1 00:00:00,800 --> 00:00:10,199 Speaker 1: W M N h rip the noble sret course. 2 00:00:21,960 --> 00:00:24,800 Speaker 2: Tell me ris possibly will see it down and I 3 00:00:24,879 --> 00:00:25,960 can't go back to sleep. 4 00:00:26,120 --> 00:00:28,239 Speaker 3: This cop and me he said it. 5 00:00:28,320 --> 00:00:30,039 Speaker 4: Guy calls riding in. 6 00:00:30,960 --> 00:00:35,759 Speaker 5: Ride in in, ride in that tuttle hill, that mun 7 00:00:35,840 --> 00:00:36,399 Tell hill. 8 00:00:36,880 --> 00:00:39,200 Speaker 6: I'm gonna sell it hill so we can look. 9 00:00:39,039 --> 00:00:39,320 Speaker 7: At you. 10 00:00:42,520 --> 00:00:43,560 Speaker 8: And you rice. 11 00:00:45,560 --> 00:00:45,759 Speaker 1: Man. 12 00:00:45,840 --> 00:00:46,840 Speaker 4: He rises. 13 00:00:48,960 --> 00:00:51,560 Speaker 9: Turtle past and cattle past, and prod past, and paddle 14 00:00:51,600 --> 00:00:54,759 crust and paddle past, battle faster, padal past and dole. 15 00:00:57,679 --> 00:00:58,840 Speaker 4: Handy ri said. 16 00:01:00,600 --> 00:01:04,480 Speaker 10: He had rights sit, so we. 17 00:01:04,519 --> 00:01:06,120 Speaker 5: Went to work on day. 18 00:01:06,000 --> 00:01:09,079 Speaker 10: On In said he ripped the stand and sixteen he 19 00:01:10,079 --> 00:01:10,560 to tell. 20 00:01:10,439 --> 00:01:12,959 Speaker 4: You about the five men to see all in no, 21 00:01:13,239 --> 00:01:15,200 see all in no, see. 22 00:01:15,120 --> 00:01:18,480 Speaker 2: All that that what's on a hill that he's out 23 00:01:18,560 --> 00:01:18,879 of him? 24 00:01:19,400 --> 00:01:20,439 Speaker 11: I just out of him. 25 00:01:20,799 --> 00:01:22,159 Speaker 7: So he can look at gen. 26 00:01:25,319 --> 00:01:31,040 Speaker 4: Y right here, okay, right here, that's he knows. 27 00:01:31,719 --> 00:01:35,239 Speaker 5: Chail pester your paddle, that's your parle pester, paddle faster, pattle. 28 00:01:35,040 --> 00:01:37,040 Speaker 9: After battle past your battle has to go. 29 00:01:40,359 --> 00:01:41,439 Speaker 7: And see. 30 00:01:43,439 --> 00:01:44,439 Speaker 3: Y right sick. 31 00:01:46,920 --> 00:01:48,719 Speaker 11: So he's got his sister that time. 32 00:01:49,040 --> 00:01:49,200 Speaker 1: Man. 33 00:01:49,760 --> 00:01:50,920 Speaker 7: He never gets to leave it. 34 00:01:51,079 --> 00:01:54,040 Speaker 12: He's okay with it, and he's got a tube side. 35 00:01:54,159 --> 00:01:58,439 Speaker 4: Noddy's everywhere he leaves here, well he leaves here. Well 36 00:01:59,079 --> 00:01:59,959 that's out in here. 37 00:02:03,680 --> 00:02:12,240 Speaker 12: We look at your. 38 00:02:17,439 --> 00:02:37,759 Speaker 10: Polish Polish, right, I love it. 39 00:02:37,879 --> 00:02:40,879 Speaker 13: That is backwards down a hill and that is the 40 00:02:41,039 --> 00:02:43,120 Stiff Tones, and we have the Stiff Tones with us 41 00:02:43,479 --> 00:02:45,280 live in studio. We're going to talk with them in 42 00:02:45,400 --> 00:02:47,479 just a moment and they're gonna play. So really looking 43 00:02:47,479 --> 00:02:49,840 forward to this. Welcome everybody. We have entered our number 44 00:02:49,879 --> 00:02:52,840 three Newmarrow trace of Matt Connorton Unleashed and we are 45 00:02:52,960 --> 00:02:56,319 live from the studios of w M n H ninety 46 00:02:56,360 --> 00:02:59,280 five point three f M and Glorious Manchester, New Hampshire. 47 00:02:59,520 --> 00:03:01,800 Also so you can stream the show from anywhere, go 48 00:03:01,840 --> 00:03:05,319 to Matt connorton dot com, slash live and of course 49 00:03:05,360 --> 00:03:09,240 today is Saturday, July nineteen, twenty twenty five. Jenny is 50 00:03:09,280 --> 00:03:12,639 here of course at the news table. And by the way, 51 00:03:13,039 --> 00:03:15,919 Jenny and I are going to be later on this evening. 52 00:03:16,599 --> 00:03:20,960 Under the Horizon is playing at nine pm at Jewel 53 00:03:21,000 --> 00:03:24,919 Nightclub here in Manchester and we love Under the Horizon, 54 00:03:25,039 --> 00:03:26,319 So come down and say hello. 55 00:03:26,400 --> 00:03:27,840 Speaker 10: It's going to be a gonna be a great show. 56 00:03:28,599 --> 00:03:29,560 Is that is tonight? 57 00:03:30,400 --> 00:03:32,159 Speaker 13: That is tonight if you are listening live, Yeah, come 58 00:03:32,199 --> 00:03:34,360 say hello, come see under the horizon, and there's a 59 00:03:34,479 --> 00:03:36,919 bunch of Scarecrow Hill is going to be there tonight too. 60 00:03:37,520 --> 00:03:41,039 We've had them on the show. Another another great band. 61 00:03:41,400 --> 00:03:43,680 But right now, so we've got the stift Ons here 62 00:03:43,719 --> 00:03:45,080 with us in studio. Now, I'm going to bring these 63 00:03:45,199 --> 00:03:47,280 mics up. I'm using a little bit of a different 64 00:03:48,520 --> 00:03:52,199 microphone configuration than we usually use here, so we'll see, 65 00:03:53,120 --> 00:03:56,240 we'll see. Make sure I can hear everybody. 66 00:03:57,800 --> 00:03:58,360 Speaker 8: Go ahead, and. 67 00:04:00,240 --> 00:04:02,080 Speaker 10: Oh I can't hear you at all. I think I 68 00:04:02,199 --> 00:04:06,199 know why. I think I know why. Okay, let's try. 69 00:04:06,319 --> 00:04:09,240 Oh I hear something. I hear a lot of things. 70 00:04:09,280 --> 00:04:15,039 Speaker 13: Now, okay, let's see get turned that one up, turn 71 00:04:15,199 --> 00:04:20,160 that one up. And oh, I wasn't strum that guitar 72 00:04:20,160 --> 00:04:22,800 a little bit. If you would please, actually you could both, 73 00:04:22,839 --> 00:04:23,920 Actually you should both strump. 74 00:04:26,360 --> 00:04:28,040 Speaker 14: We came out, came out a little bit while I 75 00:04:28,160 --> 00:04:28,759 was sitting here. 76 00:04:29,000 --> 00:04:29,720 Speaker 10: Yeah, that's okay. 77 00:04:29,800 --> 00:04:32,160 Speaker 14: I think my guitar gets nervous as I am. Maybe 78 00:04:32,199 --> 00:04:34,040 perhaps all. 79 00:04:34,000 --> 00:04:40,839 Speaker 13: Right, cool, let's do this. Let's have you, let's have 80 00:04:40,920 --> 00:04:45,399 you introduce yourselves. Please, Well, I guess, uh where the 81 00:04:45,439 --> 00:04:46,000 stiff tones. 82 00:04:46,040 --> 00:04:49,680 Speaker 14: I'm sean. This is Rachel my wife, and uh, we're 83 00:04:49,720 --> 00:04:52,319 from I'm from southern Illinois, she's from New Hampshire. I 84 00:04:52,480 --> 00:04:54,319 like to joke that she exited her and exit her. 85 00:04:54,759 --> 00:05:00,680 It's just Dan go to jokes. We've been travel in 86 00:05:00,720 --> 00:05:02,959 the country for about five years, living in the back 87 00:05:03,000 --> 00:05:05,800 of our Cadillac hearse playing and singing for our supper 88 00:05:06,399 --> 00:05:08,480 and hundreds of towns all over the country. 89 00:05:09,000 --> 00:05:09,240 Speaker 10: Yeah. 90 00:05:09,519 --> 00:05:13,279 Speaker 2: Yeah, we quit being grown ups and I got away 91 00:05:13,279 --> 00:05:15,759 from Yeah, COVID trust is how I was a nurse, 92 00:05:15,879 --> 00:05:18,439 you know, and yeah, COVID stress, oh no doubt. 93 00:05:18,519 --> 00:05:18,720 Speaker 10: Yeah. 94 00:05:19,160 --> 00:05:21,319 Speaker 2: After that, we were like, what we have choices, Like, 95 00:05:21,399 --> 00:05:23,360 we don't have to have all this stuff. 96 00:05:24,360 --> 00:05:26,759 Speaker 10: That's okay, we're on a delay. I caught it shipwreck. 97 00:05:26,959 --> 00:05:32,600 Speaker 2: I was saying, ship we don't have to have all 98 00:05:32,639 --> 00:05:34,920 this stuff, and so yeah, whatever we can fit in 99 00:05:34,959 --> 00:05:37,040 the hurst, we can take with us. Yeah, so that's 100 00:05:37,079 --> 00:05:37,480 what we did. 101 00:05:37,600 --> 00:05:39,279 Speaker 14: So that's what we did. We we kind of ran 102 00:05:39,360 --> 00:05:43,079 away with the proverbial circus. So we kind of call 103 00:05:43,120 --> 00:05:46,839 ourselves the rock and roll devible circus versus a revival. Okay, 104 00:05:47,560 --> 00:05:51,279 So that's basically where you take instead of just reviving something, 105 00:05:51,319 --> 00:05:53,759 you take the good parts of it. And you form 106 00:05:53,839 --> 00:05:54,560 something new with it. 107 00:05:54,920 --> 00:05:55,199 Speaker 10: Okay. 108 00:05:56,399 --> 00:05:58,079 Speaker 13: By the way, I just want our listeners to know too. 109 00:05:58,120 --> 00:06:01,439 I can confirm so the Hurst thing is not a gimmick. 110 00:06:01,759 --> 00:06:04,160 Speaker 10: That is real. There's an actual hearse outside. 111 00:06:04,279 --> 00:06:05,160 Speaker 2: Her name is Tanya. 112 00:06:05,480 --> 00:06:07,240 Speaker 10: Oh yes, I noticed that on the license plate. 113 00:06:07,360 --> 00:06:09,959 Speaker 2: Yeah yeah, people think that Tanya and I'm not. 114 00:06:10,199 --> 00:06:13,480 Speaker 10: I'm why, well, why is the Hurst Tanya? Why is it? 115 00:06:13,839 --> 00:06:17,399 Speaker 14: Okay? So everybody, a lot of folks get a hearse 116 00:06:17,399 --> 00:06:19,959 and they immediately want to name it. You get Patty 117 00:06:20,040 --> 00:06:21,079 on the license plate. 118 00:06:20,959 --> 00:06:23,759 Speaker 2: Either for this is our age showing like if you're older, 119 00:06:23,879 --> 00:06:25,120 then you know who Patty Hurst is. 120 00:06:26,560 --> 00:06:28,800 Speaker 14: We're like, okay, well I get it. That's funny. But 121 00:06:28,800 --> 00:06:31,240 wouldn't it be even cooler if we got one and 122 00:06:31,319 --> 00:06:34,040 we switched it to her music people at Pillow name. 123 00:06:34,439 --> 00:06:34,600 Speaker 3: Yeah. 124 00:06:34,680 --> 00:06:36,399 Speaker 2: So when she when she was kidnapped and then she 125 00:06:36,519 --> 00:06:39,519 joined the People's Liberation Organization, she changed her name to Tanya. 126 00:06:39,920 --> 00:06:42,079 And one of our favorite bands happens to be a 127 00:06:42,120 --> 00:06:44,720 band named Camper van Beethoven, and they have an album 128 00:06:44,800 --> 00:06:48,439 called Our Beloved Revolutionary Sweetheart. On this album is a 129 00:06:48,519 --> 00:06:52,879 song called Tanya and it's so we have to I 130 00:06:52,959 --> 00:06:53,800 mean it was just meant to. 131 00:06:53,800 --> 00:06:55,800 Speaker 14: Be because she used to be a funeral carriage, you know, 132 00:06:55,920 --> 00:06:57,439 and now she's a rock and roll rock. 133 00:06:57,519 --> 00:06:59,839 Speaker 2: Now she's eleven rock and roll tor queen. 134 00:07:00,040 --> 00:07:01,839 Speaker 14: Okay, okay, kind of a you know, that's kind of 135 00:07:01,879 --> 00:07:03,120 why that how that happened? 136 00:07:03,439 --> 00:07:03,600 Speaker 10: Now? 137 00:07:03,639 --> 00:07:05,319 Speaker 13: Do you so you travel all over the country. So 138 00:07:05,360 --> 00:07:06,560 do you have a show in the area and that's 139 00:07:06,600 --> 00:07:09,120 why you're you're here or how how does your tour 140 00:07:09,240 --> 00:07:09,920 routing work? 141 00:07:10,319 --> 00:07:13,040 Speaker 2: So in July, So, I, like I said, I'm a 142 00:07:13,279 --> 00:07:16,759 New Hampshire native and my father and my wicked stepmother 143 00:07:17,000 --> 00:07:19,240 wicked being New England wicked, nobody else gets out of it. 144 00:07:19,279 --> 00:07:20,639 I'm like my wicked step I. 145 00:07:20,639 --> 00:07:21,160 Speaker 8: Don't like her. 146 00:07:21,480 --> 00:07:22,439 Speaker 2: I'm like, no, she's wicked. 147 00:07:22,480 --> 00:07:22,639 Speaker 15: Good. 148 00:07:22,839 --> 00:07:26,360 Speaker 2: Okay, yeah, my wicked step mother. They live up here, 149 00:07:26,439 --> 00:07:28,560 and so we come up in July and split in 150 00:07:28,600 --> 00:07:30,639 stack wood and fill the woodshed and do some odds 151 00:07:30,639 --> 00:07:32,680 and ends and stuff to keep them, you know, going 152 00:07:32,759 --> 00:07:35,639 up on the hill while we're running around and okay, so, 153 00:07:35,759 --> 00:07:37,759 but he's from Illinois and that's where we So that's 154 00:07:37,800 --> 00:07:39,959 what we're up here. Yes, we do have actually a show. 155 00:07:40,120 --> 00:07:41,639 When we get done here, we head over to Leven 156 00:07:41,680 --> 00:07:44,759 in New Hampshire excellent, playing over the road house Mall, 157 00:07:45,319 --> 00:07:47,240 and then next week in we're over in Vermont and 158 00:07:47,319 --> 00:07:48,560 then then we head out. 159 00:07:48,839 --> 00:07:50,720 Speaker 10: Okay, back on the road. Okay. 160 00:07:50,959 --> 00:07:53,720 Speaker 13: Is it challenging that, I mean, this is an unconventional 161 00:07:53,879 --> 00:07:56,120 uh lifestyle, right, it. 162 00:07:58,040 --> 00:07:58,079 Speaker 16: Is. 163 00:07:58,959 --> 00:07:59,720 Speaker 14: It is difficult. 164 00:08:00,279 --> 00:08:02,720 Speaker 2: But so it was paying a mortgage and so, you know, 165 00:08:02,879 --> 00:08:04,639 so just making sure the lights are turned on and 166 00:08:04,759 --> 00:08:07,839 raising children and you know, and just getting by and life. 167 00:08:08,160 --> 00:08:11,439 So it's just it's just different. It's just a different complicated. 168 00:08:11,560 --> 00:08:14,439 I mean, I've been just as broken, just as frustrated 169 00:08:14,480 --> 00:08:16,399 when I was a nurse, as a as I am 170 00:08:16,480 --> 00:08:17,480 as a rock goddess. 171 00:08:18,000 --> 00:08:18,600 Speaker 10: That makes sense. 172 00:08:18,639 --> 00:08:20,279 Speaker 2: But I you know, this today was the first time 173 00:08:20,319 --> 00:08:21,600 I've had to set an alarm clock. 174 00:08:21,800 --> 00:08:25,360 Speaker 3: And yeah, yeah, kind of. 175 00:08:25,399 --> 00:08:28,639 Speaker 14: On a different time schedule now. Yeah, you play late 176 00:08:28,680 --> 00:08:30,560 a lot of times. Then you sleep in a little bit, 177 00:08:30,839 --> 00:08:33,320 you sleep until the sun warms, you up when. 178 00:08:33,159 --> 00:08:34,600 Speaker 2: You want, and you wake up when you want. For 179 00:08:34,679 --> 00:08:37,120 the most part. Yeah, there's you know, there's also those 180 00:08:37,159 --> 00:08:39,360 fifteen hour drive days, you know, because you guys, you 181 00:08:39,440 --> 00:08:40,919 got to get there or you know the side of 182 00:08:40,960 --> 00:08:43,039 the road, you know, tire changes or you know, I 183 00:08:43,080 --> 00:08:46,000 mean there's but again, you know you have those, you 184 00:08:46,039 --> 00:08:48,000 have roof leaks, and you have you know things, life, 185 00:08:48,120 --> 00:08:50,279 life happens. We have five children between the two of us. 186 00:08:50,320 --> 00:08:53,480 They're grown. Yeah, so yeah, we're pretty well adapted to, 187 00:08:54,120 --> 00:08:56,759 you know, dealing with the litany of issues that can 188 00:08:56,840 --> 00:08:57,559 come up on the road. 189 00:08:57,720 --> 00:09:00,840 Speaker 13: Yeah, and have you been doing this since because you 190 00:09:00,879 --> 00:09:02,879 said so, COVID was kind of your breaking point right 191 00:09:02,919 --> 00:09:04,159 as far as nursing. 192 00:09:04,519 --> 00:09:09,039 Speaker 2: Well, my girlfriend passed away suddenly on me, and girlfriend 193 00:09:09,159 --> 00:09:12,519 like friend friend and passed away suddenly on me. And 194 00:09:13,200 --> 00:09:15,039 it was one of those moments where I was forty 195 00:09:15,080 --> 00:09:16,799 five and I was like, man, my life was already 196 00:09:16,840 --> 00:09:18,480 half over, and you know what am I gonna do? 197 00:09:18,519 --> 00:09:20,200 And so I started travel nursing and we did that 198 00:09:20,320 --> 00:09:23,519 for a while, trying to scratch that itch. And because 199 00:09:23,519 --> 00:09:25,320 I was a military brat, so I grew up moving 200 00:09:25,360 --> 00:09:27,639 around a lot, and I'd been stuck in Illinois for 201 00:09:27,759 --> 00:09:32,639 like thirty years, and so he agreed with me. Yeah, 202 00:09:34,120 --> 00:09:37,039 and then yeah, we started singing together because he was 203 00:09:37,080 --> 00:09:39,000 a musician. I met him at an open mic and 204 00:09:39,279 --> 00:09:44,080 I'm dominating this conversation, but anyway, and music has always 205 00:09:44,120 --> 00:09:46,279 been very therapeutic to me in a different kind of way. 206 00:09:46,279 --> 00:09:48,200 I was never a maker of music or creator. I 207 00:09:48,240 --> 00:09:55,759 was an appreciator. I knowsh long story, extremely long. We 208 00:09:55,919 --> 00:09:58,799 met an open mic and then we started playing together 209 00:09:59,519 --> 00:10:02,320 gosh what twenty seventeen, twenty eighteen, and he had to 210 00:10:02,399 --> 00:10:05,159 rule no girlfriends in the band, so we had to 211 00:10:05,200 --> 00:10:05,679 get married. 212 00:10:06,039 --> 00:10:07,720 Speaker 14: If you're in a band, it's already like having three 213 00:10:07,759 --> 00:10:08,799 girlfriends at the same time. 214 00:10:09,240 --> 00:10:14,080 Speaker 2: So we were together as friends with extraordinary benefits for 215 00:10:14,120 --> 00:10:16,200 the first seven years and we've been married for the 216 00:10:16,279 --> 00:10:19,480 last seven fourteen years together. But anyway, we had to 217 00:10:19,480 --> 00:10:22,200 get married so we could be the stiff tones starting 218 00:10:22,240 --> 00:10:24,799 to open mic thing and traveling around with the travel 219 00:10:24,879 --> 00:10:27,159 nursing and kind of getting you know, like a hey man, 220 00:10:27,200 --> 00:10:29,080 what are you doing here? Can't have a vibe and 221 00:10:29,559 --> 00:10:32,120 so we're like, yeah, we'll try it. And it's nothing 222 00:10:32,200 --> 00:10:35,559 like what we thought. And we were completely naive and 223 00:10:35,639 --> 00:10:38,360 we weren't that good and blessed everybody and curse everybody 224 00:10:38,399 --> 00:10:41,559 that really cursed. But what are you doing here? I think, Yeah, 225 00:10:41,600 --> 00:10:43,799 that's how you get gas money. You're either really good. 226 00:10:43,720 --> 00:10:45,799 Speaker 14: Or really That was also one of our tactics later 227 00:10:45,919 --> 00:10:48,159 as a later as a band. I'll pass this out 228 00:10:48,200 --> 00:10:52,039 for any fledgling bands out there listening. Go out there 229 00:10:52,080 --> 00:10:54,399 and do it. And the reason for it is if 230 00:10:54,399 --> 00:10:58,000 you're even if you're awful like we were, eventually somebody 231 00:10:58,039 --> 00:10:58,679 will pay you to. 232 00:10:58,720 --> 00:11:05,039 Speaker 2: Leave first, and perspective is everything and. 233 00:11:05,360 --> 00:11:07,120 Speaker 14: Just start setting up camp and they'll just be like, 234 00:11:07,159 --> 00:11:08,639 all right, we're gonna pay you to get out of here. 235 00:11:10,279 --> 00:11:10,879 Speaker 3: The toilet paper. 236 00:11:11,039 --> 00:11:15,799 Speaker 10: That's right, right, very good. 237 00:11:16,120 --> 00:11:18,879 Speaker 13: Well, I uh, it's it's it's gonna be hard to 238 00:11:18,919 --> 00:11:22,120 avoid these puns. I'm dying to hear you play, so 239 00:11:22,159 --> 00:11:25,799 I said to Jenny earlier. I was like, before before 240 00:11:25,879 --> 00:11:28,519 the sentence even made it out of my mouth, fully 241 00:11:28,720 --> 00:11:30,720 I started. I started to say I'm dying to see 242 00:11:30,759 --> 00:11:33,120 the hears. I got as far as I'm dying, and 243 00:11:33,159 --> 00:11:36,480 then I'm like, oh, I'm making a pun. You're very penny, 244 00:11:36,679 --> 00:11:38,799 but but yeah, there is a there is a legit 245 00:11:38,919 --> 00:11:39,519 hearse out there. 246 00:11:39,840 --> 00:11:40,000 Speaker 14: Yeah. 247 00:11:40,039 --> 00:11:42,159 Speaker 2: Yeah. And just for the record, the name the stiff 248 00:11:42,200 --> 00:11:43,360 Tones came before. 249 00:11:43,159 --> 00:11:45,279 Speaker 10: The wondering about people. 250 00:11:46,240 --> 00:11:49,159 Speaker 2: I just assumed, Okay, our last name is Steve, and 251 00:11:49,320 --> 00:11:52,159 well my mine is now adopted it okay, And so 252 00:11:52,320 --> 00:11:54,360 growing up his nickname was Stiffy. So the little town 253 00:11:54,360 --> 00:11:56,600 where we're from, everybody knows him as Stiffy. That's how 254 00:11:56,639 --> 00:11:59,240 I met him with true when we were when he 255 00:11:59,279 --> 00:12:01,919 would do the open circuit, they would call anybody you 256 00:12:01,960 --> 00:12:03,320 could get up there and they'd say it was Stiffy 257 00:12:03,360 --> 00:12:04,039 and the stiff Tones. 258 00:12:05,919 --> 00:12:07,679 Speaker 14: I mean, as much as I love Tom Petty and 259 00:12:07,679 --> 00:12:08,799 I really do, but I don't want to be known 260 00:12:08,799 --> 00:12:10,480 as Tom Petty and the Heartbreakers. I want to be 261 00:12:10,559 --> 00:12:13,399 like the Stones or something band, right, and it was 262 00:12:13,480 --> 00:12:14,320 just the two of us. 263 00:12:14,240 --> 00:12:17,080 Speaker 2: So it can't be Stiffy and the stiff right, right, 264 00:12:17,799 --> 00:12:18,159 right right? 265 00:12:18,240 --> 00:12:18,440 Speaker 3: Yeah. 266 00:12:18,600 --> 00:12:19,639 Speaker 14: Very strange thing, wouldn't it. 267 00:12:19,759 --> 00:12:22,120 Speaker 10: Yeah, Yeah, yeah, that would be that would be yeah. 268 00:12:22,559 --> 00:12:24,559 Well very good. Okay, Well I I am. 269 00:12:24,919 --> 00:12:28,799 Speaker 13: I'm eager to hear you play. You sound You sounded 270 00:12:28,840 --> 00:12:31,399 phenomenal during the soundcheck, so this is going to be 271 00:12:31,759 --> 00:12:32,320 killing me here. 272 00:12:32,840 --> 00:12:37,399 Speaker 14: Ah, I want to play the song about a little hometown. Sure, Okay, 273 00:12:37,720 --> 00:12:39,080 So I guess we'll do a song for you about 274 00:12:39,080 --> 00:12:41,399 our little hometown. It's on our first album is about 275 00:12:41,399 --> 00:12:45,559 to come out in September, and it's kind of give 276 00:12:45,600 --> 00:12:48,720 you it's the meson scene of the album. Okay, it's 277 00:12:48,840 --> 00:12:51,120 kind of the just you know, it's a it's a 278 00:12:51,159 --> 00:12:55,080 little corner towns where it all started. There's trains, coal 279 00:12:55,159 --> 00:12:58,320 mines and uh industry that has gone kind of vibes. 280 00:12:58,399 --> 00:13:01,679 So anyways, we're this album starts. I think we'll start there. 281 00:13:01,919 --> 00:13:02,240 Speaker 10: Okay. 282 00:13:02,440 --> 00:13:06,240 Speaker 14: It's a song called Midwestern Town. It's just kind of 283 00:13:06,279 --> 00:13:08,039 a love song to your hometown kind of song. 284 00:13:08,159 --> 00:13:10,519 Speaker 10: All right. The Stifftones Live in Studio. 285 00:13:36,360 --> 00:13:41,000 Speaker 4: Has a story. They have to stay in in this town. 286 00:13:45,919 --> 00:13:49,000 Most were passing through here and faith. 287 00:13:49,519 --> 00:13:51,960 Speaker 12: Had decided let them down. 288 00:13:58,200 --> 00:14:00,200 Speaker 4: Have chat out to you? 289 00:14:01,000 --> 00:14:02,639 Speaker 8: What time would do? 290 00:14:07,559 --> 00:14:10,240 Speaker 4: God back my bags and say goodbye? 291 00:14:11,039 --> 00:14:12,960 Speaker 11: Hand catch next train home? 292 00:14:13,080 --> 00:14:13,279 Speaker 5: Do you. 293 00:14:15,480 --> 00:14:15,759 Speaker 11: Home? 294 00:14:15,879 --> 00:14:16,039 Speaker 3: To you? 295 00:14:19,320 --> 00:14:20,639 Speaker 4: Mid Western Town? 296 00:14:21,039 --> 00:14:23,279 Speaker 12: Western Down? 297 00:14:23,639 --> 00:14:28,559 Speaker 3: Your lime? You're my home? 298 00:14:29,279 --> 00:14:31,840 Speaker 4: Let me mid Western Town. 299 00:14:31,720 --> 00:14:35,600 Speaker 12: In Western Town, don't let me go. 300 00:14:36,960 --> 00:14:39,360 Speaker 3: You gotta let me go. 301 00:14:39,799 --> 00:14:41,080 Speaker 8: Don't you let me go? 302 00:14:45,320 --> 00:14:53,919 Speaker 4: You gotta let me go. This place is like a 303 00:14:54,159 --> 00:14:57,559 heaven on where trees they go today. 304 00:15:02,840 --> 00:15:07,399 Speaker 17: I should have left you, ride away and never speak 305 00:15:07,600 --> 00:15:09,320 a single night. 306 00:15:10,679 --> 00:15:11,120 Speaker 7: Single. 307 00:15:13,919 --> 00:15:18,200 Speaker 17: But if I had half chance, I'll tell you what 308 00:15:18,440 --> 00:15:27,360 the time would do. Lad back my bags and say goodbye? 309 00:15:28,159 --> 00:15:30,080 Speaker 11: Can catch next train home? 310 00:15:30,159 --> 00:15:30,360 Speaker 1: Do you. 311 00:15:32,600 --> 00:15:32,840 Speaker 11: Home? 312 00:15:32,960 --> 00:15:33,200 Speaker 1: Do you. 313 00:15:36,360 --> 00:15:38,000 Speaker 4: Midle Western Town. 314 00:15:37,840 --> 00:15:40,320 Speaker 12: In Western Down? 315 00:15:40,720 --> 00:15:42,039 Speaker 8: You're my home? 316 00:15:43,519 --> 00:15:51,559 Speaker 4: You my home? Mid Western town, Western time down, you 317 00:15:51,720 --> 00:15:54,879 let me go, you gotta let me. 318 00:15:56,279 --> 00:15:58,159 Speaker 11: Go, won't you let me go? 319 00:16:02,320 --> 00:16:49,240 Speaker 4: Catalatica? Tell me baby, where it's that you usly. 320 00:16:53,879 --> 00:16:54,279 Speaker 18: Tell me? 321 00:16:54,720 --> 00:16:56,039 Speaker 4: Never make it out. 322 00:16:56,320 --> 00:17:02,879 Speaker 7: But maybe we could share around dream share, oh dreams. 323 00:17:05,319 --> 00:17:06,920 Speaker 4: Mid Western town. 324 00:17:09,039 --> 00:17:17,920 Speaker 17: Down, Jumama, mod Western town. 325 00:17:20,039 --> 00:17:26,480 Speaker 3: Down, let me go, you gotta let me go, let 326 00:17:26,599 --> 00:17:32,319 me go, you gotta let go. 327 00:17:42,039 --> 00:17:46,480 Speaker 10: Oh that is so good, beautiful, that is so good. 328 00:17:46,880 --> 00:17:48,720 We've got the stiff tones here with us. 329 00:17:48,759 --> 00:17:53,720 Speaker 13: Alive in studio, and uh, how many like, how many 330 00:17:54,200 --> 00:17:57,480 songs do you have? Probably quite a few at this 331 00:17:57,559 --> 00:17:59,799 point right in terms of original music, we do have 332 00:17:59,880 --> 00:18:00,279 a few. 333 00:18:01,279 --> 00:18:02,119 Speaker 1: We do well. 334 00:18:02,119 --> 00:18:05,880 Speaker 2: We're getting ready to release our debut album on September 335 00:18:05,920 --> 00:18:07,240 twenty first, hopefully. 336 00:18:07,119 --> 00:18:10,359 Speaker 10: Oh I'm excellent, excellent, Yeah, And so there. 337 00:18:10,440 --> 00:18:13,599 Speaker 2: There'll be nine original tracks on there in one cover. 338 00:18:14,640 --> 00:18:18,839 And then we have the good meat and potatoes of 339 00:18:18,880 --> 00:18:23,480 our second album already well in him on that largely 340 00:18:23,680 --> 00:18:26,680 so we've been Most of these songs that were that 341 00:18:26,720 --> 00:18:29,480 we're performing today and that are going to be on 342 00:18:29,519 --> 00:18:33,039 the album are all songs that were written either right 343 00:18:33,319 --> 00:18:36,039 well before Sewn and I met, or write as we met, 344 00:18:36,200 --> 00:18:41,039 or you know, after and so yeah, fourteen years, he 345 00:18:41,119 --> 00:18:42,680 and I have been kind of working on some of 346 00:18:42,759 --> 00:18:45,519 these same songs, but we didn't go into this with 347 00:18:45,640 --> 00:18:47,680 the idea that that's what we were doing, because again, 348 00:18:47,720 --> 00:18:49,200 I was a nurse and I was a mother, and 349 00:18:49,319 --> 00:18:51,559 that's what I you know. I sang with him and 350 00:18:51,599 --> 00:18:53,480 harmonized with him when he would practice and play because 351 00:18:53,480 --> 00:18:55,160 it was fun and I love to sing, you know, 352 00:18:55,200 --> 00:18:56,519 and I sang growing up and whatever. 353 00:18:56,599 --> 00:18:56,880 Speaker 7: But like. 354 00:18:58,400 --> 00:19:02,519 Speaker 2: Run away and join the circus. It's crazy now, I mean, like, yeah, 355 00:19:02,640 --> 00:19:04,440 I had my pH d and Karen, you know, like 356 00:19:04,599 --> 00:19:07,759 I had the hair cut for a while living in 357 00:19:07,799 --> 00:19:11,640 a hearse what no, right, Yeah, So. 358 00:19:11,759 --> 00:19:13,680 Speaker 14: The one cover we do is a cover by a 359 00:19:13,720 --> 00:19:17,119 guy named Johnny Hickman. I want to mention that, so 360 00:19:17,759 --> 00:19:21,799 not all Heroes capes. So the reason it's on there 361 00:19:21,880 --> 00:19:26,079 is because it's it's our bat signal song and it's 362 00:19:26,559 --> 00:19:30,839 at the very very end of the album. So so anyways, 363 00:19:30,880 --> 00:19:33,000 that's kind of that was the first song. Okay, so 364 00:19:33,359 --> 00:19:35,480 the album actually was kind of written around the idea 365 00:19:35,519 --> 00:19:37,240 of putting that song at the end of the album. 366 00:19:38,200 --> 00:19:42,960 Speaker 10: Yeah, why is that, like why it belong there? 367 00:19:43,480 --> 00:19:44,240 Speaker 11: It's I don't know. 368 00:19:44,359 --> 00:19:46,079 Speaker 14: For whatever reason. Well, Rachel probably tell you. 369 00:19:46,319 --> 00:19:48,319 Speaker 2: One of the reasons is, you know, is a bad signal, 370 00:19:48,359 --> 00:19:50,880 you know. And when Shawn and I were first dating 371 00:19:51,079 --> 00:19:53,440 and becoming friends, anybody that knows us knows we know 372 00:19:53,519 --> 00:19:56,519 how to fight very very much. Yeah, we perfected it 373 00:19:56,680 --> 00:20:00,720 like it's very early on, and we'll get there's where's 374 00:20:00,799 --> 00:20:03,519 much brother and sister and a mother and son and 375 00:20:03,640 --> 00:20:09,319 and and it's like it's crazy. But when we would 376 00:20:09,359 --> 00:20:12,200 break up, and because we again we had five children 377 00:20:12,200 --> 00:20:14,079 between the two of us, it was just complicated and missing. 378 00:20:14,119 --> 00:20:16,279 We'd break up and he'd go home and he'd post 379 00:20:16,359 --> 00:20:18,920 this song on the internet because Facebook was new at 380 00:20:18,960 --> 00:20:21,480 the time. And I knew that I was the treacherous 381 00:20:21,519 --> 00:20:24,240 woman in that song. So even though he didn't write it, 382 00:20:24,279 --> 00:20:26,960 it was but so but I knew it was time 383 00:20:27,000 --> 00:20:28,799 for me to call him up because he was thinking and. 384 00:20:28,799 --> 00:20:33,079 Speaker 14: Johnny, Johnny's my favorite guitar player. Without him having been 385 00:20:33,119 --> 00:20:35,480 a guitar player, he heard his work in the band Cracker, 386 00:20:35,559 --> 00:20:37,680 I would have never picked up a guitar. 387 00:20:38,240 --> 00:20:38,400 Speaker 17: Yeah. 388 00:20:38,440 --> 00:20:40,680 Speaker 2: I actually got to shake his hand and say it. 389 00:20:40,759 --> 00:20:43,000 And so he gave us his permission for this song 390 00:20:43,160 --> 00:20:45,240 to be or not that this song. We'ren't doing it 391 00:20:45,359 --> 00:20:47,240 right now, but that song to be at the end 392 00:20:47,279 --> 00:20:50,160 of the album. Oh okay, Yeah, and we re arranged 393 00:20:50,160 --> 00:20:53,240 it a little bit and but yeah, given us his permission. 394 00:20:53,599 --> 00:20:56,079 Speaker 10: Very cool. Now where you might have mentioned it earlier, 395 00:20:56,119 --> 00:20:57,759 but where are you recording the album? 396 00:20:58,359 --> 00:20:58,839 Speaker 14: Everywhere? 397 00:20:59,000 --> 00:20:59,920 Speaker 10: Everywhere episode? 398 00:21:00,039 --> 00:21:01,640 Speaker 14: We were as we were right in we were here 399 00:21:01,720 --> 00:21:03,400 listening to you guys talk about that on the show, 400 00:21:03,440 --> 00:21:04,880 and I was like, oh my goodness, way to the 401 00:21:04,920 --> 00:21:08,160 hear hear from us. So we're putting this album together 402 00:21:08,200 --> 00:21:11,160 in the most unconventional way you could possibly about imagine 403 00:21:11,680 --> 00:21:13,440 over the course of the last four years, being run 404 00:21:13,519 --> 00:21:17,279 around the country singing for our supper. So we started 405 00:21:17,319 --> 00:21:22,319 putting the album together like in different places. So part 406 00:21:22,359 --> 00:21:24,000 of the album, the first part of the end of 407 00:21:24,039 --> 00:21:24,480 the album. 408 00:21:25,599 --> 00:21:28,799 Speaker 2: Firstly, we just recorded tracks of my dad's garage, of 409 00:21:28,880 --> 00:21:29,720 my dad's kitchen. 410 00:21:29,640 --> 00:21:32,680 Speaker 14: Just the other night that we recorded for it would 411 00:21:32,720 --> 00:21:33,200 have happened. 412 00:21:33,240 --> 00:21:37,359 Speaker 2: We we went all the way to California, southern California. 413 00:21:36,920 --> 00:21:38,880 Speaker 14: To record the like the end of the album. 414 00:21:39,079 --> 00:21:43,400 Speaker 2: Yeah, and that's where Backwards Down a Hill was recorded. Yeah, 415 00:21:43,559 --> 00:21:45,759 because when we first went out on twenty twenty one, 416 00:21:45,960 --> 00:21:48,720 we went out with the intention of recording this album, 417 00:21:48,759 --> 00:21:50,519 and at that time, Backwards Down a Hill was going 418 00:21:50,599 --> 00:21:52,319 to be maybe was going to be on the album. 419 00:21:52,960 --> 00:21:54,960 But the only thing we left that day with was 420 00:21:55,200 --> 00:21:58,640 Backwards Down a Hill. An education, that's right, Yeah, very good, 421 00:21:59,039 --> 00:22:03,240 very good education, and realization that we needed more education. 422 00:22:03,920 --> 00:22:05,960 Speaker 14: And so so the back of the album is more 423 00:22:06,240 --> 00:22:09,039 like recorded in California. But then everything kind of goes 424 00:22:09,160 --> 00:22:12,440 like in a Quentin Tarantino style, everything goes backwards. After that, 425 00:22:12,599 --> 00:22:15,160 Backwards down a Hill, we just cursed ourselves and didn't 426 00:22:15,160 --> 00:22:15,480 even know it. 427 00:22:16,640 --> 00:22:17,160 Speaker 3: We went in there. 428 00:22:17,920 --> 00:22:21,039 Speaker 14: We recorded a version of the last song in the album, 429 00:22:21,079 --> 00:22:22,799 Father Winter, and it was awful. 430 00:22:23,119 --> 00:22:24,400 Speaker 10: Really, Yeah, we did. 431 00:22:24,359 --> 00:22:25,880 Speaker 14: The one thing that we were asked not to is 432 00:22:25,960 --> 00:22:29,480 to not not not ruin the song in the Chili, 433 00:22:29,559 --> 00:22:32,000 and so we did in the studio that it was 434 00:22:32,039 --> 00:22:33,279 originally recorded with the. 435 00:22:33,279 --> 00:22:35,640 Speaker 2: Original engineer that recorded the original. 436 00:22:37,079 --> 00:22:37,279 Speaker 11: We did. 437 00:22:37,680 --> 00:22:42,359 Speaker 2: We could have fanned ourselves in front of them anymore situation. 438 00:22:43,519 --> 00:22:45,839 Speaker 14: So we tucktail and we went all We drove all 439 00:22:45,839 --> 00:22:47,920 the way back to New Hampshire. In our hearse there's 440 00:22:47,920 --> 00:22:51,200 a story about paying the band the engineering change the 441 00:22:51,240 --> 00:22:55,119 story for a year older. But we get we make 442 00:22:55,200 --> 00:22:56,960 it back and then we get stranded on the mountain 443 00:22:57,640 --> 00:22:58,359 in the winter time. 444 00:22:58,720 --> 00:22:59,880 Speaker 2: Uppear Oh my god. 445 00:23:00,920 --> 00:23:06,079 Speaker 14: Yeah, So anyways we uh recomposed that song. Yeah, while 446 00:23:06,079 --> 00:23:08,359 we're living in a tent. Oh wow, side of the mountain. 447 00:23:09,039 --> 00:23:10,519 Speaker 2: Would couldn't would stay warm? 448 00:23:12,079 --> 00:23:14,079 Speaker 14: And then we went to uh, we went to uh. 449 00:23:14,559 --> 00:23:16,319 We recorded that with Chuck melching down. 450 00:23:16,240 --> 00:23:19,440 Speaker 2: And in New Market where I got kicked out of 451 00:23:19,440 --> 00:23:19,920 the first grade. 452 00:23:20,559 --> 00:23:24,079 Speaker 14: So Father Winter was recorded here in New Hampshire. It's 453 00:23:24,119 --> 00:23:27,000 the last last last track on the album. Okay, So 454 00:23:27,440 --> 00:23:29,680 I know it's a lot of discon convuluted story, but 455 00:23:29,960 --> 00:23:31,160 all ties into a big theme. 456 00:23:31,440 --> 00:23:33,000 Speaker 2: Yeah, we're from a movie. 457 00:23:33,440 --> 00:23:37,839 Speaker 14: Yeah there's a movie, or at least a really uh seedy, 458 00:23:37,920 --> 00:23:39,480 grainy YouTube video. 459 00:23:41,960 --> 00:23:46,359 Speaker 10: Started you what your role is like? 460 00:23:46,400 --> 00:23:47,400 Speaker 14: Man, I'm hovered on the button. 461 00:23:50,880 --> 00:23:51,119 Speaker 2: Okay. 462 00:23:51,160 --> 00:23:53,480 Speaker 10: Anyway, by the way, I do have to ask, why 463 00:23:53,519 --> 00:23:54,839 did you get kicked out of the first grade? 464 00:23:55,039 --> 00:23:56,400 Speaker 14: Oh boy? This is glorious? 465 00:23:56,759 --> 00:23:57,440 Speaker 10: Is Yeah? 466 00:23:57,519 --> 00:23:59,160 Speaker 14: She was on an army brap. Go ahead, Rachel, tell 467 00:23:59,200 --> 00:23:59,480 the story. 468 00:23:59,480 --> 00:24:02,079 Speaker 2: It's really it's not that good. So I was, I 469 00:24:02,160 --> 00:24:04,880 was in military, brought my birthdays in October when we 470 00:24:05,039 --> 00:24:09,000 moved to Germany and and they let you start kindergarten 471 00:24:09,039 --> 00:24:11,559 at like age four over there, yeah forgotten. 472 00:24:11,880 --> 00:24:12,680 Speaker 10: Yeah, So I. 473 00:24:12,759 --> 00:24:16,720 Speaker 2: Finished kindergarten where they originally originated it, and it came 474 00:24:16,759 --> 00:24:19,039 back to the US and they let me start the 475 00:24:19,119 --> 00:24:20,960 first grade. And then they realized I didn't meet the 476 00:24:21,079 --> 00:24:24,880 age requirement. They sent me home with a note pinned 477 00:24:24,920 --> 00:24:28,000 to my shirt telling me that I was not allowed 478 00:24:28,039 --> 00:24:28,920 to come back anymore. 479 00:24:28,960 --> 00:24:29,200 Speaker 12: I was. 480 00:24:29,720 --> 00:24:30,440 Speaker 2: I loved school. 481 00:24:30,480 --> 00:24:31,119 Speaker 8: I was so mad. 482 00:24:31,200 --> 00:24:32,240 Speaker 10: I was wow. 483 00:24:32,480 --> 00:24:37,279 Speaker 2: Yeah, so yeah, and then I was traumatized after that. 484 00:24:37,720 --> 00:24:39,519 Speaker 10: Yeah, I can imagine. 485 00:24:40,079 --> 00:24:40,279 Speaker 14: Wow. 486 00:24:40,960 --> 00:24:43,839 Speaker 10: Well, on that note, we want to play another song? 487 00:24:43,880 --> 00:24:45,160 You want to hear you want to play another one. 488 00:24:45,200 --> 00:24:48,079 I'm not to hear another one, Okay, So I can't. 489 00:24:48,079 --> 00:24:49,559 I can't even help it. I literally just said it. 490 00:24:50,880 --> 00:24:54,559 Speaker 14: Yeah, yeah, give me the second week, give it a 491 00:24:54,559 --> 00:24:54,880 little too. 492 00:24:55,000 --> 00:24:56,640 Speaker 11: Oh yeah, yeah, we'll play one. 493 00:24:57,000 --> 00:24:58,680 Speaker 14: Rachel can talk about this one if she wants. But 494 00:24:59,079 --> 00:25:01,480 this is we're gonna do called starting over. And if 495 00:25:01,480 --> 00:25:03,799 you're old, if you're you're old enough to have had 496 00:25:03,839 --> 00:25:04,599 to do this before. 497 00:25:05,119 --> 00:25:08,319 Speaker 2: So I tell you this song is. We released it 498 00:25:08,440 --> 00:25:10,880 as a demo version on Backwards down Hill, so there 499 00:25:10,960 --> 00:25:13,039 is a B side out there. It's a demo and 500 00:25:13,119 --> 00:25:15,319 I recorded it in southern California, and the reason why 501 00:25:15,359 --> 00:25:16,880 we had to come to New Hampshire re recorded it 502 00:25:16,880 --> 00:25:18,680 is because when I recorded it and sounder in New Hampshire, 503 00:25:19,079 --> 00:25:21,880 I didn't realize till we got back here that was Stotova. 504 00:25:22,400 --> 00:25:25,319 I was like, what I'm like, I'm not. I haven't 505 00:25:25,319 --> 00:25:27,039 lived in New Hampshire since Ye, this is where I 506 00:25:27,119 --> 00:25:28,880 learned how to speak. But yeah, since so I had 507 00:25:28,920 --> 00:25:30,440 to come back to New Hampshire so I could re 508 00:25:30,559 --> 00:25:34,400 record it, Chuck Melchin, and so I could start over, 509 00:25:35,559 --> 00:25:38,480 starting over. But the one that's on the internet right now, 510 00:25:38,559 --> 00:25:39,319 I'm stott Ova. 511 00:25:41,400 --> 00:25:41,599 Speaker 12: Yeah. 512 00:25:42,880 --> 00:25:45,200 Speaker 2: So, and then the other side of this story song 513 00:25:45,480 --> 00:25:49,279 is the internet version is explicit. We won't do the explicit. 514 00:25:49,039 --> 00:25:50,160 Speaker 10: Version today, thank you. 515 00:25:50,559 --> 00:25:54,319 Speaker 2: But it's a beautiful song about starting over and if 516 00:25:54,359 --> 00:25:57,440 you're gonna, you know, do it, you might as well 517 00:25:57,480 --> 00:25:59,440 do it big. So the F word is all through it. 518 00:26:00,039 --> 00:26:02,400 Speaker 10: I said, yeah, but not this time, but not this one. 519 00:26:02,480 --> 00:26:04,680 We're on an eight second to laugh your slip it happens. 520 00:26:05,799 --> 00:26:07,519 Speaker 2: No, yeah, we got this one down. 521 00:26:07,599 --> 00:26:08,559 Speaker 10: Okay, all right, thank you. 522 00:26:09,079 --> 00:26:09,559 Speaker 14: She says that. 523 00:26:10,880 --> 00:26:29,000 Speaker 10: All right. The Stiff Toones live in studio, so we're playing. 524 00:26:31,880 --> 00:26:33,920 Speaker 12: Tell me to just see that. 525 00:26:35,400 --> 00:26:37,480 Speaker 8: I couldn't look away. 526 00:26:39,400 --> 00:26:44,400 Speaker 12: I don't know where I'm calling. It's a journey out 527 00:26:44,519 --> 00:26:48,720 of it and I don't know where. I'm cold. 528 00:26:50,480 --> 00:26:52,200 Speaker 2: Just then, I can't stay. 529 00:26:53,599 --> 00:26:56,759 Speaker 12: Now starting over, a starting over. 530 00:26:57,160 --> 00:27:02,799 Speaker 16: Maybe this time I can get him starting over, I'm 531 00:27:02,920 --> 00:27:04,079 starting over. 532 00:27:04,359 --> 00:27:07,440 Speaker 2: Maybe the time marking get here right. 533 00:27:07,920 --> 00:27:12,440 Speaker 16: But I wouldn't play no list because I'm leaving with 534 00:27:12,680 --> 00:27:14,119 no regrance. 535 00:27:15,119 --> 00:27:19,200 Speaker 12: No, I wouldn't hold children for me. 536 00:27:21,599 --> 00:27:32,359 Speaker 6: Now for me, keep looking now for me, keep looking now? 537 00:27:33,400 --> 00:27:35,480 Speaker 12: Tell me, did you feel that. 538 00:27:36,960 --> 00:27:44,519 Speaker 16: Something's gone to change? It's been coming for so long? Honey, 539 00:27:45,240 --> 00:27:46,119 I can't wait. 540 00:27:47,960 --> 00:27:48,559 Speaker 12: I don't know. 541 00:27:49,160 --> 00:27:49,519 Speaker 8: I'll go. 542 00:27:51,519 --> 00:27:51,880 Speaker 12: Just there. 543 00:27:52,160 --> 00:27:57,839 Speaker 16: I can't stay and now starting over, starting over? 544 00:27:58,160 --> 00:28:03,000 Speaker 17: Maybe the simmaking in it right, I'm starting over. 545 00:28:03,559 --> 00:28:08,240 Speaker 12: I'm starting over. Maybe this time I can't get it right. 546 00:28:08,720 --> 00:28:13,359 Speaker 16: But it's brooking, its time maybe, and it's desperate. It's 547 00:28:13,440 --> 00:28:18,079 hand May see, there's at least somewhere for you. 548 00:28:19,119 --> 00:28:39,640 Speaker 15: Inform me, in for me, looking for me, traditional. 549 00:28:48,000 --> 00:28:55,480 Speaker 12: Telling me that you hears it times taking away, come 550 00:28:55,640 --> 00:29:00,599 with me, hand mid because I'm living at it. 551 00:29:02,599 --> 00:29:07,839 Speaker 16: I don't know I'm calling, just that I can't stay 552 00:29:09,039 --> 00:29:14,119 and now I'm starting over, starting over, maybe this time back, 553 00:29:14,839 --> 00:29:20,960 get here right. I'm starting over, starting over, maybe this sipping. 554 00:29:20,799 --> 00:29:22,720 Speaker 8: Back and get it ride. 555 00:29:23,119 --> 00:29:30,119 Speaker 16: But I wouldn't place opens because I'm living with no regrets. No, 556 00:29:30,319 --> 00:29:40,880 I wouldn't hold Joeldren for me, for me, for me, 557 00:29:47,519 --> 00:29:48,880 I'm starting over. 558 00:29:49,279 --> 00:29:52,519 Speaker 12: I'm starting over, maybe this time back. 559 00:29:52,359 --> 00:29:53,759 Speaker 8: And get here right. 560 00:29:54,440 --> 00:29:59,079 Speaker 12: I'm starting over. I'm starting over, maybe this time back 561 00:29:59,200 --> 00:30:00,720 and right. 562 00:30:01,119 --> 00:30:07,160 Speaker 16: But I wouldn't please movements because I've got no freaking regrets. 563 00:30:08,119 --> 00:30:09,400 Speaker 4: No one wouldn't. 564 00:30:11,599 --> 00:30:12,079 Speaker 7: For me. 565 00:30:30,119 --> 00:30:33,720 Speaker 10: I love it. The Stiff Tones live in studio. That 566 00:30:33,920 --> 00:30:39,039 is so good. Rachel here with us. Oh, that's okay, 567 00:30:39,119 --> 00:30:42,759 no worries, no worries. No, you sound amazing. Is this 568 00:30:42,920 --> 00:30:45,119 some now? Is this the earliest in that Is this 569 00:30:45,200 --> 00:30:47,240 the earliest in the day that you've sung in a 570 00:30:47,319 --> 00:30:47,839 long time? 571 00:30:47,920 --> 00:30:48,119 Speaker 14: Yeah? 572 00:30:48,160 --> 00:30:48,519 Speaker 8: Probably? 573 00:30:48,680 --> 00:30:48,880 Speaker 12: Yeah? 574 00:30:49,240 --> 00:30:51,680 Speaker 10: Yeah? Is that is that different? 575 00:30:51,920 --> 00:30:51,960 Speaker 1: Or? 576 00:30:52,319 --> 00:30:54,720 Speaker 13: Because you know, sometimes somebody will will come in and 577 00:30:54,759 --> 00:30:57,359 they will perform and they'll say it's it's unusual, like 578 00:30:57,440 --> 00:30:59,680 they feel like they sound different or something, and and 579 00:30:59,759 --> 00:31:02,039 for a lot of people they don't notice any difference. 580 00:31:02,119 --> 00:31:06,799 Speaker 2: But I think I'm a two packag day reform smoker. 581 00:31:06,920 --> 00:31:10,359 Speaker 14: Yeah. Some days I get up and like, oh, I'm 582 00:31:10,359 --> 00:31:16,160 feeling I'm sound a rough track something yeah, and she's like, well, 583 00:31:16,240 --> 00:31:18,400 it's not sound like Rover on the recording. 584 00:31:21,319 --> 00:31:22,799 Speaker 2: My biggest issue is just comfort. 585 00:31:23,279 --> 00:31:23,480 Speaker 10: Yeah. 586 00:31:24,319 --> 00:31:26,519 Speaker 2: They have really bad stage right, and then get in 587 00:31:26,559 --> 00:31:29,359 my head and then yeah, they'll start getting tight and pitchy, 588 00:31:29,359 --> 00:31:31,319 and then I start sweating and I'm like, I don't know. 589 00:31:31,359 --> 00:31:32,039 Whole thing is just like. 590 00:31:32,240 --> 00:31:34,200 Speaker 14: If I get nervous on stage, it looks like I'm 591 00:31:34,519 --> 00:31:37,880 doing metaphetic means I start sweating, I'm going like really yeah, yeah, 592 00:31:38,359 --> 00:31:39,720 like speed racing through my songs. 593 00:31:39,960 --> 00:31:43,160 Speaker 2: Oh wow, Yeah, it's crazy doing except that you love 594 00:31:43,240 --> 00:31:44,559 so much but you're so scared to do. 595 00:31:44,799 --> 00:31:47,440 Speaker 13: Like yeah, well, I used to play in bands, and 596 00:31:47,559 --> 00:31:48,839 you know, for me, the way it would always work 597 00:31:48,960 --> 00:31:50,880 is I'd be nervous right before, but then once I 598 00:31:51,039 --> 00:31:52,200 was on stage. 599 00:31:51,960 --> 00:31:53,400 Speaker 2: Yeah, you can get in it. 600 00:31:53,599 --> 00:31:55,319 Speaker 10: Then then you're yeah, yeah, exactly. 601 00:31:55,559 --> 00:31:57,400 Speaker 2: Like you're up there and you've got like one person 602 00:31:57,480 --> 00:31:59,599 just sitting there staring at you, and you're like, yeah, 603 00:32:00,039 --> 00:32:01,599 the whole or if it's somebody that you know. 604 00:32:01,839 --> 00:32:04,279 Speaker 13: But there's value in that too, right, because on the 605 00:32:04,319 --> 00:32:07,039 one hand, yeah, it's you know, you feel that anxiety 606 00:32:07,079 --> 00:32:08,960 and whatnot. Sometimes in the moment, you might wish you 607 00:32:09,000 --> 00:32:11,000 didn't feel that, But then again, if that went away, 608 00:32:11,559 --> 00:32:13,880 wouldn't that also be kind of a bummer, because then you'd. 609 00:32:13,720 --> 00:32:16,759 Speaker 10: Start to question, like, is this is this no longer exciting? 610 00:32:17,000 --> 00:32:20,119 Speaker 2: That's what I learned about is tell yourself, it's not anxiety, 611 00:32:20,319 --> 00:32:22,480 this is this is not me being afraid. This is 612 00:32:22,599 --> 00:32:26,119 me being excited. And it's in that emotion you Other 613 00:32:26,160 --> 00:32:28,400 people tell you that that's that's fear that you're feeling 614 00:32:28,480 --> 00:32:29,920 that way, but they're not in your meat too, they 615 00:32:29,960 --> 00:32:32,759 don't actually know what you're feeling, right exactly. You get 616 00:32:32,839 --> 00:32:37,240 to say that this moment, I'm not afraid, I'm excited excited, 617 00:32:37,319 --> 00:32:39,559 ye And I'm I'm worried that I might do it wrong, 618 00:32:39,640 --> 00:32:41,079 but I'm gonna have so much fun that it's okay. 619 00:32:41,160 --> 00:32:43,960 Ye I'm gonna be have more fun than I'm gonna 620 00:32:44,000 --> 00:32:44,359 be scared. 621 00:32:44,519 --> 00:32:46,640 Speaker 10: It's ultimately, it's a good kind of nervous, you know. 622 00:32:47,039 --> 00:32:50,119 Speaker 2: Yeah, absolutely, psych yourself, lie until you believe it. 623 00:32:50,279 --> 00:32:53,640 Speaker 10: Right, Yeah, exactly, exactly yea. 624 00:32:53,680 --> 00:32:57,079 Speaker 2: And that what they're teaching is now these days And you. 625 00:32:57,119 --> 00:32:59,839 Speaker 10: Said, Rachel, you said you used to be a smoker. Yeah, 626 00:33:00,000 --> 00:33:02,440 how'd you quit. I'm curious because I'm a hypnotherapist. 627 00:33:02,480 --> 00:33:04,519 Speaker 13: I help people quit smoking, So whenever someone tells me 628 00:33:04,519 --> 00:33:05,799 they used to be a smoker, I'm like, oh, how'd 629 00:33:05,799 --> 00:33:06,079 you quit? 630 00:33:07,039 --> 00:33:09,640 Speaker 2: Well, first of all, I was a nurse for eighteen years, 631 00:33:09,720 --> 00:33:11,480 and so there would be many and I was icey 632 00:33:11,559 --> 00:33:13,480 nurse and a dialysis nur, so there'd be many shifts 633 00:33:13,480 --> 00:33:15,119 that I would go twelve to eighteen hours without being 634 00:33:15,160 --> 00:33:18,200 able to smoke. So I've got some pretty good control 635 00:33:18,279 --> 00:33:20,839 over stuff when I have control, but I also have 636 00:33:21,039 --> 00:33:23,920 an inability or ability to have no control. Yeah, that 637 00:33:24,079 --> 00:33:28,319 being said, when we started doing running around the country, 638 00:33:28,400 --> 00:33:32,359 smoking as expensive and I smoked mentals and my throat 639 00:33:32,400 --> 00:33:35,359 started burning a lot. And then so we started smoking 640 00:33:35,759 --> 00:33:38,440 his cigarettes to save money, and we would share because 641 00:33:38,440 --> 00:33:40,039 I didn't smoke quite as much. And then we started 642 00:33:40,079 --> 00:33:41,839 smoking a loose leave and we were smoking out of 643 00:33:41,880 --> 00:33:44,680 a pipe because it was just even that cheaper. And 644 00:33:44,759 --> 00:33:46,480 it got down to the point where we were literally 645 00:33:46,519 --> 00:33:48,920 smoking the equivalent of three cigarettes a day between the 646 00:33:48,960 --> 00:33:50,119 two of us out of a pipe. 647 00:33:50,319 --> 00:33:51,119 Speaker 7: Yeah, so it's. 648 00:33:51,039 --> 00:33:55,640 Speaker 2: Messy, it stinks only sometimes, but it wasn't nearly as 649 00:33:55,720 --> 00:33:58,640 pleasurable as we wanted it to be as we remembered 650 00:33:58,640 --> 00:34:00,839 it being when we first started SMA, and so you 651 00:34:00,920 --> 00:34:03,079 guys to the point that you were like you what 652 00:34:03,119 --> 00:34:04,839 we did is we went to we went to California. 653 00:34:04,920 --> 00:34:05,920 Speaker 11: Yeah, and I bought an ounce. 654 00:34:06,000 --> 00:34:07,400 Speaker 2: We for like forty dollars. 655 00:34:07,559 --> 00:34:10,440 Speaker 14: We bought two three, And I thought, every time I'm 656 00:34:10,480 --> 00:34:13,800 gonna every time I crave a tobacco, I'm gonna have 657 00:34:13,960 --> 00:34:16,199 my pre roll up here and I'm just gonna smoke 658 00:34:16,239 --> 00:34:17,880 until I need to lay down there you go, And 659 00:34:18,000 --> 00:34:21,119 I did. About about a day into this process, I'm like, 660 00:34:21,280 --> 00:34:21,960 I'm pretty good. 661 00:34:22,800 --> 00:34:23,039 Speaker 2: Yeah. 662 00:34:23,480 --> 00:34:26,079 Speaker 14: Then you know, then I'm having crazy dreams occasionally. 663 00:34:26,239 --> 00:34:28,639 Speaker 2: But you know, once a while, I'll be like somebody's 664 00:34:28,719 --> 00:34:30,639 near us and I'll take a job office because I 665 00:34:30,679 --> 00:34:32,760 still like that. You know, it's pretty much not enough 666 00:34:32,800 --> 00:34:33,480 to smoke against. 667 00:34:33,840 --> 00:34:34,280 Speaker 14: Got over it. 668 00:34:34,599 --> 00:34:37,239 Speaker 2: Yeah, if I lived a seventy five. 669 00:34:37,199 --> 00:34:38,639 Speaker 14: Yeah, we're firing back time. 670 00:34:39,000 --> 00:34:41,320 Speaker 10: Yeah yeah, yea maybe that long seventy five. 671 00:34:41,280 --> 00:34:43,480 Speaker 2: Yeah yeah, make seventy five package. 672 00:34:45,760 --> 00:34:45,800 Speaker 16: No. 673 00:34:45,960 --> 00:34:47,559 Speaker 13: The thing is, though, like you were saying, once you 674 00:34:47,599 --> 00:34:49,400 get down now, like if you're smoking the equivalent of 675 00:34:49,440 --> 00:34:51,639 three cigarettes a day, it's like two of us. 676 00:34:52,760 --> 00:34:53,880 Speaker 14: Like they were like what are you doing? 677 00:34:53,960 --> 00:34:54,159 Speaker 7: Man? 678 00:34:54,400 --> 00:34:56,639 Speaker 10: Yeah? Yeah, at that point it's like, yeah, you might 679 00:34:56,679 --> 00:34:58,360 as well just be done with it. Yeah yeah. 680 00:34:58,679 --> 00:35:01,840 Speaker 13: Did you notice some like without smoking? Did it change 681 00:35:01,920 --> 00:35:04,559 your like for either of you? Did it to change 682 00:35:04,559 --> 00:35:06,480 your voices or gain twenty? 683 00:35:08,440 --> 00:35:08,559 Speaker 10: Well? 684 00:35:08,679 --> 00:35:11,000 Speaker 14: Yeah, so I feel I feel like my voice is 685 00:35:11,079 --> 00:35:12,000 husky now. 686 00:35:11,760 --> 00:35:12,360 Speaker 4: That it needed to be. 687 00:35:12,599 --> 00:35:15,800 Speaker 10: Oh really, I don't know for sure, but possibly. Oh 688 00:35:16,719 --> 00:35:17,360 that's interesting. 689 00:35:17,480 --> 00:35:19,639 Speaker 2: Yeah, I haven't really noticed a difference. 690 00:35:19,719 --> 00:35:23,519 Speaker 10: Yeah, yeah, I'm most curious about that too. Yeah. Well, 691 00:35:23,559 --> 00:35:24,880 do you want to you want to play another one? 692 00:35:24,920 --> 00:35:25,159 Speaker 8: Of course? 693 00:35:25,840 --> 00:35:28,360 Speaker 11: Do the almost like these times? 694 00:35:28,440 --> 00:35:30,599 Speaker 8: The sure? 695 00:35:31,119 --> 00:35:31,280 Speaker 3: Sure? 696 00:35:31,920 --> 00:35:34,199 Speaker 14: Yeah, because I mean we didn't have a game give 697 00:35:34,239 --> 00:35:35,280 you Yeah. 698 00:35:35,360 --> 00:35:37,719 Speaker 10: Yeah, so it's good to keep it loose for this show. 699 00:35:37,800 --> 00:35:38,840 That's kind of how we do it anyway. 700 00:35:39,199 --> 00:35:40,880 Speaker 2: We never run with a set list, we try. 701 00:35:41,239 --> 00:35:41,440 Speaker 1: Yeah. 702 00:35:43,079 --> 00:35:46,079 Speaker 13: Yeah, well, not not being chained to a set list 703 00:35:46,159 --> 00:35:48,239 that gives you some flexibility too, because you can kind 704 00:35:48,239 --> 00:35:49,719 of read the room and kind of figure out what 705 00:35:49,800 --> 00:35:51,280 you think people might want to hear and just what 706 00:35:51,360 --> 00:35:52,079 the vibe is, you know. 707 00:35:52,639 --> 00:35:52,880 Speaker 10: Yeah. 708 00:35:53,440 --> 00:35:56,800 Speaker 2: Well, unfortunately for him, I only knew a handful of 709 00:35:56,880 --> 00:35:59,920 songs because I was raised not allowed listening to secular music. 710 00:36:00,320 --> 00:36:03,159 So really, yeah, so there's a lot of songs like 711 00:36:03,239 --> 00:36:05,400 I have made it. I can sing, I can, but 712 00:36:05,519 --> 00:36:07,039 he's he's an encyclopedia of music. 713 00:36:07,639 --> 00:36:20,320 Speaker 14: Yeah mm Hmmber curious, Lets do it. So this song 714 00:36:20,480 --> 00:36:22,679 is is kind of a song. I want to preface 715 00:36:22,760 --> 00:36:27,360 this with This song is about polarity, okay, and uh, 716 00:36:28,280 --> 00:36:29,159 getting the fear. 717 00:36:29,480 --> 00:36:32,280 Speaker 2: Not picking, and it's about not picking. It's picking sides. 718 00:36:32,400 --> 00:36:35,880 Speaker 14: Yeah, because but this in my world, this is a 719 00:36:35,960 --> 00:36:41,280 song about you can, I don't know, just love, try 720 00:36:41,360 --> 00:36:42,320 to love people, try to love. 721 00:36:42,199 --> 00:36:44,679 Speaker 2: Your name, cushion show that kind of thing. 722 00:36:44,760 --> 00:36:48,840 Speaker 14: Yeah, because it's kind of it's a friend language language. 723 00:36:49,320 --> 00:36:51,599 Speaker 10: All right. Now, I look forward to it. I look 724 00:36:51,599 --> 00:36:53,039 forward to her in this one, just a little bit. 725 00:36:53,239 --> 00:36:53,679 No Worries. 726 00:36:53,960 --> 00:36:56,559 Speaker 14: This is the last track that we have on the album. 727 00:36:56,559 --> 00:37:00,360 This is ours, and it's immediately followed by that Johnny 728 00:37:00,400 --> 00:37:00,960 Hickman's song. 729 00:37:00,920 --> 00:37:02,880 Speaker 10: Okayed the whole album around okay. 730 00:37:03,280 --> 00:37:06,800 Speaker 14: So yeah, the first song and then starting over is 731 00:37:06,880 --> 00:37:09,000 kind of the middle way point where you l over 732 00:37:09,480 --> 00:37:12,639 six track six instantly Okay. This is towards the end 733 00:37:12,679 --> 00:37:13,480 of the album. 734 00:37:13,320 --> 00:37:17,719 Speaker 13: All right, song before I think at the doctor to 735 00:37:17,800 --> 00:37:20,960 be safe, no worri al right, at the sift ones 736 00:37:21,039 --> 00:37:22,239 live in studio. 737 00:38:13,480 --> 00:38:17,719 Speaker 16: Times at all, understand these times at all. 738 00:38:18,239 --> 00:38:21,119 Speaker 11: I don't understand these times at. 739 00:38:21,079 --> 00:38:24,599 Speaker 12: All, Understand these times at all. 740 00:38:25,079 --> 00:38:27,920 Speaker 11: One's offended, but everyone wants. 741 00:38:27,679 --> 00:38:28,920 Speaker 8: To shut on. 742 00:38:29,119 --> 00:38:31,559 Speaker 12: Understand there's times. 743 00:38:31,239 --> 00:38:35,079 Speaker 11: At all one's offended, everyone wants. 744 00:38:34,599 --> 00:38:38,480 Speaker 12: To shut on. Understand there's times at all. 745 00:38:38,719 --> 00:38:41,239 Speaker 7: Look over there, don't say your fear. 746 00:38:42,039 --> 00:38:44,599 Speaker 8: They're over there, they're coming here. 747 00:38:47,639 --> 00:38:50,599 Speaker 4: I don't understand, just don't understand. 748 00:38:50,960 --> 00:38:52,199 Speaker 8: I don't understand. 749 00:38:52,440 --> 00:38:54,679 Speaker 11: I just don't understand every. 750 00:38:57,039 --> 00:39:04,079 Speaker 7: Time, these times, these times. 751 00:39:07,800 --> 00:39:10,679 Speaker 11: Little understand these times at. 752 00:39:10,639 --> 00:39:14,119 Speaker 12: All, understand these times at all. 753 00:39:14,639 --> 00:39:17,639 Speaker 11: Little understand these times at all. 754 00:39:18,000 --> 00:39:20,920 Speaker 12: I don't understand these times at all. 755 00:39:21,360 --> 00:39:24,599 Speaker 11: People needing forgiveness, People want to judge. 756 00:39:24,760 --> 00:39:27,679 Speaker 12: I don't understand these times at all. 757 00:39:28,159 --> 00:39:31,360 Speaker 11: People needing forgiveness, people want to judge. 758 00:39:31,559 --> 00:39:34,480 Speaker 12: I don't understand the times at all. 759 00:39:34,760 --> 00:39:39,880 Speaker 11: Look over there, don't think if they're over there, they're 760 00:39:39,920 --> 00:39:50,519 almost I just don't understand. I just don't understand. 761 00:39:52,760 --> 00:39:59,920 Speaker 7: These times, these times, these times. 762 00:40:55,320 --> 00:40:58,320 Speaker 11: I of understand these times at all. 763 00:40:58,719 --> 00:41:01,639 Speaker 12: I don't understand in these times at all. 764 00:41:01,920 --> 00:41:05,079 Speaker 11: Well I have understand these times at all. 765 00:41:05,599 --> 00:41:08,480 Speaker 12: I don't understand these times at all. 766 00:41:08,880 --> 00:41:12,159 Speaker 11: Yeah they got something, got something you want. 767 00:41:12,360 --> 00:41:15,239 Speaker 12: I don't understand. There's times at all. 768 00:41:15,639 --> 00:41:18,880 Speaker 11: Don't you got something that everyone wants? 769 00:41:19,119 --> 00:41:22,000 Speaker 12: I don't understand theree times at all. 770 00:41:22,280 --> 00:41:26,400 Speaker 14: Look in the mid don't seen here, They're always here, 771 00:41:27,239 --> 00:41:28,079 they're in the mid. 772 00:41:32,679 --> 00:41:37,400 Speaker 11: I just don't understand. I just don't understand. 773 00:41:40,280 --> 00:41:47,639 Speaker 7: There's times, there's times, these times. 774 00:41:47,800 --> 00:41:52,239 Speaker 11: I have understand these times at all. I have understand 775 00:41:52,719 --> 00:41:54,000 these times at all. 776 00:41:54,360 --> 00:41:57,239 Speaker 7: I understand these times at all. 777 00:41:57,639 --> 00:41:59,920 Speaker 11: I haven't understand these times. 778 00:42:11,239 --> 00:42:17,480 Speaker 10: Wow, awesome, that is so good. That's right, that's right. 779 00:42:18,079 --> 00:42:22,079 The stiff tones here with us live in studio sounding amazing. 780 00:42:22,199 --> 00:42:24,119 That was fantastic. That was fantastic. 781 00:42:24,599 --> 00:42:26,519 Speaker 13: If you are just joining us, this is Matt Connorton 782 00:42:26,599 --> 00:42:29,360 Unleashed and we are live from the studios of w 783 00:42:29,719 --> 00:42:33,679 m n H ninety five point three FM, Inglorious a Manchester, 784 00:42:33,800 --> 00:42:35,719 New Hampshire. Of course you can stream us at Matt 785 00:42:35,760 --> 00:42:39,599 connorton dot com slash live and uh yeah, great song 786 00:42:39,719 --> 00:42:43,360 and yeah, very very appropriate, I would say, uh for 787 00:42:43,480 --> 00:42:45,679 the times that were in certainly I. 788 00:42:45,760 --> 00:42:47,880 Speaker 2: Started writing that in twenty fifteen. 789 00:42:49,119 --> 00:42:51,639 Speaker 14: Yeah, it was like, you know what they're gonna do always, Yeah, 790 00:42:51,639 --> 00:42:53,039 we're gonna get every one of us fighting each other 791 00:42:53,119 --> 00:42:53,639 for every damn. 792 00:42:54,000 --> 00:42:54,159 Speaker 10: Yeah. 793 00:42:56,760 --> 00:42:59,159 Speaker 2: Yeah, yeah, So in twenty sixteen it kind of really 794 00:42:59,239 --> 00:43:02,159 ping got to pay and it was up here in 795 00:43:02,360 --> 00:43:06,000 twenty twenty when or during the COVID in twenty twenty 796 00:43:06,079 --> 00:43:08,320 when we really you know, you started really seeing the 797 00:43:08,360 --> 00:43:11,119 polarity in the country where you know, like in polarity 798 00:43:11,159 --> 00:43:13,199 being everything, if there's something for us to stand against 799 00:43:13,239 --> 00:43:17,360 each other as regular folks, all yeah, yeah, we keep 800 00:43:17,360 --> 00:43:19,320 picking the wrong Yeah, we keep picking the wrong person 801 00:43:19,400 --> 00:43:24,079 to fight with. But anyway, and so twenty twenty four 802 00:43:24,280 --> 00:43:26,679 is when we finally released that song and it was 803 00:43:26,760 --> 00:43:29,559 nominated for Song of the Year. Oh for josh for 804 00:43:29,760 --> 00:43:34,599 Joshua Joshua Tree, California, Oh Wow. It features Victor Krumanacher 805 00:43:34,840 --> 00:43:38,360 and Jonathan Tagle of Campra Van Beethoven's. 806 00:43:37,840 --> 00:43:39,639 Speaker 14: Okay, so We're standing on shoulders of Giants. 807 00:43:39,719 --> 00:43:41,280 Speaker 3: Yeah, and Kyle Mayor. 808 00:43:41,239 --> 00:43:43,960 Speaker 2: Of September Morning is on the drums on that, and 809 00:43:44,000 --> 00:43:45,800 he also helped us do the mixing mix and then 810 00:43:45,920 --> 00:43:48,639 on the album, Victor and Jonathan are both on a 811 00:43:48,719 --> 00:43:50,480 couple of songs on that, and then we have our 812 00:43:50,639 --> 00:43:52,639 we have several friends and Kyle's on drums and he's 813 00:43:52,679 --> 00:43:54,880 helping us with the mixing in the final engineer. 814 00:43:54,920 --> 00:43:56,679 Speaker 14: So we kind of went around the country getting all 815 00:43:56,679 --> 00:43:58,519 of our friends together to record all the different parts. 816 00:43:58,800 --> 00:44:01,679 Speaker 2: The North Carolina favor it's on there. We have Illinois 817 00:44:01,719 --> 00:44:04,159 people on there. Yeah, anywhere we could. 818 00:44:04,239 --> 00:44:07,719 Speaker 14: Be recording the garages and basements and caves and Tanya 819 00:44:07,920 --> 00:44:10,559 the car. Yes, it might be the first album ever 820 00:44:10,639 --> 00:44:12,519 have tracks recorded in Hurst. I don't know for sure, 821 00:44:12,599 --> 00:44:15,760 but because I mean it should be the stiff tones, 822 00:44:15,760 --> 00:44:16,719 I mean, I guess, yeah. 823 00:44:16,760 --> 00:44:19,480 Speaker 2: Yeah, I mean there was enough Bruce sessions in there. 824 00:44:20,400 --> 00:44:26,280 Trying to right right anyway, how are we on time? 825 00:44:26,559 --> 00:44:27,400 Speaker 3: We're good, We're good. 826 00:44:27,519 --> 00:44:30,400 Speaker 10: We got probably probably do one more in a couple 827 00:44:30,440 --> 00:44:31,400 of minutes. I'm curious. 828 00:44:31,840 --> 00:44:33,800 Speaker 13: So in terms of like I said, you know, because 829 00:44:33,800 --> 00:44:35,239 we talked about it a little bit earlier, this is 830 00:44:35,239 --> 00:44:37,840 such an unconventional approach, you know, travel in the country 831 00:44:37,880 --> 00:44:40,400 and rehearse and so forth and doing this. Is there 832 00:44:40,440 --> 00:44:43,840 anything that's really surprised you over these over these years, 833 00:44:44,719 --> 00:44:45,519 this news. 834 00:44:45,360 --> 00:44:50,239 Speaker 14: Is a bunch of yeah, yes, that to answer your question, absolutely, 835 00:44:51,400 --> 00:44:54,679 you know, uh, I thought, my god, California is crazy 836 00:44:54,760 --> 00:44:56,039 and we're gonna get there and it's gonna be all 837 00:44:56,079 --> 00:44:57,559 this these things and can see on the news, right, 838 00:44:58,079 --> 00:45:01,079 it wasn't any of those things, right, thought the same 839 00:45:01,159 --> 00:45:03,800 thing about Texas. You know, oh god, Texas is going 840 00:45:03,880 --> 00:45:05,280 to be this way in South Kote. I can name 841 00:45:05,320 --> 00:45:08,400 every state that we have and every place that we've been, 842 00:45:08,440 --> 00:45:09,559 and you think it's going to be a way and 843 00:45:09,599 --> 00:45:12,039 you're like, wow, you know what, people are just people 844 00:45:12,079 --> 00:45:12,400 in here. 845 00:45:13,400 --> 00:45:15,639 Speaker 2: So but then also the other thing though, was that 846 00:45:15,760 --> 00:45:20,679 each individual state really is so individuals. On the contrary line, 847 00:45:20,880 --> 00:45:24,159 it really like things, you know, the landscape shifts that 848 00:45:24,320 --> 00:45:26,480 the culture shifts, you know, And that's the other thing 849 00:45:26,480 --> 00:45:29,840 that is seeing all of the different cultural differences just 850 00:45:30,039 --> 00:45:34,840 in even traditional rural America, you know, where you don't 851 00:45:34,880 --> 00:45:38,960 think that you have that culture, and there's so much 852 00:45:40,480 --> 00:45:44,360 the eclectus melting pot of it, like the beauty, the true, 853 00:45:44,440 --> 00:45:49,000 true raw beauty of what America the beautiful is melting pipe. Yeah, 854 00:45:49,320 --> 00:45:52,960 that you can go anywhere everywhere here and see all 855 00:45:53,119 --> 00:45:54,920 the wonders of the world. I mean, we've been traveling 856 00:45:55,440 --> 00:45:59,000 for a couple of years now, we we scratch the surface. 857 00:45:59,199 --> 00:46:01,519 Speaker 14: Yeah, But mostly the most surprising thing for me, as 858 00:46:01,559 --> 00:46:05,199 honestly is the fact that no matter how far you travel, 859 00:46:05,400 --> 00:46:08,199 where you go once and needs of people doesn't change. 860 00:46:08,159 --> 00:46:12,079 Speaker 2: Right, right, the regular people like us, us people. Yeah, yeah, 861 00:46:12,559 --> 00:46:13,519 we're just regular people. 862 00:46:13,760 --> 00:46:14,840 Speaker 10: Yeah, that's a good insight. 863 00:46:14,960 --> 00:46:18,000 Speaker 2: Yeah, it's beautiful and it's good to know. There's so 864 00:46:18,079 --> 00:46:20,559 much fear that's created, like the sponsors, and there are 865 00:46:20,639 --> 00:46:23,239 there are they're legitimately bad people out there, yes, but 866 00:46:23,679 --> 00:46:27,760 there's legitimately good people out there. You seek, you will 867 00:46:27,800 --> 00:46:29,639 find what you seek. So look for the good. Be 868 00:46:29,800 --> 00:46:31,400 the good, Do the good, you know, And if you 869 00:46:31,559 --> 00:46:33,000 I mean or of being a whole, I don't care. 870 00:46:33,039 --> 00:46:33,599 Speaker 8: You can be a whole. 871 00:46:33,639 --> 00:46:35,079 Speaker 2: It's not up to me. Just if you want to 872 00:46:35,119 --> 00:46:37,159 be one over there, right, we have. 873 00:46:37,320 --> 00:46:39,199 Speaker 14: We actually have a song for that too, but that's 874 00:46:39,440 --> 00:46:40,119 that's on the album. 875 00:46:42,360 --> 00:46:43,800 Speaker 2: We wrote that up here and we actually wrote that 876 00:46:44,239 --> 00:46:44,960 Harley Jackson. 877 00:46:46,039 --> 00:46:49,039 Speaker 10: Yeah, yeah, yeah, very cool. And do you have any 878 00:46:49,079 --> 00:46:51,719 advice for for people who not not necessarily want to 879 00:46:51,719 --> 00:46:54,159 buy hers, but just just for people who want to. 880 00:46:54,119 --> 00:46:54,519 Speaker 15: Do what you do? 881 00:46:54,639 --> 00:46:56,639 Speaker 10: You know a lot of young independent artists. 882 00:46:56,960 --> 00:46:57,119 Speaker 5: I do. 883 00:46:57,599 --> 00:46:59,280 Speaker 14: And I'll give you the first piece of advice that 884 00:46:59,360 --> 00:47:03,079 my friend Turk gave me right before we left the emotion. 885 00:47:03,440 --> 00:47:06,440 Speaker 2: Yeah, and then and then he died and. 886 00:47:06,519 --> 00:47:07,920 Speaker 14: He was young, he was all right, you know, I 887 00:47:07,960 --> 00:47:16,719 mean he's like he's dead. So yeah, So as your question, yeah, man, 888 00:47:19,199 --> 00:47:21,400 make it happen, make it happen, go for it. Do 889 00:47:22,360 --> 00:47:25,840 it now, not later than later. 890 00:47:25,800 --> 00:47:26,320 Speaker 10: Right sure? 891 00:47:26,559 --> 00:47:26,800 Speaker 8: Yeah? 892 00:47:27,599 --> 00:47:27,800 Speaker 11: Man? 893 00:47:28,679 --> 00:47:30,360 Speaker 10: Do you want to you want to play one more? 894 00:47:30,599 --> 00:47:32,119 Speaker 14: Yeah, we'll play that one for you. So this is 895 00:47:32,239 --> 00:47:33,559 the end, the in the end of the album and 896 00:47:33,599 --> 00:47:35,639 this song okay, and this is. 897 00:47:38,039 --> 00:47:40,840 Speaker 2: The name of the album. Is Existentialism on Main Street 898 00:47:40,880 --> 00:47:41,360 Follow you Do? 899 00:47:41,760 --> 00:47:44,039 Speaker 10: Okay, it is. 900 00:47:44,719 --> 00:47:46,760 Speaker 2: It's kind of we don't want to say it's a 901 00:47:46,800 --> 00:47:49,280 concept album, but it kind of is kind of we 902 00:47:49,440 --> 00:47:51,800 have to plan each song and how they're going to 903 00:47:51,840 --> 00:47:54,639 be in trock order and different things that they weren't 904 00:47:54,639 --> 00:47:58,360 written in secession or anything. But the plan is for 905 00:47:58,480 --> 00:48:00,119 you to put it on repeat all and when you 906 00:48:00,199 --> 00:48:02,679 get to the very last song, it should kick right 907 00:48:02,840 --> 00:48:05,119 back to the first song and you should feel like 908 00:48:05,239 --> 00:48:06,880 you just went on a journey that you can't want 909 00:48:06,920 --> 00:48:10,000 to go on again. Yeah, okay, that's that's kind of 910 00:48:10,079 --> 00:48:10,719 what our goal is. 911 00:48:11,079 --> 00:48:13,920 Speaker 10: Okay. Nice The Stiff Tones and. 912 00:48:14,280 --> 00:48:14,840 Speaker 2: I Forgot. 913 00:48:25,599 --> 00:48:33,840 Speaker 1: H h. 914 00:48:38,440 --> 00:48:45,440 Speaker 7: M hmm. 915 00:48:58,840 --> 00:49:06,719 Speaker 14: Okay, you is our streaming up all the rich another 916 00:49:07,440 --> 00:49:08,280 years over. 917 00:49:08,880 --> 00:49:11,519 Speaker 12: It's gone lunts that breach. 918 00:49:12,960 --> 00:49:22,079 Speaker 17: I'm no here son, Well, I guess I've got friend, Well, yes, 919 00:49:22,199 --> 00:49:22,599 I do. 920 00:49:25,840 --> 00:49:32,960 Speaker 12: Now five the winter is here and he's leaning hold me. 921 00:49:38,880 --> 00:49:44,320 Speaker 6: I don't want your money and I don't want your power. 922 00:49:45,559 --> 00:49:47,599 Speaker 11: I don't want your love. 923 00:49:48,199 --> 00:49:57,400 Speaker 12: I ain't got time for night. I shot over unless 924 00:49:57,679 --> 00:49:59,239 it comes three. 925 00:50:00,320 --> 00:50:05,960 Speaker 3: Mhm listen, indeed, no five. 926 00:50:06,559 --> 00:50:18,199 Speaker 12: The winter is it and he's leaning call me. She 927 00:50:18,440 --> 00:50:21,079 steps Tom beggars for her. 928 00:50:22,360 --> 00:50:23,159 Speaker 7: Yeah, she used it. 929 00:50:23,280 --> 00:50:32,800 Speaker 12: Will shoot five of it tonight this soccer Lemmys five. 930 00:50:34,039 --> 00:50:37,480 Winter can't break your space. 931 00:50:43,239 --> 00:51:19,679 Speaker 1: Mm hm hm hm. 932 00:51:22,599 --> 00:51:29,639 Speaker 4: Love is a lesson. Love is a curse, depends on 933 00:51:30,559 --> 00:51:32,159 the lover has. 934 00:51:32,159 --> 00:51:40,159 Speaker 12: A witch all his words through the seasons. I'm a 935 00:51:40,280 --> 00:51:51,519 sweet church. Holdy is indeed now five the winter is here. 936 00:51:52,320 --> 00:52:03,320 Speaker 19: And he is leaning home mes leading. 937 00:52:04,599 --> 00:52:15,400 Speaker 8: Me leaning, ho me, Well he's leaning. 938 00:52:25,119 --> 00:52:39,079 Speaker 14: H h caodies scream and oh hurry. 939 00:52:44,880 --> 00:52:49,679 Speaker 10: Oh that is so good. That is so good. 940 00:52:49,920 --> 00:52:53,199 Speaker 13: The Sifftons live in studio here with us, uh Rachel 941 00:52:53,239 --> 00:52:55,559 and Shawn are here and that was amazing. Thank you 942 00:52:55,679 --> 00:53:00,119 so much for coming in and playing absolutely Now for 943 00:53:00,159 --> 00:53:02,760 our listeners who are tuning in live on Saturday, So 944 00:53:02,760 --> 00:53:03,480 where's your next show? 945 00:53:03,480 --> 00:53:06,280 Speaker 10: Where are you off to? After this, we head to. 946 00:53:06,440 --> 00:53:13,519 Speaker 2: The roadhouse, uh, powerhouse, mall yeah, over in Levin in 947 00:53:13,599 --> 00:53:16,800 New Hampshire four and then or two wish to four 948 00:53:17,320 --> 00:53:20,239 and then the following weekend we're at the Scutiny Festival 949 00:53:20,360 --> 00:53:23,000 over in Vermont, and then we head to New York 950 00:53:23,239 --> 00:53:26,079 and uh, yeah, it'll be probably next year before we 951 00:53:26,199 --> 00:53:28,320 back up here again, but we come. We do try 952 00:53:28,360 --> 00:53:30,360 to come up. Yeah, we were considering coming up for 953 00:53:30,440 --> 00:53:35,159 snow season and helping shovel and we did spend yeah, yeah, 954 00:53:35,239 --> 00:53:36,760 we spent a couple of winters up here. We did 955 00:53:36,800 --> 00:53:39,039 like five winters. Like when I was a travel nurse. 956 00:53:39,079 --> 00:53:41,920 We specifically took contracts up here so I could be 957 00:53:42,039 --> 00:53:43,880 you know, to help, you know with the shovel and 958 00:53:43,960 --> 00:53:46,719 my dad and my wicked my wickeds to that mother. 959 00:53:46,960 --> 00:53:49,119 I've had some you know, health issues and stuff and 960 00:53:49,280 --> 00:53:54,760 so dad like that flat land up Yeah, shovel snow 961 00:53:54,880 --> 00:53:55,239 for real. 962 00:53:56,119 --> 00:53:58,199 Speaker 3: Welcome to the Mountain sun right right? 963 00:54:01,000 --> 00:54:01,519 Speaker 10: Well, very good? 964 00:54:01,559 --> 00:54:03,159 Speaker 13: And where should people go online to keep up with 965 00:54:03,199 --> 00:54:04,880 everything that you're doing. Where's the best place to go? 966 00:54:05,159 --> 00:54:09,079 Speaker 2: The stiff Tones dot com. Yeah, and we're very heavily 967 00:54:09,159 --> 00:54:12,679 active on Facebook. Yeah, we're gen x and so that's 968 00:54:12,760 --> 00:54:15,000 kind of you know, that's where we fell after MySpace. Yeah, 969 00:54:15,079 --> 00:54:19,000 and that's where we're comfortable. Yeah, but I do we 970 00:54:19,119 --> 00:54:21,280 do have a website that I somewhat maintained, but our 971 00:54:21,320 --> 00:54:23,320 bands in Town link is on there. There's you can 972 00:54:23,400 --> 00:54:25,679 find links to everything, like if you're interested in your 973 00:54:25,760 --> 00:54:26,920 I G page and all that stuff. 974 00:54:26,960 --> 00:54:31,400 Speaker 14: But you can also send hate mail at gmail dot com. 975 00:54:31,519 --> 00:54:32,519 Speaker 2: Wept all hate mails. 976 00:54:34,559 --> 00:54:35,039 Speaker 8: Very good. 977 00:54:36,360 --> 00:54:40,239 Speaker 2: Yeah, I like my coffee suite and my male bitter 978 00:54:40,519 --> 00:54:41,760 Yeah yeah like that. 979 00:54:42,519 --> 00:54:44,440 Speaker 10: Well, very good. Thank you so much. This has been 980 00:54:44,480 --> 00:54:47,559 wonderful and we are the time does go quickly. 981 00:54:48,400 --> 00:54:50,039 Speaker 13: I do want to remind people too, if you are 982 00:54:50,119 --> 00:54:53,760 listening live on Saturday, coming up at so at nine 983 00:54:53,800 --> 00:54:56,679 pm tonight, Yeah, we're going to be at Jewel to 984 00:54:56,760 --> 00:54:59,519 see Under the Horizon and it's a it's a big event. 985 00:54:59,639 --> 00:55:01,679 Speaker 10: Actually there's a three day event going on, but we're 986 00:55:01,760 --> 00:55:02,639 we're mainly going. 987 00:55:02,559 --> 00:55:05,199 Speaker 13: To see uh see them, and that's why we're twins Today. 988 00:55:05,199 --> 00:55:08,960 We've got the matching Under the Horizon Shurts Uh and 989 00:55:09,199 --> 00:55:11,440 Uh and of course Uh Scarecrow Hill is going to 990 00:55:11,480 --> 00:55:12,840 be there to another great band we've had on the 991 00:55:12,880 --> 00:55:16,079 show and Uh, Jenny, do you want to mention your website. 992 00:55:16,119 --> 00:55:17,639 Speaker 10: You've been up to a lot of stuff as usual. 993 00:55:18,480 --> 00:55:21,559 Speaker 19: Man, the latest is up on the website, so go 994 00:55:21,760 --> 00:55:23,559 check it out at Jencoffee dot com. 995 00:55:23,920 --> 00:55:26,239 Speaker 10: J E n n C O F f uy dot com. 996 00:55:26,480 --> 00:55:30,679 Let's see what kind of good trouble getting into good trouble? Yes, yes, 997 00:55:31,239 --> 00:55:32,280 and let's see. 998 00:55:32,559 --> 00:55:34,679 Speaker 13: And of course, uh, if you miss any part of 999 00:55:34,719 --> 00:55:36,079 today's show, it will be up in just a little 1000 00:55:36,119 --> 00:55:38,360 bit at w m n hradio dot org and at 1001 00:55:38,440 --> 00:55:41,800 my website Matt Connerton dot com. And thank you everyone 1002 00:55:41,840 --> 00:55:44,920 who joined us today, Lydia ready and uh Tony from 1003 00:55:45,000 --> 00:55:47,559 Flair and again Rachel and Sean from the Stiff Tones, 1004 00:55:47,599 --> 00:55:50,159 thank you both so much. Than this has been wonderful 1005 00:55:50,480 --> 00:55:52,079 and that's gonna do it for us for now. We 1006 00:55:52,159 --> 00:55:54,079 hope to see a jewel tonight. 1007 00:55:53,880 --> 00:55:56,079 Speaker 2: And uh go out enjoy live music. 1008 00:55:56,320 --> 00:55:58,840 Speaker 13: Absolutely, it's very very important and we'll we'll talk to 1009 00:55:58,880 --> 00:55:59,920 you a little bit later by but. 1010 00:56:10,519 --> 00:56:14,360 Speaker 20: It's only started now. We're not at the end like 1011 00:56:14,519 --> 00:56:20,800 you think you're gonna do it all again. We're getting 1012 00:56:21,039 --> 00:56:25,039 older about our mind. It starts to shrink. He can 1013 00:56:25,119 --> 00:56:30,159 just get his paper and a knife is pen. Someone 1014 00:56:30,320 --> 00:56:34,920 finds out, so we stop to reassure them that. 1015 00:56:35,079 --> 00:56:40,880 Speaker 12: We haven't lost our minds. But they don't even know 1016 00:56:41,119 --> 00:56:42,119 the half. 1017 00:56:42,079 --> 00:56:48,320 Speaker 2: Of what she'll do when they forget about the don't 1018 00:56:48,400 --> 00:56:50,800 it's all a little secret ticky. 1019 00:56:52,159 --> 00:56:53,599 Speaker 4: It's not, it's all. 1020 00:56:55,079 --> 00:56:56,880 Speaker 3: And that I don't know read. 1021 00:56:58,199 --> 00:57:04,960 Speaker 12: Just exact till it's all scarce a. 1022 00:57:05,440 --> 00:57:10,440 Speaker 5: Hand again, hide so just get that high. 1023 00:57:22,480 --> 00:57:24,480 Speaker 2: We need to stop and think. 1024 00:57:24,920 --> 00:57:26,920 Speaker 4: We can't get caught this way. 1025 00:57:27,199 --> 00:57:29,679 Speaker 2: They'll say you're dumping the head. 1026 00:57:31,800 --> 00:57:36,480 Speaker 20: Don't go to your room, lock your doors and hide away, 1027 00:57:36,920 --> 00:57:39,119 changing your skin from white to red. 1028 00:57:41,719 --> 00:57:44,920 Speaker 9: You got too far this time, no point did you 1029 00:57:45,079 --> 00:57:48,880 give it up. You can't just leave it all be high, 1030 00:57:51,320 --> 00:57:53,559 and if you try to move on. 1031 00:57:53,960 --> 00:57:56,559 Speaker 15: From the pat that you'll. 1032 00:57:56,360 --> 00:58:01,599 Speaker 7: Still have to play on the lead. It's a little 1033 00:58:01,719 --> 00:58:02,800 secret ticking. 1034 00:58:04,519 --> 00:58:08,840 Speaker 5: So it's a scan and I don't know the region. 1035 00:58:10,360 --> 00:58:16,679 Just give that exactly, it's all. It's all skin the 1036 00:58:16,840 --> 00:58:17,840 only answer. 1037 00:58:20,400 --> 00:58:22,159 Speaker 10: So I just gave gout. 1038 00:58:34,239 --> 00:58:34,719 Speaker 8: Control. 1039 00:58:34,880 --> 00:58:37,199 Speaker 2: I'm so and stopped for water. 1040 00:58:37,280 --> 00:58:40,519 Speaker 20: Common pridle about my problem wasn't perfect for worth it. 1041 00:58:40,639 --> 00:58:41,679 Speaker 12: It might have been. 1042 00:58:44,880 --> 00:58:47,800 Speaker 8: Like I want to get him and just at. 1043 00:58:49,519 --> 00:58:51,519 Speaker 12: It's okay, noble guessing. 1044 00:58:52,000 --> 00:58:53,320 Speaker 6: The secret BETI. 1045 00:58:55,559 --> 00:58:57,960 Speaker 4: This st secrets K. 1046 00:59:13,400 --> 00:59:15,960 Speaker 14: Pembrook City Limits where it's all about the music. 1047 00:59:16,519 --> 00:59:19,360 Speaker 18: I want to tell you about Pembrooke City Limits in 1048 00:59:19,440 --> 00:59:23,039 the historic Suncook Village. PCL is an award winning bar, 1049 00:59:23,320 --> 00:59:26,960 restaurant and music live performances five days a week and 1050 00:59:27,079 --> 00:59:31,079 twice on Saturdays. Everything from country, blues, folk, funk, and 1051 00:59:31,159 --> 00:59:32,159 a whole lot of jazz. 1052 00:59:32,280 --> 00:59:34,880 Speaker 10: PCL has twelve local beers on tap. 1053 00:59:34,719 --> 00:59:36,519 Speaker 6: And some really delicious food to serve. 1054 00:59:36,639 --> 00:59:39,280 Speaker 18: Keep up with our live music calendar in hours of 1055 00:59:39,400 --> 00:59:42,000 operation at Pembrooke Citylimits dot com. 1056 00:59:42,280 --> 00:59:44,039 Speaker 11: Come visit Pembrooke City Limits. 1057 00:59:43,840 --> 00:59:46,960 Speaker 18: At one thirty four Main Street in the historic Suncook Village, 1058 00:59:47,119 --> 00:59:50,920 just six miles outside of Manchester. Pembrooke City Limits, where 1059 00:59:50,960 --> 00:59:51,960 it's all about the music,