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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a

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<v Speaker 1>comment Box thirteen at Great Detectives dot net, follow us

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<v Speaker 1>on Twitter at Radio Detectives, and become one of our

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<v Speaker 1>friends on Facebook, Facebook dot com slash Radio Detectives. Before

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<v Speaker 1>we do get started, I do want to let you

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<v Speaker 1>know this program is brought to you in part by

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<v Speaker 1>the financial support of our listeners, and I particularly want

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<v Speaker 1>to thank John who has become a Patreon supporter on

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<v Speaker 1>a recurring monthly basis at our seamous level four dollars

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<v Speaker 1>or more a month. You can support the show at

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<v Speaker 1>Patreon dot Great detectives dot net. We also received four

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<v Speaker 1>donations through the mail, two were anonymous, and I also

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<v Speaker 1>want to thanks Sherry and lend Us so much for

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<v Speaker 1>their support, and you can mail end donations to Adam

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<v Speaker 1>Graham peelbox one five nine one three, Boise, Idaho eight

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<v Speaker 1>three seven one five. Well, now it's time for today's

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<v Speaker 1>episode of The Great Detractors Old Time Radio and the

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<v Speaker 1>Adventures of Philip Marlow. The original air date the May

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<v Speaker 1>twenty third of nineteen fifty and the title is the

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<v Speaker 1>Fox's tail.

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<v Speaker 2>Get this and get it straight. Crime is a sucker's road.

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<v Speaker 2>Those who travel it wind up in the gut of

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<v Speaker 2>the prisoner in early grave, there's no other end. They

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<v Speaker 2>never learn.

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<v Speaker 3>From the pen of Raymond Chandler, outstanding author of crime

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<v Speaker 3>fiction comes his most famous character in the Adventures of

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<v Speaker 3>Philip Marlowe. Now with Gerald Moore starred as Philip Marlowe.

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<v Speaker 3>We bring you tonight's transcribe story the Fox's Tales.

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<v Speaker 2>Oh no, there is sometimes when the phone just never

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<v Speaker 2>should have been invented. Hello marlow speaking.

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<v Speaker 4>This is Arn Metcalf. You remember me?

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<v Speaker 2>Oh sure, bear'still What are going to do for.

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<v Speaker 4>You to meet me here at the blue Chip Bar?

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<v Speaker 4>At once?

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<v Speaker 2>Man, Look, I can hardly hear you speak up?

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<v Speaker 4>What you are at the blue Chip Bar? Yeah, it's

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<v Speaker 4>a miserable cafe on Melrose.

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<v Speaker 2>Nel bl Breer.

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<v Speaker 5>Yes, I'm in a booth, the last one on your

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<v Speaker 5>right as you went to. But be careful for we

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<v Speaker 5>can't afford the seine. And please hurry, I'll pay you,

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<v Speaker 5>handsome to do what or do you impersonate I did?

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<v Speaker 2>The blue Chip was an indelicate assortment of stale smells.

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<v Speaker 2>Surrounding pictures of Lady good diver, some without horses and

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<v Speaker 2>featuring low lights, lower client tele and the lowest grade

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<v Speaker 2>of bar whiskey. Against that backdrop, my new client stood

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<v Speaker 2>out like a Dresen doll in a police lineup, or

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<v Speaker 2>a metcalf in spite of the electricity in his voice.

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<v Speaker 2>There's only five and a half feet tall, couldn't have

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<v Speaker 2>weighed more than one hundred and thirty pounds, including the

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<v Speaker 2>glitter of honorary fraternity pin dangled from his watchchair. It

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<v Speaker 2>was maybe fifty ball, wore glasses halfway down a long nose,

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<v Speaker 2>and at the moment it was as nonchalant as a

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<v Speaker 2>five inch firecracker with a sputtering fume.

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<v Speaker 4>Sit down, Sit down, Listen to Cathleen.

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<v Speaker 2>It's going to be hot in here, but go ahead.

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<v Speaker 4>I am representing a man named Kuban in a lawsuit.

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<v Speaker 4>Rudolph Kuban. He's a manufacturing chemist, Hungarian bourn at present

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<v Speaker 4>phil in a sanitarium. The nervous system.

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<v Speaker 2>Will take just so much name I know, and look

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<v Speaker 2>this Rudolph Kuban is suing or being sued, which is suing.

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<v Speaker 4>And nobody less than his former employer the eminent Justin Shepard.

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<v Speaker 2>Justin Shepard. He turns out cosmetics. Doesn't he make up lipstick?

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<v Speaker 2>That kind of stuff?

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<v Speaker 4>Hey? Yes, stuff Mollow, which includes a new and revolutionary

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<v Speaker 4>neo polish that's worth a fortune.

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<v Speaker 2>Which was invented by your client and stolen phone by

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<v Speaker 2>Justin Sheppard.

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<v Speaker 4>Exactly. We're suing for two upre and fifty thousand dollars

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<v Speaker 4>in damages Mallow, but we'll settle out of court for

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<v Speaker 4>one hundred and fifty thousand dollars in cash.

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<v Speaker 2>Hell not as simplest. Now the trial field has Oh wait, what's.

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<v Speaker 4>Some brandy? Please? Comeya the kid?

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<v Speaker 2>Like I said, all right, Junior, two beers skip the shadow.

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<v Speaker 2>We gotta catch a train. Okay be So yeah what

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<v Speaker 2>not awful? You were talking about the trial arm?

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<v Speaker 4>Oh yes? Now the whole point field is that every

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<v Speaker 4>witness we had at the outset have so far either

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<v Speaker 4>been bought off or frightened away by Shepherd and his

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<v Speaker 4>crew with one exception.

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<v Speaker 2>You're raising the hole. Huh.

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<v Speaker 4>Yes. A man named Max Redmond. He worked with Rudolph

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<v Speaker 4>Kuvian years ago in Chicago when Kuvian first perfected the

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<v Speaker 4>lacquer base which makes the neopolis farming most valuable. Redmond's

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<v Speaker 4>testimony could have swung everything all away, and justin Shepard

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<v Speaker 4>found this out.

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<v Speaker 2>Wait a minute, a minute, what do you mean could

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<v Speaker 2>have arm Hey, yeah, we're even.

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<v Speaker 4>Now. Mallow the dead man I spoke and Max Redmon

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<v Speaker 4>are one and the same. Shepherd murderer. It worse, he

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<v Speaker 4>drove Max Redmond to suicide. Mallow the man shot himself.

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<v Speaker 2>An hour ago. I don't follow that well.

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<v Speaker 4>Redman was staying here in La with his wife. I'll

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<v Speaker 4>tell you the address in a moment. It's nearby. And

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<v Speaker 4>although neither Shepherd nor his cronies ever got to see Redmond,

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<v Speaker 4>they knew where he was and where he came from.

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<v Speaker 4>With that, they went to work black Mauron. Oh, yes,

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<v Speaker 4>years ago, Redmond got in a jam. I had no

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<v Speaker 4>idea what it was, something he was conscious stricken about,

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<v Speaker 4>and Shepherd uncovered it then got through to Redmond on

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<v Speaker 4>the phone. He struck home.

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<v Speaker 2>His blackmail price was Redmond's silence and.

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<v Speaker 4>Right you up. Shepherd told him to get out of town.

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<v Speaker 4>But when I talked to Redmond an hour ago, he

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<v Speaker 4>was positive that Shepherd would demand more in the future.

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<v Speaker 4>Redmond was already Hystericnes said he wished he'd never heard

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<v Speaker 4>of me or Rudolph Kuvia, and then he hung up. Well,

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<v Speaker 4>when I got to his apartment, I found him dead,

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<v Speaker 4>shot by his own hand. His pistol is aside. It

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<v Speaker 4>was offer. Yeah, tell me Arin, what about Redmond's wife Bill?

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<v Speaker 4>Her name is Louise, as she's out of town right now.

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<v Speaker 4>He was afraid for her and made her go away.

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<v Speaker 4>Yet any read Phil, You see what I'm getting out,

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<v Speaker 4>Jo Jordan. The reason I want you to work for me?

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<v Speaker 2>Yeah, I think so. Shepperd and his buddies don't know

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<v Speaker 2>Redmond's killed himself. And if I give the impression by

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<v Speaker 2>posing his Redmond that he's still alive and not leaving town,

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<v Speaker 2>Shepperd will figure that his black Man angle didn't work. U.

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<v Speaker 2>He'll get together with you and settled before tomorrow morning,

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<v Speaker 2>when Redmand would have taken the witness stand.

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<v Speaker 4>Precisely filled one hundred and a half settlement as against

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<v Speaker 4>the court. Award of a quarter of a million means

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<v Speaker 4>a saving of one hundred thousand dollars to Shepherd, he'll

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<v Speaker 4>pay it as long as he thinks Redmond's still alive

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<v Speaker 4>and willing to testify him.

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<v Speaker 2>Where now will you do it, Marlowe poses Redmond. Eh,

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<v Speaker 2>there's one thousand dollars in it by him. I don't

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<v Speaker 2>know a thousand dollars.

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<v Speaker 4>Villa and Rudolph Coubion helped us in the sanitary and

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<v Speaker 4>Max Redmond.

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<v Speaker 2>It's an awful lot to turn down, isn't it? I

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<v Speaker 2>thank you, thank you.

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<v Speaker 4>Now, then here's the deal.

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<v Speaker 2>What a man? How about it?

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<v Speaker 6>The new questions?

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<v Speaker 4>Every minute counts. Now. I have got Redmond's top code

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<v Speaker 4>right here. Now you put it on when you leave.

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<v Speaker 4>And here are the keys to his apartment. It's the

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<v Speaker 4>Garden Court Apartments on South Ogden, South Arkman. Yes, right now,

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<v Speaker 4>you sneak inside. Then a minute later, very obviously, go

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<v Speaker 4>out again. Get into his car. It's a new green ash.

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<v Speaker 4>Drive up into the Hollywood Hills along Lookout Road. Why

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<v Speaker 4>there were Redmond drove up there a lot. Now later,

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<v Speaker 4>return to the apartment. You'll probably be followed, as Redmond

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<v Speaker 4>always was, and the man would be big and muscular

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<v Speaker 4>and in the black coupet. Now once they know that Redmond. Ah,

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<v Speaker 4>but that's you, of course, yes, sure doesn't intend to

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<v Speaker 4>leave town. There may be an attempt in your life,

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<v Speaker 4>so watch your step getting killed as Redmond destroys the

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<v Speaker 4>illusion we're out to create.

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<v Speaker 2>That's not all it destroys. Eh may destroy me, it

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<v Speaker 2>played his outline. A minute after, I drove Redman's car

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<v Speaker 2>out of his garage and conspicuously signaled a left turn

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<v Speaker 2>with a plaid sleeve. I picked up my escort. His

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<v Speaker 2>headlights stayed in my rear view mirror all the way

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<v Speaker 2>along Sunset Boulevard and then up into the hills a

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<v Speaker 2>long lookout road. I drove slowly until I cleared a

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<v Speaker 2>half in turn and spotted a flat open lot about

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<v Speaker 2>one hundred yards ahead into my right. It overlooked the

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<v Speaker 2>city below and was dotted with cement bags, piles of lumber,

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<v Speaker 2>and bulldozer that had gone to bed hours ago. I

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<v Speaker 2>swerved off the road, sharply, cut my lights and part

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<v Speaker 2>close to the edge of the cliff. Then I piled

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<v Speaker 2>out of the car and quickly set up the oldest

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<v Speaker 2>trick in the book. I took off the plaid coat,

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<v Speaker 2>tossed it over a shoulder high board jetting out of

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<v Speaker 2>a lumber pile, topped it with my hat, and ran

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<v Speaker 2>for cover behind the bulldozer. I got there just as

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<v Speaker 2>the black coup pulled in, cut its lights and round

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<v Speaker 2>it was stopped. Then I saw something big and beefy

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<v Speaker 2>get out and saw at the coat and ugly snub

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<v Speaker 2>nosed gun in hand. I reached my thirty eight and

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<v Speaker 2>slowly moved through the ankle beaque weeds until I was

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<v Speaker 2>only a few feet behind him. When he fired at

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<v Speaker 2>the coat, I was only inches away. What does that

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<v Speaker 2>make it my turn? Don't try it. You're not Redmond

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<v Speaker 2>and not a lot of people. Drop your gun. Go on,

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<v Speaker 2>what are you gonna do? I'll ask the questions. What's

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<v Speaker 2>your name? Gaffy? Working for Justin Sheppard? No, no, no,

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<v Speaker 2>I was just you're just a liar. That's nothing compared

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<v Speaker 2>to what's in stuff for you. No, I worked for Shepherd,

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<v Speaker 2>all right, And you were tagging me thinking I was

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<v Speaker 2>Redmond to see if I was going out of town.

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<v Speaker 4>Yeah, yeah, yeah, I had orders to knock your I mean,

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<v Speaker 4>knock Redmond off if he didn't go straight for the airport.

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<v Speaker 4>That's all, honest. I don't know anymore.

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<v Speaker 2>Get up, walk over to that tube in there, open

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<v Speaker 2>it and get in. Go on, go on, keep moving

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<v Speaker 2>and keep your hands open. All right. I want to

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<v Speaker 2>have a little chat with Justin Shephard's home address. What

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<v Speaker 2>is it? He ain't got one.

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<v Speaker 7>He stays at the hotels.

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<v Speaker 2>Right now.

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<v Speaker 4>It's the BigMan Plasant, Beverly Hills. Now quick, but yeah,

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<v Speaker 4>that's all I know.

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<v Speaker 2>Sure, sure you see here. I believe you. You've got

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<v Speaker 2>such anonymous face for a killer sweet dreams bust in.

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<v Speaker 8>Two dozen gladiolas and one dozen golden eye wrists. Yes,

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<v Speaker 8>and deliver them here to the desk of the Featman

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<v Speaker 8>Plaza Hotel. No, it's not in Santa Monica. It's in

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<v Speaker 8>Beverly Hills.

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<v Speaker 2>It has been for years.

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<v Speaker 4>Goodbye, stupid good people.

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<v Speaker 2>They're just everywhere, aren't there.

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<v Speaker 4>Indeed, may I help you, sir?

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<v Speaker 2>Yes, I was looking for mister Justin Shepherd. Is he in?

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<v Speaker 8>Oh yes, sir, you could almost reach out and touch him. No,

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<v Speaker 8>that's he over there reading the paper in the Louis

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<v Speaker 8>fourteenth chair.

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<v Speaker 4>You see the short.

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<v Speaker 8>Round man to one side of that woman wearing that

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<v Speaker 8>stunning taffata. Stunning taffaa.

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<v Speaker 4>You see it's applicated with those bright red roses.

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<v Speaker 2>Oh yeah, I couldn't miss him. Turn right at the

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<v Speaker 2>stunning taffa.

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<v Speaker 8>Goodbye, You're quite welcome welcome and dee goodbye, mister Shepherd.

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<v Speaker 7>That's right.

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<v Speaker 2>My name is Philip Marlow. I'm a private detective. I've

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<v Speaker 2>heard of you.

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<v Speaker 7>Huh, what's on your mind? Mister Marlow?

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<v Speaker 2>A chemist? What about him? What does he have to

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<v Speaker 2>do with me? Earl Geffney who?

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<v Speaker 4>Who?

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<v Speaker 7>Who is Earl Geffney.

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<v Speaker 2>Alaos who missed? Like the rest of them will? Max

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<v Speaker 2>Redmond is still alive and I intend to keep him

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<v Speaker 2>that way. Good night, mister Shepherd, see you in court.

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<v Speaker 2>The effect was great. The fat Man's mouth fell open

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<v Speaker 2>and his chins jellied all over his chest. I let

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<v Speaker 2>it go at that. The illusion was established. As far

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<v Speaker 2>as Justin Sheppard and company were concerned. Max Redmond was

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<v Speaker 2>very much alive and kicking up the kind of trouble

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<v Speaker 2>that they didn't want. But twenty minutes later, when I

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<v Speaker 2>let myself into the dead Man's apartment and walked into

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<v Speaker 2>his bedroom, I knew the illusion was only an illusion.

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<v Speaker 2>Max Redmond's body was sprawled at a crazy angle across

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<v Speaker 2>the bed. I wondered what he could have possibly done

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<v Speaker 2>to take this easy way out. I stopped wondering when

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<v Speaker 2>the front door closed was a woman the deepest brown

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<v Speaker 2>eyes I've ever seen?

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<v Speaker 6>What are you doing here?

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<v Speaker 4>Who are you?

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<v Speaker 2>My name is Max Redman.

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<v Speaker 6>You're lying? Where is Max?

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<v Speaker 2>Tell me where is he? He's in the bedroom. You're

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<v Speaker 2>a friend of his.

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<v Speaker 6>I'm his wife, and I'm going to speak to him.

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<v Speaker 6>Don't try to stop me.

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<v Speaker 2>I won't missus, Redmond, go ahead.

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<v Speaker 3>In just a moment, the second act of Philip Marlowe,

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<v Speaker 3>but first Bing Crosby climaxes his season on seebe has

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<v Speaker 3>this Wednesday night with a terrific lineup of top talent

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<v Speaker 3>Arthur Godfrey, Bob Hope, Perry Como, and the four Crosby

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<v Speaker 3>sons who've attracted nationwide attention as his guests earlier this year.

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<v Speaker 3>Bing Arthur Godfrey, Bob Hope, Perry Como and the youngsters

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<v Speaker 3>will be heard in a great musical round up with

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<v Speaker 3>the season's top tunes. So be listening this Wednesday when

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<v Speaker 3>on most of these same CBS stations, The Bing Crosby

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<v Speaker 3>Show comes along with these top guests.

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<v Speaker 2>Now with our star Gerald Moore.

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<v Speaker 3>The second act of Philip Marlowe and Tonight's story The

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<v Speaker 3>Fox's Tale.

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<v Speaker 2>Louise Redman's Dog Troubled Eyes stared at the bedroom door

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<v Speaker 2>for an instant, and she dotted past me and inside.

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<v Speaker 2>When she saw him, she froze her eyes on the

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<v Speaker 2>gun at the bed man's side. One hand trembles to

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<v Speaker 2>the mud. Hang out of yourself, baby, Max, Max?

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<v Speaker 6>Why did you do it?

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<v Speaker 4>Right?

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<v Speaker 2>Has Bean had proof that a fed buzzard named justin

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<v Speaker 2>Shepherd's swindle of forces from Rudolph Couvian, an old friend

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<v Speaker 2>of his, was going to offer that proof tomorrow morning

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<v Speaker 2>in court.

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<v Speaker 6>He wouldn't kill himself because of that.

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<v Speaker 2>Well, there must have been something in his past that

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<v Speaker 2>he couldn't live with any longer. Do you know what

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<v Speaker 2>it was? Louise?

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<v Speaker 6>I don't believe any of this. You were in here

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<v Speaker 6>posing as Max. You're responsible for his death.

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<v Speaker 2>You want to get away? Give me that gun. That's better.

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<v Speaker 2>It's smart enough to give in fast. Anyway. I sit

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<v Speaker 2>down over there and listened. Are you?

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<v Speaker 6>Who are you?

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00:16:35.320 --> 00:16:38.559
<v Speaker 2>And Philip Marlow hired by Iron Metcalf. You know him? Yes,

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<v Speaker 2>he found Max like that. They couldn't let Shepherd know

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<v Speaker 2>that the case against him was dead, so he hired

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<v Speaker 2>me to keep up the illusion that Max was still

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<v Speaker 2>alive and wrong. Medcalf is sure that sheper will crack

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<v Speaker 2>before morning. We'll need your cooperation, Louise. How about it?

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<v Speaker 9>When you took that gun away from me, you smashed

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<v Speaker 9>my only picked Max. You couldn't even leave me that intact.

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<v Speaker 2>I'm sorry. I know it's going to be tough on

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<v Speaker 2>your baby, but hey, wait a minute, Wait a minute, Louise.

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<v Speaker 2>Did did Max write that on the picture there?

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<v Speaker 6>Yes, to my Louise, who love Louise?

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<v Speaker 2>Listen to me now this backhand script was Max left handed? Yes?

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<v Speaker 4>But what is it?

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<v Speaker 2>He was shot in the right temple.

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<v Speaker 6>You mean that someone killed him?

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<v Speaker 2>That's the general idea.

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<v Speaker 6>Yeah, justin Shepard, the man Max intended to testify against.

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00:17:39.799 --> 00:17:42.599
<v Speaker 2>Unless he's a lot slicker than I think. But he

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<v Speaker 2>has an assistance. A tough one named Kaffney was watching

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00:17:44.960 --> 00:17:47.279
<v Speaker 2>this place when I took over. If he did it

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00:17:47.319 --> 00:17:49.240
<v Speaker 2>then followed me, wouldn't have had a chance to report

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<v Speaker 2>to his boss.

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<v Speaker 6>I don't understand. Followed you where.

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<v Speaker 2>Under that a lot on Lookout Road where Max liked

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<v Speaker 2>to go. I caught Gaffney there and filed him away

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<v Speaker 2>in a tool ben. I better go and have another

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00:17:59.160 --> 00:18:01.960
<v Speaker 2>check with that boy right now. You wait here? Now, look, baby,

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<v Speaker 2>we can't quit. You've got to finish the job Max

314
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<v Speaker 2>started for his old friend Kobe. And better than that,

315
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<v Speaker 2>maybe we can get Max's killer too. Are you a game?

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<v Speaker 9>I'll do what you say.

317
00:18:16.880 --> 00:18:19.400
<v Speaker 2>Because I went out to Redmond's car, several things bothered me,

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<v Speaker 2>and not the least of them were Louise Redmond's dog

319
00:18:22.920 --> 00:18:25.960
<v Speaker 2>deep eyes. When I got in the car, I felt

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<v Speaker 2>the pistol that he killed Max. It was in my

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<v Speaker 2>pocket where I dropped it after I'd taken it away

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<v Speaker 2>from the girl. I pulled it out and looked at it.

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<v Speaker 2>It was a Belgian Browning seven sixty five automatic. I

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<v Speaker 2>broke it apart, and then on a hunch, I slipped

325
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<v Speaker 2>it back together, got out of the car again and

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<v Speaker 2>took the gun up to Louise.

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<v Speaker 6>I don't know much about guns.

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<v Speaker 2>Mother, Well, you may have to do his point at Louise.

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<v Speaker 2>The threat will probably be enough in case it isn't.

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<v Speaker 2>That's the safety catch there on the side. I'll be

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<v Speaker 2>back as soon as I can. When I pulled out

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<v Speaker 2>onto the vacant hilltop lot, I sented the tool bin

333
00:19:07.720 --> 00:19:09.720
<v Speaker 2>in the headlights. I was out of the car and

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<v Speaker 2>wading through the foot high foxtail grass before I noticed

335
00:19:12.359 --> 00:19:14.920
<v Speaker 2>the feet. The stick I'd shoved through the hasp was

336
00:19:14.960 --> 00:19:17.119
<v Speaker 2>now on the ground. I ran the rest of the

337
00:19:17.160 --> 00:19:22.200
<v Speaker 2>way and jerked a little open. Gaffney was gone. I

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<v Speaker 2>started to close the lid, but stopped at something in

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<v Speaker 2>the bottom of the bin. It like the coiled rattlesnake bitter.

340
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<v Speaker 2>It was a glistening, sticky puddle, and it was blood

341
00:19:32.559 --> 00:19:34.599
<v Speaker 2>screaming down from a hollow beside the lot. I ran

342
00:19:34.680 --> 00:19:37.160
<v Speaker 2>to him. Saw two kids in the park car, scared

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<v Speaker 2>stiff and staring into a tangle of brush in front

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<v Speaker 2>of them.

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00:19:41.200 --> 00:19:42.119
<v Speaker 6>There's a man down there.

346
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<v Speaker 2>He's hurt, badware.

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00:19:43.720 --> 00:19:44.960
<v Speaker 4>Show me in that brush.

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<v Speaker 6>We both saw he stood up just a second ago,

349
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<v Speaker 6>and he started tortoise. It was flood all over and

350
00:19:51.200 --> 00:19:52.119
<v Speaker 6>then he fell down again.

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<v Speaker 2>Okay, get your girl out of here, get back to

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<v Speaker 2>your car.

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<v Speaker 6>Okay, mister, hey, holy cats, you're Philip Marlows, the detective.

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00:19:58.799 --> 00:20:00.000
<v Speaker 4>Yeah, yeah, your picture.

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<v Speaker 2>All right, Be a good fan and stay out of

356
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<v Speaker 2>the way. The guy's dangerous.

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<v Speaker 4>Go on, yo, Okay, come on, m.

358
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<v Speaker 2>Jeffy, who did it? Jeffey, It's just.

359
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<v Speaker 4>What I just spill him?

360
00:20:28.119 --> 00:20:34.279
<v Speaker 2>Who? Who know who? Yeah?

361
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<v Speaker 4>Hey, mister Moller.

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<v Speaker 6>Hey, mister Moller, did you Did you find him?

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<v Speaker 4>Mister Moller?

364
00:20:42.359 --> 00:20:44.559
<v Speaker 2>Yeah, I found him, so he's dead.

365
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<v Speaker 4>Holy care, I.

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<v Speaker 2>Love doing me a favor. Will you get to a

367
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<v Speaker 2>phone report this to the police. They'll not get in

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<v Speaker 2>touch with him as soon as I can.

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<v Speaker 6>Okay, who show, mister Moller, you're right away.

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<v Speaker 2>Next step had to be justin Shepherd's hotel, and now

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<v Speaker 2>I had more to go on and a couple of

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<v Speaker 2>hints from left field. As I pulled up in front,

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<v Speaker 2>I saw a Shepherd behind sixteen cylinders of imported limousine,

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<v Speaker 2>swinging away from the curve. It seemed in no particular hurry,

375
00:21:11.839 --> 00:21:13.359
<v Speaker 2>so I tailed him far enough to realize that he

376
00:21:13.400 --> 00:21:16.440
<v Speaker 2>could be heading Max Redmond's apart, and I set off

377
00:21:16.440 --> 00:21:18.920
<v Speaker 2>through the side streets wide open, get back to the

378
00:21:18.960 --> 00:21:21.119
<v Speaker 2>apartment in time to brace Louise for Shepherd's visit.

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00:21:21.799 --> 00:21:24.720
<v Speaker 6>But Marlow, what can I do? Maybe I.

380
00:21:26.440 --> 00:21:27.400
<v Speaker 2>Maybe I better let him in?

381
00:21:28.039 --> 00:21:35.079
<v Speaker 7>Go ahead, Yes, stand aside, young woman, I'm coming in.

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<v Speaker 2>Please do Shepherd.

383
00:21:38.240 --> 00:21:38.720
<v Speaker 4>You again?

384
00:21:38.880 --> 00:21:40.920
<v Speaker 2>Nice of you to drop in. What have you got

385
00:21:41.000 --> 00:21:41.680
<v Speaker 2>in the bag lunch?

386
00:21:41.799 --> 00:21:43.920
<v Speaker 7>Don't be facetious and don't worry.

387
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<v Speaker 2>It's all here. I know when I'm beaten.

388
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<v Speaker 7>I suppose it would be quite pointless to ask where

389
00:21:50.200 --> 00:21:51.359
<v Speaker 7>Redmond himself.

390
00:21:51.160 --> 00:21:55.359
<v Speaker 2>Is completely pointless of this, late Dad, very well, and.

391
00:21:55.400 --> 00:21:57.680
<v Speaker 7>I assume I am to leave this with you. That's right,

392
00:21:58.359 --> 00:22:02.960
<v Speaker 7>It had better be right, my book, believe me, good night.

393
00:22:02.839 --> 00:22:05.960
<v Speaker 2>In just a minute. How come you're running your own errands?

394
00:22:06.160 --> 00:22:10.039
<v Speaker 7>You took care of that yourself earlier tonight. You're a

395
00:22:10.160 --> 00:22:10.920
<v Speaker 7>competent man.

396
00:22:11.400 --> 00:22:14.279
<v Speaker 2>You should be working for me. Working for you has

397
00:22:14.319 --> 00:22:17.759
<v Speaker 2>its drawback, Shepherd, But you must at Gaffney didn't die

398
00:22:17.839 --> 00:22:18.240
<v Speaker 2>right away.

399
00:22:19.039 --> 00:22:20.160
<v Speaker 7>Gasney's dead.

400
00:22:20.960 --> 00:22:22.720
<v Speaker 2>Be careful, hey, live long enough to tell me it

401
00:22:22.799 --> 00:22:27.319
<v Speaker 2>was framed, Shepherd by you. When you can prove that,

402
00:22:28.480 --> 00:22:29.519
<v Speaker 2>I'll be at my hotel.

403
00:22:30.640 --> 00:22:33.599
<v Speaker 7>But I advise you not to push your luck.

404
00:22:37.160 --> 00:22:37.319
<v Speaker 9>Man.

405
00:22:37.599 --> 00:22:39.200
<v Speaker 6>You let him walk out.

406
00:22:39.400 --> 00:22:41.920
<v Speaker 2>Yeah, the guy was right, baby. So far we've got

407
00:22:41.960 --> 00:22:45.400
<v Speaker 2>no proof of any of it except this bag. And

408
00:22:45.559 --> 00:22:46.119
<v Speaker 2>whatever is.

409
00:22:48.680 --> 00:22:53.039
<v Speaker 9>Money, Why it's filled with bundles of bills.

410
00:22:53.200 --> 00:22:58.119
<v Speaker 2>Big ones, at least at least one hundred grand. Holy

411
00:22:58.599 --> 00:22:59.440
<v Speaker 2>excuse me, will.

412
00:23:00.880 --> 00:23:01.480
<v Speaker 6>Who are you called?

413
00:23:01.599 --> 00:23:04.480
<v Speaker 2>Somebody will be very interested in this. You just wait

414
00:23:04.559 --> 00:23:05.160
<v Speaker 2>and see.

415
00:23:07.759 --> 00:23:08.960
<v Speaker 4>Medcalf speaking iron.

416
00:23:09.000 --> 00:23:10.759
<v Speaker 2>This is Marlow. I'm at the Redmond place. And get

417
00:23:10.839 --> 00:23:13.720
<v Speaker 2>this justin Shephard walked in here, dumped one hundred thousand

418
00:23:13.720 --> 00:23:15.759
<v Speaker 2>bucks on the table and left again not a half

419
00:23:15.839 --> 00:23:16.279
<v Speaker 2>minute ago.

420
00:23:17.440 --> 00:23:20.440
<v Speaker 4>Yeah, White, so bribe. We've got him pilled, We've got him.

421
00:23:20.480 --> 00:23:21.720
<v Speaker 4>Don't catch it. I'll be right there.

422
00:23:21.799 --> 00:23:23.799
<v Speaker 2>Wait a minute, Wait a minute, there's more on. Louise.

423
00:23:23.839 --> 00:23:24.839
<v Speaker 2>Redmond came back.

424
00:23:24.839 --> 00:23:26.880
<v Speaker 4>Louise in the middle of this mess.

425
00:23:27.039 --> 00:23:27.599
<v Speaker 2>She's here now.

426
00:23:28.400 --> 00:23:30.119
<v Speaker 4>It must have been rough on her to find Max.

427
00:23:30.200 --> 00:23:32.480
<v Speaker 2>Worse than you think, because that's still not all. What

428
00:23:32.559 --> 00:23:34.359
<v Speaker 2>do you mean that you can bet your briefcase on

429
00:23:34.400 --> 00:23:36.440
<v Speaker 2>the fact that Max didn't kill himself in the first place.

430
00:23:36.720 --> 00:23:37.480
<v Speaker 2>He was murdered.

431
00:23:38.240 --> 00:23:40.200
<v Speaker 4>Shit tight, I'll be right there.

432
00:23:49.799 --> 00:23:52.519
<v Speaker 2>Come money in Aaron, the money, Marlo, Where is it

433
00:23:52.640 --> 00:23:53.720
<v Speaker 2>in the bag there on the table?

434
00:23:55.039 --> 00:24:00.359
<v Speaker 4>Yeah, excellence, iron bound evidence less will We'll have this

435
00:24:00.440 --> 00:24:05.119
<v Speaker 4>and pounded right away. Oh oh, missus redmin. I can't

436
00:24:05.119 --> 00:24:07.440
<v Speaker 4>tell you how Surrey I am, my dear, thank you.

437
00:24:07.519 --> 00:24:08.160
<v Speaker 6>Mister Medcalf.

438
00:24:09.240 --> 00:24:11.799
<v Speaker 9>But I'm grateful to you and to mister Marlowe here

439
00:24:11.880 --> 00:24:15.480
<v Speaker 9>that Max's death wasn't entirely without purpose.

440
00:24:15.200 --> 00:24:17.960
<v Speaker 4>At least what about that, Phil? Can we prove he

441
00:24:18.039 --> 00:24:18.559
<v Speaker 4>was murdery?

442
00:24:18.759 --> 00:24:20.680
<v Speaker 2>Hell? The bullet entered his right temple, but he was

443
00:24:20.759 --> 00:24:22.240
<v Speaker 2>left handed. That's about all we got.

444
00:24:22.359 --> 00:24:25.519
<v Speaker 4>As simple as that, And yet it went by me completely.

445
00:24:25.680 --> 00:24:27.119
<v Speaker 2>I doubt we can stick anybody for it.

446
00:24:27.400 --> 00:24:28.519
<v Speaker 6>Why not not?

447
00:24:28.640 --> 00:24:34.480
<v Speaker 2>Because his killer may be already already what m oh

448
00:24:34.640 --> 00:24:35.279
<v Speaker 2>already dead?

449
00:24:35.759 --> 00:24:38.440
<v Speaker 4>Another killing? But what are you talking about?

450
00:24:38.480 --> 00:24:42.559
<v Speaker 2>Man one? Earl Geffney, Shepherd's gentle assistant. I locked him

451
00:24:42.559 --> 00:24:44.400
<v Speaker 2>in a tool ben, but somebody found him there.

452
00:24:44.319 --> 00:24:49.640
<v Speaker 4>And shot him. Keep him quiet, justin Shepherd himself. Surely. Now, look,

453
00:24:50.279 --> 00:24:52.799
<v Speaker 4>if we can't get him for Max, we'll nail him

454
00:24:52.799 --> 00:24:53.279
<v Speaker 4>for Geffney.

455
00:24:53.319 --> 00:24:53.880
<v Speaker 2>Don't count on it.

456
00:24:53.960 --> 00:24:56.359
<v Speaker 4>Hey, listen, we've got that fat lizard right, will we

457
00:24:56.400 --> 00:24:57.160
<v Speaker 4>want him now?

458
00:24:57.200 --> 00:25:00.000
<v Speaker 2>First, First of all, it won't fit on if Shepherd

459
00:25:00.079 --> 00:25:03.119
<v Speaker 2>sent Gaffney to get Max then killed Gaffney. Why did

460
00:25:03.200 --> 00:25:05.680
<v Speaker 2>he bring all this dough here to bribe a dead man? Well,

461
00:25:06.559 --> 00:25:09.279
<v Speaker 2>she'll making sense for I know you'd say it. Okay,

462
00:25:09.400 --> 00:25:13.359
<v Speaker 2>try this faside. Max Redman never intended to testify in court.

463
00:25:13.880 --> 00:25:16.599
<v Speaker 2>He wasn't after a legal settlement because then the money

464
00:25:16.640 --> 00:25:19.839
<v Speaker 2>would go past him to Rudolph Kuvian. This bribe here

465
00:25:20.000 --> 00:25:20.960
<v Speaker 2>is all Max was after.

466
00:25:21.759 --> 00:25:24.400
<v Speaker 4>But somebody was in it with him, you're crazy. How

467
00:25:24.480 --> 00:25:25.799
<v Speaker 4>dare you say she's right?

468
00:25:25.920 --> 00:25:29.160
<v Speaker 2>Mallow? Now you're talking like a fool, am I Max,

469
00:25:29.240 --> 00:25:31.279
<v Speaker 2>no doubt, got into a beef with this partner over

470
00:25:31.319 --> 00:25:35.200
<v Speaker 2>the split of the bribe and was shot. That's a guess, Sarn.

471
00:25:35.279 --> 00:25:38.759
<v Speaker 2>But this isn't Gaffney got it because Max's killer couldn't

472
00:25:38.759 --> 00:25:41.039
<v Speaker 2>figure how much Gaffney had heard and seen in here.

473
00:25:41.720 --> 00:25:44.880
<v Speaker 2>He couldn't take a chance. You see, but weather killed.

474
00:25:44.920 --> 00:25:47.559
<v Speaker 2>Gaffney had to wade through the same weeds I did

475
00:25:47.640 --> 00:25:50.599
<v Speaker 2>in that vacant lot to get to him. And most

476
00:25:50.640 --> 00:25:52.799
<v Speaker 2>of the weeds out there are foxtail grass, you know,

477
00:25:52.880 --> 00:25:54.759
<v Speaker 2>the kind that comes off on your clothes. It sticks

478
00:25:54.759 --> 00:25:58.359
<v Speaker 2>in your socks like little darts. That's right, Arn, Take

479
00:25:58.400 --> 00:26:00.319
<v Speaker 2>a look your our giles are loaded with the stuff.

480
00:26:01.359 --> 00:26:04.920
<v Speaker 4>I don't have to look. You're a bright boy, Phil. Thanks,

481
00:26:05.799 --> 00:26:09.240
<v Speaker 4>it went just as you outlanded up to this point.

482
00:26:10.200 --> 00:26:12.000
<v Speaker 4>I'm sorry you got so much of it right. Because

483
00:26:12.039 --> 00:26:13.359
<v Speaker 4>you can't think of everything.

484
00:26:13.440 --> 00:26:15.319
<v Speaker 2>You might be surprised. Don't reach for your gun, er

485
00:26:15.400 --> 00:26:19.759
<v Speaker 2>and I'll drop you. It was a filthy scheme. Come on,

486
00:26:19.880 --> 00:26:21.240
<v Speaker 2>hand it over your gun.

487
00:26:21.960 --> 00:26:26.720
<v Speaker 6>Well shoot here now you drop it, Malow.

488
00:26:26.440 --> 00:26:31.920
<v Speaker 2>Go on, Well, the heart broken little wife with the

489
00:26:32.079 --> 00:26:32.799
<v Speaker 2>very same.

490
00:26:32.680 --> 00:26:34.200
<v Speaker 6>Gun you so generously gave me.

491
00:26:34.319 --> 00:26:36.480
<v Speaker 4>That's what I meant, Malow. You can't think of everybody.

492
00:26:37.079 --> 00:26:39.279
<v Speaker 4>Louise and I are going away tonight together and we're

493
00:26:39.279 --> 00:26:41.079
<v Speaker 4>taking that money with the sand steel Mallow.

494
00:26:41.119 --> 00:26:42.680
<v Speaker 6>I know more about guns than I pretended.

495
00:26:43.000 --> 00:26:45.160
<v Speaker 2>Sure you do. Sure I had a hunch about you

496
00:26:45.279 --> 00:26:48.839
<v Speaker 2>early tonight. Baby, Your homecoming was too pat you know what.

497
00:26:49.799 --> 00:26:51.799
<v Speaker 2>It didn't bring back so much as an overnight bag.

498
00:26:52.640 --> 00:26:54.400
<v Speaker 2>And what's more, when I took that gun away from you,

499
00:26:54.480 --> 00:26:57.599
<v Speaker 2>you practically handed it to me. You're acting all the

500
00:26:57.680 --> 00:26:59.079
<v Speaker 2>way I'm not now.

501
00:27:00.640 --> 00:27:04.640
<v Speaker 6>Louise, shoot him, shoot, shoot his hands, shoot the gun on.

502
00:27:04.759 --> 00:27:08.759
<v Speaker 2>And it shoot pulling. I took one of the parts

503
00:27:08.799 --> 00:27:11.240
<v Speaker 2>out before I gave it back to you, sweetheart. You

504
00:27:11.319 --> 00:27:14.000
<v Speaker 2>couldn't make that go off with a blow. Help me,

505
00:27:14.160 --> 00:27:15.720
<v Speaker 2>that's right. Iron helped the lady.

506
00:27:19.559 --> 00:27:19.880
<v Speaker 6>Larren.

507
00:27:20.400 --> 00:27:22.279
<v Speaker 2>Believe me, sister, you'd get the same thing right now,

508
00:27:22.359 --> 00:27:24.480
<v Speaker 2>But for one good reason, I'm going to meet your

509
00:27:24.559 --> 00:27:36.000
<v Speaker 2>intact net car tomorrow morning. By the time the police

510
00:27:36.039 --> 00:27:40.200
<v Speaker 2>showed up or on Medcalf Dynamic Barrister and Louise Redmond

511
00:27:40.240 --> 00:27:45.160
<v Speaker 2>Beautiful Dreamer were already coming apart at the scenes. Two

512
00:27:45.240 --> 00:27:47.920
<v Speaker 2>hours later, when I finally got away from it, it

513
00:27:48.079 --> 00:27:52.440
<v Speaker 2>was still screaming hysterical insults at each other. Before I

514
00:27:52.519 --> 00:27:55.720
<v Speaker 2>went home, I stopped by the sanitarium just long enough

515
00:27:55.799 --> 00:27:59.799
<v Speaker 2>to shake hands with Rudolf Kouban. Will turn out to

516
00:27:59.799 --> 00:28:05.119
<v Speaker 2>be a nice, quiet, thoughtful old guy, and I assured

517
00:28:05.160 --> 00:28:08.839
<v Speaker 2>him of a fair shape that was long overdue. I

518
00:28:08.920 --> 00:28:11.480
<v Speaker 2>guess it made him happy. It was hard to tell,

519
00:28:12.759 --> 00:28:15.240
<v Speaker 2>because the look on his face said that maybe the

520
00:28:15.359 --> 00:28:19.720
<v Speaker 2>real price in things other than money had been much

521
00:28:19.799 --> 00:28:24.559
<v Speaker 2>too high. Yeah, that's the way it is with some characters.

522
00:28:25.640 --> 00:28:26.599
<v Speaker 2>The Human.

523
00:28:47.359 --> 00:28:50.759
<v Speaker 3>The Adventures of Philip Marlowe Bringing You Raymond Chandler's most

524
00:28:50.839 --> 00:28:55.440
<v Speaker 3>famous character, star Gerald Moore, are produced and directed by

525
00:28:55.599 --> 00:28:59.400
<v Speaker 3>Norman McDonald and are written for radio by Robert Mitchell

526
00:28:59.519 --> 00:29:04.480
<v Speaker 3>and Gene Leavitt. Featured in tonight's transcribed cast where Howard mcneer,

527
00:29:04.839 --> 00:29:09.839
<v Speaker 3>Lou Krugman, Rick Vallen, Parley Bear, Georgia Ellis, and Hugh Thomas.

528
00:29:10.440 --> 00:29:13.559
<v Speaker 3>The special music is composed and conducted by Richard Urunt.

529
00:29:18.200 --> 00:29:19.759
<v Speaker 3>Be sure and be with us again next week.

530
00:29:19.839 --> 00:29:24.240
<v Speaker 2>When Philip Marlowe say, this time there was a fish

531
00:29:24.319 --> 00:29:27.319
<v Speaker 2>that talked with a lisp, a hot blonde with cold

532
00:29:27.400 --> 00:29:30.960
<v Speaker 2>cash on her mind, and a coups with dirty French cuffs,

533
00:29:31.799 --> 00:29:33.680
<v Speaker 2>and I mixed with them all without ever getting out

534
00:29:33.680 --> 00:29:34.400
<v Speaker 2>of my own bed.

535
00:29:48.319 --> 00:29:51.440
<v Speaker 3>This Wednesday Night on CBS, Doctor Christian will bring you

536
00:29:51.519 --> 00:29:55.559
<v Speaker 3>the prize winning script in this year's nationwide contest. CBS

537
00:29:55.680 --> 00:29:59.039
<v Speaker 3>cordially invite you to hear Doctor Christian starring Geene Herscheldt,

538
00:29:59.319 --> 00:30:02.720
<v Speaker 3>every Wednesday and most of these same CBS stations. This

539
00:30:02.920 --> 00:30:15.559
<v Speaker 3>is Roy Rowan speaking. You can save for your future today.

540
00:30:15.720 --> 00:30:19.759
<v Speaker 3>The United States Savings Bond Way Savings bonds are one

541
00:30:19.799 --> 00:30:21.960
<v Speaker 3>of the surest, safest investments you can make.

542
00:30:22.359 --> 00:30:24.720
<v Speaker 2>Because they're backed by Uncle Sam himself.

543
00:30:25.400 --> 00:30:27.640
<v Speaker 3>You are sure of getting back four dollars for every

544
00:30:27.680 --> 00:30:30.400
<v Speaker 3>three dollars you invest when the bond's mature in just

545
00:30:30.559 --> 00:30:35.039
<v Speaker 3>ten years. Safe because even if the bonds are lost, destroyed,

546
00:30:35.160 --> 00:30:38.319
<v Speaker 3>or stolen, your government will replace them at no charge,

547
00:30:38.880 --> 00:30:42.519
<v Speaker 3>and bonds are simple and convenient to buy. Ask your

548
00:30:42.559 --> 00:30:45.039
<v Speaker 3>employer to set aside an amount of money from your

549
00:30:45.160 --> 00:30:50.200
<v Speaker 3>pay the amount you decide on automatically systematically you'll purchase

550
00:30:50.279 --> 00:30:54.519
<v Speaker 3>savings bonds. If you're self employed, have your bank purchase

551
00:30:54.559 --> 00:30:58.000
<v Speaker 3>a bond a month for you regularly save for your

552
00:30:58.160 --> 00:31:01.680
<v Speaker 3>independence buy United States Savings bonds.

553
00:31:06.519 --> 00:31:07.720
<v Speaker 2>There's the CDs where.

554
00:31:07.599 --> 00:31:10.200
<v Speaker 3>Burns and Allen are heard every Wednesday night the Columbia

555
00:31:10.319 --> 00:31:28.759
<v Speaker 3>Broadcasting System. This is Andrew J.

556
00:31:28.920 --> 00:31:31.759
<v Speaker 2>Graham, author of the web surface series Oh and a

557
00:31:31.839 --> 00:31:32.519
<v Speaker 2>Man of His Wife.

558
00:31:32.920 --> 00:31:35.680
<v Speaker 1>You're listening to the great detectives of old time radio.

559
00:31:42.039 --> 00:31:46.160
<v Speaker 1>Welcome back. Well, I did notice a slot change in

560
00:31:46.240 --> 00:31:51.079
<v Speaker 1>the opening. We go from crime ending up in the prison,

561
00:31:51.440 --> 00:31:54.839
<v Speaker 1>the gutter or the grave to the prison, the gutter

562
00:31:55.440 --> 00:31:58.559
<v Speaker 1>or an early grave, which I guess makes sense because

563
00:31:58.599 --> 00:32:00.759
<v Speaker 1>a lot of people end up with in the grave

564
00:32:00.880 --> 00:32:05.920
<v Speaker 1>without actually committing any crimes. O. We're all a fine episode,

565
00:32:06.079 --> 00:32:11.039
<v Speaker 1>very authentically Chandler resse love I think nearly every episode

566
00:32:11.079 --> 00:32:13.440
<v Speaker 1>of this series, but a lot of them are more

567
00:32:13.559 --> 00:32:18.079
<v Speaker 1>sunny than Chandler would tend to tell. This one definitely

568
00:32:18.640 --> 00:32:20.559
<v Speaker 1>is the type of story he would have gone for.

569
00:32:21.160 --> 00:32:26.799
<v Speaker 1>John sends along this comment. He writes, am I your

570
00:32:26.920 --> 00:32:30.839
<v Speaker 1>most distant listener, Adam, greetings from Singapore. I doubt I am.

571
00:32:30.960 --> 00:32:33.079
<v Speaker 1>I bet you have listeners from all over the world.

572
00:32:33.599 --> 00:32:35.680
<v Speaker 1>I think you do a great job. I remember you

573
00:32:35.759 --> 00:32:38.599
<v Speaker 1>said you learned to make the introduction short, but I

574
00:32:38.799 --> 00:32:41.519
<v Speaker 1>liked your longer explanations a lot. I learned about the

575
00:32:41.759 --> 00:32:45.279
<v Speaker 1>history of these programs and their background. I really enjoy

576
00:32:45.440 --> 00:32:48.200
<v Speaker 1>Pat Novak for h really wish there were more, as

577
00:32:48.279 --> 00:32:51.880
<v Speaker 1>well as Michael Shane. Maybe I'm a fan of creative similes.

578
00:32:51.920 --> 00:32:54.359
<v Speaker 1>In any case, this is a great podcast, one I

579
00:32:54.440 --> 00:32:58.839
<v Speaker 1>really enjoy. I'm now a proud patron supporter. Hope it

580
00:32:58.960 --> 00:33:03.240
<v Speaker 1>is encouraging. Keep up the good work. Well, thanks so much. John.

581
00:33:03.839 --> 00:33:08.119
<v Speaker 1>In terms of being most distant, you're actually pretty close.

582
00:33:08.200 --> 00:33:13.640
<v Speaker 1>For my calculation. The one spot where I thought that

583
00:33:13.720 --> 00:33:16.279
<v Speaker 1>there was going to be a big difference was we

584
00:33:16.400 --> 00:33:20.680
<v Speaker 1>did have a listener from a Cutter at one point,

585
00:33:22.079 --> 00:33:27.359
<v Speaker 1>but according to Google, you're much further away than Cutter.

586
00:33:28.480 --> 00:33:31.720
<v Speaker 1>But we also have a lot of listeners in Australia,

587
00:33:32.519 --> 00:33:37.640
<v Speaker 1>And while measuring to the center of Australia there's a

588
00:33:37.880 --> 00:33:42.039
<v Speaker 1>difference of about one hundred miles in favor of Singapore,

589
00:33:43.240 --> 00:33:46.400
<v Speaker 1>there may be somewhere further out in Australia where we

590
00:33:46.559 --> 00:33:50.599
<v Speaker 1>have listeners. So you're not the furthest away, but you're

591
00:33:50.680 --> 00:33:56.880
<v Speaker 1>certainly pretty close. You may, of course, as you're listening

592
00:33:56.920 --> 00:33:59.599
<v Speaker 1>to this series, you're getting kind of a different taste

593
00:33:59.680 --> 00:34:04.960
<v Speaker 1>of Michael Sane on Mondays. In about six months, we'll

594
00:34:05.000 --> 00:34:07.640
<v Speaker 1>find out what he means as we play the New

595
00:34:07.720 --> 00:34:11.719
<v Speaker 1>Adventures of Michael Shane. And finally, yes, it's definitely been

596
00:34:11.880 --> 00:34:15.800
<v Speaker 1>encouraging as we have, you know, put our feed out.

597
00:34:15.920 --> 00:34:22.480
<v Speaker 1>In terms of the Patreon campaign, it's definitely great to

598
00:34:22.599 --> 00:34:27.159
<v Speaker 1>have that regular, stable support, though obviously I appreciate all

599
00:34:27.239 --> 00:34:30.079
<v Speaker 1>the one time donations I get as well. It's been

600
00:34:30.239 --> 00:34:33.440
<v Speaker 1>such a great model for so many programs that have

601
00:34:34.000 --> 00:34:37.559
<v Speaker 1>tried it, so I'm very excited about how it's been

602
00:34:37.920 --> 00:34:42.360
<v Speaker 1>growing and appreciate everyone who has taken part. All Right, well,

603
00:34:42.400 --> 00:34:44.199
<v Speaker 1>that will do it for today. Join us back here

604
00:34:44.280 --> 00:34:47.599
<v Speaker 1>tomorrow for Nick Carter. In the meantime, send your comments

605
00:34:47.639 --> 00:34:51.320
<v Speaker 1>to Box thirteen at Great Detractives dot net, follow us

606
00:34:51.360 --> 00:34:54.039
<v Speaker 1>on Twitter at Radio Detectives, and become one of our

607
00:34:54.079 --> 00:34:58.079
<v Speaker 1>friends on Facebook, Facebook, dot com Slash Radio Detectives. But

608
00:34:58.159 --> 00:35:01.320
<v Speaker 1>from Boiseida Hole, this is your home host Adam Grahamson

609
00:35:01.400 --> 00:35:01.719
<v Speaker 1>and Off
