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<v Speaker 1>Hello, ladies and gentlemen, and welcome to the six hundred

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<v Speaker 1>and seventieth episode of The Geek First Pod No. Five

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<v Speaker 1>seventy Right, yeah, I skipped a whole hundred. It's the

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<v Speaker 1>five hundred and seventieth episode of Focus.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, we'll just start going. I am Prometheus trast now,

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<v Speaker 1>and I'm joined by.

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<v Speaker 3>I Am the Destroyer of World, Skirkland Patzer and Marcaster Delmass.

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<v Speaker 1>Yes, generally we haven't guests. We are here to review

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<v Speaker 1>the news film of Christopher Nolan. It was in his

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<v Speaker 1>filmography Oppenheimer. We apologize for the few delays that was

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<v Speaker 1>all on me and the city of Cologna. If you

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<v Speaker 1>want those full story, because me and Krimelin have a

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<v Speaker 1>good story. After Nime this Sunday, if you want to join,

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<v Speaker 1>it's gonna be ten am PST. So it's a nice

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<v Speaker 1>daytime War one because we know we've done I think

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<v Speaker 1>the past three have been ninetien one. So Sunday morning

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<v Speaker 1>you can either watch along or if you want to

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<v Speaker 1>join the patroon that's one of our tiers at the

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<v Speaker 1>five dollars tier again there and call in and join us,

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<v Speaker 1>and we always have a good time and it'll be

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<v Speaker 1>good because I know a lot of our patrons have

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<v Speaker 1>been seeing these movies, so kind of get their opinion,

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<v Speaker 1>see what's going on. I hope Clay joints because I

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<v Speaker 1>gotta razzle him about his Barbie review.

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<v Speaker 4>My goodness text the text on the discord today, I

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<v Speaker 4>was like this.

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<v Speaker 2>In the world.

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<v Speaker 1>Yeah, Christmas morning for me when I see that, and

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<v Speaker 1>I think, June, we we we didn't have one, so

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<v Speaker 1>this should be a good one. So check out there,

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<v Speaker 1>go join over there so we'll tell you why they're delayed.

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<v Speaker 1>But yes, on the feeds right now, Barbenheimer is there.

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<v Speaker 1>Listen to podcast feeds, so check them both out head

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<v Speaker 1>down below for everything you need to know. We're gonna

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<v Speaker 1>get right into this. It's been a late night, so

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<v Speaker 1>we've we've literally reviewed every Christopher Nolan on this so

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<v Speaker 1>you can go back. I guess I put them all

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<v Speaker 1>on the feed so you can go check out all

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<v Speaker 1>the way from following until tenant and then the Batman

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<v Speaker 1>ones are somewhere around because we reviewed those at different

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<v Speaker 1>time a part of the Batman retrospective. But we have

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<v Speaker 1>reviewed every single Christopher Nolan movie and at the end

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<v Speaker 1>we'll hopefully if Kirkles ready give out a new rankings

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<v Speaker 1>because we ranked it after Dunkirk. Actually, yeah, we never

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<v Speaker 1>did a ranking after Tenant either, So this is two

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<v Speaker 1>movies in because we never kind of circle back to that.

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<v Speaker 1>That was my bat. So let's start with mister must yourself,

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<v Speaker 1>mister muss himself. I got some sun I'm a little loopy,

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<v Speaker 1>but yeah, what what did you feel about Oppenheimer? Of course,

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<v Speaker 1>if anyone's listening the first time, we do a little

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<v Speaker 1>overall nonswears or thoughts, and then we'll give you a

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<v Speaker 1>little ad break and then we'll get into a spoilers.

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<v Speaker 1>So you got some time to take a break.

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<v Speaker 5>Yeah, this has been an interesting road for me. I'm

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<v Speaker 5>definitely a Nolan fan, but I wouldn't say he's like

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<v Speaker 5>my top director. He's not, like, you know, not on

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<v Speaker 5>my top ten favorite films of all times, not just

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<v Speaker 5>filled with Nolan's, but there's probably one that would sneak

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<v Speaker 5>in there. But I've also I think my expectations or

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<v Speaker 5>hype over this we're a little bit lower going in

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<v Speaker 5>just because of the trailers in the subject matter who

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<v Speaker 5>are dealing with like, is not my that's not the

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<v Speaker 5>Nolan I'm looking for personally hashtaging out my Nolan hashtag

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<v Speaker 5>not my Nolan. And then also you know Tennant and Dunkirk.

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<v Speaker 5>I was not super duper hot on those. I think

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<v Speaker 5>they're they're well made, their solid. I've also never rewatched either.

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<v Speaker 5>Maybe I've watch Tenant before Golden Geeks, but I'm even

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<v Speaker 5>a little bit foggy on though. So I think my

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<v Speaker 5>high level was going going into this was a bit lower.

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<v Speaker 5>But yeah, and it was an interesting experience. It's like

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<v Speaker 5>it's a very long movie and I never it's like

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<v Speaker 5>a lot of the content in it, you could say,

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<v Speaker 5>is quite dry, and there's there's like a lot of characters,

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<v Speaker 5>like probably more characters.

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<v Speaker 2>Than there need to be in this that have names

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<v Speaker 2>and like the whole scenes and stuff.

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<v Speaker 5>Yeah, you could probably simplify this movie, but maybe he

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<v Speaker 5>wanted it to be very true to like the real

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<v Speaker 5>world happenings in real older people or something like that.

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<v Speaker 1>And he cites the book that's nine hundred pages was

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<v Speaker 1>a big inspiration to him as well, So that's probably

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<v Speaker 1>it today's point, like I gotta get this in here,

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<v Speaker 1>I gotta get this in here, So probably a bit

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<v Speaker 1>of that.

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<v Speaker 5>So yeah, there's there's a lot going on, and it's

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<v Speaker 5>it's a long movie, and it is maybe slower or

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<v Speaker 5>dry at certain moments, but somehow I felt like I

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<v Speaker 5>was glued to the screen the entire time. I was

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<v Speaker 5>like in it from start to finish, and I think

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<v Speaker 5>for that first maybe third or so, maybe even half,

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<v Speaker 5>I was enjoying it, but not not loving it necessarily.

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<v Speaker 5>But then there was something about like that second half

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<v Speaker 5>the movie, or the last like two thirds whatever it was,

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<v Speaker 5>that like it just kept getting better and better for me,

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<v Speaker 5>I felt like I was starting to kind of understand

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<v Speaker 5>and know who a lot more of these characters were.

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<v Speaker 5>And then even just kind of the movie takes a

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<v Speaker 5>bit of a switch at one point when it stops

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<v Speaker 5>being a bit of like, here's the story of what

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<v Speaker 5>happened here and more kind of dealing with I guess,

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<v Speaker 5>i'll say, the trial sequence of it. And then there's

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<v Speaker 5>a whole lot of stuff going on, and you know,

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<v Speaker 5>it's classic Nolan things, So this movie is not linear

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<v Speaker 5>from start to finish. There's cutting back and forth and

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<v Speaker 5>all that. But yeah, I found by the end of it,

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<v Speaker 5>like the last I don't know, forty five minutes of it,

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<v Speaker 5>I feel like was just incredibly solid, and it was

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<v Speaker 5>really coming together in a way that was really great

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<v Speaker 5>for me. There's still some hang ups for me, like

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<v Speaker 5>some of those characters we can talk about that, there

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<v Speaker 5>is some things that I'm confused about. I don't even

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<v Speaker 5>know if I should admit this. I don't even fully

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<v Speaker 5>understand who Robert Downey's character is.

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<v Speaker 2>Supposed to be.

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<v Speaker 5>The movie still works, but I felt like I just

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<v Speaker 5>completely missing some elements of it. Classic Nolan, the fucking

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<v Speaker 5>audio is so loud you can't hear dialogue, and I

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<v Speaker 5>felt like that happened for a couple moments that were

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<v Speaker 5>very crucial, like plot information, I just could not hear

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<v Speaker 5>what was saying. So this movie absolutely needs a rewatch.

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<v Speaker 5>But I think my kind of closing here from my

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<v Speaker 5>overall thoughts is I want to give so much credit

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<v Speaker 5>to I guess the soundtrack from Ludwig Gorenson, who's obviously

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<v Speaker 5>been freshing it lately, and then also the editing who

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<v Speaker 5>Jennifer Lame is the editor on this, because I felt

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<v Speaker 5>like those two working together on this just made what

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<v Speaker 5>could have been a slow or dry or uninteresting movie

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<v Speaker 5>like it just fucking flowed so well that editing is

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<v Speaker 5>so like, there's so much going on here. Yeah, and

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<v Speaker 5>obviously you're going between present day, you're going back in time,

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<v Speaker 5>you're going back and forth and all this stuff. But

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<v Speaker 5>I felt like the movie just had an insanely good

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<v Speaker 5>pace to it that didn't feel like anything was particularly rushed,

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<v Speaker 5>but there was usually enough time given for me to

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<v Speaker 5>fully understand, and you would just like, yeah, sometimes you

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<v Speaker 5>just skip and you'd be like a couple of years

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<v Speaker 5>in the future in terms of where the story's at.

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<v Speaker 5>It just flowed perfectly, and you don't need like a

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<v Speaker 5>black screen that says five years later or whatever it

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<v Speaker 5>is to explain some of these things. And then that soundtrack,

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<v Speaker 5>which I feel like is maybe quiet two or three

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<v Speaker 5>times in the movie, which those moments are very effective,

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<v Speaker 5>but otherwise it is constantly driving the movie forward, and

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<v Speaker 5>that pacing and particularly I feel like it gets it

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<v Speaker 5>starts out quite simple, simplified and maybe more classic Nolanny

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<v Speaker 5>sort of soundtracks, but then near the end of it,

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<v Speaker 5>like there's so many layers that are thrown in there,

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<v Speaker 5>and a lot of moments of tension and whatnot that

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<v Speaker 5>are just so good. So, yeah, it's the editing and

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<v Speaker 5>the soundtrack that I think really carried this movie for me.

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<v Speaker 5>But overall, I'm feeling very positive on it. But yeah, really,

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<v Speaker 5>and I think this is one where a rewatcher two

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<v Speaker 5>will just make me like it more and more and

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<v Speaker 5>appreciate more and understand more of it, where some of

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<v Speaker 5>the other Nolan stuff I don't know. I feel like

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<v Speaker 5>I never fully understand some elements or it doesn't necessarily

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<v Speaker 5>come together in that way.

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<v Speaker 2>So yeah, I'm I'm pretty happy with this one. I

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<v Speaker 2>really enjoyed it.

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<v Speaker 1>It's funny you mentioned this sound design because I think

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<v Speaker 1>everyone always brings it up. But there's a scene early

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<v Speaker 1>in the movie where the score got louder, but like

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<v Speaker 1>Killian Murph was talking and literally he just got louder randomly,

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<v Speaker 1>and I was like, oh, Nolan's like realizing that everything

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<v Speaker 1>else is loud. But they brought him up loud, so

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<v Speaker 1>I'm like, Okay, he's gonna make the dialogue really loud.

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<v Speaker 1>And then that was the last time it happened. But

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<v Speaker 1>because it was really random, unless it was a theater thing,

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<v Speaker 1>I'll have to wait to rewatch. But he was talking normal,

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<v Speaker 1>and then it got really like and he's just in

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<v Speaker 1>a board room but Yeah, there's especially near the back

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<v Speaker 1>after there's a couple where it's like, okay, at least

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<v Speaker 1>luckily with the way Nolan directs it, I understand the

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<v Speaker 1>intent of this scene of what he's trying to get across,

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<v Speaker 1>but still he got Killian yelling and I still can't

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<v Speaker 1>hear you know nothing, I'll say ever as bad as

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<v Speaker 1>John day Washed and Kenneth Brown on that fucking boat

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<v Speaker 1>though in TenneT where it's like I don't I don't

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<v Speaker 1>hear a single thing. It's like I'm on that boat.

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<v Speaker 1>But mister pats Er again by that that the reason

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<v Speaker 1>we didn't make this review is why you're here because

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<v Speaker 1>at one point you we're gonna be a lot on review.

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<v Speaker 1>But as Dylan said in her discord, some greater force

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<v Speaker 1>want you to be on this review because you missed TenneT.

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<v Speaker 1>You almost missed this. Here we are, you know.

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<v Speaker 4>No, I'm very happy to be here, so you know.

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<v Speaker 3>It was an unfortunate evening the other evening, but I

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<v Speaker 3>am it led us here, so I'm happy about it.

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<v Speaker 3>And yeah, to just be here, like at the end

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<v Speaker 3>of the Nolan retro too, it's just lots of fun

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<v Speaker 3>to be just going on that Big Journey. The only

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<v Speaker 3>one I missed out on was actually Tenant because I

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<v Speaker 3>didn't see that movie right away in theaters. But yeah,

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<v Speaker 3>I just quick brief history if he didn't check out

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<v Speaker 3>that Nolan retro. I love Christopher Nolan as director. I

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<v Speaker 3>feel like all of his movies are just completely up

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<v Speaker 3>my alley, with the epic scale oneness of it and

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<v Speaker 3>just the trippy, mind bendy like twist that he likes

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<v Speaker 3>to incorporate in his movies, and just like the bending

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<v Speaker 3>of sci fi elements into a more grounded story. I

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<v Speaker 3>feel like he just does that so well and his

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<v Speaker 3>movie like, yeah, just like his movies are just for me,

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<v Speaker 3>So I expected extremely high things for this. I feel

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<v Speaker 3>like when other people were just like, yeah, you know,

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<v Speaker 3>Barbie versus Oppenheimer, Barbie's just gonna sweep it. And I

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<v Speaker 3>feel like I was just like that one guy, just

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<v Speaker 3>like oh yeah, no, Open I mean, Dylan, I know

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<v Speaker 3>you're more for Openheimer than Barbie, for sure, but i

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<v Speaker 3>feel like I'm just in my friend groups, maybe at work.

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<v Speaker 4>And stuff, I'm just like guys Oppenheimer, like this is

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<v Speaker 4>such a big deal.

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<v Speaker 2>Even me.

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<v Speaker 5>I feel like it's more I was just kind of

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<v Speaker 5>low on Barbie than I was super duper high on

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<v Speaker 5>all hinders.

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<v Speaker 3>Yeah that's how it worked out, Yeah, exactly. But like

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<v Speaker 3>just just the scale of it, and even in like uh,

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<v Speaker 3>like watching Mission Impossible or whatever it might be, like

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<v Speaker 3>getting the trailers for Oppenheimer. Every time I got those trailers,

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<v Speaker 3>I was getting goosebumps on my arms. I'm like, this

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<v Speaker 3>is gonna be just such an insane movie. So I

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<v Speaker 3>had extremely extremely high expectations for this movie, and I

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<v Speaker 3>will say it, actually, it actually brought my enjoyment down

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<v Speaker 3>a little bit of it.

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<v Speaker 4>I know, it's it's shocking for sure, and it's.

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<v Speaker 1>It's interesting, and I still loved it.

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<v Speaker 4>I gotta keep you guessing, gotta keep you guessing.

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<v Speaker 3>No, but like one hundred percent, because I think it's

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<v Speaker 3>ex like it's it's mostly just that that I had

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<v Speaker 3>such extremely high expectations for it, and it didn't matter

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<v Speaker 3>if it was gonna be about fire ants in Africa.

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<v Speaker 3>I feel like just the Nolan stamp on it would

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<v Speaker 3>have been enough to just just get me fully invested

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<v Speaker 3>and one hundred percent just thinking about this movie consistently,

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<v Speaker 3>and that hasn't been the case. But like me, saying

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<v Speaker 3>that it doesn't take away from the quality of the

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<v Speaker 3>movie at all. Like, to Dylan's point, it is a

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<v Speaker 3>very long movie, but I was one hundred percent glued

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<v Speaker 3>to the screen the entire time. I feel like my

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<v Speaker 3>lack of knowledge on the overall details of this historical

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<v Speaker 3>event just made me really interested in what was going on.

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<v Speaker 3>And yeah, it's a realcod thing with Nolan films. The

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<v Speaker 3>talking could be upped a little bit. Maybe I'm just

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<v Speaker 3>too reliant on subtitles these days, but there's definitely scenes

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<v Speaker 3>when I'm just like, Okay, this is just a write off.

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<v Speaker 3>I have no idea what they're talking about in this scene,

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<v Speaker 3>but like, and it's probably is to just how well

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<v Speaker 3>each scene was edited together, because I feel like I

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<v Speaker 3>was still able to really pick up on what was

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<v Speaker 3>going on, maybe versus to something like Tenant. I feel

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<v Speaker 3>like the first time I saw that movie, I was

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<v Speaker 3>very lost at different parts. But I definitely feel like

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<v Speaker 3>I have a really good grasp of this overall story,

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<v Speaker 3>at least the way that Nolan hold it. And yeah,

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<v Speaker 3>I the editing was phenomenal. The scale and the scale

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<v Speaker 3>of it all was was phenomenal. Of the anticipating, like

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<v Speaker 3>the building of the anticipation in a very epic, intense moment.

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<v Speaker 3>I feel like they just did that so well. And yeah,

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<v Speaker 3>I was at like the edge of my seat multiple

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<v Speaker 3>times in this movie. And it's not like a it's

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<v Speaker 3>not like.

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<v Speaker 2>A big like.

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<v Speaker 3>Like just big epic movie of like a big war

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<v Speaker 3>like like it's mostly just like historical and like just talking.

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<v Speaker 3>But I feel like just the u politicking of it

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<v Speaker 3>all just got me really really invested. And and just

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<v Speaker 3>the way that the actors portrayed it, like Killian Murphy, Oh,

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<v Speaker 3>I already loved him so much, especially coming off of

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<v Speaker 3>Shane I watch Peaky Blinders this this last year for

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<v Speaker 3>the first time, and he's just such an insanely talented

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<v Speaker 3>actor and in this one, like, yeah, he just brought

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<v Speaker 3>so many different levels of like joy but also extreme

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<v Speaker 3>like terror and grief, and he's the only person like

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<v Speaker 3>portraying that on screen. Obviously tying in with with the

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<v Speaker 3>uh like the great sound design around it as well

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<v Speaker 3>as just whether is I don't know, certain editing of

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<v Speaker 3>the scene, like it was just so well done, But

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<v Speaker 3>I will say my enjoyment factor was just a little

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<v Speaker 3>bit lower than I was. I was expecting to, and well,

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<v Speaker 3>the first time I watched Tenant, I watched it again

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<v Speaker 3>the next morning, like I just couldn't wait. I had

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<v Speaker 3>to had to rewatch it right away because like I like,

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<v Speaker 3>I really liked it, but I just want to understand

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<v Speaker 3>it more. I want to like it more than where

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<v Speaker 3>I am, and I feel like with Oppenheimer, it's not

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<v Speaker 3>gonna be the most rewatchable, just purely for it a

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<v Speaker 3>movie movie.

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<v Speaker 4>Yeah, purely for.

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<v Speaker 3>The length and just the dryness of certain scenes, Like

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<v Speaker 3>I feel like I won't really put this on for

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<v Speaker 3>a particular scene, whereas I don't know, like I could

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<v Speaker 3>list a couple of different scenes from from various Nolan

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<v Speaker 3>movies where I would just put it on, for like Interstellar,

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<v Speaker 3>Like I feel like I would just put it on

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<v Speaker 3>for like when they're actually in like space around the

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<v Speaker 3>like the the black hole event, and just like certain

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00:12:51.720 --> 00:12:53.600
<v Speaker 3>sci fi type sequences. I feel like I would just

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00:12:53.639 --> 00:12:56.200
<v Speaker 3>want to watch that, But I don't know, I don't

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<v Speaker 3>think I really have that right now with this movie

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00:12:58.120 --> 00:13:02.840
<v Speaker 3>and with it for example, like I enjoy that movie

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00:13:02.879 --> 00:13:05.080
<v Speaker 3>the more I watch it. I've seen it maybe four

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00:13:05.240 --> 00:13:08.360
<v Speaker 3>times now, and it's like significant jumps up like I

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00:13:08.399 --> 00:13:10.279
<v Speaker 3>feel like I just noticed or pick up something, or

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00:13:10.600 --> 00:13:13.360
<v Speaker 3>just really appreciate the attention to detail on a particular scene.

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<v Speaker 3>And I'm sure this movie has those moments littered throughout

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<v Speaker 3>because Nolan is just he likes to bring that in

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<v Speaker 3>his movies, and so I'm sure that will be the case.

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<v Speaker 3>But I just need a little cool downbreak, And I

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00:13:25.039 --> 00:13:28.639
<v Speaker 3>should preface too, like I did do the Barbenheimer combo.

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<v Speaker 3>So I watched Barbie first, and so by the end

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00:13:31.480 --> 00:13:33.279
<v Speaker 3>of Oppenheimer, like I had been sitting in like the

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<v Speaker 3>exact same theater seed for like four hours. Maybe that

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00:13:36.000 --> 00:13:37.840
<v Speaker 3>was kind of, you know, diminishing some of it where

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00:13:37.840 --> 00:13:40.039
<v Speaker 3>I'm kind of getting a little wiggly, my butts getting sore.

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00:13:40.559 --> 00:13:43.960
<v Speaker 3>So there is probably exterior factors to bring down my

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00:13:44.039 --> 00:13:44.720
<v Speaker 3>overall enjoyment.

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<v Speaker 4>But again, it didn't.

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<v Speaker 3>It didn't diminish my ability to just like appreciate the

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00:13:50.320 --> 00:13:53.279
<v Speaker 3>quality of what was on screen, because yeah, they absolutely

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00:13:53.360 --> 00:13:55.519
<v Speaker 3>killed it all. The acting was just so top notched.

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<v Speaker 3>There's so many talented people in this movie, and.

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<v Speaker 1>It feel like, advertise, yeah, this person's in the movie.

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<v Speaker 3>Okay, cool, No, absolutely, And I was just like shocked

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00:14:04.200 --> 00:14:06.919
<v Speaker 3>by seeing certain characters in there, and I think they

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00:14:07.039 --> 00:14:10.120
<v Speaker 3>just were all really really top tier, and yeah, I

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<v Speaker 3>really really appreciate.

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<v Speaker 4>The just the story that that was told.

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00:14:14.200 --> 00:14:17.360
<v Speaker 3>But yeah, I'd be lying if I said it didn't

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<v Speaker 3>just like leave a super impressive.

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<v Speaker 1>Like even too much.

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<v Speaker 3>Yeah, even though paying it too much, it just didn't

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00:14:26.720 --> 00:14:29.000
<v Speaker 3>hit the bar for enjoyment factor that I thought it would.

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00:14:29.039 --> 00:14:31.840
<v Speaker 3>It met the quality level for sure, but I don't know,

335
00:14:31.919 --> 00:14:34.879
<v Speaker 3>may it was expected a bigger bang or whatnot, or maybe.

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00:14:36.399 --> 00:14:38.720
<v Speaker 4>I don't know, something bank the world's Biggest Bang.

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00:14:39.039 --> 00:14:43.320
<v Speaker 1>That's like a Ron Tomatoes negative critic right there, not

338
00:14:43.440 --> 00:14:46.480
<v Speaker 1>the biggest bang movie, you know, like they'd take that.

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00:14:47.399 --> 00:14:50.039
<v Speaker 1>It's funny. I think we kind of all have that

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00:14:50.080 --> 00:14:51.840
<v Speaker 1>with Norlan movies because I think either all of us

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00:14:51.919 --> 00:14:54.279
<v Speaker 1>like love him or respect him. I think because that's

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<v Speaker 1>the way I was with Interstellar, right Like I was

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00:14:56.120 --> 00:14:58.720
<v Speaker 1>so excited and it just didn't match it. But then

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<v Speaker 1>that's my tenet where I just we watched about two

345
00:15:01.080 --> 00:15:02.360
<v Speaker 1>weeks ago and for the first time I was like

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00:15:02.360 --> 00:15:04.000
<v Speaker 1>I could maybe give this one a perfect score, where

347
00:15:04.000 --> 00:15:06.159
<v Speaker 1>in the past I haven't. So it's it's one of

348
00:15:06.200 --> 00:15:09.759
<v Speaker 1>those And I'm much like Dylan where so like I'll

349
00:15:09.799 --> 00:15:12.759
<v Speaker 1>see love the TDK trilogy. You gun Inception, you got Prestige,

350
00:15:12.919 --> 00:15:15.159
<v Speaker 1>and then after that, that's when you get Interstellar. And

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<v Speaker 1>at the time I said I wasn't mixed. I was

352
00:15:16.720 --> 00:15:18.200
<v Speaker 1>still very high in it, but I was not like

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<v Speaker 1>I had Batman, Beginn's Prestige, Dark Knight and Interception four Row.

354
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<v Speaker 1>I'm like, all these are best, Like they're all of

355
00:15:26.320 --> 00:15:28.159
<v Speaker 1>my best of movies stuff like that, so it's tough

356
00:15:28.200 --> 00:15:31.399
<v Speaker 1>on an Interstellar didn't match that bar. And then you

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<v Speaker 1>got Dunkirk Intent, which are very well made, but I

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00:15:33.799 --> 00:15:36.639
<v Speaker 1>don't return back to too many times. Especially Dunkirk I've

359
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<v Speaker 1>only seen twice, and even when I was rewatching all

360
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<v Speaker 1>the Nole movies this summer, I didn't get a chance

361
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<v Speaker 1>to all of them. But yeah, I was even like, ah,

362
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<v Speaker 1>I left Dunkirk last. I was watched them at order,

363
00:15:45.159 --> 00:15:47.320
<v Speaker 1>but I skipped don Kirk to get to Tenet because

364
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<v Speaker 1>like I like Dunkirk, it's all well made, but I

365
00:15:49.159 --> 00:15:52.120
<v Speaker 1>don't find myself having to return to it. So since

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<v Speaker 1>and even Dark Knight rises, which I can still go

367
00:15:54.559 --> 00:15:57.320
<v Speaker 1>and say, yeah, that's definitely the weakest of the series.

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<v Speaker 1>Since Inception, I haven't felt like Okay, this is a

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00:16:00.039 --> 00:16:02.159
<v Speaker 1>ten at ten across the board, and I think I

370
00:16:02.200 --> 00:16:04.480
<v Speaker 1>said it had a similar and like high level as

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<v Speaker 1>far as Dylan. Like when they announced he was making

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<v Speaker 1>a movie about the creation the bomb, I was like,

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<v Speaker 1>I don't care about this. I'll see it because it's Nolan,

374
00:16:10.799 --> 00:16:12.559
<v Speaker 1>but I don't care about any of this. I'm not

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<v Speaker 1>a history buff. I'm always looking more like if there's

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<v Speaker 1>something I want to learn from history, that's stuff I

377
00:16:17.919 --> 00:16:19.639
<v Speaker 1>seeked out. But that's not much for me. I'm not

378
00:16:19.720 --> 00:16:22.120
<v Speaker 1>a war buff. I'm not a historian buff. So I'm

379
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<v Speaker 1>the same as Dylan where this movie happens, like, hey,

380
00:16:23.960 --> 00:16:26.480
<v Speaker 1>I got a Wikipedia. Who's Lewis Strauss? Like, oh okay,

381
00:16:26.639 --> 00:16:29.320
<v Speaker 1>like the history I know is a little from school,

382
00:16:29.320 --> 00:16:31.240
<v Speaker 1>and then movies I've won to see. But it's Nolan.

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<v Speaker 1>So I checked it out and I thought it was

384
00:16:33.320 --> 00:16:35.840
<v Speaker 1>gonna be similar to Dunkirk, but no, I absolutely love

385
00:16:35.960 --> 00:16:38.919
<v Speaker 1>this movie. I think you could make it argument that

386
00:16:39.039 --> 00:16:40.919
<v Speaker 1>his best movie ever. I would never say it's my

387
00:16:41.039 --> 00:16:43.840
<v Speaker 1>favorite because this wouldn't like it's just my likes. I

388
00:16:43.840 --> 00:16:46.080
<v Speaker 1>wouldn't put this past Inception or past The Dark Knight,

389
00:16:46.200 --> 00:16:48.279
<v Speaker 1>like those are things that one they've been around long,

390
00:16:48.360 --> 00:16:50.519
<v Speaker 1>but I just like that concept. There's two Nolan's right,

391
00:16:50.600 --> 00:16:53.320
<v Speaker 1>there's always the like, you look at what he's done.

392
00:16:53.399 --> 00:16:56.360
<v Speaker 1>He did Dark Knight Rises and it was or sorry,

393
00:16:56.399 --> 00:16:59.360
<v Speaker 1>actually it was Interstellar spacey than Dunkirk, and then Tenant

394
00:16:59.399 --> 00:17:01.879
<v Speaker 1>and then another history one. Right, So if we go

395
00:17:02.000 --> 00:17:04.200
<v Speaker 1>on pattern, I would imagine the next one's probably gonna

396
00:17:04.200 --> 00:17:06.720
<v Speaker 1>be a bit more high concepts. So usually when he

397
00:17:06.839 --> 00:17:08.920
<v Speaker 1>gets on that cap, I go, oh, I like that.

398
00:17:09.039 --> 00:17:11.359
<v Speaker 1>No one but don't love it. But yeah, you guys

399
00:17:11.359 --> 00:17:14.440
<v Speaker 1>already talked about it. It's definitely too like Ludwig's best

400
00:17:14.519 --> 00:17:16.759
<v Speaker 1>work because there's so much score in this movie, like

401
00:17:17.000 --> 00:17:20.920
<v Speaker 1>so much. It's not like there's there's definitely quiet moments

402
00:17:21.000 --> 00:17:24.400
<v Speaker 1>in this movie, but there's more moments of score than

403
00:17:24.440 --> 00:17:26.359
<v Speaker 1>there is of quietness, and that's usually not how it

404
00:17:26.480 --> 00:17:29.039
<v Speaker 1>happens in movies usually, and even just scenes where they

405
00:17:29.119 --> 00:17:33.000
<v Speaker 1>are talking about, you know, they see a certain newspaper headline,

406
00:17:33.039 --> 00:17:35.480
<v Speaker 1>Ludwig is going hard and he's making like I would

407
00:17:35.519 --> 00:17:37.279
<v Speaker 1>love to see what this movie would be like if

408
00:17:37.319 --> 00:17:39.680
<v Speaker 1>you take the score out. I feel like my score

409
00:17:39.680 --> 00:17:42.359
<v Speaker 1>would drop dramatically. And that's not to say a bad

410
00:17:42.440 --> 00:17:44.319
<v Speaker 1>thing about the movie itself. That's just like how good

411
00:17:44.400 --> 00:17:47.319
<v Speaker 1>Luck Wig was because if you don't have that in there,

412
00:17:47.480 --> 00:17:51.079
<v Speaker 1>it's gone. So that was very, very impressive. Like when

413
00:17:51.079 --> 00:17:53.039
<v Speaker 1>we get the Golden Geeks, that's like a bullet for me.

414
00:17:53.519 --> 00:17:55.240
<v Speaker 1>I get it because it's just and he could tell like,

415
00:17:55.359 --> 00:17:57.799
<v Speaker 1>that's such an impressive guy, like since he I know

416
00:17:57.880 --> 00:17:59.480
<v Speaker 1>he'd done work before, but I think he got an

417
00:17:59.599 --> 00:18:02.519
<v Speaker 1>art like Radar when Black Panther came out and he

418
00:18:02.599 --> 00:18:04.559
<v Speaker 1>did that. He did Manalor, and he's done other things

419
00:18:04.559 --> 00:18:07.480
<v Speaker 1>where just this guy always gives up quality. So that's

420
00:18:07.519 --> 00:18:11.279
<v Speaker 1>a big thing. The scope, the cast, Killian. It's great

421
00:18:11.319 --> 00:18:13.200
<v Speaker 1>to see him in this leading role because you look

422
00:18:13.240 --> 00:18:16.599
<v Speaker 1>at Nolan's career, He's been in so many Inception Begins,

423
00:18:16.720 --> 00:18:18.799
<v Speaker 1>Dunkirk where he has an important role, but it's always

424
00:18:18.839 --> 00:18:21.279
<v Speaker 1>that role. It's like it has twenty five minutes too,

425
00:18:21.359 --> 00:18:23.079
<v Speaker 1>you know, it's always that cap. So it's great to

426
00:18:23.079 --> 00:18:25.279
<v Speaker 1>see him have this performance. I'm really happy the Box

427
00:18:25.359 --> 00:18:27.480
<v Speaker 1>Off is like Nolan's biggest movie ever rather than the

428
00:18:27.559 --> 00:18:32.160
<v Speaker 1>Batman movies, so that's great. Yeah, I was surprised about

429
00:18:32.519 --> 00:18:34.400
<v Speaker 1>the pacing. It didn't bug me in all the three

430
00:18:34.480 --> 00:18:37.119
<v Speaker 1>hours at the beginning, I thought there was stuff, Oh,

431
00:18:37.240 --> 00:18:40.240
<v Speaker 1>maybe is this needed? Could you cut it? But as

432
00:18:40.279 --> 00:18:42.119
<v Speaker 1>it went along with no, actually that is need. If

433
00:18:42.160 --> 00:18:45.440
<v Speaker 1>it's even little stuff went okay, that served towards the

434
00:18:45.559 --> 00:18:48.279
<v Speaker 1>plot and the story. Even same thing. I thought it

435
00:18:48.319 --> 00:18:51.079
<v Speaker 1>was gonna be like Dunkirk, where Dunkirk has that time

436
00:18:51.160 --> 00:18:53.079
<v Speaker 1>thing where something's are happening in the past and present,

437
00:18:53.160 --> 00:18:54.920
<v Speaker 1>and that's a movie. Where I watched Dunkirk, I go,

438
00:18:55.279 --> 00:18:57.480
<v Speaker 1>this is a movie that didn't need like Nolan's time trickery.

439
00:18:57.559 --> 00:18:59.279
<v Speaker 1>It could have just been straightforward and maybe would have

440
00:18:59.359 --> 00:19:03.359
<v Speaker 1>been better where this one. I think it worked really well,

441
00:19:03.519 --> 00:19:06.440
<v Speaker 1>especially the shifting of certain dynamics. And I'd say maybe

442
00:19:06.480 --> 00:19:11.000
<v Speaker 1>with Robert Downey character that the timeline messing really works

443
00:19:11.079 --> 00:19:13.880
<v Speaker 1>with his character. And that's another thing killing down He's

444
00:19:13.920 --> 00:19:15.279
<v Speaker 1>great in here. It's not that he hasn't be great

445
00:19:15.279 --> 00:19:16.640
<v Speaker 1>in the MCR other stuff he's been in the past

446
00:19:16.640 --> 00:19:19.240
<v Speaker 1>few years, but he just knocked out of the park

447
00:19:19.319 --> 00:19:21.359
<v Speaker 1>every scene he's in there, even when he's not talking.

448
00:19:21.559 --> 00:19:24.640
<v Speaker 1>His facials. Man, it's great to see Downy in this,

449
00:19:24.799 --> 00:19:26.920
<v Speaker 1>and it's a role I made. There's a few comedic beats,

450
00:19:26.960 --> 00:19:31.319
<v Speaker 1>but he is not that down he completely falls into

451
00:19:31.359 --> 00:19:35.079
<v Speaker 1>the role. So that's great. All the practical stuff is great,

452
00:19:35.359 --> 00:19:37.119
<v Speaker 1>The ending is great when it's really wrapping up to

453
00:19:37.160 --> 00:19:40.039
<v Speaker 1>this creation. There's one scene in here that's gonna stick

454
00:19:40.119 --> 00:19:43.240
<v Speaker 1>with me for years. There's it's like almost horror esque

455
00:19:43.599 --> 00:19:46.480
<v Speaker 1>and I just loved it, and yeah, I it's one

456
00:19:46.480 --> 00:19:48.799
<v Speaker 1>of these things that I will run out of words

457
00:19:48.839 --> 00:19:50.519
<v Speaker 1>to talk about and I love. There's just certain things

458
00:19:50.599 --> 00:19:53.480
<v Speaker 1>that it is Nolan, but it feels like a step

459
00:19:53.599 --> 00:19:57.279
<v Speaker 1>up With some directors they find they find a level

460
00:19:57.359 --> 00:19:59.480
<v Speaker 1>and you can always tell that's you can still tell

461
00:19:59.519 --> 00:20:01.880
<v Speaker 1>us is Norlan movie, but they maybe don't do anything different. Right.

462
00:20:02.160 --> 00:20:04.640
<v Speaker 1>There's times where these black and white scenes. They're shooting

463
00:20:04.720 --> 00:20:08.079
<v Speaker 1>these scenes very almost like hell hand camera. They're not

464
00:20:08.200 --> 00:20:10.240
<v Speaker 1>using that. I'm guarantee you. Nolan has this huge camera

465
00:20:10.319 --> 00:20:12.000
<v Speaker 1>and it's on a thing, but they're moving in away

466
00:20:12.000 --> 00:20:13.599
<v Speaker 1>where it looks like it's going back and forth that

467
00:20:13.640 --> 00:20:15.759
<v Speaker 1>it's in the room. That's not a Nolan thing. Nolan's

468
00:20:15.799 --> 00:20:18.680
<v Speaker 1>are usually just straight actors going and that's it. And

469
00:20:18.920 --> 00:20:21.720
<v Speaker 1>on the scenes, so they're like having claustrophobic scenes going on.

470
00:20:22.000 --> 00:20:23.640
<v Speaker 1>It doesn't even have to do with the bomb. It's

471
00:20:23.680 --> 00:20:26.319
<v Speaker 1>just with these characters having emotions and yeah, like you

472
00:20:26.440 --> 00:20:28.680
<v Speaker 1>get guys said, the cast is stacked and everybody. There's

473
00:20:28.680 --> 00:20:30.119
<v Speaker 1>a lot of actors that are only in here for

474
00:20:30.640 --> 00:20:33.880
<v Speaker 1>ten fifteen minutes, but it's very strong ten or fifteen minutes.

475
00:20:34.319 --> 00:20:36.559
<v Speaker 1>And yeah, it's one that I think even more so

476
00:20:36.599 --> 00:20:38.400
<v Speaker 1>when I watch it is definitely a mood one. It's

477
00:20:38.480 --> 00:20:40.200
<v Speaker 1>not like Inception that I could watch it every day

478
00:20:40.200 --> 00:20:42.480
<v Speaker 1>of the week. I can't watch Oppenheimer every day in

479
00:20:42.480 --> 00:20:45.960
<v Speaker 1>the week from a mood standpoint, but from a technical standpoint,

480
00:20:46.119 --> 00:20:48.599
<v Speaker 1>I think it's Nolan at the top of his game,

481
00:20:48.640 --> 00:20:50.640
<v Speaker 1>and I, uh, you know, and that's where I guess.

482
00:20:50.680 --> 00:20:52.000
<v Speaker 1>For me, it was revers a Kirk and where I

483
00:20:52.039 --> 00:20:54.240
<v Speaker 1>went in other than last week, I was like lower

484
00:20:54.319 --> 00:20:57.680
<v Speaker 1>expectations of Okay, I was, you know, I'm excited because

485
00:20:57.680 --> 00:20:58.920
<v Speaker 1>it's Snolan, but I didn't think it was gonna be

486
00:20:59.000 --> 00:21:01.880
<v Speaker 1>this and h yeah, it was quite a great one.

487
00:21:02.079 --> 00:21:07.480
<v Speaker 1>So there's anything else to uh talk about non spoilers.

488
00:21:07.599 --> 00:21:10.200
<v Speaker 5>On the non spoilers side, not for not much much

489
00:21:10.240 --> 00:21:10.440
<v Speaker 5>for me.

490
00:21:10.480 --> 00:21:12.519
<v Speaker 4>I don't think, Dylan, how was your showing? Was it

491
00:21:12.599 --> 00:21:15.160
<v Speaker 4>just packed? I was curious to ask your theater.

492
00:21:15.720 --> 00:21:18.039
<v Speaker 5>I think it was and in fact, I didn't have

493
00:21:18.079 --> 00:21:20.799
<v Speaker 5>the best seat because I was kind of late to

494
00:21:20.880 --> 00:21:22.759
<v Speaker 5>get my tickets, not because I knew I was gonna go.

495
00:21:22.839 --> 00:21:25.000
<v Speaker 5>I guess I just didn't think about it well enough

496
00:21:25.039 --> 00:21:26.759
<v Speaker 5>in advance. But yeah, because of that, most of the

497
00:21:26.920 --> 00:21:29.160
<v Speaker 5>most of it was grabbed up, and I think except

498
00:21:29.200 --> 00:21:31.839
<v Speaker 5>for maybe like some couple spots in the front row

499
00:21:31.880 --> 00:21:34.039
<v Speaker 5>or two, it was it was packed for sure.

500
00:21:34.559 --> 00:21:36.519
<v Speaker 3>I was pretty shocked just across the board for the

501
00:21:36.559 --> 00:21:40.759
<v Speaker 3>weekend honestly, like Thursday, Friday, Saturday night showings for both

502
00:21:40.839 --> 00:21:43.920
<v Speaker 3>Barbie and Oppenheimer were like actually just sold out. Like

503
00:21:44.160 --> 00:21:46.079
<v Speaker 3>it's like, you know, there's the front row. I say

504
00:21:46.160 --> 00:21:47.960
<v Speaker 3>sold out with like air quotes because it's like, yeah,

505
00:21:47.960 --> 00:21:50.279
<v Speaker 3>they got the front row, I guess. But yeah, like

506
00:21:50.440 --> 00:21:52.240
<v Speaker 3>the main chunk where you would want to get your

507
00:21:52.279 --> 00:21:53.920
<v Speaker 3>seats were just completely sold out.

508
00:21:54.000 --> 00:21:55.519
<v Speaker 4>And then I had gotten.

509
00:21:55.559 --> 00:21:58.799
<v Speaker 3>Because I, yeah, I watched Barbie and Oppenheimer Saturday day.

510
00:21:58.920 --> 00:22:01.680
<v Speaker 3>Barbie was at eleven and then Oppenheimer's at two, and

511
00:22:01.839 --> 00:22:05.400
<v Speaker 3>like I got them on Friday night or during the

512
00:22:05.480 --> 00:22:08.480
<v Speaker 3>day on Friday, and like there was some seats taken

513
00:22:08.559 --> 00:22:10.359
<v Speaker 3>for sure, but I was definitely one of the earlier ones.

514
00:22:10.519 --> 00:22:12.240
<v Speaker 3>But by the time everyone showed up for the showing,

515
00:22:12.319 --> 00:22:14.920
<v Speaker 3>it was like completely packed on like a matinee showing.

516
00:22:14.960 --> 00:22:16.200
<v Speaker 3>I'm like, man, I thought this was gonna be like

517
00:22:16.240 --> 00:22:18.480
<v Speaker 3>the Safe Spot, so I was I was very shocked

518
00:22:18.519 --> 00:22:20.839
<v Speaker 3>to just again it's like, oh yeah, this used to

519
00:22:20.839 --> 00:22:23.559
<v Speaker 3>be what movies were like like on release before COVID,

520
00:22:23.599 --> 00:22:25.599
<v Speaker 3>you know, like a long time ago. So it's it's

521
00:22:25.720 --> 00:22:28.720
<v Speaker 3>crazy just the power that these these two movies have

522
00:22:28.839 --> 00:22:30.559
<v Speaker 3>for the weekend. I'm curious how long that's gonna last

523
00:22:30.559 --> 00:22:33.200
<v Speaker 3>because even like the ten o'clock showing for Oppenheimer, like

524
00:22:33.359 --> 00:22:35.680
<v Speaker 3>you're gonna get out at like one, maybe one thirty

525
00:22:35.720 --> 00:22:37.359
<v Speaker 3>depending on previews, and it's.

526
00:22:37.319 --> 00:22:40.000
<v Speaker 4>Just completely sold out. Like that's that's so in my

527
00:22:40.119 --> 00:22:41.000
<v Speaker 4>mind unheard of.

528
00:22:41.200 --> 00:22:42.519
<v Speaker 5>I want to do it like a bread and Butter

529
00:22:43.079 --> 00:22:45.079
<v Speaker 5>or something, maybe even talking about an afroninm but just

530
00:22:45.200 --> 00:22:48.599
<v Speaker 5>like how much this has exploded. Yeah, we should two

531
00:22:48.680 --> 00:22:51.160
<v Speaker 5>movies because it's a really interesting kind of phenomenon here.

532
00:22:51.200 --> 00:22:53.839
<v Speaker 5>It's like it's an event more than just two movies releasing.

533
00:22:54.119 --> 00:22:55.839
<v Speaker 1>Yeah, oh yeah, and it's like the both of them,

534
00:22:55.920 --> 00:22:58.640
<v Speaker 1>like they just a week ago Oppenheimer was going in

535
00:22:58.720 --> 00:23:01.559
<v Speaker 1>with a forty million projection and like literally doubled it.

536
00:23:01.720 --> 00:23:04.680
<v Speaker 1>Barbie was like at a ninety biggest open year beat Mario.

537
00:23:04.759 --> 00:23:07.599
<v Speaker 1>It's just it's crazy like these crowds because my Oppenheim

538
00:23:07.640 --> 00:23:10.079
<v Speaker 1>one was packed for pretty much in the first two roles.

539
00:23:10.720 --> 00:23:12.920
<v Speaker 1>We're gonna go see Barbie on Monday, but I looked

540
00:23:12.960 --> 00:23:14.599
<v Speaker 1>at tickets. We couldn't because the girls, I'm see it,

541
00:23:14.680 --> 00:23:17.119
<v Speaker 1>that's all like they're all sold, like three pm showings

542
00:23:17.160 --> 00:23:19.400
<v Speaker 1>are sold. I'm like, who's working right now like these?

543
00:23:20.279 --> 00:23:23.359
<v Speaker 1>But yeah, it's interesting. I love it because it's you know,

544
00:23:23.480 --> 00:23:25.160
<v Speaker 1>it's it's funny, like I feel like the last few

545
00:23:25.519 --> 00:23:28.200
<v Speaker 1>bigger movies we went to, like India Impossible, where like

546
00:23:28.240 --> 00:23:31.160
<v Speaker 1>there's people, but it's not that like that packed house,

547
00:23:31.279 --> 00:23:34.000
<v Speaker 1>and both of these were. So it's an interesting time.

548
00:23:34.119 --> 00:23:37.640
<v Speaker 1>So Clay Well a few calls for the chat Forgether

549
00:23:37.880 --> 00:23:40.079
<v Speaker 1>my only proms boyd Holbrook was not being in No

550
00:23:40.359 --> 00:23:42.759
<v Speaker 1>No One. We'll do something with them one day Long

551
00:23:42.839 --> 00:23:45.400
<v Speaker 1>Live a Talking Drama. Killing it at the box off

552
00:23:45.519 --> 00:23:48.799
<v Speaker 1>was absolutely Julia says Julia. Sorry, my heart was pounding

553
00:23:48.839 --> 00:23:51.079
<v Speaker 1>for the Trinity scene. I think we'd all agree there

554
00:23:51.119 --> 00:23:53.279
<v Speaker 1>when we get into it. No, he's always the best

555
00:23:53.319 --> 00:23:56.240
<v Speaker 1>at the time, the clicking like making you fix something,

556
00:23:56.279 --> 00:23:58.559
<v Speaker 1>thing's gonna happen, and then the score was phenomenal. Did

557
00:23:58.599 --> 00:24:00.880
<v Speaker 1>not fill the run team either, says and Maddy has

558
00:24:00.960 --> 00:24:03.119
<v Speaker 1>a question or a Patreon question that we'll get into

559
00:24:03.240 --> 00:24:05.480
<v Speaker 1>after the spoiler break here. So yeah, if you haven't

560
00:24:05.480 --> 00:24:07.400
<v Speaker 1>seen the movie, get out of here. It'll be sitting here.

561
00:24:07.440 --> 00:24:08.799
<v Speaker 1>So we'll take our first break and then we'll be

562
00:24:08.880 --> 00:24:12.880
<v Speaker 1>right back talking about So we'll be back, and we're back.

563
00:24:12.960 --> 00:24:14.920
<v Speaker 1>So we kind of touched upon. But Manny had two questions.

564
00:24:15.000 --> 00:24:16.720
<v Speaker 1>One is, do you have a favorite performance? So do

565
00:24:16.759 --> 00:24:19.240
<v Speaker 1>you have an m VP of this movie of the actor?

566
00:24:19.359 --> 00:24:22.200
<v Speaker 1>You know, Killian was great, you know, Dan was great,

567
00:24:22.319 --> 00:24:23.920
<v Speaker 1>Blunt was great, Like she's not end that much, but

568
00:24:24.200 --> 00:24:26.880
<v Speaker 1>my gosh, really good scene. So Curtly you got an MVP.

569
00:24:28.039 --> 00:24:30.720
<v Speaker 3>I Yeah, I feel like I would have to pick

570
00:24:30.799 --> 00:24:33.359
<v Speaker 3>Killian just because he is the lead, has the most

571
00:24:33.559 --> 00:24:36.319
<v Speaker 3>most time on screen, and I just was already like

572
00:24:36.880 --> 00:24:40.079
<v Speaker 3>just loving him so much from his previous Rouk specifically

573
00:24:40.160 --> 00:24:43.559
<v Speaker 3>Peaky Blinders, just like seeing where like the levels that

574
00:24:43.599 --> 00:24:46.599
<v Speaker 3>he'd reach in that, and it it's like, I know,

575
00:24:46.680 --> 00:24:49.240
<v Speaker 3>that's like a like a great perform a great role

576
00:24:49.319 --> 00:24:51.559
<v Speaker 3>that he got for the role of Thomas Shelby in

577
00:24:51.640 --> 00:24:53.960
<v Speaker 3>Peaky Blinders. But I feel like in my mind it's

578
00:24:54.079 --> 00:24:56.240
<v Speaker 3>just like, uh, that was like a trial run for

579
00:24:56.359 --> 00:24:58.599
<v Speaker 3>like this, because there's so many emotions that that character

580
00:24:59.039 --> 00:25:01.000
<v Speaker 3>has that's like so similar to what he was shown

581
00:25:01.039 --> 00:25:04.039
<v Speaker 3>in Oppenheimer here of like being that cocky guy moments,

582
00:25:04.079 --> 00:25:07.519
<v Speaker 3>but also just like almost PTSD or like just like

583
00:25:07.640 --> 00:25:11.279
<v Speaker 3>that super anxiety moments that he has. So I would

584
00:25:11.319 --> 00:25:13.720
<v Speaker 3>have to pick him, but my, my, my number two

585
00:25:13.839 --> 00:25:16.000
<v Speaker 3>shiny star, I would actually have to pick Emily Blunt

586
00:25:16.200 --> 00:25:19.680
<v Speaker 3>just for like the sheer, sheer sorrow and dread that

587
00:25:19.799 --> 00:25:23.519
<v Speaker 3>she shows throughout this movie. Like I did not spect again,

588
00:25:23.599 --> 00:25:25.839
<v Speaker 3>like I don't know anything about like the historical facts

589
00:25:25.880 --> 00:25:27.759
<v Speaker 3>of these movies, but man, I was not expecting her

590
00:25:27.839 --> 00:25:31.599
<v Speaker 3>character to be like that, just so so like damaged

591
00:25:31.720 --> 00:25:34.200
<v Speaker 3>in just trying to balance like the mother life and

592
00:25:34.559 --> 00:25:36.400
<v Speaker 3>just all the stress of what's going on with her

593
00:25:36.440 --> 00:25:39.720
<v Speaker 3>husband and just just her life. Sent Like she just

594
00:25:40.079 --> 00:25:42.960
<v Speaker 3>showed so much pain in moments, but also a lot

595
00:25:43.000 --> 00:25:46.319
<v Speaker 3>of strength and being like a real good, like solid

596
00:25:46.359 --> 00:25:50.279
<v Speaker 3>foundation for Oppenheimer because like everything that he's going through

597
00:25:50.359 --> 00:25:52.240
<v Speaker 3>and then he has this like pillar of support next

598
00:25:52.279 --> 00:25:54.279
<v Speaker 3>to him that is also going through her own her

599
00:25:54.599 --> 00:25:57.680
<v Speaker 3>own issues and stuff. So yeah, I was just shocked

600
00:25:57.720 --> 00:26:01.680
<v Speaker 3>by the few screen time, the few the short amount

601
00:26:01.680 --> 00:26:04.200
<v Speaker 3>of time that she was on screen. It was just like,

602
00:26:04.279 --> 00:26:06.920
<v Speaker 3>I was just totally blown away by her performance of

603
00:26:07.119 --> 00:26:08.799
<v Speaker 3>even if she isn't saying anything, if it's just in

604
00:26:08.880 --> 00:26:11.240
<v Speaker 3>the back, but just showing like so much pain in

605
00:26:11.359 --> 00:26:14.000
<v Speaker 3>a particular moment, you know, she's in an interviewing and

606
00:26:14.079 --> 00:26:16.359
<v Speaker 3>picturing her husband screwing some other chick.

607
00:26:17.039 --> 00:26:18.400
<v Speaker 4>It's just it blew me away.

608
00:26:18.519 --> 00:26:20.119
<v Speaker 3>I I feel like I haven't seen that Emily, that

609
00:26:20.200 --> 00:26:23.079
<v Speaker 3>side of Emily Blunt and maybe ever honestly, I've only

610
00:26:23.119 --> 00:26:24.960
<v Speaker 3>seen a handful of things with her, but yeah, I

611
00:26:25.160 --> 00:26:26.359
<v Speaker 3>was totally blown away.

612
00:26:26.839 --> 00:26:28.920
<v Speaker 1>Yeah. Man, that scene when she's going back and forth

613
00:26:28.960 --> 00:26:31.160
<v Speaker 1>with Jason Clark at the end, which Dylan remember Jason

614
00:26:31.200 --> 00:26:34.680
<v Speaker 1>Clark because remember there's you saw him in one movie

615
00:26:34.680 --> 00:26:36.119
<v Speaker 1>and you're like, I've never seen this guy and anything

616
00:26:36.160 --> 00:26:38.000
<v Speaker 1>else like it, and it was like a really bad movie.

617
00:26:38.079 --> 00:26:40.000
<v Speaker 1>I couldn't remember what it was. But then I was like, oh,

618
00:26:40.039 --> 00:26:41.720
<v Speaker 1>he's an apes in this You're like, no, I've never

619
00:26:41.880 --> 00:26:43.920
<v Speaker 1>see he's look at him again, I think he's this

620
00:26:43.960 --> 00:26:44.440
<v Speaker 1>guy that tilm.

621
00:26:44.880 --> 00:26:47.240
<v Speaker 5>I recognize him now from like pet Cemetery, even though

622
00:26:47.240 --> 00:26:47.920
<v Speaker 5>I never watched it.

623
00:26:49.960 --> 00:26:51.960
<v Speaker 2>I couldn't remember when we're watching them. When I was

624
00:26:51.960 --> 00:26:54.680
<v Speaker 2>watching the movie, I'm like, oh, man, where is he from?

625
00:26:54.720 --> 00:26:55.359
<v Speaker 2>Where is he from?

626
00:26:55.400 --> 00:26:57.119
<v Speaker 5>And then when I looked at his IMDb and he

627
00:26:57.160 --> 00:26:59.440
<v Speaker 5>didn't have that big old wig or maybe that's his

628
00:26:59.480 --> 00:26:59.960
<v Speaker 5>actual hair.

629
00:27:00.279 --> 00:27:00.920
<v Speaker 1>It's sexual hair.

630
00:27:01.039 --> 00:27:03.880
<v Speaker 2>Yeah, Okay, well, good job he really grew that out. Yeah.

631
00:27:04.079 --> 00:27:06.279
<v Speaker 5>Without that, it's like, oh yeah, that Sam takeout. But

632
00:27:06.279 --> 00:27:07.279
<v Speaker 5>I do remember those memes.

633
00:27:07.359 --> 00:27:09.519
<v Speaker 1>Yeah, check out me and Briggs of review that somewhere

634
00:27:09.559 --> 00:27:11.920
<v Speaker 1>down the line. But yeah, that scene with her, her

635
00:27:11.960 --> 00:27:14.160
<v Speaker 1>and Jason Clark was like this toe to toe of

636
00:27:14.279 --> 00:27:16.880
<v Speaker 1>him just trying to man on her and just trying

637
00:27:16.920 --> 00:27:19.039
<v Speaker 1>to be like overpowering, kind of make her seem like

638
00:27:19.039 --> 00:27:22.039
<v Speaker 1>an idiot, and man, she's just throwing questions back. It

639
00:27:22.160 --> 00:27:24.920
<v Speaker 1>was the delivery of it. She I like her in

640
00:27:25.000 --> 00:27:26.839
<v Speaker 1>the entire movie because, like you're saying, Kirk, when that

641
00:27:26.960 --> 00:27:30.720
<v Speaker 1>character has to kind of be a shield for Oppenheimer

642
00:27:30.799 --> 00:27:32.640
<v Speaker 1>and take a law of the you know, raise the kids,

643
00:27:32.680 --> 00:27:34.920
<v Speaker 1>worry about the home life. So that's why when he's

644
00:27:35.240 --> 00:27:37.039
<v Speaker 1>which I get it, you know, of course his ex

645
00:27:37.079 --> 00:27:39.119
<v Speaker 1>wife ends up dead and he's freaking out. I love

646
00:27:39.200 --> 00:27:40.480
<v Speaker 1>that she just kind of gets like, you don't get

647
00:27:40.519 --> 00:27:42.759
<v Speaker 1>to do this, Like you you're the most important man here.

648
00:27:43.279 --> 00:27:45.680
<v Speaker 1>My life is kind of messed up right now because

649
00:27:45.720 --> 00:27:47.799
<v Speaker 1>I'm just supporting you. You got to pull your shit

650
00:27:47.880 --> 00:27:50.000
<v Speaker 1>together because I got these two kids, I got an

651
00:27:50.000 --> 00:27:53.279
<v Speaker 1>alcohol problem. People know, you're sleeping around with other people here,

652
00:27:53.519 --> 00:27:56.920
<v Speaker 1>like everything bad. And it's a very classic That was

653
00:27:57.079 --> 00:27:59.000
<v Speaker 1>how marriage was back in the day, right It was

654
00:27:59.039 --> 00:28:01.319
<v Speaker 1>more of a it was more of a no. I

655
00:28:01.359 --> 00:28:03.240
<v Speaker 1>won't say for everybody, but there's a lot of marriages

656
00:28:03.279 --> 00:28:05.160
<v Speaker 1>back in the day that were more in agreement and

657
00:28:05.279 --> 00:28:07.480
<v Speaker 1>not like an arrangement. But just like it wouldn't matter

658
00:28:07.480 --> 00:28:08.960
<v Speaker 1>if your husband was chooting on you had to stick

659
00:28:09.000 --> 00:28:11.519
<v Speaker 1>by your husband. It wouldn't matter this. It's like divorce

660
00:28:11.759 --> 00:28:14.640
<v Speaker 1>was back then seen as a terrible thing. You would

661
00:28:14.680 --> 00:28:16.920
<v Speaker 1>be like shutned upon, like, oh, you've been divorced. So

662
00:28:17.160 --> 00:28:18.720
<v Speaker 1>I think she did a good job of even though

663
00:28:18.799 --> 00:28:21.559
<v Speaker 1>at times that character I don't think I like the

664
00:28:21.680 --> 00:28:23.640
<v Speaker 1>character because there's stuff with the kids. You're like, oh,

665
00:28:23.759 --> 00:28:25.240
<v Speaker 1>this is you know, but that's where it's like this

666
00:28:25.720 --> 00:28:28.200
<v Speaker 1>all these characters have these fine lines, yeah, good ones

667
00:28:28.279 --> 00:28:30.279
<v Speaker 1>to shout out, so done anything on bloot Well yeah,

668
00:28:30.319 --> 00:28:30.599
<v Speaker 1>go ahead.

669
00:28:30.720 --> 00:28:32.000
<v Speaker 5>Yeah, I mean I want to talk more about her

670
00:28:32.000 --> 00:28:36.839
<v Speaker 5>because I feel like that's maybe one of my acting

671
00:28:36.960 --> 00:28:37.200
<v Speaker 5>is good.

672
00:28:37.279 --> 00:28:39.680
<v Speaker 2>I agree with you guys. My weak point would maybe

673
00:28:39.759 --> 00:28:41.680
<v Speaker 2>be on the character writing of it.

674
00:28:41.720 --> 00:28:43.759
<v Speaker 5>And it's a tricky thing right where I you know,

675
00:28:43.839 --> 00:28:45.319
<v Speaker 5>I guess maybe disclosure for all of us, Like I

676
00:28:45.319 --> 00:28:47.599
<v Speaker 5>don't think any of us really know any of these

677
00:28:47.680 --> 00:28:50.839
<v Speaker 5>people's like actual history or life, right, so we're basing

678
00:28:50.880 --> 00:28:52.960
<v Speaker 5>it off of like, Okay, there was a book written

679
00:28:53.000 --> 00:28:55.799
<v Speaker 5>about this stuff, and now we're basing on like Nolan

680
00:28:55.880 --> 00:28:57.640
<v Speaker 5>reading that book and then like you know, you know,

681
00:28:57.680 --> 00:29:00.480
<v Speaker 5>there's this perspective yeah, yeah, exactly, So who knows what

682
00:29:00.640 --> 00:29:02.759
<v Speaker 5>this actual person was? Like I really have no idea,

683
00:29:02.839 --> 00:29:06.680
<v Speaker 5>but so maybe she was just a terrible person. But

684
00:29:06.759 --> 00:29:09.319
<v Speaker 5>to me, like you know, between the the cheating element

685
00:29:09.599 --> 00:29:12.720
<v Speaker 5>of it, between like abandoning their kid and then like

686
00:29:12.880 --> 00:29:16.839
<v Speaker 5>having more kids later on, and then like yeah, when

687
00:29:16.880 --> 00:29:18.839
<v Speaker 5>she's supposed to be watching a kid, like just being

688
00:29:18.920 --> 00:29:21.400
<v Speaker 5>kind of incoherently drunk and completely ignorant. Like, to me,

689
00:29:21.440 --> 00:29:23.119
<v Speaker 5>I felt like there was so much thrown on her

690
00:29:23.440 --> 00:29:25.720
<v Speaker 5>to make her seem like such a bad person that

691
00:29:25.880 --> 00:29:28.319
<v Speaker 5>I don't think I really ever had that side of

692
00:29:28.480 --> 00:29:31.799
<v Speaker 5>like sympathy, like under I understand that it's a difficult

693
00:29:31.839 --> 00:29:34.079
<v Speaker 5>situation to be put in, but I maybe there could

694
00:29:34.119 --> 00:29:36.880
<v Speaker 5>have been another scene or two that showed more about her.

695
00:29:36.960 --> 00:29:38.680
<v Speaker 5>But you know, it's tricky thing because this is so

696
00:29:38.799 --> 00:29:40.519
<v Speaker 5>he was called Oppenheimer, and you know, it's not about

697
00:29:40.519 --> 00:29:41.880
<v Speaker 5>the other Oppenheimer's about.

698
00:29:41.880 --> 00:29:43.880
<v Speaker 2>Robert, like it's about this one Appenheimer.

699
00:29:43.920 --> 00:29:46.720
<v Speaker 5>It's his story. It's everything circles around him. But I

700
00:29:46.759 --> 00:29:48.960
<v Speaker 5>think she could have used a little bit more developing

701
00:29:49.000 --> 00:29:51.519
<v Speaker 5>the other side of things, unless you know, truly she

702
00:29:51.680 --> 00:29:53.799
<v Speaker 5>is just not a good person and that's what we're doing.

703
00:29:53.839 --> 00:29:56.599
<v Speaker 5>But I agree that I always want to call it

704
00:29:56.640 --> 00:29:59.200
<v Speaker 5>the trial, but what would call that meeting? Because it's well,

705
00:29:59.200 --> 00:30:01.400
<v Speaker 5>they always saying that it's not a trial, but it's

706
00:30:01.799 --> 00:30:03.400
<v Speaker 5>that it's a.

707
00:30:05.359 --> 00:30:07.240
<v Speaker 2>Lot like it.

708
00:30:07.480 --> 00:30:09.559
<v Speaker 4>It's like a I can't hearing or something.

709
00:30:11.359 --> 00:30:14.720
<v Speaker 1>Yeah, it is that hearing scene, close hearing, close hearing

710
00:30:14.759 --> 00:30:15.799
<v Speaker 1>because the room.

711
00:30:15.960 --> 00:30:19.680
<v Speaker 5>Yeah, we get definitely the highlight scene for her. Every

712
00:30:19.880 --> 00:30:22.400
<v Speaker 5>line she's snapping back like it was, you know, sixteen

713
00:30:22.480 --> 00:30:24.960
<v Speaker 5>years ago, I had that card seventeen, he starts talking

714
00:30:25.000 --> 00:30:27.119
<v Speaker 5>eighteen years, she like keeps cutting him back to him.

715
00:30:27.440 --> 00:30:29.599
<v Speaker 5>I really liked that whole sequence. I thought that was

716
00:30:29.960 --> 00:30:31.640
<v Speaker 5>that was really good from her. So yeah, I think

717
00:30:31.640 --> 00:30:33.759
<v Speaker 5>I just maybe wanted a bit more of that other

718
00:30:33.880 --> 00:30:36.160
<v Speaker 5>side of the character if it if it existed, and

719
00:30:36.200 --> 00:30:37.559
<v Speaker 5>even if it didn't, I think that would be a

720
00:30:37.640 --> 00:30:40.680
<v Speaker 5>good thing that you could fudge the reality of it

721
00:30:40.680 --> 00:30:42.920
<v Speaker 5>a bit and add a couple of scenes here or

722
00:30:42.960 --> 00:30:45.400
<v Speaker 5>there to maybe add a bit more to the sympathy

723
00:30:45.440 --> 00:30:47.119
<v Speaker 5>side of her. But it sounds like you guys didn't

724
00:30:47.119 --> 00:30:49.839
<v Speaker 5>really have that particular issue with the character.

725
00:30:50.359 --> 00:30:52.240
<v Speaker 1>No, I didn't. I was like, it's kind of not

726
00:30:52.359 --> 00:30:54.000
<v Speaker 1>open him was as bad. But I feel like he's

727
00:30:54.000 --> 00:30:57.359
<v Speaker 1>also a character that's in gray. You know, he's very selfish.

728
00:30:57.400 --> 00:30:59.039
<v Speaker 1>He makes a lot of greedy moves, And that's where

729
00:30:59.039 --> 00:31:00.440
<v Speaker 1>I guess for me, it was more that I was

730
00:31:00.519 --> 00:31:04.400
<v Speaker 1>buying their partnership more than her being a great person.

731
00:31:04.440 --> 00:31:07.480
<v Speaker 1>Because I with Oppenheimer, I feel I feel that not

732
00:31:08.160 --> 00:31:09.799
<v Speaker 1>that he's not great. It's hard because it's you know,

733
00:31:09.880 --> 00:31:11.400
<v Speaker 1>you don't know the story, but from the way this

734
00:31:11.519 --> 00:31:13.880
<v Speaker 1>movie presents them, I wouldn't say he was a bad person.

735
00:31:14.319 --> 00:31:16.200
<v Speaker 1>But I feel like he was a regretful person and

736
00:31:16.319 --> 00:31:18.640
<v Speaker 1>there was maybe a great person in there, but he

737
00:31:18.799 --> 00:31:22.279
<v Speaker 1>repressed it all too for the work, right, that was

738
00:31:22.359 --> 00:31:24.119
<v Speaker 1>always the work had to be done. So that so

739
00:31:24.240 --> 00:31:26.319
<v Speaker 1>it's like, you can't even if someone is a great

740
00:31:26.359 --> 00:31:29.119
<v Speaker 1>person beneath, if they're not a great person on the outside,

741
00:31:29.160 --> 00:31:31.960
<v Speaker 1>you can't. You can't give them that right. It's like, oh, well,

742
00:31:32.039 --> 00:31:34.119
<v Speaker 1>my intention was this. It felt like maybe more down

743
00:31:34.160 --> 00:31:36.359
<v Speaker 1>the line and we'll get into the close tearing. There's

744
00:31:36.359 --> 00:31:38.240
<v Speaker 1>certain things maybe that character did in this movie to

745
00:31:38.359 --> 00:31:41.119
<v Speaker 1>try to push that forward of a not a bad person.

746
00:31:41.200 --> 00:31:42.599
<v Speaker 1>But that's why I guess it didn't affect me that

747
00:31:43.079 --> 00:31:46.079
<v Speaker 1>both these maybe all these characters, I don't know if

748
00:31:46.079 --> 00:31:48.240
<v Speaker 1>there's a single character in here that doesn't have a

749
00:31:48.279 --> 00:31:51.359
<v Speaker 1>shade of great because you're dealing with the army, a war,

750
00:31:51.480 --> 00:31:54.440
<v Speaker 1>and a weapon of mass genoside. I'm just trying to think,

751
00:31:54.440 --> 00:31:55.319
<v Speaker 1>I there's anybody.

752
00:31:55.799 --> 00:31:58.880
<v Speaker 3>What about Rammy Mallock's character, I don't even remember. Yeah,

753
00:31:59.319 --> 00:32:01.960
<v Speaker 3>mister Hill, Sure, he's just there to expose the truth.

754
00:32:02.039 --> 00:32:04.519
<v Speaker 3>These are just taking notes. Yeah he's a nice little and.

755
00:32:04.680 --> 00:32:09.319
<v Speaker 1>Maybe yeah and maybe yeah, and maybe all then Aaron

756
00:32:09.400 --> 00:32:11.720
<v Speaker 1>Rays character too, where the second he learns what's really

757
00:32:11.799 --> 00:32:14.119
<v Speaker 1>going on, he shifts right away, which you go, okay,

758
00:32:14.240 --> 00:32:16.039
<v Speaker 1>good guy right there. But yeah, that's that's I guess

759
00:32:16.039 --> 00:32:17.599
<v Speaker 1>where I didn't have a problem, where I was fine

760
00:32:17.640 --> 00:32:20.319
<v Speaker 1>with From a selfish point of view, I feel like

761
00:32:20.480 --> 00:32:24.480
<v Speaker 1>both both the children were probably mistakes to me the

762
00:32:24.519 --> 00:32:26.799
<v Speaker 1>way the movie proposed that because they got together and

763
00:32:26.880 --> 00:32:29.359
<v Speaker 1>she was pregnant already and they had to go get

764
00:32:29.440 --> 00:32:31.759
<v Speaker 1>her divorce just so they get married. So I feel

765
00:32:31.799 --> 00:32:33.519
<v Speaker 1>like in her vision it was gonna be her and

766
00:32:33.559 --> 00:32:36.319
<v Speaker 1>Oppenheimer against the world, But then it was, well, you

767
00:32:36.359 --> 00:32:37.759
<v Speaker 1>don't get to really be a part of the journey

768
00:32:37.799 --> 00:32:40.599
<v Speaker 1>because you're pregnant, and then maybe another kid, and now

769
00:32:40.720 --> 00:32:43.799
<v Speaker 1>you're kind of secluded back there, and even more times

770
00:32:43.839 --> 00:32:46.200
<v Speaker 1>for him to go have affairs, because you guarantee when

771
00:32:46.200 --> 00:32:49.160
<v Speaker 1>he gets home and he's stressed and she's drunk dancing

772
00:32:49.200 --> 00:32:50.960
<v Speaker 1>and there's a baby crying, they're probably not having a

773
00:32:51.000 --> 00:32:54.319
<v Speaker 1>big romantic life now, right, And that those horse rides

774
00:32:54.359 --> 00:32:56.039
<v Speaker 1>they used to do together, they only do that one

775
00:32:56.119 --> 00:32:58.519
<v Speaker 1>other time when he's freaking out about his ex wife

776
00:32:58.559 --> 00:33:00.240
<v Speaker 1>in the movie, So even that time when they to

777
00:33:00.279 --> 00:33:02.880
<v Speaker 1>be alone is not Greace I guess there was one

778
00:33:02.920 --> 00:33:04.359
<v Speaker 1>more in the middle, but that was after they dumped

779
00:33:04.359 --> 00:33:06.240
<v Speaker 1>the kids. So it's like, this isn't really a romantic thing.

780
00:33:06.279 --> 00:33:08.720
<v Speaker 1>This is literally in that conversation all parts like, oh,

781
00:33:08.759 --> 00:33:10.799
<v Speaker 1>we're terrible people, and she's like, oh, I don't know,

782
00:33:10.960 --> 00:33:13.039
<v Speaker 1>you know, it's just the cars are doubts. So yeah,

783
00:33:13.039 --> 00:33:15.640
<v Speaker 1>I have great performance, but yeah, not the not the

784
00:33:15.680 --> 00:33:20.039
<v Speaker 1>greatest person, you know. It's uh, you know what about you?

785
00:33:20.519 --> 00:33:24.200
<v Speaker 5>Well, yeah, character wise other than that, like I don't know, obviously,

786
00:33:24.400 --> 00:33:27.559
<v Speaker 5>killing Murphy is is the star is the beasknees. He

787
00:33:27.599 --> 00:33:30.279
<v Speaker 5>gets the most content, and I feel like he gets

788
00:33:30.319 --> 00:33:32.359
<v Speaker 5>the most on that on that side of you know,

789
00:33:32.440 --> 00:33:34.079
<v Speaker 5>everyone being kind of in that gray area.

790
00:33:34.200 --> 00:33:36.440
<v Speaker 2>He gets a lot of content on either side.

791
00:33:36.480 --> 00:33:38.559
<v Speaker 5>He gets to do a lot more acting than other

792
00:33:38.720 --> 00:33:42.279
<v Speaker 5>characters who are generally more flat characters but are still

793
00:33:42.400 --> 00:33:44.200
<v Speaker 5>you know, effective for what they're trying to be in here.

794
00:33:44.319 --> 00:33:45.880
<v Speaker 5>So I mean, I guess I would just shout out

795
00:33:45.920 --> 00:33:48.359
<v Speaker 5>Florence Pugh as well, who gets to do some pretty

796
00:33:48.359 --> 00:33:51.400
<v Speaker 5>emotional stuff in here, and she's always great, so that's

797
00:33:51.559 --> 00:33:53.599
<v Speaker 5>not a surprise for all all the Pew boys here,

798
00:33:53.759 --> 00:33:55.960
<v Speaker 5>so oh it's to her, But yeah, I feel like, honestly,

799
00:33:56.000 --> 00:33:59.000
<v Speaker 5>other than Killing Murphy, like you know, spoiler when Golden

800
00:33:59.039 --> 00:34:00.920
<v Speaker 5>Geeks coming around, like no one else is getting known.

801
00:34:01.000 --> 00:34:03.319
<v Speaker 2>For me, like it's it's Killian Murphy and that's that's

802
00:34:03.359 --> 00:34:04.079
<v Speaker 2>it from this movie.

803
00:34:04.119 --> 00:34:05.559
<v Speaker 5>And I don't really have like I don't think there's

804
00:34:05.559 --> 00:34:07.759
<v Speaker 5>a problem with that because it's about him, you know,

805
00:34:07.920 --> 00:34:10.639
<v Speaker 5>it's all He's He's at the center of that solar

806
00:34:10.679 --> 00:34:11.639
<v Speaker 5>system of this movie.

807
00:34:12.360 --> 00:34:14.400
<v Speaker 1>Yeah, for me, like it is Killian, But I think

808
00:34:14.679 --> 00:34:16.760
<v Speaker 1>why will point out because I know people go because

809
00:34:16.760 --> 00:34:19.119
<v Speaker 1>he's the main star. I feel like there's many movies

810
00:34:19.159 --> 00:34:21.039
<v Speaker 1>we reviewed over these eight years where someone canna have

811
00:34:21.039 --> 00:34:22.679
<v Speaker 1>the ball of screen time, but that's not who you're

812
00:34:22.679 --> 00:34:25.119
<v Speaker 1>talking about. You walk away like, oh, but this performance

813
00:34:25.239 --> 00:34:27.639
<v Speaker 1>going on, you know, so it's killing easy. Yeah, I

814
00:34:27.679 --> 00:34:29.320
<v Speaker 1>think he's a goal. Like to me, it's like we'll

815
00:34:29.400 --> 00:34:30.920
<v Speaker 1>have to see. To me, he's like a goal, like

816
00:34:31.400 --> 00:34:34.159
<v Speaker 1>we got a six five months left, but he's like

817
00:34:34.239 --> 00:34:36.159
<v Speaker 1>my bullet point, Like this is my vote. I don't

818
00:34:36.159 --> 00:34:37.840
<v Speaker 1>know how else I can go anywhere else right now.

819
00:34:37.840 --> 00:34:39.400
<v Speaker 1>I have to look at the whole paper when we

820
00:34:39.480 --> 00:34:42.239
<v Speaker 1>get there. So great performance. But yeah, for me, it

821
00:34:42.360 --> 00:34:44.280
<v Speaker 1>was like I talked about nun Swarbs was Downy. I

822
00:34:44.480 --> 00:34:46.679
<v Speaker 1>really loved his scenes, and it was the editing as well,

823
00:34:46.719 --> 00:34:48.920
<v Speaker 1>because when we meet him, he seems like such a

824
00:34:49.039 --> 00:34:51.800
<v Speaker 1>nice character. And I think it's because we've seen shades

825
00:34:51.840 --> 00:34:55.519
<v Speaker 1>of it, but Downy hasn't worked these He's always the

826
00:34:55.599 --> 00:34:58.280
<v Speaker 1>likable asshole, right, and there's maybe a shade of it

827
00:34:58.360 --> 00:35:00.400
<v Speaker 1>here and there. But I love at the and when

828
00:35:00.559 --> 00:35:03.840
<v Speaker 1>everything is going to shit Whin he looks like he

829
00:35:03.880 --> 00:35:05.239
<v Speaker 1>has in the bag and it's like, oh, yeah, it's

830
00:35:05.320 --> 00:35:07.199
<v Speaker 1>the trial, it's gonna go fine, we'll get you vote,

831
00:35:07.239 --> 00:35:09.119
<v Speaker 1>we'll get you on the whatever it is, the a

832
00:35:09.239 --> 00:35:11.519
<v Speaker 1>sea in the house or whatever they're going for, and

833
00:35:11.639 --> 00:35:13.679
<v Speaker 1>he has this reputation and I love again it's the

834
00:35:13.840 --> 00:35:16.719
<v Speaker 1>editing where the first scene we seen of him, Oppenheimer

835
00:35:16.760 --> 00:35:19.559
<v Speaker 1>seems pretty friendly. He's wanted to introduce him with alb Ryinstein.

836
00:35:19.960 --> 00:35:23.360
<v Speaker 1>We get that one scene of Killan Murphy making a

837
00:35:23.440 --> 00:35:25.480
<v Speaker 1>joke at his expense and he's kind of laughing about it,

838
00:35:25.559 --> 00:35:27.360
<v Speaker 1>and then later on we get their verse where he's

839
00:35:27.440 --> 00:35:29.800
<v Speaker 1>not and I just love when he has to give

840
00:35:29.880 --> 00:35:32.800
<v Speaker 1>that explanation Alden Aaron Reich and some of it's right though,

841
00:35:32.840 --> 00:35:35.000
<v Speaker 1>that's what I love about him if he's the antagonist

842
00:35:35.079 --> 00:35:38.079
<v Speaker 1>or villain of the movie. When he talking about where Altenheimer,

843
00:35:38.159 --> 00:35:40.519
<v Speaker 1>he wants to be the guy in charge. He wants

844
00:35:40.559 --> 00:35:42.840
<v Speaker 1>his name out there, so you go, Okay, he maybe

845
00:35:43.000 --> 00:35:48.079
<v Speaker 1>railroaded him unfairly, but these things he's saying aren't untrue.

846
00:35:48.119 --> 00:35:49.840
<v Speaker 1>And that's where all these areas in Shade of Gray.

847
00:35:50.239 --> 00:35:52.360
<v Speaker 1>And I love when he finds out that he loses

848
00:35:52.400 --> 00:35:53.920
<v Speaker 1>because he's like, oh, you want to get the press.

849
00:35:53.960 --> 00:35:55.440
<v Speaker 1>He's like, do you think of and or Alt? And

850
00:35:55.519 --> 00:35:57.599
<v Speaker 1>then Alden say, yeah, well you're pretty much in. So

851
00:35:57.679 --> 00:35:59.920
<v Speaker 1>he's okay, get the press. And when all walks in

852
00:36:00.400 --> 00:36:02.440
<v Speaker 1>and he's like, oh they didn't pass me, did they?

853
00:36:02.480 --> 00:36:04.480
<v Speaker 1>And he's and he just tries to put on this

854
00:36:04.679 --> 00:36:07.480
<v Speaker 1>face and yeah, all of them who I've liked a lot.

855
00:36:07.760 --> 00:36:11.199
<v Speaker 1>Just Onden Solo has a great performance as well, But No,

856
00:36:11.480 --> 00:36:14.119
<v Speaker 1>for me, it was Downy because he just he became

857
00:36:14.559 --> 00:36:16.480
<v Speaker 1>in a movie that has lots of grades, they still

858
00:36:16.519 --> 00:36:18.039
<v Speaker 1>made him the guy that I was like, yeah, screw

859
00:36:18.079 --> 00:36:20.480
<v Speaker 1>this guy. Like and when he's getting taken down by Rammy,

860
00:36:21.000 --> 00:36:23.800
<v Speaker 1>just his his emotions. So that's for me again where

861
00:36:23.840 --> 00:36:26.519
<v Speaker 1>down his biggest strength in movies is always his talking.

862
00:36:26.960 --> 00:36:28.920
<v Speaker 1>It was the quiet moment so for me other than

863
00:36:28.960 --> 00:36:30.559
<v Speaker 1>Kille and he's my MVP, and I don't know if

864
00:36:30.599 --> 00:36:31.960
<v Speaker 1>he came there, but yeah, I would throw him out

865
00:36:32.000 --> 00:36:35.000
<v Speaker 1>for supporting because he's I just think he brought a

866
00:36:35.039 --> 00:36:37.239
<v Speaker 1>lot to it. And also I was not expecting him

867
00:36:37.280 --> 00:36:39.119
<v Speaker 1>to be in it as much as this I feel

868
00:36:39.159 --> 00:36:41.559
<v Speaker 1>like trailers, he wasn't and he had like this little

869
00:36:41.639 --> 00:36:43.760
<v Speaker 1>accent that worked too. I was thought it was gonna

870
00:36:43.760 --> 00:36:46.199
<v Speaker 1>take me out of it. So no, I thought he

871
00:36:46.320 --> 00:36:48.719
<v Speaker 1>hit a home run. I really with him and Pugh,

872
00:36:48.840 --> 00:36:51.280
<v Speaker 1>I really want them to work with or Nolan again

873
00:36:51.360 --> 00:36:53.719
<v Speaker 1>because I just would love to see what Nolan could

874
00:36:53.760 --> 00:36:55.519
<v Speaker 1>do with him more than obviously Pugh. She's in it

875
00:36:55.599 --> 00:36:58.239
<v Speaker 1>and great, but it's a very it's an appetizer type

876
00:36:58.239 --> 00:36:59.599
<v Speaker 1>of role, right, it could have been not could have

877
00:36:59.599 --> 00:37:01.960
<v Speaker 1>been any buddy. She brings a certain gravitas to it,

878
00:37:02.079 --> 00:37:04.440
<v Speaker 1>but it's one that, okay, I'd like to see kind

879
00:37:04.480 --> 00:37:06.519
<v Speaker 1>of like with Robby and Tarantino. Whar Okay. I liked

880
00:37:06.519 --> 00:37:08.599
<v Speaker 1>her once upon time Hollywood, but I'd love to see

881
00:37:08.679 --> 00:37:11.079
<v Speaker 1>Robbie with like a full Tarantino script and get to

882
00:37:11.119 --> 00:37:13.760
<v Speaker 1>go to town. So yeah, I think that would be.

883
00:37:13.880 --> 00:37:16.320
<v Speaker 1>And honestly, actually I would shout Jason Clark because he's

884
00:37:16.360 --> 00:37:18.199
<v Speaker 1>just such an asshole. He's such a good job being

885
00:37:18.199 --> 00:37:20.639
<v Speaker 1>a break that you hate and you know the railroad

886
00:37:20.679 --> 00:37:23.599
<v Speaker 1>in him, and you just he's such a like a smarmy,

887
00:37:23.679 --> 00:37:25.840
<v Speaker 1>smarmy guy in those scenes and you don't there's nothing

888
00:37:25.920 --> 00:37:28.000
<v Speaker 1>redeemable him at all. He thinks he's doing right because

889
00:37:28.039 --> 00:37:30.840
<v Speaker 1>that's over. He's just like he's all fine, he moves on. So, yeah,

890
00:37:31.039 --> 00:37:33.199
<v Speaker 1>a mini shout to Jason Clark, who, again, really, if

891
00:37:33.199 --> 00:37:35.239
<v Speaker 1>you put it all together, it's probably fifteen twenty minutes

892
00:37:35.280 --> 00:37:38.519
<v Speaker 1>in a three hour movie, but he delivers big time there.

893
00:37:38.679 --> 00:37:42.320
<v Speaker 1>So and then the other question that Matty said was

894
00:37:42.360 --> 00:37:45.039
<v Speaker 1>what was your favorite moment from Oppenheimer? Do you have

895
00:37:45.079 --> 00:37:51.519
<v Speaker 1>a particular moment scene conversation? Oh, I don't want if

896
00:37:51.519 --> 00:37:52.119
<v Speaker 1>you guys want.

897
00:37:51.960 --> 00:37:53.920
<v Speaker 4>To think, I feel like I could.

898
00:37:54.480 --> 00:37:57.440
<v Speaker 3>I mean, obviously, if I had more time to stew

899
00:37:57.599 --> 00:37:59.639
<v Speaker 3>on it and then compare different scenes, I could probably

900
00:37:59.679 --> 00:38:02.599
<v Speaker 3>come up with a large amount because it's just such

901
00:38:02.599 --> 00:38:05.079
<v Speaker 3>a long movie that's just top tier quality. But the

902
00:38:05.119 --> 00:38:08.559
<v Speaker 3>one popping around my head is actually like that twist

903
00:38:08.719 --> 00:38:13.440
<v Speaker 3>when Robert Oppenheimer finally like just realizes kind of the

904
00:38:14.079 --> 00:38:16.079
<v Speaker 3>because like, yeah, like you don't really have time to

905
00:38:16.159 --> 00:38:19.000
<v Speaker 3>think about like moral obligations or anything throughout this movie.

906
00:38:19.039 --> 00:38:20.639
<v Speaker 3>I feel like that's a good point that they like

907
00:38:20.719 --> 00:38:23.079
<v Speaker 3>emphasize in It's just like you're racing against the Nazis

908
00:38:23.199 --> 00:38:24.920
<v Speaker 3>to have the biggest bomb of the world, Like you

909
00:38:24.920 --> 00:38:27.280
<v Speaker 3>don't have time to think about like, yeah, your kids

910
00:38:27.280 --> 00:38:28.679
<v Speaker 3>at home, you don't have time to think about who's

911
00:38:28.679 --> 00:38:29.000
<v Speaker 3>sleeping with you.

912
00:38:29.079 --> 00:38:30.519
<v Speaker 4>We don't have time to think about any of this.

913
00:38:30.679 --> 00:38:33.440
<v Speaker 4>It's just this has to happen, and we don't do it.

914
00:38:34.159 --> 00:38:36.320
<v Speaker 3>Yeah. And then around the time with like the test

915
00:38:36.559 --> 00:38:39.360
<v Speaker 3>and everyone's just super super pumped and it's all going well,

916
00:38:39.480 --> 00:38:43.199
<v Speaker 3>and then Oppenheimer just it hits him of like like

917
00:38:43.360 --> 00:38:46.079
<v Speaker 3>he's basically the Prometheus role here that he's just gonna

918
00:38:46.119 --> 00:38:49.840
<v Speaker 3>be like he's bringing fire to like to man, he's

919
00:38:49.880 --> 00:38:52.360
<v Speaker 3>giving them the weapon to destroy themselves. And then like

920
00:38:52.519 --> 00:38:54.599
<v Speaker 3>that weight is actually hitting. And that's like the one

921
00:38:54.639 --> 00:38:56.880
<v Speaker 3>thing about Oppenheimer, like that famous quote, you know, I've

922
00:38:56.920 --> 00:38:59.000
<v Speaker 3>become death destroyer worlds, Like that's like the one thing

923
00:38:59.079 --> 00:39:00.920
<v Speaker 3>that I knew about him than that he's the one

924
00:39:00.960 --> 00:39:03.159
<v Speaker 3>that made the Adam bomb. So I was really excited

925
00:39:03.239 --> 00:39:05.639
<v Speaker 3>for that moment, and I don't think they disappointed with

926
00:39:06.719 --> 00:39:10.280
<v Speaker 3>just showcasing that that like weight, that that moment when

927
00:39:10.360 --> 00:39:12.760
<v Speaker 3>you just have a second like that just great anxiety

928
00:39:12.800 --> 00:39:15.039
<v Speaker 3>that comes to him of just like I, like I,

929
00:39:15.559 --> 00:39:17.800
<v Speaker 3>even if we don't ignite the atmosphere here and kill

930
00:39:17.880 --> 00:39:21.119
<v Speaker 3>us all like instantly, like where does this end? This

931
00:39:21.199 --> 00:39:24.880
<v Speaker 3>doesn't end anywhere like like this, like this if they

932
00:39:25.039 --> 00:39:27.000
<v Speaker 3>choose to keep using these types of bombs like this

933
00:39:27.199 --> 00:39:30.239
<v Speaker 3>just destroys all of humanity And just all of those

934
00:39:30.320 --> 00:39:32.639
<v Speaker 3>moments with the really intense editing of showing the people

935
00:39:32.719 --> 00:39:36.039
<v Speaker 3>like melting when everyone's celebrating and he's just completely freaking out.

936
00:39:37.360 --> 00:39:40.880
<v Speaker 3>I don't even remember where or how that that scene

937
00:39:40.960 --> 00:39:43.239
<v Speaker 3>like starts or ends, but just like that particular moment

938
00:39:43.280 --> 00:39:45.239
<v Speaker 3>of the movie, it just it it It hit me

939
00:39:45.320 --> 00:39:47.159
<v Speaker 3>so hard. I honestly, I thought it was gonna be

940
00:39:47.239 --> 00:39:49.159
<v Speaker 3>like the big bomb explosion that was like the most

941
00:39:49.280 --> 00:39:52.320
<v Speaker 3>uh memorable scene for me. But it was that moment

942
00:39:52.440 --> 00:39:56.000
<v Speaker 3>of just him him realizing what's happening there, and then

943
00:39:56.079 --> 00:39:58.800
<v Speaker 3>that's kind of when he takes that morality shift in

944
00:39:59.119 --> 00:40:01.559
<v Speaker 3>the movie of just like this probably isn't the right

945
00:40:01.639 --> 00:40:06.159
<v Speaker 3>idea to just let America government have this. So yeah,

946
00:40:06.239 --> 00:40:08.719
<v Speaker 3>I just thought that was done so well. And I'm

947
00:40:08.800 --> 00:40:10.719
<v Speaker 3>glad because that was the one thing that I like

948
00:40:10.920 --> 00:40:14.760
<v Speaker 3>remember or sorry, knew beforehand was gonna happen, and they

949
00:40:14.800 --> 00:40:16.199
<v Speaker 3>did a really good job of showcasing that.

950
00:40:17.480 --> 00:40:19.920
<v Speaker 1>Yeah, it seems like Maddie's the same, and i'd piggyback

951
00:40:19.960 --> 00:40:22.400
<v Speaker 1>that I was the same. Yeah, specifically the gymnasium, because

952
00:40:22.400 --> 00:40:24.760
<v Speaker 1>I love that. Even in the trailer, is that sound

953
00:40:24.800 --> 00:40:26.519
<v Speaker 1>of them stomping on the bleachers. I thought it was

954
00:40:26.559 --> 00:40:28.440
<v Speaker 1>a train this whole time, you know, I thought, oh,

955
00:40:28.519 --> 00:40:30.000
<v Speaker 1>every time I saw a train, like this must be

956
00:40:30.039 --> 00:40:32.039
<v Speaker 1>a train. So it was just like a train. But no,

957
00:40:32.199 --> 00:40:34.360
<v Speaker 1>it starts that way where they're all stomping and cheering

958
00:40:34.440 --> 00:40:36.599
<v Speaker 1>and he walks out, and I do love that, Like

959
00:40:36.719 --> 00:40:38.559
<v Speaker 1>that's the one that's gonna stick with me for weeks.

960
00:40:38.679 --> 00:40:41.039
<v Speaker 1>That's like there's two scenes that I guess they're small. Well,

961
00:40:41.079 --> 00:40:43.480
<v Speaker 1>the two scenes are really horrish. And when he walks

962
00:40:43.559 --> 00:40:45.880
<v Speaker 1>out and they're all cheering and he's giving his speech

963
00:40:46.400 --> 00:40:48.480
<v Speaker 1>and he'll say something and then it cuts a sun

964
00:40:48.519 --> 00:40:49.920
<v Speaker 1>and I just love it. Be like, oh, too bad,

965
00:40:49.960 --> 00:40:52.280
<v Speaker 1>we didn't have for those Germans. And he'll say it

966
00:40:52.400 --> 00:40:54.960
<v Speaker 1>and then it's dead silent, but everyone stands up and clap,

967
00:40:55.079 --> 00:40:56.719
<v Speaker 1>and it's one of these things that he's he's like

968
00:40:56.840 --> 00:40:59.119
<v Speaker 1>playing a role because he doesn't want people to feel

969
00:40:59.159 --> 00:41:01.079
<v Speaker 1>disappointed because he doesn't in this mode want to spurt.

970
00:41:01.119 --> 00:41:02.440
<v Speaker 1>I'll be like, yeah, this was a big mistake. We

971
00:41:02.519 --> 00:41:05.000
<v Speaker 1>really screwed up. People have been there for four years,

972
00:41:05.039 --> 00:41:06.599
<v Speaker 1>they moved their whole family there, so he wants to

973
00:41:06.639 --> 00:41:08.920
<v Speaker 1>be raw. He wants to push that narrative for that

974
00:41:08.960 --> 00:41:11.039
<v Speaker 1>he's a part of the country. And also this is

975
00:41:11.119 --> 00:41:13.719
<v Speaker 1>not too far from Matt Daan when they got the bomb.

976
00:41:13.960 --> 00:41:15.440
<v Speaker 1>He's like, Oh, you're gonna let me know what happens.

977
00:41:15.519 --> 00:41:17.719
<v Speaker 1>You're like, well, I'll call you and tell you what

978
00:41:17.800 --> 00:41:19.679
<v Speaker 1>I can. So it's like the second he makes the bomb,

979
00:41:19.760 --> 00:41:21.480
<v Speaker 1>that's done. They're kind of out and we get that

980
00:41:21.559 --> 00:41:23.719
<v Speaker 1>more throughout the movie, but it's like it's not your

981
00:41:23.920 --> 00:41:26.519
<v Speaker 1>creation anymore per se. Once you give them recipe, they

982
00:41:26.519 --> 00:41:29.320
<v Speaker 1>can cook it anytime. And when you just get that

983
00:41:29.480 --> 00:41:31.679
<v Speaker 1>shot of I love anytime in the movie, they do

984
00:41:31.800 --> 00:41:34.280
<v Speaker 1>multi times with the wall would shake behind him and

985
00:41:34.400 --> 00:41:36.159
<v Speaker 1>make it look like a bomb's about to go off,

986
00:41:36.519 --> 00:41:39.639
<v Speaker 1>and just that shot of the girl that's clapping and

987
00:41:39.760 --> 00:41:41.840
<v Speaker 1>her face is health none off and you got it's like,

988
00:41:42.199 --> 00:41:45.400
<v Speaker 1>that's where it's great. When he's fat, that whole thing. Quiet,

989
00:41:45.559 --> 00:41:48.119
<v Speaker 1>quiet comes in there. And then when he walks out,

990
00:41:48.199 --> 00:41:50.519
<v Speaker 1>you have the couple that's and it's funny too because

991
00:41:50.719 --> 00:41:52.320
<v Speaker 1>the way they shoot it, you don't know if these

992
00:41:52.360 --> 00:41:54.239
<v Speaker 1>are actually happening or if it's in his mind, because

993
00:41:54.239 --> 00:41:56.760
<v Speaker 1>you got this couple that's crying behind the bleachers, and

994
00:41:56.840 --> 00:41:58.679
<v Speaker 1>then you have a guy that's throwing up, and it's

995
00:41:58.760 --> 00:42:00.239
<v Speaker 1>just because in my mind, like, why is this guy

996
00:42:00.320 --> 00:42:02.239
<v Speaker 1>throwing up? He could just be throwing up because he's drunk.

997
00:42:02.280 --> 00:42:04.599
<v Speaker 1>But Oppenheimer's reading a different way because at this point,

998
00:42:04.679 --> 00:42:06.719
<v Speaker 1>I guess they would be seeing some of the effects

999
00:42:06.760 --> 00:42:09.599
<v Speaker 1>of the bomb. So even if it's other characters starting

1000
00:42:09.639 --> 00:42:12.159
<v Speaker 1>to feel like him, that scene is definitely you know

1001
00:42:12.400 --> 00:42:15.000
<v Speaker 1>that technically you should feel like the bomb going off

1002
00:42:15.119 --> 00:42:17.599
<v Speaker 1>is the most intense part, but that is that's like

1003
00:42:17.639 --> 00:42:20.320
<v Speaker 1>a GG best scene for me. It's just that realization

1004
00:42:20.440 --> 00:42:23.480
<v Speaker 1>the gymnasium, just everything the visuals and the cheering and

1005
00:42:23.519 --> 00:42:27.679
<v Speaker 1>the audio, those silent like moments. That was such a

1006
00:42:27.760 --> 00:42:28.920
<v Speaker 1>great choice.

1007
00:42:28.639 --> 00:42:32.360
<v Speaker 2>To do it there, So yeah, I completely agree. I

1008
00:42:32.400 --> 00:42:33.480
<v Speaker 2>mean I got a shout out the.

1009
00:42:35.079 --> 00:42:38.440
<v Speaker 5>Scene of them testing the bomb earlier on just because

1010
00:42:38.480 --> 00:42:42.760
<v Speaker 5>that's so well done. It's so well shot, this is

1011
00:42:42.960 --> 00:42:46.000
<v Speaker 5>spence intention of it, and then just the silence of

1012
00:42:46.039 --> 00:42:48.239
<v Speaker 5>it is so impactful, and obviously the sound like comes

1013
00:42:48.280 --> 00:42:50.840
<v Speaker 5>in later with that kind of delayed effect. But everyone

1014
00:42:51.119 --> 00:42:52.960
<v Speaker 5>has their different setup. Whether it's the one guy in

1015
00:42:53.000 --> 00:42:55.039
<v Speaker 5>the car who's like, oh, the windshield's gonnat protect me,

1016
00:42:55.039 --> 00:42:56.760
<v Speaker 5>and the guy's like what about the wind sheer? You

1017
00:42:56.800 --> 00:42:59.840
<v Speaker 5>know what, the child comes through. Everyone's got their different technique.

1018
00:42:59.880 --> 00:43:02.199
<v Speaker 5>The one guy's trying to like sneak a peek even

1019
00:43:02.199 --> 00:43:03.840
<v Speaker 5>though he should be in the control room. So that's

1020
00:43:04.360 --> 00:43:06.079
<v Speaker 5>a lot of fun moments there, but it's also like

1021
00:43:06.840 --> 00:43:10.360
<v Speaker 5>pretty devastating and scary and obviously, like you spent so

1022
00:43:10.519 --> 00:43:12.239
<v Speaker 5>much time in the movie like building up to this

1023
00:43:12.360 --> 00:43:15.360
<v Speaker 5>point and that's really the only like actual bomb that

1024
00:43:15.440 --> 00:43:18.280
<v Speaker 5>you see obviously, so it's kind of a thing we've

1025
00:43:18.320 --> 00:43:22.000
<v Speaker 5>been expecting to see during this movie. But yeah, there's

1026
00:43:22.000 --> 00:43:23.440
<v Speaker 5>so many I think it'd be tricky for me to

1027
00:43:23.440 --> 00:43:26.039
<v Speaker 5>classify with the starter end of it would be, But really,

1028
00:43:26.159 --> 00:43:28.480
<v Speaker 5>just when we have all the reveals, like when we

1029
00:43:28.639 --> 00:43:31.440
<v Speaker 5>know who the Mole is, we know that Strass has

1030
00:43:31.519 --> 00:43:33.360
<v Speaker 5>kind of been the one who's instigating everything, and we're

1031
00:43:33.360 --> 00:43:35.639
<v Speaker 5>just having these kind of back and forth scenes of

1032
00:43:35.840 --> 00:43:39.079
<v Speaker 5>the closed hearing as we're calling it, and then like

1033
00:43:39.159 --> 00:43:41.320
<v Speaker 5>Strauss and him under like seeing what's going on, or

1034
00:43:41.360 --> 00:43:43.760
<v Speaker 5>maybe it's cutting to the scene when he's being I

1035
00:43:43.800 --> 00:43:46.199
<v Speaker 5>guess interrogated in front of I guess during that what

1036
00:43:46.440 --> 00:43:48.639
<v Speaker 5>might be a trial, or don't know all the names

1037
00:43:48.679 --> 00:43:50.800
<v Speaker 5>and terminology for all this, but the cutting back and

1038
00:43:50.920 --> 00:43:53.559
<v Speaker 5>forth there when like everything is kind of coming together.

1039
00:43:54.000 --> 00:43:57.440
<v Speaker 5>I think it's so interesting because obviously, as you mentioned, Kirklan,

1040
00:43:57.519 --> 00:43:59.960
<v Speaker 5>like Nolan's always doing like big crazy plot twists or

1041
00:44:00.079 --> 00:44:01.960
<v Speaker 5>you don't really know what's going on, so it's not

1042
00:44:02.000 --> 00:44:04.280
<v Speaker 5>even really just twist. But when things finally click together,

1043
00:44:04.320 --> 00:44:07.039
<v Speaker 5>it's like this big revelatory moment. And it's like there's

1044
00:44:07.159 --> 00:44:09.360
<v Speaker 5>moments like this in this movie with Strauss and with

1045
00:44:09.719 --> 00:44:11.280
<v Speaker 5>with the Mole and stuff like that, but they're not

1046
00:44:11.400 --> 00:44:13.840
<v Speaker 5>really played in that big way like, oh my god,

1047
00:44:13.920 --> 00:44:16.800
<v Speaker 5>this huge plot twist that just changes everything. They're kind

1048
00:44:16.840 --> 00:44:20.079
<v Speaker 5>of more subtle, like just details that are thrown in there,

1049
00:44:20.119 --> 00:44:22.000
<v Speaker 5>and you can kind of just put it now in

1050
00:44:22.159 --> 00:44:24.360
<v Speaker 5>like this list of facts and things like that that

1051
00:44:24.400 --> 00:44:26.400
<v Speaker 5>you're looking at when you think about all this stuff

1052
00:44:26.440 --> 00:44:29.440
<v Speaker 5>that's been going on here. So that sequence is really good,

1053
00:44:29.480 --> 00:44:30.960
<v Speaker 5>and they kind of just a low key showed up.

1054
00:44:30.960 --> 00:44:34.159
<v Speaker 5>But I really enjoyed the scene when they've built the

1055
00:44:34.239 --> 00:44:36.679
<v Speaker 5>bomb at this point where they're almost finished and they're

1056
00:44:36.719 --> 00:44:38.440
<v Speaker 5>in I don't know who's off it is, but this

1057
00:44:38.480 --> 00:44:41.079
<v Speaker 5>is the one scene like James remar is that is

1058
00:44:41.280 --> 00:44:41.760
<v Speaker 5>his name for.

1059
00:44:44.119 --> 00:44:45.480
<v Speaker 2>That scene.

1060
00:44:45.960 --> 00:44:47.719
<v Speaker 5>I don't know why, because if you compare it to

1061
00:44:47.719 --> 00:44:49.360
<v Speaker 5>some of the other ones, it's not as cinematic or

1062
00:44:49.400 --> 00:44:51.280
<v Speaker 5>anything like that. But I just thought the way that

1063
00:44:51.519 --> 00:44:54.239
<v Speaker 5>was edited and shot and how all these characters are

1064
00:44:54.280 --> 00:44:56.159
<v Speaker 5>gonna go on back and forth, I felt that was

1065
00:44:56.199 --> 00:44:58.079
<v Speaker 5>like a very compelling scene for me. And the fact

1066
00:44:58.079 --> 00:45:00.800
<v Speaker 5>that it's you know, Oppenheimer's there in that meeting and

1067
00:45:00.840 --> 00:45:02.199
<v Speaker 5>it's kind of people who are above him.

1068
00:45:02.199 --> 00:45:02.760
<v Speaker 2>We're going to make the.

1069
00:45:02.760 --> 00:45:04.519
<v Speaker 5>Decisions of where the bombs going, what they're going to

1070
00:45:04.599 --> 00:45:06.599
<v Speaker 5>do with it in the strategy, and they're just trying

1071
00:45:06.639 --> 00:45:09.239
<v Speaker 5>to pull the information out of him one because he's

1072
00:45:09.440 --> 00:45:11.559
<v Speaker 5>very smart and he's I guess he's thought about this

1073
00:45:11.639 --> 00:45:14.679
<v Speaker 5>stuff a lot, but I think it's mostly just because

1074
00:45:14.719 --> 00:45:16.199
<v Speaker 5>he's the smartest guy in the room kind of thing,

1075
00:45:16.239 --> 00:45:18.079
<v Speaker 5>and they're trying to pull that information out of him

1076
00:45:18.199 --> 00:45:19.840
<v Speaker 5>and he really doesn't want to because at this point

1077
00:45:19.840 --> 00:45:21.360
<v Speaker 5>he's like, I don't think we should really use it,

1078
00:45:21.559 --> 00:45:23.559
<v Speaker 5>Like the fact that we have it was maybe enough

1079
00:45:23.599 --> 00:45:24.239
<v Speaker 5>to scare them off.

1080
00:45:24.280 --> 00:45:25.159
<v Speaker 2>Then he's like, okay, but.

1081
00:45:25.199 --> 00:45:26.840
<v Speaker 5>If you were to use it, like where on this

1082
00:45:27.039 --> 00:45:29.840
<v Speaker 5>map do you think you would choose to land it?

1083
00:45:29.920 --> 00:45:30.480
<v Speaker 2>And stuff like that.

1084
00:45:30.599 --> 00:45:33.159
<v Speaker 5>And I found that scene like really compelling as well,

1085
00:45:33.480 --> 00:45:34.920
<v Speaker 5>maybe more of a low key shot. I don't know

1086
00:45:34.920 --> 00:45:38.519
<v Speaker 5>if that's a Golden Geek contender, but that's that scene

1087
00:45:38.599 --> 00:45:39.719
<v Speaker 5>really stuck out to me as well.

1088
00:45:40.199 --> 00:45:43.079
<v Speaker 3>Definitely worthy of a shout out though, because I, yeah,

1089
00:45:43.159 --> 00:45:46.199
<v Speaker 3>I love that scene. I had agree with that guy's name.

1090
00:45:46.280 --> 00:45:50.639
<v Speaker 3>I forgot he was the Dexter Dad. Yeah, But just

1091
00:45:51.079 --> 00:45:53.000
<v Speaker 3>like something that really stuck with me in that scene

1092
00:45:53.039 --> 00:45:57.159
<v Speaker 3>too was how much weight is like on these people's

1093
00:45:57.199 --> 00:45:59.679
<v Speaker 3>decisions of just like where this weapon of mass destruction

1094
00:45:59.840 --> 00:46:01.679
<v Speaker 3>is just gonna be dropped? And like the one guy

1095
00:46:01.880 --> 00:46:03.760
<v Speaker 3>is like, let's not do Kyoto because I like to

1096
00:46:03.840 --> 00:46:06.679
<v Speaker 3>vacation there, and like just not even thinking about Yeah,

1097
00:46:06.760 --> 00:46:08.960
<v Speaker 3>like not even the people that are like there and all,

1098
00:46:09.159 --> 00:46:11.360
<v Speaker 3>like the thousands of innocens of people that are just

1099
00:46:11.360 --> 00:46:13.599
<v Speaker 3>gonna get murdered from this bomb, Like they just don't

1100
00:46:13.599 --> 00:46:15.239
<v Speaker 3>even like it, says if they don't have a moral

1101
00:46:15.280 --> 00:46:17.679
<v Speaker 3>compass that moment, it's just like, Okay, we'll like we'll

1102
00:46:17.760 --> 00:46:20.480
<v Speaker 3>drop it here because of a strategic purposes. But then

1103
00:46:20.480 --> 00:46:22.239
<v Speaker 3>I'm gonna I'm gonna pull a little variable here, and

1104
00:46:22.239 --> 00:46:23.559
<v Speaker 3>I don't want to drop it there because of my

1105
00:46:23.639 --> 00:46:25.920
<v Speaker 3>own selfish reasons. Me and my wife like to go there.

1106
00:46:25.960 --> 00:46:28.599
<v Speaker 3>Like it was just something that really stuck with me

1107
00:46:28.679 --> 00:46:30.440
<v Speaker 3>in that moment. It's just like, man, these type of

1108
00:46:30.480 --> 00:46:32.840
<v Speaker 3>decisions are probably just made every single day, you know,

1109
00:46:32.960 --> 00:46:35.199
<v Speaker 3>from like the the powers that run the world. It's

1110
00:46:35.239 --> 00:46:37.840
<v Speaker 3>just such a fucked up idea and again just something

1111
00:46:37.920 --> 00:46:40.480
<v Speaker 3>that the filmmakers is such a good job at like

1112
00:46:40.679 --> 00:46:44.079
<v Speaker 3>shining a light on of just like this is, I

1113
00:46:44.119 --> 00:46:47.559
<v Speaker 3>don't know, just a really really well telling. That's a

1114
00:46:47.559 --> 00:46:49.320
<v Speaker 3>weird way to say that, a really good telling of

1115
00:46:49.480 --> 00:46:50.559
<v Speaker 3>just a really fucked up thing.

1116
00:46:51.480 --> 00:46:54.280
<v Speaker 1>Yeah yeah, yeah, I think that's when because also a

1117
00:46:54.320 --> 00:46:56.400
<v Speaker 1>whole move I know where it's going, Like we know

1118
00:46:56.480 --> 00:46:59.079
<v Speaker 1>what happens, but I think that scens So I'm glad

1119
00:46:59.079 --> 00:47:00.719
<v Speaker 1>you show that done with a first time. I felt

1120
00:47:01.519 --> 00:47:04.719
<v Speaker 1>really not with our characters anymore. And it's tough, right

1121
00:47:04.760 --> 00:47:07.320
<v Speaker 1>because you do have that's war every time, right where

1122
00:47:07.360 --> 00:47:09.199
<v Speaker 1>it's okay, what do you do? Because there's that argument

1123
00:47:09.360 --> 00:47:10.639
<v Speaker 1>what if they were to find this out, they would

1124
00:47:10.679 --> 00:47:13.000
<v Speaker 1>just bomb you? It ends the war, but you're still

1125
00:47:13.079 --> 00:47:16.199
<v Speaker 1>talking about They portray the scene as these people talking

1126
00:47:16.239 --> 00:47:19.199
<v Speaker 1>about it so carelessly. It's just any decision, and yeah,

1127
00:47:19.239 --> 00:47:21.079
<v Speaker 1>that that remark of James. We're like, yeah, we went

1128
00:47:21.079 --> 00:47:22.360
<v Speaker 1>to a honeymoon there and we don't want to We

1129
00:47:22.400 --> 00:47:24.679
<v Speaker 1>don't want to lose that. And I love too that

1130
00:47:24.760 --> 00:47:27.280
<v Speaker 1>it infers the trial or is the the hearing later

1131
00:47:27.400 --> 00:47:29.400
<v Speaker 1>on because they're they go, oh, you were a part

1132
00:47:29.440 --> 00:47:31.519
<v Speaker 1>of the decision of where it was to drop, but

1133
00:47:31.639 --> 00:47:34.159
<v Speaker 1>not Appenheimer really wasn't you know? He was there trying

1134
00:47:34.199 --> 00:47:36.119
<v Speaker 1>of giving other advice, saying like what if we you know,

1135
00:47:37.159 --> 00:47:39.320
<v Speaker 1>told them about the bomb, like he was trying to

1136
00:47:39.440 --> 00:47:43.639
<v Speaker 1>express him and the science, you know, community's concerns or

1137
00:47:43.760 --> 00:47:46.000
<v Speaker 1>what they should think about. And we see like later

1138
00:47:46.079 --> 00:47:47.639
<v Speaker 1>on when he gives up bomb way, he's like, oh

1139
00:47:47.679 --> 00:47:49.400
<v Speaker 1>it has to drop higher and like, Oh, don't worry,

1140
00:47:49.440 --> 00:47:51.039
<v Speaker 1>we got it from here. But I love that they

1141
00:47:51.119 --> 00:47:52.800
<v Speaker 1>kind of threw that in his face about he was

1142
00:47:52.840 --> 00:47:54.559
<v Speaker 1>like they made its, not like he was the one

1143
00:47:54.639 --> 00:47:56.639
<v Speaker 1>to decide. These were the two places where he really

1144
00:47:56.800 --> 00:47:58.760
<v Speaker 1>wasn't and he didn't want to even launch in July,

1145
00:47:59.079 --> 00:48:01.719
<v Speaker 1>and they're they're like, oh yeah in July, and Matt Dames, yeah, July.

1146
00:48:01.840 --> 00:48:04.679
<v Speaker 1>And you see Oppenheimer stressing out because he said, like

1147
00:48:04.920 --> 00:48:09.280
<v Speaker 1>August maybe like the minimum the earliest that it could happen,

1148
00:48:09.360 --> 00:48:12.199
<v Speaker 1>and Matt Dame's like, yeah, July. So it's this whole

1149
00:48:12.280 --> 00:48:14.719
<v Speaker 1>scene of again he helped create this bomb, but this

1150
00:48:14.920 --> 00:48:17.079
<v Speaker 1>is the beginnings, and I'm starting to get railroaded of

1151
00:48:17.559 --> 00:48:20.599
<v Speaker 1>sure that you're very important to a degree. And then once,

1152
00:48:20.719 --> 00:48:22.880
<v Speaker 1>like I said, once, it's like a magician. It's feels

1153
00:48:23.039 --> 00:48:25.000
<v Speaker 1>very much like the prestige and that and lots of

1154
00:48:25.039 --> 00:48:27.000
<v Speaker 1>this movie feels a lot like prestige far as the

1155
00:48:27.159 --> 00:48:30.119
<v Speaker 1>timeline and the way Nolan shows these characters that are

1156
00:48:30.119 --> 00:48:32.360
<v Speaker 1>all in gray area, but that idea of and prestige.

1157
00:48:32.639 --> 00:48:34.280
<v Speaker 1>He never want to give up the trick because then

1158
00:48:34.280 --> 00:48:36.639
<v Speaker 1>when you do your you're useless. No one cares about

1159
00:48:36.639 --> 00:48:39.119
<v Speaker 1>you anymore. And that's Oppenheimer the bomb. The second he

1160
00:48:39.239 --> 00:48:40.960
<v Speaker 1>gives up the trick and how to make it, he

1161
00:48:41.119 --> 00:48:42.559
<v Speaker 1>is kind of useless. And then they try and get

1162
00:48:42.639 --> 00:48:44.440
<v Speaker 1>rid of him because you know, you get this whole

1163
00:48:44.480 --> 00:48:48.199
<v Speaker 1>conversation during the hearing of I can't remember who plays

1164
00:48:48.239 --> 00:48:50.400
<v Speaker 1>his friend, but he talks about how you know, he's

1165
00:48:50.480 --> 00:48:53.199
<v Speaker 1>just giving his opinion on what happened and what could

1166
00:48:53.199 --> 00:48:55.119
<v Speaker 1>go forward, and they want to shut him out, which

1167
00:48:55.119 --> 00:48:57.159
<v Speaker 1>obviously has a lot of you know, context even for

1168
00:48:57.320 --> 00:48:59.320
<v Speaker 1>today and what you can say what you can and

1169
00:48:59.360 --> 00:49:02.480
<v Speaker 1>there's a whole brombder of yes and no and red

1170
00:49:02.519 --> 00:49:05.039
<v Speaker 1>eye thumbnails and all that stuff. Right, But I think

1171
00:49:05.119 --> 00:49:07.679
<v Speaker 1>with this they're doing a good job of they should

1172
00:49:07.719 --> 00:49:11.920
<v Speaker 1>be allowed to express concerns. But you know, he doesn't

1173
00:49:11.960 --> 00:49:14.159
<v Speaker 1>technically own the bomb, so he shouldn't be allowed to

1174
00:49:14.239 --> 00:49:15.599
<v Speaker 1>do that, and it's against America.

1175
00:49:15.719 --> 00:49:16.280
<v Speaker 4>So that.

1176
00:49:19.360 --> 00:49:21.880
<v Speaker 1>Talking about wiping all these people up, even him just

1177
00:49:21.920 --> 00:49:24.079
<v Speaker 1>saying what if you just drop one bomb? They go, well, no,

1178
00:49:24.239 --> 00:49:26.480
<v Speaker 1>we need to drop too. They just pretty much they

1179
00:49:26.480 --> 00:49:28.519
<v Speaker 1>don't even say we They just like, we're dropping too,

1180
00:49:29.039 --> 00:49:30.360
<v Speaker 1>no matter what we're dropping too.

1181
00:49:31.800 --> 00:49:34.639
<v Speaker 5>That was very I think that moments really stuck with

1182
00:49:34.719 --> 00:49:36.880
<v Speaker 5>me too, because I had never really thought about that

1183
00:49:37.039 --> 00:49:40.039
<v Speaker 5>and maybe that's just a history not knowing enough history

1184
00:49:40.119 --> 00:49:42.000
<v Speaker 5>on Miam, but like never, I always knew there was

1185
00:49:42.039 --> 00:49:44.000
<v Speaker 5>two bombs draw, but I didn't really know why there

1186
00:49:44.119 --> 00:49:46.320
<v Speaker 5>was two. And the fact of the reasoning is, first one,

1187
00:49:46.400 --> 00:49:47.840
<v Speaker 5>you know, you gotta do it, just show that we

1188
00:49:47.880 --> 00:49:49.480
<v Speaker 5>can do it, and second one just to show that

1189
00:49:49.559 --> 00:49:51.840
<v Speaker 5>you can do it again and it's reutable. And that's

1190
00:49:51.920 --> 00:49:54.400
<v Speaker 5>like the most fucked up thought ever that that is

1191
00:49:54.480 --> 00:49:56.599
<v Speaker 5>the reason why they decided to drop the second one.

1192
00:49:56.639 --> 00:49:58.960
<v Speaker 2>And so yeah, that also really stuck with me.

1193
00:49:59.559 --> 00:50:01.559
<v Speaker 1>And that and that's the like we talked about so

1194
00:50:01.599 --> 00:50:03.199
<v Speaker 1>many movies, right, And that's why I love It's the

1195
00:50:03.239 --> 00:50:06.000
<v Speaker 1>conversation between him and I forget he's one of the

1196
00:50:06.039 --> 00:50:09.559
<v Speaker 1>Safty brothers who he obviously directed Uncut Gems and uh.

1197
00:50:09.599 --> 00:50:13.199
<v Speaker 4>Oh Benny, Benny, oh God, and what is the A.

1198
00:50:13.679 --> 00:50:16.880
<v Speaker 1>Good time with Robert Pass and check other movies fantastic directors.

1199
00:50:17.280 --> 00:50:20.599
<v Speaker 1>But they have this conversation about if you didn't drop

1200
00:50:20.679 --> 00:50:22.480
<v Speaker 1>the second bomb, or even the first bomb, but just

1201
00:50:22.519 --> 00:50:25.559
<v Speaker 1>about the bombs in general, because that was Oppenheimer's other

1202
00:50:25.599 --> 00:50:28.280
<v Speaker 1>points and scientists that they said well, why are we

1203
00:50:28.440 --> 00:50:31.920
<v Speaker 1>dropping these bombs because they are on the like the

1204
00:50:32.280 --> 00:50:35.159
<v Speaker 1>edge of losing already, like that we've kind of won

1205
00:50:35.239 --> 00:50:37.400
<v Speaker 1>the war and it's really you know, government side was

1206
00:50:37.400 --> 00:50:39.039
<v Speaker 1>what we want to really put a final nail on

1207
00:50:39.159 --> 00:50:41.639
<v Speaker 1>it and show other enemies, right that it couldn't happen.

1208
00:50:41.880 --> 00:50:44.159
<v Speaker 1>And they have that conversation about do you think the

1209
00:50:44.320 --> 00:50:46.920
<v Speaker 1>war would have you know, ended either way without the bomb,

1210
00:50:46.960 --> 00:50:48.679
<v Speaker 1>And that's what kind of makes his work, I think

1211
00:50:48.760 --> 00:50:51.760
<v Speaker 1>even worse, is if it could end without him dropping

1212
00:50:51.840 --> 00:50:54.679
<v Speaker 1>that bomb, because one he's not responsible along with other people,

1213
00:50:54.760 --> 00:50:57.239
<v Speaker 1>the deaths and you know, poison and sickness of all

1214
00:50:57.280 --> 00:51:00.639
<v Speaker 1>these people, and to what people could do going war. Right,

1215
00:51:00.719 --> 00:51:02.360
<v Speaker 1>So this is what I was thinking, because maybe not,

1216
00:51:02.480 --> 00:51:04.159
<v Speaker 1>maybe they don't drop the bomb and keep the war

1217
00:51:04.280 --> 00:51:06.760
<v Speaker 1>keeps going on, or the Russia war doesn't become a

1218
00:51:06.840 --> 00:51:08.480
<v Speaker 1>cold war, right, because that's one of the theories. That's

1219
00:51:08.480 --> 00:51:10.000
<v Speaker 1>why it became a cold war because they didn't want

1220
00:51:10.039 --> 00:51:12.119
<v Speaker 1>nukes getting dropped on them. So it was a lot

1221
00:51:12.159 --> 00:51:15.159
<v Speaker 1>of spy stuff and hidden families. So it's a great

1222
00:51:15.199 --> 00:51:17.719
<v Speaker 1>conversation they have about, you know, it's a chicken and

1223
00:51:17.800 --> 00:51:20.079
<v Speaker 1>egg thing, would it you know, would have ended no

1224
00:51:20.159 --> 00:51:22.519
<v Speaker 1>matter what, or would have kept going, and it's a

1225
00:51:22.559 --> 00:51:24.519
<v Speaker 1>good thing we dropped the bomb. And then obviously the

1226
00:51:25.440 --> 00:51:27.159
<v Speaker 1>Safty brother he takes it the other way because he

1227
00:51:27.199 --> 00:51:29.599
<v Speaker 1>wants to keep going and do more at the bombs

1228
00:51:29.639 --> 00:51:32.280
<v Speaker 1>and push further. And Oppenheimer's kind like, I think we've

1229
00:51:32.760 --> 00:51:34.519
<v Speaker 1>we've we've done it, like this should be the cap

1230
00:51:34.599 --> 00:51:36.440
<v Speaker 1>of where and then he answers, right, he goes, well,

1231
00:51:36.480 --> 00:51:38.719
<v Speaker 1>someone's always gonna build a bigger bomb, and it's like, well,

1232
00:51:39.320 --> 00:51:41.880
<v Speaker 1>that's true. So again, it's not a it's not a

1233
00:51:41.920 --> 00:51:43.760
<v Speaker 1>black and white movie, even though at times it is

1234
00:51:43.840 --> 00:51:47.039
<v Speaker 1>literally a black and white movie, but it's many areas and.

1235
00:51:47.159 --> 00:51:50.679
<v Speaker 3>Like that guy's motivation too. Maybe I missed something, But

1236
00:51:50.760 --> 00:51:52.239
<v Speaker 3>for me personally, I just always took it that he

1237
00:51:52.400 --> 00:51:54.239
<v Speaker 3>was just motivated by the science. Like he doesn't even

1238
00:51:54.280 --> 00:51:56.840
<v Speaker 3>necessarily care about making the biggest bomb. It's just he

1239
00:51:56.960 --> 00:51:59.039
<v Speaker 3>thinks that the hydra bomb is just would be so

1240
00:51:59.159 --> 00:52:01.360
<v Speaker 3>much more effective because of the science and like the

1241
00:52:01.440 --> 00:52:03.960
<v Speaker 3>what he studies, And like this movie has so many

1242
00:52:04.000 --> 00:52:06.000
<v Speaker 3>different scientists on it, and I feel like they do

1243
00:52:06.280 --> 00:52:12.880
<v Speaker 3>a good job at just showing and again, like this

1244
00:52:13.000 --> 00:52:14.559
<v Speaker 3>is a long movie. Maybe I miss something here. But

1245
00:52:14.800 --> 00:52:16.679
<v Speaker 3>I feel like there wasn't really any moments where like

1246
00:52:16.719 --> 00:52:19.719
<v Speaker 3>the actual scientists that are like doing these things are like,

1247
00:52:19.880 --> 00:52:21.559
<v Speaker 3>oh yeah, like this is just giving me such a

1248
00:52:21.559 --> 00:52:24.000
<v Speaker 3>great explosion and have this amount of casualties, Like they

1249
00:52:24.039 --> 00:52:26.360
<v Speaker 3>really are just focusing on the project, and because the

1250
00:52:26.440 --> 00:52:29.400
<v Speaker 3>science is so important to them, that's just what they're

1251
00:52:29.440 --> 00:52:33.039
<v Speaker 3>motivated by. But then you have characters like Matt Damon

1252
00:52:33.119 --> 00:52:35.559
<v Speaker 3>who's he's just a general. He doesn't know anything about

1253
00:52:35.599 --> 00:52:37.760
<v Speaker 3>the physics of what this world, like what this is.

1254
00:52:37.880 --> 00:52:40.039
<v Speaker 3>It's just all about what this means for the war

1255
00:52:40.079 --> 00:52:42.239
<v Speaker 3>effort or the strategy. And and then you have like

1256
00:52:42.280 --> 00:52:45.239
<v Speaker 3>the politicians, right and their motivations. Like I think Nolan

1257
00:52:45.280 --> 00:52:47.159
<v Speaker 3>and crew did a good job at just showcasing the

1258
00:52:47.199 --> 00:52:50.039
<v Speaker 3>different types of characters motivations, even like some of the

1259
00:52:50.119 --> 00:52:52.039
<v Speaker 3>wives and like their home lives and like just kind

1260
00:52:52.079 --> 00:52:54.639
<v Speaker 3>of what they're focused on, like the pain that Emily

1261
00:52:54.679 --> 00:52:57.000
<v Speaker 3>Blunt's character was going through, but how she was able

1262
00:52:57.079 --> 00:53:00.639
<v Speaker 3>to just be motivated as like a strong shield for Oppenheimer.

1263
00:53:00.800 --> 00:53:03.360
<v Speaker 3>Like everybody kind of had their own different roles and

1264
00:53:03.440 --> 00:53:07.639
<v Speaker 3>positions to play in this village that they made for

1265
00:53:07.760 --> 00:53:10.280
<v Speaker 3>the Manhattan Project to make these big bombs, and yeah,

1266
00:53:10.360 --> 00:53:14.440
<v Speaker 3>I was very I was very just interested in seeing

1267
00:53:14.480 --> 00:53:16.159
<v Speaker 3>how far we're gonna get with the H bomb thing,

1268
00:53:16.239 --> 00:53:19.079
<v Speaker 3>because of course I known of that big that that

1269
00:53:19.360 --> 00:53:23.840
<v Speaker 3>big H bomb word, but I wasn't sure like where

1270
00:53:23.880 --> 00:53:26.480
<v Speaker 3>that was included in just the historical timeline of things,

1271
00:53:26.559 --> 00:53:28.159
<v Speaker 3>Like I didn't know if that was actually gonna be

1272
00:53:28.159 --> 00:53:29.280
<v Speaker 3>talked about in this movie or whatnot.

1273
00:53:29.320 --> 00:53:31.360
<v Speaker 4>So I was a little bit curious about that. But yeah, no,

1274
00:53:31.519 --> 00:53:33.760
<v Speaker 4>I all all of that stuff with just.

1275
00:53:34.599 --> 00:53:38.079
<v Speaker 3>Where the line where they thought the line or maybe

1276
00:53:38.079 --> 00:53:40.199
<v Speaker 3>they didn't even think about where the line could have

1277
00:53:40.239 --> 00:53:42.280
<v Speaker 3>been drawn, and then of course it just gets it

1278
00:53:42.440 --> 00:53:44.440
<v Speaker 3>just gets too late and like it's already well passed

1279
00:53:44.480 --> 00:53:46.079
<v Speaker 3>the line when you even think about those moments.

1280
00:53:46.440 --> 00:53:49.960
<v Speaker 1>It's the classic Jurassic Park line, right, everyone asked if

1281
00:53:50.000 --> 00:53:52.159
<v Speaker 1>they could before they asked if they should. Right, yes,

1282
00:53:52.280 --> 00:53:54.920
<v Speaker 1>you know, fucking Spilberg them great writing, because I always

1283
00:53:54.960 --> 00:53:56.239
<v Speaker 1>go back to that, and that's what it is. Because

1284
00:53:56.280 --> 00:53:58.880
<v Speaker 1>even the scientists near the end, they start having those

1285
00:53:58.920 --> 00:54:02.840
<v Speaker 1>group meetings right of the alone, and like when Appenheim

1286
00:54:02.920 --> 00:54:05.280
<v Speaker 1>walks in, they all like clap, but they're all very

1287
00:54:05.320 --> 00:54:07.280
<v Speaker 1>It's like when the principal walks in and you've been

1288
00:54:07.360 --> 00:54:09.119
<v Speaker 1>trashing him and not him, but just the idea of

1289
00:54:09.679 --> 00:54:11.840
<v Speaker 1>because they I feel like they're starting to get the

1290
00:54:11.880 --> 00:54:14.360
<v Speaker 1>sense too that the closer they get to completion, they're

1291
00:54:14.360 --> 00:54:17.199
<v Speaker 1>starting to lose control because they kind of know the

1292
00:54:17.599 --> 00:54:19.840
<v Speaker 1>jigs up. They because they're oh, should they be drapped?

1293
00:54:19.880 --> 00:54:22.519
<v Speaker 1>But it does. It's like the sad thing, but it

1294
00:54:22.639 --> 00:54:24.639
<v Speaker 1>is the right thing, right because technically they are employees

1295
00:54:24.639 --> 00:54:26.880
<v Speaker 1>that got hired, they're not. It's the same thing as moving,

1296
00:54:26.880 --> 00:54:28.320
<v Speaker 1>the same thing as us, like you can work, but

1297
00:54:28.360 --> 00:54:30.800
<v Speaker 1>if you don't own the business, you don't get much

1298
00:54:30.840 --> 00:54:33.280
<v Speaker 1>of a say. So this idea of them talking about, hey,

1299
00:54:33.360 --> 00:54:35.840
<v Speaker 1>should you drop a bomb? Should you just maybe give

1300
00:54:35.840 --> 00:54:37.199
<v Speaker 1>a warning because some of them were saying, oh, well,

1301
00:54:37.199 --> 00:54:40.440
<v Speaker 1>maybe warn Japan that there's a bomb, But then they go,

1302
00:54:40.519 --> 00:54:42.679
<v Speaker 1>well no, if it doesn't work, and then they strike back.

1303
00:54:42.719 --> 00:54:44.800
<v Speaker 1>But that's I like, the same thing. They're posing all

1304
00:54:44.840 --> 00:54:47.199
<v Speaker 1>these questions, but it doesn't matter because at the end

1305
00:54:47.239 --> 00:54:50.320
<v Speaker 1>of the day, it can be every science scientist and

1306
00:54:50.360 --> 00:54:52.679
<v Speaker 1>every worker, they're every family member. They're not going to

1307
00:54:52.760 --> 00:54:54.880
<v Speaker 1>get a say, you know, and it's a it's like

1308
00:54:54.960 --> 00:54:58.880
<v Speaker 1>I said, there's gray areas, right because that technically by law.

1309
00:54:58.960 --> 00:55:02.159
<v Speaker 1>They shouldn't, right, because that's it's higher elected officials that

1310
00:55:02.280 --> 00:55:04.400
<v Speaker 1>get to make that say. But it's a human issue,

1311
00:55:04.400 --> 00:55:05.800
<v Speaker 1>and it's a it's good stuff. It's stuff that I

1312
00:55:05.840 --> 00:55:08.559
<v Speaker 1>think that'll be rewarding rewatches too. And that's why it's

1313
00:55:08.599 --> 00:55:10.400
<v Speaker 1>not everyday watch because I don't want to every day

1314
00:55:10.480 --> 00:55:11.760
<v Speaker 1>be thinking about bombs.

1315
00:55:12.320 --> 00:55:15.000
<v Speaker 6>Yeah, like like that moral decision of like what would

1316
00:55:15.039 --> 00:55:17.000
<v Speaker 6>I do if I was an Alpenheimer's position, you know,

1317
00:55:17.119 --> 00:55:18.920
<v Speaker 6>because they hit him with that all the time. Of

1318
00:55:19.679 --> 00:55:22.480
<v Speaker 6>if it's not the if it's not Japanese, it's the Russians,

1319
00:55:22.519 --> 00:55:23.920
<v Speaker 6>Like they hit him with all these scenarios.

1320
00:55:23.960 --> 00:55:25.440
<v Speaker 1>If we don't do this, someone else is gonna do

1321
00:55:25.480 --> 00:55:28.320
<v Speaker 1>it too. You and you could argue that. So let's

1322
00:55:28.320 --> 00:55:30.119
<v Speaker 1>ta get a second a break, and we'll lea. We're back,

1323
00:55:31.599 --> 00:55:33.639
<v Speaker 1>and we're back. Where do we want to go next?

1324
00:55:33.719 --> 00:55:33.880
<v Speaker 4>Here?

1325
00:55:34.440 --> 00:55:37.199
<v Speaker 5>I think I want to shout out some smaller characters

1326
00:55:37.320 --> 00:55:39.480
<v Speaker 5>sure in this just because as we've mentioned now, like

1327
00:55:39.559 --> 00:55:42.400
<v Speaker 5>there's just so many surprise actors that bumped up in

1328
00:55:42.480 --> 00:55:44.519
<v Speaker 5>this that I don't know. It's almost like you could

1329
00:55:44.519 --> 00:55:46.840
<v Speaker 5>have a Bengo card and just be having a heyday

1330
00:55:46.920 --> 00:55:50.360
<v Speaker 5>over here. But Alex Wolf popping up as like one

1331
00:55:50.400 --> 00:55:52.599
<v Speaker 5>of the scientists. I like that, you know, between Alex

1332
00:55:52.800 --> 00:55:55.880
<v Speaker 5>Wolf and Florence pugetting a little bit of the ari aster,

1333
00:55:56.320 --> 00:55:58.880
<v Speaker 5>like you know, leading star, like checking those boxes off.

1334
00:55:58.920 --> 00:55:59.960
<v Speaker 2>So obviously a big fan of.

1335
00:56:00.400 --> 00:56:02.360
<v Speaker 5>I don't really think there's anything to say about his character,

1336
00:56:02.440 --> 00:56:03.440
<v Speaker 5>but I like to see him in there. I think

1337
00:56:03.480 --> 00:56:06.000
<v Speaker 5>he's good for what he had to do. I guess

1338
00:56:06.039 --> 00:56:08.800
<v Speaker 5>this act name is Dylan Arnold, who played Frank oppenheim Er,

1339
00:56:08.840 --> 00:56:12.480
<v Speaker 5>his brother who I only recognized from you. Yeah, so

1340
00:56:12.599 --> 00:56:14.360
<v Speaker 5>he was such a surprise to see him here and

1341
00:56:14.400 --> 00:56:17.519
<v Speaker 5>then like what a different kind of role that is.

1342
00:56:17.639 --> 00:56:20.079
<v Speaker 2>And I thought he was very good for what he

1343
00:56:20.199 --> 00:56:20.960
<v Speaker 2>was doing here. I got it.

1344
00:56:21.159 --> 00:56:22.559
<v Speaker 5>The one thing that was very weird to me was

1345
00:56:22.559 --> 00:56:25.480
<v Speaker 5>when they're like older, yeah, and I thought the older him,

1346
00:56:25.960 --> 00:56:28.360
<v Speaker 5>he still looked like he's fucking too.

1347
00:56:28.320 --> 00:56:30.119
<v Speaker 1>Young, too young. Yeah, when they game like they were

1348
00:56:30.159 --> 00:56:31.880
<v Speaker 1>seeing a hairline and thing, It's like he just looks

1349
00:56:31.880 --> 00:56:33.719
<v Speaker 1>stressed up, like you you should have shot him from

1350
00:56:33.760 --> 00:56:35.840
<v Speaker 1>the back maybe, you know, like don't show his face.

1351
00:56:35.960 --> 00:56:38.000
<v Speaker 1>But yeah, I feel like we're gonna in the next

1352
00:56:38.079 --> 00:56:39.760
<v Speaker 1>few years, we're gonna see him, you know. I wish

1353
00:56:39.800 --> 00:56:41.760
<v Speaker 1>just happened before the draft is maybe would have got him,

1354
00:56:41.760 --> 00:56:44.800
<v Speaker 1>but I feel like we're gonna see him. He's pretty

1355
00:56:44.960 --> 00:56:47.360
<v Speaker 1>I think for a young age, he's pretty talented. And

1356
00:56:47.400 --> 00:56:49.559
<v Speaker 1>I'll say I think if no one gets you, it's

1357
00:56:49.599 --> 00:56:51.599
<v Speaker 1>gonna happen. And that's the thing that's surprising to this

1358
00:56:51.679 --> 00:56:53.519
<v Speaker 1>movie only has one hundred million dollars budgets. So you

1359
00:56:53.599 --> 00:56:56.039
<v Speaker 1>know a lot of these bigger actors they're taking big

1360
00:56:56.199 --> 00:56:58.639
<v Speaker 1>pay cuts, but like why, like, I guarantee you everything

1361
00:56:58.760 --> 00:57:01.599
<v Speaker 1>with the minimum way, yeah, just to get in there.

1362
00:57:01.920 --> 00:57:04.079
<v Speaker 1>Even Matt Damon, he he's on a break from acting.

1363
00:57:04.159 --> 00:57:05.840
<v Speaker 1>They said, the only reason I will stop a break

1364
00:57:05.920 --> 00:57:07.480
<v Speaker 1>is if Nolan called hi. Then I guess, like two

1365
00:57:07.559 --> 00:57:09.199
<v Speaker 1>weeks later, Nolan calls, like I want you to be

1366
00:57:09.239 --> 00:57:10.880
<v Speaker 1>in this movie. He's like, well, sorry, wife, I'm gonna

1367
00:57:10.880 --> 00:57:13.000
<v Speaker 1>go do But I think that's it, right. Nolan's just

1368
00:57:13.039 --> 00:57:15.280
<v Speaker 1>that director. If you can work with him. Even That's

1369
00:57:15.320 --> 00:57:16.800
<v Speaker 1>why I think, even like a Pew who's in here

1370
00:57:16.880 --> 00:57:18.800
<v Speaker 1>not that long, if you can work with him, you're

1371
00:57:18.840 --> 00:57:21.039
<v Speaker 1>gonna jump with the chance to work with him, you know.

1372
00:57:21.239 --> 00:57:25.639
<v Speaker 2>So it's uh yeah, mm hmm, yeah. Gary Oldman as

1373
00:57:25.920 --> 00:57:27.239
<v Speaker 2>I YEA.

1374
00:57:27.719 --> 00:57:33.400
<v Speaker 5>Truman just so good, Despicable Human, what a great scene.

1375
00:57:33.440 --> 00:57:35.559
<v Speaker 5>I didn't even recognize him in the in the moment,

1376
00:57:35.719 --> 00:57:38.599
<v Speaker 5>like they did some good job with the the makeup there,

1377
00:57:38.599 --> 00:57:41.000
<v Speaker 5>And obviously that's a mainstay for Nolan.

1378
00:57:41.039 --> 00:57:41.960
<v Speaker 2>I guess he only has he.

1379
00:57:42.000 --> 00:57:44.880
<v Speaker 5>Been in any other than the Batman movies. I'm trying

1380
00:57:44.880 --> 00:57:48.599
<v Speaker 5>to think no, and so I guess it's been quite

1381
00:57:48.599 --> 00:57:50.960
<v Speaker 5>a few years since he's been in one or movie since.

1382
00:57:51.239 --> 00:57:52.559
<v Speaker 2>That was cool to see him.

1383
00:57:52.480 --> 00:57:54.800
<v Speaker 1>Back, and I was hoping because I I think he

1384
00:57:54.880 --> 00:57:56.239
<v Speaker 1>only popped for a little bit and ten a little

1385
00:57:56.239 --> 00:57:58.320
<v Speaker 1>bit Dunkirk. I was hoping that Kane would pop in

1386
00:57:58.360 --> 00:57:59.920
<v Speaker 1>because I think Kane's been in every movie, but he

1387
00:58:00.199 --> 00:58:03.480
<v Speaker 1>wasn't in this Michael Kane. So yeah, And I thought

1388
00:58:03.599 --> 00:58:05.320
<v Speaker 1>it could have worked here by me.

1389
00:58:05.360 --> 00:58:06.880
<v Speaker 2>Old white men there were in this movie. There was

1390
00:58:06.880 --> 00:58:07.599
<v Speaker 2>that chances.

1391
00:58:08.239 --> 00:58:09.800
<v Speaker 5>But I guess maybe the accent. I don't know what

1392
00:58:09.880 --> 00:58:12.159
<v Speaker 5>his American accent is. Yeah, maybe he wouldn't fit or

1393
00:58:12.159 --> 00:58:12.440
<v Speaker 5>something like.

1394
00:58:12.440 --> 00:58:14.239
<v Speaker 1>That, or Canny is gonna old im. Just like I

1395
00:58:14.280 --> 00:58:15.599
<v Speaker 1>don't need to have a five matt scene here, like,

1396
00:58:15.639 --> 00:58:17.440
<v Speaker 1>unless it's a media performance, I don't need to take

1397
00:58:17.480 --> 00:58:18.840
<v Speaker 1>a trip down, you know, because some of those movies

1398
00:58:18.880 --> 00:58:21.559
<v Speaker 1>like Interstellar, he's only in there for a little bit

1399
00:58:21.719 --> 00:58:24.000
<v Speaker 1>in the inception he plays Leo's dad. You know, it's

1400
00:58:24.079 --> 00:58:25.519
<v Speaker 1>just like at that point it felt like I need

1401
00:58:25.599 --> 00:58:28.000
<v Speaker 1>to make sure he's in there. But oldman was great.

1402
00:58:28.039 --> 00:58:30.519
<v Speaker 1>I love when he's walking out, He's like, get that

1403
00:58:30.599 --> 00:58:33.880
<v Speaker 1>crime a man, I'm off But like it's it's.

1404
00:58:33.880 --> 00:58:37.760
<v Speaker 3>There was like a famous quote too that Truman actually said, yeah,

1405
00:58:37.880 --> 00:58:39.840
<v Speaker 3>so yeah, I found that out afterwards.

1406
00:58:40.199 --> 00:58:44.760
<v Speaker 1>But again that's where Oppenheimer's ego is. When you know

1407
00:58:44.880 --> 00:58:49.000
<v Speaker 1>Danny's characters Truman, they're despicable people in a sense. They're

1408
00:58:49.000 --> 00:58:50.480
<v Speaker 1>not like murders and stuff like that, but they're very

1409
00:58:50.519 --> 00:58:52.679
<v Speaker 1>cut through right, well technically true, but that's I do

1410
00:58:52.920 --> 00:58:55.480
<v Speaker 1>like that line where he goes, no one's gonna talk

1411
00:58:55.559 --> 00:58:58.039
<v Speaker 1>when they blame everyone about who killed these people. No

1412
00:58:58.079 --> 00:59:00.159
<v Speaker 1>one's talking about the person that dropped the ball. They're

1413
00:59:00.159 --> 00:59:02.920
<v Speaker 1>gonna be talking about the person that chose where to

1414
00:59:03.000 --> 00:59:04.760
<v Speaker 1>drop the ball, or whether they made the bomb and

1415
00:59:04.840 --> 00:59:06.639
<v Speaker 1>drop the ball, Ye built the bomb, who dropped on

1416
00:59:06.760 --> 00:59:09.039
<v Speaker 1>which is like, in a sense, it is like people

1417
00:59:09.119 --> 00:59:11.440
<v Speaker 1>still do talk about Oppenheim, right, and it's office. You know,

1418
00:59:11.519 --> 00:59:14.239
<v Speaker 1>he has this moral conflict, but that is true too

1419
00:59:14.280 --> 00:59:16.119
<v Speaker 1>at the same point where yeah, he didn't choose to

1420
00:59:16.119 --> 00:59:17.880
<v Speaker 1>you know, as we seeing these movies, we don't he

1421
00:59:17.920 --> 00:59:19.719
<v Speaker 1>didn't choose drop it. He or even said we could

1422
00:59:19.800 --> 00:59:21.880
<v Speaker 1>use a warning. And that's where you can see the

1423
00:59:21.960 --> 00:59:24.880
<v Speaker 1>difference is though that even Truman as the president is

1424
00:59:25.039 --> 00:59:28.119
<v Speaker 1>in full war mode and he acknowledges that. You know,

1425
00:59:28.280 --> 00:59:29.639
<v Speaker 1>great line there when he's like, I feel like I

1426
00:59:29.639 --> 00:59:31.719
<v Speaker 1>got blood in my hands. He takes the handkerchief out

1427
00:59:31.760 --> 00:59:34.119
<v Speaker 1>and you want to wipe them off their son. And

1428
00:59:34.239 --> 00:59:36.199
<v Speaker 1>it's so great though that he is, like I said,

1429
00:59:36.280 --> 00:59:39.000
<v Speaker 1>he's in that warmind of he realizes the weight of hey,

1430
00:59:39.039 --> 00:59:40.440
<v Speaker 1>I'm the one that chose to drop this bomb and

1431
00:59:40.559 --> 00:59:42.239
<v Speaker 1>kill them, but he's just kind of over it. He's

1432
00:59:42.239 --> 00:59:45.239
<v Speaker 1>already accepted it and he's not torn that way. And

1433
00:59:45.480 --> 00:59:47.719
<v Speaker 1>it is true where he didn't he didn't choose to

1434
00:59:47.800 --> 00:59:50.159
<v Speaker 1>drop the bomb. Open higher. They commissioned to make the bomb,

1435
00:59:50.239 --> 00:59:52.159
<v Speaker 1>and he made the bomb. They didn't have to drop

1436
00:59:52.199 --> 00:59:54.079
<v Speaker 1>the bomb, and they did. And that's where it is

1437
00:59:54.119 --> 00:59:56.079
<v Speaker 1>an Oppenheimer, where he's kind of an ego thing of

1438
00:59:56.280 --> 00:59:58.960
<v Speaker 1>you can still feel guilty about doing that, but that

1439
00:59:59.079 --> 01:00:01.400
<v Speaker 1>guy is still the one that had the bigger choice

1440
01:00:01.440 --> 01:00:04.880
<v Speaker 1>in the government, and oh see they're in this movie.

1441
01:00:04.880 --> 01:00:07.599
<v Speaker 1>They're portrayed as not having too much more out and

1442
01:00:07.719 --> 01:00:09.719
<v Speaker 1>maybe that's stuff that catches up with you later. It's

1443
01:00:09.760 --> 01:00:12.920
<v Speaker 1>probably you know, it's again, it's you're in the middle

1444
01:00:12.920 --> 01:00:14.840
<v Speaker 1>of war. It's the same thing. We haven't lived through war,

1445
01:00:15.039 --> 01:00:18.039
<v Speaker 1>but it was what we have. I guess what I'm

1446
01:00:18.039 --> 01:00:21.119
<v Speaker 1>trying to make the comparison is, I just remember after

1447
01:00:21.280 --> 01:00:24.840
<v Speaker 1>nine to eleven, everybody was like, we need to kill

1448
01:00:25.000 --> 01:00:26.840
<v Speaker 1>this set of people and do this set of things.

1449
01:00:26.880 --> 01:00:29.119
<v Speaker 1>When you're in a war, the mindset of the world

1450
01:00:29.400 --> 01:00:32.079
<v Speaker 1>completely changes, and it's not until after when you go

1451
01:00:32.119 --> 01:00:33.800
<v Speaker 1>it's same thing to Afghanist and how much stuff has

1452
01:00:33.800 --> 01:00:36.039
<v Speaker 1>come back where you go that wasn't need to happen,

1453
01:00:36.159 --> 01:00:38.119
<v Speaker 1>That didn't need to happen. There weren't really weapons of

1454
01:00:38.119 --> 01:00:40.239
<v Speaker 1>mass destruction there. But in the middle of it, when

1455
01:00:40.280 --> 01:00:42.639
<v Speaker 1>you you know, twenty eleven two towers get attacked and

1456
01:00:43.079 --> 01:00:45.719
<v Speaker 1>hundreds and thousands of people are affected and die, you're

1457
01:00:45.800 --> 01:00:47.760
<v Speaker 1>just going, Okay, we got to attack next. So that's

1458
01:00:47.800 --> 01:00:49.559
<v Speaker 1>where it's the same thing. I couldn't imagine being the

1459
01:00:49.559 --> 01:00:52.199
<v Speaker 1>president having to you can't. You almost have to check

1460
01:00:52.199 --> 01:00:54.280
<v Speaker 1>that the door. I guess, right, but then should you

1461
01:00:54.360 --> 01:00:57.280
<v Speaker 1>check the door? And again all great questions the movie poses.

1462
01:00:57.920 --> 01:00:58.559
<v Speaker 4>One hundred percent.

1463
01:00:58.639 --> 01:01:00.920
<v Speaker 3>Yeah, they have a common enemy, right to unify and

1464
01:01:01.000 --> 01:01:04.639
<v Speaker 3>come together, and then once the dust settles, it's like,

1465
01:01:04.679 --> 01:01:06.559
<v Speaker 3>oh shit, we gotta go back to our lives here.

1466
01:01:06.960 --> 01:01:09.360
<v Speaker 1>Yeah, look like Truman was old, so he probably didn't

1467
01:01:09.360 --> 01:01:10.800
<v Speaker 1>have too many years after that. So it's probably why

1468
01:01:10.840 --> 01:01:12.800
<v Speaker 1>he wasn't as guilty because by the time we come around,

1469
01:01:12.920 --> 01:01:15.280
<v Speaker 1>oh I'm gonna be out of here, We'll a Oppenheimer

1470
01:01:15.280 --> 01:01:17.000
<v Speaker 1>is still still a little bit life to live.

1471
01:01:17.159 --> 01:01:20.320
<v Speaker 5>So yeah, And as far as my your characters go,

1472
01:01:20.519 --> 01:01:22.079
<v Speaker 5>I feel like I don't have really much to say

1473
01:01:22.519 --> 01:01:25.199
<v Speaker 5>on Matt Damon. I was almost hoping for a bit

1474
01:01:25.280 --> 01:01:27.320
<v Speaker 5>more of him, but I think, after what the kind

1475
01:01:27.320 --> 01:01:30.599
<v Speaker 5>of character he is in here, I'm I'm also then

1476
01:01:30.679 --> 01:01:32.280
<v Speaker 5>okay that he's not any more, because I think he's

1477
01:01:32.320 --> 01:01:35.760
<v Speaker 5>a fairly flat character. There's not too much going on

1478
01:01:35.880 --> 01:01:37.760
<v Speaker 5>with him, and he's not too compelling. But I still

1479
01:01:37.960 --> 01:01:40.920
<v Speaker 5>liked his involvement here, and I like the dynamic that

1480
01:01:41.480 --> 01:01:44.519
<v Speaker 5>him and Oppenheimer had. I thought it was it was

1481
01:01:44.599 --> 01:01:47.119
<v Speaker 5>all good stuff there, they kind of budding up, but

1482
01:01:47.159 --> 01:01:49.719
<v Speaker 5>then he still like keeps that distance from him, and yeah,

1483
01:01:49.800 --> 01:01:52.599
<v Speaker 5>I don't know. I like that obviously as the project

1484
01:01:52.679 --> 01:01:55.159
<v Speaker 5>is starting to close down, as we're talking about where Okay,

1485
01:01:55.280 --> 01:01:57.400
<v Speaker 5>they have the bomb. The US government at this point

1486
01:01:57.440 --> 01:01:59.079
<v Speaker 5>has the bomb. They don't really need Oppenheimer and these

1487
01:01:59.159 --> 01:02:02.000
<v Speaker 5>scientists anymore. But I feel like there's still a good

1488
01:02:02.119 --> 01:02:04.880
<v Speaker 5>element there where I guess Groves is his character's name,

1489
01:02:05.039 --> 01:02:06.880
<v Speaker 5>he's still kind of like he's built up that friendship,

1490
01:02:06.920 --> 01:02:08.280
<v Speaker 5>so he still wants to hang on to it. But

1491
01:02:08.280 --> 01:02:10.519
<v Speaker 5>at the same time, he's got protocol and he's like

1492
01:02:10.679 --> 01:02:13.400
<v Speaker 5>loyal to you as Army above Oppenheimer, so he's still

1493
01:02:13.519 --> 01:02:15.320
<v Speaker 5>he's not sharing all the information.

1494
01:02:15.000 --> 01:02:16.639
<v Speaker 2>With him there. So yeah, I don't know.

1495
01:02:16.719 --> 01:02:19.400
<v Speaker 5>I wonder what you would do if you say he

1496
01:02:19.480 --> 01:02:21.519
<v Speaker 5>gave that character in additional ten to fifteen minutes of

1497
01:02:21.559 --> 01:02:23.719
<v Speaker 5>screen time. I wonder what kind of things you would

1498
01:02:23.719 --> 01:02:25.239
<v Speaker 5>try and do with it. It's ends up being a

1499
01:02:25.280 --> 01:02:27.159
<v Speaker 5>bit of a simple character when it's all said and done,

1500
01:02:27.199 --> 01:02:27.360
<v Speaker 5>But I.

1501
01:02:27.360 --> 01:02:30.320
<v Speaker 2>Thought he was well done for what he had to

1502
01:02:30.360 --> 01:02:30.639
<v Speaker 2>do here.

1503
01:02:30.800 --> 01:02:33.719
<v Speaker 5>Definitely not maybe not as compelling as Matt Damon in

1504
01:02:33.880 --> 01:02:35.159
<v Speaker 5>another Nolan film.

1505
01:02:35.199 --> 01:02:35.480
<v Speaker 2>For reason.

1506
01:02:35.679 --> 01:02:41.559
<v Speaker 3>Yeah, yeah, I feel like he like an Interstellar, He's

1507
01:02:41.760 --> 01:02:44.719
<v Speaker 3>like that pathetic asshole, and then this he's like the

1508
01:02:44.800 --> 01:02:47.840
<v Speaker 3>confident asshole. And I funny though, I feel like most

1509
01:02:47.880 --> 01:02:50.559
<v Speaker 3>of the humor was actually around his character, maybe just

1510
01:02:50.639 --> 01:02:55.360
<v Speaker 3>his reaction to Oppenheimer just just yeah, being like very

1511
01:02:55.480 --> 01:02:58.519
<v Speaker 3>literal with certain moments. I found myself just laughing a lot,

1512
01:02:58.599 --> 01:03:00.320
<v Speaker 3>and like my theater just laugh laughing to a lot

1513
01:03:00.320 --> 01:03:03.119
<v Speaker 3>of reactions around him. And it's probably just Matt Damon

1514
01:03:03.199 --> 01:03:06.679
<v Speaker 3>being so good at just handling whatever role he has

1515
01:03:06.800 --> 01:03:10.239
<v Speaker 3>to fill. He just carried those most Like I could

1516
01:03:10.280 --> 01:03:12.920
<v Speaker 3>have had another actor that's portrayed a general in like

1517
01:03:13.039 --> 01:03:15.480
<v Speaker 3>sixteen other movies, you know, like those character actors that

1518
01:03:15.519 --> 01:03:17.440
<v Speaker 3>you just always see in these general roles. I feel

1519
01:03:17.440 --> 01:03:19.639
<v Speaker 3>like I could have been fine with that, but Matt

1520
01:03:19.719 --> 01:03:23.880
<v Speaker 3>Damon just brought some extra extra spice on that that cappuccino,

1521
01:03:24.000 --> 01:03:25.000
<v Speaker 3>So I'm glad he was added.

1522
01:03:25.320 --> 01:03:27.599
<v Speaker 1>Well, I think what he has, he has that element

1523
01:03:27.679 --> 01:03:30.559
<v Speaker 1>only a few actors do, kind of like Tom Hanks

1524
01:03:30.599 --> 01:03:33.000
<v Speaker 1>where he can still play in every Man sort of

1525
01:03:33.000 --> 01:03:34.880
<v Speaker 1>feel like you can look at Matt Damon and envision

1526
01:03:34.960 --> 01:03:37.360
<v Speaker 1>this guy where sometimes, like you said, Kreon's like it's

1527
01:03:37.400 --> 01:03:40.119
<v Speaker 1>a caricature actor of like, I'm the sergeant. Okay, you're

1528
01:03:40.119 --> 01:03:42.840
<v Speaker 1>playing sergeant, but I can still see a real guy

1529
01:03:43.000 --> 01:03:45.599
<v Speaker 1>in that Damon's character. And I like that. You know,

1530
01:03:45.800 --> 01:03:47.920
<v Speaker 1>Oppenheimer want him to phone, he didn't phone, but then

1531
01:03:47.960 --> 01:03:49.480
<v Speaker 1>he phoned right after the bomb, so it was that

1532
01:03:49.639 --> 01:03:51.960
<v Speaker 1>same that there's a connection there, but he still couldn't

1533
01:03:51.960 --> 01:03:54.119
<v Speaker 1>give him all the access. And I really really like

1534
01:03:54.239 --> 01:03:57.039
<v Speaker 1>the ending of the hearing because there's a bunch of

1535
01:03:57.079 --> 01:04:00.400
<v Speaker 1>people turn their back on Oppenheimer and he does best

1536
01:04:00.440 --> 01:04:03.440
<v Speaker 1>to stay on protocol, but not also throw Oppenheimer under

1537
01:04:03.440 --> 01:04:05.400
<v Speaker 1>the bus because they said, oh, would you clear him now?

1538
01:04:05.960 --> 01:04:07.719
<v Speaker 1>And he says no, and right away they try to like, hey,

1539
01:04:07.760 --> 01:04:09.199
<v Speaker 1>that's it, that's everything, but he tries to be like,

1540
01:04:09.320 --> 01:04:11.119
<v Speaker 1>I wouldn't clear any of them. He's like, no, We've

1541
01:04:11.440 --> 01:04:13.119
<v Speaker 1>we got everything we need from you. He goes, no,

1542
01:04:13.199 --> 01:04:15.239
<v Speaker 1>I want on the record that I wouldn't have cleared

1543
01:04:15.360 --> 01:04:17.800
<v Speaker 1>anybody that worked back there in this time with these

1544
01:04:17.840 --> 01:04:21.039
<v Speaker 1>new guidelines, so kind of saying that, yeah, I'm condemning Oppenheimer,

1545
01:04:21.079 --> 01:04:24.440
<v Speaker 1>but I'm condemning everybody and almost condemning the government system

1546
01:04:24.559 --> 01:04:26.840
<v Speaker 1>is like it was faulty back then from what they

1547
01:04:26.920 --> 01:04:30.000
<v Speaker 1>deemed it, right how many solo years later. So I

1548
01:04:30.239 --> 01:04:32.039
<v Speaker 1>like that it was and you would think that this

1549
01:04:32.320 --> 01:04:34.119
<v Speaker 1>was the guy who's at the b of the movie

1550
01:04:34.239 --> 01:04:36.400
<v Speaker 1>just wants to build a bomb, very army focused, that

1551
01:04:36.480 --> 01:04:39.719
<v Speaker 1>he would not care about throwing any dirt on Alpaheimer.

1552
01:04:39.840 --> 01:04:41.840
<v Speaker 1>Just he go in there, answer the question, say what

1553
01:04:41.960 --> 01:04:44.159
<v Speaker 1>they wanted, Hey, would you clear him? No? And then

1554
01:04:44.239 --> 01:04:45.960
<v Speaker 1>be good. But no, he gave that moment where some

1555
01:04:46.039 --> 01:04:49.119
<v Speaker 1>of Alpenheimer's actually friends, didn't, you know, like the guy

1556
01:04:49.199 --> 01:04:52.000
<v Speaker 1>we talked about before the Safti's character, Like, there's a

1557
01:04:52.000 --> 01:04:54.000
<v Speaker 1>few of them that had that shift where they were

1558
01:04:54.039 --> 01:04:55.880
<v Speaker 1>looking out for their own ass or one they're more

1559
01:04:56.000 --> 01:04:58.360
<v Speaker 1>funding and just wanted to build bigger bomb stuff where

1560
01:04:58.800 --> 01:05:01.840
<v Speaker 1>Matt dams reason character. And I imagine at this point

1561
01:05:02.159 --> 01:05:04.199
<v Speaker 1>I could be wrong, but I would imagine at this

1562
01:05:04.199 --> 01:05:05.599
<v Speaker 1>point when we get to the hearing, they've probably not

1563
01:05:05.679 --> 01:05:08.360
<v Speaker 1>been in contact that much, you know, I imagine they don't.

1564
01:05:08.639 --> 01:05:11.440
<v Speaker 1>They're not getting together for tea and crumpets or anything

1565
01:05:11.519 --> 01:05:13.599
<v Speaker 1>like they've they've separated. So that's where I like that

1566
01:05:13.639 --> 01:05:17.039
<v Speaker 1>even years later, he doesn't really throw him under the

1567
01:05:17.079 --> 01:05:18.800
<v Speaker 1>bus when he could have, like everybody else, and you

1568
01:05:18.840 --> 01:05:20.519
<v Speaker 1>got a couple of other characters that go hard, obviously

1569
01:05:20.559 --> 01:05:22.559
<v Speaker 1>his wife and Matthew Modine's character. It's like, oh, you're

1570
01:05:22.559 --> 01:05:24.039
<v Speaker 1>gonna have to put me on trial too, and all

1571
01:05:24.079 --> 01:05:26.159
<v Speaker 1>this stuff. So there's a couple. But I was almost

1572
01:05:26.199 --> 01:05:28.800
<v Speaker 1>expecting him because they ask would you clear them? And

1573
01:05:28.840 --> 01:05:30.400
<v Speaker 1>then you don't get that answer for like an hour

1574
01:05:30.440 --> 01:05:32.559
<v Speaker 1>because they cut and then it goes back to the

1575
01:05:32.719 --> 01:05:35.000
<v Speaker 1>hearing later on, so I was I was very curious

1576
01:05:35.039 --> 01:05:37.239
<v Speaker 1>because then they showed more relationships, so I didn't know

1577
01:05:37.239 --> 01:05:38.920
<v Speaker 1>which trae it was gonna go. Because also I think

1578
01:05:38.960 --> 01:05:41.039
<v Speaker 1>when we got his answer, it was a montage of

1579
01:05:41.039 --> 01:05:43.199
<v Speaker 1>a lot of characters dog piling on him. So it's like, oh,

1580
01:05:43.280 --> 01:05:45.840
<v Speaker 1>this is another guy who kind of screws him, and

1581
01:05:45.920 --> 01:05:48.760
<v Speaker 1>he screws them a little, but it's like accidental because

1582
01:05:48.800 --> 01:05:51.119
<v Speaker 1>he could have still said no, but he was trying

1583
01:05:51.199 --> 01:05:54.440
<v Speaker 1>his best to be a I guess, like keep his

1584
01:05:54.559 --> 01:05:56.599
<v Speaker 1>conscience clean, but still help this guy out who was

1585
01:05:56.679 --> 01:05:58.480
<v Speaker 1>you know? And he sassified. At no point did I

1586
01:05:58.519 --> 01:06:01.079
<v Speaker 1>feel like he was ever unloyal to America, which every

1587
01:06:01.159 --> 01:06:03.639
<v Speaker 1>person got asked that, and they're trying to hit on

1588
01:06:03.800 --> 01:06:07.199
<v Speaker 1>him being a Russian spy, even though they already snooped

1589
01:06:07.199 --> 01:06:09.440
<v Speaker 1>out who the Russian spy was there, but they were

1590
01:06:09.519 --> 01:06:11.679
<v Speaker 1>they almost trying to put that on Oppenheimer, you know,

1591
01:06:11.960 --> 01:06:12.639
<v Speaker 1>so just.

1592
01:06:12.679 --> 01:06:15.719
<v Speaker 3>Trying to entrap them, which is just like illegal to

1593
01:06:15.840 --> 01:06:18.320
<v Speaker 3>my mind. But again, they just make their own fucking

1594
01:06:18.400 --> 01:06:19.159
<v Speaker 3>rules or whatever.

1595
01:06:22.719 --> 01:06:22.960
<v Speaker 1>Yeah.

1596
01:06:23.360 --> 01:06:25.079
<v Speaker 4>Yeah, since we were talking about mad Damon.

1597
01:06:25.119 --> 01:06:27.599
<v Speaker 3>Another scene that I just really really really liked was

1598
01:06:28.000 --> 01:06:29.920
<v Speaker 3>was that night of the testing when they're waiting for

1599
01:06:30.000 --> 01:06:31.840
<v Speaker 3>five point thirty when they're waiting for the rain to clear,

1600
01:06:31.920 --> 01:06:33.800
<v Speaker 3>and it's just the two of them like in the bunks,

1601
01:06:33.880 --> 01:06:35.920
<v Speaker 3>you know, sharing a drink, because like, these are the

1602
01:06:35.960 --> 01:06:38.960
<v Speaker 3>two that basically started this entire thing, and here they

1603
01:06:39.000 --> 01:06:41.639
<v Speaker 3>are right at the tail end of it essentially, and

1604
01:06:41.760 --> 01:06:45.559
<v Speaker 3>it's just like fucking two billion dollars spent two years, Like.

1605
01:06:45.760 --> 01:06:48.559
<v Speaker 4>Yeah, we are done if this does not go well.

1606
01:06:49.559 --> 01:06:51.639
<v Speaker 3>Yeah, And like although maybe they don't have a lot

1607
01:06:51.679 --> 01:06:54.639
<v Speaker 3>in common, like they are like they're they're the two

1608
01:06:55.039 --> 01:06:57.000
<v Speaker 3>right there that like that, like they they have the

1609
01:06:57.039 --> 01:06:59.159
<v Speaker 3>most in common in that one single moment.

1610
01:06:59.239 --> 01:07:01.039
<v Speaker 4>So I just I really liked that little sit down.

1611
01:07:01.239 --> 01:07:04.599
<v Speaker 4>It reminded me of the first Captain America.

1612
01:07:04.639 --> 01:07:07.719
<v Speaker 3>Actually, when you have like the night before the procedure

1613
01:07:07.800 --> 01:07:10.960
<v Speaker 3>essentially just a little sit down between the professor and

1614
01:07:11.440 --> 01:07:15.000
<v Speaker 3>Steve Rogers, and I don't know, I just it really

1615
01:07:15.280 --> 01:07:17.559
<v Speaker 3>in my mind similar scene, and I just really like

1616
01:07:17.639 --> 01:07:18.320
<v Speaker 3>both those scenes.

1617
01:07:18.639 --> 01:07:20.639
<v Speaker 1>It's a nice calm before the storm, and it wasn't

1618
01:07:20.639 --> 01:07:23.599
<v Speaker 1>the trip, but I still love the conversation of him

1619
01:07:24.000 --> 01:07:27.320
<v Speaker 1>discovering that technically there's very small percentage that he could

1620
01:07:27.480 --> 01:07:30.159
<v Speaker 1>just keep eating the air and the oxygen and destride

1621
01:07:30.199 --> 01:07:32.239
<v Speaker 1>the entire world. And he's like, well, well, what's like

1622
01:07:32.320 --> 01:07:34.800
<v Speaker 1>the theory, guys, Well, it's like a near impossibility? Is

1623
01:07:34.880 --> 01:07:37.920
<v Speaker 1>it nearer impossible? Is not? You know that theory? It

1624
01:07:38.000 --> 01:07:39.960
<v Speaker 1>can't be just impossible. It was like, what would you

1625
01:07:40.000 --> 01:07:42.199
<v Speaker 1>want the answer to be? Zero? I'd want to be zero.

1626
01:07:42.639 --> 01:07:44.400
<v Speaker 1>And it's great because, like you said, and they're both

1627
01:07:44.719 --> 01:07:46.599
<v Speaker 1>you got the army guy and the scientist guy. They

1628
01:07:46.639 --> 01:07:49.039
<v Speaker 1>are that everyone reports to them, you know, because even

1629
01:07:49.119 --> 01:07:51.239
<v Speaker 1>in the middle sometimes people give all the timer crap.

1630
01:07:51.280 --> 01:07:53.559
<v Speaker 1>They're like, you haven't done anything to build this bomb

1631
01:07:53.639 --> 01:07:55.360
<v Speaker 1>for weeks. But it's because now he's like on the

1632
01:07:55.400 --> 01:07:58.800
<v Speaker 1>political side of talking to people and taking meetings and stuff,

1633
01:07:58.840 --> 01:08:01.960
<v Speaker 1>so he's even his role has grown from just scientists

1634
01:08:02.400 --> 01:08:04.719
<v Speaker 1>to now like looking after all these people, and he

1635
01:08:04.760 --> 01:08:07.159
<v Speaker 1>had to be on the road convinced these people. You see,

1636
01:08:07.199 --> 01:08:09.119
<v Speaker 1>some people quit in the middle, some people that don't

1637
01:08:09.119 --> 01:08:10.639
<v Speaker 1>want to work with each other. So he has to

1638
01:08:10.719 --> 01:08:13.199
<v Speaker 1>be a wrangler of scientists. So he's very much kind

1639
01:08:13.199 --> 01:08:14.800
<v Speaker 1>of like in a sports analogy, the coach of the

1640
01:08:14.840 --> 01:08:17.720
<v Speaker 1>scientists and Matt Dames the coach of that. And yeah,

1641
01:08:17.800 --> 01:08:20.720
<v Speaker 1>that's that's a good scene and I love what it's

1642
01:08:21.039 --> 01:08:23.079
<v Speaker 1>I love when it's raining because you just imagine you're

1643
01:08:23.079 --> 01:08:25.279
<v Speaker 1>about to set out this bomb and it's just that

1644
01:08:25.399 --> 01:08:27.760
<v Speaker 1>has to be like even worse because like everything's slippery,

1645
01:08:27.760 --> 01:08:29.720
<v Speaker 1>and they even talk about that, like, oh are they safe.

1646
01:08:29.720 --> 01:08:31.960
<v Speaker 1>They're like, oh, are they safe by the metal tower

1647
01:08:32.039 --> 01:08:34.960
<v Speaker 1>carrying the world destroying bomb? Yeah? I think so. And

1648
01:08:35.079 --> 01:08:37.199
<v Speaker 1>it's just like it's just pouring on. These guys are

1649
01:08:37.239 --> 01:08:39.960
<v Speaker 1>like trying, you know, it's.

1650
01:08:39.880 --> 01:08:42.720
<v Speaker 4>Like could be going off, like just like the worst

1651
01:08:42.800 --> 01:08:43.960
<v Speaker 4>possible situation.

1652
01:08:43.760 --> 01:08:45.479
<v Speaker 1>Everything, but they gotta go right because we got July

1653
01:08:45.640 --> 01:08:47.520
<v Speaker 1>ninth or whatever the date was, Like, we gotta do

1654
01:08:47.720 --> 01:08:50.359
<v Speaker 1>this fucking bomb. And it's just it's great. And that's

1655
01:08:50.359 --> 01:08:51.880
<v Speaker 1>a good scene too when they do the bomb and

1656
01:08:52.279 --> 01:08:54.319
<v Speaker 1>he gets back there and everyone's cheering that's before it

1657
01:08:54.399 --> 01:08:56.720
<v Speaker 1>goes off, and there's a great shot of when they

1658
01:08:56.840 --> 01:08:59.680
<v Speaker 1>hoist killing Murphy and he's cheering and got the American

1659
01:08:59.720 --> 01:09:02.640
<v Speaker 1>flag behind him because it's such a good like America

1660
01:09:02.880 --> 01:09:05.560
<v Speaker 1>watching over this and what it's gonna change for the world.

1661
01:09:05.720 --> 01:09:07.880
<v Speaker 1>So lots of great stuff there because it's supposed to

1662
01:09:07.920 --> 01:09:10.920
<v Speaker 1>be raw raw, and then fifteen minutes later, that's why

1663
01:09:11.079 --> 01:09:12.920
<v Speaker 1>it kind of turns be in the moment you get

1664
01:09:13.000 --> 01:09:15.720
<v Speaker 1>your classic sports movie more like yeah, we won, we

1665
01:09:15.840 --> 01:09:17.960
<v Speaker 1>won whatever championship it is, we did it. And then

1666
01:09:17.960 --> 01:09:19.520
<v Speaker 1>it's like, no, we got a whole another hour of

1667
01:09:19.960 --> 01:09:23.479
<v Speaker 1>you know, people really stressing about this bomb. Yeah.

1668
01:09:24.960 --> 01:09:27.920
<v Speaker 5>Uh, Florence Pugh, should we talk about this characters?

1669
01:09:28.039 --> 01:09:28.239
<v Speaker 1>Yeah?

1670
01:09:29.279 --> 01:09:31.239
<v Speaker 2>Yeah, I think I didn't really.

1671
01:09:33.359 --> 01:09:34.640
<v Speaker 5>Fully I guess when I was watching the movie, I

1672
01:09:34.680 --> 01:09:36.960
<v Speaker 5>didn't fully understand any when I was walking home after

1673
01:09:37.159 --> 01:09:39.359
<v Speaker 5>watching it that didn't fully understand, like, Okay, what the

1674
01:09:40.039 --> 01:09:41.600
<v Speaker 5>what the purpose that they're trying to do with this

1675
01:09:41.720 --> 01:09:44.399
<v Speaker 5>character because she had more screen time than I was expecting.

1676
01:09:44.479 --> 01:09:46.359
<v Speaker 5>I thought of the trailers that she'd be in there

1677
01:09:46.399 --> 01:09:48.479
<v Speaker 5>for like a scene or two, but she ended up

1678
01:09:48.479 --> 01:09:51.439
<v Speaker 5>being in a lot more, and some of it she's

1679
01:09:51.520 --> 01:09:54.079
<v Speaker 5>like not actually there. It's like flashbacks, and the timing

1680
01:09:54.119 --> 01:09:56.960
<v Speaker 5>of it is weird, but I think it's actually once

1681
01:09:56.960 --> 01:09:59.119
<v Speaker 5>again from the perspective of this movie all being CenTra

1682
01:09:59.119 --> 01:10:02.079
<v Speaker 5>around Oppenheimer and his view and perspective of things.

1683
01:10:02.439 --> 01:10:03.920
<v Speaker 2>I think this kind of being like a.

1684
01:10:04.000 --> 01:10:09.640
<v Speaker 5>Small distilled version of he feels like he is responsible

1685
01:10:09.720 --> 01:10:13.479
<v Speaker 5>for her death because of his actions or his inactions

1686
01:10:13.520 --> 01:10:18.319
<v Speaker 5>at certain points, and seeing that, like comparing that to

1687
01:10:18.560 --> 01:10:21.399
<v Speaker 5>how he feels about the bomb and his responsibility there,

1688
01:10:21.439 --> 01:10:23.520
<v Speaker 5>I think is a really great one to one comparison

1689
01:10:23.800 --> 01:10:26.960
<v Speaker 5>because you have obviously, like even when we get to

1690
01:10:27.000 --> 01:10:30.359
<v Speaker 5>the parts when Japan is being bombed, like we never

1691
01:10:30.680 --> 01:10:33.159
<v Speaker 5>see that, we never see anyone. We see that one

1692
01:10:33.239 --> 01:10:35.680
<v Speaker 5>person in the crowd, but that's just like a mirage

1693
01:10:35.720 --> 01:10:38.159
<v Speaker 5>almost right, it's not even a real thing. That part

1694
01:10:38.600 --> 01:10:40.680
<v Speaker 5>of it is pretty disconnected. So I think it is

1695
01:10:40.960 --> 01:10:44.319
<v Speaker 5>a good call to have an incredibly personal connection and

1696
01:10:44.399 --> 01:10:46.680
<v Speaker 5>someone that we've seen have a good rapport, like it's

1697
01:10:46.680 --> 01:10:49.439
<v Speaker 5>a very chaotic relationship and it's like they're not good

1698
01:10:49.479 --> 01:10:51.239
<v Speaker 5>for each other. They split up, but you know that

1699
01:10:51.319 --> 01:10:53.479
<v Speaker 5>they've had this story pass. And to have someone that

1700
01:10:53.880 --> 01:10:57.399
<v Speaker 5>he is personally, very emotionally close to and obviously that

1701
01:10:57.560 --> 01:10:59.720
<v Speaker 5>death is not caused because of the bomb, but to

1702
01:10:59.800 --> 01:11:01.920
<v Speaker 5>have that one in one comparison, I thought was a

1703
01:11:02.640 --> 01:11:04.600
<v Speaker 5>really effective thing, and I think it really helps add

1704
01:11:04.680 --> 01:11:09.359
<v Speaker 5>to Oppenheimer as a character and and helps make make

1705
01:11:09.439 --> 01:11:11.399
<v Speaker 5>some of the other stuff feel a bit more believable.

1706
01:11:11.439 --> 01:11:14.119
<v Speaker 5>Concerning that, we don't actually see the scenes of the bombing,

1707
01:11:14.199 --> 01:11:16.439
<v Speaker 5>and they do that in a very interesting way. Right

1708
01:11:16.520 --> 01:11:19.079
<v Speaker 5>once again, we only see the trial run of the bomb.

1709
01:11:19.119 --> 01:11:21.680
<v Speaker 5>We don't actually see a scene in Japan. So I

1710
01:11:21.720 --> 01:11:25.319
<v Speaker 5>think that was a really smart move and really well done. Yeah,

1711
01:11:25.319 --> 01:11:27.640
<v Speaker 5>I definitely want to see Florence Pew and another Nolan

1712
01:11:27.680 --> 01:11:29.399
<v Speaker 5>thing later on with a bit more of a media role,

1713
01:11:29.439 --> 01:11:31.800
<v Speaker 5>but you know, you could. This is a criticism I've

1714
01:11:31.800 --> 01:11:33.279
<v Speaker 5>seen for just all of Nolan is that he's just

1715
01:11:33.399 --> 01:11:36.720
<v Speaker 5>not really great at writing women, and he's movies are

1716
01:11:36.800 --> 01:11:38.039
<v Speaker 5>ever centered around women.

1717
01:11:38.079 --> 01:11:39.319
<v Speaker 2>And that's totally fair.

1718
01:11:39.439 --> 01:11:40.640
<v Speaker 5>You know, if he's not good at it, I'm like,

1719
01:11:40.720 --> 01:11:42.800
<v Speaker 5>you know, focus on what you're good on and keep

1720
01:11:42.840 --> 01:11:44.800
<v Speaker 5>excelling in that. So maybe we wouldn't see that, but

1721
01:11:45.079 --> 01:11:47.479
<v Speaker 5>I'd like to see her come back and do another

1722
01:11:47.600 --> 01:11:48.479
<v Speaker 5>character at some point.

1723
01:11:48.520 --> 01:11:51.720
<v Speaker 2>But I thought this was an interesting, interesting role for her.

1724
01:11:52.239 --> 01:11:54.159
<v Speaker 1>That's what I love too, because I can't remem some

1725
01:11:54.279 --> 01:11:56.279
<v Speaker 1>interview they talked about, because that's always been a critique

1726
01:11:56.279 --> 01:11:58.319
<v Speaker 1>to that, like seeing the romance stuff. He's never been

1727
01:11:58.359 --> 01:11:59.960
<v Speaker 1>the greatest at He's like, oh, this is by far

1728
01:12:00.159 --> 01:12:02.640
<v Speaker 1>my most romantic movies. So it's like just a girl

1729
01:12:02.760 --> 01:12:04.960
<v Speaker 1>being naked. I like, I I didn't walk away and

1730
01:12:05.039 --> 01:12:07.479
<v Speaker 1>be like, man, this love between the two and that's fine,

1731
01:12:07.520 --> 01:12:10.039
<v Speaker 1>Like Dylan said, I don't need that. I think it

1732
01:12:10.159 --> 01:12:12.000
<v Speaker 1>served its purpose because I was the same as Dylan

1733
01:12:12.079 --> 01:12:14.439
<v Speaker 1>where the first half I was like, I don't know

1734
01:12:14.479 --> 01:12:16.680
<v Speaker 1>what this is needed for. Like I love Florence Pugh.

1735
01:12:16.960 --> 01:12:18.720
<v Speaker 1>I actually think they are good chemistry for the few

1736
01:12:18.720 --> 01:12:20.760
<v Speaker 1>scenes they are in. But I was like, is this

1737
01:12:20.920 --> 01:12:22.760
<v Speaker 1>just a biography because some of thees do that where

1738
01:12:22.760 --> 01:12:24.279
<v Speaker 1>it's like we need to hit on all these points

1739
01:12:24.319 --> 01:12:25.600
<v Speaker 1>in his life and if it doesn't go to the

1740
01:12:25.640 --> 01:12:28.479
<v Speaker 1>word story, it's just there. And I at first like, Eh,

1741
01:12:29.119 --> 01:12:30.800
<v Speaker 1>this is somewhere am I gonna feel like it could

1742
01:12:30.800 --> 01:12:32.399
<v Speaker 1>have been cut? But like Dylan said, it's almost like

1743
01:12:32.439 --> 01:12:34.439
<v Speaker 1>a mini preview and there's no way the man could know.

1744
01:12:34.960 --> 01:12:36.520
<v Speaker 1>And again, how it's framed in the movie not in

1745
01:12:36.560 --> 01:12:39.000
<v Speaker 1>real life. But in this movie, there's no way he

1746
01:12:39.039 --> 01:12:41.640
<v Speaker 1>could know that. The relationship with his ex wife is

1747
01:12:41.800 --> 01:12:43.640
<v Speaker 1>very similar to the raceship he's gonna have with this

1748
01:12:43.800 --> 01:12:45.600
<v Speaker 1>bomb of feeling like he could have done more and

1749
01:12:45.720 --> 01:12:48.479
<v Speaker 1>could have stopped some things, but he, you know, just

1750
01:12:48.640 --> 01:12:51.720
<v Speaker 1>had to go a certain way. And that loss kind

1751
01:12:51.760 --> 01:12:53.760
<v Speaker 1>of echoes what he's gonna feel more so later on

1752
01:12:53.840 --> 01:12:56.159
<v Speaker 1>when he has to you know, not lose, you know,

1753
01:12:56.960 --> 01:12:58.640
<v Speaker 1>the loss of life. Maybe that's what I'm talking about more,

1754
01:12:58.800 --> 01:13:01.279
<v Speaker 1>just that sort of loss, is being the head of

1755
01:13:01.359 --> 01:13:03.439
<v Speaker 1>it and being the face, like when he gets that magazine,

1756
01:13:03.520 --> 01:13:05.720
<v Speaker 1>like the the what was it? The man who created

1757
01:13:05.760 --> 01:13:06.199
<v Speaker 1>the whatever?

1758
01:13:06.319 --> 01:13:06.520
<v Speaker 5>Ball?

1759
01:13:06.920 --> 01:13:08.920
<v Speaker 1>Yeah, yeah, And just that's the way of he's getting

1760
01:13:08.960 --> 01:13:13.079
<v Speaker 1>praised for all these things. So yeah, I thought it

1761
01:13:13.279 --> 01:13:16.359
<v Speaker 1>served its purpose well as went forward. My only critique

1762
01:13:16.479 --> 01:13:19.199
<v Speaker 1>is I wish that Nolan saved the nudity for the

1763
01:13:19.319 --> 01:13:21.920
<v Speaker 1>scene in the and the hearing, because I think would

1764
01:13:21.920 --> 01:13:23.680
<v Speaker 1>have been a lot bigger of them both being naked

1765
01:13:23.720 --> 01:13:25.560
<v Speaker 1>because for the most part, they both don't really need

1766
01:13:25.640 --> 01:13:27.279
<v Speaker 1>to be naked at it, like when they're just in

1767
01:13:27.359 --> 01:13:28.960
<v Speaker 1>the chairs and stuff. It was like, okay, So I

1768
01:13:29.039 --> 01:13:31.520
<v Speaker 1>wish that because that scene that feels like an A

1769
01:13:31.680 --> 01:13:34.640
<v Speaker 1>twenty four horror movie scene when they're interrogating him and

1770
01:13:34.680 --> 01:13:37.279
<v Speaker 1>they start talking and it's like the classic like underwear

1771
01:13:37.520 --> 01:13:39.720
<v Speaker 1>dream sequens, right, they're talking to him and they do

1772
01:13:39.800 --> 01:13:42.760
<v Speaker 1>this great thing where they pan the camera past Jason's

1773
01:13:43.079 --> 01:13:45.960
<v Speaker 1>Jason's Clark and yeah, they go buy him, and then

1774
01:13:46.079 --> 01:13:47.960
<v Speaker 1>he's nude, and it's like, oh man, what's happening? And

1775
01:13:48.000 --> 01:13:50.479
<v Speaker 1>then they pan again and you just get ridden by

1776
01:13:50.560 --> 01:13:53.840
<v Speaker 1>Florence Pugh and they're completely naked. They're like see, like

1777
01:13:54.000 --> 01:13:57.079
<v Speaker 1>you could see stuff, and you get that horrific shot

1778
01:13:57.279 --> 01:14:01.079
<v Speaker 1>of her influence. You just eyed staring at each other.

1779
01:14:01.439 --> 01:14:03.560
<v Speaker 1>But that's where I wish the nudity came in, because

1780
01:14:03.560 --> 01:14:05.720
<v Speaker 1>that would have just been more impactful, like oh geez,

1781
01:14:05.800 --> 01:14:07.359
<v Speaker 1>like all this is going on and it's not a

1782
01:14:07.439 --> 01:14:09.520
<v Speaker 1>big critique, but that seemed to me that felt like

1783
01:14:09.560 --> 01:14:12.119
<v Speaker 1>an A twenty four movie when weird shit just happened,

1784
01:14:12.199 --> 01:14:14.199
<v Speaker 1>Like what's going on? But I loved it was a

1785
01:14:14.239 --> 01:14:17.560
<v Speaker 1>good allegory four because it's a closed hearing, but it's

1786
01:14:17.600 --> 01:14:21.319
<v Speaker 1>all gonna go public. So even though she knows about this,

1787
01:14:21.439 --> 01:14:24.079
<v Speaker 1>they've talked about him having an affair, it's both of

1788
01:14:24.159 --> 01:14:27.079
<v Speaker 1>them feeling so exposed and it really has nothing to

1789
01:14:27.199 --> 01:14:30.760
<v Speaker 1>do with the trial because if they are convinced he

1790
01:14:30.880 --> 01:14:33.520
<v Speaker 1>might be the leak to Russia, there's nothing to do

1791
01:14:33.840 --> 01:14:37.520
<v Speaker 1>with it, just trying to well, yeah exactly. And it's

1792
01:14:37.560 --> 01:14:40.159
<v Speaker 1>such a great scene because they're both exposed that moment

1793
01:14:40.239 --> 01:14:42.960
<v Speaker 1>and they're both humiliated. They're both for what they have

1794
01:14:43.199 --> 01:14:45.680
<v Speaker 1>to do and they don't. And by last point too

1795
01:14:45.720 --> 01:14:49.640
<v Speaker 1>before you go Kirkling is another a twenty four like

1796
01:14:49.840 --> 01:14:53.239
<v Speaker 1>scary moment is when they showed her dying and there's

1797
01:14:53.279 --> 01:14:56.680
<v Speaker 1>like a two second cut of a guy holding her

1798
01:14:56.760 --> 01:14:59.319
<v Speaker 1>with a glove in the water, and I love just

1799
01:14:59.439 --> 01:15:03.279
<v Speaker 1>that happen stance of what are they insinuating here, Like

1800
01:15:03.439 --> 01:15:05.359
<v Speaker 1>was this like, yeah, sure there's a suicide note, but

1801
01:15:05.520 --> 01:15:07.680
<v Speaker 1>this like is there And maybe that's in the book

1802
01:15:07.680 --> 01:15:10.399
<v Speaker 1>where maybe oppen hyper puts that that theory foward that

1803
01:15:10.520 --> 01:15:13.039
<v Speaker 1>she was killed for some other reason where it's connected

1804
01:15:13.039 --> 01:15:14.920
<v Speaker 1>to him, whether it's because the party she was in,

1805
01:15:15.119 --> 01:15:16.880
<v Speaker 1>But it's great where you see the glove and that

1806
01:15:16.920 --> 01:15:18.760
<v Speaker 1>cuts back to the regular scene of her drowning herself,

1807
01:15:18.800 --> 01:15:20.920
<v Speaker 1>so you really don't know, like, man, what happened they're

1808
01:15:20.920 --> 01:15:23.159
<v Speaker 1>seeing that glove. That was scary. I was like, geez,

1809
01:15:23.239 --> 01:15:25.239
<v Speaker 1>that's it. It's it's a quick cut, but I I

1810
01:15:25.319 --> 01:15:27.680
<v Speaker 1>had goosebumps in that moment, so good stuff around her.

1811
01:15:28.640 --> 01:15:29.479
<v Speaker 4>It happened so fast.

1812
01:15:29.600 --> 01:15:32.279
<v Speaker 1>Yeah. Yeah, it's when they're talking about her dying, it's

1813
01:15:32.359 --> 01:15:34.079
<v Speaker 1>her head down and then for a second it's a

1814
01:15:34.119 --> 01:15:36.239
<v Speaker 1>cut of just a black guve holding her head down

1815
01:15:36.279 --> 01:15:39.239
<v Speaker 1>the water. It's almost insinuating that maybe because they say

1816
01:15:39.319 --> 01:15:41.560
<v Speaker 1>that and she's and that's when they cut timly bumping like, oh,

1817
01:15:41.600 --> 01:15:43.920
<v Speaker 1>it wasn't your fault. So I feel like in the book,

1818
01:15:43.960 --> 01:15:47.960
<v Speaker 1>maybe Oppenheiper proposed something that maybe there was something going

1819
01:15:48.039 --> 01:15:50.319
<v Speaker 1>on that was not or that could just be his guilt,

1820
01:15:50.359 --> 01:15:51.600
<v Speaker 1>like oh, she wouldn't kill herself.

1821
01:15:51.680 --> 01:15:54.039
<v Speaker 5>Like I think it's more that like yeah, he feels

1822
01:15:54.159 --> 01:15:56.640
<v Speaker 5>it so strongly that it's almost as if his hand

1823
01:15:56.720 --> 01:15:57.359
<v Speaker 5>was pushing around.

1824
01:15:57.399 --> 01:16:01.880
<v Speaker 3>Yeah, yeah, yeah, I agree. I feel like in the

1825
01:16:02.960 --> 01:16:06.520
<v Speaker 3>the what do we even call it? The secret this

1826
01:16:07.039 --> 01:16:08.720
<v Speaker 3>trial close hearing?

1827
01:16:08.760 --> 01:16:09.039
<v Speaker 2>There we go.

1828
01:16:09.119 --> 01:16:11.000
<v Speaker 3>I forgot our initial term for it's been so long.

1829
01:16:11.439 --> 01:16:14.640
<v Speaker 3>H yeah, the close hearing secrets of them just going

1830
01:16:14.720 --> 01:16:17.960
<v Speaker 3>so hard into detail about like his relationship with her.

1831
01:16:18.199 --> 01:16:20.039
<v Speaker 3>It's yeah, it's just to like get under his skin

1832
01:16:20.159 --> 01:16:23.039
<v Speaker 3>for sure, but like the place devil advocate to it,

1833
01:16:23.119 --> 01:16:25.920
<v Speaker 3>like they are just linking him to other communists numbers right,

1834
01:16:26.000 --> 01:16:29.119
<v Speaker 3>and she was a communist, so like I I at

1835
01:16:29.199 --> 01:16:31.560
<v Speaker 3>least understand why she was brought up, but like for

1836
01:16:31.680 --> 01:16:34.560
<v Speaker 3>them to go so hard again, that's where if you

1837
01:16:34.640 --> 01:16:36.479
<v Speaker 3>have if you have like a judge there, you can

1838
01:16:36.560 --> 01:16:39.279
<v Speaker 3>have you know, your own lawyer kind of like put

1839
01:16:39.319 --> 01:16:41.159
<v Speaker 3>an end to that and then the relevant Yeah.

1840
01:16:40.960 --> 01:16:43.079
<v Speaker 1>That's all yeah, exactly not this, I mean like did

1841
01:16:43.119 --> 01:16:45.800
<v Speaker 1>you fuck her? Like right from his wife and his wife,

1842
01:16:45.800 --> 01:16:47.279
<v Speaker 1>And I love that scene to because his wife's like

1843
01:16:47.359 --> 01:16:49.680
<v Speaker 1>fiddling like yeah, she's gonna pull a drink, and that

1844
01:16:50.279 --> 01:16:52.479
<v Speaker 1>not too far after the lawyers like she can't like

1845
01:16:52.920 --> 01:16:55.479
<v Speaker 1>she's not gonna talk because for a moment, the lawyer's

1846
01:16:55.560 --> 01:16:57.880
<v Speaker 1>saying that she's not gonna go take the stand. She's

1847
01:16:57.880 --> 01:16:59.319
<v Speaker 1>not gonna say it because he can't trust her. Even

1848
01:16:59.359 --> 01:17:01.600
<v Speaker 1>in that scene, she's like fiddling with her person when

1849
01:17:01.600 --> 01:17:03.479
<v Speaker 1>she's getting talked to by Jesus and Clark at the beginning,

1850
01:17:03.560 --> 01:17:06.039
<v Speaker 1>like she might have a drink just in front of everybody.

1851
01:17:06.079 --> 01:17:08.880
<v Speaker 1>You're like, oh my god, she's just gonna pour one

1852
01:17:08.920 --> 01:17:11.399
<v Speaker 1>out right now in front of everybody, but she you know,

1853
01:17:11.720 --> 01:17:12.840
<v Speaker 1>kept it contained.

1854
01:17:12.560 --> 01:17:16.319
<v Speaker 3>So and oh just great Emily Blend performance in that moment,

1855
01:17:16.479 --> 01:17:20.000
<v Speaker 3>just looking so vulnerable, like part of me not keeping

1856
01:17:20.039 --> 01:17:24.000
<v Speaker 3>eye contact with anyone, Like she just seems super uneasy there.

1857
01:17:24.439 --> 01:17:26.920
<v Speaker 3>Getting back to Florence though, Yeah, I know her her performance,

1858
01:17:27.000 --> 01:17:29.720
<v Speaker 3>like she just she's she brings one hundred percent like

1859
01:17:29.800 --> 01:17:32.359
<v Speaker 3>any scene, like whether it's just her in the background,

1860
01:17:32.479 --> 01:17:35.800
<v Speaker 3>with her like mannerisms, like she just she's acting twenty

1861
01:17:35.800 --> 01:17:37.880
<v Speaker 3>four to seven like when she's on screen, and she

1862
01:17:38.439 --> 01:17:40.680
<v Speaker 3>just does such a good job with it.

1863
01:17:40.800 --> 01:17:44.800
<v Speaker 4>I I do like the inclusion purely for just the.

1864
01:17:46.520 --> 01:17:49.800
<v Speaker 3>Maybe the development that it gives to Oppenheimer's character of

1865
01:17:50.079 --> 01:17:53.000
<v Speaker 3>of coming to that conclusion of like finding his moral

1866
01:17:53.039 --> 01:17:56.359
<v Speaker 3>compass like halfway through, Like I just I just find

1867
01:17:56.439 --> 01:17:59.640
<v Speaker 3>that a lot more palatable of him, Like I feel

1868
01:17:59.640 --> 01:18:01.159
<v Speaker 3>like I didn't need it, but the fact that it

1869
01:18:01.600 --> 01:18:04.960
<v Speaker 3>is in there, like something else that just is evident

1870
01:18:05.079 --> 01:18:08.439
<v Speaker 3>that like his direct or indirect action led to a

1871
01:18:08.520 --> 01:18:11.000
<v Speaker 3>death of someone close to him, It just led to

1872
01:18:11.119 --> 01:18:14.399
<v Speaker 3>him having this conclusion of like the weight of dropping

1873
01:18:14.479 --> 01:18:18.039
<v Speaker 3>you know, like a nuclear bomb, just an entire country

1874
01:18:18.079 --> 01:18:22.119
<v Speaker 3>of people, and like if you thought so brutal about

1875
01:18:22.159 --> 01:18:25.159
<v Speaker 3>like one individual, like even though you knew that person

1876
01:18:26.039 --> 01:18:28.119
<v Speaker 3>just elsewhere in the world, what it's affecting them. I

1877
01:18:28.600 --> 01:18:33.520
<v Speaker 3>did like how that was done. I feel pretty similar

1878
01:18:33.560 --> 01:18:35.880
<v Speaker 3>to you guys, though, like in the early periods, because

1879
01:18:35.920 --> 01:18:37.399
<v Speaker 3>I just I knew she was in the movie. I

1880
01:18:37.439 --> 01:18:40.039
<v Speaker 3>didn't know what character she was or what like. I

1881
01:18:40.039 --> 01:18:41.560
<v Speaker 3>didn't know she was a scientist. I don't know if

1882
01:18:41.600 --> 01:18:43.439
<v Speaker 3>she was his wife or anything like that. So I

1883
01:18:43.520 --> 01:18:47.079
<v Speaker 3>was a little unaware on where to gauge her. So

1884
01:18:47.239 --> 01:18:49.199
<v Speaker 3>in the beginning stages, I feel like I was just

1885
01:18:49.279 --> 01:18:52.760
<v Speaker 3>waiting to get to that moment. But yeah, I did

1886
01:18:52.840 --> 01:18:54.720
<v Speaker 3>not see it going the way that it did. But

1887
01:18:55.479 --> 01:18:59.119
<v Speaker 3>great performance nonetheless. So I am, like you guys, hopeful

1888
01:18:59.159 --> 01:19:01.600
<v Speaker 3>that she'll maybe be paired up with Nolan in the future.

1889
01:19:01.840 --> 01:19:03.840
<v Speaker 3>Maybe she's going like the Killian Murphy route, you know,

1890
01:19:03.920 --> 01:19:07.319
<v Speaker 3>like he had very minor roles in the early early movies. Yeah,

1891
01:19:07.439 --> 01:19:09.560
<v Speaker 3>then it's just gonna be her right on the cover.

1892
01:19:10.600 --> 01:19:11.199
<v Speaker 2>I'd be wild.

1893
01:19:11.319 --> 01:19:14.159
<v Speaker 5>Yeah, I gotta say the one thing that so that

1894
01:19:14.279 --> 01:19:16.239
<v Speaker 5>scene during the trial you said is a twenty four

1895
01:19:16.359 --> 01:19:19.000
<v Speaker 5>ish when she's when she's just riding them, they're both naked,

1896
01:19:19.600 --> 01:19:22.000
<v Speaker 5>I dine laughing, laughing.

1897
01:19:22.159 --> 01:19:23.840
<v Speaker 2>For me, it was not a horror thing.

1898
01:19:23.960 --> 01:19:27.039
<v Speaker 5>I thought that was very very cheesy, and I actually

1899
01:19:27.039 --> 01:19:28.479
<v Speaker 5>wish they didn't do it. It was a bit too

1900
01:19:28.560 --> 01:19:30.920
<v Speaker 5>goofy for me, and I was, yeah, I was cracking

1901
01:19:31.000 --> 01:19:32.239
<v Speaker 5>up for a good like min or two.

1902
01:19:32.279 --> 01:19:33.439
<v Speaker 2>It was just hilarious to me.

1903
01:19:33.640 --> 01:19:37.920
<v Speaker 5>So I don't think that's the expected response there. I

1904
01:19:38.079 --> 01:19:39.279
<v Speaker 5>just think, Yeah, for me, it was the way it was,

1905
01:19:39.479 --> 01:19:41.800
<v Speaker 5>the shot and the goofiness of it was it was

1906
01:19:41.840 --> 01:19:42.439
<v Speaker 5>a bit silly.

1907
01:19:42.560 --> 01:19:45.159
<v Speaker 2>But other than that, I think the character is very

1908
01:19:45.159 --> 01:19:45.520
<v Speaker 2>well done.

1909
01:19:45.880 --> 01:19:47.239
<v Speaker 1>All I was wondering because I want to see the

1910
01:19:47.279 --> 01:19:50.560
<v Speaker 1>scene again. I was just wondering if if they shot

1911
01:19:50.600 --> 01:19:51.720
<v Speaker 1>it separately, if.

1912
01:19:51.600 --> 01:19:53.920
<v Speaker 5>Everyone was in the room with that, I can't Yeah,

1913
01:19:53.920 --> 01:19:56.840
<v Speaker 5>that would it seems very awkward to have to shoot Yeah,

1914
01:19:57.439 --> 01:19:58.840
<v Speaker 5>because both professionals and all that.

1915
01:19:59.239 --> 01:20:01.239
<v Speaker 1>Yeah, because I want I watch scene again, because there's

1916
01:20:01.239 --> 01:20:02.760
<v Speaker 1>a shot where it's all in the people of the back,

1917
01:20:02.760 --> 01:20:04.720
<v Speaker 1>but I want to see there's enough clear cutoff for

1918
01:20:04.760 --> 01:20:06.119
<v Speaker 1>a lots of times Peel do it where they film

1919
01:20:06.239 --> 01:20:08.239
<v Speaker 1>the two scenes separately and then you just interspice them

1920
01:20:08.279 --> 01:20:10.399
<v Speaker 1>together and stuff, because it would have been a would

1921
01:20:10.399 --> 01:20:11.880
<v Speaker 1>have been quite a day of filming.

1922
01:20:12.000 --> 01:20:13.399
<v Speaker 5>But I think that's even like a thing you have

1923
01:20:13.560 --> 01:20:16.560
<v Speaker 5>to do like legally if you're doing like nude scenes

1924
01:20:16.640 --> 01:20:19.399
<v Speaker 5>like that, Like yeah, usually unless you see the people

1925
01:20:19.439 --> 01:20:22.039
<v Speaker 5>who are crucial to the scene, unless I mean in

1926
01:20:22.079 --> 01:20:24.600
<v Speaker 5>the script, are all those twelve people crucial.

1927
01:20:24.359 --> 01:20:24.640
<v Speaker 1>Like all that.

1928
01:20:24.720 --> 01:20:26.399
<v Speaker 5>Yeah, I'm trying to remember like what the shots are like,

1929
01:20:26.399 --> 01:20:28.000
<v Speaker 5>because I know there's like the zoom didn't shot from

1930
01:20:28.039 --> 01:20:30.439
<v Speaker 5>like Emily Blunt's perspective when you're like seeing her face

1931
01:20:30.520 --> 01:20:32.399
<v Speaker 5>like over her shoulder, which is so goofy to me,

1932
01:20:32.760 --> 01:20:34.880
<v Speaker 5>Like I can't remember who was like in the background

1933
01:20:34.920 --> 01:20:36.359
<v Speaker 5>of that shop, and then the rest of it's usually

1934
01:20:36.479 --> 01:20:38.920
<v Speaker 5>like looking at the back of Florence, right, And.

1935
01:20:38.960 --> 01:20:40.479
<v Speaker 1>You never know. That's why Fends might be in this

1936
01:20:40.760 --> 01:20:43.039
<v Speaker 1>world because like like it's all good for her. She's

1937
01:20:43.079 --> 01:20:45.640
<v Speaker 1>a person literally is just she's nude all the time,

1938
01:20:45.760 --> 01:20:47.680
<v Speaker 1>she's on red carpet, she's new all the time. So

1939
01:20:47.720 --> 01:20:49.039
<v Speaker 1>it might have been like the script has written that

1940
01:20:49.079 --> 01:20:51.800
<v Speaker 1>way and on the red carpet, oh yeah, like just

1941
01:20:51.920 --> 01:20:54.119
<v Speaker 1>last week she's wearing a dress. No, she's wearing a dress,

1942
01:20:54.399 --> 01:20:57.439
<v Speaker 1>like you get see through she's not dude, but you

1943
01:20:57.520 --> 01:20:59.199
<v Speaker 1>can see the top of the day. You can see

1944
01:20:59.199 --> 01:21:01.279
<v Speaker 1>everything she doesn't. She's one of those like I don't

1945
01:21:01.279 --> 01:21:04.239
<v Speaker 1>care if you're caught, So that could have been the

1946
01:21:04.279 --> 01:21:05.960
<v Speaker 1>way roll no Olan' in the scene. It's like, well,

1947
01:21:06.000 --> 01:21:07.800
<v Speaker 1>there's only a few actresses that are gonna do this scene,

1948
01:21:07.840 --> 01:21:09.680
<v Speaker 1>and even Killian, right, he'd be sitting there butt ass

1949
01:21:09.800 --> 01:21:11.079
<v Speaker 1>naked in front of all.

1950
01:21:11.000 --> 01:21:13.720
<v Speaker 4>These people, right and Killy it's like, diet, I guess

1951
01:21:13.760 --> 01:21:14.199
<v Speaker 4>I do it.

1952
01:21:14.239 --> 01:21:16.640
<v Speaker 1>You know, So like that's why. Maybe it's like you

1953
01:21:16.760 --> 01:21:18.520
<v Speaker 1>needed someone that's gonna be bold enough, like, hey, you're

1954
01:21:18.560 --> 01:21:20.319
<v Speaker 1>gonna be naked a bunch of people, but we want,

1955
01:21:20.399 --> 01:21:21.439
<v Speaker 1>we need the scene, you know.

1956
01:21:21.680 --> 01:21:24.239
<v Speaker 3>So we'll say I always give you credit with your accents,

1957
01:21:24.239 --> 01:21:26.560
<v Speaker 3>but you're Killian Murphy. I don't think it's up to part.

1958
01:21:26.800 --> 01:21:29.399
<v Speaker 1>I haven't heard him enough because I always forget the interviews.

1959
01:21:29.479 --> 01:21:32.039
<v Speaker 2>He has such a different where's he from?

1960
01:21:32.680 --> 01:21:36.680
<v Speaker 3>He's like Irish, yeah, very like heavy Irish accent, but

1961
01:21:36.760 --> 01:21:38.039
<v Speaker 3>it's like a lower Irish.

1962
01:21:38.079 --> 01:21:40.039
<v Speaker 1>So that's why when the interviews, I have to I

1963
01:21:40.119 --> 01:21:42.000
<v Speaker 1>gotta get I gotta get more used to it. And

1964
01:21:42.079 --> 01:21:43.640
<v Speaker 1>I don't think I'm great with those. I'm good with

1965
01:21:43.720 --> 01:21:46.680
<v Speaker 1>people like weird voices, so maybe I'll have to I'll

1966
01:21:46.680 --> 01:21:48.680
<v Speaker 1>watch Piggy Blinders because I think that's on the list.

1967
01:21:48.760 --> 01:21:51.560
<v Speaker 1>More after this and then I'll I'll learn. But even then,

1968
01:21:51.880 --> 01:21:52.920
<v Speaker 1>is that his natural accent?

1969
01:21:53.000 --> 01:21:53.159
<v Speaker 2>Is that?

1970
01:21:53.279 --> 01:21:56.640
<v Speaker 3>And that show Peggy Blinders? I think so because he

1971
01:21:56.680 --> 01:21:59.800
<v Speaker 3>plays like an Irish irishman Like years he.

1972
01:21:59.800 --> 01:22:01.119
<v Speaker 1>Thought it was silly and I had to tell you

1973
01:22:01.119 --> 01:22:02.319
<v Speaker 1>it was killian. So I don't know if you can

1974
01:22:02.359 --> 01:22:04.079
<v Speaker 1>trust you. I gotta, I gotta watch it, right.

1975
01:22:04.079 --> 01:22:05.840
<v Speaker 3>I mean, yeah, get on there, it's a great show.

1976
01:22:05.920 --> 01:22:08.600
<v Speaker 3>I heard this quote that he like he was living

1977
01:22:08.640 --> 01:22:10.760
<v Speaker 3>in London just because you know, he's very popular actor,

1978
01:22:10.800 --> 01:22:13.199
<v Speaker 3>big bigger town, but he actually moved back because he

1979
01:22:13.199 --> 01:22:16.119
<v Speaker 3>didn't like his kids getting like a normal English accent.

1980
01:22:16.199 --> 01:22:18.840
<v Speaker 3>He wanted to have that that dirty Irish accent.

1981
01:22:20.359 --> 01:22:20.800
<v Speaker 4>Respect.

1982
01:22:21.520 --> 01:22:24.479
<v Speaker 1>Yeah, he's an interesting cat. He's not in a bad way,

1983
01:22:24.640 --> 01:22:26.239
<v Speaker 1>just like he's he's like that. He's a very guy

1984
01:22:26.279 --> 01:22:28.600
<v Speaker 1>that he's keeps himself out of the public eye and stuff.

1985
01:22:28.600 --> 01:22:30.079
<v Speaker 1>So there's lots of good means around the time. The

1986
01:22:30.159 --> 01:22:32.720
<v Speaker 1>strike of it's like Killy Murphy learning how he has

1987
01:22:32.760 --> 01:22:34.399
<v Speaker 1>to do no more press and she's like all these

1988
01:22:34.479 --> 01:22:40.319
<v Speaker 1>celebratory stuff. Yeah, interesting anything else, specifically a shout out

1989
01:22:40.600 --> 01:22:41.840
<v Speaker 1>character scenes moments.

1990
01:22:41.960 --> 01:22:45.079
<v Speaker 5>Yeah, a couple more things here, So the obviously, Yeah,

1991
01:22:45.119 --> 01:22:48.239
<v Speaker 5>the black and white sequences, which is a trick that

1992
01:22:48.359 --> 01:22:51.680
<v Speaker 5>Nolan has done before with Memento, that it's used differently

1993
01:22:51.760 --> 01:22:54.439
<v Speaker 5>than it is Mementomento is like, well, I don't really

1994
01:22:54.439 --> 01:22:56.319
<v Speaker 5>want to spoil if people haven't seen those, but I

1995
01:22:56.399 --> 01:22:59.039
<v Speaker 5>guess I'll say here that essentially black and white is

1996
01:22:59.159 --> 01:23:01.880
<v Speaker 5>used for like, this is the current time, and then

1997
01:23:02.079 --> 01:23:03.680
<v Speaker 5>you know, the scenes in color are kind of the

1998
01:23:03.760 --> 01:23:07.279
<v Speaker 5>story I guess chronologically going through, and then you kind

1999
01:23:07.279 --> 01:23:09.600
<v Speaker 5>of have a bit of that momental moment where I

2000
01:23:09.640 --> 01:23:11.479
<v Speaker 5>think it's like the first time you see Robert Downe

2001
01:23:11.600 --> 01:23:14.039
<v Speaker 5>in color is kind of when you've caught up like

2002
01:23:14.199 --> 01:23:16.279
<v Speaker 5>the I guess the origin story stuff.

2003
01:23:16.319 --> 01:23:18.439
<v Speaker 2>I'll say, caught up with real time.

2004
01:23:18.479 --> 01:23:20.439
<v Speaker 5>We're back and we're in the closed trial and we're

2005
01:23:20.479 --> 01:23:22.800
<v Speaker 5>like kind of closing up and everything's in the present

2006
01:23:22.880 --> 01:23:24.960
<v Speaker 5>day at this point. Both stories have connected.

2007
01:23:25.520 --> 01:23:26.479
<v Speaker 3>So I like that.

2008
01:23:26.720 --> 01:23:29.520
<v Speaker 5>And yeah, I think in terms of Nolan messing with time,

2009
01:23:29.560 --> 01:23:31.000
<v Speaker 5>which is a big thing in his movies, we talked

2010
01:23:31.000 --> 01:23:34.399
<v Speaker 5>about that along the retrospective. Of course, this is I

2011
01:23:34.439 --> 01:23:36.680
<v Speaker 5>guess kind of one of the most light inclusions of it.

2012
01:23:36.720 --> 01:23:39.359
<v Speaker 5>Where you're going back and forth between present and past.

2013
01:23:39.720 --> 01:23:41.399
<v Speaker 5>But I found that it was never really confusing, and

2014
01:23:41.520 --> 01:23:43.520
<v Speaker 5>it wasn't used as to be like some big plot

2015
01:23:43.560 --> 01:23:45.920
<v Speaker 5>twisty thing. It was more just the proper way to

2016
01:23:45.960 --> 01:23:48.359
<v Speaker 5>tell this story and build up the suspension and tension

2017
01:23:48.439 --> 01:23:50.880
<v Speaker 5>and have certain characters that wouldn't really make sense to

2018
01:23:50.960 --> 01:23:53.800
<v Speaker 5>be in like a certain I guess either the past

2019
01:23:54.239 --> 01:23:56.359
<v Speaker 5>or I'll say the present or the past, and see

2020
01:23:56.800 --> 01:23:59.399
<v Speaker 5>through that method of the editing and whatnot, you can

2021
01:23:59.439 --> 01:24:01.680
<v Speaker 5>get them both in there. So obviously that must have

2022
01:24:01.680 --> 01:24:03.840
<v Speaker 5>been pretty intentional. I have to imagine with the way

2023
01:24:03.880 --> 01:24:06.560
<v Speaker 5>they filmed it, because they probably would have filmed the

2024
01:24:06.600 --> 01:24:09.239
<v Speaker 5>black and white scenes like with different cameras and tech.

2025
01:24:09.319 --> 01:24:11.640
<v Speaker 1>That's something that yeah, no one definitely would be. Yeah,

2026
01:24:11.680 --> 01:24:13.239
<v Speaker 1>especially for true black and white, you got to do

2027
01:24:13.279 --> 01:24:14.119
<v Speaker 1>different lighting, and.

2028
01:24:14.720 --> 01:24:17.680
<v Speaker 5>So yeah, I wonder where that moment went for some

2029
01:24:17.800 --> 01:24:20.199
<v Speaker 5>of those scenes with Robert Downey when they finally have

2030
01:24:20.399 --> 01:24:23.520
<v Speaker 5>him in color, if they would have shot those toys

2031
01:24:23.640 --> 01:24:26.000
<v Speaker 5>or with two cameras and they figure out later if

2032
01:24:26.000 --> 01:24:27.600
<v Speaker 5>they're going to edit it, or if he truly just

2033
01:24:27.840 --> 01:24:29.840
<v Speaker 5>from the beginning he knew exactly how this movie was

2034
01:24:29.840 --> 01:24:32.319
<v Speaker 5>going to be laid out and when to have the

2035
01:24:32.399 --> 01:24:34.520
<v Speaker 5>black and white and when to not do it, because yeah,

2036
01:24:34.520 --> 01:24:36.560
<v Speaker 5>I'm sure if you like film the scene without those

2037
01:24:36.640 --> 01:24:38.760
<v Speaker 5>specific cameras and then you try to fix it later

2038
01:24:39.439 --> 01:24:41.159
<v Speaker 5>in the editing with like okay, throw a black and

2039
01:24:41.199 --> 01:24:43.319
<v Speaker 5>white filter on, it would probably not look the same

2040
01:24:43.399 --> 01:24:46.920
<v Speaker 5>and definitely not up till Nolan's standards. So yeah, I

2041
01:24:46.960 --> 01:24:49.119
<v Speaker 5>thought that was a good inclusion, and I always like

2042
01:24:49.159 --> 01:24:53.199
<v Speaker 5>when there's kind of little connectivity between a director's filmographies.

2043
01:24:53.319 --> 01:24:55.960
<v Speaker 5>Was fun, especially Memento's one of my favorites of his.

2044
01:24:56.039 --> 01:24:56.720
<v Speaker 2>One I've seen a lot.

2045
01:24:57.000 --> 01:25:00.399
<v Speaker 1>It was cool, well, much like Memento too, for you know,

2046
01:25:00.479 --> 01:25:03.199
<v Speaker 1>go watch that movie. But he also said the color

2047
01:25:03.239 --> 01:25:06.680
<v Speaker 1>differences are the black and white is what has objectively happened,

2048
01:25:06.760 --> 01:25:09.359
<v Speaker 1>and the color is from Oppenheimer's point of view, so

2049
01:25:09.439 --> 01:25:12.239
<v Speaker 1>it's skewed. That's what he said. Yeah, that's what he said,

2050
01:25:12.319 --> 01:25:13.399
<v Speaker 1>was the differences of the color.

2051
01:25:13.520 --> 01:25:15.319
<v Speaker 2>So if you think about that, very excited.

2052
01:25:16.520 --> 01:25:18.479
<v Speaker 1>Yeah, if you think about that, the black and white

2053
01:25:18.479 --> 01:25:20.840
<v Speaker 1>stuff is mostly the downy stuff the trial. You get

2054
01:25:20.920 --> 01:25:23.680
<v Speaker 1>some flashbacks with Oppenheimer, of course, but most of them

2055
01:25:23.720 --> 01:25:26.800
<v Speaker 1>are featured around those bigger scenes that are you could

2056
01:25:26.840 --> 01:25:29.479
<v Speaker 1>imagine find on like everything that Downy went through is

2057
01:25:29.520 --> 01:25:32.039
<v Speaker 1>on record as far as you know, on public trial

2058
01:25:32.079 --> 01:25:34.439
<v Speaker 1>seeing some of that trial stuff. Because that's the thing.

2059
01:25:34.520 --> 01:25:36.760
<v Speaker 1>When you see that scene of Downy laughing at his joke,

2060
01:25:36.840 --> 01:25:38.800
<v Speaker 1>he's in color, but when they show it again, it's

2061
01:25:38.800 --> 01:25:41.359
<v Speaker 1>in black and white and he's not laughing. So that's

2062
01:25:41.439 --> 01:25:44.680
<v Speaker 1>the way in Albuneier's mind he made this joke like, oh,

2063
01:25:44.680 --> 01:25:47.279
<v Speaker 1>everybody must have loved it, but when they go to reality,

2064
01:25:47.319 --> 01:25:49.920
<v Speaker 1>it's actually fucking Strouss being like fuck you man, like

2065
01:25:50.000 --> 01:25:52.600
<v Speaker 1>you're you're embarrassing me in front of everybody, like I'm

2066
01:25:52.600 --> 01:25:54.680
<v Speaker 1>gonna get you end of the movie. Knowing that I

2067
01:25:54.760 --> 01:25:56.880
<v Speaker 1>didn't know that, yeah, because that he had answered that

2068
01:25:56.920 --> 01:25:58.880
<v Speaker 1>about a few months ago, because the ones the trailer said,

2069
01:25:58.920 --> 01:26:00.680
<v Speaker 1>everyone's like, what's the difference, and he had said, oh,

2070
01:26:00.760 --> 01:26:02.920
<v Speaker 1>well it's this and this, So I luckily had that

2071
01:26:03.039 --> 01:26:04.319
<v Speaker 1>going in there. So that's why it's a little like

2072
01:26:04.359 --> 01:26:06.760
<v Speaker 1>momento where he does use the colors to show a

2073
01:26:06.840 --> 01:26:09.800
<v Speaker 1>certain perspectives of characters and timeline. So yeah, watch out

2074
01:26:09.840 --> 01:26:11.560
<v Speaker 1>for that when you watch it again. But most of

2075
01:26:11.560 --> 01:26:13.399
<v Speaker 1>the black and white. That's why majority of that is

2076
01:26:13.479 --> 01:26:16.479
<v Speaker 1>on Downy because that's the stuff that's on public record

2077
01:26:16.520 --> 01:26:19.000
<v Speaker 1>of like, okay, this happened. This guy made a statement,

2078
01:26:19.079 --> 01:26:20.800
<v Speaker 1>he didn't get a seat, you know stuff.

2079
01:26:20.960 --> 01:26:30.479
<v Speaker 3>So Kenneth Bron Bron Karana. I love his I just

2080
01:26:30.520 --> 01:26:33.600
<v Speaker 3>love him as an actor. I specifically with his roles

2081
01:26:33.640 --> 01:26:37.239
<v Speaker 3>in Nolan movies. Again, like the more I watched Tenant,

2082
01:26:37.359 --> 01:26:39.960
<v Speaker 3>I just I love him as a piece of shit,

2083
01:26:40.039 --> 01:26:40.760
<v Speaker 3>asshole villain.

2084
01:26:40.960 --> 01:26:42.760
<v Speaker 4>He's just so good in that role.

2085
01:26:42.840 --> 01:26:45.359
<v Speaker 3>But in here he's just you know, a lot, a

2086
01:26:45.399 --> 01:26:47.399
<v Speaker 3>lot more minor of a role just playing Neil's Bore,

2087
01:26:47.840 --> 01:26:49.760
<v Speaker 3>a scientist that you know, I learned about in chemistry

2088
01:26:49.800 --> 01:26:51.359
<v Speaker 3>back in the day, So it's just funny to have

2089
01:26:51.640 --> 01:26:55.800
<v Speaker 3>a familiar face betray him and just like the big scientists.

2090
01:26:56.039 --> 01:26:57.840
<v Speaker 4>I mean, there's probably so many more that I didn't.

2091
01:26:57.600 --> 01:27:00.680
<v Speaker 3>Even recognize, like throughout the movie, but the one, I mean,

2092
01:27:00.720 --> 01:27:03.079
<v Speaker 3>you had Alt Einstein of course, in here, Neil's boor

2093
01:27:03.840 --> 01:27:07.359
<v Speaker 3>Werner Heisenberg, like the German guy that was that was

2094
01:27:07.399 --> 01:27:09.760
<v Speaker 3>helping the Nazis try and find their own bomb. Just

2095
01:27:09.840 --> 01:27:12.239
<v Speaker 3>like hearing those names and having like surface level knowledge

2096
01:27:12.279 --> 01:27:15.720
<v Speaker 3>of them, it was just kind of interesting thinking about

2097
01:27:15.760 --> 01:27:18.680
<v Speaker 3>these scenes where, especially back when like Oppenheimer was a

2098
01:27:18.720 --> 01:27:20.800
<v Speaker 3>student when they were doing those flashbacks early on in

2099
01:27:20.880 --> 01:27:24.159
<v Speaker 3>the movie of just him being so enamored about like

2100
01:27:24.319 --> 01:27:26.800
<v Speaker 3>learning different things from because like I don't know it

2101
01:27:27.199 --> 01:27:30.600
<v Speaker 3>just I think something that will probably go a little

2102
01:27:30.640 --> 01:27:33.760
<v Speaker 3>bit less noticed for this movie is just how well

2103
01:27:33.960 --> 01:27:38.399
<v Speaker 3>that was told of like where science was in this era,

2104
01:27:38.560 --> 01:27:40.720
<v Speaker 3>Like you can't just go on the internet and like FaceTime,

2105
01:27:40.840 --> 01:27:43.800
<v Speaker 3>you know a scientist like in in wherever, like because

2106
01:27:43.840 --> 01:27:46.319
<v Speaker 3>he was in the States, and then he made a

2107
01:27:46.359 --> 01:27:48.159
<v Speaker 3>big emphasis that he he had to go study in

2108
01:27:48.239 --> 01:27:51.199
<v Speaker 3>Europe because nobody is talking about quantum mechanics here, like

2109
01:27:51.239 --> 01:27:53.600
<v Speaker 3>he has to learn about it. And then he's there

2110
01:27:53.640 --> 01:27:56.880
<v Speaker 3>and he really hates his teacher. He he you know,

2111
01:27:57.039 --> 01:27:59.319
<v Speaker 3>like he's super excited for the Neils Bore lecture, but

2112
01:27:59.520 --> 01:28:00.720
<v Speaker 3>he's just around in class.

2113
01:28:00.760 --> 01:28:01.760
<v Speaker 4>So just like stay back.

2114
01:28:02.079 --> 01:28:07.279
<v Speaker 3>He almost almost murders his is his professor. But then yeah,

2115
01:28:07.359 --> 01:28:09.720
<v Speaker 3>just fast forward to like it turned like he actually

2116
01:28:09.800 --> 01:28:11.920
<v Speaker 3>has a conversation with Neil's borr and it's like you're

2117
01:28:11.920 --> 01:28:13.600
<v Speaker 3>probably wasting your time here, like you should go to

2118
01:28:13.680 --> 01:28:16.359
<v Speaker 3>this place to study more of the theory side and

2119
01:28:16.560 --> 01:28:19.079
<v Speaker 3>just the linking together of all these different inspirations that

2120
01:28:19.920 --> 01:28:23.560
<v Speaker 3>again just allows him to come to different conclusions with

2121
01:28:23.920 --> 01:28:24.640
<v Speaker 3>the science stuff.

2122
01:28:24.680 --> 01:28:25.960
<v Speaker 4>I find that just so.

2123
01:28:26.079 --> 01:28:29.640
<v Speaker 3>Interesting and I loved I love the way that they

2124
01:28:29.720 --> 01:28:33.039
<v Speaker 3>did the shot of him like at school, just not

2125
01:28:33.159 --> 01:28:35.840
<v Speaker 3>being able to sleep because all like he's terrified of

2126
01:28:36.000 --> 01:28:39.159
<v Speaker 3>just the thought of like what quantum mechanics is. And

2127
01:28:39.960 --> 01:28:42.800
<v Speaker 3>it just was a cool little insight into like how

2128
01:28:43.119 --> 01:28:47.279
<v Speaker 3>a super super super brilliant person is just like cursed

2129
01:28:47.359 --> 01:28:49.199
<v Speaker 3>in that sense that like they can't just calm their

2130
01:28:49.239 --> 01:28:52.439
<v Speaker 3>mind down and like think about memes, you know, like

2131
01:28:52.560 --> 01:28:54.560
<v Speaker 3>I know memes are around this time, but just just

2132
01:28:54.920 --> 01:28:58.039
<v Speaker 3>stupid random things. Like they're thinking about literally the structure

2133
01:28:58.079 --> 01:29:00.399
<v Speaker 3>of the universe and how at all these moments like

2134
01:29:00.479 --> 01:29:03.199
<v Speaker 3>it could just collapse or break apart, and like again

2135
01:29:03.239 --> 01:29:05.239
<v Speaker 3>the great editing of just flashing in those moments. It's

2136
01:29:05.279 --> 01:29:07.399
<v Speaker 3>almost like a nightmare like that, no kidding, he can't

2137
01:29:07.439 --> 01:29:09.439
<v Speaker 3>sleep just thinking about these little particles that are just

2138
01:29:09.520 --> 01:29:12.479
<v Speaker 3>all around us. And I can't remember which character he's

2139
01:29:12.520 --> 01:29:16.159
<v Speaker 3>talking to, but he's explaining how I oh, it was

2140
01:29:16.720 --> 01:29:19.399
<v Speaker 3>his other mistress on one of the other person's wives

2141
01:29:19.439 --> 01:29:21.319
<v Speaker 3>that he was he was getting all interested in, but

2142
01:29:21.399 --> 01:29:23.279
<v Speaker 3>she was like explaining to me quantum mechanics, and he

2143
01:29:23.359 --> 01:29:26.439
<v Speaker 3>was just saying how everything is majority like empty space,

2144
01:29:26.520 --> 01:29:29.359
<v Speaker 3>and it's just it's just a perspective that vast majority

2145
01:29:29.359 --> 01:29:31.960
<v Speaker 3>of people would just not be thinking about. But for him,

2146
01:29:32.000 --> 01:29:35.359
<v Speaker 3>that's just like the main way of thinking. So again,

2147
01:29:35.399 --> 01:29:36.880
<v Speaker 3>I was kind of going all over the place there,

2148
01:29:36.920 --> 01:29:40.199
<v Speaker 3>but I just love the his the way that they

2149
01:29:40.279 --> 01:29:43.760
<v Speaker 3>showcased his thought process, and again just all the scientists

2150
01:29:43.800 --> 01:29:45.359
<v Speaker 3>and stuff that we're including this movie.

2151
01:29:45.479 --> 01:29:46.159
<v Speaker 4>I really like that.

2152
01:29:46.640 --> 01:29:48.680
<v Speaker 5>I'm really glad you shouted that out because I think

2153
01:29:48.720 --> 01:29:50.880
<v Speaker 5>that was an interesting element of it where and this

2154
01:29:51.000 --> 01:29:52.840
<v Speaker 5>is once again could just be like a Nolan playing

2155
01:29:52.880 --> 01:29:54.880
<v Speaker 5>with time sort of thing, but they try and show

2156
01:29:54.920 --> 01:29:57.560
<v Speaker 5>that multiple times where he can kind of see the

2157
01:29:57.600 --> 01:29:59.039
<v Speaker 5>future in the way and not in a big sci

2158
01:29:59.119 --> 01:30:01.319
<v Speaker 5>fi way where he can be a doctor strange and

2159
01:30:01.399 --> 01:30:03.960
<v Speaker 5>literally see what's gonna happen. But like that scene of

2160
01:30:04.079 --> 01:30:08.520
<v Speaker 5>everyone stomping in the courthouse thing, when he's like, you know,

2161
01:30:08.760 --> 01:30:11.560
<v Speaker 5>out making that big announcement, like that happens way earlier

2162
01:30:11.600 --> 01:30:16.359
<v Speaker 5>in the movie before it actually happens in the actual movie,

2163
01:30:16.479 --> 01:30:18.840
<v Speaker 5>and that's kind of interesting, or I guess I should say,

2164
01:30:18.840 --> 01:30:21.199
<v Speaker 5>in the timeline. So that's kind of interesting that there's

2165
01:30:21.439 --> 01:30:23.439
<v Speaker 5>a few elements of that, and he's just kind of

2166
01:30:23.840 --> 01:30:26.399
<v Speaker 5>always a few steps ahead. And that's when obviously he

2167
01:30:26.439 --> 01:30:28.359
<v Speaker 5>starts to get super worried about the bomb because he

2168
01:30:28.520 --> 01:30:30.439
<v Speaker 5>knows what it's gonna do. And then I think that,

2169
01:30:30.520 --> 01:30:32.880
<v Speaker 5>you know, that ties like right in into the ending,

2170
01:30:32.920 --> 01:30:36.079
<v Speaker 5>which kind of has like you could take it almost

2171
01:30:36.119 --> 01:30:37.760
<v Speaker 5>as like an inception sort of thing, that, oh, is

2172
01:30:37.800 --> 01:30:39.239
<v Speaker 5>this the ending of the movie or is he just

2173
01:30:39.319 --> 01:30:42.359
<v Speaker 5>imagining it. It's definitely not as ambiguous as Inception is

2174
01:30:43.159 --> 01:30:45.640
<v Speaker 5>in that way, but I still think it's like, man,

2175
01:30:45.760 --> 01:30:48.119
<v Speaker 5>he is having this thought and like he's envisioning what

2176
01:30:48.199 --> 01:30:50.680
<v Speaker 5>all these bombs are gonna look like, and this the

2177
01:30:50.760 --> 01:30:53.199
<v Speaker 5>world being destroyed by all these things, and it's like

2178
01:30:53.279 --> 01:30:54.920
<v Speaker 5>that's just kind of left with you as a viewer

2179
01:30:54.960 --> 01:30:57.920
<v Speaker 5>of like, that's probably just gonna happen someday, isn't it.

2180
01:30:58.039 --> 01:31:00.479
<v Speaker 5>Like I don't know, life's gonna go on, so for

2181
01:31:00.720 --> 01:31:03.319
<v Speaker 5>as long as human beings are gonna be around, that

2182
01:31:03.399 --> 01:31:06.119
<v Speaker 5>could just straight up be what the end of all

2183
01:31:06.199 --> 01:31:09.439
<v Speaker 5>of this is is some situation where obviously we have

2184
01:31:09.520 --> 01:31:11.840
<v Speaker 5>all these things set in place now, so the bombs

2185
01:31:11.840 --> 01:31:14.600
<v Speaker 5>are not made like this, but yeah, like that that

2186
01:31:14.760 --> 01:31:16.279
<v Speaker 5>very well could happen, and the fact that he's just

2187
01:31:16.359 --> 01:31:19.159
<v Speaker 5>kind of cursed with the knowledge of it because he

2188
01:31:19.239 --> 01:31:22.039
<v Speaker 5>has that greater understanding is kind of a terrifying thought

2189
01:31:22.079 --> 01:31:24.239
<v Speaker 5>and in that very null anyway, like a good place

2190
01:31:24.319 --> 01:31:26.720
<v Speaker 5>to just like roll the credits at that point and

2191
01:31:26.880 --> 01:31:29.680
<v Speaker 5>leave you with that particular thought. And that's that's a

2192
01:31:29.720 --> 01:31:31.960
<v Speaker 5>fucking terrifying thing to think about, because this is not

2193
01:31:32.079 --> 01:31:34.960
<v Speaker 5>a sci fi movie. This is what life is like,

2194
01:31:35.119 --> 01:31:37.239
<v Speaker 5>well at least the black and white sequences are what

2195
01:31:37.359 --> 01:31:37.600
<v Speaker 5>life is.

2196
01:31:37.960 --> 01:31:42.239
<v Speaker 3>Yeah, no, absolutely, And I feel like that point, like

2197
01:31:42.560 --> 01:31:44.319
<v Speaker 3>even like back in the day, like Elementary just go

2198
01:31:44.399 --> 01:31:46.119
<v Speaker 3>I remember just hearing that fact that like, yeah, we

2199
01:31:46.239 --> 01:31:48.800
<v Speaker 3>have enough nukes to destroy the world twice and then

2200
01:31:49.199 --> 01:31:52.079
<v Speaker 3>like that was like almost twenty years ago now, so

2201
01:31:52.199 --> 01:31:54.560
<v Speaker 3>it's like, I'm sure we've even have even more nukes

2202
01:31:54.600 --> 01:31:57.079
<v Speaker 3>than that. It's just like what is the purpose of that? Like,

2203
01:31:57.159 --> 01:32:00.399
<v Speaker 3>who would ever need that many nukes to just destroy everything?

2204
01:32:00.479 --> 01:32:02.720
<v Speaker 3>But that is the reality that we live in, And yeah,

2205
01:32:02.800 --> 01:32:05.199
<v Speaker 3>that's a good shout out at the end of the movie,

2206
01:32:05.359 --> 01:32:08.640
<v Speaker 3>just just leaving us with that moment of like the ripples,

2207
01:32:10.000 --> 01:32:12.000
<v Speaker 3>and again, it's just a very very artsy shot of

2208
01:32:12.079 --> 01:32:14.239
<v Speaker 3>like the rain drops and then relating that to the

2209
01:32:14.359 --> 01:32:17.720
<v Speaker 3>different just bombs going off eerie, very eerie.

2210
01:32:18.239 --> 01:32:20.760
<v Speaker 1>Oh yeah, because nowadays all like the big countries have

2211
01:32:21.159 --> 01:32:23.920
<v Speaker 1>nukes and stuffing like that in the little countries. Now, Yeah,

2212
01:32:24.039 --> 01:32:26.479
<v Speaker 1>exactly right, And it's that that thing where if one

2213
01:32:26.600 --> 01:32:29.920
<v Speaker 1>goes off, then it's we've never had That's always the fear,

2214
01:32:30.000 --> 01:32:32.119
<v Speaker 1>is right, nuclear war. There's been nukes drop, But to

2215
01:32:32.199 --> 01:32:34.800
<v Speaker 1>have a nuclear war where multiple countries are throwing them around,

2216
01:32:34.840 --> 01:32:37.399
<v Speaker 1>you hope that the You hope it never gets to

2217
01:32:37.439 --> 01:32:38.000
<v Speaker 1>that point, you know.

2218
01:32:38.119 --> 01:32:39.880
<v Speaker 5>Yeah, I mean even what they're talking about with the

2219
01:32:39.960 --> 01:32:43.960
<v Speaker 5>science of it, how if this bomb was made slightly differently,

2220
01:32:44.079 --> 01:32:46.880
<v Speaker 5>like one bomb could destroy everything just because the chain

2221
01:32:46.960 --> 01:32:47.960
<v Speaker 5>reaction element of it is.

2222
01:32:49.800 --> 01:32:54.039
<v Speaker 1>Yeah, have fun, But.

2223
01:32:54.399 --> 01:32:55.560
<v Speaker 2>Yeah, I mean I don't.

2224
01:32:55.560 --> 01:32:57.399
<v Speaker 5>I feel like I want to talk more about Keilly Murphy,

2225
01:32:57.399 --> 01:32:59.560
<v Speaker 5>but I don't know what else to say. I guess

2226
01:33:00.279 --> 01:33:02.960
<v Speaker 5>for me, like I think going forward, whenever I'm thinking

2227
01:33:02.960 --> 01:33:06.600
<v Speaker 5>about like a gray area character, an ambiguous character, you know,

2228
01:33:06.680 --> 01:33:08.560
<v Speaker 5>are they morally right or wrong? That kind of thing,

2229
01:33:08.720 --> 01:33:09.840
<v Speaker 5>I feel like this is gonna be one of like

2230
01:33:09.920 --> 01:33:12.720
<v Speaker 5>the prime examples of a character to look at because

2231
01:33:13.119 --> 01:33:16.239
<v Speaker 5>it's just such an interesting element of it, of the

2232
01:33:16.720 --> 01:33:20.039
<v Speaker 5>we've talked about the responsibility that he feels and you

2233
01:33:20.119 --> 01:33:21.520
<v Speaker 5>could debate, you could debate.

2234
01:33:21.279 --> 01:33:24.399
<v Speaker 2>That all day, all year, all lifelong of like is

2235
01:33:24.479 --> 01:33:26.159
<v Speaker 2>he truly responsible or is he not?

2236
01:33:27.279 --> 01:33:29.119
<v Speaker 5>That sort of stuff is really interesting then, even Yeah,

2237
01:33:29.199 --> 01:33:32.640
<v Speaker 5>just on the personal side, like he also is a cheater,

2238
01:33:32.720 --> 01:33:35.680
<v Speaker 5>and he also abandoned a child and was probably a

2239
01:33:35.840 --> 01:33:38.920
<v Speaker 5>very absent father, and like I had all these issues

2240
01:33:38.960 --> 01:33:42.479
<v Speaker 5>as like a human being outside of like just who

2241
01:33:42.560 --> 01:33:44.680
<v Speaker 5>he was as like a scientist in person and all

2242
01:33:44.800 --> 01:33:47.520
<v Speaker 5>that stuff, And yeah, I found that element interesting too,

2243
01:33:47.560 --> 01:33:49.720
<v Speaker 5>when it's someone has that line of like, dude, you

2244
01:33:49.760 --> 01:33:52.720
<v Speaker 5>haven't done like it's paraphrase here, you haven't done any

2245
01:33:52.800 --> 01:33:54.800
<v Speaker 5>sciencing in weeks. You know, Like he's not even doing

2246
01:33:54.840 --> 01:33:57.119
<v Speaker 5>that element anymore because he's kind of caught up in

2247
01:33:57.279 --> 01:33:59.800
<v Speaker 5>the maybe not fortune and a little bit of fortune,

2248
01:33:59.800 --> 01:34:02.359
<v Speaker 5>but like fame and fortune and the glory of all

2249
01:34:02.399 --> 01:34:02.560
<v Speaker 5>of it.

2250
01:34:02.680 --> 01:34:04.800
<v Speaker 2>And yeah, like we've already talked about that.

2251
01:34:05.199 --> 01:34:08.760
<v Speaker 5>That scene when he's just talking to the crowd and

2252
01:34:08.880 --> 01:34:10.960
<v Speaker 5>he's obviously having these visions. He's like tripping out at

2253
01:34:11.000 --> 01:34:13.920
<v Speaker 5>this point, But like Matt, every line of dialogue he

2254
01:34:14.039 --> 01:34:16.840
<v Speaker 5>has there and how he's just like he's just selling his.

2255
01:34:16.960 --> 01:34:19.119
<v Speaker 1>Soul one line at a time, a propaganda.

2256
01:34:19.279 --> 01:34:20.560
<v Speaker 2>Yeah, line after line.

2257
01:34:20.680 --> 01:34:25.399
<v Speaker 5>It is like it's disgusting, but like and there's the

2258
01:34:25.520 --> 01:34:28.560
<v Speaker 5>other side of it, of like the sympathetic side of it,

2259
01:34:28.680 --> 01:34:31.359
<v Speaker 5>Like to some extent, you've seeing how he acted in

2260
01:34:31.439 --> 01:34:34.720
<v Speaker 5>certain moments, like he was actively trying to stop them

2261
01:34:34.880 --> 01:34:37.399
<v Speaker 5>from using this bomb and he didn't he didn't want

2262
01:34:37.439 --> 01:34:40.479
<v Speaker 5>it to be dropped at all eventually, So there's that

2263
01:34:40.600 --> 01:34:43.279
<v Speaker 5>element of it, and he very well could have been

2264
01:34:43.319 --> 01:34:45.319
<v Speaker 5>close to like getting them to stop doing that. Maybe not,

2265
01:34:45.479 --> 01:34:47.439
<v Speaker 5>maybe just the US was just so savage and was

2266
01:34:47.439 --> 01:34:48.760
<v Speaker 5>going to do it no matter what, even if the

2267
01:34:48.800 --> 01:34:52.680
<v Speaker 5>bomb was like half as strong as it was, and

2268
01:34:52.800 --> 01:34:54.600
<v Speaker 5>there was something else I was gonna say about.

2269
01:34:54.520 --> 01:34:56.760
<v Speaker 1>Like I think at that time, Yeah, because at that time,

2270
01:34:56.840 --> 01:34:58.640
<v Speaker 1>like Matt daven has that line where he yells like

2271
01:34:58.680 --> 01:35:00.920
<v Speaker 1>it's the most important thing, but it really was. You

2272
01:35:01.000 --> 01:35:04.399
<v Speaker 1>look at documentaries and movies and books and stuff, it's

2273
01:35:04.840 --> 01:35:07.239
<v Speaker 1>was viewed as like this was it was the end times.

2274
01:35:07.279 --> 01:35:09.760
<v Speaker 1>It was all someone's gonna die, and it was just

2275
01:35:09.840 --> 01:35:13.199
<v Speaker 1>people going and getting killed and killed, and especially.

2276
01:35:13.000 --> 01:35:15.840
<v Speaker 3>Like where the world was when they started the project,

2277
01:35:15.920 --> 01:35:18.840
<v Speaker 3>right like that's like the Nazis are still kicking and like.

2278
01:35:18.880 --> 01:35:22.319
<v Speaker 4>Two years later evil is going on in the world, Like, yeah,

2279
01:35:22.399 --> 01:35:25.359
<v Speaker 4>that is the end times. Yeah, like it wasn't because

2280
01:35:25.359 --> 01:35:26.399
<v Speaker 4>look at us now our podcast.

2281
01:35:28.640 --> 01:35:31.319
<v Speaker 5>And then yeah, I think you know, also it's smart too,

2282
01:35:31.319 --> 01:35:34.720
<v Speaker 5>because we unless this's gonna be like an alternate history movie,

2283
01:35:34.840 --> 01:35:36.560
<v Speaker 5>like we know in some ways where things are gonna

2284
01:35:36.600 --> 01:35:37.960
<v Speaker 5>end up. So I think it was really smart too,

2285
01:35:38.560 --> 01:35:41.399
<v Speaker 5>Like I don't know what what I did not know

2286
01:35:41.560 --> 01:35:44.319
<v Speaker 5>enough about Alponheimer's history to know what the result of

2287
01:35:44.479 --> 01:35:47.319
<v Speaker 5>that closed hearing was gonna be, And so I think

2288
01:35:47.359 --> 01:35:49.760
<v Speaker 5>that was a really smart thing to turn that as

2289
01:35:49.880 --> 01:35:51.840
<v Speaker 5>to be like the final big reveals of the movie

2290
01:35:51.960 --> 01:35:54.279
<v Speaker 5>rather than like what we're building up to, just because

2291
01:35:54.319 --> 01:35:56.359
<v Speaker 5>that you would think that history is so ubiquitous that

2292
01:35:56.359 --> 01:35:59.399
<v Speaker 5>everyone kind of know that, maybe like some younger viewers

2293
01:35:59.439 --> 01:36:01.920
<v Speaker 5>would in or something like that. But I thought that

2294
01:36:02.000 --> 01:36:03.880
<v Speaker 5>was a really smart move. And then also I just

2295
01:36:03.920 --> 01:36:06.840
<v Speaker 5>thought it was interesting that they like when we start

2296
01:36:06.880 --> 01:36:09.800
<v Speaker 5>when we're in it in the movie, like Killy Murphy's

2297
01:36:09.840 --> 01:36:12.680
<v Speaker 5>carry or Oppenheimer, I just say his name. He's kind

2298
01:36:12.720 --> 01:36:16.159
<v Speaker 5>of he's already like renowned, like almost worldwide or in

2299
01:36:16.239 --> 01:36:19.760
<v Speaker 5>several country countries. He's already proven to be very smart,

2300
01:36:19.800 --> 01:36:21.439
<v Speaker 5>and we're just kind of told that rather than being

2301
01:36:21.800 --> 01:36:24.199
<v Speaker 5>shown that. So I thought there's an interesting choice. Obviously,

2302
01:36:24.279 --> 01:36:26.840
<v Speaker 5>this movie's i'm gonna say, only three hours long. You

2303
01:36:26.840 --> 01:36:29.079
<v Speaker 5>could have done it longer and shown what his early

2304
01:36:29.600 --> 01:36:31.960
<v Speaker 5>early college days and traveling and what that was like.

2305
01:36:32.000 --> 01:36:33.399
<v Speaker 5>We got, like, you know, we're just hints of it

2306
01:36:33.479 --> 01:36:35.520
<v Speaker 5>here there. And I think if this was a TV

2307
01:36:35.720 --> 01:36:37.640
<v Speaker 5>series that was like eight episodes long, you would do

2308
01:36:37.720 --> 01:36:40.119
<v Speaker 5>an episode of two of that with like the younger years,

2309
01:36:40.199 --> 01:36:42.000
<v Speaker 5>or maybe like his child or something like that. I

2310
01:36:42.039 --> 01:36:43.920
<v Speaker 5>don't think you need it here, but I did think

2311
01:36:43.960 --> 01:36:47.239
<v Speaker 5>it was an interesting choice, considering that we see so

2312
01:36:47.520 --> 01:36:49.680
<v Speaker 5>much of the rest of his life that we kind

2313
01:36:49.720 --> 01:36:49.920
<v Speaker 5>of just.

2314
01:36:50.359 --> 01:36:52.119
<v Speaker 2>Skipped forward to a few chapters.

2315
01:36:52.159 --> 01:36:54.920
<v Speaker 5>And I wonder if that's why the book starts off too,

2316
01:36:55.159 --> 01:36:58.199
<v Speaker 5>or if just from the filmmaking perspective adapting that, if

2317
01:36:58.239 --> 01:37:00.560
<v Speaker 5>that was just kind of like, well, we gotta started

2318
01:37:00.600 --> 01:37:03.600
<v Speaker 5>somewhere because we don't have you know, we don't have

2319
01:37:03.680 --> 01:37:06.840
<v Speaker 5>twenty hours to put in front of a to throw

2320
01:37:06.880 --> 01:37:08.960
<v Speaker 5>in a theater for people unless we do this part two,

2321
01:37:09.000 --> 01:37:10.600
<v Speaker 5>Part three, Part four, which I don't think would be

2322
01:37:10.600 --> 01:37:11.199
<v Speaker 5>a great idea.

2323
01:37:11.319 --> 01:37:14.920
<v Speaker 2>So yeah, I think that's pretty much it for me.

2324
01:37:15.000 --> 01:37:15.960
<v Speaker 2>On the note side of things.

2325
01:37:16.880 --> 01:37:19.079
<v Speaker 1>All right, well, Kirkling, I.

2326
01:37:19.119 --> 01:37:20.239
<v Speaker 4>Was just gonna shot out Danda Han.

2327
01:37:20.720 --> 01:37:24.920
<v Speaker 1>I quite like see dandaon back. Yeah, I always want

2328
01:37:24.960 --> 01:37:27.840
<v Speaker 1>to do more. Yeah, good asshole character. He's of course,

2329
01:37:27.920 --> 01:37:30.319
<v Speaker 1>you can just tell he's not. He gets there, he's

2330
01:37:30.479 --> 01:37:31.399
<v Speaker 1>he's trouble, you know.

2331
01:37:31.960 --> 01:37:34.720
<v Speaker 4>And the fucking Polka Dot man for you. I would

2332
01:37:34.760 --> 01:37:35.680
<v Speaker 4>never know that actor's name.

2333
01:37:35.840 --> 01:37:38.560
<v Speaker 1>Yeah, David Desmashin. Yeah, it was a good little role.

2334
01:37:38.600 --> 01:37:39.840
<v Speaker 1>I liked that he was in there. He's like a

2335
01:37:39.960 --> 01:37:42.760
<v Speaker 1>knowing classic. Great because he was in the Dark Night.

2336
01:37:42.920 --> 01:37:46.560
<v Speaker 1>He played Rachel DAWs like a fake. He's the shooter,

2337
01:37:47.199 --> 01:37:49.079
<v Speaker 1>he's with the joker and the parade and stuff, and

2338
01:37:49.159 --> 01:37:50.119
<v Speaker 1>that's when he was nobody.

2339
01:37:50.199 --> 01:37:50.399
<v Speaker 3>He was.

2340
01:37:50.640 --> 01:37:52.760
<v Speaker 1>He was just like a character actor and he's come

2341
01:37:52.880 --> 01:37:55.079
<v Speaker 1>so far, so it's it's fun to see him again.

2342
01:37:55.159 --> 01:37:58.079
<v Speaker 1>This felt like there's been some missing people. Of course

2343
01:37:58.199 --> 01:38:01.039
<v Speaker 1>you don't have like your Christian Bales. Maybe you're I'm

2344
01:38:01.079 --> 01:38:02.800
<v Speaker 1>trying to think of another like we were talking about

2345
01:38:03.079 --> 01:38:05.319
<v Speaker 1>Michael Kaine or even you could argue Guy Pierce, but

2346
01:38:05.439 --> 01:38:07.840
<v Speaker 1>this is really a Nolan best of like Dave del

2347
01:38:07.920 --> 01:38:09.960
<v Speaker 1>Smash and being in there like that's, like I said,

2348
01:38:10.000 --> 01:38:12.359
<v Speaker 1>a callback to The Dark Knight and stuff. So it's

2349
01:38:12.439 --> 01:38:14.479
<v Speaker 1>it's fun to see a lot of those, you know obviously,

2350
01:38:14.560 --> 01:38:18.159
<v Speaker 1>and Casey Affleck he was used again later on yeah, character.

2351
01:38:18.119 --> 01:38:21.079
<v Speaker 3>So and like I feel like I don't know, I've

2352
01:38:21.479 --> 01:38:24.399
<v Speaker 3>I've definitely seen Casey Affleck and saying in things mostly

2353
01:38:24.560 --> 01:38:27.119
<v Speaker 3>comedic roles. I just think of like The Ocean's movies,

2354
01:38:27.439 --> 01:38:30.439
<v Speaker 3>his character in that. But man, like they did for

2355
01:38:30.560 --> 01:38:31.960
<v Speaker 3>me at at least, I feel like they did a

2356
01:38:32.000 --> 01:38:33.680
<v Speaker 3>really good job and just show it Casey and how

2357
01:38:33.800 --> 01:38:35.800
<v Speaker 3>like dark this character is. And I didn't see him

2358
01:38:35.840 --> 01:38:37.720
<v Speaker 3>do any fucking dark things, just like the way that

2359
01:38:37.800 --> 01:38:40.800
<v Speaker 3>he was talking about certain situations or maybe that they're

2360
01:38:40.880 --> 01:38:45.000
<v Speaker 3>describing like his methods. I was like fearful on like

2361
01:38:45.119 --> 01:38:48.560
<v Speaker 3>in those moments, like just the possibilities of what could

2362
01:38:48.560 --> 01:38:50.760
<v Speaker 3>come from what he was about to do, and like

2363
01:38:50.840 --> 01:38:52.479
<v Speaker 3>I don't even know what he would be doing, Like

2364
01:38:52.560 --> 01:38:54.319
<v Speaker 3>I it's just such a great area. I just see

2365
01:38:54.399 --> 01:38:57.399
<v Speaker 3>him like the Baba Yaga, like a hit Man type character.

2366
01:38:57.560 --> 01:39:00.520
<v Speaker 3>Like I'm just I'm fearful for Oppenheimer with that character

2367
01:39:00.720 --> 01:39:02.000
<v Speaker 3>kind of being on his case.

2368
01:39:02.680 --> 01:39:04.199
<v Speaker 1>Rob and I everything. He's doing all the right things,

2369
01:39:04.279 --> 01:39:05.560
<v Speaker 1>like oh, I said this because I thought you want

2370
01:39:05.600 --> 01:39:06.960
<v Speaker 1>me to say that, and Matt du you know what

2371
01:39:07.039 --> 01:39:09.600
<v Speaker 1>I know say that He's like, who would cover for me?

2372
01:39:09.640 --> 01:39:10.960
<v Speaker 1>And he's like, well, I thought you'd cover for me.

2373
01:39:11.239 --> 01:39:13.720
<v Speaker 1>That's not like it, but it's good. Like it's like

2374
01:39:13.920 --> 01:39:17.439
<v Speaker 1>it's like you could look as comedic banter at the moment,

2375
01:39:17.479 --> 01:39:19.279
<v Speaker 1>but the way they edit it and have it it

2376
01:39:19.439 --> 01:39:21.319
<v Speaker 1>is like a very frightening thing. And then they spice

2377
01:39:21.359 --> 01:39:23.239
<v Speaker 1>it with the trial off because there's a recording of

2378
01:39:23.279 --> 01:39:25.960
<v Speaker 1>that conversation. So yeah, but again, he was in an

2379
01:39:26.000 --> 01:39:28.880
<v Speaker 1>Interstellar right he played the grown up Timothy Shallowmeade and stuff,

2380
01:39:28.920 --> 01:39:32.159
<v Speaker 1>so he yeah, he he's like it's funny him del

2381
01:39:32.239 --> 01:39:35.920
<v Speaker 1>smashin Gary Oldman. These Nolan favorites were kind of those

2382
01:39:35.960 --> 01:39:38.399
<v Speaker 1>were ones that weren't advertised in the press, Like those

2383
01:39:38.439 --> 01:39:41.600
<v Speaker 1>three weren't announced beforehand. So that's why I thought Michael

2384
01:39:41.640 --> 01:39:43.600
<v Speaker 1>Kay might show up, like well they have said, or

2385
01:39:43.680 --> 01:39:45.600
<v Speaker 1>Christian Bale. It's like he's British, like can we you know,

2386
01:39:47.000 --> 01:39:48.479
<v Speaker 1>I'm just waiting for him and Bail because I haven't

2387
01:39:48.479 --> 01:39:50.479
<v Speaker 1>done anything together, like they did four movies together in

2388
01:39:50.640 --> 01:39:54.840
<v Speaker 1>like a row, and then yeah, it's him and Jackman

2389
01:39:54.880 --> 01:39:57.159
<v Speaker 1>together and and same thing. Jackman. Jackman's the one that

2390
01:39:57.279 --> 01:39:59.840
<v Speaker 1>I always am mad that him, and especially once he's

2391
01:40:00.039 --> 01:40:01.880
<v Speaker 1>on Wolverine. Now he's back at it, but I always

2392
01:40:01.880 --> 01:40:03.520
<v Speaker 1>thought once he was down, like man, I love jack

2393
01:40:03.560 --> 01:40:05.000
<v Speaker 1>when him to get back together because I love what

2394
01:40:05.079 --> 01:40:07.880
<v Speaker 1>they did together in Prestige, but just hasn't happened. But

2395
01:40:07.960 --> 01:40:09.760
<v Speaker 1>you know, hopefully Nolan says he's taking the score, says

2396
01:40:09.760 --> 01:40:11.640
<v Speaker 1>he around making movies till he's like eighty. So I'm like, good,

2397
01:40:11.640 --> 01:40:13.399
<v Speaker 1>we got We've got lots of time. We got lots

2398
01:40:13.479 --> 01:40:16.520
<v Speaker 1>of times to do this. So uh, that's their last

2399
01:40:16.560 --> 01:40:18.720
<v Speaker 1>out break and we'll be back with our update rankings

2400
01:40:18.760 --> 01:40:20.880
<v Speaker 1>and final thoughts and all that could jazz. We'll be

2401
01:40:21.039 --> 01:40:21.560
<v Speaker 1>right back.

2402
01:40:23.079 --> 01:40:24.000
<v Speaker 4>And we're back.

2403
01:40:24.199 --> 01:40:27.399
<v Speaker 1>So, uh, Kirkland, did you you have an updated rankings?

2404
01:40:27.439 --> 01:40:27.600
<v Speaker 5>There?

2405
01:40:27.840 --> 01:40:28.560
<v Speaker 3>Got his phone?

2406
01:40:28.640 --> 01:40:30.800
<v Speaker 1>Yeah, So go ahead, sir, what are your Obviously this

2407
01:40:30.880 --> 01:40:33.600
<v Speaker 1>is probably no punting a tentative because it's you know,

2408
01:40:33.640 --> 01:40:36.960
<v Speaker 1>you've just seen this movie rewatches, but just your initial

2409
01:40:37.039 --> 01:40:39.039
<v Speaker 1>feeling because we don't we were, we don't need to

2410
01:40:39.079 --> 01:40:41.079
<v Speaker 1>do a whole retro ranking episodes. So at one point

2411
01:40:41.079 --> 01:40:42.880
<v Speaker 1>we did rate rank these movies. So this is like

2412
01:40:42.880 --> 01:40:45.520
<v Speaker 1>an updated tierless and once heresis Oppenheimer, we'll get to

2413
01:40:46.159 --> 01:40:49.039
<v Speaker 1>his fucking wacky rating. You know, I don't know what

2414
01:40:49.079 --> 01:40:50.039
<v Speaker 1>would be never won there.

2415
01:40:51.359 --> 01:40:55.000
<v Speaker 3>Yeah, I mean, like, just like even just updating this ranking,

2416
01:40:55.079 --> 01:40:57.159
<v Speaker 3>it was pretty difficult. I feel like my Nolan ranking

2417
01:40:57.239 --> 01:40:59.560
<v Speaker 3>will never be in the solid state. It'll always be

2418
01:40:59.680 --> 01:41:01.600
<v Speaker 3>like a liquid or a gas. It's just kind of

2419
01:41:01.640 --> 01:41:05.039
<v Speaker 3>floating around and things are intermingling. Because even just as

2420
01:41:05.119 --> 01:41:07.439
<v Speaker 3>I was staring at like, I had two movies that

2421
01:41:07.560 --> 01:41:10.199
<v Speaker 3>I kept swapping them out like back and forth. I'm like, okay,

2422
01:41:10.279 --> 01:41:12.279
<v Speaker 3>I know that that one deserves them. I'm like, ah no,

2423
01:41:12.399 --> 01:41:14.479
<v Speaker 3>I can't even so it's just a.

2424
01:41:14.520 --> 01:41:15.279
<v Speaker 4>Never changing thing.

2425
01:41:15.319 --> 01:41:17.319
<v Speaker 3>I watched one movie and it'll probably jump up the list.

2426
01:41:17.399 --> 01:41:21.640
<v Speaker 3>But with that said, I'm gonna start hear the bottom twelve, right,

2427
01:41:21.960 --> 01:41:22.680
<v Speaker 3>that's solve them.

2428
01:41:23.560 --> 01:41:26.319
<v Speaker 1>Sor rye it should be twelve.

2429
01:41:26.560 --> 01:41:29.239
<v Speaker 3>Yeah, okay, so start at the bottom. I have his

2430
01:41:29.359 --> 01:41:34.000
<v Speaker 3>first movie following it's and like all of these movies

2431
01:41:34.039 --> 01:41:37.039
<v Speaker 3>aren't aren't bad necessarily, it's just I mean, that's the

2432
01:41:37.119 --> 01:41:39.960
<v Speaker 3>quality that he has in my mind. So I have following,

2433
01:41:40.159 --> 01:41:44.560
<v Speaker 3>and then Memento. I actually I was not a fan

2434
01:41:44.640 --> 01:41:46.720
<v Speaker 3>of that movie when we went through the retro the

2435
01:41:46.760 --> 01:41:49.119
<v Speaker 3>first time I saw it, and it just didn't didn't

2436
01:41:49.119 --> 01:41:51.760
<v Speaker 3>really speak to me that much. Maybe it'll grow onto overtime.

2437
01:41:52.880 --> 01:41:56.640
<v Speaker 3>Third last, I have Insomnia. Moving up from that, I

2438
01:41:56.720 --> 01:41:59.439
<v Speaker 3>have The Dark Knight Rises. I still don't rewatch that

2439
01:41:59.520 --> 01:42:04.880
<v Speaker 3>movie all these years later, I watch You'll like it.

2440
01:42:06.199 --> 01:42:09.880
<v Speaker 3>Moving up from there, I have done Kirk and then

2441
01:42:10.319 --> 01:42:15.079
<v Speaker 3>Batman begins above that Oppenheimer. This that's where I'm slating

2442
01:42:15.159 --> 01:42:20.000
<v Speaker 3>this one, just above Batman begins. So here is the

2443
01:42:20.079 --> 01:42:23.439
<v Speaker 3>top five now, So starting at the fifth spot, I

2444
01:42:23.600 --> 01:42:27.079
<v Speaker 3>got Tenant, it's grown up the list with the more viewings.

2445
01:42:27.319 --> 01:42:32.000
<v Speaker 3>N Then I have Inception, followed by The Prestige in

2446
01:42:32.079 --> 01:42:36.039
<v Speaker 3>the third splot, third splot, third spot, and then Interstellar

2447
01:42:36.199 --> 01:42:38.600
<v Speaker 3>number two and The Dark Knight at number one, And

2448
01:42:38.680 --> 01:42:40.159
<v Speaker 3>those were the Those were the two that I just

2449
01:42:40.279 --> 01:42:43.319
<v Speaker 3>kept swapping back and forth because I love Interstellar so much,

2450
01:42:43.399 --> 01:42:45.520
<v Speaker 3>but I just feel like The Dark Knight is just

2451
01:42:45.600 --> 01:42:49.239
<v Speaker 3>a just a more perfect movie. But it's so tough

2452
01:42:49.319 --> 01:42:53.479
<v Speaker 3>that all these movies are so great quality, you sir.

2453
01:42:54.239 --> 01:42:59.000
<v Speaker 5>Yeah, So I have not seen prestige, yet I don't

2454
01:42:59.079 --> 01:43:01.520
<v Speaker 5>got why I didn't do that. I did every other

2455
01:43:01.560 --> 01:43:03.840
<v Speaker 5>episode of the retro and I can't remember the reason why.

2456
01:43:04.079 --> 01:43:06.600
<v Speaker 1>And it seems like your sister was in town. I

2457
01:43:06.800 --> 01:43:09.880
<v Speaker 1>think if I were, because when I was uploading them

2458
01:43:09.920 --> 01:43:11.840
<v Speaker 1>again this time, it's like, right, Dylan wasn't on this,

2459
01:43:11.960 --> 01:43:14.119
<v Speaker 1>and I won your opinion because it's such a such

2460
01:43:14.159 --> 01:43:16.359
<v Speaker 1>a good I feel like it shares a lot of

2461
01:43:16.359 --> 01:43:18.399
<v Speaker 1>similarities to this. There's a lot of characters in the

2462
01:43:18.439 --> 01:43:21.720
<v Speaker 1>Gray Area except about a bomb. It's about magic, right,

2463
01:43:22.000 --> 01:43:23.479
<v Speaker 1>and like the timeline, same thing. You get like a

2464
01:43:23.560 --> 01:43:25.600
<v Speaker 1>future like a present day, and it's like it's very

2465
01:43:26.239 --> 01:43:28.319
<v Speaker 1>That's why I was really digging it because like, Okay,

2466
01:43:28.399 --> 01:43:29.880
<v Speaker 1>I see where we're going here, so.

2467
01:43:30.159 --> 01:43:32.680
<v Speaker 5>Yeah, I gotta watch that soon. That's that's definitely a

2468
01:43:32.720 --> 01:43:34.920
<v Speaker 5>big blind spot for me. And it's like, why have

2469
01:43:35.000 --> 01:43:36.960
<v Speaker 5>I just not seen one of his movies and it's

2470
01:43:37.000 --> 01:43:39.199
<v Speaker 5>one that you know, look at Kirklan's rank and it's

2471
01:43:39.239 --> 01:43:41.119
<v Speaker 5>very high up there. So I don't have that on here,

2472
01:43:41.119 --> 01:43:44.279
<v Speaker 5>So I only have eleven. Bottom for me is Dark

2473
01:43:44.319 --> 01:43:47.079
<v Speaker 5>Knight Rises. I also, I gotta say, like I have

2474
01:43:47.159 --> 01:43:50.800
<v Speaker 5>not rewatched probably like half of these I've probably only

2475
01:43:50.840 --> 01:43:52.479
<v Speaker 5>seen half of these like once, so it makes the

2476
01:43:53.119 --> 01:43:56.680
<v Speaker 5>ranking particularly interesting, and I'm gonna say just treat it

2477
01:43:56.720 --> 01:43:57.239
<v Speaker 5>makes it tricky.

2478
01:43:57.279 --> 01:43:58.199
<v Speaker 2>It makes it really hard to do.

2479
01:43:58.399 --> 01:44:01.560
<v Speaker 5>Or I feel very solid about like my top six

2480
01:44:01.760 --> 01:44:04.039
<v Speaker 5>five or six, but then after that it becomes kind

2481
01:44:04.079 --> 01:44:06.000
<v Speaker 5>of messy. So Dark Knight Rises I have in last place,

2482
01:44:06.720 --> 01:44:10.000
<v Speaker 5>and then a tenth I have following. Number nine is

2483
01:44:10.039 --> 01:44:10.319
<v Speaker 5>where I.

2484
01:44:10.359 --> 01:44:15.239
<v Speaker 2>Put Batman begins, and then at number eight.

2485
01:44:15.279 --> 01:44:18.199
<v Speaker 5>Is where I put Dunkirk, which I really should rewatch

2486
01:44:18.720 --> 01:44:20.920
<v Speaker 5>all of these, but I really need to rewatch Dunkirk

2487
01:44:20.960 --> 01:44:23.560
<v Speaker 5>it's been a while. Number seven is where I put

2488
01:44:23.600 --> 01:44:25.720
<v Speaker 5>in Saw Me, which honestly, when I was looking through

2489
01:44:25.800 --> 01:44:28.159
<v Speaker 5>his IMDb to like, okay, make sure I got all

2490
01:44:28.199 --> 01:44:30.439
<v Speaker 5>these movies on the list, I was like, fuck, I

2491
01:44:30.520 --> 01:44:33.880
<v Speaker 5>completely forgot that movie exists, which is I guess kind

2492
01:44:33.920 --> 01:44:35.640
<v Speaker 5>of fitting for what that movie is in a way.

2493
01:44:35.680 --> 01:44:38.800
<v Speaker 5>But also I still I still like, when I thought

2494
01:44:38.800 --> 01:44:40.239
<v Speaker 5>about it, I'm like, I think i'd still put it

2495
01:44:40.279 --> 01:44:42.600
<v Speaker 5>about all these other ones that I mentioned below it

2496
01:44:42.880 --> 01:44:45.600
<v Speaker 5>just because I don't know, there's elements that I really

2497
01:44:45.600 --> 01:44:47.560
<v Speaker 5>don't like about those other ones, whereas I feel like

2498
01:44:47.600 --> 01:44:51.039
<v Speaker 5>I just really enjoyed Insoma, even if it's somewhat forgettable.

2499
01:44:52.039 --> 01:44:55.840
<v Speaker 5>Tenant is where I put Tenant, I put at number

2500
01:44:55.920 --> 01:44:59.119
<v Speaker 5>six rather another one that needs to rewatch. For sure,

2501
01:44:59.680 --> 01:45:01.520
<v Speaker 5>I was gonna be sounding probably low for a lot

2502
01:45:01.560 --> 01:45:04.720
<v Speaker 5>of people. I'm gonna put The Dark Night at number five,

2503
01:45:05.920 --> 01:45:08.119
<v Speaker 5>and I put Memento at number four, so quite a

2504
01:45:08.159 --> 01:45:12.079
<v Speaker 5>lot higher than mister kirkle Patzer Oppenheimer.

2505
01:45:12.119 --> 01:45:14.359
<v Speaker 2>I put it number three, so very high for me

2506
01:45:14.520 --> 01:45:14.880
<v Speaker 2>right now.

2507
01:45:16.199 --> 01:45:19.439
<v Speaker 5>Yeah, I'm very curious to see how that goes on rewatches.

2508
01:45:19.479 --> 01:45:21.800
<v Speaker 5>I really only think that one's it's harder for it

2509
01:45:21.840 --> 01:45:23.439
<v Speaker 5>to go up because there's only two more spaces for

2510
01:45:23.520 --> 01:45:25.760
<v Speaker 5>it to go. But I feel like I'll just enjoy

2511
01:45:25.840 --> 01:45:27.920
<v Speaker 5>it more with each watch. But to be fair, a

2512
01:45:27.960 --> 01:45:29.640
<v Speaker 5>lot of these other ones, I'm sure I would as well.

2513
01:45:30.159 --> 01:45:33.119
<v Speaker 5>Interstellar at number two, which, yeah, I just rewatched that

2514
01:45:33.159 --> 01:45:35.840
<v Speaker 5>one recently, and that definitely solidified because I think that

2515
01:45:35.880 --> 01:45:37.600
<v Speaker 5>was still only the second time I've seen it, And yeah,

2516
01:45:37.600 --> 01:45:40.479
<v Speaker 5>I just I love space as a setting. That movie

2517
01:45:40.560 --> 01:45:43.720
<v Speaker 5>is so trippy and interesting and cool, and yeah, for me,

2518
01:45:43.840 --> 01:45:46.640
<v Speaker 5>number one, Inception, without a doubt, that's for me. That's

2519
01:45:46.680 --> 01:45:49.199
<v Speaker 5>the top ten favorite all time movie for me.

2520
01:45:49.239 --> 01:45:49.600
<v Speaker 1>I love it.

2521
01:45:49.680 --> 01:45:51.600
<v Speaker 2>So it's probably even top five. I love that movie

2522
01:45:51.680 --> 01:45:54.079
<v Speaker 2>so so much. Go back to the retro to hear why,

2523
01:45:54.199 --> 01:45:55.359
<v Speaker 2>but that movie.

2524
01:45:55.239 --> 01:45:59.119
<v Speaker 5>Is so special, so cool, so stylish, such a great concept,

2525
01:45:59.520 --> 01:46:03.720
<v Speaker 5>really fun, interesting characters, the soundtracks amazing. So yeah, that's

2526
01:46:03.920 --> 01:46:05.520
<v Speaker 5>just one of my all time favorites. I've seen it

2527
01:46:05.880 --> 01:46:08.319
<v Speaker 5>so many times and I'll always I'm always down to

2528
01:46:08.359 --> 01:46:09.800
<v Speaker 5>rewatch it, no matter what mood I'm in.

2529
01:46:10.239 --> 01:46:12.720
<v Speaker 1>Yeah, and don't forget that's a Golden Geek's Best of

2530
01:46:12.800 --> 01:46:15.239
<v Speaker 1>the Decade. Twenty twenty is best film. Remember that's what

2531
01:46:15.279 --> 01:46:17.039
<v Speaker 1>when the Golden Geek for the whole decade.

2532
01:46:17.119 --> 01:46:18.319
<v Speaker 2>So yeah, well deserved.

2533
01:46:18.680 --> 01:46:21.439
<v Speaker 1>Yeah, so I got Insomnia last. So the reason I

2534
01:46:21.520 --> 01:46:23.479
<v Speaker 1>have there, I still I like all these movies. They're

2535
01:46:23.520 --> 01:46:25.960
<v Speaker 1>all honestly, they're all like eight and above on that scale.

2536
01:46:26.279 --> 01:46:28.960
<v Speaker 1>It's just that one feels the least like Nolan. He

2537
01:46:29.039 --> 01:46:31.600
<v Speaker 1>also didn't write it. It's also like a remake of

2538
01:46:31.720 --> 01:46:33.920
<v Speaker 1>a foreign film, so it's just like I'm missing some

2539
01:46:34.199 --> 01:46:36.800
<v Speaker 1>Nolan isms, and it's his first like big studio movies,

2540
01:46:36.840 --> 01:46:40.520
<v Speaker 1>so it feels very much like a make this to

2541
01:46:40.760 --> 01:46:43.159
<v Speaker 1>get to, you know, to a certain point. You know,

2542
01:46:43.199 --> 01:46:46.079
<v Speaker 1>he's working with Williams and he's working with the Cheeto

2543
01:46:46.119 --> 01:46:48.960
<v Speaker 1>and stuff, so I think it's kind of a test. Actually,

2544
01:46:49.079 --> 01:46:51.119
<v Speaker 1>remember we're on there. That was two thousand and two, right,

2545
01:46:51.520 --> 01:46:53.920
<v Speaker 1>so it comes after Memento. But still it just feels

2546
01:46:53.960 --> 01:46:56.600
<v Speaker 1>like that's like he does. Memento gets some traction, he

2547
01:46:56.760 --> 01:46:58.840
<v Speaker 1>gets insomnia, and because he handles it well, I like

2548
01:46:58.840 --> 01:47:00.720
<v Speaker 1>that's what gets the Batman begins. So it's like, okay,

2549
01:47:01.119 --> 01:47:03.479
<v Speaker 1>competent director, But yeah, I got and saw me there.

2550
01:47:03.560 --> 01:47:06.680
<v Speaker 1>Then I got done Kirk eleven ten, I got Falling,

2551
01:47:06.680 --> 01:47:09.199
<v Speaker 1>which is a fun like it's a it's very like

2552
01:47:09.720 --> 01:47:12.720
<v Speaker 1>baby Nolan, Like you can you can see Nolan there.

2553
01:47:12.880 --> 01:47:14.119
<v Speaker 1>It's like you didn't have the budget to do what

2554
01:47:14.159 --> 01:47:16.399
<v Speaker 1>he wants, but you can see isms that are gonna

2555
01:47:16.439 --> 01:47:19.680
<v Speaker 1>happen later. On number nine, I got Tenant, number eight,

2556
01:47:19.720 --> 01:47:21.520
<v Speaker 1>I got Momento, which is tough because all these I

2557
01:47:21.640 --> 01:47:23.960
<v Speaker 1>really like this was one. I go back and forth

2558
01:47:24.079 --> 01:47:27.079
<v Speaker 1>between Memento and Rises. They're very close. I think my

2559
01:47:27.199 --> 01:47:29.520
<v Speaker 1>only thing is Memento. I just never because I didn't

2560
01:47:29.520 --> 01:47:31.640
<v Speaker 1>get to be on that retro. I always at this point,

2561
01:47:31.640 --> 01:47:33.800
<v Speaker 1>I feel like the ending is very abruptive. We rushed

2562
01:47:33.800 --> 01:47:36.640
<v Speaker 1>to the ending very quickly. Rises, I have some issues,

2563
01:47:36.680 --> 01:47:38.800
<v Speaker 1>but there's just some enjoyment, kind of full circle stuff

2564
01:47:38.840 --> 01:47:42.159
<v Speaker 1>I like there. Number six is Interseellar, which, like I

2565
01:47:42.199 --> 01:47:44.079
<v Speaker 1>said this past time, I really liked watching. So I

2566
01:47:44.119 --> 01:47:46.560
<v Speaker 1>don't know if it'll go up in the top five.

2567
01:47:46.600 --> 01:47:49.119
<v Speaker 1>I got Oppenheimer there for now. I don't know if

2568
01:47:49.159 --> 01:47:52.520
<v Speaker 1>it can go up any more, maybe over four, which

2569
01:47:52.520 --> 01:47:55.399
<v Speaker 1>as Batman begins, it could because I think Oppenheimer's definitely

2570
01:47:55.439 --> 01:47:57.880
<v Speaker 1>a better movie, but I think it's just a great

2571
01:47:57.960 --> 01:48:00.159
<v Speaker 1>Batman origin. So that's where I'm kind of tough to

2572
01:48:00.319 --> 01:48:03.479
<v Speaker 1>a Batman guy. And much like Kirk you're talking about

2573
01:48:03.479 --> 01:48:05.319
<v Speaker 1>your one and two swapping, this is where I am

2574
01:48:05.399 --> 01:48:08.000
<v Speaker 1>for two and three is three is Prestige, and then

2575
01:48:08.039 --> 01:48:11.000
<v Speaker 1>two is Inception. Every time I watch Prestige, I'm like, oh,

2576
01:48:11.039 --> 01:48:13.600
<v Speaker 1>that's easily number two, And then I watch Inception, they go, oh,

2577
01:48:13.680 --> 01:48:16.479
<v Speaker 1>it's so I give Inception like the little bump over.

2578
01:48:16.640 --> 01:48:18.600
<v Speaker 1>But I feel like you ask me every day of

2579
01:48:18.600 --> 01:48:20.640
<v Speaker 1>the week and it changes because I love the character

2580
01:48:20.760 --> 01:48:23.479
<v Speaker 1>dynamic you talk about Oppenheimer. Hugh Jackman is probably one

2581
01:48:23.479 --> 01:48:25.800
<v Speaker 1>of my favorite examples of a character that's in the

2582
01:48:25.880 --> 01:48:27.680
<v Speaker 1>gray area. If you just don't know how to feel

2583
01:48:27.680 --> 01:48:29.399
<v Speaker 1>about this character at the end of the movie. And

2584
01:48:29.479 --> 01:48:31.600
<v Speaker 1>then number one is TDK. I love Dark Knight. It's

2585
01:48:31.640 --> 01:48:33.920
<v Speaker 1>the performance, is the scope. It was you know, we're

2586
01:48:33.920 --> 01:48:36.279
<v Speaker 1>gonna talk about another movie later on, you know, on

2587
01:48:36.359 --> 01:48:38.600
<v Speaker 1>the key for feed this to me was Nolan. Where

2588
01:48:38.600 --> 01:48:41.279
<v Speaker 1>you can see k there's Nolan the director, and then

2589
01:48:41.319 --> 01:48:43.880
<v Speaker 1>here's like I think, like, you don't get Inception unless

2590
01:48:43.880 --> 01:48:45.600
<v Speaker 1>you get The Dark Knight, because The Dark Knight was Okay,

2591
01:48:45.640 --> 01:48:48.439
<v Speaker 1>here's him on this huge scale, learning all these things,

2592
01:48:48.560 --> 01:48:51.359
<v Speaker 1>doing these things that Imax camera and then Sception you

2593
01:48:51.399 --> 01:48:53.359
<v Speaker 1>got to come and be like, Okay, I got everything down.

2594
01:48:53.399 --> 01:48:56.079
<v Speaker 1>And yeah, it's a still the still the greatest. It's tough.

2595
01:48:56.159 --> 01:48:58.600
<v Speaker 1>I love The Batman, but it's it's I still got

2596
01:48:58.640 --> 01:49:01.399
<v Speaker 1>it as my favorite. It's it's a joyous film. So

2597
01:49:02.319 --> 01:49:04.720
<v Speaker 1>del muss final thoughts on OPI.

2598
01:49:05.520 --> 01:49:07.000
<v Speaker 5>No, I mean I think that says it that I

2599
01:49:07.119 --> 01:49:10.159
<v Speaker 5>put it at number three on you know, out out

2600
01:49:10.159 --> 01:49:13.199
<v Speaker 5>of eleven for me because I'm missing Prestige. But yeah,

2601
01:49:14.279 --> 01:49:16.319
<v Speaker 5>i'd said, a really big surprise for me. Yeah, I

2602
01:49:16.359 --> 01:49:19.680
<v Speaker 5>did not expect to be coming away this hot, uh,

2603
01:49:19.960 --> 01:49:24.319
<v Speaker 5>And I'm very pleasantly surprised by it and very excited

2604
01:49:24.319 --> 01:49:26.600
<v Speaker 5>to rewatch it, especially even just knowing that how the

2605
01:49:26.640 --> 01:49:28.920
<v Speaker 5>black and white scenes are supposed to be used. You know,

2606
01:49:29.000 --> 01:49:32.000
<v Speaker 5>of course it's always up to the viewers interpretation, but

2607
01:49:32.119 --> 01:49:35.439
<v Speaker 5>to know what Nolan thinks of those scenes, I'm excited

2608
01:49:35.479 --> 01:49:38.560
<v Speaker 5>to rewatch this. I will definitely do so before Golden

2609
01:49:38.600 --> 01:49:40.840
<v Speaker 5>Geeks this year, probably maybe even a couple of times,

2610
01:49:41.000 --> 01:49:43.800
<v Speaker 5>even though it's long and intense. But yeah, I really

2611
01:49:43.840 --> 01:49:46.000
<v Speaker 5>really enjoyed this movie, really glad that.

2612
01:49:47.239 --> 01:49:48.760
<v Speaker 2>I don't know what else to say. I love it. Yeah,

2613
01:49:48.840 --> 01:49:50.319
<v Speaker 2>good to go, you tell it long.

2614
01:49:50.520 --> 01:49:52.800
<v Speaker 1>It's so excited to get Tator's review because bad movies,

2615
01:49:52.960 --> 01:49:55.119
<v Speaker 1>Oh it was long, like this is it is long. Yeah,

2616
01:49:55.159 --> 01:49:56.560
<v Speaker 1>if he doesn't like this movie, this is This is

2617
01:49:56.600 --> 01:49:57.439
<v Speaker 1>a real long one.

2618
01:49:57.560 --> 01:49:59.399
<v Speaker 2>This is I guarantee you that's what he'll say. Yeah,

2619
01:49:59.439 --> 01:49:59.960
<v Speaker 2>it's very long.

2620
01:50:00.600 --> 01:50:03.800
<v Speaker 1>You never know and a half or no, there's sometimes

2621
01:50:03.840 --> 01:50:06.319
<v Speaker 1>with some certain history. He's like a buff and so

2622
01:50:06.399 --> 01:50:08.479
<v Speaker 1>if he's really into this air, like the ball making,

2623
01:50:08.920 --> 01:50:10.640
<v Speaker 1>he's gonna be all over it. But I feel like

2624
01:50:10.640 --> 01:50:11.119
<v Speaker 1>I've never.

2625
01:50:11.000 --> 01:50:13.600
<v Speaker 4>Heard him about the bomb era making. Yeah, I've heard

2626
01:50:13.680 --> 01:50:14.439
<v Speaker 4>him talk about.

2627
01:50:14.800 --> 01:50:17.039
<v Speaker 1>But there's always stuff. But you remember, he just ramily

2628
01:50:17.079 --> 01:50:19.039
<v Speaker 1>became like a maple Leaze fans like, oh really, I've

2629
01:50:19.039 --> 01:50:20.479
<v Speaker 1>never heard you say the Shark.

2630
01:50:20.680 --> 01:50:21.399
<v Speaker 2>The Shark.

2631
01:50:21.439 --> 01:50:23.880
<v Speaker 4>I was gonna say, I gotta defend him here the Shark.

2632
01:50:24.439 --> 01:50:25.960
<v Speaker 1>Yeah, it's a shark. But like just one days again,

2633
01:50:25.960 --> 01:50:27.560
<v Speaker 1>I love the Shark's my favorite team of all time.

2634
01:50:27.960 --> 01:50:29.960
<v Speaker 1>I watch every game. It's like I've never come over

2635
01:50:30.079 --> 01:50:33.520
<v Speaker 1>so you once a game on I cruised, It's always

2636
01:50:33.560 --> 01:50:36.319
<v Speaker 1>on the backgrounds like yeah, whatever, Then.

2637
01:50:35.960 --> 01:50:39.279
<v Speaker 4>He back pedals. Playoffs, playoffs, the last.

2638
01:50:39.159 --> 01:50:41.279
<v Speaker 1>Game I played in the video game. That's pretty much

2639
01:50:41.279 --> 01:50:44.359
<v Speaker 1>what it is. You know, he's watching those games. Current pass.

2640
01:50:44.479 --> 01:50:47.880
<v Speaker 1>What would you give this one? Yeah? Yeah?

2641
01:50:47.920 --> 01:50:50.000
<v Speaker 3>I Like I said before, I feel like I just

2642
01:50:50.079 --> 01:50:53.760
<v Speaker 3>had such high expectations enjoyment wise, and unfortunately it just

2643
01:50:53.880 --> 01:50:56.800
<v Speaker 3>didn't quite didn't quite reach that. But that doesn't that

2644
01:50:56.920 --> 01:50:59.560
<v Speaker 3>that doesn't say anything against the quality of what the

2645
01:50:59.640 --> 01:51:02.439
<v Speaker 3>film is. I I do truly think that this is

2646
01:51:02.560 --> 01:51:05.199
<v Speaker 3>just like a ten out of ten quality of just

2647
01:51:05.439 --> 01:51:08.680
<v Speaker 3>just everything. It's so well done. But for my personal score,

2648
01:51:08.720 --> 01:51:12.159
<v Speaker 3>I feel like like it's it says like it feels

2649
01:51:12.199 --> 01:51:13.640
<v Speaker 3>weird not giving it like a perfect ten out of ten,

2650
01:51:13.680 --> 01:51:16.720
<v Speaker 3>because like that's what I see it as for quality purposes.

2651
01:51:16.800 --> 01:51:18.920
<v Speaker 3>But my enjoyment just isn't quite there. So probably like

2652
01:51:19.000 --> 01:51:20.960
<v Speaker 3>nine point five just just to be a little just

2653
01:51:21.399 --> 01:51:24.239
<v Speaker 3>just to be that guy. Yeah exactly, because like yeah,

2654
01:51:24.399 --> 01:51:27.079
<v Speaker 3>like if someone asked me how how great the movie is,

2655
01:51:27.239 --> 01:51:29.880
<v Speaker 3>it's just like, yeah, it's it's exceptionally well done.

2656
01:51:30.319 --> 01:51:33.239
<v Speaker 4>Uh not my favorite Olan movie, So I think I'll

2657
01:51:33.279 --> 01:51:33.800
<v Speaker 4>leave it it there.

2658
01:51:33.880 --> 01:51:37.520
<v Speaker 3>Yeah, it's really really just long awaited to like it

2659
01:51:37.680 --> 01:51:39.720
<v Speaker 3>seems so long ago from when I first got that

2660
01:51:39.840 --> 01:51:41.359
<v Speaker 3>like teaser thing, you know, we're joking about like the

2661
01:51:41.439 --> 01:51:47.279
<v Speaker 3>countdown things.

2662
01:51:45.399 --> 01:51:48.279
<v Speaker 1>Take them that stupid video of a changing every hour

2663
01:51:48.520 --> 01:51:51.039
<v Speaker 1>like it's, hey, it works, walks up. But I just laughed,

2664
01:51:51.159 --> 01:51:53.239
<v Speaker 1>like I wonder if they'll do that again, because I

2665
01:51:53.279 --> 01:51:55.000
<v Speaker 1>can't wait to see what Nolan does next, because he's

2666
01:51:55.079 --> 01:51:58.920
<v Speaker 1>uh even just studio wise, I still think he's gonna

2667
01:51:58.960 --> 01:52:01.359
<v Speaker 1>do Bond. That's still my guess. I really feel he's

2668
01:52:01.399 --> 01:52:03.079
<v Speaker 1>even been talking about in Prescon like, oh it being

2669
01:52:03.079 --> 01:52:06.079
<v Speaker 1>an honor. I just feel like, you know, people see this,

2670
01:52:06.279 --> 01:52:09.960
<v Speaker 1>they see the success of Oppenheimer. He's a massive Bond fan.

2671
01:52:10.079 --> 01:52:11.239
<v Speaker 1>I feel like that's the plot.

2672
01:52:11.359 --> 01:52:12.880
<v Speaker 2>Time to go back to IP as well.

2673
01:52:12.960 --> 01:52:15.119
<v Speaker 1>Perhaps, Yeah, And it's like I think it's the one

2674
01:52:15.159 --> 01:52:17.199
<v Speaker 1>eyep because he said again it was weird. He said

2675
01:52:17.239 --> 01:52:19.800
<v Speaker 1>superhowed music? I said no. They asked what Star Wars films?

2676
01:52:19.840 --> 01:52:22.039
<v Speaker 1>He said no comment, which I found very surprising. Why

2677
01:52:22.079 --> 01:52:23.640
<v Speaker 1>wouldn't he just say no? So I don't know, but

2678
01:52:23.760 --> 01:52:26.119
<v Speaker 1>I don't think Disney's in the state to I wouldn't

2679
01:52:26.119 --> 01:52:28.319
<v Speaker 1>see that pairing. I could see Disney locking him down

2680
01:52:28.359 --> 01:52:30.840
<v Speaker 1>for an original movie. I would never see them locking

2681
01:52:30.880 --> 01:52:33.079
<v Speaker 1>him down for Star Wars. But Bond, I think is

2682
01:52:33.600 --> 01:52:36.319
<v Speaker 1>I think that that's my Traves told you prediction. We'll

2683
01:52:36.359 --> 01:52:37.000
<v Speaker 1>see if what happens.

2684
01:52:37.079 --> 01:52:40.760
<v Speaker 3>But I am happy to say the like it's not

2685
01:52:40.880 --> 01:52:43.560
<v Speaker 3>like I'm in that stage of being like, ah, yeah, no,

2686
01:52:43.720 --> 01:52:45.640
<v Speaker 3>I feel like Nolan's kind of done his best work.

2687
01:52:45.680 --> 01:52:48.279
<v Speaker 3>I still truly believe that that is possibly ahead, which

2688
01:52:48.319 --> 01:52:50.439
<v Speaker 3>is crazy just looking back on what he's done, and

2689
01:52:51.279 --> 01:52:53.439
<v Speaker 3>it's nice just seeing this and it's like, yeah, I'm

2690
01:52:53.439 --> 01:52:55.800
<v Speaker 3>still very excited for the next Nolan project. He's still

2691
01:52:55.880 --> 01:52:56.439
<v Speaker 3>my favorite.

2692
01:52:56.920 --> 01:52:59.159
<v Speaker 4>Yeah back on top, Yeah no.

2693
01:52:59.439 --> 01:53:01.760
<v Speaker 1>Yeah, good hand up there, same thing. Yeah, no, all

2694
01:53:01.920 --> 01:53:04.319
<v Speaker 1>my favorite guy. And he proved it again here. I've

2695
01:53:04.359 --> 01:53:05.760
<v Speaker 1>said what I need to said, got to give it

2696
01:53:05.800 --> 01:53:08.439
<v Speaker 1>the ten out of ten. I don't really have many critiques,

2697
01:53:08.479 --> 01:53:11.319
<v Speaker 1>maybe on another one, but I, uh yeah, this is

2698
01:53:11.399 --> 01:53:13.880
<v Speaker 1>definitely one that for golden geeks, Potama, but definitely for

2699
01:53:14.000 --> 01:53:15.600
<v Speaker 1>like when I get to Oscar season, this is what

2700
01:53:15.760 --> 01:53:18.479
<v Speaker 1>I got my like on right now. I really, I

2701
01:53:18.600 --> 01:53:20.640
<v Speaker 1>really hope this can get Nola on that big trophy.

2702
01:53:20.720 --> 01:53:22.840
<v Speaker 1>I think he does want you know, he's been close,

2703
01:53:22.920 --> 01:53:25.560
<v Speaker 1>and I think he's you know, again, this is the

2704
01:53:25.720 --> 01:53:27.720
<v Speaker 1>man because Dark Knight didn't get nominated. This is the

2705
01:53:27.760 --> 01:53:29.920
<v Speaker 1>guy that made it so the Oscars have ten movies

2706
01:53:30.000 --> 01:53:31.800
<v Speaker 1>because everyone's like, oh, we really should put in the

2707
01:53:31.880 --> 01:53:33.920
<v Speaker 1>Dark Knight and I was like, we kind of screwed

2708
01:53:34.000 --> 01:53:36.359
<v Speaker 1>up there. So it's like a full circle moment for

2709
01:53:36.439 --> 01:53:38.359
<v Speaker 1>me if he can get that. And I feel this

2710
01:53:38.520 --> 01:53:41.840
<v Speaker 1>is we talk about these performances and the legacy of

2711
01:53:41.960 --> 01:53:44.600
<v Speaker 1>the Oppenheimer, but he also with those spices of talking

2712
01:53:44.600 --> 01:53:47.560
<v Speaker 1>about chemistry and the bombs. He spices in those Nolan

2713
01:53:47.640 --> 01:53:50.279
<v Speaker 1>moments right of the grand scale and even sci fi

2714
01:53:50.319 --> 01:53:51.840
<v Speaker 1>stuff like you're talking about like when it's like the

2715
01:53:51.960 --> 01:53:53.920
<v Speaker 1>inside of a bomb and you see the particles. It's

2716
01:53:53.960 --> 01:53:55.720
<v Speaker 1>like You've need so many movies where they'll just talk

2717
01:53:55.760 --> 01:53:57.520
<v Speaker 1>about the bomb and you don't get that and they're scary.

2718
01:53:57.560 --> 01:54:00.520
<v Speaker 1>They'll be like Jesus are loud, and then you get

2719
01:54:00.560 --> 01:54:02.800
<v Speaker 1>the ball, you know. And again, I also feel like

2720
01:54:02.880 --> 01:54:05.039
<v Speaker 1>the best thing is it's Nolan's still doing some other

2721
01:54:05.119 --> 01:54:07.800
<v Speaker 1>things that he hasn't done before, or there's spins on

2722
01:54:07.920 --> 01:54:09.920
<v Speaker 1>things he's done before. That's the best thing when it's

2723
01:54:09.960 --> 01:54:13.439
<v Speaker 1>a director still doing a variation of his work. So yeah,

2724
01:54:13.560 --> 01:54:16.520
<v Speaker 1>definitely one of my favorites of the year. So yeah,

2725
01:54:16.720 --> 01:54:19.239
<v Speaker 1>great time. And I can't you know, can't wait see

2726
01:54:19.239 --> 01:54:20.960
<v Speaker 1>what no one does next every time, you know, I'm

2727
01:54:21.199 --> 01:54:22.039
<v Speaker 1>very happy about this.

2728
01:54:22.199 --> 01:54:25.239
<v Speaker 5>So I'm so curious, Like now, I'm actually excited to

2729
01:54:25.279 --> 01:54:28.520
<v Speaker 5>see where this ends up on like the Oscars stuff,

2730
01:54:28.560 --> 01:54:30.560
<v Speaker 5>and like, for the first time ever, I'm I'm like, man,

2731
01:54:30.600 --> 01:54:32.840
<v Speaker 5>they better win editing, like, which is something I never

2732
01:54:32.960 --> 01:54:35.920
<v Speaker 5>really care or think about, I guess, but I'm like, man,

2733
01:54:36.000 --> 01:54:38.960
<v Speaker 5>this was so well edited in particular that I hope

2734
01:54:39.000 --> 01:54:40.840
<v Speaker 5>it wins that I think it definitely in some of

2735
01:54:40.880 --> 01:54:43.119
<v Speaker 5>those other categories at the very least, but who knows

2736
01:54:43.199 --> 01:54:44.239
<v Speaker 5>well to see what the competition is.

2737
01:54:44.279 --> 01:54:46.640
<v Speaker 1>Of course, Yeah, I think picture. I think killing can

2738
01:54:46.720 --> 01:54:48.680
<v Speaker 1>actually get his first one, which would be great. But yeah,

2739
01:54:48.760 --> 01:54:51.239
<v Speaker 1>it'll be the big talking point in October because right

2740
01:54:51.279 --> 01:54:53.760
<v Speaker 1>now the big duels this and Marty's next film with

2741
01:54:53.840 --> 01:54:55.920
<v Speaker 1>Leo and Denaro, that's like the other one people have seen,

2742
01:54:55.960 --> 01:54:57.600
<v Speaker 1>like okay, look out, so it's gonna come down to

2743
01:54:58.439 --> 01:55:00.479
<v Speaker 1>those two in the Duke group. But yeah, couple then

2744
01:55:00.520 --> 01:55:02.000
<v Speaker 1>the Fall, talk about a bunch of stuff. Thank you

2745
01:55:02.119 --> 01:55:03.680
<v Speaker 1>very much for tuning into this. You know, not a

2746
01:55:03.720 --> 01:55:05.600
<v Speaker 1>full open higher review, but hit the two hour mark

2747
01:55:05.640 --> 01:55:07.239
<v Speaker 1>pretty much so close.

2748
01:55:07.960 --> 01:55:08.520
<v Speaker 4>The third act.

2749
01:55:08.880 --> 01:55:11.279
<v Speaker 1>Yeah, yeah, we end right when he's at the flag. Yeah,

2750
01:55:11.520 --> 01:55:15.600
<v Speaker 1>like that's the act exactly. Yeah, because we got some

2751
01:55:15.720 --> 01:55:17.840
<v Speaker 1>good ratings there, a lot of people agree and everything.

2752
01:55:17.920 --> 01:55:20.199
<v Speaker 1>So yeah, thank you very much for tuning in. Check

2753
01:55:20.239 --> 01:55:22.359
<v Speaker 1>out the bar review and vice versa. Check everything else

2754
01:55:22.399 --> 01:55:24.079
<v Speaker 1>in the feed. Good week coming up, and we promise

2755
01:55:24.119 --> 01:55:25.039
<v Speaker 1>you will not be boring.

2756
01:55:25.239 --> 01:55:29.279
<v Speaker 4>Bye bye, I can't find my mouse.

2757
01:55:29.399 --> 01:55:29.680
<v Speaker 1>There is
