WEBVTT

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<v Speaker 1>To be single, invitation from my children, grandchildren and hopefully

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<v Speaker 1>my great grandchildren.

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<v Speaker 2>You say, very sweet.

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<v Speaker 1>Yeah, it's such an emotional you know, it's such a

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<v Speaker 1>happy day in my life, you.

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<v Speaker 2>Know, because it's not just two people in.

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<v Speaker 1>It, right, they're not in love, not yet in love.

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<v Speaker 2>Do they fall in love in the first place like later.

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<v Speaker 1>Yes, absolutely I did.

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<v Speaker 2>She doesn't give a ring to him.

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<v Speaker 1>No, he takes her.

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<v Speaker 2>It's not an equal, it's.

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<v Speaker 1>Not democratic. He takes her to be his wife. This

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<v Speaker 1>part of the ceremony is called isison, and she circles

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<v Speaker 1>the groom seven times, you know why, to make sure

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<v Speaker 1>he doesn't run away. And there's so much dobbning for

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<v Speaker 1>that day. There's so much prayers for that day, and

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<v Speaker 1>there's a lot of crying. They have a lot to

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<v Speaker 1>ask for that their life should be happy, that their

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<v Speaker 1>life should be harmonious, that they should be healthy, that

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<v Speaker 1>children should be healthy, and they even pray for their

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<v Speaker 1>parents to be healthy. And there's a lot of emotion

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<v Speaker 1>in that day, tremendous emotion. And then comes the big moment,

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<v Speaker 1>the wholesome color going to dance together in front of

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<v Speaker 1>all these people, girls who've never touched the boy and

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<v Speaker 1>a boy dancing with a girl whom he has never

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<v Speaker 1>ever touched, and they're dancing in public. You know, it's

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<v Speaker 1>in a way, it's it's incredible. Do one thing?

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<v Speaker 2>Yeah?

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<v Speaker 3>Do you cry at weddings? Are weddings to you a

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<v Speaker 3>time to cry? Hassidic Jewish weddings are a time to

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<v Speaker 3>cry and a time to be overjoyed. They are amazing

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<v Speaker 3>display and festival of tradition and emotion. Added to all

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<v Speaker 3>this intense emotion is the truth at the young couple,

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<v Speaker 3>usually eighteen twenty years old, are practically strangers, as they

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<v Speaker 3>have only met a few times before being asked if

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<v Speaker 3>they want to get engaged now on their wedding day,

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<v Speaker 3>it's the single most important day of their lives. The

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<v Speaker 3>bride is like a queen on her throne. The groom

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<v Speaker 3>is like a king who takes this queen to be his.

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<v Speaker 3>The clothing is filled with symbolism. There are parts to

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<v Speaker 3>the wedding. The coupala spunum when the bride welcomes the guests,

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<v Speaker 3>the badekan when the groom covers the bride's face, the

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<v Speaker 3>koppa when the couple is married outside under a wedding canopy,

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<v Speaker 3>iRED when the couple is alone together for nine minutes

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<v Speaker 3>with the door closed, the dancing, two hours of bringing

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<v Speaker 3>joy to bride and groom by dancing, and finally, late

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<v Speaker 3>at night, the end of night poetry and couples dance.

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<v Speaker 3>Through all of this there are times of intense joy

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<v Speaker 3>and of crying. As a YouTuber who has documented so

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<v Speaker 3>much of the beautiful, hidden world of acidic judaism, I

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<v Speaker 3>finally have the opportunity to share with you a perspective

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<v Speaker 3>on acidic weddings from the eyes of pearl who has

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<v Speaker 3>attended acidic wedding of herself, her children, and her grandchildren.

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<v Speaker 3>I absolutely love chasidashere marriage and wedding customs.

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<v Speaker 1>I find you love them?

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<v Speaker 2>Yeah?

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<v Speaker 1>Why? And I'm gonna ask you.

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<v Speaker 3>So emotional, it's so beautiful. There's so many feelings packed

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<v Speaker 3>into the experience of marriage because it's not just two

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<v Speaker 3>people in right.

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<v Speaker 1>Right, they're not in love, they're not yet not yet

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<v Speaker 1>in love.

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<v Speaker 2>Do they fall in love in the first place? Like later?

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<v Speaker 1>Yes? Absolutely, I did.

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<v Speaker 2>Ah, that's cute. It's funny.

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<v Speaker 3>When we talked, it was like fifty six years. How

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<v Speaker 3>many years have you been married?

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<v Speaker 1>Fifty nine sixty? I don't even know fifty nine sixty years.

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<v Speaker 2>Kind you to be kind? Here to be sentences, oh mine.

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<v Speaker 2>So I would love to discuss, to share with the

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<v Speaker 2>viewers the extremely rich traditions of Harasids, weddings and engagements.

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<v Speaker 1>Okay, so where do we start?

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<v Speaker 3>I think a week before the wedding festivities begin, or

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<v Speaker 3>two weeks before the wedding festivities begin.

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<v Speaker 1>No, it starts with the shabas before the wedding, because

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<v Speaker 1>that's when the huston puts on his stamo for the

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<v Speaker 1>first time. That's the beginning.

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<v Speaker 2>Can we explain.

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<v Speaker 1>Yes, he is obligated to be called up to the toya,

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<v Speaker 1>the husson, the groom, and it is customary to throw

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<v Speaker 1>sweet things at him. In Europe it used to be

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<v Speaker 1>raisins and nuts, symbolic for good luck and and you know,

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<v Speaker 1>all good things. So that that that's the symbolism. And

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<v Speaker 1>it's usually thrown by the women. And it's a very

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<v Speaker 1>festive shabust, like the whole family gets together, and it

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<v Speaker 1>like opens the whole. It opens. It's like the entrance

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<v Speaker 1>to the wedding itself, the festivities. It's called an o flei.

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<v Speaker 1>If it's called the bavarfun.

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<v Speaker 2>And there's also a big kiddish.

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<v Speaker 1>Yeah, of course, there's a very vaginish. The family sits together,

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<v Speaker 1>each together, you know, the family spends time together, which

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<v Speaker 1>is the most beautiful thing. And from then on, from

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<v Speaker 1>the bavarfun, the Husson cannot go alone without somebody accompanying him.

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<v Speaker 2>Really much starts from the Bavaro.

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<v Speaker 1>Yes, why because he's now considered like a king, and

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<v Speaker 1>the king doesn't go anywhere alone. He's always accompanied, and

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<v Speaker 1>like the Color also doesn't usually go alone either. She

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<v Speaker 1>also has to be accompanied by somebody.

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<v Speaker 2>How does the Color Spendavar?

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<v Speaker 1>Usually she's not there. She spends either at home with

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<v Speaker 1>her parents. Sometimes the parents stay home with her. Sometimes

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<v Speaker 1>the parents go to the Bavaria festivity shabas, so she'll

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<v Speaker 1>stay home with her friends. She'll stay home sometimes with

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<v Speaker 1>her mother only and the men go. You know, each

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<v Speaker 1>family has a different way of doing it. But the

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<v Speaker 1>Color is not part of this. This has belongs belongs

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<v Speaker 1>to the Huson. But Color. Yeah, So her friends will

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<v Speaker 1>come over.

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<v Speaker 2>And they'll sing songs'll cry.

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<v Speaker 1>No crying on shabas.

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<v Speaker 2>No never, Oh, I didn't know.

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<v Speaker 1>We can't cry on shabashas we get show you saida

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<v Speaker 1>we're happy in itself a very special day without color. No,

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<v Speaker 1>they'll you know, they spend shops together, they'll sing songs

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<v Speaker 1>and they'll you know, just spend have a good time

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<v Speaker 1>together with each other.

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<v Speaker 3>So anything else we should talk about. The the the

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<v Speaker 3>big forehead and starts to wear. Also, the family comes

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<v Speaker 3>to pick him up.

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<v Speaker 1>Yes, right, he's taken to shoe right, good that you

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<v Speaker 1>reminded me. He is taken to shool accompanied by his

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<v Speaker 1>family and by the Colors family who sing along the

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<v Speaker 1>way to shore like you do with a king. Really

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<v Speaker 1>what they sing the ginum songs. You know, they accompany

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<v Speaker 1>him on the street to the shoe, and he's considered,

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<v Speaker 1>who's Daimela Mela?

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<v Speaker 2>He is like a king whose a groom is like

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<v Speaker 2>a king.

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<v Speaker 1>It's like a king, right, and the.

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<v Speaker 3>Stravel indeed looks like a crown. What happens from the

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<v Speaker 3>shapers the Saturday before the wedding up until the wedding, Like,

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<v Speaker 3>let's say you're marrying off a child, what's on your

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<v Speaker 3>mind during that time?

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<v Speaker 1>So it depends if he's marrying a daughter or you know,

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<v Speaker 1>so the color has her obligation to go to the mikvah,

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<v Speaker 1>the ritual bath, the ritual bath, and that time is

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<v Speaker 1>spent in getting the house ready, usually.

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<v Speaker 2>The apartment, because the couple lives in their own separate

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<v Speaker 2>apartment as soon as as always. And who prepares the

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<v Speaker 2>whole apartment.

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<v Speaker 1>It's it's usually the girl and the boy's family will

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<v Speaker 1>buy some things, you know, to pretty it up. It's

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<v Speaker 1>it becomes like a in itself. The preparing their apartment

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<v Speaker 1>becomes like a big deal, you know, to make it

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<v Speaker 1>beautiful and to make it to make it like, you know,

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<v Speaker 1>very important people are coming to live here, you know,

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<v Speaker 1>and to.

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<v Speaker 3>Make it smell like propery, like your house right now.

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<v Speaker 1>Yeah, I mean, you know, to make it very enticing

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<v Speaker 1>and and and inviting, you know. But it is prepared

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<v Speaker 1>with that in mind. Close and color are coming to

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<v Speaker 1>this house. We're making it beautiful for them, you know,

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<v Speaker 1>We're making it a place for these important people to

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<v Speaker 1>start life.

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<v Speaker 2>Mm hm.

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<v Speaker 1>So that's a big deal. What else.

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<v Speaker 2>The micle is a big thing if you have a daughter.

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<v Speaker 1>Yeah, the mcle is a big thing if you have

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<v Speaker 1>a daughter. But it's done secretly. You know, the other

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<v Speaker 1>children in the house don't have to know about it,

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<v Speaker 1>and it's done very quietly and there's no popacity around it.

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<v Speaker 1>It's it's it's a private thing, very private.

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<v Speaker 2>It's an emotional experience.

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<v Speaker 4>Usually would you say, no, no, no, it's of course,

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<v Speaker 4>it's it's the colors introduction to what will be, you know,

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<v Speaker 4>almost the rest of her life in terms of getting together.

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<v Speaker 1>With her husband. You know, this is always going to

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<v Speaker 1>be there for them. So this is like an introduction

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<v Speaker 1>to a new part of her life.

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<v Speaker 3>Because as long as she menstraights, she's going to be

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<v Speaker 3>going after her period, right right.

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<v Speaker 2>It's interesting.

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<v Speaker 3>Someone just sent me an email saying, Freda, you don't

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<v Speaker 3>sound like you talk about the period of separation as

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<v Speaker 3>a time of renewal.

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<v Speaker 1>Why you mean between husband and wife.

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<v Speaker 3>Yeah, when the woman has her period, and we did,

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<v Speaker 3>you talked about it as kind of renewal, but I didn't.

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<v Speaker 2>Wow.

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<v Speaker 1>So let's get into like the next stage, Yes, which

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<v Speaker 1>is the day of the wedding.

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<v Speaker 2>Yes, let's talk about the day of the wedding.

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<v Speaker 1>That is a very very very momentous day. It is

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<v Speaker 1>the day that hashem forgives the bride and the groom

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<v Speaker 1>all their sins. It is like you kip it, they

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<v Speaker 1>fast and there's so much dobvening for that day. There's

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<v Speaker 1>so much prayers for that day, and there's a lot

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<v Speaker 1>of crying because they are preparing for a life together,

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<v Speaker 1>a new life, a new starting, you know, and they

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<v Speaker 1>have a lot to ask for that their life should

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<v Speaker 1>be happy, that their life should be harmonious, that they

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<v Speaker 1>should be healthy, that children should be healthy, and they

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<v Speaker 1>even pray for their parents to be healthy. And there's

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<v Speaker 1>a lot of emotion in that day. This emotion, it's

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<v Speaker 1>very very momentous. So the groom will spend time in

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<v Speaker 1>the apartment, doubling in the apartment. The couple, I will

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<v Speaker 1>spend her time at home and.

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<v Speaker 3>You know, so the apartment where the couple is going

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<v Speaker 3>to live is going to be where the groom will

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<v Speaker 3>spend his wedding day.

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<v Speaker 1>Himself by himself. Yeah, praying, praying and fasting, infesting.

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<v Speaker 3>Is a lot of people ask me why Hasidic couples

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<v Speaker 3>or brides are crying, and it gives them the impression

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<v Speaker 3>that they're very sad.

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<v Speaker 1>I know. It is like Jim kipp It, you go

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<v Speaker 1>to if you go to a shuliam kipper, you will

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<v Speaker 1>hear the enormous amount of crying that goes. We are

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<v Speaker 1>begging and pleading with Hashem for something. And Hashem is

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<v Speaker 1>not some kind of imaginary being to us. He's He

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<v Speaker 1>is the the whole, he's the creator, He's he runs,

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<v Speaker 1>he makes our life. So of course you're going to

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<v Speaker 1>beg and plead for good things. And it's also very

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<v Speaker 1>it's a very serious day. Let's put it this way.

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<v Speaker 1>It's not a frivolous day. It's an extremely extremely serious day,

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<v Speaker 1>just like him it kip. It is a very serious day.

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<v Speaker 1>And here, you know, here they're fasting and they're govening,

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<v Speaker 1>they're saying to Hilen, They're they're asking Hasham for the

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<v Speaker 1>rest of their lives together. So it's impressed upon these

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<v Speaker 1>young people how momentous this day is.

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<v Speaker 2>Do you remember what you prayed for?

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<v Speaker 1>I was saying the hiln. I was saying the prayer

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<v Speaker 1>that people say you am kipp it. It's a long prayer,

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<v Speaker 1>shamni bugabni, you say you repent. It's it's a very

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<v Speaker 1>serious prayer. Sure I was. And then the parents bless

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<v Speaker 1>their children. I remember I told you how my father

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<v Speaker 1>blessed me. You want me to repeat it. He blessed

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<v Speaker 1>me by putting two hands on my head.

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<v Speaker 2>You were already dressed.

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<v Speaker 1>Yeah, two hands on my head under a cur you

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<v Speaker 1>know something. And he blessed me. There's a special blessing.

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<v Speaker 1>We don't make up blessing, so we don't make up prayers.

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<v Speaker 1>We have them down path for us. You know, in

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<v Speaker 1>the in the city, the people think we make our

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<v Speaker 1>own prayers. So no, we have specific prayers for everything.

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<v Speaker 1>And then I kissed his hand when we finished, and

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<v Speaker 1>he tells me, you should know my husband, my father

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<v Speaker 1>was a Holocaust survivor. He told me you should know

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<v Speaker 1>I stayed alive because a chem wants me to have

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<v Speaker 1>Yiddish and children. He wants my children to stay Yiddish.

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<v Speaker 1>So of course we both started crying. And then I

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<v Speaker 1>went to ask my mother for forgiveness. Basically, yeah, yeah,

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<v Speaker 1>exactly exactly. You know that's right. And then I was

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<v Speaker 1>crying on the way. Okay, we're not talking about me.

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<v Speaker 1>Let's talk about what happens it.

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<v Speaker 3>You know, gives me chills when I hear these stories.

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<v Speaker 3>I don't know if people who haven't lived these wedding

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<v Speaker 3>days where you're fasting, you're going through hours of praying

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<v Speaker 3>if they can understand the feelings you have as a

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<v Speaker 3>daughter eighteen ninety year old has this moment with her

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<v Speaker 3>with her parents.

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<v Speaker 1>Yeah. Yeah, it's a very very serious momentum that I

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<v Speaker 1>can't stress it enough.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, So of course the color is sometimes still crying,

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00:14:36.879 --> 00:14:39.679
<v Speaker 1>you know. But once she gets into the hall and

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<v Speaker 1>the makeup lady comes and you know, and she's prepared

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00:14:45.759 --> 00:14:51.840
<v Speaker 1>for the actual wedding, it's still serious until after the ripper.

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00:14:52.360 --> 00:14:55.559
<v Speaker 1>The day is still very serious until after the ripper.

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<v Speaker 3>Which is fairly deep into the day. I have to say,

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<v Speaker 3>talking about this is bringing back the memory for me

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<v Speaker 3>that when I was a bride, there was a woman

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<v Speaker 3>who came to help get me dressed.

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<v Speaker 1>You had a dresser.

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<v Speaker 3>She was a woman who had a daughter that was

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<v Speaker 3>a little bit older than me that died of cancer.

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<v Speaker 3>Remember going to the funeral when I was maybe in

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<v Speaker 3>high school. Wow, and this woman, the illinishma's a memory

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<v Speaker 3>of her daughter who never got married, came.

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<v Speaker 1>Oh that's hard. It's still that hard for you.

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<v Speaker 3>I don't remember it being hard for me, but thinking

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<v Speaker 3>about it now, I can see how painful it must

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<v Speaker 3>have been for her since her daughter never got to

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<v Speaker 3>get married.

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<v Speaker 1>Well, she chose that as a as something you know

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<v Speaker 1>that she made her feel better. Actually, yeah, I don't

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00:15:45.879 --> 00:15:49.399
<v Speaker 1>think it made her feel worse. It made her feel better. Okay,

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<v Speaker 1>so we are we up to now? In the.

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<v Speaker 3>You want to talk about what the bride would dress

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<v Speaker 3>in anything special, she would wear.

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<v Speaker 1>Regular wedding dress, white wedding dress, regular crown, Tiara Veil,

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<v Speaker 1>I'm not talking about the the I'm talking about a tool. Right,

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00:16:11.120 --> 00:16:14.080
<v Speaker 1>all different kinds of stars today, at once upon a

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00:16:14.080 --> 00:16:16.120
<v Speaker 1>time was a crown. Today they were in the back

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00:16:16.159 --> 00:16:18.320
<v Speaker 1>of their head. Once they were on the side of

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00:16:18.360 --> 00:16:21.000
<v Speaker 1>the head. It doesn't matter. That's nothing religious about that.

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00:16:21.559 --> 00:16:25.200
<v Speaker 1>It depends on styles, you know. No, she's wearing her

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00:16:25.240 --> 00:16:29.159
<v Speaker 1>own hair right, her own hair. And so let's let's

289
00:16:29.279 --> 00:16:34.080
<v Speaker 1>go to where she walks into the hall. So she

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00:16:34.279 --> 00:16:38.879
<v Speaker 1>has her mother and her mother in law escorting her

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00:16:39.120 --> 00:16:42.799
<v Speaker 1>into the hall to sit at the to sit on

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00:16:42.879 --> 00:16:51.360
<v Speaker 1>this beautiful decorated chair. Now, many of our customs at

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00:16:51.440 --> 00:16:55.440
<v Speaker 1>weddings comes from Mottin Toyta. Really, yes, that's why we

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00:16:55.480 --> 00:17:00.759
<v Speaker 1>have flowers around the color. That's why there are two buggers,

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00:17:01.639 --> 00:17:06.680
<v Speaker 1>why by Martin Toya. There was also I forgot al

296
00:17:06.680 --> 00:17:10.200
<v Speaker 1>ready at which point, or also because she's now a

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00:17:10.279 --> 00:17:16.359
<v Speaker 1>queen and she has you know, escorts, Yeah, escorts, escorts

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00:17:16.440 --> 00:17:19.400
<v Speaker 1>like a queen. You know, a queen doesn't today, okay,

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00:17:19.440 --> 00:17:23.720
<v Speaker 1>But once upon a time, once upon a time, there

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00:17:23.759 --> 00:17:28.079
<v Speaker 1>would be a lot of honor given to a queen

301
00:17:28.200 --> 00:17:31.599
<v Speaker 1>that she would not ever go like places a lot

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00:17:31.680 --> 00:17:35.839
<v Speaker 1>I me yesterday, they whatever. In those days, the queen

303
00:17:35.920 --> 00:17:42.359
<v Speaker 1>always had escorts. And there's always the same tune played

304
00:17:42.720 --> 00:17:45.319
<v Speaker 1>when the color comes in to sit down at her

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00:17:45.359 --> 00:17:46.160
<v Speaker 1>special place.

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00:17:46.720 --> 00:17:49.680
<v Speaker 2>So is she arriving now to the wedding.

307
00:17:49.480 --> 00:17:53.119
<v Speaker 1>Not to the wedding. She's arriving to her place during

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00:17:53.119 --> 00:17:56.359
<v Speaker 1>the wedding. So you know, we have men and women separate.

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00:17:56.359 --> 00:17:59.920
<v Speaker 1>The host is sitting in his room, the colors sitting

310
00:18:00.079 --> 00:18:03.039
<v Speaker 1>in her room where the guests are going to come

311
00:18:03.079 --> 00:18:04.960
<v Speaker 1>and tell her Mazletov, and the men are going to

312
00:18:05.039 --> 00:18:09.160
<v Speaker 1>tell the wholesome Mazeletov. So she sits down always with

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00:18:09.240 --> 00:18:12.559
<v Speaker 1>the same tune. The musicians will always seen the same tune,

314
00:18:12.880 --> 00:18:16.799
<v Speaker 1>and her mother and her mother in law stand beside her.

315
00:18:17.799 --> 00:18:21.519
<v Speaker 1>Sometimes the grandmothers are also there standing beside her. And

316
00:18:21.599 --> 00:18:25.240
<v Speaker 1>also when she comes in as the two mothers are

317
00:18:25.319 --> 00:18:29.160
<v Speaker 1>escorting her. The grandmothers or other people are also following.

318
00:18:29.519 --> 00:18:33.240
<v Speaker 1>It's like a procession, a procession to the place where

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00:18:33.240 --> 00:18:35.880
<v Speaker 1>the color sits. This is to give honor to the

320
00:18:35.960 --> 00:18:41.599
<v Speaker 1>special person. Also, today people don't know the mothers have

321
00:18:41.640 --> 00:18:45.359
<v Speaker 1>a habit of mingling with the crowd. This is a

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00:18:45.400 --> 00:18:50.559
<v Speaker 1>new thing. They don't understand their job and their purpose

323
00:18:50.599 --> 00:18:52.880
<v Speaker 1>and their honor to stand next to the bride. So

324
00:18:52.960 --> 00:18:55.799
<v Speaker 1>this is really an honor for the two mothers to

325
00:18:55.920 --> 00:18:59.480
<v Speaker 1>stand next to them and to stay standing there as

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00:18:59.519 --> 00:19:05.200
<v Speaker 1>like an her guard. So people decide it's too old fashioned.

327
00:19:05.440 --> 00:19:07.359
<v Speaker 1>They're gonna go mingle in the crowd and leave the

328
00:19:07.400 --> 00:19:10.880
<v Speaker 1>Color sitting there alone. Sometimes I feel like screaming when

329
00:19:10.920 --> 00:19:16.920
<v Speaker 1>I say but anyways, And then the guests arrive, and

330
00:19:17.000 --> 00:19:19.839
<v Speaker 1>everybody goes over to the Color and gives their hand.

331
00:19:20.400 --> 00:19:23.720
<v Speaker 1>Giving somebody your hand means you connecting to that somebody.

332
00:19:24.559 --> 00:19:26.640
<v Speaker 1>It's not just enough to say, muzzletom. You have to

333
00:19:26.640 --> 00:19:28.640
<v Speaker 1>give your hand to the Color and shake her hand

334
00:19:28.680 --> 00:19:31.680
<v Speaker 1>and wish her all the good things in her new life.

335
00:19:33.160 --> 00:19:35.440
<v Speaker 2>And you kiss her, yes.

336
00:19:35.359 --> 00:19:39.599
<v Speaker 1>Yes, you kiss her yes. And she sits there like

337
00:19:41.359 --> 00:19:46.279
<v Speaker 1>on a throne, like a queen who has everybody coming

338
00:19:46.359 --> 00:19:50.920
<v Speaker 1>up to her, and you know she's the focus of

339
00:19:52.039 --> 00:19:55.440
<v Speaker 1>extreme focus of attention and she You don't just come

340
00:19:55.440 --> 00:19:57.359
<v Speaker 1>into a wedding and mingle. You have to go over

341
00:19:57.400 --> 00:19:59.440
<v Speaker 1>to the color. The whole purpose of you coming to

342
00:19:59.480 --> 00:20:04.119
<v Speaker 1>the wedding is the mitsa of being miss Maya Hulsenva color.

343
00:20:04.559 --> 00:20:07.480
<v Speaker 1>It's a mitzvah in the toyota to make the bride

344
00:20:07.480 --> 00:20:09.920
<v Speaker 1>in the groom happy. And part of this is to

345
00:20:10.000 --> 00:20:12.359
<v Speaker 1>go over to the color and shake her hand and

346
00:20:12.440 --> 00:20:15.720
<v Speaker 1>like you say, kiss hers, but that's not it's not

347
00:20:15.759 --> 00:20:18.839
<v Speaker 1>a must kiss, but this handshaking is.

348
00:20:20.519 --> 00:20:21.720
<v Speaker 2>And she sits on the stage.

349
00:20:21.759 --> 00:20:24.160
<v Speaker 1>She sits on the stage, and she sits on a

350
00:20:24.279 --> 00:20:27.599
<v Speaker 1>throne like chair decorated with beautiful flowers.

351
00:20:27.799 --> 00:20:33.279
<v Speaker 2>That's part of the wedding. The wedding has parts. And

352
00:20:33.319 --> 00:20:35.240
<v Speaker 2>sometimes people will come to a wedding.

353
00:20:35.000 --> 00:20:39.839
<v Speaker 1>Just for k yeah, yeah, who usually comes to whoever

354
00:20:39.839 --> 00:20:41.920
<v Speaker 1>feels like it. The weather doesn't feel close enough to

355
00:20:41.920 --> 00:20:45.960
<v Speaker 1>stay for the whole wedding, which is mostly for close family.

356
00:20:47.359 --> 00:20:49.799
<v Speaker 1>You know, but our weddings are so big because their

357
00:20:49.799 --> 00:20:52.000
<v Speaker 1>families can I know how it's so big. But the

358
00:20:52.079 --> 00:20:56.160
<v Speaker 1>kabula spoona means yes, you're coming to be Macabo, she

359
00:20:56.319 --> 00:20:58.440
<v Speaker 1>is maka her guests.

360
00:20:59.039 --> 00:21:01.039
<v Speaker 3>How many people would you say come to a wedding

361
00:21:01.160 --> 00:21:02.799
<v Speaker 3>on average each a wedding?

362
00:21:03.359 --> 00:21:06.039
<v Speaker 1>I don't know. I don't know the number. I really

363
00:21:06.039 --> 00:21:06.319
<v Speaker 1>don't know.

364
00:21:06.319 --> 00:21:08.160
<v Speaker 2>How many couples do you pay for?

365
00:21:09.119 --> 00:21:10.559
<v Speaker 1>Two hundred and fifty couples?

366
00:21:11.720 --> 00:21:15.480
<v Speaker 3>Two fifty couples Smith's five hundred portions of food?

367
00:21:15.640 --> 00:21:20.920
<v Speaker 1>Yeah, that's a small wedding. Sort of, that's a medium

368
00:21:21.000 --> 00:21:23.200
<v Speaker 1>sized wedding. Let's say it's a media I really don't

369
00:21:23.440 --> 00:21:25.160
<v Speaker 1>have the numbers in my head.

370
00:21:25.240 --> 00:21:27.000
<v Speaker 2>By the way, why do you pay the matchmaker?

371
00:21:27.119 --> 00:21:31.240
<v Speaker 1>Which point right after the shio? Immediately after that, immediately

372
00:21:31.279 --> 00:21:35.000
<v Speaker 1>after the sho oh? Yeah, your first chance?

373
00:21:35.200 --> 00:21:38.920
<v Speaker 2>Do you gotta be fund if God forbid god, it

374
00:21:38.960 --> 00:21:39.640
<v Speaker 2>doesn't work out?

375
00:21:39.799 --> 00:21:40.079
<v Speaker 1>Never?

376
00:21:40.440 --> 00:21:42.759
<v Speaker 2>Never have you done any matches?

377
00:21:42.799 --> 00:21:45.759
<v Speaker 1>By the way, you know my matches? What nobody gets

378
00:21:45.759 --> 00:21:46.880
<v Speaker 1>married with my matches?

379
00:21:49.079 --> 00:21:50.680
<v Speaker 2>I'm standing in line, I'm waiting.

380
00:21:50.880 --> 00:21:54.759
<v Speaker 1>I am trying. I always try, all of us try.

381
00:21:54.880 --> 00:21:58.640
<v Speaker 1>Everybody's to try. We try, and we try and to try.

382
00:21:58.799 --> 00:22:02.160
<v Speaker 1>Some people have muzzle and they do. Some people like me.

383
00:22:03.400 --> 00:22:06.000
<v Speaker 1>Sometimes people want me to be a matchmaker for somebody.

384
00:22:06.000 --> 00:22:08.160
<v Speaker 1>I said, not me, because it ain't gonna happen.

385
00:22:10.839 --> 00:22:13.480
<v Speaker 3>Let's talk about what happens during the kaboospohon. I'm at

386
00:22:13.480 --> 00:22:14.400
<v Speaker 3>the men's side.

387
00:22:14.480 --> 00:22:18.799
<v Speaker 1>So the husson. Now what used to happen by the

388
00:22:18.839 --> 00:22:22.039
<v Speaker 1>women's side, which doesn't happen anymore. This was in Europe.

389
00:22:22.279 --> 00:22:26.039
<v Speaker 1>There used to be a woman to bring the color

390
00:22:26.119 --> 00:22:28.920
<v Speaker 1>to tears, to make her feel like it's really if

391
00:22:29.319 --> 00:22:32.599
<v Speaker 1>you keep her for her, So the colors used to

392
00:22:32.640 --> 00:22:34.480
<v Speaker 1>sit and cry. But this doesn't happen.

393
00:22:34.720 --> 00:22:35.720
<v Speaker 2>She would be singing.

394
00:22:36.079 --> 00:22:39.960
<v Speaker 1>Yeah, she would be singing in rhyme, but she would

395
00:22:40.000 --> 00:22:44.279
<v Speaker 1>be evoking emotions that would make her want to cry

396
00:22:44.839 --> 00:22:49.039
<v Speaker 1>by saying what I wasn't there. I have no idea.

397
00:22:49.240 --> 00:22:55.000
<v Speaker 1>I'm after the Holocaust. I just heard this. I just

398
00:22:55.039 --> 00:22:58.119
<v Speaker 1>heard this. Now by the Houston, this does happen. The

399
00:22:58.160 --> 00:23:02.359
<v Speaker 1>Houston sits at the table with his two fathers by him,

400
00:23:02.480 --> 00:23:07.440
<v Speaker 1>and the kisiba. The marriage contract is being filled out.

401
00:23:07.759 --> 00:23:10.200
<v Speaker 1>That's where they fill out the marriage contract. And if

402
00:23:10.240 --> 00:23:14.079
<v Speaker 1>there was no tennium, which means an official religious engagement

403
00:23:14.440 --> 00:23:21.759
<v Speaker 1>where the it's also a manuscript that's written about the

404
00:23:21.799 --> 00:23:24.319
<v Speaker 1>parents saying what they will give, what they will do

405
00:23:24.400 --> 00:23:29.480
<v Speaker 1>for the engagement. That noume is a paper for the engagement,

406
00:23:29.839 --> 00:23:34.880
<v Speaker 1>a document for the engagement, at which place a plate

407
00:23:35.000 --> 00:23:39.240
<v Speaker 1>is broken. But if not everybody chooses to have a tanoium,

408
00:23:39.279 --> 00:23:42.400
<v Speaker 1>you don't have to have it, but you must have thatnyum,

409
00:23:42.839 --> 00:23:47.400
<v Speaker 1>the religious document before the wedding. So they fill out

410
00:23:47.400 --> 00:23:49.599
<v Speaker 1>that knowing before the wedding, and the two mothers are

411
00:23:49.599 --> 00:23:52.359
<v Speaker 1>called down to the men and they break the plate.

412
00:23:52.440 --> 00:23:56.880
<v Speaker 1>Everybody says, muzzled up. Now. Meanwhile, if you'll ever see

413
00:23:56.880 --> 00:24:02.880
<v Speaker 1>by a kabulispunam pictures, the men are busy writing the casiba,

414
00:24:03.400 --> 00:24:08.440
<v Speaker 1>filling out the casiba, and it has to be very carefully.

415
00:24:08.480 --> 00:24:11.839
<v Speaker 1>There can be no mistakes in it. That they look

416
00:24:11.880 --> 00:24:15.960
<v Speaker 1>it over very carefully. Every single word is supposed to

417
00:24:16.000 --> 00:24:19.519
<v Speaker 1>be spelled correctly. The Hussin Kala's names have to be

418
00:24:19.599 --> 00:24:25.240
<v Speaker 1>spelled correctly. And this is the document that get signed

419
00:24:25.240 --> 00:24:30.279
<v Speaker 1>by two witnesses who are not related to the Hussin Kala,

420
00:24:30.799 --> 00:24:35.519
<v Speaker 1>who are not related to each other. And sometimes we

421
00:24:35.599 --> 00:24:40.680
<v Speaker 1>need witnesses for the tanoium, we need witnesses for the

422
00:24:40.759 --> 00:24:45.680
<v Speaker 1>casiba signing, we need witnesses for yihad. So there are

423
00:24:45.680 --> 00:24:50.119
<v Speaker 1>three times before you know at the wedding that we

424
00:24:50.240 --> 00:24:54.720
<v Speaker 1>need to kosher witnesses so sometimes one pair is used

425
00:24:54.720 --> 00:24:57.640
<v Speaker 1>for all three things, and sometimes there are three different

426
00:24:57.680 --> 00:25:01.160
<v Speaker 1>sets of witnesses to give them the honors. Oh really,

427
00:25:01.200 --> 00:25:06.880
<v Speaker 1>you know so it's not a people the wedding. Yeah. Yeah,

428
00:25:06.920 --> 00:25:09.000
<v Speaker 1>it has to be decided before the wedding because they

429
00:25:09.039 --> 00:25:11.440
<v Speaker 1>have to know what their job is. It's always men,

430
00:25:11.839 --> 00:25:17.079
<v Speaker 1>two men only men. Women are not qualified qualified, not

431
00:25:17.079 --> 00:25:20.200
<v Speaker 1>not that they're not qualified, they're not permitted, but it

432
00:25:20.240 --> 00:25:24.400
<v Speaker 1>doesn't permit women to be to have this this role.

433
00:25:26.039 --> 00:25:28.640
<v Speaker 2>You're much better at praising these things than me. I

434
00:25:28.680 --> 00:25:30.200
<v Speaker 2>shouldn't have said anything.

435
00:25:31.119 --> 00:25:33.400
<v Speaker 1>It's okay, you say what you want to say. And

436
00:25:33.480 --> 00:25:35.319
<v Speaker 1>also the opposite, okay.

437
00:25:38.359 --> 00:25:40.000
<v Speaker 2>Do you want to talk about what's in a kimber?

438
00:25:40.200 --> 00:25:41.599
<v Speaker 2>What's in a marriage contract?

439
00:25:41.759 --> 00:25:45.480
<v Speaker 1>So in the contract for the engagement is the the

440
00:25:45.559 --> 00:25:50.079
<v Speaker 1>two sides obligate themselves to buy things for the couple,

441
00:25:51.400 --> 00:25:54.559
<v Speaker 1>you know, like dishes and and and whatever is needed

442
00:25:54.599 --> 00:25:58.119
<v Speaker 1>for to start a new marriage. So that's the that's

443
00:25:58.160 --> 00:25:59.480
<v Speaker 1>the to know one.

444
00:25:59.680 --> 00:26:03.640
<v Speaker 2>That's the ah and the parents are actually going to

445
00:26:03.680 --> 00:26:08.119
<v Speaker 2>be deciding in during the tenoy and what they're getting

446
00:26:08.119 --> 00:26:08.599
<v Speaker 2>the couple.

447
00:26:09.240 --> 00:26:11.839
<v Speaker 1>No, no, it's it's like a standard. It's a standard

448
00:26:11.880 --> 00:26:14.039
<v Speaker 1>for today today's a standard fronia.

449
00:26:14.119 --> 00:26:17.519
<v Speaker 2>But essentially they're getting the couple dishes and furniture.

450
00:26:17.160 --> 00:26:19.720
<v Speaker 1>Whatever is necessary to set up a house. It used

451
00:26:19.720 --> 00:26:23.960
<v Speaker 1>to be that each in Europe, each side obligated themselves

452
00:26:24.000 --> 00:26:26.960
<v Speaker 1>to certain things because they were there was such poverty

453
00:26:27.000 --> 00:26:32.319
<v Speaker 1>there that they had to have decided what they got

454
00:26:32.359 --> 00:26:36.039
<v Speaker 1>with each side is going to give over Here in America, Barkashem.

455
00:26:36.440 --> 00:26:42.000
<v Speaker 1>We have it, Barkashem so good that we trust each other.

456
00:26:43.440 --> 00:26:47.559
<v Speaker 1>So the kasiba it's fifty to fifty usually here, sometimes

457
00:26:47.599 --> 00:26:50.559
<v Speaker 1>it's fifty to fifty. Sometimes it's sixty five, thirty five,

458
00:26:51.039 --> 00:26:54.359
<v Speaker 1>twenty five, seventy five. It's decided beforehand based on what

459
00:26:55.000 --> 00:26:57.880
<v Speaker 1>based on the ability of the of the makatoon and

460
00:26:57.960 --> 00:26:58.720
<v Speaker 1>the parents.

461
00:26:59.160 --> 00:27:00.920
<v Speaker 2>It doesn't matter a boy or a girl.

462
00:27:01.119 --> 00:27:02.480
<v Speaker 1>No no, no, no.

463
00:27:03.160 --> 00:27:05.720
<v Speaker 2>Dowry thing for a girl is not a thing.

464
00:27:06.200 --> 00:27:06.880
<v Speaker 1>Not anymore.

465
00:27:07.960 --> 00:27:13.400
<v Speaker 2>Brosham Broa is right. So what's in the contract from.

466
00:27:13.119 --> 00:27:16.960
<v Speaker 1>So what's in the kasiba is everything that the husband

467
00:27:17.039 --> 00:27:21.519
<v Speaker 1>has to do for the wife period, nothing that the

468
00:27:21.559 --> 00:27:25.960
<v Speaker 1>wife has to do for the husband. He obligates himself

469
00:27:26.039 --> 00:27:28.599
<v Speaker 1>to feed her, to clothe her, to house her, to

470
00:27:30.279 --> 00:27:33.160
<v Speaker 1>everything that he only what he's supposed to do. Talk

471
00:27:33.200 --> 00:27:38.920
<v Speaker 1>about women's rights. And it's also signed by two witnesses

472
00:27:40.519 --> 00:27:43.240
<v Speaker 1>to say that he agreed to this. You know that

473
00:27:43.319 --> 00:27:47.400
<v Speaker 1>he's obligating himself to do these things. Now, besides all this,

474
00:27:47.759 --> 00:27:52.599
<v Speaker 1>there is a person there Aboutram who is there to

475
00:27:53.799 --> 00:27:57.400
<v Speaker 1>also make the make the who's not understand the seriousness

476
00:27:57.400 --> 00:28:00.279
<v Speaker 1>of the day, and that it's like him Kiper And

477
00:28:01.880 --> 00:28:07.440
<v Speaker 1>the purpose is really to invoke tears. We Jews, the

478
00:28:07.519 --> 00:28:11.039
<v Speaker 1>men are another shame to cry. We are the best

479
00:28:11.079 --> 00:28:13.839
<v Speaker 1>criers in the world. The men, the men that don't

480
00:28:13.839 --> 00:28:15.759
<v Speaker 1>have to act so much of that they can't cry.

481
00:28:15.839 --> 00:28:18.759
<v Speaker 1>It's you go into Bismadish, you'll hear the men crying,

482
00:28:18.880 --> 00:28:22.519
<v Speaker 1>just like the women in kip It. Let's say. You know,

483
00:28:23.240 --> 00:28:27.799
<v Speaker 1>it's not something that we try to hope the men

484
00:28:27.880 --> 00:28:30.400
<v Speaker 1>try to hold themselves back from. They can cry freely.

485
00:28:31.440 --> 00:28:34.759
<v Speaker 3>You know, I wonder if viewers who watch this would

486
00:28:34.839 --> 00:28:38.400
<v Speaker 3>understand the whole concept of crying as prayer, because I

487
00:28:38.400 --> 00:28:42.200
<v Speaker 3>think in a lot of other faiths or other traditions,

488
00:28:43.000 --> 00:28:46.599
<v Speaker 3>crying for prayer isn't really a thing.

489
00:28:46.680 --> 00:28:48.480
<v Speaker 1>Is it, do I know?

490
00:28:49.880 --> 00:28:53.519
<v Speaker 3>I think it's a particular thing in our world where

491
00:28:53.599 --> 00:28:54.880
<v Speaker 3>you plead.

492
00:28:54.799 --> 00:28:58.799
<v Speaker 1>You plead, yes, you plead and you beg Hashem. You know,

493
00:28:59.400 --> 00:29:01.640
<v Speaker 1>we have somebody from whom they ask things.

494
00:29:02.039 --> 00:29:03.079
<v Speaker 2>But shouldn't it be if he.

495
00:29:04.680 --> 00:29:07.559
<v Speaker 1>Hold on? There's a time for everything. There's a time

496
00:29:07.599 --> 00:29:08.160
<v Speaker 1>for everything.

497
00:29:08.240 --> 00:29:11.799
<v Speaker 3>But crying is seen as an emotion.

498
00:29:12.759 --> 00:29:16.000
<v Speaker 1>It's an emotion if you really really think about it,

499
00:29:16.039 --> 00:29:19.440
<v Speaker 1>that you're talking to Hashem and you're asking from Hashem

500
00:29:19.759 --> 00:29:22.680
<v Speaker 1>and you're begging him. Of course you're gonna cry buckets,

501
00:29:25.119 --> 00:29:28.240
<v Speaker 1>you're pleading for your life. So where are we up?

502
00:29:28.519 --> 00:29:28.559
<v Speaker 3>This?

503
00:29:28.839 --> 00:29:30.799
<v Speaker 1>So? Okay, So the Houston is sitting there, and.

504
00:29:30.720 --> 00:29:33.240
<v Speaker 3>I'm curious if you can explain what about come might

505
00:29:33.599 --> 00:29:34.799
<v Speaker 3>say too?

506
00:29:35.000 --> 00:29:37.680
<v Speaker 1>This young I don't know. I was never there. I

507
00:29:37.720 --> 00:29:42.680
<v Speaker 1>really was never there too. He invokes certain certain ideas

508
00:29:42.720 --> 00:29:46.079
<v Speaker 1>and certain words that will bring the Houston to to

509
00:29:46.079 --> 00:29:50.319
<v Speaker 1>to understand the seriousness of the day. Meanwhile, while the

510
00:29:50.400 --> 00:29:54.519
<v Speaker 1>Color is sitting and getting the muzzled off and greeting

511
00:29:54.519 --> 00:29:59.640
<v Speaker 1>her guests, the Houston is being more is happening by

512
00:29:59.640 --> 00:30:03.440
<v Speaker 1>the Who's by the color? Now? So he is now

513
00:30:03.480 --> 00:30:08.720
<v Speaker 1>getting to put on a kittle. A kittle is reminiscent

514
00:30:08.839 --> 00:30:14.319
<v Speaker 1>of kipper. That's white. It's a white, it's a white

515
00:30:14.400 --> 00:30:18.960
<v Speaker 1>like a long shirt. And then he is Also, Ash

516
00:30:19.119 --> 00:30:23.359
<v Speaker 1>is put on his head with a filnar to remind

517
00:30:23.440 --> 00:30:27.880
<v Speaker 1>him of the destruction of the temple. Because the destruction

518
00:30:28.000 --> 00:30:31.960
<v Speaker 1>of the temple has to be above all simhrels, above

519
00:30:32.000 --> 00:30:36.240
<v Speaker 1>all happiness. We can't forget it. It doesn't mean that

520
00:30:36.240 --> 00:30:39.720
<v Speaker 1>we have to cry day and night for it. It's impossible.

521
00:30:39.960 --> 00:30:43.880
<v Speaker 1>But if you have a tremendous simra, you could forget

522
00:30:43.880 --> 00:30:47.359
<v Speaker 1>about it. This is to remind him as an effect

523
00:30:47.440 --> 00:30:50.880
<v Speaker 1>on all our invitations. The first thing that's written is

524
00:30:50.920 --> 00:30:54.759
<v Speaker 1>to remember the destruction of the temple. On the invitation,

525
00:30:58.519 --> 00:31:00.240
<v Speaker 1>Oh you should be what do.

526
00:31:02.200 --> 00:31:02.480
<v Speaker 2>Lion?

527
00:31:03.640 --> 00:31:06.079
<v Speaker 1>No, no, no, no, I forgot al ready. I'm gonna

528
00:31:06.079 --> 00:31:06.680
<v Speaker 1>take it out soon.

529
00:31:06.839 --> 00:31:06.920
<v Speaker 3>Na.

530
00:31:09.599 --> 00:31:10.319
<v Speaker 2>What does it mean?

531
00:31:10.759 --> 00:31:17.079
<v Speaker 1>Remember youh lion, greatest in your greatest the greatest joy.

532
00:31:17.880 --> 00:31:25.519
<v Speaker 1>Oh you should every single invitation from my children, grandchildren

533
00:31:25.640 --> 00:31:27.240
<v Speaker 1>and hopefully my great grandchildren.

534
00:31:27.319 --> 00:31:29.039
<v Speaker 2>I say, very sweet.

535
00:31:29.440 --> 00:31:34.519
<v Speaker 1>Yeah, it's such an emotional you know, it's such a happiness.

536
00:31:34.519 --> 00:31:36.799
<v Speaker 1>It's such a happy day in my life, you know.

537
00:31:37.240 --> 00:31:37.440
<v Speaker 2>Yeah.

538
00:31:38.400 --> 00:31:39.759
<v Speaker 1>Okay, So now so.

539
00:31:39.920 --> 00:31:41.079
<v Speaker 2>We put Ash on his head.

540
00:31:41.079 --> 00:31:46.680
<v Speaker 1>That's interesting, hard by something, by something dish. So in

541
00:31:46.720 --> 00:31:49.559
<v Speaker 1>other words, you could be happy and said at the

542
00:31:49.599 --> 00:31:56.599
<v Speaker 1>same time, that's very Jewish. Yeah, exactly. Then then comes

543
00:31:56.640 --> 00:32:00.680
<v Speaker 1>and he's put on he gets He doesn't dress himself.

544
00:32:02.079 --> 00:32:06.119
<v Speaker 1>He is dressed jeal like a king has a dresser,

545
00:32:06.480 --> 00:32:10.200
<v Speaker 1>is dressed by somebody. The husin is also dressed by

546
00:32:10.200 --> 00:32:13.359
<v Speaker 1>his family, you know, by the people around him. And

547
00:32:15.960 --> 00:32:21.799
<v Speaker 1>by then he's very serious, very very serious, shaking, praying.

548
00:32:22.720 --> 00:32:24.400
<v Speaker 1>I don't know if he's shaking and praying then, but

549
00:32:24.440 --> 00:32:27.759
<v Speaker 1>he comes to the color. And the purpose of going

550
00:32:27.799 --> 00:32:32.440
<v Speaker 1>to the color now is something called the badecan right.

551
00:32:32.839 --> 00:32:36.480
<v Speaker 1>The covering of her face. It's also very serious. You

552
00:32:36.599 --> 00:32:39.680
<v Speaker 1>see a lot of mothers and grandmothers crying in the background.

553
00:32:40.160 --> 00:32:47.039
<v Speaker 1>It's very emotional. And he takes this white a nicely

554
00:32:47.079 --> 00:32:52.240
<v Speaker 1>decorated wise piece of lace that's not see through, and

555
00:32:52.279 --> 00:32:56.160
<v Speaker 1>he comes in with pomposity to the color. He's followed

556
00:32:56.160 --> 00:32:58.920
<v Speaker 1>by most of the men and the fathers on the

557
00:32:59.039 --> 00:33:03.960
<v Speaker 1>side and slowly walking towards the color. By now the

558
00:33:04.039 --> 00:33:07.960
<v Speaker 1>color is also very serious, and he puts this white

559
00:33:08.759 --> 00:33:12.599
<v Speaker 1>covering to cover her face, and some of the fathers

560
00:33:12.720 --> 00:33:18.079
<v Speaker 1>bless their daughters. Then some of the men are some

561
00:33:18.119 --> 00:33:22.519
<v Speaker 1>of the close close family bless the color then and

562
00:33:22.559 --> 00:33:24.599
<v Speaker 1>then they turn around and they go back to the

563
00:33:24.680 --> 00:33:29.599
<v Speaker 1>Hussin's room. I don't know. No, not always.

564
00:33:30.119 --> 00:33:33.680
<v Speaker 2>They don't throw confetti, yeah, sometimes never rise though.

565
00:33:34.160 --> 00:33:36.359
<v Speaker 1>No. First of all the men hated because it gets

566
00:33:36.359 --> 00:33:39.240
<v Speaker 1>into their stamol and I was using confetti gets into istamo.

567
00:33:40.440 --> 00:33:41.920
<v Speaker 2>That's so bunny.

568
00:33:43.240 --> 00:33:44.400
<v Speaker 1>Not always, not always.

569
00:33:44.680 --> 00:33:46.880
<v Speaker 2>So what is the purpose of decking the color?

570
00:33:47.279 --> 00:33:48.000
<v Speaker 1>What do you think?

571
00:33:48.880 --> 00:33:49.440
<v Speaker 2>I don't know.

572
00:33:49.839 --> 00:33:54.519
<v Speaker 1>It goes back to the Toyota when Rifka, when she

573
00:33:54.720 --> 00:34:00.240
<v Speaker 1>was brought to see Yitrak, her husband, her Hussin, she

574
00:34:00.319 --> 00:34:04.240
<v Speaker 1>covered herself with a with her with she covered her face.

575
00:34:05.039 --> 00:34:09.000
<v Speaker 1>There's lots of other reasons for the badeku of the color.

576
00:34:09.760 --> 00:34:12.079
<v Speaker 1>Part of one of it is sneezs to mention look

577
00:34:12.119 --> 00:34:15.159
<v Speaker 1>at her face. But there's lots about it, but the

578
00:34:15.199 --> 00:34:19.440
<v Speaker 1>main one is that this is what our matriarch Rifka

579
00:34:19.960 --> 00:34:25.960
<v Speaker 1>did when she saw Isaac Rifka Emiine when she saw

580
00:34:26.400 --> 00:34:29.320
<v Speaker 1>covered her face. That's part of it. And now the

581
00:34:29.440 --> 00:34:32.760
<v Speaker 1>color is stood up from her chair because she can't

582
00:34:32.760 --> 00:34:37.159
<v Speaker 1>now see anything by the two mothers, and she's taken

583
00:34:37.280 --> 00:34:41.280
<v Speaker 1>back into the color room to prepare her for the ripper.

584
00:34:41.960 --> 00:34:44.440
<v Speaker 1>The rusina is already more or less prepared, but the

585
00:34:44.480 --> 00:34:47.480
<v Speaker 1>color has to be prepared, which means that the distinct

586
00:34:47.519 --> 00:34:52.480
<v Speaker 1>the veil has to be pinned on right, and all

587
00:34:52.599 --> 00:34:58.039
<v Speaker 1>her jewelry is taken off. I don't really know. There's many,

588
00:34:58.480 --> 00:35:02.400
<v Speaker 1>many reasons. One of one of them is so that

589
00:35:03.559 --> 00:35:07.360
<v Speaker 1>it means that the hussin who's taking her for a wife,

590
00:35:07.760 --> 00:35:11.360
<v Speaker 1>doesn't care what how she is or she has jewelry.

591
00:35:10.519 --> 00:35:14.239
<v Speaker 1>If she has, she's beautiful, she's you know, there's many,

592
00:35:14.280 --> 00:35:17.320
<v Speaker 1>many different different reasons. I really don't know that. I'm

593
00:35:17.360 --> 00:35:21.400
<v Speaker 1>not that familiar with it this part, and it takes

594
00:35:21.440 --> 00:35:24.480
<v Speaker 1>long longer to prepare her. So the huston goes out

595
00:35:24.480 --> 00:35:27.519
<v Speaker 1>to the ripper. Oh yeah. Another another thing for the

596
00:35:27.599 --> 00:35:31.679
<v Speaker 1>Badecan is that a man is not allowed to be

597
00:35:31.800 --> 00:35:34.360
<v Speaker 1>macadish a woman without seeing her first.

598
00:35:35.880 --> 00:35:36.280
<v Speaker 2>See her.

599
00:35:36.320 --> 00:35:39.559
<v Speaker 1>You must see her. He's to marry, he's not not

600
00:35:39.719 --> 00:35:44.039
<v Speaker 1>to marry, not to give the condition without actually seeing

601
00:35:44.039 --> 00:35:48.519
<v Speaker 1>her what she looks like. So then, and because the

602
00:35:48.599 --> 00:35:52.159
<v Speaker 1>rifka covered her face, we also cover our faces.

603
00:35:52.400 --> 00:35:55.440
<v Speaker 2>So the actual is outside under.

604
00:35:55.639 --> 00:35:58.679
<v Speaker 1>Wait, so the color the husson goes out under the ripper,

605
00:35:59.280 --> 00:36:05.199
<v Speaker 1>which is under the stars of the sky. In other words,

606
00:36:05.280 --> 00:36:09.280
<v Speaker 1>it's not inside the inside of the room, it's outside

607
00:36:09.400 --> 00:36:12.280
<v Speaker 1>under the under the stars is the idea, and there

608
00:36:12.360 --> 00:36:16.800
<v Speaker 1>is a hipper canopy that's supposed to be nicely decorated,

609
00:36:17.159 --> 00:36:22.000
<v Speaker 1>which preceded people don't do. And the Houston is there

610
00:36:22.079 --> 00:36:25.280
<v Speaker 1>first and he's waiting for the color.

611
00:36:26.000 --> 00:36:28.440
<v Speaker 2>And it's always after dark the wedding.

612
00:36:29.320 --> 00:36:31.880
<v Speaker 1>It usually happens like that. Yeah, because the host has

613
00:36:31.920 --> 00:36:37.039
<v Speaker 1>to do minchre. He has to go to the mikvah before. Yes, yes,

614
00:36:37.079 --> 00:36:39.159
<v Speaker 1>the Houston goes to the mikvah before he doves men,

615
00:36:39.360 --> 00:36:42.079
<v Speaker 1>even if he was there in the morning. So he

616
00:36:42.119 --> 00:36:46.119
<v Speaker 1>goes to the mikvah before he davens minhchree. And these

617
00:36:46.239 --> 00:36:49.960
<v Speaker 1>these prayers are not set with a minion. This is solitude.

618
00:36:50.480 --> 00:36:52.400
<v Speaker 1>The color and the Whlston say that you can kipper

619
00:36:52.480 --> 00:36:54.360
<v Speaker 1>prayers alone.

620
00:36:55.159 --> 00:36:58.480
<v Speaker 2>And merch is time based in the afternoon, right.

621
00:36:58.719 --> 00:37:02.920
<v Speaker 1>In the evening and the evening. So the Houston is

622
00:37:02.960 --> 00:37:06.719
<v Speaker 1>standing there with two people on the side of him

623
00:37:06.960 --> 00:37:12.840
<v Speaker 1>who are holding onto candles and it's it's it's to

624
00:37:12.840 --> 00:37:18.280
<v Speaker 1>bring a light into this marriage. Meanwhile, the color is

625
00:37:18.320 --> 00:37:20.800
<v Speaker 1>being prepared with all that stuff. It takes a little longer,

626
00:37:22.000 --> 00:37:24.360
<v Speaker 1>and as the color is being led out, the color

627
00:37:24.400 --> 00:37:31.440
<v Speaker 1>is let out with music and the Houston walks two

628
00:37:31.559 --> 00:37:34.159
<v Speaker 1>steps towards her. She's not even outside yet, but he

629
00:37:34.239 --> 00:37:37.199
<v Speaker 1>walks towards two steps towards her. Then he turns back

630
00:37:37.199 --> 00:37:39.760
<v Speaker 1>around where he's standing with his parents, you know, with

631
00:37:39.760 --> 00:37:42.880
<v Speaker 1>the parents on both side of him holding onto the candle,

632
00:37:42.920 --> 00:37:45.159
<v Speaker 1>and the color is walked out of the ripper with

633
00:37:45.320 --> 00:37:49.760
<v Speaker 1>the two mothers holding candles. It's also because it's it's it's,

634
00:37:49.920 --> 00:37:55.159
<v Speaker 1>it's it's there's something about light about candles. But you know,

635
00:37:56.679 --> 00:37:58.960
<v Speaker 1>there's probably more than what I'm telling you about the light,

636
00:37:59.039 --> 00:38:00.920
<v Speaker 1>but you that I forgot it.

637
00:38:00.920 --> 00:38:04.960
<v Speaker 3>Or there's so much symbolism to every aspect of such

638
00:38:05.000 --> 00:38:05.719
<v Speaker 3>a rich day.

639
00:38:06.000 --> 00:38:10.599
<v Speaker 1>Yes, exactly exactly meanings. No, it's not six thousand meanings.

640
00:38:10.599 --> 00:38:15.840
<v Speaker 1>But it's more than what I'm saying. Now. The color

641
00:38:17.199 --> 00:38:23.880
<v Speaker 1>comes out under the hipper and she the Husin who's there,

642
00:38:24.039 --> 00:38:28.719
<v Speaker 1>sings by habo like welcome, welcome, because this is like

643
00:38:28.760 --> 00:38:32.679
<v Speaker 1>the Hulston's house, not like his house, but sort of

644
00:38:32.719 --> 00:38:37.840
<v Speaker 1>like like he's there first, you know, and she's coming

645
00:38:37.880 --> 00:38:42.039
<v Speaker 1>to him. But she signifies with this that she's Muscolm

646
00:38:42.079 --> 00:38:51.000
<v Speaker 1>to this, you understand, she signifies that she is Muscolm.

647
00:38:52.000 --> 00:38:57.719
<v Speaker 1>She's agreed, and it's not an arranged marriage. Ah her

648
00:38:57.760 --> 00:39:02.480
<v Speaker 1>back the original she originally got engaged to him, but

649
00:39:02.639 --> 00:39:09.119
<v Speaker 1>now she this is called condition iis is that as

650
00:39:09.119 --> 00:39:12.960
<v Speaker 1>she circles this part of the ceremony is called iis.

651
00:39:14.039 --> 00:39:17.920
<v Speaker 1>And she circles the groom seven times, you know why,

652
00:39:19.760 --> 00:39:23.119
<v Speaker 1>to make sure he doesn't run away.

653
00:39:24.519 --> 00:39:27.280
<v Speaker 2>She should. I'm not gonna make any jokes.

654
00:39:29.320 --> 00:39:32.920
<v Speaker 3>It's such a it's such a serious just as you

655
00:39:33.039 --> 00:39:35.400
<v Speaker 3>talk about it, I can feel such feels.

656
00:39:35.679 --> 00:39:36.800
<v Speaker 1>Yeah, yeah, yeah.

657
00:39:36.800 --> 00:39:38.960
<v Speaker 2>Every wedding I go to, I have such.

658
00:39:38.960 --> 00:39:41.159
<v Speaker 1>So this is just to break the tension over here.

659
00:39:41.840 --> 00:39:46.480
<v Speaker 1>She circles him seven times. According to the Seven Skies,

660
00:39:47.800 --> 00:39:53.280
<v Speaker 1>according to the Seven Blessings, seven has a. It's very

661
00:39:53.840 --> 00:39:55.760
<v Speaker 1>it's a very sympology symbolic.

662
00:39:56.880 --> 00:39:59.920
<v Speaker 2>It's interesting because in English you say cloud and I,

663
00:40:00.440 --> 00:40:09.480
<v Speaker 2>but she says him someone you said in English.

664
00:40:08.119 --> 00:40:11.880
<v Speaker 1>It's I don't know, so so you know. And then

665
00:40:11.920 --> 00:40:16.880
<v Speaker 1>she stands on his right side, always, whether he's left,

666
00:40:17.159 --> 00:40:19.880
<v Speaker 1>left handed or right hand. She stands on the right

667
00:40:19.920 --> 00:40:23.360
<v Speaker 1>side of the Hussin and the pairents. The two fathers

668
00:40:23.400 --> 00:40:25.360
<v Speaker 1>who have been standing with the Hussin the whole time,

669
00:40:25.480 --> 00:40:27.559
<v Speaker 1>move away, and the two mothers move a little bit away.

670
00:40:28.079 --> 00:40:30.320
<v Speaker 1>They don't stand holding on you know, they let the

671
00:40:30.400 --> 00:40:32.159
<v Speaker 1>Hussein Carla stand there alone.

672
00:40:31.920 --> 00:40:34.599
<v Speaker 2>And she's still completely covered, so she doesn't see anything.

673
00:40:34.719 --> 00:40:37.039
<v Speaker 1>She doesn't have to see, she has to hear. All

674
00:40:37.079 --> 00:40:39.639
<v Speaker 1>of the blessings are set on a cup of wine.

675
00:40:40.039 --> 00:40:47.360
<v Speaker 1>So the first brooker is said, thanking God on all

676
00:40:47.480 --> 00:40:54.440
<v Speaker 1>the laws that we have, which woman a man can marry.

677
00:40:55.639 --> 00:40:58.159
<v Speaker 1>We have all these laws that tell us whom to

678
00:40:58.280 --> 00:41:02.559
<v Speaker 1>marry and whom not to marry, you know so, and

679
00:41:02.639 --> 00:41:07.639
<v Speaker 1>this is called irisen. This is one part of the ripper.

680
00:41:09.239 --> 00:41:12.039
<v Speaker 1>Then comes the part of the ripper of the Hussin

681
00:41:12.519 --> 00:41:19.119
<v Speaker 1>is Makadish the color he he he sanctifies this woman

682
00:41:19.559 --> 00:41:23.880
<v Speaker 1>for him to him and he does that with a ring.

683
00:41:24.440 --> 00:41:28.000
<v Speaker 1>But I forgot to say something important. At the ripper,

684
00:41:28.760 --> 00:41:31.960
<v Speaker 1>there's the whole the whole group is standing around the

685
00:41:32.000 --> 00:41:35.159
<v Speaker 1>husson color and basically we're supposed to stand, not set.

686
00:41:36.440 --> 00:41:37.199
<v Speaker 2>Everyone stands.

687
00:41:37.320 --> 00:41:39.920
<v Speaker 1>Everyone stands, but you know, there's a lot of some

688
00:41:39.960 --> 00:41:43.800
<v Speaker 1>people sit also. But basically you said you stand around

689
00:41:43.800 --> 00:41:47.920
<v Speaker 1>because of the bruchs that are being said. Also because

690
00:41:48.599 --> 00:41:54.320
<v Speaker 1>during the hipper, the souls of the of the ancestors

691
00:41:54.599 --> 00:42:00.400
<v Speaker 1>come down and stand there too. Yeah, and this is

692
00:42:00.440 --> 00:42:04.400
<v Speaker 1>a very very holy moment because first of all, the

693
00:42:04.440 --> 00:42:06.280
<v Speaker 1>souls don't want to leave where they're going. Then they

694
00:42:06.400 --> 00:42:09.280
<v Speaker 1>pushed out of there. Go go, go down, because this

695
00:42:09.440 --> 00:42:13.440
<v Speaker 1>is your descendants doing a mitz for now, and they

696
00:42:13.480 --> 00:42:17.199
<v Speaker 1>are sent out from their comfort zone nargand no or

697
00:42:17.360 --> 00:42:20.119
<v Speaker 1>ingand know wherever they are, you know, and have to

698
00:42:20.119 --> 00:42:23.239
<v Speaker 1>come down to this krippan. So you can imagine how

699
00:42:23.280 --> 00:42:26.880
<v Speaker 1>emotional the hip is when you think, my mother is here,

700
00:42:26.960 --> 00:42:29.039
<v Speaker 1>my father is here, like let's say my age, you know,

701
00:42:30.239 --> 00:42:36.039
<v Speaker 1>and my grandparents are here. It's very very holy. Now

702
00:42:36.079 --> 00:42:39.119
<v Speaker 1>the Huston is going to do something that's going to

703
00:42:39.440 --> 00:42:45.360
<v Speaker 1>sanctify this woman to him, and he takes a simple

704
00:42:45.400 --> 00:42:50.480
<v Speaker 1>gold ring and he says the words that say I

705
00:42:50.840 --> 00:42:56.480
<v Speaker 1>make you makadish to me with this ring. Basically those

706
00:42:56.519 --> 00:43:03.599
<v Speaker 1>are the words, and everybody says, muzzletovchdacious. So this is

707
00:43:03.639 --> 00:43:06.960
<v Speaker 1>the the whole point of the In other words, he

708
00:43:08.599 --> 00:43:12.360
<v Speaker 1>says this out loud. Everybody should know that from now on,

709
00:43:12.440 --> 00:43:17.519
<v Speaker 1>she's mine. She's mine, and then there are the blessings,

710
00:43:17.519 --> 00:43:20.360
<v Speaker 1>the seven. Then come the seven blessings. She doesn't give

711
00:43:20.400 --> 00:43:23.320
<v Speaker 1>a ring, no, he takes her.

712
00:43:23.719 --> 00:43:25.239
<v Speaker 2>It's not an equal, it's.

713
00:43:25.079 --> 00:43:31.360
<v Speaker 1>Not it's not democratic. He takes her to be his wife,

714
00:43:32.320 --> 00:43:34.920
<v Speaker 1>and this is a very very This is the focal

715
00:43:35.119 --> 00:43:39.239
<v Speaker 1>of the whole hipper. Then come the blessings on the

716
00:43:39.280 --> 00:43:43.440
<v Speaker 1>couple and on the you know their future, and and

717
00:43:44.440 --> 00:43:47.800
<v Speaker 1>seven blessings. Then comes the part where the huston breaks

718
00:43:47.840 --> 00:43:56.960
<v Speaker 1>a glass right, also as a h Once he breaks

719
00:43:57.000 --> 00:44:03.880
<v Speaker 1>the glass, everybody screams muzzled, and a whole simple starts.

720
00:44:04.559 --> 00:44:07.400
<v Speaker 1>And this is a simple that if you haven't seen it,

721
00:44:07.679 --> 00:44:10.800
<v Speaker 1>you don't know what simphra means. You have to be

722
00:44:10.960 --> 00:44:14.920
<v Speaker 1>there to see what means. Happiness and the crowd everybody,

723
00:44:15.039 --> 00:44:18.480
<v Speaker 1>everybody is so happy for the Houston color. But but

724
00:44:19.920 --> 00:44:24.400
<v Speaker 1>the condition. I'm not finished yet. Now he goes with her,

725
00:44:24.920 --> 00:44:29.079
<v Speaker 1>He takes her avel is picked up. He takes her hand.

726
00:44:29.119 --> 00:44:32.320
<v Speaker 1>He's supposed to take her hand. Your mind, come with me,

727
00:44:33.559 --> 00:44:36.119
<v Speaker 1>and he takes the first. It's the first time they

728
00:44:36.119 --> 00:44:39.880
<v Speaker 1>hold hands, right, And there's a symbolic reason for this.

729
00:44:40.119 --> 00:44:43.199
<v Speaker 1>Your mind, right, come with me. They go to the

730
00:44:43.239 --> 00:44:46.880
<v Speaker 1>Ikage stable. The Ifage table is a room where only

731
00:44:47.079 --> 00:44:50.320
<v Speaker 1>the Houston Color go into for about the hasidim. I

732
00:44:50.360 --> 00:44:54.079
<v Speaker 1>think it's nine minutes by themselves and it is not

733
00:44:54.320 --> 00:45:01.599
<v Speaker 1>to consummate the marriage. And they go went there with

734
00:45:01.840 --> 00:45:05.599
<v Speaker 1>IDAs with witnesses who checked the room that there's nobody

735
00:45:05.599 --> 00:45:09.280
<v Speaker 1>else in the room. The room is they too, are

736
00:45:09.320 --> 00:45:13.480
<v Speaker 1>there alone for the first time outside the witnesses. The

737
00:45:13.519 --> 00:45:16.159
<v Speaker 1>Color goes into the room first, and the Houston goes

738
00:45:16.159 --> 00:45:19.559
<v Speaker 1>into the room and the door closes, and the two

739
00:45:19.639 --> 00:45:23.920
<v Speaker 1>witnesses were Iidas that this couple went in there alone.

740
00:45:24.599 --> 00:45:28.679
<v Speaker 1>And they're timed nine minutes. Nine minutes. The door's open.

741
00:45:29.719 --> 00:45:30.199
<v Speaker 2>Wow.

742
00:45:31.559 --> 00:45:35.360
<v Speaker 1>And what they do in there is they can do

743
00:45:35.360 --> 00:45:40.840
<v Speaker 1>whatever they want except comes to make them. So now

744
00:45:41.760 --> 00:45:44.719
<v Speaker 1>the parents rush in. They were going to put a

745
00:45:44.760 --> 00:45:45.559
<v Speaker 1>wig on the color.

746
00:45:45.840 --> 00:45:48.440
<v Speaker 3>Wait, but during the nine minutes, the couple's really spending

747
00:45:48.440 --> 00:45:49.239
<v Speaker 3>for the first time.

748
00:45:49.320 --> 00:45:51.000
<v Speaker 1>They spend it for the first time alone. And they're

749
00:45:51.000 --> 00:45:55.239
<v Speaker 1>supposed to wash and eat, start to eat because they

750
00:45:55.480 --> 00:45:56.360
<v Speaker 1>fasted all day.

751
00:45:56.519 --> 00:45:57.559
<v Speaker 2>They're breaking the fast.

752
00:45:57.639 --> 00:45:59.239
<v Speaker 1>Exactly how do they.

753
00:45:59.119 --> 00:46:03.079
<v Speaker 3>Break the awkward silence or the awkwardness between them.

754
00:46:03.119 --> 00:46:06.760
<v Speaker 1>It's none of our business. It's the couple business. Nobody's

755
00:46:06.760 --> 00:46:09.079
<v Speaker 1>supposed to ask them such a question.

756
00:46:09.280 --> 00:46:12.079
<v Speaker 5>I see, okay, okay, you don't go into say mustletop

757
00:46:12.159 --> 00:46:13.440
<v Speaker 5>and say hey, how did you break this.

758
00:46:15.679 --> 00:46:20.719
<v Speaker 1>Very very private, very very private, and it stays private

759
00:46:20.800 --> 00:46:22.960
<v Speaker 1>mostly except when you're blacked.

760
00:46:22.760 --> 00:46:26.719
<v Speaker 2>Your friends, which I think a lot of people do.

761
00:46:27.079 --> 00:46:33.320
<v Speaker 1>Some people not somebody some people. Yeah, So now the

762
00:46:34.039 --> 00:46:38.800
<v Speaker 1>mothers Russian have to you know, take off the put

763
00:46:39.159 --> 00:46:42.559
<v Speaker 1>the wig on. The makeup ladies in there putting a makeup,

764
00:46:42.800 --> 00:46:45.920
<v Speaker 1>and the photographers rush in because this is like a mitzvah,

765
00:46:46.000 --> 00:46:49.320
<v Speaker 1>you know, to have photographers by the it can't happen.

766
00:46:49.880 --> 00:46:51.360
<v Speaker 2>You're being sarcused.

767
00:46:50.880 --> 00:46:54.599
<v Speaker 1>Because I'm being sarcast It makes the whole, It makes

768
00:46:54.639 --> 00:46:58.400
<v Speaker 1>the whole beauty of the moment, so business like, you know,

769
00:46:58.960 --> 00:47:01.360
<v Speaker 1>stand hair standing, look hair look there.

770
00:47:01.480 --> 00:47:04.039
<v Speaker 2>Yeah, because they're they're being posed for and they're.

771
00:47:03.840 --> 00:47:06.679
<v Speaker 1>Coming from a holy moment, and all of a sudden

772
00:47:06.880 --> 00:47:09.280
<v Speaker 1>it goes like from shabas to oh shabas. You know.

773
00:47:09.599 --> 00:47:12.599
<v Speaker 2>Yeah, it's a stark difference from this.

774
00:47:12.639 --> 00:47:18.119
<v Speaker 1>Very very stark, very serious, serious holy. There's a holiness

775
00:47:18.119 --> 00:47:19.719
<v Speaker 1>to the wedding to the ripper.

776
00:47:20.719 --> 00:47:20.920
<v Speaker 3>You know.

777
00:47:22.239 --> 00:47:25.239
<v Speaker 1>Okay. Meanwhile, the guests are coming in to the.

778
00:47:25.239 --> 00:47:28.000
<v Speaker 2>Whole from from being outside.

779
00:47:27.559 --> 00:47:31.840
<v Speaker 1>For the rip, and the dinner starts. The dinner starts.

780
00:47:31.880 --> 00:47:35.719
<v Speaker 1>Everybody's sitting at the dinner and the color is being

781
00:47:35.800 --> 00:47:40.599
<v Speaker 1>prepared for the grand entrance? Who's color being prepared for

782
00:47:40.639 --> 00:47:43.239
<v Speaker 1>the grand entrance? The first time they're going to be

783
00:47:43.239 --> 00:47:47.920
<v Speaker 1>seen in public, in front of everybody, not only the Hipper,

784
00:47:48.000 --> 00:47:50.239
<v Speaker 1>but in front of the world, the whole world could be,

785
00:47:50.840 --> 00:47:56.360
<v Speaker 1>you know, together, So it's it's like it's like the

786
00:47:56.599 --> 00:47:59.679
<v Speaker 1>longer waited moment that they're waited for. They waited for

787
00:47:59.760 --> 00:48:03.280
<v Speaker 1>people wait to see them together coming in. She's not

788
00:48:03.480 --> 00:48:05.599
<v Speaker 1>wearing a veil in front of her face anymore.

789
00:48:05.639 --> 00:48:06.679
<v Speaker 2>This that she's wearing a wing.

790
00:48:06.760 --> 00:48:10.920
<v Speaker 1>Now who knows no, not always who no, who knows

791
00:48:10.960 --> 00:48:14.360
<v Speaker 1>that she's wearing a win She is she is, but

792
00:48:14.480 --> 00:48:18.360
<v Speaker 1>not shaved. No, not shaved yet. No no, no, no, no,

793
00:48:18.400 --> 00:48:22.360
<v Speaker 1>that's not no right, not shaved yet. So everybody awaits

794
00:48:22.400 --> 00:48:25.679
<v Speaker 1>this moment, and mister and missus officially come into the

795
00:48:25.679 --> 00:48:26.239
<v Speaker 1>wedding hall.

796
00:48:27.199 --> 00:48:28.559
<v Speaker 2>But there's two wedding holes.

797
00:48:29.119 --> 00:48:32.280
<v Speaker 1>Wait, but they're coming together. And he also holds her hand.

798
00:48:33.480 --> 00:48:36.440
<v Speaker 1>He holds her hands to show that this is his

799
00:48:36.840 --> 00:48:40.719
<v Speaker 1>anti feminist to say that she's his. But she is.

800
00:48:41.360 --> 00:48:43.880
<v Speaker 1>That's the Hipper, That's what it's all about. And so

801
00:48:43.960 --> 00:48:46.960
<v Speaker 1>the public to know that this woman belongs to this man.

802
00:48:47.559 --> 00:48:52.880
<v Speaker 1>Only it's symbolized. There's a lot of things. So when

803
00:48:52.880 --> 00:48:57.320
<v Speaker 1>they come in together, there's this Michigan of music that

804
00:48:57.360 --> 00:48:59.480
<v Speaker 1>you would think machi.

805
00:49:00.880 --> 00:49:02.960
<v Speaker 2>But backtrack first.

806
00:49:03.079 --> 00:49:10.920
<v Speaker 3>Yes, so we've discussed three parts of the wedding, the

807
00:49:11.639 --> 00:49:12.239
<v Speaker 3>and the meal.

808
00:49:12.639 --> 00:49:16.800
<v Speaker 1>Right, the ichetible, those are the three parts of condition

809
00:49:18.599 --> 00:49:21.800
<v Speaker 1>it is in conditioned, and the ikage TiVo. Those are the

810
00:49:21.920 --> 00:49:23.719
<v Speaker 1>three parts of the ceremony.

811
00:49:23.960 --> 00:49:26.840
<v Speaker 3>The couple is eating privately, they're breaking the fast or

812
00:49:26.840 --> 00:49:27.480
<v Speaker 3>spending their time.

813
00:49:27.559 --> 00:49:29.360
<v Speaker 1>I don't know what they're doing in there. It's a secret.

814
00:49:29.400 --> 00:49:31.559
<v Speaker 2>It's it's a secret, of course we're not talking about

815
00:49:31.840 --> 00:49:34.280
<v Speaker 2>but they are in a private room while the guests

816
00:49:34.320 --> 00:49:37.039
<v Speaker 2>are having a meal. Yes, and the meal is like

817
00:49:37.079 --> 00:49:39.000
<v Speaker 2>a three course meal, basically.

818
00:49:38.719 --> 00:49:42.760
<v Speaker 1>Very fancy meal, and it's has Everybody who's sitting by

819
00:49:42.800 --> 00:49:46.000
<v Speaker 1>the meal is full of happiness because first of all,

820
00:49:46.039 --> 00:49:48.960
<v Speaker 1>they're doing a mitzvah. You came to be miss A

821
00:49:49.000 --> 00:49:53.440
<v Speaker 1>Maya Husakala and you're sitting with friends and relatives, and

822
00:49:53.480 --> 00:49:57.360
<v Speaker 1>there's such a happy atmosphere. They're just such a happiness

823
00:49:57.400 --> 00:50:01.079
<v Speaker 1>to be sitting together and eating and spending like this

824
00:50:01.960 --> 00:50:07.239
<v Speaker 1>holy time together. So the whole atmosphere, the whole vibe

825
00:50:07.440 --> 00:50:11.599
<v Speaker 1>is the simpler, very simple. So can we come in

826
00:50:11.880 --> 00:50:14.719
<v Speaker 1>to them? Can we come down? So the hoost and

827
00:50:14.800 --> 00:50:20.280
<v Speaker 1>collar walking holding hands, and right away his loyal guards

828
00:50:20.360 --> 00:50:22.920
<v Speaker 1>are standing. In other words, they come into the women's side.

829
00:50:24.000 --> 00:50:27.639
<v Speaker 1>They're coming to the women's side. He's bringing the color

830
00:50:27.719 --> 00:50:30.440
<v Speaker 1>to the women. He is bringing the color to the women.

831
00:50:30.760 --> 00:50:32.159
<v Speaker 1>How does he get out of there? Poor guy?

832
00:50:32.199 --> 00:50:36.320
<v Speaker 2>You know, because all the women are waiting to see her.

833
00:50:36.199 --> 00:50:39.039
<v Speaker 1>And all her friends are standing in two lines. She

834
00:50:39.079 --> 00:50:40.159
<v Speaker 1>has to run through a.

835
00:50:42.239 --> 00:50:43.119
<v Speaker 2>Bunch of bridges.

836
00:50:44.960 --> 00:50:49.400
<v Speaker 1>So his his, his parents, his father in law, his

837
00:50:49.599 --> 00:50:52.760
<v Speaker 1>brothers are standing on the side of the door. And

838
00:50:52.880 --> 00:50:55.800
<v Speaker 1>as soon as she goes, they grab him and run

839
00:50:55.840 --> 00:50:59.840
<v Speaker 1>into the men with him and now his big boy

840
00:51:00.119 --> 00:51:02.599
<v Speaker 1>but by the men, they put him on a chair,

841
00:51:02.639 --> 00:51:06.400
<v Speaker 1>they dance with him, and there's such a feeling of

842
00:51:06.559 --> 00:51:10.519
<v Speaker 1>extreme happiness in the hall. And the music now switches

843
00:51:10.559 --> 00:51:16.599
<v Speaker 1>to instead of dinner music, switches to this very very happy,

844
00:51:16.639 --> 00:51:20.360
<v Speaker 1>happy music, and there's dancing by the men, there's dancing

845
00:51:20.400 --> 00:51:24.599
<v Speaker 1>by the women separately, but it's a huge feeling of

846
00:51:24.960 --> 00:51:31.280
<v Speaker 1>simha of happiness, real happiness in the hall where in

847
00:51:31.320 --> 00:51:33.760
<v Speaker 1>the hall you know all the people, even the kids

848
00:51:33.800 --> 00:51:38.039
<v Speaker 1>who are there. The whole place is rocking, you know,

849
00:51:39.320 --> 00:51:42.000
<v Speaker 1>And the most important thing over here is that the

850
00:51:42.159 --> 00:51:48.719
<v Speaker 1>music should be kosher music, should be Hassidisher music. Somehow

851
00:51:48.800 --> 00:51:54.599
<v Speaker 1>what drifted in is non Hasidish music, which which I

852
00:51:54.760 --> 00:51:58.639
<v Speaker 1>personally find very offensive. What kind of music what sounds

853
00:51:58.639 --> 00:52:02.599
<v Speaker 1>to me like like nightclub music, like disco music, that's

854
00:52:02.679 --> 00:52:07.000
<v Speaker 1>like disco and it has very very nut. It doesn't

855
00:52:07.000 --> 00:52:10.280
<v Speaker 1>happen right away because the first dance is for the

856
00:52:10.360 --> 00:52:14.199
<v Speaker 1>color with her mother, and it's still very conscedious music.

857
00:52:14.719 --> 00:52:20.039
<v Speaker 1>The second dance is with the colors mother in law, right,

858
00:52:20.800 --> 00:52:24.079
<v Speaker 1>and then come the grandmothers, and then come the ants,

859
00:52:24.280 --> 00:52:27.000
<v Speaker 1>and then come to cousins. And then by the time

860
00:52:27.079 --> 00:52:31.480
<v Speaker 1>everybody who is first in line sort of all the

861
00:52:31.599 --> 00:52:36.960
<v Speaker 1>friends and the whole place everybody's dancing the grandmother's, the mother's,

862
00:52:37.039 --> 00:52:41.480
<v Speaker 1>the friends, the cousins, the ants. Everybody is really the

863
00:52:41.599 --> 00:52:42.880
<v Speaker 1>simpa and.

864
00:52:42.880 --> 00:52:46.159
<v Speaker 3>You're dancing a big circles and little circles.

865
00:52:46.400 --> 00:52:49.840
<v Speaker 1>It depends, you know, keeps moving. It's very changing changing.

866
00:52:50.119 --> 00:52:52.400
<v Speaker 1>There's not like a hard and fast rule.

867
00:52:52.920 --> 00:52:55.440
<v Speaker 3>Yeah, but like if you see a small circle that's

868
00:52:55.480 --> 00:52:58.719
<v Speaker 3>your sisters, let's say, then you go to that circle,

869
00:52:58.800 --> 00:52:59.920
<v Speaker 3>and then that circle.

870
00:52:59.639 --> 00:53:02.159
<v Speaker 1>Does is dancing. So there's different circles.

871
00:53:02.239 --> 00:53:03.639
<v Speaker 2>Yeah, there's constantly circles.

872
00:53:03.719 --> 00:53:08.000
<v Speaker 1>Yeah, circles, Yeah, you can, there's no once. Once the

873
00:53:08.039 --> 00:53:12.480
<v Speaker 1>main important people finish their dance, then everybody can dance

874
00:53:12.880 --> 00:53:16.119
<v Speaker 1>whichever with whomever they like, whichever way they want. But mainly,

875
00:53:16.960 --> 00:53:20.679
<v Speaker 1>mainly the big circles always around the color. Yeah, she

876
00:53:20.880 --> 00:53:27.239
<v Speaker 1>is always encircled by a group of whoever, friends, cousins, whatever,

877
00:53:27.360 --> 00:53:29.960
<v Speaker 1>but she is always the center of the circle.

878
00:53:30.320 --> 00:53:31.239
<v Speaker 2>Yeah, that's interesting.

879
00:53:31.280 --> 00:53:33.880
<v Speaker 3>And there's one way that the Color dances like one

880
00:53:33.960 --> 00:53:35.119
<v Speaker 3>two one.

881
00:53:35.079 --> 00:53:39.800
<v Speaker 1>To depends, depends, depends. That's how she dresses with grandmothers.

882
00:53:39.800 --> 00:53:46.760
<v Speaker 1>But and this takes a long time because by the

883
00:53:46.800 --> 00:53:49.039
<v Speaker 1>time the host and color come in, most of the

884
00:53:49.079 --> 00:53:50.000
<v Speaker 1>meal is finished.

885
00:53:50.159 --> 00:53:52.159
<v Speaker 2>What time at night is it usually.

886
00:53:52.440 --> 00:53:56.880
<v Speaker 1>Ten thirty eleven ish, And the tables are moved away

887
00:53:57.039 --> 00:54:00.599
<v Speaker 1>ready by then, so that there's a large area to

888
00:54:00.760 --> 00:54:05.559
<v Speaker 1>dancing until they bring in the v the holy Viennese table.

889
00:54:06.880 --> 00:54:08.920
<v Speaker 2>I'm detecting sarcasm again.

890
00:54:08.920 --> 00:54:13.599
<v Speaker 1>Yes, what is a Viennese table? Junk every kind of

891
00:54:13.719 --> 00:54:16.119
<v Speaker 1>junk food you could think of. It's like people that

892
00:54:16.800 --> 00:54:19.599
<v Speaker 1>are deprived. They have jump food and the only time

893
00:54:19.599 --> 00:54:23.000
<v Speaker 1>they see it is by a wedding, and everybody has

894
00:54:23.039 --> 00:54:26.000
<v Speaker 1>to eat from that Viennese table because it's a big mitsu.

895
00:54:26.840 --> 00:54:30.119
<v Speaker 1>That's how they act, that's how we act. I'm not

896
00:54:30.199 --> 00:54:38.519
<v Speaker 1>excluding anyways. Then comes like sort of to some people,

897
00:54:38.599 --> 00:54:41.519
<v Speaker 1>the highlight of the wedding midstones.

898
00:54:42.000 --> 00:54:44.239
<v Speaker 2>So the dancing ends, and.

899
00:54:44.840 --> 00:54:47.000
<v Speaker 1>At one point the dancing ends. At some point the

900
00:54:47.079 --> 00:54:50.719
<v Speaker 1>dancing ends, and most guests go home. Most just so

901
00:54:50.719 --> 00:54:54.440
<v Speaker 1>a long time home home by then already, and the

902
00:54:54.480 --> 00:55:00.000
<v Speaker 1>family it's past midnight, at least at least at least

903
00:55:00.079 --> 00:55:05.199
<v Speaker 1>past midnight. The family stays, the family of the bride,

904
00:55:05.280 --> 00:55:08.840
<v Speaker 1>and the groom stays. The bride comes into the men's

905
00:55:08.920 --> 00:55:14.719
<v Speaker 1>side for these festivities, and she has a certain place

906
00:55:14.760 --> 00:55:18.920
<v Speaker 1>she sits down. And in other words, even though there's

907
00:55:18.920 --> 00:55:21.440
<v Speaker 1>not a mariita in the room, the men stay on

908
00:55:21.440 --> 00:55:24.280
<v Speaker 1>one side and women are on the other side. But

909
00:55:24.440 --> 00:55:28.519
<v Speaker 1>it's like permissible because it's only family, any family, and

910
00:55:29.199 --> 00:55:33.800
<v Speaker 1>because the main mitzah are being kitsu naragh and the

911
00:55:33.880 --> 00:55:36.320
<v Speaker 1>lifnai har color, the men are now going to dance

912
00:55:36.599 --> 00:55:39.840
<v Speaker 1>from the color that's the mitza for them, so there

913
00:55:39.840 --> 00:55:41.880
<v Speaker 1>has to be men and women in the same room.

914
00:55:42.159 --> 00:55:45.519
<v Speaker 3>Pearl asked me to add here very important to clarify

915
00:55:45.840 --> 00:55:49.280
<v Speaker 3>that at this point of the night, the groom, the rusin,

916
00:55:49.639 --> 00:55:52.119
<v Speaker 3>goes to the women section, the place where all the

917
00:55:52.119 --> 00:55:54.559
<v Speaker 3>women are sitting in the same part of the ballroom,

918
00:55:54.960 --> 00:55:57.079
<v Speaker 3>to sit right next to his bride.

919
00:55:57.400 --> 00:55:59.760
<v Speaker 1>And there is a bathroom. I don't know how you

920
00:55:59.800 --> 00:56:02.000
<v Speaker 1>say a ba in English.

921
00:56:02.320 --> 00:56:07.400
<v Speaker 2>It's a rhyming entertainer. No does he make jokes still nowadays.

922
00:56:07.639 --> 00:56:12.920
<v Speaker 1>Wait, once upon a time, the closest definition that I

923
00:56:12.920 --> 00:56:17.960
<v Speaker 1>could come to would be a holy gesture. Interesting, and

924
00:56:18.000 --> 00:56:21.559
<v Speaker 1>he speaks in rhyme. He speaks in rhyme. And what's

925
00:56:21.599 --> 00:56:25.920
<v Speaker 1>his what's his job? His job is to call give

926
00:56:26.000 --> 00:56:29.320
<v Speaker 1>this honor to the men to dance before the color.

927
00:56:29.519 --> 00:56:32.800
<v Speaker 1>Certain men are called up, they are called up. This

928
00:56:32.920 --> 00:56:35.760
<v Speaker 1>is only for the men. The women they're dancing is finished.

929
00:56:35.880 --> 00:56:42.320
<v Speaker 1>They could sit down and moan about their feet. So

930
00:56:42.400 --> 00:56:46.639
<v Speaker 1>who is called up? The closest relatives. Basically, it's the

931
00:56:46.639 --> 00:56:51.039
<v Speaker 1>closest relatives. And this holy gesture speaks in rhyme and

932
00:56:51.079 --> 00:56:56.440
<v Speaker 1>says nice things about them, you know, nice things about them.

933
00:56:56.559 --> 00:56:59.920
<v Speaker 1>And in my time they used to really be Miss

934
00:57:00.199 --> 00:57:03.920
<v Speaker 1>Maia the Houston in color by saying jokes, holy jokes.

935
00:57:04.239 --> 00:57:07.440
<v Speaker 1>It wasn't you know, just plain jokes. It was people left,

936
00:57:08.000 --> 00:57:10.000
<v Speaker 1>the color left, the people left. It was a very

937
00:57:10.039 --> 00:57:14.440
<v Speaker 1>festive atmosphere. You know today, I don't know. These holy

938
00:57:14.519 --> 00:57:19.920
<v Speaker 1>gestures changed everything. And they make such a sad a

939
00:57:20.039 --> 00:57:25.159
<v Speaker 1>mitzva dans, which I believe that they they're not being

940
00:57:25.239 --> 00:57:28.480
<v Speaker 1>the Sumi of the Houston color. Interesting, if the Hussin

941
00:57:28.519 --> 00:57:31.199
<v Speaker 1>Kala sit by the mitz with dance and cry, I

942
00:57:31.239 --> 00:57:33.360
<v Speaker 1>think they're defeating the whole purpose of being the Sumaria

943
00:57:33.360 --> 00:57:35.920
<v Speaker 1>of the Huston color. But they claim it's a very

944
00:57:36.039 --> 00:57:39.039
<v Speaker 1>holy moment. I don't think so. I think the whole

945
00:57:39.039 --> 00:57:41.599
<v Speaker 1>purpose was a very holy moment. But I'm not a rabbi.

946
00:57:41.920 --> 00:57:44.760
<v Speaker 1>I'm not you know, I'm just just my personal feeling

947
00:57:45.280 --> 00:57:47.440
<v Speaker 1>because I hate to see people crying by mitz with dance.

948
00:57:47.440 --> 00:57:49.960
<v Speaker 1>It's such a happy occasion. It's it's the combination of

949
00:57:50.000 --> 00:57:53.239
<v Speaker 1>the wedding. It's and it's and and there is the

950
00:57:53.320 --> 00:57:57.159
<v Speaker 1>mitzvah making Houston Cola happy. Not cry. You did this

951
00:57:57.199 --> 00:58:00.159
<v Speaker 1>by the ripper, not now. But anyway, this is my

952
00:58:00.239 --> 00:58:06.880
<v Speaker 1>personal what do you call it? Campaign? So they call up,

953
00:58:06.960 --> 00:58:11.159
<v Speaker 1>let's say, the the uncles now because the families are

954
00:58:11.199 --> 00:58:13.840
<v Speaker 1>so large, once upon a time, each uncle was called

955
00:58:13.920 --> 00:58:18.320
<v Speaker 1>up separately separately, and he was, you know, giving this

956
00:58:18.679 --> 00:58:22.519
<v Speaker 1>whole song and dance about who he is, what his

957
00:58:22.679 --> 00:58:28.360
<v Speaker 1>yes is. Today they call up all the uncles together

958
00:58:29.280 --> 00:58:33.519
<v Speaker 1>and mention each uncle's name, and the color has a gardle.

959
00:58:34.840 --> 00:58:35.480
<v Speaker 1>What's a gardle.

960
00:58:35.840 --> 00:58:38.960
<v Speaker 3>It's a long long belt that Asidic men wrap around

961
00:58:38.960 --> 00:58:39.760
<v Speaker 3>their waist when.

962
00:58:39.599 --> 00:58:41.599
<v Speaker 2>They doesn't when they pray.

963
00:58:41.599 --> 00:58:45.440
<v Speaker 1>It's a long black knitted belt. Knitted belt, right, it.

964
00:58:45.320 --> 00:58:47.159
<v Speaker 2>Goes around the waist at least three times.

965
00:58:48.280 --> 00:58:50.280
<v Speaker 1>So the color is holding on to one end, and

966
00:58:50.360 --> 00:58:52.280
<v Speaker 1>all the uncles are holding on to the other hand,

967
00:58:52.280 --> 00:58:54.559
<v Speaker 1>and their uncles are dancing while the Color is standing

968
00:58:54.599 --> 00:58:57.239
<v Speaker 1>there and holding out because she is for whom they

969
00:58:57.239 --> 00:58:57.840
<v Speaker 1>are dancing.

970
00:58:58.079 --> 00:59:00.159
<v Speaker 2>Aha, So they're dancing.

971
00:59:00.400 --> 00:59:05.239
<v Speaker 1>Kate madagdan Lifnai hakala before the color. They are dancing

972
00:59:05.360 --> 00:59:08.840
<v Speaker 1>for her. She is being honored by their dancing for her.

973
00:59:10.400 --> 00:59:13.079
<v Speaker 1>I Meanwhile, the music is playing and it's supposedly is

974
00:59:13.079 --> 00:59:16.079
<v Speaker 1>not supposed to take too long. And then the huston

975
00:59:16.360 --> 00:59:18.000
<v Speaker 1>and then they make their own circle them in they

976
00:59:18.079 --> 00:59:20.320
<v Speaker 1>leave go of the garth, and the Houston is taken

977
00:59:20.360 --> 00:59:24.039
<v Speaker 1>in to dance a little bit with his uncles. Fine,

978
00:59:24.079 --> 00:59:27.559
<v Speaker 1>everybody sits down. The Holy gesture is at it again.

979
00:59:28.079 --> 00:59:33.480
<v Speaker 1>Now he's calling different people. Now the climax of this

980
00:59:33.559 --> 00:59:38.239
<v Speaker 1>is the the Houston color dancing together. But before that

981
00:59:38.920 --> 00:59:43.000
<v Speaker 1>comes the part with a parent. The fathers are dancing

982
00:59:43.039 --> 00:59:46.320
<v Speaker 1>with the color. Now all of the men besides the

983
00:59:46.400 --> 00:59:50.960
<v Speaker 1>father dance with the color with this gardle. Right, the

984
00:59:51.039 --> 00:59:55.480
<v Speaker 1>color's father dances holding onto her hands. And it's pretty

985
00:59:55.480 --> 00:59:59.760
<v Speaker 1>emotional because it's like father, It's like it's like it's

986
00:59:59.800 --> 01:00:04.360
<v Speaker 1>like she's not she's going out of your house into

987
01:00:04.440 --> 01:00:07.800
<v Speaker 1>somebody else's house. You know. It's like it's like the

988
01:00:08.199 --> 01:00:11.239
<v Speaker 1>you know, you get married, you leave you the nest. Okay,

989
01:00:11.239 --> 01:00:12.000
<v Speaker 1>here you cry?

990
01:00:13.360 --> 01:00:14.920
<v Speaker 2>You cry at this point.

991
01:00:14.960 --> 01:00:17.880
<v Speaker 1>It's emotional, but I'm not saying you have to. Nobody's

992
01:00:17.920 --> 01:00:21.639
<v Speaker 1>making you cry. Nobody's saying things to make you bore.

993
01:00:22.159 --> 01:00:23.800
<v Speaker 1>I see, I see no balling.

994
01:00:23.800 --> 01:00:24.000
<v Speaker 3>You know.

995
01:00:24.679 --> 01:00:28.719
<v Speaker 1>Yes, yes, people are teary, right, you know. And then

996
01:00:28.760 --> 01:00:32.239
<v Speaker 1>the color's father dances with the hands, and the host's

997
01:00:32.280 --> 01:00:35.719
<v Speaker 1>father dancers with the gardle. And then comes the big moment,

998
01:00:35.920 --> 01:00:39.320
<v Speaker 1>the wholes and color going to dance together in front

999
01:00:39.360 --> 01:00:44.000
<v Speaker 1>of all these people. People have never never touched the boy,

1000
01:00:44.920 --> 01:00:47.559
<v Speaker 1>girls who have never touched the boy and a boy

1001
01:00:47.639 --> 01:00:50.119
<v Speaker 1>dancing with a girl whom he has never ever touched,

1002
01:00:50.159 --> 01:00:53.840
<v Speaker 1>and they're dancing in public. You know, it's it's it's

1003
01:00:53.920 --> 01:00:59.480
<v Speaker 1>it's in a way, it's don't think so. For the

1004
01:01:00.199 --> 01:01:06.800
<v Speaker 1>they're saying, aishus kail a woman of valor. Yeah, right,

1005
01:01:06.840 --> 01:01:08.960
<v Speaker 1>So this is this is what the men sing every

1006
01:01:09.000 --> 01:01:12.199
<v Speaker 1>Friday night when they come home for shul. The cover

1007
01:01:12.320 --> 01:01:16.800
<v Speaker 1>there the women folk, and it's pretty emotional, but nobody

1008
01:01:16.880 --> 01:01:19.800
<v Speaker 1>is really crying. It's people are standing and they're watching,

1009
01:01:19.840 --> 01:01:24.199
<v Speaker 1>and it's it's a holy moment. And then when that's over,

1010
01:01:25.880 --> 01:01:31.280
<v Speaker 1>everybody goes home, including the Hussan Cala, going home together

1011
01:01:31.360 --> 01:01:35.159
<v Speaker 1>for the first time and starting a new life together.

1012
01:01:35.639 --> 01:01:36.840
<v Speaker 1>So have we covered it all?

1013
01:01:37.039 --> 01:01:39.599
<v Speaker 2>I think we've covered it all. It's like three in

1014
01:01:39.599 --> 01:01:40.920
<v Speaker 2>the morning by now.

1015
01:01:40.719 --> 01:01:43.079
<v Speaker 1>Yes, it's about three four o'clock in the morning. Yes.

1016
01:01:43.239 --> 01:01:47.480
<v Speaker 1>The next morning, her mother comes and cuts her hair off.

1017
01:01:48.239 --> 01:01:51.480
<v Speaker 1>This is the big mitsvah byous by hasidam. For the

1018
01:01:51.519 --> 01:01:55.559
<v Speaker 1>rest of her life, she has to have her head covered,

1019
01:01:56.360 --> 01:02:01.000
<v Speaker 1>whether she has hair or not, especially she has hair.

1020
01:02:01.440 --> 01:02:05.000
<v Speaker 1>No man is allowed to see her head uncovered except

1021
01:02:05.079 --> 01:02:10.079
<v Speaker 1>her husband. And women you know, get used to they

1022
01:02:10.119 --> 01:02:11.960
<v Speaker 1>know this is what they're getting married for. This is

1023
01:02:12.000 --> 01:02:15.719
<v Speaker 1>no this is life from now on, and you get

1024
01:02:15.800 --> 01:02:18.239
<v Speaker 1>used to it and you don't even becomes part of you.

1025
01:02:18.599 --> 01:02:22.719
<v Speaker 3>And also you you have such a big life changing

1026
01:02:22.920 --> 01:02:23.880
<v Speaker 3>experience with.

1027
01:02:24.079 --> 01:02:27.280
<v Speaker 1>Now looking so yeah yeah, yeah, yeah, you're wearing But

1028
01:02:27.320 --> 01:02:29.679
<v Speaker 1>also it's one of the minor things in this life

1029
01:02:29.719 --> 01:02:30.480
<v Speaker 1>changing event.

1030
01:02:30.559 --> 01:02:33.159
<v Speaker 3>It's not a major eventing.

1031
01:02:33.280 --> 01:02:35.599
<v Speaker 1>Yeah, yeah, it's not. It's not the biggest deal for me.

1032
01:02:35.679 --> 01:02:38.400
<v Speaker 1>It definitely wasn't for me neither. I mean, you're you're

1033
01:02:38.480 --> 01:02:39.079
<v Speaker 1>for the first.

1034
01:02:38.920 --> 01:02:43.000
<v Speaker 3>Time living outside of your parents' house by yourself but

1035
01:02:43.079 --> 01:02:43.480
<v Speaker 3>a boy.

1036
01:02:43.880 --> 01:02:45.199
<v Speaker 2>Yeah, your own age.

1037
01:02:45.239 --> 01:02:50.760
<v Speaker 1>It's it's it's very momentous, you know. And then so

1038
01:02:50.920 --> 01:02:55.320
<v Speaker 1>for the next seven days, the couple is honored with

1039
01:02:55.559 --> 01:03:00.519
<v Speaker 1>a dinners every night and the seven blessings are said

1040
01:03:00.679 --> 01:03:05.119
<v Speaker 1>again that were said by the ripper, and everybody who

1041
01:03:05.119 --> 01:03:09.440
<v Speaker 1>comes is also coming to be Missamaya Husingakala to shave

1042
01:03:09.480 --> 01:03:14.519
<v Speaker 1>a broughs. And it's also festive. It's very festive. Sometimes

1043
01:03:14.519 --> 01:03:18.840
<v Speaker 1>people have like they don't have these people who you know,

1044
01:03:19.119 --> 01:03:23.639
<v Speaker 1>who speak like like a holy gesture. But now they're

1045
01:03:23.639 --> 01:03:26.880
<v Speaker 1>not making anybody cry. They're only saying nice and funny things.

1046
01:03:27.519 --> 01:03:32.719
<v Speaker 1>Some people have it. There's some form of entertainment. Yeah,

1047
01:03:32.760 --> 01:03:35.320
<v Speaker 1>there could be. That doesn't have to be, but there

1048
01:03:35.360 --> 01:03:38.480
<v Speaker 1>could be some form of entertainment for the people.

1049
01:03:38.800 --> 01:03:40.440
<v Speaker 2>Can you give an example of a joke that a

1050
01:03:40.519 --> 01:03:41.400
<v Speaker 2>batron would make.

1051
01:03:41.760 --> 01:03:46.679
<v Speaker 1>You'll have to translate it. This. This was during the

1052
01:03:46.719 --> 01:03:51.079
<v Speaker 1>time when Mayor Kouch was mayor and the bathroom was saying,

1053
01:03:52.320 --> 01:03:54.960
<v Speaker 1>Mayor Kouch is a bachelor. Why doesn't he want to

1054
01:03:55.000 --> 01:03:58.480
<v Speaker 1>get married? Why why isn't he married? He's afraid that

1055
01:03:58.599 --> 01:04:02.159
<v Speaker 1>people are going to say over there goes catch me.

1056
01:04:02.280 --> 01:04:12.320
<v Speaker 1>The is the female version of It's not the female version,

1057
01:04:12.320 --> 01:04:16.880
<v Speaker 1>but in our parlance in Hungarian, we would say after

1058
01:04:16.960 --> 01:04:21.719
<v Speaker 1>a woman's after the name of a woman. Ah, that guy,

1059
01:04:22.039 --> 01:04:25.639
<v Speaker 1>that guy Brown with the bronca, I don't catch.

1060
01:04:25.480 --> 01:04:32.920
<v Speaker 5>Me catch him, he's Doug. Yeah, he could have changed

1061
01:04:32.920 --> 01:04:37.280
<v Speaker 5>his name and gotten married. Should he never got married?

1062
01:04:38.639 --> 01:04:42.719
<v Speaker 5>That's so funny. I love this dated joke. The jokes

1063
01:04:42.800 --> 01:04:44.719
<v Speaker 5>are often about marriage.

1064
01:04:44.320 --> 01:04:47.760
<v Speaker 1>And always about marriage. Oh it's about the husband taking

1065
01:04:47.760 --> 01:04:50.920
<v Speaker 1>out the guard. But things like that, and they give

1066
01:04:51.000 --> 01:04:54.559
<v Speaker 1>him and they give him instructions, you know what to do,

1067
01:04:54.639 --> 01:04:58.639
<v Speaker 1>what not to do. It's you could laugh, you really

1068
01:04:58.679 --> 01:04:59.239
<v Speaker 1>really laugh.

1069
01:04:59.639 --> 01:05:00.960
<v Speaker 2>A lot of old fashioned joke.

1070
01:05:01.039 --> 01:05:03.400
<v Speaker 3>I remember a lot of old fashioned jokes about how

1071
01:05:03.840 --> 01:05:04.519
<v Speaker 3>men put.

1072
01:05:04.400 --> 01:05:07.280
<v Speaker 2>Up with these terrible wives.

1073
01:05:08.360 --> 01:05:12.719
<v Speaker 3>Yeah, yeah, yeah, after the seven days of shave Bros.

1074
01:05:12.719 --> 01:05:15.800
<v Speaker 2>Which the biggest shave bros is shavas.

1075
01:05:16.559 --> 01:05:19.880
<v Speaker 1>There is a shavros. Yeah, and when its and it

1076
01:05:19.880 --> 01:05:22.239
<v Speaker 1>doesn't mean it's the seventh day. It could be the

1077
01:05:22.280 --> 01:05:23.239
<v Speaker 1>third day. Yeah.

1078
01:05:23.320 --> 01:05:27.440
<v Speaker 2>Yeah, but che falls sas is like a mini wedding.

1079
01:05:28.719 --> 01:05:31.039
<v Speaker 1>No, there's no dancing, there's.

1080
01:05:30.840 --> 01:05:33.519
<v Speaker 2>No dancing, but there's like so much to do.

1081
01:05:33.679 --> 01:05:36.440
<v Speaker 1>No, no, no, no, it's only the main part of

1082
01:05:36.480 --> 01:05:40.320
<v Speaker 1>that shape bros. Is that the hussin has to be

1083
01:05:40.440 --> 01:05:45.960
<v Speaker 1>called to datya again and now his rebitson can be

1084
01:05:46.000 --> 01:05:50.480
<v Speaker 1>there too. There because there is for her for her,

1085
01:05:50.480 --> 01:05:55.440
<v Speaker 1>there's something called shield feed, all right. So her parents,

1086
01:05:56.039 --> 01:05:58.480
<v Speaker 1>the women, the women of the family will go up

1087
01:05:59.280 --> 01:06:01.599
<v Speaker 1>either to the this house or to the Colors house

1088
01:06:02.199 --> 01:06:05.079
<v Speaker 1>and escort her to shoe as a married woman for

1089
01:06:05.119 --> 01:06:05.760
<v Speaker 1>the first time.

1090
01:06:07.119 --> 01:06:11.800
<v Speaker 3>Oh sweet, I meant shave Brooks is a big deal

1091
01:06:11.880 --> 01:06:16.440
<v Speaker 3>in terms of how intensive it is for the parents

1092
01:06:16.480 --> 01:06:20.480
<v Speaker 3>who are marrying off a child, because it's like hosting

1093
01:06:20.920 --> 01:06:23.519
<v Speaker 3>various meals and guests.

1094
01:06:23.559 --> 01:06:28.920
<v Speaker 1>But yeah, but everything today is catered. You can't. You

1095
01:06:28.960 --> 01:06:32.679
<v Speaker 1>can't do this yourself. Everything is catered and many people

1096
01:06:32.679 --> 01:06:34.880
<v Speaker 1>who are not who missed the wedding will come shop

1097
01:06:34.960 --> 01:06:39.199
<v Speaker 1>a Chevy Brooks. They'll come to same mazlet because they

1098
01:06:39.199 --> 01:06:41.880
<v Speaker 1>missed the wedding, they weren't here or they had something

1099
01:06:42.119 --> 01:06:44.880
<v Speaker 1>going on, so they'll come to the shop Chevy Brooks

1100
01:06:46.119 --> 01:06:50.239
<v Speaker 1>just the same muzzle tugh and then they lived happily

1101
01:06:50.400 --> 01:06:57.039
<v Speaker 1>ever after. You have to explain o shoon. The husband

1102
01:06:57.119 --> 01:06:59.119
<v Speaker 1>and wife have got to be together as much as

1103
01:06:59.239 --> 01:07:03.239
<v Speaker 1>much as pole, meaning that the husband can't go on

1104
01:07:03.320 --> 01:07:06.920
<v Speaker 1>a business trip. You have to stay. The couple has

1105
01:07:07.000 --> 01:07:11.199
<v Speaker 1>to stay together for the first year and they have

1106
01:07:11.360 --> 01:07:14.079
<v Speaker 1>to be They have to stay together as much as

1107
01:07:14.480 --> 01:07:15.559
<v Speaker 1>not as they possibly can.

1108
01:07:16.199 --> 01:07:18.360
<v Speaker 2>They have an opportunity to really get to know each other.

1109
01:07:18.440 --> 01:07:22.639
<v Speaker 1>To bond. They get to know each other right over here.

1110
01:07:22.719 --> 01:07:24.800
<v Speaker 1>It's getting to know each other. And the first time

1111
01:07:24.840 --> 01:07:27.760
<v Speaker 1>they're walking the streets and shaven BLUs and they're so shy,

1112
01:07:28.679 --> 01:07:32.000
<v Speaker 1>and they're wearing this gorgeous clothing. Both of them dressed

1113
01:07:32.079 --> 01:07:32.719
<v Speaker 1>shabas dig.

1114
01:07:33.920 --> 01:07:36.400
<v Speaker 2>They dressed shops for the whole first week, so you.

1115
01:07:36.440 --> 01:07:39.079
<v Speaker 1>Can for the the weak is shavy Brooks. They are

1116
01:07:39.119 --> 01:07:41.960
<v Speaker 1>dress shops. They are the King and Queen, and I

1117
01:07:42.039 --> 01:07:44.800
<v Speaker 1>wonder what people think when they see them going around

1118
01:07:45.159 --> 01:07:47.360
<v Speaker 1>people who don't know our lifestyle and see all of

1119
01:07:47.400 --> 01:07:51.360
<v Speaker 1>a sudden this couple that's dressed Shabas Digg, which which

1120
01:07:51.440 --> 01:07:53.800
<v Speaker 1>they know about. All of a sudden, what's the occasion,

1121
01:07:53.840 --> 01:07:54.000
<v Speaker 1>you know?

1122
01:07:54.199 --> 01:07:56.800
<v Speaker 3>Yeah, when I give a tour and I see a

1123
01:07:57.559 --> 01:08:02.559
<v Speaker 3>couple and they're dressed in shop, and I find that

1124
01:08:02.880 --> 01:08:05.679
<v Speaker 3>it's hard to impress on my guests. But this is.

1125
01:08:07.360 --> 01:08:09.599
<v Speaker 1>A special, special, special, Yeah.

1126
01:08:09.559 --> 01:08:11.400
<v Speaker 2>Especially here goes a newly wet.

1127
01:08:11.280 --> 01:08:16.039
<v Speaker 1>Couple of Brian. Everybody, everybody looks after them. Everybody is

1128
01:08:16.159 --> 01:08:20.720
<v Speaker 1>like so like happy for them. Yeah, it's like an

1129
01:08:21.079 --> 01:08:22.560
<v Speaker 1>very special Yeah.

1130
01:08:23.479 --> 01:08:26.479
<v Speaker 3>Well, thank you so much for sharing so many of

1131
01:08:26.560 --> 01:08:31.319
<v Speaker 3>these rich traditions I have them, I have. I want

1132
01:08:31.399 --> 01:08:35.640
<v Speaker 3>to go out on hearing, in particular from you, how

1133
01:08:35.760 --> 01:08:39.479
<v Speaker 3>you would say things were different many years ago when

1134
01:08:39.720 --> 01:08:40.479
<v Speaker 3>you got married.

1135
01:08:40.960 --> 01:08:45.239
<v Speaker 1>What's what's different? Things change? Nothing is different. It's all

1136
01:08:45.359 --> 01:08:49.119
<v Speaker 1>exactly the same as far as as the you know,

1137
01:08:49.199 --> 01:08:54.000
<v Speaker 1>the necessary things. It's the out is the music, it's

1138
01:08:54.159 --> 01:08:57.600
<v Speaker 1>the I don't know, basically, I would say it's the music.

1139
01:08:58.079 --> 01:09:00.560
<v Speaker 2>What do you think we didn't talk about we should

1140
01:09:00.600 --> 01:09:05.640
<v Speaker 2>have nothing. What do you feel is valuable to impart

1141
01:09:06.439 --> 01:09:10.760
<v Speaker 2>to outsiders who want to know about our wedding traditions.

1142
01:09:10.800 --> 01:09:15.720
<v Speaker 1>The holiness of it, the extreme momentous occasion of it,

1143
01:09:15.880 --> 01:09:20.960
<v Speaker 1>and although we allow divorce, the toya allows divorce, right,

1144
01:09:21.760 --> 01:09:26.720
<v Speaker 1>But we want to impress upon ourselves, the couple, the public,

1145
01:09:26.840 --> 01:09:31.720
<v Speaker 1>how holy marriage is, how it's not to be taken lightly.

1146
01:09:31.960 --> 01:09:35.279
<v Speaker 1>You know, it's not to be taken like, oh I

1147
01:09:35.359 --> 01:09:40.359
<v Speaker 1>cannot do this. No, it's it's it's it's it's supposed

1148
01:09:40.359 --> 01:09:44.359
<v Speaker 1>to be forever, yeah, and to live in happiness and

1149
01:09:44.479 --> 01:09:46.359
<v Speaker 1>then support of each other.

1150
01:09:47.359 --> 01:09:49.159
<v Speaker 3>What do you think is the point at which the

1151
01:09:49.279 --> 01:09:54.800
<v Speaker 3>couple really starts to become more than just two people

1152
01:09:54.880 --> 01:09:56.239
<v Speaker 3>who are being put together.

1153
01:09:57.039 --> 01:10:01.239
<v Speaker 1>But with time, with time, and certainly children bring them together.

1154
01:10:01.680 --> 01:10:04.439
<v Speaker 1>But even if it takes a while to have children,

1155
01:10:05.239 --> 01:10:10.159
<v Speaker 1>time brings the closeness spending time together. Like you say,

1156
01:10:10.520 --> 01:10:11.560
<v Speaker 1>they're living with each other.

1157
01:10:12.239 --> 01:10:14.800
<v Speaker 2>Is there an emphasis on them to grow to love

1158
01:10:14.880 --> 01:10:15.239
<v Speaker 2>each other?

1159
01:10:15.640 --> 01:10:16.479
<v Speaker 1>One percent?

1160
01:10:18.840 --> 01:10:20.920
<v Speaker 2>Who emphasizes it, who teaches.

1161
01:10:20.680 --> 01:10:25.039
<v Speaker 1>It to the toy, the toilet expects it. If it

1162
01:10:25.079 --> 01:10:30.960
<v Speaker 1>says that you have to let Ayachu komijo love your neighbor,

1163
01:10:31.039 --> 01:10:33.840
<v Speaker 1>your friend, as yourself, how much more so a husband

1164
01:10:33.880 --> 01:10:35.720
<v Speaker 1>and a wife. It doesn't even need explanation.

1165
01:10:36.239 --> 01:10:38.199
<v Speaker 3>I love that I have to say what I take

1166
01:10:38.239 --> 01:10:41.359
<v Speaker 3>away from this discussion today. I'm always very fascinated by

1167
01:10:41.359 --> 01:10:44.399
<v Speaker 3>the wedding rituals in the city community, especially because it's

1168
01:10:44.560 --> 01:10:48.439
<v Speaker 3>so structured and similar from one wedding today. Yeah, exactly,

1169
01:10:48.800 --> 01:10:52.239
<v Speaker 3>But what I take away today is the mitzvah, the

1170
01:10:53.199 --> 01:10:54.960
<v Speaker 3>good deed of participating in.

1171
01:10:55.600 --> 01:10:57.840
<v Speaker 2>It's really hard when you keep having weddings.

1172
01:10:58.119 --> 01:11:02.000
<v Speaker 1>Sometimes it's very hard. Sometimes you go simply because you

1173
01:11:02.119 --> 01:11:05.119
<v Speaker 1>know you're going to make the people happy, not because

1174
01:11:05.159 --> 01:11:09.079
<v Speaker 1>it's you're happy, not because it's your comfort. You're going

1175
01:11:09.199 --> 01:11:12.279
<v Speaker 1>because you want to make because because of the mitsvah

1176
01:11:12.760 --> 01:11:14.079
<v Speaker 1>you want to make. You want to make the jus

1177
01:11:14.199 --> 01:11:18.039
<v Speaker 1>kala happy, you want to make the mahtunam happy, you know,

1178
01:11:18.199 --> 01:11:23.000
<v Speaker 1>the parents or the grandparents whatever. It's so appreciated. I

1179
01:11:23.079 --> 01:11:28.359
<v Speaker 1>know when I when somebody comes to ours myself, I

1180
01:11:28.479 --> 01:11:32.159
<v Speaker 1>am so thankful to them, and they really make me happy.

1181
01:11:32.760 --> 01:11:34.279
<v Speaker 1>They really add to the happiness.

1182
01:11:35.079 --> 01:11:37.600
<v Speaker 3>You know, all the weddings you've been to in your life,

1183
01:11:37.680 --> 01:11:40.840
<v Speaker 3>you've spent pretty much the entire time without your husband

1184
01:11:41.000 --> 01:11:42.279
<v Speaker 3>because he's in the men's section.

1185
01:11:42.760 --> 01:11:43.000
<v Speaker 1>Good.

1186
01:11:44.840 --> 01:11:45.399
<v Speaker 2>Why good?

1187
01:11:45.920 --> 01:11:48.359
<v Speaker 1>Because men and women together are a whole different dynamic.

1188
01:11:49.840 --> 01:11:52.199
<v Speaker 1>It's a completely different dynamic. I don't want my husband

1189
01:11:52.239 --> 01:11:56.439
<v Speaker 1>looking at any other women. Ah okay, and he's there

1190
01:11:56.479 --> 01:11:57.880
<v Speaker 1>with the men. They don't look at all the men.

1191
01:11:58.439 --> 01:12:03.279
<v Speaker 1>And it's an avida for a man. It's an avitor

1192
01:12:03.359 --> 01:12:04.640
<v Speaker 1>for a man to look at a woman. Did you

1193
01:12:04.720 --> 01:12:06.359
<v Speaker 1>know that? It's a sin?

1194
01:12:07.079 --> 01:12:10.439
<v Speaker 2>So I what about the dynamic among the women?

1195
01:12:11.199 --> 01:12:16.279
<v Speaker 1>No, total different story, you know, it's it's very it's

1196
01:12:16.479 --> 01:12:21.600
<v Speaker 1>good that there's no other gender there because you understand.

1197
01:12:21.720 --> 01:12:25.479
<v Speaker 1>We understand each other, you know, Yeah, and I don't know.

1198
01:12:25.600 --> 01:12:29.880
<v Speaker 1>We love spending time with each other. And you spend

1199
01:12:29.960 --> 01:12:33.079
<v Speaker 1>time with your husband in the house with the children. Yeah,

1200
01:12:33.960 --> 01:12:36.239
<v Speaker 1>and you know vice versa. They too.

1201
01:12:37.680 --> 01:12:40.319
<v Speaker 2>Wonderful. Anything else we miss.

1202
01:12:40.479 --> 01:12:42.479
<v Speaker 1>No, but you have a lot of good questions, missus.

1203
01:12:44.000 --> 01:12:47.840
<v Speaker 2>I love this discussion, Thank you so much. I love

1204
01:12:48.159 --> 01:12:51.279
<v Speaker 2>the subject placidic uddings. Everyone I think on the internet

1205
01:12:51.319 --> 01:12:55.520
<v Speaker 2>love So you see these videos? Yeah, yeah, yes, are amazing. Well,

1206
01:12:55.600 --> 01:12:59.119
<v Speaker 2>thank you so much, very very very welcome.

1207
01:13:00.119 --> 01:13:02.560
<v Speaker 3>Many thanks to the wedding footage of our beloved friend

1208
01:13:02.600 --> 01:13:04.920
<v Speaker 3>by lu and Smillie Feldman. Schmilli is a a Citic

1209
01:13:05.000 --> 01:13:07.920
<v Speaker 3>workout trainer whom I have interviewed on my channel about

1210
01:13:08.039 --> 01:13:11.159
<v Speaker 3>his innovative work in the acidic community. I'm so grateful

1211
01:13:11.239 --> 01:13:13.479
<v Speaker 3>to him and his wife for sharing their wedding footage,

1212
01:13:13.520 --> 01:13:16.199
<v Speaker 3>and I will share his training work in the link below.
