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<v Speaker 1>Will you wait? Miss?

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<v Speaker 2>Welcome back midnight viewers to Anthologies Attack, where we take

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<v Speaker 2>a look at anthologies of every media and every genre.

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<v Speaker 2>I'm father alone and with me is my co host

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<v Speaker 2>Antonio Lapour. How are you doing, Antonio?

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<v Speaker 1>Hi?

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<v Speaker 3>Well, Holly alone, how are you?

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<v Speaker 2>I'm doing very well considering what we're going to be

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<v Speaker 2>talking about tonight. This is two in a row for filmmakers,

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<v Speaker 2>though this one is an actual anthology. This one was

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<v Speaker 2>released on November ninth, twenty eighteen. This is the ballad

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<v Speaker 2>of Buster Scrugs.

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<v Speaker 4>People are so easily distracted, So I'm the distractor with

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<v Speaker 4>a little story. People can't get enough of them because well,

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<v Speaker 4>they connect the stories to themselves, I suppose, and we

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<v Speaker 4>all love hearing about ourselves. So long as the people

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<v Speaker 4>in the stories are us, but not.

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<v Speaker 3>Us, you will tail to tail. I'm bust, bust, your scruggs, your.

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<v Speaker 1>Shoe and iron work.

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<v Speaker 3>Payers to do years?

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<v Speaker 5>Do you have anything to say for sentences carried out?

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<v Speaker 1>What's my sense? Thanks?

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<v Speaker 3>I have away escalate?

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<v Speaker 6>Not here in the west, oh name it's AUSI Mandus

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<v Speaker 6>king o King.

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<v Speaker 3>That man is wonderful. I will just have to seem crazy.

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<v Speaker 2>Business first, time. Yes, The Ballad of Buster Scruggs was

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<v Speaker 2>a written by Joel and Ethan Cohen and directed by

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<v Speaker 2>Joel and Ethan Cohen. Well, I should point out that

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<v Speaker 2>two of the stories here are based on previous materials.

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<v Speaker 2>All Gold in the Canyon was written by Jack London

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<v Speaker 2>and The Girl Who Got Rattled by Stewart Edward White.

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<v Speaker 2>This one stars James Franco, Brendan Gleasee. This is in

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<v Speaker 2>no particular order, James Franco, Brendan Gleeson, Bill Heck Grainger, Hinds,

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<v Speaker 2>Zoe Kazan, Liam Neeson, Blake Nelson, John Joe O'Neil, Saw Rubinik,

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<v Speaker 2>Tom Waits, Chelsea Ross that I mentioned Tyan Daily She's

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<v Speaker 2>in it too. And this is as I said, This

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<v Speaker 2>is an anthology film, a Western anthology film. Those are

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<v Speaker 2>fucking rare. I can only think about a handful of them, honestly,

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<v Speaker 2>like grim prairie tales. But six stories set in the

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<v Speaker 2>American frontier, all in different sections of the American frontier,

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<v Speaker 2>all the different landscapes, all the different experiences. Everything you've

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<v Speaker 2>heard about of the American experience in the Old West.

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<v Speaker 2>You're going to get a little slice of the bitterest

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<v Speaker 2>parts of them. Antonio, I'm sure you've watched this immediately

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<v Speaker 2>when it was released on the Netflix years ago. This

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<v Speaker 2>is their first film that, although released technically in theaters,

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<v Speaker 2>was a straight to video situation.

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<v Speaker 3>Yeah, well it.

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<v Speaker 5>Was technically released in theater sports limited on and then

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<v Speaker 5>writes in Netflix, but calling not straight the video, everything

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<v Speaker 5>straight the streaming now'sas's last movie went straight the max,

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<v Speaker 5>just like, at least get.

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<v Speaker 3>A nice little.

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<v Speaker 5>But that's a whole another thing, a whole other discussion.

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<v Speaker 5>This is their last beating other too so far so Corney,

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<v Speaker 5>anybody I've read that they've got something in the works again.

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<v Speaker 3>They went and flunched their muscles on their own. Joel

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<v Speaker 3>did the just phenomenal, sonomenal, sonomenal, phenomenal The Death with

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<v Speaker 3>Denzel Washington and Francis mcdormott and Ethan did.

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<v Speaker 2>Drive Away Dolls, Driveway Doll, which is great.

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<v Speaker 3>Yeah. Is that christ over a Christian store?

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<v Speaker 2>No, no, no, no no, it's Margaret quality.

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<v Speaker 3>Margaret Qualley okay was creating it.

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<v Speaker 2>Oh yeah, And a lot of the sort of clever

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<v Speaker 2>Coen Brothers dialogue, A lot of those clever Coen Brothers

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<v Speaker 2>plot twists okay, fully on display. The more show body

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<v Speaker 2>of the of their cinema, I think is in Ethan's Corner.

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<v Speaker 3>Interesting.

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<v Speaker 2>I think if there's a there's a moment in a

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<v Speaker 2>Coen Brothers movie like cinematically where you go like WHOA,

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<v Speaker 2>why did that? Was cool? Probably even behind it all

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<v Speaker 2>the solid filmmaking seems to be coming from Joel though, well.

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<v Speaker 5>Because that was solid, and the way he does the

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<v Speaker 5>one lady playing the three waitches, it's just all so good.

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<v Speaker 5>Back from Buster Scrugs, which is a delightfully fun movie

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<v Speaker 5>about death's.

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<v Speaker 2>Hey, it certainly is that there are six tales presented

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<v Speaker 2>to us. One of them is hopeful, only one really,

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<v Speaker 2>and that one is provided by Jack London. Not exactly

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<v Speaker 2>the like a laugh riot of a man, not even remotely.

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<v Speaker 3>A laugh light of a man, but an amazing performance.

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<v Speaker 2>From Tom Waits, absolutely.

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<v Speaker 3>Comp her daughter was Tom Waits because I watched it.

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<v Speaker 3>I haven't seen it in a minute a year. I've

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<v Speaker 3>seen it a few junks, but every time I'm kind

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<v Speaker 3>of he said, I wish sheepen than bour things.

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<v Speaker 2>Yeah, as do. I always think about his performance in

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<v Speaker 2>Rumblefish and Dracula and.

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<v Speaker 3>The Cop Club, all the Cotton Club, Yeah.

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<v Speaker 1>And.

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<v Speaker 2>Yeah, and the other thing I think I'm thinking about

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<v Speaker 2>lately because later this week I'm recording a podcast about

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<v Speaker 2>pet Cemetery, the nineteen eighty nine movie is Fred Winn's

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<v Speaker 2>performance in The Cotton Club is so fucking good as

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<v Speaker 2>Bob hoskins right hand.

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<v Speaker 5>Man, Cheed Gwinny's was a lot better than that pop

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<v Speaker 5>culture understands.

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<v Speaker 3>They just were all that was a guy from the Munsters.

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<v Speaker 5>I'm like, yeah, yeah, but he had this long ass

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<v Speaker 5>career as a character actor too, Like he's was his

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<v Speaker 5>last one?

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<v Speaker 3>Was he the last way went the Judge in My cousin.

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<v Speaker 2>Vimy, that's the last one I remember him in. Yeah, but.

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<v Speaker 3>Us anyway, Yeah.

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<v Speaker 2>A perfect Southerner, and he's a perfect old Northern main

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<v Speaker 2>fella in pet Cemetery anyway, That's neither here there we're

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<v Speaker 2>talking about Buster Scruggs here, folks talking about the American West,

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<v Speaker 2>talking about the Cohen Brothers. We're talking about let's just

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<v Speaker 2>talk about the fact that and I love this movie

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<v Speaker 2>starts and they've presented the film as if it's a book.

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<v Speaker 2>So we see the book that this old sort of

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<v Speaker 2>leatherbound novel that is the collection of these stories filled

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<v Speaker 2>with plates like beautiful Wiler esque drawings of the essential

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<v Speaker 2>scene from each of the vignettes we're gonna get, as

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<v Speaker 2>well as a handy little quote underneath it that becomes

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<v Speaker 2>all the more resonant when you see it like in

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<v Speaker 2>context in the movie. I just love all of that

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<v Speaker 2>sort of artifice. It reminded me of the Old West

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<v Speaker 2>type pictures that they're pinballing against here before we get

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<v Speaker 2>into the meat of each of the stories. Like overall,

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<v Speaker 2>on rewatching this movie, it is all about death, and

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<v Speaker 2>it is specifically about the death of the Old West,

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<v Speaker 2>isn't it.

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<v Speaker 3>Yeah, the death of the Old West, death of the

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<v Speaker 3>Western genre.

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<v Speaker 2>That specifically, I think is what I mean. What we're

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<v Speaker 2>given here in each of the stories are plays not

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<v Speaker 2>only on the on the mythic elements of the American

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<v Speaker 2>Old West, but on the way that it's been presented

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<v Speaker 2>to us over and over again. We really in each

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<v Speaker 2>of these segments we get little different genres of Old

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<v Speaker 2>West storytelling that we've seen probably hundreds of time, but

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<v Speaker 2>that their natural conclusions.

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<v Speaker 5>On everybody does but Tom waits, But that's still that

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<v Speaker 5>that death is the big part of it, and it

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<v Speaker 5>is and it's just everything is oppened. Oh, and that's

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<v Speaker 5>the way it goes. It's almost like a weird companion

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<v Speaker 5>fist A Million Ways to Die in the West.

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<v Speaker 3>It's like Parlotte movie. And again that's another movie about

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<v Speaker 3>the Old West and death and the genre itself, like

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<v Speaker 3>the examination of the genre. This is a very traditional

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<v Speaker 3>Hollywood zone that it looks like it kind of just

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<v Speaker 3>been made by MGMI.

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<v Speaker 5>I'm surprised that it's not shot in Academy yet surprising

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<v Speaker 5>it's not a one three three because just sort of

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<v Speaker 5>a little bit more.

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<v Speaker 2>I think, Yeah, I think once you commit to that, though,

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<v Speaker 2>you're you're restraining yourself. And because and when I think

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<v Speaker 2>of American Old West pictures, I tend to think of

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<v Speaker 2>the john Ford and I think of VistaVision, you know, yeah,

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<v Speaker 2>exactly technoscope.

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<v Speaker 3>Well, what's the word how the West was One?

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<v Speaker 5>Was it?

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<v Speaker 3>The How the West was One? Which is three academies

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<v Speaker 3>like smashed next to each other.

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<v Speaker 2>Yeah, with three Bridge pictures sink down madness?

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<v Speaker 5>Well, absolutely madness. I don't know, I watched that in school. Yeah,

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<v Speaker 5>you're right, But the sinners Algary's beautiful. This is Deacons

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<v Speaker 5>and It's clearly Dickens is like the reads like Dickens

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<v Speaker 5>or Robert Richardson. Robert Richardson is ali twig in the

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<v Speaker 5>book and gives you the most. This is what Cinder

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<v Speaker 5>is capable of with all my magic. And I love

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<v Speaker 5>him and I think Casino might be the most beautiful

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<v Speaker 5>shot will be ever. But there here those Deacons, He's like,

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<v Speaker 5>all this gonna type whatever are caught in front of

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<v Speaker 5>me and all the leg.

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<v Speaker 3>Abuse, and he's just tasty. He no hood pa Deacons,

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<v Speaker 3>no no, no no flares, no no no iris, the

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<v Speaker 3>store shirt on, the anti mormic.

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<v Speaker 5>Everything he does is clean and pristine, even with the

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<v Speaker 5>santuating because a lot of it in Rust's products isn't

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<v Speaker 5>super saturated. It's still wildly colorful. Like he just does

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<v Speaker 5>a really great job. His stuff is always just a

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<v Speaker 5>beauty to so just lovely the way he's I love he.

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<v Speaker 5>I already talking about Deacons and then Richardson being almost

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<v Speaker 5>the opposite and still being equally amazing, And I'm gonna

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<v Speaker 5>talk about those two dudes all day.

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<v Speaker 2>And his talents are certainly being flexed here with with

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<v Speaker 2>this sort of landscape. All of this is shot on location.

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<v Speaker 2>God bless them well. When I heard that they were

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<v Speaker 2>making a movie for Netflix, I think my reaction was like, Okay, good, whatever,

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<v Speaker 2>just give us another Coen Brothers movie.

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<v Speaker 5>Yeah and yeah, I see a Colin Brothers movies in

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<v Speaker 5>the cinema, but I see them over and over and

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<v Speaker 5>over and over, and I rewatch their movies.

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<v Speaker 3>That was not good.

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<v Speaker 5>With my buddy Y, we were having We're having Drac's Pizza,

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<v Speaker 5>and we were talking about cinema versus television and how great.

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<v Speaker 3>Television has got.

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<v Speaker 5>And I'm like, yeah, but you don't go back to

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<v Speaker 5>watch Waking Bad every Christmas. You might revisit it once

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<v Speaker 5>or twice over ten years, but you're not going to

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<v Speaker 5>go back to it and watch.

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<v Speaker 3>It regularly like you do a Colm Butters movie.

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<v Speaker 5>I go, how new time you've seen Raising Amazonagy and

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<v Speaker 5>fifteen times, I'm like, exactly, cinemas, were you adjusted it again?

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<v Speaker 3>You study it, you watch it over and over, and

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<v Speaker 3>you discover new things in it. That's what I learned

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<v Speaker 3>about the Coen Butters someone. We are so insanely rewatchable. Oh,

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<v Speaker 3>you learn so much every single time you watch with

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<v Speaker 3>something new, every time you see it. All tend of

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<v Speaker 3>new stuff in this movie. The first time I watched it,

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<v Speaker 3>I didn't realize that it was a creatus arm out.

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<v Speaker 2>That's because it's like I was fucking breezy as a

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<v Speaker 2>movie like it is a remarkable kind of shiny nihilism

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<v Speaker 2>that up with like where there is no happy ending,

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<v Speaker 2>but somehow that's a happy ending.

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<v Speaker 3>Yeah, on my favorite piece. It's sure's everybody's favorite piece.

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<v Speaker 5>But the Scark is one with the guy's name whose

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<v Speaker 5>name he mispronounced, because his name is actually the great.

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<v Speaker 2>Tim Blake Nelson.

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<v Speaker 3>Not just too great.

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<v Speaker 5>I think he might be the finest or the worst

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<v Speaker 5>anchor gaining character actor there, and I just love him

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<v Speaker 5>so very very much. How do you steal a movie

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<v Speaker 5>from both George Corney, I am John Depouro and John

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<v Speaker 5>Goodman and everyone light forget it.

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<v Speaker 3>That is just him and it'll roll out.

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<v Speaker 5>Thousands of the greatest of all time. I'd hear he

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<v Speaker 5>should have got it on different spark for Buster Scark.

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<v Speaker 5>What just amazing delivery From the first time he says

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<v Speaker 5>that was it my dranger. The first note he belts out,

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<v Speaker 5>wall just ah, I know it all to to I

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<v Speaker 5>don't really like where Rogers movies and the way it

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<v Speaker 5>ends to hugs Bunny and touch every.

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<v Speaker 2>Cartoons definitely texts Avery. There's a moment where there's a

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<v Speaker 2>moment where a buster claps his chest and a puff

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<v Speaker 2>of dust comes off behind him, shaped exactly like him

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<v Speaker 2>that he steps away from. It is straight from text Avery,

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<v Speaker 2>and and it's just.

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<v Speaker 5>Every play with this ya this, This was just a

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<v Speaker 5>short film on its own, like the greatest short film ever.

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<v Speaker 3>I just I adore every second of it. But I

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<v Speaker 3>wonder how long they the Cohens.

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<v Speaker 5>Have been hanging onto that that then done on the

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<v Speaker 5>table where he takes the table and the shoes clansy

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<v Speaker 5>wear on.

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<v Speaker 3>Old the pistol, hold on the limit, holding onto that gag.

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<v Speaker 5>I feel like they came over with that guy where

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<v Speaker 5>they were a kid and we're just wonder to day

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<v Speaker 5>we're gonna make a Western and we're gonna do this

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<v Speaker 5>because ah it's so good and again Template just kill

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<v Speaker 5>me what that's and his monologue was so delightful, and

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<v Speaker 5>it's just he's such a love skirt and yeah, those

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<v Speaker 5>same guy and.

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<v Speaker 3>He's just so charming and adorable. Ah, it's a great

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<v Speaker 3>piece of movie.

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<v Speaker 2>Naked evidently in an interview I read with Tim Blake Nelson.

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<v Speaker 2>He was given this piece whole cloth in two thousand

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<v Speaker 2>and two and was told, but we've got to come

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<v Speaker 2>up with more.

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<v Speaker 3>Wow, they start on it for that long story him.

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<v Speaker 2>They spent the next two decades basically coming up with

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<v Speaker 2>other stories worthy of that opening for a movie. Let's

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<v Speaker 2>talk about the opening. It is an ode to Roy Rogers.

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<v Speaker 2>It starts with buster scrugs, ballad, buster script. We know

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<v Speaker 2>he's this legendary character, they've told us in the fucking

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<v Speaker 2>title of the movie. And so he comes in singing

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<v Speaker 2>a song, and we get him going to a he's

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<v Speaker 2>fourth wall breaking, narrating, talking directly to the camera. Takes

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<v Speaker 2>us to a canteena where he goes in and faces

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<v Speaker 2>what is your typical sort of bad guy group in

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<v Speaker 2>an old West Western film, which he then dispatches a

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<v Speaker 2>little brutally, molably, a little efficiently, but still this is

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<v Speaker 2>Ry Rogers. We've got here right. So now he's never

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<v Speaker 2>not polite about it, that's right, and he never draws first.

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<v Speaker 2>It's a fair fight. Nevertheless, it's anyway. He goes onto

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<v Speaker 2>a town where he joins a poker game where everyone

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<v Speaker 2>is unarmed. But unfortunately, as you mentioned, Clancy Brown across

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<v Speaker 2>the table from him does have his pistols on him.

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<v Speaker 2>What has been squeaky clean up until this point turns

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<v Speaker 2>into a fucking blood bath here. I was shocked at this,

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<v Speaker 2>At this, I was shocked that it was the Coen

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<v Speaker 2>Brothers doing it. Honestly, I didn't expect the level of

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<v Speaker 2>gore that that we were about to get.

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<v Speaker 3>Well, I don't think they'd ever really shied away the

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<v Speaker 3>first couple of big brillers crossing the gangster movies.

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<v Speaker 2>No, not violence. I expect violence from him since blood simple,

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<v Speaker 2>I've expected the violence, but the gore, yeah, the over

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<v Speaker 2>the top up like going for it, like I did

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<v Speaker 2>not expect the Peter Jackson version of the Cohen Brothers. Well, Sam,

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00:17:07.519 --> 00:17:10.119
<v Speaker 2>I think you're right. The Sam Raimi version that's more perfect.

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<v Speaker 5>Because because there is that cartoon level of violence in it.

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00:17:16.240 --> 00:17:19.440
<v Speaker 5>But again, I yes, it's a boy Rodgers, but I

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00:17:19.640 --> 00:17:22.759
<v Speaker 5>again see Junck Savery and Chuck Jones in here, took

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00:17:22.799 --> 00:17:26.119
<v Speaker 5>along with Daffy and the one went bugs buddy and

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00:17:26.640 --> 00:17:29.079
<v Speaker 5>can ask them Nasty can Aska whatever his name was,

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00:17:29.480 --> 00:17:31.920
<v Speaker 5>and then of course TEDx Adan too is various ones,

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00:17:32.000 --> 00:17:34.920
<v Speaker 5>But there's definitely a cartoon element to it, and that's

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<v Speaker 5>what I think.

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<v Speaker 3>The violence was definitely like a cartoon violence. Seventy.

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00:17:38.720 --> 00:17:41.559
<v Speaker 5>Sam Level even put that thing where he's just kicking

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<v Speaker 5>at the table and he's doing it.

295
00:17:43.400 --> 00:17:47.559
<v Speaker 3>With that's elite. But I'm just it's a great gag.

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<v Speaker 3>It is a great he is a fan of violent

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<v Speaker 3>movie gangs. That's a pretty good one.

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00:17:52.079 --> 00:17:55.160
<v Speaker 2>Yeah, And there's something to be sent for enthusiasm, right.

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00:17:55.599 --> 00:17:57.480
<v Speaker 2>It's why we love ed Wood as much as we

300
00:17:57.599 --> 00:18:01.359
<v Speaker 2>do now because of how much gusto he goes with

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00:18:01.559 --> 00:18:04.559
<v Speaker 2>everything he does. The fact that Buster Scruggs is effectively

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00:18:04.680 --> 00:18:08.599
<v Speaker 2>just a sociopath out there amongst the wilderness, that he

303
00:18:08.720 --> 00:18:12.240
<v Speaker 2>does it with such Elaan makes up for it, right,

304
00:18:12.400 --> 00:18:15.240
<v Speaker 2>Like we forgive him a lot though the characters in

305
00:18:15.359 --> 00:18:19.039
<v Speaker 2>the film aren't buying any of his renown.

306
00:18:22.240 --> 00:18:23.160
<v Speaker 3>Are the the one he.

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00:18:23.200 --> 00:18:26.240
<v Speaker 5>Takes him out to step outside for a draw and

308
00:18:26.279 --> 00:18:27.720
<v Speaker 5>it's a here for lawnch and that guy because he's

309
00:18:27.759 --> 00:18:29.519
<v Speaker 5>like kissing his heads the entire side and he just

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00:18:29.599 --> 00:18:32.279
<v Speaker 5>shoots off his hand like anywhere he noticed he does

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00:18:32.319 --> 00:18:34.079
<v Speaker 5>the bugs, but anything with the mirror and he's like

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<v Speaker 5>shureing back looking a mirror.

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<v Speaker 3>I don't want to be too going through his ear, but.

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00:18:39.000 --> 00:18:42.240
<v Speaker 2>It's just good bad And then the other gun yeah,

315
00:18:42.359 --> 00:18:45.039
<v Speaker 2>right up until the trope of the new Gunslinger coming

316
00:18:45.079 --> 00:18:47.640
<v Speaker 2>to look for the take came out and I love that.

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<v Speaker 3>Is you ready?

318
00:18:48.640 --> 00:18:49.880
<v Speaker 2>You need a you need a minute?

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<v Speaker 3>Nope?

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<v Speaker 2>Okay, bang and basically he outbusters him and.

321
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<v Speaker 3>The pointing isn't that's called the kid is forty.

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<v Speaker 2>And just like, yeah, just to put the cherry on

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00:19:03.839 --> 00:19:06.880
<v Speaker 2>the comic the comic book cartoon aspect of it, buster

324
00:19:07.039 --> 00:19:10.519
<v Speaker 2>floats off to heaven with animated wings, singing a song

325
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<v Speaker 2>with a fucking liar.

326
00:19:12.319 --> 00:19:16.319
<v Speaker 5>Yeah, but not only thinking a lot of seeing a duet,

327
00:19:16.839 --> 00:19:18.799
<v Speaker 5>but the other the guy who shot them man with

328
00:19:18.920 --> 00:19:19.160
<v Speaker 5>the guy.

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00:19:20.319 --> 00:19:23.279
<v Speaker 2>Yeah, and there's just an incredible aerial shot, honestly, Yeah.

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<v Speaker 3>Absolutely, you never we see that in town.

331
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<v Speaker 2>The next town that we go into that they Yeah,

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00:19:29.920 --> 00:19:31.599
<v Speaker 2>the aerial shot of the town made me think that

333
00:19:31.799 --> 00:19:35.480
<v Speaker 2>we never really get aerial shots in westerns too much.

334
00:19:35.880 --> 00:19:38.640
<v Speaker 3>No, I'm wondering where that town settings.

335
00:19:38.799 --> 00:19:40.880
<v Speaker 5>That's like, where the that's like it looks like the

336
00:19:40.960 --> 00:19:42.920
<v Speaker 5>New Mexico set and see it, there's nothing.

337
00:19:42.920 --> 00:19:44.759
<v Speaker 3>It was a New Mexico set that gets used to it.

338
00:19:45.119 --> 00:19:47.119
<v Speaker 3>I think that might be it, and that feel like

339
00:19:47.200 --> 00:19:50.640
<v Speaker 3>they ray every used parts of the town over too.

340
00:19:51.119 --> 00:19:53.480
<v Speaker 2>I believe they shunt most of it in utah O

341
00:19:53.599 --> 00:19:54.359
<v Speaker 2>Wo Sawo.

342
00:19:54.680 --> 00:19:56.359
<v Speaker 3>I wear finding where that town is, because that's a

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00:19:56.400 --> 00:19:57.000
<v Speaker 3>great location.

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00:19:57.519 --> 00:20:00.920
<v Speaker 2>It is, indeed. But speaking of the let's head on

345
00:20:01.039 --> 00:20:04.640
<v Speaker 2>over to near Algadones. This is our first proper story

346
00:20:04.720 --> 00:20:06.960
<v Speaker 2>because buster is kind of a prologue, just to wet

347
00:20:07.000 --> 00:20:09.640
<v Speaker 2>our appetite at what kind of fucking bizarre bullshit is

348
00:20:09.640 --> 00:20:12.759
<v Speaker 2>about to come for the rest of this twisted take

349
00:20:12.839 --> 00:20:16.640
<v Speaker 2>on American Western folklore. What would you call this one?

350
00:20:18.079 --> 00:20:20.720
<v Speaker 2>The most unlucky man in the West, something like that,

351
00:20:21.200 --> 00:20:22.960
<v Speaker 2>but the world's worst criminals?

352
00:20:23.319 --> 00:20:27.359
<v Speaker 5>We had the world's worst criminal, just another likable idiot

353
00:20:27.519 --> 00:20:30.599
<v Speaker 5>in the long line of likable idiots in over their

354
00:20:30.640 --> 00:20:34.039
<v Speaker 5>head man like. His problem was that he didn't turn

355
00:20:34.079 --> 00:20:37.200
<v Speaker 5>around and leave once Stephen when we realized Stephen who

356
00:20:37.400 --> 00:20:39.079
<v Speaker 5>was behind of the counter the here If you don't

357
00:20:39.079 --> 00:20:41.880
<v Speaker 5>know anything about guys, and Stephen lays were owner the

358
00:20:41.920 --> 00:20:43.720
<v Speaker 5>guy who wre not to be trip.

359
00:20:44.119 --> 00:20:45.920
<v Speaker 3>They are not that they barked with. They will set

360
00:20:46.240 --> 00:20:49.960
<v Speaker 3>the paper clip company on hire. They will go all

361
00:20:50.079 --> 00:20:52.920
<v Speaker 3>hell and Destroy You Man. I love that Active the great.

362
00:20:52.960 --> 00:20:55.519
<v Speaker 3>He's always another Cliver down on one of the great

363
00:20:55.799 --> 00:20:56.880
<v Speaker 3>character actors working with.

364
00:20:57.359 --> 00:20:59.920
<v Speaker 2>He's always playing a meek guy who could explode in

365
00:21:00.160 --> 00:21:02.880
<v Speaker 2>Kill You. But I would urge everyone to check him

366
00:21:02.880 --> 00:21:05.559
<v Speaker 2>out on news Radio, the TV series he did during

367
00:21:05.559 --> 00:21:08.319
<v Speaker 2>the early nineteen nineties where he played the station owner

368
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<v Speaker 2>Jimmy James.

369
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<v Speaker 3>Only Mac Crow, I forgot about this rate, that's right.

370
00:21:12.799 --> 00:21:17.519
<v Speaker 3>I also recommend him on Barring HBO's barried by my god,

371
00:21:19.200 --> 00:21:22.519
<v Speaker 3>what's his name now, Bill Hayter Biel Hater. Yeah, my

372
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<v Speaker 3>favorite senter and I last.

373
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<v Speaker 2>Twenties three years, best since actually yeah, best Iss Hartman,

374
00:21:29.440 --> 00:21:32.319
<v Speaker 2>best since Hartman, wos best in Zach Ray. It's always

375
00:21:32.480 --> 00:21:35.319
<v Speaker 2>this utility player who shines in my eyes as far

376
00:21:35.400 --> 00:21:36.680
<v Speaker 2>as yeah, he goes.

377
00:21:36.799 --> 00:21:38.680
<v Speaker 3>Well, they all can't be, they all can't be.

378
00:21:38.839 --> 00:21:42.720
<v Speaker 5>Eddie Murphy, No, whoever is Eddie k Eddie Murphy was

379
00:21:42.759 --> 00:21:45.160
<v Speaker 5>my hero and I was like hate or Eddie Murvey's

380
00:21:45.160 --> 00:21:46.440
<v Speaker 5>like who is doing in the world?

381
00:21:47.720 --> 00:21:51.519
<v Speaker 3>And he was and he was so here. I'd like

382
00:21:51.559 --> 00:21:55.240
<v Speaker 3>to see Mabbie Murky and I'm calling brothers. Yeah, I

383
00:21:55.440 --> 00:21:58.880
<v Speaker 3>feel like he get delivered that dialogue really Well, he

384
00:21:58.960 --> 00:22:01.960
<v Speaker 3>doesn't get enough good juicy character parts, and he should

385
00:22:02.240 --> 00:22:02.960
<v Speaker 3>because he's.

386
00:22:03.319 --> 00:22:06.160
<v Speaker 2>Well he guy recently and dolament is my name. He

387
00:22:06.279 --> 00:22:09.880
<v Speaker 2>needs writers like Scott Alexander and the Larry Karazheuski back

388
00:22:09.920 --> 00:22:10.240
<v Speaker 2>in the mouth.

389
00:22:10.640 --> 00:22:14.119
<v Speaker 3>Yeah, but so is this like James Fining Cole's last

390
00:22:14.599 --> 00:22:17.279
<v Speaker 3>legitimate big parter? Did he do anything wor that?

391
00:22:17.440 --> 00:22:19.359
<v Speaker 2>Or this is the last thing I can think of

392
00:22:19.480 --> 00:22:22.200
<v Speaker 2>him in And even when it came out, it was

393
00:22:22.240 --> 00:22:25.640
<v Speaker 2>already he was already embroiled in the problem. So it

394
00:22:25.680 --> 00:22:27.359
<v Speaker 2>felt like the movie was a little bit tainted with

395
00:22:27.480 --> 00:22:28.799
<v Speaker 2>his with his appearance in it.

396
00:22:29.279 --> 00:22:30.680
<v Speaker 3>Well, that's too bad.

397
00:22:30.839 --> 00:22:33.400
<v Speaker 5>He's a good actor and was a good movie star,

398
00:22:33.799 --> 00:22:36.319
<v Speaker 5>and that's too bad. He was just so bag like

399
00:22:36.559 --> 00:22:39.160
<v Speaker 5>you gent on an acting school and then teenage girls.

400
00:22:39.240 --> 00:22:40.640
<v Speaker 3>That's just not cool.

401
00:22:41.119 --> 00:22:44.240
<v Speaker 2>Yes, it's whatever. His situation is unfortunate, and I do

402
00:22:44.400 --> 00:22:47.119
<v Speaker 2>agree because I too really love him as an actor.

403
00:22:47.359 --> 00:22:49.960
<v Speaker 2>I've never seen a bad performance from him, and he

404
00:22:50.079 --> 00:22:53.640
<v Speaker 2>can go easily between drama and in comedy, and he's

405
00:22:53.720 --> 00:22:54.359
<v Speaker 2>really funny.

406
00:22:54.440 --> 00:22:54.599
<v Speaker 7>Yeah.

407
00:22:55.000 --> 00:22:57.440
<v Speaker 3>One hundred and twenty seven hours? Is that was that

408
00:22:57.880 --> 00:22:58.319
<v Speaker 3>the title?

409
00:22:58.599 --> 00:23:00.440
<v Speaker 2>Yeah, that's where he cuts his own arm off.

410
00:23:01.000 --> 00:23:03.720
<v Speaker 5>Yeah, that's a great rue man said, he carried that

411
00:23:04.000 --> 00:23:05.720
<v Speaker 5>entire picture just by himself.

412
00:23:05.880 --> 00:23:07.319
<v Speaker 3>Man, that's impressed the stuff.

413
00:23:07.400 --> 00:23:11.559
<v Speaker 2>That's Did you watch The Deuce, the series he headlined

414
00:23:11.599 --> 00:23:13.400
<v Speaker 2>on HBO where he played twin.

415
00:23:14.720 --> 00:23:17.279
<v Speaker 3>Brothers. That show was great. It was one of those

416
00:23:17.880 --> 00:23:20.160
<v Speaker 3>HBO shows that just didn't get enough time. Man, but

417
00:23:20.680 --> 00:23:21.519
<v Speaker 3>it was really good.

418
00:23:21.880 --> 00:23:23.680
<v Speaker 2>Oh that No, they told the whole story on that show.

419
00:23:24.640 --> 00:23:27.119
<v Speaker 2>Oh yeah, they said. Yeah, they set out with a

420
00:23:27.200 --> 00:23:30.079
<v Speaker 2>definite beginning and end and they fucking nailed it. But anyway,

421
00:23:30.119 --> 00:23:33.279
<v Speaker 2>and so near al Goadona's James Franco's character is simply

422
00:23:33.359 --> 00:23:36.559
<v Speaker 2>named Cowboy. Is is a bank Robert? This is the

423
00:23:37.240 --> 00:23:40.519
<v Speaker 2>I mentioned the illustrated frame of the illustrated panels we

424
00:23:40.559 --> 00:23:42.079
<v Speaker 2>get in the book at the beginning. This is the

425
00:23:42.119 --> 00:23:46.039
<v Speaker 2>one one of them. Here the pans shot reads the inscription,

426
00:23:46.599 --> 00:23:49.759
<v Speaker 2>which is when Stephen Root the signs he's not going

427
00:23:49.839 --> 00:23:52.559
<v Speaker 2>to be robbed by this particular cowboy covers himself in

428
00:23:52.640 --> 00:23:56.880
<v Speaker 2>pots and pans and then uses that as a primitive

429
00:23:56.960 --> 00:24:00.799
<v Speaker 2>form of bulletproof. Vest I now can't get the image

430
00:24:00.880 --> 00:24:04.599
<v Speaker 2>out of my mind, reinforced by the original illustration, but

431
00:24:04.720 --> 00:24:08.000
<v Speaker 2>him yelling panshot over and over again while he's being

432
00:24:08.119 --> 00:24:11.039
<v Speaker 2>shot at by It's I don't know, it's gonna stick

433
00:24:11.079 --> 00:24:11.759
<v Speaker 2>with me for a while.

434
00:24:12.279 --> 00:24:16.079
<v Speaker 5>It's like it's almost a locative of his photo dollars

435
00:24:16.160 --> 00:24:19.039
<v Speaker 5>more or he's drunker played underneath the pawnshell.

436
00:24:21.000 --> 00:24:24.519
<v Speaker 3>But it's just just bat out of hell with that ship.

437
00:24:27.039 --> 00:24:27.799
<v Speaker 1>Oh man.

438
00:24:28.079 --> 00:24:31.799
<v Speaker 3>But yeah again, I know that galactus.

439
00:24:32.480 --> 00:24:36.400
<v Speaker 2>Yeah you soon, Ralph Innocent Ralphson.

440
00:24:36.440 --> 00:24:41.440
<v Speaker 5>And then he's somewhat helpful in a tribal folks coming

441
00:24:41.519 --> 00:24:45.440
<v Speaker 5>in there. It's ever was the natives as a as

442
00:24:45.519 --> 00:24:48.279
<v Speaker 5>the duck in the window and here's the pot came

443
00:24:48.359 --> 00:24:49.599
<v Speaker 5>to change up the story.

444
00:24:50.119 --> 00:24:52.519
<v Speaker 2>Yeah, well, just like in the way they've been portrayed

445
00:24:52.559 --> 00:24:56.000
<v Speaker 2>in all those classic American westerns, Native Americans remain a

446
00:24:56.079 --> 00:24:59.400
<v Speaker 2>chaotic element in here, but never a Oh they're just

447
00:24:59.440 --> 00:25:00.960
<v Speaker 2>a bunch of sad savage is kind of a thing.

448
00:25:01.039 --> 00:25:03.400
<v Speaker 2>Although they are pretty Although they are pretty savage. Now,

449
00:25:03.480 --> 00:25:06.440
<v Speaker 2>another thing I've appreciated about the Coen Brothers movies is

450
00:25:08.039 --> 00:25:12.559
<v Speaker 2>they're not willing to make a character of specific gender

451
00:25:13.079 --> 00:25:16.920
<v Speaker 2>or race or whatever, worrying about how people are going

452
00:25:16.960 --> 00:25:17.599
<v Speaker 2>to perceive that.

453
00:25:18.079 --> 00:25:19.039
<v Speaker 3>No, they just a new thing.

454
00:25:19.279 --> 00:25:20.720
<v Speaker 2>Yeah, when you get through their thing.

455
00:25:20.799 --> 00:25:22.319
<v Speaker 3>But they're good at it and they're not.

456
00:25:22.920 --> 00:25:26.519
<v Speaker 8>It's funny because they can make almost cartoon like characters

457
00:25:26.640 --> 00:25:31.359
<v Speaker 8>wearing wacky wild characters, but they're never cartage. Every character

458
00:25:31.480 --> 00:25:36.119
<v Speaker 8>they create is breath image, even whether whether it be

459
00:25:36.559 --> 00:25:42.240
<v Speaker 8>you know High is a scumbagh a petty criminal to

460
00:25:42.880 --> 00:25:47.960
<v Speaker 8>to to the cab driver and big Lebowski who who

461
00:25:48.440 --> 00:25:51.519
<v Speaker 8>gets mad and him for not.

462
00:25:51.599 --> 00:25:55.240
<v Speaker 5>Liking the Eagles, there's so much not every little character

463
00:25:55.319 --> 00:25:57.359
<v Speaker 5>they have could have their own soil, I guess, is

464
00:25:57.359 --> 00:26:00.359
<v Speaker 5>what I'm trying to get at. I just their they're

465
00:26:00.400 --> 00:26:02.480
<v Speaker 5>so rich that I don't em they do any bookmoon

466
00:26:02.559 --> 00:26:06.119
<v Speaker 5>Shi or anything like that, and they're all equally y. Yeah,

467
00:26:06.640 --> 00:26:08.680
<v Speaker 5>I'd like to see them trying different kinds of more

468
00:26:08.720 --> 00:26:11.480
<v Speaker 5>deposed kind of characters, just because I'd like to see

469
00:26:11.559 --> 00:26:14.920
<v Speaker 5>them five different kinds of matters of speech, damaster and

470
00:26:15.000 --> 00:26:16.599
<v Speaker 5>see what kind of poetry.

471
00:26:16.240 --> 00:26:18.640
<v Speaker 3>Then come up with Liz. I think their best dialogue

472
00:26:18.759 --> 00:26:20.880
<v Speaker 3>is He's Hard, even picked down on the movie has

473
00:26:20.920 --> 00:26:21.640
<v Speaker 3>the best dialogue.

474
00:26:21.960 --> 00:26:25.480
<v Speaker 2>Yeah, it's it's so specific to whatever genre that they've

475
00:26:25.599 --> 00:26:28.799
<v Speaker 2>decided to dip their toe into. The nineteen forties dialogue

476
00:26:28.839 --> 00:26:31.759
<v Speaker 2>of Barton Fink is In is on part with everything

477
00:26:31.799 --> 00:26:35.119
<v Speaker 2>going on, in Miller's Crossing in nineteen thirties Probation in Chicago.

478
00:26:35.440 --> 00:26:38.160
<v Speaker 5>But their dialogue I have oh brother, we're out there,

479
00:26:38.599 --> 00:26:41.880
<v Speaker 5>that's pretty magical. That's a pretty magical piece of movie making.

480
00:26:41.960 --> 00:26:47.559
<v Speaker 2>Damn, we're in a bad fix to beat this place

481
00:26:47.599 --> 00:26:51.759
<v Speaker 2>a geographical oddity. Three weeks from everywhere, A right, not Ronie.

482
00:26:51.759 --> 00:26:54.440
<v Speaker 3>I'm a comprehanda And it's just like the movies are

483
00:26:54.519 --> 00:26:55.599
<v Speaker 3>admittedly quotable.

484
00:26:55.720 --> 00:26:57.359
<v Speaker 5>I love the way they do with really well Big

485
00:26:57.400 --> 00:27:01.480
<v Speaker 5>Labasket too, but near they picked their line and then

486
00:27:01.599 --> 00:27:04.480
<v Speaker 5>they pepper that line throughout the bill like I'm a

487
00:27:04.559 --> 00:27:07.960
<v Speaker 5>dapper dand man, it's some months throughout throughout the picture

488
00:27:08.000 --> 00:27:08.319
<v Speaker 5>of men.

489
00:27:09.039 --> 00:27:11.440
<v Speaker 3>Your lives was in her line, was in your hands?

490
00:27:11.559 --> 00:27:13.880
<v Speaker 3>Now the other characters repeat that, carry's over.

491
00:27:16.079 --> 00:27:20.000
<v Speaker 2>Lebowski is great for that. Every line Lebowski hears he

492
00:27:20.079 --> 00:27:21.880
<v Speaker 2>will repeat in that film. If you watch it from

493
00:27:21.920 --> 00:27:24.279
<v Speaker 2>the beginning, listen to what everyone says to him, you'll

494
00:27:24.319 --> 00:27:25.920
<v Speaker 2>hear him repeat that at some point.

495
00:27:26.079 --> 00:27:29.559
<v Speaker 3>Yees hey, you're right. And The Big Sleep baby, like

496
00:27:29.839 --> 00:27:31.000
<v Speaker 3>I saw it. I was thinking the.

497
00:27:31.039 --> 00:27:35.640
<v Speaker 5>Noir cast class in school, so I'd see The Big Sleep,

498
00:27:35.720 --> 00:27:36.759
<v Speaker 5>and I'm watching.

499
00:27:36.920 --> 00:27:40.720
<v Speaker 3>The Big Lebowski whead they were melting.

500
00:27:42.680 --> 00:27:44.759
<v Speaker 2>Yeah, and if you Red Harvest is the name of

501
00:27:44.799 --> 00:27:47.279
<v Speaker 2>the dashal Hammett book, but or they made it as

502
00:27:47.319 --> 00:27:51.200
<v Speaker 2>the Glass Key, I think, or basically Miller's Crossing is

503
00:27:52.119 --> 00:27:55.880
<v Speaker 2>a riff on the dashal Hammett novel Red Harvest. But

504
00:27:56.759 --> 00:27:59.400
<v Speaker 2>as I also said, it's better than any adaptation of

505
00:27:59.640 --> 00:28:03.400
<v Speaker 2>a straight adaptation of a dashal Hammett novel. It captures

506
00:28:03.440 --> 00:28:06.839
<v Speaker 2>the spirit of him so fucking just like the Raymond

507
00:28:06.920 --> 00:28:10.200
<v Speaker 2>Chandler thing, like the sort of laid back private eye

508
00:28:10.200 --> 00:28:13.319
<v Speaker 2>who effectively just stumbles through cases, as opposed to the

509
00:28:13.400 --> 00:28:15.599
<v Speaker 2>dashal Hammett one, who is the one really pulling the

510
00:28:15.640 --> 00:28:17.640
<v Speaker 2>strings and nobody realizes.

511
00:28:17.880 --> 00:28:19.559
<v Speaker 3>I'm a big fan of that alten one.

512
00:28:20.039 --> 00:28:24.039
<v Speaker 2>Uh oh, The Long good Bye, the Longer Bye, fantastically

513
00:28:24.680 --> 00:28:26.319
<v Speaker 2>it was to make good companion pieces.

514
00:28:26.400 --> 00:28:31.759
<v Speaker 5>Actually basketball, Yeah, Long of Bye is total laid back

515
00:28:31.920 --> 00:28:32.400
<v Speaker 5>in life.

516
00:28:32.920 --> 00:28:36.759
<v Speaker 3>So California and just watch that, don't watch that, that

517
00:28:36.960 --> 00:28:39.920
<v Speaker 3>pt Anderson movie with his waking.

518
00:28:41.559 --> 00:28:42.359
<v Speaker 2>Inherent vice.

519
00:28:42.480 --> 00:28:47.000
<v Speaker 3>Yeah, yeah, it's trying so hard to be the big Goodbye,

520
00:28:47.400 --> 00:28:51.680
<v Speaker 3>are you? It's long fiery Butler the movies, and it's

521
00:28:51.759 --> 00:28:53.119
<v Speaker 3>just failed minderable.

522
00:28:53.200 --> 00:28:55.440
<v Speaker 5>Yet the Longer By is like one of these things

523
00:28:55.480 --> 00:28:58.880
<v Speaker 5>that I saw accidentally TCTM at two o'clock in the

524
00:28:58.920 --> 00:29:00.759
<v Speaker 5>morning in high school analys.

525
00:29:02.559 --> 00:29:06.680
<v Speaker 3>So God, and again I think a prototype COVID bro

526
00:29:06.759 --> 00:29:07.559
<v Speaker 3>this movie for sure.

527
00:29:07.960 --> 00:29:11.319
<v Speaker 2>Oh definitely. Yeah. That they're great book ends to the

528
00:29:11.519 --> 00:29:15.279
<v Speaker 2>sort of the California Detective, the Los Angeles Detective that

529
00:29:15.400 --> 00:29:15.880
<v Speaker 2>that Raymond.

530
00:29:16.000 --> 00:29:20.200
<v Speaker 5>Yeah, absolutely if you were seeing Marlow, the one with

531
00:29:20.880 --> 00:29:25.440
<v Speaker 5>with the rock Crisiles, James Garner, James Garner from the.

532
00:29:25.440 --> 00:29:29.400
<v Speaker 3>Sixties to Marlow, Oh yeah, yeah, yeah, while and it's

533
00:29:29.480 --> 00:29:32.400
<v Speaker 3>not bad, but it's you want It's like Marlow and

534
00:29:32.480 --> 00:29:35.000
<v Speaker 3>then DeLong died by it. I can't believe these movies

535
00:29:35.039 --> 00:29:35.960
<v Speaker 3>all have two years apart.

536
00:29:36.319 --> 00:29:38.839
<v Speaker 2>Yeah, exactly, but might as well be one hundred.

537
00:29:39.119 --> 00:29:41.079
<v Speaker 3>Like the movie making is so striking.

538
00:29:41.400 --> 00:29:43.599
<v Speaker 2>I'll get down, all right, let's move on. It's basically

539
00:29:43.720 --> 00:29:46.559
<v Speaker 2>a one note story. But I really like the joke,

540
00:29:46.720 --> 00:29:50.319
<v Speaker 2>which is that he manages to get out of being

541
00:29:50.680 --> 00:29:53.160
<v Speaker 2>killed for the crime that he committed and ends up

542
00:29:53.160 --> 00:29:54.680
<v Speaker 2>being killed for the crime he did.

543
00:29:55.240 --> 00:29:59.240
<v Speaker 5>Yeah, and it's and it's memorable, like it's I'm very

544
00:29:59.359 --> 00:30:01.039
<v Speaker 5>famous me now the first time.

545
00:30:01.519 --> 00:30:01.720
<v Speaker 3>Yeah.

546
00:30:02.000 --> 00:30:04.440
<v Speaker 5>The only thing that maybe I might have would have

547
00:30:04.519 --> 00:30:07.920
<v Speaker 5>been interesting that he had avoided that three times just

548
00:30:08.000 --> 00:30:09.839
<v Speaker 5>because he watched it all about the Buddy cartoon or

549
00:30:10.200 --> 00:30:13.759
<v Speaker 5>so semester tweedy cartoon, And the guy repeats three times,

550
00:30:14.200 --> 00:30:16.400
<v Speaker 5>really they but that's a great pit.

551
00:30:18.440 --> 00:30:21.160
<v Speaker 3>Yeah, and I love how it ends looking at the girl.

552
00:30:21.640 --> 00:30:26.160
<v Speaker 2>Yeah, it's sweet. That's the thing. It's like, as depressing

553
00:30:26.240 --> 00:30:28.880
<v Speaker 2>as these all should be, none of them really feel it.

554
00:30:29.359 --> 00:30:32.240
<v Speaker 2>It all feels it jubilant in a weird way.

555
00:30:32.960 --> 00:30:35.640
<v Speaker 3>What's the magic of what we make? Okay, not all of.

556
00:30:35.640 --> 00:30:39.519
<v Speaker 2>Them feel jubilant. The next story, Meal Ticket, starring William

557
00:30:39.559 --> 00:30:42.640
<v Speaker 2>Neeson and Harry Melling is not so jubilant. It is

558
00:30:42.720 --> 00:30:44.319
<v Speaker 2>the bleakest story here.

559
00:30:44.799 --> 00:30:48.759
<v Speaker 5>Yeah, it is, and comically bleaks too, because they get

560
00:30:48.839 --> 00:30:50.680
<v Speaker 5>replaced with a tic tac toe chick in this.

561
00:30:52.240 --> 00:30:53.000
<v Speaker 2>Progress a bit.

562
00:30:53.519 --> 00:30:55.599
<v Speaker 3>Yeah, that dude looks like a ranted boss.

563
00:30:56.079 --> 00:30:57.200
<v Speaker 2>You're talking about Harry Melling.

564
00:30:57.960 --> 00:30:58.519
<v Speaker 3>Harry Relling.

565
00:30:58.599 --> 00:31:01.799
<v Speaker 5>He's got that kind of triangle face with little curly

566
00:31:01.920 --> 00:31:03.359
<v Speaker 5>hair and the big ears.

567
00:31:04.200 --> 00:31:06.519
<v Speaker 2>I believe he was Harry Potter's prick of a cousin.

568
00:31:09.640 --> 00:31:11.400
<v Speaker 3>Oh my not that sures.

569
00:31:12.920 --> 00:31:13.200
<v Speaker 1>Wow.

570
00:31:15.759 --> 00:31:19.720
<v Speaker 5>Wow, it's a great like it looks really disturbing, but

571
00:31:19.799 --> 00:31:23.039
<v Speaker 5>that's a really simple special effect on him, making him

572
00:31:23.039 --> 00:31:26.200
<v Speaker 5>the quarter polegic, like the cameras never moving where he's

573
00:31:26.279 --> 00:31:28.160
<v Speaker 5>doing it, Like I have to pull that off in

574
00:31:28.319 --> 00:31:30.319
<v Speaker 5>probably a couple of hours and after place, it's not.

575
00:31:30.440 --> 00:31:33.079
<v Speaker 9>That not an hard at tould do it, and they

576
00:31:33.160 --> 00:31:38.039
<v Speaker 9>do it so effectively and it's so disturbing and it's

577
00:31:38.160 --> 00:31:42.160
<v Speaker 9>just hard because you're watching the whole movie he's you

578
00:31:42.240 --> 00:31:45.480
<v Speaker 9>know what I mean, like they really like, oh, it's

579
00:31:45.519 --> 00:31:48.240
<v Speaker 9>a lot and the whole time that lid I seen

580
00:31:48.319 --> 00:31:50.160
<v Speaker 9>the chip and you know, estate like.

581
00:31:50.240 --> 00:31:53.119
<v Speaker 3>He couldn't leave over in a down like for Fox.

582
00:31:53.319 --> 00:31:56.279
<v Speaker 2>Thanks we're talking about Okay. The setup of the story

583
00:31:56.400 --> 00:31:59.160
<v Speaker 2>is it's like a traveling side show. In this case,

584
00:31:59.279 --> 00:32:02.640
<v Speaker 2>it's a that's being traveling thespian who's going to perform

585
00:32:02.920 --> 00:32:07.279
<v Speaker 2>orations from famous Shakespearean plays and and speeches and such.

586
00:32:07.599 --> 00:32:09.720
<v Speaker 2>The deal being that he has no arms in lengths,

587
00:32:09.759 --> 00:32:12.599
<v Speaker 2>so he is entirely dependent upon his caretaker, played by

588
00:32:12.640 --> 00:32:16.599
<v Speaker 2>Liam Neeson, who is at best completely bored and at

589
00:32:16.680 --> 00:32:21.119
<v Speaker 2>worst deeply deeply resentful at the fact that he is

590
00:32:21.440 --> 00:32:24.440
<v Speaker 2>this person's caretaker. It is his meal ticket, as it says,

591
00:32:24.519 --> 00:32:27.119
<v Speaker 2>but good god, he doesn't want the responsibility anymore.

592
00:32:27.279 --> 00:32:30.119
<v Speaker 3>Yeah, and this one's hard.

593
00:32:30.240 --> 00:32:33.200
<v Speaker 2>I don't it's a hard one to rewatch knowing where

594
00:32:33.279 --> 00:32:33.680
<v Speaker 2>we're going.

595
00:32:33.960 --> 00:32:38.440
<v Speaker 3>Yeah, and it's just super brutal. And the edit at

596
00:32:38.519 --> 00:32:42.400
<v Speaker 3>the end were just because market and the way he

597
00:32:42.559 --> 00:32:43.559
<v Speaker 3>walks from.

598
00:32:43.480 --> 00:32:46.720
<v Speaker 5>The cliffs and puts his arms behind his back and

599
00:32:46.880 --> 00:32:49.559
<v Speaker 5>t hearts is over a little bit and then give

600
00:32:49.640 --> 00:32:52.000
<v Speaker 5>us that kind of half smile as we get that,

601
00:32:52.440 --> 00:32:57.200
<v Speaker 5>not to a quick plade like a quick fade out.

602
00:32:57.240 --> 00:32:58.960
<v Speaker 3>It's a very deliberate editing choice.

603
00:32:59.200 --> 00:33:01.559
<v Speaker 5>I'm a part of the Roderick James to make by

604
00:33:01.599 --> 00:33:04.519
<v Speaker 5>out is that it lets you, it lets you live

605
00:33:04.839 --> 00:33:07.759
<v Speaker 5>with that drig just the second and an insistance cut

606
00:33:08.559 --> 00:33:12.119
<v Speaker 5>chicken and Lea Eesen is ugly as fuck do in this.

607
00:33:12.599 --> 00:33:16.519
<v Speaker 2>Oh he's scruffy man And yeah, a great example of

608
00:33:16.599 --> 00:33:21.480
<v Speaker 2>the costumes on display here, all lived in, all feel real,

609
00:33:21.720 --> 00:33:23.799
<v Speaker 2>as real as everything else. I know we shout out

610
00:33:23.839 --> 00:33:26.880
<v Speaker 2>the production, shouting out the cinematography here, but their production

611
00:33:27.039 --> 00:33:30.799
<v Speaker 2>designer and costume designers as good as it gets and

612
00:33:31.240 --> 00:33:35.920
<v Speaker 2>absolutely definitely adding to the scrubby, gruffy grossness of Liam

613
00:33:36.000 --> 00:33:40.079
<v Speaker 2>Neeson in this particular segment. Uh, this segment is, as

614
00:33:40.160 --> 00:33:43.519
<v Speaker 2>I said, challenging to rewatch challenging to like in any

615
00:33:43.599 --> 00:33:48.200
<v Speaker 2>way other than the brutal nature of the Old West

616
00:33:48.279 --> 00:33:51.640
<v Speaker 2>and show business and just life in general. But the

617
00:33:51.720 --> 00:33:54.759
<v Speaker 2>one thing I do like about this is an underseen

618
00:33:55.559 --> 00:33:59.079
<v Speaker 2>aspect of the Old West, which is the wooded and

619
00:33:59.720 --> 00:34:04.200
<v Speaker 2>or snowy aspect of it. The mining time, we've seen

620
00:34:04.200 --> 00:34:06.799
<v Speaker 2>a little bit of the town of Deadwood in the series.

621
00:34:06.880 --> 00:34:09.639
<v Speaker 2>Deadwood was set against this sort of setting, and we

622
00:34:09.719 --> 00:34:12.719
<v Speaker 2>had Jeremiah Johnson a million years ago, the milliest film

623
00:34:12.800 --> 00:34:17.400
<v Speaker 2>with Robert Redford. But very rarely when you think American West,

624
00:34:17.440 --> 00:34:21.760
<v Speaker 2>do you think about pine trees? It's mostly the Monument Valley.

625
00:34:22.199 --> 00:34:24.360
<v Speaker 3>Now, hey, Khalait's another one that gives you.

626
00:34:24.840 --> 00:34:27.840
<v Speaker 2>There you go. Yeah, but jeez, how did that slip

627
00:34:27.880 --> 00:34:28.440
<v Speaker 2>out of my mind?

628
00:34:28.760 --> 00:34:32.599
<v Speaker 3>Cleaning and red Dead reduction too. The video game has

629
00:34:32.679 --> 00:34:35.880
<v Speaker 3>a lot of takes inspiration from the settlements like that.

630
00:34:36.360 --> 00:34:38.880
<v Speaker 2>Yeah, And the other movie I would recommend is Ravenous

631
00:34:39.239 --> 00:34:42.559
<v Speaker 2>with Guy Pierce and oh what's his name? Robert Carlisle?

632
00:34:43.119 --> 00:34:45.000
<v Speaker 3>Oh yeah, how about the Daughter Party?

633
00:34:45.360 --> 00:34:49.920
<v Speaker 2>Yes, the Cannibals and the Windy Go. That one's a wooded,

634
00:34:50.159 --> 00:34:53.199
<v Speaker 2>snowy a Western. So ultimately, the only thing I took

635
00:34:53.239 --> 00:34:56.199
<v Speaker 2>away from this one of meaning to myself is how

636
00:34:56.559 --> 00:34:59.960
<v Speaker 2>brutally cold everything looked and how grubby everything was. Because

637
00:35:00.119 --> 00:35:02.280
<v Speaker 2>I don't like spending time with these characters. I just

638
00:35:02.320 --> 00:35:05.199
<v Speaker 2>feel bad the entire time. This is the one with

639
00:35:05.280 --> 00:35:06.559
<v Speaker 2>there is near redemption.

640
00:35:06.519 --> 00:35:08.599
<v Speaker 3>And the one, but it doesn't lead us into our

641
00:35:08.679 --> 00:35:13.039
<v Speaker 3>next one though, All Gold Canyon, All Gold is perfect.

642
00:35:13.360 --> 00:35:16.599
<v Speaker 2>My god, we're gonna get a character piece. You can't

643
00:35:16.679 --> 00:35:19.960
<v Speaker 2>do better if it's a single character thing than follow

644
00:35:20.000 --> 00:35:23.440
<v Speaker 2>Tom Wright's around for any amount of time doing basically anything.

645
00:35:23.840 --> 00:35:28.079
<v Speaker 2>Never mind the most hopeful aspect of the Old West,

646
00:35:28.239 --> 00:35:30.480
<v Speaker 2>the gold Rush. The idea that you could just go

647
00:35:30.639 --> 00:35:33.079
<v Speaker 2>out on your own, find a plot of land it,

648
00:35:33.280 --> 00:35:36.440
<v Speaker 2>dig a little bit, and become rich beyond your wildest dreams,

649
00:35:36.639 --> 00:35:38.920
<v Speaker 2>drove this entire nation for many years.

650
00:35:39.239 --> 00:35:41.639
<v Speaker 5>Yeah, it's almost enough to cheat that he dumps it

651
00:35:41.719 --> 00:35:45.559
<v Speaker 5>back in the water there for more and Tony hits

652
00:35:45.599 --> 00:35:49.119
<v Speaker 5>that mother alone. But is it's also I'll talk without

653
00:35:49.199 --> 00:35:52.199
<v Speaker 5>it's an argan type of Western character. So Walter Houston

654
00:35:52.239 --> 00:35:55.760
<v Speaker 5>obviously being the most famous in the Treasure of Sierra Madra,

655
00:35:55.880 --> 00:35:57.159
<v Speaker 5>which have you notice.

656
00:35:56.960 --> 00:35:59.000
<v Speaker 3>Pa Oh, golleygue, what a great movie.

657
00:35:59.440 --> 00:36:03.079
<v Speaker 5>But it's so it's definitely a very's an archetype, going

658
00:36:03.280 --> 00:36:05.840
<v Speaker 5>back from Walter Houston all the way up to Chelsea

659
00:36:05.920 --> 00:36:09.320
<v Speaker 5>Grammar his Whost Story movie as the prospector there too,

660
00:36:09.800 --> 00:36:12.360
<v Speaker 5>a very important Western architect, so we got to spend

661
00:36:12.440 --> 00:36:13.000
<v Speaker 5>time with him.

662
00:36:13.360 --> 00:36:16.719
<v Speaker 3>And Tom Waits is just so crusty and cranky and

663
00:36:17.000 --> 00:36:18.039
<v Speaker 3>and really fun to watch.

664
00:36:18.599 --> 00:36:22.880
<v Speaker 2>And it's an archetype we see usually as just that

665
00:36:23.039 --> 00:36:28.039
<v Speaker 2>the crusty, angry, lunatic person. It's rare a movie will

666
00:36:28.119 --> 00:36:32.199
<v Speaker 2>focus on the prospector give that character the time of day,

667
00:36:32.880 --> 00:36:35.639
<v Speaker 2>not to mention, give it this kind of time of

668
00:36:35.760 --> 00:36:39.679
<v Speaker 2>day where his struggle becomes ours. I'm rooting for this

669
00:36:39.800 --> 00:36:41.920
<v Speaker 2>guy like I've rooted for no one in any Cohen

670
00:36:42.000 --> 00:36:42.639
<v Speaker 2>Brothers movie.

671
00:36:42.880 --> 00:36:46.400
<v Speaker 7>To mister Pompkins, because normally he jump to the character

672
00:36:46.480 --> 00:36:49.679
<v Speaker 7>as old Coot's see and it's the or the weird

673
00:36:49.760 --> 00:36:51.320
<v Speaker 7>guy by the side of the road that the hero

674
00:36:51.519 --> 00:36:53.679
<v Speaker 7>might meet and get some information from.

675
00:36:54.079 --> 00:36:56.639
<v Speaker 3>But yeah, I really like it. And and where he

676
00:36:56.719 --> 00:37:01.639
<v Speaker 3>gets shot, Oh if your heart ah much, And that

677
00:37:01.760 --> 00:37:04.639
<v Speaker 3>little clik just sitting there looking like Will Poeter, Well

678
00:37:04.679 --> 00:37:05.960
<v Speaker 3>I thought it wasn't first.

679
00:37:05.880 --> 00:37:09.639
<v Speaker 2>I did too. Yeah, it's such a well, it's a

680
00:37:09.960 --> 00:37:14.320
<v Speaker 2>It's a shot in the back, isn't it. It's really dreadful.

681
00:37:14.960 --> 00:37:18.960
<v Speaker 2>But at least, if we haven't mentioned we're spoiling all

682
00:37:19.000 --> 00:37:22.199
<v Speaker 2>of these, at least he's not dead man. At least

683
00:37:22.239 --> 00:37:25.039
<v Speaker 2>it was it went right through. At least he's gonna

684
00:37:25.039 --> 00:37:27.400
<v Speaker 2>pull through. And he's got that fucking gold. Now, these

685
00:37:27.440 --> 00:37:29.960
<v Speaker 2>are hard things to have to overcome a man of

686
00:37:30.039 --> 00:37:34.519
<v Speaker 2>his advanced stage out in the wilderness without any antiseptic.

687
00:37:34.280 --> 00:37:40.480
<v Speaker 3>Oh yeah, absolutely, ye ye prie us gone.

688
00:37:40.719 --> 00:37:43.079
<v Speaker 5>Oh mom, though, when they guy leaves down on the

689
00:37:43.119 --> 00:37:47.199
<v Speaker 5>glade of motherfucker's just ups oft a lot, but the jaws.

690
00:37:46.920 --> 00:37:49.599
<v Speaker 3>Of death or reclaim what it is. Man, it's just

691
00:37:50.119 --> 00:37:53.920
<v Speaker 3>what a great triumph And it's like, yeah, everywhere he dies.

692
00:37:56.159 --> 00:37:58.599
<v Speaker 2>At the last Anthologies attack. We talked about inside Leewin

693
00:37:58.679 --> 00:38:00.639
<v Speaker 2>Davis and that movie. We talked about the importance of

694
00:38:00.760 --> 00:38:03.960
<v Speaker 2>music in the Coen Brothers movies, and they tend to

695
00:38:04.000 --> 00:38:07.079
<v Speaker 2>pick a theme and run with it, whether it's folk

696
00:38:07.199 --> 00:38:11.239
<v Speaker 2>music or bluegrass or church music. In the case of

697
00:38:11.320 --> 00:38:14.719
<v Speaker 2>the The Lady Killers, here we're getting, of course, classic

698
00:38:14.800 --> 00:38:18.039
<v Speaker 2>American songs. In the case of this particular one, we

699
00:38:18.159 --> 00:38:21.519
<v Speaker 2>get Tom Waits singing a classic do you recognize it's

700
00:38:21.559 --> 00:38:24.039
<v Speaker 2>mother McCree. Do you recognize it from any other movie

701
00:38:24.159 --> 00:38:27.679
<v Speaker 2>Antonio from Clockwork or Rich Yeah, I believe it is

702
00:38:27.760 --> 00:38:30.840
<v Speaker 2>the bum sticking about at the beginning of clock Yeah,

703
00:38:31.280 --> 00:38:33.599
<v Speaker 2>there's a couple of songs like that, a couple of

704
00:38:33.679 --> 00:38:36.239
<v Speaker 2>standards that I recognized.

705
00:38:35.800 --> 00:38:38.360
<v Speaker 3>Also music or in the case of No Country's role

706
00:38:38.480 --> 00:38:39.039
<v Speaker 3>meant the Latin.

707
00:38:39.519 --> 00:38:42.760
<v Speaker 2>That is a musicless movie, right, it's just the end Krebs.

708
00:38:43.119 --> 00:38:45.559
<v Speaker 2>And even then it was only commissioned as that we

709
00:38:45.679 --> 00:38:46.639
<v Speaker 2>need something.

710
00:38:46.800 --> 00:38:50.239
<v Speaker 3>Yeah, and then James Milanko doesn't have it. It starts

711
00:38:50.320 --> 00:38:54.199
<v Speaker 3>with all it starts with just all really sound effects.

712
00:38:54.719 --> 00:38:57.360
<v Speaker 2>Yeah, but in each of the segments effectively will have

713
00:38:57.480 --> 00:39:00.119
<v Speaker 2>a song in it, even though Liam Neesen sings in

714
00:39:00.239 --> 00:39:04.199
<v Speaker 2>the last one, okay, yeah, Ensured does Yeah. And then

715
00:39:04.239 --> 00:39:06.960
<v Speaker 2>so we get Tom Waits here and we've pretty much

716
00:39:07.199 --> 00:39:10.679
<v Speaker 2>covered that particular story. But our next one, oh boy,

717
00:39:11.119 --> 00:39:13.079
<v Speaker 2>the gal who got rattled, Yeah.

718
00:39:12.960 --> 00:39:15.840
<v Speaker 3>That's this is I think it's one I think plays

719
00:39:15.880 --> 00:39:16.440
<v Speaker 3>a little too.

720
00:39:16.400 --> 00:39:20.199
<v Speaker 2>Long, slightly too law Yeah. We never get you never

721
00:39:20.360 --> 00:39:24.400
<v Speaker 2>really get romances anymore in in Western pictures as sweet

722
00:39:24.440 --> 00:39:25.719
<v Speaker 2>as this romance.

723
00:39:25.519 --> 00:39:30.199
<v Speaker 3>Yeah, and subtle and he's useless.

724
00:39:30.440 --> 00:39:35.400
<v Speaker 2>Oh, Yeah, certainly, but uh, it's okay if they're playing

725
00:39:35.480 --> 00:39:38.119
<v Speaker 2>on tropes in all of these different stories that this

726
00:39:38.280 --> 00:39:41.079
<v Speaker 2>is our wagon train story. Yeah, this is our this

727
00:39:41.239 --> 00:39:45.840
<v Speaker 2>is our land rush homesteaders tail and and the perils

728
00:39:45.880 --> 00:39:48.719
<v Speaker 2>that they face out there, and some perils that we

729
00:39:49.039 --> 00:39:52.320
<v Speaker 2>might not have considered in this case, like an arranged marriage,

730
00:39:52.440 --> 00:39:54.400
<v Speaker 2>and what do you do if you suddenly find yourself

731
00:39:54.440 --> 00:39:56.719
<v Speaker 2>out in the wilderness all alone, with nothing at all

732
00:39:56.800 --> 00:39:58.199
<v Speaker 2>and you don't even know where the fuck you're going.

733
00:39:58.360 --> 00:40:01.920
<v Speaker 2>Really anchored, But with the Foreman's by Zoe Kazan, who

734
00:40:02.039 --> 00:40:03.519
<v Speaker 2>is fucking great man.

735
00:40:04.079 --> 00:40:05.320
<v Speaker 3>Yeah, he's all right.

736
00:40:05.800 --> 00:40:09.000
<v Speaker 2>I like her a lot, you really, Yeah, I've seen

737
00:40:09.039 --> 00:40:12.519
<v Speaker 2>her some of her her the pieces she's written, the

738
00:40:12.559 --> 00:40:15.280
<v Speaker 2>film she's written, I've liked it quite a bit. So anyway,

739
00:40:15.360 --> 00:40:17.559
<v Speaker 2>I just think she's a fresh face. And she does

740
00:40:17.639 --> 00:40:19.679
<v Speaker 2>have a period face. That's another thing that Comen Brothers

741
00:40:19.719 --> 00:40:20.280
<v Speaker 2>do so much.

742
00:40:20.360 --> 00:40:20.679
<v Speaker 1>She does.

743
00:40:21.360 --> 00:40:24.320
<v Speaker 2>Everyone looks so period specifically perfect here.

744
00:40:24.719 --> 00:40:29.639
<v Speaker 3>Yeah, absolutely, they do a really good job of the

745
00:40:29.800 --> 00:40:33.280
<v Speaker 3>same that starts the sequence is in the boarding house.

746
00:40:33.840 --> 00:40:37.000
<v Speaker 3>Everything is from that, and that Getter table is magnificent,

747
00:40:37.599 --> 00:40:41.519
<v Speaker 3>especially the bat guy with the mustache is just outstanding.

748
00:40:41.920 --> 00:40:45.840
<v Speaker 2>Yeah, they cast locals, and they cast them well man.

749
00:40:45.960 --> 00:40:48.679
<v Speaker 3>In every pay. Yeah, they did a really good job.

750
00:40:48.960 --> 00:40:52.119
<v Speaker 3>But it's a little long. It's like it's not a

751
00:40:52.280 --> 00:40:53.960
<v Speaker 3>half hour or more.

752
00:40:54.480 --> 00:40:58.440
<v Speaker 2>Yeah, it's the scenter piece. It's the crate of this

753
00:40:58.559 --> 00:40:59.480
<v Speaker 2>movie or creep show.

754
00:40:59.760 --> 00:41:02.840
<v Speaker 5>Yeah, okay, that's a good that's a good assessment. And

755
00:41:03.000 --> 00:41:05.639
<v Speaker 5>it just ends tragically. It's just put a sad editing.

756
00:41:05.880 --> 00:41:07.760
<v Speaker 5>Although President Pierce is the best character.

757
00:41:07.960 --> 00:41:11.559
<v Speaker 2>The dog, the dog. Yeah, they this one. I don't know, man, Yeah,

758
00:41:11.599 --> 00:41:16.280
<v Speaker 2>this one tears my heart up. It's it's not fair, Yeah,

759
00:41:16.360 --> 00:41:16.639
<v Speaker 2>it's not.

760
00:41:16.960 --> 00:41:20.039
<v Speaker 3>It just ends like is your brother? They gotta look

761
00:41:20.079 --> 00:41:20.800
<v Speaker 3>like he was sixty.

762
00:41:21.159 --> 00:41:23.239
<v Speaker 2>Yeah, And I will say this as far as the

763
00:41:23.280 --> 00:41:26.840
<v Speaker 2>bitterness goes, not the bitterness, but the sort of melancholy

764
00:41:27.159 --> 00:41:31.280
<v Speaker 2>this one represents. It gets worse when the story ends

765
00:41:31.320 --> 00:41:34.639
<v Speaker 2>and we're peeling back the pages where we get the

766
00:41:34.719 --> 00:41:36.480
<v Speaker 2>final page of it and it says that this man

767
00:41:36.599 --> 00:41:39.360
<v Speaker 2>is not he's wondering how he's going to explain.

768
00:41:39.960 --> 00:41:42.199
<v Speaker 3>Yeah, what happens. Yeah, it's a bummer.

769
00:41:42.559 --> 00:41:44.960
<v Speaker 2>In case you weren't pondering it, you should ponder it

770
00:41:45.039 --> 00:41:47.280
<v Speaker 2>some more because the characters still our even after the

771
00:41:47.360 --> 00:41:51.000
<v Speaker 2>story is over, like what a fuck you to the Cohens.

772
00:41:51.519 --> 00:41:53.920
<v Speaker 3>But that's what makes your stuf memorable though they know

773
00:41:54.280 --> 00:41:56.679
<v Speaker 3>they get yet, but it's weird and wacky and he's

774
00:41:56.679 --> 00:41:59.280
<v Speaker 3>smoking that your emotions, that's I think why they resonate.

775
00:41:59.480 --> 00:42:02.239
<v Speaker 2>That leads us. Now you mentioned your favorite story. Here

776
00:42:02.320 --> 00:42:05.920
<v Speaker 2>is the buster scrug segment that begins they My favorite

777
00:42:05.920 --> 00:42:09.719
<v Speaker 2>segment is the ending the Mortal remain. This one is

778
00:42:10.960 --> 00:42:15.400
<v Speaker 2>no exit. Yeah, it's right, Yeah, it's fucking It's fascinating

779
00:42:15.440 --> 00:42:17.079
<v Speaker 2>to me that I love this one as much as

780
00:42:17.119 --> 00:42:19.320
<v Speaker 2>I do. The fact that it's for the first time

781
00:42:19.880 --> 00:42:23.400
<v Speaker 2>in this on location film. We're on a sound stage.

782
00:42:23.639 --> 00:42:26.079
<v Speaker 2>This is all artifice, and as well it should be,

783
00:42:26.199 --> 00:42:29.880
<v Speaker 2>because these are speaking of death here. These characters are

784
00:42:29.920 --> 00:42:33.480
<v Speaker 2>already dead. They're being very they just don't realize it yet.

785
00:42:33.920 --> 00:42:37.320
<v Speaker 2>Three characters cram together on one side of a carriage.

786
00:42:37.440 --> 00:42:40.559
<v Speaker 2>Two characters cram together on the other side. The most

787
00:42:40.639 --> 00:42:45.440
<v Speaker 2>claustrophobic of potential Western stories, and for me, it's the

788
00:42:45.519 --> 00:42:47.559
<v Speaker 2>most expansive and I just adore it.

789
00:42:48.119 --> 00:42:52.679
<v Speaker 3>I like the of the coach. The coachman Uri remarketive

790
00:42:52.760 --> 00:42:53.440
<v Speaker 3>of Dacula.

791
00:42:53.960 --> 00:42:56.760
<v Speaker 5>That's when he's driving the coach and it's every version

792
00:42:56.800 --> 00:42:59.880
<v Speaker 5>of Dracula, like they all do it. So it's very

793
00:43:00.000 --> 00:43:02.239
<v Speaker 5>stan Edie looks great with the whip and just the

794
00:43:02.360 --> 00:43:05.119
<v Speaker 5>pape and here was the face and sandwiches.

795
00:43:05.480 --> 00:43:06.440
<v Speaker 3>Everybody here there.

796
00:43:06.920 --> 00:43:12.119
<v Speaker 5>It's exacular funny. So what's the guy with David Bruhols. Yes,

797
00:43:15.320 --> 00:43:18.800
<v Speaker 5>the chubby Joyce New York guy with a must bag

798
00:43:18.880 --> 00:43:22.079
<v Speaker 5>playing a Frenchman. And then here we have this other dude,

799
00:43:22.599 --> 00:43:23.920
<v Speaker 5>I am the Joxy part.

800
00:43:24.920 --> 00:43:28.599
<v Speaker 2>Did you not notice that the Saul Ruben that character, absolutely, yeah,

801
00:43:28.639 --> 00:43:31.239
<v Speaker 2>that might have been that character at the end of

802
00:43:31.280 --> 00:43:31.719
<v Speaker 2>his life.

803
00:43:32.119 --> 00:43:35.960
<v Speaker 5>Yeah, because they were very similar than the actual matterisms

804
00:43:36.000 --> 00:43:38.239
<v Speaker 5>and everything, but they related.

805
00:43:38.280 --> 00:43:41.000
<v Speaker 3>It was the same character. They might be the same.

806
00:43:40.920 --> 00:43:44.440
<v Speaker 2>Character very well could be. And everyone's cast perfectly again

807
00:43:44.519 --> 00:43:47.000
<v Speaker 2>playing off of sort of Western stereotypes with this sort

808
00:43:47.039 --> 00:43:52.400
<v Speaker 2>of dandified fella and the spinster and the old trapper,

809
00:43:52.599 --> 00:43:56.519
<v Speaker 2>the crazy the old trapper character who smells terrible tyn

810
00:43:56.599 --> 00:44:00.000
<v Speaker 2>daily keeps giving us cues just how bad he smelled,

811
00:44:00.320 --> 00:44:01.159
<v Speaker 2>over and over again.

812
00:44:02.519 --> 00:44:06.079
<v Speaker 3>It's a fascinating piece of Yes, very very very costan poker.

813
00:44:06.440 --> 00:44:08.000
<v Speaker 3>And when you hear every willing.

814
00:44:08.119 --> 00:44:10.719
<v Speaker 5>Story, she's like, all my husband's been gone for three

815
00:44:10.800 --> 00:44:13.320
<v Speaker 5>years I'm going to join him, and did she kill her?

816
00:44:13.360 --> 00:44:16.880
<v Speaker 2>He could be sounds like it might be the trapper

817
00:44:17.480 --> 00:44:23.239
<v Speaker 2>with his maiden girl. They couldn't speak spoke the international language.

818
00:44:23.280 --> 00:44:27.599
<v Speaker 2>And this professor character. But the other two occupants in

819
00:44:27.679 --> 00:44:30.159
<v Speaker 2>the carriage, as I said, Brendan Gleeson and John Joe

820
00:44:30.199 --> 00:44:34.280
<v Speaker 2>O'Neil as thig Pen and Clarence, who offered themselves as

821
00:44:34.360 --> 00:44:38.079
<v Speaker 2>bounty hunters, or at least let the other occupants allow

822
00:44:38.159 --> 00:44:40.800
<v Speaker 2>themselves to come up with the idea that they're bounty hunters.

823
00:44:40.920 --> 00:44:43.920
<v Speaker 2>So what they say is they're reapers and collectors of sould.

824
00:44:46.880 --> 00:44:50.159
<v Speaker 5>But and it's funny because that comes across as being

825
00:44:50.679 --> 00:44:53.440
<v Speaker 5>so hind him too, and he's the guy that beats

826
00:44:53.480 --> 00:44:54.280
<v Speaker 5>him over the hedge.

827
00:44:55.760 --> 00:44:57.039
<v Speaker 3>Well the other guy watches.

828
00:44:57.880 --> 00:45:01.519
<v Speaker 2>Yeah, And when I love a this one is that

829
00:45:01.920 --> 00:45:05.400
<v Speaker 2>this is another aspect of the Old West, the storytelling,

830
00:45:05.480 --> 00:45:09.639
<v Speaker 2>the around the campfire tale, and generally those are supernatural

831
00:45:09.719 --> 00:45:12.960
<v Speaker 2>in nature. This one is as supernatural as this movie

832
00:45:13.039 --> 00:45:17.440
<v Speaker 2>is going to get. And this makes me, this segment

833
00:45:17.960 --> 00:45:21.039
<v Speaker 2>makes me want the fucking Coen brothers to get back

834
00:45:21.119 --> 00:45:23.800
<v Speaker 2>together right now and give us a horror movie, because

835
00:45:23.800 --> 00:45:26.000
<v Speaker 2>they have one in them and They've bounced around in

836
00:45:26.039 --> 00:45:29.400
<v Speaker 2>every goddamn genre. They're best friends with Sam Raimi, They're

837
00:45:29.679 --> 00:45:32.960
<v Speaker 2>instrumental in those goddamn Devil Dead movies. And if they

838
00:45:33.000 --> 00:45:34.800
<v Speaker 2>can give us half of what they're giving us here

839
00:45:34.920 --> 00:45:38.320
<v Speaker 2>on a basic ghost story level, I'm dying to see

840
00:45:38.360 --> 00:45:39.559
<v Speaker 2>what they do at a feature length.

841
00:45:39.920 --> 00:45:41.880
<v Speaker 3>I'm sure they get back together. I'm sure they wanted

842
00:45:41.880 --> 00:45:43.920
<v Speaker 3>to see what they were going to do, but you know,

843
00:45:44.400 --> 00:45:46.960
<v Speaker 3>it's too long working together. I'm sure they miss each other,

844
00:45:48.320 --> 00:45:50.880
<v Speaker 3>but they always, they always more.

845
00:45:51.039 --> 00:45:53.480
<v Speaker 2>Damn music plays a part here. We get two songs

846
00:45:53.800 --> 00:45:57.079
<v Speaker 2>in this very limited segment, Big Penn and Clarence both

847
00:45:57.119 --> 00:46:00.400
<v Speaker 2>sing us a song, and weirdly, the one that Brendan

848
00:46:00.480 --> 00:46:05.039
<v Speaker 2>Gleason sings. I had on a cassette tape of Irish

849
00:46:05.119 --> 00:46:08.559
<v Speaker 2>folk songs Oh Wow, that I bought at some like

850
00:46:08.800 --> 00:46:11.199
<v Speaker 2>Sam Goodie a million fucking years ago in the nineteen

851
00:46:11.199 --> 00:46:12.840
<v Speaker 2>eighties that I used to listen to on a loop.

852
00:46:12.920 --> 00:46:14.639
<v Speaker 2>So it was a little weird to suddenly hear that

853
00:46:15.039 --> 00:46:18.760
<v Speaker 2>pomping out of this character's mouth. Nonetheless, yeah, this one

854
00:46:18.840 --> 00:46:23.719
<v Speaker 2>is my favorite, if for only the kind of delightful

855
00:46:23.840 --> 00:46:26.840
<v Speaker 2>resignation that Saul Rubink gives us at the very very

856
00:46:27.880 --> 00:46:31.679
<v Speaker 2>the Johnny he drops that hat on like, well, another adventure.

857
00:46:31.760 --> 00:46:32.119
<v Speaker 2>Off we go.

858
00:46:32.679 --> 00:46:32.880
<v Speaker 3>Yeah.

859
00:46:33.679 --> 00:46:37.800
<v Speaker 5>On the door there's the clin door. There's up like

860
00:46:38.960 --> 00:46:41.320
<v Speaker 5>an image engraving of an angel, and then our the

861
00:46:41.360 --> 00:46:43.559
<v Speaker 5>other's eye or the other door, there's a goat they

862
00:46:43.679 --> 00:46:44.280
<v Speaker 5>walk out there.

863
00:46:44.760 --> 00:46:45.559
<v Speaker 3>That was interesting.

864
00:46:45.920 --> 00:46:49.199
<v Speaker 2>On the double door, right so the door, Aaron, Well,

865
00:46:49.199 --> 00:46:52.360
<v Speaker 2>what's interesting to me is as they enter that one

866
00:46:52.719 --> 00:46:56.119
<v Speaker 2>splendid room, it's all staircase. Effectively, it all heads to

867
00:46:56.199 --> 00:46:59.679
<v Speaker 2>that staircase leading up the stairs to a glowing white light.

868
00:47:00.239 --> 00:47:04.000
<v Speaker 2>Right now, the implication here is that we've reached the afterlife.

869
00:47:04.400 --> 00:47:07.519
<v Speaker 2>And the fact is that thick Pen and Clarence mentioned

870
00:47:07.519 --> 00:47:09.320
<v Speaker 2>that the guy that they've come for it he was

871
00:47:09.480 --> 00:47:12.800
<v Speaker 2>well wanted, meaning this was a sinner that they've come for,

872
00:47:13.360 --> 00:47:17.000
<v Speaker 2>a murderer. Perhaps are we in hell? It does that

873
00:47:17.079 --> 00:47:19.880
<v Speaker 2>staircase that leads up go to hell?

874
00:47:21.440 --> 00:47:25.079
<v Speaker 3>But they're carrying them up the stairs. Maybe he's innocent

875
00:47:25.199 --> 00:47:26.280
<v Speaker 3>and they're murderers.

876
00:47:26.840 --> 00:47:29.760
<v Speaker 2>There are so many questions going, brothers, I love you

877
00:47:29.920 --> 00:47:30.440
<v Speaker 2>so much.

878
00:47:31.079 --> 00:47:33.239
<v Speaker 3>Yeah then, but that's what they do for you, man.

879
00:47:33.400 --> 00:47:35.800
<v Speaker 3>They can give me these ambiguous kind of endings, and

880
00:47:35.840 --> 00:47:37.599
<v Speaker 3>it's all right, man, it's cool.

881
00:47:37.840 --> 00:47:43.679
<v Speaker 2>Right like and even they yes and always feel like

882
00:47:43.760 --> 00:47:47.039
<v Speaker 2>a cheat. But for some reason, their ambiguous endings never

883
00:47:47.159 --> 00:47:48.000
<v Speaker 2>do well.

884
00:47:48.119 --> 00:47:48.480
<v Speaker 3>They don't.

885
00:47:48.880 --> 00:47:51.880
<v Speaker 2>They feel like inevitability, which is the hallmark of any

886
00:47:51.880 --> 00:47:52.639
<v Speaker 2>great movie.

887
00:47:52.840 --> 00:47:55.760
<v Speaker 3>Even the Big Lebowski that really has no resolution. Well,

888
00:47:55.880 --> 00:47:56.320
<v Speaker 3>much like the.

889
00:47:58.239 --> 00:48:02.320
<v Speaker 2>Raising Arizona without children. Again, that last bit is a dream.

890
00:48:02.840 --> 00:48:05.280
<v Speaker 2>Maybe it happened, doesn't matter.

891
00:48:05.719 --> 00:48:07.679
<v Speaker 3>The ending is nice, you know what I mean, Like,

892
00:48:07.760 --> 00:48:10.519
<v Speaker 3>it doesn't matter. I like no country of old men,

893
00:48:11.000 --> 00:48:12.199
<v Speaker 3>just that fucking ending out.

894
00:48:13.199 --> 00:48:17.639
<v Speaker 2>Yeah, there's nothing bigger, even chaos is is at a

895
00:48:17.679 --> 00:48:18.559
<v Speaker 2>whim to chaos.

896
00:48:19.079 --> 00:48:19.280
<v Speaker 3>Yeah.

897
00:48:20.519 --> 00:48:22.480
<v Speaker 5>They're good stuff man that We're lucky to have them

898
00:48:22.559 --> 00:48:25.440
<v Speaker 5>as filmmakers. I hope you know the rest of the

899
00:48:25.960 --> 00:48:26.400
<v Speaker 5>world does.

900
00:48:27.079 --> 00:48:27.480
<v Speaker 3>They're good.

901
00:48:27.800 --> 00:48:31.800
<v Speaker 2>Yeah, this guy virtually no awards at all. Speaking of music,

902
00:48:32.360 --> 00:48:35.320
<v Speaker 2>a guy who never gets really mentioned. Whenever the Coen

903
00:48:35.360 --> 00:48:39.760
<v Speaker 2>Brothers do a big sort of music centric film, everyone

904
00:48:39.800 --> 00:48:42.400
<v Speaker 2>starts shouting about t Bone Burnett. And I'm not denigrating

905
00:48:42.440 --> 00:48:44.960
<v Speaker 2>t Bone Burnette. I love him. I think he's phenomenally

906
00:48:45.079 --> 00:48:47.920
<v Speaker 2>talented as a musician and an arranger of music. But

907
00:48:48.480 --> 00:48:50.599
<v Speaker 2>their composer is a fellow by the name of Carter

908
00:48:50.800 --> 00:48:56.559
<v Speaker 2>Burwell and hiss are always innovative and always interesting, always

909
00:48:56.639 --> 00:48:59.639
<v Speaker 2>stand alone and yet complimentary to the piece. And that

910
00:48:59.719 --> 00:49:02.880
<v Speaker 2>guy name never gets mentioned enough, and I just want

911
00:49:02.920 --> 00:49:05.559
<v Speaker 2>to shout him out here. Carter Burwell is one of

912
00:49:05.639 --> 00:49:09.239
<v Speaker 2>the most innovative composers in music today or any day.

913
00:49:09.599 --> 00:49:12.440
<v Speaker 3>Oh I agree with one hundred percent. One hundred percent.

914
00:49:12.599 --> 00:49:16.039
<v Speaker 5>They find someone that does your voice, and they get

915
00:49:16.119 --> 00:49:17.119
<v Speaker 5>your voice through music.

916
00:49:17.440 --> 00:49:18.519
<v Speaker 3>That's an important saying that.

917
00:49:18.840 --> 00:49:20.920
<v Speaker 5>Yeah, tem Olbert gets a lot of crier, but yeah,

918
00:49:21.000 --> 00:49:24.880
<v Speaker 5>he just find he buys tracks to put him.

919
00:49:24.800 --> 00:49:27.679
<v Speaker 3>With this other guys, right stuff. Yeah, absolutely do. I agree.

920
00:49:28.079 --> 00:49:30.320
<v Speaker 2>And as well as they adapt to different genres, he

921
00:49:30.440 --> 00:49:34.000
<v Speaker 2>adapts to their adaptation with the music and raised in Arizona,

922
00:49:34.079 --> 00:49:37.599
<v Speaker 2>it's fucking yodeling man. And not only is there's a

923
00:49:37.679 --> 00:49:40.880
<v Speaker 2>sequence that the famous sequence, the chase sequence, where High

924
00:49:40.960 --> 00:49:44.440
<v Speaker 2>is being chased by dogs and police and everybody where.

925
00:49:44.599 --> 00:49:47.239
<v Speaker 2>At one point he runs through a grocery store and

926
00:49:47.360 --> 00:49:50.719
<v Speaker 2>the soundtrack suddenly switches to the musac, so we get

927
00:49:50.719 --> 00:49:54.360
<v Speaker 2>a musac version of that yodeling playing in the I

928
00:49:54.440 --> 00:49:57.840
<v Speaker 2>don't know, it's just no God blessed TiVo Burnette, but

929
00:49:57.960 --> 00:50:00.480
<v Speaker 2>everybody really reappraised car Or very.

930
00:50:00.440 --> 00:50:04.519
<v Speaker 5>Well, I agree one man, great stuff all around. And

931
00:50:04.639 --> 00:50:09.000
<v Speaker 5>then Colort Brothers. They their genre of flipping is maddening.

932
00:50:09.360 --> 00:50:12.400
<v Speaker 3>They go all over and they all they haven't done

933
00:50:12.480 --> 00:50:14.039
<v Speaker 3>is a horror film, and they haven't done a science

934
00:50:14.079 --> 00:50:16.159
<v Speaker 3>fiction film. But other than that, they've hit it.

935
00:50:16.480 --> 00:50:19.960
<v Speaker 2>That's your assignment, Cohen's We're counting on you. Don't let

936
00:50:20.079 --> 00:50:21.639
<v Speaker 2>us down. We know you have a two thousand and

937
00:50:21.800 --> 00:50:26.199
<v Speaker 2>one and f shining in you. That shining right. I

938
00:50:26.239 --> 00:50:28.639
<v Speaker 2>don't want to. I don't want a gory, slashery type

939
00:50:29.039 --> 00:50:32.280
<v Speaker 2>movie from them. I want a ghostly, spooky type movie them.

940
00:50:32.320 --> 00:50:35.719
<v Speaker 2>I want them to make That's scary again, because there's

941
00:50:35.760 --> 00:50:37.480
<v Speaker 2>ways to do it. And I think they could.

942
00:50:37.920 --> 00:50:41.239
<v Speaker 3>Oh, they absolutely could. They absolutely could. I wouldn't be

943
00:50:41.280 --> 00:50:42.239
<v Speaker 3>surprised if they do come.

944
00:50:42.239 --> 00:50:46.960
<v Speaker 2>Up with something please and now. Absolutely And I enjoy

945
00:50:47.280 --> 00:50:50.920
<v Speaker 2>drugs huh and anything else about Buster Scruggs and you are.

946
00:50:51.840 --> 00:50:53.639
<v Speaker 5>I think it's a neat film, man. I think it's

947
00:50:53.639 --> 00:50:57.199
<v Speaker 5>a really as a special little film. I think it's

948
00:50:57.239 --> 00:50:58.079
<v Speaker 5>a great example of.

949
00:50:58.119 --> 00:51:02.239
<v Speaker 3>The show as one really shows you a lot of

950
00:51:02.320 --> 00:51:05.000
<v Speaker 3>what they're capable of and what type of movies they make.

951
00:51:05.360 --> 00:51:07.159
<v Speaker 3>But you have something they can touch you they can

952
00:51:07.480 --> 00:51:10.880
<v Speaker 3>wacky characters. Here's some music, like all the different things

953
00:51:10.920 --> 00:51:13.400
<v Speaker 3>that they're good at shows up in this movie. So

954
00:51:13.480 --> 00:51:16.159
<v Speaker 3>I think that's as one of their films is a

955
00:51:16.239 --> 00:51:17.760
<v Speaker 3>really nice e bucketed piece.

956
00:51:18.239 --> 00:51:21.880
<v Speaker 2>And as purveyors of anthologies, there's no clunker here. No,

957
00:51:22.599 --> 00:51:26.239
<v Speaker 2>they're all good, all good. Some of them are bummers,

958
00:51:26.320 --> 00:51:29.000
<v Speaker 2>but what the fuck are you gonna do? There's entertainment

959
00:51:29.079 --> 00:51:30.199
<v Speaker 2>in that as well, everybody.

960
00:51:30.599 --> 00:51:32.639
<v Speaker 3>And it's in the Old West. The Old West is

961
00:51:32.719 --> 00:51:33.159
<v Speaker 3>a bummer.

962
00:51:33.440 --> 00:51:35.119
<v Speaker 2>I think we'll leave it on that, all right, A

963
00:51:35.440 --> 00:51:39.039
<v Speaker 2>hout and Sony. And when people are looking for you

964
00:51:39.159 --> 00:51:40.639
<v Speaker 2>on the line, where can they do that?

965
00:51:41.280 --> 00:51:46.440
<v Speaker 5>You can find me at Swamp Media Group Audio, Instagram

966
00:51:46.960 --> 00:51:50.039
<v Speaker 5>and Swampmedia Group dot com right on.

967
00:51:50.280 --> 00:51:52.800
<v Speaker 2>And if you want to support the show here give

968
00:51:52.880 --> 00:51:55.239
<v Speaker 2>us five star reviews in any podcastry you're listening to,

969
00:51:55.360 --> 00:51:58.159
<v Speaker 2>particularly on those Apple ones apparently that really bumps the

970
00:51:58.199 --> 00:52:00.400
<v Speaker 2>algorithm or whatever the fuck. Hey, and if you have

971
00:52:00.440 --> 00:52:02.360
<v Speaker 2>an extra dollar or two you want to donate it

972
00:52:02.440 --> 00:52:04.920
<v Speaker 2>to the show, go to Patreon dot com slash fatherm Alone.

973
00:52:05.199 --> 00:52:09.800
<v Speaker 2>Subscribers get episodes early and commercial free, and you get

974
00:52:09.840 --> 00:52:13.199
<v Speaker 2>access to our Patreon only shows like Cable Box Theater,

975
00:52:13.599 --> 00:52:16.920
<v Speaker 2>where HP, the host of Noise Yunkies, and myself we

976
00:52:17.400 --> 00:52:21.280
<v Speaker 2>take a look at the phenomenon of taped Broadway shows

977
00:52:21.400 --> 00:52:23.719
<v Speaker 2>for early cable television when they didn't know what the

978
00:52:23.840 --> 00:52:26.239
<v Speaker 2>fuck they were doing. But thank you once again for

979
00:52:26.440 --> 00:52:29.840
<v Speaker 2>joining us here at midnight viewing, everybody. We'll catch you later.

980
00:52:29.920 --> 00:52:32.360
<v Speaker 2>I'm probably gonna throw in a Coen Brothers musical cue here,

981
00:52:32.679 --> 00:52:33.599
<v Speaker 2>because why wouldn't I?

982
00:52:34.079 --> 00:52:39.639
<v Speaker 3>Of course, Early Joe the Gambler, he will gamble never more.

983
00:52:41.400 --> 00:52:48.679
<v Speaker 3>His days of stirding holder may are done. It was

984
00:52:48.960 --> 00:52:51.079
<v Speaker 3>long about last April.

985
00:52:51.440 --> 00:52:58.679
<v Speaker 10>He stepped into this alone, but he never really took

986
00:52:58.800 --> 00:52:59.719
<v Speaker 10>do any one.

987
00:53:00.920 --> 00:53:05.719
<v Speaker 3>Surly Joe, Surly Joe wherever.

988
00:53:05.440 --> 00:53:07.159
<v Speaker 1>He's gambling now? I don't know.

989
00:53:08.559 --> 00:53:10.159
<v Speaker 3>He was slick, but I was slicker.

990
00:53:10.320 --> 00:53:12.960
<v Speaker 6>He drew quick, but I was quicker, and the table

991
00:53:13.000 --> 00:53:13.840
<v Speaker 6>stopped his ticker.

992
00:53:14.000 --> 00:53:18.400
<v Speaker 3>Surly Joe, Curley Joe, Surrey.

993
00:53:18.199 --> 00:53:24.039
<v Speaker 6>Joe won't be missed by anyone. With Surrey Joe human kind.

994
00:53:24.079 --> 00:53:26.880
<v Speaker 6>He frowned the pond, but not now his face is gone.

995
00:53:27.000 --> 00:53:31.079
<v Speaker 6>Guess your frowning days are done, oh Surly Joe. Surdy

996
00:53:31.199 --> 00:53:37.039
<v Speaker 6>Joe Surdy Joe. I said beyond to see a Curdie Joe.

997
00:53:38.239 --> 00:53:39.840
<v Speaker 3>He was mean in days of yore.

998
00:53:40.039 --> 00:53:41.679
<v Speaker 10>Now they're mopping up the floor.

999
00:53:41.840 --> 00:53:43.599
<v Speaker 3>One more sight to making sorrow.

1000
00:53:43.760 --> 00:53:48.159
<v Speaker 10>Surrey Joe, Say Joe, Surrey Joe.

1001
00:53:49.320 --> 00:53:51.039
<v Speaker 3>Where the heck's face has got to?

1002
00:53:51.239 --> 00:53:51.800
<v Speaker 1>We don't know.

1003
00:53:53.159 --> 00:53:56.639
<v Speaker 6>He was never any fun now his trunky races round,

1004
00:53:56.800 --> 00:53:58.079
<v Speaker 6>kiss or blown the kingdom.

1005
00:53:58.199 --> 00:55:16.559
<v Speaker 10>Come o, Surdy Joe, Sis.

1006
00:54:50.199 --> 00:54:55.840
<v Speaker 1>Sis, Sis

1007
00:55:00.119 --> 00:55:00.480
<v Speaker 7>No no
