48:14,360 --> 00:48:15,760
That's great slough.

707
00:48:15,639 --> 00:48:19,519
Speaker 9: Fermented dough flavors, so true.

708
00:48:21,960 --> 00:48:23,800
Speaker 15: Each bite, the story.

709
00:48:24,559 --> 00:48:26,159
Speaker 5: Made just for you.

710
00:48:27,239 --> 00:48:30,960
Speaker 17: Six o three two three, two nine three six six

711
00:48:31,800 --> 00:48:39,679
Nana's Kitchen and Pizzaive fifteen Dartmouth, Dry Auburn, New Hampshires Kitchen.

712
00:48:39,480 --> 00:48:41,320
Speaker 5: And Hissari.

713
00:48:44,679 --> 00:48:46,639
Speaker 26: Luigi's Pizza Barron Grill.

714
00:48:47,159 --> 00:48:51,800
Speaker 15: Every one, let's raise his lyce on line with Tom

715
00:48:51,960 --> 00:48:54,960
and Tom Ground Pizza, Pizza.

716
00:48:54,679 --> 00:49:00,679
Speaker 26: Bario Mine Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester.

717
00:49:00,960 --> 00:49:05,400
Come on in or call six two one zero two one. Luigi,

718
00:49:05,679 --> 00:49:11,599
keeping the tradition alive since nineteen seventy five, leads.

719
00:49:11,440 --> 00:49:14,880
Speaker 2: Up for every one, come join a piece too.

720
00:49:15,119 --> 00:49:19,679
Speaker 18: Nights With these slye sets of it, everything.

721
00:49:19,320 --> 00:49:20,280
Speaker 5: Feels so right.

722
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Speaker 26: In times of crisis.

723
00:49:24,639 --> 00:49:26,760
Speaker 13: You need a law firm that stands by your side.

724
00:49:27,079 --> 00:49:30,800
With over forty years of experience, Craigan Getsulus is dedicated

725
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to fighting for your rights. As former state prosecutors, our

726
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attorneys have the knowledge and trial experience to provide an

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aggressive defense against any charge, from DUIs to homicides. If

728
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you've been injured, our compassionate team will assess your case

729
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and fight for the compensation you deserve. Serving all of

730
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New Hampshire. Craigan Getzulis is here when you need us most.

731
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Visit craigatzulis dot com for a free consultation. Craigan getsulus,

732
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your advocates, your allies.

733
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Speaker 26: Bring your kitchen to life.

734
00:50:00,159 --> 00:50:04,199
Speaker 27: Queen City Cabinetry located at eighty seven Elm Street in

735
00:50:04,280 --> 00:50:08,639
the historic Sunbeam Mall in Manchester, open Monday through Friday

736
00:50:08,920 --> 00:50:12,599
nine am to five thirty pm, in Saturdays ten am

737
00:50:12,920 --> 00:50:16,000
to two pm. They can be reached at six oh

738
00:50:16,159 --> 00:50:20,000
three two two two to zero zero seven or on

739
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the web at Queen citycabinatree NH dot com.

740
00:50:24,599 --> 00:50:26,079
Speaker 26: Come see the possibilities.

741
00:50:26,239 --> 00:50:30,679
Speaker 27: Queen City Cabinetry another crowd sponsor of WMNH.

742
00:50:31,000 --> 00:50:33,800
Speaker 28: Hey everyone, there's Rob Azevedo, host of Granite State of Mind,

743
00:50:33,840 --> 00:50:35,599
and I want to tell you about Pembrooke City limits

744
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and the Historic Suncook Village PCL's an award winning bar,

745
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restaurant and music venue where there's live music five days

746
00:50:42,119 --> 00:50:45,920
a week and twice on Saturdays, everything from blues, country, folk, funk,

747
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and a whole lot of jazz. We have twelve craft

748
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beers on tap, dedicated the local brewers in the area

749
00:50:51,199 --> 00:50:53,079
and some of the friendliest bartenders around.

750
00:50:53,559 --> 00:50:54,480
Speaker 2: Please come visit.

751
00:50:54,400 --> 00:50:56,800
Speaker 28: Pembrook City Limits at one thirty four Main Street, the

752
00:50:57,000 --> 00:51:01,159
Historic Suncook Village, only six miles outside of Anchester. Open

753
00:51:01,239 --> 00:51:04,880
Tuesdays to Wednesdays four to ten. Thursday's is Sunday eleven

754
00:51:04,920 --> 00:51:08,079
to ten. Pembrook City Limits where it's all about the music.

755
00:51:08,320 --> 00:51:10,960
Speaker 26: Business Cafe is the place to put a smile on

756
00:51:11,039 --> 00:51:13,480
your face. Judy and the crew will take care of you,

757
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bring your appetite and treat your taste. Bus Right Business

758
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Cafe is always a winning choice. Breakfast, lunch or supper.

759
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Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

760
00:51:26,800 --> 00:51:29,679
Dine in, take out or make a reservation call six

761
00:51:29,800 --> 00:51:33,760
oh three, six oh six two five three two, Eat,

762
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drink and be happy. Dizzney's Cafe.

763
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Speaker 2: When it comes to.

764
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Speaker 29: Keeping WMNH on the air, and your own personal or

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business computer needs. Trust Groland Computers, located on Elm Street

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in Manchester. Groll in handles computer repair, virus removal and

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custom built systems. Are you looking for budget friendly options?

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Check out our selection of fully inspected used computers. We

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offer tailored on site solutions no unnecessary expenses here dot

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com or called Grolling Computers at six zero three six

771
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four five zero.

772
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Speaker 2: One zero one.

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Speaker 29: Your tech, your way, Trust Rolling Computers.

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Speaker 15: Zero Midnight seven times out of ten we've listened to

775
00:52:20,159 --> 00:52:21,599
our music at night.

776
00:52:23,599 --> 00:52:26,800
Speaker 25: That's one titled Boss Program.

777
00:52:26,639 --> 00:52:29,960
Speaker 22: Late Night to Light with DJ Midas right here on WMNH,

778
00:52:30,199 --> 00:52:32,440
Manchester because.

779
00:52:34,159 --> 00:52:36,519
Speaker 26: Saturdays and Sunday nights midnight to four am.

780
00:52:37,880 --> 00:52:43,360
Speaker 16: This hour on WMNH is sponsored by CGI Business Solutions

781
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located at five Dartmouth Drive in Auburn. They serve all

782
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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eighty six eight four one forty

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six hundred or on the web at CGI Business Solutions

786
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dot com.

787
00:53:10,119 --> 00:53:13,639
Speaker 22: Behold the harmony of airwaves as you immerse yourself in

788
00:53:13,719 --> 00:53:18,119
the captivating frequencies of w m NHLP. The sonic carteats

789
00:53:18,159 --> 00:53:21,679
of Manchester, transcending through the ether at ninety five point

790
00:53:21,719 --> 00:53:25,559
three megahertz frequency modulation or transmissions emanate from the zeed

791
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at of one thousand Elm Street, insure into the hearts

792
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of our creative realm at one nineteen Canal Street, where

793
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innovation and sound collude. They're the impromter of Manchester Public

794
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Television Service in the venerable city of Manchester, New Hampshire, USA.

795
00:53:40,360 --> 00:53:43,360
Enrich your auditory journey with the depth of our license

796
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to WESINOSPT your missives. Do w MNH ninety five three

797
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at gmail dot com or traverse the virtual corridors of

798
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wmnhradio dot org. Engage with our sonic vibrations by communing

799
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with us through the digital channels or radio beckons eager

800
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to enthrall you with as mesmerizing kid incident villain you

801
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would have. So many have foundless. All its horn is won, dude.

802
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W m n H rips the normals.

803
00:55:00,679 --> 00:55:01,880
Speaker 20: I'm standing in.

804
00:55:02,000 --> 00:55:03,000
Speaker 14: The air, shut.

805
00:55:05,119 --> 00:55:06,679
Speaker 7: I'm listening to the end.

806
00:55:09,360 --> 00:55:11,320
Speaker 12: I wonder at stand.

807
00:55:13,519 --> 00:55:15,440
Speaker 9: At the white spell.

808
00:55:18,079 --> 00:55:19,719
Speaker 7: May mine.

809
00:55:22,280 --> 00:55:22,559
Speaker 4: Okay.

810
00:55:22,800 --> 00:56:12,880
Speaker 12: I been standing in their side ast the time I'll

811
00:56:13,000 --> 00:56:18,960
get a bad staying in the side.

812
00:56:21,280 --> 00:56:21,760
Speaker 15: See to you.

813
00:57:25,880 --> 00:57:26,599
Speaker 2: Let's see me.

814
00:57:26,679 --> 00:57:28,159
Speaker 7: Ad got miss.

815
00:57:30,360 --> 00:57:31,280
Speaker 5: What's bad that.

816
00:57:35,760 --> 00:57:36,239
Speaker 10: He got?

817
00:57:39,920 --> 00:58:06,880
Speaker 12: He got to be the bigges

818
00:58:14,599 --> 00:58:15,480
Speaker 5: I'm killing