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Speaker 1: Around Dodge City and in the territory on West. There

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the Smell of

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Guns Smoke, Gun Will Smoke, starring William Conrad. The story

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of the violence that moved west with young America and

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the story of a man who moved with him. I'm

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that man, Matt Dillon, United States Marshall, the first man

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they look for and the less they want to meet.

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It's a chancy job, and it makes a man watchful.

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But a little long lead man sure needs his dinner,

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not one like that he don't have. He was feeding

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us better than that on the trail. Well mixed in there,

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you don't have to look out for a rattlesnake. Where

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he said down at the table, I'm gonna get me

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something to washed food. Down with you right now and

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that'll help me. This place looks good enough. Take you

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won't do no real hard.

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Speaker 2: So I did run right in pretty little gap my basket.

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Speaker 1: I might have my basket. Well, you don't need to

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worry nothing but the egg. I caught the basket, all right,

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May I have it to Pete?

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Speaker 3: Yeah, that seems to.

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Speaker 1: Me you owe me a little something. I hadn't caught

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this basket, it had had dropped, sure, and them eggs

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would all broke. Now, ain't that so sure? Jake? It

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was me he is keptain eggs from breaking.

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Speaker 4: I am graceful, signor.

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Speaker 1: I figure you might want to thank me for the favor.

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Speaker 4: I thank you, signor Now that.

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Speaker 1: Ain't exactly what it means for the little gal like her?

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You know what I mean? Wouldn't she have sure she

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was where she was? Just come here, I'll show you

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after did hurt you?

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Speaker 3: Sure?

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Speaker 1: Not before you black eyed little gas me kiss plenty

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of times? Now, ain't that right? It ain't no different

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with me. No, you'll not you let me.

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Speaker 3: Let me gotta go.

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Speaker 5: That girl who never mind who I am your leave

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her alone.

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Speaker 1: You've got no call you let her go.

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Speaker 2: We're out with the laws.

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Speaker 1: Were just having some fun.

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Speaker 5: We'll find grind the fun. Two hawks like you torment

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a young girl. They come on, honey, you come with me.

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Speaker 1: You two go along. Now, Look we ain't done that.

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Speaker 3: You get along.

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Speaker 4: Come on, Senorita kidd. He'll do those men, those men

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they were wrong.

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Speaker 3: I do not care, I know, honey, don't you worry.

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Speaker 5: Come on inside, you can wash your face.

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Speaker 3: Calm down, thank you.

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Speaker 1: Oh well, she's still around here, Kitty.

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Speaker 3: I left her up in my room. Mate.

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Speaker 1: She is pretty upset. You'll find out who she was.

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Speaker 5: Yeah, her name was Josefina Josephina Vermire us H. She

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and her father taken over the old Grime's place West Town.

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Speaker 1: Oh that's a pretty rundown outfit, as I remember.

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Speaker 5: Yeah, I guess they're having a tough time of it.

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Speaker 1: They haven't been in very long, probably won't stay long either.

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That's a pretty mean.

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Speaker 3: Line, mam.

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Speaker 5: Yeah, what well I've I was wondering if you had

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something awful and important to.

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Speaker 1: Do the rest of the afternoon. Uh, not been too important,

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I guess why. She's a real scared girl, Matt.

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Speaker 5: I'd hate for those two groups to get their hands

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on her again.

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Speaker 1: Oh what do you want me to do?

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Speaker 5: I thought you might drive her up to her place.

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Speaker 1: Do you think chaperoning young girl's home is part of

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my job?

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Speaker 3: Oh?

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Speaker 1: Man, all right, Kitty, ou I'll be glad to do it.

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I'll have Chester hit you up a buggy and we'll

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get her out there in time for summer. Thanks.

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Speaker 5: Matt, I'll have her waiting out.

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Speaker 1: Guess there's no use looking for those two men now,

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why not? Well it's uh you took out after him.

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They're probably half way. The Witchita went on, I know

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what I'm talking about. I haven't seen you when you

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were riled.

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Speaker 5: Well you're about to see me Rile again. If you're

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not careful, you go on now get that buggy.

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Speaker 3: Huh.

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Speaker 1: I think we can catch it the short cut long

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here pretty soon, mister Jones.

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Speaker 4: Is that right, Josephinis, Yes, Senor, there is a legal

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road across the field after the next turn.

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Speaker 1: Well, we'll get you home before it really turns start, Senor. Huh.

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Speaker 4: I would thank you, senors, if you would let me

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off here at the little roads.

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Speaker 1: Well, that's awful long walk to anybody, Miss Josephine, I

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would like you. You don't want us to drive you

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all the way home? I love Josepha's close to dark.

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I think maybe we better go on with you.

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Speaker 2: Sure, he ain't no trouble, just Luki's.

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Speaker 1: More to go now we've turned all but you do

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not understand Up there behind them, Rock get on the wagons, Pester,

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jump off and coming to your side. Please, please come

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back here, you'll be kills.

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Speaker 3: Do not shoot again.

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Speaker 1: Down your don You're crazy.

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Speaker 3: With me?

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Speaker 1: What's going?

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Speaker 3: Father?

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Speaker 1: Father?

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Speaker 6: You are wrong here with me.

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Speaker 7: These men are not like the others.

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Speaker 1: They could not bother you.

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Speaker 7: No, Father, They have brought me home so I would

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be safe to him.

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Speaker 1: Why don't you put your gun down? I talk better

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that way. Tell me who you are? Sing you? He

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is the US marshall at Dodge City. Oh, oh, the

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men who uphold the law. And I try to And

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who are you? My name is, said Miguel. I mean,

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are you always ambush? People? Will come out of your

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place only when I fear for my daughter, And I

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can't blame you if I want to protect her. Look,

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you're so worried about her. Why do you go to town alone?

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See it's not good, but we are in need of

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all the money we can earn.

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Speaker 8: Say you ought to make this place go. The eggs

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have to be sold today. My cow is Calvin. I

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could not go to town, so I send for the fienda.

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It's no one else. She did not return in the daylight.

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Speaker 1: And you have decided the worst to happen. Oh, say

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you're a marshall. You don't know how it can be.

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Speaker 8: We have moved four times, strive to find a good home.

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Speaker 1: But for a young girl from Mexico in your country,

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it's not easy. Your men, yeah, and that can be bad. Look, Rameras,

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you can't shoot everybody who comes out here.

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Speaker 8: You know, I do not wish for trouble, Singor. I

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came to your country. I hope for a better way

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to leave. Well, if they bring trouble to my daughter,

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she's a good girl, I know she is. If they

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bring trouble to my daughter, then.

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Speaker 1: I will kill them. This is the way it must be.

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You can't take the law on your own hands. Rameras,

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that's the way it must be too. I can't kill

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that won't do Josephina any good, saying your MARKZ. I

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know things can be hard, but you'll get protection from

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the law like anyone else. But you let the law

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handle things. I protect my daughter, but you'll have to

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be alive to do that, you understand, all right? From

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now on, you about to see the Josephana stays close

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to home. Justin come on, let's go back to town.

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Here's where she lived half, here's a Mexican fleet. It

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ain't much sure, ain't you stay here, I'll go in

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and get the girls. Get off your heart, that old man,

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you got a gun. There's no need for the gun,

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old man. We just come to pay a little visit

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to your daughter, yo, get off my line. We just

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come to pass the time of day. We've seen her

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in town yesterday. Figure, we'd like to see. How where

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are you? Once more? Hum your horse right back. It

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seems to me you take kindly to us coming to call.

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We're a lot better than your girl's been used to.

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And we got go shoot me. I shoudo mans, I'm

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gonna wait for shutting the half.

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Speaker 3: How you go?

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Speaker 1: Look a here?

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Speaker 3: You listen out of here?

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Speaker 1: What are you doing?

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Speaker 3: Jack?

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Speaker 1: What are you stopping for? We're out of sight, ain't we? Yeah?

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We ain't gonna let no dirt farming drive us off

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near land here? What are you gonna do? You just

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come along with me. You see what I'm gonna do.

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I ain't so sure. Yeah you scared? Well, no, no,

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I ain't scared, But I don't wanna go killing. No

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man you gonna kill. Nobody's gonna pay you a visit

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to that purty little girl like we set out to you.

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So we're gonna do that, you know, off your horse

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at time us the horses. I can tell you, we're

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gonna sneak back to the scrub and little girl's gonna

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get a real surprise. Now then, Doc, you don't think

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food like this can hurt you, Well, now I've got

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a theory about it. Man, it'll better be good part

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of the scientistic. Now then, I have done a lot

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of research on it, a considerable personal risks.

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Speaker 2: Yes, by eating the food myself, and I've come to

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the conclusion that you build up an immunity to terrible

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slop like this and your stomach gets even stronger.

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Speaker 1: You you the doc, Hey, yes, I'm the doctor. You

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gotta come.

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Speaker 3: Doc.

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Speaker 1: We've got a gal out there in the country. Oh,

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speak up, man, speak up. I ain't he and Marshall?

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Of course he's a marshal. I'll wait and see your loan. Doc.

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I think I better know about any girl you got

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out in the country. Well, it really ain't nothing bad

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that's bad enough to need a doctor in a Hurries

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And who is she? Oh? Just little Mexican Gale from

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the Rameras place. Yeah, what happened to me? But I

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don't really know, Doc. We my partner and me. We

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were just had fun with her. She fell down here

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he had a guess she can't moved since. Come on, doctor,

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I got schustering right along with it. Sure, come on

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to you, sure, marshall. Yeah, I'll lead you right out there.

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You'll bet you will. I left him right over there

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under that tree, Jack Jack, I brung the dark He

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sure ain't answering you, and he was there. Where's the

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girl right there right that tree? Do not, Marshall tell him?

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Joseph dark Adams is here too. Yeah, let's see now

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he just would you hold the lantern?

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Speaker 3: Sure? Now?

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Speaker 1: You just I still just you know, yeah.

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Speaker 3: I'm gonna hurt mm hmm.

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Speaker 1: Can you tell me how this happened?

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Speaker 4: They were up to me, doctor, They were waiting for

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me in the dog.

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Speaker 1: That's gonna be all right.

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Speaker 4: He dragged me out in the big hunt over my mouth.

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Speaker 3: Now, I.

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Speaker 1: Wouldn't have got hurt none if she hadn't have been fighting.

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So would she kicked me some fierce? Do you me

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eat that? A shame? I think she's all right, man,

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She get ahead a good track, but she'll be all right.

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Can went over doctor? Yes? I think so. I'll take

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her home in the bus. I better go along too.

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Her father isn't going to be easy to deal with.

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I don't see why he should be. Chester. You take

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a half back and lock him up and we'll hold

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him to sure the girl's going to be all right. Yes, sir,

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I'll do that if you don't. I didn't hurt her none.

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The doc says, she's all right. There's no need to

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lock me up. You ought to beg me to lock

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you up rather than have her father out looking for you. Now,

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come on, doctor, let's get her under the buggy. She's

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sleeping just fine. You see that. She gets a lot

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of rest for the next couple of days. Remember, she's

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all right. How did you hear, Ramerez, The doctor said, Joseph,

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Van is all right. She just needs a little rest.

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I hear the words, mushal sure, I'll we forgotten the buggy,

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all right, Docker, I'll be along in a minute, Ramebras.

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I want to say a couple of things to you.

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Rameris are you listening? I will listen good, because I'm

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not asking you to do anything. I'm telling you.

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Speaker 3: Now.

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Speaker 1: You let me handle this. Your daughter's all right. And

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we got the man locked up. There were two men

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I know, and we'll find the other one. But you

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let me handle it. You hear you can't take the

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law into your own hands. How do you understand me?

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I hear the word, Well, you better hear him, and

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you better remember him. Oh, come in, come in, hello, ramebrs. Well,

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folks don't usually bother to knock at this office, Martian

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as Joseph or she is, Well, my god, go ahead.

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Well don't you want to come on in?

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Speaker 8: I'm not saying I can't say what I must say

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from the door.

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Speaker 1: With no ramembers. Don't get any crazy ideas again. We'll

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pick that man up one of these days. It is

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not necessary, Yes it is. We don't want him to

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get away with that anymore than you do. It is

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not necessary for you to pick him up. What do

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you mean I brought him to you? Mhm, worries He

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he's just outside saying.

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Speaker 6: You're outside on my horse. He's tied on my horse.

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I see I killed him, sing.

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Speaker 8: No, I have come to bring you both of us,

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and he just had to do it, didn't you.

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Speaker 1: Say, your e marshalling the law of immense that this

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has to be in his own names. Yeah, I'm sorry. Remons,

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I'm sorry it had to be this way.

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Speaker 3: Mm hmm.

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Speaker 1: Gun Smoke, Lord EUSt And, directed by Norman McDonald Sorris

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William Comrad as Matt llan Us Marshall in the story

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especially written for Gun Smoke by Marion Cludd with editorial

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supervision by John Nest. Featured in the cast were Lynn Allen,

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Lawrence Stobkins, Vic Perron and Dick Kenner. Harley there Is Chester,

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Howard mcneer is doc and Joy Joe Alice is kidding

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up Int